Speaker 1: W M n H rip the novels.
Speaker 2: You're listening to Matt Connorton Unleashed on w M and
H ninety five.
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ninety five point three f M and Matt Connorton on Leash.
It's the world radio premiere of Hurricane. Stand up, Yeah,
stand up straight, falling fall, shut your mouth right full forward.
Speaker 1: Odd's right.
Speaker 3: So we can't see what's left?
Speaker 4: What left? What left?
Speaker 5: What weapons of man destruction to the planet. Paint the
little sell to kill us, send out children, but they
kept asking for more. Walk the lines of that ad
been painted on the ground, the blood that we bleed
sailing across the sea. So will tell me now wherever
it's the difference of you and me, different colors, different tones,
what we can see the differences of you with me,
trade troop of flags and pride that allow say, drew
de side outside.
Speaker 1: But we all came from the same place, same place.
Even nature has.
Speaker 5: Had enough of this rivalry, flood in our homes with
all his tears set and fisy erupted them. With no
more blood on the banners that we salute, no more
think they in the ways of its media. You you
no more building up walls with our freedom and chains, shackling.
Speaker 1: Our children for a future of pain.
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happens when we listen to last Watch what everyone dies.
Speaker 6: It's too much, too much, it's too real.
Speaker 5: This is what we get from those who feel their
pockets and make bloody deal. Stand up, they forward, open
both die, make the future better for what the children
not heading tools, stand up, fight for what's right.
Speaker 4: Dand up gainst the corruption of the world.
Speaker 1: It begins with you when I.
Speaker 3: And now coming out. Wruary thirteen, twenty twenty six, the
Brand News single by isolation burning.
Speaker 7: It's burning, It's how weekend. It was a fitting my
great country. There's a drys off in the hoose. It's
as building.
Speaker 8: Side up here on the streets because of both own.
Speaker 9: Society's falling out my feet. They wents burning, they can
finding shore, the guns.
Speaker 8: Burning, They cart settle the school and put his bundy
like we.
Speaker 10: Not seen before.
Speaker 8: And then it's burned so long before.
Speaker 11: They start.
Speaker 8: They went him and.
Speaker 7: Won for the first fiction in my great country, as
the crown.
Speaker 12: Was introduces the four children, broken families on the street.
Speaker 8: And he's all the signe so is his thirty.
Speaker 9: Stream of pees. Ingland's burning the child find a shore
ingods burninghim. They can't settle the school. England is burning
like we never seen before in goodness burn.
Speaker 4: Him so long before this time.
Speaker 8: The people to.
Speaker 9: Call, and the people you fall on, and the people
who swam on, and the people who so love.
Speaker 6: To feel like it's all gone, They feel.
Speaker 4: Like it's al roight.
Speaker 12: What have feel about?
Speaker 13: What ha out.
Speaker 12: In this buni?
Speaker 8: They can't find a care.
Speaker 9: Taking this boone, the car said over the store, angling
his bony, like we've never seen it. For taking this
boony so long.
Speaker 6: Before this time.
Speaker 14: If they get you on the ground, you pull the
mask down.
Speaker 15: Ten eighty pece watching.
Speaker 14: Everything's been said. We've been shot in the head.
Speaker 4: Now it's time for doing.
Speaker 16: We all know they lie on the messy, try to
hide from our glacial recognition.
Speaker 3: These are just the henchmen sitting on the benchmen waiting
for decades.
Speaker 14: When they arrive in town, pull their mask down.
Speaker 6: I'm serious.
Speaker 17: Find yourself an old punk who isn't dead or drunk.
Speaker 18: We've got experienced, but these please, we got something a bustle.
Speaker 15: You want to see a kettle light.
Speaker 13: Now do they feel I slid?
Speaker 14: All the ribs have been cracked. We've been shot in
the back. Now we drop alike in the snow. See
the try to infiltrate. But the whistles said to Wood,
why is it.
Speaker 15: Todd loved anything he does? It's because see things, see
can because Congress didn't stop me.
Speaker 14: It's got just didn't stop me. The people I.
