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Speaker 1: W n n ah.

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Speaker 2: Some people the breakin the tenaw to hold your breath

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while you're thinkers. And I watched the peinady to know John?

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Speaker 3: Why you drinker? John makes me?

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Speaker 4: She said last I got dinking.

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Speaker 3: So she's going naked the skin of the rud. I've

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found it. I have died what I believe.

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Speaker 5: So you can my as well.

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Speaker 4: You're shown me.

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Speaker 6: Oh no, want you bad?

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Speaker 7: Your right bass like get That.

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Speaker 8: Is brand new from sepsis the world radio premiere of

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their new track. That is Bathwater featuring Lexi swarm with

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some vocals on that one. This is Matt Connorton Unleashed

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and we are live from the studios of w m

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n H ninety five point three FM in Glorious Manchester,

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New Hampshire. Today is Saturday October twelve, twenty twenty four.

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And I am not alone.

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Speaker 9: Jhow in Sunshine.

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Speaker 8: Yes, Jenny is here at the news table. We should

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mention since we opened with that that track, and by

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the way, we do have a big, big show today.

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But Swarmy Fast is coming up November two.

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Speaker 9: Yes, November second, starting at five pm. This year it

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is being held in at the Taffita in Massachusetts. The

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number of bands is quite the I'm all messed up.

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Please let me restart that there's a heck of a

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lineup of fans showing up for the show. Of course,

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so that's dead by Wednesday. Casting shadows here on the

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Horror Joint, Damage, Lone Wolf, James Exception and Diamond Edge.

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Speaker 8: Do you want to come to this show?

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Speaker 9: Yes, of course we'll be there as we are sponsors.

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Speaker 8: Absolutely.

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Speaker 9: Yeah, looking forward to Swarmy.

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Speaker 8: Fest absolutely, And today you've got a big event. Well

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I'll be there too, of course. But but this one's

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about you. Yeah, well not only about you, but.

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Speaker 9: Well no, I mean this is one So the Mosaic

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Art Collection, our collective presents spell Bound today. The opening

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reception starts at four pm. This is all about casting

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a silver glow and shadows.

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Speaker 8: Actually it's more than that.

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Speaker 9: This is a mesmerizing explanation of art that transcends the ordinary.

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We are summoning creators to dive into realms of enchantment

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and mystery, with the lines between the magical and the

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mysterious blur and.

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Speaker 8: A captivating spectacle.

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Speaker 9: So you're gonna want to show up for the reception

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tonight starting at four pm, going until eight am and

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that and the Mosaic Art Collective is located at sixty

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six Hanover Street right here in the Queens City.

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Speaker 5: Sweets to one.

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Speaker 9: I hope to see you there this afternoon.

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Speaker 8: Yes, very good, very good. Well right now, joining us

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alive in studio and let me get that mic up there.

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We have Rick Everhard, better known as six Minds Combined. Hello, Hello, Hello,

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welcome to the program. We're going to play some of

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your tunes and get to know you a bit. And

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I have to tell you so. And I didn't mention

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this off air, but so last night on Friday nights,

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I'm here too. I do a show called retro Spectrum

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Radio with Polly c. Polly sees the host. I'm his

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co host on that program, and he always asks me

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during the show what do I have coming up the

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next morning? On Matt connorton Unleashed, And he loves the

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name six Minds Combined. He absolutely loves it. He thinks

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that's like the coolest name ever. So before we play

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the first track the single, let me get the obvious

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question out of the way. Where's the mind where's the

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name come from? Rather six Minds Combined?

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Speaker 10: So actually it's not a long story, but but there's

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So when I first started making music way back when

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I was eighteen, I I I came up with a

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name and I was like, oh, I like this name.

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It works, but it didn't work for everything that I

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was making. So so I was like, oh, well, let's

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let's try this name, and then this name and then

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this name, and it eventually it became six different names.

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So I went by I went by Schitzo for a

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little while.

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Speaker 6: Yeah, and then uh.

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Speaker 10: And then one day I was like, uh, so so

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there was another artist, underground artist at the time that

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was going by the same name, and so I was like,

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you know, I can't really like bite off this guy.

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I got all my own names, you know, so so

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why don't I just stick to to those depending on

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what I'm working on at the time.

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Speaker 6: Yeah, and uh.

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Speaker 10: And then one of my songs that I wrote, I

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had wrote, uh, something like with these six minds combined,

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and and I read it off and I was like,

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wait a minute, that's perfect. So so that's that's basically

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where that came from.

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Speaker 8: Oh, very good, very good. By the way, who I

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am is in the Facebook live chat and says yes

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six MC I'm sure. Oh oh MC and two exclamation points.

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Speaker 6: Yeah.

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Speaker 8: Yes, we were talking off air too. You were on

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Lacey's show recently? Yeah, yeah, excellent, excellent. Yeah, she was

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here and a while ago and brought her keyboard and

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played live for us at studio. It was a lot

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of fun.

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Speaker 5: Yeah.

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Speaker 8: Yeah. There's a song called Oh let Me Know when

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It's Time to Rock that was stuck in my head

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for months after hearing it. Wow, but let's do this.

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Let's play this track now. This is the single day Dreaming.

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I have a radio edit of it here. We'll listen

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to this and then we'll come back and talk about

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it and get to know more about what you're doing.

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But if you are just joining us live, we have

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right here in studio six minds combined, and check it

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this out. This is called daydreaming.

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Speaker 5: Six minds combined. These minds combined.

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Speaker 10: Sometimes I get to thinking about all the things I'm missing.

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I get so many inklings to do the favorites lifting

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one mind dismissing, time persists, two mind back, mind starts drifting.

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I find myself in veloped, helpless as to where I'm visiting,

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dimension shifting, vented and bursts up our sentence left intact

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on wrecking what we've left untouched. The future is not

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above us, but right in front of us. Enough of

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not embracing faid. It's plain to see the change we

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need to make.

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Speaker 11: It's time to shake the tree.

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Speaker 5: What could this mean?

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Speaker 12: I'm da tree.

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Speaker 13: I see the scene, the men to see misleeeding me.

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Speaker 12: What could this mean? I'm day dreaming. I see the scene,

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the men to see.

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Speaker 10: Misteeding different directions, FECs. My mind is left invested in

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this fan to see it's fans. I see you're runny,

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screaming at me, laughing, crying, funding lights so bright, the

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sight is like a dream.

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Speaker 5: It's me.

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Speaker 11: I'm standing.

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Speaker 10: It's outstanding, handing me the trophy, holding hands, whip, woopy

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hugs and speeches, leeches, creeping me out, sneaking past the

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popper razzi. Whoops, they got me shot outside, accosted at

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the Boston Market.

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Speaker 3: Stars are made this way.

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Speaker 10: Let's like the spark Let's fight the darkness, harkness holding

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up the gate.

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Speaker 11: It's time to fade away.

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Speaker 12: What could this mean? I'm day dreaming.

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Speaker 13: I see the scene, amen to see misleeeding me.

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Speaker 12: What could this mean? I'm day dreaming.

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Speaker 13: I see the scene nom men to see misleeding me,

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misteed me.

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Speaker 10: The stakes are racing, lifting faces, journey to change places,

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aces saved in case adjacent to the jack of space.

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Speaker 11: I wasted and place it face down.

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Speaker 10: Passive takedown patients gaining me the high ground, chasing faithless

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vagrants aimlessly down past.

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Speaker 11: They want to try it now. I don't want to

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die now, but want to fly.

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Speaker 10: This guy's the limit, getting like to find out what's

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next to my brow to try and get it. I'll

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win the contest of constant progress on top of the

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charge with my songs about this, the roll up doubtless,

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No mouth, don't shout with us when we bumped down,

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shouting I'm out.

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Speaker 5: Shame, come out shame. What good this mean?

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Speaker 12: I'm day dreaming.

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Speaker 13: I see the scene nomen to see misteeding?

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Speaker 12: What good this me? Im day dreaming?

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Speaker 13: I see the scene nomen see misleeeding?

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Speaker 4: Mis me?

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Speaker 3: Could this mean?

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Speaker 12: Is it just the day dream?

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Speaker 5: What could this mean?

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Speaker 11: What could this mean?

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Speaker 8: I like that that is daydreaming, and that is six

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minds combined. And we have six minds combined here with

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us live in studio. Yeah, great track. I love that.

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Is that you singing as well?

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Speaker 6: Yes?

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Speaker 8: Oh so you do? You do all the vocals?

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Speaker 6: All the vocals, is me?

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Speaker 8: Oh excellent? Now what about the instrumentation do you play

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as well or so?

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Speaker 10: Actually, all the all the music off of this album

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was all made by Chris carwellos okay, good friend of mine.

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He's uh he's doing a drum and based thing as

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Skinny Jeans.

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Speaker 8: Oh okay, yeah, from the area or area. Oh okay, okay,

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very good.

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Speaker 6: He actually lives in Conquered I think.

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Speaker 8: Oh okay, And how did you connect with Chris to

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work on this project?

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Speaker 14: So?

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Speaker 10: Actually I've been I worked with Chris for for like

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eight years, just making music, hanging out, having fun, you know,

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making stuff for us.

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Speaker 6: You know, just just just to do it. Yeah.

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Speaker 10: And actually I got I got mixed up with him

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because I got into some trouble and I had to

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do some community service, so I went, Uh, my friend

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Gillian Anderson introduced me to Tom Lopez, who was at

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the time the vice president of Positive Street Art. Okay,

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and I had to do some community service. So I

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did all my community service through Positive street Art, which

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was it was great.

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Speaker 6: It was a wow.

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Speaker 10: So if anybody has has community, so they need to

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work out definitely, you know, uh look us up and

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and uh and and get involved. But it's positive, straight

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out changed my life. I met a whole bunch of

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people through them. I obviously, you know, I got I

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got my act together, and uh, it's it's just been great. Great,

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it's a great organization and uh. But anyway, so so

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through that, doing the different events that we do, I

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ended up meeting uh Chris at we we had a

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dance program going on for a while, so he would

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come to that every every week or every other week,

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whatever it was. And I met him there and we

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we hit it off right away.

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Speaker 6: Yeah, and uh and uh.

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Speaker 10: He he mentioned that he was you know, he was

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a producer, he made music in the past, and I

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was like, oh, we should work on something together. So

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he he gave me everything that he had in his

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archive and he's like, he's like, you know what, I

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really like you. I trust you. Here, take all this

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and see what you can do with it. And so

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I wrote to a couple of the tracks that he

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gave me and he's like he's like, wow, you know.

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Speaker 6: This is this is this is cool. Let's let's keep

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working together.

