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<v Speaker 1>Guess what, Madness the Cab original Gangsters.

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<v Speaker 2>A bet we ain't playing.

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<v Speaker 3>No gaming from you tonight.

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<v Speaker 2>Welcome back to Calling All Beings.

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<v Speaker 4>I'm your host, DJ, and I am delighted to be

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<v Speaker 4>joined by the original Gangsters of CAB because guess what.

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<v Speaker 1>Once a month, we're gonna be bringing you something that's

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<v Speaker 1>a little bit spicier, a little bit different.

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<v Speaker 4>I shouldn't say spicier, let's say different than true crime.

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<v Speaker 4>We're gonna be doing either something UFO related, something paranormal related,

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<v Speaker 4>or our good friend from the forest, what's his name, Courtney?

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<v Speaker 2>Are you talking?

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<v Speaker 5>Are you talking about the Snowman? Yeah, the Eddie mister

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<v Speaker 5>Snowman as.

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<v Speaker 4>They like the abdominal snowmash.

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<v Speaker 2>Yes, all right.

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<v Speaker 4>Sober sitting right next to me is the co creator

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<v Speaker 4>of Calling All Beings, the incomparable.

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<v Speaker 2>From North Carolinata Money Nathan, what is.

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<v Speaker 6>Up, y'all?

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<v Speaker 2>Man?

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<v Speaker 6>It's going to do this.

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<v Speaker 7>Shown that if you want everybody with me.

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<v Speaker 4>And just below me right there, we don't have a

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<v Speaker 4>center square, so no paul Lin this evening. Uh is

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<v Speaker 4>one of the original gangsters, also Calling All Beings, known

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<v Speaker 4>as a study of UAPs. We like to call her debs. Hi, everybody, Hey,

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<v Speaker 4>welcome back, deb I'm sorry about your back.

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<v Speaker 2>I wish we were.

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<v Speaker 4>There to walk on it or or do some elbow business.

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<v Speaker 4>But you know the new addition who is not named

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<v Speaker 4>Bobby Brown, but she is in Alaska and Montana resident

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<v Speaker 4>put your hands together for the curly haired Pennsylvanian where

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<v Speaker 4>this movie was shot, Courtney connected.

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<v Speaker 5>Hi, everybody, welcome back home girl.

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<v Speaker 3>Good to see you.

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<v Speaker 4>Are you okay? Is everything I am?

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<v Speaker 8>I am?

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<v Speaker 5>I didn't know if it was my turn or not,

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<v Speaker 5>so I was just waiting her turn.

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<v Speaker 8>I'm excited. I'm excited about tonight.

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<v Speaker 5>Actually, I have watched the screening twice and I'm just

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<v Speaker 5>so excited to talk with these guys about their production.

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<v Speaker 8>So it's gonna be fun.

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<v Speaker 4>This was so dope. As soon as the gray skies,

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<v Speaker 4>like I saw the grace guys of Brownsville, I was like,

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<v Speaker 4>can I pull the covers like right up to like here.

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<v Speaker 4>It's like when I saw Halloween one. It was kind

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<v Speaker 4>of like that vibe. So these gentlemen, these gentlemen are

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<v Speaker 4>dockside media. They did go to this town called Brownsville, Pennsylvania,

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<v Speaker 4>where I listened to a podcast of a local politician,

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<v Speaker 4>and just that scared the living hell out of me.

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<v Speaker 9>Uh So, I can imagine when these guys got in

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<v Speaker 9>there with their amazing team of paranormal investigators, mediums, intuitives

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<v Speaker 9>and so forth.

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<v Speaker 4>It must have been just while. So let's let's get

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<v Speaker 4>started with dock side meeting party.

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<v Speaker 2>People.

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<v Speaker 4>Put them up on stage, Nathan, put your hands together

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<v Speaker 4>for Chris Ruper, and everybody give me an am.

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<v Speaker 3>Man for Chris Rupert.

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<v Speaker 10>Hey, guys, thanks for having us, Thanks for having us.

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<v Speaker 10>Tyler said he's joining back in because you know his

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<v Speaker 10>internet as well.

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<v Speaker 2>What hy, We've gossed me up the internet.

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<v Speaker 11>Man.

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<v Speaker 10>He's in Lancaster, which is like where the Amish are

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<v Speaker 10>and stuff. So the internet out there not as good.

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<v Speaker 4>You have like a donkey right now, that's on like

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<v Speaker 4>a treadmill.

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<v Speaker 6>That's internet.

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<v Speaker 3>I would hold it out yet in.

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<v Speaker 5>Lancaster even Yeah, and even one of the one of

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<v Speaker 5>the friends that was in in the movie, she said

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<v Speaker 5>she was from Shimoking and that's right down that down

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<v Speaker 5>right down the road from where I grew up. So

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<v Speaker 5>it's so funny because it's like all these hometown people.

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<v Speaker 2>I love it.

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<v Speaker 8>I love it that Pennsylvania's representing.

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<v Speaker 10>Yeah, yeah, yeah, I'm from Ncaster as well, but I

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<v Speaker 10>don't live there anymore.

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<v Speaker 3>Oh yeah, it is a courtney. Have you been to Brownsville?

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<v Speaker 4>You know?

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<v Speaker 8>No, I haven't, And I was going to ask you guys.

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<v Speaker 5>I'm I don't want to get you know, kurb ahead

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<v Speaker 5>of the horse, but I'm just wondering if you guys

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<v Speaker 5>are thinking about like the rep you know of Brownsville

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<v Speaker 5>and your movie.

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<v Speaker 8>Well maybe we'll get that.

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<v Speaker 3>Yeah, we can get into that.

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<v Speaker 4>Yeah, yeah, we got one more intro to do right here.

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<v Speaker 4>Somebody who's struggling with some damn amish internet. But you

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<v Speaker 4>know what, this brother got some talent and he is

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<v Speaker 4>a pleasure to speak with on the phone. I can

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<v Speaker 4>guarantee you that part of people put it in.

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<v Speaker 2>Get the cheeto dust off your fingers and put it

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<v Speaker 2>together for Tyler Chance you party, Tyler DJ, thank you

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<v Speaker 2>so much for having us on. My heart was breaking

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<v Speaker 2>when you were doing the intro. I thought I was

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<v Speaker 2>the only lively animated guy, you know, get my hands

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<v Speaker 2>and everything into it. I saw you going wild. I'm

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<v Speaker 2>like messaging Chris bro I don't have audio what's going on?

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<v Speaker 2>So I have no idea what you said. But Tyler

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<v Speaker 2>with Dockside Media on the other half with Chris, we

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<v Speaker 2>have a lot of fun putting these documentaries together, everything

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<v Speaker 2>from aliens, UFOs, ghost hunting, paranormal sasquatch, you name it.

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<v Speaker 2>We go out and film it and then edit it

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<v Speaker 2>into you know what you guys saw and surrounded by

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<v Speaker 2>Spirits and we have a lot of fun and we're

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<v Speaker 2>just help trying to help destigmatize these types of topics

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<v Speaker 2>and generate discussion. And it's been cool what's been happening

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<v Speaker 2>all over the place, especially you know with UFOs and

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<v Speaker 2>whatnot and the drones on the East Coast. So yeah,

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<v Speaker 2>we're we're uh, you're are We feel like we're amongst

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<v Speaker 2>good people.

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<v Speaker 4>You is you is? Uh? Nathan, make sure when you

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<v Speaker 4>do the stream make sure to throw mine in there too,

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<v Speaker 4>because there's a couple there's a couple couple of people

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<v Speaker 4>that are like no DJ and they conflate call all

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<v Speaker 4>beings and calling all beings.

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<v Speaker 3>And they don't.

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<v Speaker 4>So I just threw that up in there, so streaming

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<v Speaker 4>from uh my personal channel as well. Uh. I just

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<v Speaker 4>want to say hello to everybody up in the joint

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<v Speaker 4>before we get started before we get down to business,

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<v Speaker 4>because we do have some caboat so so obviously Julie's here.

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<v Speaker 4>What's up, Julie? How you doing, Homie? She's the original

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<v Speaker 4>gangster of our mod crew. Kelly Stephie is here. Who

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<v Speaker 4>thank you Kelly for helping out and adding some great

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<v Speaker 4>commentary last night when that girl Josie was going through

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<v Speaker 4>their paranormal experience on air, which we got to talk

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<v Speaker 4>about that later. Kimberly Maguire, Hello.

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<v Speaker 3>Kimmily, Welcome to the show.

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<v Speaker 4>Uh who else we got in here? I gotta scroll

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<v Speaker 4>down because these are all the early folks that got here.

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<v Speaker 4>Beatrice is here? What's up Beatrice? She's a co collaborator

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<v Speaker 4>on the true crime A True Crime Unsolved of cab.

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<v Speaker 4>Sherry Dizzle is our other mod who's brilliant. And this

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<v Speaker 4>gentleman right here is staying up real late in the

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<v Speaker 4>UK so and Micholas has been with us. He love man.

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<v Speaker 4>He he sent me a video where spirits look like

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<v Speaker 4>they are sitting right next to him on the sofa

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<v Speaker 4>as he's live and blows my mind. Lulubelle, Miss Jessica

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<v Speaker 4>and busy with sub Hoomie. And these are true crime

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<v Speaker 4>fans here lovely and now we got to get into it, man,

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<v Speaker 4>we got to get started with business, some money, Nathan,

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<v Speaker 4>take the damn thing away.

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<v Speaker 7>All right, I'll do my best. So Chris, great to

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<v Speaker 7>have you guys with us. I want to start out

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<v Speaker 7>with a little bit of background, because you guys have

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<v Speaker 7>been prolific in creating these documentaries.

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<v Speaker 2>There.

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<v Speaker 7>They're really well done. Enjoy the comments the content. You know,

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<v Speaker 7>you're looking at lots of different subjects. That's really cool.

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<v Speaker 7>Where does that interest come from? Is there a personal

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<v Speaker 7>connection to some of these particular subjects or is it

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<v Speaker 7>just a general fascination. So that's one question I want

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<v Speaker 7>to address. But the other I want you to like

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<v Speaker 7>to talk about is the creative process itself, because I

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<v Speaker 7>see a lot of creative work going on in your production.

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<v Speaker 7>It's not just a very flat kind of show. There's

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<v Speaker 7>a lot of cool angles and you're looking at interesting subjects,

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<v Speaker 7>and you know, I like that kind of aspect to

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<v Speaker 7>the documentary, and I wonder who's bringing that flavor to

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<v Speaker 7>the production. So maybe we'll start with with Chris and

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<v Speaker 7>we'll go to Tyler.

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<v Speaker 10>Well, I can speak to the creative aspect both Tyler

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<v Speaker 10>and I or camera ops on these things.

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<v Speaker 3>So it's dockside media is just Tyler and I.

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<v Speaker 10>We go out, we we film everything, and we come

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<v Speaker 10>back with a ton of footage and no storyline or

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<v Speaker 10>anything in mind.

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<v Speaker 3>It's just whatever we capture.

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<v Speaker 10>We know we have to find what's there, and so

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<v Speaker 10>I do all the editing, and it's it's a lot

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<v Speaker 10>like getting like a big making a statue. You just

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<v Speaker 10>have a big rock and you chisel away until you

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<v Speaker 10>find the storyline and it's always there. With the alien stuff,

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<v Speaker 10>those things are definitely a bit different than the paranormal investigations.

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<v Speaker 10>Usually that's like just getting a few interviews and seeing

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<v Speaker 10>parallels between the interviews and finding like patterns that arise,

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<v Speaker 10>and so there you can kind of start crafting the

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<v Speaker 10>film out of things that line up with the investigations.

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<v Speaker 10>We really have no idea what's going to happen, what

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<v Speaker 10>you're gonna get, And there's so much more footage because

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<v Speaker 10>we're just filming hours and hours and hours, and then

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<v Speaker 10>when we get back home it's like, man, what an experience,

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<v Speaker 10>But now I have to put it together into something

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<v Speaker 10>that's not only interesting and engaging and entertaining, but makes

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<v Speaker 10>sense and feels like, you know, it feels like a story,

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<v Speaker 10>even though it's really just telling a boiled down version

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<v Speaker 10>of what happened to us, but in an entertaining, an

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<v Speaker 10>interesting way, and luckily so far. I mean, I think

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<v Speaker 10>it's a testament to the people we've worked with, honestly,

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<v Speaker 10>who are able to you know, we're behind the camera,

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<v Speaker 10>they're in front of it, so they're more, way more

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<v Speaker 10>important than us. And you know, working with these people,

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<v Speaker 10>we always come away with such interesting things that happen.

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<v Speaker 10>I'm the skeptical one of the crew, and I'm always

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<v Speaker 10>blowing boy by what happens on these shoots. And I constantly,

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<v Speaker 10>you know, think sometimes I'm just like sitting here thinking,

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<v Speaker 10>like look editing its footage.

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<v Speaker 3>I'm like, man, what this is? A life like this is?

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<v Speaker 10>So I get to be in this crazy, old haunted

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<v Speaker 10>hotel at three o'clock in the morning, I get to

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<v Speaker 10>be in Gettysburg and like doing a ghost hunt in

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<v Speaker 10>the middle of a basement from an old building, Like

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<v Speaker 10>just crazy stuff that never would have thought about.

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<v Speaker 3>So that's like it's just such.

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<v Speaker 10>A passion to make these things and come back home

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<v Speaker 10>and craft something fun out of them.

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<v Speaker 7>I love it well, could see you on this production.

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<v Speaker 7>It really was well crafted and Tyler, I'd like to

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<v Speaker 7>get your thoughts too on kind of with the greatest

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<v Speaker 7>side of it, as Chris spoke to, but also maybe

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<v Speaker 7>the genesis of dock side media.

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<v Speaker 2>Yeah, this baby all started well, our first docum ount

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<v Speaker 2>in twenty twenty two. I guess it started in twenty

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<v Speaker 2>twenty one, correct, Christ the summer of twenty twenty one,

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<v Speaker 2>Chris was like, we've known each other from high school,

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<v Speaker 2>but weren't like great friends or anything. Yeah, shout out

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<v Speaker 2>high school. We're coming up on forty let's go. But

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<v Speaker 2>but yeah, so Chris, we both saw each other on

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<v Speaker 2>Facebook socials like doing filmmaking and had a little experience

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<v Speaker 2>working together on a few different things, and he was like, hey, dude,

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<v Speaker 2>what about would you want to make documentaries? I was like, yep,

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<v Speaker 2>let's do it. And he was like, yeah, we should

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<v Speaker 2>do something like interesting like you know those UFOs sasquatch.

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<v Speaker 2>So I'm like, yep, I'm sold. That would be super

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<v Speaker 2>fun to go and just adventurous, man, go like we

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<v Speaker 2>go on these adventures. It's sick, dude. I'm almost forty

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<v Speaker 2>years old, and yeah, we went for anybody real familiar

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<v Speaker 2>with the paranormal community. Do we have the opportunity back

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<v Speaker 2>in this past June twenty twenty five to go film

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<v Speaker 2>with Amy Bruney and we filmed a six episode docu

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<v Speaker 2>series titled Historically Hanted with Amy Brady. She's a massive,

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<v Speaker 2>you know, well known paranormal investigator on Kindred Spirits and

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<v Speaker 2>ghost Hunters and all that. So it's just crazy. We

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<v Speaker 2>go from Chris mentioning, hey do you want to make

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<v Speaker 2>start making documentaries whatever, like four and a half years

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<v Speaker 2>ago or three and a half years ago, to man

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<v Speaker 2>getting those types of opportunities and just releasing surrounded by Spirits,

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<v Speaker 2>and our work just keep getting better and really has

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<v Speaker 2>started with I saw Reddit post for the calling all beings,

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<v Speaker 2>you know the fans out there they might be familiar

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<v Speaker 2>or recall on Julie. She's a former Department of Defense

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<v Speaker 2>intelligence officer. So I happen to see that Reddit post saying, hey,

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<v Speaker 2>she's gonna be She's going in front of the Lincoln

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<v Speaker 2>Memorial to give like a press conference regarding these beings

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<v Speaker 2>that she had contact with and trying to rage a

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<v Speaker 2>team to go out and again expedition to go out

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<v Speaker 2>and investigate. I'm like Chris, dude, I don't know what

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<v Speaker 2>we're going to make, but like the guts for somebody

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<v Speaker 2>to go and do this. And a former intelligence officer

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<v Speaker 2>blah blah blah, Like dude, like, I'm gonna go down

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<v Speaker 2>and capture it. We'll figure out what to do with it.

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<v Speaker 2>And and that was really how it all started. Went

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<v Speaker 2>and just filmed it. Had spoken to her like on

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<v Speaker 2>you know, through emails and Reddit some and she allowed

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<v Speaker 2>me to micro up and that's that type of thing.

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<v Speaker 2>And then from there we noticed this lady Sue Walker,

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<v Speaker 2>who's a telepath out in Albuquerque, New Mexico. You know,

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<v Speaker 2>she she's her experiences. She's been in contact with the Ponte,

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<v Speaker 2>which are a set of extraterrestrials in the Sandia Mountains.

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<v Speaker 2>So and I could go on and on for days,

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<v Speaker 2>but basically, yep, we make that connection. Boom, we get

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<v Speaker 2>hooked up with another person, Clifford Mahoodi, who was on

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<v Speaker 2>ancient Aliens blah blah. The rest is history history. We

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<v Speaker 2>like Chris said, we don't go into these things with like,

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<v Speaker 2>oh dude, here's a storyline we should try and hit.

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<v Speaker 2>Let's try and lead people in this direction. It's like

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<v Speaker 2>got Enna, Like, you guys give us your experience, depending

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<v Speaker 2>on if it's interviews with encounters or government officials or

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<v Speaker 2>seeing Anulya aircraft, whatever it may be. So no, just share,

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<v Speaker 2>share with us, like your experience. Man, we don't judge anybody.

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<v Speaker 2>And and so it's been really cool to go and

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<v Speaker 2>do these things. And just I don't know, the universe

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<v Speaker 2>delivers every single time, and Chris always finds a great

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<v Speaker 2>storyline in all the footage and drama that we've captured.

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<v Speaker 6>So I love it.

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<v Speaker 7>I love that you're chasing that dream and it's just

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<v Speaker 7>kind of leading you in these cool places. It's really

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<v Speaker 7>exciting and we can relate to that on this show.

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<v Speaker 7>We certainly can. We've been thrown together and in some

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<v Speaker 7>ways by a happenstance, but it feels in a way

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<v Speaker 7>almost like it's been planned out. So I'm really excited

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<v Speaker 7>to see that journey that you guys are on together.

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<v Speaker 7>I'm going to pass it off to Debt. I know

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<v Speaker 7>she's got some burning questions that she wants to ask,

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<v Speaker 7>so we'll pass it over to her.

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<v Speaker 4>That's my homegirl.

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<v Speaker 8>Okay.

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<v Speaker 11>So one of the things I you know, I notice

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<v Speaker 11>that you're really worried about having a story when you

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<v Speaker 11>were making this documentary. But the whole time, I was

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<v Speaker 11>so fascinated by the people that that, to me was

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<v Speaker 11>the bigger story.

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<v Speaker 8>Than the paranormal.

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<v Speaker 11>It was almost like it was an investigation of the investigators.

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<v Speaker 11>So I've since, you know, since it's not necessarily what

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<v Speaker 11>everyone else is going to say, the story is. I

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<v Speaker 11>just wanted you to say what you think was the

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<v Speaker 11>biggest thing take away from this documentary?

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<v Speaker 10>Oh yeah, I think you nailed it there the movie?

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<v Speaker 10>Oh sorry, go ahead, Did you say something else?

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<v Speaker 8>Deb I was going to just pick who went first?

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<v Speaker 8>You go go.

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<v Speaker 3>I was going to say, yeah, you nailed it.

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<v Speaker 2>Though.

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<v Speaker 10>The story is those people and what happened there, and

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<v Speaker 10>the dynamics and even us included. There was and Becky

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<v Speaker 10>says this several times throughout the movie, but discord is

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<v Speaker 10>the underlying kind of theme that happened while we were invegating.

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<v Speaker 10>People went in there happy and looking for a great

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<v Speaker 10>kind of fun time investigation, and things went a little

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<v Speaker 10>bit off for everyone. Conflicts, Tyler and I getting frustrated,

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<v Speaker 10>I know, the investigators getting frustrated. To tell the psychics

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<v Speaker 10>getting frustrated and the I'm not gonna give away the

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00:17:22.839 --> 00:17:24.720
<v Speaker 10>end of the movie or anything, but like the end

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<v Speaker 10>that happened in the moment when I was there, I

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<v Speaker 10>was like, this feels like I'm at the end of

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<v Speaker 10>a movie. Like it felt the energy was so alive

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<v Speaker 10>because of the kind of journey we all went on.

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<v Speaker 10>Started out real fun, got into fights and stuff like

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<v Speaker 10>it just it wasn't midway through.

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<v Speaker 3>We were like what is going on here? Like what

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<v Speaker 3>is this?

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<v Speaker 10>Is not what we thought was gonna happen, But it

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<v Speaker 10>all came to a head and we we just literally

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<v Speaker 10>just talked to Becky I don't know, a couple of

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<v Speaker 10>days ago, like we're all everything's great, like we love her.

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<v Speaker 10>But during this time, man, everybody was kind of put

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<v Speaker 10>through the ringer. So when I was putting the movie together,

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00:18:01.839 --> 00:18:03.720
<v Speaker 10>it was like that was like the biggest part of

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<v Speaker 10>it is the journey that.

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<v Speaker 3>The people went through.

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<v Speaker 10>There's tons of tons of cool, you know, supernatural ghost

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<v Speaker 10>stuff in the film as well, But I don't know

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<v Speaker 10>if there's been another paranormal kind of documentary like this

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<v Speaker 10>that kind of shows behind the scenes stuff.

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<v Speaker 2>And again that was something that wasn't pre planned and Chris,

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<v Speaker 2>we didn't go into it saying, oh, like we're never

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<v Speaker 2>in our documentaries. It was just like, oh man, the

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<v Speaker 2>universe delivered us these circumstances where yeah, everybody's kind of

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<v Speaker 2>getting at each other. And Chris is like, huh, you

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<v Speaker 2>know what, we need to include this in the film.

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<v Speaker 2>I'm like, Bro, that's that is an excellent idea because yeah,

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<v Speaker 2>this is a big part of what's going on, and

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<v Speaker 2>hopefully people that do do paranormal investigating, we'll just see

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<v Speaker 2>the authenticity of what these people are doing. It's like

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<v Speaker 2>sometimes we don't you know, sometimes you don't get anything, yeah, right,

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<v Speaker 2>or sometimes there are conflicting reports. You know, the the

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<v Speaker 2>intuitives or mediums might get something, but the people with

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<v Speaker 2>the paranormal equipment may not, right, and uh.

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<v Speaker 3>So there's there's an aspect to it.

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<v Speaker 10>There, the authenticity that you're speaking of, Tyler, It's like

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<v Speaker 10>I can understand the pressure. Like the lead investigator, this

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<v Speaker 10>being Becky and Gallentine had on this investigation in so

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00:19:30.359 --> 00:19:33.480
<v Speaker 10>far as hey, we hit role on those cameras, something's

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<v Speaker 10>got to happen, right, Like she feels pressure to produce results,

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<v Speaker 10>but she has you know, her conviction and stuff. She

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<v Speaker 10>will not like there is nothing fake, nothing like that.

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<v Speaker 10>Like she's gonna do what she's gonna do, and she's

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<v Speaker 10>gonna do it the way she thinks it needs to

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<v Speaker 10>be done. Yeah, hell or high water, and be damned

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<v Speaker 10>if the footage is good or not, which I do

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<v Speaker 10>fully received, And so that's just part of it. Like

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<v Speaker 10>I want people to come away with knowing like the

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<v Speaker 10>authenticity I think of the people in the film and

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<v Speaker 10>the film itself.

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<v Speaker 4>Yeah, that that That's That's what came across. And that

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<v Speaker 4>was kind of what I was going to ask you.

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<v Speaker 4>Was the other question I want to ask you. I

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<v Speaker 4>want that I'll get to next is going to be about, uh,

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<v Speaker 4>sort of what resonates with you in terms of UFO's

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<v Speaker 4>big foot in paranormal. But for this first question, I'd

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<v Speaker 4>like to go to how you selected each of these

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<v Speaker 4>team members and and why you picked each one.

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<v Speaker 2>We actually relied on on the lead investigator, Becky Anne Gallentine.

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<v Speaker 2>She had said, hey, I've got you know, like a medium,

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<v Speaker 2>I've got another paranormal investigator that that can help out.

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<v Speaker 2>And so again Chris and I we went into it.

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<v Speaker 2>We were thinking there was going to be three p

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<v Speaker 2>like three people on camera, three investigators. We get to

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<v Speaker 2>the the Black Horse Tavern in Brownsville and we got

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<v Speaker 2>six people there, like yeah, wow, all right, well I'm

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00:21:02.119 --> 00:21:04.680
<v Speaker 2>glad we got enough mics with us. Yeah, thankfully we

388
00:21:04.759 --> 00:21:09.880
<v Speaker 2>brought extra and uh so, yeah, it was just we

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<v Speaker 2>just yeah, there was no selection on our part other

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<v Speaker 2>than Becky. We had worked with her on our films

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<v Speaker 2>Ghosts in the Graveyard Pure Pandemonium, which was a paranormal

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<v Speaker 2>investigation of the ghost town of Pandemonium. It was at

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<v Speaker 2>the Cemetery of Pandemonium, Pandemonium, Pennsylvania, down in the middle

394
00:21:29.720 --> 00:21:32.759
<v Speaker 2>of nowhere. I mean, there's no towns or buildings around,

395
00:21:32.799 --> 00:21:34.599
<v Speaker 2>a couple like foundations, you know, out in the middle

396
00:21:34.599 --> 00:21:37.279
<v Speaker 2>of the mountains. But we did that, and then we

397
00:21:37.359 --> 00:21:42.920
<v Speaker 2>worked with her doing The Ghost of Grand Midway, which

398
00:21:43.119 --> 00:21:47.559
<v Speaker 2>was investigating this haunted man what would you call it,

399
00:21:47.640 --> 00:21:50.400
<v Speaker 2>Chris Haunted Hotel, but the Grand Midway Hotel. But it

400
00:21:50.480 --> 00:21:54.319
<v Speaker 2>was like the Andy Warhol Art Collectives got the world's

401
00:21:54.400 --> 00:21:57.440
<v Speaker 2>largest Ouiji board up on the roof, like it's in

402
00:21:57.480 --> 00:22:00.720
<v Speaker 2>the Guinness World Record Flat. So yeah, we just worked

403
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<v Speaker 2>with her. She's always been a pleasure to work with

404
00:22:03.599 --> 00:22:07.680
<v Speaker 2>and we always appreciate, Yeah, her just being authentic and

405
00:22:07.720 --> 00:22:12.359
<v Speaker 2>herself and not trying to ham stuff up. So it's like, oh, dude,

406
00:22:12.359 --> 00:22:15.119
<v Speaker 2>if we really get something that's wild, like, dude, this

407
00:22:15.200 --> 00:22:17.759
<v Speaker 2>is sick, Like this is really wild. And it's always

408
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<v Speaker 2>interesting for Chris, as mentioned, he's like the very skeptic,

409
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<v Speaker 2>you know, he's the largest skepticure out of the group,

410
00:22:25.519 --> 00:22:28.640
<v Speaker 2>and so it's always cool when he gets these weird

411
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<v Speaker 2>gut feelings and stuff because man, I really can't explain

412
00:22:32.119 --> 00:22:37.079
<v Speaker 2>what just happened right there. Yeah, but yeah, we trust him. Becky,

413
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<v Speaker 2>she does great.

