1
00:00:05,799 --> 00:00:12,480
Speaker 1: Welcome to the Great Adventurers of Old Time Radio from Boise, Idaho.

2
00:00:12,759 --> 00:00:16,600
This is your host, Adam Graham. In a moment, we're

3
00:00:16,600 --> 00:00:21,719
going to bring you the first of three adaptations of

4
00:00:21,960 --> 00:00:25,199
films about the OSS. But first, I do want to

5
00:00:25,280 --> 00:00:28,359
encourage you, if you're enjoying the podcast, to please follow

6
00:00:28,440 --> 00:00:33,079
us using your favorite podcast software. In addition, today's program

7
00:00:33,240 --> 00:00:36,039
is brooking part by the financial support of our listeners.

8
00:00:36,520 --> 00:00:39,359
You can support the show on a one time basis

9
00:00:39,479 --> 00:00:44,240
at support dot Great Detectives dot net and become one

10
00:00:44,280 --> 00:00:47,799
of our ongoing Patreon supporters for as little as two

11
00:00:47,799 --> 00:00:53,240
dollars per month at Patreon dot Great Detectives dot net. Well,

12
00:00:53,359 --> 00:00:58,479
I had plans to do some anthology programs after Cloak

13
00:00:58,520 --> 00:01:01,520
and Dagger for a couple of weeks before we transitioned

14
00:01:01,719 --> 00:01:07,959
into a continuing series, but the amount of interest and

15
00:01:08,120 --> 00:01:11,560
enjoyment that people had with the OSS made me think

16
00:01:11,599 --> 00:01:14,319
it'd be a good idea to do some specials that

17
00:01:14,640 --> 00:01:20,200
focused on the OSS. There were actually a few films

18
00:01:20,280 --> 00:01:24,560
that were made based on the OSS. Now, they're not

19
00:01:24,879 --> 00:01:31,319
all in the way that Kloakendagger was taken directly from

20
00:01:31,680 --> 00:01:35,599
real life incidents, though certainly the training and the top

21
00:01:35,640 --> 00:01:40,159
submissions that the OSS got involved in were covered. And initially,

22
00:01:40,319 --> 00:01:42,760
and you may have heard me say on some podcasts,

23
00:01:42,799 --> 00:01:45,040
we're going to do two weeks. I found out that

24
00:01:45,120 --> 00:01:49,040
there were three different major films that were made and

25
00:01:49,079 --> 00:01:52,359
were later adapted to radio. So we're going to do

26
00:01:52,560 --> 00:01:57,400
three weeks of these films and hear how they adapt

27
00:01:57,439 --> 00:02:01,840
to radio. And here the way that the OSS is portrayed. Now,

28
00:02:01,920 --> 00:02:04,120
two of these I did do is part of our

29
00:02:04,159 --> 00:02:07,920
World War two series the War, but at least one

30
00:02:07,959 --> 00:02:10,840
of them was in really rough shape, and we do

31
00:02:11,000 --> 00:02:16,000
have some upgraded copies and so, and particularly it would

32
00:02:16,000 --> 00:02:18,759
be a good idea to do it again now that

33
00:02:18,840 --> 00:02:22,400
we've just listened to the entire run of Cloak and Dagger. Now,

34
00:02:22,439 --> 00:02:26,759
the first of these three films was OSS. Now, this

35
00:02:26,919 --> 00:02:30,599
came to theaters on May twenty eighth, nineteen forty six,

36
00:02:30,879 --> 00:02:35,520
and the Lux Radio Theater version was released on November eighteenth,

37
00:02:35,800 --> 00:02:40,080
nineteen forty six, and it stars a familiar figure to

38
00:02:40,240 --> 00:02:42,800
those who listen to the Great Detectives for a very

39
00:02:42,879 --> 00:02:47,319
long time, in Alan Ladd of Box thirteen. But now

40
00:02:47,319 --> 00:02:51,319
we go to the Lux Radio Theater for Oss.

41
00:02:51,719 --> 00:02:52,919
Speaker 2: Loos Presidents.

42
00:02:53,039 --> 00:03:06,319
Speaker 3: Hollywood, Leaver Brothers Company brings you the Lux Radio Theater

43
00:03:06,759 --> 00:03:13,360
starring Alan Ladd and Veronica Lake in OSS. Ladies and gentlemen,

44
00:03:13,560 --> 00:03:15,960
your producer, mister William.

45
00:03:15,680 --> 00:03:27,360
Speaker 4: Keiley, Greetings from Hollywood, ladies and gentlemen, and welcome to

46
00:03:27,400 --> 00:03:32,879
the Lux Radio Theaters presentation of Paramount's Gripping screenplay OSS,

47
00:03:33,400 --> 00:03:37,360
starring Alan Ladd in his original role, co starred with

48
00:03:37,400 --> 00:03:42,360
a talented and lovely Veronica Lake. In introducing the night's play,

49
00:03:42,719 --> 00:03:45,719
I'd like to quote from Major General William J. Donovan,

50
00:03:46,199 --> 00:03:50,400
who during the war directed the Office of Strategic Services.

51
00:03:50,759 --> 00:03:54,680
He says, while the characters in this motion picture are fictitious,

52
00:03:55,159 --> 00:03:59,080
the story is based on a composite of actual incidents

53
00:03:59,120 --> 00:04:02,960
in the diversified activities of the Office of Strategic Services,

54
00:04:03,400 --> 00:04:08,120
which conducted intelligence special operations, and on orthodox methods of

55
00:04:08,159 --> 00:04:12,479
warfare in support of Allied military operations. It is a

56
00:04:12,520 --> 00:04:16,279
tribute to the brave, resourceful men and women, living and dead,

57
00:04:16,639 --> 00:04:21,720
who volunteered for these dangerous assignments. In other words, Tonight's

58
00:04:21,720 --> 00:04:23,759
play is more than thrilling entertainment.

59
00:04:24,279 --> 00:04:25,439
Speaker 5: It is a glimpse into.

60
00:04:25,279 --> 00:04:30,800
Speaker 4: The hazardous, behind the lines activities of those loyal Americans.

61
00:04:30,399 --> 00:04:32,920
Speaker 5: Who pave the way for victory, whose.

62
00:04:32,680 --> 00:04:36,800
Speaker 4: Lives depended hour by hour on meticulous attention to the

63
00:04:36,839 --> 00:04:41,079
smallest detail. An agent of the OSS could not afford

64
00:04:41,160 --> 00:04:45,000
to look well fed in a country living on starvation diets,

65
00:04:45,480 --> 00:04:49,519
well dressed among ill clad people, or well groomed in

66
00:04:49,600 --> 00:04:53,160
a land where soap was non existent. Behind the lines,

67
00:04:53,199 --> 00:04:55,720
I am sure a lux complexion would have been a

68
00:04:55,759 --> 00:04:59,720
certain giveaway among women of the OSS, just as it's

69
00:04:59,759 --> 00:05:03,639
a a hallmark of good grooming among women in civilian life.

70
00:05:04,319 --> 00:05:07,360
In fact, I can think of no better countersign or

71
00:05:07,519 --> 00:05:11,720
password for admission to the League of Lovely Women than

72
00:05:11,800 --> 00:05:17,079
lux toilet soap from LTS. We take you now to OSS,

73
00:05:17,560 --> 00:05:21,319
starring Alan Ladd as Martin and Veronica Lake as Ellen.

74
00:05:21,920 --> 00:05:34,800
Here's the curtain for Act one. It's nineteen forty three

75
00:05:35,720 --> 00:05:39,360
in a colonial mansion set in a peaceful Virginia countryside.

76
00:05:39,879 --> 00:05:40,439
Speaker 2: A group of.

77
00:05:40,439 --> 00:05:44,319
Speaker 4: Men, some young, some middle aged, are gathered for a meeting.

78
00:05:45,120 --> 00:05:49,279
From their looks, it could be a salesman's convention. Closer

79
00:05:49,399 --> 00:05:53,000
still a get together of college alumni. But the lesson

80
00:05:53,079 --> 00:05:56,720
these men are learning was never taught in any college.

81
00:05:57,160 --> 00:06:00,839
Speaker 6: There's nothing superhuman about being a good intelligence agent. Yes,

82
00:06:00,920 --> 00:06:03,399
it takes guts, brains and patience, but this is a

83
00:06:03,439 --> 00:06:06,480
new game to us. You trainees are average Americans, and

84
00:06:06,519 --> 00:06:08,360
the average Americans are not brought up to fight the

85
00:06:08,399 --> 00:06:10,959
way the animey fights. But we can learn to become

86
00:06:11,000 --> 00:06:13,759
agents and sabat us if we have to. One of

87
00:06:13,800 --> 00:06:16,519
these days, you'll be working in access territory. You'll be

88
00:06:16,600 --> 00:06:18,279
on the spot every minute of the day or night.

89
00:06:19,040 --> 00:06:21,959
Your only chance, your only chance, will be to beat

90
00:06:21,959 --> 00:06:24,519
the enemy to the punch. Forget everything you've ever been

91
00:06:24,560 --> 00:06:28,720
told about fair play and sportsmanship. Forget everything except that

92
00:06:28,759 --> 00:06:30,439
your country is fighting for its life.

93
00:06:31,279 --> 00:06:34,319
Speaker 2: That's all for now. Radio Laboratory at ten o'clock, Camera

94
00:06:34,399 --> 00:06:43,120
rom at noon dismissed. Come in, Commander Brady.

95
00:06:43,319 --> 00:06:44,879
Speaker 6: Sorry to drag you out this time of night, but

96
00:06:44,920 --> 00:06:48,240
I've just had a visitor, General Donovan. Well, your orders

97
00:06:48,240 --> 00:06:50,839
have come through operations in France. Colonel right, Well, when

98
00:06:50,879 --> 00:06:53,600
do we starts now? The job won't be finished until

99
00:06:53,639 --> 00:06:57,199
our troops cross the Rhine. You've got two things to do. First,

100
00:06:57,279 --> 00:06:59,959
get information. Second, work with a French on the ground,

101
00:07:00,040 --> 00:07:02,519
and sabotage key enemy installations.

102
00:07:02,879 --> 00:07:03,759
Speaker 2: And look at this map.

103
00:07:04,519 --> 00:07:08,639
Speaker 6: These railway lines that feed this area here around the

104
00:07:08,680 --> 00:07:09,319
city of Oleon.

105
00:07:10,079 --> 00:07:13,360
Speaker 2: Right here is one of our priority targets. Recognize it, yes, sir,

106
00:07:13,399 --> 00:07:14,519
the Kobe Malon Tunnel.

107
00:07:14,560 --> 00:07:16,720
Speaker 6: If we can knock that tunnel out, we'll paralyze the

108
00:07:16,759 --> 00:07:20,160
most important traffic line into Normandy. We've assigned the tunnel

109
00:07:20,160 --> 00:07:23,920
to Team Applejack. What's its personnel? Commander Team Applejack Leader

110
00:07:24,000 --> 00:07:27,199
Rodney Gates, Army officer, World War One Savilian Occupation railroad

111
00:07:27,199 --> 00:07:31,079
supply salesman in France. Good man, mature, judgment, stability and balance. Next,

112
00:07:31,160 --> 00:07:34,800
John Martin, Lieutenant junior grade, US Navy Civilian occupation publicity

113
00:07:34,839 --> 00:07:36,839
man knows France a little on the khaki side, but

114
00:07:36,879 --> 00:07:37,800
he'll do after he's been.

115
00:07:37,759 --> 00:07:40,480
Speaker 2: Knocked around a bit. Well, there's balance and brains. We

116
00:07:40,519 --> 00:07:41,279
need a little braun.

117
00:07:41,439 --> 00:07:45,160
Speaker 6: Bert Parker, Chief Petty Officer, Savinian Occupation sportsman motor boat RACEARI.

118
00:07:45,279 --> 00:07:47,240
Speaker 2: But park has been assigned of Germany. He's lived there.

119
00:07:47,519 --> 00:07:49,240
Speaker 6: If he gets through, he used to lay low as

120
00:07:49,240 --> 00:07:51,519
a Ryan barge worker until needed. Oh, we've got another

121
00:07:51,600 --> 00:07:53,879
muscle man named Bouchet. Used to be a hockey player,

122
00:07:53,920 --> 00:07:56,279
and that should do it. Balance, brains and Braun. The

123
00:07:56,319 --> 00:07:59,759
ideals set up, except we'll need one more, someone who

124
00:07:59,800 --> 00:08:02,240
knows district, someone to contact the French underground. There, what

125
00:08:02,240 --> 00:08:04,079
about a woman? They can often get through where a

126
00:08:04,120 --> 00:08:06,680
man can. Personnel in London could recruit. I'd rather see

127
00:08:06,680 --> 00:08:08,920
if we can find one here first. Well, see that

128
00:08:09,000 --> 00:08:11,680
gates Martin Bouchet's day put Oh were you too, Commander,

129
00:08:11,759 --> 00:08:13,600
I'll be needing your help and finding that girl.

130
00:08:23,600 --> 00:08:25,319
Speaker 2: So this is where you live, miss Rogers.

131
00:08:25,680 --> 00:08:28,680
Speaker 7: This is it, mister Brady alone? Oh no, with Jean

132
00:08:28,759 --> 00:08:32,559
Jacques my cat. Well, it's been very nice meeting you.

133
00:08:33,120 --> 00:08:34,279
Thanks for a lovely evening.

134
00:08:34,399 --> 00:08:35,000
Speaker 2: You're welcome.

135
00:08:35,600 --> 00:08:37,879
Speaker 7: I'm really very glad. Uncle Arthur asked you to call me.

136
00:08:39,200 --> 00:08:40,679
Well good night.

137
00:08:40,960 --> 00:08:42,240
Speaker 2: You're not going to ask me in.

138
00:08:42,679 --> 00:08:43,440
Speaker 7: It's rather late.

139
00:08:43,519 --> 00:08:45,320
Speaker 6: Oh now, wait a minute. This is my first trip

140
00:08:45,320 --> 00:08:48,000
to San Francisco. My plane doesn't leave until three am.

141
00:08:48,039 --> 00:08:50,039
You wouldn't turn me loose in a strange town at

142
00:08:50,039 --> 00:08:52,879
this hour. Besides, Uncle Arthur wouldn't approve of that.

143
00:08:53,879 --> 00:08:57,120
Speaker 7: Well, all right, come on in, thanks.

144
00:08:56,879 --> 00:08:59,200
Speaker 2: Miss Rogers. I knew you wouldn't let me down.

145
00:09:00,000 --> 00:09:02,320
Speaker 7: I count afford a studio and an apartment, so this

146
00:09:02,399 --> 00:09:04,840
does for both. Like some coffee later.

147
00:09:04,879 --> 00:09:07,440
Speaker 2: Maybe, So you're a sculptress.

148
00:09:07,480 --> 00:09:09,600
Speaker 7: Huh seems to me I told you all about that

149
00:09:09,679 --> 00:09:12,480
at dinner. Trying to make conversation, mister Brady.

150
00:09:12,279 --> 00:09:13,919
Speaker 6: I'm trying to find out how good a business it

151
00:09:13,960 --> 00:09:15,519
is sculpting financially.

152
00:09:15,559 --> 00:09:18,759
Speaker 7: I mean, it's a bust and no puns intended.

153
00:09:19,200 --> 00:09:23,440
Speaker 6: You've got quite a collection here, you do all these yes, recently.

154
00:09:23,320 --> 00:09:26,879
Speaker 7: You're full of questions. No, not recently, most of them

155
00:09:26,919 --> 00:09:28,879
in France. I studied at Fontainbleau.

