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<v Speaker 1>The FBI in Peace and War.

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<v Speaker 2>The FBI in.

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<v Speaker 3>Peace and War Another great story based on Frederic lar

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<v Speaker 3>Collins copyrighted book, The FBI in Peace and War Drama,

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<v Speaker 3>Thrills action. Tonight's story dumb luck, Oliver.

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<v Speaker 2>I looked at the window.

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<v Speaker 3>Now was read your movie magazine? I read it. We'll

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<v Speaker 3>go in the club car and have a drink. I bloom, Amy,

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<v Speaker 3>I am trying to read the newspaper, flew Oliver walk.

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<v Speaker 2>In the air plane. This takes too long.

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<v Speaker 4>What are you reading?

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<v Speaker 3>Well, I'm reading about a Texas millionaire who dropped dead

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<v Speaker 3>two days ago and left three and a half million

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<v Speaker 3>dollars to a college with one hundred and seventy five students.

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<v Speaker 2>How much is that a piece? Am reading about dead people? For?

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<v Speaker 2>That's morbid?

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<v Speaker 3>Amy, go buy another movie magazine?

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<v Speaker 2>Why about dead people? Oliver?

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<v Speaker 3>It because my little idiot.

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<v Speaker 2>Girl, I don't think you should call me that, even joking.

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<v Speaker 3>Well, because, my dear, I don't see any reason why

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<v Speaker 3>that college would get all of the Texas millionaire's money.

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<v Speaker 1>I'd like some of it myself.

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<v Speaker 2>Who wouldn't Has he got wrote not a one? Poor guy?

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<v Speaker 1>Yeah, it's very sad, So how would you get.

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<v Speaker 2>Some of that money.

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<v Speaker 3>Well, I don't know his background yet, but he was

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<v Speaker 3>only forty nine, and it's always possible that he secretly

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<v Speaker 3>promised to marry or even married some poor girl, and

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<v Speaker 3>then died without ever mentioning that fact with.

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<v Speaker 5>The executors of his estate.

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<v Speaker 2>He had a girl.

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<v Speaker 3>Well, it's possible, isn't it. And when this poor deceived

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<v Speaker 3>little thing reads the paper, he's dead. Naturally, she's going

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<v Speaker 3>to turn up with her lawyer and with letters in

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<v Speaker 3>Charlie's handwriting, chow you the millionaire Charlie Emmett.

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<v Speaker 2>He deceived her?

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<v Speaker 5>Huh, Well, it's possible.

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<v Speaker 2>So where is she now?

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<v Speaker 3>Well, she may be right here in this compartment for

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<v Speaker 3>all I know where you, dear.

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<v Speaker 2>I never even heard of the guard that you mentioned

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<v Speaker 2>him as a.

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<v Speaker 6>Matter of that.

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<v Speaker 3>Yes, dear, I get it, or you do. Yeah, I'm here,

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<v Speaker 3>that's right, and you are Malaia right again.

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<v Speaker 2>How much could we get out of it, Oliver?

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<v Speaker 3>Well, if it worked enough to buy you a reversible

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<v Speaker 3>mink coat, who ever heard of it?

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<v Speaker 2>Jeezing, it'd be too hot a mink out.

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<v Speaker 3>Of it, probably would.

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<v Speaker 2>Yes, let me see the paper.

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<v Speaker 7>I told you what was in it?

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<v Speaker 4>I know, but if my boyfriend dropped dead all of

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<v Speaker 4>a sudden, at least I order read his notices.

