1 00:00:00,360 --> 00:00:02,319 Speaker 1: You are listening to do w U M and h S. 2 00:00:04,320 --> 00:00:05,320 Speaker 2: World premiere. 3 00:00:40,240 --> 00:00:43,520 Speaker 1: It's live. It seems like a song. 4 00:00:43,719 --> 00:00:48,960 Speaker 3: Sometimes it's loud caddy what's going also can't be skinning 5 00:00:50,359 --> 00:00:53,719 what be saying a sound beside. 6 00:01:00,039 --> 00:01:04,280 Speaker 4: So I'm sorry he joke, never be you men don't 7 00:01:04,359 --> 00:01:08,239 beat a strange eyes singing my en and. 8 00:01:08,359 --> 00:01:09,480 Speaker 5: Sing me high up. 9 00:01:10,959 --> 00:01:13,480 Speaker 1: High asking me in when your side. 10 00:01:17,040 --> 00:01:24,640 Speaker 5: Shig found b sing you sound where rock all. It's 11 00:01:24,760 --> 00:01:29,040 light yaw song as me I rock all that high 12 00:01:29,760 --> 00:01:30,359 found be. 13 00:01:30,519 --> 00:01:34,359 Speaker 1: Sing your sound way and rock all. It's light y'all. 14 00:01:34,319 --> 00:01:37,879 Speaker 3: Song ainst me I am to drown every side you 15 00:01:37,959 --> 00:01:40,120 know round all to sing loud out. 16 00:01:40,439 --> 00:01:58,400 Speaker 1: P saying you side shout shine, So do you get ithead, 17 00:01:59,280 --> 00:01:59,920 I'm in love. 18 00:02:00,040 --> 00:02:04,439 Speaker 4: When you're staying it's like a magic out of the 19 00:02:04,640 --> 00:02:09,319 high bud and rabbit feeling in the sky. He's just 20 00:02:09,439 --> 00:02:11,879 so majestic piece of. 21 00:02:12,000 --> 00:02:14,520 Speaker 6: Beery sound eas side. 22 00:02:18,120 --> 00:02:25,319 Speaker 5: Soun found pc you sounding round. 23 00:02:25,479 --> 00:02:29,000 Speaker 1: It's like your song as mehl. 24 00:02:28,759 --> 00:02:31,439 Speaker 5: The crown that hot foul. 25 00:02:31,280 --> 00:02:35,879 Speaker 3: B s your sounding loud, It's like your song as 26 00:02:35,960 --> 00:02:40,599 the eye the grown every tide around the same loud 27 00:02:40,759 --> 00:02:43,000 out P saying your side. 28 00:02:46,520 --> 00:03:06,080 Speaker 1: Shud shut found piecing your sound and you're round. 29 00:03:06,199 --> 00:03:10,080 Speaker 3: It's like your song gets me high off the grown 30 00:03:10,280 --> 00:03:14,719 and found piecing your sound and you round, It's like 31 00:03:15,560 --> 00:03:19,199 your song gets me high off the grown. Every time 32 00:03:19,560 --> 00:03:23,680 you're around the single loud p say you sound. 33 00:03:27,280 --> 00:03:32,039 Speaker 1: Sound Sound. 34 00:03:52,840 --> 00:03:54,879 Speaker 7: Luigi's Pizza Barny. 35 00:03:54,960 --> 00:03:56,199 Speaker 8: Un for every one. 36 00:03:56,919 --> 00:04:01,360 Speaker 3: Let's raise his life song Hide when ten tall round, 37 00:04:01,919 --> 00:04:03,879 It's a pizza barr. 38 00:04:03,560 --> 00:04:08,800 Speaker 9: Mind Luigi's Pizza Bar and Grill, seven to twelve Valley Street, Manchester. 39 00:04:09,120 --> 00:04:11,960 Come on in or call six two two one zero 40 00:04:12,199 --> 00:04:17,240 two one Luigi keeping the tradition alive since nineteen seventy five. 41 00:04:19,079 --> 00:04:23,600 Speaker 3: Pizza for every one, Come join a beast to nights 42 00:04:24,439 --> 00:04:28,160 with each sly sense of it, everything feels. 43 00:04:27,879 --> 00:04:28,600 Speaker 1: So right. 44 00:04:31,600 --> 00:04:33,759 Speaker 10: In times of crisis, you need a law firm that 45 00:04:33,879 --> 00:04:36,920 stands by your side. 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They serve all 102 00:07:55,959 --> 00:08:00,079 your business needs including employee benefits, planning, corporate does den 103 00:08:00,360 --> 00:08:05,240 and business administration, investments and wealth management and customized business 104 00:08:05,360 --> 00:08:09,000 insurance solutions. Their phone number is eight sixty six eight 105 00:08:09,120 --> 00:08:12,480 four one forty six hundred or on the web at 106 00:08:12,600 --> 00:08:15,240 CGI Business Solutions dot com. 107 00:08:18,279 --> 00:08:21,759 Speaker 18: Behold the harmony of airwaves as you immerse yourself in 108 00:08:21,839 --> 00:08:26,319 the captivating frequencies of w MNHLP, the sonic heartbeats of 109 00:08:26,480 --> 00:08:30,600 Manchester transcending through the ether at ninety five point three megahertz. 110 00:08:30,639 --> 00:08:34,200 Frequency modulation or transmissions emanate from the zenith of one 111 00:08:34,279 --> 00:08:36,799 thousand elm streets. It's insurant to the hearts of our 112 00:08:36,879 --> 00:08:39,759 creative realm at one nineteen Canal Street, where. 113 00:08:39,679 --> 00:08:41,519 Speaker 1: Innovation and sound colloge. 114 00:08:42,120 --> 00:08:45,279 Speaker 18: They're the impro moder of Manchester Public Television Service in 115 00:08:45,360 --> 00:08:48,080 the venerable city of Manchester, New Hampshire, USA. 116 00:08:48,480 --> 00:08:50,200 Speaker 1: Enrich your auditory journey with. 117 00:08:50,279 --> 00:08:53,440 Speaker 18: The depth of our license to wesidens wept your missives 118 00:08:53,480 --> 00:08:56,519 to WMNH ninety five to three at gmail dot com, 119 00:08:57,159 --> 00:09:00,639 or to reverse the virtual corridors of WMNH Radio dot 120 00:09:00,879 --> 00:09:03,879 or engage with our sonic vibrations by communing with us 121 00:09:03,919 --> 00:09:07,679 through the digital channels or radio seconds. Eager to enthrall 122 00:09:07,759 --> 00:09:10,320 you with its mesmerizing kidence and envilap, you would have 123 00:09:10,360 --> 00:09:12,799 cinemony of Foundless all its horns, won Dude. 124 00:09:17,000 --> 00:09:19,399 Speaker 1: W m n H rips the domos. 125 00:09:20,279 --> 00:09:23,320 Speaker 4: When Mattso wakes up in the morning, he gets into 126 00:09:23,440 --> 00:09:26,480 the shower and to the top of his lungs. 127 00:09:26,480 --> 00:09:34,519 Speaker 1: He sings, do what I want because I kid. 128 00:09:36,200 --> 00:09:39,240 Speaker 19: All right, I'm back to the radio show. Now all 129 00:09:39,360 --> 00:10:02,120 the best, Jerry, we are your. 130 00:10:02,480 --> 00:10:04,240 Speaker 20: Bunny shuy. 131 00:10:06,000 --> 00:10:07,279 Speaker 6: Fleas. 132 00:10:07,720 --> 00:10:11,039 Speaker 8: Go let me go all this. 133 00:10:15,519 --> 00:10:17,600 Speaker 1: So I. 134 00:10:21,600 --> 00:10:22,039 Speaker 8: Ask you. 135 00:10:27,240 --> 00:10:27,679 Speaker 21: I'm sor. 136 00:10:29,200 --> 00:10:30,000 Speaker 22: We're going out. 137 00:10:33,960 --> 00:10:46,960 Speaker 23: Ride gomele go wow blow blow, I s youth. 138 00:10:47,559 --> 00:10:52,399 Speaker 8: You right, show show, show up. 139 00:10:53,600 --> 00:11:07,799 Speaker 20: All your mony guys, Brad, let me go by. 140 00:11:09,399 --> 00:11:12,159 Speaker 8: Don't you see this this guy. 141 00:11:15,200 --> 00:11:16,000 Speaker 21: They're gonna. 142 00:11:17,399 --> 00:11:25,519 Speaker 20: Get in there. Let me go on, Well did you. 143 00:11:25,559 --> 00:11:43,600 Speaker 24: Revercame and not kid? I need to look at you perty. 144 00:11:43,840 --> 00:11:50,200 Speaker 5: Right show show, shut up, all your. 145 00:11:51,799 --> 00:12:02,879 Speaker 24: Guys, pays let me go. Oh that's right. 146 00:12:05,840 --> 00:12:07,840 Speaker 1: You go along and when you choose. 147 00:12:10,039 --> 00:12:11,080 Speaker 8: And every day. 148 00:12:22,000 --> 00:13:00,679 Speaker 6: Shoo mm hmm. 149 00:13:08,159 --> 00:13:22,159 Speaker 21: You show show show loveless girl. 150 00:13:46,679 --> 00:13:47,399 Speaker 12: That is Glow. 151 00:13:47,519 --> 00:13:50,000 Speaker 25: That is Who I Am and Thrax and they are 152 00:13:50,039 --> 00:13:52,120 here with us live in studio and we're going to 153 00:13:52,159 --> 00:13:53,120 talk in just a moment. 154 00:13:53,399 --> 00:13:54,159 Speaker 12: Welcome everybody. 