WEBVTT

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<v Speaker 1>There are movies that dominate the box office, there are

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<v Speaker 1>movies that win auscars, and then there are movies that

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<v Speaker 1>quietly alter nation's memory.

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<v Speaker 2>Glory wasn't the biggest movie in nineteen eighty nine. It

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<v Speaker 2>didn't become a merchandising empire, it didn't spawn sequels. But

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<v Speaker 2>more than thirty five years later, if you ask Americans

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<v Speaker 2>about the fifty fourth Massachusetts Infantry Regiment, there's a good

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<v Speaker 2>chance they're not remembering a history book.

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<v Speaker 1>They're remembering Matthew Broderick carrying a flag.

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<v Speaker 2>They're remembering Morgan Freeman's quiet dignity.

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<v Speaker 1>They're remembering Denzel Washington staring through tears after being flogged.

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<v Speaker 2>They're remembering James Horner's music as an all black regimen

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<v Speaker 2>marched toward almost certain death.

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<v Speaker 1>This is the story of a movie that didn't just

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<v Speaker 1>entertain people. It taught millions of Americans a chapter of

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<v Speaker 1>their own history, and in so doing, it became iconic.

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<v Speaker 1>This is accidental legends, and today we focus on the

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<v Speaker 1>nineteen eighty nine classic Glory.

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<v Speaker 3>They said it wouldn't last, just leave it on the shells, but.

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<v Speaker 1>Miss it's from the past to the.

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<v Speaker 3>Cental legis craziness.

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<v Speaker 4>It guy from me forgot it.

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<v Speaker 2>So the shots shot.

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<v Speaker 5>Sentential legends.

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<v Speaker 1>True if it shot.

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<v Speaker 4>This show.

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<v Speaker 2>For you, accidental show mad. It is so good to

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<v Speaker 2>be back in cul de Sac Studios. I feel like,

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<v Speaker 2>even though it's been two weeks, I feel like it's

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<v Speaker 2>been almost an eternity since we've been doing this.

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<v Speaker 1>It has been a while. I see how you kind

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<v Speaker 1>of just snuck that in the cul de Sac Studios.

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<v Speaker 2>Yes, that's our new studio location. A lot of things

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<v Speaker 2>have happened in season two. We've gotten better equipment, and

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<v Speaker 2>I forgot to tell you that we actually have a

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<v Speaker 2>new studio built.

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<v Speaker 1>I haven't seen that or seen the bill on it,

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<v Speaker 1>so I'm assuming you're covering that on which is fine.

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<v Speaker 1>That's good.

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<v Speaker 2>It's a studio of the mind. Open your mind and

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<v Speaker 2>just be there. Be in the studio, be the ball mat,

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<v Speaker 2>be in the studio. But nonetheless, it really is good

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<v Speaker 2>to be back. We've had probably a lot of just

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<v Speaker 2>life happening, you know, between Memorial Day holidays. I've got

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<v Speaker 2>a lot of birthdays in my family. In April, of course,

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<v Speaker 2>there was Mother's Day. This is big news. We just

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<v Speaker 2>helped move my younger son Alex into his first apartment.

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<v Speaker 2>Jen and I are officially empty nesters.

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<v Speaker 1>Welcome to the club, sir. The water is good over here.

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<v Speaker 1>You should try it out, get used to it, and

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<v Speaker 1>then we'll have a status report on that deal.

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<v Speaker 2>Well, just so you know, I love my kids and

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<v Speaker 2>this is a little bit of an adjustment, but it's

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<v Speaker 2>a very healthy adjustment, and I'm very excited for what's

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<v Speaker 2>next for him and for geninized. Now we're back to work.

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<v Speaker 1>And I never get sad, well maybe a little bit sad,

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<v Speaker 1>but I mean, when kids do what they're supposed to do.

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<v Speaker 1>Kids are supposed to graduate from school, they're supposed to

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<v Speaker 1>get through the next stage, whatever that is. It's it's

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<v Speaker 1>college or trade school or internships or whatever. When they

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<v Speaker 1>move out and they go to a different place to live,

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<v Speaker 1>those are all natural things. That just means that we

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<v Speaker 1>did our job. You and gen y'all did your job

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<v Speaker 1>with your boys. So guess what they're leaving the nest.

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<v Speaker 1>There is no failure to launch on that deal, which

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<v Speaker 1>good job.

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<v Speaker 2>Well, thank you. It is glorious to watch you see

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<v Speaker 2>what I did say that.

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<v Speaker 1>I see at Yeah, yeah, I'm falling. This is accidental

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<v Speaker 1>legends everybody. Thanks for listening. We want to ask you

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<v Speaker 1>to like and subscribe on your podcast service. You might

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<v Speaker 1>be listening to us on Apple, on Spotify, on Spreaker,

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<v Speaker 1>on Prime, whatever your podcast service is, please like and subscribe.

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<v Speaker 1>We drop every week Tuesday at midnight. It might be twelve,

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<v Speaker 1>it might be two five. Sometimes it might be as

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<v Speaker 1>late as twelve thirty. That's generally the time that we launch.

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<v Speaker 1>And there are no more breaks this year, Derek. We're

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<v Speaker 1>going straight through to the end of the year, every

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<v Speaker 1>single week until our mouths drop off, or our hands

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<v Speaker 1>fall off or our computer stop working. Is that about right?

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<v Speaker 1>No pressure, No pressure at all. So also reach out

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<v Speaker 1>to us and email us at Accidental legendspod at gmail

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<v Speaker 1>dot com. That's two l's, one ending and accidental and

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<v Speaker 1>one beginning in legends. Accidental Legends pod at gmail dot com.

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<v Speaker 1>Send us an email. Hey, if you've got our phone numbers,

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<v Speaker 1>use them, lose them, whatever, send us a text. We'd

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<v Speaker 1>love to talk to you about your takes and your

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<v Speaker 1>thoughts on this week's podcast.

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<v Speaker 2>Before we jump into the movie stuff, I want to

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<v Speaker 2>ask you a question when or what was your first

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<v Speaker 2>experience with the Civil War.

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<v Speaker 1>So this would have been around seventh grade and I

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<v Speaker 1>had a history teacher and we didn't even really cover

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<v Speaker 1>the Civil War that year, but she just kind of

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<v Speaker 1>gave us teasers for the eighth grade year. But she

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<v Speaker 1>it was interesting enough to me that I was just

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<v Speaker 1>really really interested in what is the Civil War is?

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<v Speaker 1>What is all of this stuff? I knew about the

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<v Speaker 1>Revolutionary War, but the Civil War that was a new

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<v Speaker 1>thing to this little seventh grader, So I was very

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<v Speaker 1>interested to find out what it was all about. Yeah,

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<v Speaker 1>I think for me it was. It was a very

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<v Speaker 1>high level at school. I can tell you I did

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<v Speaker 1>learn the hard way that the Gettysburg address is not

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<v Speaker 1>seventeen thirty three, so it is. I did not get

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<v Speaker 1>a good grade on that test. But the classes were

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<v Speaker 1>very high level, North versus South. It was for slavery,

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<v Speaker 1>they fought. It was the bloodiest war, what on us soil.

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<v Speaker 2>That's about all I remember. My family never really talked

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<v Speaker 2>about it much. You know, my family was all about

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<v Speaker 2>war war too, because of your grandparents. And I don't

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<v Speaker 2>even know if my descendants got here before or after

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<v Speaker 2>the Civil War periods. So I'm just not up on

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<v Speaker 2>my ancestry dot com. Yeah, That's my long answer is

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<v Speaker 2>I just I did not think about it much, and

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<v Speaker 2>I don't remember studying it much.

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<v Speaker 1>It's been a lifelong interest for me. I even took

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<v Speaker 1>a Civil War class in college. But here's the other thing.

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<v Speaker 1>My miner in college was history. There was a part

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<v Speaker 1>of me that wanted to be a history professor because

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<v Speaker 1>all of the teachers that made huge impacts on me,

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<v Speaker 1>for the most part, were history teachers going later in

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<v Speaker 1>high school and into my earlier college years. So hey,

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<v Speaker 1>history professor sounded good to me because I loved the

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<v Speaker 1>storytelling aspect to all of that, and I think Glory

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<v Speaker 1>hits on some of that. We're going to get into

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<v Speaker 1>that later. Where did you see it? If you saw

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<v Speaker 1>it at all, this is going to be a shock

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<v Speaker 1>to you. I do not remember where I first saw it.

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<v Speaker 1>I remember all the infantry of the fifty fourth. They're

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<v Speaker 1>singing and testifying and praying, and they're clapping their hands

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<v Speaker 1>and saying, oh, my lord, Lord Lord. That has been

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<v Speaker 1>something that I have quoted and sung for probably the

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<v Speaker 1>since nineteen eighty nine. I mean, it's that familiar to me.

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<v Speaker 2>I remember when I saw it. The first time I

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<v Speaker 2>saw it was two days ago, and let me kind

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<v Speaker 2>of explain that. You know, this came out in nineteen

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<v Speaker 2>eighty nine. I was senior in high school, and to

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<v Speaker 2>be quite frank, I was doing senior stuff and the

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<v Speaker 2>only movies I was really interested in were the big

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<v Speaker 2>franchise things. You had Indiana Jones coming out that year,

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<v Speaker 2>you had the first Batman movie. There was a lot

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<v Speaker 2>of exciting, big time films that were coming out, and

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<v Speaker 2>to be honest, I was not into dramas at that age.

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<v Speaker 2>So I remember the trailer. I remember seeing the poster

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<v Speaker 2>for Glory, and I just kind of went just because

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<v Speaker 2>it just looked like a drama. I'd rather go see

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<v Speaker 2>the new Batman. I gotta check that out. Now go

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<v Speaker 2>a little forward. My older son, Sean, when he was

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<v Speaker 2>in high school, he came home and told me about

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<v Speaker 2>this movie. Have you seen Glory? And I go, I

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<v Speaker 2>think I've heard the name. He goes, It's one of

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<v Speaker 2>my favorite movies. It is so good historically. You have

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<v Speaker 2>got to see this and.

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<v Speaker 1>Yet again, wow, okay Sean, Yeah, he.

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<v Speaker 2>Saw it like again and again, or I think he

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<v Speaker 2>rented the DVD back then and would watch it, and

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<v Speaker 2>I said, okay, I'll watch it, so it's always been

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<v Speaker 2>on my list, but not until we started this topic

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<v Speaker 2>when you said I want to do Glory, and I go, well,

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<v Speaker 2>this gives me an opportunity.

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<v Speaker 1>It's kind of funny because I just happened to catch Glory.

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<v Speaker 1>I think on some streaming service. Was it Prime?

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<v Speaker 2>I rented it on Prime a couple of days ago,

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<v Speaker 2>so I don't know. I think it's on MGM Plus

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<v Speaker 2>and I said, nah, I'll just rent it, and that's fine.

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<v Speaker 1>Maybe I caught it on one of our seven thousand

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<v Speaker 1>streaming platforms. But I thought, huh, Glory, I wonder if

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<v Speaker 1>that's an accidental legend. So I started doing a little

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<v Speaker 1>bit of research and lo and behold, we were onto something.

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<v Speaker 1>And I enjoyed the movie enough, and I thought it

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<v Speaker 1>was more nineties. I thought it was early nineties, and

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<v Speaker 1>then I found out, nope, it is nineteen eighty nine.

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<v Speaker 1>Square slap dab in the middle of Michael Keaton's Batman

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<v Speaker 1>coming out, the Last Crusade coming out, And it feels

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<v Speaker 1>late to me. But it's like you said, lead the

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<v Speaker 1>Weapon two even was coming out in eighty nine. I

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<v Speaker 1>thought that was more like eighty seven, But you know,

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<v Speaker 1>don't count me on trivia.

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<v Speaker 2>No, I get it.

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<v Speaker 1>So this concept of black Civil War troops, did you

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<v Speaker 1>know anything about that? I had never heard of the

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<v Speaker 1>concept early on. When I first started seeing it, it

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<v Speaker 1>was definitely my first exposure to Hey, there were black

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<v Speaker 1>infantry regimens fighting for the Union, obviously not fighting for

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<v Speaker 1>the Confederacy, but fighting for the Union. They existed, and

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<v Speaker 1>they had a significant impact on the course of the war.

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<v Speaker 2>No, I had no idea. I didn't really get into,

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<v Speaker 2>I guess, deeper dives of history until I got into college,

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<v Speaker 2>and the history I enjoy is more of the what

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<v Speaker 2>I call micro history stories, like well, there was a

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<v Speaker 2>movie a while back with Gary Oldman about Winston Churchill,

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<v Speaker 2>and it wasn't about his whole life, it was about

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<v Speaker 2>one week. Dunkirk's another one. I really love the stories

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<v Speaker 2>that just really zooms in and says, this is a

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<v Speaker 2>moment with real people and real things happening. It's not

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<v Speaker 2>just dates and places, because that just always bored me.

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<v Speaker 1>So Heartbreak ridges that way too. Yes.

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<v Speaker 2>Yeah, So in a way, I'm kind of glad I

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<v Speaker 2>saw it now instead of then, because I think it

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<v Speaker 2>definitely hits better as an adult for me than it

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<v Speaker 2>would have. As eighteen year old dark, I would have

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<v Speaker 2>probably no question. Yeah, I don't think it would have

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<v Speaker 2>impacted me at all. At eighteen, I would have just

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<v Speaker 2>walked out the theater going, that was cool. Okay, that

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<v Speaker 2>was great. I mean it wasn't cool, but you know

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<v Speaker 2>what I mean, you just kind of go, huh, I'm eighteen,

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<v Speaker 2>and when are we going to go see the Last Crusade?