414
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<v Speaker 4>Yeah, she whatever it is, whatever that is on that

415
00:22:41.720 --> 00:22:44.759
<v Speaker 4>on screen presence, Becky has that. I just want to

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<v Speaker 4>say before I pass it to court Miss Jessica, I

417
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<v Speaker 4>see you have some questions. We are going to get

418
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<v Speaker 4>to those. I have starred them, and I want to

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<v Speaker 4>say to britt Gal, this is not a horror movie.

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<v Speaker 4>This is a documentary, a paranormal investigation and is done

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<v Speaker 4>extremely well with really legit investigators. But we are going

422
00:23:05.960 --> 00:23:08.839
<v Speaker 4>to get those, but we can't go no further until

423
00:23:08.880 --> 00:23:13.920
<v Speaker 4>we turn it over to our Pennsylvania home girl, Courtney connected.

424
00:23:15.000 --> 00:23:19.039
<v Speaker 5>Hey, I love the mention of Gettysburg, you guys, because

425
00:23:19.039 --> 00:23:21.920
<v Speaker 5>I got to tell you from being from Tankanic, Pennsylvania,

426
00:23:22.039 --> 00:23:25.920
<v Speaker 5>which is you know, it's up north. It's about an hour,

427
00:23:26.319 --> 00:23:29.799
<v Speaker 5>you know, maybe an hour and a half north of Gettysburg.

428
00:23:29.880 --> 00:23:32.359
<v Speaker 5>I have friends that actually go down to Gettysburg to

429
00:23:32.440 --> 00:23:35.279
<v Speaker 5>like the gettys Burg Fair and they do, you know,

430
00:23:35.359 --> 00:23:37.440
<v Speaker 5>psychic stuff, and they tell me all about it. So

431
00:23:37.480 --> 00:23:41.440
<v Speaker 5>I'm just loving all these small town connections. It's really cool.

432
00:23:41.799 --> 00:23:44.799
<v Speaker 5>So everybody's already asked all my like topless questions, so

433
00:23:44.799 --> 00:23:47.759
<v Speaker 5>I'm going to try to like bring my question into

434
00:23:47.839 --> 00:23:51.640
<v Speaker 5>a whole integrated thing because some new things are coming

435
00:23:51.680 --> 00:23:54.799
<v Speaker 5>to mind as you're talking. But the thing that stood

436
00:23:54.839 --> 00:23:57.960
<v Speaker 5>out to me the most was the Black Horse Tavern

437
00:23:58.160 --> 00:24:02.759
<v Speaker 5>and its effect on everybody, not only the investigators and

438
00:24:03.039 --> 00:24:08.119
<v Speaker 5>the mediums. You know, Seth his reaction to everything was

439
00:24:08.200 --> 00:24:11.599
<v Speaker 5>incredibly powerful. You could tell he was being affected by something.

440
00:24:12.039 --> 00:24:15.079
<v Speaker 5>But it really was YouTube. It was the filmmakers being

441
00:24:15.119 --> 00:24:19.799
<v Speaker 5>brought into the discussion around the storyline, kind of not

442
00:24:19.920 --> 00:24:24.119
<v Speaker 5>appearing having to get your hands in there questioning things

443
00:24:24.119 --> 00:24:26.960
<v Speaker 5>as you're going through this process, right, and you've been

444
00:24:27.000 --> 00:24:30.079
<v Speaker 5>through it before, so your experience this wasn't new to you,

445
00:24:30.559 --> 00:24:33.119
<v Speaker 5>So I have to ask you, first of all, have

446
00:24:33.240 --> 00:24:37.440
<v Speaker 5>you ever seen Charlie Kaufman's adaptation the movie adaptation?

447
00:24:38.519 --> 00:24:39.920
<v Speaker 8>Okay, so you know the scene.

448
00:24:39.720 --> 00:24:43.359
<v Speaker 5>Where they're like grappling with bringing themselves into right yeah?

449
00:24:44.119 --> 00:24:45.799
<v Speaker 3>Yeah, yeah, the writing.

450
00:24:45.480 --> 00:24:46.559
<v Speaker 8>And they're these brothers.

451
00:24:46.559 --> 00:24:49.279
<v Speaker 5>So that's like right now, I'm like thinking of YouTube

452
00:24:49.319 --> 00:24:52.480
<v Speaker 5>as like the brothers and adaptation, who are questioning the

453
00:24:52.559 --> 00:24:53.839
<v Speaker 5>existential value.

454
00:24:53.559 --> 00:24:55.160
<v Speaker 8>Of bringing yourselves into the script.

455
00:24:55.319 --> 00:24:58.599
<v Speaker 5>So that's pretty funny because you grapp it with that,

456
00:24:58.720 --> 00:25:01.400
<v Speaker 5>you already talked about it. I don't need to revisit it,

457
00:25:01.440 --> 00:25:04.440
<v Speaker 5>but that's how I'm seeing you right now. But the

458
00:25:04.559 --> 00:25:08.039
<v Speaker 5>problem with it was that you guys were affected, right

459
00:25:08.079 --> 00:25:12.279
<v Speaker 5>You were affected, Your relationship was affected, your decision making,

460
00:25:12.599 --> 00:25:15.279
<v Speaker 5>I think it's fair to say, was affected on site

461
00:25:15.319 --> 00:25:17.440
<v Speaker 5>while you were filming, and you showed that, and you

462
00:25:17.559 --> 00:25:18.319
<v Speaker 5>chose to show it.

463
00:25:18.599 --> 00:25:20.000
<v Speaker 8>I thought that was a powerful moment.

464
00:25:20.079 --> 00:25:21.920
<v Speaker 5>So the thing I wanted to ask, which I'm sure

465
00:25:21.960 --> 00:25:25.160
<v Speaker 5>the audience members want to know, is like, how you

466
00:25:25.200 --> 00:25:29.240
<v Speaker 5>guys detangled from that, right from leaving the Black Horse Tavern,

467
00:25:29.559 --> 00:25:31.440
<v Speaker 5>how you cleansed yourself.

468
00:25:31.039 --> 00:25:33.039
<v Speaker 8>Whatever you did. I know that you know about skin

469
00:25:33.119 --> 00:25:34.400
<v Speaker 8>Walker and hitchhikers.

470
00:25:34.400 --> 00:25:37.319
<v Speaker 5>So I just wanted to ask, when you guys departed

471
00:25:37.920 --> 00:25:42.119
<v Speaker 5>from these various locations, did you feel like you were

472
00:25:42.279 --> 00:25:44.400
<v Speaker 5>affected by it and you couldn't shake it, Like you

473
00:25:44.440 --> 00:25:47.240
<v Speaker 5>couldn't shake the effect of what you felt at the

474
00:25:47.240 --> 00:25:49.359
<v Speaker 5>black Horse Tavern when you went home at night.

475
00:25:51.200 --> 00:25:54.480
<v Speaker 10>That's a hard question, honestly, because we were definitely affected

476
00:25:55.160 --> 00:25:56.559
<v Speaker 10>just from the whole experience.

477
00:25:56.599 --> 00:25:59.039
<v Speaker 3>So we filmed.

478
00:25:58.799 --> 00:26:05.440
<v Speaker 10>The NonStop, like we were exhausted, we were emotionally dreamed.

479
00:26:07.240 --> 00:26:11.400
<v Speaker 10>The ride home, you know that frustrations and stuff were

480
00:26:11.440 --> 00:26:13.759
<v Speaker 10>still there. I just Tyler and I you know, it

481
00:26:13.799 --> 00:26:15.119
<v Speaker 10>was like a five or six hour drive.

482
00:26:15.160 --> 00:26:18.599
<v Speaker 3>I think we just talked the whole time, and you know,

483
00:26:18.680 --> 00:26:20.480
<v Speaker 3>like what did we what? What just happened?

484
00:26:21.200 --> 00:26:24.319
<v Speaker 10>And I don't know if that was, you know, from

485
00:26:24.480 --> 00:26:27.000
<v Speaker 10>what we experienced at the black Horse Tavern or just

486
00:26:28.000 --> 00:26:32.880
<v Speaker 10>an effective of filming NonStop with everyone and everyone's frustrations

487
00:26:32.920 --> 00:26:37.400
<v Speaker 10>and stuff bubbling over. But either way, and I'll say

488
00:26:37.400 --> 00:26:40.920
<v Speaker 10>this like a skeptic person, like it left a lasting

489
00:26:40.960 --> 00:26:45.279
<v Speaker 10>effect on me for sure, a little scar maybe or something.

490
00:26:45.440 --> 00:26:49.640
<v Speaker 10>But I'm so proud of the film. I think it's

491
00:26:49.680 --> 00:26:53.000
<v Speaker 10>Tyler and I's, you know, best film we've put out,

492
00:26:55.359 --> 00:26:59.279
<v Speaker 10>and you know it's to me, it's just I have

493
00:26:59.319 --> 00:27:01.960
<v Speaker 10>to remind my elf, like this is just Tyler and

494
00:27:02.000 --> 00:27:03.680
<v Speaker 10>I doing everything. Like when we got there, there were

495
00:27:03.759 --> 00:27:05.680
<v Speaker 10>six people, and you know, we don't have we didn't

496
00:27:05.680 --> 00:27:07.559
<v Speaker 10>have a sound guy. We don't have We got me

497
00:27:07.599 --> 00:27:10.960
<v Speaker 10>and Tyler two cameras or maybe three, but that third one,

498
00:27:10.960 --> 00:27:12.880
<v Speaker 10>no one's been to be watching it. So it's just

499
00:27:12.920 --> 00:27:14.279
<v Speaker 10>sitting there on sticks, do you know what I mean?

500
00:27:14.319 --> 00:27:17.559
<v Speaker 10>And we're running around trying to get stuff while six

501
00:27:17.599 --> 00:27:20.480
<v Speaker 10>people are kind of commanding what's happening, and it's just

502
00:27:20.519 --> 00:27:23.440
<v Speaker 10>so overwhelming. So when I go back and I watch

503
00:27:23.480 --> 00:27:25.160
<v Speaker 10>the film, now, I'm like, man, this is this is

504
00:27:25.160 --> 00:27:25.960
<v Speaker 10>actually really good.

505
00:27:26.400 --> 00:27:27.200
<v Speaker 3>We should be proud.

506
00:27:28.200 --> 00:27:30.240
<v Speaker 5>The other thing I wanted to ask you, Tyler, just

507
00:27:30.279 --> 00:27:32.640
<v Speaker 5>hang on one second. The other thing, Yeah, now you

508
00:27:32.680 --> 00:27:35.240
<v Speaker 5>can answer this too when you get into your portion.

509
00:27:35.400 --> 00:27:39.240
<v Speaker 5>But did you guys see anomalist stuff that interacted with

510
00:27:39.279 --> 00:27:39.880
<v Speaker 5>your equipment?

511
00:27:39.920 --> 00:27:41.559
<v Speaker 8>That was the other thing I wanted to ask you.

512
00:27:41.599 --> 00:27:45.920
<v Speaker 5>Any disruptions or any problems filming anything that you you

513
00:27:46.000 --> 00:27:48.720
<v Speaker 5>felt disrupted your actual filming equipment.

514
00:27:55.079 --> 00:27:58.359
<v Speaker 2>So we had yeah, we had some. We had some

515
00:27:58.400 --> 00:28:01.759
<v Speaker 2>battery issues occasionally were issues like oh, this thing is

516
00:28:01.759 --> 00:28:04.039
<v Speaker 2>fully charged. We put it in the camera and you know,

517
00:28:04.079 --> 00:28:09.240
<v Speaker 2>it dies quickly. Not a ton of stuff with with

518
00:28:09.359 --> 00:28:13.440
<v Speaker 2>our personal equipment being affected. I know, there was some

519
00:28:13.480 --> 00:28:15.720
<v Speaker 2>weird stuff where like I don't know what was going on,

520
00:28:16.319 --> 00:28:19.160
<v Speaker 2>maybe just the nature and the spirits of the town.

521
00:28:19.200 --> 00:28:22.480
<v Speaker 2>But like I spent like fifteen twenty minutes filming all

522
00:28:22.519 --> 00:28:26.319
<v Speaker 2>these dope drone shots of the wrong house. We're out

523
00:28:26.319 --> 00:28:32.000
<v Speaker 2>the wrong course tavern and like little I'm the house sided,

524
00:28:32.160 --> 00:28:33.960
<v Speaker 2>Like I mean like I was in there. I mean

525
00:28:34.039 --> 00:28:36.920
<v Speaker 2>I was there all day and I just spent yeah,

526
00:28:36.960 --> 00:28:40.319
<v Speaker 2>fifteen twenty minutes just filming sick, sick b roll shots

527
00:28:40.400 --> 00:28:41.599
<v Speaker 2>of the wrong place.

528
00:28:41.880 --> 00:28:45.000
<v Speaker 3>And it was we went to the wrong place so

529
00:28:45.039 --> 00:28:45.680
<v Speaker 3>many times we went.

530
00:28:45.640 --> 00:28:47.960
<v Speaker 10>To the we went in they're completely different houses and

531
00:28:48.039 --> 00:28:49.480
<v Speaker 10>it's not like a cookie cutter, and it was like

532
00:28:49.519 --> 00:28:51.440
<v Speaker 10>a and we just kept going to the wrong house.

533
00:28:51.480 --> 00:28:52.359
<v Speaker 3>It was so bizarre.

534
00:28:53.400 --> 00:28:56.160
<v Speaker 2>Yeah, And as far as your your earlier question about

535
00:28:56.200 --> 00:28:58.119
<v Speaker 2>like how how do you feel like when you're leaving, Like, yeah,

536
00:28:58.200 --> 00:29:01.880
<v Speaker 2>Chris and I met, You're you're you're really drained, but

537
00:29:03.880 --> 00:29:06.000
<v Speaker 2>at the same time you're so excited for what you

538
00:29:06.279 --> 00:29:09.039
<v Speaker 2>just you know, what you know you captured. We knew

539
00:29:09.079 --> 00:29:14.279
<v Speaker 2>we had something because the end was just epic and

540
00:29:14.319 --> 00:29:17.400
<v Speaker 2>we couldn't explain it. And then two man, we we

541
00:29:17.480 --> 00:29:20.799
<v Speaker 2>literally love filmmaking so much, Chris, You remember the last

542
00:29:20.839 --> 00:29:23.680
<v Speaker 2>hour and a half we're talking, all right, we got

543
00:29:23.680 --> 00:29:27.880
<v Speaker 2>to film a let's film a UFO doc about investigating

544
00:29:28.000 --> 00:29:33.640
<v Speaker 2>nuclears for it and everything out like we're we just

545
00:29:33.720 --> 00:29:38.799
<v Speaker 2>filmed you know this, you know three four day journey

546
00:29:40.359 --> 00:29:45.039
<v Speaker 2>which again, dude, Chris and I were filming from whatever

547
00:29:45.279 --> 00:29:47.519
<v Speaker 2>eight a m. Till two am. I mean, not the

548
00:29:47.680 --> 00:29:50.079
<v Speaker 2>entire time. We got to move from location to location.

549
00:29:50.240 --> 00:29:52.880
<v Speaker 2>We get other interviews. We happen to stumble upon people

550
00:29:53.359 --> 00:29:58.799
<v Speaker 2>like the Rocky Brosher, the guy from the Nemicole and

551
00:29:58.920 --> 00:30:03.000
<v Speaker 2>Castle and the the Historical Society, et cetera. It's like, oh, dude,

552
00:30:02.839 --> 00:30:05.559
<v Speaker 2>but he wasn't on our radar. Like we're there in

553
00:30:05.640 --> 00:30:10.759
<v Speaker 2>town and we bump into him and get his interview. Well,

554
00:30:10.799 --> 00:30:13.200
<v Speaker 2>we bump into another guy who's right by our airbnb.

555
00:30:13.559 --> 00:30:15.839
<v Speaker 2>Him and his dad had experiences. We interview them. We

556
00:30:15.839 --> 00:30:17.880
<v Speaker 2>get connected to Rocky for share. It's like, dude, this

557
00:30:17.960 --> 00:30:20.079
<v Speaker 2>is crazy. If we came in with this plan, we

558
00:30:20.079 --> 00:30:23.599
<v Speaker 2>wouldn't we wouldn't have gotten anything anything like it. So

559
00:30:23.960 --> 00:30:27.240
<v Speaker 2>it's just really awesome, man that I don't know, we

560
00:30:27.400 --> 00:30:29.480
<v Speaker 2>just have faith, like, oh, we make sure we got

561
00:30:29.599 --> 00:30:32.160
<v Speaker 2>enough stuff to do that we can get merry. But

562
00:30:32.240 --> 00:30:36.480
<v Speaker 2>we always keep our eyes and hearts open to like God, dude,

563
00:30:36.759 --> 00:30:40.680
<v Speaker 2>like if stuff comes up that's interesting, let's go that too.

564
00:30:40.839 --> 00:30:42.240
<v Speaker 2>We'll figure out what to do with it.

565
00:30:46.119 --> 00:30:48.480
<v Speaker 7>Yeah, I mean it was really really exciting to watch.

566
00:30:48.519 --> 00:30:52.160
<v Speaker 7>I mean, the vibe there are lots of characters in

567
00:30:52.240 --> 00:30:56.680
<v Speaker 7>this documentary. You know, the city of Brownsville itself has

568
00:30:56.759 --> 00:31:01.720
<v Speaker 7>it's clearly its own vibe. In Pittsburg, it's just incredible landscape,

569
00:31:01.839 --> 00:31:05.000
<v Speaker 7>rich history. It feels like there's a mystery just kind

570
00:31:05.000 --> 00:31:07.920
<v Speaker 7>of waiting around every corner. Every house is a little

571
00:31:07.920 --> 00:31:08.519
<v Speaker 7>bit different.

572
00:31:09.160 --> 00:31:09.960
<v Speaker 6>They're old enough to.

573
00:31:09.920 --> 00:31:14.119
<v Speaker 7>Where they've got these legacies, legacy families, legacy stories. And

574
00:31:14.160 --> 00:31:17.200
<v Speaker 7>then you know, from my perspective, I have not watched,

575
00:31:17.480 --> 00:31:20.680
<v Speaker 7>you know, a ton of paralanormal documentaries, but the ones

576
00:31:20.680 --> 00:31:23.240
<v Speaker 7>that I have seen didn't do the kind of work

577
00:31:23.279 --> 00:31:26.839
<v Speaker 7>that you guys did to showcase the investigation team, and

578
00:31:27.240 --> 00:31:30.160
<v Speaker 7>I found that to be really the most interesting aspect

579
00:31:30.200 --> 00:31:34.079
<v Speaker 7>of the entire documentary is just these personalities and how

580
00:31:34.559 --> 00:31:35.920
<v Speaker 7>and the fact that you guys were just two of

581
00:31:35.920 --> 00:31:38.799
<v Speaker 7>you doing the filming is really mind boggling. We look

582
00:31:38.799 --> 00:31:40.559
<v Speaker 7>at some of these shots and how they were happening

583
00:31:40.599 --> 00:31:42.119
<v Speaker 7>kind of simultaneously different places.

584
00:31:42.200 --> 00:31:43.200
<v Speaker 6>It's really amazing work.

585
00:31:43.200 --> 00:31:47.519
<v Speaker 7>But the kind of skill set that this team had

586
00:31:47.960 --> 00:31:50.240
<v Speaker 7>and how the decisions were made to kind of pair

587
00:31:50.319 --> 00:31:52.720
<v Speaker 7>a couple of folks up and then mix up the

588
00:31:52.759 --> 00:31:55.279
<v Speaker 7>pairings and then you know, do certain kinds of tests

589
00:31:55.279 --> 00:31:57.400
<v Speaker 7>and do other kinds of tests. I mean, honestly, it

590
00:31:57.440 --> 00:31:59.279
<v Speaker 7>looked like they had all been doing this together for

591
00:31:59.279 --> 00:32:01.319
<v Speaker 7>a really long time, but the way you're describing it,

592
00:32:01.319 --> 00:32:02.240
<v Speaker 7>it's almost like they just.

593
00:32:02.200 --> 00:32:04.720
<v Speaker 6>Got thrown together on the day that you showed up.

594
00:32:04.799 --> 00:32:07.880
<v Speaker 7>So what you know, if you could speak to the

595
00:32:08.319 --> 00:32:12.039
<v Speaker 7>human component of this right that that that there are

596
00:32:13.119 --> 00:32:17.680
<v Speaker 7>their personalities there and their intentions and a lot of

597
00:32:17.720 --> 00:32:21.680
<v Speaker 7>the paranormal experience seems to be tied up in that

598
00:32:21.839 --> 00:32:22.720
<v Speaker 7>human energy.

599
00:32:23.519 --> 00:32:25.559
<v Speaker 6>It's not just about whether they're dead or alive.

600
00:32:25.599 --> 00:32:28.200
<v Speaker 7>It's just that that the human energy period. And so

601
00:32:28.319 --> 00:32:30.599
<v Speaker 7>what was it like kind of just being present with

602
00:32:30.720 --> 00:32:33.920
<v Speaker 7>this group of really interesting folks as they're striving to

603
00:32:33.960 --> 00:32:36.759
<v Speaker 7>try to tease out these mysteries that are occurring in

604
00:32:36.799 --> 00:32:37.160
<v Speaker 7>the town.

605
00:32:37.920 --> 00:32:40.240
<v Speaker 4>I'll start with you, Chris, courageous folks.

606
00:32:40.599 --> 00:32:43.039
<v Speaker 3>Yeah, I mean you're.

607
00:32:42.839 --> 00:32:46.480
<v Speaker 10>Coming about you don't watch a lot of like paranormal documentaries,

608
00:32:46.480 --> 00:32:51.319
<v Speaker 10>when neither do we honestly like like not the like

609
00:32:52.000 --> 00:32:55.200
<v Speaker 10>put things down. But our movies aren't like the Zach

610
00:32:55.279 --> 00:32:58.359
<v Speaker 10>Baggan stuff or anything where it's like very dramatic and

611
00:32:58.480 --> 00:33:02.680
<v Speaker 10>very exciting all the time because we don't. I'm not

612
00:33:02.720 --> 00:33:05.160
<v Speaker 10>saying they fake anything, but we don't. Like we film

613
00:33:05.160 --> 00:33:08.759
<v Speaker 10>what we film and what happens, and real life isn't

614
00:33:08.799 --> 00:33:13.759
<v Speaker 10>always dramatic every three seconds. And so yeah, our movies

615
00:33:13.799 --> 00:33:16.359
<v Speaker 10>tend to focus a lot on the people in them

616
00:33:16.480 --> 00:33:19.000
<v Speaker 10>more than just the ghosts that we're trying to hunt.

617
00:33:20.400 --> 00:33:23.680
<v Speaker 10>But as far as like the group dynamic, you know,

618
00:33:24.559 --> 00:33:26.920
<v Speaker 10>I think the way these things operate the best is

619
00:33:26.920 --> 00:33:29.240
<v Speaker 10>when you have a leader. And Becky was the leader,

620
00:33:30.880 --> 00:33:33.079
<v Speaker 10>and she kind of came in with a plan for

621
00:33:33.119 --> 00:33:37.559
<v Speaker 10>each location. And that's where a lot of the drama

622
00:33:37.640 --> 00:33:42.720
<v Speaker 10>came from too, because you would have investigators searching a

623
00:33:42.799 --> 00:33:45.799
<v Speaker 10>room or investigating a room and not really finding anything.

624
00:33:45.839 --> 00:33:51.000
<v Speaker 10>But then you know, a medium would go in there

625
00:33:51.440 --> 00:33:55.720
<v Speaker 10>and detect something and I remember on the first night

626
00:33:55.880 --> 00:33:58.559
<v Speaker 10>at the Black Horse Tavern, I was in the attic

627
00:33:59.480 --> 00:34:02.720
<v Speaker 10>with Jewels and Viva and they were doing an st

628
00:34:02.920 --> 00:34:06.480
<v Speaker 10>session and I was filming, and it was very creepy

629
00:34:06.920 --> 00:34:09.360
<v Speaker 10>because we heard noises and pretty sure it's in the

630
00:34:09.360 --> 00:34:11.440
<v Speaker 10>movie where it was like a bang, and Vivas like,

631
00:34:11.440 --> 00:34:13.760
<v Speaker 10>what the F was that? And I was like, I

632
00:34:13.760 --> 00:34:15.639
<v Speaker 10>don't know what that was, but I definitely heard it,

633
00:34:16.280 --> 00:34:18.760
<v Speaker 10>and everybody else was three stories down in the basement.

634
00:34:20.199 --> 00:34:24.679
<v Speaker 10>So then when we go and kind of reconnect after

635
00:34:24.719 --> 00:34:27.320
<v Speaker 10>that first night, and Becky kind of shut down the

636
00:34:27.360 --> 00:34:30.920
<v Speaker 10>location saying like, Eah, there's nothing really happening here. Meanwhile, I,

637
00:34:31.159 --> 00:34:34.920
<v Speaker 10>the skeptic guy, was like creeped out. I heard stuff.

