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<v Speaker 1>Tape Deck Media.

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<v Speaker 2>Hello, and welcome to see you at the Potty Richter.

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<v Speaker 2>My name is Chris Chapman. And with me, as always

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<v Speaker 2>is my co host Aaron Frescus. Hello, and with me

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<v Speaker 2>as occasionally is a guest co host Eric A. Shasky. Hello,

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<v Speaker 2>and today we are going to continue talking about the

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<v Speaker 2>production of Arnold's nineteen seventy six Southern vehicle Stay Hungry.

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<v Speaker 3>What's a Southern vehicle?

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<v Speaker 2>Is that like a like the General Lee, I think

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<v Speaker 2>essentially nineteen seventy six generally.

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<v Speaker 3>I was trying to think of another Southern vehicle. It

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<v Speaker 3>just like a Beverly Hillbilly's like a fucking jalopie.

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<v Speaker 4>No, like I mean you say southern. The first thing

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<v Speaker 4>that comes to mind is like gone with the wind.

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<v Speaker 3>So a horse. He's talking about a Southern.

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<v Speaker 4>Vehicle covered wagon covered Yeah, okay.

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<v Speaker 2>That's orgon trail work trails.

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<v Speaker 3>North, isn't it? Or did they starting?

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<v Speaker 2>I don't remember where they started, actually, I don't know.

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<v Speaker 4>That's like it was like a little house on the prairie.

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<v Speaker 2>The little house on the prairie take place the prairie, dumbass.

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<v Speaker 4>I think they move around.

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<v Speaker 3>Yeah. Also, Joe's still said the.

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<v Speaker 2>Last episode, and we're just continuing.

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<v Speaker 3>He's still where he is. He'll be back, he'll be

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<v Speaker 3>back for the summary.

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<v Speaker 2>He's definitely alive.

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<v Speaker 3>Yeah, definitely closed.

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<v Speaker 4>The picture with today's.

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<v Speaker 3>Exactly doesn't sound like sketchy. He is totally alive.

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<v Speaker 2>So today we're gonna sure anyway, Today we're going to

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<v Speaker 2>finish up the production info with some of the shooting details,

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<v Speaker 2>how this movie and its reception affected the various careers

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<v Speaker 2>of everyone who worked on it, and uh, and then

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<v Speaker 2>we'll get to like the marketing and some of the

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<v Speaker 2>promotional videos. And for that we go to Aaron.

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<v Speaker 3>Okay, so first off, before we get into stuff, I

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<v Speaker 3>just wanted to quickly mention that I know this episode

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<v Speaker 3>was supposed to be released a few days after our

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<v Speaker 3>last one. Uh. Sorry, Hey, you want to give me

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<v Speaker 3>money to release these weekly, I will be more than

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<v Speaker 3>happy to do that. But otherwise, the four people that

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<v Speaker 3>listen to this, I'm very sorry that we didn't release this.

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<v Speaker 2>But if you send us upwards of eight dollars, we'll

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<v Speaker 2>get the shit out on time.

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<v Speaker 3>That's all it would take is eight dollars. That's that's

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<v Speaker 3>what four people, That's exactly it's too come. Yeah, yeah,

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<v Speaker 3>that's I'd probably even do it for five bucks. I'll

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<v Speaker 3>give you five bucks if you release this tomorrow last night,

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<v Speaker 3>if you can pull together five Also, I kind of

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<v Speaker 3>just thought of a pretty not good joke of how

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<v Speaker 3>we should have introduced Derek. She's here to make sure

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<v Speaker 3>there aren't any fowls on the field. I don't know.

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<v Speaker 3>She's here to make sure I'm fucking anything up because

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<v Speaker 3>I didn't completely read the Sally Field book, right, Yeah,

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<v Speaker 3>no fowls on the field.

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<v Speaker 2>Jesus crazy.

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<v Speaker 3>Wow, it was good. That's why you know, you got

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<v Speaker 3>to workshop stuff that.

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<v Speaker 4>Took way too long for me to even understand.

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<v Speaker 3>I mean that was the first attempt. Okay, So moving

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<v Speaker 3>on to the actual production, and just a heads up

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<v Speaker 3>that there wasn't a whole lot I could find about

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<v Speaker 3>the actual filming of the movie.

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<v Speaker 2>Yeah I could imagine. Yeah, this is not this is

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<v Speaker 2>not a well remembered movie.

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<v Speaker 3>Yes, exactly.

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<v Speaker 4>So.

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<v Speaker 3>Filming began April twenty eighth, nineteen seventy five in Birmingham, Alabama,

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<v Speaker 3>with Arnold stating in his book that production lasted three months,

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<v Speaker 3>but then Sally Field saying in hers that she was

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<v Speaker 3>there for seven weeks, so filming lasted anywhere between seven

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<v Speaker 3>and twelve weeks, Like maybe she left after she was done,

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<v Speaker 3>I guess, or just you know. I don't know.

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<v Speaker 4>I would say that seems really quick for a movie.

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<v Speaker 5>But.

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<v Speaker 2>That's almost two months, not quite two months.

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<v Speaker 3>I have no idea sure.

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<v Speaker 2>Enough for a movie like this. I feel like seven

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<v Speaker 2>weeks like that doesn't have a ton of specials or

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<v Speaker 2>anything like that.

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<v Speaker 1>Yeah.

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<v Speaker 3>Yeah, The only other notes I have about production were

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<v Speaker 3>something I have later, and then Arnold talking about how

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<v Speaker 3>he loved his time in Alabama and because Charles Gaines

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<v Speaker 3>was from there, that they were invited to a bunch

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<v Speaker 3>of parties. He also praised Sally Field, saying that she

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<v Speaker 3>was a kick ass like it doesn't meet paraphrase, but

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<v Speaker 3>she was a kick ass actress and fun to be

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<v Speaker 3>around and quote all bubbly and full of energy, and

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<v Speaker 3>that Jeff Bridges was quote very low key, a little

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<v Speaker 3>bit of a hippie into playing his guitar, and a

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<v Speaker 3>comfortable person hanging out with and very very patient.

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<v Speaker 2>That's that's good.

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<v Speaker 3>He also said that he was super grateful to them

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<v Speaker 3>for help him learn learn the ropes of acting and

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<v Speaker 3>that Bob Rafelson was so happy with his performance that

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<v Speaker 3>he eventually stopped checking his weight.

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<v Speaker 2>Jesus.

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<v Speaker 3>The one thing I want to mention real quick that

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<v Speaker 3>we'll cover whenever we decided to redo the Pumping Iron

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<v Speaker 3>episode is that he was like during filming, he was

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<v Speaker 3>visited by George Butler, who finally had the funding for

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<v Speaker 3>Pumping Iron. Yeah. Unfortunately this ends up being a problem

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<v Speaker 3>due to Arnold having both retired and cut weight for

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<v Speaker 3>the Stay Hungry role. But we'll get into that in

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<v Speaker 3>a different episode. Just wanted to mention here as well.

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<v Speaker 4>Oh, at this point, but he's retired.

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<v Speaker 3>This was seventy six, Like that's going to help me,

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<v Speaker 3>I don't. I don't know if he's he was forty,

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<v Speaker 3>he was forty interminator.

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<v Speaker 2>Forty interminator and that was eighty eighty four.

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<v Speaker 3>Eighty four already, yeah, eighty four, so he.

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<v Speaker 2>Was basically early thirties.

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<v Speaker 3>Okay, So before we wrap up filming, apparently one of

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<v Speaker 3>the last things, the last things I have was that

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<v Speaker 3>during a break from filming, Bob Rayfilson took Sally Field,

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<v Speaker 3>Jeff Bridges, and Arnold Schwarzenegger to see Jaws and then

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<v Speaker 3>afterwards told them that quote, this is the death of

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<v Speaker 3>the movie you're in right now, which has a plot.

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<v Speaker 3>I have so much fucking problem, like so many problems

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<v Speaker 3>with this, Like this is mentioned, yes, yes, but this

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<v Speaker 3>is mentioned in multiple Like Robert England, who's in the movie,

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<v Speaker 3>he's uh, just a supporting character in the movie. He

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<v Speaker 3>works at the gym, right, yeah, yep. I read a

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<v Speaker 3>couple of interviews with them. One of them is they're

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<v Speaker 3>both really good because he's been in the industry so long,

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<v Speaker 3>and he's like as like on you know, yeah, yeah,

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<v Speaker 3>but like he's got he's got a ton of stories. Yeah.

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<v Speaker 3>But he's talking about the seventies and being in the

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<v Speaker 3>movie and then like the whole seventies culture and the

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<v Speaker 3>like that, the way that just what we were talking

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<v Speaker 3>about earlier, like the movies which he called. Uh, He's like,

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<v Speaker 3>I consider myself very privileged to have participated, in my

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<v Speaker 3>own little way in that magical moment of American cinema,

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<v Speaker 3>the Great Golden Renaissance. And I get, like I said before,

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<v Speaker 3>I get why people like they refer to that because

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<v Speaker 3>they're coming out of the sixties and all that shit.

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<v Speaker 3>But sure, sure, I also am very plot driven. Apparently like,

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<v Speaker 3>I like this story. But the interviewer asks, in your mind,

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<v Speaker 3>what brought about the end of this magical moment? He says,

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<v Speaker 3>and it's been said by more than him, but a

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<v Speaker 3>combination of things. The success of Jaws created the summer

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<v Speaker 3>blockbuster phenomenon. Everybody wants a blockbuster, and then Dennis Hopper

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<v Speaker 3>made a movie that fucking bomb universe will put a

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<v Speaker 3>ton of movie into it, or not sorry, a ton

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<v Speaker 3>of money into But he said it hurt the credibility

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<v Speaker 3>of odd tours and there was a bunch of factors.

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<v Speaker 3>But it's so fucking weird. And I was talking Eric

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<v Speaker 3>about this the other night. In a lot of like

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<v Speaker 3>the Bob Rayflelson interview interviews, is them pointing out that

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<v Speaker 3>the blockbuster, mainly Jaws, that it created the summer blockbuster,

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<v Speaker 3>and they credit it with ruining the like the end

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<v Speaker 3>of this era. Got it, like the studio stopping these

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<v Speaker 3>movies after that summer blockbuster. Everyone wanted those. The problem

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<v Speaker 3>with it that I have is they're complaining about it,

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<v Speaker 3>but like, that movie's actually fucking good.

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<v Speaker 2>What jazz yesh? Yeah, Like I would.

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<v Speaker 3>Be okay with them complaining about it if it was

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<v Speaker 3>star Wars because Star Wars sucks, like it's fine, but

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<v Speaker 3>it's a fucking kids movie.

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<v Speaker 2>Yeah it is.

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<v Speaker 3>I get that complain with Star Wars, Natal Derek, I

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<v Speaker 3>get that complain with like, uh, Marvel movies. Yeah, but

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<v Speaker 3>that was fucking Jazz. Like, I don't know, it just

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<v Speaker 3>got very defensive to that.

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<v Speaker 2>I take issue with the idea that it somehow ended

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<v Speaker 2>the odd tour movement.

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<v Speaker 6>Yeah.

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<v Speaker 2>And on top of that, to blame Jaws for the

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<v Speaker 2>industry changing is fucking stupid because who's making the decisions

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<v Speaker 2>about what movies get made the studio executives. Yeah, the

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<v Speaker 2>reason they're chasing the blockbuster is because they want to

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<v Speaker 2>make more money. It was never about the art for them.

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<v Speaker 2>It's just the studio executives were always money grubbing pieces

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<v Speaker 2>of shit.

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<v Speaker 3>Yeah, exactly.

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<v Speaker 2>Like to come out of Jaws and be like, well,

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<v Speaker 2>this movie is gonna ruin cinema. Fuck you. I hate

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<v Speaker 2>any time anybody says shit like that. No, fuck you.

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<v Speaker 2>The thing that's bringing down the system and the art

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<v Speaker 2>form is fucking the studio executives. It always has been,

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<v Speaker 2>it always will be.

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<v Speaker 3>Yes, And that was only mentioned that wasn't mentioned in

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<v Speaker 3>Arns thing and Tellyfield didnt mention that either.

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<v Speaker 2>So yeah, I mean, obviously that's what Schwarzenegger would go

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<v Speaker 2>on to do, is just make blockbusters, and like not

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<v Speaker 2>even blockbusters of the caliber of Jaws.

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<v Speaker 3>Yeah, so he said, oh you think.

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<v Speaker 2>He came out of that like, oh damn, you're right.

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<v Speaker 2>I should fucking I should ride this gravy train.

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<v Speaker 3>Okay, So anyways, kipping forward, I have one quick post

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<v Speaker 3>production note with Bob Rafelson saying in twenty nineteen in

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<v Speaker 3>an interview with Aspen Times dot Com that he did

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<v Speaker 3>a locals only screening in Aspen after he finished the

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<v Speaker 3>first edit of the film, which he also edited. I

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<v Speaker 3>didn't ask me. I think I'm pretty sure that he

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<v Speaker 3>lived there, but yeah, so he was. He wasn't really

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<v Speaker 3>able to get proper feedback after the screening due to

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<v Speaker 3>someone passing out Ella's d to the audience, which was

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<v Speaker 3>a great, you know, a little story. So yeah, so

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<v Speaker 3>stay Hungry received James Cameron. Yeah, that's what I was

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<v Speaker 3>thinking about. James Cameron, the same guy, the same guy.

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<v Speaker 3>He's like, I got raffleson, Like, he's like it's like

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<v Speaker 3>waiting for his next opportunity. It wasn't until the Titanic.

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<v Speaker 3>I was like, wait, what about this time if I

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<v Speaker 3>get the crew exactly? So yeah, So Stay Hungry received

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<v Speaker 3>a limited release on April twenty third, nineteen seventy six.

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<v Speaker 3>It was also listed as being released on April twenty

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<v Speaker 3>fifth in New York City and then May twelfth in

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<v Speaker 3>LA And I have no idea how much it made

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<v Speaker 3>its opening weekend because even the paper where I found

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<v Speaker 3>the box office stuff for the villain hadn't started tracking

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<v Speaker 3>box office numbers yet or like stats or whatever.

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<v Speaker 2>Yeah.

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<v Speaker 3>Yeah, I mean I searched way too long. That's waste

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<v Speaker 3>way too much time with the research. Like part of

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<v Speaker 3>the reason I'll get this done is like I had

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<v Speaker 3>to stop myself from because I kept finding more articles.

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<v Speaker 3>I'm like, okay, well I gotta read this article now anyway,

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<v Speaker 3>So I like search way too long through newspaper archives,

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<v Speaker 3>which was interesting because they were like, it's cool, it's

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<v Speaker 3>like going back in time. But I didn't find anything.

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<v Speaker 3>It was probably like the old. Like I said before,

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<v Speaker 3>the only place I it's definitely is the variety archives.

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<v Speaker 3>But that's like six hundred bucks a year to access.

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<v Speaker 2>So Jesus christy, but this.

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<v Speaker 3>Podcast will be thriving If I got that.

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<v Speaker 2>Yeah, I'm sure that's what's holding this. Yeah, yeah, baby.

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<v Speaker 3>Anyway, so Stay Hungry, Stay Hungry grossed between fourteen point

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<v Speaker 3>six million and twenty four point eight million, which was

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<v Speaker 3>the twenty four was listed on Wikipedia, but it didn't

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<v Speaker 3>have a source. But I also found that twenty four

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<v Speaker 3>million number on moviefone dot com. So we're gonna go

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<v Speaker 3>with that, because if you can't trust mister moviefone, like,

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<v Speaker 3>who are you gonna trust?

