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<v Speaker 1>Hey, I'm Angie and I'm Ryan and we're Love Spirals.

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<v Speaker 2>Here we are back for another Chilling with Love Spirals podcast.

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<v Speaker 2>Oh my god.

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<v Speaker 1>Yeah, so we've got lots of news, as you can imagine.

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<v Speaker 1>I don't even remember how long it's been since that

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<v Speaker 1>last one.

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<v Speaker 2>Yeah, after Newmanon right, Yeah, yeah, which is a few

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<v Speaker 2>months ago.

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<v Speaker 1>Anyways, the big, big, big news is that one week ago, yesterday,

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<v Speaker 1>we released a new song.

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<v Speaker 2>It's the podcast. Yeah, we're really excited. It's called not

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<v Speaker 2>Myself and that, strangely is recorded around the time of Newmanon.

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<v Speaker 2>I had this big creative burst back in the cold

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<v Speaker 2>months in winter early this year. I kind of wrote

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<v Speaker 2>the two and we recorded the two around the same time,

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<v Speaker 2>and strangely decided to go with newman On first, even

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<v Speaker 2>though we finished. If we finished Not Myself first, that's

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<v Speaker 2>the same thing. That was the first moment I thought

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<v Speaker 2>NEWMANA would be a good comeback song.

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<v Speaker 1>Yeah, I'm glad we want newman On first.

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<v Speaker 2>Yeah.

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<v Speaker 1>Like it's you know, really solid songwriting and everything. And

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<v Speaker 1>thank you everyone who like added your Spotify and playlist

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<v Speaker 1>or played.

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<v Speaker 2>The thousands of you. That was amazing.

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<v Speaker 1>Yeah, and then we put out the the remix that

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<v Speaker 1>we hinted at on the last podcast, druma based mix.

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<v Speaker 2>And then the instrumental guitar focus.

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<v Speaker 1>To this day, the instrumental guitar Focus is only on

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<v Speaker 1>band camp, so if you haven't heard it yet, you

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<v Speaker 1>can go check it.

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<v Speaker 2>Out over on band camp there.

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<v Speaker 1>Yes, so yeah, so not myself. I just I kind

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<v Speaker 1>of just so much time was going by after Newman On,

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<v Speaker 1>and like life kept changing and moving, and I was like,

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<v Speaker 1>let's just get it out, let's just get it out.

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<v Speaker 1>So I just really quickly got together and I got

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<v Speaker 1>that album art, which the album art for Not Myself

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<v Speaker 1>is was actually one of the ones I had pitched

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<v Speaker 1>Ryan for Newmanon, and then we decided to go. I

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<v Speaker 1>think what we went with was way better though your

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<v Speaker 1>moody photographs.

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<v Speaker 2>It went along with the whole the video concept. Yeah,

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<v Speaker 2>just a consistent theme there, yeah yeah, yeah, perfect goes

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<v Speaker 2>along with the vertical format flower based video you made

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<v Speaker 2>for it too, So again a consistent theme sort of.

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<v Speaker 1>Yeah, I know we're getting a little better.

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<v Speaker 2>Yeah you learned something once you're hit fifty seven years old.

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<v Speaker 1>That yeah, so not myself. I feel like it really

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<v Speaker 1>goes with the change of the seasons too.

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<v Speaker 2>That was one advantage of waiting a few months and

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<v Speaker 2>releasing it now if we got our winter kind of STOs.

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<v Speaker 2>It's cold here finally in southern California. Yeah, at the

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<v Speaker 2>at the equinox that we're having now, the autumnal equinox,

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<v Speaker 2>so it's kind of nice to have the cold weather

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<v Speaker 2>coming for a lot of us. And the song I

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<v Speaker 2>think is I wrote it during some really cold weather,

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<v Speaker 2>so I think it's starting to fill the moods again

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<v Speaker 2>now that I had when I wrote the song when we.

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<v Speaker 1>I know you were not the only one.

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<v Speaker 2>Yeah, I came, I came up the music. Yeah, I

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<v Speaker 2>mean I was thinking I was making all the music together. Yeah.

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<v Speaker 2>I'm not trying to diminish your amazing vocals on this

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<v Speaker 2>song at all. Don't give it right.

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<v Speaker 1>People don't really know how songs get made here a

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<v Speaker 1>little tiny Yeah.

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<v Speaker 2>It usually starts off with a loop.

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<v Speaker 1>Yeah, and this one's got that great piano loop.

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<v Speaker 2>Yeah, it's a really start off with that piano sound. Yeah.

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<v Speaker 2>Then I started laying stuff. I think once I got

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<v Speaker 2>the acoustic guitar and the and the drum beat, the

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<v Speaker 2>song is really starting to take form and it's the

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<v Speaker 2>more stuff like bass, guitarmospherics.

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<v Speaker 1>As I recall, I think it came very shortly after

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<v Speaker 1>doing that remix for Trying to Go.

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<v Speaker 2>Yeah, I think we went right into this song after that.

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<v Speaker 2>That was for Project Records, and I'm really proud. I

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<v Speaker 2>think that's the best remix I've ever done. And and

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<v Speaker 2>she's gotten on it too. Of course that's the Love

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<v Speaker 2>Spirals remix. I gotta get her voice on it.

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<v Speaker 1>Yeah, so you were still kind of thinking like in

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<v Speaker 1>this kind of like retro really loop bass, like a

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<v Speaker 1>strong narrative lyric thing. Yeah, so you said to me,

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<v Speaker 1>I was thinking about maybe could you do something that's

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<v Speaker 1>like not such a strong like lyric based vocal And

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<v Speaker 1>I was like, oh, yeah, yeah, I could totally do that. Yeah.

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<v Speaker 2>I think it's it's something that's more like samples like

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<v Speaker 2>I would have done in nineteen ninety nine or two

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<v Speaker 2>thousand and five or something like that.

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<v Speaker 1>Yeah, yeah, Okay, that sounds fun. And the thing is like,

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<v Speaker 1>so I keep a lot of lyrics. I used to

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<v Speaker 1>write them in a book, but now I write them

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<v Speaker 1>on my phone for obvious reasons. So I just so

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<v Speaker 1>I just start looking through there and I have like

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<v Speaker 1>little snatches of poetry. Sometimes I think of a line

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<v Speaker 1>or two or maybe one verse, but I don't finish

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<v Speaker 1>the whole song. So I was like just looking for

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<v Speaker 1>something that I thought was really evocative and would tell

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<v Speaker 1>a story and the like the least amount of words

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<v Speaker 1>possible basically. So I found that I don't know who

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<v Speaker 1>I am, but I know I'm not myself, which I'm

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<v Speaker 1>sorry to say. I do not remember writing it. And

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<v Speaker 1>the thing is with notes too. As soon as you

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<v Speaker 1>update a note, it changes the date, so I don't

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<v Speaker 1>always know the date that I wrote it either. But anyway,

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<v Speaker 1>so I found that, and so we started We started

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<v Speaker 1>just recording kind of like ad libs, yeah or less.

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<v Speaker 2>Just had to come and just sing off the top

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<v Speaker 2>of your head, like your lyrics and this whatever stuff

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<v Speaker 2>you know, came up and I can't.

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<v Speaker 1>I don't remember. We came with it the hums and

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<v Speaker 1>that once.

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<v Speaker 2>We get which once we get a bunch of stuff recorded,

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<v Speaker 2>we'll just go and edit it and start playing with it,

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<v Speaker 2>and then that'll start determining the structure of the song. Oh,

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<v Speaker 2>I should have a new section here, breakdown the whole thing.

