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Speaker 1: W M n H rip the novels.

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Speaker 2: You're listening to Matt Connorton Unleashed on w M and

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H ninety five.

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Speaker 3: Point three and now exclusively on w M n H

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ninety five point three f M and Matt Connorton on Leash.

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It's the world radio premiere of Hurricane. Stand up, Yeah,

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stand up straight, falling fall, shut your mouth right full forward.

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Speaker 1: Odd's right.

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Speaker 3: So we can't see what's left?

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Speaker 4: What left? What left?

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Speaker 5: What weapons of man destruction to the planet. Paint the

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little sell to kill us, send out children, but they

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kept asking for more. Walk the lines of that ad

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been painted on the ground, the blood that we bleed

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sailing across the sea. So will tell me now wherever

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it's the difference of you and me, different colors, different tones,

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what we can see the differences of you with me,

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trade troop of flags and pride that allow say, drew

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de side outside.

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Speaker 1: But we all came from the same place, same place.

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Even nature has.

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Speaker 5: Had enough of this rivalry, flood in our homes with

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all his tears set and fisy erupted them. With no

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more blood on the banners that we salute, no more

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think they in the ways of its media. You you

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no more building up walls with our freedom and chains, shackling.

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Speaker 1: Our children for a future of pain.

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Speaker 5: Over the eyes and look to the left. See what

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happens when we listen to last Watch what everyone dies.

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Speaker 6: It's too much, too much, it's too real.

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Speaker 5: This is what we get from those who feel their

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pockets and make bloody deal. Stand up, they forward, open

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both die, make the future better for what the children

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not heading tools, stand up, fight for what's right.

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Speaker 4: Dand up gainst the corruption of the world.

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Speaker 1: It begins with you when I.

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Speaker 3: And now coming out. Wruary thirteen, twenty twenty six, the

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Brand News single by isolation burning.

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Speaker 7: It's burning, It's how weekend. It was a fitting my

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great country. There's a drys off in the hoose. It's

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as building.

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Speaker 8: Side up here on the streets because of both own.

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Speaker 9: Society's falling out my feet. They wents burning, they can

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finding shore, the guns.

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Speaker 8: Burning, They cart settle the school and put his bundy

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like we.

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Speaker 10: Not seen before.

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Speaker 8: And then it's burned so long before.

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Speaker 11: They start.

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Speaker 8: They went him and.

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Speaker 7: Won for the first fiction in my great country, as

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the crown.

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Speaker 12: Was introduces the four children, broken families on the street.

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Speaker 8: And he's all the signe so is his thirty.

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Speaker 9: Stream of pees. Ingland's burning the child find a shore

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ingods burninghim. They can't settle the school. England is burning

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like we never seen before in goodness burn.

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Speaker 4: Him so long before this time.

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Speaker 8: The people to.

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Speaker 9: Call, and the people you fall on, and the people

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who swam on, and the people who so love.

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Speaker 6: To feel like it's all gone, They feel.

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Speaker 4: Like it's al roight.

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Speaker 12: What have feel about?

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Speaker 13: What ha out.

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Speaker 12: In this buni?

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Speaker 8: They can't find a care.

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Speaker 9: Taking this boone, the car said over the store, angling

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his bony, like we've never seen it. For taking this

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boony so long.

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Speaker 6: Before this time.

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Speaker 14: If they get you on the ground, you pull the

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mask down.

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Speaker 15: Ten eighty pece watching.

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Speaker 14: Everything's been said. We've been shot in the head.

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Speaker 4: Now it's time for doing.

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Speaker 16: We all know they lie on the messy, try to

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hide from our glacial recognition.

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Speaker 3: These are just the henchmen sitting on the benchmen waiting

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for decades.

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Speaker 14: When they arrive in town, pull their mask down.

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Speaker 6: I'm serious.

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Speaker 17: Find yourself an old punk who isn't dead or drunk.

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Speaker 18: We've got experienced, but these please, we got something a bustle.

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Speaker 15: You want to see a kettle light.

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Speaker 13: Now do they feel I slid?

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Speaker 14: All the ribs have been cracked. We've been shot in

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the back. Now we drop alike in the snow. See

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the try to infiltrate. But the whistles said to Wood,

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why is it.

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Speaker 15: Todd loved anything he does? It's because see things, see

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can because Congress didn't stop me.

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Speaker 14: It's got just didn't stop me. The people I.

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Speaker 16: Us inside their cans lead salts, methylene, chlora, hexavalent, chromium,

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cancer and birth effects, reproductive harms. In your bag, the

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leater of water mixed with five to ten percent sodium

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bicarbonate or sodium carbonate for rinsing the eyes. Do not rub,

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Keep flushing with water, Keep flushing, keep flushing.

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Speaker 17: Resist rest, resist rest, and amidst all the resting, and

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during the resisting, don't forget to keep insisting we work.

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Speaker 16: Together on those blueprints for a just and equitable future.

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Everyone in mind. Neo Nazis get neo neuremberged when in

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wear still unconfirmed, when it's coming, and when the tear

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gas dissipates and the rabbit hold return to the apolitical

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states that made them such easy targets for the grift.

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Speaker 14: It's important that.

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Speaker 16: We don't get hooked on a hopium are distracted by

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deals advertising twenty percent more freedom because our rights aren't

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anyone's to give or to take away. Our rights are

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non negotiable, Our rights are inalienable.

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Speaker 3: You won't have to do it anymore for four years.

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Speaker 8: You know what, it'll be fan, It'll be fine.

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Speaker 1: You won't have to vote anyone.

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Speaker 19: President Trump has talked twice in recent days, once in

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the Kennedy Center and then the Reuters again last night

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about canceling the election.

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Speaker 13: Why is he talking about this?

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Speaker 20: The President was simply joking.

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Speaker 3: The President was simply joking. In four years, you don't

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have to vote again.

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Speaker 1: Web it fix, You're not gonna have to vote. Web

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it Fix.

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Speaker 13: You're not gonna have though vote.

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Speaker 21: This is Jesse Rutstein and Caleb Dyer.

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Speaker 22: Oh oh no, okay, we can let's do that one

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more time. This is Jesse Rutstein and Caleb Dire. Oh crap,

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hold on, what do you want me to say? Right

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after that?

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Speaker 21: From Hatchet Act from and then I'll say, you're listening right?

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Speaker 1: Sounds good.

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Speaker 21: This is Jesse Rutstein and oh ah, this is why

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I'm the Leader.

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Speaker 22: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon

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Saw Records.

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Speaker 21: You are listening to the Matt Connerton Show on w

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m n H ninety five point three Manchester.

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Speaker 3: Actually, what did I say? Okay, all right, all right,

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let's do this again. Let's do this again.