638
00:34:35.239 --> 00:34:39.920
<v Speaker 10>The mediums are commenting on things, and that's where the

639
00:34:39.960 --> 00:34:42.599
<v Speaker 10>frustration started to happen, because Tyler and I are like,

640
00:34:42.800 --> 00:34:45.000
<v Speaker 10>wait a second, we just filmed what I thought was

641
00:34:45.079 --> 00:34:48.199
<v Speaker 10>some amazing stuff for the last five hours and our

642
00:34:48.320 --> 00:34:51.280
<v Speaker 10>lead here saying like, no, not really, but I think

643
00:34:51.320 --> 00:34:53.480
<v Speaker 10>it all starts to make sense by the end of

644
00:34:53.480 --> 00:34:57.000
<v Speaker 10>the film, in the way that this town and the

645
00:34:57.000 --> 00:34:59.599
<v Speaker 10>places we went and the dynamics of the people everything

646
00:34:59.679 --> 00:35:02.519
<v Speaker 10>kind of was maybe a little bit manipulated by the

647
00:35:02.519 --> 00:35:06.840
<v Speaker 10>whole situation like a push, a discord as it were.

648
00:35:08.440 --> 00:35:10.360
<v Speaker 3>But by the end it felt like we all came

649
00:35:10.400 --> 00:35:11.320
<v Speaker 3>back together in a way.

650
00:35:11.440 --> 00:35:15.039
<v Speaker 10>So don't I don't know, you know, six people's a

651
00:35:15.039 --> 00:35:20.039
<v Speaker 10>lot of personality all smashed together, who may, like you,

652
00:35:20.159 --> 00:35:24.239
<v Speaker 10>haven't all worked together before, so that that breeds all

653
00:35:24.360 --> 00:35:26.400
<v Speaker 10>kinds of things, you know what I mean. So Tyler

654
00:35:26.440 --> 00:35:30.800
<v Speaker 10>and I were just there trying to survive, and yeah,

655
00:35:30.960 --> 00:35:32.599
<v Speaker 10>it was an experience.

656
00:35:32.760 --> 00:35:34.800
<v Speaker 7>And it never felt forced. I mean, it never felt

657
00:35:34.840 --> 00:35:39.280
<v Speaker 7>like there was this really challenging effort to get everybody

658
00:35:39.320 --> 00:35:42.840
<v Speaker 7>working together, and it felt very seamless. So that's a

659
00:35:42.960 --> 00:35:45.480
<v Speaker 7>kudos to Becky, but also just the kind of work

660
00:35:45.519 --> 00:35:47.840
<v Speaker 7>that you guys put into this setting it all up,

661
00:35:49.239 --> 00:35:52.360
<v Speaker 7>you know, Tyler, when it comes to the you know,

662
00:35:52.440 --> 00:35:54.880
<v Speaker 7>the locations themselves. I mean, you guys bounced around us

663
00:35:54.880 --> 00:35:57.679
<v Speaker 7>in different spots, and you know, like like Chris talking

664
00:35:57.679 --> 00:35:59.039
<v Speaker 7>about you kind of felt like you were hot and

665
00:35:59.039 --> 00:36:00.719
<v Speaker 7>then you were all of a sudden this other place

666
00:36:00.760 --> 00:36:01.920
<v Speaker 7>and that kind of felt cold.

667
00:36:01.920 --> 00:36:04.920
<v Speaker 6>And that came through a lot. You know, where you

668
00:36:04.960 --> 00:36:06.960
<v Speaker 6>wanted to be and where.

669
00:36:06.760 --> 00:36:09.880
<v Speaker 7>You thought the action was going to take place. Did

670
00:36:09.880 --> 00:36:11.320
<v Speaker 7>the do you did you feel like you were in

671
00:36:11.360 --> 00:36:14.000
<v Speaker 7>a way kind of just led through this production like

672
00:36:14.039 --> 00:36:15.559
<v Speaker 7>it like you had a plan but then to just

673
00:36:15.639 --> 00:36:18.440
<v Speaker 7>kind of threw throw out the window and the production

674
00:36:18.760 --> 00:36:20.840
<v Speaker 7>took over, the locations took over, and you were kind

675
00:36:20.880 --> 00:36:23.719
<v Speaker 7>of following their lead. How do you kind of process

676
00:36:23.760 --> 00:36:26.440
<v Speaker 7>that as you're maybe running up against a wall there

677
00:36:26.440 --> 00:36:27.960
<v Speaker 7>and not quite getting what you thought you were going

678
00:36:28.039 --> 00:36:29.199
<v Speaker 7>to get.

679
00:36:30.760 --> 00:36:35.000
<v Speaker 2>Yeah, it all depends on on the you know, on

680
00:36:35.119 --> 00:36:37.800
<v Speaker 2>the on the documentary or the or the like the

681
00:36:37.840 --> 00:36:42.760
<v Speaker 2>docu series. Sometimes, like with the historically hunta with Amy Bruney,

682
00:36:43.039 --> 00:36:45.000
<v Speaker 2>she put her her faith in us to like, go

683
00:36:45.679 --> 00:36:48.119
<v Speaker 2>I trust that these guys can can get me a

684
00:36:48.199 --> 00:36:51.320
<v Speaker 2>number of locations. And dude, Chris, well, we go to

685
00:36:51.480 --> 00:36:54.679
<v Speaker 2>like twenty over seven days. I mean it was like ridiculous.

686
00:36:54.719 --> 00:36:58.800
<v Speaker 2>I mean it's not so I love doing that reaching

687
00:36:58.840 --> 00:37:00.840
<v Speaker 2>out in content, but for this and we didn't really

688
00:37:01.039 --> 00:37:05.239
<v Speaker 2>we trusted in Becky. We got there. There were some

689
00:37:06.280 --> 00:37:08.599
<v Speaker 2>questions about if we could get into some places. So

690
00:37:08.679 --> 00:37:11.639
<v Speaker 2>Chris and I we were kind of really pushing for stuff.

691
00:37:11.639 --> 00:37:13.679
<v Speaker 2>It was like, oh, I can maybe get us into

692
00:37:14.360 --> 00:37:18.639
<v Speaker 2>the Brisher House, which is the former house of the

693
00:37:19.599 --> 00:37:24.840
<v Speaker 2>famous astronomer John A. Brescher, who created the telescope. But yeah,

694
00:37:24.840 --> 00:37:26.639
<v Speaker 2>so I think that one was maybe like Chris and

695
00:37:26.679 --> 00:37:28.679
<v Speaker 2>I had to like we're like, oh yeah, yeah, like

696
00:37:28.719 --> 00:37:30.400
<v Speaker 2>we weren't sure if we were getting in. It's like okay,

697
00:37:30.480 --> 00:37:32.320
<v Speaker 2>now like we'll step in. We're getting We're like, we'll

698
00:37:32.320 --> 00:37:33.840
<v Speaker 2>do whatever we can to get in here. And then

699
00:37:33.880 --> 00:37:38.679
<v Speaker 2>we ended up getting in and and what even you know, again,

700
00:37:39.400 --> 00:37:47.239
<v Speaker 2>it was interesting. We investigate. They investigated, Uh, it was

701
00:37:47.280 --> 00:37:51.239
<v Speaker 2>called Maria's Lover's House, which was the set or house

702
00:37:51.360 --> 00:37:53.960
<v Speaker 2>used in an old what was it like eighties movie,

703
00:37:54.000 --> 00:37:58.320
<v Speaker 2>Chris eighties French movie or something like that, And so

704
00:37:58.519 --> 00:38:02.280
<v Speaker 2>that one, yeah, wasn't on our radar. They ended up

705
00:38:02.920 --> 00:38:07.519
<v Speaker 2>the team of paranormal investigators ended up booking that Airbnb

706
00:38:08.280 --> 00:38:10.639
<v Speaker 2>just because they thought it was cool. And then it

707
00:38:10.719 --> 00:38:14.440
<v Speaker 2>turns out they're getting reports from the owner saying, hey,

708
00:38:15.079 --> 00:38:18.239
<v Speaker 2>just to heads up, there's been some you know, reports

709
00:38:18.239 --> 00:38:20.840
<v Speaker 2>of these hauntings or paranormal active It's like, wait, what

710
00:38:21.079 --> 00:38:23.320
<v Speaker 2>are you serious? We out of all the places we

711
00:38:23.440 --> 00:38:28.559
<v Speaker 2>picked or they picked to stay. So, yeah, it's it's

712
00:38:28.559 --> 00:38:31.159
<v Speaker 2>always kind of a toss up between sometimes yeah, we

713
00:38:31.199 --> 00:38:33.639
<v Speaker 2>have this stuff locked in. Sometimes we don't. But in

714
00:38:33.679 --> 00:38:36.599
<v Speaker 2>our guts we're like, bro, we know there's more. And

715
00:38:36.679 --> 00:38:40.880
<v Speaker 2>so when we heard, you know, the one gentleman Rocky

716
00:38:40.880 --> 00:38:43.480
<v Speaker 2>Brasher mentioned, hey, this used to be called I think

717
00:38:43.480 --> 00:38:45.320
<v Speaker 2>it was the City of Churches because there was like

718
00:38:45.320 --> 00:38:49.159
<v Speaker 2>twelve different denominations. It's like, ob bro, we're spending an hour,

719
00:38:49.679 --> 00:38:52.239
<v Speaker 2>we're cruising around, we're getting some be roll of churches,

720
00:38:52.360 --> 00:38:56.480
<v Speaker 2>getting the drone up, etc. Then later at the Bushier house,

721
00:38:56.480 --> 00:39:00.000
<v Speaker 2>it's like, oh, I don't want to give stuff away,

722
00:39:00.039 --> 00:39:02.480
<v Speaker 2>but somebody might see something above a church steeple Andy.

723
00:39:02.480 --> 00:39:04.880
<v Speaker 2>It's just like, ah, dude, all these cool dope connections

724
00:39:04.920 --> 00:39:08.920
<v Speaker 2>that yeah, we ninety nine point nine percent we couldn't

725
00:39:08.920 --> 00:39:11.960
<v Speaker 2>plan for, you know, any better than it played out.

726
00:39:12.239 --> 00:39:15.320
<v Speaker 10>Yeah, I mean, I would say if we are going

727
00:39:15.360 --> 00:39:18.280
<v Speaker 10>to a town ahead of time or anywhere, we always

728
00:39:18.280 --> 00:39:21.440
<v Speaker 10>say have try and get locations that we think have

729
00:39:21.519 --> 00:39:26.000
<v Speaker 10>a history of something paranormal, haunting, something happening there, as

730
00:39:26.000 --> 00:39:28.800
<v Speaker 10>opposed to just a place that no one has ever

731
00:39:29.079 --> 00:39:31.679
<v Speaker 10>you know, experienced anything. Because you know, we're not trying

732
00:39:31.679 --> 00:39:34.480
<v Speaker 10>to set ourselves up for failure. We want to obviously

733
00:39:34.519 --> 00:39:38.719
<v Speaker 10>capture something and the likelihood of past experiences there obviously

734
00:39:38.840 --> 00:39:41.760
<v Speaker 10>gives us, you know, a higher chance of finding something.

735
00:39:43.119 --> 00:39:46.719
<v Speaker 7>Yeah, it felt incredibly authentic, So kudos on that.

736
00:39:47.519 --> 00:39:51.239
<v Speaker 2>Real quick yo ed Nathan. Dude, it fills our hearts

737
00:39:51.400 --> 00:39:54.280
<v Speaker 2>with so much joy when you mentioned just like, oh

738
00:39:54.639 --> 00:39:58.480
<v Speaker 2>the shots look smooth, they're cinematic or all the framing up,

739
00:39:58.559 --> 00:40:01.800
<v Speaker 2>Like dude, we I don't know for two guys that

740
00:40:01.920 --> 00:40:05.400
<v Speaker 2>didn't go to you know, filmmaking school or anything like that, right,

741
00:40:05.480 --> 00:40:09.039
<v Speaker 2>we just started on our cell phones. No, we were

742
00:40:09.119 --> 00:40:11.559
<v Speaker 2>editing it on our cell phones. And okay, well let's

743
00:40:11.559 --> 00:40:13.800
<v Speaker 2>buy a camera. Okay, let's get a drone. Oh, let's

744
00:40:13.800 --> 00:40:17.719
<v Speaker 2>get our our remote pilot's license so we can fly it,

745
00:40:17.800 --> 00:40:20.199
<v Speaker 2>you know, commercially to use and do. Like dude, we

746
00:40:20.320 --> 00:40:22.840
<v Speaker 2>just we just keep going and going. So if anything,

747
00:40:22.880 --> 00:40:25.280
<v Speaker 2>I hope some of your Cabby's out there that are

748
00:40:25.320 --> 00:40:28.800
<v Speaker 2>passionate about something like Ah, dude, if you really like

749
00:40:28.880 --> 00:40:30.679
<v Speaker 2>it and enjoy it, like a dude, go do it

750
00:40:30.719 --> 00:40:33.199
<v Speaker 2>a bunch of times, like you'd be surprised. You'll get

751
00:40:33.239 --> 00:40:36.119
<v Speaker 2>better at it, like guaranteed, especially if you like it

752
00:40:36.159 --> 00:40:38.960
<v Speaker 2>and enjoy it. So dude, we always, like my heart,

753
00:40:39.000 --> 00:40:41.239
<v Speaker 2>I almost fall over every time I hear somebody just

754
00:40:41.320 --> 00:40:44.039
<v Speaker 2>mentioned about, like, dude, these these shots are like really

755
00:40:44.159 --> 00:40:47.079
<v Speaker 2>cool and they look great. It's like, oh, that's what

756
00:40:47.440 --> 00:40:48.400
<v Speaker 2>that's what we're trying for.

757
00:40:48.719 --> 00:40:50.639
<v Speaker 7>Well, I just recently got a new camera, so it

758
00:40:50.679 --> 00:40:52.480
<v Speaker 7>was very inspiring and I'm ready to get out there

759
00:40:52.519 --> 00:40:54.079
<v Speaker 7>and it starts to take ticket some more photos.

760
00:40:54.119 --> 00:40:56.320
<v Speaker 6>So thank you for lighting that fire with me.

761
00:40:56.719 --> 00:40:59.079
<v Speaker 2>Yeah, get a gimble bro if you're doing any video,

762
00:40:59.159 --> 00:41:02.599
<v Speaker 2>get a gimble dook. It'll take your production value from here,

763
00:41:02.960 --> 00:41:05.239
<v Speaker 2>like through the roof. I mean it almost make you know,

764
00:41:06.039 --> 00:41:09.559
<v Speaker 2>like if we didn't tell you we weren't. It's two guys.

765
00:41:09.800 --> 00:41:12.239
<v Speaker 2>I think a lot of people would assume, oh, this

766
00:41:12.400 --> 00:41:15.079
<v Speaker 2>was like a large studio putting this together. This like

767
00:41:15.159 --> 00:41:16.840
<v Speaker 2>it has a ton of money put it into it.

768
00:41:16.880 --> 00:41:18.159
<v Speaker 2>It looks phenomenal.

769
00:41:18.480 --> 00:41:19.199
<v Speaker 6>Yeah, I agree.

770
00:41:19.239 --> 00:41:21.400
<v Speaker 4>That's why you guys are so dope is because you

771
00:41:21.440 --> 00:41:23.119
<v Speaker 4>did make it look like it, like you said, a

772
00:41:23.199 --> 00:41:26.559
<v Speaker 4>production And we're gonna get we have questions in the chat.

773
00:41:26.599 --> 00:41:29.440
<v Speaker 4>So when Nathan finishes, I'm gonna go to the chat

774
00:41:29.480 --> 00:41:32.320
<v Speaker 4>and get their question you Nathan, go ahead, No, I'm good.

775
00:41:32.320 --> 00:41:34.000
<v Speaker 7>I was gonna pass it off back to deb but

776
00:41:34.079 --> 00:41:35.000
<v Speaker 7>please please take it over.

777
00:41:35.079 --> 00:41:38.039
<v Speaker 4>Yeah. Yeah, cause we got We got folks that got

778
00:41:38.119 --> 00:41:39.920
<v Speaker 4>questions and we don't want to let it. It's like bread,

779
00:41:39.920 --> 00:41:41.719
<v Speaker 4>you don't want to get let it get stale. Otherwise

780
00:41:41.760 --> 00:41:43.920
<v Speaker 4>you got to make you know, croutons out of it,

781
00:41:43.960 --> 00:41:46.639
<v Speaker 4>you know what I'm saying. So all right, let's get

782
00:41:46.719 --> 00:41:47.599
<v Speaker 4>let's see what we got here.

783
00:41:47.719 --> 00:41:48.480
<v Speaker 2>So let's start out.

784
00:41:48.400 --> 00:41:50.760
<v Speaker 4>With Lovely and then I know that our moderator, Miss

785
00:41:50.880 --> 00:41:55.119
<v Speaker 4>Jessica and Beezy has some good questions, but amazing panel,

786
00:41:55.280 --> 00:41:58.559
<v Speaker 4>don't ever get don't you ever get scared? Please share

787
00:41:58.599 --> 00:42:00.840
<v Speaker 4>one of your memories about what you did to protect

788
00:42:00.840 --> 00:42:04.400
<v Speaker 4>yourself and your team from Lovely A member, Thank you

789
00:42:04.480 --> 00:42:06.559
<v Speaker 4>for being a member, Home Girl. We appreciate you.

790
00:42:09.880 --> 00:42:12.519
<v Speaker 2>It's seen in the movie, but there was one point

791
00:42:12.599 --> 00:42:15.599
<v Speaker 2>where we have to go do something and we're you know,

792
00:42:15.639 --> 00:42:20.039
<v Speaker 2>we're told and like, dude, these people were dead serious.

793
00:42:20.159 --> 00:42:24.400
<v Speaker 2>They're like Chris, especially you, I know you don't believe this,

794
00:42:25.199 --> 00:42:30.480
<v Speaker 2>but you have kids. And when they say this phrase, malcouth,

795
00:42:30.880 --> 00:42:33.639
<v Speaker 2>mal dude, you need to say it three times and

796
00:42:34.119 --> 00:42:36.320
<v Speaker 2>I'm like, Chris, you need to dude. I'm saying that

797
00:42:36.360 --> 00:42:40.679
<v Speaker 2>you need to say and we did. So you know,

798
00:42:40.800 --> 00:42:44.719
<v Speaker 2>that's one thing that we've done to help. And I remember, honestly,

799
00:42:45.960 --> 00:42:48.920
<v Speaker 2>when I flew out to interview Sue Walker, and again

800
00:42:48.960 --> 00:42:52.159
<v Speaker 2>this is for our documentary Conscious Contact, Full Disclosure, the

801
00:42:52.599 --> 00:42:57.960
<v Speaker 2>first one we made. She mentioned, Hey, sometimes when people

802
00:42:58.079 --> 00:43:03.239
<v Speaker 2>leave here the ponte, these extraterrestrials, they tend to be pranksters,

803
00:43:03.239 --> 00:43:05.159
<v Speaker 2>and they kind of like they'll go and check in

804
00:43:05.239 --> 00:43:09.119
<v Speaker 2>on these people or play little pranks on them. I'm like, okay, cool,

805
00:43:09.199 --> 00:43:11.599
<v Speaker 2>you know, yeah, I'd be cool with it. That's fine,

806
00:43:11.639 --> 00:43:14.440
<v Speaker 2>no big deal, dude, Sure enough. Like some odd things

807
00:43:14.480 --> 00:43:18.360
<v Speaker 2>happened when I returned home. My son he hassistic fibrosis.

808
00:43:18.360 --> 00:43:21.760
<v Speaker 2>There's this very special medication he takes, a dude, and

809
00:43:21.840 --> 00:43:23.639
<v Speaker 2>with the CF, he's healthy as a horse. Bro His

810
00:43:23.719 --> 00:43:26.199
<v Speaker 2>long function one hundred and forty percent of what it

811
00:43:26.239 --> 00:43:29.320
<v Speaker 2>should be for a kid is height and weight without CF,

812
00:43:29.400 --> 00:43:33.039
<v Speaker 2>so he's like a beast, a miracle. It's insane. But dude,

813
00:43:33.079 --> 00:43:35.559
<v Speaker 2>his medication like disappeared three nights in a row. There

814
00:43:35.679 --> 00:43:38.320
<v Speaker 2>was like instances of like, oh, all the doors whatever,

815
00:43:38.360 --> 00:43:41.079
<v Speaker 2>We're in the living room, like a bag, a plastic

816
00:43:41.119 --> 00:43:45.360
<v Speaker 2>bag moves and there's like never any dreat dude. There

817
00:43:45.400 --> 00:43:50.000
<v Speaker 2>was just a number of things. There was one more

818
00:43:50.000 --> 00:43:52.800
<v Speaker 2>and I can't recall it right now. But I was like, dude,

819
00:43:52.920 --> 00:43:56.360
<v Speaker 2>I'll I'll be darned, Chris, I can't explain this. And

820
00:43:56.400 --> 00:43:59.400
<v Speaker 2>I even contacted Sue and mentioned Sue, these are some

821
00:43:59.440 --> 00:44:03.280
<v Speaker 2>weird things that happened since I returned home, and she

822
00:44:03.280 --> 00:44:05.519
<v Speaker 2>She's like, hey, I'll say something to PONTI like, hey,

823
00:44:06.079 --> 00:44:10.239
<v Speaker 2>you know, please please stop just you know, teasing them,

824
00:44:10.760 --> 00:44:12.960
<v Speaker 2>even though you mean no harm. And sure enough, I mean,

825
00:44:13.000 --> 00:44:16.159
<v Speaker 2>the stuff then stopped. But it was weird. I couldn't

826
00:44:16.159 --> 00:44:18.559
<v Speaker 2>explain it. You know.

827
00:44:19.079 --> 00:44:21.239
<v Speaker 4>I know Nathan's answer to this one. Have you ever

828
00:44:21.360 --> 00:44:25.000
<v Speaker 4>experienced something he couldn't just you just couldn't explain. And

829
00:44:25.079 --> 00:44:27.599
<v Speaker 4>I think for him it would be why he decided

830
00:44:27.599 --> 00:44:29.400
<v Speaker 4>to do a show with me. I think he's still

831
00:44:29.400 --> 00:44:32.280
<v Speaker 4>trying to figure that out. And a half years later, Nathan,

832
00:44:32.360 --> 00:44:34.360
<v Speaker 4>I think it's gonna come to you Sera, though I really.

833
00:44:34.280 --> 00:44:35.639
<v Speaker 6>Do, I'll never be to explain it.

834
00:44:36.039 --> 00:44:40.920
<v Speaker 4>So yeah, all right, Thank you Ken Hathaway from Nottingham,

835
00:44:40.960 --> 00:44:46.119
<v Speaker 4>England for becoming a new COB member. We appreciated me

836
00:44:47.239 --> 00:44:52.039
<v Speaker 4>uh and miss uh, Miss Jessica, and Beezy. Our moderator

837
00:44:52.360 --> 00:44:55.840
<v Speaker 4>from Chicago, Illinois, got a question for you there, Chris,

838
00:44:56.320 --> 00:45:00.320
<v Speaker 4>What was the most prolific encounter you have had that

839
00:45:00.440 --> 00:45:03.719
<v Speaker 4>you couldn't field down to your soul, your whole body.

840
00:45:04.039 --> 00:45:06.039
<v Speaker 4>How did it make you feel in the days after?

841
00:45:06.639 --> 00:45:07.800
<v Speaker 4>That's my Chicago accent.

842
00:45:07.800 --> 00:45:09.159
<v Speaker 3>Sorry, that was good. That was perfect.

843
00:45:09.239 --> 00:45:11.800
<v Speaker 2>That was really good. We might need if we need,

844
00:45:11.840 --> 00:45:16.480
<v Speaker 2>b roll of a dude from Chicago DJ. Yeah, you

845
00:45:16.519 --> 00:45:18.320
<v Speaker 2>know what, I got you covered, dere Tyler.

846
00:45:18.320 --> 00:45:21.400
<v Speaker 4>It's not a problem. And I work for nothing. Okay.

847
00:45:23.440 --> 00:45:26.679
<v Speaker 10>To answer the question, though, the end of the film

848
00:45:27.239 --> 00:45:30.199
<v Speaker 10>was was probably that. I mean, I'm in the shot,

849
00:45:30.679 --> 00:45:34.920
<v Speaker 10>like something happens and they get Tyler's camera pans over

850
00:45:34.960 --> 00:45:36.519
<v Speaker 10>to me and I have a face of like what

851
00:45:37.199 --> 00:45:40.400
<v Speaker 10>it's just stuff lined up so crazy in that basement

852
00:45:42.599 --> 00:45:44.039
<v Speaker 10>at the end of the film, And like I was

853
00:45:44.039 --> 00:45:47.039
<v Speaker 10>saying earlier, like when we got in there the because

854
00:45:47.480 --> 00:45:50.320
<v Speaker 10>I remember distinctly Tyler was saying, like you have to

855
00:45:50.360 --> 00:45:50.960
<v Speaker 10>say malcout.

856
00:45:51.039 --> 00:45:51.760
<v Speaker 3>They came up to me.

857
00:45:51.960 --> 00:45:54.159
<v Speaker 10>It's not in the movie because we weren't rolling cameras,

858
00:45:54.199 --> 00:45:55.960
<v Speaker 10>but I remember them saying.

859
00:45:55.719 --> 00:45:57.280
<v Speaker 3>You gotta do this, you gotta do They were so

860
00:45:57.559 --> 00:45:58.239
<v Speaker 3>dead serious.

861
00:45:58.400 --> 00:46:02.320
<v Speaker 10>It was like everything was so emotions were so high.

862
00:46:02.360 --> 00:46:04.920
<v Speaker 10>It felt so dramatic at that time. We go down

863
00:46:04.920 --> 00:46:07.920
<v Speaker 10>in that basement, felt like like soldiers going down like

864
00:46:08.679 --> 00:46:11.119
<v Speaker 10>facing something like because everybody was scared.

865
00:46:11.320 --> 00:46:12.199
<v Speaker 3>By the end of the film.

866
00:46:12.239 --> 00:46:14.960
<v Speaker 10>The only two people that like Becky and Amanda are

867
00:46:15.000 --> 00:46:16.719
<v Speaker 10>the ones that went down there, and we're Me and

868
00:46:16.760 --> 00:46:21.360
<v Speaker 10>Tyler go down there, and it was just it was

869
00:46:21.400 --> 00:46:23.000
<v Speaker 10>like there was like electric in the air, like it

870
00:46:23.079 --> 00:46:25.199
<v Speaker 10>just it felt like I was watching.