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<v Speaker 1>Yeah, yeah, So and then I think we kind of

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<v Speaker 1>learned from some of our other experiences recently, like it's

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<v Speaker 1>cool to get something like really evocative right up front, yeah,

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<v Speaker 1>starting with them.

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<v Speaker 2>Yeah, what she means is, I don't wait for the cool,

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<v Speaker 2>Like people don't make listeners wait like thirty or sixty seconds.

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<v Speaker 1>Of something cool, something we've always kind of.

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<v Speaker 2>It's like, you know, that may have been cool in

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<v Speaker 2>the eighties and nineties and stuff, and now people have

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<v Speaker 2>sort of attention spans know I they're going to click

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<v Speaker 2>next on Spotify.

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<v Speaker 1>Or I know we don't want you guys, So it

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<v Speaker 1>would make.

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<v Speaker 2>Sure at the beginning, within the first five to ten seconds,

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<v Speaker 2>listeners know there's gonna be some cool stuff, even though

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<v Speaker 2>we're starting kind of chill.

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<v Speaker 1>Yeah. Yeah, we did that on the on the Saint Love,

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<v Speaker 1>We're like, oh, let's put that really cool vocal right

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<v Speaker 1>up front, so they know there's gonna be some ethereal

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<v Speaker 1>vocals that it's going to take a while to get into.

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<v Speaker 2>But they're going to be there.

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<v Speaker 1>Yeah.

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<v Speaker 2>Because Yeah, on Alan Electronico's original song, it's just like

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<v Speaker 2>a robot.

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<v Speaker 1>Voice, Yeah, exactly.

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<v Speaker 2>Not a beautiful ethere woman.

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<v Speaker 1>Yeah. I'm not even sure if that robot voice is

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<v Speaker 1>a wonder if it's like him singing yeah with format

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<v Speaker 1>shifts everything, you don't know.

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<v Speaker 2>Kind of crazy vot Cooder, Yeah.

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<v Speaker 1>Yeah, yeah. So that was fun to lay in all

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<v Speaker 1>those different vocals, and you know, we tried to affect

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<v Speaker 1>them all in a way that made them all stand out.

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<v Speaker 1>So it ends up forming like a really nice kind

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<v Speaker 1>of like a Rondelay style.

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<v Speaker 2>Our production styles have been evolving over the years too.

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<v Speaker 2>That said, even though there's a lot of new tricks song,

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<v Speaker 2>a lot of them, really, when I listen to it,

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<v Speaker 2>I really I don't know about you guys. You guys

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<v Speaker 2>can comment down, but I feel like I'm like taking

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<v Speaker 2>back like twenty twenty five years or something like that soul.

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<v Speaker 2>I mean, it doesn't sound fully retro, but it kind

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<v Speaker 2>of does. Live with the drum beat, the chill out

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<v Speaker 2>kind of down tempo BPM and stuff. It reminds me

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<v Speaker 2>just my past, I tell you. Sometimes I tell you

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<v Speaker 2>I just visualize walking around like San Francisco in the

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<v Speaker 2>late nineties or something like that. So that's my personal memories.

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<v Speaker 2>I'm sure your guys will be different. If you're especially

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<v Speaker 2>if you're older and you have you know, adultish memories

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<v Speaker 2>from the nineteen nineties and stuff for two thousands.

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<v Speaker 1>I think a lot of our listeners are older.

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<v Speaker 2>Yeah, but yeah, like I suppose that Newman on, even

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<v Speaker 2>though has some retro references as far as sounds or genre,

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<v Speaker 2>I consider it very kind of modern sound but our song.

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<v Speaker 2>But yeah, not myself, the production, Yeah, not myself. I

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<v Speaker 2>just I feel it's just like my like a beautiful

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<v Speaker 2>homage to the past and without sounding like trying to

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<v Speaker 2>like you know, like you hear some eighties bands are

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<v Speaker 2>really trying to be eighties it's kind of cheesy. Not

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<v Speaker 2>like that. Just my most sincere, honest tribute to that era,

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<v Speaker 2>which one not myself for me.

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<v Speaker 1>For me, I think it sounds like the early two thousan.

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<v Speaker 2>Yeah, that's what I'm talking about. Yeah, a sincere, honest

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<v Speaker 2>tribute to that not that that was not even my attention,

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<v Speaker 2>but once the song started coming together, I knew, I'm

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<v Speaker 2>a I'm gonna pull from that part of my brain.

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<v Speaker 1>What's that one band called like Dijon and oh well.

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<v Speaker 2>We could put a screenshot of that album. Yeah, there's

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<v Speaker 2>a song on there that influenced me too, us from

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<v Speaker 2>that era too, that had like a moody minor keyd

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<v Speaker 2>piano around that bpm, a little chill break beat like that.

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<v Speaker 2>I mean, that's a great recipe for a beautiful, like

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<v Speaker 2>you know, down Temple Electronica song.

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<v Speaker 1>It runs me a little a little bit of earlier

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<v Speaker 1>Massive Attack. Yeah, yeah, there's so many those bands.

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<v Speaker 2>Jen Ckson grew up in the time we did You'll.

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<v Speaker 2>You'll used to be able to hear these references in

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<v Speaker 2>the song and hear these subtle references.

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<v Speaker 1>Was realizing there's another funny thing that connects the artwork

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<v Speaker 1>of Newmanon and the Newmanon remix actually and not myself,

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<v Speaker 1>and that's that they are all photographs that were taken

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<v Speaker 1>on the Disneyland resort property.

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<v Speaker 2>You would never know for sure, like for Newmanon. Yeah,

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<v Speaker 2>the cover and the videos. I remember we want one

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<v Speaker 2>night to Disney California Adventure with one of my cameras

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<v Speaker 2>that have more control over than like like than an

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<v Speaker 2>iPhone or something like that. Leave the like I leave

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<v Speaker 2>the shutter open a long time and just get all

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<v Speaker 2>the lights and move the camera to get those cool images.

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<v Speaker 2>So yeah, we made the video based on like stills

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<v Speaker 2>I took and I could there's ways I can manipulate

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<v Speaker 2>the video in my the photos, the still photos of

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<v Speaker 2>my video editor to get them to move and do

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<v Speaker 2>more interesting stuff like that.

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<v Speaker 1>So let's tell them it's from that was the Inside outride,

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<v Speaker 1>which is one of our favorites, such a good movie emotional.

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<v Speaker 2>Yeah that Yeah, and a couple from Jumping Jellyfish.

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<v Speaker 1>Yeah too far away Yeah funny.

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<v Speaker 2>Yeah, so you would never guess it looks like it went.

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<v Speaker 2>Some are really crazy and surreal, not always Disney California,

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<v Speaker 2>Adventure at Night, and for not myself.

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<v Speaker 1>Yeah, I took some. I took a photo of an

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<v Speaker 1>extreme close up from one of the many little garden areas.

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<v Speaker 1>I'm pretty sure it was the Flowers ride outside of

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<v Speaker 1>the Casey Junior Train.

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<v Speaker 2>Ride in Adventureland.

