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<v Speaker 1>Before we dive in, here's another show you can enjoy

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<v Speaker 1>in the True Story FM family of Entertainment podcasts.

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<v Speaker 2>Ever, wonder where the Devil got his horns?

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<v Speaker 1>How about those clove and hoovers for that pitch for

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<v Speaker 1>it list me an angel?

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<v Speaker 2>No, he was a snake.

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<v Speaker 1>No, he's the great Red Drag.

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<v Speaker 2>No, he's the beast.

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<v Speaker 1>He's the Prince of this.

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<v Speaker 2>World, Prince of Darkness, believes the Prince of dark Good

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<v Speaker 2>Morning Star Loveli's one of my names is Lester Ryan.

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<v Speaker 1>Clark and I sometimes go by Keenan Dias.

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<v Speaker 2>And we're the hosts of the brand new podcast The

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<v Speaker 2>Devil's Details. What comes to mind when I say Lucifer?

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<v Speaker 1>How about Satan?

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<v Speaker 2>What about just the Devil? How did the big bad

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<v Speaker 2>of the Western world end up with so many faces?

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<v Speaker 2>Join us as we dig up, decipher, and deconstruct the

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<v Speaker 2>Devil's many forms throughout history.

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<v Speaker 1>Take a guided tour with Dante through the Nine Circles

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<v Speaker 1>of Hell.

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<v Speaker 2>Or revisit Satan's angsty bad boy years in Paradise Loss.

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<v Speaker 1>Learn the ins and outs of a Faustian contract.

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<v Speaker 2>Easier than a ten ninety nine, but with a hell

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<v Speaker 2>of a lot more fine, Prince.

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<v Speaker 1>Slither on over to the Devil's Details on True Story

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<v Speaker 1>FM and join us in the Diabolic discussion.

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<v Speaker 2>Love and His is Wah didn't al Pacino play him

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<v Speaker 2>in a movie?

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<v Speaker 3>Sure?

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<v Speaker 1>There wasn't.

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<v Speaker 2>Robert didn't.

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<v Speaker 4>That was Elizabeth.

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<v Speaker 2>He go down to Georgia and.

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<v Speaker 5>Some Hey, hey, apes, Hey, you see that snickers over there?

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<v Speaker 4>No one's looking. You should just take it.

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<v Speaker 6>No, don't listen to him, my son, that would be stealing.

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<v Speaker 6>And stealing is a.

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<v Speaker 5>Sin, Sinchman, It's a faking snick as may you deserve

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<v Speaker 5>to have it.

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<v Speaker 4>Sinning really satisfies you to.

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<v Speaker 1>Repent, my child.

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<v Speaker 6>Virtue is the only real snack with saving for that

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<v Speaker 6>candy body is merely a gateway to nukeet dumbation.

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<v Speaker 1>Has this ever happened to you?

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<v Speaker 5>Listening to the devil on one shoulder and an angel

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<v Speaker 5>on the other, and you're not sure what to think?

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<v Speaker 1>Then we're here to help. I'm Pete Wright.

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<v Speaker 5>And I'm Tommy mess The third and this season on

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<v Speaker 5>All the Feelings, we're examining the seven deadly.

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<v Speaker 6>Sins, you note, the fun ones.

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<v Speaker 5>And the seven heavenly virtue, which.

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<v Speaker 6>Are also a thing through personal stories historical oddities, and

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<v Speaker 6>way too much embarrassment. We take you on a thrilling

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<v Speaker 6>journey through all the goods and the bads you hear

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<v Speaker 6>about in church, but.

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<v Speaker 5>Without all that pesky church stuff. So come join us

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<v Speaker 5>for All the Feelings Season nine, a sometimes funny podcast

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<v Speaker 5>about being human, All the sins, all the virtues, all.

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<v Speaker 6>In one place. Go to All the Feelings dot fun

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<v Speaker 6>to learn more, or subscribe to All the Feelings wherever

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<v Speaker 6>you get your podcasts.

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<v Speaker 4>Okay over, Hello, and welcome to this episode of the

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<v Speaker 4>Superhero Ethics podcast. Today we're discussing the movie Thunderbolts. We're

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<v Speaker 4>discussing the new Avengers. We're discussing what does it mean

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<v Speaker 4>when you're supervillain just needs a big hug? And how

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<v Speaker 4>is mental illness portrayed in Thunderbolts and a lot of

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<v Speaker 4>other superhero media. I'm doing that with myself Riki Hayashi

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<v Speaker 4>and returning regular guests Jessica Plumber. Jessica, how are you

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<v Speaker 4>doing tonight?

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<v Speaker 3>I'm doing good. How are you doing pretty well?

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<v Speaker 4>Pretty well? We are two months out till baby arrives,

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<v Speaker 4>so you know, our young Padawan, our young hero coming soon.