Speaker 16: Us inside their cans lead salts, methylene, chlora, hexavalent, chromium,
cancer and birth effects, reproductive harms. In your bag, the
leater of water mixed with five to ten percent sodium
bicarbonate or sodium carbonate for rinsing the eyes. Do not rub,
Keep flushing with water, Keep flushing, keep flushing.
Speaker 17: Resist rest, resist rest, and amidst all the resting, and
during the resisting, don't forget to keep insisting we work.
Speaker 16: Together on those blueprints for a just and equitable future.
Everyone in mind. Neo Nazis get neo neuremberged when in
wear still unconfirmed, when it's coming, and when the tear
gas dissipates and the rabbit hold return to the apolitical
states that made them such easy targets for the grift.
Speaker 14: It's important that.
Speaker 16: We don't get hooked on a hopium are distracted by
deals advertising twenty percent more freedom because our rights aren't
anyone's to give or to take away. Our rights are
non negotiable, Our rights are inalienable.
Speaker 3: You won't have to do it anymore for four years.
Speaker 8: You know what, it'll be fan, It'll be fine.
Speaker 1: You won't have to vote anyone.
Speaker 19: President Trump has talked twice in recent days, once in
the Kennedy Center and then the Reuters again last night
about canceling the election.
Speaker 13: Why is he talking about this?
Speaker 20: The President was simply joking.
Speaker 3: The President was simply joking. In four years, you don't
have to vote again.
Speaker 1: Web it fix, You're not gonna have to vote. Web
it Fix.
Speaker 13: You're not gonna have though vote.
Speaker 21: This is Jesse Rutstein and Caleb Dyer.
Speaker 22: Oh oh no, okay, we can let's do that one
more time. This is Jesse Rutstein and Caleb Dire. Oh crap,
hold on, what do you want me to say? Right
after that?
Speaker 21: From Hatchet Act from and then I'll say, you're listening right?
Speaker 1: Sounds good.
Speaker 21: This is Jesse Rutstein and oh ah, this is why
I'm the Leader.
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Saw Records.
Speaker 21: You are listening to the Matt Connerton Show on w
m n H ninety five point three Manchester.
Speaker 3: Actually, what did I say? Okay, all right, all right,
let's do this again. Let's do this again.
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Saw Records.
Speaker 21: You are listening to Matt Connorton Unleashed on ninety five
to three w NA.
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Axon Saw Records. You are listening to Matt Connorton Unleashed
on ninety five point three w m n H FM.
Speaker 3: Here we go, everybody, and welcome. We have entered our
number two New Marrow trace of Matt Connorton Unleashed and
we are live from the studios of wm n H
ninety five point three FM, Inglorious and Snowy, Manchester, New Hampshire.
And of course you can stream the show from anywhere.
Go to Matt connorton dot com slash live for all
of your live streaming options, social media links, contact info,
show archives, et cetera. Et cetera. Today is Saturday, February seven,
twenty twenty six. Jenny is here, of course, at the
news table, and we have returning to the show. And
you've got to be in the five timers club right now.
Ricky Mapleton here with us. Hello, Hello, Hello, hello you.
How many times have you been on this over the years?
Speaker 1: A half dozen? I thought it was a five timer
last time, but I'm not sure.
Speaker 3: Oh you might be.
Speaker 1: I don't you have a historian on.
Speaker 3: We may have forgotten to give you.
Speaker 1: I believe you are approaching the most visited guests.
Speaker 3: Come on, really, we may have forgotten to give you
the five timers jacket. Hence the confusion.
Speaker 1: How many? How many think what I said sounded better?
How many years have you guys been doing this? Oh?
Speaker 23: Boy?
Speaker 3: That well, so that gets complicated a little bit because
now which version? Yeah, because it started there's been many
iterations of this program. It started as a podcast in
twenty eleven. In twenty seventeen. April of twenty seventeen, we
won't be April. Before long, we'll be approaching another anniversary.
Oh my god. In April of twenty seventeen, we had
the opportunity to bring the show to WMNH ninety five
point three FM, where we continue to this day. But
there's also at one point there was a television version
of the show, and there's been all kinds of different
versions of the show. But it's been a while. It's
been a while, but it's amazing. Thank you, thank you well.