156
00:09:29,039 --> 00:09:30,159
Speaker 2: Oh when was that?

157
00:09:30,679 --> 00:09:32,039
Speaker 7: Two years before the occupation?

158
00:09:32,840 --> 00:09:34,600
Speaker 2: Too bad about the French?

159
00:09:34,960 --> 00:09:37,519
Speaker 7: July sixteenth, fourteen twenty nine.

160
00:09:38,720 --> 00:09:40,120
Speaker 2: I never was much good at dates.

161
00:09:40,639 --> 00:09:42,840
Speaker 7: That's the day Joan of Arc liberated France after one

162
00:09:42,879 --> 00:09:44,080
hundred years of occupation.

163
00:09:44,240 --> 00:09:46,960
Speaker 6: Joan of Arc never ran into a Panza division. No,

164
00:09:47,320 --> 00:09:48,919
this time the French are finished.

165
00:09:49,000 --> 00:09:51,080
Speaker 7: I'm sorry, but you don't know the French people as

166
00:09:51,120 --> 00:09:56,279
I do. The Plain people. They're good, common sense, they're stubborn, pride,

167
00:09:56,320 --> 00:09:58,720
their faith, their deep faith.

168
00:09:59,120 --> 00:10:00,399
Speaker 2: That's a very pretty sh speech.

169
00:10:01,279 --> 00:10:04,240
Speaker 6: You're pretty well in France the evening. We're not in France.

170
00:10:04,440 --> 00:10:06,399
We're in San Francisco. And I didn't come up to

171
00:10:06,440 --> 00:10:07,799
talk politics.

172
00:10:07,240 --> 00:10:10,799
Speaker 7: I'm not talking politics. I'm talking about the indestructible.

173
00:10:13,039 --> 00:10:15,440
Speaker 6: Your kisses would be pretty too, Miss Rogers, if you'd

174
00:10:15,440 --> 00:10:16,320
cooperate a little.

175
00:10:16,960 --> 00:10:18,279
Speaker 7: There's the door, mister Brady.

176
00:10:18,639 --> 00:10:19,679
Speaker 2: Ah, not yet.

177
00:10:19,879 --> 00:10:21,360
Speaker 7: You're getting out of here right now.

178
00:10:21,480 --> 00:10:22,320
Speaker 2: I'd rather stay.

179
00:10:22,799 --> 00:10:24,840
Speaker 7: I'd hate to have to fracture your skull, and I'd

180
00:10:24,840 --> 00:10:26,519
hate even more to smash this figurine.

181
00:10:26,519 --> 00:10:28,559
Speaker 2: But if you door, Arthur is going to be very

182
00:10:28,559 --> 00:10:29,559
disappointed in you.

183
00:10:29,759 --> 00:10:32,759
Speaker 7: Stop that idiotic Uncle Arthur routine. I haven't spoken to

184
00:10:32,759 --> 00:10:35,440
that stingio goat in ten years. He'd no more have

185
00:10:35,440 --> 00:10:37,080
given you my address than turn up at a board of

186
00:10:37,120 --> 00:10:40,200
directors meeting without his clothes. Now, just who are you,

187
00:10:40,240 --> 00:10:41,559
mister Brady, and what do you want?

188
00:10:42,159 --> 00:10:43,799
Speaker 2: You're a bright girl. You're right.

189
00:10:44,320 --> 00:10:47,000
Speaker 6: Uncle Arthur definitely did not ask me to look you up.

190
00:10:47,440 --> 00:10:50,960
You see, it's not mister Brady, it's Commander Brady, Office

191
00:10:50,960 --> 00:10:52,240
of Strategic Services.

192
00:10:52,480 --> 00:10:53,240
Speaker 2: Have you hear of us?

193
00:10:53,440 --> 00:10:56,679
Speaker 6: No, then put down that figurine and relax. You and

194
00:10:56,720 --> 00:11:00,320
I are going to do some serious talking. Oh that

195
00:11:00,440 --> 00:11:03,639
kiss just a sort of test, Miss Rogers.

196
00:11:09,120 --> 00:11:14,080
Speaker 7: Message for your Colonel Field, San Francisco says, Yes, it's

197
00:11:14,080 --> 00:11:15,080
signed Brady.

198
00:11:15,159 --> 00:11:17,360
Speaker 6: Good all the laboratory, tell them radially, and we're a

199
00:11:17,399 --> 00:11:22,039
wull report on Thursday.

200
00:11:23,720 --> 00:11:26,039
Speaker 2: Yes, Commander, it's already here. Take a look. That's the

201
00:11:26,120 --> 00:11:28,159
kind of clay a sculptor would use, is it? It's

202
00:11:28,200 --> 00:11:28,799
what you ordered.

203
00:11:28,799 --> 00:11:32,240
Speaker 8: Plastic explosive that looks, feels and tastes like modeling clay.

204
00:11:32,279 --> 00:11:34,960
Speaker 2: That's wonderful going into the art business. Not a bad eye.

205
00:11:35,600 --> 00:11:38,559
Speaker 6: Wait a minute, why couldn't we develop a whole line

206
00:11:38,600 --> 00:11:41,840
of outstore merchandise, more plastic explosive to put up in

207
00:11:41,919 --> 00:11:46,879
tubes like tubes of paint time, pencils as crayons, reels

208
00:11:46,879 --> 00:11:48,159
of fuse picture wire.

209
00:11:48,240 --> 00:11:49,919
Speaker 2: It could be done. Now you're sure of this stuff.

210
00:11:49,919 --> 00:11:52,120
You can actually model with this explosive. Definite.

211
00:11:52,200 --> 00:11:54,840
Speaker 6: Let me use your phone. Oh this is Commander Brady.

212
00:11:54,879 --> 00:11:57,120
Get my Colonel Field, please and look. Start turning out

213
00:11:57,120 --> 00:11:58,759
that clay. We'll need a lot of it. Pack it well,

214
00:11:58,759 --> 00:12:00,840
it'll have a long way to go. Tubes the picture

215
00:12:00,840 --> 00:12:04,399
wire that too, right away, high priority, you can, Colonel Field. Ready,

216
00:12:04,879 --> 00:12:07,919
apple Jack can go to London tomorrow. The girl, I'll

217
00:12:07,960 --> 00:12:10,480
wire her now everything's said. She can join us later

218
00:12:10,519 --> 00:12:12,559
over there. Oh and from now on we're referring to

219
00:12:12,600 --> 00:12:24,639
mss Rogers as Helene Duprey. Well, gentlemen, now that Helene

220
00:12:24,639 --> 00:12:26,759
de Prey is here, where us team Applejack is complete.

221
00:12:26,879 --> 00:12:28,799
As soon as your clothing and documents are in order,

222
00:12:28,799 --> 00:12:29,799
you'll be leaving this hotel.

223
00:12:29,879 --> 00:12:31,840
Speaker 2: You'll be leaving London, You'll be leaving England.

224
00:12:32,159 --> 00:12:34,080
Speaker 7: I don't mind saying I'm scared to death.

225
00:12:34,159 --> 00:12:36,840
Speaker 2: Don't worry. We all are. Were you meant any questions?

226
00:12:37,159 --> 00:12:42,200
The young lady Commander, she's going with it. Yes, why

227
00:12:42,399 --> 00:12:45,679
we'll come to that later, Martin, what's on your mind? Well?

228
00:12:46,279 --> 00:12:47,320
All right, how do we fit it?

229
00:12:47,720 --> 00:12:50,039
Speaker 7: Because I'm a woman, that's right, forget it.

230
00:12:50,440 --> 00:12:51,960
Speaker 2: Look at ma get pleay, rugged the other side of

231
00:12:51,960 --> 00:12:53,440
the channel, tough to buy a cup of coffee, and

232
00:12:53,480 --> 00:12:54,720
tough to find a place to sleep.

233
00:12:54,960 --> 00:12:57,600
Speaker 7: Let's clear that up right now, mister Martin. I'll buy

234
00:12:57,600 --> 00:12:59,360
my own coffee and find my own bed.

235
00:13:00,279 --> 00:13:00,759
Speaker 2: Get picked in.

236
00:13:00,840 --> 00:13:03,759
Speaker 6: Some of the most successful agents in history were women. Yeah,

237
00:13:03,799 --> 00:13:05,759
I know, women like mart Harry.

238
00:13:05,919 --> 00:13:07,759
Speaker 7: How do you know what kind of woman I am?

239
00:13:08,159 --> 00:13:09,360
Speaker 2: I think it's the kind that ought to be Raising

240
00:13:09,360 --> 00:13:10,879
a couple of kids in the Cleveland Heights has going

241
00:13:10,960 --> 00:13:12,360
to be a lot of excitement where we're going, and

242
00:13:12,399 --> 00:13:14,840
I want to be sure everybody's going to keep calm.

243
00:13:14,879 --> 00:13:16,840
Speaker 6: Now, wait a minute, Martin, Helene wouldn't be here in

244
00:13:16,840 --> 00:13:19,879
London unless we thought she qualified nothing personal, sir.

245
00:13:19,919 --> 00:13:21,960
Speaker 2: I'm only concerned about operating successfully.

246
00:13:22,279 --> 00:13:25,399
Speaker 7: I think we will if mister Martin stops worrying about

247
00:13:25,440 --> 00:13:28,919
my sex. Treat me like any other member of the team.

248
00:13:29,600 --> 00:13:31,960
Speaker 6: Right now, you all know where you're going, you know

249
00:13:32,000 --> 00:13:35,120
your objectives. The Corbey Melon Tunnel is the jackpot. The

250
00:13:35,159 --> 00:13:37,080
first thing to do after landing is to contact f

251
00:13:37,200 --> 00:13:40,720
FI headquarters at an inn call Le Chevelenoire. When you've

252
00:13:40,720 --> 00:13:43,960
got something to tell us, use your radio. Now, let's

253
00:13:44,000 --> 00:13:46,279
go over your cover up stories, Gates.

254
00:13:47,039 --> 00:13:50,759
Speaker 9: My name is Raoul Jesse, a Parisian. I used to

255
00:13:50,759 --> 00:13:53,759
be an automobile salesman. When the war came, the office

256
00:13:53,799 --> 00:13:56,960
was closed. I've been unemployed most of the time since

257
00:13:57,759 --> 00:14:01,120
my health is bad lung trouble. I could the state

258
00:14:01,200 --> 00:14:03,679
a farm near the city. Bad lungs, you said, I

259
00:14:03,720 --> 00:14:06,159
have X rays to prove it here, let me see,

260
00:14:07,480 --> 00:14:10,919
certainly bad all right? But whose lungs are they mine?

261
00:14:11,240 --> 00:14:13,279
If I were the Gestapo, what have you shot? These

262
00:14:13,279 --> 00:14:16,080
are American made X rays. French X ray plates are different.

263
00:14:16,399 --> 00:14:19,759
Have French ones made Bouchet. My name is Albert Benardi.

264
00:14:20,080 --> 00:14:21,440
I'm an ice skating instructor.

265
00:14:21,840 --> 00:14:25,279
Speaker 10: I worked winter resorts all over Saranac Lake, Sun Valley,

266
00:14:25,320 --> 00:14:27,919
San Maritz. I'm looking for a man I heard was

267
00:14:27,919 --> 00:14:30,200
going to open a skating rink and Auleia. I can't

268
00:14:30,200 --> 00:14:32,519
find them, and I'm sure of funds. I'll take any

269
00:14:32,600 --> 00:14:34,759
kind of work I can find. You're a pretty husky

270
00:14:34,799 --> 00:14:36,840
young fellow. Why aren't you a prisoner of war or

271
00:14:36,840 --> 00:14:39,639
in a labor battalion. That's right, I forgot to tell you.

272
00:14:40,039 --> 00:14:43,360
Here are my papers. I'm not French, I'm Swiss. The

273
00:14:43,399 --> 00:14:45,200
war caught me in France and I haven't been able

274
00:14:45,240 --> 00:14:45,679
to get back.

275
00:14:45,960 --> 00:14:49,559
Speaker 2: That's better. Martin. My name is Felipe Martine. I lost

276
00:14:49,559 --> 00:14:50,840
my mother when I was eight, went to live with

277
00:14:50,840 --> 00:14:53,039
my aunt the United States. Came back from military service

278
00:14:53,039 --> 00:14:55,080
in nineteen thirty five, trained eighteen months, then got a

279
00:14:55,120 --> 00:14:57,879
job as correspondent for American newspaper Call Back Up. In

280
00:14:57,919 --> 00:15:00,399
thirty nine, Fortsa Dan was captured with my division, later

281
00:15:00,440 --> 00:15:01,840
released by the Germans to work for them. That they

282
00:15:01,840 --> 00:15:03,919
are Nault factory and the factor was bombed out. I

283
00:15:03,960 --> 00:15:05,720
was sent to Olimp to work in the railroad. Yeah,

284
00:15:05,759 --> 00:15:08,519
to live Martyn. Otherwise, okay, Helene.

285
00:15:09,919 --> 00:15:12,480
Speaker 7: My name is Elaine du Pray. My home is Naulia,

286
00:15:12,919 --> 00:15:15,279
where my family has lived for generations on the Lutier.

287
00:15:16,000 --> 00:15:19,440
I'm a sculpturess. Graduated Fantainbleau. Every year my husband and

288
00:15:19,519 --> 00:15:22,039
I used to spend our vacations near there. He was

289
00:15:22,080 --> 00:15:25,720
a writer. His name was Jean. This year I've come alone.

290
00:15:26,000 --> 00:15:26,639
Jean was killed.

291
00:15:26,720 --> 00:15:29,279
Speaker 6: Neoda all Wright it I said, I was a corresponding

292
00:15:29,360 --> 00:15:31,360
My articles would have appeared in the United States.

293
00:15:31,559 --> 00:15:33,320
Speaker 7: You can find Jean de Priest's work in the back

294
00:15:33,360 --> 00:15:34,879
issues of many French magazines.

295
00:15:35,080 --> 00:15:36,559
Speaker 2: Oh. Then, Helen de Prix is real.

296
00:15:36,919 --> 00:15:40,480
Speaker 7: She was my roommate at Fontainbleau. We were inseparable. People

297
00:15:40,600 --> 00:15:41,799
used to call us the sisters.

298
00:15:41,879 --> 00:15:44,200
Speaker 2: Oh what happens if you're on indo her?

299
00:15:44,559 --> 00:15:50,840
Speaker 7: I won't she's missing. This is her last letter, She says, goodbye,

300
00:15:50,879 --> 00:15:53,559
my sister. It will be evening soon, and I shall

301
00:15:53,600 --> 00:15:55,519
walk down to the beach and out onto the serf,

302
00:15:56,279 --> 00:15:59,919
thinking of you, thinking of Jean. Shall I go on?

303
00:16:01,120 --> 00:16:01,159
Speaker 2: No?

304
00:16:01,320 --> 00:16:04,200
Speaker 6: I I'm sorry, Well, I suggest you all go to

305
00:16:04,279 --> 00:16:06,240
your rooms now and get some sleep. Chances are you

306
00:16:06,360 --> 00:16:09,480
leave tomorrow night you will be dropped, of course, by parachute.

307
00:16:09,639 --> 00:16:26,080
Speaker 2: I'll see you in the morning. I've just been talking

308
00:16:26,120 --> 00:16:28,759
to the pilot. How do you feel, Helene? No?

309
00:16:29,120 --> 00:16:29,720
Speaker 7: Just fine?