155 00:13:54,279 --> 00:13:56,279 Speaker 25: We have entered our number two New Marrow dose of 156 00:13:56,360 --> 00:13:59,600 Matt Connerton Unleashed and we are live from the studios 157 00:13:59,639 --> 00:14:01,759 of Double You, m n H ninety five point three 158 00:14:01,840 --> 00:14:04,559 FM and Glorious Manchester, New Hampshire. And of course you 159 00:14:04,600 --> 00:14:06,879 can stream the show from anywhere go to Matt Connerson 160 00:14:06,960 --> 00:14:10,919 dot com slash Live. Today is Saturday, July twelve, twenty 161 00:14:11,080 --> 00:14:14,120 twenty five. Jenny is here of course at the news table. 162 00:14:14,000 --> 00:14:17,879 Speaker 12: President on account for and right now we have Who 163 00:14:17,960 --> 00:14:18,480 I Am. 164 00:14:18,600 --> 00:14:21,080 Speaker 25: And Thrax, who have both been on the show before 165 00:14:22,480 --> 00:14:26,240 multiple times actually, but in but in different, uh different configurations. 166 00:14:26,320 --> 00:14:27,440 This is the first time the two of you have 167 00:14:27,519 --> 00:14:30,799 been on together and you've got this new collaboration hot Wax, 168 00:14:30,879 --> 00:14:31,519 the brand new EP. 169 00:14:31,720 --> 00:14:33,320 Speaker 12: Congratulations on that, thanks so. 170 00:14:33,440 --> 00:14:38,759 Speaker 25: Much, absolutely absolutely what uh what brought this about that 171 00:14:38,919 --> 00:14:39,879 the two of you working together? 172 00:14:39,960 --> 00:14:41,840 Speaker 12: I saw you play live. I think it was at 173 00:14:42,519 --> 00:14:45,200 Oh was that Jewel spelfy Fest Spelfie Fest? 174 00:14:45,720 --> 00:14:46,000 Speaker 7: Correct? 175 00:14:46,159 --> 00:14:47,879 Speaker 25: And uh that was And that was the first time 176 00:14:47,879 --> 00:14:49,360 I knew that the two of you were working together 177 00:14:49,679 --> 00:14:51,240 when I when I saw you on stage together. 178 00:14:51,399 --> 00:14:51,960 Speaker 5: And what was that? 179 00:14:52,200 --> 00:14:54,080 Speaker 12: Was that the beginning of this or they're working to 180 00:14:54,120 --> 00:14:54,879 the other prior to that? 181 00:14:55,360 --> 00:14:59,440 Speaker 2: It was about our fifth fifth I think that was 182 00:14:59,440 --> 00:15:00,759 our fifth Right, we're around. 183 00:15:00,519 --> 00:15:05,080 Speaker 7: There, I mean at least from this side of the fence. 184 00:15:05,399 --> 00:15:08,320 That first of all, good morning you guys, Yes, you guys, 185 00:15:08,480 --> 00:15:11,480 Good morning John j Matt Well, thank you, good morning. 186 00:15:11,279 --> 00:15:11,919 Speaker 12: Good morning. 187 00:15:13,720 --> 00:15:14,279 Speaker 26: Sunshine. 188 00:15:16,360 --> 00:15:18,000 Speaker 7: I think this this was like a spur of the 189 00:15:18,080 --> 00:15:21,840 moment thing because I I you can probably correct me 190 00:15:21,879 --> 00:15:24,360 if I'm wrong, but uh, we were kind of like 191 00:15:25,440 --> 00:15:28,480 morphing the idea of like me filling in for a 192 00:15:28,519 --> 00:15:33,360 couple of like live shows. Yeah, last year, as let's 193 00:15:33,360 --> 00:15:35,960 see what would like what would happen? Yeah, and at 194 00:15:36,039 --> 00:15:39,039 least from your side of the fence. I think that's 195 00:15:39,080 --> 00:15:42,000 how it started. Where what was it? The first one 196 00:15:42,480 --> 00:15:43,279 at the Jungle. 197 00:15:43,120 --> 00:15:45,360 Speaker 2: Right, Yeah, it was the Jungle. I mean I was, 198 00:15:45,879 --> 00:15:50,480 you know, I was playing solo shows and for. 199 00:15:50,879 --> 00:15:53,159 Speaker 7: A long time for yeah, I've been oh yeah, so. 200 00:15:53,240 --> 00:15:55,240 Speaker 2: He's twenty eighteen. It's twenty seventeen. 201 00:15:55,279 --> 00:15:57,480 Speaker 12: I've been Yeah, you even came here and playing, Yeah, 202 00:15:57,600 --> 00:15:58,600 did your whole great time. 203 00:15:58,600 --> 00:16:02,200 Speaker 2: I'm here to play in solo set. And of course 204 00:16:02,240 --> 00:16:05,200 I have keyboards, so I have, you know, instruments that 205 00:16:05,320 --> 00:16:10,840 I backtrack. And so I saw that tracks was available 206 00:16:11,399 --> 00:16:15,480 and as far as looking to do stuff, and I was, 207 00:16:15,679 --> 00:16:20,240 I'm looking to, you know, bolster up my sound live 208 00:16:20,360 --> 00:16:23,480 and make it, you know, make it come out pop more. 209 00:16:23,600 --> 00:16:26,120 And so I reached out to Thracks and stead do 210 00:16:26,159 --> 00:16:28,879 you interested and playing live with me? And yeah, It's 211 00:16:29,039 --> 00:16:33,600 like sure, why not? And so I sent them some 212 00:16:34,360 --> 00:16:37,799 some tracks and stuff, demo stuff to to go over, 213 00:16:38,080 --> 00:16:41,039 and you know, I kind of already was in my 214 00:16:41,159 --> 00:16:46,159 groove and so you know, thankfully Thrax leaned into it 215 00:16:46,399 --> 00:16:52,320 and really really picked up the songs like incredibly fast. 216 00:16:53,559 --> 00:16:56,960 And then we like I like to say, uh, you know, 217 00:16:57,320 --> 00:17:00,480 we're really born live because that's the first thing we 218 00:17:00,559 --> 00:17:03,240 ever did was play live together before we even practice. 219 00:17:03,519 --> 00:17:07,000 Speaker 25: When you reached out to him, did you did were 220 00:17:07,079 --> 00:17:08,640 you confident that he was going to say yes? Or 221 00:17:08,839 --> 00:17:11,400 because obviously he's in Because I think there's that even 222 00:17:11,400 --> 00:17:13,400 a federal law now that every drummer has to be 223 00:17:13,480 --> 00:17:15,400 in like fifteen different bands at the same time. 224 00:17:15,480 --> 00:17:17,079 Speaker 12: There is, Yeah, there is currently. 225 00:17:17,200 --> 00:17:19,079 Speaker 2: Yeah, it's hard to get around that. 226 00:17:19,359 --> 00:17:21,039 Speaker 10: Yeah, I was. 227 00:17:21,240 --> 00:17:25,200 Speaker 2: I knew, of course, I met tracks and been on 228 00:17:25,319 --> 00:17:31,480 bills with tracks and several different variations cosmic thank d 229 00:17:31,720 --> 00:17:37,680 H and so you know, I knew thracks. But you know, 230 00:17:37,720 --> 00:17:40,160 it was just the time when he did. He didn't 231 00:17:40,200 --> 00:17:41,119 have five. 232 00:17:41,039 --> 00:17:43,880 Speaker 7: Yeah, I was in a wole period. Oh, I was 233 00:17:43,920 --> 00:17:45,680 only in like two projects. 234 00:17:45,799 --> 00:17:46,359 Speaker 1: Yeah, it was. 235 00:17:46,680 --> 00:17:49,519 Speaker 2: It was so you know, I'm saying so like, I'm 236 00:17:49,559 --> 00:17:51,440 an opportunist, I'm a DIY queen. 237 00:17:51,680 --> 00:17:51,839 Speaker 12: Yeah. 238 00:17:51,880 --> 00:17:53,440 Speaker 7: So that's how I roll. 239 00:17:53,720 --> 00:17:57,240 Speaker 2: And I'm always looking around and saying, you know, and 240 00:17:57,359 --> 00:18:00,519 I want to you know, I've tried to play with 241 00:18:00,640 --> 00:18:05,960 other artists and I've you know, I have played with 242 00:18:06,160 --> 00:18:11,039 other artists in different situations, and it really never has 243 00:18:11,119 --> 00:18:11,880 totally worked out. 244 00:18:12,200 --> 00:18:13,119 Speaker 12: Yeah, and so. 245 00:18:14,920 --> 00:18:17,359 Speaker 2: I was hoping, you know, that it would with tracks 246 00:18:17,400 --> 00:18:21,480 because I know he's a great drummer and and so 247 00:18:22,480 --> 00:18:24,759 so we we gave it a go, which it's just like, yeah, 248 00:18:25,279 --> 00:18:27,720 give it go, see what happens, you know, do some 249 00:18:27,839 --> 00:18:28,759 live stuff, have fun. 250 00:18:30,359 --> 00:18:36,039 Speaker 7: And then that's where our coin our coin motto of uh, 251 00:18:37,240 --> 00:18:40,599 just like we rehearsed because we didn't really have time 252 00:18:40,799 --> 00:18:44,720 to get together the first time to rehearse anything really, 253 00:18:45,240 --> 00:18:47,160 so like I had to just listen to some of 254 00:18:47,200 --> 00:18:50,759 the songs that she had on U for a list, 255 00:18:51,599 --> 00:18:55,200 and we we we met up at the well, we 256 00:18:55,319 --> 00:18:57,680 met up at the gig and then tried it out. 257 00:18:57,880 --> 00:18:58,880 Speaker 12: Okay, yeah, Like. 258 00:18:58,920 --> 00:19:01,400 Speaker 2: The first musical thing we ever did was a live 259 00:19:01,480 --> 00:19:02,200 show at Jungle. 