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<v Speaker 1>You know, right, well, when we were you know, eight,

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<v Speaker 1>I mean eighty nine. I was, I think I was sixteen,

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<v Speaker 1>and I didn't know who Denzel Washington was. I didn't

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<v Speaker 1>know who Morgan Freeman was. I didn't know I barely

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<v Speaker 1>knew that, you know, Wesley from The Princess Bride was

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<v Speaker 1>in this. I definitely knew Ferris Bueller was in it.

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<v Speaker 1>But the scope of the cast and the real meaning underneath,

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<v Speaker 1>I mean, listen, I was just trying to get girls

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<v Speaker 1>and comb my mullet and get the zits off of

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<v Speaker 1>my face. I could not grasp the significance of the

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<v Speaker 1>very first because the fifty fourth was the very first

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<v Speaker 1>black infantry regimen.

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<v Speaker 2>And to be fair in your comment about the casting,

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<v Speaker 2>I'm sure you'll get into this later, but you had

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<v Speaker 2>no reason to know who any of these people were yet,

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<v Speaker 2>except maybe Matthew Broderick, and except for maybe Wesley from

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<v Speaker 2>The Princess Bride. I always forget his name, but I'm

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<v Speaker 2>sure that'll come, you know, later on down in the discussion.

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<v Speaker 2>But now there's no harm, no foul on not knowing

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<v Speaker 2>who these people were yet.

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<v Speaker 1>So do you think civil war movies have always been

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<v Speaker 1>a tough sell? I mean, you're the movie guy. In

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<v Speaker 1>the scope of movie making, there's just I can't think

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<v Speaker 1>of a ton of civil war movies.

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<v Speaker 2>No, I can't either. I mean, the only one I

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<v Speaker 2>can think off the top of my head is Dances

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<v Speaker 2>with Wolves, and that's just grazing the Civil War. That's

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<v Speaker 2>not even a civil war movie. You know, it could be.

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<v Speaker 2>I've got to I think about a couple of things

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<v Speaker 2>that can hamper it. Number one, especially now you've got

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<v Speaker 2>a lack of global appeal. You know, Hollywood's trying to

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<v Speaker 2>market movies for the whole world, not just the US,

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<v Speaker 2>and I would guess that civil war movies it's kind

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<v Speaker 2>of a domestic subject, but it may be difficult to

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<v Speaker 2>market worldwide. You know another thing, I think see that

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<v Speaker 2>you know another thing, I think about is a lot

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<v Speaker 2>of these kind of historical period films, they tend to

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<v Speaker 2>require a meticulous amount of costuming and physical set design.

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<v Speaker 2>The budgets can get a little high. Yeah, maybe a

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<v Speaker 2>little different now with CGI, But I mean in nineteen

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<v Speaker 2>eighty nine, you're building all of these things. I mean,

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<v Speaker 2>all those people you see out there in the field.

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<v Speaker 2>Every single costume had to be made, every single actor

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<v Speaker 2>had to be paid. So that could be a little

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<v Speaker 2>bit of a downside too, maybe some politics involved. I

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<v Speaker 2>don't really recall the eighties being much of a polarizing

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<v Speaker 2>politics situation like it is today, So you know that

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<v Speaker 2>may not even have an issue with it, But at

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<v Speaker 2>least the first two points I think for sure.

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<v Speaker 1>Yeah, I can see that. And I don't believe we're

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<v Speaker 1>going to talk about this. This is just kind of

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<v Speaker 1>something I'm pulling off the general research that I was doing.

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<v Speaker 1>But I believe the movie starts with Antietam. Is that correct?

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<v Speaker 1>Am I remembering that right? Yes, the Battle of Antietam.

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<v Speaker 1>But it wasn't filmed that Antietam. It was filmed in Gettysburg,

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<v Speaker 1>So all of that geography that you see is Gettysburg.

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<v Speaker 1>Just kind of a little interesting, useless tidbit. That's why

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<v Speaker 1>I didn't make it into the show notes.

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<v Speaker 2>Just one more thing I was thinking of is there's always,

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<v Speaker 2>especially at this time, an originality problem. Movies that are

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<v Speaker 2>nonfranchise original stories. It's a bet. And right at this point,

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<v Speaker 2>they're investing everything into Batman. You've got, like you said,

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<v Speaker 2>Leath the Weapon two Indiana Jones. That's like the third one.

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<v Speaker 2>You know, the Last Crusade is coming out years earlier,

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<v Speaker 2>you had Ghostbusters two Star Trek five. Original projects are

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<v Speaker 2>always risky, which is a shame because think about it, Matt.

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<v Speaker 2>Right now we're seeing a continued diminishing of margin for

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<v Speaker 2>Hollywood projects. All we're seeing right now is sequels, prequels, sidebars,

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<v Speaker 2>spin offs, and when you look at the box office numbers,

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<v Speaker 2>it's just getting smaller and smaller. I really think Hollywood

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<v Speaker 2>should think about originality.

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<v Speaker 1>And think about it.

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<v Speaker 2>You're and I show right here it's based on originality.

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<v Speaker 2>It's that originality that create legends.

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<v Speaker 1>I agree with that. And can I just give you

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<v Speaker 1>a little pet peeve?

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<v Speaker 2>Yeah, hit me.

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<v Speaker 1>The Hollywood pet peeve for me is the remake. So

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<v Speaker 1>you're telling me that we do not have enough creativity

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<v Speaker 1>in our bones. We do not have enough creative writers,

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<v Speaker 1>creative thinkers that we can come up with new ideas.

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<v Speaker 1>We have to take an old idea, an old movie,

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<v Speaker 1>dust it off and make it brand new. And we're

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<v Speaker 1>gonna change the character arc. We're gonna change this, we're

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<v Speaker 1>gonna change that. And it's not huge things, but taken

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<v Speaker 1>all together, it's noticeable. And that has always been aggravating

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<v Speaker 1>to me. Come up with the new thing. Let's do

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<v Speaker 1>something new. You get paid big bucks to write new things,

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<v Speaker 1>not adapt old things.

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<v Speaker 2>Right, Well, this movie is certainly an original film. It's

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<v Speaker 2>an original story, and it opened my eyes of a

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<v Speaker 2>part of history I didn't know about. So why don't

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<v Speaker 2>you kind of set us up and tell me a

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<v Speaker 2>little bit about how this movie came to be.

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<v Speaker 1>It's actually a cool story because Glory almost didn't exist

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<v Speaker 1>because no one knew about it. No one knew that

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<v Speaker 1>the fifty fourth existed. Producer Freddie Fields screenwriter Kevin Jarr

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<v Speaker 1>were in Boston on completely unrelated business and they came

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<v Speaker 1>across the Magnificent I'm told Augustus Saint Gauden's Memorial to

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<v Speaker 1>Colonel Robert Shaw and the fifty fourth Massachusetts, and apparently

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<v Speaker 1>it's breathtaking. I've seen pictures of it, but you know,

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<v Speaker 1>until you get to a spot, you missed the gravitas

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<v Speaker 1>of what's happening in that place. But the bronze soldiers

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<v Speaker 1>marched behind Shaw on horseback alongside, or the inscriptions describing

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<v Speaker 1>their sacrifices, the prejudice they endured, their legacy. Supposedly, if

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<v Speaker 1>you look at the monument closely, it basically outlines the

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<v Speaker 1>movie as it happened. I don't know if you caught

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<v Speaker 1>that in your research, but according to the story, both

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<v Speaker 1>men were just astonished. They had no idea. They said,

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<v Speaker 1>we didn't know black soldiers fought in the Civil War.

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<v Speaker 1>How have we never heard of this? And so they

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<v Speaker 1>stumbled across one of America's great history stories by accident,

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<v Speaker 1>and it became one of the most important historical films

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<v Speaker 1>ever made.

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<v Speaker 2>You know, I just want to point out something. When

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<v Speaker 2>I was watching this movie, Why did we not know?

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<v Speaker 2>I'm gonna say wee because I didn't either. Why do

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<v Speaker 2>we not know this?

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<v Speaker 6>Well?

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<v Speaker 2>I think it's because the history books at that time

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<v Speaker 2>just didn't print it. Like I said before, it was

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<v Speaker 2>just the overview you had Lincoln, you had, Grant you

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<v Speaker 2>had generally, that's about it. That's about all I remember.

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<v Speaker 2>It's good now that over the decades we've kind of

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<v Speaker 2>tried to write that. You know, we have black history

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<v Speaker 2>mine for Latin America History Awareness Month and things like that.

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<v Speaker 2>But and I'm not trying to get too political here,

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<v Speaker 2>but I'm watching this movie and I thought to myself,

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<v Speaker 2>this isn't black history, this is history. Yes, this is

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<v Speaker 2>where we need to go. How about we integrate these

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<v Speaker 2>stories in the history books. It's great to talk about Lincoln,

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<v Speaker 2>but I think it's really good to talk about this too,

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<v Speaker 2>and not label it something that just American history, because

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<v Speaker 2>it's important for itself.

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<v Speaker 1>I agree with that completely, because in the political climate

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<v Speaker 1>and the social climate that we live in, all you

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<v Speaker 1>have to do is show me a picture. All you

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<v Speaker 1>have to do is show me Denzel Washington getting flogged,

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<v Speaker 1>and I get it. You don't have to make any

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<v Speaker 1>kind of commentary. I'm almost crawling out of my skin

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<v Speaker 1>watching it.

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<v Speaker 2>Yeah, when we get to the.

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<v Speaker 1>Cruciating, absolutely, it was utterly excruciating to watch for me.

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<v Speaker 1>Always has been, always has been.

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<v Speaker 2>Yeah, it's a tough one.

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<v Speaker 1>Yeah, Glory does a great job of just kind of

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<v Speaker 1>laying it out there. Here it is. You can take

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<v Speaker 1>it or you can leave it, but it still happened here.

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<v Speaker 1>The facts are as they're presented, it as they happened.

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<v Speaker 1>The fifty fourth Massachusetts Infantry Regiment was one of the

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<v Speaker 1>first official African American units in the Union Army during

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<v Speaker 1>the Civil War. Composed of enlisted men led by white officers,

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<v Speaker 1>the regimen made history through its heroic, though devastating assault

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<v Speaker 1>on Fort Wagner, South Carolina in eighteen sixty three. Let

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<v Speaker 1>me stop there for a minute, So the actual date

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<v Speaker 1>of this battle is going to be July eighteenth, eighteen

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<v Speaker 1>sixty three. This episode will drop on July fourteenth, twenty

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<v Speaker 1>twenty six, one hundred and sixty three years to.

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<v Speaker 2>The week wow of the battle.

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<v Speaker 1>That's why I believe in the last podcast we were

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<v Speaker 1>discussing that we were going to do Devil in the Bottle.

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<v Speaker 1>That's why we kind of shifted gears.

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<v Speaker 2>I was thinking that, and then I got the notes

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<v Speaker 2>from this and I go, well, well, okay, but yes,

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<v Speaker 2>that's right. This is not a country song.

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<v Speaker 1>Okay, Yeah, Matt's just having a little ADHD moment. He

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<v Speaker 1>forgot he said devil in the bottle. He did not,

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<v Speaker 1>in fact forget he said devil in the bottle. But

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<v Speaker 1>I did look up the date, and I was thinking

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<v Speaker 1>it was it was like lay, like early fall. But nope,

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<v Speaker 1>July eighteenth, eighteen sixty three. So here's some key facts

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<v Speaker 1>about the fifty fourth mass It was authorized by Massachusetts

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<v Speaker 1>Governor John A. Andrew following the Emancipation Proclamation in eighteen

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<v Speaker 1>sixty three, so the Union recruited free black men from

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<v Speaker 1>across the North and even Canada. It was commanded by

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<v Speaker 1>twenty five year old abolitionist Colonel Robert Gould Shaw, and

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<v Speaker 1>the assault on Fort Wagner obviously July eighteenth, eighteen sixty three.

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<v Speaker 1>The fifty fourth led a direct uphill charge against a

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<v Speaker 1>heavily fortified Confederate battery in Wagner, South Carolina. The regiment

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<v Speaker 1>suffered nearly fifty percent casualties, including the death of Colonel Shaw.

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<v Speaker 1>So its impact and legacy is their extraordinary bravery and

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<v Speaker 1>the discipline dispelled the racist doubts about African American soldiers

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<v Speaker 1>fighting in the Civil War. So their actions paved the

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<v Speaker 1>way for the listment of over get this one hundred

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<v Speaker 1>and eighty thousand black soldiers fundamentally shifting the course of

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<v Speaker 1>the war. This was the spark, right, So the North

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<v Speaker 1>already had the population advantage over the South. They already

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00:21:16.400 --> 00:21:20.599
<v Speaker 1>had the bigger military, the better supplied military. But then

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<v Speaker 1>you take all of that that was the White side,

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<v Speaker 1>if you will, then you add almost two hundred thousand

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<v Speaker 1>black troops on top of that. Talk about stem the tide,

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<v Speaker 1>Stem the tide.