310
00:16:30,080 --> 00:16:31,720
Speaker 2: Is that what the pilot wanted to find out? When

311
00:16:31,759 --> 00:16:32,320
don't we jump?

312
00:16:32,559 --> 00:16:35,200
Speaker 9: We just flew over our destination. There should have been

313
00:16:35,240 --> 00:16:38,399
a signal from the ground. Well there wasn't any. Hey

314
00:16:38,440 --> 00:16:40,320
that meets there'll be no f F find to meet us.

315
00:16:40,519 --> 00:16:43,919
That's right, you want to turn back? I say we

316
00:16:43,960 --> 00:16:49,279
should jump blind. Any objections jump good? We'll jump blind.

317
00:16:49,279 --> 00:16:53,159
Then oh, a pilot assures me our plane has been.

318
00:16:53,039 --> 00:16:55,840
Speaker 2: Spotted by the Nazis. We expected that, didn't we?

319
00:16:56,039 --> 00:16:58,200
Speaker 9: Yes, but that may make things a little tough down below.

320
00:16:58,240 --> 00:17:00,600
Since says no one to meet us, you still want

321
00:17:00,600 --> 00:17:03,200
to jump, let's go. Okay, I'll tell the power to

322
00:17:03,200 --> 00:17:03,480
want to.

323
00:17:03,440 --> 00:17:13,079
Speaker 2: See I have condo intelligence for you on the telephone

324
00:17:13,119 --> 00:17:15,799
here cod thank you, Hello master speaking.

325
00:17:16,279 --> 00:17:20,039
Speaker 11: There's alone unidentified plane over your area. Strong formation of

326
00:17:20,119 --> 00:17:22,960
British planes. Was we parted earlier? Is what may be

327
00:17:22,960 --> 00:17:26,519
a stanglo it made parachutis? Are you suggested the area

328
00:17:26,759 --> 00:17:28,079
becoming immediately.

329
00:17:29,240 --> 00:17:33,519
Speaker 12: Gaisman, possibility of parachuters in this area. Watch that inn,

330
00:17:33,559 --> 00:17:36,119
the chauvel wy they have been round doing there. Don't

331
00:17:36,160 --> 00:17:37,279
read it, they want it.

332
00:17:43,559 --> 00:17:46,960
Speaker 2: Get ready to jump? Well, lock everyone see you're there

333
00:17:46,960 --> 00:17:48,519
in Lallah.

334
00:17:48,759 --> 00:17:49,960
Speaker 7: I'll be there, mister Martin.

335
00:17:50,319 --> 00:17:51,680
Speaker 2: All right, start jumping.

336
00:18:04,599 --> 00:18:07,240
Speaker 4: In just a moment, we'll continue with the second act

337
00:18:07,279 --> 00:18:12,880
of OSS, starring Alan Ladd and Veronica Lake. Meanwhile, here's

338
00:18:12,920 --> 00:18:16,880
Libby Collins, our Hollywood reporter, looking mighty pleased about something too.

339
00:18:17,160 --> 00:18:19,559
Speaker 13: I guess it's the movie I saw this afternoon. Mister Keeley.

340
00:18:19,839 --> 00:18:22,279
You can't beat a good Western. There's such a lot

341
00:18:22,279 --> 00:18:22,599
of fun.

342
00:18:22,680 --> 00:18:25,079
Speaker 4: It sounds as though you saw that New Republic picture.

343
00:18:25,200 --> 00:18:25,559
Speaker 2: That's it.

344
00:18:25,599 --> 00:18:29,680
Speaker 13: Plainsman and the Lady, a real thriller diller starring William Elliott,

345
00:18:29,799 --> 00:18:31,480
Vera Ralston, and Gail Patrick.

346
00:18:31,640 --> 00:18:34,680
Speaker 4: I've seen Bill Elliott in dozens of hard riding films, Libby,

347
00:18:35,240 --> 00:18:37,680
but I always thought of Vera Ralston as an ice

348
00:18:37,720 --> 00:18:38,279
skating star.

349
00:18:38,440 --> 00:18:41,799
Speaker 13: Oh she is and was once Olympic skating champion. But

350
00:18:41,880 --> 00:18:44,319
in Plainsman and the Lady, she again proves herself a

351
00:18:44,359 --> 00:18:45,759
fine dramatic actress.

352
00:18:46,039 --> 00:18:47,559
Speaker 7: Vera's had quite an exciting career.

353
00:18:47,599 --> 00:18:50,640
Speaker 13: You know, she escaped from her native Czechoslovakia on the

354
00:18:50,759 --> 00:18:51,880
very last plane before the.

355
00:18:51,799 --> 00:18:52,559
Speaker 7: Borders were closed.

356
00:18:52,759 --> 00:18:55,079
Speaker 2: That was exciting, But the real thrill of.

357
00:18:55,079 --> 00:18:58,480
Speaker 13: A lifetime, she says, was getting her American citizenship papers

358
00:18:58,559 --> 00:18:59,279
last flag day.

359
00:18:59,440 --> 00:19:02,680
Speaker 4: Well, Andrea has gained a stunning new citizen. Vera is

360
00:19:02,720 --> 00:19:03,319
a real beauty.

361
00:19:03,359 --> 00:19:04,759
Speaker 7: Oh she is that, mister Kelley.

362
00:19:05,039 --> 00:19:07,440
Speaker 13: She's one of the most photographed girls at Republic and

363
00:19:07,480 --> 00:19:09,880
the studio says she just can't take a poor picture.

364
00:19:10,000 --> 00:19:12,119
Speaker 3: I don't wonder, Libby, how could anyone miss with a

365
00:19:12,160 --> 00:19:13,759
complexion like Vera Ralston's.

366
00:19:14,359 --> 00:19:16,839
Speaker 13: Mister Kennedy, you're certainly a man with a single track.

367
00:19:16,759 --> 00:19:19,440
Speaker 3: Mine when it comes to lovely lux complexions.

368
00:19:19,440 --> 00:19:20,000
Speaker 2: I admit it.

369
00:19:20,039 --> 00:19:23,200
Speaker 13: Well, you're quite great about Vera Ralston's. She uses Lux

370
00:19:23,279 --> 00:19:26,559
toilet soap every day. She told me active lad of

371
00:19:26,640 --> 00:19:29,960
facials with Lux toilet soap are a wonderful aid to beauty.

372
00:19:30,279 --> 00:19:32,759
They leave her skin feeling fresh and smooth.

373
00:19:33,119 --> 00:19:35,599
Speaker 3: Lebby, won't you tell the ladies in our audience how

374
00:19:35,759 --> 00:19:37,759
Vera Ralston takes her lux soap facial.

375
00:19:37,839 --> 00:19:40,160
Speaker 13: Well, here's what she does, and it's very simple and

376
00:19:40,240 --> 00:19:43,519
quickly done. Smooths on lots of the creamy Lux soap

377
00:19:43,599 --> 00:19:47,400
ladder and works it in thoroughly. Rinces first with warm water,

378
00:19:47,759 --> 00:19:50,359
fault with a splash of coal. Then she takes a

379
00:19:50,400 --> 00:19:53,119
soft towel and pats her skin ever so gently to dry.

380
00:19:53,720 --> 00:19:54,599
Speaker 7: And that's all there is.

381
00:19:54,559 --> 00:19:57,559
Speaker 13: To a Lux Soap beauty facial, and mister Kennedy, screen

382
00:19:57,599 --> 00:19:59,960
stars find it a wonderfully effective care.

383
00:20:00,359 --> 00:20:01,720
Speaker 2: You're absolutely right, Lebby.

384
00:20:02,240 --> 00:20:05,720
Speaker 3: We know from actual tests that Lux Toilet soap facials

385
00:20:05,880 --> 00:20:09,960
make skin lovelier. These tests were made by skin specialists

386
00:20:10,240 --> 00:20:13,200
and they showed improvement in a short time in three

387
00:20:13,240 --> 00:20:14,319
out of four cases.

388
00:20:14,440 --> 00:20:18,160
Speaker 13: Hollywood stars just have to have a complexion care that works, and.

389
00:20:18,039 --> 00:20:20,960
Speaker 3: That's why Lux Toilet Soap is the favorite beauty soap

390
00:20:21,000 --> 00:20:24,359
of nine out of ten screen stars the Loveliest women

391
00:20:24,759 --> 00:20:28,599
in the World. Mister Keeley returns to the microphone.

392
00:20:29,000 --> 00:20:33,079
Speaker 4: We continue with Act two of OSS, starring Alan Ladd

393
00:20:33,079 --> 00:20:46,640
as Martin and Veronica Lake as Ellen. Nearly three days

394
00:20:46,680 --> 00:20:50,559
have passed since Team Applejack parachuted into a patch of

395
00:20:50,599 --> 00:20:54,559
woods near the French city of Orleans, now in London,

396
00:20:54,640 --> 00:20:58,200
where he's been joined by Colonel Field. Commander Brady has

397
00:20:58,279 --> 00:21:01,400
received his first radio message from the saboteurs.

398
00:21:02,240 --> 00:21:05,519
Speaker 6: The message has just been decoded. Colonel Well, not too good.

399
00:21:05,920 --> 00:21:08,799
Gates is dead. Gates and night they landed. He and

400
00:21:08,799 --> 00:21:10,440
the girl went to the inn first. Something must have

401
00:21:10,440 --> 00:21:12,359
gone wrong. The others found his body in the morning,

402
00:21:12,599 --> 00:21:14,960
and the girl not suspected. I've ordered Martin to take

403
00:21:15,000 --> 00:21:17,839
over there, preceding a schedule. Well, Martin's got a job

404
00:21:17,880 --> 00:21:20,839
in the railroad yard, Buche's become a scissors grinder. He's

405
00:21:20,880 --> 00:21:22,799
rented some sort of a hovel to live in. You'll

406
00:21:22,839 --> 00:21:24,720
radio us from there as long as he can. Helene,

407
00:21:24,799 --> 00:21:27,200
she's made contact with the underground. An old man named.

408
00:21:26,960 --> 00:21:29,480
Speaker 2: Old Beer has a shop that sells our supplies. She's

409
00:21:29,480 --> 00:21:31,960
found a studio close by, and things should start happening.

410
00:21:32,079 --> 00:21:34,079
They will, sir, they will.

411
00:21:41,079 --> 00:21:46,039
Speaker 10: Scissors shopping knives, since scissor shopping knives?

412
00:21:46,319 --> 00:21:47,440
Speaker 2: Since scissors shopping?

413
00:21:47,839 --> 00:21:49,680
Speaker 7: Can you shop in sculpting tools?

414
00:21:49,759 --> 00:21:54,319
Speaker 2: Anything, Madam? Scissor shopping knives and scissor shopping? How much

415
00:21:54,640 --> 00:21:57,039
I have not shopping chisels like these in a long time.

416
00:21:57,599 --> 00:21:58,880
Speaker 7: I met Martin an hour ago.

417
00:21:59,160 --> 00:22:00,480
Speaker 2: Oh, I can do them all right.

418
00:22:01,000 --> 00:22:04,079
Speaker 7: Where newspaper stand near the railroad yard.

419
00:22:04,799 --> 00:22:07,200
Speaker 2: Well, how much ten francs each, Madame?

420
00:22:07,559 --> 00:22:13,000
Speaker 7: Ten francs twenty court train six am tomorrow. That's ridiculous.

421
00:22:13,119 --> 00:22:15,559
Speaker 2: Oh man must live But where Lama?

422
00:22:16,519 --> 00:22:17,319
Speaker 7: All right here?

423
00:22:18,200 --> 00:22:20,759
Speaker 2: Thank you, Madame. I will sharpen them like new.

424
00:22:20,839 --> 00:22:24,160
Speaker 7: Ten frogs each, out rageous.

425
00:22:30,559 --> 00:22:36,720
Speaker 2: Hello. Hello, Yes there's a Colonel Field. What time confirmed?

426
00:22:37,880 --> 00:22:38,279
Speaker 12: Fine?

427
00:22:39,160 --> 00:22:41,400
Speaker 6: Yes, Brady's with me now. Hope to have another job

428
00:22:41,400 --> 00:22:44,519
for you very soon. That was British Air Intelligence Brady

429
00:22:44,839 --> 00:22:47,799
Well Apple Jackson business. Obama's got the train at Lamon

430
00:22:47,880 --> 00:22:51,279
this morning, completely destroyed any other news for Martin a little,

431
00:22:51,359 --> 00:22:54,400
and then rounded up some FFI. They're all meeting tomorrow afternoon,

432
00:22:54,440 --> 00:22:55,440
and obear's our shop.

433
00:23:04,720 --> 00:23:06,799
Speaker 2: I'm in, Madame, monsieur.

434
00:23:07,000 --> 00:23:10,759
Speaker 7: These two metal my friends, Papa, Monsieur Martin, Monsieur Bouchet.

435
00:23:11,039 --> 00:23:14,279
Speaker 2: Sure the people here over they are here? How many?

436
00:23:14,559 --> 00:23:18,079
Speaker 14: Renal and Madame Riot? They are in back of the shop.

437
00:23:18,160 --> 00:23:20,079
Speaker 2: A military patrol source come then we'll have to have

438
00:23:20,160 --> 00:23:22,519
visitors if we do. Just remember here to listen to

439
00:23:22,519 --> 00:23:25,400
Madame the priest lecture on art. My friends. Now, Monsieur come,

440
00:23:28,799 --> 00:23:31,319
Target's air force can't seem to get at especially the

441
00:23:31,400 --> 00:23:34,799
cobe melon tunnel. What about it Renow, that's the close

442
00:23:34,880 --> 00:23:37,440
military area. Every approach is got it.

443
00:23:37,640 --> 00:23:38,759
Speaker 14: We tried again last week.

444
00:23:38,799 --> 00:23:41,680
Speaker 2: We've got to keep trying. It's a must. What about

445
00:23:41,680 --> 00:23:44,000
the bridge of Roster that's the favorite group who takes

446
00:23:44,000 --> 00:23:47,319
a chamber repair shops. I will finally have explosives here

447
00:23:47,319 --> 00:23:47,559
for you.

448
00:23:47,720 --> 00:23:50,920
Speaker 8: I have already made yours up, monsieur real little sex

449
00:23:51,039 --> 00:23:55,240
month modeling clay plastic explosives, Madame Riotte, you will get

450
00:23:55,240 --> 00:23:58,079
tubes of paint. They will be ready for who's that

451
00:23:58,759 --> 00:24:01,880
pat Wait a moment, I have to open the door.

452
00:24:01,880 --> 00:24:05,160
Speaker 2: It's Colonel Meister. You'll continue with your art lecture.

453
00:24:04,880 --> 00:24:08,119
Speaker 7: Madame dupre As. I was saying, the so called new

454
00:24:08,160 --> 00:24:10,599
trend in art is actually a very old one. We

455
00:24:10,720 --> 00:24:12,640
know to return to the classic form, but with a

456
00:24:12,680 --> 00:24:14,720
certain utilization of Colonel meister.

457
00:24:15,640 --> 00:24:19,200
Speaker 2: Good afternoon. I am fortunate to find you here and

458
00:24:19,279 --> 00:24:22,000
it'll send the afternoon discussion. Colonel. If I can be

459
00:24:22,039 --> 00:24:23,359
of any assistant.

460
00:24:22,920 --> 00:24:25,359
Speaker 12: I'm quite sure you can help me. But first, if

461
00:24:25,359 --> 00:24:27,640
you're not't mind, I would like to listen to the

462
00:24:27,680 --> 00:24:28,160
young lady.

463
00:24:28,160 --> 00:24:29,920
Speaker 2: We are on a colonelist for the.