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Speaker 22: This is Jesse Rutstein and Caleb Dyer from Hatchet Axon

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Saw Records.

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Speaker 21: You are listening to Matt Connorton Unleashed on ninety five

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to three w NA.

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Speaker 22: Dude, this is Jesse Rutstein and Caleb Dyer from Hatchet

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Axon Saw Records. You are listening to Matt Connorton Unleashed

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on ninety five point three w m n H FM.

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Speaker 3: Here we go, everybody, and welcome. We have entered our

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number two New Marrow trace of Matt Connorton Unleashed and

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we are live from the studios of wm n H

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ninety five point three FM, Inglorious and Snowy, Manchester, New Hampshire.

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And of course you can stream the show from anywhere.

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Go to Matt connorton dot com slash live for all

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of your live streaming options, social media links, contact info,

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show archives, et cetera. Et cetera. Today is Saturday, February seven,

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twenty twenty six. Jenny is here, of course, at the

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news table, and we have returning to the show. And

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you've got to be in the five timers club right now.

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Ricky Mapleton here with us. Hello, Hello, Hello, hello you.

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How many times have you been on this over the years?

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Speaker 1: A half dozen? I thought it was a five timer

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last time, but I'm not sure.

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Speaker 3: Oh you might be.

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Speaker 1: I don't you have a historian on.

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Speaker 3: We may have forgotten to give you.

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Speaker 1: I believe you are approaching the most visited guests.

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Speaker 3: Come on, really, we may have forgotten to give you

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the five timers jacket. Hence the confusion.

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Speaker 1: How many? How many think what I said sounded better?

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How many years have you guys been doing this? Oh?

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Speaker 23: Boy?

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Speaker 3: That well, so that gets complicated a little bit because

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now which version? Yeah, because it started there's been many

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iterations of this program. It started as a podcast in

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twenty eleven. In twenty seventeen. April of twenty seventeen, we

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won't be April. Before long, we'll be approaching another anniversary.

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Oh my god. In April of twenty seventeen, we had

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the opportunity to bring the show to WMNH ninety five

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point three FM, where we continue to this day. But

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there's also at one point there was a television version

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of the show, and there's been all kinds of different

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versions of the show. But it's been a while. It's

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been a while, but it's amazing. Thank you, thank you well.

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It is wonderful to have you here. And we're doing

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something unique this week because you are here with us,

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not only for this hour, but the third hour of

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the show as well, because you have this amazing new

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project and we're going to we're going to listen to

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it today and we're going to talk about it as

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we I appreciate you having me on absolutely absolutely and

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tell us what this is. Tell us this is.

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Speaker 1: Called The bread Man. A bread time story. Okay, okay,

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so it is a Victorian setting story about love triangle

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revolving around bread. Okay, a bread time story.

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Speaker 21: Did you say bread?

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Speaker 1: Bread?

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Speaker 3: Okay?

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Speaker 1: Delicious bread? Oh, I thought so, I thought so, mm hmm.

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It's uh, it's really I think it's old school meets

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new school. We have some narration between each song, okay,

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to set up the scene in the listener's mind. Listener's

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mind okay, And that's kind of the I think the

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unique fun part about listening to this as a listener

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imagination as well as a little direction, which I think

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we all need in life.

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Speaker 3: Sure, sure, what inspired you to do this? And and

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oh and clarify for us too, Uh, what do you

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call this? Is it a is it a concept album?

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Is it a rock opera?

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Speaker 1: Yes?

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Speaker 3: Okay?

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Speaker 4: And and why?

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Speaker 3: And why is it?

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Speaker 8: And why?

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Speaker 3: Bread and a love triangle?

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Speaker 1: The yeast knows no boundaries. I'm just making that up.

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It stemmed from an idea during a musical jam session

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with some friends. In this concept, I just started playing

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the riff. Like a lot of people that do music

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and are creative, you get an idea, yes, and you

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got to write it down. You gotta grab it, you

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gotta put it somewhere. It vanishes, This idea of the

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original riff of the bread Man fifteen years ago, really

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at my friend's house who I work with. Doctor H

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is his name. I think you've mentioned doctor H. Doctor H.

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Fantastic Type A personality to the extreme, oh, meaning Type

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A is a person that is very structured, uniformed, and

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when they get going on something, that's all. That's happening

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and you just get you just absorb into it. Yeah, yeah,

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I'm what's the other what are the other? Type? So

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I know this type A because the band this I'm

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not to band this project it's called the bread Man

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a bread time story band being type A. Okay, okay,

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So Ricky Mapleton, of course myself is the I originated it.

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I don't want to grab the whole thing, sure, but

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the original concept of bread the bread Man coming coming

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for you. Oh, A lot of different layers in all seriousness,

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getting away from the money python esque of this, Yes,

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but there's a lot of layers in this music. Be

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careful what you wish for. Love may not conquer all.

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There's just a lot of things that I think people

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will get out of this if you give it a

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just give it. I know it's hard to grab some time.

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But if I think if you, if you listen to this,

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I think you'll hopefully be moved a little bit and

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get you thinking about life in retrospective while we getting

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heavy and there is there also a lot of money

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python to this good okay. So on the other swing

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of this, Monty Python, Victorian e there she's a witch burner, Okay,

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I don't you know, the money, the holy Grail sort

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of goofiness abstract.

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Speaker 3: Okay.

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Speaker 1: Also, well, that's I don't know if I explained it correctly.

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Speaker 3: Well, that's uh. But uh, we're going to, of course

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play the whole thing today. Uh so we're we're we're

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offering the whole loaf. You might say I did that, Yes.

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Speaker 1: Yes, yes, And there are some of those sort of

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ideas and jokes during this perform I believe, oh, good, good,

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don't loaf around all sorts of stuff a little in

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the windo. I'm not in tod those little shots about

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talking about bread, okay, because bread is the staff of life. Okay,

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Gluten analogies are not gluten analogies. Bread is been around

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for a long time.

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Speaker 3: I believe the gluten is.

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Speaker 13: Uh.

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Speaker 1: There is a song called well I don't want to

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give away No, no, no no, but it does it

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does veer into the world of gluten, red yeast flower,

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but it also revolves around l O V E. Love.

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Speaker 3: I don't even know what gluten is. I just like

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saying the.

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Speaker 1: Word gluten basically is flower. Okay, so something made of flower,

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Oh it's gluten. It's it's so people that have gluten allergies. Yeah,

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that's a big catchphrase nowadays. Yes, okay, which I understand.

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But we could talk about gluten analogies for a long time. Yes,

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I think we might talk about it. As we start

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to start our rock opera excursion, I want to thank

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all the musicians before we get started on this. I

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maybe upset a few people along the way. Oh my,

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I upset myself. A lot of tension happened throughout the.

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Speaker 3: Years with this.