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<v Speaker 2>I hope I'm not jumping the gun here, but as

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<v Speaker 2>I understand it from the movie, they it was never

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<v Speaker 2>intended for these regimens to even be combat ready. They

404
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<v Speaker 2>were supposed to provide the labor, and they were. It

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<v Speaker 2>was expected, well, you're never going to give them guns,

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<v Speaker 2>And so I think that's what was amazing about this

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<v Speaker 2>is Colonel Shaw said, no, we're going to train them

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<v Speaker 2>to fight. We're going to train a regimen as if

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<v Speaker 2>it's any other regimen, because it is, and they proved themselves.

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<v Speaker 2>So I think that's what's interesting to pave the way

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<v Speaker 2>for the almost two hundred thousand more black soldiers fundamentally

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<v Speaker 2>shifting this war. It's amazing.

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<v Speaker 1>An historical tidbit to this whole thing is the first

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<v Speaker 1>African American awarded the Medal of Honor was Sergeant William

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<v Speaker 1>Harvey Karney, and he saved the regiment's first American flag

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<v Speaker 1>during the battle despite sustaining severe injuries. The first African

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<v Speaker 1>American Medal of Honor winner came from this regiment this battle.

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<v Speaker 2>Looked it up and correct me if I'm wrong. I

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<v Speaker 2>think I'm right that Sergeant William Harvey Karney was Denzel

420
00:22:43.319 --> 00:22:46.400
<v Speaker 2>Washington's character. Now, he had a different name in the movie,

421
00:22:46.839 --> 00:22:50.000
<v Speaker 2>but he is the person in real life that picked

422
00:22:50.079 --> 00:22:51.880
<v Speaker 2>up the flag and never let it drop.

423
00:22:52.240 --> 00:22:55.559
<v Speaker 1>Yes, and no Trip was and we're talking about Denzel

424
00:22:55.599 --> 00:22:59.079
<v Speaker 1>Washington's character Trip. It was kind of an amalgamation of

425
00:22:59.200 --> 00:23:01.799
<v Speaker 1>five different peace And I think this is one of

426
00:23:01.799 --> 00:23:05.319
<v Speaker 1>the real weaknesses. This is probably the only weakness I

427
00:23:05.359 --> 00:23:08.039
<v Speaker 1>would say that Glory has is that you've got a

428
00:23:08.079 --> 00:23:11.720
<v Speaker 1>Congressional Medal of Honor winner in the regiment and he's

429
00:23:11.759 --> 00:23:15.880
<v Speaker 1>not named. He's not a character. They had to know

430
00:23:15.960 --> 00:23:20.160
<v Speaker 1>about him, but they didn't make any attempt to honor

431
00:23:20.200 --> 00:23:25.559
<v Speaker 1>his memory by mirroring his character in the movie. That's

432
00:23:25.559 --> 00:23:28.720
<v Speaker 1>the only thing I would be critical of this movie about. Honestly, Yeah,

433
00:23:28.759 --> 00:23:32.079
<v Speaker 1>I kind of agree. I mean, Frederick Douglass was in it.

434
00:23:32.319 --> 00:23:35.519
<v Speaker 2>Yeah, they're gonna point him out, so right, why not

435
00:23:35.599 --> 00:23:37.160
<v Speaker 2>get Sergeant Carney.

436
00:23:37.240 --> 00:23:40.640
<v Speaker 1>You know, that's a pretty significant historical figure just to

437
00:23:40.680 --> 00:23:45.000
<v Speaker 1>get glossed now nineteen eighty nine versus twenty twenty six,

438
00:23:45.519 --> 00:23:48.720
<v Speaker 1>that's a whole different climate. So I think if they're

439
00:23:48.759 --> 00:23:51.839
<v Speaker 1>making that movie now, that's not getting glossed. I think

440
00:23:51.880 --> 00:23:54.119
<v Speaker 1>it's getting highlighted. That's my personal opinion.

441
00:23:54.160 --> 00:23:56.000
<v Speaker 2>Yeah. Well, And to be fair, when you're trying to

442
00:23:56.039 --> 00:24:00.079
<v Speaker 2>compress a story into two hours, you have to make decisions,

443
00:24:00.119 --> 00:24:02.400
<v Speaker 2>and it's like, are we going to get every single

444
00:24:02.519 --> 00:24:05.079
<v Speaker 2>fact and make this three hours? Are we going to

445
00:24:05.160 --> 00:24:07.960
<v Speaker 2>make it two hours and sort of make amalgam characters

446
00:24:08.000 --> 00:24:13.440
<v Speaker 2>to personify different personalities, different characters of the era. I

447
00:24:13.480 --> 00:24:13.799
<v Speaker 2>get it.

448
00:24:14.119 --> 00:24:16.119
<v Speaker 1>I get it too, I do. I did. That was

449
00:24:16.200 --> 00:24:19.319
<v Speaker 1>just my thing, So that's fair. But if you grew

450
00:24:19.359 --> 00:24:22.119
<v Speaker 1>up watching Civil War movies, you notice something and you

451
00:24:22.200 --> 00:24:24.839
<v Speaker 1>kind of hit on it. Earlier they look like Gone

452
00:24:24.880 --> 00:24:27.960
<v Speaker 1>with the Wind, but they focused on the famous white commanders,

453
00:24:28.240 --> 00:24:35.440
<v Speaker 1>you know, Lee Lincoln, General Grant Stonewall Jackson, sympathetic Southern character.

454
00:24:35.640 --> 00:24:39.079
<v Speaker 1>The black experience is usually in the background, unless it's

455
00:24:39.119 --> 00:24:41.079
<v Speaker 1>something specifically about slavery.

456
00:24:41.160 --> 00:24:44.400
<v Speaker 2>Right, It's usually unfortunately stereotypical.

457
00:24:44.000 --> 00:24:47.680
<v Speaker 1>Right, But Glory changed the camera angle. Yeah, it wasn't

458
00:24:47.759 --> 00:24:51.359
<v Speaker 1>even really about Colonel Shaw. It was about ordinary men

459
00:24:51.440 --> 00:24:54.920
<v Speaker 1>trying to earn dignity in a country and fighting for

460
00:24:54.960 --> 00:24:57.400
<v Speaker 1>a country that wasn't sure they deserved it. And so

461
00:24:57.599 --> 00:25:01.279
<v Speaker 1>the battle scenes matter, But the real story is the training.

462
00:25:01.599 --> 00:25:04.680
<v Speaker 1>The real story is the unequal pay and the friendships,

463
00:25:04.720 --> 00:25:08.880
<v Speaker 1>and the arguments and the humiliation, but the decision, despite

464
00:25:08.960 --> 00:25:12.279
<v Speaker 1>all of those things, to fight anyway. So it wasn't

465
00:25:12.279 --> 00:25:14.680
<v Speaker 1>really asking how was the Civil War won? It was

466
00:25:14.720 --> 00:25:18.680
<v Speaker 1>asking what did the Civil War cost the people who

467
00:25:18.799 --> 00:25:19.240
<v Speaker 1>fought it?

468
00:25:19.440 --> 00:25:22.799
<v Speaker 2>Yeah, and I think this is the reason why the

469
00:25:22.839 --> 00:25:25.880
<v Speaker 2>movie has such lasting power, why my kids are saying, hey,

470
00:25:25.920 --> 00:25:28.519
<v Speaker 2>you should watch this. This isn't a movie about military

471
00:25:28.519 --> 00:25:33.519
<v Speaker 2>strategy or historical victories. It's about people. It's about a

472
00:25:33.599 --> 00:25:36.680
<v Speaker 2>growth of culture. Yes, I agree with that completely.

473
00:25:36.960 --> 00:25:39.920
<v Speaker 1>It's kind of interesting as we kind of dive into

474
00:25:40.359 --> 00:25:42.839
<v Speaker 1>the guys that made it, the people that were involved

475
00:25:42.839 --> 00:25:45.440
<v Speaker 1>the casting, that sort of thing. Kevin Jar we mentioned

476
00:25:45.480 --> 00:25:48.240
<v Speaker 1>him earlier, and am I saying that right? Is it? Jar?

477
00:25:48.880 --> 00:25:51.400
<v Speaker 2>A few moments later from.

478
00:25:51.319 --> 00:25:55.160
<v Speaker 1>The historical fact checkers we have discovered that it's not

479
00:25:55.480 --> 00:25:59.279
<v Speaker 1>Kevin Jar. It's Kevin Jar. So he has one of

480
00:25:59.319 --> 00:26:02.000
<v Speaker 1>the strangest career in Hollywood. Get some of these writing

481
00:26:02.000 --> 00:26:05.880
<v Speaker 1>credits start. He wrote Rambo First Blood Part two? All right?

482
00:26:06.240 --> 00:26:08.720
<v Speaker 1>He later and this is going to be an upcoming

483
00:26:08.799 --> 00:26:14.119
<v Speaker 1>episode this season. He wrote Tombstone. Get this. That means

484
00:26:14.480 --> 00:26:17.480
<v Speaker 1>the guy that's responsible for writing one of the greatest

485
00:26:17.680 --> 00:26:22.440
<v Speaker 1>Civil War movies also gave us. He even directed some

486
00:26:22.480 --> 00:26:26.559
<v Speaker 1>of the Charlton Heston scenes in Tombstone. Director Edwards Wick

487
00:26:26.759 --> 00:26:30.839
<v Speaker 1>had already established himself as a talented filmmaker, but Glory

488
00:26:30.960 --> 00:26:34.000
<v Speaker 1>really just kind of legitimized him as a director of

489
00:26:34.279 --> 00:26:39.480
<v Speaker 1>epic historical drama because after Glory he goes on to

490
00:26:39.640 --> 00:26:43.359
<v Speaker 1>direct Legends of the Fall. Shout out Brad Pitt and

491
00:26:43.440 --> 00:26:46.759
<v Speaker 1>all the women that are our age that are in

492
00:26:46.960 --> 00:26:50.519
<v Speaker 1>utter complete love with Brad Pitt, especially in that movie,

493
00:26:50.559 --> 00:26:54.359
<v Speaker 1>because he is just so broken. So without Glory do

494
00:26:54.480 --> 00:26:57.880
<v Speaker 1>we get Legends of the Fall. He directed The Last

495
00:26:57.920 --> 00:27:03.000
<v Speaker 1>Samurai with Tom Cruise Urge under Fire, also starring who

496
00:27:03.039 --> 00:27:03.680
<v Speaker 1>Dirk Well.

497
00:27:03.759 --> 00:27:07.119
<v Speaker 2>I have to confess I have seen Washington, Denzel Washington.

498
00:27:07.440 --> 00:27:10.319
<v Speaker 1>That's right, Dirk Denzel Washington.

499
00:27:09.920 --> 00:27:12.640
<v Speaker 2>Hey, that's pretty good because I've seen none of these movies.

500
00:27:12.839 --> 00:27:17.400
<v Speaker 1>Confession man, Okay, well, Legends of the Fall you need

501
00:27:17.440 --> 00:27:22.599
<v Speaker 1>to watch. Anthony Hopkins is fantastic. Okay, the Last Samurai

502
00:27:22.880 --> 00:27:27.279
<v Speaker 1>again fantastic and Courage under Fire. I don't remember that one.

503
00:27:27.400 --> 00:27:31.880
<v Speaker 1>I think that was Denzel and Meg Ryan, which you

504
00:27:31.920 --> 00:27:33.799
<v Speaker 1>know me in nineteen eighty nine. I was a huge

505
00:27:33.839 --> 00:27:34.599
<v Speaker 1>Meg Ryan fan.

506
00:27:34.799 --> 00:27:38.200
<v Speaker 2>Okay, stop right there. You had me at Meg Okay, right.

507
00:27:39.400 --> 00:27:43.480
<v Speaker 2>For Denzel Washington, Glory was his launch. Trip could have

508
00:27:43.519 --> 00:27:46.240
<v Speaker 2>been a stereotype, and we already talked about Trip being

509
00:27:46.319 --> 00:27:49.759
<v Speaker 2>kind of the amalgamation of the five different guys. But

510
00:27:49.920 --> 00:27:54.440
<v Speaker 2>Denzel made him unforgettable. That flogging scene.

511
00:27:54.039 --> 00:28:00.839
<v Speaker 1>There is no dialogue. It's determined that he deserted spoiler alert,

512
00:28:01.279 --> 00:28:04.119
<v Speaker 1>he needed to be flogged, which, by the way, sir,

513
00:28:04.559 --> 00:28:08.640
<v Speaker 1>that was Hollywood drama in eighteen sixty three. That would

514
00:28:08.640 --> 00:28:14.319
<v Speaker 1>not have happened. Deserters were not flogged any longer. Great scene,

515
00:28:14.599 --> 00:28:19.319
<v Speaker 1>one of the most iconic scenes perhaps in film, but anachronistic.

516
00:28:19.640 --> 00:28:21.839
<v Speaker 1>The single tear rolls down his face. Do you remember

517
00:28:21.839 --> 00:28:22.160
<v Speaker 1>that thing?

518
00:28:22.240 --> 00:28:25.240
<v Speaker 2>Well, this is where I want to jump in because okay,

519
00:28:25.279 --> 00:28:28.960
<v Speaker 2>I want to pull out my old radio TV film.

520
00:28:28.720 --> 00:28:30.799
<v Speaker 1>Degree here and all right, go go.

521
00:28:31.039 --> 00:28:33.480
<v Speaker 2>If I was a film professor in college, this is

522
00:28:33.519 --> 00:28:36.920
<v Speaker 2>a scene that I would use for the students to study.