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<v Speaker 2>Like, yeah, that's true.

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<v Speaker 3>Yeah, I probably trusted mister moviefione more than my own

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<v Speaker 3>parents when I was a kid. At least he picked

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<v Speaker 3>up the phone when I would call.

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<v Speaker 2>You know, he never lied to you about when the

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<v Speaker 2>movies were.

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<v Speaker 3>Nope, that's not the movie. That's not a theater anymore.

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<v Speaker 3>Oh yeah, that's not what mister movie phone taught me.

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<v Speaker 3>Head And then he's like hello, look on hello Champ,

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<v Speaker 3>and like recording different parts of the movies. When he's like, ye,

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<v Speaker 3>he says Champing, like is the title? I'm like, hello,

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<v Speaker 3>hello Champ. You are special to day. Thanks mister moone.

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<v Speaker 4>Anyway, sorry, I will see what.

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<v Speaker 3>Mister moviphone dot com.

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<v Speaker 2>Also list the but I bet the coonies would be

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<v Speaker 2>your friends.

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<v Speaker 3>I sho would have done that anyway. Okay, So moviefone

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<v Speaker 3>dot com list the budget at five million, which, if true,

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<v Speaker 3>means that the movie was definitely profitable, Beau because.

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<v Speaker 2>Like even twelve fourteen million, Yeah yeah, yeah, So.

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<v Speaker 3>Which is weird because even like it seems like a

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<v Speaker 3>lot of people that were involved with it kind of

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<v Speaker 3>implied that it wasn't. Yeah, with Arnold saying in his

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<v Speaker 3>book that you know, the United Artist, the production company,

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<v Speaker 3>the marketing team didn't know how to promote the film,

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<v Speaker 3>which led to poor box office sales.

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<v Speaker 2>Yeah.

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<v Speaker 3>He says that he and Sally Field went on the

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<v Speaker 3>Mike Douglas Show. When they were on there, they promoted

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<v Speaker 3>the bodybuilding fitness side of the movie when they should

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<v Speaker 3>have been pushing it as a Bob Rafelson film. He

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<v Speaker 3>also says that even at the time, he knew that

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<v Speaker 3>the marketing was embarrassing, but he didn't speak up because

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<v Speaker 3>he just assumed that the studios know what they're doing. So,

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<v Speaker 3>you know, yeah, which makes sense. I'm like, okay, cool, Yeah,

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<v Speaker 3>they know what they're doing when they see what yeah,

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<v Speaker 3>what the fuck? But yeah, He also talks about after

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<v Speaker 3>shooting the film that he couldn't get an agent that

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<v Speaker 3>would take him on.

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<v Speaker 4>Wow.

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<v Speaker 3>Yeah, they'd all tell him like the same stuff that

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<v Speaker 3>he's mentioned before in the few interviews that we've seen,

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<v Speaker 3>which is like his accent scary, his name's too long. Yeah,

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<v Speaker 3>body is strange. But then on top of that, I

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<v Speaker 3>guess he was, which is something here he always leaves out.

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<v Speaker 3>He was insistent on only taking leading roles. Oh yeah.

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<v Speaker 3>So the one agent that was willing to take him

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<v Speaker 3>on was was O. J. Simpson's agent. His name was

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<v Speaker 3>Jack Jilardi, who would get oj smaller roles in films

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00:14:18.960 --> 00:14:21.240
<v Speaker 3>when he wasn't busy with football, and basically offered to

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<v Speaker 3>do the same thing for Schwarzenegger. But Arnold was like no,

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<v Speaker 3>fuck no, yeah, but yeah, he was finally able to

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00:14:27.480 --> 00:14:29.879
<v Speaker 3>find find an agency to take him on after the

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00:14:29.919 --> 00:14:31.799
<v Speaker 3>film was finally released, which was the agent. I don't

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00:14:31.799 --> 00:14:33.240
<v Speaker 3>remember the name of it, but it was the same

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00:14:33.279 --> 00:14:38.360
<v Speaker 3>one that represented at the time Sylvester Stallone and Angelina

293
00:14:38.480 --> 00:14:41.159
<v Speaker 3>Julie's dad, Oh John Void Yeah.

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<v Speaker 2>Yeah.

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<v Speaker 3>By the way. Timeline wise, pretty soon after this, that's

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<v Speaker 3>when he has his first meeting with Dino de laurentis

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00:14:47.120 --> 00:14:49.159
<v Speaker 3>the one I mentioned in that we talked about in

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<v Speaker 3>Conan the episode where he immediately insults him and he's

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00:14:53.399 --> 00:14:56.480
<v Speaker 3>like in imitating him or whatever. So that is right

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00:14:56.519 --> 00:14:59.360
<v Speaker 3>around the same time. But he then eventually books that

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00:14:59.440 --> 00:15:02.279
<v Speaker 3>job on the street to Saan Francisco right after this man.

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00:15:02.360 --> 00:15:05.279
<v Speaker 3>That was after this, yeah, after which he ends up

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<v Speaker 3>deciding to stay away from any like after that role.

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<v Speaker 3>He ends up deciding to stay away from any villain

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<v Speaker 3>roles by the time being, saying in the book that

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<v Speaker 3>it would be easy to be typecast like as a

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00:15:13.720 --> 00:15:16.120
<v Speaker 3>villain due to his He gave a few reasons. It

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00:15:16.159 --> 00:15:18.759
<v Speaker 3>was his size, his looks, and the accent.

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<v Speaker 2>Yeah for sure.

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<v Speaker 3>I mean like the accent.

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<v Speaker 2>Well, it would just be so easy for him to

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<v Speaker 2>end up heavy in any other movie, you know, like

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<v Speaker 2>like a lot of the guys let like do his

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00:15:29.840 --> 00:15:32.639
<v Speaker 2>stunts and stuff. Yeah, all those dudes get type cast

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00:15:32.720 --> 00:15:35.320
<v Speaker 2>constantly and just do the same thing over and over again.

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00:15:35.679 --> 00:15:38.159
<v Speaker 3>Trying to think of someone that's famous. I mean, I

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00:15:38.200 --> 00:15:40.559
<v Speaker 3>know names, but it's like, is there anyway I just.

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00:15:41.080 --> 00:15:44.559
<v Speaker 4>Like I grew up watching a lot of old movies,

319
00:15:44.600 --> 00:15:48.399
<v Speaker 4>but the bad guy was always German.

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00:15:49.159 --> 00:15:51.200
<v Speaker 2>Yeah, that's true, Like.

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00:15:50.679 --> 00:15:54.039
<v Speaker 4>Like Heidi growing up, Heidi, the bad person is Fraulin

322
00:15:54.080 --> 00:15:57.320
<v Speaker 4>and Rottenmeier. Like how more obvious can you be with

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00:15:57.360 --> 00:15:57.720
<v Speaker 4>that name?

324
00:15:57.919 --> 00:16:06.039
<v Speaker 3>Like that's pretty Sweeten, Well, she's right German people. Yeah, yeah, yeah,

325
00:16:06.320 --> 00:16:06.759
<v Speaker 3>that's like.

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00:16:06.720 --> 00:16:10.519
<v Speaker 2>An inherently uh well two Americans, that's like an inherently

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00:16:10.600 --> 00:16:11.759
<v Speaker 2>villainous sounding accent.

328
00:16:11.960 --> 00:16:12.679
<v Speaker 4>Yeah exactly.

329
00:16:13.000 --> 00:16:14.559
<v Speaker 3>But yeah, so that's why he didn't want to do that.

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00:16:15.399 --> 00:16:17.279
<v Speaker 3>So he was actually turning down roles. What was it

331
00:16:17.279 --> 00:16:20.080
<v Speaker 3>it was? Uh, he said he got offers like for

332
00:16:20.120 --> 00:16:24.200
<v Speaker 3>a football player. He mentioned a Nazi soldier or officer,

333
00:16:25.360 --> 00:16:27.159
<v Speaker 3>and then a few other things. I can't remember those.

334
00:16:27.200 --> 00:16:29.120
<v Speaker 3>Those the two that I remember. I think a wrestler.

335
00:16:30.080 --> 00:16:31.840
<v Speaker 3>So yeah, he was able to turn stuff down because

336
00:16:31.840 --> 00:16:34.799
<v Speaker 3>he was making bringing him four grand a year from

337
00:16:34.840 --> 00:16:38.600
<v Speaker 3>his mail order business that he had male order business. Yeah,

338
00:16:38.639 --> 00:16:41.000
<v Speaker 3>which is the first time that I mentioned mentioning.

339
00:16:40.679 --> 00:16:42.799
<v Speaker 2>This what like supplements or something.

340
00:16:43.159 --> 00:16:44.320
<v Speaker 3>You know, that's a good question.

341
00:16:45.240 --> 00:16:45.759
<v Speaker 5>What do you mean?

342
00:16:46.200 --> 00:16:49.120
<v Speaker 3>I'm pretty sure it was uh yeah, I was just

343
00:16:49.120 --> 00:16:54.039
<v Speaker 3>sending out I think sate lifting stuff. I know it

344
00:16:54.080 --> 00:16:56.279
<v Speaker 3>was something fitness related, but I don't remember exactly what

345
00:16:56.320 --> 00:16:57.519
<v Speaker 3>it was. I will find out.

346
00:16:57.720 --> 00:17:02.639
<v Speaker 2>Yeah, I mean maybe like pamphlets or training videos or

347
00:17:02.679 --> 00:17:04.160
<v Speaker 2>like bodybuilding equipment.

348
00:17:04.200 --> 00:17:07.000
<v Speaker 4>Sorry, like mail order workout?

349
00:17:07.799 --> 00:17:14.799
<v Speaker 3>Yeah yeah, like yeah, dumbbells. The stretchy wrote the Stretchy

350
00:17:14.799 --> 00:17:19.880
<v Speaker 3>Things resistant Yeah, now.

351
00:17:19.720 --> 00:17:21.400
<v Speaker 2>Is it resistance once?

352
00:17:21.440 --> 00:17:21.759
<v Speaker 3>Where you go?

353
00:17:25.160 --> 00:17:26.079
<v Speaker 2>How work out?

354
00:17:26.160 --> 00:17:33.559
<v Speaker 3>Geez judgy? Okay. Arnold was also nominated for a Golden

355
00:17:33.559 --> 00:17:34.759
<v Speaker 3>Globe for Stay Hungry.

356
00:17:35.079 --> 00:17:37.440
<v Speaker 2>Really, I mean that's not bad. Yeah, I don't know,

357
00:17:37.519 --> 00:17:38.640
<v Speaker 2>considering how like.

358
00:17:39.519 --> 00:17:40.359
<v Speaker 4>That seems shocking.

359
00:17:40.880 --> 00:17:43.839
<v Speaker 2>He's in the movie less than I expect for somebody

360
00:17:43.839 --> 00:17:46.119
<v Speaker 2>won an award I guess, is what I'm saying.

361
00:17:46.160 --> 00:17:48.920
<v Speaker 3>Well, okay, so it was. It was for the Best

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00:17:49.079 --> 00:17:51.519
<v Speaker 3>Debut by a Male Actor category, which I guess is

363
00:17:51.559 --> 00:17:55.519
<v Speaker 3>no longer. Uh, it's no longer a category. Yeah, it

364
00:17:55.599 --> 00:17:57.839
<v Speaker 3>got I think it was like nineteen eighty two is

365
00:17:57.920 --> 00:17:58.279
<v Speaker 3>last year.

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00:17:58.319 --> 00:17:59.440
<v Speaker 2>Okay, well that makes more sense.

367
00:17:59.440 --> 00:18:01.839
<v Speaker 3>And that was in Kingsley, so that that you know,

368
00:18:01.880 --> 00:18:05.920
<v Speaker 3>he's he's in good company. Ben Kingsley won it for Gandhi.

369
00:18:05.960 --> 00:18:08.960
<v Speaker 3>I'm pretty sure I think that was Gandhi. And then

370
00:18:09.039 --> 00:18:18.839
<v Speaker 3>Arld Swartz nigger, you know, he's yea Indian or something.

371
00:18:19.079 --> 00:18:22.319
<v Speaker 3>I'm pretty sure I think he like changed his name too.

372
00:18:23.839 --> 00:18:25.240
<v Speaker 2>Well, now I don't have to be mad at him

373
00:18:25.240 --> 00:18:26.920
<v Speaker 2>for the love he was.

374
00:18:27.119 --> 00:18:30.039
<v Speaker 3>He was born in Krishna Bonie.

375
00:18:32.119 --> 00:18:35.359
<v Speaker 4>I don't know his father Yorkshire, England.

376
00:18:35.359 --> 00:18:38.680
<v Speaker 3>Yeah, Scarborough. But he was born, Oh, he was born

377
00:18:38.759 --> 00:18:46.920
<v Speaker 3>sorry that's his name. Was born, not was born. He

378
00:18:47.039 --> 00:18:52.319
<v Speaker 3>was born Chris Krishna Bond Banjie. But he is he

379
00:18:52.400 --> 00:18:55.119
<v Speaker 3>is he is it? Okay?

380
00:18:56.079 --> 00:18:59.000
<v Speaker 4>Yeah, his son is a Kenyan born medical doctor.

381
00:18:59.640 --> 00:19:03.000
<v Speaker 3>Anyway, Golden Globe, which I guess, yeah, like that it's

382
00:19:03.039 --> 00:19:05.519
<v Speaker 3>not a category anymore in nineteen eight two. But yeah,

383
00:19:05.559 --> 00:19:09.119
<v Speaker 3>he was up against some interesting competition. Two of them

384
00:19:09.559 --> 00:19:13.720
<v Speaker 3>I have never heard of and I have sorry, okay,

385
00:19:13.720 --> 00:19:15.079
<v Speaker 3>so yeah, two have never heard of it, and the

386
00:19:15.160 --> 00:19:16.880
<v Speaker 3>two that I haven't heard of it I even I

387
00:19:16.920 --> 00:19:18.720
<v Speaker 3>haven't even heard of the films that are in So

388
00:19:18.759 --> 00:19:20.640
<v Speaker 3>the first two, which the ones that I haven't heard of,

389
00:19:20.680 --> 00:19:24.880
<v Speaker 3>were Lenny Baker for Next Stop Greenwich Village and then

390
00:19:24.960 --> 00:19:28.559
<v Speaker 3>Jonathan Kahn, who was nominated for The Sailor Who Fell

391
00:19:28.680 --> 00:19:31.000
<v Speaker 3>from Grace with the Sea, which is a long ass

392
00:19:31.000 --> 00:19:31.920
<v Speaker 3>title for a movie.

393
00:19:32.240 --> 00:19:34.920
<v Speaker 2>Oh I thought Jonathan Kahn fell from Grace with the Sea.

394
00:19:35.200 --> 00:19:39.359
<v Speaker 3>No, yeah, Jonathan conn was the actor I see, yeah,

395
00:19:39.480 --> 00:19:44.440
<v Speaker 3>starring in The Sailor Who fell Grace with the Sea

396
00:19:45.200 --> 00:19:47.640
<v Speaker 3>and then the other two. I have heard of Truman Capoti.

397
00:19:47.960 --> 00:19:49.079
<v Speaker 2>I didn't even know he acted.

398
00:19:49.319 --> 00:19:50.000
<v Speaker 5>I don't.

399
00:19:50.319 --> 00:19:51.480
<v Speaker 3>I don't know anything about him.

400
00:19:51.559 --> 00:19:52.440
<v Speaker 2>I thought he was a writer.