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Speaker 10: So he started coming over like once a month, with

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once every couple of weeks, and he would pump out

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like five minute beats and then we would sit there

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for hours and we would just write to it back

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and forth. And we must have made well over one

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hundred songs together. And so I'd say somewhere abouts.

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Speaker 6: A year ago.

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Speaker 10: We had we had made that song Daydreaming. He used

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the this this instrument called the machine, and he like

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recorded a couple of vocal samples and just turned it

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into this sick beat. And I was like, oh, this

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is really cool. And and I was like it feels

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kind of like daydreaming, and he's like yeah. And so

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it just it just went from there, you know. And

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and and I think it was like two or three

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days and we had the song done yep. And so

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shortly after that he had, you know, he had things

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going on in his life. I had things going on

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in my life. And he's like, he's like, you know

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what I'm We sat down and we talked and he's

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like he's like, I'm going to take a different direction

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with my music right now. You know, I'm going to

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do this this drum and bassed thing. And and he's like,

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but I wanted to let you know that anything that

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we've worked on up until this point is yours. Do

255
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whatever you want with it. Rewrite the lyrics, use the lyrics,

256
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whatever you want to do. And I was like, you

257
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know what, I should do something with this. So so

258
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I put it out in the universe. You know that

259
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I wanted to start, you know, chasing the dream, right.

260
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So so somehow the universe answered and they introduced me

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to Eleanor Luna from Midnight Creatives Collective and she she's

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they are are became my manager, you know, Like I

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mentioned my ideas and she's like, we can do this

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for you. So so it's just been it's been a

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ride since then. But we I picked uh seven of

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the songs that I had been working on, and I

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went to uh toy Bok Studios with mister good Bars.

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Speaker 8: Yes, ye, yeah, he was on the show a couple

269
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of months ago. I think I think it was a

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couple of months ago.

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Speaker 1: Yeah.

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Speaker 8: Yeah, he's great.

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Speaker 6: Yeah, he's a great. Dude's phenomenal. He knows what he's doing.

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Speaker 8: Absolutely and he works with so many different genres too.

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Speaker 10: Oh yeah, yep, yeah, so many different genres, and he's

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good with with all of it. He's just got a

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huge talent for music and and putting it all together.

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He also does cinematography, so he I.

279
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Speaker 8: Didn't even know that.

280
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Speaker 10: Yeah, he he made the Daydreaming official music video that's

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on YouTube.

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Speaker 6: Oh okay yep. So, so we had a party.

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Speaker 10: He came over, I had a few people over and

284
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and we created the ambiance and and he did all

285
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the recording and and then put it all together afterwards.

286
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But anyway, so, so I had the beats, I had

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the I had the lyrics. I have a home studio.

288
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It's not that great, but but I don't know all

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00:17:15,079 --> 00:17:17,200
the technical things, you know, the tweaks in this that.

290
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So I was like, I want to get this professionally recorded.

291
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And Eleanor introduced me to mister Goodbars. I went over

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and he's like this, this stuff is great. He's like,

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let's do this. So we we laid down all the

294
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lyrics onto the tracks, and then he did. He worked

295
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his wizardry magic and made it sound ten times better

296
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than I could have ever hoped. And uh and and

297
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it became the album. Eleanor Uh then she she you know,

298
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put the booklet together. I had my friend Hegan Fitzgerald

299
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art by KF that did the the artwork for the album.

300
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Speaker 8: We should mention and and I'll hold it up too

301
00:17:53,240 --> 00:17:54,559
for I mean, they won't be able to see it

302
00:17:54,559 --> 00:17:58,480
super well, but for people watching online, yeah, you brought

303
00:17:58,480 --> 00:18:00,400
in you brought in a few copies of the CD,

304
00:18:00,640 --> 00:18:03,559
and I just want to say too, it's impressive. So,

305
00:18:03,720 --> 00:18:06,160
you know, it's a conversation that comes up a lot

306
00:18:06,200 --> 00:18:09,440
on the show with guests. You know, whether you know

307
00:18:09,519 --> 00:18:11,759
physical media, you know, are you gonna are you gonna

308
00:18:11,759 --> 00:18:13,880
put something out on physical media or not? And and

309
00:18:13,960 --> 00:18:16,920
a lot of our guests really are putting out CDs.

310
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But you you kind of went all out with this too,

311
00:18:18,759 --> 00:18:21,599
because you know, you've got the book and you know

312
00:18:21,640 --> 00:18:24,079
you've got all the lyrics and everything. You know, you

313
00:18:24,319 --> 00:18:27,839
full liner notes all of that, which is really cool.

314
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And I love the artwork. So but yeah, for people

315
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watching online you can kind of see it's it's impressive,

316
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but yeah, go ahead.

317
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Speaker 6: Cool.

318
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Speaker 10: So actually about the CD, I don't know, it was

319
00:18:41,160 --> 00:18:43,039
like fifteen six and sixteen hundred bucks.

320
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Speaker 6: We went through Super Dupes yep, and got them all

321
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printed up.

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Speaker 10: They're right in Salem, right, Yes, yes, I I am

323
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if I meet anybody in person. And actually I figured,

324
00:18:55,920 --> 00:18:58,599
since we're on the radio here, if anybody wants to

325
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reach out to me, I will give them the free

326
00:19:03,240 --> 00:19:06,079
a free CD. Okay, So I don't want to I'm

327
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not trying to make money off the CDs. I feel like,

328
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I feel like like music itself should be as free

329
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as it could possibly be. The things that I feel

330
00:19:15,759 --> 00:19:18,799
like artists should get paid for is shows, merchandise and

331
00:19:18,839 --> 00:19:20,759
things like that. But the music, I just want to

332
00:19:20,799 --> 00:19:22,519
get it out there. I got a message. I want

333
00:19:22,519 --> 00:19:25,759
people to hear it. That's again why I put the

334
00:19:26,279 --> 00:19:28,319
lyrics in there too, because I want people to know

335
00:19:28,400 --> 00:19:31,720
what I'm saying and understand the message that I'm trying

336
00:19:31,759 --> 00:19:37,119
to portray, you know, like a it's like uplifting, like

337
00:19:37,200 --> 00:19:40,359
let's let's make some stuff happen together, you know, you know,

338
00:19:40,400 --> 00:19:43,559
forget all this negativity and and all the bad stuff

339
00:19:43,599 --> 00:19:46,279
that's happening in the world, Like let's let's let's ignore

340
00:19:46,359 --> 00:19:49,240
that and and let's move forward in a progressive way.

341
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Speaker 6: You know.

342
00:19:51,880 --> 00:19:53,480
Speaker 10: At the end of one of my songs and one

343
00:19:53,480 --> 00:19:55,319
of my lyrics, I say, we can be we without

344
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being forced and and that's I really feel strongly about that.

345
00:19:59,160 --> 00:19:59,319
Speaker 11: You know.

346
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Speaker 10: I feel like like there's there's too many organizations and

347
00:20:03,359 --> 00:20:05,920
people that are they're just doing it for themselves, you know,

348
00:20:05,960 --> 00:20:10,440
and they're trying to be the better of whatever they're

349
00:20:10,519 --> 00:20:13,079
they're into. They're trying to be the best. I'm looking

350
00:20:13,119 --> 00:20:15,119
at it differently. I don't think. I don't think that

351
00:20:15,200 --> 00:20:18,000
I can be my best without somebody helping me become

352
00:20:18,039 --> 00:20:21,359
my best. Right, I wouldn't have been able to get

353
00:20:21,359 --> 00:20:24,240
as far as I've gotten with the music in these

354
00:20:24,240 --> 00:20:27,359
past few months if it wasn't for Eleanor at Midnight

355
00:20:27,400 --> 00:20:31,240
Creatives Collective. Yeah, she's she's really taken taken the bowl

356
00:20:31,279 --> 00:20:31,880
by the horns.

357
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Speaker 8: Oh yeah, what what she's doing there is phenomenal.

358
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Speaker 6: Oh yeah, yeah, it's it is great.

359
00:20:36,599 --> 00:20:42,680
Speaker 10: And if if there are any aspiring artists, musicians, painting artists,

360
00:20:42,680 --> 00:20:47,279
pencil artists, crafts, like whatever you do, check it out

361
00:20:47,960 --> 00:20:49,200
Midnight Creatives Collective.

362
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Speaker 6: She they will they will help everybody.

363
00:20:52,200 --> 00:20:55,480
Speaker 10: So the idea is to basically have like a business

364
00:20:55,519 --> 00:20:58,839
bar where people can come together and they can collaboratively

365
00:20:58,920 --> 00:21:02,359
work on whatever art projects they have going on. And

366
00:21:02,440 --> 00:21:06,759
at the same time, she also does like this this management. Yeah,

367
00:21:06,839 --> 00:21:10,440
and she's been picking up quite a few clients lately,

368
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so get on the list.

369
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Speaker 6: As soon as I.

370
00:21:12,359 --> 00:21:14,039
Speaker 8: Was gonna say, I think she's just signed a couple more.

371
00:21:14,119 --> 00:21:17,960
Oh yeah, mistaken. Yeah, yeah, no, she's doing great stuff there.

372
00:21:18,039 --> 00:21:22,079
And so I'm associated now too, tangentially, but I'm doing

373
00:21:22,759 --> 00:21:23,960
I don't know if you know this about me. I'm

374
00:21:23,960 --> 00:21:27,440
also a certified hypnotherapist. Oh really, and I'm now available

375
00:21:27,880 --> 00:21:30,400
Mondays and Tuesdays if someone wants to book a session

376
00:21:30,440 --> 00:21:32,519
with me in Nashua at the Business Bar.

377
00:21:32,759 --> 00:21:33,799
Speaker 6: Oh cool, they can do that.

378
00:21:33,960 --> 00:21:34,160
Speaker 5: Yeah.

379
00:21:34,240 --> 00:21:36,240
Speaker 6: Oh yeah, Oh so you're involved with her too.

380
00:21:36,359 --> 00:21:39,079
Speaker 8: Yeah. Oh yeah, I've known Eleanor for probably twenty years.

381
00:21:39,119 --> 00:21:40,079
Speaker 6: Oh wow, yep, yep.

382
00:21:40,400 --> 00:21:43,599
Speaker 9: Absolutely highlighted my artwork in the month of August. They

383
00:21:43,640 --> 00:21:47,039
took twelve of my darkest paintings and put them up.

384
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Speaker 6: Oh cool, yep, yep.

385
00:21:50,039 --> 00:21:52,599
Speaker 8: Yeah, she's pretty awesome. Yeah. Absolutely.

