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Speaker 1: W m n h rip the dormals.

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Speaker 2: Ye yo, it's a show down kind of tending.

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Speaker 1: The booth, feasting on the beef.

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Speaker 3: Spitting nothing but the truth, unleashed like a lion radio waves.

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Speaker 4: He brows hammer fell flat, couldn't take the grouse. Matt Connaton,

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Victor rehea sight Mike on fire brock casting all night

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unleashed like a tiger shark with the nests. Hammack couldn't

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touch con Itson's the best MC hammer, but not with

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the flare. Connorton drop bars left him in despair. Radio Kingpin,

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the dials don't lie, beat too fresh, made the hammer

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cry unleash that could win through the air waves with

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them in the wit that the people craved from the.

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Speaker 5: Headphones down into the streets. A legend on the mic,

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claiming the beats.

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Speaker 6: Matt Contenson to.

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Speaker 4: Reincite Mike go one fire broadcasting all night on leash

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like a tiger sharp with the nets, Hammer couldn't touch

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connor Ten's the best came for the clash, but it

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ended a route. Matt Connorton on leash, without a doubt,

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took the crown.

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Speaker 2: No gimmicks, just skill.

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Speaker 5: Hammer's out of tricks Connor tends chill. That commentane for

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the class, but it ended a rout that Connatant unleashed without.

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Speaker 2: A doubt to the Crown, no gimmicks just skill. M

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is that of tricks? Connortense chill.

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Speaker 7: Sure, yeah it came from thesh but it didn't did

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about Matt kind of said, unleashed without.

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Speaker 8: A doubt the Crown, No gimmicks, just skill hammers out

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of tricks. Connotense chill, Eddy here, buddy one, Emela Dell.

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Speaker 9: Okay for the clash, but it did rout mat condos

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on unleash without a doubt, So the Crown, no gimmicks,

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just skill hammers out of tricks. Connotens chill, Yo, yo yoe.

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Speaker 2: It's the showdown.

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Speaker 3: Connor ten in the booths, feasting on the beef, spinning

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nothing but the truth, unleashed like a lion radio waves.

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He prowls, hammer fell flat, couldn't take the grouse. Matt Connaughton,

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Victor ree is sight.

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Speaker 10: Mike can fire, broadcasting all night, unleashed like a tiger

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sharp with finesse.

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Speaker 3: Hammer couldn't touch. Connor Tin's the best mc hammered, but

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not with the flare. Connor ten drop bars left them

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in despair. Radio Kingpin the dials don't lye beat too

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fresh made the hammer cry, unleashed and go win through

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the air waves. Wisdom in the win that the people

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craved from the headphones down into the streets. A legend

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on the mic claiming the beats.

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Speaker 10: Matt Connaughton victor ree is sight Mike can Fire broadcasting

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all night, unleashed like a tiger sharp the finesse hammer

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couldn't touch connor.

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Speaker 3: Ten's the best came for the clash, but it ended

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a route. Matt Connordson, unleashed, without a doubt, took the crown.

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No gimmicks, just skill hammers out of tricks Connorton's chill.

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Matt Connerson victory.

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Speaker 10: His sight, Mike Cafire broadcasting all night unleashed like a

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tiger shark with nes camra couldn't touch Connordson's.

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Speaker 3: Came for the clash, but it ended. Matt Connordson unleashed

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without a doubt.

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Speaker 2: To the crown.

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Speaker 3: No gimmicks, just scale hammers out a tricks. Conort ands chill, chill.

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Speaker 4: Chill.

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Speaker 11: On lea come out at night, carry to you speaking.

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Speaker 12: So no docking bars, stock playing Rotkytoggy.

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Speaker 11: Stoma stop on.

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Speaker 13: The go by.

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Speaker 6: Stuma round.

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Speaker 13: Y, don't come.

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Speaker 14: Oh that is so good.

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Speaker 15: That is final warning.

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Speaker 16: The band is Dog eight Dog and we have two

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members of Dog Eate Dog here with us, live in

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studio and they're gonna play for us and we're gonna

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speak with them in just a moment. But welcome everybody.

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This is our number three new Marrow trace of Matt

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Connorton unleashed on this Saturday morning. It is March fifteen,

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twenty twenty five. Welcome everybody. We are live from the

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studios of wm NH ninety five point three FM and

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Glorious Manchester, New Hampshire. And of course you can access

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the show from anywhere in the world. Go to mattconnorton

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dot com slash live for all your live streaming options,

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social media links, contact in Folks show archives, et cetera,

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et cetera. Jenny is here as well of course at

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the news table account of books. And by the way,

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before we go further, do you want to remind everybody

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about what's the big event tonight?

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Speaker 17: That event last tonight, But I'd love for you to

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join me at the Uncensored Underground Art experience from six

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to eight pm tonight at twenty Garden Walk here in

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the Queen City of Manchester, a showcase of political, provocative

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and other anti censorship art not safe for work and

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not suitable for all audiences. Join me and other artists

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as Dapper Tom Portia Jones, Hazel of Grimdark and many

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many more to see this incredible one day.

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Speaker 16: Only art experience.

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Speaker 17: Also going on this evening is the art Reception of

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the Moving Parts X excuse Me display of art at

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the Mosaic Art Collective, which is taking place tonight from

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Fossil from four to eight pm, and on March twenty

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six will be in Art Creek Night from five forty

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five to eight pm. The Mosaic Art Collective is right

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here in the Queen City at sixty six Anover Street,

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Sweet two one and if you like more information on that,

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check them out online. If you want to see more

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information on me and take a peek at the Insurance

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collection that will be on display tonight, go to Gencoffee

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dot com.

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Speaker 18: J E N N c O F f e y

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dot com.

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Speaker 16: All right, very good, and uh so we have as promised.

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Let me get those mics up here and they're gonna

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play live too, so we have Meg and Sarah.

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Speaker 15: Correct, Yes I was.

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Speaker 16: I was calling you Catherine off Air. I apologize, which

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is your middle name. So yes, let's see. I got

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to turn your mic up a little bit, and you

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all are gonna play live for us. By the way,

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I love that track Final Warning.

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Speaker 15: That is so good. Absolutely.

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Speaker 16: Jenny and I saw you at spelfe Fest and we

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were very impressed. You know, the songs, the energy, everything

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when the two of you sing together to that's a

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really really cool thanks.

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Speaker 15: So yeah, we enjoyed that a lot.

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Speaker 16: Sarah, can you go ahead and play play play a

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little bit on that keyboard for me for a minute.

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I want to make sure I've got you, got your

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work in here, got this on, and we'll see what happens.

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And I don't hear anything, which means I don't have

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why why is that?

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Speaker 15: Oh?

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Speaker 19: There we go, let's see how my title is.

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Speaker 16: Hm hm, yes, but I found you on the on

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the mixer here, so that's here we go. We go

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all right, and Meg, oh yeah, I was about to

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ask you to strum that. Yep, that sounds good. Sounds good, okay,

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And I've got you both talk a little for me,

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mag if you would. I want to make sure I

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can he there, got your vocal there talking here? Okay, cool? Cool,

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and we know we can hear Sarah. I think, Sarah,

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can you say something? Say something for me?

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Speaker 19: Good morning, it's a Saturday morning.

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Speaker 15: Okay, very good?

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Speaker 20: Yes?

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Speaker 15: Yes?

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Speaker 16: Is this this must be unusual right playing this early?

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I would imagine or acoustic like this.

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Speaker 20: We do a little duet thing called dog two dog sometimes,

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oh you do. Yeah, so this is like a little

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taste of dog two dogs.

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Speaker 16: Oh, very good, very good? And so how often how

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often do you play where it is just the two

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of you?

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Speaker 15: Is that once in a while or yeah, okay, yeah,

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once in a while.

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Speaker 19: Yeah, it's like a little sporadic. We haven't done it

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in a while.

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Speaker 3: Yeah.

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Speaker 20: Yeah. I'm playing at Feathered Friend Up and Conquered pretty

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soon next month, April twenty second, I believe, yeah, And

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I'd asked you to join me, but I don't know.

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Speaker 19: I look at my calendar.

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Speaker 21: But I did have Meg come and play some songs

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like the two that we're gonna do today and two

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of her originals at.

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Speaker 19: One of my last gigs. So that was cool. So

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any chance we can we have each other in on

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each other's gigs?

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Speaker 16: Oh okay, so it sounds so you both do a

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lot of solo shows too.

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Speaker 20: She does more than me. Oh okay, okay, that's kind

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of her like main gig that she's doing right now.

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Speaker 19: Yeah, trying to make it work.

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Speaker 20: Oh wow, I teach middle school. That's my main gig.

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Speaker 16: Oh wow, okay okay. And then so how often does

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Dog a Dog play out live?

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Speaker 19: We try to do like two or three among the month.

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Speaker 20: Yeah, yeah, yeah, we've tried to get more like choosy

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with what we do so we can so we can

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like not run ourselves ragged, but kind of right pick

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the best shows. We just had a big fundraiser for

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Planned Parenthood last Friday at the Jewel was called Voices Excellent.

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Speaker 16: Yeah.

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Speaker 20: We raised like over three thousand dollars for Planned Parenthood,

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So it was like it was a it was a

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big hit. Yeah, it was a great, great time. So

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we'd like to just do like stuff like that, like

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nice chosen things that you know.