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<v Speaker 1>Why Oliver Dean Santley wanted by our bureau or a

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<v Speaker 1>fraud and forgery was one of the most intelligent swindlers

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<v Speaker 1>in the business. During his various prison terms, he studied law,

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<v Speaker 1>practiced penmanship, read avidly on every subject under the sun,

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<v Speaker 1>and prepared himself for more swindles. His campaign to have

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<v Speaker 1>braud the estate of Charles Emmett of Texas was researched

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<v Speaker 1>down to the minutest detail. He spent days on county records,

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<v Speaker 1>looked up old newspapers, visited every town the Texas man

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<v Speaker 1>had lived there. With the full background and his girl

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<v Speaker 1>Amy standing by, Santley called on the executors of the

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<v Speaker 1>emit the state, and then he showed me these letters

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<v Speaker 1>from Charlie to the girl. I just wouldn't believe it.

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<v Speaker 1>I thought I knew all about chum. Are you assure sir?

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<v Speaker 5>Naturally?

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<v Speaker 1>I asked him some very pertinent questions.

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<v Speaker 5>Oh, he has the.

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<v Speaker 1>Facts offer, but how did mister Emmett. Of course, that's

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<v Speaker 1>the first thing I wanted to know. How did Charlie

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<v Speaker 1>manage to keep it secret, and why, well, why a

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<v Speaker 1>simple He didn't intend to keep it secret.

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<v Speaker 5>She lived in California and he was going to bring

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<v Speaker 5>her here.

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<v Speaker 1>Of course, she was associated with some nightclub. But Charlie

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<v Speaker 1>obviously intended to Marrier on his next trip West. This

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<v Speaker 1>lawyer who represents he's a California man, but it really

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<v Speaker 1>seems quite confident he studied our.

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<v Speaker 5>Statues, sorleft.

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<v Speaker 1>What is she asking for us? Well, we didn't come

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<v Speaker 1>to specific terms, but it sounded like two or three

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<v Speaker 1>hundred thousand. My guess is that we finally agree on

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<v Speaker 1>something between ten and twenty thousand. Of course, sir, the

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<v Speaker 1>estate is not legally liable in a manner like this.

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<v Speaker 1>I know it isn't, and so does her lawyer. He's

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<v Speaker 1>presented her claim quite frankly, on a nuisance basis, save

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<v Speaker 1>the estate bad publicity and save embarrassment to the university.

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<v Speaker 1>I suppose that is worth something.

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<v Speaker 5>I'm afraid it is.

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<v Speaker 1>Of course, I said we'd.

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<v Speaker 5>Want to talk with the young lady before we come

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<v Speaker 5>to any decision.

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<v Speaker 1>Naturally, I thought you might do that. Author be glad

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<v Speaker 1>from what I gather from mister Santley, she's not an

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<v Speaker 1>intellectual bombshell. You'll have to handle her with the techtile try, sir. Also,

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<v Speaker 1>it's possible that she's merely an adventuress who met Charlie

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<v Speaker 1>on one of his busines strips and is trying to

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<v Speaker 1>cash in on a good thing. But you said he

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<v Speaker 1>wrote her a letter.

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<v Speaker 5>Oh yes, he did.

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<v Speaker 6>You know.

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<v Speaker 1>In many ways Charlie was a brilliant man, but when

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<v Speaker 1>it came to women, that's off in the way, sir.

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<v Speaker 5>Yes, I'm afraid it is.

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<v Speaker 1>No man who has a million dollars ought to be

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<v Speaker 1>allowed to write anything but business letters, especially after age party.

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<v Speaker 3>All right, Now, where did you meet him? Amy?

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<v Speaker 4>I met Charles at the Club sixteen in Los Angeles,

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<v Speaker 4>where I was fulfilling and singing and engagement.

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<v Speaker 3>What's wrong now you're reciting it like you were reading it.

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<v Speaker 2>Well, I did read it off that paper he gave.

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<v Speaker 3>I know you did, Amy, But the idea is on No, no, no, no,

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<v Speaker 3>I can't take any more till after writ eat.

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<v Speaker 4>I'm sorry, Oliver, But once I learn about me and Charlie.

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<v Speaker 6>That's it.

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<v Speaker 1>That's the way to say it.