It is wonderful to have you here. And we're doing
something unique this week because you are here with us,
not only for this hour, but the third hour of
the show as well, because you have this amazing new
project and we're going to we're going to listen to
it today and we're going to talk about it as
we I appreciate you having me on absolutely absolutely and
tell us what this is. Tell us this is.
Speaker 1: Called The bread Man. A bread time story. Okay, okay,
so it is a Victorian setting story about love triangle
revolving around bread. Okay, a bread time story.
Speaker 21: Did you say bread?
Speaker 1: Bread?
Speaker 3: Okay?
Speaker 1: Delicious bread? Oh, I thought so, I thought so, mm hmm.
It's uh, it's really I think it's old school meets
new school. We have some narration between each song, okay,
to set up the scene in the listener's mind. Listener's
mind okay, And that's kind of the I think the
unique fun part about listening to this as a listener
imagination as well as a little direction, which I think
we all need in life.
Speaker 3: Sure, sure, what inspired you to do this? And and
oh and clarify for us too, Uh, what do you
call this? Is it a is it a concept album?
Is it a rock opera?
Speaker 1: Yes?
Speaker 3: Okay?
Speaker 4: And and why?
Speaker 3: And why is it?
Speaker 8: And why?
Speaker 3: Bread and a love triangle?
Speaker 1: The yeast knows no boundaries. I'm just making that up.
It stemmed from an idea during a musical jam session
with some friends. In this concept, I just started playing
the riff. Like a lot of people that do music
and are creative, you get an idea, yes, and you
got to write it down. You gotta grab it, you
gotta put it somewhere. It vanishes, This idea of the
original riff of the bread Man fifteen years ago, really
at my friend's house who I work with. Doctor H
is his name. I think you've mentioned doctor H. Doctor H.
Fantastic Type A personality to the extreme, oh, meaning Type
A is a person that is very structured, uniformed, and
when they get going on something, that's all. That's happening
and you just get you just absorb into it. Yeah, yeah,
I'm what's the other what are the other? Type? So
I know this type A because the band this I'm
not to band this project it's called the bread Man
a bread time story band being type A. Okay, okay,
So Ricky Mapleton, of course myself is the I originated it.
I don't want to grab the whole thing, sure, but
the original concept of bread the bread Man coming coming
for you. Oh, A lot of different layers in all seriousness,
getting away from the money python esque of this, Yes,
but there's a lot of layers in this music. Be
careful what you wish for. Love may not conquer all.
There's just a lot of things that I think people
will get out of this if you give it a
just give it. I know it's hard to grab some time.
But if I think if you, if you listen to this,
I think you'll hopefully be moved a little bit and
get you thinking about life in retrospective while we getting
heavy and there is there also a lot of money
python to this good okay. So on the other swing
of this, Monty Python, Victorian e there she's a witch burner, Okay,
I don't you know, the money, the holy Grail sort
of goofiness abstract.
Speaker 3: Okay.
Speaker 1: Also, well, that's I don't know if I explained it correctly.
Speaker 3: Well, that's uh. But uh, we're going to, of course
play the whole thing today. Uh so we're we're we're
offering the whole loaf. You might say I did that, Yes.
Speaker 1: Yes, yes, And there are some of those sort of
ideas and jokes during this perform I believe, oh, good, good,
don't loaf around all sorts of stuff a little in
the windo. I'm not in tod those little shots about
talking about bread, okay, because bread is the staff of life. Okay,
Gluten analogies are not gluten analogies. Bread is been around
for a long time.
Speaker 3: I believe the gluten is.
Speaker 13: Uh.
Speaker 1: There is a song called well I don't want to
give away No, no, no no, but it does it
does veer into the world of gluten, red yeast flower,
but it also revolves around l O V E. Love.
Speaker 3: I don't even know what gluten is. I just like
saying the.
Speaker 1: Word gluten basically is flower. Okay, so something made of flower,
Oh it's gluten. It's it's so people that have gluten allergies. Yeah,
that's a big catchphrase nowadays. Yes, okay, which I understand.
But we could talk about gluten analogies for a long time. Yes,
I think we might talk about it. As we start
to start our rock opera excursion, I want to thank
all the musicians before we get started on this. I
maybe upset a few people along the way. Oh my,
I upset myself. A lot of tension happened throughout the.