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<v Speaker 4>So we're in the midst of crib making and basically

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<v Speaker 4>all the IKEA projects from Hell, except they're much smaller

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<v Speaker 4>because they're for a baby. And I do want to

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<v Speaker 4>say a quick word on that, which is that I'm

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<v Speaker 4>really excited to keep I'm really excited to keep bringing

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<v Speaker 4>you episodes of both this and the Star Wars podcast.

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<v Speaker 4>There's actually a third podcast that's gonna be starting soon

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<v Speaker 4>focused on the idea of parenting with myself and to

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<v Speaker 4>veteran parents Mandy Caplan and Pete Wright, both of the

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<v Speaker 4>True Story family of podcasts. But I am going to

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<v Speaker 4>be taking a hiatus for a while because there's a

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<v Speaker 4>lot to do to get ready. There's a lot of

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<v Speaker 4>cooking we want to do, there's a lot of getting

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<v Speaker 4>the house ready we want to do, and it's just

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<v Speaker 4>a lot to try and take on while also trying

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<v Speaker 4>to not only record an episode a week, most episodes

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<v Speaker 4>a week, but also edit them and all that kind

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<v Speaker 4>of stuff. So this will probably be the last episode

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<v Speaker 4>we put out for a while. The hiatus is going

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<v Speaker 4>to be through June and July, possibly into August. Baby

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<v Speaker 4>comes middle to late July and we will kind of

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<v Speaker 4>see where things are. But by August or if nothing else. September,

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<v Speaker 4>we will return hit the ground running, So please stay subscribed,

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<v Speaker 4>please stay liked, and all that, and of course please

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<v Speaker 4>sending us feedback on stuff that comes out over the

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<v Speaker 4>summer that you want us to talk about. If nothing else,

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<v Speaker 4>there's a movie about some fantastic people. Is it three people?

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<v Speaker 4>Is it five people?

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<v Speaker 7>That's a fantastic four.

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<v Speaker 4>Four people, four people. So I'm sure we're gonna do

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<v Speaker 4>that again and probably get Jessica back for that. But

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<v Speaker 4>today we are talking about Thunderbolts, And just to make

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<v Speaker 4>sure you.

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<v Speaker 7>Feel officially sorry that it's Thunderbolts asterisk thunderbolts.

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<v Speaker 3>Yeah, how do you pronounce that? Thunderbolt set?

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<v Speaker 4>Because asterix the name has changed, and we're gonna be

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<v Speaker 4>spoiling some things from the movie to be clear. But

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<v Speaker 4>also if you haven't seen the movie, don't worry. Neither

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<v Speaker 4>has Riki Hakashi, because we're not. This isn't gonna be

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<v Speaker 4>a review of the movie, as much as there's going

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<v Speaker 4>to be a discussion of some of the topics that

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<v Speaker 4>the movie raises. It has a lot to say about

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<v Speaker 4>mental health, it has a lot to say about the

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<v Speaker 4>nature of who is a hero and who gets to

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<v Speaker 4>choose who is a hero. And that's kind of really

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<v Speaker 4>the depth of the things we're going to talk about, because,

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<v Speaker 4>as I've mentioned in the past, I think that there

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<v Speaker 4>are sometimes where superhero media can engage with mental illness

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<v Speaker 4>and do it very well and sometimes when it does

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<v Speaker 4>it very badly. And so, Jessica, I'm just gonna start

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<v Speaker 4>by asking you, my first thought walking out of the

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<v Speaker 4>movie was, did they really just tell me that a

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<v Speaker 4>sad white boy loner who is so emo that he's

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<v Speaker 4>hurting everyone around him just needed the pretty girl to

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<v Speaker 4>hug him and it would make him okay?

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<v Speaker 3>Yes? And the question is I mean.

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<v Speaker 4>Is that if I described that to you, I feel

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<v Speaker 4>like you would normally find that fairly problematic. But I

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<v Speaker 4>know you really like this movie, and so I want

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<v Speaker 4>to kind of hear more about help me reframe that

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<v Speaker 4>aspect of the movie in a way that doesn't make

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<v Speaker 4>it seem quite So let's fix the poor male loneliness

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<v Speaker 4>epidemic by ignoring how much hurt they're causing and just

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<v Speaker 4>giving them a big hug.

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<v Speaker 3>Yeah. So I did not see the movie that way

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<v Speaker 3>at all, Like that really, And you know when you said,

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<v Speaker 3>because I knew before I went to see the movie.

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<v Speaker 3>You saw it first and you told me you were

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<v Speaker 3>on the fence about it, and I came out of

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<v Speaker 3>it and I was like, what didn't Matthew like? And

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<v Speaker 3>I thought it might have to do with that, So

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<v Speaker 3>I see where you're coming from. But that was not

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<v Speaker 3>my interpretation of it at all, and I think for

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<v Speaker 3>two really crucial reasons. One is that the main character

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<v Speaker 3>of this movie is Yolena. Like it is, it's an

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<v Speaker 3>ensemble film, but she is the protagonist. It is her story,

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<v Speaker 3>it is her journey. It is her mental health that

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<v Speaker 3>is being explored word the most thoroughly. Literally, the opening

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<v Speaker 3>scene is her monologuing about how depressed she is. And

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<v Speaker 3>if it were if it were Bob's story, then yes,

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<v Speaker 3>I think I would agree with your reading of it.