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<v Speaker 1>Yeah and so yeah, So I had the photo of

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<v Speaker 1>the flowers, and then I tried running a couple of

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<v Speaker 1>different filters on it. And the funny thing is I

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<v Speaker 1>went back to like try to recreate that again in

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<v Speaker 1>a larger size, and I don't remember where or how

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<v Speaker 1>I got that cool effect anymore, but anyways, I love

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<v Speaker 1>the way it turned out. It looks very it looks

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<v Speaker 1>very silk screen. It kind of yeah, I feel like

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<v Speaker 1>it has kind of a sixties look.

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<v Speaker 2>Yeah, it's something. Yeah, I getting kind of retro even

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<v Speaker 2>older than like the references I was talking about music

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<v Speaker 2>like it back even older.

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<v Speaker 1>I agree, yeah, and I like I like those colors

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<v Speaker 1>a lot, even though the flowers are clearly spring flowers,

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<v Speaker 1>like they're poppies and some other things. With that, with

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<v Speaker 1>the colors, it ends up making it look a little

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<v Speaker 1>more autumnal. So it's nice for now. You know.

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<v Speaker 2>That makes sense that we got these cool images at

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<v Speaker 2>Disney then, because like they spend so much, like millions

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<v Speaker 2>to make everything look so cool. There are the lighting

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<v Speaker 2>and everything, so your average chump like us can go

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<v Speaker 2>there and take We couldn't set that kind of lighting

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<v Speaker 2>and garden up ourselves.

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<v Speaker 1>We just go and maybe we wouldn't.

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<v Speaker 2>We wouldn't. Yeah, it's a lot of work and money,

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<v Speaker 2>So it makes sense, you know. I just go there

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<v Speaker 2>and go somewhere beautiful in nature, just somemer just that's

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<v Speaker 2>inspiring and beautiful to take yea photos there and see

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<v Speaker 2>what you can do with the thing.

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<v Speaker 1>I've relied so much speaking of like being you know,

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<v Speaker 1>creative beautiful. These so much of our artwork and videos

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<v Speaker 1>has had to do with like the beach and the coasts.

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<v Speaker 1>So it was kind of fun to do something different

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<v Speaker 1>on these last two, including the music video too.

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<v Speaker 2>For Newmanon had no beach or yeah, that was shot

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<v Speaker 2>in this room pretty much you know that except for

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<v Speaker 2>those images shot at Disney. But yeah, I was a

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<v Speaker 2>music video just kind of came together. I just had

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<v Speaker 2>some kind of concepts. I just had maybe the first

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<v Speaker 2>like thirty seconds, I showed it to Angie a concept

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<v Speaker 2>of the swirling lights and me strumming the guitar, and

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<v Speaker 2>from there she saw what I want to do. She go,

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<v Speaker 2>I know what to do. We just came back and

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<v Speaker 2>banged out that video.

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<v Speaker 1>We did it really quickly. But that was when when

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<v Speaker 1>you showed me like the photo and the video thing

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<v Speaker 1>how they're connected. I go, oh, these flowers are out

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<v Speaker 1>like currently we're going with yours was like way better

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<v Speaker 1>and I really love how all of it turned out, But.

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<v Speaker 2>Not myself though my song the video I was gonna

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<v Speaker 2>say it goes back to our beach.

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<v Speaker 1>It does cost but not as much about the water

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<v Speaker 1>or the clouds and more about.

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<v Speaker 2>The flowers to tie with the cover.

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<v Speaker 1>Yeah, yeah, we yeah, we went on a couple of

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<v Speaker 1>like flowers strewn walks during the spring. And I had

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<v Speaker 1>another I had another video that I thought I was

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<v Speaker 1>going to use for a music video where we were

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<v Speaker 1>walking through there was like flowers on both sides of

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<v Speaker 1>us were kind of like pushing through them. But this

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<v Speaker 1>one that I shot, that was I shot that one.

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<v Speaker 1>It like brought in broad daylight. And I thought this

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<v Speaker 1>one that was shot as sun was going down in

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<v Speaker 1>crystal more moody, And to be honest, I had already

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<v Speaker 1>edited it before. It's just like a vlog, so I

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<v Speaker 1>just pretty much had to swap out the music and

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<v Speaker 1>make a few tweaks here and there so exactly fit

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<v Speaker 1>this song. I thought, you know, we spent so much

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<v Speaker 1>time making the new min On video like this one.

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<v Speaker 1>We just were strapped for time, and like, this is nice. Nice,

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<v Speaker 1>it has a vibe.

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<v Speaker 2>It's in vertical format, first vertical format music video too.

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<v Speaker 1>Yeah, that's cool. You know I have one more. I

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<v Speaker 1>have one more art secret Disneyland.

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<v Speaker 2>Yeah.

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<v Speaker 1>I don't know if I've ever had a reason to

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<v Speaker 1>tell you guys this, but the the photo on the

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<v Speaker 1>cover of Temporal, the Love calls downwards like greater. Really,

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00:14:00.960 --> 00:14:03.559
<v Speaker 1>this is kind of a funny. But anyways, that was

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00:14:03.679 --> 00:14:07.799
<v Speaker 1>shot inside of uh the Alice in Wonderland, ride.

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00:14:08.080 --> 00:14:13.039
<v Speaker 2>Back in whatever, and and future spariler potential hint here.

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00:14:13.120 --> 00:14:16.559
<v Speaker 2>I've shot some more like cool lighting things in in

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<v Speaker 2>the Disney parks recently too, So we'll see they get you.

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<v Speaker 1>We'll see see yeah, we'll see. Yeah. Anyways, so those

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00:14:24.120 --> 00:14:28.200
<v Speaker 1>are secrets, those are most of them. Oh, speaking of

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<v Speaker 1>love Spallows downwards, you.

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<v Speaker 2>Guys should know that the Flux vinyl is has been

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<v Speaker 2>out for a while now and there is now a

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<v Speaker 2>They had to do a second press records. It's pretty

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00:14:41.960 --> 00:14:44.120
<v Speaker 2>much sold out, so second pressing was made and they

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<v Speaker 2>got the copies in all right.

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<v Speaker 1>Yes, they just started shipping on the last week.

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<v Speaker 2>It's got all these bitch and liner notes and new

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<v Speaker 2>on the inside and everything.

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00:14:54.840 --> 00:14:55.440
<v Speaker 1>Yeah.

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<v Speaker 2>So if you are if you're putting off getting it,

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00:14:58.639 --> 00:15:00.960
<v Speaker 2>you're too busy when it came out. One of the

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00:15:01.000 --> 00:15:03.679
<v Speaker 2>fans his life is just too crazy. How is that

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<v Speaker 2>right now? Anyway, Yeah, we'll put the link down there

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<v Speaker 2>for the second pressing. I think this is gonna be

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<v Speaker 2>it once.

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<v Speaker 1>It's good. That's what Bill says.

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<v Speaker 2>This is it, So now get it now before it's gone.

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<v Speaker 2>Forever because you know, probably never happened again.

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<v Speaker 1>Yeah, probably not, probably not, probably not, you know, especially

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<v Speaker 1>it seems like on Instagram and maybe Facebook to a

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<v Speaker 1>lot of people are saying, like, what other albums are

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<v Speaker 1>you going to press? It's like, I don't know. I mean,

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<v Speaker 1>you could pict your ideas the Lost in Ohio or comment.

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<v Speaker 2>Down below here. I will probably just keep working with

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00:15:38.360 --> 00:15:44.639
<v Speaker 2>them because vinyl mastering, pressing and artwork production or and

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00:15:44.960 --> 00:15:47.000
<v Speaker 2>distribution is not our thing.