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Speaker 16: Yeah, well you're sad at Spelfyfest was great, Like I said,

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Jenny and I were really impressed. And so now who

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else is in the band? When you've got the full band,

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you've got it's a four piece right.

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Speaker 15: When you play live?

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Speaker 6: Five?

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Speaker 16: Actually it's five.

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Speaker 15: Okay.

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Speaker 20: Yeah, we got Brad to Palma. He's also in Cosmic Blossoms.

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Speaker 16: Oh right, I was gonna say right, his name came

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up earlier.

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Speaker 20: Yeah, yes, we snagged him. We got Chris Drew on

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bass and then Santino Dumonti on drums.

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Speaker 16: Okay, yeah, okay, And how long has dogg a dog

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been around?

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Speaker 15: How long is that?

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Speaker 19: I was coming up on two years?

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Speaker 16: Okay, so so relatively new.

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Speaker 15: Yeah.

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Speaker 20: I saw Sarah singing with another band. She was sitting

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in and I was like, she needs to be in

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this band. Like yeah, so we snagged her, Like what

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what was it?

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Speaker 22: Like?

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Speaker 19: I think by October we were you.

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Speaker 21: We met April twenty twenty three, and I had seen

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you on I hadn't seen you live, I'd seen you

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on Instagram and I was blown away by your band

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at the time. And so when you came up to

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me at my band's gig, I'm like, oh, she knows me.

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Speaker 19: This is cool.

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Speaker 20: Yeah, now we're working together.

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Speaker 16: Oh very cool, very cool. Well do you want I'm

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dying to hear you play you want to play something

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for you? Okay, if you are just joining us. We

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have two of the members of Dog a dog or

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Dog two dog or.

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Speaker 20: We're representing Dog representing doggate.

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Speaker 15: There you go, There you go, and.

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Speaker 11: The clouds comralling.

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Speaker 23: And I'm terrified again, raindrops covering me.

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Speaker 6: All these things I can't.

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Speaker 18: Explain, and I was let. I felt darkness just like

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I felt darkness, just.

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Speaker 24: Like all these Stormsman's having a.

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Speaker 25: Decideing.

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Speaker 6: Can de sign out and design.

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Speaker 22: This storm?

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Speaker 6: Storm?

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Speaker 22: Decide me?

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Speaker 20: I know.

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Speaker 25: It's a category.

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Speaker 18: Burricane and it's been rushing through my hand.

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Speaker 11: And the Lasco crashy.

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Speaker 26: Turn the pieces from the supersonic way, turn the pieces

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on the supersonic w.

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Speaker 25: Holly storms May.

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Speaker 22: Decides he can't decide out and design am f A.

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Speaker 12: I have pins sort Storton, benides me high.

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Speaker 27: Try ivy can see.

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Speaker 23: Through the darkness that once swallowed up the sky, through

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the darkness that once swallowed up the sky.

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Speaker 25: All these stars Saturday.

250
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Speaker 12: Besides design out design, I have I have stop.

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Speaker 22: This side thing, this side thing.

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Speaker 15: Mm hmmm, that is really good. That is really good.

253
00:21:43,720 --> 00:21:46,400
Dog eate Dog here with us alive in studio.

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Speaker 16: We have Meg and Sarah here on this Saturday morning,

255
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and I feel like the secret weapon is the two

256
00:21:53,160 --> 00:21:55,319
of you singing together, you know what I mean, Like,

257
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I mean, it's.

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Speaker 20: Just that's most like you know, I feel like once

259
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we start doing that, we're like, okay, like this is

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something we need to like harness and like combined efforts.

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Speaker 2: Yeah.

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Speaker 15: Yeah, was that?

263
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Speaker 16: I mean, was it like that from the beginning of

264
00:22:10,759 --> 00:22:13,480
the two of you working, Like did that just come immediately?

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Speaker 18: Like that it kind of grew.

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Speaker 20: I feel like I was always kind of like, I

267
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don't know if you ever heard of like lead singeritis,

268
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like yeah, people, yeah, And I always had a hard

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time with that. And when Sarah joined the band, it

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was kind of this thing. It was like, Okay, are

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we gonna switch off? Or like what are we gonna do?

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Like I knew I like wanted, you know, another female,

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and I knew it like for a while and I

274
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and I just I was like, oh, she's perfect. Yeah,

275
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and it just you know, she really really really helped me.

276
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That's kind of a big strength of hers is just

277
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like harmonies, yeah, and you know, singing it like just

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finding a way to like mesh with other people. And

279
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so that was just like such a huge help in

280
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my like like bringing my musicianship up a notch.

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Speaker 16: Yeah, yeah, because that was my And I said that

282
00:23:05,400 --> 00:23:07,240
to Jenny too that night that I I saw you

283
00:23:07,319 --> 00:23:09,960
play it at Spelfy Fest. It's like when they sing together,

284
00:23:10,039 --> 00:23:13,759
it's just it's incredible, you know, it's really powerful. Yeah, yeah, yeah,

285
00:23:14,440 --> 00:23:15,599
it's a great it's.

286
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Speaker 19: A great experience.

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Speaker 21: And I think one of my first actually, I think

288
00:23:19,559 --> 00:23:21,359
the first gig I played with you guys.

289
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Speaker 19: We were learning B fifty two songs. Yeah, I think

290
00:23:25,759 --> 00:23:27,720
it was my idea. I don't want to take credit,

291
00:23:27,799 --> 00:23:29,000
but I love the B fifty two's.

292
00:23:29,400 --> 00:23:31,720
Speaker 21: But we had to get ready for some Halloween thing

293
00:23:31,799 --> 00:23:34,720
where the band's in the in the lineup had to

294
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like do songs from the band.

295
00:23:37,000 --> 00:23:40,039
Speaker 19: Yeah, and we chose to be picked that because of.

296
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Speaker 16: That, the choice arts that we needed for it.

297
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Speaker 15: Yeah, yeah, that makes sense.

298
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Speaker 19: That really pushed us to lock in.

299
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Speaker 21: Yeah, and I don't have a lot of I mean,

300
00:23:49,279 --> 00:23:51,279
I do have experience sing with other people, but not

301
00:23:51,640 --> 00:23:55,480
in this setting and with someone who's as much of

302
00:23:55,519 --> 00:23:59,079
a powerhouse as Meg, so it's pretty dope.

303
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Speaker 10: Yeah.

304
00:23:59,680 --> 00:24:00,960
Speaker 15: Yeah, no, that's awesome.

305
00:24:01,480 --> 00:24:03,920
Speaker 20: We did, like what we did rock lobster.

306
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Speaker 19: My top played songs of like twenty Yeah.

307
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Speaker 20: She was wearing a blonde wig like sliding down her

308
00:24:13,519 --> 00:24:14,000
head the whole.

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Speaker 19: I just got to get rid of it to the crib.

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Speaker 15: That's awesome. That's awesome.

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00:24:20,079 --> 00:24:22,759
Speaker 16: Now how many how many original songs does dogg a

312
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Dog have at this point?

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Speaker 13: Oh?

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00:24:26,039 --> 00:24:27,279
Speaker 8: Like, h.

315
00:24:29,079 --> 00:24:31,880
Speaker 15: I think I don't think you played any covers. It's

316
00:24:31,880 --> 00:24:33,799
spelfy Fest, right or did you remember?

317
00:24:34,079 --> 00:24:38,480
Speaker 19: We must? We probably did a few. Remember what what

318
00:24:38,640 --> 00:24:39,559
covers we were doing.

319
00:24:40,119 --> 00:24:42,880
Speaker 20: We were at a transitionary period that at that time too,

320
00:24:42,960 --> 00:24:48,119
because our guitar player had our guitar player had moved

321
00:24:48,440 --> 00:24:51,119
like he was moving on to other things, so we

322
00:24:51,200 --> 00:24:53,920
were looking for a lead guitar player. That's when Brad

323
00:24:54,039 --> 00:24:56,160
came up, like pretty much for the first time. Oh

324
00:24:56,240 --> 00:24:58,200
really yeah, and we were like, oh man, this works.

325
00:24:58,240 --> 00:25:00,319
So that's how we like we snagged Brad.

326
00:25:00,559 --> 00:25:01,839
Speaker 16: Oh okay, pretty lucky.

327
00:25:02,200 --> 00:25:03,200
Speaker 15: Yeah, yeah, but.

328
00:25:05,039 --> 00:25:09,519
Speaker 20: I think probably around like fifty probably like fifteen, like

329
00:25:09,599 --> 00:25:10,759
I don't know, like like ten.

330
00:25:10,799 --> 00:25:12,079
Speaker 19: Definitely albums worth.

331
00:25:12,279 --> 00:25:16,799
Speaker 20: Yeah, we like we're always working on different stuff. It's

332
00:25:16,880 --> 00:25:21,000
mostly the songwriting is mostly me and Sarah, yeah, yeah,

333
00:25:21,160 --> 00:25:24,359
and collaborating and with us, and then we kind of

334
00:25:24,400 --> 00:25:27,400
like bring our songs to the band and they kind

335
00:25:27,440 --> 00:25:29,200
of do their thing with it, which is pretty cool.

336
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Speaker 19: You guys definitely have I think most of the catalog

337
00:25:35,160 --> 00:25:36,880
still existed before I joined.