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<v Speaker 3>But it's not. He is a supporting character who functions

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<v Speaker 3>to illuminate her story. The other thing that I think

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<v Speaker 3>really saves it is that their relationship is not romantic.

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<v Speaker 3>There is no romantic dynamic between them. I'm sure some

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<v Speaker 3>people came out of it and wanted them to kiss,

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<v Speaker 3>but I don't think that was the intent of the filmmakers,

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<v Speaker 3>and it wasn't the read that I got if it

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<v Speaker 3>was a romantic dynamic again, I would be like, that

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<v Speaker 3>was kind of gross. But my takeaway from the movie

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<v Speaker 3>was not, oh, this poor sad white man who hurts

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<v Speaker 3>everyone around him just needs somebody to hug him and

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<v Speaker 3>tell him he's never done anything wrong ever in his life,

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<v Speaker 3>but that we need each other, we need community, we

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<v Speaker 3>need connection, and if we are depressed, we need to

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<v Speaker 3>turn to the people in our lives and ask for help.

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<v Speaker 3>Because Bob is not the only one who needs that.

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<v Speaker 3>Every single character in the movie needs that. And I

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<v Speaker 3>have specific scenes if you want me to go through them.

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<v Speaker 4>For sure, for sure, And I think that does help

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<v Speaker 4>reframe it somewhat, and I think kind of gives a

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<v Speaker 4>good I say that kind of humorously because I've heard

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<v Speaker 4>some of this from Jessica before, but it is something

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<v Speaker 4>I'm a little wrestling with. But Jessica's got me somewhat

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<v Speaker 4>more onto this understanding. But let's step back a bit

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<v Speaker 4>and kind of set the frame of this. So and

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<v Speaker 4>I'm going to give kind of a summary of the

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<v Speaker 4>movie up to these kind of crucial points without going

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<v Speaker 4>to too much detail. So, as you said, we start

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<v Speaker 4>with Yolena, the character who was really introduced to us

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<v Speaker 4>in the Black Widow movie as Natasha's sister, and who

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<v Speaker 4>also really came into her own in the Hawkeye series,

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<v Speaker 4>a series that is not great, but introduced two of

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<v Speaker 4>my favorite female characters right now. Her an Echo, which

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<v Speaker 4>I think is really awesome.

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<v Speaker 7>No love for Kate Bishop.

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<v Speaker 4>I think Kate Bishop's fine. I think Kate Bishop is

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<v Speaker 4>a character I've seen a bunch of times before and

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<v Speaker 4>that we also haven't really seen much from since then.

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<v Speaker 4>But but anyway, like Elena is depressed, she's working as

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<v Speaker 4>an assassin on behalf of the Countess. What what is

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<v Speaker 4>her actual name?

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<v Speaker 7>Just call her vow she has, Yeah.

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<v Speaker 4>We're gonna call her she. She's played by Julia Luis Dreyfuss,

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<v Speaker 4>also known as Vip, also known as Elaine from Seinfeld,

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<v Speaker 4>also known as the woman who dances really badly in

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<v Speaker 4>a really funny way in a great episode of that

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<v Speaker 4>show that is really horrible actually a show, but anyway,

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<v Speaker 4>we're gonna but has some great moments. Uh, And I

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<v Speaker 4>say that as a New York Jew. There's a lot

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<v Speaker 4>of complications around that show. Anyway, moving on, and she's

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<v Speaker 4>doing these tasks and she's not really thinking about the

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<v Speaker 4>morality of them. She's kind of thinking about how how

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<v Speaker 4>she shouldn't be thinking about that she wants to kind

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<v Speaker 4>of lose herself, and that she doesn't really feel any

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<v Speaker 4>purpose because she doesn't feel like she's making the world better.

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<v Speaker 4>She just feels like she's doing these things in half

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<v Speaker 4>of someone else. And we interspersed that with people are

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<v Speaker 4>starting to do congressional hearings about what Val is up to,

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<v Speaker 4>including a new congressman from a guest New York because

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<v Speaker 4>that's where I think he's from Brooklyn.

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<v Speaker 3>They specifically say the freshman congressman from Brooklyn, And can

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<v Speaker 3>I just say, as somebody who hasn't seen an MCU

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<v Speaker 3>movie in a while, I felt like I had been

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<v Speaker 3>in a coma for several years. I was like, Bucky

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<v Speaker 3>is in Congress. Well, I felt like I had been snapped,

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<v Speaker 3>Like I was like, what is happened? It was, I can't.

