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<v Speaker 1>You see, something's going to happen.

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<v Speaker 2>What what's going to happen? What?

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<v Speaker 1>What is off? Everybody? Welcome to it. New Headless is

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<v Speaker 1>magically mail bag. I've got new stuff that I'm working on.

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<v Speaker 1>So if you would appreciate the audio quality, it's because

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<v Speaker 1>I got a better mic and these headphones.

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<v Speaker 3>Oh yeah, Nick, good, good, very good.

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<v Speaker 2>I'm very happy to be here. Thank you very much.

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<v Speaker 1>Awesome, awesome. You got anything special coming up on the

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<v Speaker 1>agenda with the cult rejects?

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<v Speaker 3>Uh? Later on today after this, we were going Alive

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<v Speaker 3>with Ryan Corey Dobbs.

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<v Speaker 2>Uh.

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<v Speaker 3>You know, I know when it comes to planets in

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<v Speaker 3>the moon and stuff out in the skies, people are a

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<v Speaker 3>little iffy about what's out there. But this guy is

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<v Speaker 3>covering using stuff that NASA has put out themselves, actually

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<v Speaker 3>showing that there's proof that they're saying there's life and

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<v Speaker 3>this shit there. So it should be interesting these guys

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<v Speaker 3>putting out a movie on it. He gave me the

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<v Speaker 3>screen of the checkout at a manamat the Cosmic Summit.

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<v Speaker 3>Cool guy, so I figured i'd have them on be interesting.

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<v Speaker 1>I love that topic because it gets into what we

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<v Speaker 1>were talking about before the Electric universe and all the

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<v Speaker 1>rest of this stuff having to do with acoustics and

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<v Speaker 1>having to do with the residents and all the rest

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<v Speaker 1>of these things that the agents were talking about when

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<v Speaker 1>it came to planets, And now we're told they're stagnant,

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<v Speaker 1>they're dead, they're you know, hundreds of thousands or millions

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<v Speaker 1>of miles away, and there's nothing you can do about it.

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<v Speaker 1>But we still see the effects. So what's that. You

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<v Speaker 1>know that people got to start thinking about these things.

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<v Speaker 1>It doesn't matter if they're coming to wrong conclusions, just

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<v Speaker 1>as long as you're not married to keep that open

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<v Speaker 1>mind and see what comes in.

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<v Speaker 2>I like that.

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<v Speaker 3>Just don't be married to him. Yeah, I have that

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<v Speaker 3>open mind. You could always be wrong for new ideas.

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<v Speaker 2>You know.

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<v Speaker 3>You know what he even said himself, just for people

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<v Speaker 3>that might be listening. This isn't going to go into

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<v Speaker 3>the whole UFO alien thing, because he even said right now,

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<v Speaker 3>what sucks is that people are so stuck on the

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<v Speaker 3>alien UFO thing. He's like, I'm not sure if this

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<v Speaker 3>will really get the attention at first because people are

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<v Speaker 3>still so stuck on oh I want to see aliens. Well,

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<v Speaker 3>there's proof that they were ship on another planet. But

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<v Speaker 3>I ain't got aliens with.

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<v Speaker 2>So yeah, interesting, you were the aliens. You know, I've

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<v Speaker 2>heard I thought that when I was younger for a while.

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<v Speaker 1>Actually, yeah, well so tonight, let's get into it right

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<v Speaker 1>off the bat. Let's go with this. Look at that,

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<v Speaker 1>we got people in the chat.

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<v Speaker 2>Oh you know, I didn't even check the chat yet.

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<v Speaker 1>Yeah, I got my symbol here. This is the marine

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<v Speaker 1>pith hat. Yeah, if you guys have been in the

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<v Speaker 1>Marines or you've been around Marines, you probably don't recognize

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<v Speaker 1>it because you've got to get to the shooting days.

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<v Speaker 1>So the shooting days for a company in the Marine

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<v Speaker 1>Corps includes the NCO officers in charge putting this pith

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<v Speaker 1>hat on while the other people are shooting. So these

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<v Speaker 1>are the instructor caps. Anytime you've got a problem with

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<v Speaker 1>the weapon, you need somebody you're gonna go to the

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<v Speaker 1>eye with the pith hat. Now, it's got this fake,

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<v Speaker 1>sort of fake fabric that's all ruffled up in a

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<v Speaker 1>row on top of their and it's made out of

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<v Speaker 1>some pretty toxic chemicals. But this is a powerful symbol

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<v Speaker 1>for mind control, and a lot of people who have

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<v Speaker 1>been in the Marines are like how is that. It's

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<v Speaker 1>actually really simple. So the pith hat is where the

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<v Speaker 1>drill sergeants drill instructors for the Marine Corps have to

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<v Speaker 1>take a step back and not be so aggressive. And

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<v Speaker 1>the best way that the Marine Corps could come up

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<v Speaker 1>with to get them out of that personality of drill

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<v Speaker 1>instructor and into it different, less aggressive, more calm state

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<v Speaker 1>of mind is to introduce the pithat. And when they

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<v Speaker 1>put it on, they start talking differently. They start calling

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<v Speaker 1>everybody gents. They're much more kinder and patient because everybody

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<v Speaker 1>has weapons and they don't want this to be a

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<v Speaker 1>repeat of that classic movie. Yeah, so what this is

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<v Speaker 1>is mind control, not for the students who are doing

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<v Speaker 1>the shooting at the kV range. This is for the

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<v Speaker 1>instructors to get them outside of their head as drill

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<v Speaker 1>instructors and mean badasses. They've got to step it back.

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<v Speaker 1>And when they put on the pith hat, it's not

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<v Speaker 1>that you can get away with more stuff. They're actually

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<v Speaker 1>poised and ready to kill you in an instant and

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<v Speaker 1>they've got this on, but they have to remain calm

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<v Speaker 1>so that you don't freak out and start shooting people accident.

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<v Speaker 1>That's very important when you're on a firing range, especially

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<v Speaker 1>the KD range. So they call it a KD range

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<v Speaker 1>because it's known distance. It's different from the pop ups, right.

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<v Speaker 1>So I've done a KD range once to hum and

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<v Speaker 1>this is how I know about it because I was

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<v Speaker 1>in the army. I didn't I didn't really have any

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<v Speaker 1>experience with marines other than shooting at the KD range,

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<v Speaker 1>and so I thought, you know, this is a pretty

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<v Speaker 1>good symbol for that, because I can see the difference

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<v Speaker 1>in the drill instructors when they put on the pit

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<v Speaker 1>that versus when they did not have it on. And

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<v Speaker 1>you know, to me, it's kind of weird. But if

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<v Speaker 1>you think about it like this has the connotation of

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<v Speaker 1>more British gentlemanly type colonization mentality. It's it's a booty

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<v Speaker 1>not a booty cap. What do they safari hat? All

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<v Speaker 1>the rest of these different names, and it's got a

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<v Speaker 1>very generic descriptor on the on the on the magazines

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<v Speaker 1>where they're selling these things to the different uh it least,

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<v Speaker 1>but really this keeps your men, you know, straightened out

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<v Speaker 1>while they're on the firing range, while also keeping your

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<v Speaker 1>drill instructors from freaking out on them because they've shifted

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<v Speaker 1>into a different personality by wearing a different thing. This

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<v Speaker 1>is why everybody's in uniform, because it's a powerful mind

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<v Speaker 1>control technique. You're trying to get everybody thinking the same way,

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<v Speaker 1>so you get them all dressing the same way. This

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<v Speaker 1>is the fundamentals about magic. You've got to change your

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<v Speaker 1>hour appearance to start influencing that inner world. This is

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<v Speaker 1>why they're doing it. This is a form of battle magic.

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<v Speaker 2>I think this shit as well.

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<v Speaker 3>Like when you had even told me about like even

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<v Speaker 3>just the slang of the language changing, I'm like, oh,

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<v Speaker 3>that is like, like it's all like to me, very

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<v Speaker 3>mk ultras. You're even going to start talking differently and

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<v Speaker 3>use different slang when you.

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<v Speaker 2>Get to this what the fuck.

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<v Speaker 1>It's called code switching. So if you're in one role

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<v Speaker 1>and you speak a certain way, and then you enter

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<v Speaker 1>a different role you speak a different way. That's called

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<v Speaker 1>code switching. You've got the different lexicons that are now interchangeable,

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<v Speaker 1>and that lexicon switch is very important for when you're

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<v Speaker 1>talking to other you know, other soldiers in this context,

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<v Speaker 1>they know what role you're in based off of the

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<v Speaker 1>language you're using. The new LEXICONU realistic words. So it's

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<v Speaker 1>it's you know, it's a good reminder for both parties

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<v Speaker 1>where you're at and what you're supposed to be doing.