523
00:28:37.039 --> 00:28:41.119
<v Speaker 2>I'm watching this, and if you want an example of

524
00:28:41.519 --> 00:28:46.200
<v Speaker 2>restraint and less is more acting, this may be the

525
00:28:46.279 --> 00:28:50.240
<v Speaker 2>best example I have ever seen. The way he just

526
00:28:50.759 --> 00:28:54.200
<v Speaker 2>looks at Shaw like I've walked in these shoes longer

527
00:28:54.200 --> 00:28:57.079
<v Speaker 2>than you'll ever imagine. You're gonna watch me, watch you

528
00:28:57.559 --> 00:28:58.400
<v Speaker 2>while this happens.

529
00:29:00.160 --> 00:29:03.279
<v Speaker 1>Man, That is so right, That is so right.

530
00:29:03.359 --> 00:29:05.799
<v Speaker 2>And it's just it's this gradual. You get the shirt

531
00:29:05.880 --> 00:29:09.359
<v Speaker 2>pulled down, you see the scars, and you're going, man,

532
00:29:09.759 --> 00:29:13.440
<v Speaker 2>his face never changes, and with each flog you get

533
00:29:13.440 --> 00:29:16.640
<v Speaker 2>a tiny flicker, a little bit of the cheek, a

534
00:29:16.920 --> 00:29:19.880
<v Speaker 2>little grimace in the mouth, a twitch in the nostril.

535
00:29:20.160 --> 00:29:23.759
<v Speaker 2>And my gosh, how with all that restraint he was

536
00:29:23.839 --> 00:29:26.880
<v Speaker 2>able to make that one tear fall. It's the most

537
00:29:26.920 --> 00:29:29.839
<v Speaker 2>incredible thing I have seen in forever. There's so many

538
00:29:29.839 --> 00:29:32.559
<v Speaker 2>ways you could have played this, and I can visualize it,

539
00:29:32.680 --> 00:29:35.599
<v Speaker 2>especially in today's Hollywood. There could be screaming, there could

540
00:29:35.640 --> 00:29:39.440
<v Speaker 2>be yelling, there could be facial expressions very big to

541
00:29:39.480 --> 00:29:42.359
<v Speaker 2>make sure that the audience understands we have none of that.

542
00:29:42.920 --> 00:29:46.720
<v Speaker 2>This is more impactful for me, just the minimal aspect

543
00:29:46.759 --> 00:29:49.160
<v Speaker 2>of it. You can't feel the pain that you can

544
00:29:49.200 --> 00:29:51.519
<v Speaker 2>almost feel you as close as you're going to get

545
00:29:51.839 --> 00:29:54.559
<v Speaker 2>by the look on his face. It's incredible.

546
00:29:54.720 --> 00:29:58.400
<v Speaker 1>And let's be clear, had Tripp been white and deserted

547
00:29:58.559 --> 00:30:01.559
<v Speaker 1>in this movie, he still would gotten flogged. He wasn't

548
00:30:01.640 --> 00:30:05.240
<v Speaker 1>flogged because he was black. So it's like, you're bringing

549
00:30:05.279 --> 00:30:09.680
<v Speaker 1>the military standards to these men. They rip his shirt

550
00:30:09.759 --> 00:30:14.039
<v Speaker 1>off and there are the scars and his back is

551
00:30:14.119 --> 00:30:14.839
<v Speaker 1>just tattered.

552
00:30:15.000 --> 00:30:17.559
<v Speaker 2>Yeah, And to be fair, a lot of the officers

553
00:30:17.960 --> 00:30:20.079
<v Speaker 2>they were cringing at this. They were like, are you sure?

554
00:30:20.240 --> 00:30:22.759
<v Speaker 2>Should we really? We really shouldn't. And it was Shaw

555
00:30:23.200 --> 00:30:25.640
<v Speaker 2>in the story. That's where Seaw said, it's in the book,

556
00:30:25.880 --> 00:30:26.440
<v Speaker 2>we do it.

557
00:30:27.319 --> 00:30:31.200
<v Speaker 1>Yeah to me. When they get his shirt off and

558
00:30:31.240 --> 00:30:34.680
<v Speaker 1>then he puts his arms up on the wagon wheel

559
00:30:34.920 --> 00:30:37.839
<v Speaker 1>and turns to look at Shaw, to me, that's like

560
00:30:37.880 --> 00:30:38.480
<v Speaker 1>a mic draw.

561
00:30:38.559 --> 00:30:40.279
<v Speaker 2>You don't have to tie my hands up, you don't

562
00:30:40.319 --> 00:30:42.440
<v Speaker 2>have to hold me. I'm just gonna stand here and

563
00:30:42.440 --> 00:30:43.359
<v Speaker 2>I'm gonna show you.

564
00:30:43.359 --> 00:30:45.680
<v Speaker 1>We've done this before. What you gonna do? Booh man?

565
00:30:45.839 --> 00:30:48.400
<v Speaker 2>No, he totally deserved whatever accolades he gets for this.

566
00:30:49.119 --> 00:30:51.119
<v Speaker 2>I did want to point out real quick that at

567
00:30:51.119 --> 00:30:53.920
<v Speaker 2>this time, most people wouldn't have known who Denzel Washington

568
00:30:54.039 --> 00:30:57.440
<v Speaker 2>was unless you were Saint Elsewhere viewer on TV.

569
00:30:57.599 --> 00:30:57.839
<v Speaker 1>Wait.

570
00:30:57.960 --> 00:31:00.799
<v Speaker 2>What Denzel Washington was one of the doctors Elsewhere.

571
00:31:00.960 --> 00:31:01.440
<v Speaker 1>Wow?

572
00:31:01.640 --> 00:31:03.480
<v Speaker 2>And he had done some other small discs and that.

573
00:31:03.640 --> 00:31:06.400
<v Speaker 2>So I mean this, this was a breakthrough Saint else

574
00:31:06.640 --> 00:31:07.799
<v Speaker 2>I did not know that.

575
00:31:08.119 --> 00:31:12.839
<v Speaker 1>Okay, I did not know. Morgan Freeman's story is different.

576
00:31:13.359 --> 00:31:16.720
<v Speaker 1>This didn't launch Morgan Freeman because you know, Denzel kind

577
00:31:16.720 --> 00:31:18.880
<v Speaker 1>of took that whole performance and he got his first

578
00:31:18.880 --> 00:31:21.519
<v Speaker 1>Oscar out of it. Morgan Freeman was a little different.

579
00:31:21.680 --> 00:31:24.920
<v Speaker 1>I think you mentioned that in our discussions the last

580
00:31:24.920 --> 00:31:27.200
<v Speaker 1>couple of weeks is we talked a little bit about

581
00:31:27.279 --> 00:31:29.759
<v Speaker 1>lean on Me, and that was kind of our big

582
00:31:30.160 --> 00:31:34.400
<v Speaker 1>It was definitely my big introduction to Morgan Freeman. And

583
00:31:34.559 --> 00:31:38.000
<v Speaker 1>it didn't launch him, but it stabilized him. He wasn't

584
00:31:38.119 --> 00:31:40.880
<v Speaker 1>a you know, a big, fancy, famous movie star. He'd

585
00:31:40.880 --> 00:31:44.519
<v Speaker 1>been acting a long time, but he didn't arrive until

586
00:31:44.519 --> 00:31:47.319
<v Speaker 1>he was fifty years old. But Glory kind of helped,

587
00:31:47.359 --> 00:31:51.319
<v Speaker 1>you know, establish his persona that would dominate the next

588
00:31:51.359 --> 00:31:56.200
<v Speaker 1>thirty years, the wise leader, the moral center, the authority figure.

589
00:31:56.640 --> 00:32:01.440
<v Speaker 1>Right after Glory, he gets Driving Miss Daisy, he gets Unforgiven,

590
00:32:01.799 --> 00:32:03.559
<v Speaker 1>he gets Shawshank redemption.

591
00:32:03.799 --> 00:32:07.200
<v Speaker 2>Glory is definitely the beginning now earlier, and I didn't

592
00:32:07.240 --> 00:32:09.119
<v Speaker 2>realize this because I was too young to know. He

593
00:32:09.279 --> 00:32:11.759
<v Speaker 2>was one of the actors on The Electric Company on

594
00:32:11.839 --> 00:32:14.039
<v Speaker 2>PBS way back in the day.

595
00:32:14.279 --> 00:32:16.839
<v Speaker 1>Yes, I think I came across that as well.

596
00:32:16.599 --> 00:32:19.319
<v Speaker 2>But you're right, it wasn't until he was a little

597
00:32:19.359 --> 00:32:23.279
<v Speaker 2>bit over fifty. Glory comes out, lean on me. Driving

598
00:32:23.319 --> 00:32:26.359
<v Speaker 2>Miss Daisy is coming out at the same time roughly

599
00:32:26.680 --> 00:32:29.759
<v Speaker 2>that Glory did, and so yeah, he is off to

600
00:32:29.799 --> 00:32:30.319
<v Speaker 2>the races.

601
00:32:30.400 --> 00:32:35.200
<v Speaker 1>Now. It kind of went the whole you know, authority figure, morality,

602
00:32:36.440 --> 00:32:39.480
<v Speaker 1>all of those things, the moral center, the wise leader.

603
00:32:40.440 --> 00:32:44.599
<v Speaker 1>He eventually played God Bruce Olmight, which I've always laughed

604
00:32:44.640 --> 00:32:46.759
<v Speaker 1>at that. I thought that was a great cast. Yeah,

605
00:32:46.799 --> 00:32:50.599
<v Speaker 1>but he he expressed back in the day kind of

606
00:32:50.599 --> 00:32:56.200
<v Speaker 1>frustration that he has been cast type cast essentially, he's

607
00:32:56.240 --> 00:32:59.759
<v Speaker 1>always being cast as that mentor character. But Glory was

608
00:32:59.759 --> 00:33:02.440
<v Speaker 1>the thing that put him on that path. And you know,

609
00:33:02.519 --> 00:33:05.319
<v Speaker 1>the best part in Glory for Freeman when he sets

610
00:33:05.359 --> 00:33:06.240
<v Speaker 1>trips straight.

611
00:33:06.160 --> 00:33:08.799
<v Speaker 5>What are you so full of hate you just want

612
00:33:08.799 --> 00:33:11.279
<v Speaker 5>to go out and fight everybody cause you've been whipped

613
00:33:11.319 --> 00:33:14.200
<v Speaker 5>and chased by hounds? Well that might not be living,

614
00:33:14.240 --> 00:33:16.640
<v Speaker 5>but it's sure as hell ain't dying. And that is

615
00:33:16.640 --> 00:33:18.200
<v Speaker 5>what these white boys have been doing for going on

616
00:33:18.279 --> 00:33:22.079
<v Speaker 5>three years now, dying by the thousands, dying for you fool.

617
00:33:23.359 --> 00:33:26.039
<v Speaker 5>I know because I dug the graves, and all the

618
00:33:26.079 --> 00:33:28.759
<v Speaker 5>time I'm digging, I'm asking myself when when old Lawd's

619
00:33:28.799 --> 00:33:32.319
<v Speaker 5>going to be our time? What time's coming, when we're

620
00:33:32.319 --> 00:33:34.839
<v Speaker 5>going to have to handy up, Andy up and kick

621
00:33:34.880 --> 00:33:36.400
<v Speaker 5>in like men, fack men.

622
00:33:36.920 --> 00:33:39.079
<v Speaker 2>You know the thing about Morgan Freeman, Matt, he just

623
00:33:39.119 --> 00:33:41.680
<v Speaker 2>has this voice that if he just read the grocery

624
00:33:41.680 --> 00:33:45.759
<v Speaker 2>list to me, I would probably cry right Introducing Andrew

625
00:33:45.759 --> 00:33:49.359
<v Speaker 2>dice Clay in the Adventures of Ford Fairlane, guest starring

626
00:33:49.720 --> 00:33:53.680
<v Speaker 2>Morgan Freeman. Well it's okay, now, I'm gonna buy two

627
00:33:53.680 --> 00:33:55.200
<v Speaker 2>tickets for that now, thank you.

628
00:33:55.279 --> 00:33:58.799
<v Speaker 1>Who's actually the heart of this movie? Is it Shaw?

629
00:33:59.279 --> 00:34:02.799
<v Speaker 1>Is it Trip? Is it Morgan Freeman, who is quietly

630
00:34:03.279 --> 00:34:06.240
<v Speaker 1>holding the thing together? My vote, would you say?

631
00:34:06.440 --> 00:34:10.440
<v Speaker 2>My vote is Morgan Freeman as kind of the soul

632
00:34:10.559 --> 00:34:13.320
<v Speaker 2>of the movie. Now, don't get me wrong, Colonel Shaw

633
00:34:13.400 --> 00:34:17.239
<v Speaker 2>definitely has a good story arc. He's a young young guy,

634
00:34:17.280 --> 00:34:20.239
<v Speaker 2>full of them, full of energy, the romanticism of the war,

635
00:34:20.400 --> 00:34:24.599
<v Speaker 2>and he's learning very quick that there is no romance

636
00:34:24.800 --> 00:34:27.920
<v Speaker 2>in war. War is ugly or as hell. I've heard

637
00:34:27.920 --> 00:34:28.599
<v Speaker 2>that said before.

638
00:34:28.639 --> 00:34:31.480
<v Speaker 1>I've heard that as well. So for me, I kind

639
00:34:31.480 --> 00:34:33.840
<v Speaker 1>of pull out, because I'm a thirty thousand foot guy.

