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<v Speaker 1>This could give me fire podcasts. What up on Gizzo?

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<v Speaker 1>That is John Magic and we are back.

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<v Speaker 2>From a Fresno rapper turned global hip hop stars. Some

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<v Speaker 2>highlights that we remember. He was on the cover of

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<v Speaker 2>Double Xcel magazine from the top ten Freshman hip Hop

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<v Speaker 2>What was it? The top ten Freshman of twenty ten?

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<v Speaker 3>Right, Yeah, and.

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<v Speaker 2>Then he signed with NAS's label Mass Appeal in twenty fourteen.

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<v Speaker 2>One of you know the album that kind of is

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<v Speaker 2>it fair to say put him on the map? Boy

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<v Speaker 2>meets World?

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<v Speaker 3>I think that's fair.

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<v Speaker 2>Is fair and a good friend of ours. Man, It's

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<v Speaker 2>kind of making me feel old because I remember when

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<v Speaker 2>we first met him as a kid. Ladies and gentlemen.

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<v Speaker 2>Fast Sean is in here.

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<v Speaker 3>Man, it's been a minute for having me. Yeah. Never

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<v Speaker 3>got to say this in the studio, but I'm glad

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<v Speaker 3>to fucking be here. You know.

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<v Speaker 2>Usually Jizo and I have like this, you know, we

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<v Speaker 2>have something planned out of like what we're going to

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<v Speaker 2>talk about, but we're like, man, there's all these YouTube

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<v Speaker 2>videos interviews of how Fast started and also you got

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<v Speaker 2>We kind of just wanted to catch up because we

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<v Speaker 2>haven't seen you in years.

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<v Speaker 1>Oh my god, I've been here my entire career. Yeah, man,

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<v Speaker 1>I mean fash Homegrown. Before we jumped on this pod,

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<v Speaker 1>I was telling him, like, you know, I've interviewed him

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<v Speaker 1>over the years plenty of times on the radio from

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<v Speaker 1>every project he had, every album, single, whatever, And I

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<v Speaker 1>was like, this is the first time we have you

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<v Speaker 1>on a pod and we could just kind of let

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<v Speaker 1>loose and converse, say and don't have to be political

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<v Speaker 1>about it, you know what I'm saying.

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<v Speaker 2>So I'm looking for some stories we've never heard before.

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<v Speaker 3>We had it up.

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<v Speaker 2>We had we had Hectic in one of the episodes,

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<v Speaker 2>and he was telling us some stories about you in

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<v Speaker 2>La and like, so we.

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<v Speaker 3>Didn't tell you to hope, we didn't tell you the

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<v Speaker 3>other stories.

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<v Speaker 1>It was all you didn't go to parties.

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<v Speaker 3>Oh man. We did have a good time in Hollywood,

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<v Speaker 3>for sure.

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<v Speaker 2>So we could start with this. I remember I was

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<v Speaker 2>barely a few months into living in Fresno, maybe under

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<v Speaker 2>a year, and then he I meet Hectic. He brings

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<v Speaker 2>you as a kid to interview for this show I

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<v Speaker 2>was doing Homegrown. Do you remember how old you were

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<v Speaker 2>when I first met you? Because I've been in Fresno

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<v Speaker 2>for over twenty years, I.

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<v Speaker 3>Do remember I was sixteen years old. Damn sixteen sixteen, Wow,

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<v Speaker 3>what year? Do you know what year that was? It's

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<v Speaker 3>been six o seven.

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<v Speaker 2>That's about right, because I came here.

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<v Speaker 1>I came here five, so I would have been like

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<v Speaker 1>here for maybe two years at that point.

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<v Speaker 3>First mixtape time.

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<v Speaker 2>Yeah, yeah, yeah, And I think I've mentioned this to

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<v Speaker 2>you before, you know, because we've become friends through the years,

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<v Speaker 2>and I've said it probably in interviews where the first

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<v Speaker 2>time I met Fash, you just knew he had like

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<v Speaker 2>the it factor. Yeah, Like there was something about him

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<v Speaker 2>as a sixteen year old. I was like, this kid's

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<v Speaker 2>gonna make it. I told Hectic that this kid's gonna

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<v Speaker 2>make it somehow. And then Magic spoke and then boom,

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<v Speaker 2>we just we saw you. We witnessed you grow up

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<v Speaker 2>and do all these big things.

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<v Speaker 3>I learned from Sway.

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<v Speaker 2>Yeah, he does say that. By the way, you just

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<v Speaker 2>being on Sway in the morning on series.

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<v Speaker 3>Wow, you know what shout to Sway. But I'm here

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<v Speaker 3>with Magic and gisel Man.

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<v Speaker 2>Y'all.

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<v Speaker 3>You guys are like my icons and idols growing up

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<v Speaker 3>so and just being able to listen to all every

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<v Speaker 3>day on the radio, and yeah, just to know you

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<v Speaker 3>guys personally. You know, it's a beautiful thing, man, So

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<v Speaker 3>good guy.

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<v Speaker 1>Yeah, I mean it's it's been dope to see you

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<v Speaker 1>as like, you know, a Fresno kid representing you know,

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<v Speaker 1>a friend of the radio station, a friend of ours,

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<v Speaker 1>and to see you, you know, like with the Sways

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<v Speaker 1>of the World's or the Snoop dogs and all the

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<v Speaker 1>coat signs that you've gotten over the years.

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<v Speaker 3>Very blessed. Yeah, definitely.

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<v Speaker 1>And I guess my question is, like, you know, when

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<v Speaker 1>you look back on your career to this point, I mean,

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<v Speaker 1>how does it feel, man? Is this something that you

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<v Speaker 1>would have ever imagined this far that you would have

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<v Speaker 1>taken it?

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<v Speaker 3>Absolutely? Yeah, absolutely man, because I've always had that that

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<v Speaker 3>type of confidence. I've always had that confidence in myself

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<v Speaker 3>almost like a like an unwavering like belief for myself.

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<v Speaker 3>You know, since since you met me, since I was

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<v Speaker 3>a kid, I've always knew that I was gonna leave

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<v Speaker 3>my name, leave an imprint on and leave a print

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<v Speaker 3>in this game. So but yeah, and I'm still doing it.

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<v Speaker 3>I didn't think i'd still be doing it. Yeah, I

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<v Speaker 3>mean I thought I was going to dip out after

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<v Speaker 3>boy Mean's World or maybe the collogy, but still in traffic,

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<v Speaker 3>you know, bumping into cars.

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<v Speaker 1>Is there something that you know when you look back

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<v Speaker 1>at being a rapper? Is there a time where you think, like,

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<v Speaker 1>what would I be doing if I wasn't doing this?

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<v Speaker 3>Uh?

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<v Speaker 1>Or is it just like you really can't see myself

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<v Speaker 1>doing anything else.

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<v Speaker 3>I've been doing this for probably half of my life. Yeah,

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<v Speaker 3>I mean half my life. So I probably got more

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<v Speaker 3>years in the game than I got out of it,

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<v Speaker 3>you know. Shit, So I can't couldn't picture anything else.

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<v Speaker 3>But I've dreamed of doing other things, other things, like

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<v Speaker 3>like I wanted to write for the Fresnel b at

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<v Speaker 3>one point. Really, yeah, when I was younger, you know,

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<v Speaker 3>because I always had a knack for writings. Yeah, it

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<v Speaker 3>just translated more on a mic with rapping. But yeah,

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<v Speaker 3>i'd have a like a yeah, probably writing, be writing

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<v Speaker 3>Hallmark cards or something like, yeah, something something with riding ryding, scriptwriter,

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<v Speaker 3>or like I'd be executive producing a movie or directing something,

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<v Speaker 3>or or writing a character or something.

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<v Speaker 2>Something I want to know from the mindset.

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<v Speaker 3>Speaking of movie, shout out to Gurly City Boys out

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<v Speaker 3>right now on Amazon Prime and to be in everywhere.

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<v Speaker 3>Are you in that. No, I just executive produced it.

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<v Speaker 2>Okay, okay, wait, what is that about. Yeah, let's talk

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<v Speaker 2>about that.

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<v Speaker 3>Girly City Boys, a movie directed by Otis Reid, went

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<v Speaker 3>from you know, Grizzly Gang all Day and yeah, we

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<v Speaker 3>put together this coming of age film about you know,

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<v Speaker 3>it's loosely based on my life, but it's not really

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<v Speaker 3>about me. It's really just about you know, the experience

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<v Speaker 3>of growing up in Gooley City. So and that's on

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<v Speaker 3>Amazon Prime right now, and I'm not in it unfortunately. Okay,

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<v Speaker 3>but you got the prod. My presence is felt. I did.

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<v Speaker 3>I did some writing for characters and yeah, and I

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<v Speaker 3>actually picked the I hand picked the main character, Santana.

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<v Speaker 2>So didn't you guys do it? There was like a

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<v Speaker 2>screening for it.

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<v Speaker 3>Yeah, we did a propable. We did one recently at

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<v Speaker 3>at some casino.

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<v Speaker 2>Yeah. I think I saw a post of that.

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<v Speaker 3>Okay, good time.

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<v Speaker 2>So the question I was gonna ask, going back to

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<v Speaker 2>when we first met you sixteen years old, you're gonna

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<v Speaker 2>get interviewed on the radio, was the mindset wanting to

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<v Speaker 2>be this commercial? Because is it fair to say you

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<v Speaker 2>didn't turn into a commercial hip hop star? You you

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<v Speaker 2>have like this lane that you're in. But during that time,

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<v Speaker 2>did you want to be one of the one?

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<v Speaker 3>Yeah, of course I wanted to be uh who was

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<v Speaker 3>out of that? Yeah, yeah, yeah, I wanted to be

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<v Speaker 3>Ja Kwan, you know what I mean. Jac wasn't out yet,

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<v Speaker 3>so I wanted to be Jaquan and uh or like

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<v Speaker 3>bow wow something like that. I wanted to be like

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<v Speaker 3>an arena act something like that. But I didn't know

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<v Speaker 3>nothing about led lights and Pyro and like having a

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<v Speaker 3>tour with trucks and like, I didn't have that type

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<v Speaker 3>of monetary support coming out the gate. You know it's

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<v Speaker 3>coming from Fresno. So I just told myself, I got

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<v Speaker 3>to really just depend on this thing right here, this

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<v Speaker 3>this microphone, and hopefully, you know, my voice will resonate

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<v Speaker 3>throughout the world. But yeah, and luckily it did. Fortunately,

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<v Speaker 3>you know, for me.

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<v Speaker 2>In your opinion, who was the moment that you're like, whoa, Okay,

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<v Speaker 2>my life's about to change.

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<v Speaker 3>I guess meeting meeting nas, just going to fly fly

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<v Speaker 3>out to meet him and discuss that the record deal

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<v Speaker 3>and what we're gonna do moving forward. Discussing the ecology,

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<v Speaker 3>I was like, you know, what things are going to

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<v Speaker 3>be different after this, you know, even if not from

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<v Speaker 3>a financial aspect. I know, like my respect is going

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<v Speaker 3>to go up, you know, just throughout the whole entire community,

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<v Speaker 3>just by me, just by having an endorsement like that,

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<v Speaker 3>you know what I mean. And yeah, that was one moment.

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<v Speaker 3>But I guess doctor Dre too. Just Dra invited me out.

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<v Speaker 3>And when I was like maybe twenty years old.

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<v Speaker 2>Twenty one years old, Yeah, what's a Dre story.

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<v Speaker 3>It's a guy named Brock right, Brock Courson who used

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<v Speaker 3>to manage EV when I think he's Kendrick's like A

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<v Speaker 3>and R now something like that. But man Brock uh

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<v Speaker 3>took me to Dres spot because yeah, he was the

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<v Speaker 3>only person who really knew me in LA at the time,

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<v Speaker 3>and Dre was looking for me. Dre was looking for me,

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<v Speaker 3>so Brock was like, yeah, no fast, he lives with evidence.

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<v Speaker 3>He lives at EV's crib and you know, and V

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<v Speaker 3>would always go to Europe and leave me at the

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<v Speaker 3>crib by myself. So I'd either skate to Alchemi's house

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<v Speaker 3>and make music or I just go Echo Park fuck

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<v Speaker 3>with exile. But but yeah, one day Brock came by.