401
00:19:52.960 --> 00:19:55.039
<v Speaker 3>He is a writer. I know that. Yeah, he wrote

402
00:19:55.480 --> 00:19:56.880
<v Speaker 3>Breakfast at Tiffany's.

403
00:19:57.160 --> 00:19:59.359
<v Speaker 2>Oh yeah, he's racist, got it?

404
00:20:02.720 --> 00:20:05.960
<v Speaker 3>But I know there's a real bad yellow face thing

405
00:20:06.039 --> 00:20:07.200
<v Speaker 3>and it's Mickey Rooney.

406
00:20:07.680 --> 00:20:10.839
<v Speaker 2>Mickey Rooney is an Asian guy and some real like

407
00:20:11.920 --> 00:20:14.599
<v Speaker 2>looney Tune style racist caricature.

408
00:20:14.160 --> 00:20:17.799
<v Speaker 3>Ship Yeah, okay. And then the last person was Harvey

409
00:20:17.839 --> 00:20:20.960
<v Speaker 3>Spencer Stevens, which is the little fucking kid from You

410
00:20:21.640 --> 00:20:22.119
<v Speaker 3>the Omen.

411
00:20:22.519 --> 00:20:23.839
<v Speaker 2>Oh okay, gotcha.

412
00:20:23.880 --> 00:20:27.759
<v Speaker 3>Yeah, that little asshole which we watched that. We watched

413
00:20:27.759 --> 00:20:30.400
<v Speaker 3>that during Halloween, and it's I wouldn't call it it's

414
00:20:30.400 --> 00:20:33.079
<v Speaker 3>not scary, but none of those it's not scary.

415
00:20:33.240 --> 00:20:40.599
<v Speaker 4>There's some questionable slash disturbing aspects, some pretty good effects

416
00:20:40.640 --> 00:20:41.880
<v Speaker 4>for the seventies.

417
00:20:41.440 --> 00:20:43.960
<v Speaker 3>When the guys head gets chopped off. Yeah, that was cool.

418
00:20:44.720 --> 00:20:46.240
<v Speaker 4>I wouldn't say it was cool, but it was.

419
00:20:46.480 --> 00:20:49.079
<v Speaker 3>It was super cool what it was.

420
00:20:49.759 --> 00:20:51.640
<v Speaker 4>Yeah, but it still made me do one of these.

421
00:20:52.839 --> 00:20:56.279
<v Speaker 3>But like, but like I'm pretty sure, like behind the scenes,

422
00:20:56.319 --> 00:20:58.920
<v Speaker 3>like story like that kid was a brat. So it's like,

423
00:20:59.319 --> 00:21:01.759
<v Speaker 3>oh really, I think so, Like I'm pretty sure that

424
00:21:02.119 --> 00:21:05.000
<v Speaker 3>was like a like he ended up getting the role

425
00:21:05.039 --> 00:21:09.319
<v Speaker 3>because Richard Donner told him to something about going crazy

426
00:21:09.400 --> 00:21:11.000
<v Speaker 3>or something, and like he tried to, like he started

427
00:21:11.039 --> 00:21:13.119
<v Speaker 3>like running up in like attacking Richard Donner or something

428
00:21:13.119 --> 00:21:16.480
<v Speaker 3>like that, just punched him right in the balls something

429
00:21:16.559 --> 00:21:19.160
<v Speaker 3>like that. It was like good. So I don't know

430
00:21:19.200 --> 00:21:22.799
<v Speaker 3>how much acting was involved there, but hey whatever, that's

431
00:21:22.920 --> 00:21:26.759
<v Speaker 3>it's a natural role. That's how Donald won sometimes anyway.

432
00:21:26.920 --> 00:21:29.279
<v Speaker 3>So yeah, so Arnold approach being nominated, like he does

433
00:21:29.319 --> 00:21:31.480
<v Speaker 3>pretty much everything else. He promoted the hell out of

434
00:21:31.519 --> 00:21:34.240
<v Speaker 3>it and basically tried to sell himself to the Hollywood

435
00:21:34.279 --> 00:21:37.160
<v Speaker 3>Forum Press. He did this by taking out ads in

436
00:21:37.160 --> 00:21:40.960
<v Speaker 3>the industry magazines like Variety in the Hollywood Reporter, thanking

437
00:21:40.960 --> 00:21:43.720
<v Speaker 3>the Hollywood Forum Press for nominating him. But that is

438
00:21:43.920 --> 00:21:47.160
<v Speaker 3>definitely not all. He also invited the members to a

439
00:21:47.200 --> 00:21:51.440
<v Speaker 3>dinner in an advanced screening of Pumping Iron, which apparently

440
00:21:51.480 --> 00:21:53.279
<v Speaker 3>seemed to have an impact because he mentions in the

441
00:21:53.279 --> 00:21:55.319
<v Speaker 3>book that a lot of the writers enjoyed the movie

442
00:21:55.359 --> 00:21:58.319
<v Speaker 3>and were pretty complimentary afterwards. And I know this is

443
00:21:58.319 --> 00:22:00.359
<v Speaker 3>like a common thing, but it still seems it's still

444
00:22:00.440 --> 00:22:03.319
<v Speaker 3>it's weird to me every time I like read or

445
00:22:03.359 --> 00:22:06.519
<v Speaker 3>hear anything about people like schmoot like schmoozing, like the.

446
00:22:08.839 --> 00:22:11.400
<v Speaker 2>Yeah, yeah, of course they do a bunch of like

447
00:22:11.759 --> 00:22:13.759
<v Speaker 2>four year consideration parties and ship where.

448
00:22:13.599 --> 00:22:16.680
<v Speaker 3>They yeah, yeah, we'll send you home with prostitutes and

449
00:22:16.680 --> 00:22:17.359
<v Speaker 3>stuff like that.

450
00:22:18.079 --> 00:22:20.240
<v Speaker 2>Yeah, exactly, just like in the movie.

451
00:22:20.359 --> 00:22:22.200
<v Speaker 3>Exactly an award.

452
00:22:28.079 --> 00:22:35.279
<v Speaker 2>Anyway, perfect blow job sound, it's gotta it's gotta hook.

453
00:22:36.160 --> 00:22:36.400
<v Speaker 4>Yeah.

454
00:22:36.680 --> 00:22:39.119
<v Speaker 3>Ended up taking his mom with them to the actual ceremony.

455
00:22:40.000 --> 00:22:41.279
<v Speaker 4>It's got a sensitive society.

456
00:22:41.359 --> 00:22:43.720
<v Speaker 3>Brought his mom, that's true. He also says that he

457
00:22:43.920 --> 00:22:47.240
<v Speaker 3>florided with Raquel Welch, which was cool, and he even

458
00:22:47.319 --> 00:22:49.920
<v Speaker 3>received a compliment about the movie from Henry Winkler.

459
00:22:50.279 --> 00:22:50.880
<v Speaker 2>Nice stuff.

460
00:22:50.920 --> 00:22:53.960
<v Speaker 3>Yeah, himself exactly, who was so at the peak of

461
00:22:54.000 --> 00:22:56.480
<v Speaker 3>his fondziness at the time that his date for that

462
00:22:56.599 --> 00:22:59.279
<v Speaker 3>night was actually the jukebox that he's constantly kicking on it.

463
00:23:00.839 --> 00:23:04.440
<v Speaker 2>I was hoping you were gonna say, Rackuel Welch, but

464
00:23:04.599 --> 00:23:05.640
<v Speaker 2>uh no, it's just.

465
00:23:05.839 --> 00:23:08.279
<v Speaker 3>I think I don't know, Like when he mentioned the

466
00:23:08.279 --> 00:23:12.720
<v Speaker 3>book that Henry Winkler complimented about the movie, I immediately

467
00:23:12.759 --> 00:23:14.640
<v Speaker 3>popped to like, now Henry Winkler, so it's like an

468
00:23:14.640 --> 00:23:16.559
<v Speaker 3>old doing it. I was like, wait, no, no, because I

469
00:23:16.599 --> 00:23:17.680
<v Speaker 3>was thinking about it when I was writing this, So

470
00:23:17.720 --> 00:23:21.319
<v Speaker 3>that was like, that is definitely fond. I'm not sure

471
00:23:21.400 --> 00:23:23.319
<v Speaker 3>ye yea yeah, because that's I looked it up. Happy

472
00:23:23.359 --> 00:23:25.279
<v Speaker 3>Days came out in seventy four, so this is two

473
00:23:25.319 --> 00:23:29.079
<v Speaker 3>seasons a. Yeah, so this is like super super pizza.

474
00:23:29.680 --> 00:23:31.400
<v Speaker 4>He's like so he came up and he was like.

475
00:23:31.799 --> 00:23:36.279
<v Speaker 2>Yeah, He's like, hey, before he lives in the attic exactly.

476
00:23:37.640 --> 00:23:40.640
<v Speaker 3>This is when Richie still had a brother. Don't didn't

477
00:23:40.640 --> 00:23:43.599
<v Speaker 3>even love Chachi yet. Okay, this is really getting dated.

478
00:23:48.480 --> 00:23:55.039
<v Speaker 3>Not yet, No one loves Chachi now. Pieces yeah, okay. Anyway.

479
00:23:55.519 --> 00:23:58.960
<v Speaker 3>He also mentions pelling around with Sylvester Stallone, who started

480
00:23:59.119 --> 00:24:03.119
<v Speaker 3>Rocky That, which he also wrote, and Arnold says that

481
00:24:03.160 --> 00:24:06.000
<v Speaker 3>Stallone quote told me enthusiastically that he was writing a

482
00:24:06.039 --> 00:24:08.480
<v Speaker 3>new movie about wrestlers and that there might be a

483
00:24:08.559 --> 00:24:11.440
<v Speaker 3>part for me, which I believe ended up becoming the

484
00:24:11.519 --> 00:24:18.119
<v Speaker 3>nineteen seventy eight film Paradise Alley, which Stillone also directed.

485
00:24:18.119 --> 00:24:20.480
<v Speaker 2>What oh I said, never heard of it?

486
00:24:20.880 --> 00:24:24.039
<v Speaker 3>Arify? Yeah, because I was like, wait, did that actually

487
00:24:24.079 --> 00:24:28.559
<v Speaker 3>get made that sounds like a soap opera name Paradise Alley? Yes, yeah,

488
00:24:28.599 --> 00:24:31.119
<v Speaker 3>and he so he had two movies after Rocky and

489
00:24:32.559 --> 00:24:34.799
<v Speaker 3>Fist and Paradise Alley that he wrote. And I don't

490
00:24:34.799 --> 00:24:37.160
<v Speaker 3>think he directed Fist, but I know he also directed

491
00:24:37.200 --> 00:24:37.960
<v Speaker 3>Paradise Alley.

492
00:24:38.680 --> 00:24:41.119
<v Speaker 4>You know what I think about when you say Paradise Alley,

493
00:24:41.200 --> 00:24:44.480
<v Speaker 4>I think like, like like a New York alleyway, like

494
00:24:44.519 --> 00:24:47.440
<v Speaker 4>a really rough and rumbled type of one that's like terrible,

495
00:24:47.480 --> 00:24:52.960
<v Speaker 4>but palm trees, like maybe a hammock between the dumpsters.

496
00:24:54.759 --> 00:24:59.240
<v Speaker 3>Anyway, So both Stallone and Schwarzenegger ended up winning a

497
00:24:59.240 --> 00:25:03.920
<v Speaker 3>Golden Globe that night, which good for them, but especially Rocky.

498
00:25:04.920 --> 00:25:08.079
<v Speaker 3>But yeah, that was good for them, especially Arnold because

499
00:25:08.079 --> 00:25:10.440
<v Speaker 3>he didn't have a whole lot to work with their Yeah,

500
00:25:10.799 --> 00:25:12.559
<v Speaker 3>So either way, I think it's pretty safe to say

501
00:25:12.559 --> 00:25:14.599
<v Speaker 3>that everything kind of worked out pretty darn well for

502
00:25:14.640 --> 00:25:16.759
<v Speaker 3>the career wise, for not just Arnold, but for like

503
00:25:16.799 --> 00:25:18.680
<v Speaker 3>a lot of the people involved in the Stay Hungry

504
00:25:18.680 --> 00:25:19.160
<v Speaker 3>in the movie.

505
00:25:19.519 --> 00:25:20.480
<v Speaker 2>Yeah, seems like it.

506
00:25:20.640 --> 00:25:22.799
<v Speaker 3>Yeah, because he had Robert England, who went on to

507
00:25:22.839 --> 00:25:25.559
<v Speaker 3>spend the nineteen eighties murdering a bunch of teenagers.

508
00:25:26.079 --> 00:25:27.680
<v Speaker 2>Which is the dream for most actors.

509
00:25:27.799 --> 00:25:28.000
<v Speaker 5>Yeah.

510
00:25:28.079 --> 00:25:30.480
<v Speaker 3>Yeah, and well that and he also started Nightmare and

511
00:25:30.480 --> 00:25:35.240
<v Speaker 3>elm Street movies too, so that was good. Actually, no,

512
00:25:35.240 --> 00:25:43.920
<v Speaker 3>he didn't kill any teenagers, that's the joke. No, but

513
00:25:43.960 --> 00:25:49.480
<v Speaker 3>he looks like, okay, no, as far as uh, then

514
00:25:49.480 --> 00:25:53.240
<v Speaker 3>you guy like bread Breath Jidges. Then you got Jeff

515
00:25:53.240 --> 00:25:56.559
<v Speaker 3>Bridges and Sally Field, who both went on to do

516
00:25:56.839 --> 00:25:59.759
<v Speaker 3>much bigger projects that same year. That Stay Hunger was

517
00:25:59.799 --> 00:26:03.640
<v Speaker 3>really with Jeff Bridges starring alongside Jessica Lang and Charles Grodon,

518
00:26:03.759 --> 00:26:06.599
<v Speaker 3>which all right, good for him. In the nineteen seventy

519
00:26:06.599 --> 00:26:09.319
<v Speaker 3>five King cong remake was it's the which is but

520
00:26:09.359 --> 00:26:14.839
<v Speaker 3>I'm sure it was fu Sorry sorry, nineteen seventy six okay, sorry, yes,

521
00:26:15.039 --> 00:26:17.720
<v Speaker 3>with Jeff Bridges starting alongside Jessica Lang and Charles Groden

522
00:26:17.759 --> 00:26:21.519
<v Speaker 3>in the nineteen seventy six King congremake, which is the

523
00:26:21.559 --> 00:26:24.279
<v Speaker 3>one that like he's like in the poster, he's like

524
00:26:25.079 --> 00:26:28.319
<v Speaker 3>King Kong. Not Jeff Bridges is standing. He's got one

525
00:26:28.319 --> 00:26:30.640
<v Speaker 3>foot on each of the He's standing on top of

526
00:26:30.680 --> 00:26:33.400
<v Speaker 3>the twin towers, like he's got one foot on each tower.

527
00:26:33.839 --> 00:26:36.279
<v Speaker 2>I don't think I've seen that, Yeah, I know, I

528
00:26:36.279 --> 00:26:40.240
<v Speaker 2>haven't seen the movie An Fall Down. Of course he

529
00:26:40.279 --> 00:26:44.039
<v Speaker 2>didn't swat those planes away. There you go, an American

530
00:26:44.119 --> 00:26:45.039
<v Speaker 2>piece of shit.

531
00:26:48.440 --> 00:26:51.559
<v Speaker 3>That was actually produced by Arnold's tiny nemesis at the time,

532
00:26:51.640 --> 00:26:53.240
<v Speaker 3>Dino de Laarentez. So that's cool.

