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Speaker 1: Welcome to the Great Detectives of Old Time Radio Sunday

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Encore from Boise, Idaho. This is your host, Adam Graham,

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and today, in addition to our Monday through Saturday lineup,

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we are sharing a special Sunday Encore program from our archives.

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This program was played many years ago, and so any

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offers or information included in the episode may not be

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valid unless it's reflected on our website at Great Detectives

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dot net. But now here is yours Encore.

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Speaker 2: Welcome to the Great Detectives of Old Time Radio from Boisiidaho.

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This is your host, Adam Graham. If you have a comment,

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send it to me Box thirteen at Great Detectives dot net.

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Follow us on Twitter at Radio Detectives, and become one

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of our friends on Facebook, Facebook, dot com slash Radio Detectives. Well,

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before we do get started, I want to let you

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know today's show is brought to you by the support

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of our listeners, and you can support the show at

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support dot Great Detectives dot net. Now, I said I'd

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talk a little bit more about Gil Gordon's career, and

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it really was a fascinating multifasted one over radio really

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began in the thirties, doing a lot of roles for

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wide variety of radio serials. Played the villain in in

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Speed Gibson of the International Secret Police. He played Flash Gordon.

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He appeared in Front Page's Drama, which was an early

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old time radio program, made lots of appearances on the

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Lox Radio Theater, and became kind of a key character actor,

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appearing on a lot of shows. Really. In nineteen forty

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he took on the role of Mayor La Trivia, and

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that role in many ways set the direction for a

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lot of his career because he would end up playing

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a lot of these somewhat stuffed shirt authority figures, and

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he would have roles like that in The Great Guildersleeve,

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the Halls of Ivy, and his best radio role in

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that regard was of course his Osgood Conklin and Armis Brooks.

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Over television he continued the same way a lot of

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series opposite Lop Seal Ball, and of course he was

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also the second mister Wilson on Dennis the Menace. By

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Our Radio a little bit more of a variety, particularly

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in the early years, and certainly a prova detective series

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very different from that. Well, let's go ahead and take

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a listen out to today's episode of the Case Book

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of Gregory Hood is the Black Museum.

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Speaker 3: Pat three Wine brings you.

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Speaker 4: Nice book of Gregory Hood Tonight.

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Speaker 5: The Petrick family, the family that took time to bring

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you good wine, invite you to listen to.

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Speaker 4: The story of the Black.

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Speaker 5: Museum, another exciting adventure from the case Book of Gregory Hood.

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And if you don't mind, I'd like to ask you

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to do it was something for me and yourself tomorrow

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night along with your dinner, Sir Patrie California Burgundy. Patrick

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Burgundy is a perfect companion for any kind.

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Speaker 6: Of meat or meat dish.

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Speaker 5: It's the red wines just as rich in flavor as

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it is in colored. It can transform an ordinary meal

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into a real occasion. Take even a simple dish like

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hamburger steak. Cook that hamburger exactly the way you like rare, medium,

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well done, fried, barbecued anyway, then serve it with a

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glass of delicious Petrie Burgundy. Why you have a meal

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that would make anyone happy, even a connoisseur. Remember when

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you serve that Petri Burgundy, you can serve it prouder

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because Petrie is the proudest name and the long history

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of fine wines. Well, it's Monday night in San Francisco

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and we have a weekly date with Gregory to night's rendezvous.

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Speaker 4: Is that one of us that he's oldest and best.

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Speaker 5: Restaurants there of the titans, furnishing, the tasteful, the service,

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the screets, and the Revealscalipini a maison, so Gregory tells me,

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is incomparable.

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Speaker 6: Let's join. Ll believe me, mister.

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Speaker 3: Missilippi, you're journey mister Hood of Girt.

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Speaker 5: Yes, he tells me that life is incomplain until life

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tries Gallupini.

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Speaker 3: If you ord of.

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Speaker 5: Italian, we do fight ourselves on the dish. Follow me, please,

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mister Battell. Mister Hood always has the same table. He

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came in a few moments ago.

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Speaker 6: What this is his stable?

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Speaker 3: But where did he.

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Speaker 4: Go into the kitchen?

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Speaker 5: Perhaps I know he's an amateur cook of some notes,

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he's more than likely the Please who sit down, mister Botel,

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and I will see if I can find it. Thanks,

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miss Pilippish, here he comes now?

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Speaker 3: Oh an't in Gregory, Ollo.

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Speaker 4: Harry see Battle of Lipers taking care of you. Thank

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you b later, Harry. This is quite an occasion.

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Speaker 5: I've got it, You've got what the secret. George and

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Frank mannin As finally broke down and gave me the

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missing link to that scillapini into the ally volumes. I

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had a pinchab Reagan, a whist of time, and.

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Speaker 4: Then no more than a faint murder of top.

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Speaker 6: Green minutes and the wine.

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Speaker 5: Harry, Ah, that's where the fund start when you pourt Gregory.

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Right now, our listeners want an adventure out of the

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case book of Gregory. Hoot, It'd be much more profitable

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to learn how to cook scallapini if or Italia, Harry,

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crime is common good cooking forests may be Gregory, but

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I'll take the scalapini later, if you don't mind, for

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the next half hour has about Gregory hood versus the underworld.

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Speaker 6: Well, if you insist, let me see what story did

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I found you last week?

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Speaker 4: One that you called the Black Music.

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Speaker 5: Ah? Yes, yes, that was not adventure, Harris. I suppose

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it really began a couple of months ago in my

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apartment on nob Hill. Andy Taylor and I had a

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dinner date with some friends, and he'd propped by from Martini.

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I thought I had scelled myself with the martinis that night.

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But Sandy, h is my best friend as well as

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my attorney, is the unfortunate victim of an overdeveloped sense

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of punctuality. After half an hour, he was championing at

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his bit to be off. Finally, with the devilish cunning

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of the season batchelor, I convinced him that one more

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martini was almost.

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Speaker 4: All right, Gregory, you win.

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Speaker 5: The snap of your arm was positively deafening. Sand Me,

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let's watch the time the Austins are expecting us at

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seven fifteen. They're such nice people that I'm always astonished

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as they're gastronomic indifference. Their cook deserves to be stewed

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in her own culinary juicing. Pleasant thought, but she'd need

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a colossal saucer fan t true. By the way, Sandy,

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did you know Tim Brady arrived back in time today?

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Speaker 6: Tim Brady?

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Speaker 4: Oh? Yes, he's your agent down in Mexico, isn't he?

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Speaker 3: Has he unearthed any.

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Speaker 4: Treasures this trip?

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Speaker 5: I haven't seen him yet. He called me just before

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you arrived. That's old him to drop by of her drink.

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Don't know what happened to him.

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Speaker 4: Well, he'd better hurry.

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Speaker 6: Oh that must be him.

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Speaker 4: There Oh Lord, give him a fast price, Gregory.

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Speaker 6: There's a martini left. I'll give him that and then

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he can walk.

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Speaker 4: Down to the top.

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Speaker 7: Hello, Jim, let's see you again Gregory.