Speaker 3: Years with this.
Speaker 1: Really, yeah, there was a whole beautiful stuff with the
mockumentary we're making. Okay, So in the world and in
my world, I want to thank all the musicians though
are on this. You guys are awesome, and the listeners
that are listening to you guys, and you Matt Favon.
Of course, I really hope you guys really like this.
Just take five seconds, just sit here for five minutes.
Take out some bread. Listeners, sit down for your favorite bread.
Let's just listen, listen, get your imagination cap on.
Speaker 3: Well, very good. So we'll open with the prologue. Yes,
baking bread.
Speaker 1: Now, the prologue, there is about thirty seconds of somebody
making bread sounds going into it. Okay, before it breaks
into the music. So yeah, so I'm just gonna leave
it at that. Did I like that or not? I
think it's a it's a whole journey.
Speaker 3: Let's go, Yes, let's go.
Speaker 1: Let's go break out some bread and get some jam.
And let's go.
Speaker 3: Let's make some bread.
Speaker 13: All right, here we go, Welcome to the show.
Speaker 10: Before we get started, sit back, relax, Grab some of
your favorite bread. Maybe put some butter, peanut, butter, jelly,
it doesn't matter. Pick your favorite topping, put it on
your bread, and get ready for a journey back in time.
This story, though timeless, takes place about five hundred years ago.
It's a love story, a tragedy of a young.
Speaker 12: Baker, the bread man who dreams.
Speaker 19: About living in the castle up on the hill, and
a beautiful young princess who lives in that castle and
dreams about being with the baker boy.
Speaker 12: This is their story.
Speaker 3: So there were there. We have the prologue.
Speaker 1: Yes, uh, and we're uh.
Speaker 3: By the way, I learned something there. I didn't even
know they had bread five hundred years ago. One was
bread invented. It's older than our country. I just assumed
it was invented.
Speaker 1: It was around during uh uh.
Speaker 3: Even before that. Wow, that's amazing. So we've always had bread.
Speaker 1: We've always had that yeast of flower. It's been around
a long time.
Speaker 3: Wow, that's amazing. That's amazing. Uh. Should we go right
to Uh so this next part? Uh, someday I'm going
to live in the castle.
Speaker 1: Yes, yes, all right, here we go.
Speaker 4: Standing not knowing, no more.
Speaker 8: To work.
Speaker 11: Okay, father, you'll never mean nothing gonna make a boy,
but make a boy?
Speaker 6: What what do you mean you think you're gonna marry
the princess?
Speaker 12: Well, you're never gonna live in a castle.
Speaker 3: On up, No, father, get back to work.
Speaker 4: Don't hit me.
Speaker 18: Father, back to work, go to mine, No, not the back.
Some dam gonna live in a castle. Some damn gonna
live on him. Someday I'm gonna live in that castle.
Speaker 4: Some day about him. No more making print for my father,
No more bacon the bridge.
Speaker 15: Some damn gonna some damn gonna some damn.
Speaker 8: Gonna live.
Speaker 12: Gorge.
Speaker 6: Never gonna live in that castle.
Speaker 8: Down to.
Speaker 2: That.
Speaker 14: I again, what do you think you're gonna matter the princess?
Speaker 18: No more bign no than bread, gonna lit landerstea.
Speaker 6: Stall, Gonna live in the castle. Still gone live on hill.
Speaker 18: Fall, gonna live a castle, some of them gone live on.
Speaker 6: Uh.
Speaker 3: So our hero, he's, uh, he's got a lot going
on there. He doesn't clearly he wants nothing to do
with the family business, and his father is uh kind
of a jerk. Wow, But he wants to live in
the castle. Why does he want to Why does he
want to live in the castle?
Speaker 1: I just he sees the castle from the bakery. Yes,
in the bakery, he's looking out the window and he
sees the castle up on the hill.
Speaker 3: Yeah.
Speaker 1: And he's just like a lot of us when we're younger,
even when we get older, we're dreaming about something else. Yes,
So he sees his life now, it's not very good.