338
00:25:37,039 --> 00:25:39,759
Speaker 20: Yeah, okay, yeah, it's a lot of Some of this

339
00:25:39,799 --> 00:25:43,160
stuff is like stuff because I we were in a

340
00:25:43,200 --> 00:25:45,920
band called out of Water before dog It dog Me

341
00:25:46,079 --> 00:25:49,039
Chris and Santino, and I was just a singer. I

342
00:25:49,079 --> 00:25:52,079
didn't really play guitar yet much. So we kind of

343
00:25:52,160 --> 00:25:54,480
just threw a couple of songs together because out of

344
00:25:54,519 --> 00:25:56,240
Water had fallen apart, and then we were like, oh,

345
00:25:56,279 --> 00:25:58,559
this kind of works, and so we started doing that.

346
00:25:58,839 --> 00:26:01,440
So now we're kind of work on expanding our catalog

347
00:26:01,519 --> 00:26:04,400
and in you know, bringing more of Sarah's songs in

348
00:26:04,599 --> 00:26:05,640
and yeah, stuff like that.

349
00:26:06,000 --> 00:26:08,359
Speaker 15: Yeah where are you from? Where is the band from?

350
00:26:09,359 --> 00:26:12,720
Speaker 20: We practice in Salem, New Hampshire, Okay, yeah, Chris's house.

351
00:26:12,559 --> 00:26:15,279
Speaker 19: But you know, and I live like six minutes away

352
00:26:15,640 --> 00:26:17,599
in Salem as well, Okay.

353
00:26:17,720 --> 00:26:19,759
Speaker 20: Yeah, and I'm right in the area. I'm in Atkinson,

354
00:26:19,799 --> 00:26:22,680
New Hampshire, right, and yeah, so we're all like kind

355
00:26:22,680 --> 00:26:23,480
of close.

356
00:26:23,279 --> 00:26:23,839
Speaker 16: To that area.

357
00:26:24,079 --> 00:26:25,960
Speaker 15: Yeah. Yeah, that's good. That's good.

358
00:26:26,759 --> 00:26:29,039
Speaker 16: Are there other bands in the you know, because it

359
00:26:29,119 --> 00:26:31,160
happens organically. Are there other bands that you kind of

360
00:26:31,200 --> 00:26:33,359
team up with for shows? Is there anybody that you

361
00:26:33,680 --> 00:26:34,799
you play a lot of shows with.

362
00:26:35,400 --> 00:26:40,559
Speaker 20: Yeah, I mean there are so many really cool bands

363
00:26:40,599 --> 00:26:41,160
in the scene.

364
00:26:41,279 --> 00:26:44,519
Speaker 22: Like, oh, what was that?

365
00:26:44,839 --> 00:26:46,720
Speaker 20: What's that the band we put it with, The Worth

366
00:26:46,799 --> 00:26:51,200
in Fools Agenda Agenda Okay wait, yeah, yeah we have

367
00:26:52,240 --> 00:26:54,720
you know, uh, we have a show planned with them

368
00:26:56,559 --> 00:27:01,599
in April in Salem, mass Yeah, that's right, And we

369
00:27:01,880 --> 00:27:03,559
kind of team up with them because that's a female

370
00:27:04,039 --> 00:27:08,079
fronted band. We love our like good friends man, the

371
00:27:08,119 --> 00:27:08,839
tumble Toads.

372
00:27:09,039 --> 00:27:10,400
Speaker 18: I like doing shows with them.

373
00:27:10,880 --> 00:27:13,240
Speaker 19: Yeah, I think they the three of us are on

374
00:27:13,440 --> 00:27:14,200
the bill that night.

375
00:27:14,480 --> 00:27:16,680
Speaker 20: Yeah. Caylen Costello band, We definitely team.

376
00:27:16,559 --> 00:27:17,480
Speaker 16: Up with her a lot.

377
00:27:17,839 --> 00:27:19,519
Speaker 15: That name came up on the show recently.

378
00:27:19,839 --> 00:27:22,920
Speaker 20: Yeah, she's a really well known musician in the scene

379
00:27:22,920 --> 00:27:26,880
and she does a lot for the scene. Oh, she's

380
00:27:26,960 --> 00:27:29,119
done so much for us, Like she's just one of

381
00:27:29,200 --> 00:27:33,559
those people that like sees someone and wants to help

382
00:27:33,799 --> 00:27:36,000
like elevate them and you know, like you know, get

383
00:27:36,079 --> 00:27:38,799
them to where they want to be. She's super helpful.

384
00:27:39,119 --> 00:27:42,640
Speaker 15: Cool, cool, I don't.

385
00:27:42,480 --> 00:27:45,480
Speaker 20: Know any I'm trying to think of, like we we're

386
00:27:45,519 --> 00:27:46,839
trying to get on a bill with Cosmic.

387
00:27:46,920 --> 00:27:47,240
Speaker 27: That would be.

388
00:27:47,279 --> 00:27:49,720
Speaker 16: Cool'd a busy night for you?

389
00:27:50,039 --> 00:27:52,279
Speaker 20: Oh yeah, yeah, we're because we're both in Cosmic too.

390
00:27:54,160 --> 00:27:55,160
Speaker 15: Of the collective.

391
00:27:55,799 --> 00:27:58,680
Speaker 20: She's halfway there the song that you play, she's singing

392
00:27:58,720 --> 00:27:59,240
and halfway there.

393
00:27:59,319 --> 00:28:01,880
Speaker 16: Yeah, gotcha, Okay, Oh I love that song. Yeah we

394
00:28:02,240 --> 00:28:04,079
played that in the first hour. Yeah that's great.

395
00:28:04,240 --> 00:28:05,200
Speaker 19: Yeah, that's awesome.

396
00:28:05,319 --> 00:28:06,640
Speaker 15: Yeah, really good, really good.

397
00:28:06,720 --> 00:28:06,880
Speaker 3: Yeah.

398
00:28:07,319 --> 00:28:11,079
Speaker 21: I guess that would be a better or no, no,

399
00:28:11,279 --> 00:28:14,839
better time than now to mention that Cosmic Blossom and

400
00:28:15,039 --> 00:28:18,440
Dog a Dog will be playing at Strange Creek in May,

401
00:28:19,039 --> 00:28:19,400
back to.

402
00:28:19,519 --> 00:28:20,799
Speaker 19: Back, actually back to back.

403
00:28:20,920 --> 00:28:22,119
Speaker 20: We're gonna have a busy morning.

404
00:28:22,400 --> 00:28:23,640
Speaker 15: Yeah, good good.

405
00:28:23,839 --> 00:28:26,640
Speaker 20: Yeah, we're on a like eleven thirty Friday morning at

406
00:28:26,680 --> 00:28:29,519
Strange Creek and you can hit us up on like

407
00:28:29,680 --> 00:28:32,559
Messenger and stuff for tickets if you want. We're selling tickets.

408
00:28:33,200 --> 00:28:33,759
Speaker 22: And then.

409
00:28:35,480 --> 00:28:37,160
Speaker 20: Cosmic is what like one forty.

410
00:28:36,960 --> 00:28:39,599
Speaker 19: Five like I think to three.

411
00:28:40,000 --> 00:28:42,640
Speaker 20: Yeah, so it's like cool, yeah, back to back. So

412
00:28:42,799 --> 00:28:46,519
we're really proud to like all just kind of be

413
00:28:46,599 --> 00:28:49,200
able to work together and you know, all be in

414
00:28:49,279 --> 00:28:50,839
each other's projects. It's really really cool.

415
00:28:51,000 --> 00:28:52,599
Speaker 15: Yeah, Strange Creek. Where where is that?

416
00:28:53,279 --> 00:28:55,000
Speaker 19: That's Greenfield, mass.

417
00:28:55,000 --> 00:28:58,480
Speaker 15: Okay, okay, it's an all day it's.

418
00:28:58,319 --> 00:29:02,400
Speaker 20: An all weekends. Oh really okay, it's a Warmtown trading company.

419
00:29:02,880 --> 00:29:03,119
Speaker 15: Ok.

420
00:29:03,759 --> 00:29:03,960
Speaker 19: There.

421
00:29:04,839 --> 00:29:05,920
Speaker 20: It's this guy Mark.

422
00:29:06,319 --> 00:29:08,920
Speaker 19: I forget his last name, but we know him as Mark.

423
00:29:09,079 --> 00:29:13,559
Speaker 20: We know him just as Mark that he runs the

424
00:29:13,880 --> 00:29:15,880
Strange Creak and Warm Town Every year. There are two

425
00:29:16,000 --> 00:29:18,599
us is that. It's like in the spring, there's one

426
00:29:18,640 --> 00:29:20,839
in May, and then there's one in September. And there's

427
00:29:20,880 --> 00:29:24,200
just like just huge showcases of like the New England

428
00:29:24,279 --> 00:29:26,920
music scene, and just like he's so good at like

429
00:29:27,000 --> 00:29:29,799
bringing in people and there's like a Battle of the Band,

430
00:29:29,920 --> 00:29:32,799
so like people can try and get like a spot

431
00:29:33,400 --> 00:29:35,720
on there every year, and it's just there's so many

432
00:29:35,759 --> 00:29:38,160
people that really do a lot for the music scene.

433
00:29:38,319 --> 00:29:41,400
Speaker 15: Yeah. Yeah, Oh very cool, very cool. Do you want

434
00:29:41,400 --> 00:29:42,039
to play another one?

435
00:29:42,240 --> 00:29:42,440
Speaker 20: Sure?