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Speaker 4: Oh oh, Brady, too bad you arrived so late. We've

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got a rush. We're behind schedule now, Sorry, but.

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Speaker 3: I got tied up. Can I walk down to the

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car with you?

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Speaker 6: Just what I was going to suggest? In the meanwhile,

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there's one martini.

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Speaker 3: That homes not me longer, Gregory, ain't. Thanks?

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Speaker 6: Are things down in Mexico.

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Speaker 5: Not too promising for Gregory of Hood to import it?

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Speaker 6: Government control?

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Speaker 3: Yeah, most of the good stuff sewed up.

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Speaker 5: And smuggling is not what it used to be here.

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Did you get anything really?

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Speaker 6: Choice?

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Speaker 3: Well, just the one item. Gonna say, honey, what did

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you think of it?

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Speaker 5: So I went through your last shipment at the warehouse

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that I didn't notice anything special?

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Speaker 4: And what did you dig up?

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Speaker 6: Brady on Knight?

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Speaker 3: Sacrificial Knights. It's a genuine pre.

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Speaker 5: Conqueror item of city in blade, cop stone, handled and

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it's guaranteed to have been using human sacrifices for the war.

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Got good work, of course you didn't send it with

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a regular consignment no special.

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Speaker 3: Packaging, but it should have been here by now.

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Speaker 6: It sounds like a real time did you pay a

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big price for it?

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Speaker 4: All?

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Speaker 6: Got it for a song?

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Speaker 3: But there's a reason for that.

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Speaker 4: It's previous owner just got himself murdered with it.

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Speaker 3: From what I hear they usually do.

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Speaker 6: Huh. The knife's got a curse on it.

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Speaker 5: Gregory, whoever has it in his possession, is supposed to

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die soon and violently. Dear me, polish up my steel whiskers.

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But in the meantime, I guess we must be moving

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the one who.

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Speaker 3: Walked down at the car with us.

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Speaker 6: Oh sure, Gregory, we'll get our hat standing with you.

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Speaker 4: I mean, I've really got you on your wonders. We'll

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never see.

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Speaker 6: Here's the car, Gregory.

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Speaker 3: Barry would have to rush to him. That's okay. I've

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got a day too.

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Speaker 6: We'll see the opos morning.

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Speaker 3: Well, I'll go over to.

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Speaker 4: The other stuff with him. Oh hello, mister Markham, here

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ready when you get back to town.

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Speaker 3: That's this afternoon.

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Speaker 4: Oh this is mister Hood, that's the teller.

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Speaker 6: I don't know your Gregory Hood.

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Speaker 4: Aren't you ahead of the important firms?

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Speaker 6: Right? I have a neighbor of yours.

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Speaker 4: Just a block down the hill from here.

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Speaker 6: I've wanted to meet you.

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Speaker 8: I think I've got some stuff that will interest you

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quite a bit.

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Speaker 6: Yes, I'm afraid we have to go, mister Markham. What

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kind of stuff are you referring to?

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Speaker 8: How would you like to see the very hatchet with

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which the boat and murders.

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Speaker 6: Would to make it?

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Speaker 8: You have it, mister Markin, and more gracious, I think

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I have one of the finest collections of murder weapons

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in the world. Why not stop and see them?

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Speaker 4: It would only take a few second.

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Speaker 6: How about tomorrow, mister Martin.

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Speaker 8: Well, I'm afraid I'll be out of town for the

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next few days.

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Speaker 6: I will not come now.

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Speaker 4: Well, Greggory, we can't.

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Speaker 6: Or quarter of an hour won't hurt Sandy.

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Speaker 5: Come on, you can figure with missus Olson on fault, Oh, Gregory, Here,

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mister hood is the carving knife which Henry White, to

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Pete Montgommer, used to decapitate his wife.

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Speaker 6: I remember the case. They never did find her head,

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did they?

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Speaker 5: Strikes me as a rather grizzly hobby, mister Markham, though

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I'm sure your collection's priceless to.

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Speaker 8: A student of criminology like myself.

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Speaker 4: Mister Taylor, it's far from grizzly.

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Speaker 8: Naturally, I knew mister Hood's reputation as.

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Speaker 5: An amateur detective, and I was certain he'd be inter

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see I am, I am immense.

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Speaker 6: It's a superb black museum.

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Speaker 5: Just think of it. Every one of these choice implements

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have actually tasted human blood, and usually in a celebrated case.

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Speaker 4: And that's why I regard the hobby as.

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Speaker 6: A grizzly one.

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Speaker 5: You wouldn't consider selling any of these trophies, would you,

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mister martam telling you print Scott knows would I'd like

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to buy more to add to the collection?

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Speaker 6: It concuse me, mister Markham, he is for? What is?

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If your wife would like to speak to you for

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a moment? He's in the dance.

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Speaker 4: Oh very well, I'll be back in a moment.

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Speaker 5: Gentlemen, I look after my guests for I'm Peel Jackson,

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mister Markham secretary, you are, mister Gregory Hood?

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Speaker 6: Answer yes, and this is Sam Taylor.

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Speaker 4: Gregory is nearly half time.

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Speaker 6: As soon as mister Markham gets back, will be on

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our way. Mister Hood. I've got a business proposition to

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make you well. I'm a businessman. What proposition. You're an

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import with connections.

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Speaker 5: All over the world, mister Hoods, it has to me

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that occasionally you would be bound to come across something

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that would be a perfect addition to mister Markham's museum.

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Speaker 6: I've just been thinking the same thing myself. Me too.

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Speaker 5: It would be the first opportunity I've ever had to

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put my interest in murder on a strictly commercial basis.

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Speaker 4: The propositions to Jackson.

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Speaker 5: I'd love to handle such a deal on a commission that.

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Speaker 6: Hardly seems ethical.

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Speaker 5: Mister Markham's your employer, and he has more money than

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he knows what to do with. We told jack the

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price up and split the extra three ways. I don't

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want to appear stuffy, mister Jackson, but my firm doesn't

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do business that way. No dice, my friends now here

254
00:12:04,720 --> 00:12:07,159
he comes an hour with his wife. Please don't be peaping,

255
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I said, yet, little and I want you to meet

256
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my wife. My dear, we've heard of missus Markham and

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missus Taylor.

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Speaker 1: How you do.

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Speaker 7: I was telling Howard that I was so anxious to

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meet you, mister Hurd, but I wish he'd warned me

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when he's saying.

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Speaker 9: This is I look perfectly awful.

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Speaker 6: You look charming, missus Markham. But I'm afraid that we

264
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must be getting along.

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Speaker 9: The collection.

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Speaker 6: Yes, yes, it's definitely.

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Speaker 9: That's how I didn't show you my contribution. He doesn't

268
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seem it's worthy of the rest of the stuff. I mean,

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here and let me show you.

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Speaker 6: Here's this for the moment. It's never been proven to

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be your friendy.

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Speaker 9: So howard both, let me keep it this collection, it's

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vanished to the study.

274
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Speaker 6: What is the treasure? A dating question?