386
00:21:52,680 --> 00:21:53,599
Speaker 6: Yeah.

387
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Speaker 10: The whole organization, like the idea that they have for

388
00:21:55,960 --> 00:21:59,000
it and everything that they're doing. They actually they just

389
00:21:59,680 --> 00:22:02,480
open up another room in the building that they're at

390
00:22:02,599 --> 00:22:06,279
where they want. It's gonna be like a community jam space. Okay,

391
00:22:06,319 --> 00:22:09,279
So anybody you know bring your guitar down, bring your

392
00:22:09,359 --> 00:22:12,839
keyboard down, bring your bring your amp and your microphone

393
00:22:12,880 --> 00:22:15,200
and let's all hang out in that room together and

394
00:22:15,279 --> 00:22:18,000
just jam out. You know, makes them make them have

395
00:22:18,079 --> 00:22:18,519
some fun.

396
00:22:18,640 --> 00:22:21,880
Speaker 8: Yeah, oh that's fantastic. Well we should play another track.

397
00:22:22,160 --> 00:22:25,440
I'll let you pick what. Uh what should we play next?

398
00:22:25,640 --> 00:22:25,720
Speaker 1: So?

399
00:22:26,000 --> 00:22:29,039
Speaker 10: Uh, my my favorite song off the album is Running

400
00:22:29,079 --> 00:22:29,680
through a Mansion?

401
00:22:30,200 --> 00:22:32,920
Speaker 8: Okay, you know what's cool? I was. I'm glad you

402
00:22:32,960 --> 00:22:35,599
said that because, uh, that's actually my favorite too.

403
00:22:35,640 --> 00:22:35,960
Speaker 6: Oh cool?

404
00:22:36,039 --> 00:22:39,839
Speaker 8: Yeah, I love this one. So we'll give this a spin. Yeah,

405
00:22:39,880 --> 00:22:42,200
if you didn't pick this, I was gonna close the

406
00:22:42,240 --> 00:22:43,880
segment with it when we get to the top of

407
00:22:43,920 --> 00:22:45,279
the hour, but I'm gonna gohead and play it now.

408
00:22:45,319 --> 00:22:48,119
Cool and yeah, this is my personal favorite. You know,

409
00:22:48,279 --> 00:22:52,200
and your your tracks, I mean they're they're unique. You know,

410
00:22:52,279 --> 00:22:56,319
it's it's this song especially, it's it's like nothing I've

411
00:22:56,319 --> 00:22:57,000
ever heard before.

412
00:22:57,160 --> 00:22:57,519
Speaker 6: Cool you?

413
00:22:58,079 --> 00:23:00,480
Speaker 8: How do you everyone always sy it's a score about

414
00:23:00,480 --> 00:23:02,119
how do you define your music for someone who's not

415
00:23:02,160 --> 00:23:04,519
heard it? Do do you call it alternative hip hop?

416
00:23:04,599 --> 00:23:06,759
Because that's the first thing that came behind when I

417
00:23:06,799 --> 00:23:08,359
was listening. It's like all hip hop.

418
00:23:08,440 --> 00:23:10,720
Speaker 10: Yeah, yeah, I think that's probably what I would classify

419
00:23:10,720 --> 00:23:15,880
it as, I tell hip people hip hop because it's

420
00:23:15,920 --> 00:23:20,440
got rapping. Yeah, rap is significantly, you know, a big

421
00:23:20,480 --> 00:23:23,039
part of the hip hop scene. So so that's what

422
00:23:23,160 --> 00:23:24,839
I start with. But I'm like, but it's not just

423
00:23:24,960 --> 00:23:26,680
hip hop, right, Like, you really got to check it

424
00:23:26,680 --> 00:23:28,559
out and listen to it because every song is different.

425
00:23:28,599 --> 00:23:30,880
Every song's got its own cadence and feel to it,

426
00:23:31,319 --> 00:23:33,200
and if you don't like one song, you might like

427
00:23:33,240 --> 00:23:35,200
the other six, So it's worth checking out.

428
00:23:35,240 --> 00:23:37,599
Speaker 8: All right, Yeah, very good. Well check this out. This

429
00:23:37,640 --> 00:23:40,279
is called running through a mansion and this is six

430
00:23:40,359 --> 00:23:41,119
minds combined.

431
00:24:03,880 --> 00:24:09,039
Speaker 15: Well you know, well you know, will you know that

432
00:24:09,119 --> 00:24:16,359
you got this? Hm said, well you know?

433
00:24:18,440 --> 00:24:20,640
Speaker 5: Will you know? Will you know that you got this?

434
00:24:22,599 --> 00:24:25,519
Speaker 4: Hm?

435
00:24:25,599 --> 00:24:28,400
Speaker 11: Running through a mansion? Answer in a standing question, left.

436
00:24:28,240 --> 00:24:30,279
Speaker 10: Alone, through room, through both LEAs I know you left

437
00:24:30,279 --> 00:24:32,720
me question destiny is best to ring Obsessing all my

438
00:24:32,799 --> 00:24:34,920
lessons learned, I think I've earned some rest against It's

439
00:24:34,920 --> 00:24:37,079
time to burn the desperate yearning for Lot's de coope

440
00:24:37,119 --> 00:24:39,880
with later greater understanding. Handling matters as a man in

441
00:24:39,920 --> 00:24:41,960
standing up for what we know is right and making

442
00:24:42,039 --> 00:24:45,240
not demands and never given into ghosts, just hoping for

443
00:24:45,279 --> 00:24:45,720
where change.

444
00:24:45,759 --> 00:24:47,279
Speaker 11: It never comes as long as you don't run.

445
00:24:47,319 --> 00:24:50,000
Speaker 10: It's fundamentally us Central Central Intel spelled it out.

446
00:24:50,079 --> 00:24:52,400
Speaker 5: It sounds a bit like Southold wellness. You've already won.

447
00:24:52,480 --> 00:24:55,279
Speaker 11: It's all about the combined. Some time is an illusion.

448
00:24:55,319 --> 00:24:57,359
Speaker 10: You can do it because you've done it someday, some say,

449
00:24:57,359 --> 00:24:59,279
prove it to yourself and that's enough to use the

450
00:24:59,319 --> 00:25:01,759
runway be taking off of often skies and bids to

451
00:25:01,799 --> 00:25:04,079
try to find us, flying freely, feeling fund and finding

452
00:25:04,119 --> 00:25:06,079
flight past that, to find us climbing higher than we

453
00:25:06,160 --> 00:25:08,160
dared you scared to fall back to the ground, resounding

454
00:25:08,279 --> 00:25:09,039
off the atmosphere.

455
00:25:09,079 --> 00:25:14,440
Speaker 16: It's clear clear will never come back down. Oh no,

456
00:25:20,559 --> 00:25:33,119
we're all oudy painting on this can less our spots leave,

457
00:25:34,920 --> 00:25:46,400
We'll burning like the stars. We've got scars, We've earned

458
00:25:46,519 --> 00:25:47,640
them working.

459
00:25:49,519 --> 00:25:57,799
Speaker 5: So well, you know, will you know? Will you know

460
00:25:58,039 --> 00:25:58,799
that you got this?

461
00:26:00,720 --> 00:26:05,279
Speaker 12: H sit well, you know?

462
00:26:07,559 --> 00:26:08,000
Speaker 5: Well you know?

463
00:26:08,240 --> 00:26:15,000
Speaker 10: Will you know that you got this? I feel a

464
00:26:15,079 --> 00:26:17,440
little bitter about this. Read a lot a lot of lyrics.

465
00:26:17,559 --> 00:26:19,680
Need a bit to sit and settle myself done before

466
00:26:19,720 --> 00:26:21,480
I hear it. Fear is nothing to do with the

467
00:26:21,559 --> 00:26:23,880
science system. Listen serious, gear up, dust off script the

468
00:26:23,920 --> 00:26:25,920
rust off. You can drive a numbkin ver six off

469
00:26:26,000 --> 00:26:29,000
this path that at last, I I've found so many

470
00:26:29,079 --> 00:26:31,960
floors and the doors are torn down? How many more

471
00:26:32,000 --> 00:26:34,720
before I'm forced to lay down and take a break,

472
00:26:34,759 --> 00:26:37,720
before I break and fade out? Listening this, It's got

473
00:26:37,799 --> 00:26:40,920
me thinking about what's missing. It's insensitive, obsessing over every

474
00:26:40,960 --> 00:26:43,319
single mistake, taking time and making rhymes to take my

475
00:26:43,359 --> 00:26:45,640
minds up all this sickness. Witness in between the lines

476
00:26:45,680 --> 00:26:47,240
of something written you got.

477
00:26:47,119 --> 00:27:10,720
Speaker 11: This, you got this? M? Well you know?

478
00:27:13,000 --> 00:27:15,160
Speaker 5: Will you know? Will you know that you got this?

479
00:27:19,839 --> 00:27:20,079
Speaker 17: Said?

480
00:27:20,240 --> 00:27:21,640
Speaker 12: Well you know?

481
00:27:23,920 --> 00:27:28,119
Speaker 5: Will you know? Will you know that you got this? M?

482
00:27:31,079 --> 00:27:33,599
Speaker 10: You can through these windows, watching people following wind blows,

483
00:27:33,599 --> 00:27:35,519
holding on the hope that no wind folds beneath the

484
00:27:35,559 --> 00:27:38,039
way of carrying their burdens, hurting inside and end out,

485
00:27:38,039 --> 00:27:40,720
trying trying to be something someday, some way, somehow, someone

486
00:27:40,839 --> 00:27:42,400
that they can be proud of, shure the world what

487
00:27:42,480 --> 00:27:44,480
they climbed out of, holding onto who they were while

488
00:27:44,519 --> 00:27:47,039
turning into something more. Be putting keys in their own doors,

489
00:27:47,160 --> 00:27:49,039
ensuring needs to just be sure so they won't need

490
00:27:49,079 --> 00:27:49,680
to need no more.

491
00:27:49,720 --> 00:27:51,880
Speaker 5: Indeed, we plead to leave this core, imploring we don't

492
00:27:51,920 --> 00:27:52,400
need to work.

493
00:27:52,519 --> 00:27:56,160
Speaker 10: We can be without being forced, without being forced, without

494
00:27:56,200 --> 00:28:01,640
being forced, big, without being forced, big, without being word helvic.

495
00:28:17,160 --> 00:28:19,799
Speaker 6: Yeah that was awesome.

496
00:28:21,680 --> 00:28:22,079
Speaker 2: I love it.

497
00:28:22,359 --> 00:28:24,720
Speaker 8: Yeah, that is my favorite. That is running through a mansion.

