Speaker 1: You see, something's going to happen.
Speaker 2: What what's going to happen? What?
Speaker 1: What is off? Everybody? Welcome to it. New Headless is
Speaker 1: magically mail bag. I've got new stuff that I'm working on.
Speaker 1: So if you would appreciate the audio quality, it's because
Speaker 1: I got a better mic and these headphones.
Speaker 3: Oh yeah, Nick, good, good, very good.
Speaker 2: I'm very happy to be here. Thank you very much.
Speaker 1: Awesome, awesome. You got anything special coming up on the
Speaker 1: agenda with the cult rejects?
Speaker 3: Uh? Later on today after this, we were going Alive
Speaker 3: with Ryan Corey Dobbs.
Speaker 2: Uh.
Speaker 3: You know, I know when it comes to planets in
Speaker 3: the moon and stuff out in the skies, people are a
Speaker 3: little iffy about what's out there. But this guy is
Speaker 3: covering using stuff that NASA has put out themselves, actually
Speaker 3: showing that there's proof that they're saying there's life and
Speaker 3: this shit there. So it should be interesting these guys
Speaker 3: putting out a movie on it. He gave me the
Speaker 3: screen of the checkout at a manamat the Cosmic Summit.
Speaker 3: Cool guy, so I figured i'd have them on be interesting.
Speaker 1: I love that topic because it gets into what we
Speaker 1: were talking about before the Electric universe and all the
Speaker 1: rest of this stuff having to do with acoustics and
Speaker 1: having to do with the residents and all the rest
Speaker 1: of these things that the agents were talking about when
Speaker 1: it came to planets, And now we're told they're stagnant,
Speaker 1: they're dead, they're you know, hundreds of thousands or millions
Speaker 1: of miles away, and there's nothing you can do about it.
Speaker 1: But we still see the effects. So what's that. You
Speaker 1: know that people got to start thinking about these things.
Speaker 1: It doesn't matter if they're coming to wrong conclusions, just
Speaker 1: as long as you're not married to keep that open
Speaker 1: mind and see what comes in.
Speaker 2: I like that.
Speaker 3: Just don't be married to him. Yeah, I have that
Speaker 3: open mind. You could always be wrong for new ideas.
Speaker 2: You know.
Speaker 3: You know what he even said himself, just for people
Speaker 3: that might be listening. This isn't going to go into
Speaker 3: the whole UFO alien thing, because he even said right now,
Speaker 3: what sucks is that people are so stuck on the
Speaker 3: alien UFO thing. He's like, I'm not sure if this
Speaker 3: will really get the attention at first because people are
Speaker 3: still so stuck on oh I want to see aliens. Well,
Speaker 3: there's proof that they were ship on another planet. But
Speaker 3: I ain't got aliens with.
Speaker 2: So yeah, interesting, you were the aliens. You know, I've
Speaker 2: heard I thought that when I was younger for a while.
Speaker 1: Actually, yeah, well so tonight, let's get into it right
Speaker 1: off the bat. Let's go with this. Look at that,
Speaker 1: we got people in the chat.
Speaker 2: Oh you know, I didn't even check the chat yet.
Speaker 1: Yeah, I got my symbol here. This is the marine
Speaker 1: pith hat. Yeah, if you guys have been in the
Speaker 1: Marines or you've been around Marines, you probably don't recognize
Speaker 1: it because you've got to get to the shooting days.
Speaker 1: So the shooting days for a company in the Marine
Speaker 1: Corps includes the NCO officers in charge putting this pith
Speaker 1: hat on while the other people are shooting. So these
Speaker 1: are the instructor caps. Anytime you've got a problem with
Speaker 1: the weapon, you need somebody you're gonna go to the
Speaker 1: eye with the pith hat. Now, it's got this fake,
Speaker 1: sort of fake fabric that's all ruffled up in a
Speaker 1: row on top of their and it's made out of
Speaker 1: some pretty toxic chemicals. But this is a powerful symbol
Speaker 1: for mind control, and a lot of people who have
Speaker 1: been in the Marines are like how is that. It's
Speaker 1: actually really simple. So the pith hat is where the
Speaker 1: drill sergeants drill instructors for the Marine Corps have to
Speaker 1: take a step back and not be so aggressive. And
Speaker 1: the best way that the Marine Corps could come up
Speaker 1: with to get them out of that personality of drill
Speaker 1: instructor and into it different, less aggressive, more calm state
Speaker 1: of mind is to introduce the pithat. And when they
Speaker 1: put it on, they start talking differently. They start calling
Speaker 1: everybody gents. They're much more kinder and patient because everybody
Speaker 1: has weapons and they don't want this to be a
Speaker 1: repeat of that classic movie. Yeah, so what this is
Speaker 1: is mind control, not for the students who are doing
Speaker 1: the shooting at the kV range. This is for the
Speaker 1: instructors to get them outside of their head as drill
Speaker 1: instructors and mean badasses. They've got to step it back.
Speaker 1: And when they put on the pith hat, it's not
Speaker 1: that you can get away with more stuff. They're actually
Speaker 1: poised and ready to kill you in an instant and
Speaker 1: they've got this on, but they have to remain calm
Speaker 1: so that you don't freak out and start shooting people accident.