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<v Speaker 1>This is no place to eat crayons, and if you're

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<v Speaker 1>a marine, you will get that.

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<v Speaker 2>Joke a please to eat bullets either, right, right, this.

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<v Speaker 1>Is not the time throwing around. Well, at the same time,

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<v Speaker 1>it's not the time for them to be messing with you.

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<v Speaker 1>No messing around with the Katie Rich. Look down at

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<v Speaker 1>the very back there. You'll see what it means to

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<v Speaker 1>be a KD range versus a pop up target. You

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<v Speaker 1>see that burm way back in the background on that picture, Yeah,

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<v Speaker 1>that's what he's firing his weapon. Now behind that burm

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<v Speaker 1>are the soldiers that are manning and operating those targets.

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<v Speaker 1>So you've got people back behind there to pull down

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<v Speaker 1>the targets, put the little holes or covered little holes

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<v Speaker 1>with something that can be seen, you know, per each

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<v Speaker 1>round that you're firing, and then they put them back up.

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<v Speaker 1>So now you and your drill instructor can see exactly

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<v Speaker 1>where you're hitting on those targets, even though they're really

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<v Speaker 1>far away. Now on this KD range, you can move

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<v Speaker 1>forward or farther away for qualification. So the further away

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<v Speaker 1>you are, you know you're going to have, you know,

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<v Speaker 1>more shots missed. But that this is different from the

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<v Speaker 1>pop up targets that we had in the army, which

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<v Speaker 1>were you know, at varying distances and you can hit

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<v Speaker 1>them anywhere on the target to make them fall down.

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<v Speaker 1>So if you just get a grazing shot at three

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<v Speaker 1>hundred meters, that target is still going to fall down.

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<v Speaker 1>These these targets at the KD range are still bulls on,

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<v Speaker 1>so you're you're gonna have to zero it in right

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<v Speaker 1>there at that middle middle point. So I think the

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<v Speaker 1>KD range also provides way more feedback when it comes

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<v Speaker 1>to how you're shooting and everything else, because at the

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<v Speaker 1>pop up range, you know, uh, you don't know where

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<v Speaker 1>you're hitting these targets. So if you're qualifying on a

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<v Speaker 1>KD range, you're you're giving much better off, I think,

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<v Speaker 1>than if you're using pop up term but it's so

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<v Speaker 1>much more dangerous. I was back there manning those, uh,

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<v Speaker 1>manning those targets, and you hear every shot coming out

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<v Speaker 1>of that rifle, and it's so much different when you're

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<v Speaker 1>in front of the rifle versus when you're.

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<v Speaker 2>Behind Oh I bet.

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<v Speaker 1>It is. Yeah, And you know, being on the end

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<v Speaker 1>the wrong end of a rifle, you'll you'll remember that sound.

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<v Speaker 1>So it also trains you as you're as you're operating

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<v Speaker 1>back there and you've got all the brass from these

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<v Speaker 1>bullets that are shredding apart and hitting different things falling

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<v Speaker 1>down around you. It's a simulation of the combat environment

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<v Speaker 1>and you've got to keep your head, you've got to

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<v Speaker 1>stay cool, you've got to make sure that you're not

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<v Speaker 1>going to get hit back behind that burno. So I

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<v Speaker 1>think it's a better training environment than pop up targets.

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<v Speaker 1>The Army wouldn't agree with me, but you know, again,

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<v Speaker 1>all of this has to work seamlessly together so that

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<v Speaker 1>people don't get hurt on the range. And if you

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<v Speaker 1>look at the track record for Marines operating on the range,

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<v Speaker 1>they actually have a lot better safety rating than a

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<v Speaker 1>lot of the army armies trying the same tricks where

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<v Speaker 1>the drill instructors will swap out hats on their ranges,

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<v Speaker 1>but it doesn't have the same effect because I think

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<v Speaker 1>it's not as potent as symbol They started using this

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<v Speaker 1>fake sort of you know, safari looking hat back in

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<v Speaker 1>the nineteen thirties, so all throughout World War Two they

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<v Speaker 1>had these all throughout, so it's got a low tradition

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<v Speaker 1>of use. I think they discontinued it in twenty seventeen,

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<v Speaker 1>but you know, I got out in twenty thirteen. Would

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<v Speaker 1>but I thought it was a potent symbol, so I

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<v Speaker 1>thought i'd bring that.

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<v Speaker 3>Hell yeah, no, I thought that was really interesting. When

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<v Speaker 3>you even just whatever you a little bit you text

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<v Speaker 3>me about, I was like, damn fuck, and what you

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<v Speaker 3>told me about with this stuff, with like the language

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<v Speaker 3>change and everything, I was like, oh, that was like

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<v Speaker 3>so fucking like programmed.

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<v Speaker 2>That's just weird.

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<v Speaker 3>Like you said, the lexicon, you'll get a different soldier

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<v Speaker 3>probably when they hear different phrases. Oh I'm supposed to

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<v Speaker 3>be in this fucking right now. That's wild.

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<v Speaker 1>But I mean it's very useful when you're managing a.

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<v Speaker 2>Lot of people.

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<v Speaker 1>Yeah, makes sense, and they're not very smart.

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<v Speaker 2>Yeah no, no, I mean I mean I got you

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<v Speaker 2>for sure.

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<v Speaker 1>But on my serious hat.

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<v Speaker 3>Yeah yeah, somebody put in there my head, I'm better

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<v Speaker 3>than you because of this hat or something like that.

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<v Speaker 2>I have a better hat. Listen to me.

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<v Speaker 3>Yeah, all right, Well for me today I got I

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<v Speaker 3>actually got two things. They kind of go together. It's

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<v Speaker 3>galp Galpadar and getting faxy. If I'm saying those correct,

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<v Speaker 3>I don't know. Maybe anless you've heard of them, I

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<v Speaker 3>might be saying I'm wrong, but uh yeah, yeah, okay, yeah,

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<v Speaker 3>this is one of them. And then yeah that's the

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<v Speaker 3>other one. There's a couple of them here. Helped throw

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<v Speaker 3>them up on the screen so you could look at

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<v Speaker 3>them a little bit right now, just getting an idea.

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<v Speaker 2>Yeah.

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<v Speaker 3>Yeah, that's you know, pretty interesting right there too. All right, Yeah,

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<v Speaker 3>let me get back to my notes. Sorry, I just

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<v Speaker 3>wanted to throw those up. They are noted to go

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<v Speaker 3>back to around anywhere between, and these are Icelandic. They're

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00:12:39.360 --> 00:12:42.039
<v Speaker 3>going back to around sixteen hundred to sixteen fifty. They

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<v Speaker 3>show up in a book, Galdra gal Galadra book, and

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<v Speaker 3>that is a seventeenth century grim war and it's in

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<v Speaker 3>the Swedish Antiqrium archive in Stockholm if anybody wants to

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<v Speaker 3>check it out. I guess and spell thirty four in

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<v Speaker 3>that names Galpadar among Victory and gin Faxi appears in

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<v Speaker 3>the same circle of charms in eighteen forty seven. It

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<v Speaker 3>shows back up in the Hold Manuscript which is in

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<v Speaker 3>the National Library of Iceland, and that is including it

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<v Speaker 3>has the illustrations of Galpadar and gin Faxi in there

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<v Speaker 3>as well. And then this I found interesting, which is

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<v Speaker 3>probably one of the reasons why I went with it

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00:13:28.320 --> 00:13:31.519
<v Speaker 3>as well, is that oral tradition from the nineteenth to

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<v Speaker 3>the twentieth century records wrestlers carving or drawing the pair

248
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<v Speaker 3>on camvs skin and then hiding them in their shoes

249
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<v Speaker 3>before about And yeah, the Galpadar is supposed to be

250
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<v Speaker 3>slipped under the right heel and the gin Faxi is

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00:13:45.279 --> 00:13:50.639
<v Speaker 3>under the left hose. Supposedly Galpadar, which I think is

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<v Speaker 3>the two horizontal beams with branching claws. Let me see

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<v Speaker 3>which one that is. I have that one up, let

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<v Speaker 3>me know the right one. There we go, people know

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00:14:03.960 --> 00:14:07.519
<v Speaker 3>what I'm talking about. That one, it's uh supposed to

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<v Speaker 3>be it's supposed to keep the wrestlers steady on his feet,

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<v Speaker 3>that's what they would use it for. And then the

258
00:14:12.399 --> 00:14:15.879
<v Speaker 3>other one, gin Faxi, that fills the fighter with virility

259
00:14:15.960 --> 00:14:23.399
<v Speaker 3>and forward drive inscription however they use his historically sometimes

260
00:14:23.399 --> 00:14:27.440
<v Speaker 3>there are drawn in blood coal suit suit, you know,

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00:14:27.559 --> 00:14:31.840
<v Speaker 3>make us from the whatever burnt stuff and carved it

262
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<v Speaker 3>or shit carved in the caskin charging, charging it would

263
00:14:35.360 --> 00:14:42.279
<v Speaker 3>be recitation of a short caldral lag charm while breathing

264
00:14:42.360 --> 00:14:46.039
<v Speaker 3>onto the stave deployment or howlig you could use it.

