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Speaker 1: If you want to listen to W and H the Commander,

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don't get SUPREMELYA Mazell coming.

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Speaker 2: Good morning, everybody, welcome, here we go. It is that

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time again, Matt Connorton Unleashed and we are live from

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the studios of w m n H ninety five point

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three FM, Inglorious, Manchester, New Hampshire. Of course, you can

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also stream the show from anywhere if you go to

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Matt connorton dot com slash live for all of your

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streaming options and social media links, contact info, show archives,

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et cetera, et cetera. Today is Saturday, March twenty two,

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twenty twenty five.

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Speaker 3: I am not alone.

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Speaker 4: Jenny j Good morning.

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Speaker 2: Yes, Jenny is here with us at the news table

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on this Saturday morning, and we've got a very very

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exciting show for you today. Well, that's a great music.

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We've got our friend Nathan Hill who is here with

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us for the first hour. In hour number two we

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have Kenny Troon who's going to be joining us. And

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in the third hour two Town's returns. So we've got

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a lot of great original music for you today and

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we are very excited. And let me go ahead and

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get that mic up for our friend Nathan Hill over there,

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who's we're gonna feature one of his studio tracks, but

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he's also going to play for us today, so really

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looking forward to that.

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Speaker 5: Good morning, sir, good morning, welcome to the show.

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Speaker 3: Thank you for having me. I'm excited to be here. Yeah,

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we're excited to have you.

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Speaker 5: I'm really looking forward to hearing your play live.

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Speaker 3: But I think we should. What do you say we

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open with one of these great studio tracks. Let's do this.

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I'm excited to have it.

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Speaker 2: So this is self titled Breaking Waves. And is this

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an EP or a full album or is.

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Speaker 3: The EP that I just released about a month ago

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a little over a month ago.

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Speaker 5: Oh so this is really new, really new.

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Speaker 2: Okay, so let's give this a spin and then we're

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going to come back and Nathan Hill is going to

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perform a live in studio.

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Speaker 3: But check this out. This is really good.

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Speaker 5: This is called Breaking Waves.

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Speaker 6: In the Silence of Me rides the storm Room and

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docus a lot of the times, swings, drowning.

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Speaker 7: Me with your resting sways, get in my.

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Speaker 4: Skinning and I hate screamed through.

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Speaker 8: The roy way him should find or just getting him

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to these raising ways.

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Speaker 9: But when playing away a lot.

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Speaker 10: The ship was the show.

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Speaker 11: SELLI so to, I say, ways binging a.

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Speaker 8: Mom in the troll, the bank, the boy in the rain,

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I'm getting sway.

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Speaker 10: When he springing away, he.

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Speaker 9: Gas, do.

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Speaker 4: I can't bring.

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Speaker 8: About side down.

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Speaker 10: I got dom A by.

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Speaker 8: W these space dom going a rare.

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Speaker 4: Ringle by rounds.

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Speaker 8: But the wolf and.

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Speaker 4: Built my fortress on someway.

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Speaker 10: Every day.

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Speaker 12: Space vulnerable. These breaking ways with the prison, the places

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we don't, says, find it again with these caress drag

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you away.

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Speaker 10: The show.

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Speaker 12: Sell out, so to a second, ways making the home,

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the to the mooring, the.

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Speaker 8: Ray, I dancing the sways like wait the taste, I wait,

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upside down.

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Speaker 4: Stay now.

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Speaker 9: I'm calling the shots.

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Speaker 3: Oh I love that.

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Speaker 10: I love that.

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Speaker 3: That is so good.

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Speaker 2: That is breaking waves and that is Nathan Hill. And

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Nathan Hill is here with us live in studio.

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Speaker 3: Hey, we were talking off air.

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Speaker 2: You were telling us about uh, tell us about the

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drums on that because that the drums on that are incredible, the.

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Speaker 3: Drums on that are incredible. And the funny thing about

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it is, I'm gonna tell everybody a secret right now.

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That's not even a real drum kit. That's a rolling

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drum kit.

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Speaker 10: Yeah, you know.

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Speaker 3: And my friend that works in the studio. He just

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does an amazing job making everything sound great.

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Speaker 2: Oh you're not kidding, yeah, because those those absolutely absolutely

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sound like real drums.

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Speaker 10: Yeah.

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Speaker 3: And my friend Sean that came in, Sean Fletcher. He's

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the band called The Melodies of Ghost Road and he's

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just such a great friend. I've known him like pretty

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much my whole life. He was in a band with

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my brother called Atomic when I was eight years old,

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and Sean and I had never rehearsed that song ever,

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so when we got into the studio, we had to

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record it all live. Oh wow, I had all three

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tracks recorded and when he came in, we never recorded

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any of it to a metronome. And oh he acknowledged

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that very quickly, and he threw away all three tracks

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pretty quickly also and started over from scratch. But he

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absolutely slayd it on the drums. Yeah, without any rehearsal, nothing.

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He just came into the studio and I threw the

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riff at him and he just did it. I don't

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know how it came together like that. Oh that's incredible. Yeah,

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and thank you. Fletch.

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Speaker 2: Absolutely absolutely incredible. Uh, well I'm down here you play live.

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So if you're just going to us, Nathan Hill is

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here with us, live in studio on this Saturday, more

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mean and uh what are you gonna what are you

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gonna play for us?

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Speaker 3: I'm gonna start off with track one off my Breaking

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Waves EP. This is called Shadow of the Unknown.

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Speaker 5: Okay, wonderful Nathan Hill live in studio.

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Speaker 10: Here we go.

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Speaker 7: H in the dark gyrollmolone, lost in on world on

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the over known, every step battle, every breath, the brown

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be seeing my demons in the mid night and girl

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still calling my name haunted whispers gone and saying.

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Speaker 10: Got in through the dark. By your for Girl in life, A.

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Speaker 7: Glimmer of hope in the shadows to night, Oh trials

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tribute chunks, I must go.

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Speaker 13: Back to the its life blow Now I found my way,

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I Broo, re.

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Speaker 7: Conquer the dolliness as well, surrounding me.

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Speaker 13: Out of the dog in.

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Speaker 7: Into the line I found myself to day joining in

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the fine never another struggle alone as press timpsing their

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life will out of care go still calling my name,

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Haunted whispers gone is saying got in through the dog

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boy off of good in Life, We Hope in the

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Shadows explained, you're just a shadow.

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Speaker 10: Moly, No, you're just a shadow.

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Speaker 3: Holy no, I found my way.

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Speaker 10: Brow breath and conquer the downies as well.

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Speaker 7: Surrounding You're just a shadow. The No, you're just a shadow.

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Speaker 9: Be no.

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Speaker 2: It Nathan Hill with us alive in studio. That is fantastic,

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well done. You sound great than you absolutely absolutely.

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Speaker 3: I was worried because you were doing a lot of

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stuff over there. I'm like, oh no, no, it's all good.

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Speaker 2: Sometimes the mix is a little rough in the very beginning,

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just because what I'm working with here.

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Speaker 3: It's like maybe I should have put phone. No, no, no,

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it's uh no. It sounded great. Oh thank you. Absolutely awesome.

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We've got let's see in the chow room by the way.

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So Melissa Wallershy, that's my beautiful fiance. I love you, sweet.

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Did I say her last dally of all? Yeah, you

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nailed that. Awesome.

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Speaker 10: Yeah. No.

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Speaker 2: She's very excited in the chat, offering a lot of support,

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and she said tell Nate his son Teddy wants a

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shout out.

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Speaker 3: Oh Teddy, you are the best. I love you so much,

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my friend. He's my eight year old son, and Ted

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gives me so much inspiration, comes and jams with me

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every single night. Every night he's in there. He knows

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all the songs, he knows all the lyrics. That's great.

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He came home one day singing four non blondes from school. Yeah,

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and I was like, all right, well, I guess I

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gotta learn that song. It's a pretty cool song. And

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I go out and people love it. Yeah, you know,

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you play that tune and people just go bersark and oh,

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no doubt, no doubt it does. So he's seen you

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play live. Obviously. He came out with me Wednesday night.

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We're at the Brick House and Dover, and I want

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to give a huge shout out to the brick House

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and Dover real quick. If you don't mind. Oh, absolutely great.

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Let's see right over here. Brick House and Dover. I

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played over there. I was the featured artist Ryan lavasor

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if I said that right, I'm sorry Ryan if I didn't.

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He made me the featured artist for March and he

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gave me an hour set at the open mic over there. Wow, excellent.

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Everybody showed up. We packed the house. It was out

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to the door. They're bringing chairs from upstairs. Downstairs because

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people didn't have enough seats. Nice. It was just killer

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like touched my heart. Like the middle Man band came.

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Those guys are fantastic rock band. Soul Color was there,

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the other Broken Ones with my friend Anthony Saint Peter,

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my great friend Jim Callery aka Jkel, Holly Furloan, who

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has one of the best female voices on the East Coast. Yeah,

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she said she's been up here before. I think it

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was cool because she gave me some tips. Okay, I'm

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coming in. She's like, don't bring your ramp, you don't need,

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don't hook you up right, Yeah, they were right.

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Speaker 10: She was right.

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Speaker 3: Yep, thank you, Holly, my buddy Jimmy Gray, Hen Doggie

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and his crew, King Polo, who couldn't make it, but

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King Polo. He's a hip hop artist out of Rochester

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and he has been a huge help for me.