Speaker 1: That's very important when you're on a firing range, especially
Speaker 1: the KD range. So they call it a KD range
Speaker 1: because it's known distance. It's different from the pop ups, right.
Speaker 1: So I've done a KD range once to hum and
Speaker 1: this is how I know about it because I was
Speaker 1: in the army. I didn't I didn't really have any
Speaker 1: experience with marines other than shooting at the KD range,
Speaker 1: and so I thought, you know, this is a pretty
Speaker 1: good symbol for that, because I can see the difference
Speaker 1: in the drill instructors when they put on the pit
Speaker 1: that versus when they did not have it on. And
Speaker 1: you know, to me, it's kind of weird. But if
Speaker 1: you think about it like this has the connotation of
Speaker 1: more British gentlemanly type colonization mentality. It's it's a booty
Speaker 1: not a booty cap. What do they safari hat? All
Speaker 1: the rest of these different names, and it's got a
Speaker 1: very generic descriptor on the on the on the magazines
Speaker 1: where they're selling these things to the different uh it least,
Speaker 1: but really this keeps your men, you know, straightened out
Speaker 1: while they're on the firing range, while also keeping your
Speaker 1: drill instructors from freaking out on them because they've shifted
Speaker 1: into a different personality by wearing a different thing. This
Speaker 1: is why everybody's in uniform, because it's a powerful mind
Speaker 1: control technique. You're trying to get everybody thinking the same way,
Speaker 1: so you get them all dressing the same way. This
Speaker 1: is the fundamentals about magic. You've got to change your
Speaker 1: hour appearance to start influencing that inner world. This is
Speaker 1: why they're doing it. This is a form of battle magic.
Speaker 2: I think this shit as well.
Speaker 3: Like when you had even told me about like even
Speaker 3: just the slang of the language changing, I'm like, oh,
Speaker 3: that is like, like it's all like to me, very
Speaker 3: mk ultras. You're even going to start talking differently and
Speaker 3: use different slang when you.
Speaker 2: Get to this what the fuck.
Speaker 1: It's called code switching. So if you're in one role
Speaker 1: and you speak a certain way, and then you enter
Speaker 1: a different role you speak a different way. That's called
Speaker 1: code switching. You've got the different lexicons that are now interchangeable,
Speaker 1: and that lexicon switch is very important for when you're
Speaker 1: talking to other you know, other soldiers in this context,
Speaker 1: they know what role you're in based off of the
Speaker 1: language you're using. The new LEXICONU realistic words. So it's
Speaker 1: it's you know, it's a good reminder for both parties
Speaker 1: where you're at and what you're supposed to be doing.
Speaker 1: This is no place to eat crayons, and if you're
Speaker 1: a marine, you will get that.
Speaker 2: Joke a please to eat bullets either, right, right, this.
Speaker 1: Is not the time throwing around. Well, at the same time,
Speaker 1: it's not the time for them to be messing with you.
Speaker 1: No messing around with the Katie Rich. Look down at
Speaker 1: the very back there. You'll see what it means to
Speaker 1: be a KD range versus a pop up target. You
Speaker 1: see that burm way back in the background on that picture, Yeah,
Speaker 1: that's what he's firing his weapon. Now behind that burm
Speaker 1: are the soldiers that are manning and operating those targets.
Speaker 1: So you've got people back behind there to pull down
Speaker 1: the targets, put the little holes or covered little holes
Speaker 1: with something that can be seen, you know, per each
Speaker 1: round that you're firing, and then they put them back up.
Speaker 1: So now you and your drill instructor can see exactly
Speaker 1: where you're hitting on those targets, even though they're really
Speaker 1: far away. Now on this KD range, you can move
Speaker 1: forward or farther away for qualification. So the further away
Speaker 1: you are, you know you're going to have, you know,
Speaker 1: more shots missed. But that this is different from the
Speaker 1: pop up targets that we had in the army, which
Speaker 1: were you know, at varying distances and you can hit
Speaker 1: them anywhere on the target to make them fall down.
Speaker 1: So if you just get a grazing shot at three
Speaker 1: hundred meters, that target is still going to fall down.
Speaker 1: These these targets at the KD range are still bulls on,
Speaker 1: so you're you're gonna have to zero it in right
Speaker 1: there at that middle middle point. So I think the
Speaker 1: KD range also provides way more feedback when it comes
Speaker 1: to how you're shooting and everything else, because at the
Speaker 1: pop up range, you know, uh, you don't know where
Speaker 1: you're hitting these targets. So if you're qualifying on a
Speaker 1: KD range, you're you're giving much better off, I think,
Speaker 1: than if you're using pop up term but it's so
Speaker 1: much more dangerous. I was back there manning those, uh,
Speaker 1: manning those targets, and you hear every shot coming out
Speaker 1: of that rifle, and it's so much different when you're
Speaker 1: in front of the rifle versus when you're.
Speaker 2: Behind Oh I bet.
Speaker 1: It is. Yeah, And you know, being on the end
Speaker 1: the wrong end of a rifle, you'll you'll remember that sound.