436
00:29:43,240 --> 00:29:45,279
Speaker 16: If you're just joining us. We have Dog a Dog

437
00:29:45,359 --> 00:29:48,319
here with us live in studio. Meg and Sarah are

438
00:29:48,400 --> 00:29:51,079
here and sounding great and they're gonna play another one

439
00:29:51,160 --> 00:29:51,519
for us.

440
00:29:53,240 --> 00:30:02,039
Speaker 15: All right, make sure there we go. Okay. Cool.

441
00:30:12,000 --> 00:30:16,440
Speaker 28: They like to ask me what are you like about it?

442
00:30:19,279 --> 00:30:23,519
They like to ask me, where do you see yourself?

443
00:30:23,720 --> 00:30:25,279
Speaker 12: In five yees?

444
00:30:26,279 --> 00:30:29,799
Speaker 25: They like to ask me what are you feeling?

445
00:30:30,200 --> 00:30:37,079
Speaker 24: Insid They like to ask me questions I have no

446
00:30:37,480 --> 00:30:38,720
reply to.

447
00:30:52,759 --> 00:31:01,880
Speaker 29: But if I stayed four or five yes, hood only,

448
00:31:02,119 --> 00:31:03,519
then you die.

449
00:31:06,480 --> 00:31:13,000
Speaker 11: If I said your words to you, my friend, I

450
00:31:13,240 --> 00:31:16,240
just don't have them me.

451
00:31:18,359 --> 00:31:31,640
Speaker 18: Any more any more? Onto the box after all job.

452
00:31:34,000 --> 00:31:37,839
Speaker 28: Nine hours later, I released as.

453
00:31:37,920 --> 00:31:40,000
Speaker 18: The plumb strikes.

454
00:31:40,240 --> 00:31:42,480
Speaker 27: But along to the next test.

455
00:31:43,000 --> 00:31:45,200
Speaker 18: Don't be waited y.

456
00:31:47,839 --> 00:31:52,960
Speaker 25: Not much sleep for this one, knowing what awaits, and.

457
00:32:06,839 --> 00:32:11,960
Speaker 18: But I say for five years.

458
00:32:13,440 --> 00:32:15,799
Speaker 6: The word hon e.

459
00:32:16,079 --> 00:32:23,559
Speaker 18: If you die, I said your.

460
00:32:23,799 --> 00:32:29,119
Speaker 25: Word to you, but my friend, I just I don't

461
00:32:29,319 --> 00:32:41,319
have them me tenny more and I'm Gary old world.

462
00:32:43,200 --> 00:32:53,880
Speaker 13: Hi hand only let you die.

463
00:33:24,640 --> 00:33:29,000
Speaker 18: They like to ask me, Hey, what you like body?

464
00:33:29,599 --> 00:33:30,960
What you like about you?

465
00:33:31,160 --> 00:33:31,319
Speaker 13: If?

466
00:33:31,400 --> 00:33:35,240
Speaker 28: They like to ask me why you see you sep

467
00:33:35,640 --> 00:33:37,839
F five e monius.

468
00:33:38,200 --> 00:33:41,559
Speaker 18: They like to ask me what you feeling?

469
00:33:41,759 --> 00:33:42,559
Speaker 13: In time?

470
00:33:45,000 --> 00:33:50,279
Speaker 18: They like to ask me question I have no reply to.

471
00:33:52,039 --> 00:33:54,119
Speaker 11: I have no replying to.

472
00:33:55,400 --> 00:33:59,000
Speaker 1: I have no reply to, I have.

473
00:33:59,319 --> 00:34:00,759
Speaker 13: No fly to.

474
00:34:02,000 --> 00:34:04,039
Speaker 18: I am not reply to.

475
00:34:36,280 --> 00:34:39,199
Speaker 15: Another great song, great great job.

476
00:34:39,280 --> 00:34:43,079
Speaker 16: Doggie Dogg is here with us in studio, sounding absolutely

477
00:34:43,159 --> 00:34:47,119
fantastic we have of course Megan and Sarah with us here. Hey,

478
00:34:47,159 --> 00:34:48,719
where does the name come from? By the way, where

479
00:34:48,719 --> 00:34:50,079
does the name dogge dog come from?

480
00:34:51,840 --> 00:34:57,320
Speaker 20: Honestly, like, I don't know. We were just like really

481
00:34:57,400 --> 00:35:00,519
trying to find a name, and I I heard the

482
00:35:01,360 --> 00:35:05,559
term like dog eat dog world, and I just like

483
00:35:07,440 --> 00:35:10,880
felt like, I don't know, it was like a funny thing.

484
00:35:11,480 --> 00:35:13,400
And then like the logo I thought was cool because

485
00:35:13,679 --> 00:35:15,679
the dog with the eight and the dog and yeah,

486
00:35:15,719 --> 00:35:18,719
and the we had our friend, my friend Mallory Vass

487
00:35:19,800 --> 00:35:21,880
designed like a little logo when we were talking about

488
00:35:21,880 --> 00:35:23,800
it with like the eight ball in the middle, and

489
00:35:23,840 --> 00:35:25,559
I was like, oh, this is cool. Yeah. So it's

490
00:35:25,639 --> 00:35:28,599
like it's just kind of like an ode to, uh,

491
00:35:29,159 --> 00:35:32,679
how crappy the world can be sometimes, but how we

492
00:35:32,880 --> 00:35:35,239
can fight it with music and stuff.

493
00:35:36,320 --> 00:35:36,719
Speaker 15: I like that.

494
00:35:36,960 --> 00:35:37,320
Speaker 3: I like that.

495
00:35:38,119 --> 00:35:39,920
Speaker 16: I'm curious to know too, how how each of you

496
00:35:40,079 --> 00:35:42,119
learned to sing, if you're if you had formal training

497
00:35:42,239 --> 00:35:44,000
or if you're self taught or whatever, because you both

498
00:35:44,039 --> 00:35:46,719
have such great voices. And again, you know, like I said,

499
00:35:46,719 --> 00:35:48,599
I feel like your secret weapon is how how well

500
00:35:48,639 --> 00:35:51,480
they work together, but also too individually. You both sing

501
00:35:51,760 --> 00:35:55,159
just really really well. I'm jealous. I went through like

502
00:35:55,199 --> 00:35:57,599
three different vocal teachers and I still can't sing. But

503
00:35:58,519 --> 00:36:00,280
so I'm really curious how you both learned to sing.

504
00:36:01,920 --> 00:36:02,760
I want to go first there.

505
00:36:03,320 --> 00:36:07,599
Speaker 21: Sure, well, I grew up watching my mother sing in church,

506
00:36:07,719 --> 00:36:10,280
so that was a really good start, and she was.

507
00:36:10,280 --> 00:36:12,440
Speaker 19: A canter the family mass downstairs.

508
00:36:12,880 --> 00:36:14,679
Speaker 21: And then I joined the teen choir when I got

509
00:36:14,679 --> 00:36:18,559
a bit older, and then when I got sick of that.

510
00:36:19,039 --> 00:36:23,039
I mean, choir is beautiful, but I would join a

511
00:36:23,039 --> 00:36:27,960
women's choir again, honestly. But I did some like musical

512
00:36:28,000 --> 00:36:29,800
theater here and there. I'm not a theater geek, but

513
00:36:29,840 --> 00:36:33,440
I did some every now and then, and so most

514
00:36:33,480 --> 00:36:35,280
of my life. I guess you could say I've been singing,

515
00:36:35,360 --> 00:36:40,320
but the lessons were a little on and off. Yeah,

516
00:36:40,400 --> 00:36:43,360
it's just something I've always loved to do. Yeah, I

517
00:36:43,920 --> 00:36:46,400
don't sing fancy schmancy like Whitney Houston or.

518
00:36:48,000 --> 00:36:48,960
Speaker 27: I beg to differ.

519
00:36:49,159 --> 00:36:53,760
Speaker 19: I mean, when the mood strikes and get enough drinks

520
00:36:53,800 --> 00:36:58,079
in me. But you know, it's I don't know, I

521
00:36:58,239 --> 00:37:00,760
just I love it. It's what I've been doing my

522
00:37:00,800 --> 00:37:04,159
whole life. You're you're a theater geek. I'm really not,

523
00:37:04,400 --> 00:37:06,800
though I haven't even seen Wicked yet.

524
00:37:10,960 --> 00:37:13,800
Speaker 16: No, I'm it's cool though that you started out, you know,

525
00:37:13,960 --> 00:37:16,960
having a mom who sang yeah. You know that that

526
00:37:17,119 --> 00:37:19,360
probably gave you a good push right in that direction.

527
00:37:19,159 --> 00:37:21,920
Speaker 19: Really did. She's great she because she would sing low

528
00:37:21,960 --> 00:37:22,920
and then she'd sing hi.

529
00:37:23,199 --> 00:37:25,599
Speaker 21: And it's funny. Her name is Jonie as well. And

530
00:37:25,719 --> 00:37:28,679
I've really been into Joni Mitchell recent oh really yeah.

531
00:37:28,679 --> 00:37:30,679
Speaker 19: The past couple of years. More, I'm like, why have

532
00:37:30,760 --> 00:37:33,519
I not listened to her more? I feel like the

533
00:37:33,760 --> 00:37:37,199
parts of her voice that she would use are parts

534
00:37:37,280 --> 00:37:39,760
that I like to use and don't want to be shy.