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<v Speaker 3>He was like, yo, you know Dre want to rock

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<v Speaker 3>with you. I'm like, I'm like, you're lying, but that's

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<v Speaker 3>a joke, right. He was like, Noah, seriously, like Dre

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<v Speaker 3>wants you to come through work on detox, which probably

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<v Speaker 3>might never but so yeah, he ended up making the connection.

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<v Speaker 3>I ended up coming back to Fresno. I forgot about it.

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<v Speaker 3>I said, Man, this nigga was lying him anyway. I

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<v Speaker 3>didn't believe him anyway. So yeah, yeah, Dre reached out.

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<v Speaker 3>He reached out to Hectic and he said, do you

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<v Speaker 3>guys want to get flu out here? You guys want

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<v Speaker 3>to drive? And you know what Hectic said, he said,

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<v Speaker 3>we'll drive. I'm like, man, if you better stop playing,

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<v Speaker 3>that would have been my first flight. Yeah, it would

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<v Speaker 3>have been my first ever. You know what I'm saying.

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<v Speaker 3>I was helling me. I was tight with Hectic for years.

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<v Speaker 3>I'm like, man, we could have flew first class. They

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<v Speaker 3>had us up with the Hilton, all types of shit,

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<v Speaker 3>but yeah, I want to h work with Dre at

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<v Speaker 3>the Encore Studios in LA and worked there for about

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<v Speaker 3>almost a week.

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<v Speaker 2>When you say work, what's the work.

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<v Speaker 3>Is being in there from five pm to five a m.

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<v Speaker 3>You know, writing, writing, writing, writing writing, Uh, vocals, vocals,

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<v Speaker 3>vocals that you guys put anything together. Yeah, yeah, absolutely.

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<v Speaker 3>Matter of fact, there's a single from t I that

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<v Speaker 3>Doctor Dre played me years before, like in that session,

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<v Speaker 3>and it's a song called Dope or something with the

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<v Speaker 3>Lea sample. It was like, I'm on dope and yeah,

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<v Speaker 3>he played that for me, man, And this was a

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<v Speaker 3>moment that I knew that I just knew I was

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<v Speaker 3>right where I needed to be right. He plays me

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<v Speaker 3>this record. First, he tells me he's not going to

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<v Speaker 3>play it for me. He's like, yo, like I can

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<v Speaker 3>play this. Ithing like, man, you had to play that

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<v Speaker 3>for me. He was like sure. I'm like, yes, I'm

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<v Speaker 3>sure playing for me. So he plays it for me

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<v Speaker 3>and and I hear that the song, I hear that

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<v Speaker 3>Leah sample. I'm like, all right, this is going somewhere special.

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<v Speaker 3>And then I hear jay Z's voice just flying. Man.

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<v Speaker 3>I'm like and I look at Dre like and he

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<v Speaker 3>was like yeah, keep looking at me, like yeah yeah,

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<v Speaker 3>like you're you're in the big leagues now, right. So

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<v Speaker 3>he presses stop and he's like, you think you can

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<v Speaker 3>write something better than that? I said no, I was

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<v Speaker 3>so honest.

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<v Speaker 2>That's a turn.

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<v Speaker 3>Yeah. I was so honest though. I was so honest

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<v Speaker 3>and he respected it. But uh yeah I could have

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<v Speaker 3>had that. That could have been my number one, you know.

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<v Speaker 3>But shout out to t shou out to jay Z,

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<v Speaker 3>because only if y'all can hear what jay Z said

242
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<v Speaker 3>on this ship. Yeah, oh my god, I'm like, that's

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<v Speaker 3>how I know. I'm like, Dre, You're crazy. I'm like,

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<v Speaker 3>you don't think that's fire, you are crazy.

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<v Speaker 2>I was just about to ask, I don't remember that

246
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<v Speaker 2>song ever getting released or anything, because.

247
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<v Speaker 3>The TI version came out, the did come out, and

248
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<v Speaker 3>but yeah, I wish I had that jay Z version.

249
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<v Speaker 2>Yeah, Jay's one of my favorites.

250
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<v Speaker 3>Are you still with Massive Pill? I'm still Massive Pill family?

251
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<v Speaker 3>I mean contractually you know that contract expired and uh yeah,

252
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<v Speaker 3>but I'm still out here moving and still working with them.

253
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<v Speaker 3>But I'm not, yeah, not like exclusively just working with them.

254
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<v Speaker 3>I know you brought up Kendrick.

255
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<v Speaker 1>Did you guys ever like get something together or you know,

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<v Speaker 1>want to work together?

257
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<v Speaker 3>Yeah? We worked together on a couple of different different places,

258
00:12:32.279 --> 00:12:36.639
<v Speaker 3>but never like on a on a record. Yeah. I

259
00:12:36.679 --> 00:12:41.000
<v Speaker 3>met him at the Double XL photo shoot. That's where

260
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<v Speaker 3>I met him at and yeah, we've just been cool

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<v Speaker 3>ever since then. But I ran into him and Czechoslovakia.

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<v Speaker 3>I ran into him in the Czech Republic. I guess

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<v Speaker 3>you're supposed to call it. And yeah, this is the

264
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<v Speaker 3>week he dropped the control verse the first Uh, this

265
00:12:59.600 --> 00:13:01.919
<v Speaker 3>is before for not like us. This is like when

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<v Speaker 3>you first started going on his tirades and so yeah,

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<v Speaker 3>and everybody thought that he was you know, I thought

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<v Speaker 3>he was dising people, even if you didn't put his

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00:13:10.879 --> 00:13:12.960
<v Speaker 3>name like him came in his song, he's like yo,

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<v Speaker 3>like you know. And so I saw him and he's

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<v Speaker 3>on stage rocking Good Kid Mad City, the title track

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<v Speaker 3>of his album, and he looks over at me. He's like,

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<v Speaker 3>oo fast, you want to you want to get some

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00:13:24.320 --> 00:13:27.480
<v Speaker 3>of this? I'm like it's just him and his band

275
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<v Speaker 3>and I'm like yeah, And he let me rock over

276
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<v Speaker 3>that in front of thousands of people in Czech Republic.

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<v Speaker 3>But he saw me threw up the dub like he

278
00:13:35.879 --> 00:13:38.559
<v Speaker 3>was like I know what it is. Yeah, and uh yeah,

279
00:13:38.600 --> 00:13:42.000
<v Speaker 3>but he did the same ship to me at Resno Fairgrounds. No, yeah,

280
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<v Speaker 3>I remember that. Yeah, yeah we were there at that. Yeah,

281
00:13:44.799 --> 00:13:46.679
<v Speaker 3>like me and do me and Dot is cool. Yeah.

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<v Speaker 1>How did you feel about the Drake and Kendrick back

283
00:13:50.240 --> 00:13:52.679
<v Speaker 1>and forth or just that type of stuff in general?

284
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<v Speaker 1>Do you feel like it's a win for hip hop?

285
00:13:55.039 --> 00:13:57.960
<v Speaker 1>Do you feel like, you know it's bad for hip

286
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<v Speaker 1>hop because it can escalated things or what's your take

287
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<v Speaker 1>on that.

288
00:14:02.679 --> 00:14:06.759
<v Speaker 3>I stand with Jake Cole. I stand with j Cole.

289
00:14:07.799 --> 00:14:11.600
<v Speaker 3>I'm about peace and about unity, and because jac kind

290
00:14:11.600 --> 00:14:13.559
<v Speaker 3>of took herself out of that, it was like, you

291
00:14:13.559 --> 00:14:16.360
<v Speaker 3>know what, I'm not gonna feed into that and like, yeah,

292
00:14:16.480 --> 00:14:18.639
<v Speaker 3>like now you can just catch him ride his bike

293
00:14:18.759 --> 00:14:21.799
<v Speaker 3>around like like being a normal person. I respect that,

294
00:14:21.840 --> 00:14:25.639
<v Speaker 3>and I respect that like immensely. But I have to

295
00:14:25.639 --> 00:14:27.919
<v Speaker 3>say this, though it was entertaining. It was entertaining for

296
00:14:27.919 --> 00:14:31.480
<v Speaker 3>the culture. Now we needed a big, a good heavyweight

297
00:14:31.480 --> 00:14:38.279
<v Speaker 3>about and it was two respectable heavyweights to me, you know. So, yeah,

298
00:14:38.320 --> 00:14:40.519
<v Speaker 3>it was a good It was a good fight. I

299
00:14:40.600 --> 00:14:42.200
<v Speaker 3>have to give it to Dot though. I have to

300
00:14:42.200 --> 00:14:44.360
<v Speaker 3>give it to Dot, not just because I'm from the

301
00:14:44.360 --> 00:14:47.720
<v Speaker 3>West Coast, just from a you know, I've seen a

302
00:14:47.759 --> 00:14:52.679
<v Speaker 3>lot of battles on hip hop, and you know, I've

303
00:14:52.720 --> 00:14:55.240
<v Speaker 3>never seen nothing like that, man, especially the amount of

304
00:14:55.320 --> 00:14:59.399
<v Speaker 3>music and it's just the just the level of the

305
00:14:59.480 --> 00:15:01.960
<v Speaker 3>delivery and how they came through was really good. I

306
00:15:01.960 --> 00:15:03.840
<v Speaker 3>mean he got a huge single out of it, you

307
00:15:03.919 --> 00:15:09.120
<v Speaker 3>know what I'm saying, Like that's way bigger than takeover Ether. Yeah,

308
00:15:09.720 --> 00:15:12.679
<v Speaker 3>like calling out names, that's like an actual hit.

309
00:15:13.039 --> 00:15:15.720
<v Speaker 1>Yeah, not to mention you know what he did when

310
00:15:15.759 --> 00:15:19.360
<v Speaker 1>he performed of that to pop out and just that

311
00:15:19.480 --> 00:15:22.840
<v Speaker 1>whole everything for the culture, it was just yeah, I

312
00:15:22.879 --> 00:15:25.440
<v Speaker 1>mean it was dope, so shot to k do I

313
00:15:25.440 --> 00:15:27.399
<v Speaker 1>know you brought up J Cole and that's your man's

314
00:15:27.399 --> 00:15:29.600
<v Speaker 1>and and you guys were on the cover together for

315
00:15:29.720 --> 00:15:33.879
<v Speaker 1>Double Excel. You know, Wiz was on that big Sean Nipsey.

316
00:15:34.240 --> 00:15:36.120
<v Speaker 1>It's crazy that. I mean, to this day, I always

317
00:15:36.120 --> 00:15:39.440
<v Speaker 1>say that was like the best class. I mean, those guys,

318
00:15:39.480 --> 00:15:41.960
<v Speaker 1>everybody's still doing it to this day. And do you

319
00:15:42.000 --> 00:15:44.000
<v Speaker 1>still keep in contact with any of those guys? I

320
00:15:44.000 --> 00:15:45.720
<v Speaker 1>know you you and Wiz were pretty close.

321
00:15:45.840 --> 00:15:46.000
<v Speaker 2>Yeah.

322
00:15:46.080 --> 00:15:50.960
<v Speaker 3>Yeah. I just spoke to the Cold yesterday, Okay, the

323
00:15:51.000 --> 00:15:54.840
<v Speaker 3>Cold yesterday. I told him I'm glad he's making beats again. Yeah.

324
00:15:54.919 --> 00:15:57.039
<v Speaker 1>Yeah, a lot of people kind of forget about that

325
00:15:57.200 --> 00:15:58.519
<v Speaker 1>or that he's really big on that.

326
00:15:58.840 --> 00:16:01.399
<v Speaker 3>The best producers of my generation saying a lot of

327
00:16:01.399 --> 00:16:04.399
<v Speaker 3>people don't give them that. You know that it's props,

328
00:16:04.440 --> 00:16:06.679
<v Speaker 3>but it's propers. But yeah, I spoke to Cold the

329
00:16:06.720 --> 00:16:12.519
<v Speaker 3>other day. I suppose the Gibbs Freddie Gibbs other day. Yeah, yeah,

330
00:16:12.519 --> 00:16:14.679
<v Speaker 3>I don't get to run into a lot of cats

331
00:16:14.720 --> 00:16:18.080
<v Speaker 3>like that because you know, we all doing trajectories. Took

332
00:16:18.159 --> 00:16:22.159
<v Speaker 3>us in different places for sure, But yeah, shout out

333
00:16:22.200 --> 00:16:24.080
<v Speaker 3>to Wiz though. I think last time I saw Wiz

334
00:16:24.200 --> 00:16:28.080
<v Speaker 3>was in It's overseas in Germany. We did the show.