498
00:28:25,160 --> 00:28:27,640
That is six minds combined. Who is here with us

499
00:28:27,839 --> 00:28:32,079
live in studio on this Saturday morning. Uh, there's a

500
00:28:32,359 --> 00:28:35,359
line in there too, watching Uh was it watching people?

501
00:28:36,319 --> 00:28:39,440
Watching people falling over when the wind blows? It just Uh,

502
00:28:40,680 --> 00:28:42,480
you couldn't have predicted when you wrote that song. But

503
00:28:42,559 --> 00:28:44,799
when I when I hear that, I immediately think of

504
00:28:44,960 --> 00:28:47,119
I just have visions of all these videos that I've seen,

505
00:28:47,559 --> 00:28:50,799
uh in Florida, Yeah, the hurricanes, like literally people being

506
00:28:50,880 --> 00:28:53,640
knocked over by the wind. But yeah, such a great track.

507
00:28:54,160 --> 00:28:57,240
And uh, I love your your singing voice too. You

508
00:28:57,920 --> 00:28:59,880
you remind me of somebody, but I can't quite place

509
00:29:00,039 --> 00:29:02,599
when you're singing. Has anyone ever told you that you

510
00:29:02,640 --> 00:29:04,079
were anyone?

511
00:29:04,519 --> 00:29:06,640
Speaker 10: For every single person that says I sound like somebody

512
00:29:06,680 --> 00:29:08,039
says I sound like somebody different?

513
00:29:08,119 --> 00:29:12,440
Speaker 8: Oh no kidding. Oh that's interesting, that's interesting, is it?

514
00:29:13,119 --> 00:29:15,519
I assume it's not. But is it difficult to shift

515
00:29:15,599 --> 00:29:19,880
gears live between singing and rapping. It's probably pretty natural

516
00:29:19,920 --> 00:29:20,759
out imagine it is.

517
00:29:21,119 --> 00:29:25,200
Speaker 10: Especially I've I've practiced practiced these songs hundreds and hundreds

518
00:29:25,240 --> 00:29:28,119
and hundreds of times. So it's so it's like, uh,

519
00:29:28,200 --> 00:29:30,000
and I listened to them every single day, you know,

520
00:29:30,200 --> 00:29:31,720
my my music is my favorite music.

521
00:29:31,880 --> 00:29:32,119
Speaker 8: Yeah.

522
00:29:33,119 --> 00:29:37,559
Speaker 10: So so when when I first write the songs, they

523
00:29:38,000 --> 00:29:40,279
they don't sound the way they do at the end,

524
00:29:40,839 --> 00:29:43,039
like I have to find. I have to find, like

525
00:29:43,119 --> 00:29:45,839
I write first, and then I'll find the cadence and

526
00:29:45,920 --> 00:29:48,279
I'll i'll create the melodies and things like that. So

527
00:29:48,839 --> 00:29:51,000
so a lot of those words I wrote them as

528
00:29:51,079 --> 00:29:53,519
words first, and then I would listen to and go, oh,

529
00:29:53,559 --> 00:29:56,279
well this would sound good with some sort of melody here, okay,

530
00:29:56,319 --> 00:29:58,720
And and then and then I would adapt the words

531
00:29:58,799 --> 00:29:59,720
to to work.

532
00:29:59,559 --> 00:30:03,039
Speaker 8: For that now okay. Yeah, that song in particular has

533
00:30:03,079 --> 00:30:04,119
a lot of words in it.

534
00:30:04,359 --> 00:30:04,559
Speaker 11: Yeah.

535
00:30:04,640 --> 00:30:06,680
Speaker 6: Oh yeah, yeah, that's that's got the most words and

536
00:30:06,920 --> 00:30:07,440
on the album.

537
00:30:07,960 --> 00:30:10,480
Speaker 8: Is that is that challenging for you or I?

538
00:30:10,799 --> 00:30:14,759
Speaker 10: I have a horrible memory, so it's really really hard

539
00:30:14,960 --> 00:30:17,920
to remember all my lyrics. And I've I've made like

540
00:30:18,000 --> 00:30:20,359
I've like I said before, I've made hundreds of songs. Yeah,

541
00:30:20,440 --> 00:30:22,160
past I don't remember any of them.

542
00:30:22,680 --> 00:30:22,839
Speaker 18: You know.

543
00:30:23,519 --> 00:30:26,640
Speaker 10: Actually, one thing I do remember, though I can't I

544
00:30:26,680 --> 00:30:28,559
can't say it because there's there's bad words in it.

545
00:30:28,640 --> 00:30:31,480
But the very first, the very first four bars I

546
00:30:31,559 --> 00:30:34,440
ever wrote. It's stuck in my head forever. That'll never

547
00:30:34,519 --> 00:30:39,400
go away. But yeah, so especially that song, it is

548
00:30:39,480 --> 00:30:43,319
hard to remember the lyrics, but it's I almost use

549
00:30:43,440 --> 00:30:48,920
like a visual and and like the the fact that

550
00:30:49,079 --> 00:30:52,599
it that the things rhyme that that helps a lot.

551
00:30:52,720 --> 00:30:55,480
And and like if I if I say the first line,

552
00:30:56,200 --> 00:30:59,599
it triggers the second line in my mind. Yeah, the

553
00:30:59,640 --> 00:31:02,000
second line triggers the third, and then the fourth. So

554
00:31:02,319 --> 00:31:04,119
so if if I jump in the middle of a

555
00:31:04,240 --> 00:31:07,319
song and try to start it, I'm so lost. I

556
00:31:07,480 --> 00:31:08,839
have to start from the beginning.

557
00:31:08,960 --> 00:31:11,960
Speaker 8: That makes sense. That makes sense. That's something too. You know,

558
00:31:12,400 --> 00:31:16,279
there are people who who don't like hip hop, and

559
00:31:16,720 --> 00:31:20,880
I always tell them one thing that I just feel

560
00:31:21,240 --> 00:31:23,839
nobody ever brings us up either. Something that I feel

561
00:31:23,880 --> 00:31:27,000
that people who rap don't get enough credit for is

562
00:31:27,119 --> 00:31:28,079
the memory skills.

563
00:31:28,279 --> 00:31:28,519
Speaker 11: Yeah.

564
00:31:28,839 --> 00:31:31,759
Speaker 8: Yeah, because you know, your typical rock song, it's pretty

565
00:31:31,759 --> 00:31:34,039
easy to remember you know, you listen to it a

566
00:31:34,119 --> 00:31:36,160
few times, you know, verse course verst course. You know,

567
00:31:36,200 --> 00:31:39,559
you get the lyrics, but your average hip hop song

568
00:31:39,720 --> 00:31:43,200
has a lot more lyrics ye packed into it than

569
00:31:43,240 --> 00:31:46,400
your average rock song. So there's you've really got to

570
00:31:46,440 --> 00:31:48,839
have good memory skills or you know, or find some

571
00:31:49,160 --> 00:31:50,920
something that works for you mentally, like the way that

572
00:31:50,960 --> 00:31:55,640
you described where you can recall all of that and

573
00:31:55,759 --> 00:31:58,640
even and also two with a rock song, if you

574
00:31:58,759 --> 00:32:00,920
do mess up a lyric, it's pretty easy to recover

575
00:32:01,039 --> 00:32:04,480
from it. But I would imagine a song like running

576
00:32:04,519 --> 00:32:07,559
through a mansion if you mess something up as you're

577
00:32:07,599 --> 00:32:11,480
performing it live. You know, I mean in your mind

578
00:32:11,559 --> 00:32:12,839
that there must be like a little bit of a

579
00:32:12,920 --> 00:32:14,640
hiccup there, like uh oh.

580
00:32:14,680 --> 00:32:15,440
Speaker 6: Yeah, yep.

581
00:32:15,559 --> 00:32:16,319
Speaker 8: Does that ever happen?

582
00:32:16,400 --> 00:32:17,480
Speaker 6: Oh yeah, it happens all the time.

583
00:32:17,599 --> 00:32:17,799
Speaker 8: Yeah.

584
00:32:18,440 --> 00:32:21,319
Speaker 10: And that's another thing like I want to put out

585
00:32:21,359 --> 00:32:25,000
there is like everybody makes mistakes, you know, and and

586
00:32:25,480 --> 00:32:28,599
especially in live shows, there's a lot of pressure that

587
00:32:29,119 --> 00:32:31,200
that you're under being in front of even if you're

588
00:32:31,240 --> 00:32:32,799
in front of ten people, if you're in front of

589
00:32:32,880 --> 00:32:35,799
one hundred people, there's there's pressure to do a good job.

590
00:32:35,880 --> 00:32:38,920
And that on top of all the other little things.

591
00:32:39,480 --> 00:32:42,960
It's you know, anything can make you skip up, mess up.

592
00:32:43,000 --> 00:32:46,279
I was at I host an open mic for through

593
00:32:46,359 --> 00:32:49,240
Positive Street Art once a month. The next one's October eighteenth.

594
00:32:50,000 --> 00:32:52,079
At the last one I was at was also my

595
00:32:52,160 --> 00:32:56,599
record release party, and I was I was performing the

596
00:32:56,640 --> 00:33:00,960
song Champion, and I forgot the first world. Oh so

597
00:33:01,079 --> 00:33:05,200
I had to restart the song two times and and

598
00:33:05,319 --> 00:33:08,519
and I like I I was perfectly fine. I was

599
00:33:08,559 --> 00:33:10,440
calm like I was. I wasn't nervous at all. And

600
00:33:10,519 --> 00:33:12,880
then I forgot that first word. And then then like

601
00:33:13,000 --> 00:33:15,640
my anxiety shot to the roof and I started I

602
00:33:15,720 --> 00:33:17,839
started all like panicking right there. I'm like, oh God,

603
00:33:18,000 --> 00:33:19,839
what do I do? I can't remember, I can't remember.

604
00:33:19,920 --> 00:33:22,519
So I just I like centered myself and I just

605
00:33:22,599 --> 00:33:24,920
press play and and the lyrics all showed up.

606
00:33:25,039 --> 00:33:25,240
Speaker 8: Yeah.

607
00:33:25,440 --> 00:33:28,599
Speaker 6: Yeah, was well, so the we haven't mentioned it yet.

608
00:33:28,680 --> 00:33:31,240
The name of the album is Issue zero.

609
00:33:32,519 --> 00:33:34,640
Speaker 8: Yeah, I was. I was curious about that. The title.