535
00:37:40,039 --> 00:37:41,760
I don't want to shy away. I don't feel like.

536
00:37:41,800 --> 00:37:46,360
Speaker 20: I have to. I don't know, like sing any sort

537
00:37:46,360 --> 00:37:46,679
of thing.

538
00:37:47,039 --> 00:37:50,920
Speaker 21: Singing with your head voice is such a beautiful sound

539
00:37:51,000 --> 00:37:54,159
that I feel maybe we don't hear enough on popular

540
00:37:54,320 --> 00:37:56,599
radio as often, if.

541
00:37:56,480 --> 00:37:57,159
Speaker 19: That makes sense.

542
00:37:57,960 --> 00:38:00,320
Speaker 21: And when I just I listened through on the Blue

543
00:38:00,320 --> 00:38:02,760
album and you Meg, you love that album too, You're

544
00:38:02,760 --> 00:38:06,480
a Joni fan and she just uses her voice as

545
00:38:06,480 --> 00:38:07,159
an instrument, and.

546
00:38:07,159 --> 00:38:09,119
Speaker 16: I think it's yeah, there's really no.

547
00:38:10,719 --> 00:38:11,960
Speaker 19: There's no limits.

548
00:38:12,400 --> 00:38:15,119
Speaker 15: Is your mom supportive? Like, does she come see you

549
00:38:15,199 --> 00:38:15,840
live and everything.

550
00:38:16,360 --> 00:38:19,639
Speaker 21: She hasn't been to the rock shows, and I get it,

551
00:38:19,880 --> 00:38:22,440
you know, not everybody, not everybody's parents are into that.

552
00:38:22,800 --> 00:38:27,519
Speaker 19: But she will come to my solo gigs, my duo gigs.

553
00:38:27,480 --> 00:38:30,480
Speaker 21: And yeah, she came to one last month and she's

554
00:38:30,559 --> 00:38:33,199
really She saw us do the songs that we just

555
00:38:33,280 --> 00:38:36,840
did and she seemed really really impressed. Like, oh, like

556
00:38:36,960 --> 00:38:39,880
not only she's singing, but she's writing and working with

557
00:38:40,000 --> 00:38:42,480
this other musician who's really passionate.

558
00:38:42,599 --> 00:38:45,360
Speaker 20: Yeah, your dad was like super super excited about it.

559
00:38:45,480 --> 00:38:49,000
Her dad's also a musician. Oh okay, piano player.

560
00:38:48,800 --> 00:38:49,440
Speaker 15: Oh no kidding.

561
00:38:49,599 --> 00:38:50,840
Speaker 19: Jazz at Berkeley grad.

562
00:38:51,320 --> 00:38:54,519
Speaker 21: Oh came from New Zealand in nineteen eighty and oh wow,

563
00:38:54,639 --> 00:38:56,760
he went there and then he taught there. He hasn't

564
00:38:56,800 --> 00:38:59,000
taught there since I was a little kid. But he

565
00:38:59,079 --> 00:39:02,440
and my mom met at a at a restaurant. My

566
00:39:02,519 --> 00:39:04,960
mom was singing and she was a singing waitress and

567
00:39:05,039 --> 00:39:08,440
my dad was called Lonesome Joe, that's.

568
00:39:08,320 --> 00:39:12,480
Speaker 19: Not his real name. He played the piano and they

569
00:39:14,280 --> 00:39:16,559
found each other that way, and it's pretty cool.

570
00:39:16,760 --> 00:39:19,559
Speaker 16: Yeah, music is just in my family.

571
00:39:19,719 --> 00:39:21,599
Speaker 15: That's awesome. Did he teach you how to play piano

572
00:39:21,719 --> 00:39:23,280
or he will.

573
00:39:23,159 --> 00:39:26,079
Speaker 19: Teach me some things. But I think it's just he

574
00:39:26,199 --> 00:39:27,880
could teach me a lot more. But I think it's

575
00:39:27,960 --> 00:39:29,960
just that he's my dad, where sometimes I want to

576
00:39:30,199 --> 00:39:31,320
do everything myself.

577
00:39:31,480 --> 00:39:31,679
Speaker 15: Yeah.

578
00:39:31,719 --> 00:39:33,920
Speaker 16: Yeah, and now I get that I'm still a kid at.

579
00:39:33,840 --> 00:39:37,440
Speaker 21: Heart, but he'll like get me, get the ball rolling

580
00:39:37,519 --> 00:39:39,440
for me if I want to learn like a bread

581
00:39:39,559 --> 00:39:41,000
song or an Elton John song.

582
00:39:41,639 --> 00:39:44,400
Speaker 16: Oh, very cool, very cool, And how about how about you?

583
00:39:44,440 --> 00:39:44,639
Speaker 15: Meg?

584
00:39:45,320 --> 00:39:50,039
Speaker 20: I'm like, I'm not too much formally trained. I think

585
00:39:51,280 --> 00:39:55,039
like my sister was a big inspiration to me. She

586
00:39:55,320 --> 00:39:57,800
was always in theater and stuff. Her name's Kelsey Collins.

587
00:39:58,639 --> 00:40:03,559
She I don't know. Her and her husband are local musicians,

588
00:40:03,639 --> 00:40:07,760
Malcolm Homes. He's on. They're good friends with Robosavado. Oh okay, yeah,

589
00:40:07,800 --> 00:40:09,480
they do his show sometimes.

590
00:40:09,639 --> 00:40:10,079
Speaker 15: Oh okay.

591
00:40:10,199 --> 00:40:12,519
Speaker 20: But she is an amazing singer and I I just

592
00:40:12,599 --> 00:40:15,599
grew up and she was always like just the music one,

593
00:40:15,639 --> 00:40:17,360
and we would go see her theater shows and she

594
00:40:17,519 --> 00:40:19,800
played piano, and I just always looked up to her

595
00:40:19,880 --> 00:40:23,119
so much. Yeah, but it was more like singing to

596
00:40:23,199 --> 00:40:27,480
myself a lot. And then I got I went to

597
00:40:27,760 --> 00:40:30,440
high school with Chris Drew our bass player and our

598
00:40:30,519 --> 00:40:37,079
band now and we weren't too close. But when I

599
00:40:37,199 --> 00:40:39,880
was like twenty, i'd like to say he they had

600
00:40:39,920 --> 00:40:42,599
a band called out of Water and he was I

601
00:40:42,760 --> 00:40:44,199
had messaged him about it and was like, oh, it's

602
00:40:44,199 --> 00:40:45,719
so cool, Like you're in a band. I want to

603
00:40:45,760 --> 00:40:47,519
come check you guys out. I want to be in

604
00:40:47,559 --> 00:40:48,239
a band someday.

605
00:40:48,719 --> 00:40:49,199
Speaker 27: I love to sing.

606
00:40:49,280 --> 00:40:51,440
Speaker 20: And he was like, oh, like our singer actually just quit,

607
00:40:51,559 --> 00:40:53,639
so like, do you want to come try out? So

608
00:40:54,079 --> 00:40:56,800
I had never really formally sang or I never even

609
00:40:56,800 --> 00:40:59,119
sang into a microphone or anything. Okay, they gave me

610
00:40:59,199 --> 00:41:02,000
a chance, and I I've definitely been working on like

611
00:41:02,159 --> 00:41:06,119
my skills since, but just kind of just I love

612
00:41:06,199 --> 00:41:09,239
doing it. I love the expressive aspect of it, just

613
00:41:09,400 --> 00:41:11,159
like writing your own words and then being able to

614
00:41:11,239 --> 00:41:12,920
express them in the way that you want.

615
00:41:13,119 --> 00:41:17,280
Speaker 16: Yeah, yeah, awesome, awesome. No, And then the two of you,

616
00:41:17,519 --> 00:41:20,159
like I said, the two of you singing together is fantastic.

617
00:41:20,239 --> 00:41:23,639
And where was the single that we played.

618
00:41:24,920 --> 00:41:25,559
Speaker 15: When we open up?

619
00:41:25,599 --> 00:41:26,039
Speaker 12: So what was it?

620
00:41:26,159 --> 00:41:26,239
Speaker 16: Oh?

621
00:41:26,320 --> 00:41:28,199
Speaker 15: Final Warning? Where was that recorded?

622
00:41:28,719 --> 00:41:28,840
Speaker 23: Oh?

623
00:41:28,960 --> 00:41:30,280
Speaker 19: We did that on our own, did you?

624
00:41:30,519 --> 00:41:30,719
Speaker 7: Yeah?

625
00:41:30,920 --> 00:41:33,800
Speaker 15: That was really good. It's it's cool that you know.

626
00:41:33,840 --> 00:41:35,559
Speaker 16: We live in an era where there's so many different

627
00:41:35,559 --> 00:41:37,320
options as far as recording, you know, and you can

628
00:41:37,360 --> 00:41:39,000
do You can do something on your own and make

629
00:41:39,079 --> 00:41:41,079
it sound like it was done a million dollar studio.

630
00:41:41,440 --> 00:41:45,039
Speaker 20: Yeah. Yeah, we're hoping to get with with Pete soon too.

631
00:41:45,559 --> 00:41:49,079
Gary had mentioned him. Yes, he's just become like someone

632
00:41:49,119 --> 00:41:50,639
that a lot of people in the music scene use.

633
00:41:50,760 --> 00:41:53,599
He's super professional and just like, really.

634
00:41:53,719 --> 00:41:54,559
Speaker 15: What's his last name?