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<v Speaker 7>You and Charlie. That actually sounded as if you were

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<v Speaker 7>his girlfriend.

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<v Speaker 6>Certainly.

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<v Speaker 2>What you have to do, Amy is believe that.

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<v Speaker 3>Think of the exciting place as Charlie took you, how

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<v Speaker 3>much fun you had together, how sweet he was. How

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<v Speaker 3>one night you know about the palm springs?

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<v Speaker 1>And he said, gee, Amy, I.

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<v Speaker 2>Sure we'd love to see you in a natural, sober

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<v Speaker 2>blue mink cout Amy.

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<v Speaker 3>Charlie was a romantic guy, not a walking bank account.

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<v Speaker 2>Couldn't he express his romantic feelings in a practical way?

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<v Speaker 3>Come on, come on, let's eat.

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<v Speaker 4>Oh well, get it, Oliver, honest, I will. When do

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<v Speaker 4>I have to see the lawyer.

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<v Speaker 3>In a couple of days?

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<v Speaker 2>Could we have chop Suey tonight? Oliver? If they have

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<v Speaker 2>chopped Suey in Texas?

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<v Speaker 3>They have everything in Texas, everything, especially money, and I'd

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<v Speaker 3>like very much to get my hands on some of it.

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<v Speaker 1>Although there were very few leads on Santley, we did

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<v Speaker 1>get some encouragement when one of his victims gave us

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<v Speaker 1>a business calling card, but Santley had left while posing

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<v Speaker 1>as a lawyer. The address on the card was a

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<v Speaker 1>non existent number on a street in downtown Chicago, but

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<v Speaker 1>we figured that something must have prompted Santle to name

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<v Speaker 1>this street, so we began checking with Santlee's photograph. We

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<v Speaker 1>canvased building on the street in the nightclub. We finally

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<v Speaker 1>came up with something.

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<v Speaker 6>Let me see that picture again. Yeah, that's him, the

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<v Speaker 6>big blow hard. What's she wanted for a swindle?

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<v Speaker 3>I know it.

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<v Speaker 6>If I told her once, I told her a hundred times.

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<v Speaker 6>This guy is a phony layoff.

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<v Speaker 1>Told who mister Grogan, er Amy.

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<v Speaker 6>That dumb beell. But oh no, he's distinguished looking, she says.

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<v Speaker 2>And I say, who is Amy?

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<v Speaker 5>Mister Grogan?

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<v Speaker 6>She used to sell cigarettes here. She was so dumb.

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<v Speaker 6>I was keeping an eye on her.

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<v Speaker 1>I see, no, you don't.

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<v Speaker 6>This was strictly on the up and up. I'm not

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<v Speaker 6>the marrying kind, but.

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<v Speaker 1>If I had a been, I gather this young lady.

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<v Speaker 2>She did.

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<v Speaker 6>He called for her one night a year ago, and

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<v Speaker 6>she just never came back.

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<v Speaker 1>Have you any idea where they went, mister Grogan, Sure

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<v Speaker 1>I have.

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<v Speaker 6>I could practically give you a map. Every couple of months,

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<v Speaker 6>he sends me postcards. There ready wish you were here,

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<v Speaker 6>love Amy. We'd like to see those cards, mister Grogan.

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<v Speaker 6>I tear them up every time I get. When I'm

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<v Speaker 6>so mad, I tear it right up. But the last

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<v Speaker 6>one was from Dallas, Texas.

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<v Speaker 1>How long ago was that I don't remember.

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<v Speaker 6>A couple of weeks, maybe more.

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<v Speaker 5>You think she's still went sampley all.

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<v Speaker 6>She says on a postcard is dear Eddie, wish you

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<v Speaker 6>were here, love Amy. She puts her tea on wish.

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<v Speaker 1>But you're sure the last one was from Dallas.

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<v Speaker 6>I'm positive, mister Grogan.

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<v Speaker 1>Do you happen to have a picture.

