WEBVTT

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<v Speaker 1>Hello, and welcome to Mythic Mind. We pursue wisdom in

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<v Speaker 1>the past between primary and secondary worlds. I'm your host,

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<v Speaker 1>Andrew Snyder, and I am always grateful for your company.

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<v Speaker 1>All right, welcome back. As we go ahead and wrap

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<v Speaker 1>up this short series on Tolkien's translation of Beowulf as

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<v Speaker 1>our hero meets with the dragon as well as with

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<v Speaker 1>the fate of all mortal men doomed to die. Now,

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<v Speaker 1>I know you've skipped over a good bit of this story,

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<v Speaker 1>only really focusing on the big fights. But if you

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<v Speaker 1>want a more extensive journey, then you can enroll in

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<v Speaker 1>my Beowulf and Bothia's course, which just recently started if

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<v Speaker 1>you're listening to this soon after it first came out,

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<v Speaker 1>or maybe the live run has already ended if you're

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<v Speaker 1>listening to this sometime in the future. But in any case,

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<v Speaker 1>you're welcome to hop in the course and you'll have

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<v Speaker 1>access to all the materials indefinitely, and if the course

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<v Speaker 1>is still running, then you'll walkome to jump into the

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<v Speaker 1>live components as you're able. In any case, you can

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<v Speaker 1>roll in this course at Andrew Snyder dot Patia dot

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<v Speaker 1>com or just click the link in the show notes.

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<v Speaker 1>And now before we get to this final sequence, let's

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<v Speaker 1>do some quick review. The story begins with the legendary

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<v Speaker 1>king Shield Shaving, who washed up on the shores of

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<v Speaker 1>Denmark in a boat from who knows where. This founding

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<v Speaker 1>rose to prominence and proved to be a valiant warrior

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<v Speaker 1>and a strong leader. So a band of noble warriors

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<v Speaker 1>gathered around him. He smashed foreign mead halls, grew his retainer,

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<v Speaker 1>and he was generous to his men as a great

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<v Speaker 1>giver of rings. Shield dies and he gives us one

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<v Speaker 1>of the major funeral sequences that sandwiches this entire poem,

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<v Speaker 1>the second, of course, it being that of Beowulf. Well.

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<v Speaker 1>The Shieldings placed their king on a ship laden with

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<v Speaker 1>treasures and send them back to the powers from which

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<v Speaker 1>he originally came. Shield's son Bo took over after him,

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<v Speaker 1>followed by his son haf Dana, and then his son Hrothgar,

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<v Speaker 1>who founded the great mead hall. Herot during merriment and

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<v Speaker 1>celebration of the good world designed for the habitation of men.

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<v Speaker 1>The helrunin Grendel brooded in neihilistic anger and hostility toward

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<v Speaker 1>the world of men. Grendel was descended from Kine, the

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<v Speaker 1>first kinslayer and the father of all kinds of wicked

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<v Speaker 1>creatures that existed just on the other side of humanity

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<v Speaker 1>as corrupted near humans. And as mister Beaver tells us

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<v Speaker 1>in Narnia, you should never trust something that seems nearly

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<v Speaker 1>to be human but is in fact something else. Well,

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<v Speaker 1>Grendel dishonorably attacks Heroltes at night en slays thirty of

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<v Speaker 1>Hrothgar's men, and then he continues to stalk the land

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<v Speaker 1>and even sets himself up as a kind of shadow

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<v Speaker 1>ruler in herot. Fortunately, Beowulf of the Gaats, here's what

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<v Speaker 1>is happening, and so he sets sail for Denmark and

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<v Speaker 1>he kills Grendel in hand to hand combat, literally ripping

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<v Speaker 1>his arm off. That is great merrymaking after this, But

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<v Speaker 1>then Grendel's mother shows up and an attacks Herote in

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<v Speaker 1>the same way that her son did, and Beowulf seeks

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<v Speaker 1>out in her underwater layer and with the sword of

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<v Speaker 1>a Nephelum, cuts off her head, and then he also

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<v Speaker 1>cuts the head off from Grendel's body just for good measure,

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<v Speaker 1>and he returns to Rothgard with the head of Grendel

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<v Speaker 1>as a trophy growth Guard adopts Beowulf, creating some confusion

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<v Speaker 1>regarding his successor, as troth Guard already has sons, But

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<v Speaker 1>in any case, Beowulf heads back home to Gayet Land

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<v Speaker 1>in the halls of his lord and uncle Ilac. We

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<v Speaker 1>then jump ahead fifty years and now Beowulf is king

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<v Speaker 1>of the Gayats, and this is where today's tale begins. Now,

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<v Speaker 1>this portion of the story begins with a thief under

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<v Speaker 1>the command of a higher lord stealing a goblet from

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<v Speaker 1>a nearby dragon's hoard, which then sends the dragon on

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<v Speaker 1>a rampage berninading the countryside and all of the peasants.