He's making bread for his mean father who hits him
over the head with a.
Speaker 3: Bag at Oh my god, Okay, that's just rude.
Speaker 1: Yeah. So he's has he's having a rough, rough childhood. Yeah, okay,
and that's kind of he's having those dreams of some day.
So that was that. That gentleman's name was Ryan Fitzpatrick.
Speaker 3: Oh okay.
Speaker 1: She does a lot of the singing on this.
Speaker 3: Oh okay, wonderful, wonderful, all right. So next we have
let's say, feeling low down?
Speaker 1: Is this track number three? Yes, feeling low down? Feeling
low down?
Speaker 3: All right, let's continue our story.
Speaker 1: Let's continue eating some nice bread here.
Speaker 19: The young baker spends his childhood dreaming about living in
the castle. At age ten, something magical happens. The princess
starts visiting the bakery. She's in charge of picking up
the weekly bread for the castle and making sure that
it gets delivered safely. She becomes quite smitten with the
baker boy. They begin to sneak off to spend time together.
The young Baker's father eventually decides to open a new
bakery and a far off land, and he leaves the
bakery to the young baker, who is now.
Speaker 12: Officially the bread Man.
Speaker 19: The princess is excited about being able to visit without
the old man around. However, the King decides that he
doesn't like her spending so much time away from the castle,
and he only allows her to visit town once a month.
It's been a month since she last visited the bread man.
Speaker 20: Oh oh, comment down the mountain's comment down the mountains
were in the float, all round the mountain, all around
the mountain.
Speaker 4: That she's gone.
Speaker 6: And I'm feeling load down so helloa, but a load sooad.
Speaker 19: As the month wanes, the bread Man struggles with his
infatuation with the princess and his goal to someday live
in the castle. Will he find a way to marry
the princess? Will he be adored by the villagers? Will
he someday be the king?
Speaker 3: Interesting to me that, you know, I thought in the
beginning that he didn't want anything to do with the
family business. But it's not that he just wanted to
get away from his dad. He clearly he still wants
to make bread.
Speaker 1: I don't know. I'm not sure.
Speaker 3: War I mean, that's that's what it seems like.
Speaker 1: I don't think he likes his father because he's abusing him.
And I don't think he likes making bread. Pull up,
and I don't think he likes making bread. Yeah, and
I don't think. But he is the bread man. I mean,
that's his whole identity, isn't No, that's sort of the
identity that we're giving him. Oh Okay, I don't think
he walks around with I am the bread man. I
love my bread, bread, my bakery. Yeah, okay, he's kind
of born into that life. Okay, he's fighting, Yes, but
he now is in love with the princess?
Speaker 13: Well is he?
Speaker 3: Is he in love with or infatuated? Whether at this point?
Speaker 1: Well, I don't want to give stuff away, okay, but
right now, as far as the listener is concerned, yes,
he is infatuated.
Speaker 3: Okay, And.
Speaker 1: As the dough rises, if you would, ah, there we
got so let's try it. Okay, you're you're the first one, right?
What did you say earlier? The wow, the bread, the roll?
I don't remember, so we always want to throw in
bread reference? Yes, yes, so let's roll along. Well played, sir, yep,
I get one a day like all right? Track three, track.
Speaker 3: Four, Track four four. Awkward situation.
Speaker 1: Okay, now the door rises, we go, all right, let's
make some toast.
Speaker 19: Finally, the princess arrives at the bakery after a month
long hiatus. They're both excited to be together at long last.
The bread man locks the door and the young lover's
head to the back room, not realizing that the baker's
bother had given.
Speaker 12: A key to the egg lady.
Speaker 3: The egg lady.
Speaker 19: Arrives shortly after their rendezvous, only to find the bakery
locked up. She uses her key unlock the door and
goes inside to drop off the eggs. She hears a
strange noise in the back of the bakery and decides
to investigate. She cracks open the back door, and much
to her surprise, she realizes what's happening.
Speaker 13: It was a very season.
Speaker 24: Suckless the Jewish jush hockless juas situation Jewish you cuas
lockless juishuph.
Speaker 12: A tuation.
Speaker 24: Snock listen Julish listen Julie sho u as me.