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Speaker 5: He's been on he's been on the station.

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Speaker 2: By the way, he's never been on I don't think

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he's never been on this show, but but years ago

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he was a guest on the Morning Show with Peter White.

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Speaker 3: I definitely recommend you get him up here because he's

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a great dude. He helps so many musicians, and like

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in a time where I thought like I was just failing,

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he was like, nope, You're coming to keene Fest with me.

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You're doing porch Fest. You're doing this, You're killing it,

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You're doing it. He was awesome. Nice, Thank you, King Pull.

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I actually was on his album Wavy Baby two track

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number eleven, the Wave, and I played a little bit

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of guitar right in the center of it.

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Speaker 10: It was really cool.

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Speaker 14: Yeah.

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Speaker 3: Nice. And then huge shout out to Devin Rose Outwood

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who got me on ninety eight point nine w CLZ.

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It was the first time I was ever on the radio. Oh,

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very cool. Yeah, so awesome, awesome, I think that's it

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from the breckout. Sorry, it was huge. It was such

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a huge night. If you were there, you know what

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I'm talking about. A vibe like I've never seen. It

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was crazy. That's awesome. Congratulations on that. Yeah, thank you.

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Speaker 5: And then so the EP Breaking Waves. This is this

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is pretty new right a month.

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Speaker 3: Yeah. In fact, this time last year, I couldn't sing

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and play a guitar at the same time really at all,

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no kidding, I'd start playing. I've been playing the guitar

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for twenty years. I was in a band called Mystic Golf.

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You can find on all streaming platforms if you look

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up Nathan Hill Miss Stick Golf g u LF. That

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was when I was twenty two years old, so that

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was over half my life here.

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Speaker 10: Yeah.

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Speaker 3: Yeah, and I just played rhythm guitar and Dave Habith,

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who was probably the inspiration for me playing all these guitars.

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I always wanted to do it. He made it happen.

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Love you, Dave. He was one of the best shritters

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I've ever heard in my life. And in fact, if

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you find the song Nathan Hill Emerald Mystic Golf, you're

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gonna hear the best guitar solo that you've ever heard

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in your life. Dave could light a guitar on fire.

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And we were twenty years old. Yeah, and like I

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quit way too early. I will say that you quit

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way too early. Kicked me out and told me I

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was horrible, way too early. Oh yeah, yeah, yeah, I

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got kicked out. Oh I s U c K D.

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But I love you guys anyway, And Dave went on

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to be a really successful guy. You went to Berkeley.

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He was just a fantastic music and talented, talented guy.

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He makes films now and I love the guy. We

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reunited about a year ago and got to play some

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guitars together and it was like, wow, this was way

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too long before we made that happen, but we made

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it happen, so that's cool. That's cool. And where did

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you record the EP? I recorded it at my friend

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studio called Studio Pink. And the Studio Pink was a

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spare bedroom that was pink when they moved in. And yeah, yeah,

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you know, my friend is just a genius. I'm just

253
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going to say his name, Josh. Yeah, he doesn't want it,

254
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but really, I just he just got it. So he's

255
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in a band called Attack the Boredom and he does

256
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all of it himself. Attack the Boredom check it out

257
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online at b uh. He does it all himself and

258
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it's like it's crazy music. Yeah, he doesn't get it

259
00:19:00,119 --> 00:19:02,599
out to the world enough, and I wish he would

260
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because it's amazing what he does. But you know, he

261
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has helped me out, probably just about more than anybody.

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And he has a way of finding the best things,

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the things that I do best and exploits them. And

264
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that's what makes me so successful. On these albums. It's

265
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like for example, in Shadow of the Unknown, one of

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the lyrics at the beginning of it, when I wrote

267
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it out, was my footprints do not follow, And all

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he did was change my to where and it just

269
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sounded a million times better. So he changed one lyric

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in the song that you know. It's just little things. Yeah,

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And so he's like a producer, recorder, musician. I do

272
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not want to fight with him on a guitar. It

273
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just wouldn't end up great for me better.

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Speaker 5: Oh wow, we'll have to get him on the show.

275
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Speaker 3: Yeah, there's a song that we did together that I

276
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sent you the file for. It's mind Reader and Josh

277
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is the singer and that said it again, he's the

278
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singer in it, and Sean Fletcher is the drummer in it.

279
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And that song you have to listen to and you

280
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can't find it on any of the streaming platforms.

281
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Speaker 10: Yet.

282
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Speaker 3: You can only find that one on YouTube. And we

283
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Josh made a little cheese. I keep doing it. We're

284
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going to air those out my eight second. Why doesn't

285
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he want credit because he's just oh humble. Yeah, he's

286
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just a humble, great guy, and I just I don't know.

287
00:20:49,319 --> 00:20:50,880
He did it for a long time. He went on

288
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a lot of stages and he just shredded it out

289
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and just did it for a long time. YEA, unbelievable.

290
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And you know, just a lot of energy you got

291
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to put into this thing. And there's a lot of

292
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there's a you know, a lot of these musicians are

293
00:21:07,039 --> 00:21:10,359
going out and they're not getting any money to It's

294
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very very hard. I don't remember getting any money anytime.

295
00:21:16,799 --> 00:21:19,440
It's very very difficult. Yeah, I don't think this guitar

296
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is paid for yet now I hear that. Yeah, it's

297
00:21:25,200 --> 00:21:27,559
a tough racket, you know. And he'd rather just stay

298
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home and make some killer music by himself and don't

299
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have to go through the headache of getting everybody together

300
00:21:34,559 --> 00:21:38,200
at one time. And it's a it's a hard thing.

301
00:21:38,359 --> 00:21:40,440
And I respect all these bands that are out there

302
00:21:40,519 --> 00:21:43,279
doing it because I started singing out of necessity.

303
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Speaker 8: You know.

304
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Speaker 3: I couldn't really find that right band I was in

305
00:21:46,559 --> 00:21:48,200
and out of five bands that I tried out for

306
00:21:48,400 --> 00:21:51,400
last yeard, Yeah, and it just wasn't the right fit

307
00:21:51,599 --> 00:21:53,200
every time. I didn't really want to be in a

308
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cover band. I didn't want to be in a screaming

309
00:21:55,759 --> 00:21:59,160
heavy metal band. A couple of those. I was just like,

310
00:22:00,160 --> 00:22:03,759
it's not me. Yeah, I'm rock and roll, I'm not metal.

311
00:22:03,880 --> 00:22:04,200
Speaker 10: I'm not.

312
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Speaker 3: Super laid back either. I don't know. I'm just like

313
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in the middle of it.

314
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Speaker 10: Yeah.

315
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Speaker 2: So so ultimately you arrived at I guess where you

316
00:22:14,920 --> 00:22:16,839
were destined to be in the sense that now you're

317
00:22:16,880 --> 00:22:19,119
doing your own thing. It's crazy and you're and you're

318
00:22:19,160 --> 00:22:21,000
singing and you're playing, and you're doing it at all,

319
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and it seems like it's pretty fulfilling, right.

320
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Speaker 3: I wasn't expecting this out of the CP. I knew

321
00:22:25,599 --> 00:22:28,119
it was good because like I listened to it five

322
00:22:28,400 --> 00:22:31,559
thousand times. Yeah, and I was so itching to share

323
00:22:31,559 --> 00:22:33,319
it with people, but I couldn't because I knew we

324
00:22:33,359 --> 00:22:36,279
were trying to release it as the EP. Yeah, and

325
00:22:36,400 --> 00:22:38,759
I'm like at the gym and like listening to I'm like, man,

326
00:22:38,880 --> 00:22:40,720
breaking Waves is just good.

327
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Speaker 10: Yeah.

328
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Speaker 3: Yeah, And like that was the first one that we

329
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had done YEP, and then we got Shallow done, which

330
00:22:47,920 --> 00:22:51,559
is the third track at the end, and uh, I

331
00:22:51,559 --> 00:22:54,039
don't know. I listened to those two songs probably a

332
00:22:54,160 --> 00:22:56,960
million times. You get sick of them, sure, And I

333
00:22:57,079 --> 00:22:58,759
know it was just me, but like I would have

334
00:22:58,799 --> 00:23:02,240
gotten sick of it, if it was terrible right, or

335
00:23:02,319 --> 00:23:04,359
if like if there was a bunch like I listened

336
00:23:04,400 --> 00:23:06,119
to him, and I don't hear the notes that I

337
00:23:06,200 --> 00:23:09,000
didn't want to hit. Yeah, I don't hear the mistakes

338
00:23:09,119 --> 00:23:12,200
that I just love it. Yeah, yeah, I can't believe

339
00:23:12,240 --> 00:23:15,640
what Josh did do it. Yeah, he killed it. Studio Pink,

340
00:23:15,759 --> 00:23:16,319
you're the best.

341
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Speaker 12: There you go.

342
00:23:17,599 --> 00:23:20,519
Speaker 5: Is he actively taking on other clients to record.

343
00:23:20,319 --> 00:23:23,480
Speaker 3: Or he has friends? It's you got to be a

344
00:23:23,519 --> 00:23:25,559
close friend. Okay, Okay, that's it.

345
00:23:25,839 --> 00:23:26,079
Speaker 10: Yeah.

346
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Speaker 3: I mean it's too bad he doesn't open a giant

347
00:23:30,640 --> 00:23:34,480
studio and do this. We didn't master the CD, we

348
00:23:34,559 --> 00:23:39,319
didn't send it into a mastering place. This was all him.