533
00:26:53.599 --> 00:26:56.319
<v Speaker 2>Oh yeah, god, he was everywhere.

534
00:26:56.400 --> 00:26:59.359
<v Speaker 3>Yeah he was. And then you got Sally Field starring

535
00:26:59.400 --> 00:27:02.039
<v Speaker 3>in the nineteen seventy six TV mini series Sybil, which

536
00:27:02.079 --> 00:27:05.079
<v Speaker 3>had which was a huge role for her and that

537
00:27:05.160 --> 00:27:08.240
<v Speaker 3>I believe she was actually able to audition for because

538
00:27:08.720 --> 00:27:12.079
<v Speaker 3>it was being cast by the same gal who brought

539
00:27:12.079 --> 00:27:15.279
<v Speaker 3>her in for Stay Hungry, Diane Crittendon. Yeah, so the

540
00:27:15.319 --> 00:27:18.359
<v Speaker 3>same with casting director nice. Yeah. And then a year

541
00:27:18.440 --> 00:27:20.119
<v Speaker 3>later she did Smoking the Bandit, And I don't think

542
00:27:20.119 --> 00:27:22.799
<v Speaker 3>we really need to do a career recap because she's

543
00:27:22.880 --> 00:27:26.519
<v Speaker 3>fucking Sally Field, like except yeah Field, Sorry, she's fucking

544
00:27:26.519 --> 00:27:29.960
<v Speaker 3>Sally Fields. The same thing I say would probably applies

545
00:27:29.960 --> 00:27:31.680
<v Speaker 3>to Jeff Bridges. Everyone knows his career and how he

546
00:27:31.680 --> 00:27:33.680
<v Speaker 3>pretty much turned in. He's like the dude in Real

547
00:27:33.720 --> 00:27:34.839
<v Speaker 3>Left Now, so yeah.

548
00:27:34.759 --> 00:27:39.359
<v Speaker 4>Exactly, he's you know, from Tron, So yeah, had.

549
00:27:39.319 --> 00:27:40.519
<v Speaker 2>A pretty lucrative eighties.

550
00:27:41.000 --> 00:27:44.880
<v Speaker 3>Yeah, for sure, Starman Tron other stuff.

551
00:27:45.920 --> 00:27:48.319
<v Speaker 4>I don't know Disney stuff.

552
00:27:48.799 --> 00:27:51.079
<v Speaker 3>No, I think that was that was earlier.

553
00:27:51.240 --> 00:27:53.680
<v Speaker 4>No, that's what I'm saying, earlier, like Disney stuff.

554
00:27:54.200 --> 00:27:59.279
<v Speaker 3>Oh yes, yeah, yeah, because I think that's Kurt Kurt Russell.

555
00:27:59.359 --> 00:28:01.319
<v Speaker 4>I get those two confused all the time.

556
00:28:01.240 --> 00:28:02.559
<v Speaker 3>Like, I'm pretty sure that's Kurt Russell.

557
00:28:03.079 --> 00:28:04.319
<v Speaker 2>K Russell was a Disney kid.

558
00:28:04.680 --> 00:28:06.160
<v Speaker 4>Are those two so interchangeable?

559
00:28:06.240 --> 00:28:09.599
<v Speaker 2>Because they look similar really, a very young I wouldn't

560
00:28:09.599 --> 00:28:13.119
<v Speaker 2>say they look two similar as like adult men, but

561
00:28:13.200 --> 00:28:16.400
<v Speaker 2>a young Kurt Russell very much looks like Jeff Bridges

562
00:28:16.400 --> 00:28:17.240
<v Speaker 2>did in this movie.

563
00:28:17.359 --> 00:28:21.480
<v Speaker 4>Okay, wait, yeah, yeah, yeah, which that's Jeff Bridges. Okay,

564
00:28:21.559 --> 00:28:21.960
<v Speaker 4>there you go.

565
00:28:23.720 --> 00:28:25.920
<v Speaker 3>He didn't work with Sally Field again a few years later,

566
00:28:25.920 --> 00:28:28.279
<v Speaker 3>in the nineteen eighty two romantic comedy kiss Me Goodbye.

567
00:28:28.839 --> 00:28:30.880
<v Speaker 3>M Yeah, good for them.

568
00:28:31.200 --> 00:28:32.440
<v Speaker 2>I hope it was funny this time.

569
00:28:33.440 --> 00:28:35.759
<v Speaker 4>It sounds like a comedy.

570
00:28:35.839 --> 00:28:38.880
<v Speaker 3>Actually, yes, says comedy fantasy romance. The ghost of a

571
00:28:38.920 --> 00:28:41.160
<v Speaker 3>dead husband Hans's wife as she moved back to the

572
00:28:41.480 --> 00:28:43.680
<v Speaker 3>house in New York. She's I'm gonna watch that.

573
00:28:44.039 --> 00:28:46.759
<v Speaker 4>She actually does say comedy fantasy romance.

574
00:28:47.799 --> 00:28:50.880
<v Speaker 2>I was like ghost with a different cat.

575
00:28:50.920 --> 00:28:54.720
<v Speaker 3>She's about to marry an Egyptologist there in Egypt. Who's

576
00:28:54.799 --> 00:28:57.759
<v Speaker 3>the ghost? Uh, James com looks like he's the ghost,

577
00:28:58.000 --> 00:29:00.920
<v Speaker 3>So I'm assuming that Jeff Bridges is the Egyptologist.

578
00:29:01.799 --> 00:29:06.839
<v Speaker 4>Okay, it just seems like the most un serious gyptologist out.

579
00:29:06.680 --> 00:29:11.200
<v Speaker 3>Yeah, like what you got pyramids man? And uh, there's

580
00:29:11.400 --> 00:29:18.240
<v Speaker 3>the coy exactly there and uh what else?

581
00:29:18.279 --> 00:29:19.359
<v Speaker 2>God, I don't know.

582
00:29:21.839 --> 00:29:25.319
<v Speaker 3>Anyway. So Yeah, like I was saying, a lot of

583
00:29:25.319 --> 00:29:27.920
<v Speaker 3>State Hungry's principal cast ended up doing pretty darn well

584
00:29:27.960 --> 00:29:31.680
<v Speaker 3>for themselves career wise. However, the same cannot be said

585
00:29:31.759 --> 00:29:35.519
<v Speaker 3>about director Bob Rafelson, who would eventually experience some major

586
00:29:35.519 --> 00:29:38.680
<v Speaker 3>setbacks career wise, which were mostly due to his own

587
00:29:38.759 --> 00:29:40.720
<v Speaker 3>dumb fuck actions on account of end being both a

588
00:29:40.759 --> 00:29:43.799
<v Speaker 3>shitty person and kind of a hothead. Yeah, by the way,

589
00:29:44.160 --> 00:29:46.079
<v Speaker 3>just throwing this out there, because I know I've been

590
00:29:46.119 --> 00:29:47.599
<v Speaker 3>shitting on them the whole time. I know I haven't

591
00:29:47.599 --> 00:29:49.759
<v Speaker 3>been too kind to Bob Rayfilson up to this point,

592
00:29:50.319 --> 00:29:52.960
<v Speaker 3>but it's mostly because one of the first things I

593
00:29:53.079 --> 00:29:55.359
<v Speaker 3>found out when I began research in this movie pretty

594
00:29:55.400 --> 00:29:57.640
<v Speaker 3>much made me like dislike him.

595
00:29:57.480 --> 00:29:59.480
<v Speaker 2>From the start, which is understandable.

596
00:29:59.759 --> 00:30:02.160
<v Speaker 3>Yeah, and it only got worse when I started reading

597
00:30:02.160 --> 00:30:05.160
<v Speaker 3>more about him and finding all these other stuff like

598
00:30:05.160 --> 00:30:07.200
<v Speaker 3>like all this like the stuff that just mean kind

599
00:30:07.240 --> 00:30:07.839
<v Speaker 3>of a crap egg.

600
00:30:08.240 --> 00:30:11.880
<v Speaker 2>Yeah, it's weird that they're just kept being more shitty

601
00:30:11.920 --> 00:30:12.680
<v Speaker 2>things to find.

602
00:30:13.319 --> 00:30:16.440
<v Speaker 4>Yeah, I would it wasn't the one time entity.

603
00:30:17.759 --> 00:30:19.920
<v Speaker 2>Yeah, but I'm just saying he was. He was more.

604
00:30:20.000 --> 00:30:23.359
<v Speaker 2>He's a multifaceted ass He's not an asshole in just

605
00:30:23.400 --> 00:30:23.839
<v Speaker 2>one way.

606
00:30:23.920 --> 00:30:26.640
<v Speaker 3>But yeah. So the thing that I found to start

607
00:30:26.799 --> 00:30:30.079
<v Speaker 3>the Wikipedia page for Stay Hungry is very small, but

608
00:30:30.240 --> 00:30:32.559
<v Speaker 3>one of the things they definitely have on there is

609
00:30:32.599 --> 00:30:38.799
<v Speaker 3>an interaction that happened with Sallyfield. So apparently he allegedly

610
00:30:39.240 --> 00:30:42.240
<v Speaker 3>had an affair with Sally Field during production, which like

611
00:30:42.319 --> 00:30:45.640
<v Speaker 3>you know, it happens he was married, but again whatever

612
00:30:45.720 --> 00:30:48.720
<v Speaker 3>Hollywood do whatever. Yeah, but the way the whole thing

613
00:30:48.759 --> 00:30:52.240
<v Speaker 3>came about and just like happened and everything is just

614
00:30:52.279 --> 00:30:55.000
<v Speaker 3>super gross and just pretty much cemented me like, oh,

615
00:30:55.039 --> 00:30:58.680
<v Speaker 3>fuck this guy. And then reading the other book, the

616
00:30:59.319 --> 00:31:02.240
<v Speaker 3>book about the all the crazy shit in the seventies anyway,

617
00:31:02.400 --> 00:31:04.200
<v Speaker 3>and just a heads up that the next few minutes

618
00:31:04.240 --> 00:31:07.480
<v Speaker 3>contained details about their affair as well as include discussions

619
00:31:07.519 --> 00:31:10.359
<v Speaker 3>of sexual misconduct. So if you prefer to skip that,

620
00:31:10.720 --> 00:31:13.039
<v Speaker 3>just fast forward to the next six minutes in about

621
00:31:13.079 --> 00:31:15.160
<v Speaker 3>twenty seconds and it'll get you to the next section.

622
00:31:15.440 --> 00:31:18.359
<v Speaker 3>But yeah, So, as far as how Bob Rafelson became

623
00:31:18.400 --> 00:31:21.519
<v Speaker 3>involved with Sally Field, it actually kind of goes back

624
00:31:21.559 --> 00:31:24.759
<v Speaker 3>to when she was auditioning for the movie, which we

625
00:31:24.799 --> 00:31:27.279
<v Speaker 3>mostly covered in the last episode, but if you guys

626
00:31:27.400 --> 00:31:31.400
<v Speaker 3>can actually remember that far back, we talked about how

627
00:31:31.400 --> 00:31:34.519
<v Speaker 3>Bob Rafelson was supposedly a complete dick bag from pretty

628
00:31:34.559 --> 00:31:36.759
<v Speaker 3>much the moment Sally Field derived for that first audition,

629
00:31:37.160 --> 00:31:39.799
<v Speaker 3>with him first throwing a tantrum because he didn't want

630
00:31:39.799 --> 00:31:42.519
<v Speaker 3>an audition her, and then about a week later calling

631
00:31:42.519 --> 00:31:44.200
<v Speaker 3>her up to invite her back for a second audition,

632
00:31:44.279 --> 00:31:48.519
<v Speaker 3>but doing it in like the most condescendingly dickheadish way possible. Yeah,

633
00:31:48.559 --> 00:31:51.759
<v Speaker 3>so she does her second audition, goes well, but she

634
00:31:52.079 --> 00:31:54.200
<v Speaker 3>says a couple of days later that Bob Rafelson called

635
00:31:54.200 --> 00:31:57.519
<v Speaker 3>her again, this time telling her that he was having

636
00:31:57.519 --> 00:31:59.920
<v Speaker 3>hesitations about hiring her because he didn't like the fact

637
00:32:00.039 --> 00:32:01.400
<v Speaker 3>that he'd be hiring the Flying.

638
00:32:01.240 --> 00:32:05.720
<v Speaker 2>Nune so such a fucking ass. He was probably trying

639
00:32:05.759 --> 00:32:09.640
<v Speaker 2>to get her to fucking quit, like to not audition,

640
00:32:09.759 --> 00:32:13.039
<v Speaker 2>because I just after telling her, like you were easily

641
00:32:13.079 --> 00:32:16.559
<v Speaker 2>the best actress of the five. But it's surprising what

642
00:32:16.599 --> 00:32:19.279
<v Speaker 2>I want to Yeah, surprisingly, but you don't look like

643
00:32:19.319 --> 00:32:21.440
<v Speaker 2>who I want to cast. But anyway, I'll see you

644
00:32:21.519 --> 00:32:24.839
<v Speaker 2>for a second audition anyway, And then that audition presumably

645
00:32:24.880 --> 00:32:28.680
<v Speaker 2>goes well, and then he still is like, I still

646
00:32:28.720 --> 00:32:31.640
<v Speaker 2>don't want to cast you. I don't know such a.

647
00:32:31.720 --> 00:32:38.400
<v Speaker 3>You don't That makes sense with what happens next, because

648
00:32:38.440 --> 00:32:40.680
<v Speaker 3>he then allegedly asked if she'd come to his house

649
00:32:40.720 --> 00:32:42.640
<v Speaker 3>for one more meeting before he left for Birmingham the

650
00:32:42.640 --> 00:32:46.839
<v Speaker 3>following morning. Jesus Christ, Yeah, which she does, but so

651
00:32:47.000 --> 00:32:49.000
<v Speaker 3>she says he ended up in his room and eventually

652
00:32:49.240 --> 00:32:52.160
<v Speaker 3>he supposedly tells her to take her shirt off because

653
00:32:52.160 --> 00:32:54.000
<v Speaker 3>you know, like there's a nude scene in the film,

654
00:32:54.240 --> 00:32:55.640
<v Speaker 3>and how else is he going to know how to

655
00:32:55.680 --> 00:32:58.599
<v Speaker 3>shoot that scene unless he sees her moves, you know,

656
00:32:58.920 --> 00:33:01.519
<v Speaker 3>which is correct. He says that he actually like his

657
00:33:01.559 --> 00:33:03.079
<v Speaker 3>actual reason, that he gave.

658
00:33:04.119 --> 00:33:06.079
<v Speaker 2>The dumbest fucking reason I've ever heard.