Speaker 1: So it also trains you as you're as you're operating
Speaker 1: back there and you've got all the brass from these
Speaker 1: bullets that are shredding apart and hitting different things falling
Speaker 1: down around you. It's a simulation of the combat environment
Speaker 1: and you've got to keep your head, you've got to
Speaker 1: stay cool, you've got to make sure that you're not
Speaker 1: going to get hit back behind that burno. So I
Speaker 1: think it's a better training environment than pop up targets.
Speaker 1: The Army wouldn't agree with me, but you know, again,
Speaker 1: all of this has to work seamlessly together so that
Speaker 1: people don't get hurt on the range. And if you
Speaker 1: look at the track record for Marines operating on the range,
Speaker 1: they actually have a lot better safety rating than a
Speaker 1: lot of the army armies trying the same tricks where
Speaker 1: the drill instructors will swap out hats on their ranges,
Speaker 1: but it doesn't have the same effect because I think
Speaker 1: it's not as potent as symbol They started using this
Speaker 1: fake sort of you know, safari looking hat back in
Speaker 1: the nineteen thirties, so all throughout World War Two they
Speaker 1: had these all throughout, so it's got a low tradition
Speaker 1: of use. I think they discontinued it in twenty seventeen,
Speaker 1: but you know, I got out in twenty thirteen. Would
Speaker 1: but I thought it was a potent symbol, so I
Speaker 1: thought i'd bring that.
Speaker 3: Hell yeah, no, I thought that was really interesting. When
Speaker 3: you even just whatever you a little bit you text
Speaker 3: me about, I was like, damn fuck, and what you
Speaker 3: told me about with this stuff, with like the language
Speaker 3: change and everything, I was like, oh, that was like
Speaker 3: so fucking like programmed.
Speaker 2: That's just weird.
Speaker 3: Like you said, the lexicon, you'll get a different soldier
Speaker 3: probably when they hear different phrases. Oh I'm supposed to
Speaker 3: be in this fucking right now. That's wild.
Speaker 1: But I mean it's very useful when you're managing a.
Speaker 2: Lot of people.
Speaker 1: Yeah, makes sense, and they're not very smart.
Speaker 2: Yeah no, no, I mean I mean I got you
Speaker 2: for sure.
Speaker 1: But on my serious hat.
Speaker 3: Yeah yeah, somebody put in there my head, I'm better
Speaker 3: than you because of this hat or something like that.
Speaker 2: I have a better hat. Listen to me.
Speaker 3: Yeah, all right, Well for me today I got I
Speaker 3: actually got two things. They kind of go together. It's
Speaker 3: galp Galpadar and getting faxy. If I'm saying those correct,
Speaker 3: I don't know. Maybe anless you've heard of them, I
Speaker 3: might be saying I'm wrong, but uh yeah, yeah, okay, yeah,
Speaker 3: this is one of them. And then yeah that's the
Speaker 3: other one. There's a couple of them here. Helped throw
Speaker 3: them up on the screen so you could look at
Speaker 3: them a little bit right now, just getting an idea.
Speaker 2: Yeah.
Speaker 3: Yeah, that's you know, pretty interesting right there too. All right, Yeah,
Speaker 3: let me get back to my notes. Sorry, I just
Speaker 3: wanted to throw those up. They are noted to go
Speaker 3: back to around anywhere between, and these are Icelandic. They're
Speaker 3: going back to around sixteen hundred to sixteen fifty. They
Speaker 3: show up in a book, Galdra gal Galadra book, and
Speaker 3: that is a seventeenth century grim war and it's in
Speaker 3: the Swedish Antiqrium archive in Stockholm if anybody wants to
Speaker 3: check it out. I guess and spell thirty four in
Speaker 3: that names Galpadar among Victory and gin Faxi appears in
Speaker 3: the same circle of charms in eighteen forty seven. It
Speaker 3: shows back up in the Hold Manuscript which is in
Speaker 3: the National Library of Iceland, and that is including it
Speaker 3: has the illustrations of Galpadar and gin Faxi in there
Speaker 3: as well. And then this I found interesting, which is
Speaker 3: probably one of the reasons why I went with it
Speaker 3: as well, is that oral tradition from the nineteenth to
Speaker 3: the twentieth century records wrestlers carving or drawing the pair
Speaker 3: on camvs skin and then hiding them in their shoes
Speaker 3: before about And yeah, the Galpadar is supposed to be
Speaker 3: slipped under the right heel and the gin Faxi is
Speaker 3: under the left hose. Supposedly Galpadar, which I think is
Speaker 3: the two horizontal beams with branching claws. Let me see
Speaker 3: which one that is. I have that one up, let
Speaker 3: me know the right one. There we go, people know
Speaker 3: what I'm talking about. That one, it's uh supposed to
Speaker 3: be it's supposed to keep the wrestlers steady on his feet,
Speaker 3: that's what they would use it for. And then the
Speaker 3: other one, gin Faxi, that fills the fighter with virility
Speaker 3: and forward drive inscription however they use his historically sometimes
Speaker 3: there are drawn in blood coal suit suit, you know,
Speaker 3: make us from the whatever burnt stuff and carved it
Speaker 3: or shit carved in the caskin charging, charging it would
Speaker 3: be recitation of a short caldral lag charm while breathing
Speaker 3: onto the stave deployment or howlig you could use it.