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Speaker 1: Really, yeah, there was a whole beautiful stuff with the

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mockumentary we're making. Okay, So in the world and in

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my world, I want to thank all the musicians though

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are on this. You guys are awesome, and the listeners

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that are listening to you guys, and you Matt Favon.

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Of course, I really hope you guys really like this.

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Just take five seconds, just sit here for five minutes.

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Take out some bread. Listeners, sit down for your favorite bread.

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Let's just listen, listen, get your imagination cap on.

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Speaker 3: Well, very good. So we'll open with the prologue. Yes,

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baking bread.

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Speaker 1: Now, the prologue, there is about thirty seconds of somebody

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making bread sounds going into it. Okay, before it breaks

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into the music. So yeah, so I'm just gonna leave

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it at that. Did I like that or not? I

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think it's a it's a whole journey.

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Speaker 3: Let's go, Yes, let's go.

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Speaker 1: Let's go break out some bread and get some jam.

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And let's go.

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Speaker 3: Let's make some bread.

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Speaker 13: All right, here we go, Welcome to the show.

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Speaker 10: Before we get started, sit back, relax, Grab some of

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your favorite bread. Maybe put some butter, peanut, butter, jelly,

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it doesn't matter. Pick your favorite topping, put it on

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your bread, and get ready for a journey back in time.

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This story, though timeless, takes place about five hundred years ago.

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It's a love story, a tragedy of a young.

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Speaker 12: Baker, the bread man who dreams.

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Speaker 19: About living in the castle up on the hill, and

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a beautiful young princess who lives in that castle and

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dreams about being with the baker boy.

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Speaker 12: This is their story.

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Speaker 3: So there were there. We have the prologue.

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Speaker 1: Yes, uh, and we're uh.

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Speaker 3: By the way, I learned something there. I didn't even

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know they had bread five hundred years ago. One was

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bread invented. It's older than our country. I just assumed

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it was invented.

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Speaker 1: It was around during uh uh.

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Speaker 3: Even before that. Wow, that's amazing. So we've always had bread.

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Speaker 1: We've always had that yeast of flower. It's been around

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a long time.

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Speaker 3: Wow, that's amazing. That's amazing. Uh. Should we go right

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to Uh so this next part? Uh, someday I'm going

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to live in the castle.

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Speaker 1: Yes, yes, all right, here we go.

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Speaker 4: Standing not knowing, no more.

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Speaker 8: To work.

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Speaker 11: Okay, father, you'll never mean nothing gonna make a boy,

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but make a boy?

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Speaker 6: What what do you mean you think you're gonna marry

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the princess?

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Speaker 12: Well, you're never gonna live in a castle.

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Speaker 3: On up, No, father, get back to work.

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Speaker 4: Don't hit me.

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Speaker 18: Father, back to work, go to mine, No, not the back.

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Some dam gonna live in a castle. Some damn gonna

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live on him. Someday I'm gonna live in that castle.

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Speaker 4: Some day about him. No more making print for my father,

339
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No more bacon the bridge.

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Speaker 15: Some damn gonna some damn gonna some damn.

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Speaker 8: Gonna live.

342
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Speaker 12: Gorge.

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Speaker 6: Never gonna live in that castle.

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Speaker 8: Down to.

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Speaker 2: That.

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Speaker 14: I again, what do you think you're gonna matter the princess?

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Speaker 18: No more bign no than bread, gonna lit landerstea.

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Speaker 6: Stall, Gonna live in the castle. Still gone live on hill.

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Speaker 18: Fall, gonna live a castle, some of them gone live on.

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Speaker 6: Uh.

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Speaker 3: So our hero, he's, uh, he's got a lot going

352
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on there. He doesn't clearly he wants nothing to do

353
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with the family business, and his father is uh kind

354
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of a jerk. Wow, But he wants to live in

355
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the castle. Why does he want to Why does he

356
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want to live in the castle?

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Speaker 1: I just he sees the castle from the bakery. Yes,

358
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in the bakery, he's looking out the window and he

359
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sees the castle up on the hill.

360
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Speaker 3: Yeah.

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Speaker 1: And he's just like a lot of us when we're younger,

362
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even when we get older, we're dreaming about something else. Yes,

363
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So he sees his life now, it's not very good.

364
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He's making bread for his mean father who hits him

365
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over the head with a.

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Speaker 3: Bag at Oh my god, Okay, that's just rude.

367
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Speaker 1: Yeah. So he's has he's having a rough, rough childhood. Yeah, okay,

368
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and that's kind of he's having those dreams of some day.

369
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So that was that. That gentleman's name was Ryan Fitzpatrick.

370
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Speaker 3: Oh okay.

371
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Speaker 1: She does a lot of the singing on this.

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Speaker 3: Oh okay, wonderful, wonderful, all right. So next we have

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let's say, feeling low down?

374
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Speaker 1: Is this track number three? Yes, feeling low down? Feeling

375
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low down?

376
00:26:19,000 --> 00:26:21,319
Speaker 3: All right, let's continue our story.

377
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Speaker 1: Let's continue eating some nice bread here.

378
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Speaker 19: The young baker spends his childhood dreaming about living in

379
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the castle. At age ten, something magical happens. The princess

380
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starts visiting the bakery. She's in charge of picking up

381
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the weekly bread for the castle and making sure that

382
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it gets delivered safely. She becomes quite smitten with the

383
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baker boy. They begin to sneak off to spend time together.

384
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The young Baker's father eventually decides to open a new

385
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bakery and a far off land, and he leaves the

386
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bakery to the young baker, who is now.

387
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Speaker 12: Officially the bread Man.

388
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Speaker 19: The princess is excited about being able to visit without

389
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the old man around. However, the King decides that he

390
00:27:18,599 --> 00:27:21,559
doesn't like her spending so much time away from the castle,

391
00:27:22,000 --> 00:27:24,599
and he only allows her to visit town once a month.

392
00:27:25,119 --> 00:27:28,319
It's been a month since she last visited the bread man.

393
00:28:04,720 --> 00:28:27,680
Speaker 20: Oh oh, comment down the mountain's comment down the mountains

394
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were in the float, all round the mountain, all around

395
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the mountain.

396
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Speaker 4: That she's gone.

397
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Speaker 6: And I'm feeling load down so helloa, but a load sooad.

398
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Speaker 19: As the month wanes, the bread Man struggles with his

399
00:29:25,119 --> 00:29:29,240
infatuation with the princess and his goal to someday live

400
00:29:29,279 --> 00:29:33,200
in the castle. Will he find a way to marry

401
00:29:33,240 --> 00:29:37,240
the princess? Will he be adored by the villagers? Will

402
00:29:37,319 --> 00:29:39,119
he someday be the king?