659
00:33:06.160 --> 00:33:08.960
<v Speaker 3>Yeah, so he then asks her to quote, go to

660
00:33:08.960 --> 00:33:11.319
<v Speaker 3>the closet and use whatever scarves and shirts I could

661
00:33:11.319 --> 00:33:13.960
<v Speaker 3>find to play dress up, and she does that, and

662
00:33:14.000 --> 00:33:17.160
<v Speaker 3>the meeting ends with Bob Rafilson, supposedly telling her that

663
00:33:17.200 --> 00:33:19.599
<v Speaker 3>she's got the part, but only if she kisses him,

664
00:33:20.000 --> 00:33:21.920
<v Speaker 3>because you know, you can't hire anyone who's not a

665
00:33:21.920 --> 00:33:26.240
<v Speaker 3>good kisser. By the way, everything that allegedly took place

666
00:33:26.319 --> 00:33:29.200
<v Speaker 3>at Bob Rafelson's house was only revealed like six years

667
00:33:29.200 --> 00:33:33.279
<v Speaker 3>ago with the release of Sally Field's autobiography in twenty eighteen. Yeah,

668
00:33:33.359 --> 00:33:36.480
<v Speaker 3>Bob Rafelson denied it because, of course, sure, saying that

669
00:33:36.559 --> 00:33:38.680
<v Speaker 3>he never had anyone kiss him for a part and

670
00:33:38.720 --> 00:33:41.319
<v Speaker 3>calling it totally untrue, which, okay, sure, dude. Like, first

671
00:33:41.319 --> 00:33:44.640
<v Speaker 3>of all, I won't go into some of the shitty,

672
00:33:44.720 --> 00:33:47.480
<v Speaker 3>unwanted advances that are mentioned in the Easy Writer Raging

673
00:33:47.519 --> 00:33:50.039
<v Speaker 3>Bulls book, mostly because of how often, like I read

674
00:33:50.039 --> 00:33:51.720
<v Speaker 3>that some of the events in the book were either

675
00:33:51.759 --> 00:33:55.039
<v Speaker 3>exaggerated or outright lies. But whatever, Like, okay, so we'll

676
00:33:55.079 --> 00:33:56.799
<v Speaker 3>not go by that, because there's like some stuff from

677
00:33:56.799 --> 00:34:00.319
<v Speaker 3>like fuck this dude. Yeah, but even without that, reason

678
00:34:00.359 --> 00:34:01.000
<v Speaker 3>to lie about.

679
00:34:00.759 --> 00:34:05.319
<v Speaker 2>It exactly, that's my first thought. She has had such

680
00:34:05.319 --> 00:34:09.159
<v Speaker 2>a successful career more so than him, so like insanely

681
00:34:09.239 --> 00:34:12.599
<v Speaker 2>more so than him, Why the fuck would she? Yeah,

682
00:34:13.280 --> 00:34:16.280
<v Speaker 2>what what possible benefit could there be too lying about it.

683
00:34:16.480 --> 00:34:17.519
<v Speaker 3>I don't know to.

684
00:34:17.559 --> 00:34:21.079
<v Speaker 2>Bringing up a director that nobody even fucking remembers anymore,

685
00:34:22.440 --> 00:34:23.960
<v Speaker 2>Why the fuck would she do that?

686
00:34:24.119 --> 00:34:24.320
<v Speaker 3>Yeah?

687
00:34:24.840 --> 00:34:25.719
<v Speaker 2>What possible?

688
00:34:26.199 --> 00:34:28.480
<v Speaker 3>Yeah, And it's not like Bob Rayfilson, who like comes

689
00:34:28.559 --> 00:34:30.360
<v Speaker 3>up as some super chill dude that you know, has

690
00:34:30.360 --> 00:34:31.760
<v Speaker 3>a ton of respect for women. So it's not like

691
00:34:31.840 --> 00:34:33.760
<v Speaker 3>he'd be like, you know, like it might not be true.

692
00:34:33.800 --> 00:34:35.920
<v Speaker 3>He's he's usually pretty pretty cool.

693
00:34:37.239 --> 00:34:37.639
<v Speaker 5>I can.

694
00:34:39.679 --> 00:34:42.800
<v Speaker 3>Yeah, because even Arnold said in his book that when

695
00:34:42.880 --> 00:34:45.800
<v Speaker 3>Raychelson hired Sally Field, he tried to use it as

696
00:34:45.840 --> 00:34:48.519
<v Speaker 3>a teaching moment, saying, quote, you see, I've been auditioning

697
00:34:48.559 --> 00:34:50.199
<v Speaker 3>all these girls, and the one who is actually the

698
00:34:50.239 --> 00:34:53.480
<v Speaker 3>best is the flying nun. I mean, Arnold didn't know

699
00:34:53.480 --> 00:34:54.760
<v Speaker 3>what the hell he was talking about because he's never

700
00:34:54.800 --> 00:34:59.440
<v Speaker 3>heard the Flynn before. But like once Rayfelson explained, it's like, oh, okay,

701
00:34:59.480 --> 00:35:01.039
<v Speaker 3>I got it. But then he like spews out some

702
00:35:01.079 --> 00:35:03.599
<v Speaker 3>more garbage by telling Arnold that everybody thinks that they

703
00:35:04.159 --> 00:35:05.920
<v Speaker 3>know what a girl has to do to get the part,

704
00:35:06.360 --> 00:35:08.000
<v Speaker 3>that you get the part by being in the director,

705
00:35:08.519 --> 00:35:11.559
<v Speaker 3>and then says, quote, there are girls with big tits

706
00:35:11.559 --> 00:35:13.440
<v Speaker 3>and great hair and great bodies who came in and

707
00:35:13.480 --> 00:35:15.719
<v Speaker 3>offered that to me. But in the end, the flying

708
00:35:15.800 --> 00:35:18.079
<v Speaker 3>nun got the job. She doesn't have big tits, she

709
00:35:18.119 --> 00:35:20.360
<v Speaker 3>doesn't have a carbaceous body, and she didn't offer to

710
00:35:20.400 --> 00:35:22.079
<v Speaker 3>fuck me, but she has what I needed most of

711
00:35:22.119 --> 00:35:26.719
<v Speaker 3>the part, which is talent unquote, and like, no, that

712
00:35:27.079 --> 00:35:28.800
<v Speaker 3>just made me feel like he the fact that she

713
00:35:28.880 --> 00:35:31.000
<v Speaker 3>didn't do that was like, Okay, Like.

714
00:35:31.199 --> 00:35:33.880
<v Speaker 2>A fucking normal person who doesn't have these thoughts doesn't

715
00:35:33.880 --> 00:35:35.480
<v Speaker 2>bring that shit up and talk about them in the

716
00:35:35.519 --> 00:35:39.280
<v Speaker 2>first place, Like that's not that's not a thing you

717
00:35:39.360 --> 00:35:41.880
<v Speaker 2>feel the need to bring up in conversation if you

718
00:35:42.960 --> 00:35:44.760
<v Speaker 2>if it's not a thing you think about regularly.

719
00:35:45.039 --> 00:35:48.480
<v Speaker 3>Yeah, And which again this is allegedly because it's in

720
00:35:48.760 --> 00:35:53.280
<v Speaker 3>two people that aren't hymns autobiographies. But I don't know

721
00:35:53.320 --> 00:35:55.880
<v Speaker 3>that gross audition wasn't even the end of it, because

722
00:35:55.880 --> 00:35:57.679
<v Speaker 3>she also said that she ended up having an affair

723
00:35:57.719 --> 00:36:00.760
<v Speaker 3>with Raffleson during production, which she said she had a

724
00:36:00.760 --> 00:36:03.760
<v Speaker 3>hard time with dude to Raffleson behaving differently behind closed

725
00:36:03.800 --> 00:36:07.480
<v Speaker 3>doors versus when they were on set, where he would

726
00:36:07.599 --> 00:36:10.920
<v Speaker 3>demean her in like shitty little ways, like constantly telling

727
00:36:10.960 --> 00:36:13.360
<v Speaker 3>her just to be sexier, be sexier, and then one

728
00:36:13.400 --> 00:36:16.960
<v Speaker 3>time even stopping filming and having everyone on set vote

729
00:36:16.960 --> 00:36:18.639
<v Speaker 3>as to whether or not they thought she was sexy.

730
00:36:19.239 --> 00:36:20.679
<v Speaker 2>Jesus, yeah, Jesus.

731
00:36:21.079 --> 00:36:24.400
<v Speaker 3>His wife actually ended up leaving him during production with

732
00:36:24.519 --> 00:36:28.599
<v Speaker 3>that book, saying that it was because she found out

733
00:36:28.679 --> 00:36:31.280
<v Speaker 3>about he been cheating on her for a while apparently

734
00:36:31.679 --> 00:36:34.519
<v Speaker 3>co according the book and whoever. But I think she

735
00:36:34.679 --> 00:36:37.079
<v Speaker 3>found out about salad like the stuff with Seally Field

736
00:36:37.239 --> 00:36:39.840
<v Speaker 3>because she worked on the movie. She was a production designer.

737
00:36:40.119 --> 00:36:43.079
<v Speaker 3>I said, yeah, yeah, his wife's name was Toby, by

738
00:36:43.119 --> 00:36:43.920
<v Speaker 3>the way, and.

739
00:36:43.920 --> 00:36:45.480
<v Speaker 4>Like I guess it was not Tobey.

740
00:36:47.079 --> 00:36:52.559
<v Speaker 3>Sorry, no, no, no sorry. When I read that she left him,

741
00:36:52.800 --> 00:36:55.039
<v Speaker 3>my first thought was, like when she found out about

742
00:36:55.079 --> 00:36:57.679
<v Speaker 3>the affair, she was just like the whole time, the

743
00:36:57.760 --> 00:37:02.199
<v Speaker 3>whole time, we need to leave. I need to leave.

744
00:37:03.119 --> 00:37:10.239
<v Speaker 3>We have to go, we have to go now we're serious.

745
00:37:10.480 --> 00:37:12.679
<v Speaker 3>That was seriously the first thing, like I thought of that,

746
00:37:12.679 --> 00:37:14.519
<v Speaker 3>and thew was like I got to write that down

747
00:37:14.559 --> 00:37:15.280
<v Speaker 3>and then forgot it.

748
00:37:17.599 --> 00:37:19.960
<v Speaker 4>Anyway, you know what, nobody's going to get that.

749
00:37:20.519 --> 00:37:24.360
<v Speaker 3>I'm sure someone will get it, so in all serious

750
00:37:24.400 --> 00:37:29.199
<v Speaker 3>like joking aside, because yeah, yeah, in addition to learning

751
00:37:29.199 --> 00:37:31.599
<v Speaker 3>about this and all the other gross like and or

752
00:37:31.719 --> 00:37:36.559
<v Speaker 3>asshole shit that Bob Riefelson allegedly did. I also came

753
00:37:36.599 --> 00:37:39.280
<v Speaker 3>across one of the reasons why not too many people

754
00:37:39.320 --> 00:37:42.119
<v Speaker 3>outside of the film community really know about him career wise,

755
00:37:42.280 --> 00:37:44.400
<v Speaker 3>if they've even heard of him at all. Yeah, and

756
00:37:45.000 --> 00:37:47.800
<v Speaker 3>I'm sure it won't really come as a surprise to

757
00:37:47.880 --> 00:37:49.679
<v Speaker 3>either of you that it's a result of him once

758
00:37:49.719 --> 00:37:52.159
<v Speaker 3>again acting like a completely irrational asshole.

759
00:37:52.280 --> 00:37:53.800
<v Speaker 2>Yeah. Yeah.

760
00:37:53.880 --> 00:37:57.000
<v Speaker 3>So apparently he was supposed to direct a nineteen eighty

761
00:37:57.360 --> 00:38:00.960
<v Speaker 3>film called Brubaker, which starred Robert Effort and was produced

762
00:38:00.960 --> 00:38:04.079
<v Speaker 3>by Fox Studios, who I guess had promised him complete

763
00:38:04.079 --> 00:38:06.039
<v Speaker 3>control and no studio in interference.

764
00:38:06.880 --> 00:38:09.679
<v Speaker 4>Sounds like a sweet deal, yeah.

765
00:38:08.960 --> 00:38:11.119
<v Speaker 3>Except for the fact that, like about nine days into

766
00:38:11.159 --> 00:38:14.559
<v Speaker 3>the production or not even that, an executive named Richard

767
00:38:14.599 --> 00:38:17.159
<v Speaker 3>Berger or Dick Burger if you will.

768
00:38:17.119 --> 00:38:18.920
<v Speaker 2>I say, Joe would have a field day with.

769
00:38:19.000 --> 00:38:22.480
<v Speaker 3>That, showed up to a set and demanded to meet

770
00:38:22.480 --> 00:38:26.360
<v Speaker 3>like a meeting with Bob Rafelson. Rafelson asked why, Dick

771
00:38:26.400 --> 00:38:34.920
<v Speaker 3>Burger said anyway, he said, quote, it's about your career,

772
00:38:35.039 --> 00:38:38.440
<v Speaker 3>and Rafelson allegedly responded by hitting him over the head

773
00:38:38.480 --> 00:38:43.719
<v Speaker 3>with an astray Yeah, an astray Christ Yeah, so it

774
00:38:43.920 --> 00:38:45.920
<v Speaker 3>just comes from the Esquit. It's like a twenty nineteen

775
00:38:46.000 --> 00:38:48.719
<v Speaker 3>Esquire article and it's it's a profile of him, so

776
00:38:48.880 --> 00:38:55.360
<v Speaker 3>like he's being interviewed for it. But yes, because what

777
00:38:55.400 --> 00:38:58.400
<v Speaker 3>I'm telling you, like if if you were in film school,

778
00:38:58.760 --> 00:39:01.800
<v Speaker 3>your dick is so hard for this guy. I don't

779
00:39:01.840 --> 00:39:03.840
<v Speaker 3>get it, but I'm pretty stupid.

780
00:39:04.719 --> 00:39:06.360
<v Speaker 2>Yeah, so hey.

781
00:39:06.239 --> 00:39:11.920
<v Speaker 3>There's just no yeah rude, Well, don't be so stupid.

782
00:39:11.920 --> 00:39:15.679
<v Speaker 3>I don't know what's tell you, but uh yeah. So

783
00:39:16.360 --> 00:39:18.840
<v Speaker 3>according to that that profile they were doing, they're basically

784
00:39:18.880 --> 00:39:20.239
<v Speaker 3>talking about his career and that's part of it because

785
00:39:20.280 --> 00:39:23.280
<v Speaker 3>he's supposed to direct this movie. Yeah, and so basically

786
00:39:23.320 --> 00:39:26.440
<v Speaker 3>what happens is the guy came to set, he started

787
00:39:26.480 --> 00:39:29.119
<v Speaker 3>like questioning the cast, asking a bunch of questions, and

788
00:39:29.159 --> 00:39:32.360
<v Speaker 3>then started watching the dailies. And then after that, I

789
00:39:32.440 --> 00:39:34.119
<v Speaker 3>told Bob Rayfilson that he wants to have a meeting

790
00:39:34.119 --> 00:39:36.920
<v Speaker 3>with him, and Bob Ravelson asked why. He said the

791
00:39:37.760 --> 00:39:39.840
<v Speaker 3>it's about your career, and Bob Rafleson said that he

792
00:39:39.960 --> 00:39:42.199
<v Speaker 3>responded with, uh, what about my career and kind of

793
00:39:42.239 --> 00:39:45.039
<v Speaker 3>like stepped forward and like kind of like shoved him

794
00:39:45.039 --> 00:39:46.960
<v Speaker 3>a little bit. That's what That's what he said, And

795
00:39:47.000 --> 00:39:50.519
<v Speaker 3>then it's basically like according to Rafelson, according to uh

796
00:39:50.639 --> 00:39:54.400
<v Speaker 3>Dick Burger, he hit him with the fucking astray in

797
00:39:54.400 --> 00:39:54.719
<v Speaker 3>the head.

798
00:39:55.360 --> 00:39:57.360
<v Speaker 2>Jesus Chris, Yes.

799
00:39:56.960 --> 00:40:00.599
<v Speaker 3>Which again, that's a big lie if it.

800
00:40:00.280 --> 00:40:03.000
<v Speaker 2>Yeah, that's true. That's that's a hell of a thing

801
00:40:03.039 --> 00:40:03.960
<v Speaker 2>to lie about if you're.