635
00:41:54,800 --> 00:41:55,280
Speaker 22: I forget.

636
00:41:55,360 --> 00:41:58,000
Speaker 16: It's like because I feel like I know who you're

637
00:41:58,039 --> 00:41:59,800
talking about, but I'm not sure.

638
00:42:00,039 --> 00:42:02,559
Speaker 20: Blanking on his last name. He's done like he did

639
00:42:03,639 --> 00:42:05,599
halfway there for us. He's done a lot of the

640
00:42:05,679 --> 00:42:08,840
Fox and Flamingos stuff, percussive maintenance stuff.

641
00:42:08,960 --> 00:42:10,840
Speaker 15: It's not Pequin.

642
00:42:11,039 --> 00:42:11,400
Speaker 16: I don't know.

643
00:42:15,000 --> 00:42:18,280
Speaker 20: But yeah, I also wanted to take a chance to

644
00:42:18,440 --> 00:42:23,440
just promote this, the show that we're doing with Terminus. Oh, yes,

645
00:42:24,440 --> 00:42:27,159
March thirtieth, Yes, Mark thirtieth. So Terminus is like an

646
00:42:27,280 --> 00:42:32,599
underground New Hampshire music scene type of like you call

647
00:42:32,679 --> 00:42:34,760
them like a group or like a club or something.

648
00:42:35,119 --> 00:42:40,840
But they have a space in Nashua and it's super intimate.

649
00:42:41,000 --> 00:42:43,000
There's little couches in there and stuff.

650
00:42:43,800 --> 00:42:45,880
Speaker 15: I tell everybody. When they walk into that room, it's

651
00:42:45,920 --> 00:42:47,119
like walking into another world.

652
00:42:47,280 --> 00:42:49,079
Speaker 20: Oh it's wonderful.

653
00:42:49,159 --> 00:42:50,559
Speaker 19: I can't wait. I haven't been in there yet.

654
00:42:50,559 --> 00:42:52,280
Speaker 15: Oh yeah, Yeah it's impressive.

655
00:42:52,400 --> 00:42:55,400
Speaker 20: Yeah, lights and the decorations and it's just like, oh

656
00:42:55,440 --> 00:42:58,639
my god. And they're like really revamping like the brand

657
00:42:58,760 --> 00:42:59,239
and stuff.

658
00:42:59,480 --> 00:42:59,679
Speaker 4: Yeah.

659
00:43:01,000 --> 00:43:03,639
Speaker 20: Eleanor Luna is someone I've been talking to and sim

660
00:43:04,480 --> 00:43:06,280
are two people that I've been kind of like working with.

661
00:43:06,639 --> 00:43:06,840
Speaker 15: Yeah.

662
00:43:06,960 --> 00:43:09,159
Speaker 20: So yeah, we're gonna be playing a show March thirtieth

663
00:43:09,199 --> 00:43:16,760
there with Sunset Electric and I'm blanking on the other band. Yeah.

664
00:43:17,920 --> 00:43:19,639
But yeah, it's gonna be it's gonna be good. It's

665
00:43:19,639 --> 00:43:21,000
gonna be like the first time that they're kind of

666
00:43:21,079 --> 00:43:23,239
like reopening as like their new YEA thing.

667
00:43:23,400 --> 00:43:25,519
Speaker 16: So they did an open house that Jenny and I

668
00:43:25,599 --> 00:43:27,199
were at, but yeah, this will be like the first

669
00:43:27,239 --> 00:43:30,320
official like show yeah of the kind of the new era.

670
00:43:30,559 --> 00:43:30,719
Speaker 9: Yeah.

671
00:43:30,800 --> 00:43:33,239
Speaker 20: Yeah, they're they're great for the music scene. They really

672
00:43:33,320 --> 00:43:35,360
do a whole lot for everybody. Yeah.

673
00:43:35,679 --> 00:43:38,800
Speaker 16: I've known Eleanor Andre for she's probably been twenty years now.

674
00:43:38,960 --> 00:43:39,960
Speaker 19: Oh wow really.

675
00:43:39,880 --> 00:43:41,559
Speaker 15: Yeah, Yeah, I've done a lot with them over the years.

676
00:43:41,639 --> 00:43:41,800
Speaker 20: Yeah.

677
00:43:41,840 --> 00:43:43,480
Speaker 15: Yeah, the other great, great people.

678
00:43:43,559 --> 00:43:46,039
Speaker 20: It's just like even people like you. It's like, you know,

679
00:43:46,199 --> 00:43:48,719
like just coming here on a Saturday and just like

680
00:43:48,880 --> 00:43:51,360
hearing all the local music and yeah, and just like

681
00:43:51,480 --> 00:43:53,079
helping us get our music out there. It's like you

682
00:43:53,079 --> 00:43:55,679
don't know how much that means to everybody. Yeah, it's

683
00:43:55,760 --> 00:43:59,960
really really cool. How how people work just all together

684
00:44:00,039 --> 00:44:01,760
there in this little music scene we have.

685
00:44:02,039 --> 00:44:04,320
Speaker 16: Yeah, yeah, yeah, we we do our part here. And

686
00:44:04,400 --> 00:44:06,760
you mentioned too, not only this show, but Rob's show.

687
00:44:06,760 --> 00:44:08,679
Of course, granted State of Mind Rob as a veto

688
00:44:09,360 --> 00:44:11,960
Friday nights at six pm. He's he's doing great things too.

689
00:44:13,239 --> 00:44:14,880
It's it's great to have him as a part of

690
00:44:15,039 --> 00:44:16,920
w M and H. I was on his show recently.

691
00:44:16,960 --> 00:44:18,360
Once in a while, I'll popping on his show.

692
00:44:18,519 --> 00:44:19,199
Speaker 20: He's a great guy.

693
00:44:20,320 --> 00:44:22,199
Speaker 15: And of course and of course Pembroke City Limits. This

694
00:44:22,599 --> 00:44:24,360
place is huge for the scene.

695
00:44:24,760 --> 00:44:27,599
Speaker 19: We actually played there, Oh you did, yeah, yeah, actually

696
00:44:27,800 --> 00:44:28,639
you and your sister.

697
00:44:28,960 --> 00:44:30,719
Speaker 20: Yeah yeah, my sister came up so.

698
00:44:30,920 --> 00:44:33,079
Speaker 15: Really yeah yeah, oh very cool.

699
00:44:33,519 --> 00:44:35,199
Speaker 20: Got Sarah Bird and friends shows.

700
00:44:35,639 --> 00:44:38,280
Speaker 19: Oh okay, my friends delivered.

701
00:44:39,760 --> 00:44:41,960
Speaker 15: Nice. Nice. Oh that's fantastic.

702
00:44:42,119 --> 00:44:42,320
Speaker 30: Yeah.

703
00:44:43,280 --> 00:44:46,159
Speaker 15: Do you have plans to record? To do more? Record more?

704
00:44:46,199 --> 00:44:47,519
Because you've got great songs.

705
00:44:47,599 --> 00:44:48,960
Speaker 14: I mean, you know you got to.

706
00:44:49,079 --> 00:44:50,840
Speaker 15: I assume you have plans to record more of them.

707
00:44:51,119 --> 00:44:51,920
We do hopefully.

708
00:44:52,159 --> 00:44:55,440
Speaker 20: Yeah, we're just like fine tuning them and like I'm like,

709
00:44:55,960 --> 00:44:57,599
we're trying to go back and forth, but like you

710
00:44:57,880 --> 00:45:00,760
like using a studio or like like how we did

711
00:45:00,800 --> 00:45:03,679
find a warning and it's like using a studio is

712
00:45:03,800 --> 00:45:07,960
just so seamless sometimes and it's so helpful with like

713
00:45:08,199 --> 00:45:16,599
the mastering and stuff because I'm no tech prodigy. Yeah,

714
00:45:16,800 --> 00:45:19,360
so we're just like trying to like fine tune everything

715
00:45:19,840 --> 00:45:22,559
like the harmonies and stuff and really like and then

716
00:45:22,599 --> 00:45:25,880
we're definitely gonna go in and probably do just like

717
00:45:26,639 --> 00:45:31,360
a bunch uh one time. Yeah, hopefully hopefully soon.

718
00:45:31,440 --> 00:45:32,719
Speaker 15: Yeah yeah, very cool.

719
00:45:32,880 --> 00:45:33,039
Speaker 20: Yeah.

720
00:45:33,199 --> 00:45:35,079
Speaker 16: And it'll be the band you play live with. Will

721
00:45:35,079 --> 00:45:36,159
they also be in the studio with you?

722
00:45:37,360 --> 00:45:40,840
Speaker 20: Of course. We are so happy to have, like especially

723
00:45:40,960 --> 00:45:47,400
Brad Join he shreds. It's like, oh my god. When

724
00:45:47,440 --> 00:45:49,840
I was like when he was kind of playing with

725
00:45:49,960 --> 00:45:52,280
us a little bit, I was like, oh, like you

726
00:45:52,360 --> 00:45:53,760
think he would be in our band?

727
00:45:54,920 --> 00:45:56,960
Speaker 19: And when he like and he was like oh yeah, Like.

728
00:45:57,079 --> 00:45:59,639
Speaker 20: It's just like it's just really he brought us up

729
00:45:59,760 --> 00:46:03,800
like such. He just brings it up. So the energy,

730
00:46:03,880 --> 00:46:06,760
it's like it's just it's perfect. Yeah, so we're so

731
00:46:06,880 --> 00:46:08,000
excited to record with him.