Speaker 25: Well lash Jewish jewish less the sitewe talk with sitewation.
I am the situation buck with situation awkward, situation talk
with situish awkward sit Jewish.
Speaker 8: Jewish, my my, you.
Speaker 3: Know, I feel like, uh that part of the story too.
There's a cautionary tale there, because obviously you always want
to know who has keys to your stuff, especially if
someone might be delivering eggs.
Speaker 1: Absolutely, yes, yes, aware of the egg lady, that's right, yeah, yeah, yeah, yes,
beware of the egg lady, Yes, the egg lady.
Speaker 3: And that song to me, it's got kind of a
rolling Stones vibe.
Speaker 1: Which I thank you, thank you. Yeah, yeah, I like
the I like the quicker more fast stuff the slower
stuff on here, big fan, yeah, big fan, big fan,
But you know I do, I do. But you notice
a lot of different, lot of layers. Oh yes, way
out of my wheelhouse. But again thank you to all
those musicians that it's stuff on it. Absolutely, let's let's go.
So next we have flowers of flying rocking in the bread. Okay,
so what happens now is the egg lady has walked in.
Uh huh and they are let's say, making yeast you would,
all right, dev sure the lady walks in awkward situation. Yes,
and this is what the egg lady has to say
about it.
Speaker 3: Oh my goodness, all right, let's find.
Speaker 4: Out walked in all this cannot be it's the princess,
the freak.
Speaker 8: Can't be.
Speaker 11: See you cannot have to pay me the truth of
you with the weak up going princess. And I was
fighting now fast to the prince spire. How the surpier.
Speaker 4: Fou was fighting all about fuss fighting there con couco,
I think.
Speaker 8: Your secret.
Speaker 4: I was fining you we going, I was buying.
Speaker 6: Can't this funing.
Speaker 4: Now?
Speaker 14: Is balan?
Speaker 4: How will fan? It's not of gold?
Speaker 8: Ay? A good time as sea?
Speaker 6: The up a can of good times.
Speaker 4: Flower fly is a flying the flower is a flying.
Speaker 1: Whoa whoa, whoa, whoa, whoa, whoa, whoa whoa.
Speaker 3: So I think the egg Lady frankly should mind her
own business.
Speaker 1: But that's what Well, if you picked up on the lyrics,
she said, you are going to pay me, and I'm
not gonna. I will not tell what's happening. Right, So
now the egg Lady is now bribing the Baker and
the princess. Take every time that we see, you're gonna
pay up or I'm going to tell the king? What's
the story?
Speaker 4: Right?
Speaker 21: Right?
Speaker 3: Oh, hence the I love triangle.
Speaker 1: Well, I don't think the egg Lady is really interested
in oh no, the baker boy. But she's she's as
a subplot and a sub character. Oh okay, she's bribing, Yes,
yes she is. She just doesn't know what she's walking into.
Maybe maybe should we continue? Oh?
Speaker 3: I think so? I like so, oh the next the
next song in our story here we should tell people too.
If you're just joining us, we have Ricky Mapleton here
and the uh this did we establish what this is?
Is it a rock opera?
Speaker 1: Yeah? Yeah, I think yeah, I like rock opera yeah,
I like I think that was the original concept. It's
kind of into more of a we want to do
a play, yes, yes, Broadway play. So if a nobody
wants to finance our Broadway play, I already have it
envisioned in my mind. Really, oh my, come it to
be beautiful. Perhaps you could get a national bakery chain
to uh sponsor you. Yes, absolutely, yes, let's go. Let's
go Broadway. But for now, Yeah, that's the old yeah
rock opera. Yeah, getting back, getting back to the original question,
rock opera. I know that's pretty big shoulders that I'm saying.
But Quadrophenia Tommy twenty one twelve, Yes, hemispheres. I don't
know if everybody knows the those kind of my dating
myself on those, but yeah, wrong, yeah, yeah, a play. Yeah,
And the title is The bread Man a bread Time Story.
Speaker 3: The bread Man a bread Time Story. Well, let's uh,
we'll go to the next part of our story here,
and this one is called I Am the egg Lady. Okay,
all right, here we go, two, three, four, sick.