275
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Speaker 9: Somebody is supposed to have conscious fifty.

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Speaker 7: Girls and on the head with its forty three times

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before to the study for the test, I brought it

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in China down.

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Speaker 6: Oh is it on the desk? Yeah, y's a hood.

280
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Speaker 9: Yes, you have to talk about the question.

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Speaker 6: The boy is screaming, Okay, let's.

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Speaker 5: Not talk about him. Well the last night you have

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to pay yes, yes, and I'm late for it now

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blonde bring white hair. And in the late fifties, she

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must have a daughter. She has to play chow plans

286
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for pirblade.

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Speaker 9: That's when you want. You have to go yes once

288
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to drop five over. How are you going to club?

289
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Speaker 6: You're crazy about how it? Don't you? Oh?

290
00:13:33,720 --> 00:13:36,960
Speaker 9: So the tenant boy at the nineteen hundred and one

291
00:13:39,279 --> 00:13:44,519
n Latin. Yes, if I'm not doing something about it.

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Speaker 6: I'm suffering from a rush of epics to the head.

293
00:13:48,960 --> 00:13:49,759
Speaker 4: That's unfortunate.

294
00:13:51,279 --> 00:13:55,840
Speaker 9: Yes, this ws a my living a numbers in book, and.

295
00:13:55,919 --> 00:13:56,320
Speaker 6: Let's go.

296
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Speaker 9: This side.

297
00:14:01,360 --> 00:14:01,559
Speaker 5: Where?

298
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Speaker 4: Lord?

299
00:14:02,519 --> 00:14:03,519
Speaker 6: Do you think it's so authentic?

300
00:14:04,039 --> 00:14:07,039
Speaker 5: I rather doubt it's, mister Marsham that then it's hard

301
00:14:07,120 --> 00:14:09,320
to say, Oh, Sanday, what's the time?

302
00:14:09,399 --> 00:14:09,919
Speaker 4: Seven o'clock?

303
00:14:09,919 --> 00:14:10,919
Speaker 6: Cracker? Ain't that an o'clock?

304
00:14:10,960 --> 00:14:11,679
Speaker 3: Sandy? You're a dope?

305
00:14:11,720 --> 00:14:13,519
Speaker 6: Why didn't you keep an eye on your watch? You're late?

306
00:14:24,879 --> 00:14:26,960
Speaker 5: All right, Gregory, I'll come up to your apartment for

307
00:14:27,080 --> 00:14:30,240
John's one glass of port. But Padros was worse than usual,

308
00:14:30,360 --> 00:14:32,720
an horse in a standay, And I can't think why

309
00:14:32,799 --> 00:14:35,480
even the Austin folks decided that brilliant team is a

310
00:14:35,519 --> 00:14:37,279
good spaces for a salad dressing.

311
00:14:38,200 --> 00:14:40,639
Speaker 4: Oh it wasn't that bad, Gregory.

312
00:14:41,440 --> 00:14:42,720
Speaker 6: I'll never quite understand you.

313
00:14:43,039 --> 00:14:45,480
Speaker 5: What makes you say that you were equally charming both

314
00:14:45,519 --> 00:14:48,279
to missus Markham, who had all the subtlety of a steamroller,

315
00:14:48,360 --> 00:14:49,799
and to miss Austen, was really a.

316
00:14:49,879 --> 00:14:52,600
Speaker 4: Very nice girl. Obviously you didn't like either of us.

317
00:14:53,039 --> 00:14:56,559
Speaker 6: What kind of a woman do you like? Where's my keys? Oh?

318
00:14:56,679 --> 00:14:57,000
Speaker 3: Here we are?

319
00:14:58,120 --> 00:15:00,600
Speaker 6: What kind of a woman do I know? I don't

320
00:15:00,679 --> 00:15:04,039
have much sandies, just an off beat sense of humor.

321
00:15:04,720 --> 00:15:08,879
Speaker 5: Great usual in a certain way with nim, I shouldn't

322
00:15:08,879 --> 00:15:10,559
be too hard, fine nose.

323
00:15:10,639 --> 00:15:14,879
Speaker 6: That's what I had in mind, was something like, yes,

324
00:15:15,759 --> 00:15:17,519
just might easily be someone.

325
00:15:17,519 --> 00:15:18,000
Speaker 3: Very like you?

326
00:15:18,559 --> 00:15:19,960
Speaker 4: Who she or she's just?

327
00:15:22,000 --> 00:15:25,000
Speaker 6: Oh? And who are you? And how did you get

328
00:15:25,039 --> 00:15:25,360
in here?

329
00:15:25,919 --> 00:15:28,639
Speaker 9: It's managed to man's service. He thought you might take

330
00:15:28,679 --> 00:15:29,600
me to stay.

331
00:15:30,000 --> 00:15:31,039
Speaker 6: That's friendly of him.

332
00:15:31,240 --> 00:15:33,320
Speaker 9: But I have not come here to this man at you?

333
00:15:35,039 --> 00:15:37,279
You don't have I come here to sit down. I

334
00:15:37,480 --> 00:15:39,159
have come here to warn you about the Knight.

335
00:15:39,360 --> 00:15:39,840
Speaker 4: What's nice?

336
00:15:39,879 --> 00:15:40,440
Speaker 6: The facts?

337
00:15:40,679 --> 00:15:43,399
Speaker 9: Your knife of the which approaches the god of wars.

338
00:15:44,240 --> 00:15:47,559
That's nice belongs to the followers the god. You must

339
00:15:47,679 --> 00:15:48,799
not keep it, misterhood.

340
00:15:48,919 --> 00:15:50,000
Speaker 5: Listen to what did I say?

341
00:15:50,919 --> 00:15:56,240
Speaker 9: Whoever onto my friends will die, We will die by

342
00:15:56,320 --> 00:15:56,639
the Knight?

343
00:15:57,240 --> 00:15:59,480
Speaker 4: Are you sure you haven't reading too many mystery stories?

344
00:15:59,519 --> 00:16:00,759
Speaker 6: And lady, I'm in front of me.

345
00:16:00,799 --> 00:16:01,440
Speaker 3: I've come here to.

346
00:16:01,440 --> 00:16:04,200
Speaker 6: Bring you warning. That's very nice of you. Who are you?

347
00:16:04,559 --> 00:16:10,879
Speaker 9: I am obvious as fat as I am and I

348
00:16:10,960 --> 00:16:11,279
think I.

349
00:16:13,159 --> 00:16:15,879
Speaker 3: Want you to others follow you while.

350
00:16:15,720 --> 00:16:18,759
Speaker 6: You're on the knight with that is, if you must

351
00:16:18,840 --> 00:16:20,879
threaten me. I do wish to sit down. We all

352
00:16:20,919 --> 00:16:22,799
be more comfortable. That is all I have to say.

353
00:16:23,639 --> 00:16:25,120
Speaker 3: Remember what I have said.

354
00:16:25,159 --> 00:16:26,759
Speaker 6: Now, wait a minute, Joe fathers has been a one

355
00:16:26,840 --> 00:16:28,600
track conversation. Why do you have to leave?