260 00:19:02,359 --> 00:19:05,160 Speaker 12: Oh wow, no kidding. Where where's that? By the way, Jungle. 261 00:19:05,160 --> 00:19:09,839 Speaker 2: Jungle, that's the Summerville Summerville down in Boston music little 262 00:19:09,920 --> 00:19:13,599 music community stage. It's actually one of the one of 263 00:19:13,640 --> 00:19:19,200 the best under two hundred people places that you can 264 00:19:19,359 --> 00:19:24,839 actually you know, get a live stage, a real stage experience. Okay, 265 00:19:24,920 --> 00:19:27,400 that's my legit feeling about the Jungle. They got a 266 00:19:27,559 --> 00:19:30,680 great sound in one of the best stages for under 267 00:19:30,759 --> 00:19:31,519 two hundred people. 268 00:19:31,599 --> 00:19:33,480 Speaker 12: No kidding, Okay, I didn't even know about it, but 269 00:19:33,559 --> 00:19:34,599 that that's good to know. Yeah. 270 00:19:34,720 --> 00:19:38,319 Speaker 2: Yeah, they're always you know, they're always putting people. I've 271 00:19:38,599 --> 00:19:42,920 I've played there several times. We played there about three twice. 272 00:19:43,559 --> 00:19:46,400 I think the last time we played was with What 273 00:19:46,599 --> 00:19:48,000 a Trash Robot? 274 00:19:48,319 --> 00:19:54,799 Speaker 7: And yeah, what was the that that that older gentleman's band? 275 00:19:55,839 --> 00:20:01,279 Speaker 2: Shoot, I can't remember. It was, uh oh Trees Fantastic Trees. 276 00:20:01,400 --> 00:20:03,759 Speaker 7: Fantastic Trees was so good. 277 00:20:04,000 --> 00:20:04,200 Speaker 16: Yeah. 278 00:20:04,599 --> 00:20:04,880 Speaker 27: So like. 279 00:20:06,880 --> 00:20:12,200 Speaker 7: It's definitely eclectic out there for for the what indie scene, 280 00:20:12,319 --> 00:20:13,119 indie rock scene. 281 00:20:13,359 --> 00:20:15,400 Speaker 2: Well yeah, and I feel like when we played, like 282 00:20:15,599 --> 00:20:19,480 after people would come up to us and like give 283 00:20:19,559 --> 00:20:23,960 us positive feedback. Yeah, you know, never got like just 284 00:20:24,079 --> 00:20:28,319 the courtesy feedback. It was always how long have you 285 00:20:28,359 --> 00:20:29,359 guys been playing together? 286 00:20:29,920 --> 00:20:30,119 Speaker 7: Yeah? 287 00:20:30,200 --> 00:20:30,400 Speaker 2: Cool? 288 00:20:33,079 --> 00:20:35,319 Speaker 7: The first time someone actually show and said that, like, 289 00:20:36,279 --> 00:20:38,599 like how long have you guys been playing? It sounds 290 00:20:38,640 --> 00:20:39,079 like years. 291 00:20:39,480 --> 00:20:40,160 Speaker 12: Oh that's cool. 292 00:20:40,519 --> 00:20:44,200 Speaker 7: Yeah, we ran with it great. Yeah, and and and 293 00:20:44,279 --> 00:20:48,640 then I think like, what after our third third show, 294 00:20:48,960 --> 00:20:52,559 that's when we had our practice. Yeah wow, actually. 295 00:20:54,000 --> 00:20:56,599 Speaker 2: Right, and then we actually practice, we're like, yeah, we 296 00:20:56,720 --> 00:20:58,000 still do it good practice too. 297 00:20:58,319 --> 00:20:59,880 Speaker 7: Yeah, that's great. 298 00:21:01,039 --> 00:21:03,880 Speaker 2: Yeah, yeah, I mean it takes you know, a lot 299 00:21:03,920 --> 00:21:09,480 of effort. I know on traxis part because you know, 300 00:21:09,640 --> 00:21:13,200 some of my songs have already kind of predetermined, you know, 301 00:21:13,599 --> 00:21:18,519 how it goes right, and so you know, it takes 302 00:21:18,640 --> 00:21:23,000 a special kind of drummer that can do that and 303 00:21:23,160 --> 00:21:27,599 then add their own you know, power to it. Yeah, 304 00:21:28,440 --> 00:21:31,559 and that's I feel like that's what came across, has 305 00:21:31,640 --> 00:21:35,559 come across in our album Hot Wax. Is you know, 306 00:21:35,759 --> 00:21:43,279 the the solidity, the solidness of the drumming elevates the 307 00:21:43,440 --> 00:21:46,559 songs and the music and everything I do. And it's 308 00:21:46,759 --> 00:21:50,119 like it makes me thrilled. I've listened to these songs 309 00:21:50,160 --> 00:21:53,319 on Hot Wax a thousand times. Yeah, and I'm listening 310 00:21:53,480 --> 00:21:56,359 for to critique myself, and I'm just like enjoying it 311 00:21:56,440 --> 00:21:56,839 every time. 312 00:21:57,119 --> 00:21:59,359 Speaker 25: Is it just easier too, from a from a technical 313 00:21:59,400 --> 00:22:01,680 standpoint when playing live? Is just easier to have a 314 00:22:01,720 --> 00:22:06,880 live drummer? Uh no, no, No, that would be really 315 00:22:07,279 --> 00:22:07,759 really no. 316 00:22:07,880 --> 00:22:10,079 Speaker 2: It would be easier just to have my keyboards just 317 00:22:10,200 --> 00:22:12,400 follow and do whatever the heck I want him to do. Yeah, 318 00:22:12,400 --> 00:22:14,799 And that was easier, just like I could stop in 319 00:22:14,880 --> 00:22:17,240 the middle of my song and as long as I 320 00:22:17,359 --> 00:22:20,440 held the right notes, the right chords, you know it 321 00:22:20,880 --> 00:22:24,960 would hold for me. Okay, Well, I mean with humans. 322 00:22:25,160 --> 00:22:28,480 You know you can't put humans in a holding pattern, right, 323 00:22:29,359 --> 00:22:31,720 you know? A song is a song, Yeah, and it 324 00:22:31,920 --> 00:22:35,960 moves along. It doesn't stop like because you know you 325 00:22:36,039 --> 00:22:40,359 feel like it to stop, right unless you do. But otherwise, 326 00:22:41,119 --> 00:22:43,039 you know, you got to keep moving. And there's a 327 00:22:43,480 --> 00:22:47,000 there's a rhythm and a syncopation and a synergy that 328 00:22:47,279 --> 00:22:51,079 comes along with playing with a live person versus yeah, 329 00:22:52,079 --> 00:22:55,200 say my my drum track okay, yeah, okay, yeah, And 330 00:22:55,359 --> 00:22:58,920 so it just takes it takes more effort to do that, 331 00:22:59,240 --> 00:23:04,160 to combine the two, but it's more rewarding two to 332 00:23:04,319 --> 00:23:06,720 have it, you know, come out or you know, people 333 00:23:06,759 --> 00:23:14,960 are like, oh my goodness, especially right, no doubt. You 334 00:23:15,039 --> 00:23:17,039 know we can tell things that people can't tell. 335 00:23:17,240 --> 00:23:19,720 Speaker 25: Ye now, tracks for you? Is this the most unique 336 00:23:19,720 --> 00:23:21,880 thing you've done in terms of music? You've done a 337 00:23:21,920 --> 00:23:24,000 lot of different different projects, But I mean, is this 338 00:23:24,519 --> 00:23:26,640 because because who I am? I mean, this is you know, 339 00:23:26,759 --> 00:23:28,799 it's unique. I can't think of anybody who sounds quite 340 00:23:28,880 --> 00:23:29,400 like who I am? 341 00:23:30,359 --> 00:23:34,759 Speaker 7: Correct? And I think yes, because like, uh, I'm usually 342 00:23:34,799 --> 00:23:39,720 predominantly punk or rock metal something, so this is like 343 00:23:39,839 --> 00:23:45,400 a a first chance into like electro pop or something 344 00:23:45,440 --> 00:23:51,000 of dance music esque, like a discotheche type of uh genre. 345 00:23:52,160 --> 00:23:57,440 And like Lacy has a lot of different areas that 346 00:23:57,559 --> 00:24:00,119 it's not even just dance music. There's like message is 347 00:24:00,160 --> 00:24:03,880 and there's you know, uplifting stuff, and there's everything that 348 00:24:03,920 --> 00:24:08,440 you ever need or want out of like a dance 349 00:24:08,519 --> 00:24:11,200 song or a pop song. Like even even the song 350 00:24:11,279 --> 00:24:12,920 that reminds me of the Gorillas, it's not on the 351 00:24:13,079 --> 00:24:15,319 on the EP, but like your other song, your regular song, 352 00:24:16,359 --> 00:24:20,559 it reminds me of like something that that the Gorillas 353 00:24:20,559 --> 00:24:22,920 would do back in the day and like and that's 354 00:24:23,039 --> 00:24:27,720 like something that's not categorizable. That like the thing the 355 00:24:27,880 --> 00:24:30,799 uniqueness of at least coming out with something that's not 356 00:24:31,680 --> 00:24:35,000 traditional is kind of things that I gravitate towards no 357 00:24:35,119 --> 00:24:39,200 matter what, whether it be pop or rock or whatever. 