349
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Speaker 10: Wow, this guy is.

350
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Speaker 3: I can't say enough good things, but you can say

351
00:23:43,599 --> 00:23:47,359
more and ye just spread the word about what he does,

352
00:23:47,440 --> 00:23:50,119
because whatever he does for me is just right on

353
00:23:50,279 --> 00:23:52,759
the money. I just want to go kick in his

354
00:23:52,880 --> 00:23:57,240
door right now, start recording songs coming over right after him.

355
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Speaker 10: Off there.

356
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Speaker 2: I know you're listening, by the way, also listening to

357
00:24:02,200 --> 00:24:04,759
Jay Bellow from the band Chasing the Devil is in

358
00:24:04,839 --> 00:24:07,720
the chat room, says shout out king morning boys. Jay

359
00:24:07,759 --> 00:24:09,920
has been a big supporter of this show and what

360
00:24:10,000 --> 00:24:12,039
we do here for a long time. So we recently

361
00:24:12,119 --> 00:24:14,319
did the world radio premiere of the new Chasing the

362
00:24:14,400 --> 00:24:17,119
Devil track. Uh, Morning Star really really good?

363
00:24:18,359 --> 00:24:18,799
Speaker 3: We should?

364
00:24:18,920 --> 00:24:19,039
Speaker 15: Uh?

365
00:24:19,279 --> 00:24:20,440
Speaker 3: Do you want to play an I'm dying here? You

366
00:24:20,519 --> 00:24:21,880
play some more? You want to play another one? Another

367
00:24:21,920 --> 00:24:26,240
one here? Why don't we? I? The funny thing is

368
00:24:26,400 --> 00:24:29,279
is Josh never could sing and play this on the guitar,

369
00:24:29,519 --> 00:24:32,119
and I wanted to bring it out, So I'll do

370
00:24:32,240 --> 00:24:35,079
mind reader. Okay, yeah, this is the hard one to

371
00:24:35,119 --> 00:24:36,000
find its rarity.

372
00:24:36,160 --> 00:25:02,960
Speaker 16: Okay, hats interested my mind to see what I would change?

373
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Speaker 4: Oh me.

374
00:25:07,640 --> 00:25:12,440
Speaker 7: The false mind condemn and my words.

375
00:25:14,319 --> 00:25:16,400
Speaker 10: That burned my world.

376
00:25:18,160 --> 00:25:22,160
Speaker 7: Fly without a fan safe even if it's a hide

377
00:25:23,559 --> 00:25:26,279
police win, and I see what's broken in my dark

378
00:25:26,359 --> 00:25:27,599
and my butther designed.

379
00:25:29,599 --> 00:25:32,680
Speaker 3: I can't techue. Guess how was I supposed to know?

380
00:25:34,039 --> 00:25:35,200
I should have seen it?

381
00:25:35,359 --> 00:25:36,960
Speaker 10: Come him with a.

382
00:25:37,039 --> 00:25:43,960
Speaker 11: Pretty devil walking to her consequences lined up in a row.

383
00:25:45,480 --> 00:25:46,599
Speaker 4: I'm looking back.

384
00:25:47,240 --> 00:26:12,119
Speaker 3: I keep trying to find mind with home. Oh you

385
00:26:12,240 --> 00:26:15,519
been inside to suffer from a.

386
00:26:15,599 --> 00:26:20,359
Speaker 4: Game with him. They'll want to wave him.

387
00:26:21,079 --> 00:26:23,880
Speaker 3: I'll take the sun and up pull it down.

388
00:26:25,359 --> 00:26:25,680
Speaker 10: With you.

389
00:26:28,400 --> 00:26:34,960
Speaker 7: Under falling without a fail safe, tripping over the line.

390
00:26:36,200 --> 00:26:38,720
Here we yelling say him dead, as they both said

391
00:26:38,799 --> 00:26:40,000
they would never survive.

392
00:26:40,519 --> 00:26:43,279
Speaker 10: Have I can't see this?

393
00:26:43,640 --> 00:26:47,759
Speaker 3: How was I supposed to know? I should have seen him.

394
00:26:47,720 --> 00:26:53,680
Speaker 11: Come in with a pretty devil walking so her consequences

395
00:26:54,799 --> 00:26:56,279
lined up in a row.

396
00:26:57,799 --> 00:27:03,519
Speaker 3: I'm looking back. I can't trying to buy my way who.

397
00:27:12,559 --> 00:27:13,759
Speaker 10: He's been alone?

398
00:27:56,440 --> 00:27:58,960
Speaker 7: You're all I ever want to him.

399
00:28:01,759 --> 00:28:03,559
Speaker 9: You all live me.

400
00:28:07,440 --> 00:28:09,400
Speaker 7: Now, I can't control this.

401
00:28:12,200 --> 00:28:14,160
Speaker 3: I'll take you down with me.

402
00:28:16,039 --> 00:28:33,920
Speaker 10: Now, with me, now, with me, with me. I love it.

403
00:28:34,000 --> 00:28:35,000
Speaker 3: That is called mind reader.

404
00:28:35,920 --> 00:28:39,519
Speaker 2: Nice nice by the way, So Nathan Hill is here

405
00:28:39,559 --> 00:28:43,440
with us live in studio, and someone in the chat said,

406
00:28:43,720 --> 00:28:46,720
someone named I don't understands if I'm saying that correctly, says,

407
00:28:46,839 --> 00:28:48,839
I think this is referring to is his name Josh?

408
00:28:49,759 --> 00:28:52,319
He's an animal? Anything he does, he goes all in.

409
00:28:52,880 --> 00:28:55,039
He's a great treasure hunter too. Is that referring to

410
00:28:55,079 --> 00:28:59,279
Josh referring to you? Because yeah, it has and he's

411
00:28:59,480 --> 00:29:01,000
and he's a great treasure hunter.

412
00:29:01,240 --> 00:29:03,559
Speaker 3: I don't know. I'm a treasure hunter to myself, are you?

413
00:29:03,960 --> 00:29:06,279
I I go treasure hunt, I go gold panning. And

414
00:29:06,440 --> 00:29:08,240
you know if I find that I like to sniff

415
00:29:08,240 --> 00:29:14,039
out a good bottle, dig every I'm a landscaper, so yeah,

416
00:29:14,160 --> 00:29:16,960
oh okay, I do landscaping for myself. I've been doing

417
00:29:16,960 --> 00:29:19,440
it for a long time. So, oh okay, you run

418
00:29:19,480 --> 00:29:22,519
a business. Yeah, I run my own business, Nathan Hill Landscaping.

419
00:29:22,640 --> 00:29:24,880
Oh cool, Yeah to south Brook. I work mostly in

420
00:29:24,960 --> 00:29:27,799
the ports with Harrea. So yeah, nice, you've been doing that,

421
00:29:27,920 --> 00:29:30,359
doing that a long time, long time. Yeah, good, good

422
00:29:30,400 --> 00:29:32,200
for you. I'm trying to transition to the music. It's

423
00:29:32,200 --> 00:29:35,480
a lot easier on my back. Give me some gigs, everybody,

424
00:29:35,519 --> 00:29:37,160
if you're out there, you're listening, you want me to

425
00:29:37,200 --> 00:29:39,400
come play your place. I know a ton of covers.

426
00:29:39,920 --> 00:29:42,480
I could play some originals. I like to have fun.

427
00:29:43,319 --> 00:29:45,440
I don't know what else to say. Yeah, get me

428
00:29:45,559 --> 00:29:48,319
in hell. Yeah, Well you sound great.

429
00:29:48,400 --> 00:29:51,960
Speaker 2: I mean, anyone anyone listening knows now if they didn't already,

430
00:29:52,039 --> 00:29:55,440
you sound great live certainly. Joey Painter, who has been

431
00:29:55,480 --> 00:29:57,359
a guest on the show a couple of times. He's

432
00:29:57,400 --> 00:29:59,880
in the Facebook chat. He says, Nathan Hill is the man.

433
00:30:01,200 --> 00:30:04,160
Speaker 3: Joe too man. Yeah, he's great. Yeah, he's helped me

434
00:30:04,200 --> 00:30:06,119
out too, Like he picked me up a couple of

435
00:30:06,160 --> 00:30:09,160
times where it was like, man, what am I doing here?

436
00:30:09,240 --> 00:30:11,359
And like I just started singing and I kind of

437
00:30:11,400 --> 00:30:14,200
transitioned from playing in the electric guitar with my looper

438
00:30:14,400 --> 00:30:17,400
and like not singing. Yeah, Joe's like, no, come play

439
00:30:17,440 --> 00:30:19,640
at my benefit, And like the guy just always wants

440
00:30:19,640 --> 00:30:21,640
to help you. Did you play at the Walmart event

441
00:30:21,720 --> 00:30:23,720
that I didn't do the Walmart one because I didn't

442
00:30:23,720 --> 00:30:26,480
even know Joey. Then oh, a different one that we

443
00:30:26,599 --> 00:30:30,559
played in Portsmouth and it benefited one of the schools

444
00:30:30,599 --> 00:30:33,000
in Portsmouth. Oh, I can't give you all the exact

445
00:30:33,079 --> 00:30:36,200
details cause a while ago, but yeah, Joe you demand No,

446
00:30:36,319 --> 00:30:37,599
that's awesome. He's great.