356
00:16:29,240 --> 00:16:29,960
Speaker 4: To leave? Good?

357
00:16:30,879 --> 00:16:34,159
Speaker 6: I'll be back in a je sending why do you

358
00:16:34,240 --> 00:16:36,480
par I'm not. I'm just being a gentleman and seeing

359
00:16:36,480 --> 00:16:37,639
you to your card. Who's thinking here?

360
00:16:37,799 --> 00:16:38,120
Speaker 9: Nobody?

361
00:16:38,279 --> 00:16:38,799
Speaker 6: Where do you live?

362
00:16:39,159 --> 00:16:39,879
Speaker 9: I should not tell you?

363
00:16:40,039 --> 00:16:40,600
Speaker 6: What's your phone?

364
00:16:40,799 --> 00:16:41,360
Speaker 3: Have no phone?

365
00:16:41,519 --> 00:16:44,399
Speaker 6: Mis Douglas sixty nine seven? What's your other name? Bron?

366
00:16:45,600 --> 00:16:47,080
You can't here to try and scare me? And now

367
00:16:47,080 --> 00:16:49,960
I'm scaring you, fellow. Oh well, let me drive you home.

368
00:16:50,080 --> 00:16:50,279
Speaker 3: Good.

369
00:16:51,320 --> 00:16:55,960
Speaker 6: Oh we'll meet again. I promise you will meet again.

370
00:16:56,240 --> 00:17:08,480
Speaker 5: And the nice Greggory should have been here a week

371
00:17:08,519 --> 00:17:11,079
ago instead of waiting, arrived this morning. The strange things

372
00:17:11,119 --> 00:17:13,440
happening in the custom opened the window when it's him

373
00:17:13,480 --> 00:17:16,240
and stuffy in anyway, it was well worth waiting for.

374
00:17:16,599 --> 00:17:18,799
Speaker 6: It's a beautiful specimen and number what the girl said

375
00:17:18,880 --> 00:17:22,039
last night? Gregory? Whoever owns the knife wrongfully? Will die?

376
00:17:23,039 --> 00:17:23,599
Was that girl?

377
00:17:23,680 --> 00:17:23,920
Speaker 3: Gregg?

378
00:17:24,079 --> 00:17:27,480
Speaker 5: Last name, address, telephone number unknown, But he put on

379
00:17:27,599 --> 00:17:29,920
quite a convincing act. He didn't gam it us herself, though,

380
00:17:30,319 --> 00:17:33,440
I'll find out if are up to it. Oh, this

381
00:17:33,799 --> 00:17:36,920
nice ExPASy, I'll hold it up by the windows, candy

382
00:17:37,119 --> 00:17:38,960
and in fact a lot of money, Gregory if I

383
00:17:39,079 --> 00:17:40,160
feel it, Markham and.

384
00:17:40,200 --> 00:17:43,119
Speaker 6: Probably give his I teeth for it. It is, and

385
00:17:43,200 --> 00:17:45,440
there's his eye, teeth undoubtedly detachable.

386
00:17:45,440 --> 00:17:46,880
Speaker 4: I don't think it would do much of a bargain.

387
00:17:48,119 --> 00:17:51,200
Speaker 6: Look at the blood stains on this probably fifteenth century.

388
00:17:53,839 --> 00:17:56,680
Speaker 5: Oh month, somebody chucked a knife through the.

389
00:17:56,720 --> 00:17:58,440
Speaker 4: Window, and there's an office building opposite.

390
00:17:58,480 --> 00:18:00,880
Speaker 6: But I can't see any I didn't expect you to.

391
00:18:00,960 --> 00:18:03,200
You're dealing with an expert. You only missed me by

392
00:18:03,240 --> 00:18:06,519
a few inches, hopfully bad to the redwood paneling, though, yes,

393
00:18:07,240 --> 00:18:10,240
I see, I'm a nice at modern Nate Gregory.

394
00:18:10,279 --> 00:18:11,960
Speaker 9: But it's the same pattern as the one I got

395
00:18:12,000 --> 00:18:12,519
in Mexico.

396
00:18:12,640 --> 00:18:14,559
Speaker 6: Shall I call a police? Oh Brady, this is hood company,

397
00:18:14,599 --> 00:18:16,160
bas we can take care of it well. And what

398
00:18:16,240 --> 00:18:17,279
are you going to do? Banks?

399
00:18:17,319 --> 00:18:19,799
Speaker 5: This unknown individual for testing me a nice new import

400
00:18:19,880 --> 00:18:22,839
for free and plan to thank him in person as

401
00:18:22,880 --> 00:18:39,880
soon as possible. Gregory is, I'm crazy about riding in

402
00:18:39,960 --> 00:18:42,400
the open section of these table cars, good am, I,

403
00:18:42,640 --> 00:18:43,799
but we've been up knob.

404
00:18:43,640 --> 00:18:45,559
Speaker 4: Hill twice and down at once. This is the second

405
00:18:45,640 --> 00:18:46,079
trip down.

406
00:18:46,200 --> 00:18:48,319
Speaker 5: Where is it getting it up and down knob Hill?

407
00:18:49,000 --> 00:18:51,000
Table cars are conducive to clear thinking.

408
00:18:51,079 --> 00:18:52,480
Speaker 6: I think I've been thinking.

409
00:18:52,559 --> 00:18:55,559
Speaker 4: Man get rid of that sacrificial night, the only sensible

410
00:18:55,599 --> 00:18:55,920
thing to do.

411
00:18:56,359 --> 00:18:57,839
Speaker 5: And you've got a perfect market.

412
00:18:57,880 --> 00:18:59,559
Speaker 6: You mean mister Markham's Black Museum.

413
00:18:59,680 --> 00:19:02,200
Speaker 4: Sure, I know, Sandy, but there's something about this whole

414
00:19:02,240 --> 00:19:03,519
business that smacks.

415
00:19:03,200 --> 00:19:04,960
Speaker 6: The fourth rate melodrama. Gregory.

416
00:19:05,000 --> 00:19:06,680
Speaker 5: I'd say turned the case over to the police and

417
00:19:06,799 --> 00:19:07,119
sell the.

418
00:19:07,119 --> 00:19:10,079
Speaker 6: Knife to mock and admit that I'm scared. No, standy,

419
00:19:10,160 --> 00:19:10,960
that isn't what I mentioned.

420
00:19:12,519 --> 00:19:17,359
Speaker 4: Another night thrown after this time? It is really close then,

421
00:19:17,440 --> 00:19:19,200
the fourth rate melodrama or not.

422
00:19:19,359 --> 00:19:21,839
Speaker 6: I'm beginning to think I'm unpopular.

423
00:19:30,440 --> 00:19:30,920
Speaker 8: As diction.

424
00:19:31,160 --> 00:19:36,480
Speaker 5: Yes, take this letter please here, mister Harris, regard to

425
00:19:36,559 --> 00:19:39,920
your letter of the sixteenth instant. As attorney for the

426
00:19:39,960 --> 00:19:44,079
firm of Gregory Hood Importers, I hereby give notice and

427
00:19:44,200 --> 00:19:46,880
your receipt of this registered letter will acknowledge such notice,

428
00:19:47,599 --> 00:19:49,279
whereas the party of the first.