Speaker 2: You could.
Speaker 3: People would sew it sometimes into stuff, or they would
Speaker 3: the wrestlers would simply just put it in the in
Speaker 3: their shoes, but sometimes they would sew it this stuff
Speaker 3: and then after the victory, the charms were burned or
Speaker 3: buried under a horse roads to avoid unwanted backfire. And
Speaker 3: how we see it today combat sports and re enactment,
Speaker 3: Brazilian jiu jitsu gyms and god, how is in rake
Speaker 3: Javic stencil a pair on their mats, especially the two
Speaker 3: that I'd just shown, a lot of them will put
Speaker 3: that on their socks. You see it in jewelry and
Speaker 3: tattoos and etsy and stuff, neo pagan rituals. Sometimes you
Speaker 3: will still see them and something. It has been shown
Speaker 3: in pop culture. It's featured in a video game run
Speaker 3: sets and Nordic theme the graphic novels. Uh so, yeah,
Speaker 3: it still does kind of like pop up today, but
Speaker 3: it was something a little bit older and kind of
Speaker 3: not known, and for some reason, I don't know why
Speaker 3: it it's attached to wrestling. So it was just like,
Speaker 3: I guess when I knew that his was attached to like,
Speaker 3: you know, the arms for you know whatever, I was
Speaker 3: just like, well, this kind of goes with something else.
Speaker 2: I'll run with this. I just thought it was weird.
Speaker 3: I mean because I remember even covering I think a
Speaker 3: cult wrestling on Gray Horns Pagan's podcast, and there was
Speaker 3: it did seem to be like a lot of Norse
Speaker 3: that I came across when I was looking into that.
Speaker 3: So even when I saw this it was icelandic I
Speaker 3: was like, damn, I wish I would have had this.
Speaker 2: Then this is interesting. I just find that weird. It's
Speaker 2: something wrestless use.
Speaker 1: Do you know that the history of Iceland when it
Speaker 1: comes to practicing magic.
Speaker 2: No, No, I really don't.
Speaker 1: Actually, oh, you're all love it. So Iceland was a
Speaker 1: very unique place when they were making the Christian reforms
Speaker 1: in all of Norway, Iceland and Sweden all the rest
Speaker 1: of that, there were a whole bunch of people who
Speaker 1: were practicing magic in those areas and they're like, we're
Speaker 1: not Christian, you need to stop this. What are you doing?
Speaker 1: So they decided all flee to Iceland. So for hundreds
Speaker 1: of years, the official you know, religion of Iceland was
Speaker 1: this sort of magic system that came on the Norse Pagans.
Speaker 1: And what a lot of these staves are from is
Speaker 1: actually from earlier Christian chants and charms that they incorporated
Speaker 1: into their system, because the Christians did practice a lot
Speaker 1: of magic that you know, were on the outskirts of society,
Speaker 1: and they had other Christian traditions that were passed on
Speaker 1: to them and they used them as you know spells
Speaker 1: and you know charms. That's just sort of natural because
Speaker 1: they came from those families who had that stuff, and
Speaker 1: they just christianized their their spells and charms. If they
Speaker 1: were outside of the church for too long, they started
Speaker 1: to develop these you know, naturally sort of occurring shapes
Speaker 1: that occurred to them as having magical powers. I don't
Speaker 1: think it's that far outside of the ordinary. And when
Speaker 1: they started this, then they had Christians moved to Iceland
Speaker 1: and claimed to be targeted by the black magic. So
Speaker 1: they came out there they're like, no, you need to
Speaker 1: be Christian and they're like, we don't want to be
Speaker 1: Christian and they're like, ah, stop hurting me with your
Speaker 1: black magic. I'm serious. The literal cartman's coming out there
Speaker 1: to say, you can't do this. You're putting spells on me.
Speaker 1: You have to listen to what I'm saying. And so
Speaker 1: they would go back and forth. It's like, I didn't
Speaker 1: have anything to do with your wife's dat you probably
Speaker 1: killed there. You're telling me that I put black magic
Speaker 1: on you. I didn't put any black magic on you.
Speaker 1: But now that you're saying I'm doing it, I'm going
Speaker 1: to do it ten times harder, right. And ever since then,
Speaker 1: Iceland has been very very suspicious of Christianity. They do
Speaker 1: not like it. They see it for a bunch of
Speaker 1: people in a power trip. And so now Iceland is
Speaker 1: one of the most atheistic nations in the world because
Speaker 1: they lost time with their roots in the modern times
Speaker 1: and they're not going to go towards Christianity. So they're
Speaker 1: like the biggest atheists in the world. But if you
Speaker 1: bring up some of the folk legends, they still sort
Speaker 1: of participate in it. So there's little people out there
Speaker 1: on Iceland that they put up, you know, hillside little
Speaker 1: houses for them, and they bring food and stuff to
Speaker 1: them on certain days. But you know, it's more of
Speaker 1: like a folk tradition than more of a religious belief.