640
00:34:34.239 --> 00:34:36.800
<v Speaker 1>I kind of pull out and look at the whole thing.

641
00:34:37.199 --> 00:34:42.320
<v Speaker 1>I think the infantry guys were perfectly cast, you know,

642
00:34:42.760 --> 00:34:46.760
<v Speaker 1>Thomas and Trip and you know, all those guys were

643
00:34:47.159 --> 00:34:50.760
<v Speaker 1>cast with perfection. I couldn't think of anybody that I thought,

644
00:34:51.079 --> 00:34:52.800
<v Speaker 1>you know, I think you could have found somebody better

645
00:34:52.840 --> 00:34:54.880
<v Speaker 1>for that. You don't, You're just like, no, those are

646
00:34:54.920 --> 00:34:57.599
<v Speaker 1>the guys. Those are clearly the guys. Now, when I

647
00:34:57.639 --> 00:35:01.679
<v Speaker 1>get to Shaw, and when I get to our dear Wesley,

648
00:35:02.039 --> 00:35:06.199
<v Speaker 1>you know, how do you say his name, mules Elwes?

649
00:35:06.440 --> 00:35:07.440
<v Speaker 1>How do you say his name?

650
00:35:07.559 --> 00:35:08.360
<v Speaker 2>Say whose name?

651
00:35:08.599 --> 00:35:12.880
<v Speaker 1>Wesley's name? Wesley, Wesley, Let's just call him Wesley. Yeah,

652
00:35:12.920 --> 00:35:15.719
<v Speaker 1>that's kind of how I feel about it. So Wesley

653
00:35:15.800 --> 00:35:18.400
<v Speaker 1>from the Princess Bride, right, I thought he was just

654
00:35:18.639 --> 00:35:21.800
<v Speaker 1>utterly miscast and here's here's the thing that kind of

655
00:35:21.800 --> 00:35:26.599
<v Speaker 1>set it off for me. Famously. Matthew Broderick plays Ferris Bueller.

656
00:35:26.880 --> 00:35:31.000
<v Speaker 1>There are several scenes in the movie where the look

657
00:35:31.320 --> 00:35:36.519
<v Speaker 1>on Colonel Shaw's phase is the same look from the

658
00:35:36.920 --> 00:35:40.679
<v Speaker 1>lunch restaurant in Ferris Bueller Problem.

659
00:35:41.000 --> 00:35:45.039
<v Speaker 3>You're a Froman, That's right, I'm a Froman. The Sausage

660
00:35:45.119 --> 00:35:52.559
<v Speaker 3>King of Chicago. Yeah, that's me. Listen, young man, entrenew

661
00:35:52.760 --> 00:35:54.960
<v Speaker 3>I'm very busy here. Why don't you take the kids

662
00:35:54.960 --> 00:35:56.239
<v Speaker 3>and go back to the clubhouse?

663
00:35:59.239 --> 00:36:01.199
<v Speaker 1>Are you suggesting thing that I'm not who I say

664
00:36:01.239 --> 00:36:01.559
<v Speaker 1>I am.

665
00:36:01.920 --> 00:36:05.599
<v Speaker 3>I'm suggesting that you leave before I have to get snooty, snooty,

666
00:36:06.000 --> 00:36:07.320
<v Speaker 3>snotty snotty.

667
00:36:07.480 --> 00:36:09.320
<v Speaker 5>Okay, ebe, let's go.

668
00:36:09.800 --> 00:36:10.880
<v Speaker 3>I'm not going anywhere.

669
00:36:11.320 --> 00:36:15.039
<v Speaker 1>And that look on his face that came into glory

670
00:36:15.159 --> 00:36:19.079
<v Speaker 1>like two or three times. Okay, No, we're not doing

671
00:36:19.119 --> 00:36:24.079
<v Speaker 1>Ferris Bueller at the lunch place meets the fifty fourth Massachusetts.

672
00:36:24.159 --> 00:36:26.079
<v Speaker 2>So I was kind of before I passed judgment on that.

673
00:36:26.199 --> 00:36:30.199
<v Speaker 2>Let me go back, Carrie, I'm gonna say, Carrie Ewles, Ewles,

674
00:36:30.599 --> 00:36:32.599
<v Speaker 2>I'm that's what I think. I don't know how Okay,

675
00:36:33.039 --> 00:36:35.480
<v Speaker 2>Major Cabot Forbes was his character.

676
00:36:35.960 --> 00:36:38.679
<v Speaker 1>Yes, let me tell the second kind of the second guy.

677
00:36:39.199 --> 00:36:41.880
<v Speaker 2>Yes, well, let me let me talk about Matthew Broderick,

678
00:36:41.960 --> 00:36:43.840
<v Speaker 2>because you you kind of gave me a heads up.

679
00:36:43.880 --> 00:36:45.760
<v Speaker 2>You sent me a text before I watched this movie

680
00:36:45.760 --> 00:36:47.360
<v Speaker 2>and you said, let me know what you think about

681
00:36:47.400 --> 00:36:48.159
<v Speaker 2>Ferris here.

682
00:36:49.800 --> 00:36:51.280
<v Speaker 1>And I go, oh boy wah.

683
00:36:51.440 --> 00:36:54.039
<v Speaker 2>And you know, I gotta say I thought he did

684
00:36:54.079 --> 00:36:57.119
<v Speaker 2>a very good job. I was not taken out of

685
00:36:57.199 --> 00:37:01.320
<v Speaker 2>And let me explain why. Charles twenty five he comes

686
00:37:01.320 --> 00:37:06.360
<v Speaker 2>across as somebody that came from an aristocratic family, fairly wealthy,

687
00:37:06.679 --> 00:37:10.039
<v Speaker 2>and he's he's a commanding officer, and I'm watching the

688
00:37:10.079 --> 00:37:12.480
<v Speaker 2>movie and he's writing letters to his mom talking about

689
00:37:12.760 --> 00:37:15.679
<v Speaker 2>how amazing this is and how exciting this is. And

690
00:37:15.719 --> 00:37:17.519
<v Speaker 2>then he has that first battle at the beginning of

691
00:37:17.519 --> 00:37:20.840
<v Speaker 2>the movie, and he's seeing people's heads blown off by

692
00:37:20.960 --> 00:37:24.800
<v Speaker 2>cannon fire. People are dying on him. He gets shot,

693
00:37:25.239 --> 00:37:28.960
<v Speaker 2>he's hiding, well he's not hiding, but he's buried down

694
00:37:29.000 --> 00:37:31.840
<v Speaker 2>in the ground trying to not get shot more. And

695
00:37:32.280 --> 00:37:35.679
<v Speaker 2>there was this part where he comes home and he's

696
00:37:35.719 --> 00:37:38.519
<v Speaker 2>just getting something to drink and somebody's trying to pull

697
00:37:38.559 --> 00:37:41.079
<v Speaker 2>the shutters to and it's kind of got that bam

698
00:37:41.400 --> 00:37:45.119
<v Speaker 2>and he drops his drink and Jim she kind of

699
00:37:45.159 --> 00:37:46.679
<v Speaker 2>watched it a little bit and she came in and

700
00:37:46.719 --> 00:37:50.840
<v Speaker 2>she saw that and she goes, it's PDSD and I go, yeah, yeah,

701
00:37:50.880 --> 00:37:53.920
<v Speaker 2>good for them, And so I thought, okay, Yes, Matthew

702
00:37:53.960 --> 00:37:57.280
<v Speaker 2>Broderick has been known up until this point to play

703
00:37:57.280 --> 00:38:00.639
<v Speaker 2>a Ferris Bueller. He was in War Games, Late Hawk.

704
00:38:00.880 --> 00:38:03.199
<v Speaker 2>This was a stretch. I'll give you that this was

705
00:38:03.239 --> 00:38:05.960
<v Speaker 2>a stretch role, but I really think he was probably

706
00:38:06.000 --> 00:38:09.559
<v Speaker 2>cast okay for two reasons. Number One, it was Hollywood

707
00:38:09.639 --> 00:38:12.880
<v Speaker 2>legitimacy of anybody in this movie. He was probably the

708
00:38:12.920 --> 00:38:15.320
<v Speaker 2>biggest name at the moment, so it gives him a

709
00:38:15.320 --> 00:38:19.400
<v Speaker 2>bankable name to put on the billing right. Number two, yes,

710
00:38:19.760 --> 00:38:22.679
<v Speaker 2>he has been known to play smart Alex and you

711
00:38:22.719 --> 00:38:25.880
<v Speaker 2>know young teens and whatever. Well that's kind of who

712
00:38:25.920 --> 00:38:27.840
<v Speaker 2>he is a little bit in this at first. But

713
00:38:27.920 --> 00:38:30.400
<v Speaker 2>you're watching this kid, it's kind of like the Red

714
00:38:30.400 --> 00:38:32.559
<v Speaker 2>Badge of Courage if you've ever read that book. You're

715
00:38:32.599 --> 00:38:37.599
<v Speaker 2>watching this kid descend into dark adulthood. I guess it's

716
00:38:37.639 --> 00:38:40.320
<v Speaker 2>the way I would put it. He is seeing reality

717
00:38:40.519 --> 00:38:43.920
<v Speaker 2>and to see that babyface on him and having to

718
00:38:43.920 --> 00:38:45.920
<v Speaker 2>deal with this. It just worked for me.

719
00:38:46.159 --> 00:38:50.239
<v Speaker 1>I don't know. I don't hate the take because I

720
00:38:50.280 --> 00:38:55.440
<v Speaker 1>think as the movie progresses he definitely gets better. And

721
00:38:55.519 --> 00:38:59.199
<v Speaker 1>I think kind of the transition scene is his confrontation

722
00:38:59.679 --> 00:39:04.519
<v Speaker 1>with Quartermaster about the uniforms and the weapons. I wasn't

723
00:39:04.559 --> 00:39:08.360
<v Speaker 1>really into him at that point. He got better for me.

724
00:39:09.159 --> 00:39:13.880
<v Speaker 1>This is a nuanced discussion because are there other twenty

725
00:39:13.920 --> 00:39:16.679
<v Speaker 1>five year olds that could have done a better job

726
00:39:16.800 --> 00:39:20.239
<v Speaker 1>as Robert Shaw? Yes? Yes, I think there could be.

727
00:39:20.360 --> 00:39:22.760
<v Speaker 1>Are there guys that could have played Robert Shaw that

728
00:39:22.880 --> 00:39:29.079
<v Speaker 1>didn't have iconic roles previously that kind of colored the

729
00:39:29.119 --> 00:39:32.400
<v Speaker 1>way that they played the current role. That's kind of

730
00:39:32.440 --> 00:39:34.840
<v Speaker 1>where I'm sitting at with with Matthew Broader.

731
00:39:34.960 --> 00:39:37.519
<v Speaker 2>Well, you know, in hindsight, with the budget it had

732
00:39:37.800 --> 00:39:40.639
<v Speaker 2>and the rest of the cast being kind of new

733
00:39:41.199 --> 00:39:44.480
<v Speaker 2>or from television or whatever, I really think you could

734
00:39:44.480 --> 00:39:47.159
<v Speaker 2>have casted an unknown and it would have been just

735
00:39:47.199 --> 00:39:49.679
<v Speaker 2>as solid if the performance was good. I don't think

736
00:39:49.760 --> 00:39:53.000
<v Speaker 2>you need a Matthew Broderick name to this kind of film.

737
00:39:53.199 --> 00:39:55.719
<v Speaker 1>I can see that. But you know, some of the

738
00:39:55.760 --> 00:40:00.639
<v Speaker 1>factors that we talked about with the difficulty in Civil

739
00:40:00.679 --> 00:40:04.159
<v Speaker 1>war movies and you know, kind of the subject matter

740
00:40:04.239 --> 00:40:07.119
<v Speaker 1>of this one, kind of being really on the edge

741
00:40:07.159 --> 00:40:11.880
<v Speaker 1>of where Hollywood was comfortable back then that maybe, oh, hey,

742
00:40:11.920 --> 00:40:14.000
<v Speaker 1>Ferris Bueller's in this one, while we can go see

743
00:40:14.039 --> 00:40:17.280
<v Speaker 1>that Ferris Bueller's in it. Hey the Dreadpire Roberts is

744
00:40:17.719 --> 00:40:21.039
<v Speaker 1>in this one, so I can see it both ways.

745
00:40:21.159 --> 00:40:24.119
<v Speaker 1>But let's talk about the music. Some movie scores they

746
00:40:24.199 --> 00:40:27.920
<v Speaker 1>just kind of support the story. James Horner's score became

747
00:40:27.960 --> 00:40:31.440
<v Speaker 1>a part of the story, but he is the composer behind.

748
00:40:31.599 --> 00:40:34.119
<v Speaker 1>See if you know some of these movies, Derek Aliens,

749
00:40:34.400 --> 00:40:37.559
<v Speaker 1>Brave Heart, Legends of the Fall, shout out Brad Pitt.