335
00:16:28.639 --> 00:16:31.639
<v Speaker 3>I think it was the week like Manchester one World

336
00:16:31.679 --> 00:16:33.799
<v Speaker 3>Cup or some ship. That was like the last time

337
00:16:33.840 --> 00:16:38.519
<v Speaker 3>I saw him. And yeah, man, other than that, spoke

338
00:16:38.559 --> 00:16:41.000
<v Speaker 3>to Big Sean the other day. He dropped the album.

339
00:16:41.039 --> 00:16:46.080
<v Speaker 3>If you heard it, please go listen to that. But yeah, man,

340
00:16:46.080 --> 00:16:47.320
<v Speaker 3>I'll be I'll be in my own zone.

341
00:16:48.000 --> 00:16:52.879
<v Speaker 2>Are you jaded with the amount of people you've been around,

342
00:16:53.399 --> 00:16:57.759
<v Speaker 2>the people you've worked with, the people that you've just

343
00:16:57.879 --> 00:17:01.519
<v Speaker 2>networked with. These are some big names that we're dropping

344
00:17:01.600 --> 00:17:05.480
<v Speaker 2>right now. Is it? Are you still starstruckt or He's

345
00:17:05.519 --> 00:17:08.519
<v Speaker 2>just like, nah, these these are homies, homies.

346
00:17:09.200 --> 00:17:13.359
<v Speaker 3>No, I'm not starstruck anymore. Okay, not anymore, because these

347
00:17:13.359 --> 00:17:15.880
<v Speaker 3>are not just the homies, but they're still Those are

348
00:17:15.880 --> 00:17:20.599
<v Speaker 3>my peers and fellow warriors and this hip hop shit,

349
00:17:20.640 --> 00:17:21.960
<v Speaker 3>you know what I mean? Like those those are my

350
00:17:22.039 --> 00:17:25.359
<v Speaker 3>comrades and in this music business and in the culture.

351
00:17:25.440 --> 00:17:28.960
<v Speaker 2>Most importantly, there's some people that people may not even of.

352
00:17:29.000 --> 00:17:31.200
<v Speaker 3>These are my aunties and my uncles and like like

353
00:17:31.279 --> 00:17:33.480
<v Speaker 3>people I look at like father figures. And some of

354
00:17:33.480 --> 00:17:35.359
<v Speaker 3>these niggas are like my cousins and like brothers in

355
00:17:35.400 --> 00:17:37.759
<v Speaker 3>the game and hip hop is one big family, and

356
00:17:37.799 --> 00:17:39.400
<v Speaker 3>I try to bring that energy back.

357
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<v Speaker 2>There's even some names where I feel like people are

358
00:17:41.759 --> 00:17:46.640
<v Speaker 2>not familiar with, like the you know, the amount of

359
00:17:46.839 --> 00:17:49.799
<v Speaker 2>work or well, I'll just say who it is because

360
00:17:49.839 --> 00:17:52.519
<v Speaker 2>you know, back in my heyday, I used to like

361
00:17:52.640 --> 00:17:55.279
<v Speaker 2>rip and run around with a baboo of dilated people.

362
00:17:55.960 --> 00:17:58.119
<v Speaker 2>And you know, you brought up evidence, you brought up

363
00:17:58.160 --> 00:18:02.519
<v Speaker 2>exile and hip hop like if you know, like these

364
00:18:02.559 --> 00:18:06.640
<v Speaker 2>are some big Yeah. So how did I never found

365
00:18:06.680 --> 00:18:08.359
<v Speaker 2>out how you? You were roommates with him or you?

366
00:18:08.960 --> 00:18:10.880
<v Speaker 3>Oh yeah, I never told you about that whole story.

367
00:18:10.960 --> 00:18:12.160
<v Speaker 2>Yeah, how did that come about?

368
00:18:13.119 --> 00:18:16.039
<v Speaker 3>I was running around in LA I was making my

369
00:18:16.119 --> 00:18:18.559
<v Speaker 3>album with Exile. I was making my album with Exile

370
00:18:18.599 --> 00:18:21.519
<v Speaker 3>at the time wasn't done yet. I was just still running,

371
00:18:21.640 --> 00:18:25.720
<v Speaker 3>ripping and running the streets of California. And I was

372
00:18:25.759 --> 00:18:28.720
<v Speaker 3>on my way to Los Angeles with my manager one

373
00:18:28.799 --> 00:18:33.200
<v Speaker 3>day and I wanted a Verse from Evidence really bad

374
00:18:33.519 --> 00:18:37.880
<v Speaker 3>for the song called Arway, and I wanted it really bad,

375
00:18:37.920 --> 00:18:40.160
<v Speaker 3>and I didn't know how to attain this thing right.

376
00:18:40.799 --> 00:18:43.480
<v Speaker 3>So my manager was like, well, I know Planet Asia

377
00:18:43.599 --> 00:18:47.519
<v Speaker 3>and Asia knows Evidence. You know, maybe I could make

378
00:18:47.559 --> 00:18:49.680
<v Speaker 3>a call. I'm like, if you can make that call,

379
00:18:49.759 --> 00:18:56.319
<v Speaker 3>please make that call. So Hectic calls Asia and it's

380
00:18:56.440 --> 00:18:59.039
<v Speaker 3>just like fuck that. I'm calling EV now and I'm

381
00:18:59.039 --> 00:19:02.559
<v Speaker 3>telling them you're on your way right like you like,

382
00:19:02.599 --> 00:19:04.519
<v Speaker 3>he basically text the address. He was like, just go

383
00:19:04.559 --> 00:19:06.640
<v Speaker 3>over there, you know what I mean. I don't even

384
00:19:06.640 --> 00:19:12.839
<v Speaker 3>know if v Knew showed up. I'm here, it's my

385
00:19:12.920 --> 00:19:14.720
<v Speaker 3>new he's my album I'm working on, Like this up

386
00:19:14.759 --> 00:19:17.960
<v Speaker 3>you want to hop on something. But but yeah, before

387
00:19:18.000 --> 00:19:20.079
<v Speaker 3>you know it, I'm in Thev's living room and it's

388
00:19:20.119 --> 00:19:22.640
<v Speaker 3>just me, him and my manager and we're telling him

389
00:19:22.640 --> 00:19:24.240
<v Speaker 3>how much a legend he is and how much we

390
00:19:24.279 --> 00:19:27.400
<v Speaker 3>want him on on the album. He's like, don't call

391
00:19:27.440 --> 00:19:30.440
<v Speaker 3>me that man. Just play the song, like don't make

392
00:19:30.480 --> 00:19:33.599
<v Speaker 3>me feel old to play the song and yeah, and

393
00:19:33.640 --> 00:19:35.880
<v Speaker 3>that was the first time I ever really got to

394
00:19:35.920 --> 00:19:40.039
<v Speaker 3>build bill with x F and yeah, and then I

395
00:19:40.119 --> 00:19:43.640
<v Speaker 3>moved in about two months later. Yeah, I guess I

396
00:19:43.720 --> 00:19:45.680
<v Speaker 3>left an impression on him. He was like, you know what,

397
00:19:45.720 --> 00:19:48.119
<v Speaker 3>here's the keys to my house. Bro. He was like, yo,

398
00:19:48.160 --> 00:19:50.960
<v Speaker 3>whatever you need, like you belong to LA now, like

399
00:19:50.960 --> 00:19:53.799
<v Speaker 3>we got you out here and yeah, and it's been

400
00:19:53.880 --> 00:19:55.839
<v Speaker 3>love ever since. Man. I just ran into him at

401
00:19:55.839 --> 00:19:59.319
<v Speaker 3>the at the Memorial Coliseum in l A. We just

402
00:19:59.319 --> 00:20:02.359
<v Speaker 3>did the show infesting. That was like a family reunion

403
00:20:02.359 --> 00:20:05.359
<v Speaker 3>because I got to see damn there everybody. We just

404
00:20:05.359 --> 00:20:08.240
<v Speaker 3>spoke about. You know. I think I even saw miss

405
00:20:08.359 --> 00:20:17.319
<v Speaker 3>Parker from Friday. Yeah word. Yeah, But anyway, but that's

406
00:20:17.319 --> 00:20:20.920
<v Speaker 3>how that's that's how the whole connection came about. And yeah,

407
00:20:21.359 --> 00:20:25.240
<v Speaker 3>just like became like a like a a mentor and

408
00:20:25.279 --> 00:20:27.880
<v Speaker 3>like a father figure to me, man, And yeah, I

409
00:20:27.920 --> 00:20:31.119
<v Speaker 3>got ultimate respect for that dude for life. You know. Now,

410
00:20:31.319 --> 00:20:33.279
<v Speaker 3>you know you came coming from Fresno, but I think

411
00:20:33.319 --> 00:20:35.759
<v Speaker 3>it was the Planetation phone call that really made pop off.

412
00:20:36.640 --> 00:20:43.480
<v Speaker 1>Just coming from Fresno. Obviously it's you know, not La.

413
00:20:43.599 --> 00:20:45.279
<v Speaker 1>It's not New York. It's not a lot of these

414
00:20:45.519 --> 00:20:48.640
<v Speaker 1>cities that rappers bang. But you've always banged Fresno and

415
00:20:48.680 --> 00:20:53.799
<v Speaker 1>you let people know. But coming from Fresno and obviously

416
00:20:53.839 --> 00:20:55.599
<v Speaker 1>you see the difficulties of.

417
00:20:55.559 --> 00:20:56.880
<v Speaker 3>Being like recognized.

418
00:20:57.920 --> 00:21:00.599
<v Speaker 1>Is that something that you would that moving to a

419
00:21:00.640 --> 00:21:01.319
<v Speaker 1>big city is?

420
00:21:01.839 --> 00:21:03.319
<v Speaker 3>Is that something that you had to do.

421
00:21:03.839 --> 00:21:06.200
<v Speaker 1>Is it something that you know for somebody that's coming

422
00:21:06.279 --> 00:21:08.319
<v Speaker 1>up in a smaller city is is that kind of

423
00:21:08.319 --> 00:21:11.119
<v Speaker 1>the move that needs to be done to kind of

424
00:21:11.799 --> 00:21:12.720
<v Speaker 1>expose yourself a.

425
00:21:12.720 --> 00:21:16.039
<v Speaker 3>Little bit more? Yeah? Yeah, I mean you got to

426
00:21:16.039 --> 00:21:18.480
<v Speaker 3>touch the people, man. Yeah, you have to go out

427
00:21:18.519 --> 00:21:21.480
<v Speaker 3>and you can't just put a satellite out and just

428
00:21:21.759 --> 00:21:24.279
<v Speaker 3>expect to connect with everyone.

429
00:21:24.440 --> 00:21:25.759
<v Speaker 2>What don't you feel like right now?

430
00:21:26.000 --> 00:21:29.119
<v Speaker 3>You can though with seconically you can, but you know,

431
00:21:29.240 --> 00:21:33.240
<v Speaker 3>it's like it's only so long. Fake artists could pretend

432
00:21:33.240 --> 00:21:36.480
<v Speaker 3>and so yeah, you know, fake you know, superstars could pretend.

433
00:21:36.640 --> 00:21:39.359
<v Speaker 3>It's only so long, and it's it's really about getting

434
00:21:39.359 --> 00:21:41.599
<v Speaker 3>out and touching the people, man. You know. So I

435
00:21:41.599 --> 00:21:44.440
<v Speaker 3>had to go to La, New York, et cetera, everywhere

436
00:21:44.559 --> 00:21:48.160
<v Speaker 3>south to go garner these fans, you know, if they're

437
00:21:48.200 --> 00:21:50.920
<v Speaker 3>not I mean the market is so saturating. How do

438
00:21:50.960 --> 00:21:54.079
<v Speaker 3>you expect to win over the average consumer if you

439
00:21:54.079 --> 00:21:57.400
<v Speaker 3>don't you know, shake the hand, kiss the baby and yeah, yeah,

440
00:21:57.640 --> 00:21:59.720
<v Speaker 3>you know what I mean, and and do and do

441
00:21:59.759 --> 00:22:02.839
<v Speaker 3>that stuff. Man. So but me moving to l A,

442
00:22:02.920 --> 00:22:06.599
<v Speaker 3>I really just wanted to brush shoulders with the with

443
00:22:06.640 --> 00:22:08.519
<v Speaker 3>the with the sharks man, because you know, I always

444
00:22:08.559 --> 00:22:10.799
<v Speaker 3>felt like a big fish in a small pond being

445
00:22:10.799 --> 00:22:13.599
<v Speaker 3>from president. Yeah, for sure. I wanted to test my skills,

446
00:22:14.000 --> 00:22:17.240
<v Speaker 3>so I feel like on a I wanted to test

447
00:22:17.279 --> 00:22:18.920
<v Speaker 3>them on an Olympic level, you know what I mean.