871
00:46:24.880 --> 00:46:27.800
<v Speaker 3>A movie but I was in it. It was crazy.

872
00:46:27.920 --> 00:46:28.679
<v Speaker 3>Can't explain it.

873
00:46:29.239 --> 00:46:32.760
<v Speaker 10>You know, things were said and things happened, and it

874
00:46:32.800 --> 00:46:37.440
<v Speaker 10>was just it was intense. I hope it comes across

875
00:46:37.440 --> 00:46:40.440
<v Speaker 10>in the film. I don't think it comes we'll ever

876
00:46:40.519 --> 00:46:43.840
<v Speaker 10>come across as like to me what it was like completely,

877
00:46:43.880 --> 00:46:47.639
<v Speaker 10>But yeah, it was crazy. I did have somebody had

878
00:46:47.639 --> 00:46:50.519
<v Speaker 10>asked earlier, like a scary moment when we when we

879
00:46:50.559 --> 00:46:53.119
<v Speaker 10>did the film The Grand The Ghosts of Graham Midway,

880
00:46:54.360 --> 00:46:56.840
<v Speaker 10>that building is so big and it was so cold,

881
00:46:56.840 --> 00:46:58.639
<v Speaker 10>and it was like four in the morning or three

882
00:46:58.639 --> 00:46:59.960
<v Speaker 10>in the morning, and I remember I had to go

883
00:47:00.199 --> 00:47:02.320
<v Speaker 10>the whole way up to the top level into this

884
00:47:02.480 --> 00:47:05.719
<v Speaker 10>room that had like these creepy dolls and there's like big,

885
00:47:05.840 --> 00:47:09.239
<v Speaker 10>oh my big, like the clowns and stuff in the

886
00:47:09.239 --> 00:47:12.800
<v Speaker 10>hall and it was like I didn't experience anything at

887
00:47:12.800 --> 00:47:14.840
<v Speaker 10>that moment, but it was the creepiest I like ran

888
00:47:14.880 --> 00:47:15.280
<v Speaker 10>out of there.

889
00:47:15.320 --> 00:47:16.880
<v Speaker 2>I was this is where I'm out.

890
00:47:16.920 --> 00:47:25.639
<v Speaker 4>Man, it's not happening. Not happening. Standing Stones wanted to say,

891
00:47:25.639 --> 00:47:28.480
<v Speaker 4>you know, they talk about the cold, and so he

892
00:47:28.599 --> 00:47:30.760
<v Speaker 4>was boiler you know, he would go and fix boilers

893
00:47:30.760 --> 00:47:34.719
<v Speaker 4>and burners and he kneeling down by the oil tanks.

894
00:47:34.800 --> 00:47:37.639
<v Speaker 4>I mean, he said he's been in thousands of homes

895
00:47:37.639 --> 00:47:39.880
<v Speaker 4>and he feels like a lot of them were haunted.

896
00:47:39.880 --> 00:47:41.880
<v Speaker 4>And you say, hey, man, I'm just here to fix

897
00:47:41.920 --> 00:47:46.400
<v Speaker 4>the burner. You know, I'm not the rules of engagement.

898
00:47:46.440 --> 00:47:50.800
<v Speaker 4>I am not a legal target here. So Jessica and

899
00:47:50.960 --> 00:47:55.320
<v Speaker 4>Beezy wants to know. Do different mediums specialize in different

900
00:47:55.400 --> 00:48:00.920
<v Speaker 4>cate degrees, as they say in England, go ahead to

901
00:48:00.960 --> 00:48:03.440
<v Speaker 4>anyone hila question.

902
00:48:03.599 --> 00:48:06.360
<v Speaker 2>I honestly, Chris and I we don't. We wouldn't know

903
00:48:06.519 --> 00:48:11.039
<v Speaker 2>enough about it. I'm like, yeah, that says yeah, uh,

904
00:48:11.599 --> 00:48:12.760
<v Speaker 2>we just personally don't.

905
00:48:12.719 --> 00:48:16.119
<v Speaker 10>They They seem to be gifted in different ways, that's

906
00:48:16.119 --> 00:48:18.440
<v Speaker 10>what you know. I would say they're gifted in different ways.

907
00:48:18.599 --> 00:48:20.920
<v Speaker 10>And there's there's uh, you know, some that use the

908
00:48:20.960 --> 00:48:22.719
<v Speaker 10>tarot cards and stuff like that.

909
00:48:24.400 --> 00:48:25.480
<v Speaker 3>To pool stuff.

910
00:48:25.639 --> 00:48:30.079
<v Speaker 10>Others that just have intuitions, you know, Others that that

911
00:48:30.320 --> 00:48:34.719
<v Speaker 10>feel the need to draw and uh see see things

912
00:48:34.920 --> 00:48:38.000
<v Speaker 10>ahead of time like that. It's interesting. They're all different.

913
00:48:38.880 --> 00:48:42.280
<v Speaker 10>Seth in this movie, man, he it's not in the

914
00:48:41.840 --> 00:48:44.599
<v Speaker 10>there's a moment in the movie where he says, what

915
00:48:44.679 --> 00:48:47.480
<v Speaker 10>did you say? And I'm like, I didn't say anything,

916
00:48:47.559 --> 00:48:50.079
<v Speaker 10>and and they're like, he didn't say anything. He told

917
00:48:50.159 --> 00:48:52.320
<v Speaker 10>me later what he thought I said, and it was

918
00:48:53.039 --> 00:48:55.360
<v Speaker 10>I was like, I would never say that, Seth, But

919
00:48:55.400 --> 00:48:57.320
<v Speaker 10>that's what he had heard in the moment. And do

920
00:48:57.639 --> 00:48:59.920
<v Speaker 10>if you see that footage of him saying what did

921
00:48:59.920 --> 00:49:03.119
<v Speaker 10>you say? There's no faking that that guy was messed

922
00:49:03.159 --> 00:49:04.440
<v Speaker 10>up at that moment like he was.

923
00:49:05.320 --> 00:49:06.880
<v Speaker 2>He was to his limits.

924
00:49:06.880 --> 00:49:10.920
<v Speaker 4>So, yeah, you guys, it was really cool that you

925
00:49:10.960 --> 00:49:14.360
<v Speaker 4>guys gave them latitude to be able to you know,

926
00:49:14.400 --> 00:49:17.239
<v Speaker 4>because I'm sure there are probably production staffs out there

927
00:49:17.280 --> 00:49:20.159
<v Speaker 4>that kind of can manhandle the talent a little bit

928
00:49:20.239 --> 00:49:23.079
<v Speaker 4>and you know, get and you guys allow them that

929
00:49:23.239 --> 00:49:26.480
<v Speaker 4>sort of space to be able to say things when

930
00:49:26.519 --> 00:49:30.239
<v Speaker 4>they felt something, into be in command of certain moments

931
00:49:30.280 --> 00:49:32.840
<v Speaker 4>where they should be in command and not you, And

932
00:49:33.199 --> 00:49:35.920
<v Speaker 4>I thought that was really cool. But we will get

933
00:49:35.920 --> 00:49:38.599
<v Speaker 4>back to stuff in the chat, but we got to

934
00:49:38.639 --> 00:49:41.760
<v Speaker 4>get to my homegirl because her back hurts and she

935
00:49:41.920 --> 00:49:44.000
<v Speaker 4>was not going to miss the show. We're talking about debs.

936
00:49:45.960 --> 00:49:46.320
<v Speaker 8>Okay.

937
00:49:46.400 --> 00:49:51.679
<v Speaker 11>So I was thinking about the Blair Witch proropect a

938
00:49:51.719 --> 00:49:54.960
<v Speaker 11>little bit when I've watched this documentary because of the

939
00:49:55.000 --> 00:49:59.440
<v Speaker 11>way the tensions built up. But and I wanted to

940
00:49:59.480 --> 00:50:05.079
<v Speaker 11>bring that up because there's another aspect, another character that

941
00:50:05.199 --> 00:50:09.280
<v Speaker 11>hasn't really been emphasized, and that was the entire town

942
00:50:09.480 --> 00:50:13.320
<v Speaker 11>was a character like that's the entire town had a

943
00:50:13.360 --> 00:50:17.880
<v Speaker 11>lot of paranormal energy, right and it's and they even

944
00:50:18.079 --> 00:50:21.400
<v Speaker 11>alluded to it at one point that maybe it's all connected.

945
00:50:22.760 --> 00:50:28.760
<v Speaker 11>So my question is when you're facing something like that,

946
00:50:29.400 --> 00:50:32.360
<v Speaker 11>and when people that you're filming are telling you that

947
00:50:32.519 --> 00:50:36.679
<v Speaker 11>there's not chess spirits, there's other things. And I'm not

948
00:50:36.719 --> 00:50:40.320
<v Speaker 11>going to specify what those other things are. I want

949
00:50:40.320 --> 00:50:43.599
<v Speaker 11>people to watch the film. Doesn't it make you want

950
00:50:43.679 --> 00:50:46.840
<v Speaker 11>to go in and do some deep research so you're

951
00:50:46.880 --> 00:50:50.079
<v Speaker 11>prepared before you're filming, Like, doesn't that make you turn

952
00:50:50.159 --> 00:50:53.599
<v Speaker 11>around and go, you know what, maybe we cannot just

953
00:50:53.679 --> 00:50:57.360
<v Speaker 11>be observers here, maybe we really need to know what's

954
00:50:57.400 --> 00:50:59.199
<v Speaker 11>going on before we step into this.

955
00:51:01.679 --> 00:51:05.119
<v Speaker 10>Yeah, I mean, yeah, we didn't do that obviously with

956
00:51:05.199 --> 00:51:10.719
<v Speaker 10>this film. But the town itself, like it is, it

957
00:51:10.840 --> 00:51:12.519
<v Speaker 10>is a really interesting place because it's like an old

958
00:51:12.559 --> 00:51:16.400
<v Speaker 10>rust belt town that's kind of depressed at this point.

959
00:51:16.639 --> 00:51:20.440
<v Speaker 10>Like this beautiful area, but the town is definitely feeling

960
00:51:20.440 --> 00:51:22.920
<v Speaker 10>like the economic impact of it all. And I just

961
00:51:23.000 --> 00:51:27.480
<v Speaker 10>remember there's like a huge, huge bridge to cross the

962
00:51:28.079 --> 00:51:29.599
<v Speaker 10>I'm not gonna say, I think it's like the Mana

963
00:51:29.639 --> 00:51:33.719
<v Speaker 10>he Gle River, Manonga Halo Manonga Hala River.

964
00:51:33.760 --> 00:51:34.119
<v Speaker 2>And I.

965
00:51:36.239 --> 00:51:37.239
<v Speaker 3>Hate hell of it.

966
00:51:37.360 --> 00:51:40.800
<v Speaker 10>I hate heights and I hate bridges, and so going

967
00:51:41.000 --> 00:51:43.599
<v Speaker 10>just going into the town, like my anxiety was through

968
00:51:43.599 --> 00:51:46.000
<v Speaker 10>the roof. But then when we filmed there the whole time,

969
00:51:46.000 --> 00:51:47.599
<v Speaker 10>there's like a malaise over the whole town. It was

970
00:51:47.639 --> 00:51:51.760
<v Speaker 10>all dreary and kind of, you know, a little bleak

971
00:51:52.880 --> 00:51:57.679
<v Speaker 10>while filming. But as far as like looking into the

972
00:51:57.760 --> 00:52:00.320
<v Speaker 10>history and stuff, we didn't really do too much to that.

973
00:52:00.360 --> 00:52:03.280
<v Speaker 10>We allowed the we we had set up interviews with

974
00:52:03.480 --> 00:52:06.360
<v Speaker 10>historians and stuff like that who we thought would have

975
00:52:06.440 --> 00:52:09.719
<v Speaker 10>way more information than we would be able to find.

976
00:52:13.280 --> 00:52:18.840
<v Speaker 4>And I guess that's my question. Now, So guys, where

977
00:52:18.840 --> 00:52:21.719
<v Speaker 4>did you bill it at night? Did you bill it

978
00:52:22.119 --> 00:52:26.360
<v Speaker 4>near the location? And if so, like what were the

979
00:52:26.440 --> 00:52:30.039
<v Speaker 4>dynamics of the team at night or did everybody kind

980
00:52:30.039 --> 00:52:32.599
<v Speaker 4>of just go back to the hotel and just crash

981
00:52:32.639 --> 00:52:36.280
<v Speaker 4>because they were exhausted, or were there any get togethers

982
00:52:36.360 --> 00:52:38.360
<v Speaker 4>where you guys would talk about the day's events and

983
00:52:38.440 --> 00:52:38.920
<v Speaker 4>so forth.

984
00:52:42.519 --> 00:52:44.599
<v Speaker 3>Good you wan answer that, Tyler, go ahead.

985
00:52:46.440 --> 00:52:51.119
<v Speaker 2>Sure, yeah, yeah, no, the team would go back to

986
00:52:51.199 --> 00:52:54.840
<v Speaker 2>airbab or there were two Jules Dominic I believe they

987
00:52:54.840 --> 00:52:58.679
<v Speaker 2>were traveling in from Philly, I'm sorry, from Pittsburgh, which

988
00:52:58.760 --> 00:53:02.599
<v Speaker 2>was like an hour drive. Uh so, God bless them, dude.

989
00:53:02.679 --> 00:53:06.199
<v Speaker 2>They were you know, they're at eight, nine, ten am

990
00:53:06.239 --> 00:53:09.519
<v Speaker 2>in the morning, filming till midnight, driving an hour back

991
00:53:09.559 --> 00:53:12.880
<v Speaker 2>at Pittsburgh getting it, you know, four hours of sleep

992
00:53:13.239 --> 00:53:19.320
<v Speaker 2>driving back, Like, dude, everybody in the film, Becky and Gallentine,

993
00:53:19.400 --> 00:53:30.440
<v Speaker 2>Amanda Paulson, h Viva, Melissa, I believe, Seth Browder, Jules

994
00:53:30.480 --> 00:53:36.639
<v Speaker 2>Nolan and Dominic La Gamba dude, everybody, dude, they were

995
00:53:36.679 --> 00:53:39.719
<v Speaker 2>just amazing. Man Like, nobody complained and there was like

996
00:53:39.840 --> 00:53:48.119
<v Speaker 2>plenty of stuff to like complain about. I complained, Chris

997
00:53:48.159 --> 00:53:52.519
<v Speaker 2>gets yeah, Chris gets hangry. Chris gets pretty angry. So

998
00:53:52.760 --> 00:53:58.599
<v Speaker 2>when I'm filming for about twelve dude, I run on adrenaline, caffeine, nicotine.

999
00:53:59.039 --> 00:54:02.840
<v Speaker 2>I'm going But Chris, yeah, he I'm like, oh, I'll

1000
00:54:02.840 --> 00:54:05.440
<v Speaker 2>eat when we're dead, like we got we can't stop filming.

1001
00:54:05.480 --> 00:54:07.679
<v Speaker 2>But Chris, yeah, he gets a little touchy. But yeah. No,

1002
00:54:07.800 --> 00:54:14.480
<v Speaker 2>everybody was like man above and beyond contributing their skill

1003
00:54:14.559 --> 00:54:17.440
<v Speaker 2>set to the making of Surrounded by Spirits.

1004
00:54:19.079 --> 00:54:21.840
<v Speaker 4>That that is so cool, man. I can imagine like

1005
00:54:22.239 --> 00:54:26.119
<v Speaker 4>if those guys you know, got together for dinner, that

1006
00:54:26.159 --> 00:54:29.000
<v Speaker 4>would like I would want to like be seated in

1007
00:54:29.119 --> 00:54:32.239
<v Speaker 4>the table, like around their table, like not to be

1008
00:54:32.440 --> 00:54:35.000
<v Speaker 4>at the table and and and and and like break

1009
00:54:35.039 --> 00:54:37.159
<v Speaker 4>their vibe. But I would want to be sitting like

1010
00:54:37.280 --> 00:54:40.119
<v Speaker 4>right there kind of like between listening. That would be

1011
00:54:40.199 --> 00:54:44.800
<v Speaker 4>really really cool man, because that that I really if

1012
00:54:44.880 --> 00:54:47.719
<v Speaker 4>Becky is the one that picked them, I really I

1013
00:54:47.800 --> 00:54:50.960
<v Speaker 4>really thought they were all brilliant. You know, you had

1014
00:54:50.960 --> 00:54:56.719
<v Speaker 4>the young lady with the tarot cards. Uh. I just

1015
00:54:56.719 --> 00:54:58.400
<v Speaker 4>thought like it was a great colluction. You had the

1016
00:54:58.840 --> 00:55:01.840
<v Speaker 4>other young lady that was used and the headphones with

1017
00:55:01.960 --> 00:55:05.280
<v Speaker 4>the is that like the Spirit Box, a newer version

1018
00:55:05.320 --> 00:55:06.440
<v Speaker 4>of the Spirit Box.

1019
00:55:06.239 --> 00:55:10.519
<v Speaker 2>Yep, yeah, this method, yeah, or she has her own

1020
00:55:10.719 --> 00:55:13.320
<v Speaker 2>slight variation of it called the l Method I believe.

1021
00:55:13.480 --> 00:55:17.519
<v Speaker 2>And that was a yeah, I hope.

1022
00:55:17.639 --> 00:55:20.119
<v Speaker 4>Yeah again on another and another movie.

1023
00:55:19.760 --> 00:55:23.880
<v Speaker 3>Man, Yeah, we actually worked with again. Yeah.

1024
00:55:24.039 --> 00:55:27.599
<v Speaker 10>On Amanda is a co investigator on the Amy Bruney

1025
00:55:27.679 --> 00:55:32.079
<v Speaker 10>series The Historically Haunted with Amy Berney, So she's in that.

1026
00:55:32.079 --> 00:55:36.159
<v Speaker 10>That's a six part mini series to be determined where

1027
00:55:36.159 --> 00:55:39.719
<v Speaker 10>it will be released, but hopefully sometime in the near future.

1028
00:55:41.039 --> 00:55:43.440
<v Speaker 4>And and before I pass it over to my curly

1029
00:55:43.440 --> 00:55:47.239
<v Speaker 4>haired co host, give me your can you guys? I

1030
00:55:47.280 --> 00:55:50.480
<v Speaker 4>would like both Chris and Tyler to go through UFO's

1031
00:55:50.519 --> 00:55:54.920
<v Speaker 4>big Foot pairanormal and your kind of what you like,

1032
00:55:55.760 --> 00:55:59.800
<v Speaker 4>what resonates with you or doesn't resonate with you of

1033
00:55:59.880 --> 00:56:03.840
<v Speaker 4>the those three perhaps interconnected phenomena, but can you address

1034
00:56:03.920 --> 00:56:05.719
<v Speaker 4>each one of those place each of you.

1035
00:56:07.400 --> 00:56:09.559
<v Speaker 10>So like kind of what we think about them? Sure,

1036
00:56:10.480 --> 00:56:14.199
<v Speaker 10>UFOs are super interesting to me because I, even being

1037
00:56:14.199 --> 00:56:16.679
<v Speaker 10>the skeptic that I am, I don't there's no way

1038
00:56:16.719 --> 00:56:20.000
<v Speaker 10>that there is an other life out there, and so

1039
00:56:20.159 --> 00:56:23.760
<v Speaker 10>I am just drawn to hearing people who are legitimate

1040
00:56:25.079 --> 00:56:27.599
<v Speaker 10>with their personal experiences.

1041
00:56:27.639 --> 00:56:28.360
<v Speaker 3>I love to hear it.

1042
00:56:29.199 --> 00:56:32.000
<v Speaker 10>And what really is interesting to me is when many

1043
00:56:32.079 --> 00:56:36.599
<v Speaker 10>different people across the world have experiences and they're telling

1044
00:56:36.639 --> 00:56:39.440
<v Speaker 10>their personal experience and then you hear something that someone

1045
00:56:39.440 --> 00:56:41.840
<v Speaker 10>else said as well, and you start to see the

1046
00:56:41.840 --> 00:56:44.000
<v Speaker 10>patterns there and it's like, Okay, maybe there's something to that.

1047
00:56:44.800 --> 00:56:49.159
<v Speaker 10>Sasquatch for me is super fun of an idea and

1048
00:56:50.280 --> 00:56:55.159
<v Speaker 10>you know, looking at like people don't have an understanding

1049
00:56:55.159 --> 00:56:57.760
<v Speaker 10>of how vast some of these forests are and how

1050
00:56:57.800 --> 00:57:00.599
<v Speaker 10>there could possibly be something else in those that hasn't

1051
00:57:00.639 --> 00:57:02.480
<v Speaker 10>been seen yet. So there is that element to me.

1052
00:57:02.719 --> 00:57:05.199
<v Speaker 10>But just as like a concept, I think is just

1053
00:57:05.199 --> 00:57:06.199
<v Speaker 10>super interesting and.

1054
00:57:06.199 --> 00:57:06.760
<v Speaker 3>Kind of fun.

1055
00:57:07.119 --> 00:57:11.519
<v Speaker 10>The ghost stuff I don't know anymore. Like when you

1056
00:57:11.519 --> 00:57:14.039
<v Speaker 10>would have told me asked me before, I'd be like, ah,

1057
00:57:14.079 --> 00:57:17.519
<v Speaker 10>I don't know, it's more like entertainment. But now having

1058
00:57:17.599 --> 00:57:20.440
<v Speaker 10>done this a bunch of times, there's definitely something else

1059
00:57:20.480 --> 00:57:27.400
<v Speaker 10>to it. And maybe it's not the like the movie

1060
00:57:27.599 --> 00:57:29.719
<v Speaker 10>sense of a ghost that you'd see like a haunting

1061
00:57:30.000 --> 00:57:32.559
<v Speaker 10>like so in your face, but but there's definitely have

1062
00:57:32.760 --> 00:57:37.360
<v Speaker 10>been experiences now where I come away with my emotions

1063
00:57:37.400 --> 00:57:40.960
<v Speaker 10>being affected and changed and just something about the energy

1064
00:57:41.199 --> 00:57:44.280
<v Speaker 10>of those locations or something like that, or the experiences

1065
00:57:44.320 --> 00:57:46.239
<v Speaker 10>I had there. And then of course, you know, we've

1066
00:57:46.280 --> 00:57:50.039
<v Speaker 10>have had things show on camera and sounds and stuff

1067
00:57:50.079 --> 00:57:52.960
<v Speaker 10>like that that are also uh, you.

1068
00:57:52.920 --> 00:57:53.760
<v Speaker 3>Know, line up.

1069
00:57:53.920 --> 00:57:56.679
<v Speaker 10>Either they lined up perfectly for the what was happening,

1070
00:57:57.880 --> 00:58:00.840
<v Speaker 10>or it was something else. So that's kind of my

1071
00:58:00.920 --> 00:58:02.119
<v Speaker 10>thoughts on all those things.

1072
00:58:03.360 --> 00:58:06.760
<v Speaker 2>Yeah, And for me, I'm just I've always been very

1073
00:58:06.800 --> 00:58:09.480
<v Speaker 2>open minded. Man. The universe is a big place, dude,

1074
00:58:09.480 --> 00:58:12.599
<v Speaker 2>And like if you would have told somebody one hundred

1075
00:58:12.679 --> 00:58:15.000
<v Speaker 2>years ago, oh, you'll have access to all the information

1076
00:58:15.039 --> 00:58:16.880
<v Speaker 2>of the world on this little device in the palm

1077
00:58:16.880 --> 00:58:18.480
<v Speaker 2>of your hand, and you'll be able to create your

1078
00:58:18.480 --> 00:58:22.679
<v Speaker 2>own shows called Call Calling All Beings, and you'll have

1079
00:58:23.039 --> 00:58:26.039
<v Speaker 2>you'll have cabbies, bro, which look like the most insane

1080
00:58:26.079 --> 00:58:29.119
<v Speaker 2>fans I've ever seen. Because your chat feed has been

1081
00:58:29.239 --> 00:58:32.360
<v Speaker 2>blowing up this entire time. Like, dude, who would have

1082
00:58:32.559 --> 00:58:36.840
<v Speaker 2>ever thought we could do that in a hundred years. So, gosh, dude,

1083
00:58:37.119 --> 00:58:40.599
<v Speaker 2>another one hundred, two hundred, three hundred years. Man, who's

1084
00:58:40.639 --> 00:58:44.039
<v Speaker 2>to say what we'll be doing, what kind of technology

1085
00:58:44.079 --> 00:58:47.440
<v Speaker 2>will be available. So it's like as far as aliens go, huh,

1086
00:58:47.519 --> 00:58:50.159
<v Speaker 2>if some other intelligent life happened to evolve at a

1087
00:58:50.199 --> 00:58:54.519
<v Speaker 2>similar trajectory and they started just three hundred years before us, Dude,

1088
00:58:54.519 --> 00:58:58.119
<v Speaker 2>I wouldn't be surprised if there's somebody visiting us and

1089
00:58:58.800 --> 00:59:02.480
<v Speaker 2>maybe just monitoring us. We do tons of scientific studies

1090
00:59:02.559 --> 00:59:06.599
<v Speaker 2>on uncontacted tribes, right like, we won't we won't contact them.

1091
00:59:06.599 --> 00:59:08.880
<v Speaker 2>But dude, they're looking up seeing airplanes and stuff, saying,

1092
00:59:08.880 --> 00:59:12.039
<v Speaker 2>what how is that possible? We can't fly. We don't

1093
00:59:12.039 --> 00:59:16.199
<v Speaker 2>have wings, right, and herds of feathers not metal, they don't.

1094
00:59:16.599 --> 00:59:19.000
<v Speaker 2>So dude, I love it all. And so it's been

1095
00:59:19.039 --> 00:59:22.000
<v Speaker 2>a cool ride watching Chris like when he answers like

1096
00:59:22.199 --> 00:59:24.599
<v Speaker 2>your types of questions like this, just how far he's

1097
00:59:24.639 --> 00:59:28.719
<v Speaker 2>come and just being open minded to these types of things.