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<v Speaker 2>Of the girl?

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<v Speaker 6>Yeah, yeah, I got one. Hey, but look, she's a

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<v Speaker 6>good kid. I don't want anything to happen to her

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<v Speaker 6>except she should learn or listen.

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<v Speaker 1>With the cooperation of the Dallas police, we began an

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<v Speaker 1>intensive search of the city. We didn't know, of course,

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<v Speaker 1>that Santley was working on a swindle in nearby fort Worth,

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<v Speaker 1>and that the former cigarette girl Amy was playing a leading.

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<v Speaker 5>Part in this.

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<v Speaker 4>And then when Charlie never wrote again, well, I just

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<v Speaker 4>got in my room and waited and waited.

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<v Speaker 1>I know how you must have felt, miss Harmon.

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<v Speaker 2>It was just awful. I'll bet I waited and waited

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<v Speaker 2>and then waited all. Bet you want to know anymore?

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<v Speaker 1>No, I think we have all the facts. We didn't

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<v Speaker 1>want to bother you but I'm sure mister Santley explained it.

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<v Speaker 2>Yeah he did. I said, I don't mind talking to

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<v Speaker 2>someone like you, mister Winters.

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<v Speaker 1>Well, thank you.

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<v Speaker 2>I always admire lawyers. They know everything.

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<v Speaker 1>Well, not quite.

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<v Speaker 2>You're kind of young to be a partner in or

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<v Speaker 2>aren't you, mister Winners.

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<v Speaker 1>Well, I'm thirty four. That's not very young.

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<v Speaker 2>That's practically a baby.

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<v Speaker 5>Do you think so?

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<v Speaker 2>Charlie was forty nine, Yes he was. He worked too hard,

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<v Speaker 2>didn't he. I'm afraid so you shouldn't work so hard,

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<v Speaker 2>mister Winters.

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<v Speaker 1>Oh, I'm afraid. That's the nature of our business. But look,

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<v Speaker 1>I don't have to work so hard that I couldn't

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<v Speaker 1>take a client. Well you aren't exactly a client, but well,

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<v Speaker 1>whatever your legal status, would you like to have lunch

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<v Speaker 1>with me?

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<v Speaker 5>Miss Harmon?

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<v Speaker 3>Now Act two of Tonight's story, Dumb Luck.

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<v Speaker 1>With pictures of Santley and Amy Harmon in the hands

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<v Speaker 1>of every law enforcement agency in the vicinity of Dallas.

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<v Speaker 1>Agent Reynolds and I began checking the fanciest hotels and

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<v Speaker 1>night spots. Sampley likes to be seen spending money in

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<v Speaker 1>the best places, And.

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<v Speaker 3>Then I thought we might go to the Blue palms

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<v Speaker 3>for dinner.

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<v Speaker 2>Oh I can't, Oliver, I got to eat with mister Winters.

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<v Speaker 3>Oh you do.

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<v Speaker 2>He says, you'd better talk to me again.

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<v Speaker 3>He talked to you yesterday, I know, and the day

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<v Speaker 3>before that.

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<v Speaker 5>Here I know.

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<v Speaker 2>He says there are a couple of things he wants

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<v Speaker 2>to clear up. I see you said I should go

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<v Speaker 2>along with him, didn't.

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<v Speaker 3>Jolifer, Yes, I did, and you've gone along very nicely. Amy.

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<v Speaker 3>Now I think it's time he returned to California.

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<v Speaker 2>I don't know anybody in California.

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<v Speaker 3>Oliver, Amy, dear, you're not actually going there. You're just

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<v Speaker 3>telling mister Winters that now you've handled your under the

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<v Speaker 3>deal beautifully. Now I come in and clean up.

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<v Speaker 1>Oh, Oliver, Yes, you.

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<v Speaker 2>Could get put in jail for what you were doing,

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<v Speaker 2>couldn't you now?