Speaker 1: But it sort of crosses the boundary a little bit,
Speaker 1: and they still have a very robust history of mythology
Speaker 1: and their own unique way of seeing things, and the
Speaker 1: staves go right along with that. That came along with
Speaker 1: their magic. Iceland is a really interesting place when it
Speaker 1: comes to magic, and a lot of people don't really
Speaker 1: think about it like that. It's one of the last
Speaker 1: surviving places where the old Norse pagan beliefs were allowed
Speaker 1: to flourish. And you know, mostly it was just grumpy
Speaker 1: old men that said, you're not going to take our
Speaker 1: magic from us, We're going to leave.
Speaker 3: That's a little fucked up though. Yeah, but black magic
Speaker 3: on me because you won't listen.
Speaker 1: Well, I mean, the Christian form of black magic is
Speaker 1: making false accusations, So why wouldn't you do it?
Speaker 3: Back to the no, No, I was like, it's just
Speaker 3: like still like things haven't changed.
Speaker 2: Huh. You know what I'm saying, like making a.
Speaker 3: Bullshit because he doesn't like somebody fucking nuts, Yo, somebody
Speaker 3: had said, Uh, Promethean said in the chat and I
Speaker 3: actually heard him say this at the lecture. He says,
Speaker 3: patterns like that, like the first one, are all over
Speaker 3: the world. Doctor Robert Schock says that when a major
Speaker 3: solar event happens, those patterns are in the sky, kind
Speaker 3: of like sprites. He was going on about the ship
Speaker 3: like that. That's interesting. I don't know what he was
Speaker 3: saying that towards. I forgot, but what did I mention it?
Speaker 4: All?
Speaker 2: Right?
Speaker 1: Well, I think that the geometric form is linked to
Speaker 1: both the creation of matter and to the creation of
Speaker 1: the mind. Right, So the first things we're able to
Speaker 1: draw these you know, rudimentric geometric forms, and those rudimentary
Speaker 1: geometric forms make up much more complex and interesting shapes
Speaker 1: that we then can translate into painting or drawing or
Speaker 1: whatever you want. So these are the basic like bottom
Speaker 1: level that connect to both the creation of stuff, you know,
Speaker 1: through quantum vibrations and things like that. Uh, you know,
Speaker 1: string theory, the idea that there are these waves of
Speaker 1: energy that actually can geal into the matter that we're
Speaker 1: made out of, starting on the geometric and then also
Speaker 1: through the thought process. So there is it as as
Speaker 1: above so below that comes directly through human creativity. So
Speaker 1: I got the first one from pretty Bug. It says
Speaker 1: it's me, pretty Bug. My story is taken so long
Speaker 1: to send because I've been scared to even talk about it,
Speaker 1: much less put it into words in written texts. I've
Speaker 1: been so scared because I didn't want to do anything
Speaker 1: that would cause or provoke it to happen again ever ever,
Speaker 1: But anyway, here it goes. I appreciate your bravery. So
Speaker 1: all I know is that my only intention was to
Speaker 1: communicate with my grandmother through dreams. She came to me
Speaker 1: in a dream after she passed, which was really awesome.
Speaker 1: That experience is what led me to try and eliciting
Speaker 1: a dream from her. I don't know the time that
Speaker 1: what I was doing was trying to elicit lucid dreaming,
Speaker 1: or so I've been told. I literally don't know squat
Speaker 1: about these things. What I did was put on my
Speaker 1: piano playlist, lied down on my back on the bed,
Speaker 1: and a hold of my labradorite stone, closed my eyes,
Speaker 1: and started to do what I would only call meditate.
Speaker 1: I started to imagine that the road to her house
Speaker 1: was paved, was a paved road that later turned into
Speaker 1: a dirt road. While walking down the road, I started
Speaker 1: to think of the house. I was thinking of what
Speaker 1: it looked like outside Inside I thought about what it
Speaker 1: smelled like, what was probably on the TV, and what
Speaker 1: might be cooking or being made in the kitchen, all
Speaker 1: the things. Lol. I followed the road all the way
Speaker 1: to her and my grandfather's home. At some point I
Speaker 1: realized I didn't hear my piano playlist anymore. Even after
Speaker 1: the realization, I didn't hear it again until I came
Speaker 1: out of the dream. First thing, after walking down the driveway,
Speaker 1: I went into the front door, which I don't know why,
Speaker 1: because the front door was rarely used, definitely a garage
Speaker 1: using family. Have you noticed that there are some places
Speaker 1: where they don't use the front door, They always go around.
Speaker 2: I know what you mean. Yes, I have known people
Speaker 2: like that. Yeah.
Speaker 1: Walking inside, there was a little furniture and a zero
Speaker 1: pictures on top of tables. No books, no shelves, no
Speaker 1: things on the walls. There was a small table in
Speaker 1: the foyer right to my right, but it didn't have
Speaker 1: the trinkets or lamps on top of it. To my left,
Speaker 1: the china cabinet, there was nothing there, but had nothing
Speaker 1: in it. I stepped into the living room and the
Speaker 1: TV cabinet was there on my right again and was
Speaker 1: void anything decorative in the TV. This kind of reminds
Speaker 1: me of a mall dream. In the mall dream, there's
Speaker 1: very rarely anything inside the stores that you could recognize.