429
00:19:50,000 --> 00:19:57,079
Speaker 7: Mister, Oh, yes, he's right here, thank you.

430
00:19:57,160 --> 00:20:01,640
Speaker 5: Mistake, Yes, Gregory, Sandy, I'm phoning from a oh very unusual.

431
00:20:01,960 --> 00:20:03,640
Speaker 10: Yes, this is sad.

432
00:20:03,680 --> 00:20:04,480
Speaker 6: They let me tell you something.

433
00:20:04,480 --> 00:20:05,039
Speaker 3: I don't look.

434
00:20:05,200 --> 00:20:06,880
Speaker 6: He's crazy to buy the sacrificial knives.

435
00:20:06,920 --> 00:20:07,839
Speaker 4: Good sell it, Gregory.

436
00:20:07,880 --> 00:20:10,160
Speaker 6: But I had a right idea supposing this guy was

437
00:20:10,200 --> 00:20:12,400
purchasing me with knives. Decides to take a crack of

438
00:20:12,480 --> 00:20:14,400
fox if we would.

439
00:20:14,440 --> 00:20:17,440
Speaker 5: We don't worry, Gregory. I'll work out out formal waiver

440
00:20:17,519 --> 00:20:20,079
of damages or something. I'm glad you've come to your senses, though,

441
00:20:20,079 --> 00:20:20,880
and decided to sell.

442
00:20:21,000 --> 00:20:25,160
Speaker 4: I just wanted to know what, Gregory, what's wrong?

443
00:20:25,599 --> 00:20:43,160
Speaker 5: I heard a man scream, hope, Gregory, Gregory, Gregory. You'll

444
00:20:43,200 --> 00:20:45,000
hear the rest of Gregory who had story in just

445
00:20:45,079 --> 00:20:47,440
a second. So in the meantime, I'm going to tell

446
00:20:47,440 --> 00:20:50,960
you about a white wine. It's really marvelous with chicken.

447
00:20:51,799 --> 00:20:56,119
The wine is Petrie California So Turned. Petrie So Turned

448
00:20:56,319 --> 00:20:59,400
is a delicate, subtle wine, beautifully.

449
00:20:59,079 --> 00:20:59,960
Speaker 6: Golden in colored.

450
00:21:00,799 --> 00:21:03,200
Speaker 5: One sip and you'll know that you've discovered the kind

451
00:21:03,240 --> 00:21:06,279
of wine you've long looked for And let me tell you.

452
00:21:06,480 --> 00:21:09,519
Petre so turned is not only great with chicken. Wait,

453
00:21:09,599 --> 00:21:11,880
did you serve it with fish or any other kind

454
00:21:11,920 --> 00:21:16,480
of seafood? It's just about well, I've sort of run

455
00:21:16,559 --> 00:21:19,720
out of words. You just taste Petrey so turn yourself

456
00:21:19,759 --> 00:21:22,799
and you'll know how good it really is. Remember, there

457
00:21:22,839 --> 00:21:25,480
are lots of wine, so be sure you get a

458
00:21:25,559 --> 00:21:30,559
good wine. Always get a Petree wine. Well, it was

459
00:21:30,599 --> 00:21:32,599
a fine place to lead me. Cliff Hayes, Were you

460
00:21:32,720 --> 00:21:36,160
killed Gregory this early in the series, No, Harry by

461
00:21:36,200 --> 00:21:37,079
a happy work of faith.

462
00:21:37,160 --> 00:21:37,720
Speaker 6: I wasn't too.

463
00:21:37,799 --> 00:21:40,920
Speaker 5: Oh, I'm so glad that Sandy was worried, though he was.

464
00:21:41,039 --> 00:21:44,119
He tried unsuccessfully traced the call and waited anxiously.

465
00:21:43,759 --> 00:21:44,599
Speaker 6: Until I called him back.

466
00:21:47,319 --> 00:21:50,880
Speaker 4: Yes, Gregory, you're scared the daylight, thought him. Sorry, I

467
00:21:50,960 --> 00:21:52,960
got what happened another night?

468
00:21:53,039 --> 00:21:53,440
Speaker 6: Throw n't you?

469
00:21:53,599 --> 00:21:53,799
Speaker 5: Yes?

470
00:21:53,880 --> 00:21:56,160
Speaker 6: But this time an aby barfly lights in front of me.

471
00:21:56,359 --> 00:21:58,279
That was the yelp you must he did it? Get

472
00:21:58,319 --> 00:22:00,480
him picked his shoulders hing cereal, except that.

473
00:22:00,480 --> 00:22:01,519
Speaker 10: He might sign the plane.

474
00:22:02,039 --> 00:22:02,680
Speaker 4: It made me mad.

475
00:22:02,759 --> 00:22:03,720
Speaker 8: It's giving me an idea.

476
00:22:04,119 --> 00:22:06,160
Speaker 5: I think I know how to settle this business now, Gregory,

477
00:22:06,240 --> 00:22:07,480
leave it alone or at least let me.

478
00:22:07,519 --> 00:22:10,640
Speaker 6: Okay, okay, counselor you're enough beat me at Sam Mackman's

479
00:22:10,640 --> 00:22:15,160
office area half out. Who's Sam Macklin? What the heck

480
00:22:15,440 --> 00:22:16,160
tell you when I see you?

481
00:22:23,799 --> 00:22:24,000
Speaker 3: Well?

482
00:22:24,119 --> 00:22:27,200
Speaker 6: Sam House business, ah, greg and business ain't what he

483
00:22:27,319 --> 00:22:29,039
used to me. I don't think it ever has been.

484
00:22:29,640 --> 00:22:31,559
What can I do for you this time? Greg? You're

485
00:22:31,640 --> 00:22:34,480
chasing down the phone number of another ballet dancer. I

486
00:22:34,559 --> 00:22:36,039
do want to find a dancer, but I assure you

487
00:22:36,119 --> 00:22:37,519
it's strictly business this time.

488
00:22:38,039 --> 00:22:40,200
Speaker 4: M Well, I'll see what I can do.

489
00:22:40,359 --> 00:22:42,759
Speaker 5: I want the addresses of any female Spanish dancers now

490
00:22:42,799 --> 00:22:43,559
in San Francisco.

491
00:22:44,119 --> 00:22:45,039
Speaker 6: Spanish dances.

492
00:22:45,400 --> 00:22:47,240
Speaker 4: I can find you one hundred Mexican ones.

493
00:22:47,319 --> 00:22:49,880
Speaker 6: No, no, Sam, real Spanish dancers, not Mexicans.

494
00:22:50,440 --> 00:22:52,960
Speaker 5: Okay, i'll'll through my book, and while you're at it,

495
00:22:53,079 --> 00:22:55,599
see if you can tack down any knife throwers for me.