750
00:40:37.719 --> 00:40:40.280
<v Speaker 1>But you haven't seen that one yet. Here's one that's

751
00:40:40.360 --> 00:40:43.280
<v Speaker 1>kind of more Year Lane, Star Trek two, The Wrath

752
00:40:43.320 --> 00:40:49.800
<v Speaker 1>of Kahn right, Titanic Avatar. But the thing about this

753
00:40:49.960 --> 00:40:55.000
<v Speaker 1>soundtrack is it's almost liturgical. And here's what I think

754
00:40:55.119 --> 00:41:00.800
<v Speaker 1>as that kind of liturgical quality, that almost religious, very

755
00:41:00.840 --> 00:41:05.719
<v Speaker 1>sacred feeling to the score. It was the Boy's Choir

756
00:41:06.119 --> 00:41:09.559
<v Speaker 1>of Harlem, So you remember the voices throughout the score

757
00:41:09.599 --> 00:41:12.400
<v Speaker 1>that were singing, Yes, that was the Harlem Boys Choir,

758
00:41:13.119 --> 00:41:17.000
<v Speaker 1>And they knew that they wanted to use Boy's voices.

759
00:41:17.480 --> 00:41:19.239
<v Speaker 1>They knew that that was kind of the character that

760
00:41:19.280 --> 00:41:24.079
<v Speaker 1>they were looking for. But the cinematographer Freddie Francis, who

761
00:41:24.800 --> 00:41:30.079
<v Speaker 1>incidentally was also an Oscar winner from Glory for Cinematography,

762
00:41:30.440 --> 00:41:33.119
<v Speaker 1>suggested the Harlem Boys Choir. He showed up with one

763
00:41:33.119 --> 00:41:35.400
<v Speaker 1>of their tapes, and Horner as soon as he heard

764
00:41:35.440 --> 00:41:38.559
<v Speaker 1>it he knew, Okay, this is what I need. So

765
00:41:38.599 --> 00:41:41.199
<v Speaker 1>he goes to New York. He brings the Harlem Boys

766
00:41:41.280 --> 00:41:45.079
<v Speaker 1>Choir to LA and gets them to record in LA,

767
00:41:45.599 --> 00:41:50.159
<v Speaker 1>sends them to Disneyland. But word spread that they were recording,

768
00:41:50.199 --> 00:41:52.639
<v Speaker 1>that they were going to be coming, and people started

769
00:41:52.719 --> 00:41:57.679
<v Speaker 1>dropping in on the recording sessions. Steven Spielberg pops his

770
00:41:57.719 --> 00:42:01.840
<v Speaker 1>head in Sidney Pollock pops his head because the filmmakers

771
00:42:01.840 --> 00:42:05.519
<v Speaker 1>they wanted to hear what was happening. And Zwick and

772
00:42:05.599 --> 00:42:09.400
<v Speaker 1>the crew that were there during the recordings, they were

773
00:42:09.480 --> 00:42:13.159
<v Speaker 1>constantly in tears during the sessions, and if you listen

774
00:42:13.679 --> 00:42:16.360
<v Speaker 1>you can understand why. But everybody kind of just had

775
00:42:16.360 --> 00:42:20.800
<v Speaker 1>this sense that, Okay, whatever's happening, this is special. And

776
00:42:20.840 --> 00:42:24.880
<v Speaker 1>so the final assault on Fort Wagner without that score,

777
00:42:25.000 --> 00:42:27.920
<v Speaker 1>it's just a battle scene. But with the score, with

778
00:42:28.039 --> 00:42:30.400
<v Speaker 1>the Boys choir with all of the things that are

779
00:42:30.440 --> 00:42:35.159
<v Speaker 1>happening in that it becomes a memory. Here's one of

780
00:42:35.159 --> 00:42:42.480
<v Speaker 1>my takes. Go back and listen to I believe the

781
00:42:42.519 --> 00:42:47.960
<v Speaker 1>piece is called Attack on Fort Wagner, but it's from

782
00:42:48.039 --> 00:42:51.199
<v Speaker 1>the soundtrack. It's very clear which one it's talking about.

783
00:42:51.719 --> 00:42:54.559
<v Speaker 1>To me, it sounds a lot like Temple of Doom,

784
00:42:54.679 --> 00:42:59.559
<v Speaker 1>and I found myself wanting to sing Ramu Ta Rama

785
00:42:59.679 --> 00:43:01.840
<v Speaker 1>type over the top of it. I don't know, did

786
00:43:01.880 --> 00:43:03.239
<v Speaker 1>it remind you of anything.

787
00:43:03.360 --> 00:43:05.519
<v Speaker 2>You had sent me a text asking me to be

788
00:43:05.559 --> 00:43:08.480
<v Speaker 2>aware of this and listen, and yeah, I didn't think

789
00:43:08.480 --> 00:43:10.639
<v Speaker 2>about Temple of Doom, but yeah, I get what you're

790
00:43:10.679 --> 00:43:13.000
<v Speaker 2>saying with that. I was actually thinking more of O

791
00:43:13.159 --> 00:43:16.719
<v Speaker 2>Fortuna from Carmina Burana and even a little bit of

792
00:43:16.800 --> 00:43:20.280
<v Speaker 2>Duel of the Fates from Star Warckers and hekay, yeah, yeah, yeah,

793
00:43:20.320 --> 00:43:26.000
<v Speaker 2>you know the climactic chorus with the orchestra, and so yeah,

794
00:43:26.039 --> 00:43:26.960
<v Speaker 2>those are my two picks.

795
00:43:27.400 --> 00:43:31.280
<v Speaker 1>The memorable piece to me is not Assault on Fort Wagner.

796
00:43:31.920 --> 00:43:36.280
<v Speaker 1>It's a piece called Epitaph to War. I intentionally did

797
00:43:36.320 --> 00:43:39.840
<v Speaker 1>not go and listen to the soundtrack as I was

798
00:43:39.920 --> 00:43:42.880
<v Speaker 1>kind of putting all of this together because sometimes when

799
00:43:42.880 --> 00:43:45.320
<v Speaker 1>I think, oh, this sounds like this, then I go

800
00:43:45.360 --> 00:43:47.840
<v Speaker 1>and compare it. My brain, thinking I want to find

801
00:43:47.840 --> 00:43:51.239
<v Speaker 1>the connection, starts finding the dissimilarities. So I didn't want

802
00:43:51.239 --> 00:43:55.599
<v Speaker 1>that to happen. But Epitaph to War I could recall,

803
00:43:56.039 --> 00:43:59.280
<v Speaker 1>like when I see I watched Glory, I don't know,

804
00:43:59.320 --> 00:44:02.119
<v Speaker 1>a couple of weeks weks ago for the first time,

805
00:44:02.280 --> 00:44:06.960
<v Speaker 1>probably in ten or fifteen years, and I remembered Epitaph

806
00:44:06.960 --> 00:44:10.480
<v Speaker 1>to War. I remembered that melody. I remembered those voices,

807
00:44:11.239 --> 00:44:15.239
<v Speaker 1>just the haunting vocal harmonies, and it stayed with me.

808
00:44:15.480 --> 00:44:19.400
<v Speaker 1>I love that piece. Glory wasn't a blockbuster. Its production

809
00:44:19.480 --> 00:44:24.199
<v Speaker 1>budget was approximately eighteen million, its worldwide box office was

810
00:44:24.360 --> 00:44:28.320
<v Speaker 1>only around twenty seven million, so by Hollywood standards, it

811
00:44:28.360 --> 00:44:31.559
<v Speaker 1>was successful like it, you know, out competed its budget,

812
00:44:31.840 --> 00:44:34.480
<v Speaker 1>But it wasn't the movie everyone was talking about in

813
00:44:34.559 --> 00:44:37.880
<v Speaker 1>nineteen eighty nine, and we've mentioned those movies earlier. It

814
00:44:37.920 --> 00:44:41.639
<v Speaker 1>didn't dominate popular culture. It didn't become an instant franchised,

815
00:44:41.920 --> 00:44:46.039
<v Speaker 1>but it quietly found an audience, and then it found another,

816
00:44:46.199 --> 00:44:49.960
<v Speaker 1>and then it found another. Schools began showing it history,

817
00:44:49.960 --> 00:44:55.719
<v Speaker 1>teachers began adopting it. College classrooms used it, military historians

818
00:44:56.119 --> 00:44:59.679
<v Speaker 1>discussed it, and generations of students encountered the fifty fourth

819
00:44:59.679 --> 00:45:02.800
<v Speaker 1>mass choose its through this film. And I think you

820
00:45:02.880 --> 00:45:05.440
<v Speaker 1>gave the best example of this, a movie that you

821
00:45:05.519 --> 00:45:08.880
<v Speaker 1>had not even seen. Your twenty six year old son

822
00:45:09.280 --> 00:45:12.920
<v Speaker 1>comes in and he says, hey, Dad, you need to

823
00:45:13.159 --> 00:45:16.159
<v Speaker 1>know about this movie. And he probably wasn't twenty six,

824
00:45:16.199 --> 00:45:18.360
<v Speaker 1>It probably wasn't recently. It was probably years ago.

825
00:45:18.440 --> 00:45:19.719
<v Speaker 2>It was back when he was in high school.

826
00:45:19.800 --> 00:45:22.000
<v Speaker 1>Yeah, there you go, there, there you go. So he

827
00:45:22.119 --> 00:45:26.679
<v Speaker 1>saw it in school and said, man, this is fantastic. Dad,

828
00:45:26.679 --> 00:45:29.119
<v Speaker 1>you gotta you gotta check this out. You gotta watch this.

829
00:45:29.559 --> 00:45:35.400
<v Speaker 1>Its cultural influence eventually became much larger than its commercial footprint. Well, Dirk,

830
00:45:35.840 --> 00:45:39.360
<v Speaker 1>do you have a countdown for us right here? I

831
00:45:39.400 --> 00:45:42.960
<v Speaker 1>know you love countdowns. Yeah, I love love countdowns. But

832
00:45:43.280 --> 00:45:45.840
<v Speaker 1>I think this kind of paints a picture of where

833
00:45:45.960 --> 00:45:50.400
<v Speaker 1>Glory fit in nineteen eighty nine. Okay, so I'm looking

834
00:45:50.480 --> 00:45:54.679
<v Speaker 1>at the box office for the weekend of December twenty

835
00:45:54.719 --> 00:45:58.079
<v Speaker 1>second through the twenty fourth, nineteen eighty nine. Number one

836
00:45:58.480 --> 00:46:02.280
<v Speaker 1>will not surprise anyone. It was National Lampoon's Christmas Vacation.

837
00:46:02.599 --> 00:46:06.199
<v Speaker 2>Number two. I have to admit I was actually contributing

838
00:46:06.239 --> 00:46:08.239
<v Speaker 2>to this one being number two. I went to go

839
00:46:08.280 --> 00:46:12.840
<v Speaker 2>see number two on Christmas Eve. It was Tango and Cash,

840
00:46:12.960 --> 00:46:14.880
<v Speaker 2>Sylvester Stallone and Kirk Russell.

841
00:46:15.079 --> 00:46:18.119
<v Speaker 1>And you remember that specifically eighty nine Christmas Eve, you

842
00:46:18.199 --> 00:46:18.880
<v Speaker 1>went and saw it.

843
00:46:18.920 --> 00:46:21.800
<v Speaker 2>Yes, And I'll tell you why. Again. This was my

844
00:46:21.880 --> 00:46:25.119
<v Speaker 2>senior year, and as with a lot of you out there,

845
00:46:25.480 --> 00:46:28.800
<v Speaker 2>you probably have a lot of family traditions, and we,

846
00:46:28.880 --> 00:46:31.639
<v Speaker 2>of course had family traditions. For Christmas Eve. You spent

847
00:46:31.679 --> 00:46:34.280
<v Speaker 2>it with your parents, You open the one present, you

848
00:46:34.360 --> 00:46:37.679
<v Speaker 2>watch the Christmas movie, you hung out as a family. Well,

849
00:46:37.760 --> 00:46:40.360
<v Speaker 2>I had some friends that wanted we got our driver's

850
00:46:40.360 --> 00:46:43.239
<v Speaker 2>licenses now, and we wanted to go see something or

851
00:46:43.360 --> 00:46:45.159
<v Speaker 2>do something. And they said, we're going to go see

852
00:46:45.159 --> 00:46:48.320
<v Speaker 2>Tangoing Cash. And I said, okay, can I go see

853
00:46:48.320 --> 00:46:52.000
<v Speaker 2>Tangoing Cash? And my parents, being awesome who they were,

854
00:46:52.079 --> 00:46:55.880
<v Speaker 2>they said sure and they let me go. And so

855
00:46:56.079 --> 00:46:57.719
<v Speaker 2>that was sort of the beginning of me kind of

856
00:46:57.760 --> 00:47:00.400
<v Speaker 2>doing more of my own stuff and kind of leaving

857
00:47:00.440 --> 00:47:02.719
<v Speaker 2>the nest. Before I left the nest, that was just

858
00:47:02.719 --> 00:47:05.840
<v Speaker 2>one It's the only reason I really distinctly remember that

859
00:47:05.880 --> 00:47:08.000
<v Speaker 2>was when we saw that very nice number.

860
00:47:08.000 --> 00:47:09.920
<v Speaker 1>What's go ahead? Oh, I'm sorry, go ahead.

861
00:47:10.000 --> 00:47:13.800
<v Speaker 2>Number three was War the Roses with Michael Douglas and gosh,

862
00:47:13.840 --> 00:47:16.800
<v Speaker 2>I'm drawing a blank a Kathleen Turner. Kathleen, I just

863
00:47:16.840 --> 00:47:20.079
<v Speaker 2>want to say, ye, Kathleen Turner, Yes, War the Roses.

864
00:47:20.360 --> 00:47:22.519
<v Speaker 2>Do you want to know where Glory fits in on

865
00:47:22.559 --> 00:47:23.960
<v Speaker 2>the box office for that weekend?