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<v Speaker 4>I had a similar feeling. I've seen some of the

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<v Speaker 4>recent MCU stuff, I've not seen all of it. I

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<v Speaker 4>had a similar feeling. But anyway, so it turns out

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<v Speaker 4>that all the other people who are part of the

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<v Speaker 4>what we become the Thunderbolts have all been working for Val.

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<v Speaker 4>They are all to this secret hideout place that she

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<v Speaker 4>keeps somewhere in the American desert. I guess in the Southwest.

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<v Speaker 4>I'm not really sure, but it's supposed to incinerate ridiculous action,

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<v Speaker 4>high jinks and can the group work together? Yes, the

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<v Speaker 4>group can work together and they all survive, but they're

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<v Speaker 4>all now being hunted by Thou and okay, no they

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<v Speaker 4>don't all survive. That is correct. One. Uh, we saw

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<v Speaker 4>the movie here. I saw a couple of weeks ago,

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<v Speaker 4>and I didn't have the best experience seeing it. One

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<v Speaker 4>of them task Master, who I guess is the character

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<v Speaker 4>they never really figured out what to do with just

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<v Speaker 4>flat up dies which.

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<v Speaker 7>Changed with the story, Like she was supposed to have

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<v Speaker 7>a larger part and they changed it.

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<v Speaker 3>Yeah, I figured it was a fake out, like they

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<v Speaker 3>wanted us to think she was gonna have a bigger

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<v Speaker 3>part and then they're like just kidding.

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<v Speaker 7>I think in the original script, and I believe that

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<v Speaker 7>they filmed some of this, there was supposed to be

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<v Speaker 7>more of like a friendship between task Master and Go

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<v Speaker 7>because they share like similar backgrounds of being used by

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<v Speaker 7>a government agency, and so that was supposed to be

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<v Speaker 7>like their connection, and they decided to change it up

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<v Speaker 7>and have there be an early death of consequence, and

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<v Speaker 7>it ended up being her and it's unfortunate, but.

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<v Speaker 4>Okay, uh yeah, I kind of wish we'd had something

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<v Speaker 4>more from her, but it, you know, I guess it

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<v Speaker 4>sets look their are stakes. Yeah, So they all escape

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<v Speaker 4>and they wind up finding this guy named Bob along

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<v Speaker 4>the way, who doesn't really know what's going on with him,

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<v Speaker 4>but he has some powers maybe possibly, and really all

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<v Speaker 4>that Vou wants is to get her hands back on

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<v Speaker 4>him because he apparently is the secret project that she's

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<v Speaker 4>been working on. Lots of other people have died being

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<v Speaker 4>attempting to make what they have made in Bob. And

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<v Speaker 4>we get to a situation where Bob feels like he's

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<v Speaker 4>been abandoned by the group and Vow is the one

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<v Speaker 4>person who can talk to him, and she kind of

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<v Speaker 4>convinces him to become this hero that she describes as

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<v Speaker 4>a century, which I've now come to understand is s

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<v Speaker 4>e n T s e n t r e Y

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<v Speaker 4>or heavy for a century. I thought it was mister

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<v Speaker 4>century century think they were hitting.

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<v Speaker 3>I think it was a fake out because I thought

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<v Speaker 3>they were saying Century like one hundred years every time

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<v Speaker 3>they mentioned the project, because they talk about the Century

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<v Speaker 3>project a lot during the movie, well before Bob is like,

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<v Speaker 3>you know, puts on the Century costume and is revealed

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<v Speaker 3>to be Century, and they don't give us his last

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<v Speaker 3>name or anything for a really long time. So I'm

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<v Speaker 3>like vaguely familiar with the character from the comics, but

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<v Speaker 3>it took me, I think, until he not quite put

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<v Speaker 3>on the costume but pretty close to that for me

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<v Speaker 3>to be like, oh, they're saying Century. So I do

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<v Speaker 3>think that they were buttsing it in their playing a

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<v Speaker 3>little bit. I think they might have been doing that

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<v Speaker 3>on purpose, Okay, or I just can't hear, which is

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<v Speaker 3>also a true statement.

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<v Speaker 4>Well, so let's talk about who is this character in

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<v Speaker 4>the comics, because he is similar, but I think fairly

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<v Speaker 4>distinct in ways that, particularly from mental illness perspectives, are

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<v Speaker 4>very important to name. So who is he? Who is

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<v Speaker 4>Century slash emo boy who I think is actually supposed

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<v Speaker 4>to be He has a character the name of the Void.

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<v Speaker 4>Who is he in the comics?

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<v Speaker 1>Okay?