610
00:33:35,200 --> 00:33:39,079
Speaker 10: Yeah, so, so I'm I'm into like comic books and

611
00:33:39,880 --> 00:33:42,640
series and things like that. So I like to I

612
00:33:42,799 --> 00:33:47,160
like to integrate all my passions and and my hobbies

613
00:33:47,240 --> 00:33:52,799
into everything I do. So so with the with the

614
00:33:52,880 --> 00:33:54,759
name of the album. I was like, I wanted to

615
00:33:54,839 --> 00:33:57,519
be the first of something so like in like issue

616
00:33:57,799 --> 00:34:01,599
or or something like that. But but it's it's kind

617
00:34:01,680 --> 00:34:04,559
of like the before album. Okay, you know, I'm just

618
00:34:04,599 --> 00:34:07,279
coming out. Everybody's getting getting to know me. So it's

619
00:34:07,359 --> 00:34:09,760
not the first one. Yeah, it comes before.

620
00:34:09,519 --> 00:34:14,239
Speaker 6: That, so it's zero. So it's it's Issue zero. And

621
00:34:14,360 --> 00:34:15,599
and that's that's basically why.

622
00:34:15,840 --> 00:34:18,599
Speaker 8: Yeah, yeah, no, that makes sense. That makes sense. Well,

623
00:34:18,679 --> 00:34:20,559
we should play another track. What do you want to? Uh,

624
00:34:20,920 --> 00:34:21,719
where where should we go?

625
00:34:21,800 --> 00:34:22,800
Speaker 6: NeXT's go with Champion.

626
00:34:23,159 --> 00:34:24,039
Speaker 8: We'll go with Champion.

627
00:34:24,119 --> 00:34:27,199
Speaker 10: And that was that was not one of the ones

628
00:34:27,239 --> 00:34:30,559
I needed a radio edit, and that one's that one's

629
00:34:30,599 --> 00:34:32,800
a it's a little more melodic than the other stuff.

630
00:34:33,519 --> 00:34:33,840
Speaker 8: Okay.

631
00:34:34,559 --> 00:34:36,599
Speaker 10: And then my song in Your Hands, I feel like

632
00:34:36,679 --> 00:34:39,199
that's the closest to like a rock song that I have.

633
00:34:39,519 --> 00:34:41,840
Oh really, yuh yeah, So maybe we'll play that at

634
00:34:41,880 --> 00:34:42,360
some point too.

635
00:34:42,519 --> 00:34:44,559
Speaker 8: Yeah yeah, cool. All right, let's give this has been

636
00:34:44,800 --> 00:34:46,719
If you are just joining us, we have six minds

637
00:34:46,760 --> 00:34:50,639
combined here with us live in studio on this Saturday morning,

638
00:34:51,000 --> 00:34:52,880
and this track is called Champion.

639
00:35:16,679 --> 00:35:23,320
Speaker 11: Who can we rely on? Send me that chap young

640
00:35:24,519 --> 00:35:25,760
Who do we run to.

641
00:35:28,239 --> 00:35:30,960
Speaker 5: When we need someone to defend fruit?

642
00:35:32,000 --> 00:35:34,760
Speaker 11: What if we're running the wrong way?

643
00:35:35,559 --> 00:35:36,920
Speaker 3: And how do we know with?

644
00:35:39,599 --> 00:35:42,280
Speaker 11: What if we do ourselves today?

645
00:35:43,000 --> 00:35:50,920
Speaker 3: And how we show me the right path and give

646
00:35:51,000 --> 00:35:53,159
me from all this dark ness?

647
00:35:54,320 --> 00:35:56,440
Speaker 11: Or shop in my knife hands.

648
00:35:58,039 --> 00:35:59,519
Speaker 3: And we me out on my.

649
00:36:01,039 --> 00:36:03,519
Speaker 10: Who do we become when there's no one to take

650
00:36:03,599 --> 00:36:06,440
the far the one to make the sacrifice, the one

651
00:36:06,519 --> 00:36:09,800
to make that final call. Who do we become when

652
00:36:09,960 --> 00:36:13,280
someone threatens those belove above and below? We go to

653
00:36:13,480 --> 00:36:16,400
the deepest depths to hold that crutch, hold that crutch.

654
00:36:16,960 --> 00:36:22,760
Speaker 19: I judge my fair share of square squaring lough in lost,

655
00:36:22,960 --> 00:36:25,440
has somewhere off.

656
00:36:25,320 --> 00:36:30,400
Speaker 11: In thought, shared eye off God, off God. After our

657
00:36:30,639 --> 00:36:32,400
murder to.

658
00:36:34,440 --> 00:36:39,519
Speaker 20: Sign and a normally normally a normal guy, but I'm

659
00:36:39,559 --> 00:36:41,599
not just me, might want to see what I might

660
00:36:41,679 --> 00:36:44,840
decide I gotta not just be, gotta be the best

661
00:36:44,880 --> 00:36:45,880
of my mind's just tied.

662
00:36:45,960 --> 00:36:50,880
Speaker 10: I normally intend to intensified the descent to pretended, decided

663
00:36:51,000 --> 00:36:56,519
this that's decided to repent, invent a sentiment for desensitized descent,

664
00:36:57,079 --> 00:37:00,360
commending every simple step a symbol set.

665
00:37:01,000 --> 00:37:03,079
Speaker 5: Who do we turn to when we burnt through?

666
00:37:03,159 --> 00:37:07,000
Speaker 10: Walmar heroes here go stewing rose to becomposed to beat this.

667
00:37:07,199 --> 00:37:10,199
Those no ta pose also just throwing in pits of bones,

668
00:37:10,239 --> 00:37:12,559
no fits in. Those that lived there sold this pigs

669
00:37:12,599 --> 00:37:15,800
to stuff and their bellies with these demon fxs.

670
00:37:17,639 --> 00:37:19,360
Speaker 6: Hmmm, nice short song.

671
00:37:19,599 --> 00:37:20,880
Speaker 8: Yeah, yeah, that is a short one.

672
00:37:20,960 --> 00:37:21,119
Speaker 5: Yeah.

673
00:37:21,400 --> 00:37:24,440
Speaker 8: That is called Champion. That is six minds combined here

674
00:37:24,519 --> 00:37:27,840
with us live in studio on the Saturday morning. By

675
00:37:27,840 --> 00:37:29,800
the way, you are getting a lot of chat room love.

676
00:37:30,239 --> 00:37:33,920
We should uh mention some of these folks, uh I Jones?

677
00:37:33,960 --> 00:37:36,239
Is that he said a y E Jones A Jones

678
00:37:36,320 --> 00:37:39,880
A Jones Uh says a lot of very positive things

679
00:37:39,960 --> 00:37:42,880
including I'm so proud of you dude, ye which is uh,

680
00:37:42,960 --> 00:37:44,000
which is very nice.

681
00:37:44,480 --> 00:37:45,239
Speaker 6: A good friend of mine.

682
00:37:45,320 --> 00:37:49,760
Speaker 8: Oh, excellent, excellent Eddie Uh seven two three oh says

683
00:37:50,199 --> 00:37:53,519
love you six mc uh. Let's see who else who

684
00:37:53,559 --> 00:37:56,519
I am we mentioned is in there earlier being very supportive.

685
00:37:56,559 --> 00:38:00,559
We appreciate that, uh. Andre Dumont of course. In the

686
00:38:00,760 --> 00:38:04,679
Facebook live chat this morning, Andre says this show has

687
00:38:04,719 --> 00:38:09,360
amazing local variety. Does New Hampshire even realize the local talents? Yeah,

688
00:38:09,400 --> 00:38:10,679
there's a lot of talent here.

689
00:38:11,199 --> 00:38:11,360
Speaker 18: You know.

690
00:38:11,480 --> 00:38:15,079
Speaker 8: Sometimes somebody will ask me, you know, how does you

691
00:38:15,159 --> 00:38:16,920
know Jenny does all the booking? And somebody will ask me,

692
00:38:16,920 --> 00:38:19,159
how does Jenny find all these artists? And it's like, well,

693
00:38:19,400 --> 00:38:23,559
there's so much great talent out there, so many, you know,

694
00:38:23,679 --> 00:38:25,599
and not just here but all over the all over

695
00:38:25,679 --> 00:38:28,719
the world. Really, we live in a time where it's

696
00:38:28,760 --> 00:38:31,159
easier than ever to create music and then share it

697
00:38:31,280 --> 00:38:33,599
with the world, you know, with the globe.

698
00:38:33,639 --> 00:38:35,639
Speaker 9: And a lot of times it's when an artist says

699
00:38:36,000 --> 00:38:37,239
can I all.

700
00:38:37,159 --> 00:38:38,039
Speaker 8: They do is ask.

701
00:38:39,960 --> 00:38:42,079
Speaker 6: That's it. Well, that's that's the huge thing, is uh,

702
00:38:42,599 --> 00:38:43,519
any opportunity.

703
00:38:43,599 --> 00:38:46,079
Speaker 10: There are tons of opportunities out there, and you just

704
00:38:46,119 --> 00:38:48,400
gotta you gotta see them, you know, if you if

705
00:38:48,440 --> 00:38:51,679
you see something, yeah, see something, say something, you know,

706
00:38:52,559 --> 00:38:54,920
like the like the radio shows, I would have I

707
00:38:54,960 --> 00:38:58,159
would have I would have never done this myself. But

708
00:38:59,519 --> 00:39:01,679
knowing knowing the people that I do it gives me

709
00:39:01,800 --> 00:39:06,599
the confidence, you know. So but yeah, you know, get

710
00:39:06,679 --> 00:39:09,280
out there. If you if you're if you're making music

711
00:39:09,360 --> 00:39:11,880
for yourself and you think it's good, you know, show

712
00:39:12,000 --> 00:39:13,800
show it to some people, see if they think it's good.

713
00:39:14,159 --> 00:39:16,199
Speaker 6: And if they think it's good, then show it to

714
00:39:16,280 --> 00:39:16,719
more people.

715
00:39:17,039 --> 00:39:19,440
Speaker 10: You know, get get on the radio, talk to you know,

716
00:39:19,800 --> 00:39:23,519
reach out, get a hold of Eleanor at the MCC

717
00:39:23,719 --> 00:39:24,920
and she can make it happen for you.

718
00:39:25,159 --> 00:39:28,960
Speaker 8: Absolutely. Absolutely. By the way, can you tell us a

719
00:39:29,000 --> 00:39:31,199
little bit more about positive street art because it sounds

720
00:39:31,280 --> 00:39:33,960
like so it sounds it sounds like you had to

721
00:39:34,039 --> 00:39:37,159
do that because of community service. But it worked out great. Obviously,

722
00:39:37,440 --> 00:39:40,079
it helped you turn things around. And you're you're still

723
00:39:40,119 --> 00:39:41,079
working with the organization.