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<v Speaker 3>What brought that up? Nothing?

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<v Speaker 2>I've just been thinking, that's all.

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<v Speaker 7>Oh you have.

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<v Speaker 2>You don't think I can think?

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<v Speaker 3>Do you?

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<v Speaker 1>Of course I do.

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<v Speaker 2>Now you don't. But mister Winter says, I'm very perceptive.

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<v Speaker 2>You're what What does that mean, Oliver?

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<v Speaker 7>It means that mister Winters does in no trouble when

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<v Speaker 7>he sees it, As.

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<v Speaker 1>Is often the case, our big break in the search

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<v Speaker 1>for Santley came from an unexpected source. An elderly man

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<v Speaker 1>who worked in the back newspaper for a room at the

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<v Speaker 1>Dallas Library saw Santley's picture in the post office and

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<v Speaker 1>called at our Dallas office.

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<v Speaker 6>And he came into my room three or four times

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<v Speaker 6>for back upies of the papers.

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<v Speaker 5>Do you know what he was looking for, mister Harris.

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<v Speaker 6>Yes, sir, I do, because I helped him. He said

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<v Speaker 6>he was doing a magazine article of mister Charles Emmitt,

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<v Speaker 6>and mister emmittt made all that money in oil.

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<v Speaker 1>Is that the man who died just about a month ago?

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<v Speaker 6>Yes, sir, he was only forty nine when he dropped

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<v Speaker 6>stone dead in his office chair when I said commentary

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<v Speaker 6>on the herd of Burley of.

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<v Speaker 5>Modern Living, Yes it is.

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<v Speaker 6>I'm seventy seven. Now we exactly the same as I

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<v Speaker 6>did today. I graduated from high school.

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<v Speaker 1>That's remarkable, now, could you tell us, mister Harris?

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<v Speaker 6>I attributed it mostly to a substantial breakfast and at

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<v Speaker 6>least one egg days, sometimes two eggs.

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<v Speaker 1>Mister Harris, do you happen to have a copy of

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<v Speaker 1>the paper on the day Emmett died?

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<v Speaker 6>Yes, sir, we do.

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<v Speaker 5>May we see it? Please?

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<v Speaker 6>Of course, sit down, gentlemen, only take a minute.

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<v Speaker 5>How do you figure the ankle? Steve?

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<v Speaker 1>Well, if he gotta swindle the dead man, he certainly

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<v Speaker 1>would have. But barring that a dead man's estate, it's

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<v Speaker 1>as good a guess as any Yeah, how where does

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<v Speaker 1>this cigarette girl fit him?

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<v Speaker 5>Amy? Yeah?

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<v Speaker 1>What about Amy Harmon's Harmon?

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<v Speaker 3>Yes?

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<v Speaker 1>Did you did you enjoy your steak?

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<v Speaker 4>It was delicious?

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<v Speaker 1>You didn't eat very much.

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<v Speaker 2>I'm not hungry.

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<v Speaker 1>What are you thinking about, miss Harmon?

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<v Speaker 4>About last night when you were asking me what did

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<v Speaker 4>I want most of anything?

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<v Speaker 1>Oh?

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<v Speaker 2>I used to think that.

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<v Speaker 4>If I had a mink coat, I wouldn't want anything.

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<v Speaker 2>Else in the world.

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<v Speaker 4>Know, all of a sudden, Yes, I don't know what

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<v Speaker 4>I want? Oh, except maybe a vacuum cleaner.

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<v Speaker 1>Uh, a vacuum cleaner?

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<v Speaker 5>Yeah?

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<v Speaker 2>Still ask me why? I don't know?

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<v Speaker 5>What do you want?

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<v Speaker 2>Mister Winters?

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<v Speaker 3>Me?

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<v Speaker 1>Yeah, I want you to have dinner with me again

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<v Speaker 1>tomorrow night and the next time after that.