732
00:46:08,199 --> 00:46:10,920
Speaker 16: Yeah, oh that's uh, that's excellent. And then so what

733
00:46:11,000 --> 00:46:14,199
do you have coming up for for shows anything? Are

734
00:46:14,280 --> 00:46:16,599
you playing it all this weekend anywhere or either with

735
00:46:17,199 --> 00:46:18,639
the band or solo or anything.

736
00:46:19,559 --> 00:46:20,519
Speaker 20: Well, you're you're playing.

737
00:46:20,880 --> 00:46:25,920
Speaker 21: I'm playing with my good friend Chrissy. She and I

738
00:46:26,360 --> 00:46:29,239
we do a duo thing as well called Reckless Luna.

739
00:46:30,239 --> 00:46:31,920
And if I'm saying that with an accident, because she's

740
00:46:31,960 --> 00:46:33,079
from Australia.

741
00:46:32,760 --> 00:46:33,559
Speaker 18: Reckless Luna.

742
00:46:35,840 --> 00:46:36,360
Speaker 19: She's great.

743
00:46:36,800 --> 00:46:37,159
Speaker 23: She and I.

744
00:46:38,679 --> 00:46:41,480
Speaker 21: So it's just being a piano and she sings and

745
00:46:41,719 --> 00:46:44,280
we harmonize and sometimes I take the lead and sometimes

746
00:46:44,400 --> 00:46:45,119
she takes the lead.

747
00:46:45,239 --> 00:46:48,360
Speaker 19: So oh, very cool plan and have real mass Oh excellent.

748
00:46:48,519 --> 00:46:50,159
Speaker 16: Hey, we have a call. Our friend Ron is on

749
00:46:50,239 --> 00:46:53,840
the line. He might I suspect he's enjoying what he's

750
00:46:53,840 --> 00:46:57,760
been hearing this morning. Hey, Ron, That's why I'm calling you.

751
00:46:57,880 --> 00:47:00,480
Speaker 3: I'm enjoying what I'm here this morning. Then spent a

752
00:47:00,559 --> 00:47:01,039
long time.

753
00:47:01,119 --> 00:47:05,039
Speaker 27: I just wanted to say, Hey.

754
00:47:03,679 --> 00:47:07,079
Speaker 15: Ron, always nice here for me and my friend. You've

755
00:47:07,079 --> 00:47:08,000
been enjoying the tunes.

756
00:47:09,320 --> 00:47:12,000
Speaker 16: Oh absolutely, yes, sir, Yeah, yeah, very.

757
00:47:11,880 --> 00:47:12,559
Speaker 14: Good, very good.

758
00:47:12,639 --> 00:47:15,079
Speaker 15: All right, well we appreciate it, right, Happy St.

759
00:47:15,119 --> 00:47:18,480
Speaker 16: Patricks everybody, all right, all right you too, Ron, Thank you,

760
00:47:18,639 --> 00:47:18,960
take care.

761
00:47:21,239 --> 00:47:21,960
Speaker 15: Yeah, that's our friend.

762
00:47:22,039 --> 00:47:22,159
Speaker 6: Ron.

763
00:47:22,239 --> 00:47:23,559
Speaker 16: He's a great friend of the show and all the

764
00:47:23,559 --> 00:47:25,119
shows here at w M and H. He's been a

765
00:47:25,119 --> 00:47:28,519
big supporter of the radio station, I think really since

766
00:47:28,559 --> 00:47:29,199
from the beginning.

767
00:47:29,320 --> 00:47:30,559
Speaker 19: Yeah, that's really awesome.

768
00:47:30,800 --> 00:47:34,159
Speaker 16: Yeah yeah, sometimes he buys it's pizza too, So yeah,

769
00:47:34,480 --> 00:47:39,000
that's a good friend. Absolutely. No, Ron's a great guy.

770
00:47:39,039 --> 00:47:42,639
That's not the only reason we love a big plus,

771
00:47:43,119 --> 00:47:46,159
but more than his pizza, that's right now. Ron, Ron

772
00:47:46,239 --> 00:47:49,199
is awesome. He's always very very supportive. Okay, So you've

773
00:47:49,239 --> 00:47:50,960
got that show tonight with Reckless Luna.

774
00:47:51,199 --> 00:47:51,840
Speaker 15: Yes, where is that?

775
00:47:52,280 --> 00:47:56,119
Speaker 21: That is at the Rama Restaurant in Haveral, Massachusetts. Okay,

776
00:47:56,840 --> 00:47:59,519
so you can nice and Italian and yeah we've.

777
00:47:59,440 --> 00:48:05,920
Speaker 20: Got Oh we're playing at Electric Haze April twenty six

778
00:48:07,000 --> 00:48:10,440
with this band called bomb Track. They're actually a reage

779
00:48:10,440 --> 00:48:11,559
against the machines Common brand.

780
00:48:11,800 --> 00:48:13,000
Speaker 16: Oh really, they're sick.

781
00:48:13,159 --> 00:48:15,719
Speaker 20: They're sick and it's it's a fundraiser for like a

782
00:48:15,920 --> 00:48:16,800
workers union.

783
00:48:17,039 --> 00:48:17,519
Speaker 15: Oh cool.

784
00:48:17,719 --> 00:48:20,719
Speaker 20: Yeah, so we love doing stuff like that. It's like

785
00:48:20,920 --> 00:48:24,920
just using like what we can to help different people

786
00:48:25,079 --> 00:48:28,239
and like kind of get word out about stuff. But yeah,

787
00:48:28,320 --> 00:48:29,920
that's going to be a sick show. Electric Haze and

788
00:48:29,960 --> 00:48:33,880
Worcester Okay, Yeah, and definitely I think Strange Creek is

789
00:48:33,920 --> 00:48:38,800
probably like our arts, the big one that we're preparing for. Yeah,

790
00:48:38,960 --> 00:48:40,519
you should definitely try to make it out there.

791
00:48:40,639 --> 00:48:41,239
Speaker 15: Yeah you can.

792
00:48:41,360 --> 00:48:44,039
Speaker 20: It's like it's just like all the bands and the

793
00:48:44,159 --> 00:48:45,800
art and like everything. It's super fun.

794
00:48:45,880 --> 00:48:47,159
Speaker 15: Oh, very cool, very cool.

795
00:48:48,000 --> 00:48:49,679
Speaker 16: Where's the best place to go online to keep up

796
00:48:49,719 --> 00:48:51,559
with dog Eate Dogs with everything that you're doing.

797
00:48:51,679 --> 00:48:55,000
Speaker 20: Probably our Instagram and our Facebook, I would say, yeah,

798
00:48:55,000 --> 00:48:59,599
it's just dog Eate Dog like the band on both

799
00:48:59,639 --> 00:49:02,280
of them. Yeah and yeah, And I just wanted to

800
00:49:02,360 --> 00:49:04,519
mention actually the termin to show again, that's kind of

801
00:49:04,599 --> 00:49:06,239
like a big thing that was actually coming up in

802
00:49:06,280 --> 00:49:09,400
what two weeks. We're excited. Yeah, yeah, we're excited to

803
00:49:09,440 --> 00:49:10,159
be a part of that too.

804
00:49:10,320 --> 00:49:12,239
Speaker 15: So yeah, yeah, awesome, awesome.

805
00:49:12,679 --> 00:49:14,920
Speaker 16: Well, uh, I think what we're gonna do because we

806
00:49:15,000 --> 00:49:17,159
are approaching the top of the hour, but I'm going

807
00:49:17,199 --> 00:49:18,360
to try to get them both in. I want to

808
00:49:18,400 --> 00:49:21,320
play Final Warning one more time to close out the segment.

809
00:49:21,360 --> 00:49:23,320
Great track, you're studio track. And I'm also going to

810
00:49:24,079 --> 00:49:26,000
uh try to squeeze in at the very end after

811
00:49:26,119 --> 00:49:30,000
that halfway there because we were talking about it from

812
00:49:30,440 --> 00:49:34,519
Cosmic Blossom of course, love the vocal on that, absolutely fantastic.

813
00:49:34,639 --> 00:49:36,760
So we'll we'll try to get both of those in.

814
00:49:36,920 --> 00:49:39,079
But Meg and Sarah thank you both so much. This

815
00:49:39,159 --> 00:49:42,800
has been amazing you for having us absolutely absolutely And

816
00:49:42,920 --> 00:49:44,679
Jenny before we go too, you want to give one

817
00:49:44,719 --> 00:49:46,559
more quick plug for tonight. We're going to be at

818
00:49:46,559 --> 00:49:51,440
the the art show the big uh Jenny's got Jenny's

819
00:49:51,480 --> 00:49:53,000
got multiple pieces in this one.

820
00:49:53,079 --> 00:49:53,760
Speaker 15: This is the third.

821
00:49:55,320 --> 00:49:56,760
Speaker 16: We're not sure how many of their hanging know.

822
00:49:56,920 --> 00:50:01,159
Speaker 17: But they asked for the entire insurance collection.

823
00:50:01,239 --> 00:50:02,760
Speaker 15: Pull pull out my closer please.

824
00:50:03,000 --> 00:50:05,920
Speaker 17: They asked for the entire insurance collection, which is five

825
00:50:06,000 --> 00:50:06,679
different pieces.