724
00:39:41,239 --> 00:39:42,559
Speaker 6: Yes, so I'm I'm on the board.

725
00:39:43,000 --> 00:39:43,400
Speaker 8: Excellent.

726
00:39:43,480 --> 00:39:43,679
Speaker 6: Yeah.

727
00:39:43,719 --> 00:39:46,920
Speaker 10: So, so I I had to do my community service

728
00:39:47,079 --> 00:39:48,519
and I had one hundred hours I had to do.

729
00:39:49,000 --> 00:39:52,079
So I worked with Paul Sheha at Great American Downtown

730
00:39:52,199 --> 00:39:55,320
on Sundays doing the farmers market, and then I worked

731
00:39:55,360 --> 00:40:00,280
with Tom Lopez painting murals. You know who who who

732
00:40:00,320 --> 00:40:04,480
doesn't want to paint murals for community service? So I

733
00:40:04,559 --> 00:40:06,679
had such a great time doing it that I continued

734
00:40:06,679 --> 00:40:09,679
to volunteer with them afterward, and I just really wanted

735
00:40:09,719 --> 00:40:12,960
to like it. It was very fulfilling, you know. So

736
00:40:13,039 --> 00:40:14,320
I was like, I want to be a part of this,

737
00:40:14,519 --> 00:40:16,599
and then you know, one thing led to another and

738
00:40:16,679 --> 00:40:19,880
they finally asked me, They're like, well, you're you're such

739
00:40:19,880 --> 00:40:21,960
a huge part, you know, you're always helping us out.

740
00:40:22,480 --> 00:40:25,400
Why don't you join our board? And I was like,

741
00:40:26,079 --> 00:40:26,480
I'll do it.

742
00:40:26,639 --> 00:40:26,840
Speaker 6: Yeah.

743
00:40:26,920 --> 00:40:28,239
Speaker 10: I was like, I don't know what I'm doing, but

744
00:40:28,360 --> 00:40:31,360
i'll do it. You know, I'll take the opportunity. I'll

745
00:40:31,360 --> 00:40:35,079
make it out. But through positive street art, many many

746
00:40:35,199 --> 00:40:37,599
Ramirez is that our lead painter. I don't know what

747
00:40:37,760 --> 00:40:39,760
title he goes by now, but he does most of

748
00:40:39,840 --> 00:40:44,840
the murals or organizes them. But he he was leaving

749
00:40:44,880 --> 00:40:49,960
an apartment way back shortly after I got involved with them,

750
00:40:50,079 --> 00:40:51,760
and I was looking for a place and he's like,

751
00:40:51,840 --> 00:40:55,239
oh my, there's an apartment in my building that's opening up.

752
00:40:55,840 --> 00:40:57,800
Why don't you check into that? So I checked it out.

753
00:40:57,800 --> 00:40:59,639
I was like, this is perfect. Ended up living there

754
00:40:59,679 --> 00:41:05,639
for six But after I got the place, the landlord

755
00:41:05,719 --> 00:41:08,559
showed up three weeks later and he goes He goes, hey, man,

756
00:41:08,599 --> 00:41:10,559
I heard you're a carpenter. You want a job? And

757
00:41:10,639 --> 00:41:12,880
I was like, yeah, I'll take a job. So I've

758
00:41:12,880 --> 00:41:16,159
actually been at that company for eight years now. It's

759
00:41:16,239 --> 00:41:18,039
the best company I've ever worked for in my life.

760
00:41:18,239 --> 00:41:18,599
Speaker 8: Excellent.

761
00:41:19,199 --> 00:41:24,480
Speaker 10: That's a Turncycle Solutions out of Nashville, it's a general

762
00:41:24,519 --> 00:41:27,360
contracting and weatherization company.

763
00:41:28,280 --> 00:41:28,840
Speaker 6: But anyway, so.

764
00:41:30,360 --> 00:41:32,599
Speaker 10: Positive street art, you know, years go by, I'm involved

765
00:41:32,639 --> 00:41:35,400
with all their different programming everything. I try to be

766
00:41:35,559 --> 00:41:41,119
as involved as I possibly can. A little over a

767
00:41:41,199 --> 00:41:43,039
year ago, I came up with the idea. I was like,

768
00:41:43,079 --> 00:41:45,239
you know what, I want to start doing something with

769
00:41:45,400 --> 00:41:48,320
my music. Why don't I try to do that through

770
00:41:48,599 --> 00:41:51,159
Positive street Art. So I talked to them and I

771
00:41:51,599 --> 00:41:54,119
brought up the idea of starting an open mic, and

772
00:41:55,599 --> 00:41:58,719
and they're like, yeah, that's a great idea, so let's

773
00:41:58,719 --> 00:42:01,119
do it. So almost every almost once a month, I've

774
00:42:01,159 --> 00:42:03,280
been I've been putting on the the open mic. It's

775
00:42:03,320 --> 00:42:08,440
called Vicus Fox, which is Latin for Voice of the

776
00:42:08,480 --> 00:42:12,440
City or voice of the street, and it's.

777
00:42:12,400 --> 00:42:13,760
Speaker 6: It hasn't really taken off yet.

778
00:42:14,000 --> 00:42:16,440
Speaker 10: I've been doing it for over a year, but hopefully

779
00:42:16,800 --> 00:42:19,440
now that you know, I'm getting out there personally and

780
00:42:19,760 --> 00:42:22,719
I'm trying to get as noticed as possible, other people

781
00:42:22,760 --> 00:42:25,800
will be. They'll they'll want to come just to see me,

782
00:42:26,280 --> 00:42:28,119
and maybe I could get some of them on the mic,

783
00:42:28,599 --> 00:42:29,960
you know, because that's what I'm all about.

784
00:42:30,000 --> 00:42:31,760
Speaker 6: I want to I want to bring everybody up. I

785
00:42:31,840 --> 00:42:32,960
want to get everybody together.

786
00:42:33,079 --> 00:42:36,360
Speaker 10: I want, I want, I want to collaborate with people,

787
00:42:36,519 --> 00:42:43,639
you know, anybody, you know, if you know, uh yeah.

788
00:42:43,719 --> 00:42:47,719
So so that's that's a that's a huge thing that

789
00:42:47,840 --> 00:42:51,119
I that I want to mention is I'm all about collaboration.

790
00:42:51,239 --> 00:42:54,239
You know, I'll work with anybody, and I want to

791
00:42:54,320 --> 00:42:55,000
work with people.

792
00:42:55,079 --> 00:42:55,440
Speaker 6: I want.

793
00:42:55,599 --> 00:42:59,719
Speaker 10: I want to you know, share my talent with other

794
00:42:59,760 --> 00:43:01,800
people and motivate other people that do the same thing

795
00:43:01,840 --> 00:43:02,639
that I'm doing right now.

796
00:43:03,199 --> 00:43:06,119
Speaker 8: So what I what I love about the whole you know,

797
00:43:06,239 --> 00:43:10,280
your your whole story, the trajectory of We talk a

798
00:43:10,360 --> 00:43:15,280
lot on the show about taking negative things, taking negative experiences,

799
00:43:15,400 --> 00:43:18,480
and creating something positive out of them, right, creating art.

800
00:43:18,519 --> 00:43:22,000
You know, people take trauma and then they make music

801
00:43:22,079 --> 00:43:25,760
with it, you know, but your your story is an

802
00:43:25,840 --> 00:43:28,719
example of that, but even on a on a higher level,

803
00:43:28,800 --> 00:43:31,000
because you got into some trouble, so you had to

804
00:43:31,039 --> 00:43:34,159
do community service, but you did that with positive street

805
00:43:34,280 --> 00:43:36,880
art and then all the great things that came from

806
00:43:37,440 --> 00:43:41,079
getting involved in that. So it's it's like, you know,

807
00:43:41,360 --> 00:43:43,800
it's like, you know, taking something negative and creating art

808
00:43:43,840 --> 00:43:45,920
with it, but on steroids, it's you know what I mean,

809
00:43:46,039 --> 00:43:49,000
It's like, that's that's such a great story.

810
00:43:49,079 --> 00:43:51,199
Speaker 10: And once you start that trajectory, it just keeps going.

811
00:43:51,360 --> 00:43:53,880
You know, if you have the positive mindset and you

812
00:43:54,000 --> 00:43:56,000
put that out in the universe, it's going to keep

813
00:43:56,039 --> 00:43:58,840
flooding you with positive things. Yes, you know, I've over

814
00:43:58,880 --> 00:44:01,519
the past eight years, my life is completely turned around.

815
00:44:01,559 --> 00:44:01,639
Speaker 2: You know.

816
00:44:01,679 --> 00:44:04,840
Speaker 10: I'm I'm I own the nicest car I've ever owned,

817
00:44:05,119 --> 00:44:08,239
the best job I've ever had, and I'm doing something

818
00:44:08,280 --> 00:44:11,880
with my music finally, and I'm I'm meeting up with

819
00:44:11,920 --> 00:44:14,360
a mortgage guy to try and buy a house. None

820
00:44:14,400 --> 00:44:17,800
of this stuff was was even a thought in my

821
00:44:17,960 --> 00:44:21,159
mind eight years ago. And then I got involved with

822
00:44:21,199 --> 00:44:24,679
positive street art and and everything changed from you know,

823
00:44:25,039 --> 00:44:27,719
all that, all that positivity that I was involved with

824
00:44:27,960 --> 00:44:30,280
just surrounded my life, and I just, you know, I

825
00:44:30,360 --> 00:44:33,400
kept taking every opportunity that came, and here I am

826
00:44:33,519 --> 00:44:37,840
today on Matt connorton Radio, and no, We're.

827
00:44:37,760 --> 00:44:41,159
Speaker 8: Glad you're here, and yeah, and and and so much

828
00:44:41,199 --> 00:44:43,639
of it too. I think it is, you know, surrounding

829
00:44:43,679 --> 00:44:49,239
yourself with positive people. Because sometimes I think Jenny and

830
00:44:49,280 --> 00:44:52,159
I've had conversations about this with someone we know, h

831
00:44:52,559 --> 00:44:56,079
off Air about you know, the importance of surrounding yourself

832
00:44:56,119 --> 00:44:59,719
with people who are going to lift you up and

833
00:44:59,800 --> 00:45:01,639
be good for you and be positive for you, and

834
00:45:01,719 --> 00:45:04,280
staying away from people who are only going to bring

835
00:45:04,320 --> 00:45:07,519
you trouble, right, you know, that's that that's such a

836
00:45:07,639 --> 00:45:08,360
huge part of it.