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<v Speaker 2>I can. I'm going back to California.

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<v Speaker 1>What but miss Harmon, Amy, you can't go so soon.

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<v Speaker 2>We got my ticket already. I'm going in the morning.

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<v Speaker 1>We've got so much to talk about. Yeah, I know,

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<v Speaker 1>stay one more week. I can't. Three days, I can't.

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<v Speaker 4>Mister, my name is Author, I can't, honest, Author, I'd

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<v Speaker 4>like to Amy.

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<v Speaker 1>Stay one more day. There's something very important I want

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<v Speaker 1>to ask you. But there are other considerations relating to

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<v Speaker 1>a family situation and certain people. Amy, stay one more day, please, Amy,

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<v Speaker 1>just twenty four hours?

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<v Speaker 2>Well, I guess I could stay that much. Twenty four hours.

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<v Speaker 2>Couldn't hurt anybody credit.

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<v Speaker 1>Within twenty four hours of our visit to the library,

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<v Speaker 1>we were in the offices of Gordon and Winter's, a

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<v Speaker 1>law firm which was acting as executor of the Emity State.

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<v Speaker 1>We gave mister Gordon the facts on Oliver Sangley and

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<v Speaker 1>his partner, Miss Amy Harmon. I'm afraid my partner, mister Winters,

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<v Speaker 1>is going to be very upset about this. He he

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<v Speaker 1>seems to have developed a genuine infection for this young lady.

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<v Speaker 1>We've only seen her picture, but he's obviously attracted, quite

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<v Speaker 1>and warm hearted. A matter of fact, I rather took

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<v Speaker 1>to him myself. She reminded me, well, never mind, that's immaterial.

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<v Speaker 1>Where is mister Winters now? Mister Gordon, we'd like to

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<v Speaker 1>talk to him too.

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<v Speaker 3>Well.

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<v Speaker 1>Now, I'm sure this won't surprise you, but he happens

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<v Speaker 1>to be with miss Harmon right now. She was supposed

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<v Speaker 1>to return to California today and mister Winter's persuaded her.

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<v Speaker 5>For Arthur, he's really going to take this hard.

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<v Speaker 1>Do you know where they've gone, mister Garden?

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<v Speaker 7>Yes?

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<v Speaker 1>I told him to go out to my country club.

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<v Speaker 1>We have a swimming pool out there in an excellent kitchen,

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<v Speaker 1>and my partner, mister Winters, is thirty four years old

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<v Speaker 1>and as far as I know, has been extremely shy

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<v Speaker 1>of women.

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<v Speaker 5>Oh, this is going to be Yes, Arthur, where.

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<v Speaker 1>Are you in my office?

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<v Speaker 2>Sir?

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<v Speaker 1>I just got in.

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<v Speaker 5>I thought you're out my.

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<v Speaker 1>Club, I was, sir, but now I'm here in my office. Well,

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<v Speaker 1>come right in now, will you author this important?

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<v Speaker 7>Yes?

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<v Speaker 2>Sir?

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<v Speaker 5>Oh this is very peculiar. Gentlemen, Do you mind if

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<v Speaker 5>I handle it any way you want? Mister Gardner, thank

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<v Speaker 5>you very much.

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<v Speaker 1>I just wish I knew what there was to handle them.

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<v Speaker 5>No, Arthur, come in, Come in, Arthur. This is Agent

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<v Speaker 5>Stevens and Agent Reynolds of the FBI.

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<v Speaker 3>FBI.

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<v Speaker 1>Yes, I'm afraid I have bad news.

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<v Speaker 5>For you author. Miss Harmon already.