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00:15:46.879 --> 00:15:49.960
<v Speaker 1>Here, So especially distribut it's great to work.

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00:15:49.840 --> 00:15:52.480
<v Speaker 2>With a partner who specializes in that. So yeah, comment

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00:15:52.679 --> 00:15:56.039
<v Speaker 2>to us and we'll share our results with them.

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00:15:55.919 --> 00:15:58.240
<v Speaker 1>Spain, which that reminds me. One of the reasons why

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00:15:58.279 --> 00:16:01.080
<v Speaker 1>I Lost in Ohio really wanted to do a second

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00:16:01.120 --> 00:16:03.960
<v Speaker 1>pressing was because they started getting a lot more requests.

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00:16:03.639 --> 00:16:05.480
<v Speaker 2>From store stores. What was hitting them?

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00:16:05.720 --> 00:16:07.919
<v Speaker 1>Yeah, so all these stores were asking for copies and

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00:16:07.960 --> 00:16:10.320
<v Speaker 1>he's like, I only have like tests, like what should

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00:16:10.320 --> 00:16:12.840
<v Speaker 1>I do? So yeah, so I'm not sure how many

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00:16:12.840 --> 00:16:14.960
<v Speaker 1>he pressed, but you know, he pressed enough to.

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00:16:15.200 --> 00:16:18.080
<v Speaker 2>Fill or two hundred I think, So it depends how

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00:16:18.080 --> 00:16:21.320
<v Speaker 2>many of the stores order. That'll be how many you

348
00:16:21.360 --> 00:16:23.799
<v Speaker 2>guys can buy some saying I'm not trying to sell them,

349
00:16:23.840 --> 00:16:25.720
<v Speaker 2>but I just wanting to make sure if you are

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<v Speaker 2>a true fan, you wouldn't have Flux on vinyl. I

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00:16:28.120 --> 00:16:31.399
<v Speaker 2>personally wouldn't delay because once they're gone, they're gone.

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00:16:31.480 --> 00:16:34.039
<v Speaker 1>So it sounds like there's probably only five hundred copies

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<v Speaker 1>total in.

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00:16:34.480 --> 00:16:36.600
<v Speaker 2>The world, I think so, plus some test pressing, so

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00:16:36.600 --> 00:16:38.840
<v Speaker 2>maybe five hundred and ten or something like that. We

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00:16:38.879 --> 00:16:45.000
<v Speaker 2>have a few here, but yeah, yeah.

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00:16:43.320 --> 00:16:47.080
<v Speaker 1>I just remember one other Flux factoid that happened during

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<v Speaker 1>this time.

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<v Speaker 2>Oh yeah, cool.

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00:16:49.440 --> 00:16:52.679
<v Speaker 1>This DJ Avalon Emerson. I think she's also a musician

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00:16:52.720 --> 00:16:55.639
<v Speaker 1>as well, but she released All Night Long in London,

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00:16:55.799 --> 00:17:00.480
<v Speaker 1>a DJ set she released on Apple. You can actually

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<v Speaker 1>watch the DJ set on YouTube, and pretty early on

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00:17:03.519 --> 00:17:06.200
<v Speaker 1>her set she played City Moon. Yeah, yeah, that's kind

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<v Speaker 1>of yeah.

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<v Speaker 2>I've heard Citymun's got like a weird resurgence lately. I

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00:17:09.920 --> 00:17:12.240
<v Speaker 2>don't know what's going on. Yeah, the same thing happened

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00:17:12.279 --> 00:17:14.880
<v Speaker 2>to the Cocktail Twins act like see Swallow Me from

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00:17:14.920 --> 00:17:18.519
<v Speaker 2>their Herald budd album Melody See Swallow Me, because it's

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<v Speaker 2>having this weird resurgence and for Love spirals Downwards at

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<v Speaker 2>City Yeah.

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<v Speaker 1>City Moon was on so many playlists on Spotify. Yeah,

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<v Speaker 1>I was just trying to remember. There was also a

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<v Speaker 1>musician who who had played Coachella, who had done like

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00:17:33.480 --> 00:17:35.880
<v Speaker 1>she'd done, like a backstage interview. I was like, Oh,

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<v Speaker 1>is there any like music that you've been into late

377
00:17:37.640 --> 00:17:39.559
<v Speaker 1>that She's like, Oh, I really love flux from those

378
00:17:40.440 --> 00:17:42.799
<v Speaker 1>City Moon, and a lot of people were tagging us

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<v Speaker 1>on it.

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00:17:43.279 --> 00:17:45.720
<v Speaker 2>My friend Daniel, he was at a concert recently. I

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00:17:45.759 --> 00:17:48.079
<v Speaker 2>don't know what band it was. I never heard of him,

382
00:17:48.079 --> 00:17:57.000
<v Speaker 2>but he sent me a video was going on. You

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<v Speaker 2>know how bands will have a playlist of songs before

384
00:17:59.519 --> 00:18:01.720
<v Speaker 2>they come on. Oh yeah, they were playing City Moon

385
00:18:01.799 --> 00:18:04.559
<v Speaker 2>for like, yeah, a thousand people or whatever at the show.

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00:18:04.920 --> 00:18:06.160
<v Speaker 2>I'll see if I can dig that up.

387
00:18:06.240 --> 00:18:10.119
<v Speaker 1>City Moon is Ryan's like number one song. Apparently everyone

388
00:18:10.200 --> 00:18:10.759
<v Speaker 1>knows that one.

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00:18:10.839 --> 00:18:13.240
<v Speaker 2>I mean it's a cool, little poppy song. I guess

390
00:18:13.240 --> 00:18:16.559
<v Speaker 2>not my best work ever, but I'm not like ashamed

391
00:18:16.599 --> 00:18:18.160
<v Speaker 2>of anything like that, so that's cool.

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<v Speaker 1>I kind of lost track on how many playlists Newmanon's beever.

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00:18:22.359 --> 00:18:25.440
<v Speaker 2>Last time you said yeah on Spotify once, like it

394
00:18:25.480 --> 00:18:29.039
<v Speaker 2>was shared on over a thousand playlists. It's like, wow,

395
00:18:29.079 --> 00:18:30.319
<v Speaker 2>I kind of lost jack, But yeah.

396
00:18:30.200 --> 00:18:31.960
<v Speaker 1>It was like seven hundred of the new ones on.

397
00:18:32.160 --> 00:18:35.799
<v Speaker 2>Yeah, it's there. People are enjoying the music, and that's

398
00:18:36.279 --> 00:18:37.960
<v Speaker 2>that's why we do it. I mean, first of all,

399
00:18:37.960 --> 00:18:40.359
<v Speaker 2>I mean I just make music because I just can't.

400
00:18:40.880 --> 00:18:43.720
<v Speaker 2>I have to make sure I can't stop making music.

401
00:18:44.519 --> 00:18:48.200
<v Speaker 2>So that's the primary reward, just like kind of personal or.

402
00:18:48.359 --> 00:18:50.680
<v Speaker 1>Just as it was in the early day when you

403
00:18:50.720 --> 00:18:53.000
<v Speaker 1>were making music, before you even got hooked up with projects,

404
00:18:53.039 --> 00:18:55.000
<v Speaker 1>they were making music for fun. In fact, I have

405
00:18:55.119 --> 00:18:58.000
<v Speaker 1>found I have found a sett of mixed downs of

406
00:18:58.079 --> 00:19:01.839
<v Speaker 1>his pre Suzanne music. In fact, two songs that he

407
00:19:01.960 --> 00:19:04.480
<v Speaker 1>was singing on I was like threatening to release.