837
00:45:10,400 --> 00:45:10,559
Speaker 11: Now.

838
00:45:10,960 --> 00:45:12,800
Speaker 8: By the way, So when you play live, do you

839
00:45:13,000 --> 00:45:14,719
do you ever perform with a band or is it

840
00:45:14,880 --> 00:45:16,679
just you with backing tracks or how does that work?

841
00:45:16,719 --> 00:45:19,280
Speaker 10: So it's right now, it's me with backing tracks. But

842
00:45:19,639 --> 00:45:22,039
I would I would like to get together with a

843
00:45:22,119 --> 00:45:26,280
band and and some other solo artists that play instruments.

844
00:45:26,320 --> 00:45:26,800
Speaker 11: I want to do.

845
00:45:27,079 --> 00:45:27,199
Speaker 14: Uh.

846
00:45:27,559 --> 00:45:30,159
Speaker 10: I want to do an acoustic version of the album

847
00:45:30,199 --> 00:45:33,400
as well. Yeah, change up the lyrics a little bit, yeah,

848
00:45:33,599 --> 00:45:36,159
the melodies and things like that, and you know, create

849
00:45:37,440 --> 00:45:41,519
a whole nother project with the same project. Yeah, you know,

850
00:45:41,639 --> 00:45:45,800
and and and again, uh, work with other people so

851
00:45:45,920 --> 00:45:48,440
that you know, we can bring this whole collective of

852
00:45:48,599 --> 00:45:53,679
people up. I uh, I'm I'm working on some some

853
00:45:53,840 --> 00:45:59,280
music videos and uh, and like like promo videos and

854
00:45:59,320 --> 00:46:01,400
things like that. Yeah, right, to try and you know,

855
00:46:01,480 --> 00:46:04,880
on social media to try and get people interested and listening.

856
00:46:05,000 --> 00:46:09,000
So ideas for that, you know, They're like, there's there's

857
00:46:09,159 --> 00:46:11,159
so much you can do, and I only have so

858
00:46:11,239 --> 00:46:14,400
many ideas. So if anybody wants to throw some ideas

859
00:46:14,440 --> 00:46:16,760
at me and and and maybe work with me or

860
00:46:17,199 --> 00:46:19,079
or whatever, you know, I'm down for it.

861
00:46:19,320 --> 00:46:19,519
Speaker 8: Yeah.

862
00:46:20,320 --> 00:46:22,079
Speaker 10: I wanted to mention I don't know how much time

863
00:46:22,119 --> 00:46:23,800
we have left, but uh, I have a I do

864
00:46:23,920 --> 00:46:26,559
have a show coming up. Oh yeah, yeah, in November,

865
00:46:27,239 --> 00:46:29,440
November twenty fourth. It's going to be at the Jewel.

866
00:46:29,719 --> 00:46:33,480
We'll be there right across Selfie. Yeah, Spelfie, we're involved. Yep, yep. Yeah,

867
00:46:33,519 --> 00:46:36,119
that's awesome. So I don't know how the lineup is

868
00:46:36,159 --> 00:46:37,719
going to go or anything like that, but but show

869
00:46:37,800 --> 00:46:39,920
up at the beginning, stay till the end, and you'll

870
00:46:39,960 --> 00:46:40,800
get to see me perform.

871
00:46:41,000 --> 00:46:43,679
Speaker 8: Yeah. No, looking forward to that. Yeah, Spelfiefest is going

872
00:46:43,760 --> 00:46:45,880
to be great if you go to actually, if you

873
00:46:45,920 --> 00:46:50,440
go to Midnight Creatives Collective dot com Midnight Creatives Collective.

874
00:46:50,480 --> 00:46:51,920
Want to make sure I say it right. Sometimes I

875
00:46:52,400 --> 00:46:55,480
mess it up. But if you go there, yeah, you

876
00:46:55,519 --> 00:46:57,440
can actually get tickets right through the website.

877
00:46:57,559 --> 00:46:57,760
Speaker 6: Yep.

878
00:46:57,920 --> 00:46:59,760
Speaker 8: And Jenny and I are going to be there. Jenny's

879
00:46:59,760 --> 00:47:03,079
gonna have table, She's she's been making some amazing things,

880
00:47:03,119 --> 00:47:06,000
and I'm gonna do I'm not sure exactly what it's

881
00:47:06,039 --> 00:47:07,679
going to be. I'll kind of read the room and

882
00:47:07,880 --> 00:47:09,400
see what people want, but I'm going to do some

883
00:47:09,559 --> 00:47:11,760
kind of a hypnosystem and straight oh cool.

884
00:47:12,079 --> 00:47:13,559
Speaker 6: Yeah, yeah, that'd be nice to see.

885
00:47:13,679 --> 00:47:15,480
Speaker 8: Yeah, yeah, that'll be That'll be a lot of fun.

886
00:47:15,599 --> 00:47:19,480
So yeah, So Spelfy Fest coming up, Yeah, November twenty

887
00:47:19,480 --> 00:47:21,840
fourth at Jewel Yeah, it is right, I forget that.

888
00:47:21,840 --> 00:47:24,199
Speaker 10: It's right across the street, and that's it's also a

889
00:47:24,280 --> 00:47:27,840
benefit for rare pain disorders. Yes, they want to make

890
00:47:27,880 --> 00:47:28,719
sure that I mentioned that.

891
00:47:29,000 --> 00:47:33,840
Speaker 9: Ye really, the RSA organization that reflects sympathetic dystrophy.

892
00:47:34,480 --> 00:47:35,719
Speaker 8: I do have CRPS.

893
00:47:35,960 --> 00:47:39,320
Speaker 9: Okay, yep, So I'll be saying a few words on

894
00:47:39,400 --> 00:47:42,280
behalf of the organization. But they're super excited about this

895
00:47:42,840 --> 00:47:47,079
happening because it's it's it's rare to have fundraisers for

896
00:47:47,280 --> 00:47:49,159
rare diseases. We don't get a heck of a lot

897
00:47:49,199 --> 00:47:51,239
of attention, so this is super important.

898
00:47:51,679 --> 00:47:54,519
Speaker 8: Yep. Yeah, we're uh yeah, we're very excited about it.

899
00:47:54,599 --> 00:48:00,599
It's going to be amazing. And also, are you already

900
00:48:00,639 --> 00:48:01,920
working on the next album?

901
00:48:02,039 --> 00:48:06,719
Speaker 6: Or so right now, I'm I'm focusing more on trying

902
00:48:06,760 --> 00:48:07,920
to get the live shows going.

903
00:48:08,079 --> 00:48:10,639
Speaker 8: Yeah. And and because you strike me as someone who's

904
00:48:10,639 --> 00:48:11,599
probably always.

905
00:48:11,320 --> 00:48:14,679
Speaker 6: Writing yeah always yeah, so so I am you know.

906
00:48:14,840 --> 00:48:19,000
Speaker 10: I actually uh, one when I was in the studio

907
00:48:19,480 --> 00:48:22,679
getting all the stuff together, good Bars hooked me up

908
00:48:22,719 --> 00:48:25,360
with with a beat that is going to be on

909
00:48:25,519 --> 00:48:27,559
the next album. Cool yeah and uh and I have

910
00:48:27,639 --> 00:48:29,840
a couple other tracks that I've worked on in the

911
00:48:29,920 --> 00:48:31,480
past that I that I think are going to be

912
00:48:31,519 --> 00:48:32,320
good for the next album.

913
00:48:32,400 --> 00:48:35,400
Speaker 6: So I would say yes a little bit.

914
00:48:35,639 --> 00:48:35,840
Speaker 8: Yeah.

915
00:48:36,400 --> 00:48:39,760
Speaker 10: So so hopefully within the next year I'll have that out.

916
00:48:40,079 --> 00:48:42,639
But again, I want to I want to work with

917
00:48:42,719 --> 00:48:45,360
people I want, you know. So if if somebody's got

918
00:48:45,440 --> 00:48:48,719
a beat and and they want they want they have,

919
00:48:49,079 --> 00:48:52,119
you know, a space that's open on it, and they

920
00:48:52,199 --> 00:48:55,559
want you know, some talented lyrics on there, then you know,

921
00:48:55,639 --> 00:48:57,840
hit me up. I'll jump on the beat, we'll we'll

922
00:48:57,880 --> 00:48:59,840
turn it into a video and yeah, we'll get it

923
00:48:59,840 --> 00:49:00,960
out there as soon as possible.

924
00:49:01,159 --> 00:49:02,800
Speaker 8: By the way, good Bars is in the chat room

925
00:49:02,840 --> 00:49:03,920
and says six MC.

926
00:49:03,960 --> 00:49:06,280
Speaker 6: Is the truth. Yeah, there you go, there you go.

927
00:49:06,880 --> 00:49:08,800
Speaker 8: Absolutely no, that's that's fantastic.

928
00:49:10,199 --> 00:49:10,880
Speaker 5: Well we will.

929
00:49:11,000 --> 00:49:13,159
Speaker 8: Uh we are approaching the top of the hour. So

930
00:49:13,440 --> 00:49:15,320
did you want to finish out with in your hands?

931
00:49:15,639 --> 00:49:16,239
Speaker 6: Yeah, let's do that.

932
00:49:16,519 --> 00:49:18,480
Speaker 8: You mentioned that one and you were saying, this one

933
00:49:18,559 --> 00:49:20,440
is kind of the closest thing you have that's to

934
00:49:20,559 --> 00:49:21,119
a rock song.

935
00:49:21,760 --> 00:49:24,960
Speaker 10: Okay, all right until the next album because until yeah, yeah,

936
00:49:25,119 --> 00:49:26,920
just the beat that I got from Good Bars, that's

937
00:49:27,079 --> 00:49:28,480
that's like a solid rock song.

938
00:49:28,559 --> 00:49:29,519
Speaker 6: Okay, it's gonna be good.

939
00:49:29,639 --> 00:49:32,840
Speaker 8: Okay, cool, cool, And uh so before we play this

940
00:49:32,960 --> 00:49:35,559
and finish out, what should people know about how to

941
00:49:35,639 --> 00:49:38,599
find you online? Anything specific? You want to make sure

942
00:49:38,639 --> 00:49:40,679
people know about how to how to reach out to you,

943
00:49:40,760 --> 00:49:41,960
follow you keep up with everything that.

944
00:49:42,679 --> 00:49:46,000
Speaker 6: So six Minds combined obviously issues here.

945
00:49:46,159 --> 00:49:46,480
Speaker 11: I'm on.

946
00:49:47,960 --> 00:49:50,880
Speaker 10: So YouTube has got this weird thing where you have

947
00:49:50,960 --> 00:49:52,880
to like claim your channel and it's a process.