403
00:29:44,480 --> 00:29:48,839
Speaker 3: Interesting to me that, you know, I thought in the

404
00:29:48,920 --> 00:29:51,119
beginning that he didn't want anything to do with the

405
00:29:51,160 --> 00:29:53,119
family business. But it's not that he just wanted to

406
00:29:53,160 --> 00:29:55,599
get away from his dad. He clearly he still wants

407
00:29:55,680 --> 00:29:56,200
to make bread.

408
00:29:58,319 --> 00:29:59,920
Speaker 1: I don't know. I'm not sure.

409
00:30:00,039 --> 00:30:02,079
Speaker 3: War I mean, that's that's what it seems like.

410
00:30:02,480 --> 00:30:05,960
Speaker 1: I don't think he likes his father because he's abusing him.

411
00:30:06,119 --> 00:30:08,599
And I don't think he likes making bread. Pull up,

412
00:30:08,920 --> 00:30:11,359
and I don't think he likes making bread. Yeah, and

413
00:30:11,440 --> 00:30:13,480
I don't think. But he is the bread man. I mean,

414
00:30:13,680 --> 00:30:16,240
that's his whole identity, isn't No, that's sort of the

415
00:30:16,319 --> 00:30:20,799
identity that we're giving him. Oh Okay, I don't think

416
00:30:20,839 --> 00:30:22,440
he walks around with I am the bread man. I

417
00:30:22,599 --> 00:30:26,480
love my bread, bread, my bakery. Yeah, okay, he's kind

418
00:30:26,519 --> 00:30:31,640
of born into that life. Okay, he's fighting, Yes, but

419
00:30:31,759 --> 00:30:34,720
he now is in love with the princess?

420
00:30:35,480 --> 00:30:36,079
Speaker 13: Well is he?

421
00:30:36,240 --> 00:30:38,720
Speaker 3: Is he in love with or infatuated? Whether at this point?

422
00:30:40,039 --> 00:30:43,200
Speaker 1: Well, I don't want to give stuff away, okay, but

423
00:30:43,400 --> 00:30:46,960
right now, as far as the listener is concerned, yes,

424
00:30:47,640 --> 00:30:48,799
he is infatuated.

425
00:30:49,000 --> 00:30:49,720
Speaker 3: Okay, And.

426
00:30:52,519 --> 00:30:55,119
Speaker 1: As the dough rises, if you would, ah, there we

427
00:30:55,200 --> 00:30:59,119
got so let's try it. Okay, you're you're the first one, right?

428
00:30:59,160 --> 00:31:02,480
What did you say earlier? The wow, the bread, the roll?

429
00:31:03,000 --> 00:31:05,880
I don't remember, so we always want to throw in

430
00:31:05,960 --> 00:31:12,839
bread reference? Yes, yes, so let's roll along. Well played, sir, yep,

431
00:31:14,680 --> 00:31:19,319
I get one a day like all right? Track three, track.

432
00:31:19,160 --> 00:31:23,799
Speaker 3: Four, Track four four. Awkward situation.

433
00:31:24,000 --> 00:31:29,559
Speaker 1: Okay, now the door rises, we go, all right, let's

434
00:31:29,640 --> 00:31:30,240
make some toast.

435
00:31:30,440 --> 00:31:33,839
Speaker 19: Finally, the princess arrives at the bakery after a month

436
00:31:33,960 --> 00:31:38,720
long hiatus. They're both excited to be together at long last.

437
00:31:39,960 --> 00:31:43,559
The bread man locks the door and the young lover's

438
00:31:43,640 --> 00:31:47,279
head to the back room, not realizing that the baker's

439
00:31:47,400 --> 00:31:48,680
bother had given.

440
00:31:48,440 --> 00:31:49,759
Speaker 12: A key to the egg lady.

441
00:31:51,000 --> 00:31:51,960
Speaker 3: The egg lady.

442
00:31:51,839 --> 00:31:57,279
Speaker 19: Arrives shortly after their rendezvous, only to find the bakery

443
00:31:57,440 --> 00:32:01,000
locked up. She uses her key unlock the door and

444
00:32:01,119 --> 00:32:04,160
goes inside to drop off the eggs. She hears a

445
00:32:04,200 --> 00:32:06,759
strange noise in the back of the bakery and decides

446
00:32:06,799 --> 00:32:10,920
to investigate. She cracks open the back door, and much

447
00:32:10,960 --> 00:32:14,240
to her surprise, she realizes what's happening.

448
00:32:14,880 --> 00:32:19,119
Speaker 13: It was a very season.

449
00:32:19,599 --> 00:32:42,400
Speaker 24: Suckless the Jewish jush hockless juas situation Jewish you cuas

450
00:32:44,359 --> 00:32:50,319
lockless juishuph.

451
00:32:49,640 --> 00:32:51,119
Speaker 12: A tuation.

452
00:32:52,400 --> 00:32:57,519
Speaker 24: Snock listen Julish listen Julie sho u as me.

453
00:33:28,039 --> 00:33:41,839
Speaker 25: Well lash Jewish jewish less the sitewe talk with sitewation.

454
00:33:42,359 --> 00:33:49,039
I am the situation buck with situation awkward, situation talk

455
00:33:49,200 --> 00:33:52,480
with situish awkward sit Jewish.

456
00:33:53,720 --> 00:34:20,280
Speaker 8: Jewish, my my, you.

457
00:34:20,280 --> 00:34:22,639
Speaker 3: Know, I feel like, uh that part of the story too.

458
00:34:22,719 --> 00:34:25,239
There's a cautionary tale there, because obviously you always want

459
00:34:25,280 --> 00:34:28,159
to know who has keys to your stuff, especially if

460
00:34:28,199 --> 00:34:29,519
someone might be delivering eggs.

461
00:34:30,239 --> 00:34:35,199
Speaker 1: Absolutely, yes, yes, aware of the egg lady, that's right, yeah, yeah, yeah, yes,

462
00:34:36,320 --> 00:34:38,920
beware of the egg lady, Yes, the egg lady.

463
00:34:39,679 --> 00:34:42,519
Speaker 3: And that song to me, it's got kind of a

464
00:34:42,599 --> 00:34:43,679
rolling Stones vibe.

465
00:34:43,480 --> 00:34:48,320
Speaker 1: Which I thank you, thank you. Yeah, yeah, I like

466
00:34:48,440 --> 00:34:51,239
the I like the quicker more fast stuff the slower

467
00:34:51,280 --> 00:34:54,639
stuff on here, big fan, yeah, big fan, big fan,

468
00:34:54,760 --> 00:34:58,320
But you know I do, I do. But you notice

469
00:34:58,360 --> 00:35:02,079
a lot of different, lot of layers. Oh yes, way

470
00:35:02,119 --> 00:35:04,159
out of my wheelhouse. But again thank you to all

471
00:35:04,159 --> 00:35:08,599
those musicians that it's stuff on it. Absolutely, let's let's go.