408
00:19:04.759 --> 00:19:06.680
<v Speaker 2>I don't need to be famous or anything like that,

409
00:19:06.720 --> 00:19:09.960
<v Speaker 2>but just the fact that other people are getting something

410
00:19:10.000 --> 00:19:11.640
<v Speaker 2>out of it. A lot of people say they made

411
00:19:11.680 --> 00:19:15.960
<v Speaker 2>babies to songs. Yeah, and you and I've made together.

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00:19:16.000 --> 00:19:18.680
<v Speaker 2>That's cool. But yeah, I'm good. People's lives are getting better.

413
00:19:18.720 --> 00:19:20.640
<v Speaker 1>People played our music at their wedding.

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<v Speaker 2>Yeah. It's just hard to imagine, you know how, you

415
00:19:25.640 --> 00:19:27.920
<v Speaker 2>know all that going on. Imagine if you're a huge

416
00:19:27.960 --> 00:19:30.759
<v Speaker 2>artist too. This happens on a scale we can't even imagine.

417
00:19:30.759 --> 00:19:33.319
<v Speaker 2>But yeah, just I'm honored and humble.

418
00:19:33.200 --> 00:19:36.599
<v Speaker 1>Either we're happy not to have like that much attention.

419
00:19:36.839 --> 00:19:38.960
<v Speaker 1>Oh yeah, you know that much pressure.

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00:19:39.000 --> 00:19:40.839
<v Speaker 2>Hey, there's so and so.

421
00:19:41.799 --> 00:19:43.960
<v Speaker 1>We've had tastes of that through our various things.

422
00:19:44.039 --> 00:19:48.079
<v Speaker 2>Yeah, as been micro celebrities and various scenes and stuff.

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00:19:48.200 --> 00:19:52.920
<v Speaker 1>Anyway, Yeah, because we have more music coming. By the way,

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00:19:53.160 --> 00:19:56.200
<v Speaker 1>we've been working on several We have a least three songs.

425
00:19:56.240 --> 00:19:59.640
<v Speaker 2>I think one is really for pretty far into production,

426
00:19:59.720 --> 00:20:02.039
<v Speaker 2>maybe about halfway finish, and it's going to fit in

427
00:20:02.079 --> 00:20:04.680
<v Speaker 2>beautifully with the mood of newmnon and not myself.

428
00:20:04.720 --> 00:20:05.200
<v Speaker 1>It's gonna be.

429
00:20:05.759 --> 00:20:07.359
<v Speaker 2>If we hadn't waited, we could have had this great

430
00:20:07.359 --> 00:20:09.799
<v Speaker 2>three song EP, but no, we don't like that. We

431
00:20:09.839 --> 00:20:12.079
<v Speaker 2>want to really songs like that as quickly as we come,

432
00:20:12.119 --> 00:20:14.279
<v Speaker 2>instead of hoarding them and people forget about it and

433
00:20:14.319 --> 00:20:16.119
<v Speaker 2>stuff like that. So that's gonna be our new mode,

434
00:20:16.279 --> 00:20:18.319
<v Speaker 2>you know, from here on out. You know. Now that's

435
00:20:18.359 --> 00:20:20.720
<v Speaker 2>the modern way of operating. I think it works well

436
00:20:20.920 --> 00:20:22.759
<v Speaker 2>betther than hoarding songs for three years.

437
00:20:23.200 --> 00:20:25.720
<v Speaker 1>Yeah, it's just different. When you're working on one song,

438
00:20:25.759 --> 00:20:29.160
<v Speaker 1>you can just really caress it, let all your attention

439
00:20:29.319 --> 00:20:31.880
<v Speaker 1>span on it. When you're working on an album, you know,

440
00:20:31.920 --> 00:20:35.240
<v Speaker 1>it's maybe maybe one or two songs like that's good enough.

441
00:20:35.279 --> 00:20:36.880
<v Speaker 1>We need to move on. We need to get these

442
00:20:36.960 --> 00:20:39.720
<v Speaker 1>nine to ten songs, and nine to ten songs these

443
00:20:39.759 --> 00:20:41.920
<v Speaker 1>days isn't really even an album like people will say,

444
00:20:41.960 --> 00:20:45.000
<v Speaker 1>EP eight songs on it. So things have changed a

445
00:20:45.039 --> 00:20:46.839
<v Speaker 1>lot in the time you've been releasing albums.

446
00:20:47.440 --> 00:20:49.480
<v Speaker 2>If there's a long time in between the releases for us,

447
00:20:49.519 --> 00:20:52.440
<v Speaker 2>like several months, that means we're working hard on the songs.

448
00:20:52.480 --> 00:20:54.799
<v Speaker 2>I mean, I'll spend a month mixing a song. You

449
00:20:54.799 --> 00:20:56.839
<v Speaker 2>don't have that luxury when you're making an album. You

450
00:20:56.839 --> 00:20:59.240
<v Speaker 2>know you'll get fired or something for being so slow.

451
00:20:59.440 --> 00:21:02.440
<v Speaker 2>So there's a lot of attention to detail, to polish

452
00:21:02.480 --> 00:21:05.920
<v Speaker 2>songs and make them as as beautiful and professional as

453
00:21:05.920 --> 00:21:06.319
<v Speaker 2>we can.

454
00:21:07.079 --> 00:21:09.960
<v Speaker 1>Absolutely, yeah, So more of that coming for you.

455
00:21:10.039 --> 00:21:13.319
<v Speaker 2>Yeah, So hopefully we'll have this new song for you

456
00:21:14.559 --> 00:21:15.759
<v Speaker 2>before by the holidays.

457
00:21:15.759 --> 00:21:19.279
<v Speaker 1>Are hoping that's that's definitely get at least one more song, as.

458
00:21:19.160 --> 00:21:20.720
<v Speaker 2>Long as our lives don't get too crazy. We've had

459
00:21:20.720 --> 00:21:24.039
<v Speaker 2>a lot of weird personal things going between us. We're

460
00:21:24.079 --> 00:21:28.359
<v Speaker 2>doing fine, but just a lot of yes and things breaking.

461
00:21:28.039 --> 00:21:30.279
<v Speaker 1>Down technology stuff like that.

462
00:21:30.319 --> 00:21:32.799
<v Speaker 2>Our conditioner doesn't work in the studio as of right now.

463
00:21:32.839 --> 00:21:34.839
<v Speaker 2>So any we're getting we're getting trying to get our

464
00:21:34.880 --> 00:21:37.440
<v Speaker 2>thing together. But anyway, assuming we can get over this

465
00:21:37.480 --> 00:21:39.240
<v Speaker 2>a little hump, yeah, we should be able to resume

466
00:21:39.400 --> 00:21:41.799
<v Speaker 2>working on the song again pretty soon, like in the

467
00:21:41.839 --> 00:21:44.160
<v Speaker 2>next week or two, finish it or at least the

468
00:21:44.200 --> 00:21:47.319
<v Speaker 2>track and mix it and get out to by the holidays.

469
00:21:47.240 --> 00:21:48.720
<v Speaker 1>Already starting you start thinking about that.

470
00:21:48.839 --> 00:21:50.960
<v Speaker 2>We got to start thinking the next steps. Yeah, so

471
00:21:51.119 --> 00:21:51.920
<v Speaker 2>now's the time.