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<v Speaker 2>You could.

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<v Speaker 3>People would sew it sometimes into stuff, or they would

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00:14:50.240 --> 00:14:52.480
<v Speaker 3>the wrestlers would simply just put it in the in

268
00:14:52.519 --> 00:14:54.559
<v Speaker 3>their shoes, but sometimes they would sew it this stuff

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00:14:55.200 --> 00:14:58.360
<v Speaker 3>and then after the victory, the charms were burned or

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00:14:58.679 --> 00:15:06.879
<v Speaker 3>buried under a horse roads to avoid unwanted backfire. And

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<v Speaker 3>how we see it today combat sports and re enactment,

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00:15:11.080 --> 00:15:15.720
<v Speaker 3>Brazilian jiu jitsu gyms and god, how is in rake

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00:15:15.919 --> 00:15:19.879
<v Speaker 3>Javic stencil a pair on their mats, especially the two

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00:15:19.960 --> 00:15:21.639
<v Speaker 3>that I'd just shown, a lot of them will put

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00:15:21.679 --> 00:15:24.879
<v Speaker 3>that on their socks. You see it in jewelry and

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00:15:24.879 --> 00:15:27.960
<v Speaker 3>tattoos and etsy and stuff, neo pagan rituals. Sometimes you

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00:15:27.960 --> 00:15:31.679
<v Speaker 3>will still see them and something. It has been shown

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00:15:31.720 --> 00:15:34.440
<v Speaker 3>in pop culture. It's featured in a video game run

279
00:15:34.519 --> 00:15:38.919
<v Speaker 3>sets and Nordic theme the graphic novels. Uh so, yeah,

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00:15:38.919 --> 00:15:40.840
<v Speaker 3>it still does kind of like pop up today, but

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00:15:40.960 --> 00:15:42.600
<v Speaker 3>it was something a little bit older and kind of

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<v Speaker 3>not known, and for some reason, I don't know why

283
00:15:45.240 --> 00:15:48.240
<v Speaker 3>it it's attached to wrestling. So it was just like,

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<v Speaker 3>I guess when I knew that his was attached to like,

285
00:15:51.480 --> 00:15:53.639
<v Speaker 3>you know, the arms for you know whatever, I was

286
00:15:53.679 --> 00:15:55.159
<v Speaker 3>just like, well, this kind of goes with something else.

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<v Speaker 2>I'll run with this. I just thought it was weird.

288
00:15:58.159 --> 00:16:01.240
<v Speaker 3>I mean because I remember even covering I think a

289
00:16:01.320 --> 00:16:06.679
<v Speaker 3>cult wrestling on Gray Horns Pagan's podcast, and there was

290
00:16:06.759 --> 00:16:08.720
<v Speaker 3>it did seem to be like a lot of Norse

291
00:16:09.679 --> 00:16:11.240
<v Speaker 3>that I came across when I was looking into that.

292
00:16:11.279 --> 00:16:13.120
<v Speaker 3>So even when I saw this it was icelandic I

293
00:16:13.159 --> 00:16:14.440
<v Speaker 3>was like, damn, I wish I would have had this.

294
00:16:14.519 --> 00:16:17.399
<v Speaker 2>Then this is interesting. I just find that weird. It's

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00:16:17.440 --> 00:16:18.480
<v Speaker 2>something wrestless use.

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<v Speaker 1>Do you know that the history of Iceland when it

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00:16:21.919 --> 00:16:23.919
<v Speaker 1>comes to practicing magic.

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00:16:24.240 --> 00:16:25.399
<v Speaker 2>No, No, I really don't.

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<v Speaker 1>Actually, oh, you're all love it. So Iceland was a

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00:16:30.320 --> 00:16:33.960
<v Speaker 1>very unique place when they were making the Christian reforms

301
00:16:33.960 --> 00:16:37.759
<v Speaker 1>in all of Norway, Iceland and Sweden all the rest

302
00:16:37.799 --> 00:16:39.840
<v Speaker 1>of that, there were a whole bunch of people who

303
00:16:39.879 --> 00:16:43.559
<v Speaker 1>were practicing magic in those areas and they're like, we're

304
00:16:43.559 --> 00:16:46.360
<v Speaker 1>not Christian, you need to stop this. What are you doing?

305
00:16:46.559 --> 00:16:51.879
<v Speaker 1>So they decided all flee to Iceland. So for hundreds

306
00:16:51.919 --> 00:16:56.279
<v Speaker 1>of years, the official you know, religion of Iceland was

307
00:16:57.960 --> 00:17:02.879
<v Speaker 1>this sort of magic system that came on the Norse Pagans.

308
00:17:05.039 --> 00:17:08.319
<v Speaker 1>And what a lot of these staves are from is

309
00:17:08.359 --> 00:17:13.680
<v Speaker 1>actually from earlier Christian chants and charms that they incorporated

310
00:17:13.720 --> 00:17:16.799
<v Speaker 1>into their system, because the Christians did practice a lot

311
00:17:16.799 --> 00:17:19.599
<v Speaker 1>of magic that you know, were on the outskirts of society,

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00:17:19.640 --> 00:17:21.920
<v Speaker 1>and they had other Christian traditions that were passed on

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00:17:22.000 --> 00:17:25.240
<v Speaker 1>to them and they used them as you know spells

314
00:17:25.759 --> 00:17:30.279
<v Speaker 1>and you know charms. That's just sort of natural because

315
00:17:30.279 --> 00:17:32.240
<v Speaker 1>they came from those families who had that stuff, and

316
00:17:32.279 --> 00:17:35.200
<v Speaker 1>they just christianized their their spells and charms. If they

317
00:17:35.200 --> 00:17:38.440
<v Speaker 1>were outside of the church for too long, they started

318
00:17:38.480 --> 00:17:43.079
<v Speaker 1>to develop these you know, naturally sort of occurring shapes

319
00:17:43.160 --> 00:17:47.680
<v Speaker 1>that occurred to them as having magical powers. I don't

320
00:17:47.680 --> 00:17:52.039
<v Speaker 1>think it's that far outside of the ordinary. And when

321
00:17:52.079 --> 00:17:55.759
<v Speaker 1>they started this, then they had Christians moved to Iceland

322
00:17:55.920 --> 00:18:00.759
<v Speaker 1>and claimed to be targeted by the black magic. So

323
00:18:01.039 --> 00:18:03.200
<v Speaker 1>they came out there they're like, no, you need to

324
00:18:03.240 --> 00:18:05.200
<v Speaker 1>be Christian and they're like, we don't want to be

325
00:18:05.279 --> 00:18:07.759
<v Speaker 1>Christian and they're like, ah, stop hurting me with your

326
00:18:07.799 --> 00:18:14.079
<v Speaker 1>black magic. I'm serious. The literal cartman's coming out there

327
00:18:14.119 --> 00:18:16.720
<v Speaker 1>to say, you can't do this. You're putting spells on me.

328
00:18:16.799 --> 00:18:19.680
<v Speaker 1>You have to listen to what I'm saying. And so

329
00:18:20.039 --> 00:18:21.920
<v Speaker 1>they would go back and forth. It's like, I didn't

330
00:18:21.960 --> 00:18:24.000
<v Speaker 1>have anything to do with your wife's dat you probably

331
00:18:24.119 --> 00:18:26.119
<v Speaker 1>killed there. You're telling me that I put black magic

332
00:18:26.119 --> 00:18:27.799
<v Speaker 1>on you. I didn't put any black magic on you.