358 00:24:39,279 --> 00:24:44,720 It is, Like I don't fall into traditional stuff, Like 359 00:24:44,839 --> 00:24:48,440 I like alternative stuff. I like anything that's a little 360 00:24:48,480 --> 00:24:51,400 bit risque or a little bit rough around the edge 361 00:24:51,440 --> 00:24:55,599 is case in points, yes, but also case and point 362 00:24:56,720 --> 00:25:01,519 shout out. Shout out to Frankie Frankie Frankie from the 363 00:25:01,559 --> 00:25:04,960 Melted Chapsticks, who we are performing with later at a 364 00:25:05,839 --> 00:25:10,880 photys Taburn in nash But I like the way that 365 00:25:11,039 --> 00:25:13,839 he goes about music as well, that you know, he 366 00:25:13,920 --> 00:25:18,039 doesn't hold it to a traditional standard of like I'm 367 00:25:18,079 --> 00:25:20,200 going to play punk music and this is what it is, 368 00:25:20,359 --> 00:25:25,000 like it's its own feel, the own its own vibe. Yeah, 369 00:25:25,359 --> 00:25:28,279 the same thing, same thing for your for your music, 370 00:25:28,400 --> 00:25:34,480 lacing that like you have a very confident, confident with 371 00:25:35,160 --> 00:25:38,000 what you're creating. And I and I, I like a 372 00:25:38,079 --> 00:25:41,599 person that's willing to go outside of the box, willing 373 00:25:41,759 --> 00:25:44,519 to go outside of the the thinking pattern and like, 374 00:25:44,559 --> 00:25:46,400 oh what if I just do this? Or what would 375 00:25:46,400 --> 00:25:49,920 happen if I do this? So is it the most 376 00:25:50,039 --> 00:25:53,960 unique thing that I've done? More more than likely? Yes, 377 00:25:54,599 --> 00:25:57,599 as a as a broad statement, but I like this 378 00:25:57,799 --> 00:25:59,720 type of uniqueness that makes sense. 379 00:26:00,240 --> 00:26:03,039 Speaker 25: Totally does Yeah, absolutely well. By the way, on Facebook, 380 00:26:03,119 --> 00:26:05,400 Andrea Dumont is in the Facebook laf chat and says 381 00:26:05,400 --> 00:26:11,359 good morning family, Andre Andre of course from Dad Harrison, 382 00:26:11,400 --> 00:26:15,519 whom you're in a band with. So why the name Tracks? 383 00:26:15,880 --> 00:26:17,599 Why use a different name for this? And where does 384 00:26:17,640 --> 00:26:19,680 the name Tracks come from? I'm super curious about that. 385 00:26:19,799 --> 00:26:23,559 Speaker 7: Yeah, of course I know. This is this is what 386 00:26:23,599 --> 00:26:25,319 happens when you have friends in the industry and they 387 00:26:25,319 --> 00:26:29,880 start asking you actual questions. Yeah, so my name is 388 00:26:29,960 --> 00:26:34,599 Axel obviously, Uh everybody knows at least more more often 389 00:26:34,640 --> 00:26:39,200 than not, more people know me as Axel. Yeah, even 390 00:26:39,279 --> 00:26:41,240 before then if the real people know me as Smitty 391 00:26:41,759 --> 00:26:43,200 Smitty Werbin Yieggerman Jensen. 392 00:26:43,880 --> 00:26:44,599 Speaker 12: That's a long name. 393 00:26:44,640 --> 00:26:48,200 Speaker 7: Is that Swedish or what he was number one? Wow, 394 00:26:48,480 --> 00:26:52,480 it's a SpongeBob reference. Okay, but like only only only 395 00:26:53,119 --> 00:26:55,559 true o G. Manchester people would know that. But yeah, 396 00:26:55,960 --> 00:26:59,119 my name is Axel, and that's just how I was 397 00:26:59,240 --> 00:27:03,279 given that name. Yeah, but like I don't like it 398 00:27:03,359 --> 00:27:11,599 how it's associated with Rose every bleep in time, every time. 399 00:27:11,519 --> 00:27:12,920 Speaker 12: And you don't even spell it the same way. 400 00:27:13,039 --> 00:27:15,640 Speaker 7: No, of course not. But I couldn't be associated with 401 00:27:16,119 --> 00:27:19,640 with actual Foley or anybody else. It has to be. 402 00:27:21,079 --> 00:27:22,799 Speaker 2: But ever since I was a kid, ever since I 403 00:27:22,880 --> 00:27:25,119 was a kid, it's what's your last name? 404 00:27:25,240 --> 00:27:27,720 Speaker 7: Rose? Like, I can't tell you how many times I've 405 00:27:27,880 --> 00:27:30,359 I've heard that, even to this day, even to this day, 406 00:27:30,480 --> 00:27:33,200 it's a thing. I'm kind of sick of it. 407 00:27:33,559 --> 00:27:34,200 Speaker 12: I don't blame you. 408 00:27:34,720 --> 00:27:41,000 Speaker 7: So that being said, like I've been trying to more 409 00:27:41,119 --> 00:27:43,880 or less come up with a different moniker to get 410 00:27:43,880 --> 00:27:46,720 away from that. But that wasn't cheesy something that like 411 00:27:48,559 --> 00:27:51,240 at least it was mine that I can like step 412 00:27:51,279 --> 00:27:54,839 away from from that. So I guess, like worldwide, I 413 00:27:54,880 --> 00:28:00,720 guess premiering this that that's my middle name. Oh, Thrax 414 00:28:00,839 --> 00:28:04,960 is my actual middle name, no kidding, So it was 415 00:28:05,039 --> 00:28:09,240 given that wow, And I mean you can you can 416 00:28:09,319 --> 00:28:12,200 summarize your own opinions about it, but like it literally 417 00:28:12,839 --> 00:28:15,880 came came from the band Anthrax. Yeah, that was my 418 00:28:16,920 --> 00:28:19,960 my mom's favorite band, or no, that was my my 419 00:28:20,039 --> 00:28:24,680 biological father's favorite band. And Axel Rose because my mom 420 00:28:24,759 --> 00:28:29,039 loved guns and roses appetite for destruction. I swear to 421 00:28:29,079 --> 00:28:33,680 you that with with with those two, like I've been 422 00:28:33,799 --> 00:28:37,839 using axel for so long. Yeah, I'm like, Axel is 423 00:28:37,880 --> 00:28:40,319 a cool name. I guess, I guess. 424 00:28:40,400 --> 00:28:42,519 Speaker 12: And you don't spell it the same way as Axel 425 00:28:42,599 --> 00:28:43,200 rose even. 426 00:28:43,079 --> 00:28:46,039 Speaker 7: Right, it's a X I L E S. Yeah, but 427 00:28:46,160 --> 00:28:49,279 either which way you say axel phonetically? 428 00:28:49,720 --> 00:28:49,960 Speaker 10: Yeah? 429 00:28:51,000 --> 00:28:54,279 Speaker 2: Yeah. When I first I think the first time I 430 00:28:54,400 --> 00:28:59,960 met you, when I think you came on my show, yeah, 431 00:29:01,000 --> 00:29:05,720 and you said you know, I was asking like, okay, 432 00:29:05,759 --> 00:29:11,440 who is everybody? And you said, I'm gonna go with you. 433 00:29:11,519 --> 00:29:15,160 You're like, okay, I'm gonna get because you know, not 434 00:29:15,279 --> 00:29:17,720 everybody is ready to be asked that question, like okay, 435 00:29:17,799 --> 00:29:21,160 who who's your what's your name? Ask a creative what 436 00:29:21,279 --> 00:29:25,160 the name is, and they're like, hold on, let me 437 00:29:25,240 --> 00:29:28,079 think about this. And so you said I'm going with 438 00:29:28,359 --> 00:29:30,920 Tracks and I was like tracks. 439 00:29:31,680 --> 00:29:33,759 Speaker 7: That is a great name. 440 00:29:34,039 --> 00:29:37,519 Speaker 2: That's such a great name. And so it stuck with me, 441 00:29:38,200 --> 00:29:40,799 you know. I mean we didn't get together like a 442 00:29:40,839 --> 00:29:43,480 couple of years later, a few years later, but yeah, 443 00:29:43,720 --> 00:29:47,240 but always stuck with me. So I was like, when 444 00:29:47,400 --> 00:29:49,720 when we started playing, I was like, you know, people 445 00:29:49,759 --> 00:29:51,960 want to have us on a bill and stuff. I 446 00:29:52,079 --> 00:29:53,960 was like, okay, well, well what are we? 447 00:29:54,119 --> 00:29:54,559 Speaker 12: What are we? 448 00:29:54,640 --> 00:29:57,599 Speaker 2: You know who I am? But but I'm not just 449 00:29:57,680 --> 00:30:00,519 who I am. Now, there's that's that's not that's not 450 00:30:00,640 --> 00:30:03,440 really it's not just who I am. Yeah, that's how 451 00:30:03,480 --> 00:30:06,319 I was like, well who I am in Thrax? I mean, yeah, 452 00:30:06,400 --> 00:30:08,000 it's got a nice bring through it. 453 00:30:08,119 --> 00:30:09,160 Speaker 12: Yeah, it does, it really does. 454 00:30:09,240 --> 00:30:12,599 Speaker 7: And I like how you came up with the name 455 00:30:12,680 --> 00:30:17,200 for the Yeah, the album itself. Oh yeah, wax because 456 00:30:17,319 --> 00:30:20,799 of how who I am Thrax you put them together, 457 00:30:21,079 --> 00:30:21,599 it's wax. 458 00:30:21,880 --> 00:30:22,079 Speaker 12: Yeah. 459 00:30:22,119 --> 00:30:24,960 Speaker 7: I was like, oh that is and it is perfect. 