464
00:24:29,880 --> 00:24:33,400
Speaker 7: Decadent spiritual attitude of a man like Mark Billiani, the

465
00:24:33,440 --> 00:24:35,440
degenerate impressionism.

466
00:24:34,759 --> 00:24:37,039
Speaker 12: Of the of Sasa.

467
00:24:38,200 --> 00:24:41,200
Speaker 7: Of course, if I may digress, the Colonel has brought.

468
00:24:41,079 --> 00:24:43,000
Speaker 2: Up a most interesting close the door. O. There no

469
00:24:43,119 --> 00:24:44,319
need to disturb the discussion.

470
00:24:44,799 --> 00:24:45,839
Speaker 7: Readily understand the.

471
00:24:47,359 --> 00:24:51,119
Speaker 12: Well there, what do I see under the counter? Youtubes

472
00:24:51,160 --> 00:24:57,160
are pained, Yes, Colonel, let me see Solan, my favorite rule.

473
00:24:57,440 --> 00:24:58,400
Speaker 2: What about the other color?

474
00:24:58,559 --> 00:25:01,240
Speaker 12: I'm sorry, but I want but I have no time

475
00:25:01,279 --> 00:25:02,279
for paintings. Sketching.

476
00:25:02,279 --> 00:25:05,640
Speaker 2: It is all I can do these days. Ohbert, that

477
00:25:06,119 --> 00:25:06,880
young woman in.

478
00:25:06,839 --> 00:25:08,880
Speaker 14: There and unusually gifted sculptress.

479
00:25:09,599 --> 00:25:11,000
Speaker 12: May I meet her?

480
00:25:11,039 --> 00:25:14,119
Speaker 8: But of course, Madame Dupray, if you have.

481
00:25:14,079 --> 00:25:18,319
Speaker 7: A moment, please yes, monsieur.

482
00:25:17,960 --> 00:25:24,599
Speaker 12: Madame du Pray, Master Madame Paulmeister. The Colonel sketches merely impressions, Ohbert,

483
00:25:24,960 --> 00:25:26,200
I need another pad.

484
00:25:26,319 --> 00:25:29,519
Speaker 2: I am sure I have one somewhere. Madame must permit

485
00:25:29,599 --> 00:25:30,640
me to see her work.

486
00:25:31,079 --> 00:25:34,279
Speaker 7: But there's nothing of mine here, Colonel, at your studios.

487
00:25:34,319 --> 00:25:35,519
Speaker 2: Then I have my car.

488
00:25:35,920 --> 00:25:38,440
Speaker 7: Really, I haven't a thing. We're staying at the.

489
00:25:38,359 --> 00:25:42,519
Speaker 12: Moment Madame's modestly becomes I shall make the usual allowances.

490
00:25:42,799 --> 00:25:46,759
Speaker 7: Well very well then, and.

491
00:25:46,880 --> 00:25:49,200
Speaker 12: I apologies to your friend's Albert, and I would pick

492
00:25:49,240 --> 00:26:01,359
up my pad later. Ah, very nice you, madame, excellent light.

493
00:26:02,279 --> 00:26:03,920
Your husband shares it with you.

494
00:26:04,880 --> 00:26:09,920
Speaker 7: I'm a widow, Colonel, but well, I have been going

495
00:26:09,960 --> 00:26:10,799
with another man.

496
00:26:11,440 --> 00:26:14,720
Speaker 2: I'm sorry, a Frenchman in the city here.

497
00:26:15,160 --> 00:26:16,920
Speaker 7: He's away. He's an engineer.

498
00:26:17,240 --> 00:26:20,359
Speaker 12: Oh, the Normandy fortifications.

499
00:26:20,799 --> 00:26:22,200
Speaker 7: He never tells me, Colonel.

500
00:26:22,839 --> 00:26:27,960
Speaker 12: This statue here is lovely. It's like yourself. You're very kind,

501
00:26:28,279 --> 00:26:33,519
amazing technique for one so young. Your hand, Madame, remarkably

502
00:26:33,559 --> 00:26:35,240
feminine for this kind of work.

503
00:26:35,480 --> 00:26:37,119
Speaker 7: If the colonel would care for some teacher.

504
00:26:37,160 --> 00:26:43,359
Speaker 12: Your pulse it's quite irregular. Could I be responsible for that?

505
00:26:45,119 --> 00:26:46,880
Speaker 7: You're very discerning.

506
00:26:46,480 --> 00:26:49,839
Speaker 12: Soul and you are an incredible woman, My dear, beauty

507
00:26:49,880 --> 00:26:53,400
and talent are really combined in a single individual. I

508
00:26:53,480 --> 00:26:56,039
confess I find it difficult to believe that these works

509
00:26:56,039 --> 00:26:58,720
of art here are yours, or that you are what

510
00:26:58,799 --> 00:26:59,640
you say you are?

511
00:27:00,240 --> 00:27:01,000
Speaker 7: May I prove it?

512
00:27:01,559 --> 00:27:01,880
Speaker 2: How?

513
00:27:02,440 --> 00:27:04,799
Speaker 7: Sit down? I'd like you to pose for me.

514
00:27:05,160 --> 00:27:11,720
Speaker 12: Oh, that may take several sittings. Several I'm delighted, Madame, delighted.

515
00:27:12,079 --> 00:27:13,519
Speaker 7: Perhaps when it's finished.

516
00:27:13,200 --> 00:27:17,480
Speaker 12: You'll believe me, eh, eh, Perhaps.

517
00:27:17,599 --> 00:27:21,839
Speaker 7: Your head a little more to the side, please, that's it.

518
00:27:29,079 --> 00:27:30,839
Speaker 2: Mis has been coming here to you studio every day

519
00:27:30,839 --> 00:27:32,960
now for two weeks, and what have we got? Nothing

520
00:27:33,000 --> 00:27:34,680
except the pretty fair likeness of his head.

521
00:27:35,039 --> 00:27:37,000
Speaker 7: I need more time, Martin, but he's.

522
00:27:36,880 --> 00:27:38,279
Speaker 2: Raising the roof. He wants a cove, a mail or

523
00:27:38,319 --> 00:27:40,359
tunnel destroyed. Now, as soon as it is, we go

524
00:27:40,400 --> 00:27:42,880
back to London. Believe me, I'm ready to go back.

525
00:27:43,000 --> 00:27:45,160
I'm not why you have a blind alley with maister.

526
00:27:45,200 --> 00:27:47,200
He hasn't told you a thing. Break it off with him.

527
00:27:47,519 --> 00:27:48,759
Speaker 7: Meister's my department.

528
00:27:49,079 --> 00:27:51,079
Speaker 2: Don't overestimate yourself. He's dangerous.

529
00:27:51,200 --> 00:27:53,000
Speaker 7: You don't have much confidence in me, do you.

530
00:27:53,400 --> 00:27:55,480
Speaker 2: I'd feel the same about any girl I was working with.

531
00:27:55,839 --> 00:27:59,200
Speaker 7: I thought we'd settle that, no special consideration for anyone.

532
00:27:59,519 --> 00:28:02,480
You're not a man and I'm not a woman. We're weapons.

533
00:28:02,880 --> 00:28:05,119
You could stop worrying about meister. He's leaving town.

534
00:28:05,839 --> 00:28:06,599
Speaker 2: Oh where's it going?

535
00:28:06,720 --> 00:28:07,759
Speaker 7: I don't know when.

536
00:28:07,920 --> 00:28:11,200
Speaker 2: Tomorrow afternoon it's a trip train leaving for Nominee. Tomorrow

537
00:28:11,200 --> 00:28:13,920
afternoon it'll pass through the tunnel or Helene. How long

538
00:28:14,000 --> 00:28:17,000
would it take you to this head? You've made exact

539
00:28:17,079 --> 00:28:20,119
duplicate made out of our plastic explosive Clay tomorrow noon.

540
00:28:20,359 --> 00:28:26,279
Could you get mister to to well, I mean, I'll

541
00:28:26,440 --> 00:28:27,000
forget it.

542
00:28:27,200 --> 00:28:28,640
Speaker 7: I could get him to take me with him on

543
00:28:28,680 --> 00:28:29,240
the train.

544
00:28:29,160 --> 00:28:36,400
Speaker 2: Said forget it? Hello, oh myster, just a minute let

545
00:28:36,440 --> 00:28:37,559
him in. I'll wait a pitch.

546
00:28:42,559 --> 00:28:44,799
Speaker 12: I had to come early. My dear staff meeting. I

547
00:28:44,920 --> 00:28:45,880
should be there now.

548
00:28:46,279 --> 00:28:47,400
Speaker 7: Then you won't sit for me.

549
00:28:47,680 --> 00:28:52,880
Speaker 12: I came only to say goodbye? Will you miss me? Helene?

550
00:28:52,000 --> 00:28:57,079
Speaker 7: Paul, take me with you. I'm afraid it's impossible, not

551
00:28:57,119 --> 00:28:58,599
for an officer of your importance.

552
00:28:59,079 --> 00:29:01,400
Speaker 12: I suppose it could be arranged.

553
00:29:00,960 --> 00:29:03,359
Speaker 7: But please, Paul, Please.

554
00:29:02,960 --> 00:29:05,599
Speaker 12: Helene, darling, you are not deceiving me. I know why

555
00:29:05,640 --> 00:29:08,160
you want to come with me. I have known how

556
00:29:08,240 --> 00:29:13,720
Mattel stood since the day I met you. Have you, your

557
00:29:12,799 --> 00:29:17,839
engineer sure trying to get to him in Normandy. You're

558
00:29:17,880 --> 00:29:21,359
too clever for me, Paul, and you are too unscrupulous

559
00:29:21,400 --> 00:29:22,400
for me, Helene.

560
00:29:22,559 --> 00:29:23,839
Speaker 2: All right, all right, you may.

561
00:29:23,680 --> 00:29:25,119
Speaker 7: Come with me, Thank you, Paul.

562
00:29:25,359 --> 00:29:27,799
Speaker 12: After all, our little masterpiece is still incomplete.

563
00:29:28,000 --> 00:29:28,720
Speaker 2: Bring it with you.

564
00:29:28,880 --> 00:29:31,319
Speaker 12: Pleasant journey together a weekend perhaps to finish it.

565
00:29:31,359 --> 00:29:33,640
Speaker 2: And then my dear girl, go with my blessing.

566
00:29:33,920 --> 00:29:34,920
Speaker 12: That's satisfactory.

567
00:29:34,960 --> 00:29:36,279
Speaker 7: Oh yes, good be.

568
00:29:36,319 --> 00:29:38,960
Speaker 12: Ready to leave early in the afternoon. My driver will

569
00:29:39,000 --> 00:29:41,400
take you to our compartment on the train. I'll readers in.

570
00:29:41,480 --> 00:29:46,880
Speaker 2: Ellen, I heard what he said. All right, get to

571
00:29:46,880 --> 00:29:47,920
work on a duplicate right away.

572
00:29:48,119 --> 00:29:50,240
Speaker 7: Explosive clay will require a fuse, and I don't know

573
00:29:50,279 --> 00:29:50,960
how to set one.

574
00:29:51,079 --> 00:29:52,680
Speaker 2: Oh, bet, will bring a fuse here, you'll say it.

575
00:29:53,119 --> 00:29:54,240
How will you pack it for travel?

576
00:29:54,519 --> 00:29:55,839
Speaker 7: A wooden box, I suppose.

577
00:29:56,039 --> 00:29:58,000
Speaker 2: Make sure you'll be able to open it quickly. White

578
00:29:58,000 --> 00:29:59,480
the fuse. When the train stops in the tunnel.

579
00:30:00,039 --> 00:30:00,839
Speaker 7: Sure it will stop.

580
00:30:00,960 --> 00:30:02,640
Speaker 2: I'll see that it does, and all can get me

581
00:30:02,640 --> 00:30:04,960
a railroad inspectors pass. The train takes on water a

582
00:30:05,000 --> 00:30:07,000
few miles east of the tunnel. I'll get on bend.

583
00:30:07,680 --> 00:30:10,759
That's for getting off. Well. Both have to take our chances,

584
00:30:11,119 --> 00:30:11,680
of course.

585
00:30:12,240 --> 00:30:13,079
Speaker 7: Good luck Martin.

586
00:30:13,279 --> 00:30:15,960
Speaker 2: Yeah, thanks sir. Maybe i'll see the market tunnel. What

587
00:30:16,720 --> 00:30:29,599
never mind, get to work. Oh you're the engineer.

588
00:30:29,799 --> 00:30:31,759
Speaker 7: Yes, what are you doing here?

589
00:30:31,880 --> 00:30:33,839
Speaker 2: Skin of art? It's like my team check.

590
00:30:33,759 --> 00:30:36,440
Speaker 14: Right, what do you expect of this piece of gun?

591
00:30:36,559 --> 00:30:38,240
Speaker 2: Never mind that you're late. You should have passed the

592
00:30:38,279 --> 00:30:40,599
Caroba Mailot tunnel at three twenty six. Pass it in

593
00:30:40,680 --> 00:30:44,359
five minutes. All right then, slot On, he's got the gun.

594
00:30:44,480 --> 00:30:44,640
Speaker 15: Huh.

595
00:30:45,079 --> 00:30:47,480
Speaker 2: Alright, said slot On. Why are you doing this?

596
00:30:47,519 --> 00:30:47,920
Speaker 6: For sure?

597
00:30:48,319 --> 00:30:50,400
Speaker 2: O France, I'll drop both of you.

598
00:30:53,400 --> 00:30:55,920
Speaker 7: Paul, the train stop. What's the matter.

599
00:30:56,039 --> 00:30:58,000
Speaker 12: Oh, it's nothing.

600
00:30:58,279 --> 00:31:00,839
Speaker 7: Seems very strange. Stopping in a tunnel.

601
00:31:01,039 --> 00:31:02,720
Speaker 12: Makes our journey together longer.

602
00:31:03,039 --> 00:31:06,359
Speaker 7: Paul, I'm worried. Please go and ask someone. Oh no, no, later,

603
00:31:06,880 --> 00:31:14,640
but I'm really frightened. Please Paul, all right, I have

604
00:31:14,799 --> 00:31:15,519
to thy.

605
00:31:30,359 --> 00:31:34,279
Speaker 2: Martin, don't ask questions. Send me that box, good said,

606
00:31:34,359 --> 00:31:38,480
by the track. Here be right back. Climb on the window, hy,

607
00:31:41,640 --> 00:31:44,559
what's another climb out to you here? You've still got

608
00:31:44,559 --> 00:31:46,119
a chance. Who is that talking?

609
00:31:46,160 --> 00:31:46,440
Speaker 6: Hello?

610
00:31:46,799 --> 00:31:49,759
Speaker 2: Hurry, wake your sor down?

611
00:31:54,680 --> 00:31:56,000
Speaker 12: She has gone the window.

612
00:31:56,160 --> 00:31:58,160
Speaker 2: A man and a woman. Her colonel there the amounts

613
00:31:58,200 --> 00:31:59,319
of the tunnel you got.

614
00:31:59,279 --> 00:32:02,599
Speaker 16: Start those people fire, said fo there's a fuse personally

615
00:32:02,680 --> 00:32:15,039
for stud them.

616
00:32:15,240 --> 00:32:19,079
Speaker 6: Come in, Brady Well, reports confirmed by aerial reconnaissance.

617
00:32:19,079 --> 00:32:20,400
Speaker 2: Colonel the tunnel is destroyed.

618
00:32:20,599 --> 00:32:23,759
Speaker 6: That's great, yes, except there's been no words since from

619
00:32:23,759 --> 00:32:24,519
Team Applejack.