948
00:49:53,440 --> 00:49:54,719
Speaker 21: So the the.

949
00:49:56,199 --> 00:49:59,559
Speaker 10: The music video Daydreaming is on It's on my channel,

950
00:50:00,079 --> 00:50:03,880
and then the album is on Uh is on the

951
00:50:04,039 --> 00:50:07,519
music YouTube, but it's under topic or something like that.

952
00:50:07,880 --> 00:50:12,400
Speaker 6: Yeah, they do weird, I know, but it's on.

953
00:50:12,840 --> 00:50:18,480
Speaker 10: It's on YouTube music, it's on Spotify, it's on Apple Music,

954
00:50:19,000 --> 00:50:20,000
it's on band camp.

955
00:50:21,960 --> 00:50:22,599
Speaker 11: We uh.

956
00:50:25,519 --> 00:50:27,960
Speaker 8: Say, it's on all the stream.

957
00:50:29,280 --> 00:50:30,199
Speaker 6: Yeah, it's on everything.

958
00:50:31,760 --> 00:50:33,920
Speaker 8: We should say too, it's the number six, not six

959
00:50:34,159 --> 00:50:36,519
spelled out for people. I mean, I assume if you

960
00:50:36,599 --> 00:50:38,800
search it with six spelled out you still come up.

961
00:50:38,840 --> 00:50:41,639
Speaker 6: But yeah, maybe I hope so.

962
00:50:41,800 --> 00:50:43,199
Speaker 8: But just make sure people know.

963
00:50:43,920 --> 00:50:45,639
Speaker 6: Yeah, but you can. You can find it on on

964
00:50:46,000 --> 00:50:48,320
on any of the any of the streaming platforms.

965
00:50:49,519 --> 00:50:51,840
Speaker 8: Excellent, excellent. Well, hey man, thank you so much for

966
00:50:51,920 --> 00:50:54,440
coming in this morning. This has been amazing. If you

967
00:50:54,519 --> 00:50:57,360
are listening live on Saturday, we have Gary Smith coming

968
00:50:57,440 --> 00:51:00,400
up in the second hour, but right now we'll close

969
00:51:00,440 --> 00:51:03,119
out the hour with this. This is called in your hands.

970
00:51:03,320 --> 00:51:05,119
This is six minds combined.

971
00:51:05,360 --> 00:51:05,559
Speaker 5: Yep.

972
00:51:07,360 --> 00:51:15,000
Speaker 2: H m h.

973
00:51:16,519 --> 00:51:19,719
Speaker 3: M, hmmm, hmmm.

974
00:51:34,760 --> 00:51:39,440
Speaker 11: No one to show you just how this game is.

975
00:51:39,599 --> 00:51:40,880
Speaker 5: J ask me.

976
00:51:41,119 --> 00:51:44,400
Speaker 10: I'll tell you that it's all in your hands. No

977
00:51:44,639 --> 00:51:49,039
one to show you just how this game is.

978
00:51:49,239 --> 00:51:50,480
Speaker 5: Ja ask me.

979
00:51:50,719 --> 00:51:53,119
Speaker 11: I'll tell you that it's all in your hands.

980
00:51:53,360 --> 00:51:56,679
Speaker 19: Take that chance and walk alongside me, make that change

981
00:51:56,719 --> 00:51:59,360
an aim to be lively, be that brain of same

982
00:51:59,480 --> 00:52:01,519
that shines brightley, be that slave.

983
00:52:01,320 --> 00:52:02,880
Speaker 5: Side and chain that just my lead.

984
00:52:03,320 --> 00:52:04,760
Speaker 11: We got a bright future.

985
00:52:04,800 --> 00:52:07,760
Speaker 19: Don't you yourself slip your rists or insist to take

986
00:52:07,880 --> 00:52:10,079
this Sippians to your face at your place.

987
00:52:10,559 --> 00:52:11,320
Speaker 5: Your kids are.

988
00:52:11,239 --> 00:52:14,280
Speaker 19: Helpless but self diss wishing they knew what riches or

989
00:52:14,320 --> 00:52:15,519
what was health?

990
00:52:15,599 --> 00:52:17,519
Speaker 5: Ay Dan along with yours.

991
00:52:17,559 --> 00:52:18,000
Speaker 3: But what for?

992
00:52:18,880 --> 00:52:22,119
Speaker 12: It's in your hands to be something more.

993
00:52:22,400 --> 00:52:24,800
Speaker 11: In the door and put on your cape, no whiscape.

994
00:52:25,440 --> 00:52:28,760
Now you start the chase, but you're stuck in this place.

995
00:52:29,159 --> 00:52:31,599
No way to go, the path that's overgrown. No one

996
00:52:31,719 --> 00:52:35,679
is home. No one to show you just how this

997
00:52:36,000 --> 00:52:37,519
game is played.

998
00:52:38,119 --> 00:52:38,480
Speaker 5: Ask me.

999
00:52:38,679 --> 00:52:42,039
Speaker 10: I'll tell you that it's all in your hands. No

1000
00:52:42,239 --> 00:52:47,159
one to show you just how this game is played.

1001
00:52:47,719 --> 00:52:50,800
Ask me, I'll tell you that it's all in your hands.

1002
00:52:51,519 --> 00:52:58,800
Speaker 19: Take my hand in your hands. I will stand right here.

1003
00:52:58,800 --> 00:53:00,559
Speaker 11: With you, holding you love.

1004
00:53:01,239 --> 00:53:06,480
Speaker 19: You feel the blade, I feel your pain. We're all

1005
00:53:06,559 --> 00:53:10,119
the same when it comes to living in love.

1006
00:53:10,800 --> 00:53:12,559
Speaker 5: We got this stash.

1007
00:53:13,159 --> 00:53:16,760
Speaker 11: No giving in, no giving up.

1008
00:53:17,440 --> 00:53:19,440
Speaker 5: Even when we're stopping up.

1009
00:53:20,400 --> 00:53:24,920
Speaker 19: I'm some kind of storm and I'm taking form, and

1010
00:53:25,159 --> 00:53:29,280
I'm making sure that I will be indeed ever more.

1011
00:53:30,000 --> 00:53:35,119
Speaker 11: No one to show you just how this game is played.

1012
00:53:35,719 --> 00:53:38,760
Ask me. I'll tell you that it's all in your hands.

1013
00:53:39,599 --> 00:53:44,760
No one to show you just how this game is played.

1014
00:53:45,320 --> 00:53:45,719
Ask me.

1015
00:53:45,920 --> 00:53:49,239
Speaker 10: I'll tell you that it's all in your hands. No

1016
00:53:49,480 --> 00:53:54,320
one to show you just how this game is played.

1017
00:53:54,920 --> 00:53:57,960
Ask me, I'll tell you that it's all in your hands.

1018
00:53:58,800 --> 00:54:04,000
Speaker 11: No one to owe you just how this game is plaid.

1019
00:54:04,559 --> 00:54:07,639
Ask me, I'll tell you that it's all in your hands.

1020
00:54:08,360 --> 00:54:13,480
Speaker 10: No one to show you just how this game is play.

1021
00:54:14,079 --> 00:54:17,280
Ask me, I'll tell you that it's all in your hands.

1022
00:54:18,000 --> 00:54:23,159
No one to show you just how this game is played.

1023
00:54:23,760 --> 00:54:27,239
Ask me, I'll tell you that it's all in your head.

1024
00:54:32,559 --> 00:54:34,760
Speaker 21: In times of crisis, you need a law firm that

1025
00:54:34,840 --> 00:54:37,920
stands by your side. With over forty years of experience,

1026
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Craig and Getzulis is dedicated to fighting for your rights.

1027
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As former state prosecutors, our attorneys have the knowledge and

1028
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1029
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1030
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team will assess your case and fight for the compensation

1031
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1032
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1033
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1034
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1035
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your advocates, your allies.

1036
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Speaker 22: Bring your kitchen to life with Queen City Cabinetry, located

1037
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at eighty seven Elm Street in the historic Sunbeam Wall

1038
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1039
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thirty pm in Saturday's ten am to two pm. They

1040
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can be reached at six oh three two two two

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1042
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1043
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1044
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Speaker 23: Another crowd sponsor of w MNH, Disney's Cafe is the

1045
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place to put a smile on your face.

1046
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Speaker 17: Judy and the crew will take care of you, bring

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your appetite and treat your taste buzzs right. Disneys Cafe

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1050
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Speaker 6: Street in downtown Manchester.

1051
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Speaker 23: Dine in, take out or make a reservation call six

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1054
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Speaker 18: When it comes to keeping WMNH on the air and

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your own personal or business computer needs trust, growl in

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virus removal and custom built systems. Are you looking for

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1062
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1063
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Speaker 3: Nice.

1064
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Speaker 9: Seven times out of ten.

1065
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Speaker 21: We listened to our music at night.

1066
00:56:58,719 --> 00:57:03,559
Speaker 10: That's gone title Late Night to Light with DJ Mitas

1067
00:57:03,719 --> 00:57:07,559
right here on w MNH, Manchester because.

1068
00:57:09,280 --> 00:57:11,639
Speaker 5: Saturdays and Sunday nights midnight to four am.

1069
00:57:13,000 --> 00:57:18,440
Speaker 14: This hour on wm NH is sponsored by CGI Business Solutions,

1070
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located at five Dartmouth Drive in Auburn. They serve all

1071
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your business needs including employee benefits, planning, corporate design and

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Their phone number is eight sixty six eighty four to

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business Solutions dot com.

1076
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Speaker 1: Behold the harmony of airwaves as you immerse yourself in

1077
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the captivating frequencies of w M NHLP. Their sunic Cardeats

1078
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of Manchester is transcending through the ether ninety five point

1079
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three megahertz frequency modulation were transmissions from the scene at

1080
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the one thousand Down Streets ensure into the hearts of

1081
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our creative realm at one nineteen Canal Street, where innovation

1082
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and sound collage. They're the impro moder of Manchester Public

1083
00:58:11,280 --> 00:58:15,039
Television Service in the venerable city of Manchester, New Hampshire, USA.

1084
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Enrich your auditory journey with the depth of our license

1085
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to wesidens you spent your missives to WMNH ninety five

1086
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to three at gmail dot com or traverse the virtual

1087
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corridors of wmnhradio dot org. Engage with our sonic vibrations

1088
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by communing with us through the digital channel. Our radio

1089
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beckons eager to enthrall you with its mesmerizing kitdence and

1090
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develop you with a symphony of foundless auditories.

1091
00:58:39,320 --> 00:58:39,800
Speaker 11: One dude