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<v Speaker 1>And by the way, congrats to you if you found

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<v Speaker 1>that to be an amusing reference. This is surely a

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<v Speaker 1>testament to your fine taste and upbringing. Well. The dragon

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<v Speaker 1>continues to rage, starting on the outskirts, then moving closer,

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<v Speaker 1>and it finally destroys Beowulf's home, which does lead me

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<v Speaker 1>to wonder why Bewolf did not act sooner but waited

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<v Speaker 1>until the threat king to him personally. Perhaps he had

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<v Speaker 1>his reasons, but it does make me wonder if he'd

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<v Speaker 1>become more complacent in his old age than he was

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<v Speaker 1>in his youth when he would travel across the sea

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<v Speaker 1>to defeat a foreign threat. And actually, I think that

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<v Speaker 1>this is probably a good time to point out a

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<v Speaker 1>major difference between this monster, this threat, and the previous

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<v Speaker 1>monster fights. Babe's fight with Grendel and his mother were voluntary.

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<v Speaker 1>These were elective fights. They were not intrinsic to his existence,

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<v Speaker 1>even if we might say that they are connected with

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<v Speaker 1>his intrinsic identity as a hero. But remember that heroism

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<v Speaker 1>has to be earned. As Tolkien says, this is not

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<v Speaker 1>a heroic lay per se, but that this really is

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<v Speaker 1>the story of the tragedy that is man's existence, and

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<v Speaker 1>so it is the story of every man to that extent.

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<v Speaker 1>And so just as we do, Baoth had to decide

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<v Speaker 1>to be the hero. And in fact, we get a

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<v Speaker 1>little bit of backstory around this part of the poem

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<v Speaker 1>when we're told that as a youth, no one really

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<v Speaker 1>thought he was going to amount to very muchI. This

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<v Speaker 1>is not somebody who was born with herculean strength. This

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<v Speaker 1>was just an ordinary human born in a very ordinary way.

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<v Speaker 1>In fact, it seems like he was scrawnier than average

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<v Speaker 1>as a child and as a youth, And so this

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<v Speaker 1>is somebody who earned his strength that was not simply

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<v Speaker 1>given to him, and so he had to decide to

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<v Speaker 1>be the hero, and that makes him more relatable, more

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<v Speaker 1>of an every man's heroic journey. Well, Beowulf heard tell

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<v Speaker 1>of the rampages of Grendel, and so he voluntarily set sail,

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<v Speaker 1>recognizing that he might die or he might not, and

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<v Speaker 1>so he was forging a heroic path through the fog

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<v Speaker 1>of uncertainty, just as we all must do if we're

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<v Speaker 1>going to play the hero and do our part in

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<v Speaker 1>putting this world into order. However, the dragon is different.

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<v Speaker 1>This is a threat of his own homeland, brooding for

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<v Speaker 1>over three hundred years in this barrow, literally this place

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<v Speaker 1>of death. And so when Beowulf was born, the dragon

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<v Speaker 1>was there. When Beowulf gained glory in Denmark, the dragon

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<v Speaker 1>was there when Beowulf became king of his people and

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<v Speaker 1>defeated their enemies, the dragon was there. You see, The

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<v Speaker 1>dragon a real dragon. But it's also more than that.

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<v Speaker 1>It is the epitome of fate. It is Beowulf's doom.