496
00:22:56,920 --> 00:23:01,079
Speaker 11: Spanish enters and knife throwers. Gregory, My boy, your taste

497
00:23:01,240 --> 00:23:15,839
is certainly changing, Gregory.

498
00:23:15,440 --> 00:23:16,759
Speaker 4: Why are we doing a round to the night.

499
00:23:17,039 --> 00:23:19,279
Speaker 5: I'm trying to catch the right floor show, the one that.

500
00:23:19,319 --> 00:23:20,599
Speaker 4: Has a certain Spanish dancer.

501
00:23:20,640 --> 00:23:22,759
Speaker 5: But I think we will recognize where does the Spanish

502
00:23:22,839 --> 00:23:25,359
dancer fit into the picture of records. That girl Killar,

503
00:23:25,599 --> 00:23:28,599
the so called Aztec priestess, descried to scare me last night.

504
00:23:28,640 --> 00:23:29,759
Speaker 6: I have a hunt. She's a dancer.

505
00:23:29,960 --> 00:23:31,559
Speaker 4: What makes you think that? Well, at first, when I

506
00:23:31,640 --> 00:23:33,599
heard that luscious voice, I thought she might have been

507
00:23:33,599 --> 00:23:34,000
a singer.

508
00:23:34,519 --> 00:23:35,599
Speaker 6: But when I saw the way she.

509
00:23:35,680 --> 00:23:37,799
Speaker 5: Moved around and how she skimmed down the stairs, I

510
00:23:37,920 --> 00:23:38,599
changed my mind.

511
00:23:38,880 --> 00:23:40,279
Speaker 6: Yes, Andy, I have a definite hunt.

512
00:23:40,319 --> 00:23:40,920
Speaker 4: She's a dancer.

513
00:23:41,240 --> 00:23:44,200
Speaker 6: One thing's certain. He's obviously not an ask how do

514
00:23:44,200 --> 00:23:44,799
you figure that one?

515
00:23:44,839 --> 00:23:44,880
Speaker 5: Not?

516
00:23:45,480 --> 00:23:48,119
Speaker 4: She said, how do you say in English a taker?

517
00:23:48,720 --> 00:23:52,079
Speaker 6: As taka? She gave the z a th eight sound.

518
00:23:52,519 --> 00:23:56,599
Speaker 5: That's Castilian, Spanish, Mexican or any Spanish American would say

519
00:23:56,839 --> 00:23:59,279
as taker. Oh, she's a phony, and that's why we're

520
00:23:59,319 --> 00:24:00,799
calling the knight. I'm trying to find that.

521
00:24:01,359 --> 00:24:02,960
Speaker 6: I hope he can lead us to whoever's at the

522
00:24:02,960 --> 00:24:04,279
back of this night's throwing business.

523
00:24:04,400 --> 00:24:06,799
Speaker 5: Well, we've seen three Spanish dancers so far, and you've

524
00:24:06,839 --> 00:24:07,519
made two dates.

525
00:24:07,759 --> 00:24:09,200
Speaker 6: I hope this is the right place.

526
00:24:09,480 --> 00:24:14,640
Speaker 5: Do a it is it is?

527
00:24:14,839 --> 00:24:16,519
Speaker 4: Let's setting out in the potlight, man, Dad.

528
00:24:16,559 --> 00:24:18,440
Speaker 6: It's the same girl, all right. How soon as the

529
00:24:18,519 --> 00:24:20,160
numbers over. We're going to persuade her to take a.

530
00:24:20,200 --> 00:24:23,160
Speaker 5: Cab ride with us to the officers are putting company.

531
00:24:22,920 --> 00:24:36,640
Speaker 10: And put mister rud why are you taking me from

532
00:24:36,680 --> 00:24:38,279
the club. It must downstair camp to night.

533
00:24:38,400 --> 00:24:39,440
Speaker 6: Oh, don't worry to last.

534
00:24:39,559 --> 00:24:41,240
Speaker 5: I'll get you back there in time and stay to

535
00:24:41,359 --> 00:24:44,799
watch you right now. We want information who hired you

536
00:24:44,880 --> 00:24:46,359
to come up and time scare me last.

537
00:24:46,279 --> 00:24:48,279
Speaker 9: Night, It would not be there to stay you you

538
00:24:48,400 --> 00:24:48,680
turned me.

539
00:24:48,720 --> 00:24:50,680
Speaker 8: It was only a joke, and you pay me way.

540
00:24:50,960 --> 00:24:52,640
It would not be right to give the joke away.

541
00:24:52,799 --> 00:24:54,880
Speaker 5: Listen to I'm a lawyer, and I assure you you're

542
00:24:54,920 --> 00:24:56,960
not mixed up with a joke. You're mixed up with

543
00:24:57,000 --> 00:25:02,839
attempted murder. Not He said, you must believe me all right,

544
00:25:03,079 --> 00:25:05,759
that they just answer my questions and you'll be all right.

545
00:25:06,079 --> 00:25:08,839
Speaker 6: It's try to murder you me through apparently, though of

546
00:25:08,920 --> 00:25:10,279
course they really after someone else.

547
00:25:10,279 --> 00:25:11,240
Speaker 4: How do you figure that, Gregory?

548
00:25:11,440 --> 00:25:13,640
Speaker 5: If they were really after me, no expert knife throwers

549
00:25:13,640 --> 00:25:16,079
coul have failed in three attempts. Therefore, the whole act

550
00:25:16,119 --> 00:25:18,119
of sending Pala with the warning and the night drawing

551
00:25:18,240 --> 00:25:19,200
was a deliberate plan.

552
00:25:19,119 --> 00:25:20,680
Speaker 6: To scare me in selling the knife fairs.

553
00:25:21,400 --> 00:25:24,400
Speaker 5: Now, who would be the obvious customer? Mister MARKT sure?

554
00:25:24,839 --> 00:25:27,279
So what we've uncovered now is a plan to murder

555
00:25:27,400 --> 00:25:28,079
Mark them I.

556
00:25:28,200 --> 00:25:28,920
Speaker 6: Understand it now.

557
00:25:28,960 --> 00:25:30,920
Speaker 5: By making the killing seem to hinge on the knife,

558
00:25:31,119 --> 00:25:33,920
it cast suspicion away from a personal motive for killing Mark.

559
00:25:34,640 --> 00:25:36,240
Speaker 4: Harry perver of you to figure that, Gregory?

560
00:25:36,400 --> 00:25:38,160
Speaker 6: If I may say so, you may have hand it.

561
00:25:38,400 --> 00:25:40,680
Speaker 9: Please me to what I do not understand what you

562
00:25:40,759 --> 00:25:41,440
bought to talk about.

563
00:25:41,559 --> 00:25:44,519
Speaker 6: I'll explain it. That suffer, lad, Now just tell me

564
00:25:44,599 --> 00:25:45,200
who hired you.

565
00:25:45,480 --> 00:25:47,839
Speaker 8: I do not know his name is, and I hardly

566
00:25:47,880 --> 00:25:49,960
saw his face. He came to the club and spoke

567
00:25:50,000 --> 00:25:51,480
to me outside the stage doors.