472
00:35:09,199 --> 00:35:13,760
So next we have flowers of flying rocking in the bread. Okay,

473
00:35:13,840 --> 00:35:17,000
so what happens now is the egg lady has walked in.

474
00:35:17,239 --> 00:35:21,360
Uh huh and they are let's say, making yeast you would,

475
00:35:21,480 --> 00:35:26,480
all right, dev sure the lady walks in awkward situation. Yes,

476
00:35:26,719 --> 00:35:28,440
and this is what the egg lady has to say

477
00:35:28,480 --> 00:35:28,840
about it.

478
00:35:29,000 --> 00:35:31,719
Speaker 3: Oh my goodness, all right, let's find.

479
00:35:31,519 --> 00:35:47,039
Speaker 4: Out walked in all this cannot be it's the princess,

480
00:35:48,039 --> 00:35:48,719
the freak.

481
00:35:51,760 --> 00:35:52,239
Speaker 8: Can't be.

482
00:35:52,519 --> 00:36:00,119
Speaker 11: See you cannot have to pay me the truth of

483
00:36:00,400 --> 00:36:04,679
you with the weak up going princess. And I was

484
00:36:04,760 --> 00:36:13,480
fighting now fast to the prince spire. How the surpier.

485
00:36:14,639 --> 00:36:20,880
Speaker 4: Fou was fighting all about fuss fighting there con couco,

486
00:36:21,760 --> 00:36:23,519
I think.

487
00:36:25,480 --> 00:36:26,559
Speaker 8: Your secret.

488
00:36:28,480 --> 00:36:32,639
Speaker 4: I was fining you we going, I was buying.

489
00:36:32,800 --> 00:36:37,079
Speaker 6: Can't this funing.

490
00:36:38,159 --> 00:36:38,360
Speaker 4: Now?

491
00:36:39,280 --> 00:36:40,039
Speaker 14: Is balan?

492
00:36:41,519 --> 00:36:50,039
Speaker 4: How will fan? It's not of gold?

493
00:36:52,039 --> 00:36:54,119
Speaker 8: Ay? A good time as sea?

494
00:36:55,360 --> 00:36:59,400
Speaker 6: The up a can of good times.

495
00:37:00,320 --> 00:37:08,400
Speaker 4: Flower fly is a flying the flower is a flying.

496
00:37:23,360 --> 00:37:25,559
Speaker 1: Whoa whoa, whoa, whoa, whoa, whoa, whoa whoa.

497
00:37:25,960 --> 00:37:28,960
Speaker 3: So I think the egg Lady frankly should mind her

498
00:37:29,000 --> 00:37:29,480
own business.

499
00:37:29,559 --> 00:37:32,199
Speaker 1: But that's what Well, if you picked up on the lyrics,

500
00:37:32,519 --> 00:37:35,920
she said, you are going to pay me, and I'm

501
00:37:35,960 --> 00:37:39,039
not gonna. I will not tell what's happening. Right, So

502
00:37:39,280 --> 00:37:43,519
now the egg Lady is now bribing the Baker and

503
00:37:43,639 --> 00:37:46,559
the princess. Take every time that we see, you're gonna

504
00:37:46,559 --> 00:37:48,559
pay up or I'm going to tell the king? What's

505
00:37:48,639 --> 00:37:49,119
the story?

506
00:37:49,480 --> 00:37:49,639
Speaker 4: Right?

507
00:37:50,159 --> 00:37:50,320
Speaker 21: Right?

508
00:37:51,960 --> 00:37:53,920
Speaker 3: Oh, hence the I love triangle.

509
00:37:54,719 --> 00:37:58,159
Speaker 1: Well, I don't think the egg Lady is really interested

510
00:37:58,320 --> 00:38:01,119
in oh no, the baker boy. But she's she's as

511
00:38:01,159 --> 00:38:05,559
a subplot and a sub character. Oh okay, she's bribing, Yes,

512
00:38:05,760 --> 00:38:08,559
yes she is. She just doesn't know what she's walking into.

513
00:38:08,840 --> 00:38:12,840
Maybe maybe should we continue? Oh?

514
00:38:12,920 --> 00:38:15,119
Speaker 3: I think so? I like so, oh the next the

515
00:38:15,199 --> 00:38:17,760
next song in our story here we should tell people too.

516
00:38:17,800 --> 00:38:19,719
If you're just joining us, we have Ricky Mapleton here

517
00:38:20,159 --> 00:38:22,760
and the uh this did we establish what this is?

518
00:38:22,880 --> 00:38:23,639
Is it a rock opera?

519
00:38:23,800 --> 00:38:26,599
Speaker 1: Yeah? Yeah, I think yeah, I like rock opera yeah,

520
00:38:26,599 --> 00:38:28,559
I like I think that was the original concept. It's

521
00:38:28,639 --> 00:38:30,400
kind of into more of a we want to do

522
00:38:30,480 --> 00:38:34,559
a play, yes, yes, Broadway play. So if a nobody

523
00:38:34,639 --> 00:38:37,480
wants to finance our Broadway play, I already have it

524
00:38:37,679 --> 00:38:40,639
envisioned in my mind. Really, oh my, come it to

525
00:38:40,719 --> 00:38:43,480
be beautiful. Perhaps you could get a national bakery chain

526
00:38:43,679 --> 00:38:47,480
to uh sponsor you. Yes, absolutely, yes, let's go. Let's

527
00:38:47,519 --> 00:38:50,519
go Broadway. But for now, Yeah, that's the old yeah

528
00:38:50,639 --> 00:38:53,360
rock opera. Yeah, getting back, getting back to the original question,

529
00:38:53,760 --> 00:38:58,199
rock opera. I know that's pretty big shoulders that I'm saying.

530
00:38:58,280 --> 00:39:04,920
But Quadrophenia Tommy twenty one twelve, Yes, hemispheres. I don't

531
00:39:04,920 --> 00:39:08,039
know if everybody knows the those kind of my dating

532
00:39:08,079 --> 00:39:11,840
myself on those, but yeah, wrong, yeah, yeah, a play. Yeah,

533
00:39:12,079 --> 00:39:15,880
And the title is The bread Man a bread Time Story.

534
00:39:16,159 --> 00:39:19,400
Speaker 3: The bread Man a bread Time Story. Well, let's uh,

535
00:39:19,880 --> 00:39:22,320
we'll go to the next part of our story here,

536
00:39:22,360 --> 00:39:25,079
and this one is called I Am the egg Lady. Okay,

537
00:39:25,239 --> 00:39:46,360
all right, here we go, two, three, four, sick.