472
00:21:52.359 --> 00:21:54.359
<v Speaker 1>We're going to do another big, fancy music video and

473
00:21:54.640 --> 00:21:55.039
<v Speaker 1>we'll see.

474
00:21:55.119 --> 00:21:57.759
<v Speaker 2>Yeah, we'll say. It depends how much bandwidth we have

475
00:21:59.440 --> 00:22:03.559
<v Speaker 2>dealing with other things in life too, but we'll get it. Well,

476
00:22:03.599 --> 00:22:05.359
<v Speaker 2>we promised, because this is a cool song.

477
00:22:05.519 --> 00:22:08.039
<v Speaker 1>You know, I think I think I could give a teaser, Okay,

478
00:22:08.079 --> 00:22:11.720
<v Speaker 1>I speaking of music videos, I'm involved with the project

479
00:22:11.720 --> 00:22:15.799
<v Speaker 1>that's supposed to be coming out next month that I

480
00:22:17.000 --> 00:22:20.279
<v Speaker 1>collaborated on the lead single and music video for. So

481
00:22:20.480 --> 00:22:23.160
<v Speaker 1>I won't I guess I won't say anymore, but there

482
00:22:23.200 --> 00:22:25.880
<v Speaker 1>will be an antib music video and single which is

483
00:22:26.559 --> 00:22:30.480
<v Speaker 1>quite different from anything that Loves Brawls has ever done.

484
00:22:30.519 --> 00:22:34.319
<v Speaker 1>That's for sure. It's more experimental, and so that should

485
00:22:34.319 --> 00:22:39.160
<v Speaker 1>be next month. So I will let you know social media, Yeah,

486
00:22:39.160 --> 00:22:41.240
<v Speaker 1>and on the website. That's what I wanted to talk about.

487
00:22:41.240 --> 00:22:45.759
<v Speaker 1>You guys. I've been working so hard on updating. We

488
00:22:45.839 --> 00:22:48.559
<v Speaker 1>have three practically identical websites.

489
00:22:48.200 --> 00:22:50.519
<v Speaker 2>And that's kind of on purpose because we had websites

490
00:22:50.559 --> 00:22:53.720
<v Speaker 2>that were really really they were beautiful, but super not

491
00:22:53.960 --> 00:22:56.279
<v Speaker 2>fun or easy to update. So now we change the themes,

492
00:22:56.279 --> 00:22:57.240
<v Speaker 2>we can update them.

493
00:22:57.680 --> 00:23:00.200
<v Speaker 1>Yeah. Yeah, while back, GOT changed my aunt to be

494
00:23:00.319 --> 00:23:03.920
<v Speaker 1>dot com website to a new theme that I felt

495
00:23:03.960 --> 00:23:05.319
<v Speaker 1>was easier to do what I.

496
00:23:05.279 --> 00:23:07.440
<v Speaker 2>Need to do, Like, O, hey, this seems cool. It's

497
00:23:07.480 --> 00:23:09.920
<v Speaker 2>like maybe not, it's pretty, but it's pretty a delter

498
00:23:10.240 --> 00:23:12.160
<v Speaker 2>but it's older, but it's super easy to update and

499
00:23:12.279 --> 00:23:15.359
<v Speaker 2>it's really easy to So I changed the band websites

500
00:23:15.400 --> 00:23:15.759
<v Speaker 2>over to.

501
00:23:15.680 --> 00:23:18.920
<v Speaker 1>That and Sparls downs. You know. The funny thing is

502
00:23:18.960 --> 00:23:22.480
<v Speaker 1>like love Sprouls dot com was your first personal website.

503
00:23:22.599 --> 00:23:26.400
<v Speaker 2>Yeah, back when Love Sproles Dowards happened, I conject I

504
00:23:26.440 --> 00:23:28.920
<v Speaker 2>got that like way later after the band broke up.

505
00:23:28.960 --> 00:23:29.799
<v Speaker 2>I think, yeah, for.

506
00:23:29.960 --> 00:23:33.640
<v Speaker 1>Temporal and moving forward, we had love Sprouls dot com,

507
00:23:33.960 --> 00:23:36.319
<v Speaker 1>but then eventually we got Lows sprawlsdowards dot com. It

508
00:23:36.400 --> 00:23:39.000
<v Speaker 1>was good to own it and stuff, but like love

509
00:23:39.039 --> 00:23:41.440
<v Speaker 1>Sprowls and love spellsdowns dot com are very very similar

510
00:23:41.440 --> 00:23:43.400
<v Speaker 1>at this point, so there's a lot of similar stories.

511
00:23:43.440 --> 00:23:46.640
<v Speaker 1>So I've been updating both websites with you know, all

512
00:23:46.640 --> 00:23:48.920
<v Speaker 1>this kind of stuff that's going on right now as well.

513
00:23:48.960 --> 00:23:53.079
<v Speaker 1>I love sparals downwrooms dot com. I started archiving old

514
00:23:53.920 --> 00:23:56.799
<v Speaker 1>interviews and stuff because I've got this whole stack of

515
00:23:56.880 --> 00:24:00.640
<v Speaker 1>like fanzines and magazines and everything that's got loves Paul's

516
00:24:00.640 --> 00:24:04.039
<v Speaker 1>dowards interviews and reviews and stuff, and I thought, why

517
00:24:04.079 --> 00:24:06.279
<v Speaker 1>am I holding these here? Like the like the Internet

518
00:24:06.279 --> 00:24:08.119
<v Speaker 1>would probably want to read these if they, you know,

519
00:24:08.160 --> 00:24:11.200
<v Speaker 1>if they had access to them. So I've been scanning them.

520
00:24:11.640 --> 00:24:15.440
<v Speaker 1>And also now that you can really quickly grab text

521
00:24:15.640 --> 00:24:22.119
<v Speaker 1>from photos and iphotos, I can quickly put a translation

522
00:24:22.240 --> 00:24:24.440
<v Speaker 1>on there too, so that you know, yeah, so you

523
00:24:24.799 --> 00:24:28.799
<v Speaker 1>don't have to stare at these little picture I know exactly,

524
00:24:28.960 --> 00:24:36.680
<v Speaker 1>so AI even cooler. We still have some old newspapers

525
00:24:36.720 --> 00:24:39.599
<v Speaker 1>from the times you guys are in Mexico and translate.

526
00:24:39.720 --> 00:24:42.319
<v Speaker 1>I could translate it too, so for the first time ever,

527
00:24:42.440 --> 00:24:48.160
<v Speaker 1>I know what these articles say, like computer engineers out there.

528
00:24:49.079 --> 00:24:51.519
<v Speaker 1>But you know, I figured, I guess what makes the

529
00:24:51.559 --> 00:24:53.359
<v Speaker 1>most sense is to just put them up on the

530
00:24:53.480 --> 00:24:56.160
<v Speaker 1>date that they or released, you know, the date of

531
00:24:56.200 --> 00:24:59.240
<v Speaker 1>the newspaper or the data. Yeah, so everything's back dated

532
00:24:59.319 --> 00:25:01.039
<v Speaker 1>to like nineteen nine, nine ninety seven.

533
00:25:01.839 --> 00:25:05.759
<v Speaker 2>This cruise and explore the sites if you care to

534
00:25:05.759 --> 00:25:08.119
<v Speaker 2>see all this information, but I just don't.

535
00:25:07.920 --> 00:25:10.079
<v Speaker 1>Want to have a little time and other stuff.