Speaker 8: No sick, stays with me allio sheep cropping.
Speaker 4: That was not that.
Speaker 6: The bucksack.
Speaker 3: I feel at this one. In the story of the
egg Lady is really the antagonist?
Speaker 1: Absolutely, yeah, I think so.
Speaker 3: I expected it to be the king well for his father.
Speaker 1: I think we all have some egg Ladies in everyone's life.
Speaker 3: Sure, sure, oh yeah, yeah yeah.
Speaker 1: What's your thoughts? Are you connected with the story?
Speaker 3: I am, I'm very I'm very connected. I'm invested. I'm
uh you know, I'm a little uh bummed. I mean,
I'm gonna be a little next time, you know, I'm
eating and you know, scrambled eggs or something, because I'm
gonna be thinking about the egg Lady and and she's
just she's just mean.
Speaker 1: Yeah, you know. How's that for a response?
Speaker 3: Yes, you are correct, Matt Connerton, because I'm looking at
the title of the next part of the story and
I realize exactly what's happening next, and I think it's wrong.
What what a Well, it's titled A Little White Envelope.
Speaker 1: Okay, okay, so Little White Envelope not This is one
of the songs that was done before the actual project
took place. Is taken from another project. Oh interesting, We
did it on a few songs here. We had some
material that we fit in that went along with the
tracks that we were working on.
Speaker 3: Okay.
Speaker 1: And this one is a very dear friend of mine.
I'm gonna say his name, Chris Higgins. Okay, Chris Higgins,
who who I may have upset? I I've known Chris
Higgins since high school, probably one of the best drummers
in the area. Lifelong friends, yep. And I don't want
to get into this big thing what happened.
Speaker 3: But I interviewed Chris Sigans a long time. I forget
what band was in a Rocket Waltz.
Speaker 1: I believe he was in that.
Speaker 3: That was not the band he was in when I
interviewed Lynn band.
Speaker 1: No, So, Chris, if you're listening to this again, I apologize.
He's he's he's on two tracks.
Speaker 3: Okay.
Speaker 1: He did a ton of work on it, and a
lot of the material his drummings didn't make it on it.
Oh okay, okay, but he's on two tracks. And Chris,
you're the best man. I love you.
Speaker 13: I love you?
Speaker 1: Yeah, okay. And this is this is a nice updeat song. Quick.
It's all about that little envelope that we all have
up on the shelves lives.
Speaker 21: All right.
Speaker 19: This is a little white envelope, the princess and the
bread man discuss payments with the egg lady. They make
their first payment and center off. The princess heads home
to the castle. As soon as she arrives back at
the castle, she gets the bad news that she is
being forced to marry the Prince of yeast Land. This
arranged marriage between our beloved Princess of Wheatland to the
Prince of Yeastland will solidify the King's plans to form
a super bread conglomerate. The princess, needless to say, is distraught.
She eventually decides to write a letter to her bread
man to break the bad news that she will no
longer be able to spend time with him. She doesn't
have the heart to send the letter, so it sits
and awaits delivery. Inside its little white envelope.
Speaker 6: Us there to get users.
Speaker 20: Get every weeks yesterday.
Speaker 4: Down. M.
Speaker 3: Now, that's interesting because I thought the little white envelope
was going to refer to the envelope of money of
payments made to the awful egg lady.
Speaker 1: But it turns out no, yes, correct, you are corrector
I am correct about what everything?
Speaker 3: Okay? Thank you?
Speaker 1: No, I never really thought of it about the envelope
with the money that's what I assumed. This This is
the letter sent by the princess saying, oh, low lover
of mine, I have to I'm being forced to marry
the Prince of yeast Land because his father, the princess's father,
all about the business, our business to yeast business. And
I love the term international red conglomerate. Yes, yes, I
love that term. Yes, that's fun.
Speaker 3: You would think anti trust laws would prevent that. You know,
these mergers.
Speaker 1: I don't know the monopoly trust laws during Victorian time,
but it was it was a different time. I think
if you were the king, you could do what you wanted.
Speaker 3: That's true.
Speaker 1: That's probably we're gonna do a quick python. What made
you king? I can recite that whole thing. Really h
Strange women distributing soul. This is no basis for gomvenance.