460 00:30:25,200 --> 00:30:27,400 Speaker 25: And it's hot with two t's and wax with two x's, right, 461 00:30:27,559 --> 00:30:29,960 yeah hot wax. Yeah, yeah, yeah, no, I dig it. 462 00:30:30,160 --> 00:30:31,920 Oh we should talk about too. Just before we go 463 00:30:31,960 --> 00:30:33,359 to I'm gonna put the camera back on me for 464 00:30:33,359 --> 00:30:35,519 a minute so I can hold this up. So for 465 00:30:35,920 --> 00:30:39,720 people watching online, if you're watching on Facebook or YouTube 466 00:30:39,839 --> 00:30:42,000 or LinkedIn, believe it or not, actually stream of LinkedIn 467 00:30:42,880 --> 00:30:47,160 you oh no, pull this up, this whole package. So 468 00:30:47,519 --> 00:30:50,759 uh so this there's a I like the glasses. 469 00:30:50,680 --> 00:30:51,759 Speaker 2: Yes, glasses. 470 00:30:52,200 --> 00:30:55,920 Speaker 12: And this USB drive has the EP on it. 471 00:30:56,200 --> 00:30:59,400 Speaker 2: Yes it does, it does. We we have dropped our 472 00:30:59,480 --> 00:31:01,920 album unaccustomized USB. 473 00:31:01,880 --> 00:31:03,480 Speaker 7: World wide, worldwide. 474 00:31:03,680 --> 00:31:04,160 Speaker 12: Very cool. 475 00:31:04,359 --> 00:31:08,599 Speaker 2: And on the USB you can hear the complete album, 476 00:31:08,680 --> 00:31:11,960 all four songs and they if you put them in 477 00:31:12,119 --> 00:31:17,720 any USB place that plays music, your car, your computer, 478 00:31:18,920 --> 00:31:22,519 it'll automatically play the album from beginning to end. 479 00:31:22,839 --> 00:31:23,240 Speaker 12: Very cool. 480 00:31:23,799 --> 00:31:27,720 Speaker 2: Yeah, it's four songs EP and on there is a 481 00:31:27,839 --> 00:31:31,559 bunch of bonus materials. What I'd like to call waxtras 482 00:31:33,680 --> 00:31:37,599 and that's a five minute collage video of us playing 483 00:31:37,640 --> 00:31:45,000 Hot Wax songs live and the song information, bio information 484 00:31:45,200 --> 00:31:50,359 about who I am in Thrax, also pictures and fun 485 00:31:50,480 --> 00:31:54,440 images that were created for song art album art album 486 00:31:54,559 --> 00:31:55,240 liner notes. 487 00:31:56,480 --> 00:31:57,559 Speaker 12: Oh so there's a lot in there. 488 00:31:57,640 --> 00:31:59,799 Speaker 2: There's a whole bunch of that's really cool stuff in 489 00:31:59,839 --> 00:32:02,839 there that you can listen to and look at and 490 00:32:03,000 --> 00:32:03,480 have fun with. 491 00:32:03,799 --> 00:32:05,160 Speaker 12: Yeah, yeah, no, that's awesome. 492 00:32:05,559 --> 00:32:06,519 Speaker 2: We'll have them at the show. 493 00:32:06,839 --> 00:32:08,920 Speaker 12: And it sounds like it probably plays more places than 494 00:32:08,960 --> 00:32:09,720 the New Lord CD. 495 00:32:09,880 --> 00:32:13,160 Speaker 25: Does y'all know about that? No, we talked about that 496 00:32:13,240 --> 00:32:15,799 last week with the New Lord CD. It's a clear 497 00:32:15,880 --> 00:32:18,240 it's a completely clear CD. It's completely transparent, you can 498 00:32:18,279 --> 00:32:19,960 look right through it. But it doesn't play on a 499 00:32:20,039 --> 00:32:20,640 lot of players. 500 00:32:22,039 --> 00:32:28,400 Speaker 7: Yeah, it's not even a CD. It's that plastic piece 501 00:32:28,440 --> 00:32:31,039 of CD that you get when you have blank you 502 00:32:31,200 --> 00:32:34,359 have the blank CD, the tower of blank CDs that 503 00:32:34,839 --> 00:32:37,240 that top that sits on there. Yeah, that's what it is. 504 00:32:37,319 --> 00:32:40,079 Speaker 12: Yeah, exactly, exactly. No, but this is a cool concept 505 00:32:40,119 --> 00:32:40,759 with the USB. 506 00:32:41,200 --> 00:32:43,279 Speaker 2: I feel like this is the future. I give the 507 00:32:43,359 --> 00:32:47,559 credit to my wife Chan. Yeah, and but I'm always 508 00:32:47,640 --> 00:32:51,240 looking for futuristic things, to do something different, something new, 509 00:32:51,759 --> 00:32:54,559 something that hasn't been done, something that's not being done, 510 00:32:55,319 --> 00:33:00,680 and something that's like makes life easier. Like just put 511 00:33:00,720 --> 00:33:04,119 that in your USB in your car, Boom, you'll have 512 00:33:04,279 --> 00:33:07,279 four great songs from Who I Am in tracks. Yeah, yeah, no, 513 00:33:07,400 --> 00:33:08,359 I love it, popping out. 514 00:33:08,559 --> 00:33:08,960 Speaker 12: I love it. 515 00:33:09,559 --> 00:33:11,079 Speaker 25: So it's very fun. You can wear it as a 516 00:33:11,160 --> 00:33:14,480 necklace too. Oh yeah, yeah, oh that's cool. We should 517 00:33:15,680 --> 00:33:17,480 we should play another track, and we were talking off 518 00:33:17,519 --> 00:33:19,680 air about it. So one of these, one of these 519 00:33:19,759 --> 00:33:22,039 tracks has has a guest startist on it. 520 00:33:22,240 --> 00:33:25,440 Speaker 2: Yes, open your eyes and we're going to. 521 00:33:25,440 --> 00:33:26,759 Speaker 12: Play that in a moment. But tell us about this. 522 00:33:26,880 --> 00:33:28,359 So Brad to Palma is on. 523 00:33:28,440 --> 00:33:31,759 Speaker 2: This, Yes, the great Brad to Palma is on this 524 00:33:32,599 --> 00:33:35,440 as a featured artist. 525 00:33:35,799 --> 00:33:36,160 Speaker 7: Homie. 526 00:33:36,799 --> 00:33:40,880 Speaker 2: Yeah, but we've both played on many bills and he's 527 00:33:40,920 --> 00:33:44,119 playing bands with Brad, And of course I love Brad 528 00:33:44,200 --> 00:33:48,759 so much. Yeah, big fan. I feel like he's possibly 529 00:33:48,839 --> 00:33:50,240 the best guitarist in the region. 530 00:33:50,519 --> 00:33:50,799 Speaker 12: Kidding. 531 00:33:50,880 --> 00:33:53,680 Speaker 2: I would like to know who's better, because I've seen 532 00:33:54,640 --> 00:33:56,759 most of them, and I don't know who I haven't seen. 533 00:33:56,920 --> 00:33:58,119 Speaker 7: Okay, that's all order. 534 00:33:58,319 --> 00:34:00,599 Speaker 2: Yeah, I've heard, I've heard every you know, because I 535 00:34:00,640 --> 00:34:04,000 had my radio show, but I think Brad. To me, 536 00:34:04,160 --> 00:34:06,160 Brad is the best guitarist in the region, and so 537 00:34:06,240 --> 00:34:07,880 I reached out to him. I said, hey, would you 538 00:34:07,960 --> 00:34:11,079 be interested in dropping the lick for this song? It 539 00:34:11,199 --> 00:34:15,280 really needs, you know, something like what you got And. 540 00:34:15,360 --> 00:34:20,599 Speaker 12: We would know him from Dog a Dog, earth Mark 541 00:34:20,920 --> 00:34:21,480 earth Mark. 542 00:34:21,639 --> 00:34:26,159 Speaker 2: I first saw him in National back in the day 543 00:34:26,639 --> 00:34:29,639 and uh yeah, I've been following him for a long 544 00:34:29,719 --> 00:34:34,599 time and legend he's you know, he's intertwined in the 545 00:34:35,920 --> 00:34:40,039 the southern New Hampshire Merrock Valley region as you know, 546 00:34:41,360 --> 00:34:44,760 the one to go to if you need guitar. And 547 00:34:44,960 --> 00:34:48,920 so yeah, so he did. He dropped that forth. You know, 548 00:34:49,119 --> 00:34:53,039 Thracks did the audio engineering for the the entire album. 