Speaker 1: It's like products over It's all just sort of empty.
Speaker 1: There was only one recliner, which was my grandmother's. My
Speaker 1: grandfather's recliner was missing, along with the couch, the rug,
Speaker 1: the coffee table, and the long table that was under
Speaker 1: the windows. In the kitchen, there was only the kitchen
Speaker 1: table and nothing else. The house was pretty much bare,
Speaker 1: as if someone was moving in or moving out. I
Speaker 1: stepped into the living room looked around. My grandmother wasn't
Speaker 1: in the house as far as I could tell. I
Speaker 1: called out for her and got no response. The house
Speaker 1: was pretty small but open. You could see both sides
Speaker 1: of the house standing in the living room or the kitchen.
Speaker 1: So upon hearing her, I walked through the kitchen and
Speaker 1: out the door. The door was always used. I looked
Speaker 1: down the driveway and spotted her in the garden. She
Speaker 1: spotted me at the same time, and smiled, waving enthusiastically.
Speaker 1: Once I got to her, she asked me what I
Speaker 1: was doing there. I told her I just wanted to
Speaker 1: talk to her and that I missed her. She told
Speaker 1: me to come inside. So when we were back in
Speaker 1: the kitchen, she made me a glass of a famous
Speaker 1: sweet tea along with a sprig of mint. Her tea
Speaker 1: tasted so good you wouldn't want any other sweet tea ever. Again,
Speaker 1: we sat at the kitchen table and I asked her questions.
Speaker 1: I was conscious of, conscious of asking and coming up
Speaker 1: with what to ask her. She would reply without me
Speaker 1: consciously making up her response like I was when making
Speaker 1: up the questions. It was like I was truly speaking
Speaker 1: and visiting with her. So I started to visit with
Speaker 1: her more often. I think I visited her four or
Speaker 1: five more times before what happened. The more I visited her,
Speaker 1: the more things showed up in the house, until even
Speaker 1: her dogs showed them everything was back in place.
Speaker 2: That's not good, that's weird.
Speaker 1: So yeah, you remember the story of Padies and Persephone.
Speaker 3: That detailed what about it that.
Speaker 1: She ate six uh six pomegranate seeds while she was
Speaker 1: in the underworld. Now, if you ate anything in the underworld,
Speaker 1: you were no longer allowed to leave, so said. She
Speaker 1: only ate six of them. She spent six months under
Speaker 1: the surface and then six months on top. But this
Speaker 1: goes back to like fairies and all the rest of
Speaker 1: this stuff. If you eat anything, or if you spend
Speaker 1: too long in that other world, you start to stay
Speaker 1: there a lot.
Speaker 2: Right.
Speaker 1: Ooh, that's why there's more stuff. She is getting closer
Speaker 1: to it. The more I visited her, the more things
Speaker 1: showed up in the house, until even her dog showed up.
Speaker 1: Everything was back in place. I still went through the
Speaker 1: front door, the door we never used. I just kept
Speaker 1: going in that way. I don't know why I just did.
Speaker 1: After experiencing my visits with her amazing results, I decided
Speaker 1: to visit my great grandmother, my grandfather's mother.
Speaker 2: PS.
Speaker 1: There's a pretty full and interesting lineage to me and
Speaker 1: my great grandmother. That may be good to know with
Speaker 1: analyzing my experience with her. If it isn't worth anything,
Speaker 1: at least it's interesting. She was the daughter of the
Speaker 1: American Colonists, daughter of the American Revolution, and member of
Speaker 1: the National Society of the Colonial Dames of the XVIII Century.
Speaker 1: I have all the applications she left for me as
Speaker 1: their receipts if I wanted so, that would be the
Speaker 1: seventeenth century. Yeah, yes, it is. Also she lived also
Speaker 1: in a history oracle house named the Cedars in Washington, Georgia,
Speaker 1: which was a story in itself. She was a Confectionary
Speaker 1: Garden Club member and mastered the piano at Julia. She
Speaker 1: is the most legal person I have ever known, which
Speaker 1: makes sense. If you've got a long lineage here, you've
Speaker 1: got a lot to draw back one, unlike us German peasants,
Speaker 1: who all we want to do is dig holes in
Speaker 1: the suit. I also recently found out the story of
Speaker 1: being directly related to Pocahontas isn't just the family rumor anymore.
Speaker 1: It's true. I am her fourteenth great granddaughter. Didn't see
Speaker 1: that coming. She had our ancestry research all the way
Speaker 1: back to the days of Charlemagne, not the Rapper, who
Speaker 1: I am a very distant relative of. She's definitely in
Speaker 1: the society of the Cincinnati. She's passing that alone. Daughters
Speaker 1: of the American Revolution, No way, she's not. She was
Speaker 1: once a possession of General Cornwallis's boot buckles. I think
Speaker 1: that's what they're called, et cetera. So I used the
Speaker 1: same method as before. I was experiencing the same result. However,
Speaker 1: this time it was very different. Instead of the house
Speaker 1: being full of light and color, it was dark, black
Speaker 1: and white. All the furniture, pictures, et cetera. Were already there.