866
00:47:24.480 --> 00:47:25.960
<v Speaker 1>Was it number four? No?

867
00:47:26.119 --> 00:47:26.599
<v Speaker 2>Try again?

868
00:47:27.239 --> 00:47:28.000
<v Speaker 1>Was it top ten?

869
00:47:28.159 --> 00:47:29.679
<v Speaker 2>No, I'll give you one more guess.

870
00:47:30.679 --> 00:47:31.840
<v Speaker 1>Tell me I have no clue.

871
00:47:31.880 --> 00:47:34.880
<v Speaker 2>It was number thirty four. And as you just said,

872
00:47:35.719 --> 00:47:37.719
<v Speaker 2>it grossed over one hundred thousand, so.

873
00:47:39.039 --> 00:47:42.039
<v Speaker 1>Well, which yeah, I mean one hundred thousand, that's all

874
00:47:42.039 --> 00:47:43.960
<v Speaker 1>what five people went and saw it in each city?

875
00:47:44.039 --> 00:47:44.400
<v Speaker 1>It was.

876
00:47:45.840 --> 00:47:48.519
<v Speaker 2>This, Well, you said the box office was twenty seven million,

877
00:47:48.559 --> 00:47:50.559
<v Speaker 2>so yeah, clearly under one hundred thousand.

878
00:47:50.639 --> 00:47:53.519
<v Speaker 1>But that's not much. Well one hundred thousand, that's one

879
00:47:53.599 --> 00:47:54.639
<v Speaker 1>hundred thousand dollars.

880
00:47:54.719 --> 00:47:57.519
<v Speaker 2>No, I'm saying Glory was under that mark. You had

881
00:47:57.519 --> 00:48:00.639
<v Speaker 2>already said it was twenty seven thousand, that had earned.

882
00:48:00.440 --> 00:48:03.519
<v Speaker 1>No, twenty seven million. That it earned twenty seven million,

883
00:48:03.559 --> 00:48:07.480
<v Speaker 1>so its budget was eighteen million. It earned twenty seven

884
00:48:07.519 --> 00:48:08.840
<v Speaker 1>million worldwide.

885
00:48:08.920 --> 00:48:12.360
<v Speaker 2>Okay, I better understand. No, this weekend. It earned about

886
00:48:12.400 --> 00:48:16.000
<v Speaker 2>like sixty five thousand dollars or something. It was very

887
00:48:16.000 --> 00:48:16.719
<v Speaker 2>small in.

888
00:48:16.719 --> 00:48:19.800
<v Speaker 1>A box of Crocker Jacks. So this is not the

889
00:48:19.840 --> 00:48:24.400
<v Speaker 1>first movie that we've discussed that it did okay in theaters,

890
00:48:24.599 --> 00:48:28.599
<v Speaker 1>but it kind of took on second life later. Can

891
00:48:28.639 --> 00:48:31.360
<v Speaker 1>you what are the ones that we covered that talked

892
00:48:31.400 --> 00:48:32.039
<v Speaker 1>about that dirt?

893
00:48:32.119 --> 00:48:34.079
<v Speaker 2>Gosh, it's almost all of them. I mean, you got

894
00:48:34.079 --> 00:48:35.679
<v Speaker 2>to start with Star Wars. They didn't think that was

895
00:48:35.760 --> 00:48:38.880
<v Speaker 2>going to do near what it did. You've got Caddy Shack.

896
00:48:39.239 --> 00:48:41.519
<v Speaker 2>Caddy Shack, that's the one I'm thinking of, and you've

897
00:48:41.519 --> 00:48:45.239
<v Speaker 2>got spinal Tap. Spinal Tap has lived way longer than

898
00:48:45.239 --> 00:48:47.760
<v Speaker 2>anyone ever dreamed it would have been. So but I

899
00:48:47.800 --> 00:48:50.199
<v Speaker 2>think out of those, it's got to be Caddy Shack

900
00:48:50.760 --> 00:48:52.079
<v Speaker 2>for the slam Dunk.

901
00:48:51.920 --> 00:48:53.960
<v Speaker 1>Yeah, because it kind of took on new life with

902
00:48:54.400 --> 00:48:57.000
<v Speaker 1>cable and VHS and that kind of thing, Right, Am

903
00:48:57.039 --> 00:48:58.159
<v Speaker 1>I remembering that one? Yes?

904
00:48:58.280 --> 00:49:00.400
<v Speaker 2>And I would say it's the most main stream of

905
00:49:00.400 --> 00:49:02.400
<v Speaker 2>all the ones we've talked about so far. A lot

906
00:49:02.480 --> 00:49:04.400
<v Speaker 2>of people love Spinal Tap, a lot of people love

907
00:49:04.440 --> 00:49:09.119
<v Speaker 2>Airplane That there's something about Candy Shack that everybody knows about.

908
00:49:09.199 --> 00:49:11.920
<v Speaker 1>So yeah, and shout out to our third episode.

909
00:49:12.000 --> 00:49:13.360
<v Speaker 2>Yeah, shout out to us.

910
00:49:15.960 --> 00:49:19.800
<v Speaker 1>Clearly, clearly, there's no accident on legend here, it's just us.

911
00:49:20.000 --> 00:49:24.800
<v Speaker 1>So here's what I think maybe the movie's greatest accomplishment.

912
00:49:25.119 --> 00:49:30.719
<v Speaker 1>Before Glory, the fifty fourth Massachusetts was a subject for historians.

913
00:49:30.960 --> 00:49:33.320
<v Speaker 1>No one knew about the fifty fourth. I sure didn't.

914
00:49:33.360 --> 00:49:35.320
<v Speaker 1>You didn't. I mean, we were, you know, seventeen eighteen

915
00:49:35.360 --> 00:49:39.719
<v Speaker 1>years old. After Glory, people studied African American Civil War history,

916
00:49:39.880 --> 00:49:44.320
<v Speaker 1>Black Civil War reenactors multiplied, New monuments were built. The

917
00:49:44.400 --> 00:49:48.960
<v Speaker 1>African American Civil War Memorial and Museum opened in Washington,

918
00:49:49.039 --> 00:49:52.519
<v Speaker 1>d C. Scholars started digging deeper into archives. And let

919
00:49:52.559 --> 00:49:55.599
<v Speaker 1>me say this, A lot of Glory is based on

920
00:49:56.320 --> 00:49:59.079
<v Speaker 1>a couple of books that were written in you know,

921
00:49:59.400 --> 00:50:04.480
<v Speaker 1>twenty but also the letters of Robert shawp. So it

922
00:50:04.519 --> 00:50:09.079
<v Speaker 1>has some pretty clear historical precedents for what happened. So

923
00:50:09.159 --> 00:50:13.119
<v Speaker 1>one historian observed that because of the popular interest generated

924
00:50:13.159 --> 00:50:17.079
<v Speaker 1>by Glory, Americans became more aware that freedom was not

925
00:50:17.159 --> 00:50:20.960
<v Speaker 1>simply bestowed. Many fought and died for it. Even the

926
00:50:21.000 --> 00:50:24.760
<v Speaker 1>title Dirk carries Weight. So on July twenty eighth, eighteen

927
00:50:24.840 --> 00:50:28.800
<v Speaker 1>sixty three, In the addition, in that day's edition of

928
00:50:29.119 --> 00:50:32.920
<v Speaker 1>the Columbus Inquirer, which I believe is Columbus, Ohio Shout

929
00:50:32.920 --> 00:50:37.440
<v Speaker 1>out Columbus, it reported that first Sergeant Robert John Simmons

930
00:50:37.800 --> 00:50:41.039
<v Speaker 1>came to fight for glory. He later wrote, and this

931
00:50:41.239 --> 00:50:44.559
<v Speaker 1>was the quote, God has protected me through this my

932
00:50:44.800 --> 00:50:49.760
<v Speaker 1>first fiery leaden trial, and I do give him the glory.

933
00:50:50.000 --> 00:50:52.480
<v Speaker 1>So that one word, it means something very different.

934
00:50:52.840 --> 00:50:55.039
<v Speaker 2>After you know the story, that's pretty incredible. Let me

935
00:50:55.079 --> 00:50:57.840
<v Speaker 2>ask you this question, Matt, do you think do you

936
00:50:57.840 --> 00:51:01.559
<v Speaker 2>think a movie can actually change history? And I'm not

937
00:51:01.599 --> 00:51:05.239
<v Speaker 2>talking about the facts. I'm thinking more the way people

938
00:51:05.679 --> 00:51:06.760
<v Speaker 2>remember the facts.

939
00:51:07.039 --> 00:51:09.960
<v Speaker 1>I definitely think it can change perception. That's what's been

940
00:51:10.000 --> 00:51:14.760
<v Speaker 1>happening with movies for the last certainly the last twenty years.

941
00:51:15.119 --> 00:51:17.880
<v Speaker 1>Perception can shift because of a movie.

942
00:51:17.960 --> 00:51:20.519
<v Speaker 2>Yeah, yeah, I totally agree. I mean, I think this

943
00:51:20.599 --> 00:51:24.519
<v Speaker 2>is a good tool that movies and TV mini series

944
00:51:24.559 --> 00:51:27.559
<v Speaker 2>and things can do is get into the micro history,

945
00:51:27.880 --> 00:51:30.159
<v Speaker 2>you know, get out of the weeds of what's in

946
00:51:30.199 --> 00:51:33.079
<v Speaker 2>the book, and say what about this one moment, and

947
00:51:33.119 --> 00:51:36.239
<v Speaker 2>that one moment can really open your eyes change your

948
00:51:36.239 --> 00:51:38.559
<v Speaker 2>perception of I neverly thought about it that way. You know,

949
00:51:38.599 --> 00:51:40.480
<v Speaker 2>it kind of grounds you more at a human level.

950
00:51:40.599 --> 00:51:42.639
<v Speaker 1>Well, and I really like that you call it a

951
00:51:42.719 --> 00:51:47.840
<v Speaker 1>micro history because I'm thinking about the movie Gettysburg. It

952
00:51:47.920 --> 00:51:52.039
<v Speaker 1>came out in nineteen ninety three. It was the kind

953
00:51:52.039 --> 00:51:56.519
<v Speaker 1>of the overall, here's what happened at Gettysburg, and we're

954
00:51:56.519 --> 00:52:00.159
<v Speaker 1>gonna follow General Lee, We're gonna follow Stonewall Jackson, we're

955
00:52:00.199 --> 00:52:04.679
<v Speaker 1>gonna follow you know, Longstreet, and we're gonna follow Chamberlain,

956
00:52:04.880 --> 00:52:08.519
<v Speaker 1>and we're gonna look at all these different angles in

957
00:52:08.639 --> 00:52:11.960
<v Speaker 1>the same battle. You know. I talked to our Hurley

958
00:52:12.039 --> 00:52:14.559
<v Speaker 1>boy this week, Jason and d of the shirlead You

959
00:52:14.599 --> 00:52:18.519
<v Speaker 1>Can't Be Serious podcasts, and I said, you guys need

960
00:52:18.559 --> 00:52:23.280
<v Speaker 1>to do Glory versus Gettysburg. I think that would be

961
00:52:23.280 --> 00:52:30.000
<v Speaker 1>a fantastic matchup because the approach to both movies is

962
00:52:30.119 --> 00:52:35.280
<v Speaker 1>so different, you know. And we could probably do Gettysburg

963
00:52:35.320 --> 00:52:39.760
<v Speaker 1>ourselves because Gettysburg it's a four hour, flipping movie, but

964
00:52:39.840 --> 00:52:42.920
<v Speaker 1>it's kind of got this cult following and has really

965
00:52:43.079 --> 00:52:47.239
<v Speaker 1>upped the awareness of Gettysburg. In the Battle of Gettysburg

966
00:52:47.360 --> 00:52:50.199
<v Speaker 1>if you can up it. I mean, it's got a

967
00:52:50.239 --> 00:52:53.639
<v Speaker 1>you know, a speech named after it. But I told

968
00:52:53.679 --> 00:52:56.039
<v Speaker 1>them I said, this would be a great versus episode

969
00:52:56.119 --> 00:53:00.840
<v Speaker 1>because they're so different in the philosophies behind they're making.

970
00:53:01.199 --> 00:53:04.920
<v Speaker 1>We're so different. You've got this overall general bird's eye.

971
00:53:05.280 --> 00:53:08.760
<v Speaker 1>We're going to cover everything versus the micro history, and

972
00:53:08.960 --> 00:53:10.039
<v Speaker 1>I think it would be fascinating.

973
00:53:10.039 --> 00:53:12.280
<v Speaker 2>Well, you heard it right here, gentlemen. Make it so.

974
00:53:12.840 --> 00:53:15.239
<v Speaker 1>There you go, there you go. And you know, while

975
00:53:15.280 --> 00:53:19.840
<v Speaker 1>we're talking about Shirley, they suggested an episode for us

976
00:53:20.280 --> 00:53:25.519
<v Speaker 1>back in their Rio Speedwagon episode on high infidelity, and

977
00:53:25.760 --> 00:53:28.039
<v Speaker 1>I have picked up that challenge and that is going

978
00:53:28.119 --> 00:53:31.639
<v Speaker 1>to be featured this season on Accidental Legends. Shout out

979
00:53:31.639 --> 00:53:32.719
<v Speaker 1>to Shirley. You can't be serious.

980
00:53:32.840 --> 00:53:34.960
<v Speaker 2>Sounds good, all right. So here's the paradox.