1098
00:59:28.760 --> 00:59:31.400
<v Speaker 2>And man, I'll give you another as far. I'll cover

1099
00:59:32.000 --> 00:59:34.679
<v Speaker 2>well the Sasquatch and your When I was out filming

1100
00:59:35.000 --> 00:59:38.719
<v Speaker 2>Secrets of the Sasquatch, I was like camping in I

1101
00:59:38.719 --> 00:59:41.440
<v Speaker 2>can't remember the state forest right now, but I'm just

1102
00:59:41.480 --> 00:59:44.840
<v Speaker 2>camping in the state forest, like, yeah, we'll see what happens.

1103
00:59:44.880 --> 00:59:48.960
<v Speaker 2>And sure enough, like I see a UFO couldn't explain it.

1104
00:59:49.039 --> 00:59:50.960
<v Speaker 2>I don't know. Moving from right to left and then

1105
00:59:51.000 --> 00:59:53.599
<v Speaker 2>it stopped and like went straight down. You knows, there

1106
00:59:53.599 --> 00:59:56.599
<v Speaker 2>could be like some some prosaic explanation for it, but

1107
00:59:57.239 --> 00:59:59.719
<v Speaker 2>at the time, it was like twenty degrees out. I'm like, dude,

1108
00:59:59.760 --> 01:00:01.800
<v Speaker 2>I've got to build a fire. I'm going to die,

1109
01:00:01.840 --> 01:00:05.880
<v Speaker 2>So I couldn't like commit too much brain power to yeah,

1110
01:00:06.000 --> 01:00:08.320
<v Speaker 2>to like trying to figure out what was going on,

1111
01:00:08.440 --> 01:00:11.679
<v Speaker 2>but uh, yeah, I don't know. Man, I love all

1112
01:00:11.679 --> 01:00:14.880
<v Speaker 2>this stuff as far as ghosts go. Yeah, dude, I'm

1113
01:00:14.920 --> 01:00:17.079
<v Speaker 2>not sure. There's a lot of crazy stuff that happens.

1114
01:00:19.400 --> 01:00:22.559
<v Speaker 2>I was literally I get an email from DJ this

1115
01:00:22.719 --> 01:00:27.360
<v Speaker 2>evening with the link to Hop on this show, and

1116
01:00:27.719 --> 01:00:30.039
<v Speaker 2>it was like I was searching through my emails for

1117
01:00:30.079 --> 01:00:33.079
<v Speaker 2>our correspondence so I could email them, Hey, DJ, can

1118
01:00:33.079 --> 01:00:34.880
<v Speaker 2>I get a link so I can get on here?

1119
01:00:34.920 --> 01:00:38.679
<v Speaker 2>And it's like boop notification. I'm like, dude, what I

1120
01:00:38.679 --> 01:00:41.599
<v Speaker 2>don't know. Definitely could be a coincidence, but I also

1121
01:00:41.639 --> 01:00:45.320
<v Speaker 2>wouldn't be surprised if, man, there's some like quantum entanglement

1122
01:00:45.360 --> 01:00:47.440
<v Speaker 2>going on in the electrons in my head are spending

1123
01:00:47.480 --> 01:00:50.679
<v Speaker 2>clockwise and your head are going counterclockwise, and I don't know.

1124
01:00:51.039 --> 01:00:55.840
<v Speaker 2>Somehow we both had that idea at the same darn time.

1125
01:00:56.159 --> 01:00:58.920
<v Speaker 2>So I love it. Man, I'm excited to see, like

1126
01:00:58.960 --> 01:01:01.360
<v Speaker 2>as Chris and I keep doing this stuff where things

1127
01:01:01.400 --> 01:01:04.599
<v Speaker 2>go from here. And dude, Meg, I do need to

1128
01:01:04.639 --> 01:01:06.480
<v Speaker 2>mention this, and I'll, i'll and I'll shut up. But

1129
01:01:06.559 --> 01:01:09.280
<v Speaker 2>there was I think it was a miss Jessica or

1130
01:01:09.360 --> 01:01:13.280
<v Speaker 2>something like, hey, your your your camera setup looks good.

1131
01:01:13.320 --> 01:01:16.400
<v Speaker 2>What are you rocking? All right? So dude, it's it's

1132
01:01:16.440 --> 01:01:21.880
<v Speaker 2>a cheap ten ADP pro stream, right, Chris, camera like webcam,

1133
01:01:22.360 --> 01:01:25.760
<v Speaker 2>but if you happen to have an Nvidia graphics card

1134
01:01:25.960 --> 01:01:30.280
<v Speaker 2>in your PC, you can download for free and video broadcasts.

1135
01:01:30.400 --> 01:01:33.400
<v Speaker 2>And what that does is it adds the Boca effect.

1136
01:01:33.440 --> 01:01:35.800
<v Speaker 2>It blurs everything out, like this isn't a high Like

1137
01:01:35.880 --> 01:01:37.599
<v Speaker 2>this isn't one of our cameras that we film with

1138
01:01:37.639 --> 01:01:40.159
<v Speaker 2>where where it's a shallow depth of field. This is

1139
01:01:40.159 --> 01:01:42.360
<v Speaker 2>all just AI or whatever. Where it blurs it out.

1140
01:01:42.360 --> 01:01:45.280
<v Speaker 2>We could put different backgrounds on it. Yeah, I would

1141
01:01:45.320 --> 01:01:49.519
<v Speaker 2>highly recommend and video broadcast and yeah, a cheap ten

1142
01:01:49.599 --> 01:01:53.280
<v Speaker 2>ADP stream. Now, like I said, the only caveat is

1143
01:01:53.280 --> 01:01:57.039
<v Speaker 2>is you have to have an Nvidia graphics card to

1144
01:01:58.440 --> 01:02:01.800
<v Speaker 2>run the free app, right, Chris, mhm, but dude, it's

1145
01:02:01.840 --> 01:02:04.440
<v Speaker 2>worth it. It ups a production value like so much

1146
01:02:04.840 --> 01:02:07.159
<v Speaker 2>like and just thrown a little light at like a

1147
01:02:07.159 --> 01:02:09.599
<v Speaker 2>forty five degree angle, you'd be surprised what that does too.

1148
01:02:10.400 --> 01:02:13.119
<v Speaker 2>So those are your two free filmmaking tips Cabbies.

1149
01:02:13.920 --> 01:02:16.519
<v Speaker 4>Yeah, there's no cost for that, Jessica either. You're not

1150
01:02:16.519 --> 01:02:19.400
<v Speaker 4>gonna have to tip Tyler after the show, so that's good.

1151
01:02:19.880 --> 01:02:25.239
<v Speaker 4>And Scott was kind of like questioning bigfoot sasquatch. Scott,

1152
01:02:25.280 --> 01:02:29.559
<v Speaker 4>your local investigator is none other than Dave McCullough from

1153
01:02:29.599 --> 01:02:33.559
<v Speaker 4>squatcha Chusetts And if you contact Dave, he can tell

1154
01:02:33.599 --> 01:02:37.159
<v Speaker 4>you all about the experiences that he's had in your

1155
01:02:37.280 --> 01:02:41.440
<v Speaker 4>home native Massachusetts. But we've interviewed I don't know dozens

1156
01:02:41.480 --> 01:02:44.840
<v Speaker 4>of people at this point that have had first person encounters,

1157
01:02:46.119 --> 01:02:49.079
<v Speaker 4>and I would not call them liars, I'll put it

1158
01:02:49.119 --> 01:02:52.079
<v Speaker 4>in that way, So including Matt Napp, who is a

1159
01:02:52.119 --> 01:02:54.920
<v Speaker 4>you know, one of our co hosts that that had

1160
01:02:54.920 --> 01:02:57.920
<v Speaker 4>a sighting. But it is very difficult to believe because

1161
01:02:57.920 --> 01:03:00.840
<v Speaker 4>we tend to think that everything that's in our reality

1162
01:03:00.880 --> 01:03:03.000
<v Speaker 4>we should be able to perceive it, we should be

1163
01:03:03.000 --> 01:03:04.960
<v Speaker 4>able to go out in the woods and see it. Well,

1164
01:03:05.000 --> 01:03:06.599
<v Speaker 4>I can tell you there are a lot of and

1165
01:03:06.639 --> 01:03:08.639
<v Speaker 4>I think everybody here can tell you there are a

1166
01:03:08.639 --> 01:03:11.280
<v Speaker 4>lot of unsuspecting people on the Appalachian Trail who got

1167
01:03:11.280 --> 01:03:14.039
<v Speaker 4>a little bit of a surprise. And that's fairly close

1168
01:03:14.079 --> 01:03:16.440
<v Speaker 4>to all of all of you on the East Coast

1169
01:03:16.559 --> 01:03:18.559
<v Speaker 4>or me who grew up on the East Coast with you.

1170
01:03:20.400 --> 01:03:22.960
<v Speaker 4>So yeah, let's go over to our curly headed the

1171
01:03:23.320 --> 01:03:26.079
<v Speaker 4>unbelievable investigator Courtney connected.

1172
01:03:27.639 --> 01:03:28.920
<v Speaker 8>Hey, So, I.

1173
01:03:28.800 --> 01:03:32.199
<v Speaker 5>Just wanted to say that I felt like, and this is,

1174
01:03:32.440 --> 01:03:35.280
<v Speaker 5>you know, totally props to you guys, the filmmakers that

1175
01:03:35.480 --> 01:03:40.320
<v Speaker 5>the paranormal team. It was such compelling filmmaking to see

1176
01:03:40.360 --> 01:03:44.039
<v Speaker 5>them support one another when they got into jams or

1177
01:03:44.360 --> 01:03:48.800
<v Speaker 5>there was acrimony and they were feeling the vibes of

1178
01:03:48.840 --> 01:03:52.199
<v Speaker 5>the place and having this tension with one another. I

1179
01:03:52.199 --> 01:03:54.719
<v Speaker 5>thought you guys did a really good job showing how

1180
01:03:54.760 --> 01:03:56.239
<v Speaker 5>they supported one another.

1181
01:03:56.599 --> 01:03:58.199
<v Speaker 8>There was differences between them.

1182
01:03:58.480 --> 01:04:00.519
<v Speaker 5>But the thing that really stood out to me, and

1183
01:04:00.559 --> 01:04:04.280
<v Speaker 5>I'm wondering if you noticed anything, were there different skills

1184
01:04:04.280 --> 01:04:08.440
<v Speaker 5>with the different techniques, this particularly this EST's method, which

1185
01:04:08.440 --> 01:04:11.920
<v Speaker 5>I've never heard about. And I think it was Amanda

1186
01:04:12.039 --> 01:04:16.679
<v Speaker 5>and Jules who were really good with that method. You know,

1187
01:04:16.840 --> 01:04:20.320
<v Speaker 5>they interchanged a couple times, somebody maxed out, the other

1188
01:04:20.360 --> 01:04:22.760
<v Speaker 5>person stepped into help, and you see this all the

1189
01:04:22.800 --> 01:04:26.079
<v Speaker 5>way through the whole film where they're helping one another.

1190
01:04:26.480 --> 01:04:28.920
<v Speaker 8>You see Becky take Seth out, you know one.

1191
01:04:28.719 --> 01:04:32.000
<v Speaker 5>Time where he becomes overwhelmed, and you know, it's just

1192
01:04:32.039 --> 01:04:35.719
<v Speaker 5>an intense thing. So when you were filming them and

1193
01:04:35.800 --> 01:04:39.559
<v Speaker 5>you saw them making these decisions, sometimes executive decisions by

1194
01:04:39.559 --> 01:04:43.440
<v Speaker 5>Becky to keep people safe, what did you think when

1195
01:04:43.480 --> 01:04:47.079
<v Speaker 5>you saw them using certain methods or techniques. Did you

1196
01:04:47.239 --> 01:04:51.320
<v Speaker 5>see at all as observers that some people had better

1197
01:04:51.920 --> 01:04:56.599
<v Speaker 5>outcomes with certain types of techniques or software that they

1198
01:04:56.679 --> 01:04:59.960
<v Speaker 5>used because they had the spirit box, they had spirit oil,

1199
01:05:00.119 --> 01:05:03.039
<v Speaker 5>they had ropes, they had tarot cards. I mean, anybody

1200
01:05:03.039 --> 01:05:06.320
<v Speaker 5>who's followed, you know, the esoteric community is going to

1201
01:05:06.320 --> 01:05:09.679
<v Speaker 5>see a wide range of skills being put on display.

1202
01:05:09.920 --> 01:05:12.920
<v Speaker 5>So did you think that, oh yeah, you could really

1203
01:05:13.039 --> 01:05:18.039
<v Speaker 5>see there with them on location, some of their talents

1204
01:05:18.320 --> 01:05:20.920
<v Speaker 5>come through when somebody would step up and you know,

1205
01:05:21.039 --> 01:05:23.239
<v Speaker 5>help somebody else out. Did you see that come through

1206
01:05:23.239 --> 01:05:26.960
<v Speaker 5>with the spirits, that they came through this process more

1207
01:05:27.119 --> 01:05:28.079
<v Speaker 5>with others.

1208
01:05:29.840 --> 01:05:33.440
<v Speaker 10>I mean I could definitely saw that. Jules was very affected.

1209
01:05:33.880 --> 01:05:37.159
<v Speaker 10>She's such like a fun, bubbly person who's jokey and

1210
01:05:37.280 --> 01:05:40.519
<v Speaker 10>jokes the whole time. And she cried in this film

1211
01:05:40.599 --> 01:05:46.079
<v Speaker 10>because she was so affected by a est section and

1212
01:05:46.159 --> 01:05:48.920
<v Speaker 10>I was that was like super We were not expecting

1213
01:05:48.920 --> 01:05:52.239
<v Speaker 10>that at all because it's just not her persona. But

1214
01:05:52.360 --> 01:05:56.480
<v Speaker 10>like that method, I've never done it, but from my understanding,

1215
01:05:56.519 --> 01:05:59.440
<v Speaker 10>it should be universal, Like you know, the way the

1216
01:05:59.519 --> 01:06:02.519
<v Speaker 10>technology she works, it's just whether the spirits are speaking

1217
01:06:02.519 --> 01:06:06.199
<v Speaker 10>to you and you're picking them up through the device.

1218
01:06:07.079 --> 01:06:11.559
<v Speaker 10>But as far as like the intuitives go, I'm sure,

1219
01:06:12.199 --> 01:06:14.559
<v Speaker 10>yes they have. Like we we talked about earlier, they

1220
01:06:14.559 --> 01:06:17.360
<v Speaker 10>have probably some different skill sets and different feelings that

1221
01:06:17.400 --> 01:06:22.760
<v Speaker 10>they are able to tap into. But I think maybe

1222
01:06:23.480 --> 01:06:26.559
<v Speaker 10>it's a matter of the years of experience some of

1223
01:06:26.599 --> 01:06:30.360
<v Speaker 10>the investigators had over some of the other ones who

1224
01:06:30.400 --> 01:06:33.039
<v Speaker 10>are able to kind of discern a little bit differently,

1225
01:06:33.599 --> 01:06:40.920
<v Speaker 10>maybe more quickly invalidate things that probably are just you know,

1226
01:06:43.400 --> 01:06:47.960
<v Speaker 10>whatever the environment has as opposed to automatically going to

1227
01:06:48.079 --> 01:06:49.280
<v Speaker 10>the spirit, you know what I mean.

1228
01:06:50.360 --> 01:06:51.679
<v Speaker 3>Becky is very good at that.

1229
01:06:51.920 --> 01:06:55.599
<v Speaker 10>She like I said before, she's like incredibly serious and

1230
01:06:55.679 --> 01:06:59.400
<v Speaker 10>is not trying to just find anything and.

1231
01:06:59.360 --> 01:07:03.159
<v Speaker 3>Say it's a ghost. So like, because us as filmmakers like.

1232
01:07:03.239 --> 01:07:08.519
<v Speaker 10>Yeah, ghost, She's like, no, guys, sit over there, it's

1233
01:07:08.519 --> 01:07:09.159
<v Speaker 10>not a ghost.

1234
01:07:09.480 --> 01:07:13.039
<v Speaker 3>They were like, all right, all right, Becky. So that's

1235
01:07:13.079 --> 01:07:13.559
<v Speaker 3>what I think.

1236
01:07:13.559 --> 01:07:16.360
<v Speaker 10>It's more of, you know, the more some of them

1237
01:07:16.400 --> 01:07:19.679
<v Speaker 10>were very, very experienced and others were less experienced.

1238
01:07:19.719 --> 01:07:22.039
<v Speaker 3>But as far as the intuitives.

1239
01:07:21.480 --> 01:07:24.480
<v Speaker 10>Go, they're like their own thing and they have their

1240
01:07:24.519 --> 01:07:27.320
<v Speaker 10>own gifts and so that I can't really speak too

1241
01:07:27.360 --> 01:07:27.960
<v Speaker 10>much on that.

1242
01:07:29.159 --> 01:07:32.519
<v Speaker 2>Yeah, dude, and the intuitives they're always wild. Like I can't.

1243
01:07:32.639 --> 01:07:37.320
<v Speaker 2>I can't tell you how how many productions I've been on. Okay,

1244
01:07:37.320 --> 01:07:39.480
<v Speaker 2>well actually it's been three out this point. But the

1245
01:07:39.840 --> 01:07:44.679
<v Speaker 2>meat on three different productions where unbeknownst to them because

1246
01:07:44.679 --> 01:07:47.559
<v Speaker 2>we don't you know, we get like we let the

1247
01:07:47.679 --> 01:07:52.639
<v Speaker 2>cash and uh, the investigators like relax by themselves. Chris

1248
01:07:52.679 --> 01:07:54.719
<v Speaker 2>and I have to go set up lights in a

1249
01:07:54.800 --> 01:07:56.639
<v Speaker 2>room before we or whatever it is. You know, there's

1250
01:07:56.639 --> 01:07:58.599
<v Speaker 2>a lot of down time we're not up there, but's

1251
01:07:58.599 --> 01:08:04.960
<v Speaker 2>the entire time so you know, like it's dude, I'm

1252
01:08:05.000 --> 01:08:07.159
<v Speaker 2>losing my train of thought here, darn it. It was

1253
01:08:07.159 --> 01:08:12.599
<v Speaker 2>about seth and uh oh, dude, all three of these

1254
01:08:13.000 --> 01:08:17.199
<v Speaker 2>different productions where between Chris and I are over talking

1255
01:08:17.239 --> 01:08:19.159
<v Speaker 2>on the side and just how things are playing out

1256
01:08:19.319 --> 01:08:22.920
<v Speaker 2>every single time when it gets to the point where

1257
01:08:22.960 --> 01:08:26.199
<v Speaker 2>I'm like, oh, Chris, dude, like like I don't know

1258
01:08:26.199 --> 01:08:29.760
<v Speaker 2>what to do, man, Like this is really stressful, dog

1259
01:08:29.920 --> 01:08:32.159
<v Speaker 2>every single time, And like I'm putting on a good front.

1260
01:08:32.199 --> 01:08:34.159
<v Speaker 2>It's not like I'm walking around being miserable, like I'm

1261
01:08:34.159 --> 01:08:36.920
<v Speaker 2>always happy, go lucky, but inside I'm like, dude, like, man,

1262
01:08:37.039 --> 01:08:40.079
<v Speaker 2>something's got to give. And every single time, dude, they

1263
01:08:40.119 --> 01:08:42.359
<v Speaker 2>come up, they either put their hand on my back

1264
01:08:42.399 --> 01:08:47.640
<v Speaker 2>and be like Tyler, they do do that. You need this.

1265
01:08:48.359 --> 01:08:53.399
<v Speaker 2>I'm here like every time, dude, and I'm like what, Chris,

1266
01:08:53.600 --> 01:08:56.520
<v Speaker 2>And then I bring this up with Chris. Chris is like, bro,

1267
01:08:56.600 --> 01:08:58.359
<v Speaker 2>why don't they ever come put their hand on me?

1268
01:08:58.640 --> 01:09:00.359
<v Speaker 2>I'm like, I don't know. Maybe I guess you're not

1269
01:09:00.399 --> 01:09:03.640
<v Speaker 2>like stressed out or you're not giving off those vibes

1270
01:09:04.039 --> 01:09:07.039
<v Speaker 2>of stress, but like that's just been something cool that

1271
01:09:07.079 --> 01:09:11.560
<v Speaker 2>I've had the really neat experience of having with the

1272
01:09:11.640 --> 01:09:15.720
<v Speaker 2>and like every time they do it, like whatever, that

1273
01:09:15.720 --> 01:09:18.199
<v Speaker 2>that not in my stomach or anxiety, Like dude, it

1274
01:09:18.359 --> 01:09:22.479
<v Speaker 2>just like melts away. So I don't placebo effect maybe,

1275
01:09:22.520 --> 01:09:25.800
<v Speaker 2>but it it's been cool. They always happen to like

1276
01:09:26.000 --> 01:09:30.239
<v Speaker 2>just gravitate to me just randomly. I'm not yeah, I'm

1277
01:09:30.279 --> 01:09:33.039
<v Speaker 2>just walking by like hey Tyler, hold on, like wait

1278
01:09:33.079 --> 01:09:37.159
<v Speaker 2>what well, dude, thank you that I feel so much better.

1279
01:09:38.520 --> 01:09:42.119
<v Speaker 4>I think it's the beard. I really do. Excellent. Actually,

1280
01:09:42.720 --> 01:09:46.039
<v Speaker 4>we have something from the chat here, and then I

1281
01:09:46.079 --> 01:09:50.319
<v Speaker 4>have a question for Nathan uh So this one and

1282
01:09:50.520 --> 01:09:52.439
<v Speaker 4>I'm going to read this in the Irish accent of course,

1283
01:09:52.479 --> 01:09:55.880
<v Speaker 4>because it's Pati Murphy. If you haven't know the project

1284
01:09:56.439 --> 01:09:58.720
<v Speaker 4>that you need, folks who hit me up, I'm how

1285
01:09:58.800 --> 01:10:02.960
<v Speaker 4>highly sensitive, work in forensic psychology, and I'm a practicing witch.

1286
01:10:02.960 --> 01:10:03.680
<v Speaker 3>I'm here for you.

1287
01:10:04.359 --> 01:10:07.920
<v Speaker 4>So that is from Patu Murphy. So if you decide

1288
01:10:08.159 --> 01:10:10.600
<v Speaker 4>that you need somebody that's a practicing witch and you

1289
01:10:10.600 --> 01:10:13.720
<v Speaker 4>would like to have her, she lives in Massachusetts and

1290
01:10:14.039 --> 01:10:15.800
<v Speaker 4>you can hit me up and I'll connect you with her.

1291
01:10:16.079 --> 01:10:20.560
<v Speaker 10>Yeah, we have a contact form on our website, docksidemedia

1292
01:10:20.640 --> 01:10:23.760
<v Speaker 10>dot com, which is here, and so we yeah, we

1293
01:10:23.840 --> 01:10:28.119
<v Speaker 10>encourage anyone who has any kind of story skill, idea,

1294
01:10:28.359 --> 01:10:29.680
<v Speaker 10>anything like that, just hit us up.

1295
01:10:30.119 --> 01:10:32.720
<v Speaker 3>We may not you know, jump on it. Right away.

1296
01:10:33.079 --> 01:10:35.800
<v Speaker 10>But we want to get in contact with people like that.

1297
01:10:35.840 --> 01:10:37.960
<v Speaker 10>So yeah, go to DOCSI Media, fill out the form.

1298
01:10:38.680 --> 01:10:41.439
<v Speaker 1>Fill out the farm Poty Murphy and gets on the

1299
01:10:41.479 --> 01:10:44.000
<v Speaker 1>show with them already. Oh thanks Docs, I need it

1300
01:10:44.159 --> 01:10:48.159
<v Speaker 1>right there on your screen. I've been practicing the Irish

1301
01:10:48.239 --> 01:10:48.720
<v Speaker 1>Nathan Man.

1302
01:10:48.720 --> 01:10:49.720
<v Speaker 4>We're not messing around.

1303
01:10:49.760 --> 01:10:50.399
<v Speaker 6>Man.

1304
01:10:50.640 --> 01:10:53.720
<v Speaker 2>If we ever make a cartoon and need voice over work, DJ,

1305
01:10:53.880 --> 01:10:54.600
<v Speaker 2>we're calling you.

1306
01:10:54.640 --> 01:10:57.039
<v Speaker 4>Bro, we caro, give me a call.

1307
01:10:57.640 --> 01:11:00.960
<v Speaker 2>Yeah, we could cover at least ten to fIF teen characters.

1308
01:11:01.279 --> 01:11:02.880
<v Speaker 4>Yeah, I've got you know, I've been working on a

1309
01:11:02.880 --> 01:11:05.279
<v Speaker 4>whole bunch of accents. And you know, you guys mentioned

1310
01:11:05.279 --> 01:11:07.399
<v Speaker 4>the chat. I want to before I even asked Nathan

1311
01:11:07.439 --> 01:11:11.800
<v Speaker 4>this question. Yeah, our chat is very active and very live,

1312
01:11:11.960 --> 01:11:14.720
<v Speaker 4>and you know when you interact with the chat, the

1313
01:11:14.800 --> 01:11:17.920
<v Speaker 4>chat will interact with you. If you ignore them and

1314
01:11:18.000 --> 01:11:20.199
<v Speaker 4>you just let it scroll up the screen and you

1315
01:11:20.239 --> 01:11:22.319
<v Speaker 4>don't engage them and you don't put them up on

1316
01:11:22.359 --> 01:11:26.760
<v Speaker 4>the screen, then they'll ignore you. So and that paid

1317
01:11:26.800 --> 01:11:29.000
<v Speaker 4>real dividends because a lot of these people you see

1318
01:11:29.039 --> 01:11:31.880
<v Speaker 4>here showed up at the dinner we had in Massachusetts

1319
01:11:31.960 --> 01:11:34.439
<v Speaker 4>last Sunday, and I got to meet them in person

1320
01:11:35.000 --> 01:11:39.279
<v Speaker 4>and talk to them till their heart was content. So

1321
01:11:39.640 --> 01:11:40.960
<v Speaker 4>it was a lot of fun. It was a great

1322
01:11:41.000 --> 01:11:43.720
<v Speaker 4>experience to get to meet them. They're telling you their

1323
01:11:43.720 --> 01:11:46.399
<v Speaker 4>screen name and then you're seeing them in real life.

1324
01:11:46.439 --> 01:11:49.880
<v Speaker 4>So so thank you everybody in the chat. The mods

1325
01:11:49.920 --> 01:11:53.439
<v Speaker 4>are doing an outstanding job of putting all your stuff up.