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<v Speaker 7>Yeah, I mean Century is basically a Marvel superman, which

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<v Speaker 7>you know, there are dozens of Superman and all of

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<v Speaker 7>the comics now, but he's got the flight, he's got

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<v Speaker 7>the in vulnerability. I believe originally it's not supposed to

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<v Speaker 7>be a super super serum, which is what they used

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<v Speaker 7>in the movie right to give him his powers, like

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<v Speaker 7>it's a government super soldier program. I think it's supposed

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<v Speaker 7>to be magic. But that's that's something that's not important,

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<v Speaker 7>and they've probably changed the multiple times. The important thing

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<v Speaker 7>is that in the comics, originally he suffers from a

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<v Speaker 7>disassociated personality. It's disorder, so like Century and Void are

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<v Speaker 7>different aspects of his personality. I do believe that like

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<v Speaker 7>at times, they do have strong relationships to his depression,

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<v Speaker 7>bringing some of this aspect out. And when he was

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<v Speaker 7>introduced in the Marvel comics, it was actually originally like

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<v Speaker 7>a story similar to Spider Man No Way Home, the

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<v Speaker 7>most recent one, and I think that's why they didn't

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<v Speaker 7>go with that story because it was too similar, where

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<v Speaker 7>they the Illuminati, Doctor Strange, iron Man, et cetera, used

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<v Speaker 7>like a Doctor Strange spell to make the world forget

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<v Speaker 7>about Century and the Void, and as a consequence, like

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<v Speaker 7>Bob Reynolds also forgets and he has these dreams, these

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<v Speaker 7>vivid dreams where he's like, I had a dream that

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<v Speaker 7>I was flying, I had a dream that I was

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<v Speaker 7>a hero. Right, Well, they're memories that are actually manifesting,

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<v Speaker 7>and so like, there's this journey of him rediscovering himself

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<v Speaker 7>as century and then unfortunately rediscovering the Void.

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<v Speaker 4>And I can see why that would get really confusing,

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<v Speaker 4>especially not only because of Spider Man No Way Home,

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<v Speaker 4>but also that sounds remarkedly similar to some of the

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<v Speaker 4>ideas explored in Moonnight, which is another character who has

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<v Speaker 4>disassociative identity disorder, which, for those who are not aware,

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<v Speaker 4>is what is what was once known as multiple personality disorder.

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<v Speaker 4>We have a better understanding of it now scientifically, I

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<v Speaker 4>think that change happened about ten years ago. But just

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<v Speaker 4>for anyone who's not quite quite understanding that we're talking about,

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<v Speaker 4>you know. And there again we have a character who

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<v Speaker 4>has that and is having dreams about things that his

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<v Speaker 4>other personalities have done at some point in time, or

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<v Speaker 4>that that he has done another point in time.

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<v Speaker 7>Yeah, and there again, like comics are always changing things,

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<v Speaker 7>reccon now, it's not's that. And there was also a

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<v Speaker 7>period of time where the Void was like a demonic

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<v Speaker 7>entity that possessed him.

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<v Speaker 4>Right, And in this I think it's much more that

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<v Speaker 4>he becomes kind of what I described as emo Doctor

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<v Speaker 4>Manhattan in that he has like all the kind of

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<v Speaker 4>that kind of like power that missed that Doctor Manhattan

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<v Speaker 4>has from The Watchman to just kind of like snap

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<v Speaker 4>people out of existence, not uh, like you know, Thanos snap,

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<v Speaker 4>but just kind of like you know, to with a thought,

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<v Speaker 4>they stop existing. And he is very depressed, very uh.

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<v Speaker 4>He he wanted to stand up to the heroes, but

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<v Speaker 4>he wanted them not to fight. He wanted them to

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<v Speaker 4>kind of recognize how great he is. And he has

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<v Speaker 4>this kind of like super happy like everything is great.

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<v Speaker 4>And then when they fight him and he realizes that

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<v Speaker 4>not only are they against him, but also that Val

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<v Speaker 4>was using him and lying to him, he has what

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<v Speaker 4>I think a lot of us can recognize as a

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<v Speaker 4>depressive crash. And the words are never spoken, but I

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<v Speaker 4>think this is and Jessica, let me know where you

354
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<v Speaker 4>would put it. I mean, I'm not a training therapist.

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<v Speaker 4>I don't think you are either, but it feels like

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<v Speaker 4>it is much more evocative in this of bipolar, manic,

357
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<v Speaker 4>depressive things like that or cerly at least deep depression

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<v Speaker 4>than it is d id.

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<v Speaker 3>Yeah, I mean, I certainly have no medical or therapeutic

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<v Speaker 3>qualifications whatsoever. What I will say is that depression is

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<v Speaker 3>a something that pretty much every main character in this

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<v Speaker 3>movie is shown to have in common, Yolena, Bob Walker.

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<v Speaker 3>I think you can definitely argue that Alexi and Bucky

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<v Speaker 3>are shown like there's definitely a moment of Bucky like

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<v Speaker 3>standing in his kitchen, just like not processing being in

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<v Speaker 3>the world, the only one, the only nature character. I

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<v Speaker 3>would say, we don't necessarily see it for as ghosts,

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<v Speaker 3>but it's an easy extrapolation to make. But with most

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<v Speaker 3>of those characters, I would say, Okay, what they've got

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<v Speaker 3>going on is depression, and with I mean some of

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<v Speaker 3>them also we know have PTSD, but they're managing it.