448
00:22:19.000 --> 00:22:22.920
<v Speaker 3>I wanted to go to Europe, Pan and and and

449
00:22:23.680 --> 00:22:25.960
<v Speaker 3>get busy with the with the best of the best.

450
00:22:26.200 --> 00:22:29.920
<v Speaker 3>And not only that, but show that Fresno can compete

451
00:22:29.960 --> 00:22:34.880
<v Speaker 3>with any anybody any market, you know. Yeah, but skill wise,

452
00:22:35.000 --> 00:22:37.559
<v Speaker 3>not sales wise. Yeah, you know, it's like put our

453
00:22:37.599 --> 00:22:39.920
<v Speaker 3>products together. It's like, yo, my ship ninety seven percent

454
00:22:40.359 --> 00:22:42.759
<v Speaker 3>ninety seven percent too. Yeah. Yeah, that's some all to

455
00:22:42.839 --> 00:22:47.119
<v Speaker 3>white talk, but breaking bad. Yeah yeah, man. Anyway, we

456
00:22:47.400 --> 00:22:49.599
<v Speaker 3>were in the city of Ice. Anyway, you you.

457
00:22:49.480 --> 00:22:52.559
<v Speaker 2>Bring up traveling around the world, do you feel like

458
00:22:52.640 --> 00:22:54.799
<v Speaker 2>hip hop is you know, I'm I don't know the

459
00:22:54.880 --> 00:22:58.880
<v Speaker 2>answer to this. You lived it. I just feel like

460
00:23:00.039 --> 00:23:04.160
<v Speaker 2>European countries, Japan, all these other countries out of the

461
00:23:04.279 --> 00:23:08.319
<v Speaker 2>United States, do they embrace hip hop differently from US

462
00:23:08.359 --> 00:23:11.519
<v Speaker 2>out here, because it seems like it seems like it.

463
00:23:11.720 --> 00:23:13.599
<v Speaker 3>Yeah, I think I think so. I think.

464
00:23:15.359 --> 00:23:17.079
<v Speaker 2>They just embraced that they have culture.

465
00:23:17.200 --> 00:23:19.720
<v Speaker 3>Yeah, the culture, not just the culture, but the whole

466
00:23:19.759 --> 00:23:22.799
<v Speaker 3>heritage in the history of fashion that everything, right, culture,

467
00:23:22.799 --> 00:23:27.559
<v Speaker 3>the elements, the rudiments, everything. They really put an emphasis

468
00:23:27.559 --> 00:23:30.599
<v Speaker 3>on that. You know, they still use terms like sucking

469
00:23:30.720 --> 00:23:33.960
<v Speaker 3>MC out. I'm like, you know, where are you right?

470
00:23:34.279 --> 00:23:37.680
<v Speaker 3>And you can still like you can drive down you

471
00:23:37.680 --> 00:23:41.400
<v Speaker 3>can drive through Berlin or Colonnas or anywhere in Europe,

472
00:23:41.400 --> 00:23:45.279
<v Speaker 3>and it's like it looks like what you thought the

473
00:23:45.279 --> 00:23:48.000
<v Speaker 3>Bronx would look like in the eighties, right, like like

474
00:23:48.079 --> 00:23:52.880
<v Speaker 3>the graffiti everywhere and like kids rhyming and just actually

475
00:23:52.920 --> 00:23:56.559
<v Speaker 3>like exuding the culture, right. And but I think they're

476
00:23:56.559 --> 00:23:59.920
<v Speaker 3>preserving it over there. It's still in a transitional state

477
00:24:00.119 --> 00:24:03.640
<v Speaker 3>and evolutionary stage in America because it's still constantly evolving

478
00:24:03.680 --> 00:24:06.640
<v Speaker 3>with the with the new regime that's coming in year

479
00:24:06.640 --> 00:24:10.400
<v Speaker 3>after year, so still evolving and taking shape. But over

480
00:24:10.440 --> 00:24:14.759
<v Speaker 3>there they got a really clear view of what they

481
00:24:14.759 --> 00:24:17.319
<v Speaker 3>think hip hop should be and you know, and the

482
00:24:17.359 --> 00:24:21.079
<v Speaker 3>message that you should be portraying. And yes, like that's

483
00:24:21.119 --> 00:24:22.839
<v Speaker 3>why I love it over there, you know. I love

484
00:24:22.920 --> 00:24:24.599
<v Speaker 3>going over there and I can't wait to go back

485
00:24:24.640 --> 00:24:26.799
<v Speaker 3>this December. Yeah, it's almost like to have like a

486
00:24:26.799 --> 00:24:30.480
<v Speaker 3>different respect for it out there. What city or country

487
00:24:31.279 --> 00:24:34.000
<v Speaker 3>that really shocked you that, like, wow, they really fucking

488
00:24:34.039 --> 00:24:37.000
<v Speaker 3>with like hip hop and rap? Like was there a

489
00:24:37.039 --> 00:24:38.920
<v Speaker 3>country that really like threw me off?

490
00:24:38.960 --> 00:24:43.000
<v Speaker 1>Yeah, yeah, that's like real quick.

491
00:24:43.000 --> 00:24:46.480
<v Speaker 2>While you're thinking that, that reminds me of not to like,

492
00:24:46.880 --> 00:24:49.319
<v Speaker 2>you know, oh, here's where I went, but just because

493
00:24:49.759 --> 00:24:52.839
<v Speaker 2>well just because you brought because you brought that up.

494
00:24:53.240 --> 00:24:56.759
<v Speaker 2>Is because when I did the Australian tour as a DJ,

495
00:24:57.480 --> 00:25:00.240
<v Speaker 2>I was like, they're not gonna know these songs because

496
00:25:00.279 --> 00:25:02.759
<v Speaker 2>I'm used to DJing here in America and when I

497
00:25:02.759 --> 00:25:05.279
<v Speaker 2>play a certain song, they're gonna sing to it. But

498
00:25:05.319 --> 00:25:08.680
<v Speaker 2>I was like they're not. I got nervous, but I'm like,

499
00:25:08.799 --> 00:25:10.920
<v Speaker 2>it's what I know, so I'll play it and they

500
00:25:11.039 --> 00:25:13.799
<v Speaker 2>sang along. So I was like, whoa, what the hell?

501
00:25:14.799 --> 00:25:17.440
<v Speaker 2>It works out here too? So yeah, was there that

502
00:25:17.519 --> 00:25:18.400
<v Speaker 2>kind of moment.

503
00:25:18.160 --> 00:25:24.240
<v Speaker 3>Where I'd have to say Poland. Yeah, as random as

504
00:25:24.240 --> 00:25:27.160
<v Speaker 3>it is, right, Poland. I think we did a show

505
00:25:27.240 --> 00:25:30.839
<v Speaker 3>and war song and posing a couple of cities out there,

506
00:25:30.880 --> 00:25:34.079
<v Speaker 3>but yeah, Poland, it was like and it was the

507
00:25:34.119 --> 00:25:37.279
<v Speaker 3>smallest days I've ever performed on. It was like, but

508
00:25:37.319 --> 00:25:39.759
<v Speaker 3>the love was so big. It was like and they

509
00:25:39.799 --> 00:25:41.920
<v Speaker 3>knew every word and it was like it was just

510
00:25:42.000 --> 00:25:45.440
<v Speaker 3>like mind blowing to me. And yeah, total culture shock.

511
00:25:45.480 --> 00:25:47.119
<v Speaker 3>That was the first time I got a culture shock

512
00:25:47.279 --> 00:25:50.440
<v Speaker 3>for sure. And then I made it beat with exile.

513
00:25:50.599 --> 00:25:52.880
<v Speaker 3>I said, if you if you see one black person,

514
00:25:53.279 --> 00:25:55.519
<v Speaker 3>if you see anyone who looks like me, I'll buy

515
00:25:55.559 --> 00:26:00.480
<v Speaker 3>you breakfast with me landing in La And long story short,

516
00:26:00.519 --> 00:26:04.160
<v Speaker 3>I didn't have to buy anything. Yeah, but yeah, culture

517
00:26:04.160 --> 00:26:07.200
<v Speaker 3>shock poem definitely all right.

518
00:26:07.240 --> 00:26:09.640
<v Speaker 1>So I would just want to do this because everybody

519
00:26:09.839 --> 00:26:12.640
<v Speaker 1>you know asked this question and it probably changes for

520
00:26:12.680 --> 00:26:15.920
<v Speaker 1>you all the time. But you know, top five dead

521
00:26:16.000 --> 00:26:19.400
<v Speaker 1>or alive right now, right now is of all time.

522
00:26:19.480 --> 00:26:24.160
<v Speaker 3>It's just dead or alive at all time, and no

523
00:26:24.200 --> 00:26:31.960
<v Speaker 3>particular particular top five Tupac, J Diller, Nate Dog, So

524
00:26:32.079 --> 00:26:37.640
<v Speaker 3>Far So Good, Pac Dealer Dog, Biggie, and Nipsey. There

525
00:26:37.640 --> 00:26:38.839
<v Speaker 3>you go. I like that.

526
00:26:39.000 --> 00:26:41.240
<v Speaker 1>Rest in Peace, Nipsey and also on the on the

527
00:26:41.279 --> 00:26:46.160
<v Speaker 1>cover as well. Wait all of them gone, oh wow.

528
00:26:47.000 --> 00:26:50.920
<v Speaker 3>Okay, so that's my top five. We gotta come up

529
00:26:50.920 --> 00:26:55.119
<v Speaker 3>with you live. Here's my think about that. Damn damn damn.

530
00:26:55.200 --> 00:26:57.119
<v Speaker 3>Recipes of Rich Home Me Krin by the way, Yeah,

531
00:26:57.119 --> 00:27:01.279
<v Speaker 3>that just happened to podcast Blessed that brother Soul and

532
00:27:01.279 --> 00:27:04.000
<v Speaker 3>my condo listens to his family man for sure, but

533
00:27:04.160 --> 00:27:04.799
<v Speaker 3>alive though.

534
00:27:05.000 --> 00:27:07.319
<v Speaker 1>Yeah, maybe some artists that you're like really paying attention

535
00:27:07.359 --> 00:27:10.279
<v Speaker 1>to right now, I'll just say five artists I like, Yeah,

536
00:27:10.279 --> 00:27:10.720
<v Speaker 1>there you go.

537
00:27:10.880 --> 00:27:14.039
<v Speaker 3>It might have because my top five changes. Yeah. I

538
00:27:14.039 --> 00:27:16.559
<v Speaker 3>love Doc Doc is ill. She got a new project

539
00:27:16.640 --> 00:27:18.839
<v Speaker 3>called like Alex something about alligators.

540
00:27:19.759 --> 00:27:21.759
<v Speaker 2>But she's going to do what is on TV.

541
00:27:23.279 --> 00:27:24.799
<v Speaker 3>The one that you got the record with Kodak.

542
00:27:24.960 --> 00:27:26.279
<v Speaker 2>Yeah, that one right, what it is?

543
00:27:26.400 --> 00:27:31.480
<v Speaker 3>Okay, love dochi uh love? I actually love young boy

544
00:27:31.759 --> 00:27:34.279
<v Speaker 3>n be a young boy. Yeah, she's just one of those,

545
00:27:34.400 --> 00:27:37.960
<v Speaker 3>one of the ones. Tierra Whack, Code of the Friend,

546
00:27:38.759 --> 00:27:41.440
<v Speaker 3>Corde Corday, Okay, I like it.

547
00:27:41.519 --> 00:27:43.480
<v Speaker 2>But there's a couple of names. I have no idea

548
00:27:43.519 --> 00:27:44.119
<v Speaker 2>who they are, but.

549
00:27:45.559 --> 00:27:47.440
<v Speaker 3>I'm here to you know, I'm here to keep you on,

550
00:27:47.599 --> 00:27:49.039
<v Speaker 3>you know, up on game Man.

551
00:27:49.279 --> 00:27:52.400
<v Speaker 2>What about So there's been a lot of talk on.