1326
01:11:53.800 --> 01:11:58.039
<v Speaker 4>The movie, the links, Julie, you know, put up where

1327
01:11:58.079 --> 01:12:01.319
<v Speaker 4>it is on Amazon, how people can contact you. Sherry,

1328
01:12:01.760 --> 01:12:04.600
<v Speaker 4>you guys are the best. Now I've got a question

1329
01:12:04.960 --> 01:12:08.680
<v Speaker 4>for Nathan from Beatrice, one of your colleagues, a CAB

1330
01:12:08.720 --> 01:12:13.960
<v Speaker 4>collaborator from True Crime Unsolved Cab TUCU, and she kinda

1331
01:12:14.359 --> 01:12:17.640
<v Speaker 4>wants to know, and actually I think Josie was kind

1332
01:12:17.640 --> 01:12:21.079
<v Speaker 4>of last night wanted to know, what do you think

1333
01:12:21.199 --> 01:12:24.960
<v Speaker 4>is happening with these spirits when these people die? Nathan,

1334
01:12:25.039 --> 01:12:30.359
<v Speaker 4>what are your thoughts on when a person unfortunately or

1335
01:12:30.399 --> 01:12:35.600
<v Speaker 4>tragically expires physically, what happens to that spirit, that consciousness?

1336
01:12:35.880 --> 01:12:36.199
<v Speaker 3>Please?

1337
01:12:36.640 --> 01:12:39.600
<v Speaker 7>Yeah, well, I don't know for sure. What I do

1338
01:12:40.279 --> 01:12:44.520
<v Speaker 7>feel confidence saying is that we're facing this question in

1339
01:12:44.560 --> 01:12:46.079
<v Speaker 7>a more honest way than I think we've had in

1340
01:12:46.119 --> 01:12:50.079
<v Speaker 7>a long time. Are kind of predecessors more or more

1341
01:12:50.119 --> 01:12:53.319
<v Speaker 7>comfortable dealing with this issue? And then in the twentieth century,

1342
01:12:53.520 --> 01:12:55.760
<v Speaker 7>and in the nineteenth and twentieth century we kind of said,

1343
01:12:55.760 --> 01:12:57.119
<v Speaker 7>you know, that's a bunch of whoy, We're not going

1344
01:12:57.159 --> 01:13:00.800
<v Speaker 7>to think about that anymore. But we're now coming back around,

1345
01:13:00.840 --> 01:13:03.600
<v Speaker 7>and I think this documentary is good evidence of that

1346
01:13:03.800 --> 01:13:06.960
<v Speaker 7>as well, that we have a younger generation that is

1347
01:13:07.000 --> 01:13:11.560
<v Speaker 7>embracing just these questions period where they were kind of

1348
01:13:11.880 --> 01:13:16.159
<v Speaker 7>shunned aside before. But there are lots of interesting data

1349
01:13:16.199 --> 01:13:18.039
<v Speaker 7>points that we can look at. I mean, we've got

1350
01:13:18.720 --> 01:13:22.880
<v Speaker 7>research that's been done on past lives through the University

1351
01:13:22.880 --> 01:13:28.279
<v Speaker 7>of Virginia where people have had really uncanny experiences of

1352
01:13:28.479 --> 01:13:31.560
<v Speaker 7>past lives and they've had even physical evidence that has

1353
01:13:31.600 --> 01:13:34.359
<v Speaker 7>connected them to a past life. And so there's something

1354
01:13:34.399 --> 01:13:36.159
<v Speaker 7>there's something that seems to be pointing to the fact

1355
01:13:36.159 --> 01:13:40.520
<v Speaker 7>that consciousness does persist after death. And of course near

1356
01:13:40.560 --> 01:13:42.960
<v Speaker 7>death experiences are another good data point to look at.

1357
01:13:43.000 --> 01:13:45.720
<v Speaker 7>There people who have a brush with death, they come

1358
01:13:45.760 --> 01:13:49.000
<v Speaker 7>back and talk about this very vivid experience of the afterlife.

1359
01:13:49.800 --> 01:13:51.800
<v Speaker 7>I think if you kind of start putting these things together,

1360
01:13:52.079 --> 01:13:56.760
<v Speaker 7>you begin formulating some picture that consciousness does persist, and

1361
01:13:56.800 --> 01:13:59.920
<v Speaker 7>in terms of the kind of hauntings the way I

1362
01:14:00.079 --> 01:14:03.119
<v Speaker 7>think about that is there's and you kind of hear

1363
01:14:03.199 --> 01:14:05.840
<v Speaker 7>this a lot in the people that are investigating this

1364
01:14:05.920 --> 01:14:07.079
<v Speaker 7>kind of activity.

1365
01:14:07.199 --> 01:14:07.840
<v Speaker 6>There's this.

1366
01:14:09.479 --> 01:14:12.399
<v Speaker 7>Sense of being stuck in a place. Then the energetic

1367
01:14:12.520 --> 01:14:17.520
<v Speaker 7>resonance is just sort of tethered to that location or

1368
01:14:17.600 --> 01:14:19.840
<v Speaker 7>or sometimes it's to an object. Right, It's it's very

1369
01:14:19.920 --> 01:14:24.760
<v Speaker 7>much connected to a thing. And oftentimes what what you

1370
01:14:24.800 --> 01:14:27.159
<v Speaker 7>see the paranorlal investigators do, they're trying to sort of

1371
01:14:27.840 --> 01:14:32.479
<v Speaker 7>help the deceased let go of that connection, right, because

1372
01:14:32.479 --> 01:14:35.720
<v Speaker 7>that it's not helping them move on to wherever they

1373
01:14:35.840 --> 01:14:38.039
<v Speaker 7>must have to move on to beyond that. I don't

1374
01:14:38.079 --> 01:14:40.760
<v Speaker 7>think it means necessarily move on to nothingness. I think

1375
01:14:40.760 --> 01:14:44.079
<v Speaker 7>that there's this say they kept you know how people, right,

1376
01:14:44.119 --> 01:14:48.319
<v Speaker 7>everybody knows a person like this who you know, they're

1377
01:14:48.319 --> 01:14:50.560
<v Speaker 7>they're like a hamster on a wheel, right, and they

1378
01:14:50.560 --> 01:14:52.039
<v Speaker 7>get it, they get a thought in their head, they

1379
01:14:52.039 --> 01:14:54.039
<v Speaker 7>get some and they just they're stuck there. They're stuck

1380
01:14:54.079 --> 01:14:57.159
<v Speaker 7>in that cycle of behavior or that cycle of thinking.

1381
01:14:57.199 --> 01:14:58.800
<v Speaker 7>I mean, just somedey all of us do this with

1382
01:14:58.880 --> 01:15:01.399
<v Speaker 7>some something or another, but there are people who really

1383
01:15:01.439 --> 01:15:04.239
<v Speaker 7>just literally can't get off of a certain cycle that

1384
01:15:04.239 --> 01:15:07.720
<v Speaker 7>they're on and I think that oftentimes persists right off

1385
01:15:08.439 --> 01:15:11.000
<v Speaker 7>until the moment that they die. You know, they die

1386
01:15:11.039 --> 01:15:14.680
<v Speaker 7>with intense regrets. They die with these intense feelings of

1387
01:15:14.800 --> 01:15:17.720
<v Speaker 7>connection to a person and object of place. You know

1388
01:15:17.800 --> 01:15:20.199
<v Speaker 7>that they can't let go of that. And I think

1389
01:15:20.239 --> 01:15:24.000
<v Speaker 7>it's it's we tend to think of ourselves as bodies,

1390
01:15:24.399 --> 01:15:26.720
<v Speaker 7>but if we take think of ourselves as minds, and

1391
01:15:26.760 --> 01:15:29.760
<v Speaker 7>we think of the reality as the rally around us

1392
01:15:29.800 --> 01:15:34.119
<v Speaker 7>as sort of parts of our minds, then we're kind

1393
01:15:34.119 --> 01:15:37.600
<v Speaker 7>of replaying that reality over and over and over again

1394
01:15:37.800 --> 01:15:40.560
<v Speaker 7>as our mind moves on into it's sort of next iteration.

1395
01:15:40.760 --> 01:15:42.239
<v Speaker 6>So it's a long answer.

1396
01:15:42.279 --> 01:15:42.520
<v Speaker 3>I don't.

1397
01:15:42.560 --> 01:15:44.960
<v Speaker 7>I don't have the perfect answers here, don't. I don't

1398
01:15:44.960 --> 01:15:47.800
<v Speaker 7>know that anybody really does. But what I'm excited about

1399
01:15:47.960 --> 01:15:50.800
<v Speaker 7>is that with films like this, with people who are

1400
01:15:50.800 --> 01:15:53.720
<v Speaker 7>in films like this, we're at a place now where

1401
01:15:53.199 --> 01:15:57.399
<v Speaker 7>I think people are more comfortable exploring these questions, and

1402
01:15:57.479 --> 01:16:00.840
<v Speaker 7>these are big questions. We should be willing to tackle

1403
01:16:00.880 --> 01:16:04.840
<v Speaker 7>these and willing as well, I think to suspend judgment

1404
01:16:05.079 --> 01:16:07.039
<v Speaker 7>on it. It's easy to say, you know, that's there's

1405
01:16:07.079 --> 01:16:10.079
<v Speaker 7>that's a bunch of who I don't believe it but everybody.

1406
01:16:10.159 --> 01:16:12.840
<v Speaker 7>I mean, I think this is true for everyone, and

1407
01:16:13.000 --> 01:16:15.640
<v Speaker 7>people may not admit it, but everyone's had an experience

1408
01:16:15.720 --> 01:16:19.239
<v Speaker 7>that's just strange and that it's really hard to explain,

1409
01:16:19.920 --> 01:16:23.840
<v Speaker 7>and how do you square that with the world that

1410
01:16:23.880 --> 01:16:26.479
<v Speaker 7>we've grown up in. That sort of says there are

1411
01:16:26.560 --> 01:16:29.840
<v Speaker 7>explanations for everything. You know, science has figured it all out.

1412
01:16:31.279 --> 01:16:33.600
<v Speaker 7>You know, if you can't see it, it's just imaginary,

1413
01:16:33.800 --> 01:16:36.680
<v Speaker 7>like you know, the I don't think it works. I

1414
01:16:36.760 --> 01:16:39.239
<v Speaker 7>just don't think that's satisfactory. I think we have to

1415
01:16:39.279 --> 01:16:42.880
<v Speaker 7>be willing to confront those assumptions and say to ourselves,

1416
01:16:42.920 --> 01:16:45.600
<v Speaker 7>you know what, just because we were born into a

1417
01:16:45.640 --> 01:16:49.399
<v Speaker 7>world that where those assumptions were foundational, doesn't mean those

1418
01:16:49.399 --> 01:16:52.079
<v Speaker 7>assumptions are actually true. Just means that's the kind of

1419
01:16:52.119 --> 01:16:55.760
<v Speaker 7>the operating language that we've inherited. And so when you

1420
01:16:55.760 --> 01:17:00.079
<v Speaker 7>were willing to question that and kind of re examine that,

1421
01:16:59.760 --> 01:17:03.720
<v Speaker 7>you're you're making space for new patterns of thinking that

1422
01:17:03.800 --> 01:17:07.159
<v Speaker 7>I think maybe reveal new answers to us that we

1423
01:17:07.199 --> 01:17:09.399
<v Speaker 7>haven't been ready to listen to before.

1424
01:17:09.439 --> 01:17:09.680
<v Speaker 2>Now.

1425
01:17:11.479 --> 01:17:14.479
<v Speaker 4>Yeah, and I love I love that answer. That's kind

1426
01:17:14.479 --> 01:17:16.680
<v Speaker 4>of what I was expecting, Nathan. And by the way,

1427
01:17:16.760 --> 01:17:20.199
<v Speaker 4>one of our colleagues from Australia is in here. Aspasia

1428
01:17:20.760 --> 01:17:25.800
<v Speaker 4>from Down South Anomalies. When we were on Untold Network,

1429
01:17:25.840 --> 01:17:28.359
<v Speaker 4>her and her husband Jay are on there. Do I

1430
01:17:28.399 --> 01:17:32.800
<v Speaker 4>have you starred? But yeah, Aspacia, thank you for tuning

1431
01:17:32.840 --> 01:17:35.359
<v Speaker 4>in And yeah, I would love to be on your show.

1432
01:17:35.760 --> 01:17:38.399
<v Speaker 4>Although there are actually a lot smarter people than I

1433
01:17:38.560 --> 01:17:42.880
<v Speaker 4>on this panel that you should have before me. But yeah,

1434
01:17:43.079 --> 01:17:45.039
<v Speaker 4>just let me know what your email how to get

1435
01:17:45.079 --> 01:17:49.079
<v Speaker 4>hold of you and down South Anomalies, Jay and Aspacia,

1436
01:17:49.199 --> 01:17:52.439
<v Speaker 4>they're brilliant. These guys have read every book on the

1437
01:17:52.560 --> 01:17:55.399
<v Speaker 4>unknown that you can imagine and they have in their home.

1438
01:17:56.039 --> 01:18:00.239
<v Speaker 4>So anyway, thank you for that answer. You know, while

1439
01:18:00.239 --> 01:18:04.439
<v Speaker 4>we're on that topic, would would Courtney and deb and

1440
01:18:04.560 --> 01:18:09.239
<v Speaker 4>Chris and Tyler also like to speak about what happens to.

1441
01:18:11.399 --> 01:18:11.560
<v Speaker 2>Hara?

1442
01:18:11.760 --> 01:18:13.560
<v Speaker 4>What are you doing in the shot right here? You

1443
01:18:13.560 --> 01:18:15.680
<v Speaker 4>didn't ask Tyler if you can get in the shot.

1444
01:18:16.039 --> 01:18:19.880
<v Speaker 4>You didn't ask Chris if you can get in the shot?

1445
01:18:20.199 --> 01:18:21.800
<v Speaker 2>And the four grounds good, But we got to get

1446
01:18:21.840 --> 01:18:24.119
<v Speaker 2>her blurt out that's going to give you high production value.

1447
01:18:24.640 --> 01:18:27.159
<v Speaker 4>Yeah, you know what I need that software just sun

1448
01:18:27.239 --> 01:18:30.319
<v Speaker 4>blur you out. Anyway. She doesn't care, all right, So

1449
01:18:31.199 --> 01:18:33.319
<v Speaker 4>I'm sorry, would you gut Courtney? Would you like to

1450
01:18:33.319 --> 01:18:35.239
<v Speaker 4>tackle that one? D please, ma'am.

1451
01:18:35.680 --> 01:18:38.239
<v Speaker 2>I just before you rock this, I don't mean to interrupt,

1452
01:18:38.439 --> 01:18:41.640
<v Speaker 2>but YO, shout out Angelie. I see, she just commented,

1453
01:18:42.720 --> 01:18:46.279
<v Speaker 2>Angelie throat Angelie rewind about an hour you got you

1454
01:18:46.319 --> 01:18:49.960
<v Speaker 2>got yourself a name drop when you when my crazy

1455
01:18:50.039 --> 01:18:52.079
<v Speaker 2>knuckleheb Buck came out to film you in front of

1456
01:18:52.119 --> 01:18:53.880
<v Speaker 2>the Lincoln Memorial.

1457
01:18:55.159 --> 01:18:59.640
<v Speaker 4>Legend. I'm sorry, the legend is in the building. Angelee,

1458
01:19:00.239 --> 01:19:03.840
<v Speaker 4>Oh girl, all right, sorry, go ahead, court Oh.

1459
01:19:03.960 --> 01:19:05.800
<v Speaker 5>I have to say that was the first thing I

1460
01:19:05.840 --> 01:19:09.239
<v Speaker 5>ever saw about her was that, you know, filming of

1461
01:19:09.319 --> 01:19:11.359
<v Speaker 5>her out in front of the steps. And so you

1462
01:19:11.399 --> 01:19:14.600
<v Speaker 5>guys did a great job because I didn't know who

1463
01:19:14.640 --> 01:19:17.600
<v Speaker 5>she was, and you brought that out so everybody could

1464
01:19:17.600 --> 01:19:20.119
<v Speaker 5>see it. So that was a huge impact that you made.

1465
01:19:21.319 --> 01:19:23.359
<v Speaker 5>And it's great to see her here tonight. I didn't

1466
01:19:23.399 --> 01:19:26.680
<v Speaker 5>see her in the chat. I'm glad she's here. I

1467
01:19:26.720 --> 01:19:29.039
<v Speaker 5>didn't want to go into depth because I think Nathan

1468
01:19:29.079 --> 01:19:31.680
<v Speaker 5>did a really good job about you know, the history

1469
01:19:31.720 --> 01:19:35.600
<v Speaker 5>where we are now, contemporary thought on you know, after

1470
01:19:35.720 --> 01:19:38.319
<v Speaker 5>life and consciousness. But I did want to mention one

1471
01:19:39.000 --> 01:19:41.720
<v Speaker 5>just a little after thought from what Nathan said that

1472
01:19:41.880 --> 01:19:45.560
<v Speaker 5>sprang to mind was that I do feel in some

1473
01:19:45.600 --> 01:19:49.640
<v Speaker 5>ways in this era we are obsessed with youth and

1474
01:19:50.279 --> 01:19:53.199
<v Speaker 5>anti aging and some of these other things, and we're

1475
01:19:53.199 --> 01:19:57.960
<v Speaker 5>not necessarily embracing aging and our passing and the passage.

1476
01:19:58.359 --> 01:19:59.800
<v Speaker 5>And one of the things that I did want to

1477
01:19:59.840 --> 01:20:02.640
<v Speaker 5>sey say that I saw that I thought it did

1478
01:20:02.680 --> 01:20:05.359
<v Speaker 5>a good job. I wouldn't normally watch a production like this,

1479
01:20:05.479 --> 01:20:09.920
<v Speaker 5>but it was Chris Helmsworth's Limitless and he was going

1480
01:20:09.960 --> 01:20:15.039
<v Speaker 5>through his you know, diagnosis potentially of his genetics of

1481
01:20:15.119 --> 01:20:18.079
<v Speaker 5>having Alzheimer's and dealing with that, you know, on real

1482
01:20:18.119 --> 01:20:22.560
<v Speaker 5>time on camera with the researchers, and he went through

1483
01:20:22.560 --> 01:20:26.039
<v Speaker 5>this process with a death doula where they take him

1484
01:20:26.079 --> 01:20:30.119
<v Speaker 5>through these practices to prepare him for death.

1485
01:20:30.119 --> 01:20:32.159
<v Speaker 8>Because he does this whole production.

1486
01:20:31.840 --> 01:20:35.159
<v Speaker 5>About young, being young, what he does to stay young,

1487
01:20:35.199 --> 01:20:38.199
<v Speaker 5>but then also what happens when you age and gaining

1488
01:20:38.239 --> 01:20:41.399
<v Speaker 5>weight and losing sight and losing sound. Right, So I

1489
01:20:41.439 --> 01:20:44.359
<v Speaker 5>thought that was pretty well done, and I think that

1490
01:20:44.439 --> 01:20:47.960
<v Speaker 5>we're also embracing that more now. I'm seeing a huge

1491
01:20:48.000 --> 01:20:51.439
<v Speaker 5>well spring of practitioners of people who are doing you know,

1492
01:20:51.600 --> 01:20:55.520
<v Speaker 5>death process DULA and other kinds of brief work to

1493
01:20:55.600 --> 01:20:58.960
<v Speaker 5>help people. So I do think there's more acceptance you know,

1494
01:20:59.079 --> 01:21:02.000
<v Speaker 5>of the passing what that means to help people detach

1495
01:21:02.279 --> 01:21:04.800
<v Speaker 5>before they actually pass. But I think there could be

1496
01:21:04.800 --> 01:21:06.640
<v Speaker 5>a lot more done. So that's the only thing that

1497
01:21:06.720 --> 01:21:09.279
<v Speaker 5>I wanted to mention about, you know where you go.

1498
01:21:09.840 --> 01:21:12.800
<v Speaker 5>I think these things are happening, you know, right now

1499
01:21:12.920 --> 01:21:13.880
<v Speaker 5>in our communities.

1500
01:21:14.039 --> 01:21:15.119
<v Speaker 8>So that was all.

1501
01:21:16.520 --> 01:21:19.720
<v Speaker 4>There are people that can't that that are connecting with

1502
01:21:19.880 --> 01:21:24.479
<v Speaker 4>past lives, children that could not possibly have known that

1503
01:21:24.560 --> 01:21:29.359
<v Speaker 4>person existed and be able to recount finite details like this.

1504
01:21:29.840 --> 01:21:32.319
<v Speaker 4>We talked about it on last night's show, the state

1505
01:21:32.359 --> 01:21:35.399
<v Speaker 4>trooper's son from Indiana that was connecting with the World

1506
01:21:35.399 --> 01:21:40.079
<v Speaker 4>War two pilot who crashed off the waters in Okanawa

1507
01:21:40.199 --> 01:21:43.479
<v Speaker 4>off at yuo Jima, and then when he when they

1508
01:21:43.560 --> 01:21:45.600
<v Speaker 4>rowed the boat over there, he started crying when it

1509
01:21:45.640 --> 01:21:49.520
<v Speaker 4>got to that that, uh, that GPS location. I'm sorry,

1510
01:21:49.600 --> 01:21:51.960
<v Speaker 4>please go ahead with The next person would be Debs.

1511
01:21:51.960 --> 01:21:54.119
<v Speaker 4>Would you like to give yours? And then we'll get

1512
01:21:54.159 --> 01:21:57.479
<v Speaker 4>to Tyler and Chris When people die.

1513
01:21:58.920 --> 01:21:59.960
<v Speaker 8>Well, I think.

1514
01:22:01.239 --> 01:22:04.520
<v Speaker 11>I've done a lot of research as of late on

1515
01:22:05.199 --> 01:22:10.680
<v Speaker 11>NDEs and specifically I've been listening kind of non stop

1516
01:22:10.800 --> 01:22:15.880
<v Speaker 11>to interviews, And of course an aspect of that is

1517
01:22:16.119 --> 01:22:20.159
<v Speaker 11>that the person has died and they leave their body,

1518
01:22:20.760 --> 01:22:26.359
<v Speaker 11>and there seems to be like a consistent narrative about

1519
01:22:26.479 --> 01:22:30.600
<v Speaker 11>the response to the body, like they're usually like, hey,

1520
01:22:30.640 --> 01:22:33.279
<v Speaker 11>that's my body, I'm going to hang out around it

1521
01:22:33.319 --> 01:22:35.520
<v Speaker 11>for a little bit, but I'm not that attached to it,

1522
01:22:35.600 --> 01:22:40.279
<v Speaker 11>so I'm gone. So one of the things that has

1523
01:22:40.319 --> 01:22:45.720
<v Speaker 11>been implied is that for the NDE experience, you stay

1524
01:22:45.760 --> 01:22:50.000
<v Speaker 11>around it because you're not going to completely pass over,

1525
01:22:50.720 --> 01:22:54.279
<v Speaker 11>but if you go further into the experience, you go

1526
01:22:54.439 --> 01:22:59.880
<v Speaker 11>further away from it. Right, So my thought is if

1527
01:23:00.079 --> 01:23:07.239
<v Speaker 11>a deal attachment, they may not be going as far

1528
01:23:07.319 --> 01:23:15.720
<v Speaker 11>away in that death experience, they might not be. And

1529
01:23:15.920 --> 01:23:18.199
<v Speaker 11>one of the other things I wanted to say about

1530
01:23:18.239 --> 01:23:22.159
<v Speaker 11>what I've observed with that so far is simply that

1531
01:23:24.159 --> 01:23:27.840
<v Speaker 11>what you think you know about that, like I guess,

1532
01:23:27.960 --> 01:23:31.560
<v Speaker 11>unraveled with the next interview. Okay, So even though we're

1533
01:23:31.560 --> 01:23:36.600
<v Speaker 11>looking for patterns, it's it's almost like impossible to be

1534
01:23:36.720 --> 01:23:42.159
<v Speaker 11>able to find the patterns consistently in any of these experiences.

1535
01:23:42.880 --> 01:23:45.079
<v Speaker 11>So it's all like, that's why it is what we

1536
01:23:45.199 --> 01:23:48.479
<v Speaker 11>call the paranormal because we cannot always answer, we just

1537
01:23:48.720 --> 01:23:52.399
<v Speaker 11>don't have the ability to do so. So yeah, that's

1538
01:23:52.439 --> 01:23:53.720
<v Speaker 11>what I just wanted to add.

1539
01:23:55.039 --> 01:23:58.439
<v Speaker 4>Thank you Debs for that perspective. Let's go with Tyler

1540
01:23:58.479 --> 01:23:59.800
<v Speaker 4>and then Chris, please.

1541
01:24:01.399 --> 01:24:04.039
<v Speaker 2>And the prompt was you're dead, what happens?

1542
01:24:04.319 --> 01:24:07.600
<v Speaker 3>Yeah, like, yeah, yes.

1543
01:24:07.399 --> 01:24:09.560
<v Speaker 4>Because I have another question about the crew, but yeah,

1544
01:24:09.600 --> 01:24:11.079
<v Speaker 4>please go ahead with that one.

1545
01:24:11.960 --> 01:24:15.119
<v Speaker 2>Well, man, I'm optimistic and I'm having a ton of

1546
01:24:15.119 --> 01:24:17.479
<v Speaker 2>fun in this life, so I'm trying to manifest living

1547
01:24:17.680 --> 01:24:20.479
<v Speaker 2>like to two hundred or three hundred. I think it's doable.

1548
01:24:22.079 --> 01:24:24.640
<v Speaker 2>That's that's that's what I'm swinging for. It. I end

1549
01:24:24.720 --> 01:24:27.680
<v Speaker 2>up a little short, so be it. But that's my goal.