333
00:18:27.839 --> 00:18:30.200
<v Speaker 1>But now that you're saying I'm doing it, I'm going

334
00:18:30.240 --> 00:18:39.319
<v Speaker 1>to do it ten times harder, right. And ever since then,

335
00:18:39.880 --> 00:18:44.480
<v Speaker 1>Iceland has been very very suspicious of Christianity. They do

336
00:18:44.480 --> 00:18:47.000
<v Speaker 1>not like it. They see it for a bunch of

337
00:18:47.000 --> 00:18:50.000
<v Speaker 1>people in a power trip. And so now Iceland is

338
00:18:50.000 --> 00:18:52.640
<v Speaker 1>one of the most atheistic nations in the world because

339
00:18:52.640 --> 00:18:55.079
<v Speaker 1>they lost time with their roots in the modern times

340
00:18:55.680 --> 00:18:59.279
<v Speaker 1>and they're not going to go towards Christianity. So they're

341
00:18:59.319 --> 00:19:01.960
<v Speaker 1>like the biggest atheists in the world. But if you

342
00:19:02.000 --> 00:19:05.480
<v Speaker 1>bring up some of the folk legends, they still sort

343
00:19:05.519 --> 00:19:07.839
<v Speaker 1>of participate in it. So there's little people out there

344
00:19:07.839 --> 00:19:12.799
<v Speaker 1>on Iceland that they put up, you know, hillside little

345
00:19:13.920 --> 00:19:17.720
<v Speaker 1>houses for them, and they bring food and stuff to

346
00:19:17.759 --> 00:19:20.680
<v Speaker 1>them on certain days. But you know, it's more of

347
00:19:20.759 --> 00:19:23.440
<v Speaker 1>like a folk tradition than more of a religious belief.

348
00:19:23.440 --> 00:19:25.240
<v Speaker 1>But it sort of crosses the boundary a little bit,

349
00:19:25.920 --> 00:19:31.359
<v Speaker 1>and they still have a very robust history of mythology

350
00:19:31.599 --> 00:19:34.359
<v Speaker 1>and their own unique way of seeing things, and the

351
00:19:34.400 --> 00:19:37.000
<v Speaker 1>staves go right along with that. That came along with

352
00:19:37.039 --> 00:19:43.960
<v Speaker 1>their magic. Iceland is a really interesting place when it

353
00:19:43.960 --> 00:19:45.799
<v Speaker 1>comes to magic, and a lot of people don't really

354
00:19:45.839 --> 00:19:47.440
<v Speaker 1>think about it like that. It's one of the last

355
00:19:47.480 --> 00:19:52.240
<v Speaker 1>surviving places where the old Norse pagan beliefs were allowed

356
00:19:52.240 --> 00:19:55.319
<v Speaker 1>to flourish. And you know, mostly it was just grumpy

357
00:19:55.359 --> 00:19:56.960
<v Speaker 1>old men that said, you're not going to take our

358
00:19:57.000 --> 00:19:58.319
<v Speaker 1>magic from us, We're going to leave.

359
00:20:01.240 --> 00:20:04.920
<v Speaker 3>That's a little fucked up though. Yeah, but black magic

360
00:20:04.960 --> 00:20:05.960
<v Speaker 3>on me because you won't listen.

361
00:20:08.279 --> 00:20:11.480
<v Speaker 1>Well, I mean, the Christian form of black magic is

362
00:20:11.480 --> 00:20:14.160
<v Speaker 1>making false accusations, So why wouldn't you do it?

363
00:20:14.200 --> 00:20:16.160
<v Speaker 3>Back to the no, No, I was like, it's just

364
00:20:16.200 --> 00:20:17.559
<v Speaker 3>like still like things haven't changed.

365
00:20:17.599 --> 00:20:19.920
<v Speaker 2>Huh. You know what I'm saying, like making a.

366
00:20:19.759 --> 00:20:24.039
<v Speaker 3>Bullshit because he doesn't like somebody fucking nuts, Yo, somebody

367
00:20:24.079 --> 00:20:27.880
<v Speaker 3>had said, Uh, Promethean said in the chat and I

368
00:20:27.920 --> 00:20:29.799
<v Speaker 3>actually heard him say this at the lecture. He says,

369
00:20:29.799 --> 00:20:32.279
<v Speaker 3>patterns like that, like the first one, are all over

370
00:20:32.319 --> 00:20:34.880
<v Speaker 3>the world. Doctor Robert Schock says that when a major

371
00:20:34.920 --> 00:20:37.920
<v Speaker 3>solar event happens, those patterns are in the sky, kind

372
00:20:37.920 --> 00:20:40.359
<v Speaker 3>of like sprites. He was going on about the ship

373
00:20:40.440 --> 00:20:43.680
<v Speaker 3>like that. That's interesting. I don't know what he was

374
00:20:43.680 --> 00:20:46.920
<v Speaker 3>saying that towards. I forgot, but what did I mention it?

375
00:20:48.880 --> 00:20:49.000
<v Speaker 4>All?

376
00:20:49.079 --> 00:20:49.319
<v Speaker 2>Right?

377
00:20:49.559 --> 00:20:55.400
<v Speaker 1>Well, I think that the geometric form is linked to

378
00:20:55.480 --> 00:21:00.119
<v Speaker 1>both the creation of matter and to the creation of

379
00:21:00.160 --> 00:21:03.400
<v Speaker 1>the mind. Right, So the first things we're able to

380
00:21:03.480 --> 00:21:07.960
<v Speaker 1>draw these you know, rudimentric geometric forms, and those rudimentary

381
00:21:07.960 --> 00:21:13.519
<v Speaker 1>geometric forms make up much more complex and interesting shapes

382
00:21:13.559 --> 00:21:17.240
<v Speaker 1>that we then can translate into painting or drawing or

383
00:21:17.240 --> 00:21:21.480
<v Speaker 1>whatever you want. So these are the basic like bottom

384
00:21:21.599 --> 00:21:25.359
<v Speaker 1>level that connect to both the creation of stuff, you know,

385
00:21:25.519 --> 00:21:29.160
<v Speaker 1>through quantum vibrations and things like that. Uh, you know,

386
00:21:29.279 --> 00:21:32.519
<v Speaker 1>string theory, the idea that there are these waves of

387
00:21:32.640 --> 00:21:35.920
<v Speaker 1>energy that actually can geal into the matter that we're

388
00:21:35.960 --> 00:21:39.160
<v Speaker 1>made out of, starting on the geometric and then also

389
00:21:39.319 --> 00:21:41.640
<v Speaker 1>through the thought process. So there is it as as

390
00:21:41.640 --> 00:21:46.039
<v Speaker 1>above so below that comes directly through human creativity. So

391
00:21:47.000 --> 00:21:50.319
<v Speaker 1>I got the first one from pretty Bug. It says

392
00:21:50.400 --> 00:21:53.519
<v Speaker 1>it's me, pretty Bug. My story is taken so long

393
00:21:53.559 --> 00:21:56.119
<v Speaker 1>to send because I've been scared to even talk about it,

394
00:21:56.200 --> 00:21:59.119
<v Speaker 1>much less put it into words in written texts. I've

395
00:21:59.119 --> 00:22:01.279
<v Speaker 1>been so scared because I didn't want to do anything

396
00:22:01.279 --> 00:22:05.640
<v Speaker 1>that would cause or provoke it to happen again ever ever,

397
00:22:06.359 --> 00:22:12.400
<v Speaker 1>But anyway, here it goes. I appreciate your bravery. So

398
00:22:12.599 --> 00:22:15.160
<v Speaker 1>all I know is that my only intention was to

399
00:22:15.200 --> 00:22:18.839
<v Speaker 1>communicate with my grandmother through dreams. She came to me

400
00:22:18.880 --> 00:22:22.319
<v Speaker 1>in a dream after she passed, which was really awesome.