Speaker 1: It was also seemingly silent, silent as in void of
Speaker 1: sound completely. I walked into the house and halfway down
Speaker 1: the floyer, I stepped into the den and looked around.
Speaker 1: She wasn't there. I stepped back into the floyer and
Speaker 1: walked across to the living room. I found her there.
Speaker 1: She was sitting in a rocking chair by the fireplace.
Speaker 1: She was hardly ever in the house. I was calling
Speaker 1: her name until I reached her. She was sitting upright while,
Speaker 1: eyes wide open, no blinking or signs of life. It
Speaker 1: stunned me, and I stepped backwards away from her. At
Speaker 1: the same time, I noticed something moving in the hallway.
Speaker 1: I stepped out into the hallway and saw a black
Speaker 1: figure with no shape to it. It looked like it
Speaker 1: was possibly hooded or had on kate. I wanted to
Speaker 1: know who or what it was, so I followed it
Speaker 1: into the kitchen, it exited out the door, the kitchen door,
Speaker 1: into the backyard, where it shot straight up into the
Speaker 1: sky with a deafening screech. It was at that moment
Speaker 1: I sat straight up out of bed, terrifying. So terrified
Speaker 1: that night that I couldn't bring myself to turn the
Speaker 1: light back off, which I had immediately turned on upon waking,
Speaker 1: the most terrified I had ever been. I've experienced a
Speaker 1: lot of things, sleep sleep paralysis being one of the
Speaker 1: biggest things. Coming face to face with a full body
Speaker 1: and apparitions. Learning the repercussions of using a weedi board
Speaker 1: without knowing shit about it, or protecting myself, that's a
Speaker 1: whole different story. Hearing voices occasionally capturing clear who intelligent dvps?
Speaker 4: Oh wowright, let me see, I have a good bit
Speaker 4: of crazy stories.
Speaker 1: This, however, was something completely different. It was just a
Speaker 1: scary af lucid dream. Was it a type of sleep
Speaker 1: paralysis I've never experienced out or heard of before, or
Speaker 1: it could be something more. I've been told that it
Speaker 1: could have been a couple of things, like going beyond
Speaker 1: lucid dreaming and landing somewhere else where I wasn't well.
Speaker 1: Also told my recipient of the visit, was it open
Speaker 1: to talking or visiting. None of that makes any sense
Speaker 1: to me, though also told my recipient of the visit
Speaker 1: wasn't open to talking or visiting. I mentioned all of
Speaker 1: these things about my lineage, my great grandmother because something
Speaker 1: in me is telling me I stumbled into something or
Speaker 1: somewhere I didn't belong, feeling that something dark is going
Speaker 1: on or did go on. As much as I hate
Speaker 1: to say this, my great grandmother may very well have
Speaker 1: been had a sketchy pass that no one ever talks
Speaker 1: or talked about. A note that I've always been attracted
Speaker 1: to her since I was little. I wasn't around her,
Speaker 1: so it's kind of weird to feel so attached attracted
Speaker 1: to her. However, I've always connected to her to piano music.
Speaker 1: I've always been in love with the piano and piano music.
Speaker 1: Even had a picture of her and I am sitting
Speaker 1: at my piano when I was maybe two or three.
Speaker 1: My intuition is pretty good. It has never failed me,
Speaker 1: and no one has ever told me I was wrong
Speaker 1: or way off and analyzing people, things and situations. I
Speaker 1: trust my feelings on this. I just don't have any
Speaker 1: validating explanations for what happened? What the hell was that
Speaker 1: in the hallway with a scream like a bangaing, where
Speaker 1: the hell was I? If not for here, is there
Speaker 1: something more I should be looking into? Or for here's
Speaker 1: hoping you can help me figure this shit out because
Speaker 1: it's driving me crazy much love, pretty bod. What is
Speaker 1: your take?
Speaker 3: It's probably actually, in my opinion, one of the more
Speaker 3: crazier things actually look right. I don't know, Yeah, I
Speaker 3: don't know why I'm stuck on it, but I think
Speaker 3: going back and going, going back and forth and more
Speaker 3: shit showing up that just weirds me the fuck out. Actually,
Speaker 3: like it's almost like like some repetitive glitcher into some shit.
Speaker 1: It's fucking weird, I think, if you know, because this
Speaker 1: seems like astral projection.
Speaker 2: Yeah, oh yeah, yeah.
Speaker 1: She specifically constructed the road for going from paid to
Speaker 1: going to gravel because it's in the process of going
Speaker 1: from paid to gravel that your your mind now takes
Speaker 1: on that transitionary phase, right, So you have to be
Speaker 1: thinking about what you're stepping on. So having that focus
Speaker 1: actually allows you to maybe leave the conscious realm for
Speaker 1: this sort of subconscious slash astral realm. You know, if
Speaker 1: you're going into the underworld to do, you know, go
Speaker 1: see your grandmother, eventually your living body is going to
Speaker 1: reject the experience because you don't want to die on
Speaker 1: a very subconscious level. And so maybe it sort of
Speaker 1: evoked this black and white sort of realm. Because did
Speaker 1: you ever see the movie The Tommy Knockers.