538
00:39:53,519 --> 00:40:47,559
Speaker 8: No sick, stays with me allio sheep cropping.

539
00:40:51,480 --> 00:40:52,920
Speaker 4: That was not that.

540
00:40:56,559 --> 00:40:59,480
Speaker 6: The bucksack.

541
00:41:29,639 --> 00:41:30,880
Speaker 3: I feel at this one. In the story of the

542
00:41:30,880 --> 00:41:33,239
egg Lady is really the antagonist?

543
00:41:34,159 --> 00:41:35,480
Speaker 1: Absolutely, yeah, I think so.

544
00:41:35,679 --> 00:41:39,440
Speaker 3: I expected it to be the king well for his father.

545
00:41:40,760 --> 00:41:43,440
Speaker 1: I think we all have some egg Ladies in everyone's life.

546
00:41:43,559 --> 00:41:47,880
Speaker 3: Sure, sure, oh yeah, yeah yeah.

547
00:41:49,760 --> 00:41:52,599
Speaker 1: What's your thoughts? Are you connected with the story?

548
00:41:52,760 --> 00:41:55,400
Speaker 3: I am, I'm very I'm very connected. I'm invested. I'm

549
00:41:55,559 --> 00:41:59,199
uh you know, I'm a little uh bummed. I mean,

550
00:41:59,199 --> 00:42:01,480
I'm gonna be a little next time, you know, I'm

551
00:42:01,519 --> 00:42:04,079
eating and you know, scrambled eggs or something, because I'm

552
00:42:04,079 --> 00:42:06,840
gonna be thinking about the egg Lady and and she's

553
00:42:06,960 --> 00:42:08,119
just she's just mean.

554
00:42:09,199 --> 00:42:12,159
Speaker 1: Yeah, you know. How's that for a response?

555
00:42:12,320 --> 00:42:14,960
Speaker 3: Yes, you are correct, Matt Connerton, because I'm looking at

556
00:42:15,000 --> 00:42:17,199
the title of the next part of the story and

557
00:42:17,599 --> 00:42:21,000
I realize exactly what's happening next, and I think it's wrong.

558
00:42:21,119 --> 00:42:24,880
What what a Well, it's titled A Little White Envelope.

559
00:42:25,079 --> 00:42:31,400
Speaker 1: Okay, okay, so Little White Envelope not This is one

560
00:42:31,440 --> 00:42:37,440
of the songs that was done before the actual project

561
00:42:37,559 --> 00:42:42,199
took place. Is taken from another project. Oh interesting, We

562
00:42:42,280 --> 00:42:44,000
did it on a few songs here. We had some

563
00:42:44,440 --> 00:42:48,599
material that we fit in that went along with the

564
00:42:49,280 --> 00:42:51,000
tracks that we were working on.

565
00:42:51,400 --> 00:42:51,800
Speaker 3: Okay.

566
00:42:52,440 --> 00:42:54,840
Speaker 1: And this one is a very dear friend of mine.

567
00:42:55,159 --> 00:42:58,159
I'm gonna say his name, Chris Higgins. Okay, Chris Higgins,

568
00:42:58,480 --> 00:43:01,320
who who I may have upset? I I've known Chris

569
00:43:01,400 --> 00:43:05,039
Higgins since high school, probably one of the best drummers

570
00:43:05,079 --> 00:43:07,920
in the area. Lifelong friends, yep. And I don't want

571
00:43:07,920 --> 00:43:09,280
to get into this big thing what happened.

572
00:43:09,320 --> 00:43:11,280
Speaker 3: But I interviewed Chris Sigans a long time. I forget

573
00:43:11,320 --> 00:43:13,599
what band was in a Rocket Waltz.

574
00:43:13,760 --> 00:43:14,960
Speaker 1: I believe he was in that.

575
00:43:15,199 --> 00:43:16,320
Speaker 3: That was not the band he was in when I

576
00:43:16,400 --> 00:43:17,840
interviewed Lynn band.

577
00:43:18,159 --> 00:43:23,920
Speaker 1: No, So, Chris, if you're listening to this again, I apologize.

578
00:43:23,960 --> 00:43:26,039
He's he's he's on two tracks.

579
00:43:26,239 --> 00:43:26,519
Speaker 3: Okay.

580
00:43:26,719 --> 00:43:28,800
Speaker 1: He did a ton of work on it, and a

581
00:43:28,920 --> 00:43:31,440
lot of the material his drummings didn't make it on it.

582
00:43:31,559 --> 00:43:34,599
Oh okay, okay, but he's on two tracks. And Chris,

583
00:43:34,719 --> 00:43:35,880
you're the best man. I love you.

584
00:43:35,960 --> 00:43:36,320
Speaker 13: I love you?

585
00:43:36,519 --> 00:43:38,960
Speaker 1: Yeah, okay. And this is this is a nice updeat song. Quick.

586
00:43:39,239 --> 00:43:41,360
It's all about that little envelope that we all have

587
00:43:41,559 --> 00:43:43,519
up on the shelves lives.

588
00:43:43,360 --> 00:43:43,800
Speaker 21: All right.

589
00:43:44,480 --> 00:43:46,920
Speaker 19: This is a little white envelope, the princess and the

590
00:43:47,000 --> 00:43:50,719
bread man discuss payments with the egg lady. They make

591
00:43:50,800 --> 00:43:55,039
their first payment and center off. The princess heads home

592
00:43:55,119 --> 00:43:58,920
to the castle. As soon as she arrives back at

593
00:43:58,960 --> 00:44:02,760
the castle, she gets the bad news that she is

594
00:44:02,920 --> 00:44:07,039
being forced to marry the Prince of yeast Land. This

595
00:44:07,280 --> 00:44:12,079
arranged marriage between our beloved Princess of Wheatland to the

596
00:44:12,159 --> 00:44:15,679
Prince of Yeastland will solidify the King's plans to form

597
00:44:15,719 --> 00:44:21,320
a super bread conglomerate. The princess, needless to say, is distraught.

598
00:44:22,159 --> 00:44:25,679
She eventually decides to write a letter to her bread

599
00:44:25,760 --> 00:44:29,320
man to break the bad news that she will no

600
00:44:29,480 --> 00:44:32,880
longer be able to spend time with him. She doesn't

601
00:44:32,960 --> 00:44:36,360
have the heart to send the letter, so it sits

602
00:44:36,400 --> 00:44:41,199
and awaits delivery. Inside its little white envelope.

603
00:45:00,159 --> 00:45:03,760
Speaker 6: Us there to get users.

604
00:45:06,199 --> 00:45:12,199
Speaker 20: Get every weeks yesterday.

605
00:45:35,280 --> 00:45:39,480
Speaker 4: Down. M.