620
00:32:24,640 --> 00:32:24,880
Speaker 2: I know.

621
00:32:25,480 --> 00:32:27,839
Speaker 6: Get a message through to Team Sombrero. Tell them to

622
00:32:27,880 --> 00:32:30,400
stand by to take over Applejack's assignments.

623
00:32:30,400 --> 00:32:49,720
Speaker 2: Martin Bouchet, the girl. They're either dead Brady or captured. Helene. Helene,

624
00:32:50,640 --> 00:32:53,440
this way. I should have been back long ago. Sorry,

625
00:32:53,440 --> 00:32:55,440
I got losses. Pretty dark in those woods at night.

626
00:32:55,799 --> 00:32:59,119
Speaker 7: It's the only reason we're alive. Light and the place tied.

627
00:33:00,119 --> 00:33:02,839
Speaker 2: If I'm Bouchet, you couldn't get a car. Mace is

628
00:33:02,880 --> 00:33:04,240
alive and he closed in too fast.

629
00:33:04,400 --> 00:33:05,319
Speaker 7: You can't stand here.

630
00:33:05,720 --> 00:33:07,839
Speaker 2: I know. I sent Bouche on a Dejon. You can

631
00:33:07,839 --> 00:33:09,720
get to a radio. Your contact Breddy and have him

632
00:33:09,720 --> 00:33:12,519
send a plane to pick us up. Well where I

633
00:33:12,559 --> 00:33:15,400
don't know. We'll share at the park in Jon tomorrow.

634
00:33:15,640 --> 00:33:16,720
Speaker 7: Oh, we get there.

635
00:33:17,000 --> 00:33:20,000
Speaker 2: Highways full of refugees. We'll have to lose ourselves among them.

636
00:33:20,319 --> 00:33:21,880
Speaker 7: Safer if we travel alone.

637
00:33:22,359 --> 00:33:24,799
Speaker 2: No, pretty bad shape, all manage?

638
00:33:24,920 --> 00:33:27,599
Speaker 7: Oh now look you look. We almost failed in the

639
00:33:27,599 --> 00:33:30,559
tunnel because you came back from me. Never come back

640
00:33:30,599 --> 00:33:33,680
for me again. Do you understand? Never come back?

641
00:33:35,160 --> 00:33:39,960
Speaker 2: Okay? Can you find a highway? Yes, a parking djon tomorrow.

642
00:33:52,240 --> 00:33:58,880
Speaker 7: It's all right. You can sit down. Hello, Hello, where's Bouchet.

643
00:33:59,119 --> 00:34:02,200
Speaker 2: We've had some lucky fi getting us jobs at the airport.

644
00:34:02,559 --> 00:34:03,519
Speaker 7: Did you find a radio?

645
00:34:03,920 --> 00:34:06,440
Speaker 2: No, not yet. We've got to be careful. My snooz

646
00:34:06,440 --> 00:34:07,640
boys will be beating down our.

647
00:34:07,599 --> 00:34:11,519
Speaker 7: Next Do you have any money? I haven't eaten since Yes,

648
00:34:11,719 --> 00:34:16,239
my little we'll find a restaurant. Those men don't look

649
00:34:16,599 --> 00:34:21,079
two of them. They're watching us. Start smiling. That's better.

650
00:34:21,800 --> 00:34:26,400
Speaker 2: I'm going to kiss you, sweetheart. It's a park bench.

651
00:34:27,280 --> 00:34:28,559
That may convince them.

652
00:34:30,079 --> 00:34:32,400
Speaker 7: Too bad, Martin. They're still watching.

653
00:34:33,239 --> 00:34:44,599
Speaker 2: Come on, we better go. Oh some more, lock of

654
00:34:44,639 --> 00:34:45,360
both near the dawn.

655
00:34:46,000 --> 00:34:48,599
Speaker 14: Just get me something to company's.

656
00:34:48,159 --> 00:34:51,599
Speaker 2: Coming, while those men of the park real good evening?

657
00:34:52,440 --> 00:34:54,840
Speaker 14: May I join you? Thank you?

658
00:34:55,199 --> 00:34:57,039
Speaker 2: I'm sorry, but there must be some mistake.

659
00:34:57,239 --> 00:35:01,760
Speaker 14: Mistake, monsieur Martine, and madame you you're quite wrong, Monsieur,

660
00:35:02,000 --> 00:35:05,880
I think not. I am a madius. Bring istapo. Oh

661
00:35:05,960 --> 00:35:08,239
in case you are armed, monsieur, don't forget my colleague,

662
00:35:08,239 --> 00:35:11,800
Hair Armswold here is close by. That was fine work,

663
00:35:11,880 --> 00:35:13,280
that tunnel job of yours.

664
00:35:14,480 --> 00:35:15,480
Speaker 2: What are you talking about?

665
00:35:15,559 --> 00:35:18,639
Speaker 14: These papers, monsieur, A full report of your activities? They

666
00:35:18,719 --> 00:35:21,480
just arrived in headquarters. Would you catch or read them?

667
00:35:21,599 --> 00:35:24,400
Speaker 7: This is outrageous, you and trude upon, But I would

668
00:35:24,440 --> 00:35:26,719
prefer to discuss the matter at headquarters.

669
00:35:27,519 --> 00:35:28,920
Speaker 2: What do you mean prefer.

670
00:35:29,000 --> 00:35:31,960
Speaker 14: Fortunately I had access to these papers before any of

671
00:35:32,000 --> 00:35:33,079
the others saw them.

672
00:35:33,679 --> 00:35:34,559
Speaker 2: What do you want from us?

673
00:35:34,599 --> 00:35:37,400
Speaker 14: But I want from you? Isn't the question what do

674
00:35:37,440 --> 00:35:38,079
you want from me?

675
00:35:38,840 --> 00:35:42,400
Speaker 2: No very sensible man hair bring his side is going

676
00:35:42,440 --> 00:35:44,920
to lose the war, and being a practical man here

677
00:35:45,760 --> 00:35:46,719
looks to the future.

678
00:35:46,880 --> 00:35:49,599
Speaker 14: I could be very useful to you. I have access,

679
00:35:49,599 --> 00:35:52,840
for instance, to the weekly Dijon Berlin military pouch and

680
00:35:53,280 --> 00:35:55,000
the couriers my cousin.

681
00:35:55,599 --> 00:35:57,519
Speaker 2: And what's your price community that.

682
00:35:57,599 --> 00:36:01,360
Speaker 14: Goes without saying, a small weekly page, and fifty thousand

683
00:36:01,400 --> 00:36:05,440
American dollars deposited in my account in the Bank of Switzerland.

684
00:36:05,639 --> 00:36:06,719
Speaker 2: Maybe we can do business.

685
00:36:06,840 --> 00:36:08,320
Speaker 14: I was so sure we could.

686
00:36:09,000 --> 00:36:10,039
Speaker 2: You'll have to get us a radio.

687
00:36:10,400 --> 00:36:13,599
Speaker 14: Oddly enough, I have another cousin who might be persuaded

688
00:36:13,639 --> 00:36:17,639
to lend you one for twenty thousand francs.

689
00:36:18,800 --> 00:36:21,079
Speaker 2: We'll be sure of funds until we contact our principles.

690
00:36:21,199 --> 00:36:23,800
Speaker 14: Until then, only too, we had to accommodate you at

691
00:36:23,800 --> 00:36:25,840
a fair rate of interest, of course, shall we say

692
00:36:26,199 --> 00:36:29,320
fifteen percent? Well, I will leave you to think things

693
00:36:29,320 --> 00:36:33,599
over till tomorrow. Then at the same time, yeah, oh,

694
00:36:33,800 --> 00:36:37,920
her unsle just recival a couple of magazines each other.

695
00:36:38,360 --> 00:36:40,519
Speaker 2: You believe him, there's no choice.

696
00:36:40,519 --> 00:36:43,360
Speaker 7: I have to and we were going back to London.

697
00:36:43,800 --> 00:36:46,239
Speaker 2: Frink is on the level. We don't dare leave. If

698
00:36:46,239 --> 00:36:51,360
he isn't, we'll get what Gates got. Oh, Helene, I'm

699
00:36:51,440 --> 00:36:54,679
I'm sorry for what by the way I snap at

700
00:36:54,719 --> 00:36:55,760
you most of the time.

701
00:36:55,599 --> 00:36:57,480
Speaker 7: The way I aren't you forgetting something?

702
00:36:58,679 --> 00:37:02,360
Speaker 2: Yeah, yeah, yeah, Ryan, treat you like any other member

703
00:37:02,360 --> 00:37:03,480
of the team.

704
00:37:03,920 --> 00:37:09,039
Speaker 7: That's what you wanted, Yes, Martin, That's what I want someday,

705
00:37:09,079 --> 00:37:10,119
maybe if we.

706
00:37:10,119 --> 00:37:14,800
Speaker 2: Ever skip it. Here here's the menu. It maybe our

707
00:37:14,880 --> 00:37:28,360
last meal. We pause now for station identification.

708
00:37:28,920 --> 00:37:52,440
Speaker 3: This is CBS, the Columbia Broadcasting System.

709
00:37:52,480 --> 00:37:55,360
Speaker 4: In a moment, we'll bring you Act three of OSS,

710
00:37:55,840 --> 00:38:00,360
starring Alan Ladd and Veronica Lake in Hollywood. It's news

711
00:38:00,440 --> 00:38:02,840
when an actress gets a studio contract without having to

712
00:38:02,880 --> 00:38:06,159
take a screen test. It happened though, to our lovely

713
00:38:06,239 --> 00:38:10,000
young guest of the evening, Miss Lucille Barcley. How does

714
00:38:10,000 --> 00:38:11,840
it feel to be a paramount start at Lucille.

715
00:38:12,199 --> 00:38:15,000
Speaker 15: I still can't believe it, mister Keeley. You see, I'd

716
00:38:15,000 --> 00:38:18,159
come to Hollywood for a summer vacation. The vacation turned

717
00:38:18,199 --> 00:38:20,039
into a full time job on a talent scout for

718
00:38:20,119 --> 00:38:22,320
Paramount saw me and sign me up.

719
00:38:22,440 --> 00:38:24,760
Speaker 5: Had you always been interested in an acting career?

720
00:38:24,800 --> 00:38:24,960
Speaker 2: Oh?

721
00:38:25,039 --> 00:38:27,280
Speaker 15: Yes, Back in New York State where lived, I was

722
00:38:27,320 --> 00:38:30,280
a member of the Rochester Community Theater. Later I studied

723
00:38:30,320 --> 00:38:31,559
dramatics in New York and.

724
00:38:31,599 --> 00:38:33,000
Speaker 5: All to good purpose, it appears.

725
00:38:33,039 --> 00:38:34,119
Speaker 7: Oh, I was very lucky.

726
00:38:34,480 --> 00:38:38,079
Speaker 15: But for real achievement, mister Keeley, I nominate Joan Cawfield.

727
00:38:38,480 --> 00:38:41,039
I visited the set when Paramount was filming their big

728
00:38:41,079 --> 00:38:44,360
Technicolor production, Blue Skies, and well, I had a chance

729
00:38:44,440 --> 00:38:47,320
to meet her. Just think in Blue sky she's co

730
00:38:47,480 --> 00:38:49,480
starred with Bing Crosby and Fred Astaire.

731
00:38:49,719 --> 00:38:52,800
Speaker 4: You're right, that is a success story. Joan deserves it

732
00:38:52,840 --> 00:38:54,920
though she's exceptionally talented.

733
00:38:54,519 --> 00:38:57,360
Speaker 15: And besides, she's about as photogenic as a girl can be.

734
00:38:57,960 --> 00:39:00,000
Lovely features in a truly flawless comp.

735
00:39:00,679 --> 00:39:03,679
Speaker 4: Well, Lucille, We're proud of the fact that Joan Caulfield

736
00:39:03,840 --> 00:39:04,639
is a Lux girl.

737
00:39:04,800 --> 00:39:07,360
Speaker 15: So she told me, mister Keeley, and I wasn't a

738
00:39:07,360 --> 00:39:11,000
bit surprised. I've used Lux soap myself a long time,

739
00:39:11,199 --> 00:39:12,440
and I think it's tops.

740
00:39:12,480 --> 00:39:15,199
Speaker 3: Many famous stars agree with you, there, miss Barkley.

741
00:39:15,039 --> 00:39:17,400
Speaker 15: And if I may say so, mister Kennedy, lots of

742
00:39:17,440 --> 00:39:21,119
ambitious young starlets. Every girl in pictures knows how important

743
00:39:21,119 --> 00:39:23,360
it is to have a nice, smooth skin for camera

744
00:39:23,440 --> 00:39:23,960
close ups.

745
00:39:24,000 --> 00:39:26,880
Speaker 3: Thank you, miss Barkley. We're glad that so many charming

746
00:39:26,920 --> 00:39:31,079
women everywhere depend on daily Lux soap care. It's a

747
00:39:31,119 --> 00:39:34,519
fact that active leather facials in a short time give

748
00:39:34,639 --> 00:39:38,639
skin fresh, new beauty. Now here's a suggestion to the

749
00:39:38,719 --> 00:39:42,239
ladies in our audience. If you haven't tried Lux Toilet

750
00:39:42,280 --> 00:39:44,840
soap as yet, why not see what this gentle care

751
00:39:44,880 --> 00:39:45,679
can do for your.

752
00:39:45,559 --> 00:39:46,960
Speaker 2: Own precious complexion.

753
00:39:47,519 --> 00:39:51,239
Speaker 3: Remember, Lux Toilet Soap is Hollywood's own beauty soap.

754
00:39:52,480 --> 00:39:54,039
Speaker 2: Here's mister Keeley at the microphone.

755
00:39:55,440 --> 00:39:59,719
Speaker 4: Act three of OSAs, starring Alan Ladders Martin and Veronica

756
00:39:59,800 --> 00:40:12,519
Lake as Ellen. For a month now, OSS headquarters in

757
00:40:12,559 --> 00:40:17,239
London has been receiving amazing information from Team Applejack and

758
00:40:17,360 --> 00:40:23,440
Allied bombers subsequently have been smashing Nazi installations with bewildering accuracy.

759
00:40:24,159 --> 00:40:28,159
Back again in London, Colonel Field gets the details from

760
00:40:28,239 --> 00:40:29,119
Commander Brady.

761
00:40:29,800 --> 00:40:31,159
Speaker 2: It's really quite simple, Colonel.

762
00:40:31,159 --> 00:40:33,320
Speaker 6: Our key man, of course is Brink, and we're sure

763
00:40:33,320 --> 00:40:35,199
of Brink as long as we continue to pay off at.

764
00:40:35,280 --> 00:40:37,000
Speaker 2: Getting the contents of their military.

765
00:40:37,039 --> 00:40:39,199
Speaker 6: Boche has a job in the washroom at the airport.

766
00:40:39,280 --> 00:40:41,920
He cleans hat shined shoes. Anyway, the courier with the

767
00:40:41,920 --> 00:40:44,440
pouch visits Bouchet every time he takes the plane for Berlin.

768
00:40:44,920 --> 00:40:46,400
Speaker 2: Bouschet disappears for a few minutes.

769
00:40:46,440 --> 00:40:49,000
Speaker 6: He's got a camera in the laundry closet, photographs the

770
00:40:49,000 --> 00:40:52,480
documents on microfilm, returns them to the courier radios here

771
00:40:52,480 --> 00:40:54,239
when he's ready for our plane to pick up the film?