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<v Speaker 1>Even as we all are born into such mortal doom

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<v Speaker 1>of our own, we all have a death day appointed

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<v Speaker 1>for us, and that is not one that we choose,

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<v Speaker 1>but one that has chosen for us. And I think that,

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<v Speaker 1>at least from the poetic perspective, this is why Beowulf

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<v Speaker 1>does not head out to face the dragon before it

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<v Speaker 1>was forced upon him. We need to have this sense

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<v Speaker 1>of impending doom that moves closer and closer and that

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<v Speaker 1>we really don't have control over. However, once that doom

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<v Speaker 1>becomes personally related to Beowulf to the point where he

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<v Speaker 1>can no longer escape it, well, now it's time for

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<v Speaker 1>him to determine what the relationship is going to look

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<v Speaker 1>like with this doom, and this is when Beowulf determines

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<v Speaker 1>to fight, and he decides to fight alone. Sometimes it's

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<v Speaker 1>said that Beowulf does this out of pride, thinking of

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<v Speaker 1>this threat will be as readily dismissed as his previous

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<v Speaker 1>monster fights, and there is some reason to go this route,

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<v Speaker 1>seeing Beowulf as a tragic hero, as Beowulf himself actually

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<v Speaker 1>seems to make this point that he's dismissed these other

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<v Speaker 1>monsters before he's killed Grendela killed his mother, and so

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<v Speaker 1>surely he can defeat this dragon as well. However, I

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<v Speaker 1>think that there's more going on. Here than mere pride,

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<v Speaker 1>even though they very likely is present. At least from

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<v Speaker 1>one angle. I think that we're seeing here is that

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<v Speaker 1>in the end he needs to face his doom alone.

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<v Speaker 1>It's not something that can be done from the outside,

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<v Speaker 1>or at least it seems that way. However, he is

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<v Speaker 1>not actually going to be alone in the end. When

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<v Speaker 1>the rest of his men cower and fear, despite making

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<v Speaker 1>much talk of themselves in the meat hall, one loyal

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<v Speaker 1>knight named Weelof stands with his lord, a shield brother

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<v Speaker 1>who literally uses his shield to protect his lord, giving

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<v Speaker 1>us a beautiful display of loyalty and valor. Shortly before

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<v Speaker 1>the fight, Weelof gives a speech rebuking his cowardly companions

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<v Speaker 1>and unfortunately vainly calling them to recover their honor. He says,

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<v Speaker 1>now is the day come when our liege Lord hath

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<v Speaker 1>need of valor and of warrior's good come. Let us

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<v Speaker 1>go to him. Let us help our leader in arms.

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<v Speaker 1>While the heat endures the glowing terror, grim God knoweth

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<v Speaker 1>that for my part, far sweeter is it from me

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<v Speaker 1>that glowing fire should embrace my body beside the lord

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<v Speaker 1>that gave me gold. Nor seems it fitting to me

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<v Speaker 1>that we bear back our shields unto our home, unless

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<v Speaker 1>we can first smite down the foe and defend the

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<v Speaker 1>life of the King of the wind loving people. Verily,

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<v Speaker 1>I know that his deserts of old were not such

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<v Speaker 1>that he alone of proven gayetish men should suffer anguish

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<v Speaker 1>and fall in battle with him. My sword and helm,

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<v Speaker 1>my corset in my armor shall be joined in league.

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<v Speaker 1>And so Welof was prepared to die with his lord Beowulf,

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<v Speaker 1>But it would turn out that he actually would survive,

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<v Speaker 1>while Beowulf and the Dragon would both deal mortal blows

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<v Speaker 1>to one another. Yet despite this tragedy of death which

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<v Speaker 1>all men must face, Beowulf conquered. He vanquished his doom.

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<v Speaker 1>His death did not utterly consume him. He went as

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<v Speaker 1>he must, but acting as a kind of Christ, he

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<v Speaker 1>defeated death with his death, and he secured riches for

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<v Speaker 1>his people before he died. Although mortally stricken, Babil have

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<v Speaker 1>sent Weelof to survey the treasure Horde and to bring

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<v Speaker 1>him back something to look upon. Weeloft does this, and

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<v Speaker 1>he revels at the great wealth of the Horde. But

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<v Speaker 1>we are given this penetrating insight that treasure gold hidden

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<v Speaker 1>in the earth easily may overtake the heart of any

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<v Speaker 1>of the race of men, let him beware who will.