401
00:22:22.440 --> 00:22:25.920
<v Speaker 1>That experience is what led me to try and eliciting

402
00:22:26.079 --> 00:22:29.599
<v Speaker 1>a dream from her. I don't know the time that

403
00:22:29.920 --> 00:22:32.920
<v Speaker 1>what I was doing was trying to elicit lucid dreaming,

404
00:22:33.240 --> 00:22:36.519
<v Speaker 1>or so I've been told. I literally don't know squat

405
00:22:36.640 --> 00:22:39.839
<v Speaker 1>about these things. What I did was put on my

406
00:22:39.960 --> 00:22:43.359
<v Speaker 1>piano playlist, lied down on my back on the bed,

407
00:22:43.599 --> 00:22:48.799
<v Speaker 1>and a hold of my labradorite stone, closed my eyes,

408
00:22:48.839 --> 00:22:51.880
<v Speaker 1>and started to do what I would only call meditate.

409
00:22:52.279 --> 00:22:54.920
<v Speaker 1>I started to imagine that the road to her house

410
00:22:55.119 --> 00:22:58.160
<v Speaker 1>was paved, was a paved road that later turned into

411
00:22:58.160 --> 00:23:01.680
<v Speaker 1>a dirt road. While walking down the road, I started

412
00:23:01.720 --> 00:23:03.799
<v Speaker 1>to think of the house. I was thinking of what

413
00:23:03.880 --> 00:23:07.279
<v Speaker 1>it looked like outside Inside I thought about what it

414
00:23:07.359 --> 00:23:10.519
<v Speaker 1>smelled like, what was probably on the TV, and what

415
00:23:10.640 --> 00:23:14.119
<v Speaker 1>might be cooking or being made in the kitchen, all

416
00:23:14.319 --> 00:23:17.759
<v Speaker 1>the things. Lol. I followed the road all the way

417
00:23:18.319 --> 00:23:21.759
<v Speaker 1>to her and my grandfather's home. At some point I

418
00:23:21.839 --> 00:23:25.480
<v Speaker 1>realized I didn't hear my piano playlist anymore. Even after

419
00:23:25.519 --> 00:23:28.480
<v Speaker 1>the realization, I didn't hear it again until I came

420
00:23:28.559 --> 00:23:32.160
<v Speaker 1>out of the dream. First thing, after walking down the driveway,

421
00:23:32.200 --> 00:23:35.039
<v Speaker 1>I went into the front door, which I don't know why,

422
00:23:35.119 --> 00:23:38.680
<v Speaker 1>because the front door was rarely used, definitely a garage

423
00:23:38.759 --> 00:23:41.279
<v Speaker 1>using family. Have you noticed that there are some places

424
00:23:41.640 --> 00:23:44.920
<v Speaker 1>where they don't use the front door, They always go around.

425
00:23:47.480 --> 00:23:49.279
<v Speaker 2>I know what you mean. Yes, I have known people

426
00:23:49.359 --> 00:23:52.200
<v Speaker 2>like that. Yeah.

427
00:23:52.240 --> 00:23:55.400
<v Speaker 1>Walking inside, there was a little furniture and a zero

428
00:23:55.480 --> 00:23:58.480
<v Speaker 1>pictures on top of tables. No books, no shelves, no

429
00:23:58.599 --> 00:24:01.720
<v Speaker 1>things on the walls. There was a small table in

430
00:24:01.759 --> 00:24:04.480
<v Speaker 1>the foyer right to my right, but it didn't have

431
00:24:04.559 --> 00:24:07.119
<v Speaker 1>the trinkets or lamps on top of it. To my left,

432
00:24:07.359 --> 00:24:11.400
<v Speaker 1>the china cabinet, there was nothing there, but had nothing

433
00:24:11.519 --> 00:24:14.000
<v Speaker 1>in it. I stepped into the living room and the

434
00:24:14.000 --> 00:24:16.400
<v Speaker 1>TV cabinet was there on my right again and was

435
00:24:16.480 --> 00:24:19.839
<v Speaker 1>void anything decorative in the TV. This kind of reminds

436
00:24:19.880 --> 00:24:23.920
<v Speaker 1>me of a mall dream. In the mall dream, there's

437
00:24:24.119 --> 00:24:27.759
<v Speaker 1>very rarely anything inside the stores that you could recognize.

438
00:24:27.799 --> 00:24:30.880
<v Speaker 1>It's like products over It's all just sort of empty.

439
00:24:32.759 --> 00:24:37.720
<v Speaker 1>There was only one recliner, which was my grandmother's. My

440
00:24:37.759 --> 00:24:41.000
<v Speaker 1>grandfather's recliner was missing, along with the couch, the rug,

441
00:24:41.079 --> 00:24:43.640
<v Speaker 1>the coffee table, and the long table that was under

442
00:24:43.680 --> 00:24:46.920
<v Speaker 1>the windows. In the kitchen, there was only the kitchen

443
00:24:46.960 --> 00:24:49.759
<v Speaker 1>table and nothing else. The house was pretty much bare,

444
00:24:49.839 --> 00:24:52.559
<v Speaker 1>as if someone was moving in or moving out. I

445
00:24:52.599 --> 00:24:55.720
<v Speaker 1>stepped into the living room looked around. My grandmother wasn't

446
00:24:55.759 --> 00:24:57.440
<v Speaker 1>in the house as far as I could tell. I

447
00:24:57.519 --> 00:25:00.279
<v Speaker 1>called out for her and got no response. The house

448
00:25:00.319 --> 00:25:03.240
<v Speaker 1>was pretty small but open. You could see both sides

449
00:25:03.240 --> 00:25:06.400
<v Speaker 1>of the house standing in the living room or the kitchen.

450
00:25:06.480 --> 00:25:09.000
<v Speaker 1>So upon hearing her, I walked through the kitchen and

451
00:25:09.119 --> 00:25:12.640
<v Speaker 1>out the door. The door was always used. I looked

452
00:25:12.640 --> 00:25:15.119
<v Speaker 1>down the driveway and spotted her in the garden. She

453
00:25:15.200 --> 00:25:18.720
<v Speaker 1>spotted me at the same time, and smiled, waving enthusiastically.

454
00:25:19.079 --> 00:25:21.240
<v Speaker 1>Once I got to her, she asked me what I

455
00:25:21.319 --> 00:25:23.799
<v Speaker 1>was doing there. I told her I just wanted to

456
00:25:23.839 --> 00:25:26.200
<v Speaker 1>talk to her and that I missed her. She told

457
00:25:26.240 --> 00:25:28.359
<v Speaker 1>me to come inside. So when we were back in

458
00:25:28.400 --> 00:25:30.480
<v Speaker 1>the kitchen, she made me a glass of a famous

459
00:25:30.559 --> 00:25:33.640
<v Speaker 1>sweet tea along with a sprig of mint. Her tea

460
00:25:33.720 --> 00:25:36.680
<v Speaker 1>tasted so good you wouldn't want any other sweet tea ever. Again,

461
00:25:37.359 --> 00:25:40.200
<v Speaker 1>we sat at the kitchen table and I asked her questions.

462
00:25:41.039 --> 00:25:44.759
<v Speaker 1>I was conscious of, conscious of asking and coming up

463
00:25:44.839 --> 00:25:48.200
<v Speaker 1>with what to ask her. She would reply without me

464
00:25:48.279 --> 00:25:52.960
<v Speaker 1>consciously making up her response like I was when making

465
00:25:53.000 --> 00:25:55.640
<v Speaker 1>up the questions. It was like I was truly speaking

466
00:25:55.680 --> 00:25:58.039
<v Speaker 1>and visiting with her. So I started to visit with

467
00:25:58.079 --> 00:26:00.799
<v Speaker 1>her more often. I think I visited her four or

468
00:26:00.839 --> 00:26:04.359
<v Speaker 1>five more times before what happened. The more I visited her,

469
00:26:04.559 --> 00:26:07.799
<v Speaker 1>the more things showed up in the house, until even

470
00:26:07.839 --> 00:26:10.599
<v Speaker 1>her dogs showed them everything was back in place.

471
00:26:12.799 --> 00:26:14.400
<v Speaker 2>That's not good, that's weird.

472
00:26:14.519 --> 00:26:23.079
<v Speaker 1>So yeah, you remember the story of Padies and Persephone.

473
00:26:23.799 --> 00:26:27.319
<v Speaker 3>That detailed what about it that.