772
00:40:54,360 --> 00:40:56,480
And how do we get a plan to Dejon? Mister

773
00:40:56,519 --> 00:40:59,119
brink again. Another of his cousins owns a farm outside

774
00:40:59,119 --> 00:41:00,880
of town. Run on a plane in at night.

775
00:41:01,079 --> 00:41:03,519
Speaker 2: Too good to last? Yes, sir, I've told.

776
00:41:03,400 --> 00:41:05,639
Speaker 6: Apple Jack they can come back to London whenever they're ready.

777
00:41:05,920 --> 00:41:09,559
We'll be contacting them shortly, Colonel. Any message, Yes, my congratulations,

778
00:41:10,039 --> 00:41:12,360
also my urgent suggestion that they leave Jon.

779
00:41:12,639 --> 00:41:29,400
Speaker 2: They've done their job. Shoe shine, sir, Russia hat.

780
00:41:29,199 --> 00:41:32,079
Speaker 14: Sir, it's a carrier. He was here Bouchet this morning.

781
00:41:32,119 --> 00:41:32,480
Speaker 2: Hairbreak.

782
00:41:32,599 --> 00:41:36,159
Speaker 14: Good Tell Martin AUGUSTAPO spotters are closing in on your radio.

783
00:41:36,480 --> 00:41:38,840
One more message and they'll trace it. Your wooming house.

784
00:41:39,119 --> 00:41:42,840
Suspend operations until I find another place. Oh, you might

785
00:41:42,880 --> 00:41:44,440
shine my shoes if you please.

786
00:41:48,440 --> 00:41:51,840
Speaker 2: The film bouchere. One of the documents I photographed is

787
00:41:51,880 --> 00:41:52,360
red Hot.

788
00:41:52,519 --> 00:41:54,400
Speaker 14: The Crofts have busted a top American code.

789
00:41:54,400 --> 00:41:59,119
Speaker 2: Martin broken soul on a film broken code. Brady's got

790
00:41:59,119 --> 00:42:01,039
to know about that quick. How soon you can get

791
00:42:01,079 --> 00:42:03,599
to your radio anytime now? But ready what we've got?

792
00:42:03,639 --> 00:42:04,679
Tell them to get a plane in here tonight, a

793
00:42:04,719 --> 00:42:06,719
big one to take us out with that film. We're through.

794
00:42:06,760 --> 00:42:09,840
We've had enough the radio. If I try to use

795
00:42:09,840 --> 00:42:13,760
the radio, what about it? Nothing? Where will you be?

796
00:42:14,239 --> 00:42:16,360
And Helene? He didn't bring in the park. It's heyday.

797
00:42:16,400 --> 00:42:18,159
After that we'll go out to the farm. Come out

798
00:42:18,199 --> 00:42:20,000
as soon as you can. We'll be in London to

799
00:42:20,079 --> 00:42:21,079
night tonight.

800
00:42:21,880 --> 00:42:25,440
Speaker 10: Yeah, Oh you see Helene and say hello for me?

801
00:42:25,480 --> 00:42:25,840
Speaker 2: Will you.

802
00:42:36,760 --> 00:42:42,639
Speaker 10: Details of Nazis breaking code on film? Send plane tonight,

803
00:42:43,440 --> 00:42:46,679
pick up Martine and do prey. Looks like I'll be

804
00:42:46,760 --> 00:42:50,039
staying a couple of men in hallway now, someone at

805
00:42:50,039 --> 00:42:53,519
skylight too. If you can contact my mother, please tell her.

806
00:42:53,440 --> 00:43:05,920
Speaker 2: Right a light break? How long do you think we

807
00:43:05,920 --> 00:43:07,000
can hang around the public point?

808
00:43:07,159 --> 00:43:11,719
Speaker 14: It's unavoidable. Oh, good evening, madam. I have money, monsieur here,

809
00:43:12,800 --> 00:43:17,360
thank you. You're on your way somewhere? Why because it

810
00:43:17,440 --> 00:43:19,280
is best if you are. They picked up your radio.

811
00:43:20,039 --> 00:43:22,239
He is dead. Oh I warned him dead.

812
00:43:23,280 --> 00:43:27,320
Speaker 2: He didn't tell me you wanted him. Did he get

813
00:43:27,360 --> 00:43:27,880
through to London?

814
00:43:28,000 --> 00:43:30,800
Speaker 14: I think so. He was on the air when it happened. Oh,

815
00:43:30,960 --> 00:43:33,360
we have a new chief here. He has been inquiring

816
00:43:33,400 --> 00:43:38,840
about you, colonel meister meister here, Yes, definitely. It would

817
00:43:38,840 --> 00:43:41,199
be necessary for me to put your record in description

818
00:43:41,320 --> 00:43:44,280
back in the file. Oh, wherever it is you are going,

819
00:43:44,599 --> 00:43:46,239
if you would care to rent a car?

820
00:43:46,400 --> 00:43:47,320
Speaker 2: All right, where is it?

821
00:43:47,440 --> 00:43:51,519
Speaker 14: Let's run across the street. Shall we say ten thousand francs.

822
00:43:51,800 --> 00:43:52,519
Speaker 2: I'll give you eight.

823
00:43:52,840 --> 00:43:56,880
Speaker 14: I am a reasonable man, eight thousand. Good night, good night.

824
00:44:03,519 --> 00:44:03,800
Speaker 1: Bank.

825
00:44:04,360 --> 00:44:08,320
Speaker 17: Oh oh, her answer is not that your car. I

826
00:44:08,519 --> 00:44:13,280
just saw who was driving it, Mica. Yes, the man

827
00:44:13,320 --> 00:44:17,039
and girl. They looked strangely like the couple Colonel Master

828
00:44:17,239 --> 00:44:18,039
just described to me.

829
00:44:18,480 --> 00:44:19,159
Speaker 14: What couple.

830
00:44:19,920 --> 00:44:22,920
Speaker 17: The Colonel is very anxious to see you her bring

831
00:44:23,760 --> 00:44:27,920
my trusted cully.

832
00:44:27,119 --> 00:44:31,079
Speaker 14: I don't suppose we could talk in purely business terms

833
00:44:31,119 --> 00:44:37,760
here answer, Shall we say one hundred thousand francs. No,

834
00:44:38,760 --> 00:44:43,400
I suppose not come along. Pity. I was always such

835
00:44:43,400 --> 00:44:44,599
a reasonable man.

836
00:44:56,199 --> 00:44:58,760
Speaker 7: Look at I come across the field. I never thought

837
00:44:58,800 --> 00:45:00,519
an aeroplane could be so beautiful.

838
00:45:01,079 --> 00:45:02,760
Speaker 2: London will be there in two hours.

839
00:45:02,760 --> 00:45:06,239
Speaker 7: Any Bouchet didn't die for nothing. He got the message

840
00:45:06,239 --> 00:45:07,599
through the plane, wouldn't be here.

841
00:45:08,000 --> 00:45:12,119
Speaker 2: The door's opening. Come on, Marten, Commander Brady, Hey, what

842
00:45:12,159 --> 00:45:13,079
are you doing here? Oh?

843
00:45:13,119 --> 00:45:14,119
Speaker 7: We glad to see you.

844
00:45:14,199 --> 00:45:16,480
Speaker 6: I wish I was good at making congratulatoris speeches.

845
00:45:16,519 --> 00:45:17,760
Speaker 2: And we'll skip it. Let's get out of here.

846
00:45:17,760 --> 00:45:18,679
Speaker 7: Here's your film, great work.

847
00:45:18,719 --> 00:45:23,599
Speaker 2: Where's Bouchet? We were lost when early tonight? But what happened?

848
00:45:23,599 --> 00:45:25,800
Speaker 6: I'll tell you on a planet. And Martin, I'm here

849
00:45:25,840 --> 00:45:27,760
because I have something to ask you. We're only have

850
00:45:27,800 --> 00:45:28,960
a job ahead of the g stop, or can we

851
00:45:28,960 --> 00:45:31,360
talk about it later. I'm afraid not. The Nazis select Martin.

852
00:45:31,480 --> 00:45:33,239
They're falling back to the Rhine. Well that's fine, that's

853
00:45:33,239 --> 00:45:34,840
fine of us. He got to do with me. I'd

854
00:45:34,880 --> 00:45:38,000
like you to do one more job, another job. Some

855
00:45:38,119 --> 00:45:40,000
time ago, we put a man into Germany imposing as

856
00:45:40,039 --> 00:45:42,039
a barge worker on the Rhine. The sector he was

857
00:45:42,039 --> 00:45:44,320
assigned who has been selected for one of our crossings.

858
00:45:44,440 --> 00:45:46,880
If he's still alive, he'll have invaluable information on troop

859
00:45:46,920 --> 00:45:48,119
dispositions and fortification.

860
00:45:48,280 --> 00:45:50,159
Speaker 2: I don't get it. There's no way for him to

861
00:45:50,159 --> 00:45:51,159
get the information to us.

862
00:45:51,159 --> 00:45:53,079
Speaker 6: We need somebody to go in there and contact him

863
00:45:53,119 --> 00:45:54,559
and send it out on the ground air radio.

864
00:45:54,599 --> 00:45:56,440
Speaker 2: I brought one with me. How long do you think

865
00:45:56,440 --> 00:45:58,360
we can live like this with our stomach turning over

866
00:45:58,360 --> 00:46:00,840
every time the footfalls, our door opens. You've got plenty

867
00:46:00,840 --> 00:46:01,760
of other people working for you.

868
00:46:01,800 --> 00:46:03,360
Speaker 6: I'd have to pick on me because you're the only

869
00:46:03,400 --> 00:46:05,840
available agent who'd recognize a man, the only agent he

870
00:46:05,880 --> 00:46:06,679
would recognize.

871
00:46:06,800 --> 00:46:07,800
Speaker 2: You remember pocket? Yeah?

872
00:46:07,800 --> 00:46:10,320
Speaker 6: Sure, I remember poker. So what I'm no hero. I

873
00:46:10,320 --> 00:46:12,239
don't want to volunteer for anything. I want my identity back.

874
00:46:12,280 --> 00:46:14,199
Don't suppose Parker wants his identity back.

875
00:46:15,800 --> 00:46:17,320
Speaker 2: You want me to take that as sign as you've

876
00:46:17,320 --> 00:46:23,000
got to order meet to day it? Then it's an order. Okay?

877
00:46:25,000 --> 00:46:28,639
What was that? I said? Elaine? Now London in two hours?

878
00:46:29,760 --> 00:46:30,920
Will you be there when I get there?

879
00:46:31,480 --> 00:46:32,800
Speaker 7: When we go, we go together.

880
00:46:33,079 --> 00:46:34,119
Speaker 2: You're going now with a command.

881
00:46:34,159 --> 00:46:35,679
Speaker 7: Now that's up to him, isn't it.

882
00:46:35,840 --> 00:46:37,400
Speaker 2: Mice is catching up with us. How much long you

883
00:46:37,400 --> 00:46:40,440
think our luck can hold out? Gates to say, we're next,

884
00:46:41,000 --> 00:46:43,079
go on back to England. I'll handle this still alone.

885
00:46:43,360 --> 00:46:46,320
Speaker 7: We've worked well together. Two agents are better than one

886
00:46:46,360 --> 00:46:48,079
to double your chances.

887
00:46:47,639 --> 00:46:50,519
Speaker 2: Right, Martin, As long as she's offered to stay, that's it.

888
00:46:51,960 --> 00:46:54,960
Speaker 6: You better get that plane out of here. You got

889
00:46:54,960 --> 00:46:57,480
to make your way to Strasbourg. Here constructions and directions,

890
00:46:57,559 --> 00:46:59,840
burn them when memorized. You meet up with the Madam

891
00:46:59,840 --> 00:47:01,559
pre Do. She has a place in the country and

892
00:47:01,599 --> 00:47:05,400
her grandchild. You will work from there. Good luck, Helaine,

893
00:47:06,440 --> 00:47:08,519
good luck, mine, good luck?

894
00:47:09,039 --> 00:47:20,280
Speaker 2: What does that mean, sir? Use from Martin? Colonel Fio

895
00:47:20,320 --> 00:47:22,199
there at the Predau farm. Any word about Parker?

896
00:47:22,239 --> 00:47:24,320
Speaker 6: I think yet, Sir? How is Martin getting to us?

897
00:47:24,320 --> 00:47:26,599
Ground air radio? We send a plane over his area.

898
00:47:26,719 --> 00:47:29,039
Martin talks to the pilot if I had contact every

899
00:47:29,079 --> 00:47:30,880
day now for about a week. Just don't ease up

900
00:47:30,880 --> 00:47:32,639
on him. He's got to locate Parker.

901
00:47:39,079 --> 00:47:44,280
Speaker 7: More bombers, Madame, but there are bombers. Don't be frightened, Gero,

902
00:47:44,480 --> 00:47:46,119
have you fired Madmoiselle.

903
00:47:45,760 --> 00:47:48,400
Speaker 18: In the village this morning? German sold us all over,

904
00:47:48,800 --> 00:47:50,199
stealing everything.

905
00:47:50,000 --> 00:47:52,000
Speaker 7: They may come here. They're retreating.

906
00:47:52,079 --> 00:47:55,039
Speaker 18: They may, but these potatoes they will not find. And

907
00:47:55,079 --> 00:47:57,559
we will have these potatoes planted before the spring is up.

908
00:47:57,639 --> 00:47:58,719
Speaker 7: Who's the plant? Potatoes?

909
00:47:58,760 --> 00:47:59,440
Speaker 2: Grandmar Our?

910
00:47:59,480 --> 00:48:02,719
Speaker 18: Men will back always the men come back home.

911
00:48:03,000 --> 00:48:05,719
Speaker 7: Monsieur Martinez going to the orchard again. He's told you

912
00:48:05,800 --> 00:48:08,360
he made an airplane. I'd feel better if he didn't

913
00:48:08,360 --> 00:48:09,760
have to go so far from the house.

914
00:48:09,800 --> 00:48:11,440
Speaker 2: Maybe he can talk Wow man too.

915
00:48:11,800 --> 00:48:14,880
Speaker 7: Maybe you can tell them when it's safe to come home. Listen,

916
00:48:15,440 --> 00:48:16,519
there's a truck on the road.

917
00:48:16,599 --> 00:48:17,079
Speaker 2: Germans.

918
00:48:18,199 --> 00:48:18,880
Speaker 14: The potatoes.

919
00:48:18,960 --> 00:48:19,800
Speaker 2: Hide them in the cellar.

920
00:48:20,000 --> 00:48:23,039
Speaker 7: I can see them. They're turning in here. Sure, Mazine,

921
00:48:24,719 --> 00:48:25,719
he will see the truck.

922
00:48:25,840 --> 00:48:27,840
Speaker 18: You can trust the boy and me healing. We are

923
00:48:27,840 --> 00:48:29,559
accustomed by now to be seen in the bush.

924
00:48:29,920 --> 00:48:40,159
Speaker 2: We will do nothing. Can you hear me up there?

925
00:48:40,840 --> 00:48:44,719
Can you hear me? Oh? Pal all distinctly? I'm recording this,

926
00:48:44,840 --> 00:48:47,000
you know, I said. The Nazis are pouring across the

927
00:48:47,039 --> 00:48:50,559
Rhine bridges, boats, barges, any the little float. What about Parker?

928
00:48:50,800 --> 00:48:52,760
No sign of him? Get under the docks every day.

929
00:48:52,880 --> 00:48:55,079
Most of the barges ran out when our planes started strafing.