549 00:34:53,280 --> 00:34:55,000 Speaker 12: Okay, so you know. 550 00:34:56,679 --> 00:35:03,679 Speaker 2: He Brad dropped that tr back and and Tracks work 551 00:35:03,840 --> 00:35:08,559 magic to get it from that piece of descent and 552 00:35:08,760 --> 00:35:12,079 then put it on the songs and it's just like 553 00:35:14,039 --> 00:35:17,920 it's it's perfect. It's basically I'm not ashamed to say 554 00:35:17,920 --> 00:35:19,760 it's the one take that he sent us and boom, 555 00:35:20,199 --> 00:35:22,719 it's perfect and why not awesome? 556 00:35:22,800 --> 00:35:23,119 Speaker 12: All right? 557 00:35:23,159 --> 00:35:24,000 Speaker 2: So yeah, we love it. 558 00:35:24,079 --> 00:35:25,880 Speaker 25: All right, let's give this a listen. So this is 559 00:35:25,920 --> 00:35:29,280 who I Am and thracks featuring Brad to Palma on guitar. 560 00:35:29,440 --> 00:35:31,079 And this is called open your Eyes. 561 00:35:48,960 --> 00:35:49,760 Speaker 20: In the time. 562 00:35:50,000 --> 00:35:53,119 Speaker 26: We as mousters. 563 00:35:54,480 --> 00:36:07,079 Speaker 20: Surprise for fa shift in time. 564 00:36:07,639 --> 00:36:08,519 Speaker 8: Tho we. 565 00:36:10,400 --> 00:36:20,679 Speaker 26: Thought to be free, say Sid going back to the sea. 566 00:36:42,840 --> 00:36:56,280 Speaker 8: Yep, you say, oh, say. 567 00:37:00,199 --> 00:37:00,440 Speaker 1: God? 568 00:37:04,159 --> 00:37:13,760 Speaker 22: And what did you say? So then. 569 00:37:17,920 --> 00:37:18,840 Speaker 17: The ground. 570 00:37:21,639 --> 00:37:24,639 Speaker 26: Waste his time the time. 571 00:37:26,039 --> 00:37:26,440 Speaker 20: Living. 572 00:37:31,320 --> 00:37:32,840 Speaker 6: Lets see what you have. 573 00:37:50,440 --> 00:37:53,000 Speaker 25: Sh shot. 574 00:38:12,719 --> 00:38:55,840 Speaker 12: Ye, that is open your Eyes. 575 00:38:56,920 --> 00:38:59,599 Speaker 25: That is who I Am and tracks and yeah that 576 00:38:59,679 --> 00:39:06,639 sounded with Brad de Palma on guitar. So Max, you 577 00:39:06,880 --> 00:39:08,360 you engineered the EP. 578 00:39:09,039 --> 00:39:14,320 Speaker 7: Yeah, uh, at least of it because the other obviously 579 00:39:14,400 --> 00:39:20,280 the other fifty came from you. Lacy. Yeah, yes I did. Uh, 580 00:39:20,440 --> 00:39:26,039 Okay did most of the puts together thingies you know 581 00:39:26,239 --> 00:39:29,920 all those things. Yeah I did. I did everything myself. Yeah, 582 00:39:31,360 --> 00:39:34,559 drums was definitely obviously my my area. But I engineered 583 00:39:34,679 --> 00:39:35,559 that whole entire thing. 584 00:39:35,920 --> 00:39:36,119 Speaker 12: Yeah. 585 00:39:36,519 --> 00:39:41,840 Speaker 7: Uh, mixed, mastered, and semi engineered. It took a while. 586 00:39:42,639 --> 00:39:45,519 This wasn't like a oh, let's just spur the moment 587 00:39:45,599 --> 00:39:49,800 do this like this was meticulous planning over weeks, over weeks, 588 00:39:49,840 --> 00:39:53,880 like every song had its own session. Yeah, for for 589 00:39:54,199 --> 00:39:59,400 things so like we uh, Lacey is very precise, okay, 590 00:39:59,599 --> 00:40:05,239 very uh, not even particular, because that's that's in my eyes, 591 00:40:05,280 --> 00:40:10,239 just putting down your music. You have a very knowledgeable 592 00:40:10,280 --> 00:40:13,239 thing of what you want to happen, because obviously this 593 00:40:13,440 --> 00:40:19,079 is your music. So there was very uh, here's this, 594 00:40:19,320 --> 00:40:21,400 here's this, let's go back to this, let's see if 595 00:40:21,440 --> 00:40:24,239 we can change this. And it's very you know, touch 596 00:40:24,280 --> 00:40:26,920 and go of what can we make better? Yeah? Yea, 597 00:40:27,239 --> 00:40:30,920 so I had I had fun the whole entire time. 598 00:40:31,199 --> 00:40:31,440 Speaker 12: Yeah. 599 00:40:31,719 --> 00:40:37,320 Speaker 7: We we were both like ecstatically happy every time we're 600 00:40:37,400 --> 00:40:40,920 on the other end of the making of every single song. Yeah, 601 00:40:42,079 --> 00:40:45,280 because the process was just so fun. Yeah, really was. 602 00:40:45,880 --> 00:40:47,599 Speaker 25: It's good that you enjoy that too, and you embrace 603 00:40:47,679 --> 00:40:50,559 that because some some musicians hate that part. Some musicians 604 00:40:50,639 --> 00:40:52,400 just want to play, you know, and they hate the 605 00:40:53,320 --> 00:40:54,679 everything that goes into recording. 606 00:40:55,039 --> 00:40:57,599 Speaker 2: Yeah, like building a song, yeah, you know, building a 607 00:40:58,159 --> 00:41:01,400 studio song. Oh yeah, yeah, you do kind of build it. 608 00:41:01,599 --> 00:41:01,800 Speaker 8: Yeah. 609 00:41:02,159 --> 00:41:07,679 Speaker 2: You know, you're not just playing it live to tape, right, 610 00:41:07,840 --> 00:41:10,159 which means you know, you just play everything all at 611 00:41:10,199 --> 00:41:13,079 once and then you know you just say, okay, that's 612 00:41:13,159 --> 00:41:13,559 the song. 613 00:41:13,800 --> 00:41:14,000 Speaker 12: Yeah. 614 00:41:15,480 --> 00:41:18,360 Speaker 2: We did one of the things that helped me a lot, 615 00:41:18,679 --> 00:41:21,519 was you know, we we worked with stems as far 616 00:41:21,639 --> 00:41:27,880 as the individual tracks of the song, you know, so 617 00:41:28,000 --> 00:41:32,599 that kind of that upped my game a bit because 618 00:41:32,679 --> 00:41:37,000 I needed to like have those separate things for tracks 619 00:41:37,079 --> 00:41:43,480 to really make it, you know, sound right. Yeah, and 620 00:41:44,000 --> 00:41:47,199 like that's something that it's nice to have, you know, 621 00:41:48,440 --> 00:41:51,440 two ears and and and again tracks as it got 622 00:41:51,480 --> 00:41:54,800 a knowledgeable ear. So so it's like, I know, I 623 00:41:54,880 --> 00:41:57,639 can you know, get it kind of most to the 624 00:41:57,719 --> 00:42:00,840 top of the hill, like here, can you take it 625 00:42:01,000 --> 00:42:04,239 to the top of the hill? Right? And and he 626 00:42:04,400 --> 00:42:07,800 was able to do that easily, easily. Yeah, it was. 627 00:42:07,920 --> 00:42:10,199 It was a great it was fun process. It wasn't 628 00:42:10,559 --> 00:42:14,320 easy and we yeah, we really put some thought and 629 00:42:14,760 --> 00:42:18,320 time into you know, how the song should sound. 630 00:42:19,400 --> 00:42:20,239 Speaker 12: And why do an EP? 631 00:42:20,480 --> 00:42:20,519 Speaker 21: What? 632 00:42:20,679 --> 00:42:21,840 Speaker 12: What went into that decision? 633 00:42:21,920 --> 00:42:23,480 Speaker 25: This is something I'm always curious about because a lot 634 00:42:23,480 --> 00:42:26,159 of artists now they just singles or yeah, or they 635 00:42:26,199 --> 00:42:28,280 insist on doing an album or why do an EP? 636 00:42:29,360 --> 00:42:35,599 Speaker 2: Well, I think in my mind, I was, I think 637 00:42:36,119 --> 00:42:40,760 what we have and had going prior to the EP 638 00:42:41,199 --> 00:42:46,119 was was really good and fun, and I think I 639 00:42:46,199 --> 00:42:49,800 felt like we could progress to the next step of 640 00:42:50,079 --> 00:42:54,280 like giving these songs that we were doing live two people. Yeah, 641 00:42:55,800 --> 00:42:59,840 like in a form you know, and so that just 642 00:43:00,280 --> 00:43:05,320 seemed like the natural progression At that point. I was like, shoot, 643 00:43:05,360 --> 00:43:11,400 you want to do that? Darn, I says, you know, 644 00:43:11,599 --> 00:43:13,320 why don't we do some songs together? 