606
00:45:40,480 --> 00:45:43,320
Speaker 3: Now, that's interesting because I thought the little white envelope

607
00:45:43,400 --> 00:45:47,000
was going to refer to the envelope of money of

608
00:45:47,119 --> 00:45:49,920
payments made to the awful egg lady.

609
00:45:50,000 --> 00:45:52,320
Speaker 1: But it turns out no, yes, correct, you are corrector

610
00:45:52,920 --> 00:45:54,440
I am correct about what everything?

611
00:45:54,599 --> 00:45:56,159
Speaker 3: Okay? Thank you?

612
00:45:56,360 --> 00:45:59,320
Speaker 1: No, I never really thought of it about the envelope

613
00:45:59,360 --> 00:46:02,000
with the money that's what I assumed. This This is

614
00:46:02,079 --> 00:46:05,519
the letter sent by the princess saying, oh, low lover

615
00:46:05,840 --> 00:46:09,840
of mine, I have to I'm being forced to marry

616
00:46:10,440 --> 00:46:17,000
the Prince of yeast Land because his father, the princess's father,

617
00:46:19,079 --> 00:46:23,800
all about the business, our business to yeast business. And

618
00:46:23,880 --> 00:46:29,800
I love the term international red conglomerate. Yes, yes, I

619
00:46:29,920 --> 00:46:31,280
love that term. Yes, that's fun.

620
00:46:31,800 --> 00:46:34,280
Speaker 3: You would think anti trust laws would prevent that. You know,

621
00:46:34,400 --> 00:46:35,039
these mergers.

622
00:46:35,119 --> 00:46:38,559
Speaker 1: I don't know the monopoly trust laws during Victorian time,

623
00:46:39,519 --> 00:46:42,199
but it was it was a different time. I think

624
00:46:42,199 --> 00:46:46,079
if you were the king, you could do what you wanted.

625
00:46:46,320 --> 00:46:46,840
Speaker 3: That's true.

626
00:46:46,920 --> 00:46:49,519
Speaker 1: That's probably we're gonna do a quick python. What made

627
00:46:49,599 --> 00:46:54,119
you king? I can recite that whole thing. Really h

628
00:46:54,679 --> 00:46:59,280
Strange women distributing soul. This is no basis for gomvenance.

629
00:46:59,639 --> 00:47:01,840
It comes from a mandate from the masses. If I

630
00:47:02,039 --> 00:47:05,039
never mind, see that's that's from the Holy graund. Yes. Yes,

631
00:47:05,360 --> 00:47:07,400
if I went around saying I was king because some

632
00:47:07,559 --> 00:47:09,760
moist and bean gave me a sword, they'd put me away.

633
00:47:10,559 --> 00:47:13,960
Strange women there ever, being sold, there's no basis for government.

634
00:47:16,000 --> 00:47:16,599
Speaker 3: It's not wrong.

635
00:47:16,880 --> 00:47:19,000
Speaker 1: So it's that was kind of my that's kind of

636
00:47:19,039 --> 00:47:22,039
my headspace with this. I was made mighty pothon. And

637
00:47:22,119 --> 00:47:25,719
then the musicians came in this. They're like, let's go serious, okay,

638
00:47:25,920 --> 00:47:29,519
And I said, okay, And I hope everybody's enjoying this.

639
00:47:29,719 --> 00:47:30,840
Speaker 3: I hope, so, I hope.

640
00:47:30,880 --> 00:47:34,679
Speaker 1: So it's good. Seeing your two reactions makes me super happy.

641
00:47:34,800 --> 00:47:34,960
Speaker 3: Yeah.

642
00:47:35,000 --> 00:47:36,800
Speaker 1: Yeah, I see that you guys are laughing and enjoying.

643
00:47:36,960 --> 00:47:38,519
Speaker 3: I like it very much. I like it very much.

644
00:47:39,159 --> 00:47:41,280
Let's see. So the next part of our story is

645
00:47:41,320 --> 00:47:42,840
called how could she Marry Him?

646
00:47:42,880 --> 00:47:45,960
Speaker 1: Okay, so the marriage is going to take place now

647
00:47:46,599 --> 00:47:51,119
between the princess and the prince, and they're having this

648
00:47:51,480 --> 00:47:54,880
big Like everybody else who may be going to the

649
00:47:54,960 --> 00:47:59,800
altar or maybe get into a relationship, here's that moment

650
00:48:00,880 --> 00:48:04,400
rarely what So okay, there we go. All right, let's

651
00:48:04,440 --> 00:48:05,079
go all right.

652
00:48:05,039 --> 00:48:05,400
Speaker 23: Here it is.

653
00:48:10,599 --> 00:48:15,000
Speaker 19: Finally, once the wedding date has been set, the princess

654
00:48:15,159 --> 00:48:17,840
has a little white envelope delivered to the bread man

655
00:48:18,440 --> 00:48:22,360
on the day of their next plant rendezvous, much to

656
00:48:22,440 --> 00:48:26,280
the bread Man's chagrin. Instead of the princess at his door,

657
00:48:26,920 --> 00:48:33,159
he finds a delivery boy who hands him a letter, how.

658
00:48:33,119 --> 00:48:43,519
Speaker 15: Good she married how good she married? How good she married?

659
00:48:45,920 --> 00:48:47,679
Speaker 8: Now good? Sit bee.

660
00:48:50,400 --> 00:48:50,920
Speaker 6: Loo good?

661
00:48:51,119 --> 00:48:54,000
Speaker 15: Shit be so bad?

662
00:48:58,599 --> 00:49:03,119
Speaker 12: Today is the day of the big wedding Princess.

663
00:49:05,440 --> 00:49:11,039
Speaker 19: Here she is at the wedding, at the altar, getting

664
00:49:11,119 --> 00:49:14,119
ready to marry the prince from Yeastland.

665
00:49:15,840 --> 00:49:20,159
Speaker 12: She just can't believe that it's happening. She missed the

666
00:49:20,280 --> 00:49:20,800
bread man.

667
00:49:25,320 --> 00:49:27,559
Speaker 26: How can I marry him?

668
00:49:29,519 --> 00:49:31,599
Speaker 4: How can I marry?

669
00:49:33,960 --> 00:49:36,320
Speaker 15: How can I marry him?

670
00:49:38,199 --> 00:49:40,400
Speaker 14: What can be so?

671
00:49:42,639 --> 00:49:43,760
Speaker 4: What can it be?

672
00:49:44,800 --> 00:49:44,840
Speaker 19: So?

673
00:49:45,880 --> 00:49:46,239
Speaker 9: Bread?

674
00:49:50,920 --> 00:49:55,960
Speaker 12: The bread man arrives at the wedding. He's made the

675
00:49:56,000 --> 00:49:56,679
wedding cake.