1550
01:24:28.720 --> 01:24:31.520
<v Speaker 2>And dude, I'm open minded. Man. They're talking about the

1551
01:24:31.560 --> 01:24:34.840
<v Speaker 2>reincarnation and past lives, Chris and I would love to

1552
01:24:34.840 --> 01:24:37.359
<v Speaker 2>make a doc on that because there are so many

1553
01:24:37.439 --> 01:24:42.520
<v Speaker 2>people that man as children, at least from the different

1554
01:24:42.520 --> 01:24:44.560
<v Speaker 2>stuff I've been exposed to. It's like, it seems like

1555
01:24:44.560 --> 01:24:47.520
<v Speaker 2>a lot of children happen to be more prone to it,

1556
01:24:47.880 --> 01:24:50.279
<v Speaker 2>and as you kind of grow up, you can they

1557
01:24:50.279 --> 01:24:53.520
<v Speaker 2>can sometimes grow out of that. But yeah, naming places

1558
01:24:53.720 --> 01:24:57.399
<v Speaker 2>that they were famous people and just things that you

1559
01:24:57.479 --> 01:25:00.000
<v Speaker 2>wouldn't know at five years old without like doing it.

1560
01:25:00.119 --> 01:25:03.239
<v Speaker 2>Incredible amount of research, Like this is stuff that's not

1561
01:25:03.239 --> 01:25:08.479
<v Speaker 2>even like widely published. So yeah, fascinating. I'd be open

1562
01:25:08.520 --> 01:25:13.600
<v Speaker 2>to that some sort of afterlife, some sort of Man,

1563
01:25:13.640 --> 01:25:17.039
<v Speaker 2>I don't know. This stuff's crazy. Just how many dimensions

1564
01:25:17.079 --> 01:25:19.520
<v Speaker 2>are there, right, Like, dude, we only see in so

1565
01:25:19.600 --> 01:25:23.520
<v Speaker 2>many bandwidths and frequencies and dog like, that's just how

1566
01:25:23.520 --> 01:25:27.279
<v Speaker 2>we evolve. But bro, there's Wi Fi signals flying through

1567
01:25:27.319 --> 01:25:30.199
<v Speaker 2>my body right now or bouncing off my body or

1568
01:25:30.199 --> 01:25:33.560
<v Speaker 2>whatever happens. So it's like, oh, dude, I just can't

1569
01:25:33.600 --> 01:25:36.479
<v Speaker 2>see them. And you know this stuff with people you know,

1570
01:25:36.600 --> 01:25:39.760
<v Speaker 2>taking DMT or whatever and having these experiences and a

1571
01:25:39.760 --> 01:25:46.680
<v Speaker 2>lot of them reporting similar elf like creature people or whatever,

1572
01:25:46.920 --> 01:25:48.479
<v Speaker 2>just you know all these things. It's like, oh, dude,

1573
01:25:48.479 --> 01:25:52.359
<v Speaker 2>that's crazy. These people are all separately reporting similar stuff.

1574
01:25:52.359 --> 01:25:56.720
<v Speaker 2>Maybe they're gaining access to another dimension. So man, I

1575
01:25:57.119 --> 01:25:59.079
<v Speaker 2>kind of like what Nathan said, Bro, I don't have

1576
01:25:59.159 --> 01:26:03.319
<v Speaker 2>any any answer of what happens. I'd be cool with

1577
01:26:03.680 --> 01:26:07.000
<v Speaker 2>any of it, and I'd be open to all of it.

1578
01:26:07.119 --> 01:26:10.119
<v Speaker 2>So I think one of the reasons too, why Chris

1579
01:26:10.159 --> 01:26:14.439
<v Speaker 2>and I maybe don't have a ton of like hitchhiker

1580
01:26:14.760 --> 01:26:18.720
<v Speaker 2>experiences with paranormal stuff following us home is like, dude,

1581
01:26:19.199 --> 01:26:21.560
<v Speaker 2>when we go into these like we have the purest

1582
01:26:21.600 --> 01:26:24.960
<v Speaker 2>of intentions, like, hey, we're here to try and make

1583
01:26:25.000 --> 01:26:28.319
<v Speaker 2>a documentary, but have fun and enjoy life. We're not

1584
01:26:28.359 --> 01:26:31.439
<v Speaker 2>trying to antagonize spirits and like, go, can we get

1585
01:26:31.439 --> 01:26:33.880
<v Speaker 2>them to like do something? Let me, what if I

1586
01:26:33.920 --> 01:26:36.319
<v Speaker 2>really make fun of them or like dude, Like no, no,

1587
01:26:36.359 --> 01:26:39.359
<v Speaker 2>We're like we're being respectful, Like, dude, this is cool.

1588
01:26:39.439 --> 01:26:42.159
<v Speaker 2>Let's just see if we can experience something or get

1589
01:26:42.199 --> 01:26:46.640
<v Speaker 2>some data points. So yeah, at the end of the day,

1590
01:26:46.720 --> 01:26:48.560
<v Speaker 2>I don't know, dude, but I'm down with any of it.

1591
01:26:48.600 --> 01:26:51.680
<v Speaker 2>And yeah, two hundred to three hundred years somebody, uh

1592
01:26:52.560 --> 01:26:55.000
<v Speaker 2>like whatever, do the reddit bot remind me in two

1593
01:26:55.079 --> 01:26:56.840
<v Speaker 2>hundred and three hundred or I guess only one hundred

1594
01:26:56.840 --> 01:27:00.439
<v Speaker 2>and sixty years from now. See if Tyler's still here, back.

1595
01:27:00.840 --> 01:27:02.880
<v Speaker 5>Tyler, if you want to do that, you got to

1596
01:27:02.920 --> 01:27:07.680
<v Speaker 5>do Brian Johnson's whole protocol don't die, no coffee, no

1597
01:27:07.800 --> 01:27:11.520
<v Speaker 5>nakedine that goes out immediately.

1598
01:27:12.279 --> 01:27:12.520
<v Speaker 10>Dude.

1599
01:27:12.600 --> 01:27:17.840
<v Speaker 2>Well, hey, I just started it. I just started intermittent

1600
01:27:18.000 --> 01:27:22.439
<v Speaker 2>fasting like that six days ago. I've been rocking eighteen

1601
01:27:22.479 --> 01:27:25.399
<v Speaker 2>hours and like, dude, feeling great. So I'm moving in

1602
01:27:25.439 --> 01:27:26.079
<v Speaker 2>the right direction.

1603
01:27:26.880 --> 01:27:30.119
<v Speaker 4>Hell yeah you are. Hello Amy. We got to meet

1604
01:27:30.159 --> 01:27:34.439
<v Speaker 4>Amy the other night also at that dinner, Amy Positive Pathways,

1605
01:27:34.680 --> 01:27:38.159
<v Speaker 4>who's also like a I believe she's a mental health

1606
01:27:38.199 --> 01:27:41.119
<v Speaker 4>professional as well, like kind of like two of our

1607
01:27:41.279 --> 01:27:46.039
<v Speaker 4>panelists here below me. So anyway, Yeah, I guess it's

1608
01:27:46.039 --> 01:27:50.760
<v Speaker 4>down to Chris. Chris, people die and what the hell happens?

1609
01:27:51.520 --> 01:27:56.079
<v Speaker 3>Yeah. For me, I think that people have are very

1610
01:27:56.119 --> 01:27:57.159
<v Speaker 3>short sighted. You know.

1611
01:27:57.199 --> 01:28:00.720
<v Speaker 10>We we try to live and survive the day, and

1612
01:28:00.760 --> 01:28:05.159
<v Speaker 10>we forget that, like we are made of stars, you know,

1613
01:28:05.439 --> 01:28:09.079
<v Speaker 10>stars from billions of years ago and millions of years

1614
01:28:09.079 --> 01:28:11.239
<v Speaker 10>ago and all that stuff. Like we are part of

1615
01:28:11.279 --> 01:28:16.000
<v Speaker 10>a larger cosmic process. So we were existed in some

1616
01:28:16.119 --> 01:28:21.159
<v Speaker 10>form atoms before, and we will transfer into something else.

1617
01:28:21.199 --> 01:28:24.079
<v Speaker 10>Our energy in some level will always exist and be

1618
01:28:24.159 --> 01:28:28.640
<v Speaker 10>passed through this universe. And so I don't remember what

1619
01:28:28.800 --> 01:28:32.399
<v Speaker 10>my existence was like before I was born here, and

1620
01:28:32.439 --> 01:28:35.319
<v Speaker 10>maybe I won't know what it's like in this version

1621
01:28:35.399 --> 01:28:37.760
<v Speaker 10>of myself after I die. But I like to think

1622
01:28:37.760 --> 01:28:39.920
<v Speaker 10>that some part of me still exists, or I know,

1623
01:28:40.000 --> 01:28:42.039
<v Speaker 10>some part of me will still exist in some level,

1624
01:28:42.399 --> 01:28:45.920
<v Speaker 10>so that is enough for me. I think the most

1625
01:28:46.159 --> 01:28:49.239
<v Speaker 10>thing that you know scares most people about death is

1626
01:28:49.279 --> 01:28:52.840
<v Speaker 10>the painful process of one the pain of dying and

1627
01:28:52.920 --> 01:28:58.600
<v Speaker 10>two leaving behind the ones we love. But I don't

1628
01:28:59.199 --> 01:29:03.239
<v Speaker 10>remember the pain before I was in this form of

1629
01:29:03.279 --> 01:29:06.439
<v Speaker 10>my body, and so I probably won't remember it after.

1630
01:29:06.880 --> 01:29:10.279
<v Speaker 10>But maybe I'll have different experiences then, So I like

1631
01:29:10.319 --> 01:29:12.840
<v Speaker 10>to try and be more positive like that.

1632
01:29:14.000 --> 01:29:15.680
<v Speaker 4>I don't know. I think we need new to two

1633
01:29:15.720 --> 01:29:18.439
<v Speaker 4>new co hosts on Calling All Beings? What do you think.

1634
01:29:19.800 --> 01:29:21.039
<v Speaker 6>You guys are welcome back anytime.

1635
01:29:21.239 --> 01:29:23.920
<v Speaker 2>Thank you.

1636
01:29:22.600 --> 01:29:26.359
<v Speaker 11>I've co hosted Tyler before.

1637
01:29:26.439 --> 01:29:28.520
<v Speaker 8>By the way, you have.

1638
01:29:30.399 --> 01:29:36.880
<v Speaker 2>Wow that that gentleman from the Nimen incident, Kevin Day. Yep,

1639
01:29:37.239 --> 01:29:37.840
<v Speaker 2>there you go.

1640
01:29:38.840 --> 01:29:41.640
<v Speaker 4>I was gonna say, if you know what made me

1641
01:29:41.680 --> 01:29:44.319
<v Speaker 4>think earlier to stitch back if you're doing something on

1642
01:29:44.359 --> 01:29:47.000
<v Speaker 4>the NDEs. Everybody on the panel here is friends with

1643
01:29:47.079 --> 01:29:51.079
<v Speaker 4>James I and Noli, and he would He's had a

1644
01:29:51.079 --> 01:29:54.760
<v Speaker 4>prolific uh ND experience. Uh do you guys know who

1645
01:29:54.840 --> 01:30:00.520
<v Speaker 4>he is? Engaging the phenomenon? No, though, Ethan, how do

1646
01:30:00.560 --> 01:30:01.840
<v Speaker 4>you explain James Iindoli?

1647
01:30:03.119 --> 01:30:07.439
<v Speaker 7>He's the human sasquatch of euthology. He's the gentle giant

1648
01:30:07.560 --> 01:30:13.920
<v Speaker 7>of He's James is an incredible person who is also

1649
01:30:14.000 --> 01:30:17.319
<v Speaker 7>just a very large person, very tall guy, very strong guy,

1650
01:30:19.079 --> 01:30:22.479
<v Speaker 7>and he's had incredible experiences. As DJ says, he's had

1651
01:30:22.640 --> 01:30:27.800
<v Speaker 7>NDEs OBEs out of by experiences. He's had many, many

1652
01:30:27.840 --> 01:30:35.279
<v Speaker 7>contact experiences with UFOs. He's been an ardent advocate for

1653
01:30:36.000 --> 01:30:39.720
<v Speaker 7>euthology and disclosure and a kind of a quiet He's

1654
01:30:39.760 --> 01:30:47.479
<v Speaker 7>one of those just dedicated quiet forces in the movement

1655
01:30:47.560 --> 01:30:51.119
<v Speaker 7>to getting more information and answers. He's kind of behind

1656
01:30:51.359 --> 01:30:53.840
<v Speaker 7>a lot of people and he's like the he's the

1657
01:30:53.840 --> 01:30:56.119
<v Speaker 7>best cheering section you could ever hope for, you know,

1658
01:30:56.159 --> 01:30:59.039
<v Speaker 7>He's he's just really supportive. He doesn't want to hog

1659
01:30:59.079 --> 01:31:01.640
<v Speaker 7>the limelight. He wants to help and wants to lift

1660
01:31:01.720 --> 01:31:05.079
<v Speaker 7>up voices that are emerging in the community and to

1661
01:31:05.159 --> 01:31:07.600
<v Speaker 7>kind of cheer them on. We owe a lot to

1662
01:31:07.680 --> 01:31:10.560
<v Speaker 7>James because he's been so encouraging to us over the

1663
01:31:10.840 --> 01:31:14.039
<v Speaker 7>over the years doing the show, and he's I think

1664
01:31:14.039 --> 01:31:16.760
<v Speaker 7>he's a great resource. He's incredibly knowledgeable.

1665
01:31:18.239 --> 01:31:18.479
<v Speaker 2>Guest.

1666
01:31:19.119 --> 01:31:20.319
<v Speaker 3>We should definitely talk to him.

1667
01:31:20.680 --> 01:31:25.079
<v Speaker 4>Yeah, yeah, he will be on CAP next month and

1668
01:31:25.439 --> 01:31:28.479
<v Speaker 4>I ended up seeing him in New York. Typically, when

1669
01:31:28.520 --> 01:31:30.720
<v Speaker 4>I go to New York to see my hometown friends,

1670
01:31:31.159 --> 01:31:34.520
<v Speaker 4>I will have a few minutes with James and then

1671
01:31:34.560 --> 01:31:36.920
<v Speaker 4>I'll go see my friends. This time I brought him.

1672
01:31:37.239 --> 01:31:39.720
<v Speaker 4>He brought his daughters to the restaurant, who I got

1673
01:31:39.720 --> 01:31:43.560
<v Speaker 4>to meet both his daughters, and he got to mingle

1674
01:31:43.640 --> 01:31:45.560
<v Speaker 4>in with my friends. I said, if you have questions

1675
01:31:45.600 --> 01:31:50.119
<v Speaker 4>about the phenomenon, ask this cat. James was so kind

1676
01:31:50.239 --> 01:31:53.520
<v Speaker 4>and so positive, probably because you know, I don't get

1677
01:31:53.560 --> 01:31:56.359
<v Speaker 4>to see him as much now with you know that

1678
01:31:56.439 --> 01:32:00.800
<v Speaker 4>I'm doing another genre, but he really is and in

1679
01:32:00.880 --> 01:32:05.000
<v Speaker 4>terms of an interviewer, he is among the very top

1680
01:32:05.279 --> 01:32:10.239
<v Speaker 4>in our space. And there are PhDs that reach out

1681
01:32:10.319 --> 01:32:15.119
<v Speaker 4>to James and confer with James that other people wish

1682
01:32:15.680 --> 01:32:19.640
<v Speaker 4>that they could call that person. So and he's gotten

1683
01:32:19.720 --> 01:32:23.039
<v Speaker 4>us guests that frankly, we wouldn't have gotten, you know,

1684
01:32:23.199 --> 01:32:26.560
<v Speaker 4>without him. So anyway, so that's James, And well, yeah,

1685
01:32:26.600 --> 01:32:28.560
<v Speaker 4>you guys can always reach him, because you can reach me,

1686
01:32:28.720 --> 01:32:29.319
<v Speaker 4>and I can.

1687
01:32:29.479 --> 01:32:30.279
<v Speaker 2>In touch with him.

1688
01:32:30.439 --> 01:32:33.279
<v Speaker 4>All right, We will definitely let you know, and I

1689
01:32:33.279 --> 01:32:36.279
<v Speaker 4>want to get in touch, but we'll get on that, okay,

1690
01:32:36.479 --> 01:32:38.359
<v Speaker 4>thank you, and you yeah, you got my numbers, so

1691
01:32:38.399 --> 01:32:42.520
<v Speaker 4>we can we can remain in contact. And I really

1692
01:32:42.520 --> 01:32:44.880
<v Speaker 4>am thinking about having seth about the young lady that

1693
01:32:45.000 --> 01:32:48.840
<v Speaker 4>was on last night named Josie and what happened with her.

1694
01:32:48.880 --> 01:32:51.520
<v Speaker 4>And I'm going to send you guys that episode so

1695
01:32:51.600 --> 01:32:55.560
<v Speaker 4>you can scroll to to that part where she comes on.

1696
01:32:55.760 --> 01:32:59.039
<v Speaker 4>She talks about the spirit, the good spirit, the young girl,

1697
01:32:59.199 --> 01:33:02.800
<v Speaker 4>she talks about the bad spirit that she really doesn't

1698
01:33:02.960 --> 01:33:06.359
<v Speaker 4>like that probably scares her mom. And then you're going

1699
01:33:06.439 --> 01:33:08.600
<v Speaker 4>to see when she has this flip all of a

1700
01:33:08.640 --> 01:33:12.279
<v Speaker 4>sudden and everything changes and then she's able to somehow

1701
01:33:12.319 --> 01:33:14.720
<v Speaker 4>defeat defeat that and the.

1702
01:33:14.760 --> 01:33:16.279
<v Speaker 2>Chat was freaking.

1703
01:33:16.760 --> 01:33:20.119
<v Speaker 4>I mean, who's prepared for that? I mean, if you

1704
01:33:20.119 --> 01:33:22.239
<v Speaker 4>guys were doing an interview on stream yard, would you

1705
01:33:22.279 --> 01:33:29.800
<v Speaker 4>be prepared for that? It was. It's the most craziest

1706
01:33:29.840 --> 01:33:31.960
<v Speaker 4>moment in the history of calling all beings. And I'm

1707
01:33:31.960 --> 01:33:43.800
<v Speaker 4>here to tell you We've had a lot of crazy moments.

1708
01:33:40.520 --> 01:33:41.359
<v Speaker 2>You know. DJ.

1709
01:33:41.720 --> 01:33:43.640
<v Speaker 6>I don't want to interrupt, but it's weird.

1710
01:33:43.680 --> 01:33:48.760
<v Speaker 7>I was just thinking about the documentary and so for

1711
01:33:48.840 --> 01:33:51.720
<v Speaker 7>you guys, I do the like artwork for the show,

1712
01:33:52.479 --> 01:33:56.479
<v Speaker 7>and as I'm generating the artwork, trying to find the

1713
01:33:56.600 --> 01:33:58.680
<v Speaker 7>image that like, I feel like fits what we want

1714
01:33:58.720 --> 01:34:00.640
<v Speaker 7>to do or what the show is to be about.

1715
01:34:01.359 --> 01:34:03.039
<v Speaker 7>Sometimes I have a really good sense of what that's

1716
01:34:03.039 --> 01:34:04.720
<v Speaker 7>gonna be and what kind of what I want to

1717
01:34:04.760 --> 01:34:07.960
<v Speaker 7>do with that creative piece, and sometimes I just don't know.

1718
01:34:08.520 --> 01:34:11.600
<v Speaker 7>But I iterated this piece like over, like many many

1719
01:34:11.600 --> 01:34:13.640
<v Speaker 7>times yesterday trying to figure out like what was going

1720
01:34:13.720 --> 01:34:17.399
<v Speaker 7>to work, and I landed on the one that spoke

1721
01:34:17.479 --> 01:34:20.399
<v Speaker 7>to me the most, which was this image of a

1722
01:34:20.479 --> 01:34:25.039
<v Speaker 7>door in an empty room with like this like phantasm,

1723
01:34:25.199 --> 01:34:28.319
<v Speaker 7>you know, sort of whit wispy uh cloud like kind

1724
01:34:28.319 --> 01:34:30.920
<v Speaker 7>of substance. And it just occurred to me, like that,

1725
01:34:31.000 --> 01:34:33.640
<v Speaker 7>how that was a character in your documentary?

1726
01:34:33.680 --> 01:34:34.520
<v Speaker 6>Like it?

1727
01:34:35.319 --> 01:34:37.840
<v Speaker 7>I said no to so many other images that had

1728
01:34:38.199 --> 01:34:41.399
<v Speaker 7>you know, literal like ghosts or phantasms or whatever, and

1729
01:34:42.239 --> 01:34:44.640
<v Speaker 7>they didn't speak to me, but this one with the

1730
01:34:44.720 --> 01:34:47.239
<v Speaker 7>door was the one anyway.

1731
01:34:47.279 --> 01:34:49.279
<v Speaker 3>Yeah, sorry, that does that does make sense though? Right?

1732
01:34:50.000 --> 01:34:53.960
<v Speaker 2>Yeah? You know, real quick before Michelas leaves your Michelas,

1733
01:34:54.000 --> 01:34:57.760
<v Speaker 2>I saw you from the UK. Dog You're in Luck

1734
01:34:59.319 --> 01:35:03.279
<v Speaker 2>Surrounded by Spirits is free with ads on Amazon in

1735
01:35:03.319 --> 01:35:05.319
<v Speaker 2>the UK. We found out because we just yeah, I

1736
01:35:05.359 --> 01:35:08.720
<v Speaker 2>got a report. We're closing in on a million minutes

1737
01:35:08.760 --> 01:35:13.920
<v Speaker 2>streamed in the UK for surrounded by spirits. So Nicholas,

1738
01:35:14.000 --> 01:35:16.279
<v Speaker 2>I just wanted to make sure yep, you know you

1739
01:35:16.640 --> 01:35:20.520
<v Speaker 2>and I saw you mentioned like oh hey dude, yeah,

1740
01:35:20.560 --> 01:35:22.760
<v Speaker 2>if you ever come to UK, look me up like,

1741
01:35:22.800 --> 01:35:25.680
<v Speaker 2>oh yeah, no, that's noted. We'll do that. You might

1742
01:35:25.720 --> 01:35:27.319
<v Speaker 2>be surprised you get a knocked on your door like

1743
01:35:27.319 --> 01:35:30.600
<v Speaker 2>three weeks from now, but we appreciate the opera.

1744
01:35:30.880 --> 01:35:34.039
<v Speaker 4>Yeah, he has shown me. He has shown me some

1745
01:35:34.239 --> 01:35:38.239
<v Speaker 4>videos where that it's like the camera's on his coffee table,

1746
01:35:39.159 --> 01:35:43.560
<v Speaker 4>he's what appears to be an entity is sitting next

1747
01:35:43.560 --> 01:35:46.840
<v Speaker 4>to him, because I don't know how you would fake

1748
01:35:46.920 --> 01:35:50.399
<v Speaker 4>something like that. It looks like there's something next to

1749
01:35:50.479 --> 01:35:54.000
<v Speaker 4>him that looks misty and he you know, obviously he

1750
01:35:54.760 --> 01:35:57.800
<v Speaker 4>has a name. I think it's Fuggy. Is this this

1751
01:35:58.079 --> 01:36:02.239
<v Speaker 4>entity that he speaks with? And he did some spirit

1752
01:36:02.279 --> 01:36:04.800
<v Speaker 4>box stuff. I've got a whole a whole bunch of

1753
01:36:04.840 --> 01:36:07.600
<v Speaker 4>stuff from from Mick, but it's it's pretty wild man.

1754
01:36:07.720 --> 01:36:11.479
<v Speaker 4>So yeah, he's he's connected to to some sort of

1755
01:36:11.479 --> 01:36:15.399
<v Speaker 4>a spirit. So anyway, uh, I guess this question would

1756
01:36:15.439 --> 01:36:17.600
<v Speaker 4>be for you guys, and then we're getting ready to

1757
01:36:17.640 --> 01:36:19.960
<v Speaker 4>close it up. But let's let's get get this in there.

1758
01:36:21.239 --> 01:36:23.640
<v Speaker 3>Just fear give nity strength, and you shake attachments by

1759
01:36:23.640 --> 01:36:24.279
<v Speaker 3>believe in the power.

1760
01:36:24.479 --> 01:36:28.760
<v Speaker 10>So I'm not I'm not particularly religious, but I think

1761
01:36:30.239 --> 01:36:34.359
<v Speaker 10>spiritual belief or any kind of belief, uh, you know,

1762
01:36:34.600 --> 01:36:38.239
<v Speaker 10>positivity empowers you in some ways. I think, I think

1763
01:36:38.319 --> 01:36:41.159
<v Speaker 10>just in general in life, if you approach things the

1764
01:36:41.239 --> 01:36:48.039
<v Speaker 10>negative uh belief system, you're gonna manifest negativity in your life.

1765
01:36:48.079 --> 01:36:52.439
<v Speaker 10>And if you approach things positively, you're gonna manifest that.

1766
01:36:52.560 --> 01:36:55.439
<v Speaker 10>And I think if their spirits are out there, they're

1767
01:36:55.520 --> 01:36:59.479
<v Speaker 10>going to see what kind of energy you're bringing into

1768
01:36:59.680 --> 01:37:03.399
<v Speaker 10>a place and into their energy, and when two energies.

1769
01:37:03.039 --> 01:37:06.720
<v Speaker 3>Collide, you get what you get. But that's that's my

1770
01:37:06.960 --> 01:37:07.560
<v Speaker 3>kind of belief.