It comes from a mandate from the masses. If I
never mind, see that's that's from the Holy graund. Yes. Yes,
if I went around saying I was king because some
moist and bean gave me a sword, they'd put me away.
Strange women there ever, being sold, there's no basis for government.
Speaker 3: It's not wrong.
Speaker 1: So it's that was kind of my that's kind of
my headspace with this. I was made mighty pothon. And
then the musicians came in this. They're like, let's go serious, okay,
And I said, okay, And I hope everybody's enjoying this.
Speaker 3: I hope, so, I hope.
Speaker 1: So it's good. Seeing your two reactions makes me super happy.
Speaker 3: Yeah.
Speaker 1: Yeah, I see that you guys are laughing and enjoying.
Speaker 3: I like it very much. I like it very much.
Let's see. So the next part of our story is
called how could she Marry Him?
Speaker 1: Okay, so the marriage is going to take place now
between the princess and the prince, and they're having this
big Like everybody else who may be going to the
altar or maybe get into a relationship, here's that moment
rarely what So okay, there we go. All right, let's
go all right.
Speaker 23: Here it is.
Speaker 19: Finally, once the wedding date has been set, the princess
has a little white envelope delivered to the bread man
on the day of their next plant rendezvous, much to
the bread Man's chagrin. Instead of the princess at his door,
he finds a delivery boy who hands him a letter, how.
Speaker 15: Good she married how good she married? How good she married?
Speaker 8: Now good? Sit bee.
Speaker 6: Loo good?
Speaker 15: Shit be so bad?
Speaker 12: Today is the day of the big wedding Princess.
Speaker 19: Here she is at the wedding, at the altar, getting
ready to marry the prince from Yeastland.
Speaker 12: She just can't believe that it's happening. She missed the
bread man.
Speaker 26: How can I marry him?
Speaker 4: How can I marry?
Speaker 15: How can I marry him?
Speaker 14: What can be so?
Speaker 4: What can it be?
Speaker 19: So?
Speaker 9: Bread?
Speaker 12: The bread man arrives at the wedding. He's made the
wedding cake.
Speaker 19: He's so sad, but he has to deliver the cake
otherwise people might get suspicious.
Speaker 27: And here he is.
Speaker 12: Delivering the cake, looks over at the princess.
Speaker 15: How good she married? How could she marry? How good
she married? How good she be?
Speaker 19: So?
Speaker 6: How good?
Speaker 15: Should be so bad?
Speaker 14: How can I be so.
Speaker 15: A canny?
Speaker 3: Hmm? That is sad? How could she marry him? From
the bread Man? A bread time story, And Ricky Mapleton
is here with us.
Speaker 1: Thank you well.
Speaker 3: We are approaching for our live listeners the top of
the hour, so we do need to take a break
and show some love to our amazing sponsors. But if
you are listening live on Saturday. Coming up in the
third hour, we're going to continue listening and talking about
The bread Man, a bread Time Story, the new rock
opera from Ricky Mapleton, and many others. So you mentioned
many other contributed to this.
Speaker 1: Is that Is that the good volume right there for you?
Right there? Yeah? Yeah, okay, okay, yeah again, I just
want to reiterate that's my big word of the day. Yes, again,
thank you everybody that took part in it. It's probably
twenty different musicians.
Speaker 3: Oh no.
Speaker 1: Finally, the core base was myself, doctor h and and
Fitzpatrick with the three that started this, but there's probably
I would say twenty oh twenty thirty musicians on this.
And again, thank you guys for doing it. Oh absolutely,
I want to take the musicians for doing it. Yeah.
Just I'm hearing it here on different headphones, yeah, different thing,
and I haven't listened to it in probably a week.
Yeah you know, yeah, I've heard it thousands of times. Yeah,
you know, preparing this, but just tearing it fresh on this.
It just and watching you guys react and I hope
everybody's really yeah, getting something out of it. On the
Snowy on the snowy Saturday.
Speaker 3: I sure hope, so, I sure hope. So all right
for our live listeners, stick around. Coming to an hour
number three, we will continue with our story. Don't go anywhere.
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