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<v Speaker 1>In fact, Tolkien suggests that it may actually be that

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<v Speaker 1>the final human possessor of this treasure, who entrusted it

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<v Speaker 1>to the earth with spells, may himself have fallen under

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<v Speaker 1>the treasure's curse, and perhaps that he himself is or

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<v Speaker 1>that he became the dragon. And Tom Shippey thinks that

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<v Speaker 1>this theory is likely the inspiration for Usis's Scrubs transformation

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<v Speaker 1>story in The Dawn Treader, as sleeping on a dragon's

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<v Speaker 1>hoard with dragonish thoughts may actually turn you into a dragon. Well,

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<v Speaker 1>weelof returned to his anguishing life, Lord, who makes one

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<v Speaker 1>last speech saying to the Master of all, the glorious

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<v Speaker 1>King in everlasting Lord, I now speak my words of

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<v Speaker 1>thanks for these fair things that I here gaze upon,

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<v Speaker 1>for that I have been suffered ere my death's hour,

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<v Speaker 1>such wealth to gather from my people, now that I

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<v Speaker 1>have for the horde of precious things bartered the span

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<v Speaker 1>of mine old life, do ye henceforth furnish renowned in war,

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<v Speaker 1>to make a mound for me plain to see when

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<v Speaker 1>the pyre is done upon a headland out to the sea.

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<v Speaker 1>It shall tower high above the world nesnes a memorial

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<v Speaker 1>to my folk, that voyagers upon the sea shall hereafter

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<v Speaker 1>name it beowulf Sparrow, even they who speed from afar

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<v Speaker 1>their steep ships over the shadows of the deeps. He

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<v Speaker 1>then appoints Weelof to be his successor, and he utters

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<v Speaker 1>his last all hath fate swept away my kinsfolk to

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<v Speaker 1>their appointed doom, good men of valor, I must follow them.

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<v Speaker 1>And with that Beowulf died, and so sough. This aged

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<v Speaker 1>warrior king was accepting of his death, as he knew

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<v Speaker 1>that it brought freedom and riches for his people. And

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<v Speaker 1>what more could a good king desire for his people?

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<v Speaker 1>What better death could he die? And he makes his

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<v Speaker 1>request that he be placed on a pyre, and that

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<v Speaker 1>Beowulf's barrow serve as a marker in his signal for

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<v Speaker 1>passing ships. As of course, any noble legacy ought to

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<v Speaker 1>do ought to be for those who still travel the

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<v Speaker 1>waters of this life. And at the end we receive

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<v Speaker 1>this warning that with the death of Beowulf, these swedes

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<v Speaker 1>are at the gates, and the people of Gayetland will

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<v Speaker 1>soon follow their Lord in meeting their doom, thereby giving

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<v Speaker 1>us a demonstration of this long defeat idea. The great

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<v Speaker 1>Hearers might hold back the darkness for a time, but

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<v Speaker 1>it's going to come to an end. And now for

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<v Speaker 1>some summary and reflection points, I'm going to read a

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<v Speaker 1>few passages from Tolkien's monumental essay Beowulf, the Monsters and

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<v Speaker 1>the Critics. In this first passage, Tolkien points out the

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<v Speaker 1>clear moral and spiritual nature of the conflict in Beowulf,

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<v Speaker 1>and Lewis talks about this as well in his preface

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<v Speaker 1>to Paradise Lost that Homer's poetry is beautiful, but there's

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<v Speaker 1>not a clear consciousness of good and evil, such as

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<v Speaker 1>we get in Beowulf, which is of course written by

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<v Speaker 1>a Christian poet, even if this poet is describing a

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<v Speaker 1>pagan past. Tolkien writes, but the gigantic foes whom Beowulf

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<v Speaker 1>has to meet are identified with the foes of God.

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<v Speaker 1>Grendel and the Dragon are constantly referred to in language

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<v Speaker 1>which is meant to recall the powers of darkness with

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<v Speaker 1>which Christian men felt themselves to be encompassed. They are

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<v Speaker 1>the inmates of hell adversaries, of God, offspring of Cain,

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<v Speaker 1>enemies of mankind. Consequently, the matter of the main story

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<v Speaker 1>of Beowulf, monstrous as it is, is not so far

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<v Speaker 1>removed from the common medieval experience as it seems to

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<v Speaker 1>us to be from our own. Grendel hardly differs from

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<v Speaker 1>the fiends of the pit, who are always in ambush

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<v Speaker 1>to waylay a righteous man, and so Beowulf, for all

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<v Speaker 1>that he moves in the world, a primitive heroic age

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<v Speaker 1>of the Germans, nevertheless, is almost a Christian knight, and

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<v Speaker 1>so to this extent it is not at all difficult

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<v Speaker 1>to allegorize Beowulf, or better yet, to find points of applicability.