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<v Speaker 1>Only, sir, on the way to the country club, he

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<v Speaker 1>told you, yes, or the whole swindle. She couldn't go

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<v Speaker 1>through with it. When she got through telling me she

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<v Speaker 1>had such a headache, we stopped at the drug store

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<v Speaker 1>for asburn. She went in the front way and out

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<v Speaker 1>the back. I've been looking for all day. I suppose you,

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<v Speaker 1>gentlemen they are. I don't feel very well, sir. In fact,

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<v Speaker 1>I'm gonna be quite ill. Will you excuse me from

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<v Speaker 1>all of course, I'll be right back.

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<v Speaker 5>This Gordon.

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<v Speaker 1>We're going to pick up Sadly the girl might want him.

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<v Speaker 5>Yes, I think that would be advisable. Oh, poor UPA.

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<v Speaker 5>He's really taking it hard, isn't he.

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<v Speaker 1>We picked up Oliver Santley at his hotel, and several

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<v Speaker 1>days later we found Miss Harmon after she'd gone to

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<v Speaker 1>Chicago to get back her old job. Miss Harmon was

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<v Speaker 1>arrested and remanded to jail to face formal charges. During

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<v Speaker 1>the first day in jail, she had a visitor, Good morning, Amy.

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<v Speaker 2>So what are you doing here?

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<v Speaker 1>With your permission? Amy? I'd like to represent you in

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<v Speaker 1>this action? What's that?

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<v Speaker 2>Uh?

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<v Speaker 1>I want to handle your case as your lawyer. Oh

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<v Speaker 1>h that is if you're not already represented.

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<v Speaker 4>I'm not represented.

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<v Speaker 5>Good.

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<v Speaker 1>Then let's go over the details so.

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<v Speaker 2>That Arthur, you didn't have to do there.

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<v Speaker 1>Yes, I did teach you. Yes, I I think undue

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<v Speaker 1>influence has been brought to bear on you by mister Sandley,

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<v Speaker 1>that you were coerced into this act, which I feel

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<v Speaker 1>I can convince a jury was and is repugnant to

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<v Speaker 1>your nature.

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<v Speaker 2>What does that mean? Oh, I say you can kill

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<v Speaker 2>me on.

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<v Speaker 1>I'm gonna try.

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<v Speaker 2>Oh why so, I think I'm going to cry?

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<v Speaker 1>Well, that's all right, go right ahead. We have half

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<v Speaker 1>an hour. Oh oh yes, poor kid?

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<v Speaker 5>Am I I think?

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<v Speaker 2>So? What Arthur?

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<v Speaker 4>Yes, do you want to kiss me?

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<v Speaker 1>Yes? But not now, Amy. First, we've got to figure

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<v Speaker 1>out what we're gonna tell the jury. Miss Amy Harmon,

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<v Speaker 1>ably defended by her lawyer Arthur Winters, was given a

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<v Speaker 1>one year suspended sentence by a sympathetic judge, but Oliver Santley,

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<v Speaker 1>whose long records spoke for itself, was sent to a

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<v Speaker 1>federal penitentiary for five years. We haven't checked up on

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<v Speaker 1>Miss Harmon since the case, but we feel sure she's

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<v Speaker 1>still enjoying dumb luck.

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<v Speaker 3>And Tonight's story to Rita about pray. The thought of

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<v Speaker 3>Amy Harmon Martin's Lane was author Winters. This radio dramatization

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<v Speaker 3>for the FBI in Peace and War was written by

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<v Speaker 3>Louis Pellettiers. These programs are produced and directed by Betty Manderville.

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<v Speaker 3>All names in characters used on the program are fictitious.

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<v Speaker 3>Any similarity to person's living or dead is purely for Wincinnati.

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<v Speaker 5>This program is based.

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<v Speaker 3>Upon Frederic Lacollins copyrighted book The FBI in Peace and War,

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<v Speaker 3>and the broadcast does not imply endorsement, authorization, or approval

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<v Speaker 3>by the Federal Bureau of Investigation. This is Warren Sweety

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<v Speaker 3>inviting you to listen to next week's story, The Ugly

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<v Speaker 3>Duckling on the FBI in Peace and War