474
00:26:27.519 --> 00:26:31.920
<v Speaker 1>She ate six uh six pomegranate seeds while she was

475
00:26:31.920 --> 00:26:34.720
<v Speaker 1>in the underworld. Now, if you ate anything in the underworld,

476
00:26:34.720 --> 00:26:37.960
<v Speaker 1>you were no longer allowed to leave, so said. She

477
00:26:38.039 --> 00:26:40.720
<v Speaker 1>only ate six of them. She spent six months under

478
00:26:40.759 --> 00:26:42.640
<v Speaker 1>the surface and then six months on top. But this

479
00:26:42.720 --> 00:26:44.599
<v Speaker 1>goes back to like fairies and all the rest of

480
00:26:44.599 --> 00:26:47.440
<v Speaker 1>this stuff. If you eat anything, or if you spend

481
00:26:47.480 --> 00:26:51.880
<v Speaker 1>too long in that other world, you start to stay

482
00:26:51.920 --> 00:26:54.000
<v Speaker 1>there a lot.

483
00:26:55.640 --> 00:26:55.799
<v Speaker 2>Right.

484
00:26:55.799 --> 00:27:00.839
<v Speaker 1>Ooh, that's why there's more stuff. She is getting closer

485
00:27:00.880 --> 00:27:04.160
<v Speaker 1>to it. The more I visited her, the more things

486
00:27:04.160 --> 00:27:06.799
<v Speaker 1>showed up in the house, until even her dog showed up.

487
00:27:06.880 --> 00:27:09.799
<v Speaker 1>Everything was back in place. I still went through the

488
00:27:09.799 --> 00:27:12.039
<v Speaker 1>front door, the door we never used. I just kept

489
00:27:12.039 --> 00:27:14.680
<v Speaker 1>going in that way. I don't know why I just did.

490
00:27:14.920 --> 00:27:18.839
<v Speaker 1>After experiencing my visits with her amazing results, I decided

491
00:27:18.839 --> 00:27:23.440
<v Speaker 1>to visit my great grandmother, my grandfather's mother.

492
00:27:23.640 --> 00:27:23.960
<v Speaker 2>PS.

493
00:27:24.000 --> 00:27:26.240
<v Speaker 1>There's a pretty full and interesting lineage to me and

494
00:27:26.319 --> 00:27:29.000
<v Speaker 1>my great grandmother. That may be good to know with

495
00:27:29.160 --> 00:27:32.000
<v Speaker 1>analyzing my experience with her. If it isn't worth anything,

496
00:27:32.039 --> 00:27:34.319
<v Speaker 1>at least it's interesting. She was the daughter of the

497
00:27:34.359 --> 00:27:38.759
<v Speaker 1>American Colonists, daughter of the American Revolution, and member of

498
00:27:38.799 --> 00:27:46.000
<v Speaker 1>the National Society of the Colonial Dames of the XVIII Century.

499
00:27:46.759 --> 00:27:49.440
<v Speaker 1>I have all the applications she left for me as

500
00:27:49.519 --> 00:27:52.880
<v Speaker 1>their receipts if I wanted so, that would be the

501
00:27:53.559 --> 00:27:59.440
<v Speaker 1>seventeenth century. Yeah, yes, it is. Also she lived also

502
00:27:59.519 --> 00:28:03.039
<v Speaker 1>in a history oracle house named the Cedars in Washington, Georgia,

503
00:28:03.160 --> 00:28:06.359
<v Speaker 1>which was a story in itself. She was a Confectionary

504
00:28:06.480 --> 00:28:10.319
<v Speaker 1>Garden Club member and mastered the piano at Julia. She

505
00:28:10.440 --> 00:28:15.039
<v Speaker 1>is the most legal person I have ever known, which

506
00:28:15.079 --> 00:28:17.400
<v Speaker 1>makes sense. If you've got a long lineage here, you've

507
00:28:17.440 --> 00:28:23.319
<v Speaker 1>got a lot to draw back one, unlike us German peasants,

508
00:28:23.359 --> 00:28:25.559
<v Speaker 1>who all we want to do is dig holes in

509
00:28:25.599 --> 00:28:31.240
<v Speaker 1>the suit. I also recently found out the story of

510
00:28:31.279 --> 00:28:35.799
<v Speaker 1>being directly related to Pocahontas isn't just the family rumor anymore.

511
00:28:35.839 --> 00:28:39.640
<v Speaker 1>It's true. I am her fourteenth great granddaughter. Didn't see

512
00:28:39.640 --> 00:28:43.200
<v Speaker 1>that coming. She had our ancestry research all the way

513
00:28:43.240 --> 00:28:46.599
<v Speaker 1>back to the days of Charlemagne, not the Rapper, who

514
00:28:46.599 --> 00:28:50.160
<v Speaker 1>I am a very distant relative of. She's definitely in

515
00:28:50.160 --> 00:28:53.440
<v Speaker 1>the society of the Cincinnati. She's passing that alone. Daughters

516
00:28:53.480 --> 00:28:57.319
<v Speaker 1>of the American Revolution, No way, she's not. She was

517
00:28:57.359 --> 00:29:01.400
<v Speaker 1>once a possession of General Cornwallis's boot buckles. I think

518
00:29:01.519 --> 00:29:04.359
<v Speaker 1>that's what they're called, et cetera. So I used the

519
00:29:04.400 --> 00:29:08.000
<v Speaker 1>same method as before. I was experiencing the same result. However,

520
00:29:08.079 --> 00:29:10.960
<v Speaker 1>this time it was very different. Instead of the house

521
00:29:11.000 --> 00:29:15.079
<v Speaker 1>being full of light and color, it was dark, black

522
00:29:15.079 --> 00:29:18.319
<v Speaker 1>and white. All the furniture, pictures, et cetera. Were already there.

523
00:29:18.559 --> 00:29:22.079
<v Speaker 1>It was also seemingly silent, silent as in void of

524
00:29:22.200 --> 00:29:25.799
<v Speaker 1>sound completely. I walked into the house and halfway down

525
00:29:25.880 --> 00:29:28.519
<v Speaker 1>the floyer, I stepped into the den and looked around.

526
00:29:28.880 --> 00:29:31.720
<v Speaker 1>She wasn't there. I stepped back into the floyer and

527
00:29:31.799 --> 00:29:34.119
<v Speaker 1>walked across to the living room. I found her there.

528
00:29:34.839 --> 00:29:37.359
<v Speaker 1>She was sitting in a rocking chair by the fireplace.

529
00:29:37.440 --> 00:29:40.079
<v Speaker 1>She was hardly ever in the house. I was calling

530
00:29:40.079 --> 00:29:43.759
<v Speaker 1>her name until I reached her. She was sitting upright while,

531
00:29:43.960 --> 00:29:46.839
<v Speaker 1>eyes wide open, no blinking or signs of life. It

532
00:29:46.960 --> 00:29:49.839
<v Speaker 1>stunned me, and I stepped backwards away from her. At

533
00:29:49.839 --> 00:29:52.920
<v Speaker 1>the same time, I noticed something moving in the hallway.

534
00:29:53.039 --> 00:29:55.400
<v Speaker 1>I stepped out into the hallway and saw a black

535
00:29:55.440 --> 00:29:58.279
<v Speaker 1>figure with no shape to it. It looked like it

536
00:29:58.319 --> 00:30:01.519
<v Speaker 1>was possibly hooded or had on kate. I wanted to

537
00:30:01.599 --> 00:30:03.920
<v Speaker 1>know who or what it was, so I followed it

538
00:30:04.000 --> 00:30:07.839
<v Speaker 1>into the kitchen, it exited out the door, the kitchen door,

539
00:30:07.920 --> 00:30:10.319
<v Speaker 1>into the backyard, where it shot straight up into the

540
00:30:10.359 --> 00:30:14.519
<v Speaker 1>sky with a deafening screech. It was at that moment

541
00:30:14.559 --> 00:30:18.440
<v Speaker 1>I sat straight up out of bed, terrifying. So terrified

542
00:30:18.480 --> 00:30:20.400
<v Speaker 1>that night that I couldn't bring myself to turn the

543
00:30:20.519 --> 00:30:23.640
<v Speaker 1>light back off, which I had immediately turned on upon waking,

544
00:30:24.039 --> 00:30:29.319
<v Speaker 1>the most terrified I had ever been. I've experienced a

545
00:30:29.359 --> 00:30:32.839
<v Speaker 1>lot of things, sleep sleep paralysis being one of the

546
00:30:32.839 --> 00:30:35.119
<v Speaker 1>biggest things. Coming face to face with a full body

547
00:30:35.119 --> 00:30:39.200
<v Speaker 1>and apparitions. Learning the repercussions of using a weedi board

548
00:30:39.240 --> 00:30:42.119
<v Speaker 1>without knowing shit about it, or protecting myself, that's a

549
00:30:42.119 --> 00:30:51.359
<v Speaker 1>whole different story. Hearing voices occasionally capturing clear who intelligent dvps?