930
00:48:55,679 --> 00:48:57,599
Parker stayed on. We might have shot him up ourselves.

931
00:48:57,639 --> 00:49:00,840
Wait a minute, you're expecting get truck. What are you

932
00:49:00,880 --> 00:49:02,440
talking about? Your house truck.

933
00:49:02,360 --> 00:49:03,559
Speaker 5: Just pulled out troops.

934
00:49:03,800 --> 00:49:06,440
Speaker 2: You better attack Martin. You got a gun, yes, but

935
00:49:06,559 --> 00:49:08,639
take care of yourself. We'll be back at one hundred.

936
00:49:23,840 --> 00:49:25,519
Turn backast the wall, follow.

937
00:49:25,320 --> 00:49:29,840
Speaker 7: You, Martin behind you, look as leave.

938
00:49:29,719 --> 00:49:30,119
Speaker 2: Them to me.

939
00:49:30,719 --> 00:49:36,159
Speaker 19: Another and another throw the shwine into the barn, so

940
00:49:36,760 --> 00:49:37,599
there were no men here.

941
00:49:37,679 --> 00:49:41,880
Speaker 2: Mademoiselle, you look frightened. Your soldiers frighten you?

942
00:49:42,400 --> 00:49:45,599
Speaker 19: Well, then we will leave these soldiers shagl all hell

943
00:49:45,639 --> 00:49:48,320
looking at Mademoiselle and I will be in the other room.

944
00:49:48,559 --> 00:49:54,360
We will not wish to be disturbed. Sorry if I

945
00:49:54,360 --> 00:49:56,400
give you a scare. You're helene to pray, aren't you?

946
00:49:56,440 --> 00:49:58,599
How did you no time for questions? I'm Parker. Martin

947
00:49:58,599 --> 00:50:00,440
recognized me. That's why I didn't shoot. I heard them,

948
00:50:00,480 --> 00:50:01,960
but I had to. I've seen you bought down the docks,

949
00:50:01,960 --> 00:50:03,119
but I never was able to get to you. That's

950
00:50:03,159 --> 00:50:05,239
why I got this uniform. Telling all those drunks inside,

951
00:50:05,320 --> 00:50:07,760
I've got to talk fast or listen carefully. The crowds

952
00:50:07,800 --> 00:50:09,320
are heading for the East Bank. I have the troop

953
00:50:09,360 --> 00:50:11,000
dispositions down cold. Can you get them out?

954
00:50:11,159 --> 00:50:13,079
Speaker 7: Martin has an air ground radio, it keeps it buried

955
00:50:13,079 --> 00:50:13,679
in the Orchanin good.

956
00:50:13,679 --> 00:50:15,079
Speaker 19: I'll get rid of these troops inside, but I'll have

957
00:50:15,119 --> 00:50:16,199
to go with them, so it's up to you and

958
00:50:16,199 --> 00:50:17,440
Martin to get this information through.

959
00:50:17,679 --> 00:50:19,639
Speaker 2: Go ahead, all right. It's about five.

960
00:50:19,480 --> 00:50:21,599
Speaker 19: Miles between Fettysburg and Trouburn with nothing but a few

961
00:50:21,599 --> 00:50:24,480
patrols between. That's just one of the weak spots. There's

962
00:50:24,480 --> 00:50:26,239
another just north of Laces, and if our troops cross

963
00:50:26,280 --> 00:50:28,119
at these spots, we'll save thousands of lives. Now repeat

964
00:50:28,119 --> 00:50:30,000
after me. One hundred and forty six punce of division

965
00:50:30,039 --> 00:50:31,199
in reserve, Nebraheim, one.

966
00:50:31,119 --> 00:50:33,599
Speaker 7: Hundred and forty six pounds of division in reserve, Nebraheim.

967
00:50:33,599 --> 00:50:35,840
Speaker 19: One hundred and twenty scond Grandadier is just west of Leinstein.

968
00:50:36,000 --> 00:50:38,480
Speaker 7: The one hundred and twenty second Granadier is just west of Flinstein.

969
00:50:38,760 --> 00:50:39,920
Speaker 2: The division new south.

970
00:50:50,760 --> 00:50:53,719
Speaker 7: And they left about ten minutes ago. Parker had to

971
00:50:53,760 --> 00:50:57,119
go with them. Martin, are you up to talking?

972
00:50:58,239 --> 00:50:58,760
Speaker 2: I'm okay.

973
00:50:58,880 --> 00:51:00,840
Speaker 7: What if Parker tell you, I'll write it all down

974
00:51:00,880 --> 00:51:03,320
for you. If it gets through on time, thousands of

975
00:51:03,320 --> 00:51:05,400
lives can be saved and our job should be over.

976
00:51:06,239 --> 00:51:08,119
When will the plane be here one o'clock?

977
00:51:08,239 --> 00:51:08,920
Speaker 2: What time is it now?

978
00:51:09,119 --> 00:51:10,639
Speaker 7: Twelve thirty? I think you can do it.

979
00:51:10,719 --> 00:51:12,920
Speaker 2: Yeah, yeah, go ahead start writing, madam.

980
00:51:12,920 --> 00:51:16,960
Speaker 7: Sure, get some water. I wish I could do more

981
00:51:17,000 --> 00:51:20,000
for you. Your head it's still bleeding.

982
00:51:20,280 --> 00:51:22,440
Speaker 2: Don't worry about me. Just just put it down a paper.

983
00:51:31,199 --> 00:51:33,239
Speaker 7: This is it, Martin, everything written down.

984
00:51:33,800 --> 00:51:35,559
Speaker 2: Come back. As soon as I've contacted the planes.

985
00:51:35,679 --> 00:51:38,679
Speaker 7: You will be leaving us. Then, Yes, where you go,

986
00:51:38,800 --> 00:51:39,719
you will be together.

987
00:51:40,760 --> 00:51:43,840
Speaker 2: We'll be together. We will be together from now on.

988
00:51:52,039 --> 00:51:55,280
O not bed, open up? Come there?

989
00:51:55,880 --> 00:52:00,480
Speaker 7: Who can you see? Sarg In an officer I pad

990
00:52:00,519 --> 00:52:01,039
in the kitchen.

991
00:52:01,320 --> 00:52:03,960
Speaker 18: They make trouble, Mademoiselle says to Financia Martine.

992
00:52:04,239 --> 00:52:08,920
Speaker 2: Warn him she's going to the door now orry warn

993
00:52:09,000 --> 00:52:09,360
him with me.

994
00:52:13,599 --> 00:52:20,559
Speaker 12: Yes, sorry to intrude at this hour, Helene. Well we

995
00:52:20,719 --> 00:52:23,239
never had our little weekend, and normally did we.

996
00:52:24,239 --> 00:52:27,639
Speaker 2: That's a great pity. You have nothing to say.

997
00:52:28,760 --> 00:52:32,239
Speaker 12: Sure you remember me, meister, Paul, meister.

998
00:52:32,840 --> 00:52:34,039
Speaker 7: I remember you very well.

999
00:52:34,960 --> 00:52:38,440
Speaker 12: Alone here I am here, monsieur, I refer to Martin.

1000
00:52:38,880 --> 00:52:39,960
Speaker 7: Then I am quite alone.

1001
00:52:40,119 --> 00:52:42,440
Speaker 12: Unfortunately, we can't spend too much time finding out if

1002
00:52:42,480 --> 00:52:43,320
you are telling the truth.

1003
00:52:43,599 --> 00:52:44,480
Speaker 2: Sergeant take the old.

1004
00:52:44,400 --> 00:52:47,519
Speaker 12: Woman to the car, and the girl kind of wait outside.

1005
00:52:48,760 --> 00:52:53,920
I will deal with her and come, Helene, do pray.

1006
00:52:55,199 --> 00:52:58,760
I still find you a remarkably attractive woman. I can

1007
00:52:58,840 --> 00:53:03,000
almost forgive myself myself, not you, my dear.

1008
00:53:03,639 --> 00:53:06,400
Speaker 7: Then let's get this over with. All I ask is

1009
00:53:06,440 --> 00:53:08,239
that I be taken quickly to wear a people like

1010
00:53:08,320 --> 00:53:08,960
myself who.

1011
00:53:08,880 --> 00:53:10,159
Speaker 2: Dealt with not yet.

1012
00:53:10,880 --> 00:53:17,280
Speaker 12: I find this reunion curiously satisfied. At last, Taylor, at last.

1013
00:53:29,880 --> 00:53:34,199
Speaker 20: This is my teen here woman, they're taking them away.

1014
00:53:34,480 --> 00:53:37,400
I had him, he said his name was nice. Dun't

1015
00:53:37,400 --> 00:53:41,239
I didn't take them as your please honey to others soldiers,

1016
00:53:41,280 --> 00:53:43,239
but high she knows I went for you.

1017
00:53:43,480 --> 00:53:46,960
Speaker 2: Please come, please, a plain up there, I've got to come.

1018
00:53:47,159 --> 00:53:49,840
You would do it? They there, Never come back for

1019
00:53:50,000 --> 00:53:50,440
me again.

1020
00:53:51,360 --> 00:53:56,320
Speaker 7: Thousands of lives will be saved, never come back, thousands

1021
00:53:56,400 --> 00:53:56,840
of lives.

1022
00:53:56,960 --> 00:53:59,880
Speaker 2: I can't, boy, I never thought you would be afraid.

1023
00:54:00,480 --> 00:54:05,039
Hear this, Gerard, listen, listen? Are you down there, rapple Jack? Yeah, yeah,

1024
00:54:05,039 --> 00:54:06,400
I'm here. Anything wrong?

1025
00:54:06,559 --> 00:54:06,639
Speaker 6: Oh?

1026
00:54:06,719 --> 00:54:06,960
Speaker 13: Nothing?

1027
00:54:07,199 --> 00:54:09,679
Speaker 6: And shoot recorders on one hundred and forty six pins

1028
00:54:09,679 --> 00:54:11,960
of Division Reserve near Brunheimer one hundred and twenty second

1029
00:54:11,960 --> 00:54:14,239
Grandad here's just west of lynch Stein, lynch Stein. Hold

1030
00:54:14,280 --> 00:54:16,599
down the eighth and forty division south of Roadback Canal.

1031
00:54:16,800 --> 00:54:20,960
Speaker 2: You're losing range, Martin. That's slower row Beck Canal. Oh

1032
00:54:21,079 --> 00:54:24,000
oh p u RG that's better. What's your rush?

1033
00:54:24,119 --> 00:54:26,679
Speaker 6: Thirty first engineers at Lingra, thirty first at Lingren. The

1034
00:54:26,760 --> 00:54:28,679
eighteenth THAT'SS Division on horses Steinbrook.

1035
00:54:28,960 --> 00:54:31,360
Speaker 2: Let's have that last again. I want to clean recording.

1036
00:54:31,440 --> 00:54:33,239
Speaker 6: Please, I've got to get back with news like this,

1037
00:54:33,400 --> 00:54:36,079
So to we pal repeat the eighteenth that's ESS Division

1038
00:54:36,079 --> 00:54:37,079
around horses Steinbrook.

1039
00:54:37,400 --> 00:54:39,320
Speaker 2: The fifty second inf east of fry Holf north of

1040
00:54:39,360 --> 00:54:41,239
the highway. Just once more and we'll have it.

1041
00:54:41,360 --> 00:54:44,360
Speaker 6: Eighteenth division around Hostage Steinbrook, fifty second east of Frye

1042
00:54:44,400 --> 00:54:45,320
half north of the highway.

1043
00:54:46,039 --> 00:54:48,440
Speaker 2: That's set and Telepark is okays of a few hours ago.

1044
00:54:48,480 --> 00:54:49,559
It's well going, Martin.

1045
00:54:49,760 --> 00:54:51,360
Speaker 6: Sorry to leave here, but I gotta get this back

1046
00:54:51,360 --> 00:54:51,920
to Heayn.

1047
00:54:59,440 --> 00:55:21,559
Speaker 2: Hello, Hi, regards your Julie, god helec. Look at them, come, Martin.

1048
00:55:22,199 --> 00:55:27,599
Speaker 6: Trucks and jeeps, planes and tanks, soldiers, our soldiers.

1049
00:55:27,280 --> 00:55:35,239
Speaker 2: Martin crossing the Rhine. Yes, sir, job's almost finished. Thanks Martin,

1050
00:55:36,639 --> 00:55:40,760
don't thank me. Thank them, the ones who didn't live

1051
00:55:40,840 --> 00:55:49,679
to see this. Yates wiche Helen tell me about a

1052
00:55:49,719 --> 00:55:55,519
commander I I didn't even know a real name, rogers Ellen,

1053
00:55:55,800 --> 00:56:03,519
rogers Ellen. Where was she born? I don't recall, but

1054
00:56:03,800 --> 00:56:06,960
I can find out for you if you'd like. No,

1055
00:56:07,280 --> 00:56:14,280
it doesn't matter. It was somewhere back home, like the

1056
00:56:14,360 --> 00:56:20,880
Tana I came from the same time. Maybe yes, she

1057
00:56:22,320 --> 00:56:24,719
she might even have lived just around the corner.

1058
00:56:39,960 --> 00:56:44,519
Speaker 4: Well deserved applause for an exciting performance by our two stars,

1059
00:56:44,800 --> 00:56:48,559
Alan Ladd and Veronica Lee. And here they are back

1060
00:56:48,599 --> 00:56:50,079
at the footlights for the curtain call.

1061
00:56:50,400 --> 00:56:52,440
Speaker 2: Well, one of the real stars of tonight's play bill

1062
00:56:52,599 --> 00:56:55,039
was William Donovan, whom we have mentioned in your introduction.

1063
00:56:55,440 --> 00:56:58,000
Speaker 5: Yes, he was head of the USS in real life.

1064
00:56:58,280 --> 00:57:01,559
Speaker 7: Didn't you make a picture on the career of General Donovan, mister.

1065
00:57:01,440 --> 00:57:05,159
Speaker 4: Keeley, that's right, Veronica Fighting sixty ninth, which was course

1066
00:57:05,280 --> 00:57:06,800
was late in World War One and.

1067
00:57:07,039 --> 00:57:07,800
Speaker 2: Made a great movie.

1068
00:57:07,880 --> 00:57:12,320
Speaker 4: Incidentally, speaking of pictures, Alan, I understand that since yours

1069
00:57:12,360 --> 00:57:15,440
were released in continental Europe, you've become the number one

1070
00:57:15,480 --> 00:57:16,559
box office hit over there.

1071
00:57:17,079 --> 00:57:19,079
Speaker 7: And to think they had to wait six years before

1072
00:57:19,119 --> 00:57:20,280
seeing Alan on the screen.

1073
00:57:20,760 --> 00:57:22,119
Speaker 2: Not to mention you too, Veronica.

1074
00:57:22,360 --> 00:57:24,639
Speaker 5: That's right, Alan, You two have been together in so

1075
00:57:24,800 --> 00:57:25,480
many pictures.

1076
00:57:25,719 --> 00:57:29,079
Speaker 4: I sort of missed Veronica in your latest Paramount production

1077
00:57:29,599 --> 00:57:30,800
two years before the mass.

1078
00:57:30,880 --> 00:57:33,159
Speaker 2: Yeah, it's her too, Bill, But we're going back together again.

1079
00:57:33,280 --> 00:57:35,639
We start shooting Sagon out of gir Old Paramount.

1080
00:57:35,800 --> 00:57:39,679
Speaker 4: Well that's good news. But Ladder Lake fans. By the way, Veronica,

1081
00:57:40,119 --> 00:57:42,760
what happened to that famous over the eye hairdoom?