826
00:50:06,920 --> 00:50:07,119
Speaker 15: Yep.

827
00:50:08,400 --> 00:50:10,519
Speaker 17: I'm expecting to see one or two on the wall,

828
00:50:11,480 --> 00:50:12,800
but we shall see when we get there.

829
00:50:12,960 --> 00:50:13,159
Speaker 15: Yeah.

830
00:50:13,639 --> 00:50:17,039
Speaker 17: Tonight is the Uncensored Underground Art Experience from six to

831
00:50:17,119 --> 00:50:20,320
eight pm at twenty Garden Walk in Manchester, a showcase

832
00:50:20,360 --> 00:50:24,559
of political, provocative and other anti censorship art. So please

833
00:50:24,599 --> 00:50:26,280
do join Matt and I we will be there for

834
00:50:26,360 --> 00:50:28,400
the entirety of the show and hope to see you

835
00:50:28,519 --> 00:50:30,800
join us. You want more information on me and my

836
00:50:30,880 --> 00:50:33,320
creations and the trouble that I get into, go to

837
00:50:33,480 --> 00:50:36,119
Gencoffee dot com. J E N N C O F

838
00:50:36,320 --> 00:50:37,440
f EI dot com.

839
00:50:38,239 --> 00:50:40,960
Speaker 16: Yes, very good, very good, looking forward to that tonight.

840
00:50:41,159 --> 00:50:45,519
And again, Megan Sarah, thank you both so much. Dog

841
00:50:45,599 --> 00:50:49,880
Eate Dog and we're we'll close out with a final warning,

842
00:50:49,920 --> 00:50:51,719
and then we're also going to spin a halfway there

843
00:50:51,880 --> 00:50:54,480
from Cosmic Blossom. And if you missed any part of

844
00:50:54,519 --> 00:50:55,920
today's show, it will be up in just a little

845
00:50:55,960 --> 00:50:58,199
bit at WMNH Radio dot orgon of course at my

846
00:50:58,280 --> 00:51:00,800
website Matt Connorton dot com com. And thank you to

847
00:51:00,800 --> 00:51:03,159
everybody who joined us today. Of course Cosmic Blossom in

848
00:51:03,280 --> 00:51:05,000
the first hour, and in the second hour we had

849
00:51:05,000 --> 00:51:07,599
the pop Farmers and uh, we'll leave you with this.

850
00:51:07,760 --> 00:51:11,039
This is final warning, a great track from dog Eate Dog.

851
00:51:12,079 --> 00:51:19,360
Speaker 11: Only come out at night, carry into you speak of.

852
00:52:09,079 --> 00:52:10,280
Speaker 12: Shocking bars.

853
00:52:13,280 --> 00:52:16,360
Speaker 6: Stocky men there playing rock.

854
00:52:18,480 --> 00:52:31,639
Speaker 12: Tka, moggy Stove, got t go stock unc go b

855
00:52:32,199 --> 00:52:34,880
o strom around.

856
00:52:35,920 --> 00:52:37,400
Speaker 8: No s.

857
00:52:38,880 --> 00:52:39,519
Speaker 6: Don't come.

858
00:52:45,239 --> 00:54:10,360
Speaker 12: Look sept.

859
00:54:09,159 --> 00:54:12,519
Speaker 31: I'm not gonna play the game of back and forth

860
00:54:12,599 --> 00:54:20,079
and praise. I'm blame already. You know that you're staying true. Well,

861
00:54:20,119 --> 00:54:23,480
we're loving. I'm not living in now. I know everything

862
00:54:23,559 --> 00:54:26,400
and work itself out. I'm being good to me is

863
00:54:26,440 --> 00:54:32,400
all that you gotta do. It details you the capitas

864
00:54:32,480 --> 00:54:37,519
when I know where to place my best say after jail, you.

865
00:54:37,639 --> 00:54:38,599
Speaker 18: Keep me coming through.

866
00:54:41,599 --> 00:54:43,840
Speaker 19: I don't go hung up on my heaveryw word.

867
00:54:44,320 --> 00:54:45,079
Speaker 27: I need you bely.

868
00:54:45,239 --> 00:54:47,239
Speaker 25: I'm pretty as some verse.

869
00:54:47,280 --> 00:54:49,639
Speaker 18: I'm feeling me when you're feeling you.

870
00:54:52,599 --> 00:54:53,400
Speaker 9: I choose you.

871
00:54:53,519 --> 00:54:58,480
Speaker 30: Whoever read shine no matter what come rade, come shine, ride,

872
00:54:58,960 --> 00:55:00,840
die from curse.

873
00:55:00,840 --> 00:55:02,559
Speaker 16: Get a loan until the last it is.

874
00:55:02,599 --> 00:55:09,519
Speaker 25: You're nice there, Maybe you fin ries ride mean.

875
00:55:10,039 --> 00:55:17,360
Speaker 6: I'll remind you why your mind arante in.

876
00:55:18,960 --> 00:55:30,880
Speaker 32: Your wad left. You gotta mat med entity wna me.

877
00:55:32,079 --> 00:55:35,639
You gotta give me bread with me.

878
00:55:41,800 --> 00:55:43,679
Speaker 18: Coming home at the end of your day.

879
00:55:44,320 --> 00:55:46,519
Speaker 27: You painted it with such beautiful shape.

880
00:55:47,159 --> 00:55:49,000
Speaker 18: Wish and I could be in that painting.

881
00:55:49,239 --> 00:55:49,599
Speaker 6: Dude.

882
00:55:52,679 --> 00:55:54,760
Speaker 25: Know sometimes you'll see me rolling my eyes.

883
00:55:55,239 --> 00:55:56,639
Speaker 18: Don't underestimate yourself.

884
00:55:56,679 --> 00:55:57,480
Speaker 25: You're the fries.

885
00:55:57,960 --> 00:56:00,760
Speaker 19: I keep you on to myself A fuck booze.

886
00:56:03,480 --> 00:56:06,480
Speaker 18: Thinking back to the day the girls bad I had

887
00:56:06,599 --> 00:56:07,360
some you.

888
00:56:07,440 --> 00:56:12,679
Speaker 12: Can't looking pool.

889
00:56:14,480 --> 00:56:16,519
Speaker 13: See something suckers of the po.

890
00:56:17,199 --> 00:56:20,960
Speaker 12: Big a back like mad and that was a nice

891
00:56:21,000 --> 00:56:28,199
black cat jumping wanted me up full day and we

892
00:56:28,440 --> 00:56:33,880
knew that I sat didn't find the first and the

893
00:56:33,960 --> 00:56:42,320
copy through the last of Wi Jump too bad, take

894
00:56:42,760 --> 00:56:44,599
cold about your Wanda made.

895
00:56:45,199 --> 00:56:54,599
Speaker 18: This long and your bad count on. You gotta get

896
00:56:54,719 --> 00:56:56,000
me a bad.

897
00:56:58,840 --> 00:57:08,400
Speaker 6: Bad it to wanna be that God, give me a bed, make.

898
00:57:08,360 --> 00:58:02,599
Speaker 30: Me no loss in livery, shun on no one, comrade,

899
00:58:02,679 --> 00:58:06,800
no shine, bridal dime from the past, and go.

900
00:58:06,960 --> 00:58:08,639
Speaker 25: Into Alaska's good night.

901
00:58:09,440 --> 00:58:17,679
Speaker 12: You're crazy, you Spye rise ride mean mother, mosic why Mom.

902
00:58:20,320 --> 00:58:21,360
Speaker 13: Dapi.

903
00:58:24,440 --> 00:58:28,760
Speaker 32: Kompana big left, you gotta beat me happy.

904
00:58:30,559 --> 00:58:32,480
Speaker 6: Game and.

905
00:58:35,360 --> 00:58:39,239
Speaker 32: Kampana big lap you gotta make me happy.

906
00:58:41,440 --> 00:59:14,079
Speaker 12: Happen happens A dreams a dream. It's a dream.

907
00:59:14,239 --> 00:59:16,239
Speaker 6: It's a dream come true.

908
00:59:18,719 --> 00:59:19,480
Speaker 22: It's a dream.

909
00:59:19,559 --> 00:59:21,320
Speaker 6: It's a dream. It's a dream.

910
00:59:21,519 --> 00:59:26,719
Speaker 25: It's a dream come true. It's a dream.

911
00:59:26,880 --> 00:59:27,679
Speaker 6: It's a dream.

912
00:59:27,840 --> 00:59:28,559
Speaker 13: It's a dream.

913
00:59:28,760 --> 00:59:30,760
Speaker 6: It's a dream come true.

914
00:59:33,280 --> 00:59:34,039
Speaker 22: It's a dream.

915
00:59:34,199 --> 00:59:34,960
Speaker 6: It's a dream.

916
00:59:35,079 --> 00:59:35,880
Speaker 13: It's a dream.

917
00:59:36,000 --> 00:59:38,039
Speaker 6: It's a dream come true.

918
00:59:39,440 --> 00:59:41,239
Speaker 11: It's like a dream come true.

919
00:59:43,079 --> 00:59:45,159
Speaker 18: It's like living in a movie.

920
00:59:46,880 --> 00:59:47,679
Speaker 20: It's just me.

921
00:59:48,079 --> 00:59:52,360
Speaker 13: You like the way that it should be.

922
00:59:54,000 --> 00:59:55,679
Speaker 11: All that's ship breaming through