550
00:30:51.759 --> 00:31:00.799
<v Speaker 4>Oh wowright, let me see, I have a good bit

551
00:31:00.880 --> 00:31:01.920
<v Speaker 4>of crazy stories.

552
00:31:02.000 --> 00:31:05.319
<v Speaker 1>This, however, was something completely different. It was just a

553
00:31:05.359 --> 00:31:09.000
<v Speaker 1>scary af lucid dream. Was it a type of sleep

554
00:31:09.039 --> 00:31:12.839
<v Speaker 1>paralysis I've never experienced out or heard of before, or

555
00:31:12.880 --> 00:31:15.440
<v Speaker 1>it could be something more. I've been told that it

556
00:31:15.480 --> 00:31:18.599
<v Speaker 1>could have been a couple of things, like going beyond

557
00:31:18.640 --> 00:31:22.119
<v Speaker 1>lucid dreaming and landing somewhere else where I wasn't well.

558
00:31:22.599 --> 00:31:27.559
<v Speaker 1>Also told my recipient of the visit, was it open

559
00:31:27.640 --> 00:31:30.240
<v Speaker 1>to talking or visiting. None of that makes any sense

560
00:31:30.279 --> 00:31:34.599
<v Speaker 1>to me, though also told my recipient of the visit

561
00:31:34.839 --> 00:31:38.079
<v Speaker 1>wasn't open to talking or visiting. I mentioned all of

562
00:31:38.119 --> 00:31:40.960
<v Speaker 1>these things about my lineage, my great grandmother because something

563
00:31:41.039 --> 00:31:44.400
<v Speaker 1>in me is telling me I stumbled into something or

564
00:31:44.440 --> 00:31:49.039
<v Speaker 1>somewhere I didn't belong, feeling that something dark is going

565
00:31:49.160 --> 00:31:51.920
<v Speaker 1>on or did go on. As much as I hate

566
00:31:51.920 --> 00:31:54.680
<v Speaker 1>to say this, my great grandmother may very well have

567
00:31:54.720 --> 00:31:57.720
<v Speaker 1>been had a sketchy pass that no one ever talks

568
00:31:57.920 --> 00:32:01.920
<v Speaker 1>or talked about. A note that I've always been attracted

569
00:32:01.960 --> 00:32:04.279
<v Speaker 1>to her since I was little. I wasn't around her,

570
00:32:04.599 --> 00:32:07.079
<v Speaker 1>so it's kind of weird to feel so attached attracted

571
00:32:07.119 --> 00:32:13.039
<v Speaker 1>to her. However, I've always connected to her to piano music.

572
00:32:13.119 --> 00:32:15.559
<v Speaker 1>I've always been in love with the piano and piano music.

573
00:32:15.839 --> 00:32:20.000
<v Speaker 1>Even had a picture of her and I am sitting

574
00:32:20.000 --> 00:32:21.960
<v Speaker 1>at my piano when I was maybe two or three.

575
00:32:22.160 --> 00:32:25.039
<v Speaker 1>My intuition is pretty good. It has never failed me,

576
00:32:25.160 --> 00:32:26.880
<v Speaker 1>and no one has ever told me I was wrong

577
00:32:27.000 --> 00:32:30.079
<v Speaker 1>or way off and analyzing people, things and situations. I

578
00:32:30.160 --> 00:32:33.000
<v Speaker 1>trust my feelings on this. I just don't have any

579
00:32:33.079 --> 00:32:36.720
<v Speaker 1>validating explanations for what happened? What the hell was that

580
00:32:36.839 --> 00:32:39.720
<v Speaker 1>in the hallway with a scream like a bangaing, where

581
00:32:39.720 --> 00:32:42.519
<v Speaker 1>the hell was I? If not for here, is there

582
00:32:42.599 --> 00:32:45.839
<v Speaker 1>something more I should be looking into? Or for here's

583
00:32:45.880 --> 00:32:48.160
<v Speaker 1>hoping you can help me figure this shit out because

584
00:32:48.200 --> 00:32:55.519
<v Speaker 1>it's driving me crazy much love, pretty bod. What is

585
00:32:55.559 --> 00:32:56.000
<v Speaker 1>your take?

586
00:32:57.000 --> 00:32:59.160
<v Speaker 3>It's probably actually, in my opinion, one of the more

587
00:32:59.200 --> 00:33:02.799
<v Speaker 3>crazier things actually look right. I don't know, Yeah, I

588
00:33:02.839 --> 00:33:04.400
<v Speaker 3>don't know why I'm stuck on it, but I think

589
00:33:04.440 --> 00:33:07.160
<v Speaker 3>going back and going, going back and forth and more

590
00:33:07.200 --> 00:33:09.720
<v Speaker 3>shit showing up that just weirds me the fuck out. Actually,

591
00:33:10.720 --> 00:33:13.480
<v Speaker 3>like it's almost like like some repetitive glitcher into some shit.

592
00:33:13.599 --> 00:33:18.799
<v Speaker 1>It's fucking weird, I think, if you know, because this

593
00:33:18.839 --> 00:33:20.279
<v Speaker 1>seems like astral projection.

594
00:33:20.880 --> 00:33:21.960
<v Speaker 2>Yeah, oh yeah, yeah.

595
00:33:23.079 --> 00:33:29.079
<v Speaker 1>She specifically constructed the road for going from paid to

596
00:33:30.359 --> 00:33:35.720
<v Speaker 1>going to gravel because it's in the process of going

597
00:33:35.759 --> 00:33:39.720
<v Speaker 1>from paid to gravel that your your mind now takes

598
00:33:39.759 --> 00:33:42.440
<v Speaker 1>on that transitionary phase, right, So you have to be

599
00:33:42.480 --> 00:33:45.559
<v Speaker 1>thinking about what you're stepping on. So having that focus

600
00:33:46.200 --> 00:33:50.720
<v Speaker 1>actually allows you to maybe leave the conscious realm for

601
00:33:50.799 --> 00:33:54.319
<v Speaker 1>this sort of subconscious slash astral realm. You know, if

602
00:33:54.359 --> 00:33:57.000
<v Speaker 1>you're going into the underworld to do, you know, go

603
00:33:57.039 --> 00:34:01.720
<v Speaker 1>see your grandmother, eventually your living body is going to

604
00:34:01.759 --> 00:34:05.720
<v Speaker 1>reject the experience because you don't want to die on

605
00:34:05.759 --> 00:34:14.199
<v Speaker 1>a very subconscious level. And so maybe it sort of

606
00:34:14.199 --> 00:34:17.440
<v Speaker 1>evoked this black and white sort of realm. Because did

607
00:34:17.480 --> 00:34:19.079
<v Speaker 1>you ever see the movie The Tommy Knockers.

608
00:34:21.559 --> 00:34:23.719
<v Speaker 2>I've seen polsitive, but that's the whole thing.

609
00:34:25.320 --> 00:34:26.760
<v Speaker 1>But you know what I mean. They go into this

610
00:34:26.880 --> 00:34:29.840
<v Speaker 1>realm that sort of represents the place that was, and

611
00:34:29.880 --> 00:34:33.119
<v Speaker 1>it's being eaten by these like weird pac man look

612
00:34:33.159 --> 00:34:35.719
<v Speaker 1>at things with sharp teeth, and so it's like, those

613
00:34:35.719 --> 00:34:39.039
<v Speaker 1>are the moments that were, Those aren't the moments of

614
00:34:39.079 --> 00:34:41.119
<v Speaker 1>the present, and those aren't the moments in the future.

615
00:34:41.599 --> 00:34:43.880
<v Speaker 1>So in the movie The Tommy Knockers, they take off

616
00:34:43.880 --> 00:34:46.400
<v Speaker 1>from this airport that you know exists in the past,

617
00:34:46.800 --> 00:34:49.239
<v Speaker 1>fly through the anomaly to get back to the president.

618
00:34:49.320 --> 00:34:52.920
<v Speaker 1>They ever end up overshooting it into the future, and

619
00:34:52.960 --> 00:34:55.559
<v Speaker 1>so they show up inside the airport in the future

620
00:34:56.079 --> 00:34:59.440
<v Speaker 1>and you know, basically everything appears around them with the

621
00:34:59.480 --> 00:35:04.519
<v Speaker 1>present us up that That's kind of what I'm seeing here.