536
00:25:10.559 --> 00:25:13.119
<v Speaker 2>Speaking of websites, and you said, you know people will

537
00:25:13.160 --> 00:25:16.079
<v Speaker 2>know about that angieb thing coming out next month, how

538
00:25:16.160 --> 00:25:18.039
<v Speaker 2>will people be able to know about this?

539
00:25:18.319 --> 00:25:22.160
<v Speaker 1>For sure, I'll post it on antib but I'll also

540
00:25:22.200 --> 00:25:23.759
<v Speaker 1>post on lovesprouls dot com.

541
00:25:23.799 --> 00:25:25.400
<v Speaker 2>And how about on social media? A lot of people

542
00:25:25.440 --> 00:25:26.599
<v Speaker 2>don't go to websites.

543
00:25:26.240 --> 00:25:29.319
<v Speaker 1>Anymore, we know, I know I heard there supposedly like

544
00:25:29.359 --> 00:25:34.839
<v Speaker 1>a little RECEI it's like final anyway exactly. But anyways, yeah,

545
00:25:35.079 --> 00:25:39.359
<v Speaker 1>so what we're Love Spirals official on Instagram? I mean,

546
00:25:39.400 --> 00:25:42.359
<v Speaker 1>I think Instagram, of all the social yeah sites, is

547
00:25:42.359 --> 00:25:45.920
<v Speaker 1>probably the coolest. I sometimes update our Twitter, but I

548
00:25:46.039 --> 00:25:49.079
<v Speaker 1>usually forget, yeah, because we don't really have like a

549
00:25:49.079 --> 00:25:49.640
<v Speaker 1>following on.

550
00:25:49.599 --> 00:25:52.759
<v Speaker 2>Twitter now yeah, sometimes worth our time.

551
00:25:52.960 --> 00:25:55.200
<v Speaker 1>And then Facebook, you know, I'll put it on.

552
00:25:55.200 --> 00:25:57.079
<v Speaker 2>There too, Love Spirals.

553
00:25:56.799 --> 00:25:59.480
<v Speaker 1>But yeah, those are the places for sure. We do

554
00:25:59.559 --> 00:26:02.039
<v Speaker 1>have a love for alls TikTok. But like, I've just

555
00:26:02.079 --> 00:26:06.240
<v Speaker 1>found it too hard to do band content. We get

556
00:26:06.279 --> 00:26:09.640
<v Speaker 1>copy right strikes on our own songs. It's so annoying, stupid.

557
00:26:09.799 --> 00:26:11.720
<v Speaker 2>Yeah, really really not encouraging.

558
00:26:12.839 --> 00:26:15.279
<v Speaker 1>And you know, sometimes I post up to you on

559
00:26:15.319 --> 00:26:18.160
<v Speaker 1>our YouTube page. I'll post sometimes on the community tab

560
00:26:18.200 --> 00:26:19.359
<v Speaker 1>if I remember to put stuff.

561
00:26:19.400 --> 00:26:23.440
<v Speaker 2>So follow and subscribe Love Spirals Official on YouTube.

562
00:26:24.200 --> 00:26:27.720
<v Speaker 1>Yeah, so that's basically.

563
00:26:27.000 --> 00:26:28.319
<v Speaker 2>Now you've pretty much caught up.

564
00:26:28.319 --> 00:26:32.119
<v Speaker 1>But Love Spirals I know, yeah, catching up.

565
00:26:32.680 --> 00:26:33.599
<v Speaker 2>Yeah, basically.

566
00:26:34.160 --> 00:26:35.799
<v Speaker 1>I remember last time I was saying that we should

567
00:26:35.799 --> 00:26:38.480
<v Speaker 1>talk about your thing with like old old gadgets.

568
00:26:38.480 --> 00:26:41.359
<v Speaker 2>I bet mess around messing around with old like.

569
00:26:41.279 --> 00:26:43.599
<v Speaker 1>iPods, returning to old.

570
00:26:43.640 --> 00:26:46.559
<v Speaker 2>Trying to get these like working again and stuff like that.

571
00:26:46.839 --> 00:26:50.559
<v Speaker 2>So that's been kind of a weird little hobby of sorts.

572
00:26:50.680 --> 00:26:52.839
<v Speaker 1>Yeah. We've been messing around with old cameras too.

573
00:26:53.200 --> 00:26:56.799
<v Speaker 2>Yeah, just a little little metros in our lives.

574
00:26:56.839 --> 00:26:58.920
<v Speaker 1>I guess I forgot it was today or yesterday. I

575
00:26:58.960 --> 00:27:03.680
<v Speaker 1>posted that picture of us meeting Sadness and uh at

576
00:27:03.720 --> 00:27:06.519
<v Speaker 1>dec from the Disney on the old camera that actually

577
00:27:06.559 --> 00:27:07.720
<v Speaker 1>burnt in the date.

578
00:27:09.680 --> 00:27:12.160
<v Speaker 2>I turned that off, so fun.

579
00:27:13.880 --> 00:27:15.960
<v Speaker 1>Yeah, yeah, I think he was he was doing a

580
00:27:16.000 --> 00:27:19.079
<v Speaker 1>live stream for Happy Healthy Beacon, and it was talking

581
00:27:19.079 --> 00:27:22.359
<v Speaker 1>about like buying stuff on band camp, like, and I

582
00:27:22.400 --> 00:27:23.799
<v Speaker 1>was like, oh, the reason that you would want to

583
00:27:23.839 --> 00:27:25.359
<v Speaker 1>buy something on bandon camp.

584
00:27:25.240 --> 00:27:29.000
<v Speaker 2>Buy our MP three. So you're streaming on your iPods exactly.

585
00:27:29.039 --> 00:27:30.759
<v Speaker 2>You can put them on your phones and stuff too,

586
00:27:30.759 --> 00:27:33.200
<v Speaker 2>but that's what iPods shine out for all your threes

587
00:27:33.240 --> 00:27:35.000
<v Speaker 2>and stuff. Yeah, or your A A C.

588
00:27:35.279 --> 00:27:39.319
<v Speaker 1>Yeah, you're super high rest. Yeah. And the cool things

589
00:27:39.359 --> 00:27:41.720
<v Speaker 1>about those is you can plug in your like big head.

590
00:27:41.799 --> 00:27:43.839
<v Speaker 2>Yeah, it has headphone jacks. It's cool. So that's what

591
00:27:43.839 --> 00:27:45.640
<v Speaker 2>I've been doing a little bit, walking around with the

592
00:27:45.720 --> 00:27:49.599
<v Speaker 2>iPod and some cool studio headphones and enjoy music. Kind

593
00:27:49.599 --> 00:27:51.960
<v Speaker 2>of nice not to have to wear AirPods.

594
00:27:51.720 --> 00:27:54.279
<v Speaker 1>Since we saw have our iPods, but you have to

595
00:27:54.319 --> 00:27:55.359
<v Speaker 1>do some stuff to get it working.

596
00:27:55.440 --> 00:27:58.240
<v Speaker 2>Yeah, usually batteries and hard drives go. So yeah, that's

597
00:27:58.240 --> 00:27:59.799
<v Speaker 2>a whole nother if you're interested in just looking up

598
00:27:59.799 --> 00:28:01.680
<v Speaker 2>on you too. There's a million videos about that.