1771
01:37:08.479 --> 01:37:11.800
<v Speaker 4>And so we can take that same theory because when

1772
01:37:11.840 --> 01:37:14.319
<v Speaker 4>you talk to people like James Einoli who's had, as

1773
01:37:14.439 --> 01:37:18.399
<v Speaker 4>Nathan said, multiple contact experiences, what you're bringing into it,

1774
01:37:19.000 --> 01:37:22.560
<v Speaker 4>what your intention is a big part of like CE

1775
01:37:22.680 --> 01:37:25.560
<v Speaker 4>five and Micholas is also into that. And if you

1776
01:37:25.600 --> 01:37:29.359
<v Speaker 4>talk to bigfoot investigators, there is a a quite a

1777
01:37:29.520 --> 01:37:33.840
<v Speaker 4>swath of a bigfoot investigators that will tell you that

1778
01:37:34.119 --> 01:37:37.520
<v Speaker 4>what energy you bring into the woods when you know

1779
01:37:37.640 --> 01:37:40.600
<v Speaker 4>they're there, I mean you're in, Like, what's that that

1780
01:37:40.600 --> 01:37:42.760
<v Speaker 4>that big park in Ohio that I can't think of

1781
01:37:42.800 --> 01:37:45.960
<v Speaker 4>the name of it right now, that big state park

1782
01:37:46.000 --> 01:37:49.199
<v Speaker 4>where people go. But you know, I think you guys

1783
01:37:49.199 --> 01:37:51.199
<v Speaker 4>know what I'm talking about. There's a lot of investigators

1784
01:37:51.199 --> 01:37:54.079
<v Speaker 4>that go there. Your colleague Seth Goes, you know, has

1785
01:37:54.119 --> 01:37:58.000
<v Speaker 4>been there. But the point is is that what you

1786
01:37:58.039 --> 01:38:01.479
<v Speaker 4>bring into the woods can determine what kind of experience

1787
01:38:01.479 --> 01:38:03.600
<v Speaker 4>you have if you're gonna get shouted out of there,

1788
01:38:03.840 --> 01:38:06.479
<v Speaker 4>if you're gonna get rocks thrown at you, or if

1789
01:38:06.479 --> 01:38:08.840
<v Speaker 4>you're just gonna hear stuff and it's not going to

1790
01:38:08.920 --> 01:38:13.239
<v Speaker 4>come and ingress on your camp. So yeah, it seems

1791
01:38:13.239 --> 01:38:16.920
<v Speaker 4>to be universal with all these three, which deb you know,

1792
01:38:17.520 --> 01:38:20.880
<v Speaker 4>firmly believes is phenomenon and I think, you know, with

1793
01:38:21.000 --> 01:38:25.960
<v Speaker 4>good reason. With that said, I would like to get

1794
01:38:26.000 --> 01:38:29.760
<v Speaker 4>final thoughts from everybody, and of course for our two

1795
01:38:29.800 --> 01:38:34.800
<v Speaker 4>guests to promo docksidmedia dot Com and anything that you'd

1796
01:38:34.840 --> 01:38:38.039
<v Speaker 4>like to promote please, So let's start with our guests

1797
01:38:38.079 --> 01:38:42.000
<v Speaker 4>and then we'll go to money Nathan and Debs and Courtney.

1798
01:38:43.000 --> 01:38:44.880
<v Speaker 3>Go ahead, Tyler, you're the hype man work.

1799
01:38:45.399 --> 01:38:46.239
<v Speaker 4>Thank you man.

1800
01:38:46.319 --> 01:38:49.800
<v Speaker 2>Well dude again Tyler with Dockside Media. That's right, the

1801
01:38:49.840 --> 01:38:53.359
<v Speaker 2>dopest documentary production company side of the Milky Way. Take it,

1802
01:38:53.479 --> 01:38:56.159
<v Speaker 2>dug it, dag nabbitt. Let go check it, Chris and

1803
01:38:56.199 --> 01:38:59.680
<v Speaker 2>I do. We got seven documentaries out there. I can

1804
01:38:59.760 --> 01:39:03.399
<v Speaker 2>name it all all right. I will Conscious Contact full disclosure,

1805
01:39:03.640 --> 01:39:07.600
<v Speaker 2>the Ghosts of Gettysburg, Secrets of the Sasquatch in plain sight,

1806
01:39:07.720 --> 01:39:12.159
<v Speaker 2>the intelligence community in UFOs. Oh the clap, dude, you

1807
01:39:12.199 --> 01:39:15.560
<v Speaker 2>threw me off. Darn it. I was. It's all good

1808
01:39:15.880 --> 01:39:19.399
<v Speaker 2>hosting the Graveyard, pure panemonium, the ghosts of Graham Midway

1809
01:39:19.680 --> 01:39:22.439
<v Speaker 2>and then surrounded by spirits and then we've got historically

1810
01:39:22.479 --> 01:39:26.239
<v Speaker 2>Haunted with Amy Bruney in production now and we'll be

1811
01:39:26.319 --> 01:39:30.800
<v Speaker 2>out a little later this year. Dude, thanks so much

1812
01:39:30.800 --> 01:39:33.359
<v Speaker 2>for having a song. Doubling back to my man's asking

1813
01:39:33.439 --> 01:39:38.359
<v Speaker 2>about it. Go can uh intentions or thoughts and stuff? Dude,

1814
01:39:38.439 --> 01:39:42.640
<v Speaker 2>like affect reality. I'm a big believer in like the

1815
01:39:42.680 --> 01:39:45.720
<v Speaker 2>power positive thinking, and dude, I wouldn't be surprised if

1816
01:39:45.760 --> 01:39:49.720
<v Speaker 2>we can manifest some of our destiny, Like, dude, Chris,

1817
01:39:51.119 --> 01:39:54.199
<v Speaker 2>sure as crap. When we filmed these number of interviews

1818
01:39:54.239 --> 01:39:57.039
<v Speaker 2>and we and he cut together Conscious Contact Full disclosure.

1819
01:39:57.640 --> 01:40:01.479
<v Speaker 2>I watched it. I'm like, Bro, we're getting picked up

1820
01:40:01.520 --> 01:40:04.039
<v Speaker 2>by a district like, this is this is getting picked

1821
01:40:04.119 --> 01:40:08.560
<v Speaker 2>up by a distributor. Dog, this is insane. He's like, okay, whatever,

1822
01:40:08.920 --> 01:40:12.479
<v Speaker 2>bro reached. I'm like, okay, Google, what's the what's the

1823
01:40:12.520 --> 01:40:16.039
<v Speaker 2>most popular UFO distribution company at the time, it was

1824
01:40:16.039 --> 01:40:19.159
<v Speaker 2>ten ninety one Pictures. They had like James Fox's movies, right.

1825
01:40:19.600 --> 01:40:20.000
<v Speaker 8>And.

1826
01:40:21.319 --> 01:40:23.680
<v Speaker 2>Dude, I'm like, yeah, sure enough, whatever, I don't need

1827
01:40:23.720 --> 01:40:25.600
<v Speaker 2>to get all into it. But Bro, we took a

1828
01:40:25.640 --> 01:40:29.439
<v Speaker 2>swing boom. We ended up getting a deal with ten

1829
01:40:29.520 --> 01:40:33.560
<v Speaker 2>ninety one Pictures and making all these docs, and dude,

1830
01:40:33.560 --> 01:40:37.479
<v Speaker 2>it's just it's so much fun and it's such an adventure.

1831
01:40:38.000 --> 01:40:40.640
<v Speaker 2>The people in the chat, the Cabby's saying, I look

1832
01:40:40.760 --> 01:40:44.880
<v Speaker 2>like Bradley Cooper, h you made my you made my night. Dude.

1833
01:40:44.920 --> 01:40:45.760
<v Speaker 2>That was that was.

1834
01:40:46.399 --> 01:40:48.920
<v Speaker 3>I don't want to not ever hear the end of that.

1835
01:40:50.319 --> 01:40:54.199
<v Speaker 2>Or Sean McVay, the Rams coach. Sometimes I get little

1836
01:40:54.239 --> 01:41:00.399
<v Speaker 2>Sean McVay comparison. But but dude, let me just say,

1837
01:41:00.520 --> 01:41:02.760
<v Speaker 2>Chris and I have been on a number of podcasts

1838
01:41:03.319 --> 01:41:08.520
<v Speaker 2>and do we or I have thoroughly enjoyed being on

1839
01:41:08.600 --> 01:41:13.640
<v Speaker 2>this one. Specifically for the dynamic, the diversity. It seems

1840
01:41:13.680 --> 01:41:16.720
<v Speaker 2>like similar to duckside media, like, Hey, we got our

1841
01:41:16.720 --> 01:41:19.439
<v Speaker 2>strengths and our weaknesses, and we lean into the ones

1842
01:41:19.439 --> 01:41:21.239
<v Speaker 2>with the strengths and you know, and they help out

1843
01:41:21.239 --> 01:41:23.640
<v Speaker 2>the weakness and blah blah blah to get these made.

1844
01:41:23.680 --> 01:41:25.640
<v Speaker 2>And I can tell that it's cool that you guys

1845
01:41:25.680 --> 01:41:28.399
<v Speaker 2>have all your bases covered between the four of you

1846
01:41:28.800 --> 01:41:34.560
<v Speaker 2>contributing to making something entertaining. But also like, dude, let's

1847
01:41:34.680 --> 01:41:39.359
<v Speaker 2>generate discussion. Let's try and inch this ball forward, uh,

1848
01:41:39.439 --> 01:41:42.279
<v Speaker 2>because yeah, one hundred years from now, wouldn't it be

1849
01:41:42.319 --> 01:41:45.720
<v Speaker 2>pretty cool if calling all beings played some part in

1850
01:41:45.920 --> 01:41:51.680
<v Speaker 2>disclosure or you know, or or gravitic technology anti gravitic technology,

1851
01:41:51.680 --> 01:41:53.800
<v Speaker 2>who knows, dude, the guy's the limit. Bro. I believe

1852
01:41:53.800 --> 01:41:58.119
<v Speaker 2>in all you guys, and man, I wish nothing but

1853
01:41:58.159 --> 01:42:01.560
<v Speaker 2>good things upon you, and I'm looking forward to making

1854
01:42:01.560 --> 01:42:03.439
<v Speaker 2>more docs so we can reach back out to you

1855
01:42:03.479 --> 01:42:04.319
<v Speaker 2>and come back on here.

1856
01:42:04.640 --> 01:42:08.720
<v Speaker 4>Oh hell yeah, that's that's what they call Gamron Pete.

1857
01:42:11.600 --> 01:42:13.880
<v Speaker 4>Let's kid Chris in there, because we got into some

1858
01:42:13.920 --> 01:42:15.399
<v Speaker 4>adorable Chris comments there.

1859
01:42:16.199 --> 01:42:20.079
<v Speaker 3>So yeah, thank you. I don't know thank that.

1860
01:42:20.199 --> 01:42:21.479
<v Speaker 10>Yeah, I just want to say, thank you guys for

1861
01:42:21.520 --> 01:42:22.000
<v Speaker 10>having us on.

1862
01:42:22.079 --> 01:42:23.640
<v Speaker 3>This is great. I really enjoyed it.

1863
01:42:23.680 --> 01:42:26.279
<v Speaker 10>I do really like your format kind of how you

1864
01:42:26.319 --> 01:42:29.720
<v Speaker 10>pass around and let everybody have their moment to talk.

1865
01:42:30.479 --> 01:42:32.960
<v Speaker 10>So this is really fun experience. Yeah, thank you.

1866
01:42:33.640 --> 01:42:37.319
<v Speaker 4>Thank you brother. You guys both have great beards and

1867
01:42:37.479 --> 01:42:41.119
<v Speaker 4>are really awesome, really awesome people to hang out with.

1868
01:42:42.359 --> 01:42:44.680
<v Speaker 4>Let's go with Uh, well, you know what, Let's go

1869
01:42:44.720 --> 01:42:48.720
<v Speaker 4>with Courtney Connected. She's a Pennsylvanian. Yeah, what's up man?

1870
01:42:48.760 --> 01:42:50.520
<v Speaker 4>What's your final comments? Oh?

1871
01:42:50.600 --> 01:42:53.840
<v Speaker 5>My biggest thing tonight is just learning so much learning

1872
01:42:53.840 --> 01:42:56.720
<v Speaker 5>about Angelie and how you guys were involved in you know,

1873
01:42:56.840 --> 01:43:00.600
<v Speaker 5>her big coming out and you know that was epic,

1874
01:43:01.079 --> 01:43:03.680
<v Speaker 5>and all the other productions that you've done that you've

1875
01:43:03.720 --> 01:43:06.159
<v Speaker 5>done something in Gettysburg. Now I have to go watch it,

1876
01:43:06.319 --> 01:43:08.960
<v Speaker 5>you know, because I have friends who are in Gettysburg

1877
01:43:09.039 --> 01:43:12.199
<v Speaker 5>that do the whole scene. So it was really lovely

1878
01:43:12.479 --> 01:43:15.119
<v Speaker 5>just learning about all the work that you do. And

1879
01:43:15.439 --> 01:43:18.560
<v Speaker 5>I think my biggest takeaway is you know, being open minded.

1880
01:43:18.760 --> 01:43:22.840
<v Speaker 5>You guys are both open minded and you carry that

1881
01:43:22.920 --> 01:43:26.039
<v Speaker 5>with you doing your filmmaking and it shows, you know

1882
01:43:26.199 --> 01:43:27.359
<v Speaker 5>through through the film.

1883
01:43:27.359 --> 01:43:27.960
<v Speaker 8>It really does.

1884
01:43:28.039 --> 01:43:30.600
<v Speaker 5>The audience can see that you guys are open minded.

1885
01:43:31.119 --> 01:43:34.359
<v Speaker 5>So I think that's my biggest takeaway tonight in interfacing

1886
01:43:34.399 --> 01:43:36.399
<v Speaker 5>with you and learning about you, is to carry that

1887
01:43:36.479 --> 01:43:38.960
<v Speaker 5>forward is just keep your mind open, see what happens,

1888
01:43:39.039 --> 01:43:41.119
<v Speaker 5>See where the good vibes lead you. They could lead

1889
01:43:41.159 --> 01:43:43.520
<v Speaker 5>you to some really good, interesting, creative stuff.

1890
01:43:44.439 --> 01:43:46.680
<v Speaker 3>Thank you and thank you for coming on.

1891
01:43:46.800 --> 01:43:52.119
<v Speaker 4>That's the other thing girlfriend want to say, got depths.

1892
01:43:52.920 --> 01:43:56.159
<v Speaker 11>Well, obviously I've thrilled to hang out with Tyler again.

1893
01:43:56.520 --> 01:43:59.760
<v Speaker 11>Tyler is awesome, and it was good to get to

1894
01:43:59.800 --> 01:44:04.399
<v Speaker 11>hang out with you. Chris, You're also awesome. I for

1895
01:44:04.439 --> 01:44:08.840
<v Speaker 11>some reason, I'm like I've since I started studying the

1896
01:44:08.880 --> 01:44:14.359
<v Speaker 11>paranormal in this regard, like I'd studied ghosts as a kid,

1897
01:44:14.920 --> 01:44:17.840
<v Speaker 11>but like when I went to like UFOs and brought

1898
01:44:17.920 --> 01:44:21.079
<v Speaker 11>in my horizons, I like suddenly had to just share

1899
01:44:21.239 --> 01:44:24.159
<v Speaker 11>things and not hold back. And for some reason, I

1900
01:44:24.279 --> 01:44:28.680
<v Speaker 11>have to share that. One common thing that people are

1901
01:44:28.720 --> 01:44:35.600
<v Speaker 11>talking about in NDEs is that everyone is connected to

1902
01:44:35.760 --> 01:44:39.640
<v Speaker 11>what they call the source. Right, So when you said

1903
01:44:39.720 --> 01:44:46.600
<v Speaker 11>earlier that we're all like the stars, it's literally to

1904
01:44:46.760 --> 01:44:51.159
<v Speaker 11>people who have NDEs who come back from the other side,

1905
01:44:51.680 --> 01:44:55.239
<v Speaker 11>they say that we're all like cells on one giant

1906
01:44:55.479 --> 01:44:59.479
<v Speaker 11>entity that is the source something to think about. I

1907
01:44:59.520 --> 01:45:01.520
<v Speaker 11>just wanted to leave you guys with something to think

1908
01:45:01.560 --> 01:45:05.640
<v Speaker 11>about and thank you again and keep making awesome movies.

1909
01:45:05.760 --> 01:45:08.359
<v Speaker 11>If you make one about NDEs, you know I'm going

1910
01:45:08.439 --> 01:45:10.960
<v Speaker 11>to watch it. And all the other stuff you're doing

1911
01:45:11.119 --> 01:45:12.000
<v Speaker 11>is great.

1912
01:45:12.720 --> 01:45:14.800
<v Speaker 2>Thank you good, thank you so much.

1913
01:45:16.039 --> 01:45:20.319
<v Speaker 4>Nathan is my homie. UH from West Roxbury would say

1914
01:45:20.359 --> 01:45:26.239
<v Speaker 4>you connected to the sauce you know, fucking use my mask? Yeah,

1915
01:45:26.279 --> 01:45:27.560
<v Speaker 4>connected to the sauce pro.

1916
01:45:31.960 --> 01:45:32.279
<v Speaker 2>Nathan.

1917
01:45:33.359 --> 01:45:34.840
<v Speaker 4>We got it on YouTube, brother man.

1918
01:45:35.079 --> 01:45:35.920
<v Speaker 2>There you go go ahead.

1919
01:45:36.520 --> 01:45:39.079
<v Speaker 6>How about that? I was saying some nice things about.

1920
01:45:38.960 --> 01:45:41.439
<v Speaker 2>Dj uh take yours never as good.

1921
01:45:41.479 --> 01:45:43.600
<v Speaker 6>That's that they're done to try.

1922
01:45:43.720 --> 01:45:47.159
<v Speaker 7>But so much for being with us and spending time

1923
01:45:47.199 --> 01:45:50.600
<v Speaker 7>with us, entertaining our questions and putting up without Arsenanigan's

1924
01:45:51.600 --> 01:45:53.520
<v Speaker 7>you know you're you're a part of our story now

1925
01:45:53.760 --> 01:45:55.720
<v Speaker 7>and Uh and we're a part of your story and

1926
01:45:56.159 --> 01:45:58.720
<v Speaker 7>we're really grateful and honored to be a part of that.

1927
01:45:58.840 --> 01:46:01.439
<v Speaker 7>We're cheering you guys on. This was an incredible production

1928
01:46:01.560 --> 01:46:05.439
<v Speaker 7>that you put together. It showed that you've, you know,

1929
01:46:05.439 --> 01:46:07.319
<v Speaker 7>you've really brought to life the dream that that you

1930
01:46:07.600 --> 01:46:11.720
<v Speaker 7>came into, brought into the world and it's got it's developing,

1931
01:46:11.760 --> 01:46:13.279
<v Speaker 7>and it's growing. And just like you have a kid

1932
01:46:13.319 --> 01:46:15.119
<v Speaker 7>and you're raising it, you don't have to have when

1933
01:46:15.119 --> 01:46:17.399
<v Speaker 7>you have a kid, you don't know how to raise

1934
01:46:17.439 --> 01:46:20.239
<v Speaker 7>that child. And every year you learn something new and

1935
01:46:20.279 --> 01:46:22.760
<v Speaker 7>the child hopefully gets a little bit better and better. Well,

1936
01:46:22.840 --> 01:46:25.600
<v Speaker 7>the productions get better and better as well, as I'm

1937
01:46:25.640 --> 01:46:28.800
<v Speaker 7>confident in that. And uh, we're excided to kind of

1938
01:46:28.800 --> 01:46:30.720
<v Speaker 7>follow you guys and see what you do in the future.

1939
01:46:30.760 --> 01:46:31.760
<v Speaker 6>So keep up the great.

1940
01:46:31.560 --> 01:46:33.760
<v Speaker 7>Work and you're always welcome back to to come on

1941
01:46:33.800 --> 01:46:34.159
<v Speaker 7>the show.

1942
01:46:34.399 --> 01:46:35.199
<v Speaker 6>Good to have you with us.

1943
01:46:35.359 --> 01:46:38.279
<v Speaker 2>Awesome, Yeah, it means a lot, thanks man.

1944
01:46:38.800 --> 01:46:41.520
<v Speaker 4>Okay, Nathan, this one is cruel from miss Jessica.

1945
01:46:41.880 --> 01:46:42.760
<v Speaker 2>This is cruel.

1946
01:46:43.039 --> 01:46:47.279
<v Speaker 7>Okay, I mean the bar is kind of low there,

1947
01:46:47.319 --> 01:46:51.960
<v Speaker 7>I guess, right, all right.

1948
01:46:53.079 --> 01:46:58.479
<v Speaker 2>But I still appreciate making a gesture. All right.

1949
01:46:59.159 --> 01:47:01.760
<v Speaker 4>Oh man, you guys were just so much fun to

1950
01:47:01.800 --> 01:47:04.520
<v Speaker 4>hang out with. So Jessica was asking how to support

1951
01:47:04.520 --> 01:47:07.880
<v Speaker 4>you obviously, go to www. Dot doc side Media, go

1952
01:47:07.960 --> 01:47:11.359
<v Speaker 4>to their Facebook page, see what those documentaries are and

1953
01:47:11.479 --> 01:47:15.079
<v Speaker 4>find out where they are being platformed as we speak,

1954
01:47:15.119 --> 01:47:18.439
<v Speaker 4>so that you can watch those movies. And that is

1955
01:47:18.600 --> 01:47:27.159
<v Speaker 4>I know, Jessica, I'm kidding. I'm kidding, and so yeah,

1956
01:47:28.079 --> 01:47:31.520
<v Speaker 4>please go and support and watch those movies, particularly Surrounded

1957
01:47:31.560 --> 01:47:33.439
<v Speaker 4>by Spirits that's just came out, and then you can

1958
01:47:33.520 --> 01:47:37.960
<v Speaker 4>kind of work your way down through their catalog of films.

1959
01:47:38.439 --> 01:47:41.319
<v Speaker 4>And you guys were just so much fun. I think

1960
01:47:41.319 --> 01:47:44.680
<v Speaker 4>you did a fantastic job with a very authentic piece,

1961
01:47:44.720 --> 01:47:47.439
<v Speaker 4>which is what I liked about it. And I love

1962
01:47:47.520 --> 01:47:51.159
<v Speaker 4>the people that you chose, or that Becky chose to

1963
01:47:51.199 --> 01:47:54.319
<v Speaker 4>be on it. I think that worked out great. And men,

1964
01:47:54.399 --> 01:47:58.359
<v Speaker 4>you could do a whole another place that same crew

1965
01:47:58.680 --> 01:48:02.520
<v Speaker 4>and it would be dope. So thank you, guys. I

1966
01:48:02.560 --> 01:48:03.399
<v Speaker 4>really appreciate you.

1967
01:48:03.960 --> 01:48:04.720
<v Speaker 3>Thank you so much.

1968
01:48:06.079 --> 01:48:08.479
<v Speaker 2>You guys are the cash pajamas. So yeah, I'm going

1969
01:48:08.560 --> 01:48:10.720
<v Speaker 2>to sleep with a fool heart tonight. Thank you so much.

1970
01:48:10.800 --> 01:48:11.680
<v Speaker 2>We appreciate it.

1971
01:48:11.800 --> 01:48:15.359
<v Speaker 4>We really do, all right, I and say, man, I'll

1972
01:48:15.359 --> 01:48:17.119
<v Speaker 4>be in touch with you brother because we get Yeah,

1973
01:48:17.119 --> 01:48:19.399
<v Speaker 4>I want to try to get Seth for that for

1974
01:48:19.479 --> 01:48:22.000
<v Speaker 4>that one thing and see if he's available to come

1975
01:48:22.039 --> 01:48:24.239
<v Speaker 4>on and chat with that young lady and so the

1976
01:48:24.279 --> 01:48:25.399
<v Speaker 4>hell going down in.

1977
01:48:25.560 --> 01:48:28.479
<v Speaker 8>Housej I down.

1978
01:48:29.760 --> 01:48:31.840
<v Speaker 11>I just want to say, I'm really impressed that we

1979
01:48:31.960 --> 01:48:35.800
<v Speaker 11>got Bradley Cooper on the show today. I think we're

1980
01:48:35.840 --> 01:48:37.399
<v Speaker 11>really up in our game here.

1981
01:48:38.600 --> 01:48:38.840
<v Speaker 2>Yeah.

1982
01:48:38.880 --> 01:48:41.239
<v Speaker 4>I actually gotta thank Deb because Deb is the one

1983
01:48:41.319 --> 01:48:43.720
<v Speaker 4>that put this together for us. I'm glad you you

1984
01:48:43.800 --> 01:48:49.760
<v Speaker 4>mentioned that about Brad, but but thank you Deb for

1985
01:48:49.800 --> 01:48:52.640
<v Speaker 4>putting this together and thanks.

1986
01:48:52.359 --> 01:48:57.960
<v Speaker 2>For all the compliments. Just in the future, I'm watching

1987
01:48:58.039 --> 01:49:01.760
<v Speaker 2>Chris's screen and every time, yeah, it's kind of obvious

1988
01:49:02.119 --> 01:49:05.000
<v Speaker 2>that I'm your favorite, and every time you give me

1989
01:49:05.039 --> 01:49:07.600
<v Speaker 2>a compliment. Every time you give me a compliment, I

1990
01:49:07.960 --> 01:49:10.359
<v Speaker 2>watch a small piece of Chris die on his screen

1991
01:49:10.880 --> 01:49:13.359
<v Speaker 2>the last time when you were like, oh, Chris Tyler

1992
01:49:13.479 --> 01:49:15.319
<v Speaker 2>so good, so you're so far. I'm like thinking, in

1993
01:49:15.359 --> 01:49:18.199
<v Speaker 2>my head, I was telepath that they say something nice

1994
01:49:18.199 --> 01:49:21.199
<v Speaker 2>about Chris. Say something nice about Chris could and then

1995
01:49:21.239 --> 01:49:24.039
<v Speaker 2>you're like, Chris, it was nice meeting you too. I'm like, okay, cool,

1996
01:49:24.079 --> 01:49:28.479
<v Speaker 2>you saved it here, and I'm like a Deb in

1997
01:49:28.520 --> 01:49:31.319
<v Speaker 2>the future, start with the Chris compliment first.

1998
01:49:31.359 --> 01:49:33.199
<v Speaker 3>Then then I don't need it.

1999
01:49:34.039 --> 01:49:37.239
<v Speaker 2>I'm okay, this could be my favorite.

2000
01:49:37.319 --> 01:49:39.159
<v Speaker 11>Let me co host together in the future.

2001
01:49:39.319 --> 01:49:39.840
<v Speaker 3>There you go.

2002
01:49:40.560 --> 01:49:42.960
<v Speaker 4>This is like Nathan with me with the hair and

2003
01:49:43.000 --> 01:49:45.239
<v Speaker 4>now you guys going at it on who's the cute one.

2004
01:49:45.279 --> 01:49:49.199
<v Speaker 4>This is great. I don't think we're gonna beat this on.

2005
01:49:49.399 --> 01:49:54.840
<v Speaker 4>Behalf of Chris Tyler, Nathan Deb's Courtney. This is DJ

2006
01:49:55.000 --> 01:49:59.199
<v Speaker 4>saying peace out, one love, We'll see you down the road.

2007
01:49:59.640 --> 01:50:02.279
<v Speaker 4>And course we're always wondering what's up around the Bend,

2008
01:50:38.279 --> 01:50:38.600
<v Speaker 4>you guys,