802
00:40:03.800 --> 00:40:08.840
<v Speaker 3>Going to potato potato, Yeah, potato potato. But like also

803
00:40:09.400 --> 00:40:11.320
<v Speaker 3>that's a very easy thing to prove too. You're like,

804
00:40:11.320 --> 00:40:12.400
<v Speaker 3>look at my fucking head.

805
00:40:12.280 --> 00:40:16.519
<v Speaker 2>Yeah, because that's my first thought is like, like, I know,

806
00:40:16.599 --> 00:40:19.000
<v Speaker 2>Hollywood is kind of fucked up in that, Like, if

807
00:40:19.000 --> 00:40:20.840
<v Speaker 2>you're famous enough, you can get away with shit, But

808
00:40:21.559 --> 00:40:23.880
<v Speaker 2>how do you physically assault somebody.

809
00:40:23.679 --> 00:40:26.000
<v Speaker 3>Like you attack an executive exactly?

810
00:40:26.039 --> 00:40:30.920
<v Speaker 2>How do you physically assault somebody of that like standing

811
00:40:31.679 --> 00:40:32.760
<v Speaker 2>and get away with it?

812
00:40:32.840 --> 00:40:34.360
<v Speaker 3>Come on, man, you need to understand.

813
00:40:34.440 --> 00:40:37.639
<v Speaker 2>That's what PA's are for, I know exactly. Yeah.

814
00:40:37.679 --> 00:40:40.000
<v Speaker 3>Anyway, so uh yeah, so he hit him in the

815
00:40:40.039 --> 00:40:42.719
<v Speaker 3>fucking head, supposedly, allegedly.

816
00:40:42.679 --> 00:40:44.760
<v Speaker 2>And ash trees back then were glass.

817
00:40:44.400 --> 00:40:48.119
<v Speaker 4>It was right, Yeah, yeah, Like I'm thinking you're quintessential,

818
00:40:48.320 --> 00:40:50.679
<v Speaker 4>like like one you would see it, well, not my

819
00:40:50.679 --> 00:40:52.039
<v Speaker 4>grandma's house, but my aunt's house.

820
00:40:52.880 --> 00:40:55.119
<v Speaker 3>I mean, I don't know maybe he is trying to

821
00:40:55.159 --> 00:40:56.320
<v Speaker 3>give him a cigarette back and.

822
00:40:57.320 --> 00:41:00.280
<v Speaker 2>You know, yeah, and his hand slipped exactly.

823
00:41:00.599 --> 00:41:01.719
<v Speaker 3>He's like, I was just trying to get him a

824
00:41:01.719 --> 00:41:04.079
<v Speaker 3>cigarette back. I was trying to show him my art

825
00:41:04.119 --> 00:41:06.199
<v Speaker 3>that I made. Look at his ass tray shoving in

826
00:41:06.199 --> 00:41:08.239
<v Speaker 3>his face. You can't fire me. Look at his ass

827
00:41:08.239 --> 00:41:11.280
<v Speaker 3>tray anyway, For some reason they did fire him, which

828
00:41:11.440 --> 00:41:15.480
<v Speaker 3>come on, really fucking trauma cleans.

829
00:41:15.000 --> 00:41:16.800
<v Speaker 2>Goddamn PC studio.

830
00:41:17.239 --> 00:41:21.599
<v Speaker 3>Exactly nine days in he got fired, with Rafelson claiming

831
00:41:21.639 --> 00:41:25.800
<v Speaker 3>he was then basically blackballed in the film industry. Yeah,

832
00:41:25.840 --> 00:41:29.880
<v Speaker 3>I know, weird, So, yeah, he was black in the

833
00:41:29.880 --> 00:41:32.039
<v Speaker 3>film industry, Like even though he did direct the nineteen

834
00:41:32.079 --> 00:41:34.920
<v Speaker 3>eighty one Jack Nicholson film The Postman Always Rings Twice

835
00:41:36.039 --> 00:41:37.639
<v Speaker 3>and he has a few more films past that, but

836
00:41:37.719 --> 00:41:39.760
<v Speaker 3>it kind of looks like his career never really seem

837
00:41:39.800 --> 00:41:43.119
<v Speaker 3>to recover after that whole astray incident. You can't hit

838
00:41:43.480 --> 00:41:46.840
<v Speaker 3>Dick Berger, yeah, with an astray, which is basically trying

839
00:41:46.880 --> 00:41:49.079
<v Speaker 3>to say you gotta hit him. Hit him with some

840
00:41:49.079 --> 00:41:51.800
<v Speaker 3>pickles or something. That's the class. Yeah, that's the classic

841
00:41:52.360 --> 00:41:54.920
<v Speaker 3>pickles and bacon. I don't know anything not an astray

842
00:41:54.960 --> 00:42:01.559
<v Speaker 3>though it's Mustard. Yeah, to hit me with a mustard bottle,

843
00:42:01.639 --> 00:42:05.880
<v Speaker 3>anything but an astray. Bobby Elson did direct the music

844
00:42:05.920 --> 00:42:08.800
<v Speaker 3>video for All Night Long by Lionel Richie though, so

845
00:42:08.800 --> 00:42:15.000
<v Speaker 3>so yeah, there's that Lionel Richard. Lionel Richard, Lionel Richard.

846
00:42:15.679 --> 00:42:17.239
<v Speaker 4>Never mind, why do I talk?

847
00:42:17.440 --> 00:42:19.679
<v Speaker 3>Okay, So that's it for the production stuff. You're ready

848
00:42:19.679 --> 00:42:21.960
<v Speaker 3>to check out some of that non existent promo material?

849
00:42:22.320 --> 00:42:26.800
<v Speaker 3>Hell yeah, all right? Uh yeah, I couldn't really find

850
00:42:26.840 --> 00:42:28.519
<v Speaker 3>anything for this movie, so I have a few random

851
00:42:28.559 --> 00:42:32.039
<v Speaker 3>clips for you guys in Yeah, actually that's sort of

852
00:42:32.039 --> 00:42:33.480
<v Speaker 3>not true because his first one does have to do

853
00:42:33.519 --> 00:42:36.079
<v Speaker 3>with the movie. It's from a twenty ten Oscar roundup

854
00:42:36.159 --> 00:42:39.320
<v Speaker 3>hosted by Newsweek, and they've got a pretty prominent group

855
00:42:39.360 --> 00:42:45.480
<v Speaker 3>of actors involved. You've got Sandra Bullock, whatdy Harrelson, Gaberie Sidibay,

856
00:42:46.000 --> 00:42:48.360
<v Speaker 3>the actress that plays Pressures, like from the movie Pressure.

857
00:42:48.960 --> 00:42:51.360
<v Speaker 3>I think that's a GABERI gab GABORI I don't know

858
00:42:51.360 --> 00:42:51.760
<v Speaker 3>how to see.

859
00:42:51.920 --> 00:42:52.519
<v Speaker 2>I can't remember.

860
00:42:52.559 --> 00:42:54.960
<v Speaker 3>She's also in Tower Heighs too, you know I'm talking about? Yeah, Okay,

861
00:42:55.480 --> 00:42:58.079
<v Speaker 3>Carrie Mulligan, who I know is an actress.

862
00:42:58.079 --> 00:42:58.719
<v Speaker 4>I know who that is?

863
00:42:58.880 --> 00:43:01.199
<v Speaker 2>God, I I know the name, but I just can't.

864
00:43:01.800 --> 00:43:05.119
<v Speaker 4>She's in Pride and Prejudice, and she in two thousand Pence.

865
00:43:05.159 --> 00:43:08.039
<v Speaker 4>She was in like a European paper film. I don't

866
00:43:08.079 --> 00:43:09.239
<v Speaker 4>remember what it was.

867
00:43:11.000 --> 00:43:13.400
<v Speaker 2>I know she's been in like one thing that she.

868
00:43:13.519 --> 00:43:15.960
<v Speaker 3>Was in Greg Gatsby, because she plays like the the

869
00:43:16.000 --> 00:43:20.400
<v Speaker 3>main uh yeah, Daisy. Yeah, but I looked through her

870
00:43:20.400 --> 00:43:22.559
<v Speaker 3>credits and I didn't notice that I did nothing.

871
00:43:22.840 --> 00:43:23.719
<v Speaker 4>I know who?

872
00:43:23.960 --> 00:43:26.639
<v Speaker 3>Okay? Anyway, Oh yeah, so Carrie Mulligan and then the

873
00:43:26.719 --> 00:43:30.239
<v Speaker 3>last uh fucking Morgan Freeman's in there too, so yeah,

874
00:43:30.239 --> 00:43:33.000
<v Speaker 3>it's a good uh little panel or whatever. Jeff Bridges

875
00:43:33.039 --> 00:43:35.679
<v Speaker 3>is also part of it, got it? And yeah. So

876
00:43:35.920 --> 00:43:38.920
<v Speaker 3>host David Ansen asks him about working with Arnold in

877
00:43:39.000 --> 00:43:41.639
<v Speaker 3>Stay Hungry, and Jeff Bridges tells him about a very

878
00:43:41.679 --> 00:43:44.480
<v Speaker 3>interesting sequence that they filmed that ended up getting cut

879
00:43:44.480 --> 00:43:45.159
<v Speaker 3>from the movie.

880
00:43:45.559 --> 00:43:48.719
<v Speaker 6>Made a movie a long time ago called Stay Hungry,

881
00:43:48.920 --> 00:43:51.599
<v Speaker 6>and I think it was the first time that Arnold

882
00:43:51.639 --> 00:43:56.320
<v Speaker 6>Schwarzenegger was in a movie. Oh yeah, very good playing

883
00:43:56.880 --> 00:43:58.719
<v Speaker 6>her body Belty. Oh he was so good in that.

884
00:43:59.280 --> 00:44:03.559
<v Speaker 6>It was great to watch The Predator again the day

885
00:44:03.679 --> 00:44:08.880
<v Speaker 6>Oh oh right, yeah, the shot of Arnold walking through

886
00:44:08.880 --> 00:44:12.440
<v Speaker 6>the jungle holding with one hand his fifty candle machine gun,

887
00:44:12.800 --> 00:44:13.960
<v Speaker 6>and the whole focus.

888
00:44:13.599 --> 00:44:16.679
<v Speaker 3>Of the shot was on his bicep. I realized this

889
00:44:16.760 --> 00:44:18.719
<v Speaker 3>whole thing was about his bicep.

890
00:44:19.880 --> 00:44:22.719
<v Speaker 6>Walking through the jungle, hold of the thing. I mean,

891
00:44:22.760 --> 00:44:24.639
<v Speaker 6>I don't know, a story popped into my mind, and

892
00:44:24.639 --> 00:44:26.760
<v Speaker 6>you might want to delete this, but like, I feel

893
00:44:26.760 --> 00:44:28.519
<v Speaker 6>like I want to tell it to you. Guys. You know,

894
00:44:29.320 --> 00:44:31.440
<v Speaker 6>probably the funniest thing that's ever happened to me in

895
00:44:31.480 --> 00:44:32.519
<v Speaker 6>a movie happened to me.

896
00:44:32.480 --> 00:44:33.159
<v Speaker 4>In that movie.

897
00:44:34.920 --> 00:44:38.079
<v Speaker 6>We're doing this scene and the premise of the movie

898
00:44:38.199 --> 00:44:41.440
<v Speaker 6>just real quick, and Sally feels first movie I thought,

899
00:44:43.039 --> 00:44:47.880
<v Speaker 6>and Sally was Arnold's girlfriend, and now now I'm a

900
00:44:48.000 --> 00:44:50.559
<v Speaker 6>rich guy and I'm kind of taking Sally away. But

901
00:44:50.800 --> 00:44:54.719
<v Speaker 6>Arnold is playing this bodybuilder who's also a fiddle player

902
00:44:55.000 --> 00:44:59.159
<v Speaker 6>and also very spiritual with a great and he's kicking

903
00:44:59.320 --> 00:45:03.760
<v Speaker 6>honey in this part man now, and it's also training.

904
00:45:03.800 --> 00:45:06.920
<v Speaker 6>He's also helping my character train, and it's the scene.

905
00:45:06.920 --> 00:45:09.440
<v Speaker 6>Basically the scene is me saying, hey, I'm sorry, I'm

906
00:45:09.480 --> 00:45:12.000
<v Speaker 6>taking your girl, and he said, no, no, no problem,

907
00:45:12.079 --> 00:45:14.159
<v Speaker 6>right now? Can I can I get up just to

908
00:45:14.199 --> 00:45:17.400
<v Speaker 6>show this for a second, Yeah, Ca and so the

909
00:45:17.440 --> 00:45:21.039
<v Speaker 6>cameras about where this camera is and the exercise that

910
00:45:21.079 --> 00:45:24.119
<v Speaker 6>we're doing. I'm like this and over a thing like this,

911
00:45:24.199 --> 00:45:27.000
<v Speaker 6>and the camera's leg is aren't sitting on my back

912
00:45:27.360 --> 00:45:30.679
<v Speaker 6>with his legs hanging that is, and we shoot the scene.

913
00:45:30.679 --> 00:45:33.239
<v Speaker 6>Now we go see daily and I had no idea

914
00:45:33.320 --> 00:45:35.519
<v Speaker 6>that this was what the camera was seeing. What it

915
00:45:35.559 --> 00:45:38.440
<v Speaker 6>looks like. I can imagine. This looks like my legs

916
00:45:38.440 --> 00:45:40.679
<v Speaker 6>are his legs. His legs are my leg for doing

917
00:45:40.719 --> 00:45:45.119
<v Speaker 6>toe raised. It looks like it looks like he's standing

918
00:45:45.199 --> 00:45:47.719
<v Speaker 6>in my legs. He's got me lifted up and he's just.

919
00:45:47.800 --> 00:45:48.920
<v Speaker 1>Giving it to me, saying.

920
00:45:52.199 --> 00:45:52.920
<v Speaker 3>I saw that.

921
00:45:53.079 --> 00:45:56.559
<v Speaker 6>I could not believe it. And he gets off and see.

922
00:45:56.840 --> 00:46:00.639
<v Speaker 3>And they cut it out. It's not in the movie.

923
00:46:02.440 --> 00:46:03.719
<v Speaker 3>You're not going to get one shot.

924
00:46:03.800 --> 00:46:08.760
<v Speaker 6>It's just like, oh, incredible.

925
00:46:12.599 --> 00:46:16.400
<v Speaker 3>Okay, that's that's like clip. Uh yeah. Just like first

926
00:46:16.400 --> 00:46:20.760
<v Speaker 3>of all, the look on uh get that gab Gabby

927
00:46:20.719 --> 00:46:22.840
<v Speaker 3>Yeah yeah, the look in her face when he's when

928
00:46:22.840 --> 00:46:25.000
<v Speaker 3>he's doing starts doing like because he starts doing like

929
00:46:25.079 --> 00:46:28.320
<v Speaker 3>he gets up and like hip thrusting. Yeah, he starts

930
00:46:28.360 --> 00:46:30.199
<v Speaker 3>public trust like doing public drust. But the look on

931
00:46:30.199 --> 00:46:32.199
<v Speaker 3>her face when she starts when he's doing this, just shocked, like,

932
00:46:32.199 --> 00:46:34.280
<v Speaker 3>oh my god. Like the girls kind of looked in control,

933
00:46:34.320 --> 00:46:35.920
<v Speaker 3>even though Sandra Bullock was kind of laughing and carry

934
00:46:35.960 --> 00:46:39.440
<v Speaker 3>Out was laughing too, But the guys thought it was funny,

935
00:46:41.119 --> 00:46:44.800
<v Speaker 3>especially Yeahlson at the end funny.