568
00:25:51,799 --> 00:25:52,680
Speaker 9: It was very dark.

569
00:25:52,960 --> 00:25:55,480
Speaker 6: I would that to him again, but you'd know his voice, Pala,

570
00:25:55,559 --> 00:25:55,960
wouldn't you?

571
00:25:56,079 --> 00:25:56,200
Speaker 5: Oh?

572
00:25:56,279 --> 00:25:57,440
Speaker 9: Yeah, I never forget a voice.

573
00:25:57,519 --> 00:25:59,319
Speaker 6: Ah. Then we'll say, but Gregory, why.

574
00:25:59,160 --> 00:26:01,079
Speaker 5: Are we going to your office instead of Markham's house.

575
00:26:01,240 --> 00:26:04,359
You know my methods and me as well as you do,

576
00:26:04,519 --> 00:26:06,440
which is that you make them up as you go along.

577
00:26:07,920 --> 00:26:11,039
All right, but you do recall one of my basic ideas.

578
00:26:11,119 --> 00:26:12,599
Find out what you want to know, then see the

579
00:26:12,640 --> 00:26:14,559
guy that knows it. That's why We're going to the

580
00:26:14,640 --> 00:26:17,319
office right now. I want to see our Mexican expert

581
00:26:17,440 --> 00:26:18,000
Tim Brady.

582
00:26:28,440 --> 00:26:31,960
Speaker 6: So that's the situation. To him, somebody's scheming to murder Markham.

583
00:26:32,000 --> 00:26:36,920
Speaker 5: Doesn't seem possible. Yesilla, Gregory, have you any idea?

584
00:26:36,960 --> 00:26:37,599
Speaker 4: Who's the back of it?

585
00:26:38,200 --> 00:26:38,319
Speaker 6: All?

586
00:26:38,440 --> 00:26:38,559
Speaker 2: Right?

587
00:26:38,640 --> 00:26:38,920
Speaker 6: Pillar?

588
00:26:39,640 --> 00:26:41,079
Speaker 9: Now here are mister Brady?

589
00:26:41,160 --> 00:26:41,720
Speaker 3: You heard me?

590
00:26:42,079 --> 00:26:43,240
Speaker 8: Hi, Reckon, thank your voice?

591
00:26:43,599 --> 00:26:44,559
Speaker 6: Are you crazy?

592
00:26:45,759 --> 00:26:48,039
Speaker 5: It had to be Tim, because Pilla approached me with

593
00:26:48,119 --> 00:26:50,799
the warning before I got the knife. At that time,

594
00:26:50,880 --> 00:26:52,599
you were the only man in California who knew that

595
00:26:52,640 --> 00:26:54,599
I was going to receive an ancient sacrificial knight.

596
00:26:54,680 --> 00:26:55,920
Speaker 6: You didn't foresee the delay.

597
00:26:56,680 --> 00:26:59,920
Speaker 5: Gregory, You're nuts. What possible motive could I have? You

598
00:27:00,279 --> 00:27:02,519
know the Markhams you introduced me, and the motive for

599
00:27:02,599 --> 00:27:05,480
any man of average susceptibility is obvious enough after you've

600
00:27:05,519 --> 00:27:06,640
met missus Markham.

601
00:27:07,319 --> 00:27:10,640
Speaker 3: Very ingenious you could bring in Tilar as a witness

602
00:27:10,680 --> 00:27:11,000
of court.

603
00:27:11,480 --> 00:27:13,599
Speaker 5: Will Brady and my old pale Lieutenant Silbers at the

604
00:27:13,599 --> 00:27:15,640
San Francisco Police has put a tracerro out for me

605
00:27:15,720 --> 00:27:18,079
for night brawers. I imagine you told the man who

606
00:27:18,119 --> 00:27:19,880
threw the knives that it was a joke too. This

607
00:27:20,039 --> 00:27:23,200
business of throwing near misses. The final knife that would

608
00:27:23,279 --> 00:27:25,440
not have missed Markham, I imagine you planned.

609
00:27:25,200 --> 00:27:28,240
Speaker 6: To wield yourself. You're making a good case, Gregory, But

610
00:27:28,680 --> 00:27:31,559
of what No crime has been committed, Yes, all of

611
00:27:31,599 --> 00:27:33,960
otters a detective who forced all the murder for a chase.

612
00:27:34,240 --> 00:27:36,000
But it seems to lave me in the clear, not

613
00:27:36,160 --> 00:27:36,720
priced him.

614
00:27:36,920 --> 00:27:38,599
Speaker 5: That man who was wounded in the bar when the

615
00:27:38,680 --> 00:27:40,799
knife nickname this afternoon infection set him.

616
00:27:41,200 --> 00:27:43,200
Speaker 6: He died in the hospital an hour ago. I'm afraid

617
00:27:43,200 --> 00:27:44,240
of the murder charge, Brady.

618
00:27:45,119 --> 00:27:48,200
Speaker 3: He died, Okay, you're the only ones to come up.

619
00:27:52,960 --> 00:27:54,480
Speaker 9: That's a honey knocked him out.

620
00:27:54,559 --> 00:27:57,559
Speaker 5: Told and to think that I selected that you had

621
00:27:57,599 --> 00:27:58,920
to represent our Mexican interests.

622
00:28:00,079 --> 00:28:01,599
Speaker 6: Call the police, Sandy, when you went right away.

623
00:28:01,799 --> 00:28:03,599
Speaker 9: You did not hurt yourself, be though.

624
00:28:03,720 --> 00:28:06,599
Speaker 6: No, I just ruse my knuckles a Sanday.

625
00:28:06,720 --> 00:28:08,440
Speaker 5: Tim pulled a gun on as I imagine, we can

626
00:28:08,519 --> 00:28:10,480
book him on the source of intention to commit murder

627
00:28:10,519 --> 00:28:13,119
country Sure, But this man that cried, Gregory, why didn't

628
00:28:13,119 --> 00:28:15,359
you tell me? Because I only dreamed it up just now.

629
00:28:15,440 --> 00:28:17,440
It seems the one way to make Tim Joy's hands.

630
00:28:18,440 --> 00:28:20,640
Speaker 4: Gregory, you're completely unprincipal.

631
00:28:20,759 --> 00:28:25,480
Speaker 5: Sure, I think you're wonderful as when Tim pulled that gun.

632
00:28:25,640 --> 00:28:29,400
Just now you called me Gregory, why go back to mister.

633
00:28:31,039 --> 00:28:34,240
Speaker 9: Craig. But Pa, you must take me back to my club.

634
00:28:34,160 --> 00:28:35,839
Speaker 5: Soon, just as soon as the police get here to

635
00:28:35,880 --> 00:28:37,759
allow the two of us take you back, and later

636
00:28:37,799 --> 00:28:39,880
on tonight we will really show you the town. Oh

637
00:28:40,160 --> 00:28:42,640
not may, Gregory, I'm going home, marry and the children.

638
00:28:43,039 --> 00:28:45,480
Speaker 6: Give me police requarter, then plied, I will do the

639
00:28:45,559 --> 00:28:46,160
town alone.