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<v Speaker 1>There are real forces of evil in this world. There

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<v Speaker 1>are real perversions of being that hate the good design

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<v Speaker 1>with which God has made the world, and it does

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<v Speaker 1>take a brave, valiant, sacrificial heroism to defeat them and

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<v Speaker 1>to put this world into order. As Mary says, when

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<v Speaker 1>Saramon is ravaging the Shire, it will certainly mean fighting.

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<v Speaker 1>You won't rescue Lotho or the Shire just by being

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<v Speaker 1>shocked and sad, my dear Frodo, or, as Lewis says,

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<v Speaker 1>in mere Christianity, for Christianity is a fighting religion. It

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<v Speaker 1>thinks God made the world that space and time, heat

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<v Speaker 1>and cold, and all the colors and taste, and all

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<v Speaker 1>the animals and vegetables are things that God made up

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<v Speaker 1>out of his head as a man makes up a story.

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<v Speaker 1>But it also thinks that a great many things have

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<v Speaker 1>gone wrong with the world that God made, and that

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<v Speaker 1>God insists and insists very loudly, on our putting them

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<v Speaker 1>right again. We need more Beowulfs in this world. However,

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<v Speaker 1>Note that Beowulf's fights are also temporal, and Tolkien highlights

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<v Speaker 1>this as well. These monster fights are not merely spiritual

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<v Speaker 1>if we're understanding spiritual as non physical, but they operate

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<v Speaker 1>in the temporal physical sphere, and so to this point

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<v Speaker 1>Tolkien says Beolf was still dealing with the great temporal

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<v Speaker 1>tragedy and not yet writing an allegorical homily. In verse Grendel,

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<v Speaker 1>it habits the visible world, and he eats the flesh

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<v Speaker 1>and blood of men. He enters their houses by the doors.

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<v Speaker 1>The dragon wields a physical fire and covets gold, not souls.

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<v Speaker 1>He is slain with iron in his belly. Beolof's burn

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<v Speaker 1>was made by Wheeland and the iron shield he bore

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<v Speaker 1>against the serpent by his own smiths, it was not

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<v Speaker 1>yet the breastplate of righteousness, nor the shield of faith,

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<v Speaker 1>to the quenching of all the fiery darts of the wicked.

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<v Speaker 1>And so Beowolf is indeed a type of Christian knight,

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<v Speaker 1>but he's not exactly that Christian knight per se. He

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<v Speaker 1>has a pagan virtue that still needs to be brought

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<v Speaker 1>up into the context of grace and revelation. And how

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<v Speaker 1>to conclude, talking points out that there is a reality

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<v Speaker 1>to the idea of dragons. He says, a dragon is

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<v Speaker 1>no idle fancy, whatever may be his origins in fact

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<v Speaker 1>or invention, the dragon in legend is a potent creation

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<v Speaker 1>of men's imagination, richer in significance than his barrow is

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<v Speaker 1>in gold. Even today, despite the critics, you may find

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<v Speaker 1>men not ignorant of tragic legend and history, who have

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<v Speaker 1>heard of heroes and indeed seeing them, who yet have

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<v Speaker 1>been caught by the fascination of the worm. And so

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<v Speaker 1>there is something real to dragons, whether they have some

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<v Speaker 1>actual existence in primary world history or something more metaphysical.

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<v Speaker 1>Something of dragons exists in our blood, and we know

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<v Speaker 1>that we respond to them, and there's a reason why

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<v Speaker 1>they are so prevalent in our imaginations. There is something

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<v Speaker 1>real about them, and we know that. And I may

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<v Speaker 1>have something cooking on this further down the road, but

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<v Speaker 1>I'll leave that as a teaser for now. The meantime,

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<v Speaker 1>I will go ahead and wrap up this series with

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<v Speaker 1>the final passage from the Monster. In the Critics, Tolkien writes,

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<v Speaker 1>there is not much poetry in the world like this,

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<v Speaker 1>And though Beowulf may not be among the very greatest

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<v Speaker 1>poems of our western world, in its tradition it has

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<v Speaker 1>its own individual character and peculiar solemnity. It would still

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<v Speaker 1>have power had to been written in some time or

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<v Speaker 1>place unknown and without posterity, if it contained no name

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<v Speaker 1>that could now be recognized or identified by research. Yet

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<v Speaker 1>it is in fact written in a language that, for

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<v Speaker 1>many centuries has still a central kinship with our own.