447
00:30:37,680 --> 00:30:39,799
Speaker 5: Yeah, he does a lot of positive things for the community, and.

448
00:30:39,960 --> 00:30:41,920
Speaker 3: He really does. Yeah. I hope we can do more.

449
00:30:42,039 --> 00:30:45,000
So everybody look up Joey Paanter. Let's do some stuff,

450
00:30:45,119 --> 00:30:47,240
raise some money for some people to do whatever we can.

451
00:30:47,400 --> 00:30:49,559
Let's throw a big concert and party. Oh yeah, we

452
00:30:49,640 --> 00:30:51,119
don't need to get paid. We want to play some

453
00:30:51,240 --> 00:30:54,319
music and get recognized. Yeah, he's such a positive guy.

454
00:30:54,400 --> 00:30:56,279
It's great. Yeah, good guy.

455
00:30:56,440 --> 00:30:58,799
Speaker 2: Also, our friend Mariam Banish, another great supporter of the

456
00:30:58,839 --> 00:31:00,519
show and a great friend is in the Chad Urman

457
00:31:00,559 --> 00:31:03,279
says good morning, good morning to you. And if you

458
00:31:03,359 --> 00:31:05,720
are just joining us, Nathan Hill is here with us

459
00:31:05,880 --> 00:31:09,079
a live in studio. Are you Are you playing anywhere

460
00:31:09,119 --> 00:31:11,160
this weekend? You got gigs this weekend or you know

461
00:31:11,279 --> 00:31:11,839
what it's.

462
00:31:12,519 --> 00:31:14,799
Speaker 3: I hate to admit it. I don't got any gigs

463
00:31:14,839 --> 00:31:15,240
lined up.

464
00:31:15,799 --> 00:31:16,200
Speaker 10: I don't know.

465
00:31:16,400 --> 00:31:22,319
Speaker 3: It's just like I'm repelling the gigs somehow. So let's go, everybody.

466
00:31:22,400 --> 00:31:24,680
I'm ready to play. Get me out there. I'm really

467
00:31:24,759 --> 00:31:26,720
new to the scene too, you know, I'm not gonna

468
00:31:26,720 --> 00:31:29,599
lie like like I said, I just started singing in August,

469
00:31:30,440 --> 00:31:33,000
and it takes a long time to get your foot in.

470
00:31:33,039 --> 00:31:33,640
Speaker 10: The door, you know.

471
00:31:34,200 --> 00:31:37,680
Speaker 3: And I don't know. I think I think I'm accepted

472
00:31:37,759 --> 00:31:39,799
by a lot of the community, but I think there's

473
00:31:39,799 --> 00:31:43,480
a part of the community that's just like Nate's a

474
00:31:43,519 --> 00:31:46,400
little loud. Takes a little time. Yeah, it takes some time.

475
00:31:46,559 --> 00:31:48,640
Last night was really cool. I got to play the

476
00:31:48,880 --> 00:31:53,200
Lilac City Grill. Big shout out to Brady Greer for

477
00:31:53,400 --> 00:31:55,559
inviting me up just come play with some songs in

478
00:31:55,599 --> 00:31:58,400
the middle of his set. Yeah, it was just like

479
00:31:58,559 --> 00:32:01,880
super cool him to do that for me because he

480
00:32:01,960 --> 00:32:04,359
knows I'm trying to get out there and just hey,

481
00:32:04,440 --> 00:32:06,799
come play some songs on my set. Get your name

482
00:32:06,839 --> 00:32:10,200
out there. Yeah, you know that's the coolest.

483
00:32:10,359 --> 00:32:13,559
Speaker 5: Yeah, but where is thatac clac.

484
00:32:12,920 --> 00:32:15,799
Speaker 3: City Grills in Rochester, New Hampshire. Okay, I love learning

485
00:32:15,799 --> 00:32:18,920
about new places. I'm not familiar with. Great Spot plays

486
00:32:18,960 --> 00:32:21,400
there a lot o Timmy t He's.

487
00:32:21,839 --> 00:32:22,480
Speaker 5: I've heard the name.

488
00:32:22,559 --> 00:32:27,160
Speaker 3: I don't know him, but I've definitely heard the name. Yeah, yeah, animal, Yeah.

489
00:32:27,200 --> 00:32:29,920
Speaker 2: Very cool, very cool. Nathan Hill is here with us,

490
00:32:29,960 --> 00:32:31,920
and uh, you want to play another he sounds so

491
00:32:32,000 --> 00:32:34,119
good man. I just I would love hearing you play,

492
00:32:34,640 --> 00:32:35,440
love hearing you play.

493
00:32:36,119 --> 00:32:41,279
Speaker 3: Yeah, I'll play track number three Shallow okay off Breakawaves.

494
00:32:41,319 --> 00:32:43,759
Oh yeah, this is a very cool songs, very cool song.

495
00:32:43,839 --> 00:32:45,880
It's got a good acoustic sound to it too, like

496
00:32:46,400 --> 00:32:49,680
but on the album, you know it's got everything. That's

497
00:32:49,720 --> 00:32:50,640
got the bass, the drums.

498
00:32:50,720 --> 00:33:23,400
Speaker 7: Yeah, yep, they into my role with full Prince do

499
00:33:23,759 --> 00:33:31,480
not follow. I ask myself, how can you be so shallow?

500
00:33:32,400 --> 00:33:36,200
How much more can you take from me?

501
00:33:37,799 --> 00:33:39,680
Speaker 3: Give up a thing?

502
00:33:41,359 --> 00:33:41,880
Speaker 10: Know you?

503
00:33:42,400 --> 00:33:50,240
Speaker 3: Wellness, don'things me a plastic smile.

504
00:33:52,039 --> 00:33:58,920
Speaker 11: He's a true, he's gone by how broken you.

505
00:34:00,200 --> 00:34:02,720
Speaker 7: I feel so solryd Bud.

506
00:34:02,960 --> 00:34:06,839
Speaker 3: I can't change ties says for.

507
00:34:06,960 --> 00:34:17,199
Speaker 10: You, down to day, down to my room.

508
00:34:18,599 --> 00:34:19,000
Speaker 4: Times.

509
00:34:19,239 --> 00:34:24,960
Speaker 7: Just sleep the way, Please.

510
00:34:27,119 --> 00:34:33,639
Speaker 13: Leave, babe, I can do no Run home.

511
00:34:35,719 --> 00:34:39,599
Speaker 4: Now, sleep babe.

512
00:34:41,280 --> 00:34:44,920
Speaker 10: Tomorrow I'll be going home.

513
00:34:47,280 --> 00:34:48,239
Speaker 4: Take out.

514
00:34:49,880 --> 00:34:51,360
Speaker 3: We're crying, tell.

515
00:34:52,800 --> 00:35:00,000
Speaker 7: And talk to be so strong home, So shallllo.

516
00:35:01,400 --> 00:35:14,760
Speaker 3: So shall I hope you' he really sadly you too, Mauro.

517
00:35:16,519 --> 00:35:19,280
Speaker 10: To be so shut.

518
00:35:24,840 --> 00:35:27,519
Speaker 3: Nice, thank you. I wasn't sure if there was more

519
00:35:27,519 --> 00:35:28,840
at the end or not. I like it, but I

520
00:35:28,960 --> 00:35:30,159
like the way it kind of ends. It kind of

521
00:35:30,199 --> 00:35:32,320
leaves you. I kind of did the shortened version of it.

522
00:35:32,480 --> 00:35:35,000
Speaker 5: Okay, there, you know, but it kind of leaves you

523
00:35:35,079 --> 00:35:36,400
hanging a little bit, which is cool.

524
00:35:36,679 --> 00:35:39,480
Speaker 3: Yeah. I like that kind of like I would normally

525
00:35:39,599 --> 00:35:43,239
do it twice. But yeah, yeah, I like talking like myself.

526
00:35:44,679 --> 00:35:46,519
I don't want to give more shout outs to more

527
00:35:46,519 --> 00:35:49,239
of my friends instead of just Nate Hill, Nate Hill,

528
00:35:49,320 --> 00:35:52,239
Nate Hill, Yeah, yeah, Yathan Hill breaking waves. Nathan Hill.

529
00:35:52,599 --> 00:35:54,159
Speaker 2: Well, you did give a lot of shout outs, but

530
00:35:54,199 --> 00:35:55,519
if you'd like to have more, feel free and.

531
00:35:55,639 --> 00:35:57,639
Speaker 3: We're all about a couple. I want to do real quick.

532
00:35:57,679 --> 00:35:59,360
Speaker 5: We're all about love on this show and give them

533
00:35:59,400 --> 00:36:01,400
people a huge.

534
00:36:01,159 --> 00:36:03,679
Speaker 3: Band that has been one of the biggest inspirations to me.

535
00:36:04,960 --> 00:36:08,840
Troll from Portland, Maine. Oh you haven't heard of Troll.

536
00:36:09,679 --> 00:36:14,639
Stop everything you're doing. Get on t R A w L.

537
00:36:15,519 --> 00:36:19,039
We have not had them on the show. I'm gonna

538
00:36:19,039 --> 00:36:21,280
make that happen, but at least I don't think we have.

539
00:36:21,440 --> 00:36:23,760
Speaker 5: Sometimes I forget, I don't I've been doing this so long.

540
00:36:23,920 --> 00:36:24,800
Speaker 3: But we have seen that.