981
00:53:35.280 --> 00:53:38.559
<v Speaker 1>Most people can't quote the dialogue from this movie at all.

982
00:53:38.800 --> 00:53:41.679
<v Speaker 1>Most people don't remember the box office, but they remember,

983
00:53:54.000 --> 00:53:58.119
<v Speaker 1>they remember trips flogging, they remember the charge on Fort Wagner,

984
00:53:58.400 --> 00:54:02.000
<v Speaker 1>they remember the mass grave. And very few films create

985
00:54:02.159 --> 00:54:07.880
<v Speaker 1>images that become part of a national historical imagination, and

986
00:54:07.920 --> 00:54:10.960
<v Speaker 1>that's what Glory did. So in recognition of that legacy,

987
00:54:11.239 --> 00:54:15.800
<v Speaker 1>the film was selected for preservation in the National Film

988
00:54:15.840 --> 00:54:19.920
<v Speaker 1>Registry in twenty thirteen. It's an honor reserve for films

989
00:54:20.079 --> 00:54:25.960
<v Speaker 1>considered culturally, historically, and esthetically significant. And so that is

990
00:54:26.000 --> 00:54:29.119
<v Speaker 1>perhaps the ultimate confirmation that Glory stopped being just a

991
00:54:29.199 --> 00:54:34.360
<v Speaker 1>movie and it became part of the American historical record. Dirk,

992
00:54:34.440 --> 00:54:38.280
<v Speaker 1>do you know anything about the National Film Registry? Can

993
00:54:38.320 --> 00:54:39.360
<v Speaker 1>you shed any light on that?

994
00:54:39.519 --> 00:54:45.199
<v Speaker 2>Well, it's a registry that keeps a log of national films. Now,

995
00:54:45.360 --> 00:54:47.840
<v Speaker 2>I really, you know, shame on me. I really should

996
00:54:47.880 --> 00:54:50.320
<v Speaker 2>of all people do it, lest I should know about

997
00:54:50.360 --> 00:54:53.159
<v Speaker 2>the National Film Registry, But I think you've just given

998
00:54:53.199 --> 00:54:55.480
<v Speaker 2>me a homework assignment. Embarrassing here, But.

999
00:54:55.519 --> 00:54:59.199
<v Speaker 1>I can't tell you pre episode what to study before

1000
00:54:59.239 --> 00:55:01.119
<v Speaker 1>all of this, Dirk. I can't do your job in

1001
00:55:01.159 --> 00:55:01.480
<v Speaker 1>mind too.

1002
00:55:01.559 --> 00:55:03.039
<v Speaker 2>I'll get some text on this later.

1003
00:55:04.119 --> 00:55:08.000
<v Speaker 6>Hey guys, this is Jen Dirk's wife. Since I'm on

1004
00:55:08.239 --> 00:55:10.960
<v Speaker 6>summer break from teaching, I thought i'd just dial in

1005
00:55:11.039 --> 00:55:13.000
<v Speaker 6>and help you guys out since you needed a little

1006
00:55:13.039 --> 00:55:17.000
<v Speaker 6>help with the National Film Registry. You know, Derk, I

1007
00:55:17.280 --> 00:55:21.679
<v Speaker 6>kind of expect more from a varsity film student.

1008
00:55:21.960 --> 00:55:24.159
<v Speaker 4>You got a degree in our tvf.

1009
00:55:24.440 --> 00:55:29.679
<v Speaker 6>Anyway, the big picture summary is that it was to

1010
00:55:29.719 --> 00:55:35.079
<v Speaker 6>protect the film heritage, and it was the Library of Congress.

1011
00:55:34.000 --> 00:55:39.679
<v Speaker 4>That passed and act It was the Act in the

1012
00:55:39.719 --> 00:55:43.400
<v Speaker 4>Reagan administration. It was put into law Public Law one

1013
00:55:43.840 --> 00:55:47.440
<v Speaker 4>zero zero four four six. It was signed by President

1014
00:55:47.480 --> 00:55:52.039
<v Speaker 4>Ronald Reagan in September twenty seventh, nineteen eighty eight. It

1015
00:55:52.079 --> 00:55:55.880
<v Speaker 4>was to protect and preserve important American films from lost,

1016
00:55:55.880 --> 00:55:56.920
<v Speaker 4>decay and alteration.

1017
00:55:57.119 --> 00:56:01.199
<v Speaker 6>And it wasn't just Hollywood films. It was also documentaries,

1018
00:56:01.679 --> 00:56:09.840
<v Speaker 6>home videos, and the National Film Preservation Act was run

1019
00:56:09.880 --> 00:56:13.119
<v Speaker 6>by the Library of Congress. So it started in eighty eight.

1020
00:56:13.440 --> 00:56:16.719
<v Speaker 6>They decided to add only up to twenty five films,

1021
00:56:17.440 --> 00:56:20.440
<v Speaker 6>and it was to kind of preserve our American culture.

1022
00:56:21.159 --> 00:56:26.360
<v Speaker 6>And funny that you should mention Glory. Glory was just

1023
00:56:26.639 --> 00:56:30.199
<v Speaker 6>selected in the twenty twenty five class and it was

1024
00:56:30.280 --> 00:56:34.320
<v Speaker 6>over thirty six years later. Now there were some silent

1025
00:56:34.480 --> 00:56:39.599
<v Speaker 6>films like Lady in the Tramp that was from the

1026
00:56:39.639 --> 00:56:41.679
<v Speaker 6>eighteen hundreds. I believe we'd have to check me on

1027
00:56:41.719 --> 00:56:47.159
<v Speaker 6>that one. But it's supposed to serve as the permanent

1028
00:56:47.239 --> 00:56:52.800
<v Speaker 6>cultural archive, so people that own the films would donate them.

1029
00:56:52.840 --> 00:56:58.360
<v Speaker 6>They really wanted to preserve it in its natural film state.

1030
00:56:58.440 --> 00:56:59.760
<v Speaker 4>They didn't want it to be altered.

1031
00:56:59.800 --> 00:57:03.039
<v Speaker 6>So a lot of people did not like the colorizing

1032
00:57:03.280 --> 00:57:05.880
<v Speaker 6>of black of Mike Films because it did not preserve

1033
00:57:06.000 --> 00:57:10.079
<v Speaker 6>its original format. Just let me know if you need

1034
00:57:10.079 --> 00:57:13.320
<v Speaker 6>a tutorial later on that. I could definitely do another

1035
00:57:13.360 --> 00:57:16.119
<v Speaker 6>deep dive, haven't I say? Guys?

1036
00:57:16.599 --> 00:57:20.920
<v Speaker 1>Glory was not just an accidental legend in terms of

1037
00:57:21.199 --> 00:57:25.679
<v Speaker 1>its longevity, but it won some awards. It won five

1038
00:57:25.760 --> 00:57:30.800
<v Speaker 1>nomination for Oscars. It got three wins, including Denzel Washington's

1039
00:57:30.800 --> 00:57:34.199
<v Speaker 1>Best Supporting Actor. It won Best Cinematography, and I wasn't

1040
00:57:34.199 --> 00:57:38.079
<v Speaker 1>sure what the third one was. But three Academy Awards

1041
00:57:38.119 --> 00:57:42.760
<v Speaker 1>but five nomination. We mentioned already the standard classroom film

1042
00:57:43.000 --> 00:57:46.360
<v Speaker 1>and arguably introduced more Americans than to the fifty fourth

1043
00:57:46.639 --> 00:57:51.360
<v Speaker 1>Massachusetts than any single history textbook of the late twentieth century.

1044
00:57:51.519 --> 00:57:53.800
<v Speaker 2>So one final, Matt, I want to jump in. I

1045
00:57:53.840 --> 00:57:57.760
<v Speaker 2>have the third award. It was Best Sound. Okay, yeah, okay,

1046
00:57:57.880 --> 00:57:59.960
<v Speaker 2>so that's the three best sound.

1047
00:58:00.480 --> 00:58:04.480
<v Speaker 1>Yes, most Civil War movies tell us how battles were fought.

1048
00:58:04.880 --> 00:58:07.599
<v Speaker 1>Glory asked who had been left out of the story,

1049
00:58:07.880 --> 00:58:11.079
<v Speaker 1>and history has been answering that question ever since. And

1050
00:58:11.159 --> 00:58:14.119
<v Speaker 1>maybe that is the definition of an accidental legend. Not

1051
00:58:14.360 --> 00:58:17.400
<v Speaker 1>a movie that makes the most money, a movie that

1052
00:58:17.519 --> 00:58:20.920
<v Speaker 1>changes what a nation remembers. There are movies that make money,

1053
00:58:21.159 --> 00:58:23.599
<v Speaker 1>there are movies that win awards, and there are movies

1054
00:58:23.599 --> 00:58:27.599
<v Speaker 1>that quietly changed the way a country remembers itself. Glory

1055
00:58:27.639 --> 00:58:32.119
<v Speaker 1>didn't become a legend because it was perfect, because historians

1056
00:58:32.119 --> 00:58:37.239
<v Speaker 1>debate its accuracy. Timelines were compressed, characters were combined, they

1057
00:58:37.239 --> 00:58:41.280
<v Speaker 1>had an aachronistic stuff in it. But it accomplished something

1058
00:58:41.519 --> 00:58:45.440
<v Speaker 1>extraordinarily rare. It became the public memory of the fifty

1059
00:58:45.440 --> 00:58:48.280
<v Speaker 1>fourth Massachusetts. And that's why we're still talking about not

1060
00:58:48.360 --> 00:58:51.800
<v Speaker 1>because it conquered the box office, but because a chance

1061
00:58:51.880 --> 00:58:55.320
<v Speaker 1>encounter with a monument in Boston became the movie that

1062
00:58:55.400 --> 00:58:59.159
<v Speaker 1>taught millions of Americans that freedom was not simply bestowed.

1063
00:58:59.440 --> 00:59:01.480
<v Speaker 1>It was fought for. And many of the men who

1064
00:59:01.559 --> 00:59:05.920
<v Speaker 1>fought for it had been forgotten until Glory remembered them.

1065
00:59:06.000 --> 00:59:08.480
<v Speaker 1>And I love that, and that's why it's been an

1066
00:59:08.519 --> 00:59:11.760
<v Speaker 1>accident in a legend today. Derk any final closing thoughts

1067
00:59:11.880 --> 00:59:13.239
<v Speaker 1>on Glory for.

1068
00:59:13.159 --> 00:59:15.239
<v Speaker 2>You, none for me other than I just want to

1069
00:59:15.280 --> 00:59:18.840
<v Speaker 2>say good find. I'm really glad you picked this up.

1070
00:59:19.119 --> 00:59:21.039
<v Speaker 2>When you first told me about it, I thought, well,

1071
00:59:21.079 --> 00:59:23.480
<v Speaker 2>this could be a challenge because it just was not

1072
00:59:23.599 --> 00:59:26.119
<v Speaker 2>on my radar. So thank you. It was exciting, It

1073
00:59:26.159 --> 00:59:27.760
<v Speaker 2>was really it was really good talking about this.

1074
00:59:28.039 --> 00:59:30.039
<v Speaker 1>So what do you have in store for us next week?

1075
00:59:30.079 --> 00:59:33.559
<v Speaker 2>Derk, Well, unfortunately I don't have any coincidental dates or

1076
00:59:33.639 --> 00:59:36.400
<v Speaker 2>weeks like that, but we are going to stay into

1077
00:59:37.000 --> 00:59:40.679
<v Speaker 2>the movie industry. We're gonna get back into songs later.

1078
00:59:40.800 --> 00:59:44.920
<v Speaker 2>But next week, let's talk about family, and let's talk

1079
00:59:44.960 --> 00:59:48.440
<v Speaker 2>about loyalty. Let's talk about The Godfather and the movie

1080
00:59:48.880 --> 00:59:51.519
<v Speaker 2>that almost was not what it.

1081
00:59:51.719 --> 00:59:54.679
<v Speaker 1>Became okay, which is kind of like another way to

1082
00:59:54.719 --> 00:59:56.360
<v Speaker 1>say an accidental legend.

1083
00:59:56.360 --> 00:59:58.519
<v Speaker 2>Indeed, So that's going to rip.

1084
00:59:58.440 --> 01:00:00.840
<v Speaker 1>It for us, guys. Thank you so much, uch for listening.

1085
01:00:00.920 --> 01:00:05.440
<v Speaker 1>Thank you for supporting us and listening and giving your

1086
01:00:05.480 --> 01:00:09.400
<v Speaker 1>time to our little project, our little labor of love,

1087
01:00:09.599 --> 01:00:14.960
<v Speaker 1>and listen like, subscribe, follow, get notified when we drop episodes.

1088
01:00:15.000 --> 01:00:18.480
<v Speaker 1>We drop them every week on Tuesday night at midnight.

1089
01:00:18.880 --> 01:00:22.639
<v Speaker 1>Text us, email us at Accidental Legends pod at gmail

1090
01:00:22.679 --> 01:00:25.599
<v Speaker 1>dot com. But most of all, have a great week,

1091
01:00:25.840 --> 01:00:26.719
<v Speaker 1>and thanks for being here.

1092
01:00:26.840 --> 01:00:28.960
<v Speaker 2>Hope you guys come back and Matt I'll talk to

1093
01:00:29.000 --> 01:00:30.119
<v Speaker 2>you next week as well.

1094
01:00:30.400 --> 01:00:32.119
<v Speaker 1>Absolutely, see ya,