552
00:27:52.319 --> 00:27:54.759
<v Speaker 3>These t A the handful. I can't forget that.

553
00:27:55.559 --> 00:27:56.480
<v Speaker 2>I don't know that one.

554
00:27:57.240 --> 00:27:58.039
<v Speaker 3>Yeah, look it up.

555
00:27:58.119 --> 00:28:00.759
<v Speaker 2>There's there's kind of wanted to see your thoughts on

556
00:28:00.799 --> 00:28:04.400
<v Speaker 2>this because there's been some blogs and people talking on

557
00:28:04.480 --> 00:28:08.200
<v Speaker 2>social media about these new female rappers from Ice Spice

558
00:28:08.319 --> 00:28:13.079
<v Speaker 2>to Megan Uh, Sexy Red.

559
00:28:13.480 --> 00:28:16.880
<v Speaker 3>That God bless them all.

560
00:28:17.440 --> 00:28:20.240
<v Speaker 2>Yeah, there's it goes two ways. There's the fans that

561
00:28:20.279 --> 00:28:22.079
<v Speaker 2>love the music and then there's the side that's like

562
00:28:22.799 --> 00:28:24.799
<v Speaker 2>it's they're just doing for the look. Do you have

563
00:28:24.799 --> 00:28:27.599
<v Speaker 2>any thought on that, Like, not necessarily negative, but.

564
00:28:27.839 --> 00:28:31.640
<v Speaker 3>Just any thoughts. I got nothing but positive things to

565
00:28:31.680 --> 00:28:34.319
<v Speaker 3>say about these sisters, man. These are my sisters in

566
00:28:34.359 --> 00:28:38.480
<v Speaker 3>the culture. So I would never disrespect them or try

567
00:28:38.519 --> 00:28:43.519
<v Speaker 3>to demor them or bring them down. Yeah. I love

568
00:28:43.559 --> 00:28:45.440
<v Speaker 3>what they do. And I'm surprised I didn't put none

569
00:28:45.440 --> 00:28:47.240
<v Speaker 3>of those names in my list because I did mention

570
00:28:47.359 --> 00:28:52.759
<v Speaker 3>to Female Chi and Tierra Whack. But yeah, I love

571
00:28:52.799 --> 00:28:55.079
<v Speaker 3>what they do. I think it brings balance. It brings

572
00:28:55.119 --> 00:28:58.240
<v Speaker 3>balance to like every Sexy Red we need a rhapsoity,

573
00:28:58.440 --> 00:29:01.079
<v Speaker 3>you know, you know what I mean, every Ice Spice,

574
00:29:01.119 --> 00:29:04.200
<v Speaker 3>we need a sorak. Yeah, and I think the battles

575
00:29:04.279 --> 00:29:05.079
<v Speaker 3>is there and I love it.

576
00:29:05.319 --> 00:29:08.200
<v Speaker 1>Yeah, I mean I kind of feel that this is

577
00:29:09.279 --> 00:29:12.279
<v Speaker 1>an era of female rappers, right, Like I think they're

578
00:29:12.319 --> 00:29:13.599
<v Speaker 1>really holding it down.

579
00:29:13.720 --> 00:29:16.759
<v Speaker 3>Yeah. Yeah, I feel like, you know, every so oftenlope creatively.

580
00:29:16.880 --> 00:29:20.319
<v Speaker 1>Yeah, yeah, every so often there's like certain genres or

581
00:29:20.440 --> 00:29:23.319
<v Speaker 1>of rap or eras of style, and I just feel

582
00:29:23.319 --> 00:29:25.119
<v Speaker 1>like we're kind of in an era of where the

583
00:29:25.200 --> 00:29:27.319
<v Speaker 1>ladies is kind of really making noise right now. And

584
00:29:27.319 --> 00:29:28.960
<v Speaker 1>there's a lot of them. If you think back, just

585
00:29:29.119 --> 00:29:31.119
<v Speaker 1>maybe like ten years ago, it only felt like it

586
00:29:31.160 --> 00:29:33.839
<v Speaker 1>was Nicki Minaj and now like all the ones that

587
00:29:33.880 --> 00:29:37.279
<v Speaker 1>you named and Bea and Glorilla, and there's just shot

588
00:29:37.319 --> 00:29:39.440
<v Speaker 1>the glow too. Yeah, there's just so many out there.

589
00:29:39.480 --> 00:29:41.079
<v Speaker 1>And yeah, I mean I'm for it, you know what

590
00:29:41.079 --> 00:29:42.440
<v Speaker 1>I'm saying. They're totally They're dope.

591
00:29:42.480 --> 00:29:48.759
<v Speaker 3>And yeah, she almost got me divorced, messed up. What happened.

592
00:29:48.839 --> 00:29:52.720
<v Speaker 3>She was in the DMS, we were we were talking

593
00:29:52.759 --> 00:29:56.720
<v Speaker 3>back and forth, and she decided to send me a

594
00:29:56.759 --> 00:30:00.559
<v Speaker 3>picture one day right of of something that she didn't

595
00:30:00.559 --> 00:30:04.480
<v Speaker 3>post on a regular page. Okay, right, And I surely

596
00:30:04.559 --> 00:30:07.200
<v Speaker 3>saw that, and uh, she felt a way about it. Well,

597
00:30:07.240 --> 00:30:13.920
<v Speaker 3>you still got that photo. Just listen, man, it's in

598
00:30:13.960 --> 00:30:14.680
<v Speaker 3>the archives.

599
00:30:14.680 --> 00:30:19.640
<v Speaker 2>Man, Look, it's in the hidden there's.

600
00:30:20.880 --> 00:30:23.519
<v Speaker 3>I tried you efk he for that, but nah. But

601
00:30:23.599 --> 00:30:25.480
<v Speaker 3>as far as like an artist, like she's one of

602
00:30:25.480 --> 00:30:28.039
<v Speaker 3>my favorite artists and just all around just cool people.

603
00:30:28.359 --> 00:30:30.279
<v Speaker 1>Yeah, it's actually dope to see her kind of like

604
00:30:30.319 --> 00:30:33.119
<v Speaker 1>come back around because you know, she started off as

605
00:30:33.160 --> 00:30:35.200
<v Speaker 1>like a real rapper and then she kind of fell

606
00:30:35.279 --> 00:30:38.200
<v Speaker 1>into that, you know, mainstream pop, and you know she

607
00:30:38.279 --> 00:30:40.000
<v Speaker 1>got her bags from that. But you know, she came

608
00:30:40.039 --> 00:30:41.720
<v Speaker 1>back around and she's doing what she's doing.

609
00:30:41.759 --> 00:30:43.680
<v Speaker 3>So all the females.

610
00:30:43.720 --> 00:30:44.880
<v Speaker 2>Yeah, Coiler Ray too.

611
00:30:45.240 --> 00:30:48.400
<v Speaker 3>Yeah, Yeah, that's been Zino's daughter. Yeah, which is crazy

612
00:30:48.440 --> 00:30:51.400
<v Speaker 3>to think about it. She comes from like real hip

613
00:30:51.440 --> 00:30:54.319
<v Speaker 3>hop like lineage, you know what I mean. So I

614
00:30:54.480 --> 00:30:56.759
<v Speaker 3>wasn't surprised when when she did her thing.

615
00:30:57.119 --> 00:30:59.640
<v Speaker 2>There's a piece of me where you know, it comes

616
00:30:59.680 --> 00:31:02.160
<v Speaker 2>around because now I'm getting older and you're like, what

617
00:31:02.400 --> 00:31:04.559
<v Speaker 2>is this stuff that they're coming with? But I'm still

618
00:31:04.599 --> 00:31:07.079
<v Speaker 2>a DJ and when I play this at the clubs,

619
00:31:07.519 --> 00:31:09.960
<v Speaker 2>the energy the crowd gives me. So I'm fucking with it.

620
00:31:10.240 --> 00:31:12.000
<v Speaker 2>If you're if you're if the crowd is loving it.

621
00:31:12.079 --> 00:31:17.200
<v Speaker 2>I'm playing these songs regardless of what I think about him.

622
00:31:17.799 --> 00:31:23.759
<v Speaker 2>But let's go back to Ice Spice, who produces a.

623
00:31:23.759 --> 00:31:26.200
<v Speaker 3>Lot of Let's go back to her because it's because

624
00:31:26.319 --> 00:31:27.440
<v Speaker 3>the producer.

625
00:31:27.319 --> 00:31:32.720
<v Speaker 2>The producer of her beats the son of like New

626
00:31:32.839 --> 00:31:36.440
<v Speaker 2>York I forgot his name right now. He was he

627
00:31:36.559 --> 00:31:38.440
<v Speaker 2>was on He was a DJ on Hot ninety seven

628
00:31:39.319 --> 00:31:44.920
<v Speaker 2>and no, no, another dude, No he was. He was

629
00:31:45.319 --> 00:31:51.039
<v Speaker 2>a DJ, actual DJ. But I think the producer, right,

630
00:31:52.880 --> 00:31:58.079
<v Speaker 2>the producer is his son. Yeah, yeah, So like even

631
00:31:58.119 --> 00:31:58.839
<v Speaker 2>these young.

632
00:31:58.759 --> 00:32:01.720
<v Speaker 1>Producers and now you're seeing these the kids now are

633
00:32:01.799 --> 00:32:04.920
<v Speaker 1>starting to become Shout out to Nico.

634
00:32:05.079 --> 00:32:09.599
<v Speaker 2>DJ enough DJ enough, I think so probably, I mean

635
00:32:09.920 --> 00:32:11.160
<v Speaker 2>enough if I'm.

636
00:32:12.319 --> 00:32:17.079
<v Speaker 3>That's I mean, man, Okay, shout to Nico bab Boo

637
00:32:17.200 --> 00:32:20.200
<v Speaker 3>Son right, Baboo Son is one of the greatest, dopest

638
00:32:20.279 --> 00:32:23.720
<v Speaker 3>producers out right now his name is Nico, And yeah,

639
00:32:23.759 --> 00:32:25.400
<v Speaker 3>I saw that kid grow up and now he's just

640
00:32:25.480 --> 00:32:29.400
<v Speaker 3>a full blown, full grown animal man on the beats man.

641
00:32:30.440 --> 00:32:33.279
<v Speaker 3>But yeah, I'm it's dope to see the next generation

642
00:32:33.720 --> 00:32:39.880
<v Speaker 3>like the you know, like even Northwest got album coming out. Yeah, yeah, yeah,

643
00:32:39.880 --> 00:32:42.799
<v Speaker 3>I'm interested to school drop out or something. I'm like,

644
00:32:43.079 --> 00:32:45.680
<v Speaker 3>this is crazy, like to be this man.

645
00:32:46.599 --> 00:32:49.000
<v Speaker 1>Yeah, I'm interested to see like what Kanye's kids are

646
00:32:49.000 --> 00:32:51.240
<v Speaker 1>gonna do, or you know, try to disky see what

647
00:32:51.359 --> 00:32:52.079
<v Speaker 1>my daughter's gonna do.

648
00:32:52.759 --> 00:32:53.960
<v Speaker 3>Started high school?

649
00:32:54.079 --> 00:32:56.359
<v Speaker 2>So high school already, That's what I'm said.

650
00:32:56.400 --> 00:32:58.680
<v Speaker 1>I feel like you're just posting pictures of her, yeah,

651
00:32:58.720 --> 00:33:01.240
<v Speaker 1>with her in my arms like this, right, But has

652
00:33:01.279 --> 00:33:03.359
<v Speaker 1>she showed any interest on what she wants to do.

653
00:33:03.920 --> 00:33:07.200
<v Speaker 3>Uh. She's really good at cooking, She's really good at

654
00:33:07.279 --> 00:33:10.559
<v Speaker 3>make baking. Yeah, she just made the craziest batch of

655
00:33:10.599 --> 00:33:14.440
<v Speaker 3>cookies yesterday, scratch too nice at the store. Store bought

656
00:33:14.480 --> 00:33:16.400
<v Speaker 3>ones like She's just like, you know what, I'm bored.

657
00:33:16.400 --> 00:33:18.680
<v Speaker 3>I'm gonna just make it out out of nowhere. I'm like,

658
00:33:19.480 --> 00:33:21.319
<v Speaker 3>you might have a feature in that that might be

659
00:33:21.440 --> 00:33:24.240
<v Speaker 3>the next you know, Grandma's cookies or something. Yeah, right

660
00:33:24.480 --> 00:33:26.880
<v Speaker 3>crumbles or something like that and or something. I don't know.