640
00:28:46,720 --> 00:28:50,519
Speaker 4: It's the date seller, very much, your redeef, greg.

641
00:29:08,200 --> 00:29:11,759
Speaker 5: Well, that story was a duty, greg But there's one

642
00:29:11,799 --> 00:29:14,880
thing I'd like to know. I'd like to know if

643
00:29:14,920 --> 00:29:18,839
if I kept my datist till Oh yeah, that's right.

644
00:29:19,759 --> 00:29:21,920
But you know I was going to ask that everybody

645
00:29:21,960 --> 00:29:22,599
else does.

646
00:29:22,440 --> 00:29:24,720
Speaker 6: Why not you? And I can tell you that your

647
00:29:24,759 --> 00:29:26,960
next question is going to be so what till our

648
00:29:27,200 --> 00:29:30,799
phone number right? And your answer?

649
00:29:30,920 --> 00:29:33,640
Speaker 5: As they say at the phone company, I'm sorry, we

650
00:29:33,759 --> 00:29:38,640
cannot devout that information. Okay, okay, let's order dinner and

651
00:29:38,680 --> 00:29:40,839
to get good shall we try the Sciliponi George to

652
00:29:40,920 --> 00:29:41,160
tell you?

653
00:29:41,400 --> 00:29:44,440
Speaker 6: Sure, let's see wine?

654
00:29:44,440 --> 00:29:45,119
Speaker 3: Shall I order?

655
00:29:45,720 --> 00:29:46,680
Speaker 6: As if you don't know?

656
00:29:47,359 --> 00:29:49,720
Speaker 5: All right, go ahead, kid me but you know as

657
00:29:49,759 --> 00:29:51,599
well as either that we can't mess with Petrie.

658
00:29:51,640 --> 00:29:52,799
Speaker 6: One say why.

659
00:29:52,920 --> 00:29:57,039
Speaker 5: The Petrie family has been making wine for generations. The

660
00:29:57,240 --> 00:30:01,359
art of making fine wine is their hares, a heritage

661
00:30:01,440 --> 00:30:05,920
handed on down from father to son, from father to son.

662
00:30:06,799 --> 00:30:09,839
No wonder Petrie wine is so good, and no wonder

663
00:30:09,920 --> 00:30:12,880
the Patrie business is grown and grown through that.

664
00:30:12,960 --> 00:30:14,519
Speaker 4: Today the Petrie family.

665
00:30:14,359 --> 00:30:18,440
Speaker 5: Are America's lightest independent wine making. Yes, the making of

666
00:30:18,519 --> 00:30:21,880
Petrie wine is a family affair, and the Petrie family

667
00:30:21,920 --> 00:30:25,200
intends to keep it that way because by so doing

668
00:30:25,319 --> 00:30:27,839
they can be sure that every bottle.

669
00:30:27,559 --> 00:30:31,599
Speaker 6: Of wine that bears the name Petrie is and always

670
00:30:31,680 --> 00:30:33,319
will be good wine.

671
00:30:34,960 --> 00:30:37,000
Speaker 5: Well, Gregory, what story out of your casebook are you

672
00:30:37,039 --> 00:30:38,119
planning to tell us next week?

673
00:30:38,319 --> 00:30:40,480
Speaker 6: A little tale that concerns the date at the top

674
00:30:40,519 --> 00:30:43,519
of the mark Hofkins Hotills, and a certain gunman by

675
00:30:43,559 --> 00:30:46,000
the name of lem Carker, who was convinced that I'd

676
00:30:46,079 --> 00:30:48,799
looked so much better as a course to you next

677
00:30:48,920 --> 00:30:49,480
Monday area.

678
00:31:06,960 --> 00:31:09,680
Speaker 5: The Case Book of Gregory Hood is written by Dennis

679
00:31:09,759 --> 00:31:13,960
Green and Anthony Boucher. Original music is composed and played

680
00:31:14,039 --> 00:31:17,839
by Dean Fossman. Gail Gordon plays the part of Gregory

681
00:31:17,880 --> 00:31:26,720
Hood and Sanderson Taylor is played by Art Gilmore. The

682
00:31:26,799 --> 00:31:30,319
Battery Wine Company of San Francisco, California and brite you

683
00:31:30,400 --> 00:31:33,559
to tune in again next week, same time, same state.

684
00:31:34,359 --> 00:31:36,759
The case Book of Gregory Hood comes to you from.

685
00:31:36,640 --> 00:31:37,720
Speaker 4: Our Hollywood studio.

686
00:31:41,480 --> 00:31:44,599
Speaker 5: This is Harry Bartel saying good night for the Pattery family.

687
00:31:47,480 --> 00:31:51,240
Speaker 2: Welcome back. I guess I got a reminder of the

688
00:31:51,359 --> 00:31:53,839
power of radio as I was sitting here kind of

689
00:31:54,720 --> 00:32:01,000
feeling very roast by the Black Museum, which was not

690
00:32:01,160 --> 00:32:05,079
actually there was just reading a radio script, but I

691
00:32:05,160 --> 00:32:13,039
was just kind of like, oh, that's ikey. But it's

692
00:32:14,400 --> 00:32:17,680
really does kind of establish the character of Gregory hooding

693
00:32:17,759 --> 00:32:22,799
you can kind of see certainly the character's definitely a

694
00:32:23,119 --> 00:32:28,680
connoisseur and with very particular taste, but not quite a snobbish,

695
00:32:28,799 --> 00:32:31,119
which I think makes an interesting character.

696
00:32:31,880 --> 00:32:32,279
Speaker 4: All right.

697
00:32:32,519 --> 00:32:37,680
Speaker 2: Well, oh and I also love the joke about when

698
00:32:38,119 --> 00:32:39,880
Harry Bartell asked.

699
00:32:39,680 --> 00:32:41,640
Speaker 4: Him did you get killed?

700
00:32:41,640 --> 00:32:45,079
Speaker 2: Which was obviously an absurd question, and his answer was

701
00:32:45,319 --> 00:32:49,279
equally absurd. What this early in the series was cute.

702
00:32:49,480 --> 00:32:51,440
All right, Well, that'll do it for today. Join us

703
00:32:51,480 --> 00:32:55,079
back here tomorrow and we'll continue on with the star

704
00:32:55,240 --> 00:32:58,279
of Cape Town Matter. And we'll be back next Tuesday

705
00:32:58,400 --> 00:33:00,839
with another episode of the Case Book of Gregory hud.

706
00:33:01,400 --> 00:33:04,279
In the meantime, sendra comments to Box thirteen at Great

707
00:33:04,319 --> 00:33:06,920
Detectives dot nett. You can follow us on Twitter at

708
00:33:07,000 --> 00:33:10,240
Radio Detectives, and become one of our friends on Facebook,

709
00:33:10,319 --> 00:33:14,160
Facebook dot com. Slash Radio Detectives from Boise, Idaho. This

710
00:33:14,359 --> 00:33:16,279
is your host, Adam graham Son and off