1082
00:57:43,360 --> 00:57:45,159
Speaker 7: Well, I thought it was about time to see how

1083
00:57:45,199 --> 00:57:46,400
the other half of the world lived.

1084
00:57:46,440 --> 00:57:51,079
Speaker 2: Mister Keeley, Say how long did you wear your hair

1085
00:57:51,199 --> 00:57:51,920
like that? Veronica?

1086
00:57:52,280 --> 00:57:54,920
Speaker 7: How long? Oh about twenty four inches?

1087
00:57:55,519 --> 00:58:00,880
Speaker 4: Well, confidentially, Veronica, I like your present do even better

1088
00:58:01,400 --> 00:58:03,119
for one very important reason.

1089
00:58:03,360 --> 00:58:04,480
Speaker 7: What's that, mister Keeley?

1090
00:58:04,760 --> 00:58:07,320
Speaker 5: It doesn't hide any of that lovely loved complexion.

1091
00:58:08,039 --> 00:58:10,559
Speaker 7: Well, it's certainly not hard to help keep your complexion

1092
00:58:10,639 --> 00:58:12,239
lovely with lux toilet soap care.

1093
00:58:12,679 --> 00:58:14,960
Speaker 5: I always use it, and it's plain to see that

1094
00:58:15,079 --> 00:58:16,679
that loyalty is well rewarded.

1095
00:58:17,119 --> 00:58:19,679
Speaker 2: Say what are you presenting here next Monday Night? Bill?

1096
00:58:20,480 --> 00:58:22,719
Speaker 4: Next week, We're proud to bring our audience for a

1097
00:58:22,800 --> 00:58:26,920
second time this season, two of Hollywood's top artists and

1098
00:58:27,159 --> 00:58:30,320
one of the most famous acting teams in motion picture history,

1099
00:58:31,079 --> 00:58:36,039
Greer Gosson and Walter Pigeon. They appear in their original

1100
00:58:36,119 --> 00:58:40,719
screen roles in Metro Golden Mayre's EPI drama Missus Parkington,

1101
00:58:41,679 --> 00:58:44,599
the story of a man who ruled a dynasty with

1102
00:58:44,800 --> 00:58:47,960
daring and ruthlessness and a woman who ruled a man

1103
00:58:48,480 --> 00:58:49,320
with love alone.

1104
00:58:49,880 --> 00:58:53,000
Speaker 2: A great cast, a great play, though congratulations and.

1105
00:58:53,039 --> 00:58:55,280
Speaker 4: Good night, good night, and thanks to both of you,

1106
00:59:02,199 --> 00:59:05,320
Leva brought us company of the makers of Luxe toilet soap,

1107
00:59:05,960 --> 00:59:08,119
join me in inviting you to be with us again

1108
00:59:08,360 --> 00:59:11,840
next Monday evening, when the lux Radio Theater presents Greer

1109
00:59:11,920 --> 00:59:15,519
Garson and Walter Pigeon in Missus Parkington.

1110
00:59:16,360 --> 00:59:20,440
Speaker 5: This is William Keeley saying good night to you from Hollywood.

1111
00:59:26,440 --> 00:59:29,400
Speaker 3: The main cause of the current soap shortage is the

1112
00:59:29,480 --> 00:59:34,039
worldwide scarcity of fats and oils. Industrial fats are needed

1113
00:59:34,079 --> 00:59:37,079
also in the manufacturer of many other essential household goods,

1114
00:59:37,679 --> 00:59:41,840
So please continue to save used kitchen fats. Your butcher

1115
00:59:41,880 --> 00:59:44,920
will pay you for every pound you turn in. Secretary

1116
00:59:44,960 --> 00:59:48,920
of Agriculture Clinton P. Anderson says it is urgently important

1117
00:59:49,400 --> 00:59:53,320
that American women keep on saving and turning in used fats,

1118
00:59:53,800 --> 00:59:56,719
taking advantage of larger meat supplies to step up their

1119
00:59:56,760 --> 01:00:00,360
fat salvage. Heard in our cast to night were Gail

1120
01:00:00,400 --> 01:00:04,800
Gordon as Brady, Joseph Kerns as Meister, and Richard Benedict

1121
01:00:04,840 --> 01:00:09,559
as Bouchet, Charles Seal, Norman Field, j Novello, Ralph Sudan,

1122
01:00:09,960 --> 01:00:14,760
Noreene Gamill, Ed Emerson, George Nie Howard, Jeffrey, Henry Rowland,

1123
01:00:15,000 --> 01:00:18,000
George Cirell, Truda Marson, and Robert Conti.

1124
01:00:18,559 --> 01:00:20,880
Speaker 2: Our music was directed by Lewis Silvers.

1125
01:00:21,400 --> 01:00:23,880
Speaker 3: This program was broadcast to our men and women overseas

1126
01:00:24,199 --> 01:00:27,920
through cooperation with the Armed Forces Radio Service. And this

1127
01:00:28,079 --> 01:00:30,960
is your announcer, John Milton Kennedy reminding you to tune

1128
01:00:31,000 --> 01:00:34,679
in again next Monday night to hear Missus Parkington with

1129
01:00:34,920 --> 01:00:37,159
Greer Garson and Walter Pigeon.

1130
01:00:41,000 --> 01:00:43,760
Speaker 13: Rely on Spry's pr whng.

1131
01:00:44,239 --> 01:00:48,400
Speaker 3: Yes, it's Spry for lighter, finer, richer flavored cakes every time.

1132
01:00:48,679 --> 01:00:51,760
Speaker 20: Make that next cake with pure all vegetable Spry the

1133
01:00:51,880 --> 01:00:54,000
shortening with the magic cake making secret.

1134
01:00:54,199 --> 01:00:55,039
Speaker 2: Hear him say.

1135
01:00:55,639 --> 01:00:59,599
Speaker 12: Wonderful the reason why his pr wang.

1136
01:01:00,000 --> 01:01:02,880
Speaker 2: Oh you'll bacon fry. Rely on Spry.

1137
01:01:04,079 --> 01:01:06,199
Speaker 21: They sure to listening next Monday night to the Lux

1138
01:01:06,320 --> 01:01:09,320
Radio Theater presentation of Missus Parkington with Greg Guyson and

1139
01:01:09,360 --> 01:01:11,920
Walter Pigeon, and why not tune in a half hour

1140
01:01:11,960 --> 01:01:14,440
early to hear Joan Davis over most of these stations.

1141
01:01:15,079 --> 01:01:20,719
This is CBS to Columbia Broadcasting System, Welcome back.

1142
01:01:21,519 --> 01:01:21,719
Speaker 10: Well.

1143
01:01:21,840 --> 01:01:28,119
Speaker 1: A solid story and there are some similarities to Cloak

1144
01:01:28,159 --> 01:01:31,880
and Dagger, but there's also a bit more of a

1145
01:01:32,039 --> 01:01:35,599
Hollywood polish on the story and the way it's told.

1146
01:01:35,960 --> 01:01:40,000
The radio version has a really good epic feel of

1147
01:01:40,239 --> 01:01:47,239
this major spied adventure. The film was written by Richard Maybond,

1148
01:01:47,559 --> 01:01:54,480
who wrote the screen plays for thirteen of the James

1149
01:01:54,599 --> 01:01:58,320
Bond films, and there can be a sense of that

1150
01:01:58,599 --> 01:02:03,320
sort of sense of scale and drama, but it's dialed

1151
01:02:03,440 --> 01:02:08,280
back obviously here because you're not telling a story about

1152
01:02:08,440 --> 01:02:15,280
some superhuman person. The big point at the end about

1153
01:02:15,840 --> 01:02:21,000
Ellen that she could have been someone who lived right

1154
01:02:21,119 --> 01:02:25,960
in Martin's hometown. Hotten's the great truth of how the

1155
01:02:26,079 --> 01:02:31,000
story of the Oss was the courage of ordinary Americans

1156
01:02:31,199 --> 01:02:37,119
willing to take risk. One thing I found fascinating about

1157
01:02:37,199 --> 01:02:41,760
the portrayal was how Headquarters realized that the whole situation

1158
01:02:41,960 --> 01:02:48,280
where they were set up with Brink and they were like, Okay,

1159
01:02:48,440 --> 01:02:50,559
this is great, but this is not going to last.

1160
01:02:50,679 --> 01:02:52,840
We need to get these guys out of here now.

1161
01:02:53,000 --> 01:02:56,960
It should be noted that while Ladd was the star

1162
01:02:57,360 --> 01:03:04,280
of the film, Gerald Fitzgerald, not Veronica Lake played Ellen,

1163
01:03:04,599 --> 01:03:09,559
but casting Lake with Ladd it was certainly a decision

1164
01:03:09,679 --> 01:03:14,639
that made sense for Paramount. The pairing of Alan Land

1165
01:03:14,840 --> 01:03:20,199
and Veronica Lake is iconic. It's one of those duos

1166
01:03:20,280 --> 01:03:25,679
that people remember. They actually only made four drama dramatic

1167
01:03:25,800 --> 01:03:33,840
films together. They also cameoed in three other films as themselves,

1168
01:03:34,199 --> 01:03:37,039
but they left an impression in the films they've done,

1169
01:03:37,280 --> 01:03:41,840
and those for This Gun for Hire, The Glass Key,

1170
01:03:42,360 --> 01:03:47,239
The Blue Dahlia and Sigon have got quite a few fans,

1171
01:03:47,599 --> 01:03:51,880
and so it made sense for Paramount with them making

1172
01:03:52,000 --> 01:03:57,360
Sigon to have that pairing of Laddin Lake out front.

1173
01:03:57,880 --> 01:04:01,760
I will admit, with Gail Gordon in his character, given

1174
01:04:01,840 --> 01:04:06,440
that he was operating in San Francisco, I imagine this

1175
01:04:06,719 --> 01:04:10,440
was the true story of what Gregory Hood was doing

1176
01:04:10,599 --> 01:04:13,440
during the war. For those of you who are old

1177
01:04:13,519 --> 01:04:18,599
time radio detectives, listeners, listener comments and feedback now and

1178
01:04:19,159 --> 01:04:23,440
we have a few comments regarding some of the OSS episodes.

1179
01:04:23,519 --> 01:04:32,480
We start over on Spotify. Regarding the episode Windfall and

1180
01:04:32,719 --> 01:04:36,559
Harrison Riots, if Mike hadn't given the OSS the microfilm,

1181
01:04:37,199 --> 01:04:43,079
would it have been a Swiss miss because the story

1182
01:04:43,440 --> 01:04:48,159
was set in Switzerland. In all seriousness, another solid story

1183
01:04:49,039 --> 01:04:51,239
I loved. I assumed he would end up giving the

1184
01:04:51,320 --> 01:04:54,880
OSS the film, but it was interesting to see how

1185
01:04:55,079 --> 01:04:58,920
far Mike would go to get what he wanted. And yeah,

1186
01:04:59,079 --> 01:05:01,840
I think that they He definitely made a compelling drawma

1187
01:05:01,920 --> 01:05:04,440
out of that. And then we had a note from

1188
01:05:04,760 --> 01:05:07,679
Neil who emailed in Hi Adam, I just listened to

1189
01:05:07,719 --> 01:05:10,920
the final episode of Cloak and Dagger. I really enjoyed

1190
01:05:10,960 --> 01:05:12,840
this series and we'll be sorry to see it go.

1191
01:05:13,679 --> 01:05:17,039
The stories were always suspenseful with some great performances. The

1192
01:05:17,119 --> 01:05:20,360
show also brought back a memory that I hadn't thought

1193
01:05:20,360 --> 01:05:23,599
about in years. When I was growing up, our family

1194
01:05:23,679 --> 01:05:26,079
had a neighbor who had been a career Army officer

1195
01:05:26,280 --> 01:05:29,880
and a real life OSS agent. He wrote a book

1196
01:05:30,559 --> 01:05:34,280
about one particular mission he'd been involved in, code name

1197
01:05:34,599 --> 01:05:39,400
Mission Marcel Proust. His mission was to parachute into the

1198
01:05:39,519 --> 01:05:44,559
Nazi occupied France and make contact with and organize sales

1199
01:05:44,599 --> 01:05:48,800
of the French resistance forces. Unfortunately I never read the book.

1200
01:05:49,000 --> 01:05:51,719
It's long out of print now and copies are expensive

1201
01:05:51,760 --> 01:05:54,760
and hard to come by. I'm sure our former neighbor

1202
01:05:54,920 --> 01:05:57,719
has long since passed on by now, but I wanted

1203
01:05:57,760 --> 01:06:02,079
to remember Colonel Waller be Wally Booth and thank him

1204
01:06:02,159 --> 01:06:06,039
posthumously for his service. Thank you to Adam for bringing

1205
01:06:06,599 --> 01:06:10,039
this great show to lot and giving fans many hours

1206
01:06:10,039 --> 01:06:12,599
of radio entertainment over the years. I look forward to

1207
01:06:12,800 --> 01:06:15,199
whatever you've got for us next. All the best and

1208
01:06:15,360 --> 01:06:21,480
Merry Christmas. And that's from Neil in Charlotte, North Carolina. Well,

1209
01:06:21,559 --> 01:06:25,199
thanks so much, and I did just a little quick

1210
01:06:25,480 --> 01:06:31,039
research and found that mister both didn't need pass In

1211
01:06:31,280 --> 01:06:39,000
nineteen eighty six, however, his grandson Jeffrey Lily posted a

1212
01:06:39,159 --> 01:06:43,320
story on his blog about a trip he took to

1213
01:06:43,519 --> 01:06:47,119
France to follow in his grandfather's footsteps and some of

1214
01:06:47,159 --> 01:06:50,639
the insights he learned about his life. I did go

1215
01:06:50,719 --> 01:06:53,639
ahead and forward that on to Neil, and I'll include

1216
01:06:53,679 --> 01:07:00,000
a length to mister Lily's article for those who are curious.

1217
01:07:00,480 --> 01:07:03,480
But thank you so much appreciate the email, Neil. Now

1218
01:07:03,559 --> 01:07:06,039
I want to thank our Patreon supporter of the day.

1219
01:07:06,280 --> 01:07:12,320
Thank you to Danny, Patreon supporter since August of twenty

1220
01:07:12,440 --> 01:07:16,920
twenty five, currently supporting the podcast at the secret Agent

1221
01:07:17,039 --> 01:07:19,800
level of four dollars or more per month. Thanks so

1222
01:07:19,880 --> 01:07:22,920
much for your support, Danny, and that will do it

1223
01:07:23,079 --> 01:07:27,239
for today. If you're enjoying the podcast, please follow us

1224
01:07:27,559 --> 01:07:31,960
using your favorite podcast software for the Great Detectives of

1225
01:07:32,039 --> 01:07:37,320
Old Time Radio. We will be back on Monday with

1226
01:07:37,960 --> 01:07:41,840
Danger with Granger. If you're listening on our Great Adventurers feed,

1227
01:07:42,480 --> 01:07:46,199
we will be back on Tuesday with the next installment

1228
01:07:46,440 --> 01:07:49,840
of Tarzan, and of course we'll be back next Saturday

1229
01:07:50,599 --> 01:07:56,199
with another Lux Radio Theater Oss Story, and in three

1230
01:07:56,280 --> 01:07:59,639
weeks we'll be bringing you Counterspot. In the meantime, do

1231
01:07:59,760 --> 01:08:04,639
send your comments to Box thirteen at Great Detectives dot net.

1232
01:08:05,239 --> 01:08:09,840
From Boise, Idaho, this is your host, Adam Graham signing off.