541
00:36:24,920 --> 00:36:27,320
Speaker 2: Jenny and I have seen them live off the Hook.

542
00:36:27,719 --> 00:36:30,239
We saw them live maybe two or three years ago

543
00:36:30,280 --> 00:36:34,119
at a show at Jewel and I remember being very

544
00:36:34,119 --> 00:36:34,920
impressed with them.

545
00:36:35,400 --> 00:36:39,719
Speaker 3: Yeah yeah, yep. Seth the bass player, helped me design

546
00:36:40,400 --> 00:36:42,199
the CD, which I'm going to give you guys copies.

547
00:36:42,280 --> 00:36:43,039
Speaker 10: Oh cool. Sweet.

548
00:36:43,920 --> 00:36:46,519
Speaker 3: He helped me design and order. He did everything. I

549
00:36:46,559 --> 00:36:47,960
didn't have to do anything. I went up to his

550
00:36:48,039 --> 00:36:50,639
place and he goes, do you like this? Do you

551
00:36:50,800 --> 00:36:51,800
like this? I said, I like this.

552
00:36:51,960 --> 00:36:52,320
Speaker 5: I like this.

553
00:36:52,400 --> 00:36:54,079
Speaker 3: I want to wave facing to the left on the

554
00:36:54,119 --> 00:36:58,960
front and boom it was done. Yeah, he just killed it. Seth,

555
00:36:59,320 --> 00:37:03,880
you are the man Troll. You guys kill it. Justin

556
00:37:04,000 --> 00:37:08,679
Patrie the guitar player, Freak Show Amplification. He's got the

557
00:37:08,760 --> 00:37:11,239
best amps on the East Coast. He's got the best

558
00:37:11,280 --> 00:37:13,639
pedals on the Sea coast. You want to boost pedal

559
00:37:14,440 --> 00:37:17,159
could give you the crunch that you want. Look up

560
00:37:17,320 --> 00:37:22,280
Justin Patrick, Freak Show Amplification, the best in the business. Okay, Okay,

561
00:37:22,480 --> 00:37:25,719
you throw that pedal off a roof of any building

562
00:37:26,480 --> 00:37:30,239
and plug it in and work. Okay, handbuilt by him. Incredible.

563
00:37:30,719 --> 00:37:33,199
Speaker 2: Plus how metal is that to throw it? To be

564
00:37:33,239 --> 00:37:37,280
able to throw a pedal off the building and that's metal?

565
00:37:37,480 --> 00:37:41,719
Speaker 3: Yeah, right, that's met. Justin will throw his SG is

566
00:37:41,760 --> 00:37:44,840
Gibson SG or one of his guitars on the stage afterward,

567
00:37:44,880 --> 00:37:48,599
and I'm like, ah no, just man, I'm so poor.

568
00:37:48,679 --> 00:37:51,280
I can't afford that. I didn't afford to watch you

569
00:37:51,360 --> 00:37:53,920
do that. But they're awesome. I love those guys. Yeah,

570
00:37:54,519 --> 00:37:56,800
Charlie's Hill. I want to give a shout out to them.

571
00:37:56,880 --> 00:38:00,639
We're playing Rock and Roast July eighteenth through the twentieth.

572
00:38:00,639 --> 00:38:03,679
I'm actually gonna have the guys that I did Breaking

573
00:38:03,760 --> 00:38:05,880
Waves playing with me. Oh, we're going to actually do

574
00:38:06,000 --> 00:38:08,920
a set. Oh cool, it's gonna be incredible, excellent. Get

575
00:38:08,960 --> 00:38:10,280
ready to practice for that. Boys.

576
00:38:10,400 --> 00:38:12,039
Speaker 2: Oh by the way, but before before you move on,

577
00:38:12,159 --> 00:38:13,800
I just want to just circling back to Troll just

578
00:38:13,840 --> 00:38:16,599
for a moment, because Jay from Chasing the Devil says,

579
00:38:16,679 --> 00:38:19,679
Troll are our boys and amazing great peeps.

580
00:38:19,800 --> 00:38:20,519
Speaker 3: Yeah, great piece.

581
00:38:20,639 --> 00:38:22,280
Speaker 2: A little a little more, a little more love for

582
00:38:22,400 --> 00:38:24,840
Troll now now we dot more love for now. We

583
00:38:24,920 --> 00:38:26,840
definitely definitely definitely have to get him on.

584
00:38:27,320 --> 00:38:29,719
Speaker 3: Yeah, all right, you guys are coming. I'm gonna talk

585
00:38:29,760 --> 00:38:31,639
to you guys. I'll send you a message. Matt wants

586
00:38:31,679 --> 00:38:34,760
you here. Yep, yep, I want you guys here. Absolutely.

587
00:38:34,800 --> 00:38:38,719
I want the world to know about Troll absolutely always, guys.

588
00:38:38,840 --> 00:38:42,480
Speaker 2: Steve Sprague is in the chairman says, uh, sounds great, Nathan.

589
00:38:42,639 --> 00:38:44,360
One of these days we will rock out.

590
00:38:44,519 --> 00:38:46,960
Speaker 3: Oh you know it. Steve is a great guy up

591
00:38:47,000 --> 00:38:49,000
at Charlie's Hill. He's always jamming.

592
00:38:49,159 --> 00:38:49,639
Speaker 10: Oh okay.

593
00:38:49,719 --> 00:38:52,440
Speaker 3: He's just been a positive supporter of everything that I've

594
00:38:52,480 --> 00:38:55,119
done from the beginning. Steve knows when I was up

595
00:38:55,159 --> 00:38:58,480
there with my electric guitar, my looper. Yeah, Charlie's Hill

596
00:38:58,519 --> 00:39:04,360
always had a stage for me. Great people, Mike and Terry,

597
00:39:04,599 --> 00:39:08,800
I love you guys. Max Sound Production up there, Lloyd

598
00:39:08,880 --> 00:39:12,159
du Salt, He's always running the sound, always cranking it.

599
00:39:12,519 --> 00:39:14,719
He wants you to hear it. Yeahs you to feel

600
00:39:14,760 --> 00:39:17,159
it good. That's what I love about being on his stage.

601
00:39:17,199 --> 00:39:21,320
It's always just maxed out max sound. But we're doing

602
00:39:21,480 --> 00:39:24,280
rock and Roast Fest up there. There's like thirty bands

603
00:39:24,360 --> 00:39:28,639
Signal to Noise, a day to attender headlining loved is

604
00:39:28,800 --> 00:39:34,400
July eighteenth through twentieth at Charlie's Hill. Camp out fifty

605
00:39:34,440 --> 00:39:36,440
bucks for the whole weekend. You can come and stay

606
00:39:36,480 --> 00:39:38,679
there and hang out and we're gonna just throw it down.

607
00:39:39,000 --> 00:39:40,119
Very cool, very cool.

608
00:39:40,199 --> 00:39:43,679
Speaker 2: So by the way, John Hernandez Johnny, I love you

609
00:39:43,760 --> 00:39:45,239
buddy says it sounds awesome.

610
00:39:45,320 --> 00:39:50,559
Speaker 5: You look great too, all right. Stephanie Genevieve says, you

611
00:39:50,679 --> 00:39:51,199
sound great.

612
00:39:51,360 --> 00:39:56,440
Speaker 3: Oh, thank you, Steph. Absolutely, that's a that's a Auntie,

613
00:39:56,440 --> 00:40:00,480
steph okay, okay, awesome. Good to have supportive family. Thank you.

614
00:40:00,559 --> 00:40:01,920
Form no doubt, no doubt.

615
00:40:02,159 --> 00:40:02,639
Speaker 10: We have time.

616
00:40:02,679 --> 00:40:04,519
Speaker 3: You want to play one more? Yeah? All right?

617
00:40:04,639 --> 00:40:04,880
Speaker 10: Cool?

618
00:40:05,119 --> 00:40:07,320
Speaker 3: Should I? Uh you know, I can either do the

619
00:40:07,400 --> 00:40:09,039
new one or Breaking Waves? You pick you? Should you

620
00:40:09,079 --> 00:40:10,760
breaking Waves? We already kind of listened to it, but

621
00:40:10,800 --> 00:40:13,360
I can do the new one too, Oh yeah you can. Yeah,

622
00:40:13,480 --> 00:40:16,880
why do I think? Breaking waves? Yeah? Yeah, breaking waves?

623
00:40:16,920 --> 00:40:19,039
I know we heard the studio version. Let's do the

624
00:40:19,159 --> 00:40:19,920
c Yeah.

625
00:40:35,599 --> 00:40:36,000
Speaker 10: He in the.

626
00:40:36,119 --> 00:40:40,880
Speaker 7: Silence up here, the rias a stone brew m and heat.

627
00:40:41,119 --> 00:40:46,800
The sky has hangle lock to tide and pulls and sways,

628
00:40:47,440 --> 00:40:50,679
drowning me with your restless waves.

629
00:40:51,239 --> 00:40:52,480
Speaker 3: Get in, dog.

630
00:40:52,559 --> 00:40:57,960
Speaker 7: Glads, get in demn hugh screen through the roaring whalem?

631
00:40:58,719 --> 00:41:03,000
Should I find I donor just give in to these

632
00:41:03,199 --> 00:41:10,519
breaking waves? The wood I fadal waves like a ship

633
00:41:10,599 --> 00:41:15,280
from the show, sell my soul to a comer, sea

634
00:41:16,440 --> 00:41:23,079
waves bringing me control the blade through laborium rain and

635
00:41:23,480 --> 00:41:27,360
dancing sway with thie keys.