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<v Speaker 1>It was made in this land, and moves in our

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<v Speaker 1>northern world, beneath our northern sky. And for those who

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<v Speaker 1>are native to that tongue in land, it must ever

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<v Speaker 1>call with profound appeal until the dragon comes. The realms

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<v Speaker 1>of fairy are wild and often dangerous, and one should

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<v Speaker 1>never embark on a quest, unprepared and unarmed. Middlebourn Arms

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<v Speaker 1>is a family business that uses the best quality materials

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<v Speaker 1>in crafting the finest wooden swords on the market. Their

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<v Speaker 1>Squirely Armed swords are handcrafted entirely from hickory for the

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<v Speaker 1>young princesses and knights in training. Their Nightly Armed swords

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<v Speaker 1>use hickory and walnut to replicate historical weapons in a

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<v Speaker 1>marriage of beauty and function. They also take custom requests

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<v Speaker 1>and can use exotic woods like bloodwood or purple heart.

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<v Speaker 1>Every item for Middleborn Arms is unique and equally at

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<v Speaker 1>home on the mantelpiece or sparring against a dreadful foe.

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<v Speaker 1>For those who wish to simply adventure within the bounds

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<v Speaker 1>of a tome, they offer beautiful laser etched hardwood bookmarks.

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<v Speaker 1>You can choose from growing selection designs on exotic purple heart, walnut,

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<v Speaker 1>o sage orange or bloodwood, or if they don't have

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<v Speaker 1>a design you like, they would love to work with

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<v Speaker 1>you on a custom design. Order a sword or a

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<v Speaker 1>bookmark today at Middlebornarms dot com and use the code

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<v Speaker 1>mythic to get ten percent off your entire order. That's

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<v Speaker 1>Middleborn Arms dot Com and Code Mythic for ten percent off.

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<v Speaker 1>Don't go it alone, take a middle born armed sword

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<v Speaker 1>or book bark with you, and now back to the show.

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<v Speaker 1>Some recommendations. It's been a while since I last had

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<v Speaker 1>a recommendation segment, but I do read a lot, and

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<v Speaker 1>so this really does need to be something that I

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<v Speaker 1>do regularly. One book that I've really been enjoying recently

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<v Speaker 1>is Eleanor Parker's Winters in the World, a Journey through

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<v Speaker 1>the Anglo Saxon Year. It's a really interesting dive into

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<v Speaker 1>Anglo Saxon culture, poetry, theology, and really just life as

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<v Speaker 1>it looks at what each season meant for them, and

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<v Speaker 1>it symbols work, rhythms, and liturgy. What began as a

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<v Speaker 1>poking around to prepare for teaching Beywolf in the Course

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<v Speaker 1>has now turned into something of an obsessive interest with

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<v Speaker 1>the Anglo Saxons. And that's really how my interests tend

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<v Speaker 1>to go. I just go all in with some topic

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<v Speaker 1>and then a related interest begins to germinate until it

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<v Speaker 1>takes over, and then I move on to the next thing. Well,

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<v Speaker 1>I'm now shifting from C. S. Lewis to the Anglo Saxon,

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<v Speaker 1>So I'm reading a lot accordingly, and The Winter's in

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<v Speaker 1>the World is definitely a text that I would recommend

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<v Speaker 1>to you, and there's a really good reading of it

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<v Speaker 1>on audible and wherever else you get your audiobooks. But

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<v Speaker 1>I also just got the real thing because I enjoyed

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<v Speaker 1>the audio so much, and so if you're into history

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<v Speaker 1>and this topic in particular, then be sure to check

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<v Speaker 1>it out, and you can find the Amazon link in

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<v Speaker 1>the show notes. Now, moving forward, the next main series

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<v Speaker 1>on the roster will be The Poetic Ado, which is

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<v Speaker 1>our primary source for Norse mythology, and that will be

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<v Speaker 1>a Patreon exclusive series, but I don't yet have the

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<v Speaker 1>bandwidth to get going on that just now, and so

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<v Speaker 1>I'm going to put out some interview episodes for a

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<v Speaker 1>bit in the public feed because there are some people

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<v Speaker 1>that I've been wanting to talk to for a while.