676
00:49:58,039 --> 00:50:02,079
Speaker 19: He's so sad, but he has to deliver the cake

677
00:50:02,840 --> 00:50:05,000
otherwise people might get suspicious.

678
00:50:06,719 --> 00:50:07,400
Speaker 27: And here he is.

679
00:50:09,079 --> 00:50:12,800
Speaker 12: Delivering the cake, looks over at the princess.

680
00:50:17,320 --> 00:50:26,519
Speaker 15: How good she married? How could she marry? How good

681
00:50:26,679 --> 00:50:31,559
she married? How good she be?

682
00:50:32,599 --> 00:50:32,639
Speaker 19: So?

683
00:50:34,880 --> 00:50:35,440
Speaker 6: How good?

684
00:50:35,599 --> 00:50:38,519
Speaker 15: Should be so bad?

685
00:50:56,920 --> 00:50:59,079
Speaker 14: How can I be so.

686
00:51:01,480 --> 00:51:02,599
Speaker 15: A canny?

687
00:51:09,800 --> 00:51:12,360
Speaker 3: Hmm? That is sad? How could she marry him? From

688
00:51:12,559 --> 00:51:15,800
the bread Man? A bread time story, And Ricky Mapleton

689
00:51:15,920 --> 00:51:16,400
is here with us.

690
00:51:16,760 --> 00:51:18,000
Speaker 1: Thank you well.

691
00:51:18,079 --> 00:51:20,840
Speaker 3: We are approaching for our live listeners the top of

692
00:51:20,880 --> 00:51:22,400
the hour, so we do need to take a break

693
00:51:22,440 --> 00:51:25,079
and show some love to our amazing sponsors. But if

694
00:51:25,119 --> 00:51:28,239
you are listening live on Saturday. Coming up in the

695
00:51:28,320 --> 00:51:32,840
third hour, we're going to continue listening and talking about

696
00:51:33,159 --> 00:51:35,239
The bread Man, a bread Time Story, the new rock

697
00:51:35,360 --> 00:51:38,199
opera from Ricky Mapleton, and many others. So you mentioned

698
00:51:38,400 --> 00:51:40,119
many other contributed to this.

699
00:51:40,519 --> 00:51:42,000
Speaker 1: Is that Is that the good volume right there for you?

700
00:51:42,159 --> 00:51:44,599
Right there? Yeah? Yeah, okay, okay, yeah again, I just

701
00:51:44,679 --> 00:51:49,079
want to reiterate that's my big word of the day. Yes, again,

702
00:51:49,280 --> 00:51:52,639
thank you everybody that took part in it. It's probably

703
00:51:52,719 --> 00:51:53,800
twenty different musicians.

704
00:51:53,840 --> 00:51:54,039
Speaker 3: Oh no.

705
00:51:54,159 --> 00:52:00,119
Speaker 1: Finally, the core base was myself, doctor h and and

706
00:52:00,239 --> 00:52:03,679
Fitzpatrick with the three that started this, but there's probably

707
00:52:03,840 --> 00:52:07,519
I would say twenty oh twenty thirty musicians on this.

708
00:52:07,639 --> 00:52:10,400
And again, thank you guys for doing it. Oh absolutely,

709
00:52:11,039 --> 00:52:13,599
I want to take the musicians for doing it. Yeah.

710
00:52:13,719 --> 00:52:18,079
Just I'm hearing it here on different headphones, yeah, different thing,

711
00:52:18,159 --> 00:52:20,440
and I haven't listened to it in probably a week.

712
00:52:20,719 --> 00:52:23,519
Yeah you know, yeah, I've heard it thousands of times. Yeah,

713
00:52:24,000 --> 00:52:27,400
you know, preparing this, but just tearing it fresh on this.

714
00:52:27,599 --> 00:52:29,320
It just and watching you guys react and I hope

715
00:52:29,360 --> 00:52:31,480
everybody's really yeah, getting something out of it. On the

716
00:52:31,599 --> 00:52:33,079
Snowy on the snowy Saturday.

717
00:52:33,119 --> 00:52:34,880
Speaker 3: I sure hope, so, I sure hope. So all right

718
00:52:34,920 --> 00:52:36,760
for our live listeners, stick around. Coming to an hour

719
00:52:36,840 --> 00:52:40,079
number three, we will continue with our story. Don't go anywhere.

720
00:52:44,559 --> 00:52:46,800
Speaker 27: Nana's kitchened Pizzaia.

721
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Speaker 14: From Nana's hands to your play tradition.

722
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Speaker 15: Love and taste.

723
00:52:53,280 --> 00:52:58,440
Speaker 11: That's great, so fermented dough flavor, so true.

724
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Speaker 14: Each bite the story made just for you.

725
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Speaker 27: Six o three two three two nine three six six

726
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Nana's Kitchen and Pizza Reeve fifteen Dartleth Dry Auburn, New Hampshire.

727
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Speaker 8: Kitchen and piz.

728
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Speaker 23: Luigi's Pizza Barren Grill Under every.

729
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Speaker 3: One, let's raise a slice.

730
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Speaker 8: On hide with top and toll the ground.

731
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Speaker 12: It's a pizza barrio.

732
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Speaker 23: Mine Luigi's Pizza Barren Grill, seven twelve Valley Street, Manchester.

733
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Come on in or call six two two one zero

734
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two one Luigi keeping the tradition alive since nineteen seventy five.

735
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Speaker 4: Pizza for every one. Come join a piece to night

736
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with each slice, sense of it.

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Speaker 9: Everything feels so right.

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Speaker 1: Five thirty pm, in Saturdays ten am to two pm.

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Speaker 26: Six h three two two two to zero zero seven

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Speaker 1: Come see the possibility.

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Speaker 26: It's Queen City Cabinet treat another crowd sponsor of MNH.

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and the Historic Suncook Village. PCL is an award winning bar,

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and a whole lot of jazz. We have twelve craft

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eleven to ten.

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Speaker 1: Pembrook City Limits, where it's all about the music.

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Speaker 23: Business Cafe is the place to put a smile on

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your face. Judy and the crew will take care of you,

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bring your appetite and treat your.

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Speaker 1: Taste buds right.

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Speaker 21: Business Cafe is always a winning choice.

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Speaker 23: Breakfast, lunch, or supper Dizze's Cafe at eight sixty Elm

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Street in downtown Manchester. Dine in, take out or make

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five three two, Eat, drink and be happy Dizze's Cafe.

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Speaker 30: When it comes to keeping WMNH on the air and

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Speaker 11: Seven times out of ten we listened to our music.

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Speaker 4: Do you want to know?

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Speaker 23: Because Saturdays and Sunday nights midnight to four am.

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Solutions located at five Dartmouth Drive in Auburn. They serve

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you with a symphony of foundless auditories.

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Speaker 1: Won Dude, wmn H rip the novels