936
00:46:45.079 --> 00:46:48.199
<v Speaker 4>It looked like everybody look kind of like sleepy or bored,

937
00:46:48.400 --> 00:46:50.400
<v Speaker 4>and then a sudden everybody's.

938
00:46:49.920 --> 00:46:54.880
<v Speaker 3>Like he this is Jeff Bridges these things. Also, it's

939
00:46:55.119 --> 00:46:56.840
<v Speaker 3>I just think it's what it's an oscar round table.

940
00:46:56.920 --> 00:46:59.000
<v Speaker 3>He's talking about that exactly.

941
00:46:59.000 --> 00:47:01.559
<v Speaker 4>That's also why is that the movie, like out of

942
00:47:01.599 --> 00:47:04.239
<v Speaker 4>all the movies brought up to him, like, that's the one.

943
00:47:04.400 --> 00:47:06.280
<v Speaker 4>That's the one that you were like, I gotta know

944
00:47:06.360 --> 00:47:07.400
<v Speaker 4>about this one.

945
00:47:07.519 --> 00:47:10.400
<v Speaker 3>Maybe he knows that story. I don't know. I saw

946
00:47:10.440 --> 00:47:13.960
<v Speaker 3>a story in something else too that it was written. Yeah. Also,

947
00:47:14.000 --> 00:47:16.280
<v Speaker 3>the thought of Morgan Freeman watching Predator is just great,

948
00:47:16.400 --> 00:47:20.079
<v Speaker 3>just like hanging out at watching TV, flipping through channels, flipping.

949
00:47:19.719 --> 00:47:22.599
<v Speaker 4>Through I hope he narrates him just.

950
00:47:22.559 --> 00:47:25.400
<v Speaker 3>Being like oh fuck yes, as he's like the Hunters

951
00:47:25.440 --> 00:47:30.360
<v Speaker 3>on curious if you watched the whole thing or just

952
00:47:30.360 --> 00:47:35.679
<v Speaker 3>like this movie, they were in fact not sick anyway, okay,

953
00:47:35.719 --> 00:47:37.360
<v Speaker 3>so moving on the next one also kind of sort

954
00:47:37.360 --> 00:47:38.440
<v Speaker 3>of has to do with the movie. So I guess

955
00:47:38.480 --> 00:47:39.960
<v Speaker 3>I kind of lied when I said I didn't find

956
00:47:39.960 --> 00:47:43.400
<v Speaker 3>anything movie. But yeah, So it's a twenty twelve interview

957
00:47:43.480 --> 00:47:47.280
<v Speaker 3>Arnold did for Google Play Presents to promote the release.

958
00:47:47.000 --> 00:47:48.039
<v Speaker 2>Of his book.

959
00:47:47.719 --> 00:47:50.960
<v Speaker 3>Okay, he makes a quick mention of doing Stay Hungry

960
00:47:51.000 --> 00:47:53.039
<v Speaker 3>as kind of like a segue on his way to

961
00:47:53.079 --> 00:47:58.519
<v Speaker 3>talking about Conan the Barbarian every time. And there's a

962
00:47:58.559 --> 00:48:00.440
<v Speaker 3>story he tells that we've heard before, but we haven't

963
00:48:00.440 --> 00:48:02.400
<v Speaker 3>heard it directly from Arnold, so got it.

964
00:48:02.440 --> 00:48:06.679
<v Speaker 5>In nineteen seventy five, I remember that Bob Rayferson who

965
00:48:06.679 --> 00:48:09.440
<v Speaker 5>did Five Easy Pieces and Easy Right and those movies.

966
00:48:09.880 --> 00:48:11.519
<v Speaker 5>He came to me and said, I want to do

967
00:48:11.519 --> 00:48:14.880
<v Speaker 5>the movie Stay Hungry, and I want you and Sally

968
00:48:14.960 --> 00:48:19.920
<v Speaker 5>Fields from Jeff Bridgets Start. I said him myself, man

969
00:48:19.960 --> 00:48:22.320
<v Speaker 5>with this director I haven't made. And right after that

970
00:48:22.480 --> 00:48:23.239
<v Speaker 5>we did pumping on.

971
00:48:23.639 --> 00:48:25.119
<v Speaker 3>Yeah, that's pretty much all you had to say about

972
00:48:25.119 --> 00:48:27.400
<v Speaker 3>Stay Hungry. So let's give forward a little bit to

973
00:48:27.400 --> 00:48:28.400
<v Speaker 3>hear his Conan story.

974
00:48:28.960 --> 00:48:31.159
<v Speaker 5>And then Ed Pressman came to me and said, I

975
00:48:31.280 --> 00:48:34.199
<v Speaker 5>just bought the Conan rights and I signed the deal

976
00:48:34.239 --> 00:48:37.760
<v Speaker 5>with him, So I mean I had it made. I mean,

977
00:48:37.800 --> 00:48:41.360
<v Speaker 5>there I was in nineteen eighty doing Conan the Barbarian.

978
00:48:41.800 --> 00:48:44.639
<v Speaker 5>Dina the Lorenta is producing ed Pressman producing.

979
00:48:44.840 --> 00:48:47.039
<v Speaker 6>There's another great story in the book where you had

980
00:48:47.039 --> 00:48:49.039
<v Speaker 6>an early meeting with Dino de Lorentis and it didn't

981
00:48:49.039 --> 00:48:49.639
<v Speaker 6>go so well.

982
00:48:49.800 --> 00:48:52.960
<v Speaker 5>Well, that was different because dinner de Lorente said an

983
00:48:52.960 --> 00:48:55.480
<v Speaker 5>office and he wanted me to be in dog Savage

984
00:48:55.800 --> 00:48:59.119
<v Speaker 5>And I walked in and I always kind of, you know,

985
00:48:59.320 --> 00:49:02.719
<v Speaker 5>have a a mouth that sometimes it was a little

986
00:49:02.719 --> 00:49:07.320
<v Speaker 5>bit too fast and I step on myself. It's I

987
00:49:07.360 --> 00:49:10.360
<v Speaker 5>walked into the office and I saw Dino standing behind.

988
00:49:10.000 --> 00:49:13.199
<v Speaker 3>His desk and it was this huge desk.

989
00:49:13.480 --> 00:49:17.119
<v Speaker 5>One night golden, kind of like French looking or Italian looking,

990
00:49:17.400 --> 00:49:20.119
<v Speaker 5>I don't know what, but it was gigantic and Dino

991
00:49:20.559 --> 00:49:22.159
<v Speaker 5>the only thing that stood out was kind of his

992
00:49:22.360 --> 00:49:25.000
<v Speaker 5>chest and his head because he's a little guy. He

993
00:49:25.199 --> 00:49:28.119
<v Speaker 5>is a really short guy. So I looked in. I

994
00:49:28.159 --> 00:49:30.480
<v Speaker 5>walked in this office, and I looked in and says, hi, Tina,

995
00:49:31.199 --> 00:49:33.199
<v Speaker 5>why does a little guy like you need such a

996
00:49:33.239 --> 00:49:40.679
<v Speaker 5>big desk? And Totino the horrendas you never say you little, right,

997
00:49:41.000 --> 00:49:43.840
<v Speaker 5>because he saw himself as a giant. So he looked

998
00:49:43.880 --> 00:49:46.440
<v Speaker 5>at me and he says, ah, that's not an agger.

999
00:49:46.960 --> 00:49:47.719
<v Speaker 5>You have an accent.

1000
00:49:48.400 --> 00:49:52.840
<v Speaker 3>I cannot use it you ah.

1001
00:49:52.880 --> 00:49:57.559
<v Speaker 5>And I said again, stupidly, who is talking about having

1002
00:49:57.599 --> 00:50:02.119
<v Speaker 5>an accent? I mean, look, listen to you, you were Nazi.

1003
00:50:03.559 --> 00:50:06.920
<v Speaker 5>He walked away because I had a German accent. So

1004
00:50:07.400 --> 00:50:09.800
<v Speaker 5>that was the end of that. So I left the

1005
00:50:09.840 --> 00:50:12.519
<v Speaker 5>office and my agent came up to me, grabbed me

1006
00:50:13.039 --> 00:50:15.039
<v Speaker 5>really forceful over my arm, and he said to me,

1007
00:50:15.119 --> 00:50:18.639
<v Speaker 5>he says, I've been an agent for fifteen years. This

1008
00:50:18.840 --> 00:50:22.480
<v Speaker 5>meeting was exactly one minute and fourteen seconds. It was

1009
00:50:22.519 --> 00:50:25.719
<v Speaker 5>the shortest meeting we've ever had. You just fucked everything up.

1010
00:50:25.840 --> 00:50:27.960
<v Speaker 5>God damn it. It took me months to get in here.

1011
00:50:28.599 --> 00:50:31.440
<v Speaker 5>So that's how the relationship started with Dino. But then

1012
00:50:31.519 --> 00:50:35.719
<v Speaker 5>when he bought Conan, he came to Spain where'll we shooting?

1013
00:50:36.079 --> 00:50:38.280
<v Speaker 5>And the third day of filming, after he saw the

1014
00:50:38.400 --> 00:50:41.440
<v Speaker 5>day list the footage should be filmed, he came up

1015
00:50:41.440 --> 00:50:44.639
<v Speaker 5>to me and he said that swazeneg you were cone.

1016
00:50:45.480 --> 00:50:45.679
<v Speaker 3>Ah.

1017
00:50:48.159 --> 00:50:50.280
<v Speaker 5>And Millius came to me, the director, and he says,

1018
00:50:50.440 --> 00:50:52.519
<v Speaker 5>this is the greatest compliment that he can ever get

1019
00:50:52.519 --> 00:50:53.599
<v Speaker 5>he said, you're coner.

1020
00:50:53.960 --> 00:50:56.920
<v Speaker 3>Yeah, like I need to look up an interview with

1021
00:50:56.960 --> 00:50:58.320
<v Speaker 3>Dino de Laurentes because like.

1022
00:50:58.400 --> 00:51:00.239
<v Speaker 2>Yeah, I'm starting to wonder if you just had a tick.

1023
00:51:00.280 --> 00:51:01.559
<v Speaker 2>And Arnold just makes fun of him for.

1024
00:51:01.679 --> 00:51:04.320
<v Speaker 4>Me, yeah, to see his opinion.

1025
00:51:04.920 --> 00:51:06.880
<v Speaker 3>Well, no, just like how he talks, because now I'm

1026
00:51:06.880 --> 00:51:08.599
<v Speaker 3>like curious, like why is he doing that? Is he

1027
00:51:08.639 --> 00:51:10.599
<v Speaker 3>actually doing that's so weird.

1028
00:51:11.920 --> 00:51:14.400
<v Speaker 2>I was like, I've heard a lot of Italian impressions,

1029
00:51:14.400 --> 00:51:17.519
<v Speaker 2>not one of them as a vocal tick like that,

1030
00:51:17.639 --> 00:51:18.159
<v Speaker 2>not one.

1031
00:51:18.039 --> 00:51:20.679
<v Speaker 3>Of It's just like that's like it's like a Mario

1032
00:51:20.719 --> 00:51:22.159
<v Speaker 3>Brothers thing right there or something like.

1033
00:51:22.119 --> 00:51:26.719
<v Speaker 4>That's like like his neck or back keep going like that.

1034
00:51:27.119 --> 00:51:30.000
<v Speaker 2>It doesn't that's exactly what it sounds like, like he

1035
00:51:30.119 --> 00:51:31.840
<v Speaker 2>just had really bad problems.

1036
00:51:32.440 --> 00:51:35.000
<v Speaker 3>But I don't know, like we've heard that before.

1037
00:51:35.039 --> 00:51:37.880
<v Speaker 2>But it's well, sure, but it's really really funny to

1038
00:51:37.920 --> 00:51:43.320
<v Speaker 2>hear the uh the impression. It wasn't now Arnold could

1039
00:51:43.320 --> 00:51:45.199
<v Speaker 2>be in trouble instead of us exactly.

1040
00:51:46.360 --> 00:51:48.599
<v Speaker 3>Okay, And then before we watched the last one, I

1041
00:51:48.639 --> 00:51:51.440
<v Speaker 3>had something for you guys that I forgot to add

1042
00:51:51.480 --> 00:51:53.840
<v Speaker 3>when we did Kindergarten cop and I think I may

1043
00:51:53.880 --> 00:51:56.800
<v Speaker 3>have mentioned it. It's a twenty twelve crack dot com

1044
00:51:56.880 --> 00:51:59.920
<v Speaker 3>article that includes a bunch of random stories from Arnold's

1045
00:52:00.000 --> 00:52:03.920
<v Speaker 3>longtime stunt double Peter Kent, who he actually doubled for

1046
00:52:04.000 --> 00:52:06.719
<v Speaker 3>him in fifteen different movies. And I think I already

1047
00:52:06.719 --> 00:52:08.159
<v Speaker 3>told one of those, one of his stories, the one

1048
00:52:08.159 --> 00:52:10.360
<v Speaker 3>about him getting hurd on a stunt during a racer

1049
00:52:10.440 --> 00:52:13.079
<v Speaker 3>that it ended up like that ended his career, basically,

1050
00:52:14.039 --> 00:52:14.599
<v Speaker 3>I remember that.

1051
00:52:14.840 --> 00:52:17.599
<v Speaker 4>Yeah, So anyway, I almost asked the one that got hurt.

1052
00:52:17.679 --> 00:52:20.199
<v Speaker 3>Yeah, it was the one that got hurt. So he

1053
00:52:20.280 --> 00:52:22.639
<v Speaker 3>and he was also arnold stunt double on Kindergarten Cop.

1054
00:52:22.719 --> 00:52:24.880
<v Speaker 3>And he starts off the story by talking about how

1055
00:52:24.920 --> 00:52:26.840
<v Speaker 3>he and Arnold would prank each other and how he'd

1056
00:52:26.840 --> 00:52:29.599
<v Speaker 3>make food for them, how Peter Kent would make food

1057
00:52:29.599 --> 00:52:33.480
<v Speaker 3>for Arnold like spaghetti basically, And I have a quote

1058
00:52:33.480 --> 00:52:35.320
<v Speaker 3>from the article here, but there's a funny little part

1059
00:52:35.599 --> 00:52:37.760
<v Speaker 3>right before he starts talking about Kindergarten Cop that I

1060
00:52:37.760 --> 00:52:39.320
<v Speaker 3>wanted to start off with because it made me laugh.

1061
00:52:39.360 --> 00:52:42.320
<v Speaker 3>But anyway, so yeah, he says, quote, I often made

1062
00:52:42.360 --> 00:52:45.000
<v Speaker 3>the guy spaghetti when I visited his house where we'd

1063
00:52:45.000 --> 00:52:47.159
<v Speaker 3>look at scripts together. We'd hang out on the grass

1064
00:52:47.159 --> 00:52:49.719
<v Speaker 3>that choppers would arrive, paparazzi leaning out, and Arnold will

1065
00:52:49.760 --> 00:52:51.920
<v Speaker 3>be like, get down, we have to go inside. They

1066
00:52:51.960 --> 00:52:53.639
<v Speaker 3>want to try to nap photos of me in my

1067
00:52:53.639 --> 00:52:57.679
<v Speaker 3>bathing suit. I don't know why that was funny to me.

1068
00:53:00.360 --> 00:53:02.000
<v Speaker 2>In his bathing suit eating spaghetti.