661
00:33:26.880 --> 00:33:28.759
<v Speaker 2>The paris still out here in the five hours.

662
00:33:29.119 --> 00:33:32.880
<v Speaker 3>Yeah, we moved back, well, I moved back in about

663
00:33:33.359 --> 00:33:37.200
<v Speaker 3>twenty thirteen. I was in LA for a while and abroad.

664
00:33:37.559 --> 00:33:38.720
<v Speaker 2>Did they ever go with you?

665
00:33:39.599 --> 00:33:39.640
<v Speaker 1>No?

666
00:33:40.319 --> 00:33:40.359
<v Speaker 2>No?

667
00:33:40.799 --> 00:33:43.240
<v Speaker 3>Uh? And I made a conscious decision to do that

668
00:33:43.319 --> 00:33:48.359
<v Speaker 3>because I I was sleeping on couches, hotels and studios,

669
00:33:48.440 --> 00:33:50.759
<v Speaker 3>and like, I wouldn't I wouldn't dare drag my daughter

670
00:33:50.839 --> 00:33:53.799
<v Speaker 3>in my yeah around with me like that. So but

671
00:33:53.960 --> 00:33:56.039
<v Speaker 3>they they've been out here and I came back to

672
00:33:56.240 --> 00:33:57.960
<v Speaker 3>just you know, take care of them, take care of that,

673
00:33:58.599 --> 00:34:02.319
<v Speaker 3>you know, and be a dad. And but yeah, they've

674
00:34:02.359 --> 00:34:04.359
<v Speaker 3>been around the world with me. Though. That's cool.

675
00:34:04.400 --> 00:34:06.319
<v Speaker 2>Can we say, well, high school, she's going to school.

676
00:34:07.640 --> 00:34:08.960
<v Speaker 3>Come on, bro, you can't do that.

677
00:34:10.280 --> 00:34:11.880
<v Speaker 2>I'm just I'm just kind of tripping now that she's

678
00:34:11.920 --> 00:34:12.480
<v Speaker 2>in high school.

679
00:34:12.519 --> 00:34:13.280
<v Speaker 3>That is kind of price.

680
00:34:13.559 --> 00:34:16.440
<v Speaker 1>Yeah, grown speaking of high schools, man, I got a

681
00:34:16.440 --> 00:34:18.840
<v Speaker 1>shout out fast because you know, Fash has always been

682
00:34:18.880 --> 00:34:20.960
<v Speaker 1>a stand up dude. And we used to do these

683
00:34:21.039 --> 00:34:25.440
<v Speaker 1>high school tours and we had like an anti bullying

684
00:34:25.559 --> 00:34:29.280
<v Speaker 1>campaign that we were calling bullies or whack that I

685
00:34:29.320 --> 00:34:31.679
<v Speaker 1>output together, and I remember we just reached out to

686
00:34:31.760 --> 00:34:33.480
<v Speaker 1>Fashion if he could kind of be on this tour

687
00:34:33.559 --> 00:34:36.320
<v Speaker 1>with us, and man, without question, he joined us on

688
00:34:36.519 --> 00:34:39.400
<v Speaker 1>a few schools and we went around and he performed

689
00:34:39.440 --> 00:34:42.280
<v Speaker 1>for all the students. So, Fash has always been a

690
00:34:42.320 --> 00:34:44.320
<v Speaker 1>stand up dude. And when I wanted to interview him

691
00:34:44.679 --> 00:34:46.039
<v Speaker 1>or you know, for the podcast.

692
00:34:46.159 --> 00:34:48.199
<v Speaker 3>He's just like, let me know. So you know, I

693
00:34:48.280 --> 00:34:50.440
<v Speaker 3>got to shout you out for that. I appreciate you, Gisel.

694
00:34:51.559 --> 00:34:53.199
<v Speaker 1>I want to ask you this because you know, being

695
00:34:53.239 --> 00:34:58.119
<v Speaker 1>from Fresno, any Fresno rappers or artists out here, did

696
00:34:58.679 --> 00:35:01.119
<v Speaker 1>that you're digging or somebody that maybe the people need

697
00:35:01.159 --> 00:35:03.360
<v Speaker 1>to be on the lookout for some up and comers

698
00:35:03.440 --> 00:35:04.360
<v Speaker 1>and you got anybody?

699
00:35:06.199 --> 00:35:08.719
<v Speaker 3>Yeah, of course. Man, it's a let me see if

700
00:35:08.719 --> 00:35:14.880
<v Speaker 3>I can name a good five keep it in the sony.

701
00:35:15.960 --> 00:35:20.480
<v Speaker 3>It's an artist named female MC and just incredible. Artist

702
00:35:21.039 --> 00:35:24.440
<v Speaker 3>Fay three hundred, three hundred is really dope. He's a

703
00:35:25.000 --> 00:35:30.599
<v Speaker 3>young cat from College Street, my young bulldog Homie. Let's

704
00:35:30.599 --> 00:35:36.920
<v Speaker 3>see sir brother named sir, really dope artist t a

705
00:35:37.039 --> 00:35:42.440
<v Speaker 3>the handful and I'd have to say, oh, Sean f Yeah,

706
00:35:42.480 --> 00:35:44.559
<v Speaker 3>he was big. I guess it's his new cat named

707
00:35:44.679 --> 00:35:48.679
<v Speaker 3>Country Kid or something like that. Country Country. Definitely do

708
00:35:48.760 --> 00:35:53.000
<v Speaker 3>your homework on him if you haven't already. Yeah, I mean,

709
00:35:53.440 --> 00:35:54.480
<v Speaker 3>this is the plethora of him.

710
00:35:54.599 --> 00:35:56.599
<v Speaker 2>What's some piece of advice that you would you know,

711
00:35:57.239 --> 00:36:01.039
<v Speaker 2>it is a different with the social media being bigger

712
00:36:01.239 --> 00:36:03.559
<v Speaker 2>than what it was when you were a young kid.

713
00:36:03.679 --> 00:36:07.199
<v Speaker 2>What's something, what's something you could like give it to them, Uh,

714
00:36:07.519 --> 00:36:09.320
<v Speaker 2>you know, to take it to the next level.

715
00:36:10.159 --> 00:36:15.079
<v Speaker 3>Man, be fearless. Just be fearless. Be fearless and your

716
00:36:15.119 --> 00:36:18.559
<v Speaker 3>approach to your to your craft. And because at the

717
00:36:18.639 --> 00:36:20.880
<v Speaker 3>end of the day, what you do on this mic

718
00:36:20.920 --> 00:36:23.679
<v Speaker 3>and what you do in that studio was uh, you know,

719
00:36:23.800 --> 00:36:25.079
<v Speaker 3>you got to live with that and you got to

720
00:36:25.119 --> 00:36:27.119
<v Speaker 3>stand on that business. You know until to the day

721
00:36:27.199 --> 00:36:29.239
<v Speaker 3>you're gone, even after you're gone. You know, that's the

722
00:36:29.280 --> 00:36:32.000
<v Speaker 3>stuff that's going to feed your family and your and

723
00:36:32.119 --> 00:36:34.679
<v Speaker 3>your loved ones after you're gone. So make sure something

724
00:36:34.719 --> 00:36:37.440
<v Speaker 3>that's of substance and something that's up, something that you

725
00:36:37.480 --> 00:36:38.079
<v Speaker 3>can be proud of.

726
00:36:38.719 --> 00:36:40.599
<v Speaker 2>There's this thing in a DJ world where they tell

727
00:36:40.639 --> 00:36:41.800
<v Speaker 2>young DJs if you're just.

728
00:36:41.800 --> 00:36:44.159
<v Speaker 3>Don't worry about the streams and the cells, because that

729
00:36:44.320 --> 00:36:49.400
<v Speaker 3>stuff right there will get your that'll gets your m hm.

730
00:36:50.119 --> 00:36:54.119
<v Speaker 3>That gets you like depressed and like yeah, overdosing in

731
00:36:54.159 --> 00:36:56.840
<v Speaker 3>a hotel somewhere. You know what I'm saying. So do

732
00:36:56.960 --> 00:37:00.239
<v Speaker 3>the music because you love to make the music. Yeah,

733
00:37:00.239 --> 00:37:03.039
<v Speaker 3>other than that and everything else will follow. Yeah. Yeah,

734
00:37:03.159 --> 00:37:06.000
<v Speaker 3>You'll get your little white hot spot of time where

735
00:37:06.000 --> 00:37:08.800
<v Speaker 3>you shine and everyone the world notices, but not every

736
00:37:08.880 --> 00:37:10.719
<v Speaker 3>year is gonna be like that, Not every week is

737
00:37:10.760 --> 00:37:13.320
<v Speaker 3>gonna be like like that. So just do it for

738
00:37:13.440 --> 00:37:14.719
<v Speaker 3>the greater good. You know.

739
00:37:15.519 --> 00:37:17.159
<v Speaker 2>The thing that I was saying was, you know, in

740
00:37:17.239 --> 00:37:19.360
<v Speaker 2>the DJ world, they tell like young DJs that are

741
00:37:19.480 --> 00:37:22.800
<v Speaker 2>up and coming and still learning to do do as

742
00:37:22.840 --> 00:37:25.400
<v Speaker 2>many gigs as you can, like, don't worry about the pay,

743
00:37:26.119 --> 00:37:28.280
<v Speaker 2>just do just get out of the get out there

744
00:37:28.280 --> 00:37:30.159
<v Speaker 2>as much as you can. Is it the same mentality

745
00:37:30.239 --> 00:37:33.719
<v Speaker 2>for rappers to like do as many shows here?

746
00:37:33.840 --> 00:37:37.119
<v Speaker 3>Now? I don't know, like the young artists I've been

747
00:37:37.159 --> 00:37:39.760
<v Speaker 3>meeting lately, it is like that, like, man, I ain't

748
00:37:39.800 --> 00:37:43.280
<v Speaker 3>doing a show unless you give me thirty. Bro, you

749
00:37:43.320 --> 00:37:46.239
<v Speaker 3>gotta work to get to that. Yeah, you gotta work

750
00:37:46.639 --> 00:37:49.000
<v Speaker 3>to your value is up there, you know what I'm saying.

751
00:37:49.079 --> 00:37:52.639
<v Speaker 3>But I think in the beginning, like before you get

752
00:37:52.719 --> 00:37:55.840
<v Speaker 3>your your first album, before you do your or before

753
00:37:55.840 --> 00:37:58.440
<v Speaker 3>you make it to your sophomore album, just do as

754
00:37:58.519 --> 00:38:01.519
<v Speaker 3>much as you can do every show you can because

755
00:38:02.280 --> 00:38:03.840
<v Speaker 3>you have to study the crowd. So you have to

756
00:38:03.840 --> 00:38:07.920
<v Speaker 3>study which records translate best live on stage and which

757
00:38:07.960 --> 00:38:09.840
<v Speaker 3>records are better than the headphones at home. And you know,

758
00:38:09.920 --> 00:38:11.840
<v Speaker 3>in the winter time, and it's definitely an art form

759
00:38:11.880 --> 00:38:14.039
<v Speaker 3>to it. It's a whole art form to all of it.

760
00:38:14.239 --> 00:38:15.880
<v Speaker 3>So there's the art of tour. It's like there's the

761
00:38:15.960 --> 00:38:16.320
<v Speaker 3>art of war.

762
00:38:16.440 --> 00:38:21.679
<v Speaker 2>Right. So yeah, side note, I'm glad that you said

763
00:38:22.079 --> 00:38:24.239
<v Speaker 2>learn what works at the crowd. Jizo and I always

764
00:38:24.280 --> 00:38:29.400
<v Speaker 2>talk about about live shows where some of these artists,

765
00:38:29.519 --> 00:38:34.639
<v Speaker 2>even the big artists of today, they do. I feel like,

766
00:38:35.559 --> 00:38:37.880
<v Speaker 2>you didn't need to perform that song. Just stick with

767
00:38:38.000 --> 00:38:39.920
<v Speaker 2>the things that you know that will work. Or if

768
00:38:39.960 --> 00:38:42.559
<v Speaker 2>you're going to perform something new, there has to be

769
00:38:42.719 --> 00:38:46.800
<v Speaker 2>some sort of entertainment value to it where you you know,

770
00:38:47.079 --> 00:38:50.039
<v Speaker 2>and keep almost like keeping short one verse maybe, But

771
00:38:50.119 --> 00:38:51.000
<v Speaker 2>I'm glad you said that.