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<v Speaker 3>Like Bucky probably has more than just depression going on,

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<v Speaker 3>but Bob clearly has additional mental health struggles, including, like

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<v Speaker 3>explicitly stated in the movie, problems with addiction on top

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<v Speaker 3>of the depression. That is sort of the baseline for

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<v Speaker 3>every character in this film.

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<v Speaker 4>Right.

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<v Speaker 7>You say they all have depression, but they also have

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<v Speaker 7>like depression is just not a one size fits all

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<v Speaker 7>They have differing degrees of how they are coping with

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<v Speaker 7>it and how they are managing it, right, like different

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<v Speaker 7>levels of functionality.

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<v Speaker 3>Absolutely, and like I would say, like for example, like

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<v Speaker 3>I mentioned, like Bucky is masking really really well, And

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<v Speaker 3>I think you can definitely draw a narrative of like

386
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<v Speaker 3>Bucky is doing what he's supposed to do and he's

387
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<v Speaker 3>being a normal person and he's you know, doing good

388
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<v Speaker 3>without violence. He's in Congress now, and like that moment

389
00:20:08.480 --> 00:20:10.160
<v Speaker 3>when he just like throws it all away to go,

390
00:20:11.200 --> 00:20:17.119
<v Speaker 3>you know, do insane things on a motorcycle, like kind

391
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<v Speaker 3>of reveals how much he has been masking who he

392
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<v Speaker 3>really is. Where Alexi is also masking, but much more poorly.

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<v Speaker 3>Like his his show of everything is great and I'm

394
00:20:32.680 --> 00:20:37.279
<v Speaker 3>fine is much more transparent. Elene is not bothering Walker

395
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<v Speaker 3>is awesome. I think it's it's actually really interesting that

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00:20:40.240 --> 00:20:43.319
<v Speaker 3>all of the men are masking and only Elaine is

397
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<v Speaker 3>like this is it? This is how I feel?

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<v Speaker 4>Right? No, I think it's very true. And I think

399
00:20:48.359 --> 00:20:52.000
<v Speaker 4>you know, alexis shown not quite as what could possibly

400
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<v Speaker 4>be addiction, but I think he is better understood is

401
00:20:54.759 --> 00:20:58.000
<v Speaker 4>self medicated. You know, he is using alcohol and food

402
00:20:58.480 --> 00:21:00.359
<v Speaker 4>and he might well be addicted to those things, but

403
00:21:00.440 --> 00:21:03.680
<v Speaker 4>certainly right now they he is self medicating. He is

404
00:21:03.799 --> 00:21:07.119
<v Speaker 4>using them to give himself the dopamine that his brain

405
00:21:07.200 --> 00:21:11.240
<v Speaker 4>is not producing, which meets me. I think part of

406
00:21:11.240 --> 00:21:13.319
<v Speaker 4>why this is such a depression is a word that's

407
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<v Speaker 4>used so broadly. And as I said, I'm not a

408
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<v Speaker 4>licensed therapist, I did have some of that training, and

409
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<v Speaker 4>I want to kind of give a little bit of

410
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<v Speaker 4>a breakdown as it was explained to me by both

411
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<v Speaker 4>professors and my own therapists, of just some of the

412
00:21:24.759 --> 00:21:28.839
<v Speaker 4>different terms we can use that that there is because

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<v Speaker 4>I think people often hear the word depressed and don't

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00:21:30.799 --> 00:21:34.039
<v Speaker 4>know what means, and that there is. There is situational depression,

415
00:21:34.079 --> 00:21:37.240
<v Speaker 4>which is a bad thing has happened to you and

416
00:21:37.519 --> 00:21:40.960
<v Speaker 4>you are feeling really down about it, but presumably you

417
00:21:41.000 --> 00:21:43.680
<v Speaker 4>will get back up and and that is often what

418
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<v Speaker 4>the The analogy that was used for me was you're

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<v Speaker 4>in a hole and there's a ladder and you just

420
00:21:49.519 --> 00:21:51.960
<v Speaker 4>haven't figured out you have you're not ready to climb

421
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<v Speaker 4>back up the ladder. Then there is like long term depression,

422
00:21:55.400 --> 00:21:58.359
<v Speaker 4>which is you know you are down at that hole.

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<v Speaker 4>There may be a ladder, but you're having trouble seeing it.

424
00:22:01.400 --> 00:22:04.480
<v Speaker 4>You need help remembering to like use the latter, et cetera.