1069
00:53:03.760 --> 00:53:05.639
<v Speaker 3>So yeah, he continues by saying, when we were working

1070
00:53:05.679 --> 00:53:08.320
<v Speaker 3>on Kindergarten Cop, he was playing opposite Penelope and Miller,

1071
00:53:08.320 --> 00:53:10.519
<v Speaker 3>who was a bit of a pena deal anyway. It

1072
00:53:10.639 --> 00:53:12.719
<v Speaker 3>was her first Row movie, but she was ordering people around,

1073
00:53:12.800 --> 00:53:15.159
<v Speaker 3>especially the stunt guys. So, knowing that you had a

1074
00:53:15.159 --> 00:53:17.800
<v Speaker 3>scene together in a small, confined space for a long time,

1075
00:53:18.079 --> 00:53:21.239
<v Speaker 3>I made some spaghetti sauce for Arnold. I juiced up

1076
00:53:21.239 --> 00:53:24.440
<v Speaker 3>broccoli and Brussels sprouse and cauliflowered anything that gives you gas,

1077
00:53:24.599 --> 00:53:26.119
<v Speaker 3>and I poured it into the sauce and gave it

1078
00:53:26.159 --> 00:53:28.679
<v Speaker 3>to him for lunch. When they did lines, he began

1079
00:53:28.760 --> 00:53:32.960
<v Speaker 3>farting uncontrollably. Penelope complained of the director is saying, and

1080
00:53:33.000 --> 00:53:35.159
<v Speaker 3>that is him quoting her, I can't work with this.

1081
00:53:35.199 --> 00:53:40.000
<v Speaker 3>It's horrific and it stakes he just won't stop. The

1082
00:53:40.119 --> 00:53:42.440
<v Speaker 3>experishes by saying Arnold came up to me and grabbed

1083
00:53:42.400 --> 00:53:45.000
<v Speaker 3>me by the shoulders and said, Peter, oh no, what

1084
00:53:45.119 --> 00:53:50.840
<v Speaker 3>have you done to me? Yeah, he's like, somehow that

1085
00:53:50.880 --> 00:53:51.719
<v Speaker 3>was at the end of my career.

1086
00:53:51.760 --> 00:53:54.280
<v Speaker 2>But with fart since the spursed altar that sentence.

1087
00:53:54.519 --> 00:53:59.199
<v Speaker 4>That's that's not the first actress that's complained about. Yeah, yeah,

1088
00:53:59.280 --> 00:54:04.079
<v Speaker 4>so if a caes that happened in the days, right, So.

1089
00:54:04.039 --> 00:54:08.320
<v Speaker 3>If he's already having trouble like normally, then like if

1090
00:54:08.320 --> 00:54:13.639
<v Speaker 3>he gets something like that, like someone gassing him something. Yeah, Cassie,

1091
00:54:14.679 --> 00:54:19.639
<v Speaker 3>it's got to be bad. Arnold take Bino Bino good stuff.

1092
00:54:19.800 --> 00:54:22.079
<v Speaker 4>I don't know, I've heard of it. You should be

1093
00:54:22.119 --> 00:54:25.800
<v Speaker 4>the spokesperson, though. Yeah. I think he would be good

1094
00:54:25.800 --> 00:54:31.440
<v Speaker 4>at it, with the accent and everything. He takes the.

1095
00:54:31.440 --> 00:54:34.280
<v Speaker 3>Gas out is that there is that their slogan.

1096
00:54:35.119 --> 00:54:37.519
<v Speaker 4>I don't know. I just thought that that would sound

1097
00:54:37.559 --> 00:54:39.039
<v Speaker 4>like a Arnold thing to say.

1098
00:54:39.039 --> 00:54:41.239
<v Speaker 2>It does does sound like a pino.

1099
00:54:41.480 --> 00:54:47.800
<v Speaker 3>It won't be back, I got anyway. I like that one, okay.

1100
00:54:47.800 --> 00:54:49.679
<v Speaker 3>And then this last one is a random one, but

1101
00:54:49.840 --> 00:54:52.599
<v Speaker 3>it's a twenty twelve clip of Danny DeVito on The

1102
00:54:52.599 --> 00:54:55.639
<v Speaker 3>Graham Norton Show talking about Twins two. So he talked

1103
00:54:55.639 --> 00:54:58.199
<v Speaker 3>about Eddie Murphy being the third Twin before Graham Norton

1104
00:54:58.519 --> 00:55:01.119
<v Speaker 3>asks about the long gas between the two movies, and

1105
00:55:01.159 --> 00:55:03.920
<v Speaker 3>his response is funny anyway.

1106
00:55:03.920 --> 00:55:06.320
<v Speaker 2>The first one was I think nineteen eighty eight. So

1107
00:55:06.480 --> 00:55:07.880
<v Speaker 2>what it's taken so long?

1108
00:55:08.039 --> 00:55:10.840
<v Speaker 7>Well, you know, he became governor of the state of California.

1109
00:55:11.039 --> 00:55:14.360
<v Speaker 7>That was the stupidest thing in the world. I'm always

1110
00:55:14.360 --> 00:55:17.960
<v Speaker 7>pitching ideas, trying to get some movies made or whatever

1111
00:55:18.000 --> 00:55:20.119
<v Speaker 7>I'm doing, and I'm and I had them over my

1112
00:55:20.159 --> 00:55:22.400
<v Speaker 7>house for lunch and I said, you know, I had

1113
00:55:22.400 --> 00:55:26.199
<v Speaker 7>this idea for you know, a twins too. This was

1114
00:55:26.280 --> 00:55:30.079
<v Speaker 7>way back then, and we were talking and he said

1115
00:55:30.119 --> 00:55:33.079
<v Speaker 7>to me, you know that people have been asking him

1116
00:55:33.119 --> 00:55:34.920
<v Speaker 7>to become He's going to be made her up for

1117
00:55:35.039 --> 00:55:38.559
<v Speaker 7>governor of the state of California. And I just got

1118
00:55:39.039 --> 00:55:41.639
<v Speaker 7>it's so depressed. I said, this is ridiculous. Why are

1119
00:55:41.639 --> 00:55:42.280
<v Speaker 7>you going to do that?

1120
00:55:42.159 --> 00:55:43.000
<v Speaker 3>That's ridiculous.

1121
00:55:43.079 --> 00:55:45.679
<v Speaker 7>First of all, I was thinking, I wasn't really thinking

1122
00:55:45.719 --> 00:55:49.480
<v Speaker 7>about the state, you know, and how how could this

1123
00:55:49.519 --> 00:55:50.960
<v Speaker 7>guy run the state of California.

1124
00:55:51.360 --> 00:55:54.039
<v Speaker 3>I was thinking about, like, how much money.

1125
00:55:53.840 --> 00:55:55.920
<v Speaker 7>It's going to cost me if he doesn't do this movie.

1126
00:55:58.159 --> 00:55:59.840
<v Speaker 2>So I said to him, I said, Arnold, you're going

1127
00:55:59.880 --> 00:56:00.320
<v Speaker 2>to do this.

1128
00:56:00.360 --> 00:56:02.360
<v Speaker 7>You're gonna get up in the morning and you're gonna

1129
00:56:02.400 --> 00:56:05.360
<v Speaker 7>have a breakfast meeting if you're the if you're the governor,

1130
00:56:05.480 --> 00:56:08.920
<v Speaker 7>you're gonna have a brunch meeting. You have lunch with somebody.

1131
00:56:09.039 --> 00:56:10.960
<v Speaker 7>Then you got a meeting the afternoon. Then you got

1132
00:56:10.960 --> 00:56:12.920
<v Speaker 7>to figure out this and the fiscal that and the loser,

1133
00:56:13.400 --> 00:56:14.119
<v Speaker 7>all of this stuff.

1134
00:56:14.159 --> 00:56:16.119
<v Speaker 2>By the time you go to you come home, it's.

1135
00:56:16.039 --> 00:56:18.519
<v Speaker 7>Gonna, you know, be a dead man. I said, look

1136
00:56:18.559 --> 00:56:23.239
<v Speaker 7>at this Twins too, Governor.

1137
00:56:25.639 --> 00:56:26.719
<v Speaker 2>It turns out I was right.

1138
00:56:29.880 --> 00:56:32.880
<v Speaker 4>I thought they were doing Tracy Morgan there.

1139
00:56:32.920 --> 00:56:35.559
<v Speaker 3>This is twenty twelve, and they're not doing it at

1140
00:56:35.599 --> 00:56:40.360
<v Speaker 3>all anymore. Yeah, Like since Ivan Ryman died and Jason

1141
00:56:40.440 --> 00:56:49.039
<v Speaker 3>Raymond hates comedy, does he I have no idea, but

1142
00:56:49.719 --> 00:56:52.559
<v Speaker 3>that seems weird. Uh Swartz the hare said he stopped it,

1143
00:56:52.639 --> 00:56:53.760
<v Speaker 3>so he's.

1144
00:56:53.559 --> 00:56:55.199
<v Speaker 2>Got I just don't know how he would do that.

1145
00:56:55.360 --> 00:56:58.800
<v Speaker 3>Like I don't know either. That's weird that he would have.

1146
00:56:59.199 --> 00:57:01.599
<v Speaker 3>I don't know. Yeah, I guess like he must have,

1147
00:57:02.039 --> 00:57:02.760
<v Speaker 3>Like maybe he does.

1148
00:57:02.840 --> 00:57:03.199
<v Speaker 2>I don't know.

1149
00:57:03.239 --> 00:57:05.400
<v Speaker 3>That doesn't make sense, like he would have to it

1150
00:57:05.400 --> 00:57:07.400
<v Speaker 3>would have to be passed down him or maybe he's

1151
00:57:07.440 --> 00:57:09.519
<v Speaker 3>a producer going to be a producer on it or something.

1152
00:57:09.679 --> 00:57:10.480
<v Speaker 3>I don't know, Like.

1153
00:57:11.079 --> 00:57:13.519
<v Speaker 4>I just assumed he was in control of his stage.

1154
00:57:13.599 --> 00:57:16.880
<v Speaker 2>Yeah, but again, right men like Ivan Rightman would have

1155
00:57:16.960 --> 00:57:21.400
<v Speaker 2>had to have owned some sort of some part of

1156
00:57:21.480 --> 00:57:25.280
<v Speaker 2>the original movie. Like yeah, if it were to get

1157
00:57:25.280 --> 00:57:27.599
<v Speaker 2>passed down to him, Ivan Rightman would have had to

1158
00:57:27.719 --> 00:57:31.920
<v Speaker 2>own like the creative rights to something, whether it's the

1159
00:57:32.039 --> 00:57:35.400
<v Speaker 2>characters or whatever. Yeah, that seems very unlikely to be

1160
00:57:35.480 --> 00:57:36.920
<v Speaker 2>for a nineteen eighty eight movie.

1161
00:57:37.000 --> 00:57:41.639
<v Speaker 3>Well they did, I like remember they did, uh that

1162
00:57:41.800 --> 00:57:44.199
<v Speaker 3>split because they made the deal with the studio that

1163
00:57:44.400 --> 00:57:47.079
<v Speaker 3>was like where they would get a percentage of the

1164
00:57:47.599 --> 00:57:52.960
<v Speaker 3>sales they'd forego their their salaries. Sure that doesn't that's yeah,

1165
00:57:53.000 --> 00:57:53.559
<v Speaker 3>that's different.

1166
00:57:53.599 --> 00:57:56.360
<v Speaker 2>That doesn't usually include creative rights. Yeah, like that doesn't

1167
00:57:56.400 --> 00:57:57.360
<v Speaker 2>usually include I don't know.

1168
00:57:57.719 --> 00:58:00.639
<v Speaker 3>But he hem saying or blamed it on Jason Rightman,

1169
00:58:00.760 --> 00:58:05.719
<v Speaker 3>So I don't know. Yeah, maybe he just was pissed

1170
00:58:05.679 --> 00:58:08.039
<v Speaker 3>because you like caught him kissing when you're supposed to

1171
00:58:08.039 --> 00:58:11.920
<v Speaker 3>be like like, there was a fire, it was a

1172
00:58:12.159 --> 00:58:12.920
<v Speaker 3>there's a fire alarm.

1173
00:58:13.000 --> 00:58:15.239
<v Speaker 2>There was a fire. Yeah, should have been that was

1174
00:58:15.239 --> 00:58:15.760
<v Speaker 2>a real fire.

1175
00:58:16.000 --> 00:58:17.679
<v Speaker 3>You should have been outside you shouldn't have been making

1176
00:58:17.679 --> 00:58:19.320
<v Speaker 3>out in the in that room with the girl. You

1177
00:58:19.360 --> 00:58:21.719
<v Speaker 3>should not have been doing that. That was wrong, and

1178
00:58:21.800 --> 00:58:23.880
<v Speaker 3>all yelled at him, but this is like, you know,

1179
00:58:24.159 --> 00:58:26.079
<v Speaker 3>he's never really let it go since then.

1180
00:58:26.119 --> 00:58:27.840
<v Speaker 2>He's like, what are you doing, you little idiot?

1181
00:58:28.719 --> 00:58:28.840
<v Speaker 5>Oh?

1182
00:58:28.880 --> 00:58:30.679
<v Speaker 2>I thought you meant Jason rightman? Never let it go

1183
00:58:30.800 --> 00:58:32.079
<v Speaker 2>like man, I was late.

1184
00:58:33.400 --> 00:58:40.360
<v Speaker 3>Sorry, Yeah, yeah, bitch, I'll never make a movie with that.

1185
00:58:40.519 --> 00:58:46.320
<v Speaker 3>Abut to make a bucking motherfucker anyway. Okay, so that's

1186
00:58:46.360 --> 00:58:49.599
<v Speaker 3>it for the promo stuff and for the production stuff.

1187
00:58:49.960 --> 00:58:53.519
<v Speaker 2>Cool. Yeah, So well that's gonna do it for this episode.

1188
00:58:53.639 --> 00:58:55.400
<v Speaker 2>So join us next time when we.

1189
00:58:55.360 --> 00:58:58.360
<v Speaker 3>Do the summary, I think, yeah, the summary.

1190
00:58:58.800 --> 00:59:03.840
<v Speaker 2>Yeah, we're gonna do the summary. Sure, Yeah, anyway, join

1191
00:59:03.920 --> 00:59:06.719
<v Speaker 2>us next time. And I guess there's really just one

1192
00:59:06.719 --> 00:59:07.840
<v Speaker 2>thing left to say.

1193
00:59:08.079 --> 00:59:08.519
<v Speaker 3>Yeah.

1194
00:59:08.719 --> 00:59:08.920
<v Speaker 4>See.

1195
00:59:10.639 --> 00:59:13.159
<v Speaker 2>If you enjoy our show, please consider giving us a

1196
00:59:13.199 --> 00:59:17.079
<v Speaker 2>positive review on Apple Podcasts or your podcast app of choice.

1197
00:59:17.480 --> 00:59:20.199
<v Speaker 2>You can follow us on Twitter and Instagram at the

1198
00:59:20.239 --> 00:59:23.039
<v Speaker 2>Potty Richter to make sure you never miss an episode.

1199
00:59:23.239 --> 00:59:25.320
<v Speaker 2>See You with the Potty Richter is a production of

1200
00:59:25.360 --> 00:59:29.159
<v Speaker 2>tape Deck Media. Follow tape Deck on Instagram at tape

1201
00:59:29.159 --> 00:59:32.320
<v Speaker 2>deck Underscore Media or Look us up on Facebook for

1202
00:59:32.400 --> 00:59:33.880
<v Speaker 2>more hilarious podcasts.

1203
00:59:34.840 --> 00:59:38.079
<v Speaker 1>This has been a tape Deck Media production. Thank you

1204
00:59:38.199 --> 00:59:38.840
<v Speaker 1>for listening.