636
00:41:27,480 --> 00:41:29,280
Speaker 10: Breaking waves.

637
00:41:30,119 --> 00:41:38,679
Speaker 7: It drags me down. I can't breathe now, I'm upside down.

638
00:41:39,840 --> 00:41:40,559
Speaker 3: Gotta come on.

639
00:41:40,639 --> 00:41:41,679
Speaker 4: For air again.

640
00:41:42,800 --> 00:41:50,760
Speaker 7: Release me now, I'm caught in a rib side. Ain't

641
00:41:50,800 --> 00:41:55,239
gonna make rise, but it wo hold me down. I

642
00:41:55,360 --> 00:42:00,760
built my fortress on solid grounds. Every day, he reclaim

643
00:42:00,960 --> 00:42:06,840
in the space far about these breaking waves? Who being

644
00:42:06,960 --> 00:42:11,000
defined grace in a place in this world that will

645
00:42:11,239 --> 00:42:18,320
never haul me? No sense fighting against these currents.

646
00:42:18,559 --> 00:42:20,039
Speaker 4: Drag you with him?

647
00:42:21,440 --> 00:42:24,239
Speaker 11: But would I fed awaves?

648
00:42:25,239 --> 00:42:26,559
Speaker 3: I could ship from the shore.

649
00:42:27,840 --> 00:42:32,599
Speaker 7: I sell my soul to a comer, say ways rigging

650
00:42:32,760 --> 00:42:40,000
upon me, control me through the porum rain nine disn't sway.

651
00:42:42,440 --> 00:42:44,639
Speaker 4: He's rigging waves.

652
00:43:13,239 --> 00:43:16,119
Speaker 3: I love it. I love it. Thanks man, Yeah, thank you.

653
00:43:16,360 --> 00:43:20,360
Speaker 2: Absolutely live in studio, Nathan Hill is here with us,

654
00:43:20,400 --> 00:43:22,000
and now that sounds fantastic.

655
00:43:22,480 --> 00:43:22,800
Speaker 3: Thanks.

656
00:43:22,960 --> 00:43:24,920
Speaker 2: What are your what are your future plans as far

657
00:43:24,960 --> 00:43:27,320
as recording do? Do you plan to do another EP?

658
00:43:27,679 --> 00:43:29,920
Or are you gonna do an album or what like?

659
00:43:30,159 --> 00:43:31,400
Have you thought that far ahead?

660
00:43:31,599 --> 00:43:34,280
Speaker 3: Or what I'd really like to do is probably do

661
00:43:34,519 --> 00:43:37,840
maybe a longer EP next time, maybe do like five songs. Yeah,

662
00:43:38,039 --> 00:43:42,239
get mind reader onto it because I want We work

663
00:43:42,360 --> 00:43:45,559
so hard on that song too. Like the studio version

664
00:43:45,639 --> 00:43:48,880
is ridiculous. Yeah, like the guitar like Josh kind of

665
00:43:48,920 --> 00:43:50,559
kicked in a little bit on it. I played the

666
00:43:50,679 --> 00:43:54,199
solos and I played, like, you know, eighty five percent

667
00:43:54,280 --> 00:43:56,400
of the guitar riffs, and I wrote the guitar riffs,

668
00:43:56,480 --> 00:44:00,159
but he added his frizzle to it. Yeah, and I'll

669
00:44:00,199 --> 00:44:02,199
tell you the song is just hot. It didn't get

670
00:44:02,440 --> 00:44:05,760
enough attention at all because we put it on YouTube

671
00:44:05,800 --> 00:44:08,320
and it's like I was Nate Hill a year ago.

672
00:44:08,599 --> 00:44:12,119
Like I'm a little more popular now. Yeah, but like

673
00:44:12,400 --> 00:44:15,000
back then, I was almost nobody, you know, like a

674
00:44:15,039 --> 00:44:18,679
year ago. Yeah, I'm still nobody, but I'm glad to

675
00:44:18,760 --> 00:44:19,079
be here.

676
00:44:19,239 --> 00:44:19,440
Speaker 10: Man.

677
00:44:19,719 --> 00:44:23,079
Speaker 3: I don't protest to be like, you know, like the greatest.

678
00:44:23,199 --> 00:44:25,440
I don't none of that. I'm just having fun. I'm

679
00:44:25,480 --> 00:44:28,000
trying to make some kick ass music. Oh sorry, Oh no,

680
00:44:28,119 --> 00:44:30,239
you can say that, all right, Cool, you can say geez.

681
00:44:31,679 --> 00:44:33,840
I know it's hard. It's hard to know what the

682
00:44:34,480 --> 00:44:39,119
where the lines are good music. Yeah, I'm just trying

683
00:44:39,159 --> 00:44:40,039
to make some good music.

684
00:44:40,440 --> 00:44:40,559
Speaker 9: Uh.

685
00:44:41,039 --> 00:44:43,400
Speaker 3: You know, ultimately, i'd like to stop breaking my back

686
00:44:43,559 --> 00:44:46,159
do some gigs, you know. Like I said, I can

687
00:44:46,239 --> 00:44:49,239
do a lot of covers. I just started singing in August,

688
00:44:49,400 --> 00:44:52,320
so I haven't written more than five songs yet.

689
00:44:52,599 --> 00:44:52,719
Speaker 12: Oh.

690
00:44:52,960 --> 00:44:55,960
Speaker 3: I'm working on the next ones now. But you know,

691
00:44:56,480 --> 00:45:00,159
like I said, I never sang before. So yeah, was

692
00:45:00,239 --> 00:45:04,039
just learning a bunch of cover songs to get the

693
00:45:04,119 --> 00:45:06,679
field for singing and just like get the timing and

694
00:45:06,719 --> 00:45:09,440
the rhythm. And now the songs are starting to write

695
00:45:09,440 --> 00:45:10,639
themselves a little bit better.

696
00:45:10,920 --> 00:45:14,960
Speaker 5: Are you in terms of singing? Are you self taught?

697
00:45:15,480 --> 00:45:18,440
Speaker 3: I didn't. I never took a lesson my friend Barbara,

698
00:45:19,360 --> 00:45:23,119
who's awesome. I went over her house one day and

699
00:45:23,239 --> 00:45:26,119
I had multiple people telling me I should just stick

700
00:45:26,199 --> 00:45:30,239
the guitar, don't keep singing. Really, your voice sounds terrible,

701
00:45:30,840 --> 00:45:34,320
don't keep going. Oh my god. Oh I mean this

702
00:45:34,519 --> 00:45:38,199
is just months ago where people are telling me I

703
00:45:38,400 --> 00:45:39,360
just don't do it.

704
00:45:39,599 --> 00:45:39,840
Speaker 10: Wow?

705
00:45:40,280 --> 00:45:43,559
Speaker 3: Stop no, multiple I mean I could, I could.

706
00:45:44,679 --> 00:45:45,599
Speaker 10: You don't even know me.

707
00:45:45,880 --> 00:45:46,119
Speaker 5: Wow.

708
00:45:46,840 --> 00:45:51,199
Speaker 3: Yeah, like that just like like that gives you anybody

709
00:45:51,280 --> 00:45:54,039
the inspiration. I got kicked out of bands, told I sucked,

710
00:45:54,599 --> 00:46:00,280
you know, don't keep singing whatever, Yeah, screw everybody. Yeah,

711
00:46:00,760 --> 00:46:03,960
just keep going. Well, yeah, good for you, because because

712
00:46:03,960 --> 00:46:07,039
you love it. Yeah, and you're proving them all wrong.

713
00:46:07,280 --> 00:46:10,039
You're trying to you are like, this isn't it. I

714
00:46:10,159 --> 00:46:12,800
just want to keep going for it. I want the

715
00:46:12,920 --> 00:46:14,800
next thing is to be bigger and better. That's how

716
00:46:14,880 --> 00:46:15,239
I you know.

717
00:46:15,599 --> 00:46:18,639
Speaker 2: Yeah, but that that says something really good about you

718
00:46:18,760 --> 00:46:21,079
that you know, in the face of that, you just

719
00:46:21,199 --> 00:46:23,719
you keep going. You push through it, because you know

720
00:46:23,880 --> 00:46:26,000
a lot of people don't. They're they're told, you know,

721
00:46:26,039 --> 00:46:27,599
they're not good enough, and they say, Okay, I guess

722
00:46:27,639 --> 00:46:28,239
I'm not good enough.

723
00:46:28,280 --> 00:46:29,679
Speaker 3: You know what I believe the people too.

724
00:46:29,920 --> 00:46:30,079
Speaker 12: Yeah.

725
00:46:30,239 --> 00:46:31,920
Speaker 3: Really, you know who you are, because some of you

726
00:46:32,000 --> 00:46:39,199
bastards are probably listening. Nana Nana boo boo. That's what

727
00:46:39,280 --> 00:46:43,599
I got to say. Yeah, I'm just kidding. There's probably

728
00:46:43,639 --> 00:46:45,920
still people out there that still think the same thing,

729
00:46:46,079 --> 00:46:46,760
so that's fine.