772
00:38:51.559 --> 00:38:54.199
<v Speaker 1>Don't don't get the audience to get annoyed with you

773
00:38:54.400 --> 00:38:57.639
<v Speaker 1>or bored with you because you're playing stuff they don't know. Yeah,

774
00:38:57.880 --> 00:39:00.159
<v Speaker 1>or maybe you're new and you want to perform, want

775
00:39:00.199 --> 00:39:02.000
<v Speaker 1>your whole album, but they don't even know one song.

776
00:39:02.079 --> 00:39:04.000
<v Speaker 3>You know what I'm saying. You just don't get mad

777
00:39:04.079 --> 00:39:06.079
<v Speaker 3>at the promoter for like telling you got to come

778
00:39:06.119 --> 00:39:09.920
<v Speaker 3>off stage now. Yeah, yeah, and you only did two songs. Yeah,

779
00:39:11.599 --> 00:39:14.239
<v Speaker 3>Like you ain't earned that that hour yet. Yeah. No,

780
00:39:14.360 --> 00:39:16.199
<v Speaker 3>you're right, you didn't earn that hour yet. So do

781
00:39:16.280 --> 00:39:21.840
<v Speaker 3>you remember your first paid gig? I don't think. Okay,

782
00:39:22.400 --> 00:39:22.800
<v Speaker 3>I don't know.

783
00:39:23.079 --> 00:39:24.440
<v Speaker 2>That must have been years ago.

784
00:39:25.400 --> 00:39:25.880
<v Speaker 3>Let's see.

785
00:39:27.400 --> 00:39:27.800
<v Speaker 2>Yeah, I.

786
00:39:29.360 --> 00:39:34.239
<v Speaker 3>Just thought, I just thought of ba Bylon. I think, wow,

787
00:39:34.320 --> 00:39:38.480
<v Speaker 3>he went all the way back. Yeah, I think he

788
00:39:38.760 --> 00:39:41.840
<v Speaker 3>paid me out of his pocket. I didn't even have

789
00:39:41.960 --> 00:39:44.159
<v Speaker 3>no fans and nothing. I had no reason to get paid,

790
00:39:44.760 --> 00:39:47.559
<v Speaker 3>just like you know what, somebody he's paid me on

791
00:39:47.639 --> 00:39:49.400
<v Speaker 3>his pocket. It was I can't tell it was an

792
00:39:49.480 --> 00:39:51.400
<v Speaker 3>X amount of money X amount.

793
00:39:51.760 --> 00:39:54.000
<v Speaker 2>During the hey day and this could I don't because

794
00:39:54.480 --> 00:39:57.320
<v Speaker 2>I'm sure it changed through the years. But if you

795
00:39:57.400 --> 00:40:01.079
<v Speaker 2>could pick, oh, once, what was always the last song

796
00:40:01.199 --> 00:40:02.000
<v Speaker 2>for a fast show?

797
00:40:04.039 --> 00:40:10.440
<v Speaker 3>Probably Samsonite Man. Probably Samsonite Man. I'll be like, all right, yeah,

798
00:40:10.440 --> 00:40:12.760
<v Speaker 3>I ended on that note, like, you know, there's no

799
00:40:12.880 --> 00:40:14.559
<v Speaker 3>city like this city. We got to go to the

800
00:40:14.679 --> 00:40:17.280
<v Speaker 3>next one. Hopefully it's his live is this one, but

801
00:40:17.559 --> 00:40:19.719
<v Speaker 3>I gotta go Samsonite Man back on the road. And

802
00:40:19.920 --> 00:40:22.440
<v Speaker 3>it was just a perfect exit and it's a high note.

803
00:40:22.519 --> 00:40:27.760
<v Speaker 3>It's like, is that the biggest response? Yeah? I think so,

804
00:40:27.840 --> 00:40:31.920
<v Speaker 3>because it's like that was my first, like one of

805
00:40:32.000 --> 00:40:34.400
<v Speaker 3>my first you know, classics, I guess hit if you

806
00:40:34.480 --> 00:40:34.719
<v Speaker 3>call it.

807
00:40:35.360 --> 00:40:39.000
<v Speaker 2>But yeah, so that yeah, still one of my favorites.

808
00:40:39.280 --> 00:40:43.360
<v Speaker 2>This kind of was an unofficial release, but it was

809
00:40:43.440 --> 00:40:46.440
<v Speaker 2>something I like beg to play on the radio. It

810
00:40:46.559 --> 00:40:51.280
<v Speaker 2>was the one with the Michael Jackson sample. That's still

811
00:40:51.360 --> 00:40:53.159
<v Speaker 2>like it's such as good.

812
00:40:53.239 --> 00:40:55.760
<v Speaker 1>Couldn't clear that I mean Jesus Christ, but just as

813
00:40:57.039 --> 00:40:59.119
<v Speaker 1>being sad. I mean I was playing it here, you

814
00:40:59.159 --> 00:40:59.559
<v Speaker 1>know what I mean?

815
00:41:01.360 --> 00:41:05.039
<v Speaker 3>My brother, Yeah, it was dope. Yeah, I mean, you know,

816
00:41:05.559 --> 00:41:07.840
<v Speaker 3>I got thousands of songs, man, I got thousands of

817
00:41:07.920 --> 00:41:10.760
<v Speaker 3>songs literally, so it's like you can pick one and

818
00:41:11.440 --> 00:41:13.400
<v Speaker 3>you know what you want with it. But yeah, I

819
00:41:13.519 --> 00:41:15.960
<v Speaker 3>just like I said before, I only do it because

820
00:41:16.000 --> 00:41:18.239
<v Speaker 3>you know, it keeps me saying and it brings me peace,

821
00:41:18.360 --> 00:41:20.840
<v Speaker 3>you know what I mean? So, and in turn it

822
00:41:20.920 --> 00:41:23.519
<v Speaker 3>brings other people's peace. So yeah, yeah. You know.

823
00:41:23.800 --> 00:41:26.599
<v Speaker 2>Another thing that you were kind of known for also

824
00:41:26.679 --> 00:41:29.239
<v Speaker 2>when viral we talked about the Sway Morning Show was

825
00:41:29.320 --> 00:41:32.559
<v Speaker 2>the freestyle you did. I remember you doing freestyles for us.

826
00:41:33.400 --> 00:41:38.599
<v Speaker 2>You were always great with freestylesmore grew up up then

827
00:41:38.639 --> 00:41:42.360
<v Speaker 2>the things I started seeing on YouTube just recently and

828
00:41:42.800 --> 00:41:46.440
<v Speaker 2>the past maybe four or five years. Uh, they do

829
00:41:46.599 --> 00:41:50.280
<v Speaker 2>these rap battles where there's no beat. Yeah, and I wait,

830
00:41:50.400 --> 00:41:53.519
<v Speaker 2>I like this style. Did you ever think about doing that?

831
00:41:53.760 --> 00:41:54.480
<v Speaker 2>Can you do that?

832
00:41:55.000 --> 00:41:57.559
<v Speaker 3>That's how I started. I started as a as a poet.

833
00:41:57.599 --> 00:41:59.719
<v Speaker 3>I just started as a battle rapper. But I started

834
00:41:59.760 --> 00:42:02.239
<v Speaker 3>out with no beat or nothing, no producers, no nothing.

835
00:42:02.360 --> 00:42:06.519
<v Speaker 3>So it was just the that just the spoken word

836
00:42:06.639 --> 00:42:10.159
<v Speaker 3>aspect of it. Deliver it with your hands and be charismatic.

837
00:42:10.280 --> 00:42:14.000
<v Speaker 3>And so that's how I started. But yeah, I'm not

838
00:42:14.199 --> 00:42:16.760
<v Speaker 3>really big into balance and I'm not really big into

839
00:42:16.920 --> 00:42:22.039
<v Speaker 3>like destroying my fellow. That's fair. We're not in front

840
00:42:22.039 --> 00:42:29.280
<v Speaker 3>of his family. Everybody's I'm more subtle with my article.

841
00:42:29.360 --> 00:42:31.239
<v Speaker 3>I'm more son zoo with my approach, you know what

842
00:42:31.280 --> 00:42:33.920
<v Speaker 3>I mean. Like you might catch a bar or two

843
00:42:34.159 --> 00:42:37.199
<v Speaker 3>on my album or or if I'm doing a freestyle

844
00:42:37.280 --> 00:42:39.239
<v Speaker 3>on the air, I might send a jab at a

845
00:42:39.320 --> 00:42:42.199
<v Speaker 3>rapper or something like that. But yeah, that whole face

846
00:42:42.239 --> 00:42:45.880
<v Speaker 3>to face stuff, it's not it's not really things we

847
00:42:46.000 --> 00:42:48.400
<v Speaker 3>did in Grially City. Man, niggas got shot for that.

848
00:42:50.239 --> 00:42:53.559
<v Speaker 3>Say something by my mom on my face, like my

849
00:42:53.639 --> 00:42:56.440
<v Speaker 3>baby Mom's like yeah, yeah, I don't got the mental

850
00:42:56.599 --> 00:42:57.280
<v Speaker 3>stability for.

851
00:42:57.320 --> 00:42:59.679
<v Speaker 2>That, just because just because I don't know anything about it?

852
00:42:59.840 --> 00:43:03.679
<v Speaker 3>Got emotional. I q would be a battle rapper because the.

853
00:43:03.760 --> 00:43:05.880
<v Speaker 2>Last thing I'll bring about the freestyling, just because I

854
00:43:05.920 --> 00:43:08.280
<v Speaker 2>don't know anything about it. I have no skill the freestyle.

855
00:43:08.519 --> 00:43:09.119
<v Speaker 3>Don't lie, man.

856
00:43:10.760 --> 00:43:13.960
<v Speaker 2>I always wanted to know, do you do do rappers

857
00:43:14.039 --> 00:43:18.440
<v Speaker 2>think of the last word? And then because they're doing

858
00:43:18.480 --> 00:43:22.239
<v Speaker 2>this on the spot, what what's the mental what's happening

859
00:43:22.280 --> 00:43:25.039
<v Speaker 2>in your brain? Do you think of the last word

860
00:43:25.280 --> 00:43:31.559
<v Speaker 2>that as you're just saying as you're rapping? Yeah, what

861
00:43:32.039 --> 00:43:34.480
<v Speaker 2>does the mind thinking? Let me think of the punchline?

862
00:43:35.400 --> 00:43:38.719
<v Speaker 2>And then you know, yeah, how does your just come out?

863
00:43:39.320 --> 00:43:42.119
<v Speaker 2>That's tough because if it just comes out there's some

864
00:43:42.920 --> 00:43:43.760
<v Speaker 2>fast has some.

865
00:43:44.519 --> 00:43:47.960
<v Speaker 3>I mean he's even done, just called the larynx or

866
00:43:47.960 --> 00:43:48.239
<v Speaker 3>some ship.

867
00:43:48.559 --> 00:43:50.000
<v Speaker 2>Okay, yeah, we'll go with that barn x.

868
00:43:50.079 --> 00:43:53.760
<v Speaker 3>Right, So I'll start with that, and I'm just and

869
00:43:53.880 --> 00:43:56.400
<v Speaker 3>if I catch a good tone, if I know I'm

870
00:43:56.440 --> 00:43:58.320
<v Speaker 3>in a good tone, yeah, I'll just stay there like

871
00:43:58.400 --> 00:44:01.159
<v Speaker 3>yo yo, get by it and out and and if

872
00:44:01.159 --> 00:44:03.840
<v Speaker 3>I know my tone is right, then I could say anything.

873
00:44:04.480 --> 00:44:07.320
<v Speaker 3>But then I'm like, now I need to fall into

874
00:44:07.360 --> 00:44:09.760
<v Speaker 3>a cadence, like I need to fall into a one

875
00:44:10.119 --> 00:44:12.880
<v Speaker 3>two three, some type of cadence, and if I fall

876
00:44:12.960 --> 00:44:16.760
<v Speaker 3>into one, when when I'm actually freestyling, like when I'm

877
00:44:16.800 --> 00:44:21.000
<v Speaker 3>not freestyling, I already have it, you know, premeditated murder,

878
00:44:21.039 --> 00:44:23.559
<v Speaker 3>you know what I mean. But when I'm like stumbling

879
00:44:23.599 --> 00:44:26.079
<v Speaker 3>into a cadence, I'll stay there and if my voice

880
00:44:26.079 --> 00:44:28.239
<v Speaker 3>sounds good, I stated, I'm not thinking about the words.