Speaker 2: I've seen polsitive, but that's the whole thing.
Speaker 1: But you know what I mean. They go into this
Speaker 1: realm that sort of represents the place that was, and
Speaker 1: it's being eaten by these like weird pac man look
Speaker 1: at things with sharp teeth, and so it's like, those
Speaker 1: are the moments that were, Those aren't the moments of
Speaker 1: the present, and those aren't the moments in the future.
Speaker 1: So in the movie The Tommy Knockers, they take off
Speaker 1: from this airport that you know exists in the past,
Speaker 1: fly through the anomaly to get back to the president.
Speaker 1: They ever end up overshooting it into the future, and
Speaker 1: so they show up inside the airport in the future
Speaker 1: and you know, basically everything appears around them with the
Speaker 1: present us up that That's kind of what I'm seeing here.
Speaker 1: If you're constantly astrally projecting into the world of the dead.
Speaker 1: Your body is going to reject that. You're going to
Speaker 1: start to see things get off funking because you're not
Speaker 1: supposed to be there, you know. I mean there's a
Speaker 1: sort of order to the whole world, and so if
Speaker 1: you're constantly doing I think this would be an example
Speaker 1: of necromancy. It's not a bad example of necromancy, by
Speaker 1: the way, but you are communing with the dead, so
Speaker 1: in a certain sense, the body will reject it for
Speaker 1: a certain time period if you're too close to it.
Speaker 1: You're not supposed to be dead, you know, you're supposed
Speaker 1: to be living, So that world is kind of closed
Speaker 1: off from us a little bit because we still have
Speaker 1: our bodies, we're still in forms. That's just my tich.
Speaker 1: What do you think?
Speaker 4: Uh?
Speaker 3: I thought it was a lot like I don't know why,
Speaker 3: but I just was like more of again, and I
Speaker 3: think I mentioned the last time with inception. I just
Speaker 3: felt like even the whole repetitive thing, like like almost
Speaker 3: reprogramming and redoing it. I don't know, I don't know
Speaker 3: why I'm stuck on that one part. I just found
Speaker 3: that very weird for a dream where it's it's like
Speaker 3: you're stuck in a glitch. But it was almost like
Speaker 3: I felt like an inception. Maybe she was like designing
Speaker 3: it in a sense to the experience, and I felt
Speaker 3: a lot of Stranger Things as well. I felt like
Speaker 3: I was listening to like a Stranger Things episode, right.
Speaker 1: I think it was it was merging in the two minds.
Speaker 1: So not only was she seeing it the way you
Speaker 1: know it exists in sort of like this fading memory
Speaker 1: in reality, but the more she's into it, the more
Speaker 1: she sees all of the things that show you show
Speaker 1: up because she's merging her mind with her grandmothers, which
Speaker 1: I think is you know, probably what would happen symbolically
Speaker 1: in these different realms. Again, when you're in the symbolic
Speaker 1: realm on the astro symbolic things are going to happen,
Speaker 1: then you have to be the one to see and
Speaker 1: understand what symbols are being showed to you, because that's
Speaker 1: your mind trying to communicate to you, that's your subconscious
Speaker 1: trying to communicate to you, and that's your body trying
Speaker 1: to communicate to you in different ways in what you're seeing,
Speaker 1: don't you. Yeah, I think it was a very powerful dream.
Speaker 1: But you know at some.
Speaker 3: Time that was probably one of my favorite honesty and
Speaker 3: not to play favorites, but I really enjoyed that one.
Speaker 2: I think it was so stuck in the story. I
Speaker 2: wasn't really trying to decipher.
Speaker 1: Thank you very much, Table Ferguson five dollars.
Speaker 3: Yeah, thank you, man, appreciate that. But uh yeah, yeah,
Speaker 3: I thought that was really cool. I saw somebody, I think,
Speaker 3: bad hat. I see that bad hat. It says, oh
Speaker 3: my god, hells, I'll send you my dreams. So we're
Speaker 3: expecting that. We sort we're going to keep it to
Speaker 3: your word.
Speaker 1: Absolutely, so I think you know, that was a great email.
Speaker 1: I think if you guys have more of them. Remember
Speaker 1: we're still taking mall dreams. We're going to probably have
Speaker 1: a mall dream that we're doing next week, so tune
Speaker 1: in for that one. But I think there is something
Speaker 1: to these mall dreams. You guys are into it, make
Speaker 1: sure to tune in and we will see you again
Speaker 1: next time. Nick any no, just.
Speaker 3: If people if yeah, the Occult Rejects, check us out.
Speaker 3: If you're interested, we're doing you're doing a live in
Speaker 3: about another fucking ten minutes, so you could jump up
Speaker 3: over there. Well, or stay here on Headless's channel because
Speaker 3: he'll be restreaming it anyway. So yeah, if you want
Speaker 3: to check out some Mars Red Planet Blue or Blue
Speaker 3: Plant Red and fucking it up, but whatever, check it out.
Speaker 3: I'm really excited for it, actually cool guy too, so
Speaker 1: Absolutely thank you guys so much for joining us, and
Speaker 1: we will see you again next time.