730
00:46:47,039 --> 00:46:49,559
Speaker 2: Well, but there's also probably people who are listening who

731
00:46:49,639 --> 00:46:51,679
told you that, who are who are happy to be

732
00:46:51,840 --> 00:46:54,159
proven wrong, you know what I mean. Yeah, sometimes it's

733
00:46:54,239 --> 00:46:55,960
nice to be proven wrong if you if you doubt

734
00:46:56,039 --> 00:46:59,119
somebody and then they they prove you wrong, and you say,

735
00:46:59,159 --> 00:47:01,400
oh wow, they did have it and I was wrong.

736
00:47:01,559 --> 00:47:04,079
Speaker 3: I'm glad I was wrong, you know what I mean. Yeah,

737
00:47:04,159 --> 00:47:06,599
But it's cool now I'm getting more people to jam

738
00:47:06,719 --> 00:47:10,840
with and hang out with. And this this Breaking Waves

739
00:47:10,920 --> 00:47:15,280
thing has just been tremendous for me. Yeah, and I

740
00:47:15,320 --> 00:47:17,679
don't know how it came together. It was just like

741
00:47:19,079 --> 00:47:21,719
the four of us work together. And I consider Seth

742
00:47:22,159 --> 00:47:25,199
one of the people because he helped me design and

743
00:47:25,320 --> 00:47:27,639
put that CD together. It looks beautiful. It's a piece

744
00:47:27,679 --> 00:47:29,760
of art. Oh yeah, yeah, guys want too.

745
00:47:29,960 --> 00:47:30,119
Speaker 10: Yeah.

746
00:47:30,159 --> 00:47:33,079
Speaker 3: I love the I love like the guitar pretty much, right, Yeah, yeah,

747
00:47:33,079 --> 00:47:37,639
all right, cool, I'll just kind of Yeah. Yeah, no,

748
00:47:37,800 --> 00:47:42,719
I love the I do love the cover. And just

749
00:47:42,840 --> 00:47:48,320
like Stephen Pequin, Yeah, he did some paintings in there. Okay,

750
00:47:49,760 --> 00:47:51,960
he's a painter and he was on New Hampshire Chronicle.

751
00:47:52,599 --> 00:47:55,039
And if you haven't heard of Stephen Pequin, he's very interesting.

752
00:47:55,119 --> 00:47:59,079
He paints live. And I was at the Stone Church

753
00:47:59,119 --> 00:48:00,719
and he was there. It's like you got to catch

754
00:48:00,800 --> 00:48:02,639
him if he's there because you don't know, no kidding.

755
00:48:02,679 --> 00:48:04,800
Then you're like kind of like I got forty bucks, Steve,

756
00:48:04,840 --> 00:48:07,159
what can you do? Oh? And he'll paint this like

757
00:48:07,280 --> 00:48:10,480
portrait in twenty minutes and you're like wow, no kidding.

758
00:48:10,559 --> 00:48:11,920
And he paints you when you're playing.

759
00:48:12,119 --> 00:48:13,480
Speaker 5: Oh really yeah, Oh that's cool.

760
00:48:13,719 --> 00:48:16,039
Speaker 3: Great, Oh that's cool. So he's like a rock star

761
00:48:16,119 --> 00:48:19,119
as well. Yeah, and he was involved in a lot

762
00:48:19,159 --> 00:48:20,880
of the art that's in the CD, which is cool.

763
00:48:21,400 --> 00:48:23,920
In a second yeah yeah, oh yeah, my bag's right there.

764
00:48:23,960 --> 00:48:25,719
I'm just gonna get up and grab a CD. Okay.

765
00:48:25,800 --> 00:48:27,280
Speaker 2: Yeah, and then and then we'll have you hold it

766
00:48:27,360 --> 00:48:29,639
up because you're on you're on camera, and then the

767
00:48:30,719 --> 00:48:33,719
our our audience who is watching online.

768
00:48:34,039 --> 00:48:35,280
Speaker 3: Yeah, then you can get the visual.

769
00:48:35,400 --> 00:48:37,480
Speaker 2: They'll be able to they'll be able to see it. Yeah, yeah,

770
00:48:37,760 --> 00:48:40,119
and of course you can always look it up online.

771
00:48:40,159 --> 00:48:43,280
Two Breaking Waves is the name of the EP by

772
00:48:43,400 --> 00:48:46,719
Nathan Hill. It is available now. But yeah, I like

773
00:48:46,840 --> 00:48:49,599
the artwork. I'm also curious to ask you about the

774
00:48:51,440 --> 00:48:54,000
the significance of of of the name.

775
00:48:54,639 --> 00:48:59,679
Speaker 3: And it's like, you know, like, yeah, I'm just kind

776
00:48:59,679 --> 00:49:01,400
of guilt to you it. I guess I'm guilty of

777
00:49:01,480 --> 00:49:03,320
it too. It's like you get like a wave of

778
00:49:03,519 --> 00:49:07,920
like anger, like things just not going right. It's just

779
00:49:08,039 --> 00:49:12,360
like just got to push it back, keep moving forward.

780
00:49:13,800 --> 00:49:19,079
They're gonna pound and break you down, and uh, it's

781
00:49:19,119 --> 00:49:21,159
gonna try and drag you out and drag you down

782
00:49:21,239 --> 00:49:27,239
and depression sucks. It's like I'm caught in the rip

783
00:49:27,360 --> 00:49:29,440
tide right now. But I'm gonna get out of this thing,

784
00:49:29,519 --> 00:49:33,519
you know. So it's like one of the lyrics is

785
00:49:34,000 --> 00:49:36,159
I'm going to sale my soul to a commercee Like

786
00:49:36,440 --> 00:49:39,480
I'm just gonna take myself. I'm gonna go someplace else

787
00:49:40,199 --> 00:49:44,480
that makes me feel better about everything. And you know, uh,

788
00:49:44,840 --> 00:49:48,519
Studio Pink and this music thing and Breaking Waves all

789
00:49:48,559 --> 00:49:51,800
of it, my gibs and guitars, is this was this

790
00:49:51,840 --> 00:49:52,760
where I'm holding this thing.

791
00:49:53,119 --> 00:49:55,000
Speaker 2: Yeah, I can even I can even zoom in a

792
00:49:55,079 --> 00:49:56,800
little bit. But yeah, that's perfect. Let me zoom in

793
00:49:56,840 --> 00:49:59,679
a little bit for for those watching online.

794
00:50:00,400 --> 00:50:04,079
Speaker 3: Cool, trying to hold it still, I'm like, oh, yeah.

795
00:50:03,920 --> 00:50:04,440
Speaker 10: No, you got it.

796
00:50:04,519 --> 00:50:07,719
Speaker 3: You got it perfect. Yeah, really, yeah, I dig that.

797
00:50:08,199 --> 00:50:08,559
I dig that.

798
00:50:08,800 --> 00:50:08,920
Speaker 10: Uh.

799
00:50:09,280 --> 00:50:12,239
Speaker 3: I really like the cover art. That's the graphic. Okay,

800
00:50:12,800 --> 00:50:16,320
if you're looking for it online, okay, but yeah, this

801
00:50:16,519 --> 00:50:19,320
is it. These things were hot.

802
00:50:19,480 --> 00:50:19,639
Speaker 7: Man.

803
00:50:19,960 --> 00:50:22,400
Speaker 3: These are the last two CDs I'm giving away. Oh

804
00:50:22,480 --> 00:50:25,960
really yeah, yeah, I've got like four or five left

805
00:50:26,000 --> 00:50:29,239
for myself. Yeah, I'm just gonna keep around for a minute.

806
00:50:29,400 --> 00:50:33,360
But I'm thinking about almost doing a second edition where

807
00:50:33,400 --> 00:50:35,119
the wave has like a little bit of a tinge

808
00:50:35,119 --> 00:50:37,159
of blue. Oh yeah, so that you know that the

809
00:50:37,239 --> 00:50:40,119
black and white ones were the ogs. Oh that's cool.

810
00:50:40,159 --> 00:50:42,760
I like that idea. These ones are special, man, Yeah

811
00:50:42,920 --> 00:50:45,679
something about them. Yeah no, I like that idea a lot.

812
00:50:46,079 --> 00:50:46,280
Speaker 4: Yeh.

813
00:50:46,480 --> 00:50:46,679
Speaker 10: Yeah.

814
00:50:47,920 --> 00:50:49,679
Speaker 2: And it's cool that you did CDs, you know, because

815
00:50:50,079 --> 00:50:53,719
a lot of artists now, you know, just do digital media.

816
00:50:53,840 --> 00:50:56,480
Although it seems like the guests that we've had on

817
00:50:56,559 --> 00:51:00,960
the show lately, there's there's it's especially over the last

818
00:51:01,400 --> 00:51:03,639
two or three, maybe four years, there's been kind of

819
00:51:03,679 --> 00:51:06,800
a recommitment to physical media something.

820
00:51:07,400 --> 00:51:07,599
Speaker 10: Yeah.

821
00:51:08,360 --> 00:51:10,480
Speaker 2: Yeah, well people like to you know, like if you're

822
00:51:10,559 --> 00:51:12,559
especially if you're really into an artist, you know, like

823
00:51:12,800 --> 00:51:14,519
I when I was a kid, you know, I would

824
00:51:14,519 --> 00:51:16,840
always if I was really into an artist or really

825
00:51:16,880 --> 00:51:18,880
into a particular release, I would want to read all

826
00:51:18,960 --> 00:51:21,599
the liner notes and you know, just kind of geek

827
00:51:21,639 --> 00:51:24,599
out on every little detail, you know, and you know, oh,

828
00:51:24,679 --> 00:51:26,079
who's their management company?