881
00:44:28.239 --> 00:44:31.519
<v Speaker 3>I'm thinking about my tone, thinking about like a trumpet player,

882
00:44:31.519 --> 00:44:34.079
<v Speaker 3>I'm I'm thinking like it's not words. These are notes

883
00:44:34.119 --> 00:44:35.880
<v Speaker 3>that I'm hitting. These are like cadences and ship like that.

884
00:44:36.000 --> 00:44:37.719
<v Speaker 3>So it's like I'm not even thinking about the words.

885
00:44:38.000 --> 00:44:40.519
<v Speaker 3>I think about the words after, like when I hear

886
00:44:40.559 --> 00:44:42.760
<v Speaker 3>it back like like oh that's what I said, I

887
00:44:42.920 --> 00:44:45.800
<v Speaker 3>zone out. I just do do that, you know, I

888
00:44:45.800 --> 00:44:50.719
<v Speaker 3>don't even think about the words. The words. Yeah, yeah,

889
00:44:50.719 --> 00:44:54.360
<v Speaker 3>I let God. I literally let God use me as

890
00:44:54.360 --> 00:44:56.599
<v Speaker 3>a vessel when I just spit it out. But I'm

891
00:44:56.679 --> 00:44:59.519
<v Speaker 3>more conscious of the tone and the timing in the cadence.

892
00:45:00.320 --> 00:45:02.920
<v Speaker 2>But I think where the gift is These words that

893
00:45:03.079 --> 00:45:04.559
<v Speaker 2>are coming out of your mouth makes sense?

894
00:45:04.840 --> 00:45:08.400
<v Speaker 3>Yeah, because I'm well read and I'm well I'm well read.

895
00:45:08.679 --> 00:45:11.320
<v Speaker 3>I love to read, and like I said, poetry was

896
00:45:11.639 --> 00:45:14.760
<v Speaker 3>a big ingredient to all of this. So I love

897
00:45:14.840 --> 00:45:15.159
<v Speaker 3>to read.

898
00:45:15.280 --> 00:45:15.400
<v Speaker 1>Man.

899
00:45:15.519 --> 00:45:18.639
<v Speaker 3>So it's like when I have to like just spit

900
00:45:18.719 --> 00:45:22.159
<v Speaker 3>out a barrage of words, it's not it's no problem,

901
00:45:22.199 --> 00:45:23.880
<v Speaker 3>for they're already in the bank. I know how to

902
00:45:24.000 --> 00:45:27.079
<v Speaker 3>articulate cust as much. I don't have to, just like

903
00:45:27.199 --> 00:45:29.480
<v Speaker 3>I know how to. I know how to do that part,

904
00:45:29.599 --> 00:45:31.239
<v Speaker 3>you know, I know how to articulate myself.

905
00:45:31.760 --> 00:45:33.960
<v Speaker 2>Anyone shopping beats right now? We were talking about, you know,

906
00:45:34.119 --> 00:45:35.119
<v Speaker 2>Jay Cole making beats.

907
00:45:37.039 --> 00:45:37.760
<v Speaker 3>Man, what's up.

908
00:45:40.119 --> 00:45:42.079
<v Speaker 2>Anyone you're working with right now? Or how does that

909
00:45:42.159 --> 00:45:45.000
<v Speaker 2>work for you? As like when you're making new songs,

910
00:45:45.320 --> 00:45:48.880
<v Speaker 2>does someone email you beats? Check this out? How does that?

911
00:45:49.159 --> 00:45:49.920
<v Speaker 2>How does that work?

912
00:45:50.760 --> 00:45:52.119
<v Speaker 3>It varies, man, it varies.

913
00:45:52.639 --> 00:45:55.239
<v Speaker 2>So sometimes you're searching for it, you ask, No, I'm.

914
00:45:55.199 --> 00:45:57.760
<v Speaker 3>Never searching for beats. That's the thing. I'm never searching

915
00:45:57.840 --> 00:46:00.360
<v Speaker 3>for like a new sound or I try to invent

916
00:46:00.440 --> 00:46:02.920
<v Speaker 3>a new sound, like I go like literally physically try to,

917
00:46:03.320 --> 00:46:07.760
<v Speaker 3>you know, physically make the beat myself. But always got

918
00:46:07.800 --> 00:46:11.119
<v Speaker 3>different relationships with producers that I can always tap in,

919
00:46:11.519 --> 00:46:14.079
<v Speaker 3>you know what I mean, Like if I want to

920
00:46:14.119 --> 00:46:17.079
<v Speaker 3>go to the south or make something southern or that vibe.

921
00:46:17.079 --> 00:46:19.480
<v Speaker 3>I'll go work with my brother Trent Taylor, who I

922
00:46:19.559 --> 00:46:22.559
<v Speaker 3>got an album coming out September twenty seventh with it's

923
00:46:22.639 --> 00:46:26.119
<v Speaker 3>called You. Oh what's with interest? And but yeah, I

924
00:46:26.480 --> 00:46:28.960
<v Speaker 3>just got different chambers and different producers I can build with,

925
00:46:29.079 --> 00:46:33.400
<v Speaker 3>So that's I'm never looking for them. I mean, yeah,

926
00:46:33.440 --> 00:46:34.920
<v Speaker 3>they always send me stuff like, Yo, you know what

927
00:46:35.039 --> 00:46:36.800
<v Speaker 3>I can hear fast on this, let me see, let

928
00:46:36.800 --> 00:46:38.920
<v Speaker 3>me send it to me. So there's a lot of that.

929
00:46:39.039 --> 00:46:41.880
<v Speaker 3>And then sometimes I'll go to a show and meet

930
00:46:41.880 --> 00:46:44.480
<v Speaker 3>a producer and they'd be like, you know what, nigga,

931
00:46:44.599 --> 00:46:46.800
<v Speaker 3>give me a USB or put this AirPod in my ear.

932
00:46:46.880 --> 00:46:49.119
<v Speaker 3>I'm like, let's go to the studio right now, you know.

933
00:46:49.320 --> 00:46:53.639
<v Speaker 3>And sometimes that's happened. But yeah, the process varies. And me,

934
00:46:54.719 --> 00:46:57.440
<v Speaker 3>I don't care about your name. It's all about your game,

935
00:46:58.159 --> 00:47:00.239
<v Speaker 3>you know. It's all about your game, so solid about

936
00:47:00.400 --> 00:47:02.119
<v Speaker 3>the quality of the music. So you can be a

937
00:47:02.199 --> 00:47:05.599
<v Speaker 3>guy with two followers or two million followers, and if

938
00:47:05.679 --> 00:47:07.920
<v Speaker 3>it ain't crack, we're not selling it. We're not smoking

939
00:47:07.960 --> 00:47:08.280
<v Speaker 3>it either.

940
00:47:09.159 --> 00:47:13.199
<v Speaker 1>Yeah, you brought up the album. What else you got

941
00:47:13.280 --> 00:47:15.239
<v Speaker 1>coming up? Or what else are you working on? I

942
00:47:15.280 --> 00:47:17.440
<v Speaker 1>think even before we jumped on this party City. You're

943
00:47:17.440 --> 00:47:20.400
<v Speaker 1>going on tour. Yeah, what's on that outlook for Fast

944
00:47:20.719 --> 00:47:21.159
<v Speaker 1>going on.

945
00:47:21.360 --> 00:47:26.199
<v Speaker 3>Tour for the fifteen year anniversary Boys World doing that.

946
00:47:27.800 --> 00:47:30.159
<v Speaker 3>But I won't be performing the album in this entirety.

947
00:47:30.320 --> 00:47:35.440
<v Speaker 3>I will just be doing my thing, trying to stuff

948
00:47:35.559 --> 00:47:38.559
<v Speaker 3>all my career into however many minutes they give me.

949
00:47:39.440 --> 00:47:41.559
<v Speaker 3>But yeah, we're going on tour Me Blue and Xile

950
00:47:42.280 --> 00:47:45.960
<v Speaker 3>Anniversary tour for all the albums n X Radio Turns

951
00:47:46.079 --> 00:47:51.000
<v Speaker 3>fifteen as well below the Heavens Turns I Forgot but Yeah,

952
00:47:51.039 --> 00:47:56.039
<v Speaker 3>that and Yeah album on the twenty seventh Europe in December.

953
00:47:56.320 --> 00:47:59.360
<v Speaker 3>I don't think I'll be home for Christmas. Definitely will

954
00:47:59.360 --> 00:48:00.519
<v Speaker 3>be gone to OVERM.

955
00:48:01.800 --> 00:48:02.800
<v Speaker 2>Movie on Amazon.

956
00:48:03.400 --> 00:48:06.760
<v Speaker 3>Movie on Amazon right now. Executive produced by Yours Truly

957
00:48:07.360 --> 00:48:10.880
<v Speaker 3>Really City Boy GCB. Casey was wondering with the tattoo

958
00:48:10.920 --> 00:48:14.400
<v Speaker 3>on my armment Yeah, man, just dugging it out. I'll

959
00:48:14.440 --> 00:48:18.039
<v Speaker 3>be producing a lot, just di some production on the

960
00:48:18.119 --> 00:48:21.719
<v Speaker 3>Violence in the Media album that just came out. Shout

961
00:48:21.719 --> 00:48:26.280
<v Speaker 3>out to Ramses. Yeah. All Held the King Part two

962
00:48:26.760 --> 00:48:30.559
<v Speaker 3>with Fresh Yard Records, Serve at Toronto. Produced the whole thing.

963
00:48:31.800 --> 00:48:34.880
<v Speaker 3>Carte Blanche with my brother Little Vic from New York

964
00:48:35.679 --> 00:48:39.400
<v Speaker 3>hopefully all these things come out before New Year's You

965
00:48:39.440 --> 00:48:40.280
<v Speaker 3>got a lot coming up.

966
00:48:40.360 --> 00:48:42.639
<v Speaker 2>Yeah, I don't know if the algorithm I just saw

967
00:48:43.679 --> 00:48:45.320
<v Speaker 2>like a video of you getting out of a bus

968
00:48:45.480 --> 00:48:47.039
<v Speaker 2>is this recently you just got did you just get

969
00:48:47.079 --> 00:48:47.639
<v Speaker 2>back from somewhere?

970
00:48:47.679 --> 00:48:49.440
<v Speaker 3>Or that was an old tour? That was a Thursday.

971
00:48:49.519 --> 00:48:54.239
<v Speaker 3>I was a throwback Thursday. Yeah, that was a throwback Thursday. Yeah.

972
00:48:54.360 --> 00:48:56.480
<v Speaker 3>So that was gonna run the Jewels tour. I was

973
00:48:56.519 --> 00:48:59.400
<v Speaker 3>a dope tour. That was my first bus tour. First

974
00:48:59.440 --> 00:49:02.519
<v Speaker 3>time I got to like a twelve bunk sick. That's dope.

975
00:49:02.639 --> 00:49:04.039
<v Speaker 3>That's dope, man Man to Archie J.

976
00:49:04.679 --> 00:49:10.199
<v Speaker 2>Well Man continued success. It's just been crazy seeing the

977
00:49:10.400 --> 00:49:15.400
<v Speaker 2>journey and from sixteen years holds now yeah wow right, about.

978
00:49:15.079 --> 00:49:17.519
<v Speaker 3>To be thirty six in October. Man, it's crazy.

979
00:49:18.880 --> 00:49:20.159
<v Speaker 2>Yeah twenty years oh.

980
00:49:20.159 --> 00:49:25.119
<v Speaker 3>Yeah yeah something like that. Yeah yeah yeah yeah. First

981
00:49:25.159 --> 00:49:27.760
<v Speaker 3>album is fifteen this year. But if we're talking like

982
00:49:27.800 --> 00:49:30.440
<v Speaker 3>Goodly City mixtape, shit, that that's turns eighteen this year.

983
00:49:30.719 --> 00:49:34.000
<v Speaker 3>The first mixtape turns eighteen this year, so wow, crazy,

984
00:49:34.360 --> 00:49:37.079
<v Speaker 3>it's crazy. Until next time. Fast shot Man waited it

985
00:49:37.119 --> 00:49:39.239
<v Speaker 3>on that He's up. Gee's out