645 00:43:13,760 --> 00:43:13,960 Speaker 5: You know? 646 00:43:14,239 --> 00:43:17,800 Speaker 2: Ye, well there's studio, you know, the studio thing, and 647 00:43:17,920 --> 00:43:21,599 then the EP. I think it's it's nice just to 648 00:43:21,800 --> 00:43:26,039 have a quick shot. And I think in my mind 649 00:43:26,119 --> 00:43:28,639 EP was it's quicker to do an EP than a 650 00:43:28,679 --> 00:43:34,559 full album. And the single thing is fine, but I'm 651 00:43:34,960 --> 00:43:38,639 I'm assuming nobody's just doing just a single. They do 652 00:43:38,800 --> 00:43:41,280 five songs and they released some one song at a time, 653 00:43:42,199 --> 00:43:44,519 which is fine. Yeah, and I have no problem with that. 654 00:43:44,719 --> 00:43:46,840 But I just felt like, you want to get a 655 00:43:46,880 --> 00:43:48,519 full shot of who I am in tracks like you 656 00:43:48,599 --> 00:43:52,239 want it. You wanted to hit you full force, a 657 00:43:52,360 --> 00:43:55,199 nice sample of everything. Because we got other songs that 658 00:43:55,280 --> 00:43:58,199 we played live. We can play you know, up to 659 00:43:58,280 --> 00:44:01,119 an hour live, no problem. Yeah, just roll right through it. 660 00:44:01,480 --> 00:44:03,920 And that's with no covers. That's just you know, but 661 00:44:04,039 --> 00:44:04,800 we do do a cover. 662 00:44:05,079 --> 00:44:06,119 Speaker 7: We do we do you do? 663 00:44:06,519 --> 00:44:12,159 Speaker 2: Yeah, we do Born this way? Okay, did we do 664 00:44:12,239 --> 00:44:13,159 it a Chickpee Pride. 665 00:44:13,719 --> 00:44:14,880 Speaker 7: That's where we we tried. 666 00:44:14,960 --> 00:44:16,480 Speaker 2: That's where that's where it happened first. 667 00:44:16,519 --> 00:44:19,119 Speaker 7: Yeah, okay, great responds and that was that was that 668 00:44:19,280 --> 00:44:24,079 was a great show. That was very welcoming experience. 669 00:44:24,280 --> 00:44:27,639 Speaker 2: That was it was really nice. But yeah, that's our Yeah, 670 00:44:27,679 --> 00:44:32,320 born this way, it's our cover and it's so it's 671 00:44:32,400 --> 00:44:34,880 super fun to do. I roll out the auto tune 672 00:44:34,960 --> 00:44:38,840 on my my vocal effects. Yeah, yeah, so it's fun. 673 00:44:38,880 --> 00:44:43,320 I'd like to play with those. Yeah, but it's you know, 674 00:44:43,840 --> 00:44:48,199 it's it's good what we do. Love the live experience. 675 00:44:48,239 --> 00:44:51,360 So I think that's what really drove Hot Wax is 676 00:44:51,480 --> 00:44:54,599 like we want to put these songs, you know, in 677 00:44:54,840 --> 00:44:57,480 somebody's car listening to it driving down the road. 678 00:44:57,719 --> 00:45:01,800 Speaker 12: Yeah, yeah, no, that makes sense. Let's play another one. 679 00:45:01,960 --> 00:45:06,519 Speaker 25: Let's see, so we've got what we have left between 680 00:45:06,559 --> 00:45:08,320 the between the other two, I'll let you pick. 681 00:45:10,440 --> 00:45:12,719 Speaker 2: Well, let's do moon Run. It feels like a good 682 00:45:13,039 --> 00:45:14,599 time about moon Ren. 683 00:45:14,920 --> 00:45:16,360 Speaker 12: Yeah, all right, what should we know about this? 684 00:45:17,519 --> 00:45:18,440 Speaker 2: It's an instrumental. 685 00:45:18,719 --> 00:45:23,079 Speaker 7: Okay, it's a it's a live jam that we quantified 686 00:45:23,280 --> 00:45:30,800 to uh to studio and uh it's it's a it's 687 00:45:30,840 --> 00:45:34,400 a jam that we we kind of like morph every 688 00:45:34,440 --> 00:45:36,760 single time that we do so like live is completely 689 00:45:36,840 --> 00:45:40,559 different than than what's on the the album. But what's 690 00:45:40,599 --> 00:45:43,840 on the album is a perfect like, uh, I guess 691 00:45:44,159 --> 00:45:48,719 demo of what you usually get from Moon Run. So okay, 692 00:45:48,920 --> 00:45:50,199 right live live. 693 00:45:51,519 --> 00:45:56,559 Speaker 2: This is the famous foot on the keyboards move gotcha, 694 00:45:56,800 --> 00:46:00,320 which you you know can see on our album cover. Yeah, 695 00:46:01,519 --> 00:46:06,360 a painting painted by crafty Ka. Our album cover was 696 00:46:06,440 --> 00:46:10,440 inspired by paintings she did, and uh, you know that's 697 00:46:10,719 --> 00:46:14,760 that's one of the signature signature moves of who I 698 00:46:14,840 --> 00:46:19,400 am is I played keyboards with my foot, okay, And 699 00:46:20,000 --> 00:46:22,360 and that happens in this song, and so it happens 700 00:46:22,400 --> 00:46:23,480 at the beginning of the song. 701 00:46:23,800 --> 00:46:24,079 Speaker 12: Okay. 702 00:46:24,159 --> 00:46:27,280 Speaker 2: So the song is like a you know, in my 703 00:46:27,480 --> 00:46:31,920 head when I kind of came up with it, it's like, 704 00:46:32,360 --> 00:46:35,079 you know, you're on a rocket ship. You're flying to 705 00:46:35,159 --> 00:46:39,639 the moon, and you get there and you're circling around 706 00:46:39,679 --> 00:46:42,800 the moon in this rocket ship and then something starts 707 00:46:42,880 --> 00:46:47,119 to go wrong and then everything just goes crazy and 708 00:46:47,559 --> 00:46:52,639 you're like trying to put your brain into gear and 709 00:46:52,760 --> 00:46:56,000 figure out what's happening. And by the time you figure 710 00:46:56,039 --> 00:46:57,320 it out, the song is. 711 00:46:57,360 --> 00:47:00,840 Speaker 12: Over all right, well let's get this suspend. So this 712 00:47:00,960 --> 00:47:02,960 is Moon Run. This is of course Who I Am 713 00:47:03,119 --> 00:47:06,440 and Thracks from their new EP hot Wax. Check this out. 714 00:48:00,199 --> 00:48:01,119 Speaker 1: Two hours. 715 00:48:03,000 --> 00:48:16,039 Speaker 21: Worrse Toororcers, sisters. 716 00:48:15,599 --> 00:49:08,280 Speaker 22: To Horses wars Y Worse. 717 00:49:13,920 --> 00:49:14,440 Speaker 20: One s. 718 00:50:08,719 --> 00:50:09,599 Speaker 12: That is Moon Run. 719 00:50:09,920 --> 00:50:12,199 Speaker 25: That is Who I Am and Thrax and the new 720 00:50:12,239 --> 00:50:15,280 EP hot Wax. And uh we've got Who I Am 721 00:50:15,400 --> 00:50:18,639 and Thrax are both here in studio with us live 722 00:50:18,920 --> 00:50:20,679 on this uh Saturday, in. 723 00:50:20,840 --> 00:50:22,840 Speaker 7: Real life, in real life. 724 00:50:22,920 --> 00:50:23,880 Speaker 2: Yes, I r l is. 725 00:50:25,920 --> 00:50:31,039 Speaker 12: Because these kids. So we are gonna play. 726 00:50:31,119 --> 00:50:32,519 Speaker 25: Uh, We're gonna play one more in just a moment 727 00:50:32,559 --> 00:50:34,280 to finish out the segment. But before we get there, 728 00:50:34,280 --> 00:50:36,320 I want to make sure so for people listening live 729 00:50:36,400 --> 00:50:39,000 on Saturday, you've got a show tonight, correct. 730 00:50:38,880 --> 00:50:43,199 Speaker 2: Yes, yes, yes, we have a show tonight at Photies 731 00:50:43,280 --> 00:50:48,360 Bodies Tavern National with. 732 00:50:48,960 --> 00:50:52,400 Speaker 7: The Fine Birds and Melted Chapsticks. 733 00:50:52,599 --> 00:50:56,639 Speaker 2: Yes, okay, two of our favorite music friends who we've 734 00:50:56,719 --> 00:51:01,519 been on bills with before, and so we're are gonna play. Uh, 735 00:51:02,039 --> 00:51:06,559 they're gonna open Fineberg's drum and piano jump jive boogie 736 00:51:06,760 --> 00:51:09,679 kind of music. Okay, so they're gonna get things started, 737 00:51:09,800 --> 00:51:12,639 open it up. Who I'm in thracks will roll in 738 00:51:13,239 --> 00:51:16,880 ten forty five eleven forty five, and we will drop 739 00:51:16,960 --> 00:51:22,679 an hour of uh songs and our Hot Wax album 740 00:51:22,840 --> 00:51:26,639 in its entirety. We will play very cool with special 741 00:51:26,719 --> 00:51:29,039 Gusto since it's the release. 742 00:51:29,280 --> 00:51:31,119 Speaker 7: So if you like, if you like all this music, 743 00:51:31,239 --> 00:51:34,320 now come see come see it live tonight. 