622
00:35:04.559 --> 00:35:08.239
<v Speaker 1>If you're constantly astrally projecting into the world of the dead.

623
00:35:09.119 --> 00:35:10.920
<v Speaker 1>Your body is going to reject that. You're going to

624
00:35:10.960 --> 00:35:13.880
<v Speaker 1>start to see things get off funking because you're not

625
00:35:13.920 --> 00:35:16.400
<v Speaker 1>supposed to be there, you know. I mean there's a

626
00:35:16.440 --> 00:35:19.039
<v Speaker 1>sort of order to the whole world, and so if

627
00:35:19.039 --> 00:35:22.079
<v Speaker 1>you're constantly doing I think this would be an example

628
00:35:22.119 --> 00:35:24.639
<v Speaker 1>of necromancy. It's not a bad example of necromancy, by

629
00:35:24.679 --> 00:35:28.559
<v Speaker 1>the way, but you are communing with the dead, so

630
00:35:29.599 --> 00:35:31.960
<v Speaker 1>in a certain sense, the body will reject it for

631
00:35:31.960 --> 00:35:34.360
<v Speaker 1>a certain time period if you're too close to it.

632
00:35:35.440 --> 00:35:37.440
<v Speaker 1>You're not supposed to be dead, you know, you're supposed

633
00:35:37.440 --> 00:35:39.679
<v Speaker 1>to be living, So that world is kind of closed

634
00:35:39.679 --> 00:35:42.119
<v Speaker 1>off from us a little bit because we still have

635
00:35:42.199 --> 00:35:45.760
<v Speaker 1>our bodies, we're still in forms. That's just my tich.

636
00:35:45.880 --> 00:35:46.400
<v Speaker 1>What do you think?

637
00:35:47.920 --> 00:35:48.079
<v Speaker 4>Uh?

638
00:35:49.440 --> 00:35:52.559
<v Speaker 3>I thought it was a lot like I don't know why,

639
00:35:52.559 --> 00:35:54.960
<v Speaker 3>but I just was like more of again, and I

640
00:35:54.960 --> 00:35:56.719
<v Speaker 3>think I mentioned the last time with inception. I just

641
00:35:56.719 --> 00:36:01.199
<v Speaker 3>felt like even the whole repetitive thing, like like almost

642
00:36:01.599 --> 00:36:04.679
<v Speaker 3>reprogramming and redoing it. I don't know, I don't know

643
00:36:04.719 --> 00:36:06.239
<v Speaker 3>why I'm stuck on that one part. I just found

644
00:36:06.280 --> 00:36:09.280
<v Speaker 3>that very weird for a dream where it's it's like

645
00:36:09.320 --> 00:36:11.360
<v Speaker 3>you're stuck in a glitch. But it was almost like

646
00:36:12.079 --> 00:36:14.440
<v Speaker 3>I felt like an inception. Maybe she was like designing

647
00:36:14.440 --> 00:36:18.480
<v Speaker 3>it in a sense to the experience, and I felt

648
00:36:18.480 --> 00:36:20.719
<v Speaker 3>a lot of Stranger Things as well. I felt like

649
00:36:20.800 --> 00:36:24.679
<v Speaker 3>I was listening to like a Stranger Things episode, right.

650
00:36:25.519 --> 00:36:27.840
<v Speaker 1>I think it was it was merging in the two minds.

651
00:36:28.280 --> 00:36:30.679
<v Speaker 1>So not only was she seeing it the way you

652
00:36:30.719 --> 00:36:33.760
<v Speaker 1>know it exists in sort of like this fading memory

653
00:36:33.920 --> 00:36:36.880
<v Speaker 1>in reality, but the more she's into it, the more

654
00:36:36.920 --> 00:36:39.599
<v Speaker 1>she sees all of the things that show you show

655
00:36:39.679 --> 00:36:43.360
<v Speaker 1>up because she's merging her mind with her grandmothers, which

656
00:36:43.360 --> 00:36:47.360
<v Speaker 1>I think is you know, probably what would happen symbolically

657
00:36:47.519 --> 00:36:51.480
<v Speaker 1>in these different realms. Again, when you're in the symbolic

658
00:36:51.599 --> 00:36:56.320
<v Speaker 1>realm on the astro symbolic things are going to happen,

659
00:36:56.760 --> 00:36:58.679
<v Speaker 1>then you have to be the one to see and

660
00:36:58.800 --> 00:37:01.920
<v Speaker 1>understand what symbols are being showed to you, because that's

661
00:37:01.960 --> 00:37:05.639
<v Speaker 1>your mind trying to communicate to you, that's your subconscious

662
00:37:05.639 --> 00:37:07.639
<v Speaker 1>trying to communicate to you, and that's your body trying

663
00:37:07.679 --> 00:37:10.639
<v Speaker 1>to communicate to you in different ways in what you're seeing,

664
00:37:10.800 --> 00:37:14.719
<v Speaker 1>don't you. Yeah, I think it was a very powerful dream.

665
00:37:14.760 --> 00:37:16.039
<v Speaker 1>But you know at some.

666
00:37:15.960 --> 00:37:18.000
<v Speaker 3>Time that was probably one of my favorite honesty and

667
00:37:18.039 --> 00:37:20.360
<v Speaker 3>not to play favorites, but I really enjoyed that one.

668
00:37:20.639 --> 00:37:22.079
<v Speaker 2>I think it was so stuck in the story. I

669
00:37:22.079 --> 00:37:23.480
<v Speaker 2>wasn't really trying to decipher.

670
00:37:25.119 --> 00:37:27.239
<v Speaker 1>Thank you very much, Table Ferguson five dollars.

671
00:37:27.360 --> 00:37:31.800
<v Speaker 3>Yeah, thank you, man, appreciate that. But uh yeah, yeah,

672
00:37:31.800 --> 00:37:33.760
<v Speaker 3>I thought that was really cool. I saw somebody, I think,

673
00:37:33.800 --> 00:37:35.679
<v Speaker 3>bad hat. I see that bad hat. It says, oh

674
00:37:35.719 --> 00:37:37.960
<v Speaker 3>my god, hells, I'll send you my dreams. So we're

675
00:37:38.000 --> 00:37:40.639
<v Speaker 3>expecting that. We sort we're going to keep it to

676
00:37:40.679 --> 00:37:41.400
<v Speaker 3>your word.

677
00:37:43.280 --> 00:37:48.199
<v Speaker 1>Absolutely, so I think you know, that was a great email.

678
00:37:48.480 --> 00:37:51.360
<v Speaker 1>I think if you guys have more of them. Remember

679
00:37:51.400 --> 00:37:53.559
<v Speaker 1>we're still taking mall dreams. We're going to probably have

680
00:37:53.599 --> 00:37:55.880
<v Speaker 1>a mall dream that we're doing next week, so tune

681
00:37:55.920 --> 00:37:58.559
<v Speaker 1>in for that one. But I think there is something

682
00:37:58.599 --> 00:38:03.119
<v Speaker 1>to these mall dreams. You guys are into it, make

683
00:38:03.159 --> 00:38:06.119
<v Speaker 1>sure to tune in and we will see you again

684
00:38:06.159 --> 00:38:08.880
<v Speaker 1>next time. Nick any no, just.

685
00:38:08.800 --> 00:38:12.159
<v Speaker 3>If people if yeah, the Occult Rejects, check us out.

686
00:38:12.679 --> 00:38:15.039
<v Speaker 3>If you're interested, we're doing you're doing a live in

687
00:38:15.039 --> 00:38:18.000
<v Speaker 3>about another fucking ten minutes, so you could jump up

688
00:38:18.039 --> 00:38:20.559
<v Speaker 3>over there. Well, or stay here on Headless's channel because

689
00:38:20.559 --> 00:38:23.199
<v Speaker 3>he'll be restreaming it anyway. So yeah, if you want

690
00:38:23.239 --> 00:38:26.880
<v Speaker 3>to check out some Mars Red Planet Blue or Blue

691
00:38:26.880 --> 00:38:29.360
<v Speaker 3>Plant Red and fucking it up, but whatever, check it out.

692
00:38:29.440 --> 00:38:32.400
<v Speaker 3>I'm really excited for it, actually cool guy too, so

693
00:38:34.000 --> 00:38:36.559
<v Speaker 1>Absolutely thank you guys so much for joining us, and

694
00:38:36.639 --> 00:38:38.760
<v Speaker 1>we will see you again next time.