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<v Speaker 1>And frankly, it's a little bit easier for me to

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<v Speaker 1>keep up with production when I don't have to prepare

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<v Speaker 1>as much ahead of time, and time is very precious

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<v Speaker 1>to me right now. I've always been busy in so

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<v Speaker 1>many directions, and with the summer coming to an end

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<v Speaker 1>now I have to start teaching on campus again. And

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<v Speaker 1>while I am closer than I once was, I would

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<v Speaker 1>really love to be able to shift into completely focusing

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<v Speaker 1>my career on these independent pursuits such as the podcast,

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<v Speaker 1>independently led courses, the substack, working together on Mythic Mind

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<v Speaker 1>Fellowship projects, and working on some other projects since I've

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<v Speaker 1>been and talk to the publisher about writing a Tolkien book,

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<v Speaker 1>and I've been invited to collaborate on a Lewis related screenplay.

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<v Speaker 1>But there's no way that I can do all of

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<v Speaker 1>these things without your support, or really most of these

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<v Speaker 1>things without your support. And I already really appreciate those

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<v Speaker 1>of you who support me on Patreon, and so many

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<v Speaker 1>thanks to all of my ten dollars patron tiers in

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<v Speaker 1>higher and so that's Mark, Cliff, Aaron, Josh Paul William, Aaron,

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<v Speaker 1>Andrew Brandon, Christopher and Jeremiah, Joscelyn, Joshua Landon, Matthew and Steele,

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<v Speaker 1>and of course thank you to all of my Tier

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<v Speaker 1>one patrons as well. Also, I want to let you

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<v Speaker 1>know that there have been some changes to patron benefits

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<v Speaker 1>and so I'm going to quickly run through that with

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<v Speaker 1>just five dollars a month of support, you have access

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<v Speaker 1>to all numbered podcast episodes, including this one and the

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<v Speaker 1>Fellowship podcast add free and all delivered into one exclusive feed. Also,

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<v Speaker 1>you have access to our Mythic Mind discord server, and

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<v Speaker 1>you are invited to participate in our Fellowship conversations for

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<v Speaker 1>the other podcast, the Mythic Mind Fellowship Podcast. At ten

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<v Speaker 1>dollars a month, you also get recordings of my articles

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<v Speaker 1>on Tolkien's Letters delivered into that same podcast feed, and

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<v Speaker 1>also your name will be mentioned on the show. At

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<v Speaker 1>twenty five dollars a month of support, you also get

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00:21:10.759 --> 00:21:13.440
<v Speaker 1>access to the material from past courses, and so this

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00:21:13.480 --> 00:21:15.480
<v Speaker 1>means that you'll have access to the video content as

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<v Speaker 1>well as the audio for the podcast feed. At the moment,

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<v Speaker 1>I'm posting content from the Fiction and Philosophy of CS

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<v Speaker 1>Lewis course on a monthly basis, and then at fifty

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<v Speaker 1>dollars a month, I'll let you choose from a curated

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<v Speaker 1>selection of books now and then again every six months.

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<v Speaker 1>If you appreciate the things that I do and want

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<v Speaker 1>me to do more of it, then I welcome you

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<v Speaker 1>to go ahead and become a patron today. For most people,

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<v Speaker 1>I recommend the twenty five dollars a month to year

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<v Speaker 1>to get the most value. However, any level support helps

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<v Speaker 1>and is very much appreciated. And of course, whether you

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<v Speaker 1>support me financially or not, please share this around and

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<v Speaker 1>leave me a five star review and a positive comment

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<v Speaker 1>wherever you can do that. But that's it for now

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<v Speaker 1>and until next time, god speed. You may have noticed

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<v Speaker 1>that there were no annoying auto populated ads at the

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<v Speaker 1>beginning or throwing to the middle of the show, and

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<v Speaker 1>that's thanks to our current sponsor, Middleborn Arms. I previously

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<v Speaker 1>relied on those autopopulated ads, but to be honest, I

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<v Speaker 1>know that they're basically soulless. I much prefer supporting real

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<v Speaker 1>people through arrangements that work for both of us. If

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<v Speaker 1>you have something to advertise, whether a product, a service

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<v Speaker 1>or a platform, send me a message where we can

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<v Speaker 1>work out some kind of partnership. You can DM me

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<v Speaker 1>on Twitter at andrew In Snyder or email me at

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<v Speaker 1>Mythicmindpodcast at gmail dot com.