744 00:51:34,639 --> 00:51:38,840 Speaker 2: It's a it's an energy that you know you hope 745 00:51:38,880 --> 00:51:42,039 to capture when you do a thing like this where 746 00:51:42,039 --> 00:51:47,639 it's kind of studio quote unquote studio songs. Yeah, but 747 00:51:47,920 --> 00:51:50,480 the energy we're trying to capture is the live show. 748 00:51:50,679 --> 00:51:54,000 So come to the live show because that's where you're 749 00:51:54,039 --> 00:51:58,960 gonna understand what the music is, how it feels when 750 00:51:58,960 --> 00:52:02,000 it's all over your body right right just in your ears. 751 00:52:03,199 --> 00:52:05,760 So yes, come to the live show and uh then 752 00:52:05,840 --> 00:52:10,039 we're going to close. We'll closed. Have the Melted Chapsticks 753 00:52:11,039 --> 00:52:19,079 to do that, and they're awesome. They're awesome like lamb 754 00:52:19,119 --> 00:52:25,679 punk and and other stuff. Frankie, Frankie Melted Chapsticks. Hollywood 755 00:52:26,000 --> 00:52:29,719 is a wild character and so it's a wild show. 756 00:52:30,679 --> 00:52:33,519 Twelve to one, Like be there because you know you're 757 00:52:33,599 --> 00:52:37,320 just gonna want to be like checking your brain after 758 00:52:37,440 --> 00:52:39,840 it's done, like what did I just experience? 759 00:52:39,920 --> 00:52:40,159 Speaker 19: I mean. 760 00:52:40,239 --> 00:52:45,400 Speaker 7: Also, also if you want to hext your ex actual 761 00:52:45,960 --> 00:52:49,119 tools for the British, yep, just talk to him. He 762 00:52:49,199 --> 00:52:52,800 has the tools for you to have that done. Because 763 00:52:52,920 --> 00:52:53,599 that's also. 764 00:52:53,760 --> 00:52:57,159 Speaker 2: Yes, he dabbles in the art, the in the arts 765 00:52:57,480 --> 00:53:00,039 and the mystiques and the mystiques in the arts. I 766 00:53:00,079 --> 00:53:03,239 don't want to say it wrong, but but they have 767 00:53:03,320 --> 00:53:03,960 an album. 768 00:53:06,239 --> 00:53:07,280 Speaker 7: Okay, yeah, and the. 769 00:53:07,320 --> 00:53:10,400 Speaker 2: Satanic his album. Yeah, he's also that song and then 770 00:53:10,440 --> 00:53:14,159 he's got album Satanic six Pack, that's what it's called. 771 00:53:14,599 --> 00:53:18,079 And they're such great songs. My favorite song is say 772 00:53:18,119 --> 00:53:21,119 Hi to stay on there. It's so good. I just 773 00:53:21,519 --> 00:53:23,280 dance all over when he starts singing that song. 774 00:53:23,440 --> 00:53:23,639 Speaker 12: Yeah. 775 00:53:24,199 --> 00:53:28,000 Speaker 2: But yeah, so you know, uh, it's all gonna be 776 00:53:28,239 --> 00:53:34,880 aesthetically amazing and the music is going to match the aesthetic, okay, 777 00:53:35,960 --> 00:53:40,159 because we've all played together on the bill, so we're 778 00:53:40,239 --> 00:53:42,599 just gonna have a nice energy and then I'm bringing 779 00:53:42,639 --> 00:53:45,280 in a little some lights and things to make it, 780 00:53:45,480 --> 00:53:47,000 you know, nice and glowy for us. 781 00:53:47,280 --> 00:53:47,400 Speaker 16: Yea. 782 00:53:48,800 --> 00:53:52,960 Speaker 2: And of course, so that's photis July twelfth. 783 00:53:53,320 --> 00:53:56,599 Speaker 25: All right, very good, very good? And where should people go? 784 00:53:56,599 --> 00:53:58,159 Where's the best place for people to go online to 785 00:53:58,239 --> 00:54:00,880 keep up with everything that you're doing all the There's. 786 00:54:00,679 --> 00:54:03,960 Speaker 2: A website, right, there is a website, but I would 787 00:54:04,039 --> 00:54:12,960 say go to our Facebook page, Instagram page, tracks drums, 788 00:54:13,480 --> 00:54:17,360 or who I Am Live or who I Am in tracks. Really, 789 00:54:17,360 --> 00:54:19,800 if you just type in who I'm in tracks like 790 00:54:20,480 --> 00:54:23,639 you know, anywhere, you'll see us pop up. 791 00:54:23,880 --> 00:54:25,480 Speaker 12: Very googleable, very. 792 00:54:25,400 --> 00:54:30,119 Speaker 2: Googleable, like any you know YouTube, band camp, if you 793 00:54:30,159 --> 00:54:33,119 want to go check out the songs, download and resource us, 794 00:54:33,239 --> 00:54:33,840 we would love it. 795 00:54:33,920 --> 00:54:35,039 Speaker 7: You have a very good se o. 796 00:54:35,480 --> 00:54:39,800 Speaker 2: Yeah right right, yeah, band camp. Go to band camp, 797 00:54:40,000 --> 00:54:41,800 I got you know, the songs are all up there. 798 00:54:41,960 --> 00:54:43,840 Speaker 25: So you're saying there there aren't. You're not going to 799 00:54:43,880 --> 00:54:46,000 accidentally find a different who I Am in thras is 800 00:54:46,000 --> 00:54:46,920 what you're saying, right. 801 00:54:46,920 --> 00:54:47,159 Speaker 1: Will not? 802 00:54:47,559 --> 00:54:50,320 Speaker 2: You will not if you do tell us yes, yes, 803 00:54:51,039 --> 00:54:55,519 I'd be curious. Yeah, no, you won't. It's the best 804 00:54:55,559 --> 00:54:58,440 place to find us online like that. Yeah, yeah, check 805 00:54:58,559 --> 00:55:02,960 us out. And we were always hosting stuff. And again 806 00:55:03,039 --> 00:55:05,280 you know we have our album for sale five bucks 807 00:55:05,360 --> 00:55:12,480 at the show and so you know, the while supplies last, 808 00:55:12,559 --> 00:55:14,960 you'll get a free heart glasses with the album. Yeah, 809 00:55:15,199 --> 00:55:19,360 and also we have a pop up store, Hot Wax 810 00:55:19,480 --> 00:55:26,800 pop up store with merch and so if you go 811 00:55:27,079 --> 00:55:30,639 to one of our socials, it's all over the place. 812 00:55:30,679 --> 00:55:32,480 I got it posted. You can go there and if 813 00:55:32,519 --> 00:55:35,599 you buy something from our pop up store, we'll give 814 00:55:35,639 --> 00:55:36,519 you the album for free. 815 00:55:36,679 --> 00:55:38,119 Speaker 12: Oh very cool, very cool. 816 00:55:38,599 --> 00:55:39,960 Speaker 25: Well, we're going to close out in a moment with 817 00:55:40,239 --> 00:55:42,519 this track, New Love. But thank you both for coming today. 818 00:55:42,559 --> 00:55:45,239 This has been wonderful. Congratulations on the EP and and 819 00:55:45,400 --> 00:55:47,880 everything that you're doing, and thanks so much absolutely for 820 00:55:48,000 --> 00:55:50,159 having it. Absolutely we will do it again in the future. 821 00:55:50,559 --> 00:55:54,199 And if you are listening live on Saturday, make sure 822 00:55:54,239 --> 00:55:56,559 you stick around. Coming up an hour three. Are they 823 00:55:56,559 --> 00:56:00,320 in the building? Jenny, Brian Caleb, and Darling Hill from 824 00:56:00,840 --> 00:56:03,039 the listening room at Prayers of Nature, So looking forward 825 00:56:03,039 --> 00:56:05,599 to that. But we will close out this segment with 826 00:56:06,000 --> 00:56:08,880 this is New Love. This is from the EP is 827 00:56:08,960 --> 00:56:11,960 called Hot Tracks. I'm sorry Hot Wax rather hot Wax. 828 00:56:11,760 --> 00:56:13,280 Speaker 7: Right, I mean they are hot tracks. 829 00:56:13,280 --> 00:56:14,079 Speaker 2: They are hot tracks. 830 00:56:14,159 --> 00:56:17,800 Speaker 12: Hot tracks from Hot Wax. There were who I Am 831 00:56:17,880 --> 00:56:18,400 in tracks? 832 00:56:25,320 --> 00:56:56,440 Speaker 2: So I'm going to do. 833 00:56:59,800 --> 00:57:04,239 Speaker 26: So topsy trains with the time the day, what is 834 00:57:04,400 --> 00:57:04,840 all me? 835 00:57:05,320 --> 00:57:06,679 Speaker 20: Do you love me? 836 00:57:07,719 --> 00:57:07,760 Speaker 21: So? 837 00:57:08,119 --> 00:57:10,639 Speaker 22: I did my day. 838 00:57:11,960 --> 00:57:16,679 Speaker 20: In ice, day, in today. 839 00:57:37,039 --> 00:57:37,719 Speaker 8: What you have. 840 00:57:45,440 --> 00:57:54,800 Speaker 27: To this time, it's time, not mind to waste. I'm 841 00:57:54,920 --> 00:57:57,480 living frown, I'm testing day. 842 00:57:58,840 --> 00:57:59,880 Speaker 2: You have the right to. 843 00:58:00,039 --> 00:58:04,400 Speaker 20: If you were leaving, no one could stop you from 844 00:58:04,800 --> 00:58:09,239 the over about so I did my God? 845 00:58:11,280 --> 00:58:12,559 Speaker 1: I say. 846 00:58:15,239 --> 00:58:24,920 Speaker 22: Today so. 847 00:58:50,599 --> 00:58:53,239 Speaker 1: I want children, get up right now. 848 00:58:54,559 --> 00:58:56,920 Speaker 20: I will believe it. And now you're say so. 849 00:59:12,880 --> 00:59:15,519 Speaker 21: So I did my time. 850 00:59:40,840 --> 00:59:47,480 Speaker 6: That not true that the busts 851 00:59:52,119 --> 00:59:52,159 Speaker 16: To