599
00:28:02.599 --> 00:28:04.680
<v Speaker 1>We met up with my old band mate, I had

600
00:28:04.680 --> 00:28:06.519
<v Speaker 1>a band, I had a couple of bands before I

601
00:28:06.640 --> 00:28:11.480
<v Speaker 1>joined Ryansy. This guy Nick, he still lives near us

602
00:28:11.519 --> 00:28:14.759
<v Speaker 1>and we get together for old tech stuff sometimes. Yeah, yeah,

603
00:28:14.880 --> 00:28:16.799
<v Speaker 1>so we're talking about that topic.

604
00:28:17.359 --> 00:28:22.440
<v Speaker 2>He collects a ton of old like nineties like synthesizer effect. Yeah,

605
00:28:22.599 --> 00:28:24.559
<v Speaker 2>rent them out and stuff like that. It's pretty wild.

606
00:28:25.000 --> 00:28:27.160
<v Speaker 2>It's been great. It actually helped me fix some of

607
00:28:27.200 --> 00:28:30.240
<v Speaker 2>my year. I'm looking right now at my Lexicon P seventy.

608
00:28:30.680 --> 00:28:33.799
<v Speaker 2>I've had that thing since the days of making flux,

609
00:28:34.000 --> 00:28:37.799
<v Speaker 2>and the battery for storing presets has been like on

610
00:28:37.920 --> 00:28:40.319
<v Speaker 2>the it's been whack. I've been. I've been able to

611
00:28:40.400 --> 00:28:43.160
<v Speaker 2>use the device, but I couldn't store presets tomorrow. I

612
00:28:43.200 --> 00:28:45.079
<v Speaker 2>just have to dial him in manually every time. But

613
00:28:45.119 --> 00:28:46.440
<v Speaker 2>any way, Yeah, he was able to hook me up

614
00:28:46.480 --> 00:28:48.440
<v Speaker 2>to a place that can fix this kind of stuff.

615
00:28:48.480 --> 00:28:50.160
<v Speaker 2>I didn't. I didn't know where to go. So he's

616
00:28:50.160 --> 00:28:52.279
<v Speaker 2>been a great resource. And now my PCM seventy is

617
00:28:52.359 --> 00:28:54.559
<v Speaker 2>kicking ass. It's all over Newman on some of the

618
00:28:55.119 --> 00:28:59.240
<v Speaker 2>really sustaining guitars on Newman. That's the PM seventy old school. Yeah,

619
00:29:00.720 --> 00:29:03.119
<v Speaker 2>I love the Yeah, was.

620
00:29:03.079 --> 00:29:05.680
<v Speaker 1>It even Nick's business again? Because people can rent stuff,

621
00:29:05.720 --> 00:29:08.039
<v Speaker 1>don't remember deep.

622
00:29:07.880 --> 00:29:12.160
<v Speaker 2>We'll text them the show. We'll get it. Just look

623
00:29:12.200 --> 00:29:14.160
<v Speaker 2>down at the show. If you want to wear like

624
00:29:14.839 --> 00:29:18.680
<v Speaker 2>retro synse and effects and stuff like that.

625
00:29:19.759 --> 00:29:21.839
<v Speaker 1>Or in recording recording get too.

626
00:29:21.880 --> 00:29:25.240
<v Speaker 2>Yeah you have some old pro Tows sessions from two

627
00:29:25.279 --> 00:29:27.480
<v Speaker 2>thousand and one. Yeah, contact them.

628
00:29:27.559 --> 00:29:30.519
<v Speaker 1>Yeah, and that's how that's I mean, Flex probably would

629
00:29:30.680 --> 00:29:32.759
<v Speaker 1>not even be here unless we were able to hook

630
00:29:32.839 --> 00:29:34.079
<v Speaker 1>up with one of his dab machines.

631
00:29:34.160 --> 00:29:38.160
<v Speaker 2>Yeah, I thought you said someone broke.

632
00:29:38.000 --> 00:29:42.119
<v Speaker 1>His Someone broke his dabmachine. We got our album for

633
00:29:42.480 --> 00:29:43.720
<v Speaker 1>thinking we'll.

634
00:29:43.519 --> 00:29:47.160
<v Speaker 2>Get it fixed anyway, Guys, I think that's it. I've

635
00:29:47.200 --> 00:29:50.240
<v Speaker 2>been saying, I leave any comments down here for us.

636
00:29:50.759 --> 00:29:52.680
<v Speaker 2>They won't share it if we asked any questions. Yeah,

637
00:29:52.759 --> 00:29:55.960
<v Speaker 2>but any any questions for us, you know. Yeah, like

638
00:29:56.000 --> 00:29:58.079
<v Speaker 2>we said before, like if you have seen any vinyl

639
00:29:58.200 --> 00:30:00.599
<v Speaker 2>come out of any thing we have made, let us know.

640
00:30:01.039 --> 00:30:02.759
<v Speaker 2>We'd like to see if there's like a consensus out

641
00:30:02.799 --> 00:30:05.079
<v Speaker 2>there we can share with Loston, Ohio Records.

642
00:30:05.200 --> 00:30:06.880
<v Speaker 1>Yeah that's true. Yeah, that's true.

643
00:30:07.279 --> 00:30:09.319
<v Speaker 2>But they like to know that data before they invest,

644
00:30:09.400 --> 00:30:11.319
<v Speaker 2>you know, make investment in it. Yeah.

645
00:30:11.359 --> 00:30:16.839
<v Speaker 1>Absolutely all right, So anyways, thanks for streaming and purchasing

646
00:30:16.880 --> 00:30:18.880
<v Speaker 1>and downloading and all that fun stuff.

647
00:30:19.079 --> 00:30:22.279
<v Speaker 2>Yeah, like share this with other love spirals and love

648
00:30:22.319 --> 00:30:25.119
<v Speaker 2>Spells downwards. Fans and people just want to like learn

649
00:30:25.119 --> 00:30:27.519
<v Speaker 2>more about some cool music that you know about and

650
00:30:27.519 --> 00:30:29.960
<v Speaker 2>they don't know about it. So spread the word please.

651
00:30:30.119 --> 00:30:32.480
<v Speaker 2>That's how we get get it out there is by

652
00:30:32.559 --> 00:30:34.799
<v Speaker 2>word of mouth through people. I enjoy, I appreciate what

653
00:30:34.839 --> 00:30:35.160
<v Speaker 2>we do.

654
00:30:36.839 --> 00:30:37.960
<v Speaker 1>We don't have an outro?

655
00:30:38.079 --> 00:30:40.400
<v Speaker 2>Does No, we don't have an outro anymore do we?

656
00:30:40.839 --> 00:30:43.359
<v Speaker 2>We should look at our old shows and see if

657
00:30:43.359 --> 00:30:45.400
<v Speaker 2>we have, like from ten to twenty years ago, so

658
00:30:45.480 --> 00:30:47.839
<v Speaker 2>we had an outro, but we'll just great. Let's tell

659
00:30:47.920 --> 00:30:50.880
<v Speaker 2>people thank you for like taking some time out of

660
00:30:50.880 --> 00:30:54.799
<v Speaker 2>your day or evening and showing them with love spirals here. Yeah,

661
00:30:56.160 --> 00:30:58.000
<v Speaker 2>I am a pro. I've been doing this a long

662
00:30:58.039 --> 00:30:58.519
<v Speaker 2>time now.

663
00:31:00.079 --> 00:31:07.240
<v Speaker 1>Of comp I don't know, I don't know. Let death,

664
00:31:10.920 --> 00:31:16.720
<v Speaker 1>I'm at last s