425
00:22:05.079 --> 00:22:07.359
<v Speaker 4>And then chronic medical depression. I mean, all of them

426
00:22:07.400 --> 00:22:09.240
<v Speaker 4>are medical to some extent. But and this is where

427
00:22:09.279 --> 00:22:13.079
<v Speaker 4>like medical intervention becomes more important medication and things like that,

428
00:22:13.359 --> 00:22:14.680
<v Speaker 4>which is where you're in the hole and there is

429
00:22:14.680 --> 00:22:16.960
<v Speaker 4>no letter and you need to construct the latter to

430
00:22:16.960 --> 00:22:20.000
<v Speaker 4>some extent, and I mean going to all the difference

431
00:22:20.039 --> 00:22:21.839
<v Speaker 4>of like you know, with therapy versus medication, all that

432
00:22:21.880 --> 00:22:23.920
<v Speaker 4>kind of stuff. But yeah, I think the movie does

433
00:22:23.960 --> 00:22:25.839
<v Speaker 4>a really good job of showing lots of people at

434
00:22:25.880 --> 00:22:28.359
<v Speaker 4>lost in different stages. And I don't want to say,

435
00:22:28.359 --> 00:22:30.119
<v Speaker 4>like which one is it which, but all of them

436
00:22:30.200 --> 00:22:34.759
<v Speaker 4>are dealing with just the general fucked upitness of the

437
00:22:34.799 --> 00:22:37.319
<v Speaker 4>world in general, but also of their particular worlds. You know,

438
00:22:37.440 --> 00:22:39.160
<v Speaker 4>all of them were people who thought they would be

439
00:22:39.200 --> 00:22:43.680
<v Speaker 4>heroes to some extent or another, and they are not,

440
00:22:43.880 --> 00:22:45.759
<v Speaker 4>and they're not being treated as such, and they're being

441
00:22:45.799 --> 00:22:48.279
<v Speaker 4>perceived as such, and they're in a lot of ways

442
00:22:48.319 --> 00:22:51.000
<v Speaker 4>really wrestling with who they are. And I do think

443
00:22:51.039 --> 00:22:54.000
<v Speaker 4>you're right, Jessica, that a lot of what you know,

444
00:22:54.359 --> 00:22:57.759
<v Speaker 4>the the what makes them come together. Is there is

445
00:22:57.759 --> 00:23:00.000
<v Speaker 4>the idea of community and the idea that like each

446
00:23:00.119 --> 00:23:03.359
<v Speaker 4>of them feels alone in their own way, and it

447
00:23:03.519 --> 00:23:05.599
<v Speaker 4>finds that in the company of each other that they're

448
00:23:05.640 --> 00:23:08.759
<v Speaker 4>not alone, that everyone is in their own shame room,

449
00:23:09.000 --> 00:23:10.440
<v Speaker 4>but that they don't have to be they can be

450
00:23:10.559 --> 00:23:11.799
<v Speaker 4>together and come out of it together.

451
00:23:13.119 --> 00:23:16.319
<v Speaker 3>Yeah, and well, so I do. I do want to

452
00:23:18.039 --> 00:23:19.880
<v Speaker 3>There's a couple of things I want to say when

453
00:23:19.920 --> 00:23:23.519
<v Speaker 3>I do want to sort of challenge how you framed,

454
00:23:25.799 --> 00:23:28.559
<v Speaker 3>you know, the things that they're wrestling with, because I

455
00:23:28.599 --> 00:23:33.640
<v Speaker 3>think for very few of the characters, it's actually how

456
00:23:33.640 --> 00:23:37.240
<v Speaker 3>they're perceived that they're worrying about, Like maybe Walker and

457
00:23:37.319 --> 00:23:43.920
<v Speaker 3>maybe bob Yolena does want to do more public super

458
00:23:43.920 --> 00:23:47.240
<v Speaker 3>heroing and Alexi, I guess, but like that's because Alexi

459
00:23:47.240 --> 00:23:49.640
<v Speaker 3>tells her when he was happiest. She's like, how do

460
00:23:49.680 --> 00:23:52.160
<v Speaker 3>I be happy? And he says, I was happiest when

461
00:23:52.200 --> 00:23:54.200
<v Speaker 3>I was a public superhero and she's like, Okay, let

462
00:23:54.200 --> 00:23:56.920
<v Speaker 3>me try that. Like she's not in it for the glory,

463
00:23:56.960 --> 00:23:59.480
<v Speaker 3>and I don't think it for I don't think it's

464
00:23:59.599 --> 00:24:02.680
<v Speaker 3>ego for all of the characters, and I don't think

465
00:24:02.680 --> 00:24:06.279
<v Speaker 3>it's ego even for the characters where it is ego,

466
00:24:06.359 --> 00:24:09.480
<v Speaker 3>I don't think that's the primary driver because the thing

467
00:24:09.680 --> 00:24:14.279
<v Speaker 3>that we're like, the climax has them bob as the

468
00:24:14.359 --> 00:24:18.920
<v Speaker 3>void basically like nothing's all of them into or he's

469
00:24:18.960 --> 00:24:22.359
<v Speaker 3>nothing people away, which, by the way, the special effects

470
00:24:22.400 --> 00:24:25.119
<v Speaker 3>in this movie are great, like the effects that they

471
00:24:25.160 --> 00:24:27.640
<v Speaker 3>have for the void, the way that they've animated him

472
00:24:27.640 --> 00:24:30.680
<v Speaker 3>and CGI is really cool, and the way that people

473
00:24:30.720 --> 00:24:33.200
<v Speaker 3>are erased is like genuinely frightening.