829
00:51:26,119 --> 00:51:28,400
Speaker 3: You know all that stuff. A lot of times, like

830
00:51:29,079 --> 00:51:31,119
you know, I just like to have the CD and

831
00:51:31,840 --> 00:51:35,239
yeah I don't even I have like a rock memorbilia thing,

832
00:51:35,280 --> 00:51:39,400
you know, yeah, yeah, like tons of CDs and stuff

833
00:51:39,559 --> 00:51:42,719
and records that have had autograph and yeah, I never

834
00:51:42,840 --> 00:51:45,480
opened any of it, right, right, but maybe one day,

835
00:51:45,760 --> 00:51:45,920
you know.

836
00:51:46,880 --> 00:51:49,559
Speaker 2: Well that's my theory about vinyl is that most people

837
00:51:49,599 --> 00:51:51,679
who buy new vinyl, like it's one thing if you're

838
00:51:51,760 --> 00:51:53,880
if you're buying old vinyl, you know, because you have

839
00:51:54,159 --> 00:51:55,840
you actually want to listen to it on a record

840
00:51:55,840 --> 00:51:58,119
player at home or something. But but I think when

841
00:51:58,159 --> 00:52:00,800
people buy new vinyl, most of it probably goes unopened

842
00:52:01,280 --> 00:52:04,360
or at the very least unplayed, because you know, if

843
00:52:04,400 --> 00:52:06,840
you're just really into a particular artist, it's it's nice

844
00:52:06,880 --> 00:52:08,760
to it's cool to have that vinyl and you know,

845
00:52:08,800 --> 00:52:10,360
maybe you don't play it, maybe you mounted on a

846
00:52:10,440 --> 00:52:12,719
wall or something, you know, but but it's just cool

847
00:52:12,760 --> 00:52:13,360
to have it, you.

848
00:52:13,400 --> 00:52:15,679
Speaker 3: Know what I mean, if you're really into an artist. Yeah,

849
00:52:16,320 --> 00:52:25,320
now is it two ends? So oh in gen Yeah? Yeah, yeah, no,

850
00:52:25,440 --> 00:52:27,199
we appreciate that. We appreciate that.

851
00:52:27,440 --> 00:52:27,559
Speaker 10: Uh.

852
00:52:27,920 --> 00:52:30,000
Speaker 3: It's so funny, like the little subtle things that you

853
00:52:30,079 --> 00:52:35,679
remember about everybody. Yeah, and sometimes like they're like, wow,

854
00:52:35,719 --> 00:52:38,599
you remembered like that little thing, and it's like, listen,

855
00:52:38,840 --> 00:52:43,519
I'm not frigging a superstar. I'm a normal person, Like

856
00:52:43,559 --> 00:52:47,960
I pay attention to people, right right, Yeah, No, that's

857
00:52:48,199 --> 00:52:52,119
definitely a good thing. Definitely a good thing. Shout outs. Okay,

858
00:52:52,400 --> 00:52:55,159
I don't know, this has been great. Yeah, no, we

859
00:52:55,239 --> 00:52:56,119
appreciate you coming.

860
00:52:56,199 --> 00:52:56,440
Speaker 10: We are.

861
00:52:58,400 --> 00:53:01,199
Speaker 3: We're approaching the top of the hour. But gosh, that

862
00:53:01,280 --> 00:53:03,239
goes by quick? Does it does go fast?

863
00:53:03,320 --> 00:53:05,119
Speaker 2: Well we will do it again in the future, of course,

864
00:53:05,199 --> 00:53:07,239
but man, definitely definitely cool.

865
00:53:08,440 --> 00:53:11,360
Speaker 3: What where where should people know about? Where to find

866
00:53:11,400 --> 00:53:12,960
you online? To keep up with everything that you come

867
00:53:13,079 --> 00:53:19,079
on Facebook and Instagram, Nate Hill two o seven Instagram Okay,

868
00:53:19,239 --> 00:53:23,320
Nate Hill two o seven, Okay, okay, that's where you

869
00:53:23,400 --> 00:53:26,639
find me on Instagram. You find me as Nathan Hill

870
00:53:26,719 --> 00:53:29,559
on Facebook too. Yeah. Yeah, but you know I tried

871
00:53:29,559 --> 00:53:32,639
to keep my Instagram more just music stuff, gotcha, Yeah,

872
00:53:32,719 --> 00:53:36,159
so you'll find more just music stuff. I notify a

873
00:53:36,239 --> 00:53:38,199
lot of this stuff is last minute, Like, oh, I'm

874
00:53:38,239 --> 00:53:40,119
playing over here in a couple of days, you know,

875
00:53:41,000 --> 00:53:43,800
come here to this place. But you'll catch me in

876
00:53:43,840 --> 00:53:47,159
one of these times, and uh, you know, something's gonna

877
00:53:47,159 --> 00:53:50,440
come up, something's gonna turn. I'm ready to start playing gigs.

878
00:53:50,480 --> 00:53:54,800
I'm ready to start playing some shows. I just want

879
00:53:54,840 --> 00:53:57,000
to get out and do it and have fun absolutely,

880
00:53:57,239 --> 00:53:59,920
and just you know it's I love music. Yeah.

881
00:54:00,280 --> 00:54:02,199
Speaker 2: Yeah, Well you definitely got a good thing going here.

882
00:54:02,880 --> 00:54:05,599
And I would also to tell people another great way

883
00:54:05,639 --> 00:54:08,199
to find you if you just google Nathan Hill Breaking

884
00:54:08,239 --> 00:54:12,880
Waves and you can find the EP and uh, fantastic. Well,

885
00:54:12,880 --> 00:54:15,360
we really appreciate you being here. Yeah, and we will

886
00:54:15,400 --> 00:54:18,679
close out the segment with uh with one more studio track?

887
00:54:19,119 --> 00:54:21,440
Speaker 3: Should we play the because we were talking.

888
00:54:21,280 --> 00:54:23,639
Speaker 5: About it a lot, mind reader, should we play the studio?

889
00:54:25,239 --> 00:54:28,639
Speaker 3: Yeah? I'm I'm uh. We talked about it a lot

890
00:54:29,039 --> 00:54:32,519
singing on this one. I'm not the vocals on this one, Okay, okay,

891
00:54:32,639 --> 00:54:36,079
yeah yeah, play it well. They're gonna love hearing it.

892
00:54:36,480 --> 00:54:39,920
Speaker 2: Okay, very cool atb here you go, buddy, all right. Yeah,

893
00:54:40,000 --> 00:54:41,840
So we'll close out the segment with this. And then

894
00:54:41,920 --> 00:54:45,079
if you are listening live, oh there it is if

895
00:54:45,119 --> 00:54:48,360
you are listening live on Saturday. Coming up in the

896
00:54:48,400 --> 00:54:51,079
second hour, we have Kenny Troon who is he already

897
00:54:51,079 --> 00:54:52,800
in the building, Johnny, he is in the building.

898
00:54:52,960 --> 00:54:53,920
Speaker 3: Very good and uh.

899
00:54:54,000 --> 00:54:55,920
Speaker 2: And then of course in the third hour, we have

900
00:54:56,079 --> 00:54:58,960
two towns making their return to the show. But here

901
00:54:59,000 --> 00:55:01,679
it is thank you again, Nathan Hill, and this is

902
00:55:01,760 --> 00:55:03,320
called mind readers.

903
00:55:17,280 --> 00:55:30,360
Speaker 8: Side just thinking my mind like I would changed also by.

904
00:55:31,840 --> 00:55:33,159
Speaker 4: Good that big bi.

905
00:55:37,039 --> 00:55:45,840
Speaker 8: The boot bout a sapping over.

906
00:55:45,800 --> 00:55:46,519
Speaker 4: The line.

907
00:55:48,679 --> 00:55:51,480
Speaker 3: On the same bad b my mouth say.

908
00:55:55,039 --> 00:56:07,920
Speaker 8: I can't saying that. We're pretty damay.

909
00:56:08,840 --> 00:56:31,880
Speaker 15: Say don't say I don't, okay, find out fine, So.

910
00:56:59,760 --> 00:57:06,920
Speaker 4: The the sun Sun and I'll get with the ill

911
00:57:07,119 --> 00:57:14,320
wanton with say the son and I pull it down.

912
00:57:25,440 --> 00:57:27,679
But in the less prend.

913
00:57:30,119 --> 00:57:51,599
Speaker 14: Wanders it always bels over my like my head's face

914
00:57:53,000 --> 00:57:58,840
leading gold, I go away, and you see when I'm broke.

915
00:57:58,480 --> 00:58:04,480
Speaker 8: It in my carget, I can't take that.

916
00:58:04,800 --> 00:58:06,239
Speaker 10: So what stuff?

917
00:58:06,400 --> 00:58:10,320
Speaker 9: Do you not see this coming?

918
00:58:11,559 --> 00:58:17,159
Speaker 4: We're bringing tam Gat What what says?

919
00:58:18,239 --> 00:58:18,679
Speaker 10: I know.

920
00:58:22,239 --> 00:58:27,239
Speaker 4: Fucking way back.

921
00:58:39,440 --> 00:58:52,679
Speaker 10: This pretty takes. You can