474
00:24:33.799 --> 00:24:37.680
<v Speaker 7>Very a lot of sound design. Yeah, there's just a

475
00:24:37.799 --> 00:24:40.519
<v Speaker 7>very brief scene in the trailer, but it's almost like

476
00:24:40.559 --> 00:24:42.039
<v Speaker 7>a slump as they disappeared.

477
00:24:42.920 --> 00:24:45.599
<v Speaker 3>It was the first time it happens. There's like a

478
00:24:45.640 --> 00:24:47.920
<v Speaker 3>little girl that Alexi is just saved and you're like, oh,

479
00:24:47.960 --> 00:24:51.680
<v Speaker 3>he saved her, and then she's gone. Everybody's fine at

480
00:24:51.720 --> 00:24:53.960
<v Speaker 3>the end, like they all come out of it.

481
00:24:54.319 --> 00:25:00.279
<v Speaker 7>But so that's so manipulative emotionally. On the they were well,

482
00:25:00.319 --> 00:25:01.039
<v Speaker 7>and that's the thing.

483
00:25:01.200 --> 00:25:05.480
<v Speaker 3>Like a friend and I saw this together, Becky who's

484
00:25:05.519 --> 00:25:08.039
<v Speaker 3>been on the podcast, saw this together and afterwards were

485
00:25:08.039 --> 00:25:12.160
<v Speaker 3>like breaking down the story mechanics because they're very it's

486
00:25:12.200 --> 00:25:14.799
<v Speaker 3>a movie that has very clear mechanics, but they work

487
00:25:14.920 --> 00:25:19.519
<v Speaker 3>so well. But yeah, so Yolena goes into the blackness

488
00:25:19.559 --> 00:25:21.599
<v Speaker 3>to try and talk to Bob and get them to

489
00:25:21.640 --> 00:25:23.920
<v Speaker 3>stop this, and then the rest of them all follow her.

490
00:25:24.160 --> 00:25:26.119
<v Speaker 3>And what happens when you're in the blackness is you're

491
00:25:26.160 --> 00:25:29.960
<v Speaker 3>confronted with terrible moments in your life, and specifically moments

492
00:25:29.960 --> 00:25:34.440
<v Speaker 3>when you failed or were at your lowest. Like Yolena

493
00:25:34.599 --> 00:25:39.480
<v Speaker 3>repeatedly sees herself as a trainee in the Red Room

494
00:25:39.920 --> 00:25:42.880
<v Speaker 3>luring a friend a little girl. She is a little girl,

495
00:25:42.880 --> 00:25:45.000
<v Speaker 3>her friend is a little girl to be murdered, and

496
00:25:45.039 --> 00:25:48.680
<v Speaker 3>she sees this over and over and over again. And

497
00:25:49.640 --> 00:25:51.960
<v Speaker 3>there's actually a great line when they all make it.

498
00:25:52.160 --> 00:25:54.880
<v Speaker 3>All the other characters make it through to Yolena and Bob,

499
00:25:55.200 --> 00:25:57.400
<v Speaker 3>and she's like, are you guys okay? And Bucky's like, well,

500
00:25:57.440 --> 00:26:01.599
<v Speaker 3>I had a great life, so I'm doing fine. But like,

501
00:26:01.799 --> 00:26:05.720
<v Speaker 3>they're very much plagued by the things that they've done

502
00:26:05.720 --> 00:26:08.400
<v Speaker 3>and the things that they have not done. And I

503
00:26:09.319 --> 00:26:13.480
<v Speaker 3>think that's important to note because again that question of like,

504
00:26:13.599 --> 00:26:16.359
<v Speaker 3>is this a movie about, oh this poor sad man,

505
00:26:16.920 --> 00:26:19.960
<v Speaker 3>or is it a movie about supporting one another? And

506
00:26:20.000 --> 00:26:22.839
<v Speaker 3>I think the fact that they do take responsibility for

507
00:26:22.920 --> 00:26:29.359
<v Speaker 3>their own wrongs is really key to what side of

508
00:26:29.359 --> 00:26:30.519
<v Speaker 3>the coin the movie lands on.

509
00:26:31.200 --> 00:26:32.559
<v Speaker 4>I think it's really fair. And first of all, you

510
00:26:32.599 --> 00:26:33.880
<v Speaker 4>want to say, just on what you're talking about there.

511
00:26:33.920 --> 00:26:36.079
<v Speaker 4>That's a reference to shame room, and that's the term

512
00:26:36.119 --> 00:26:38.440
<v Speaker 4>they use at some points in the movie. And I

513
00:26:38.440 --> 00:26:40.079
<v Speaker 4>do think for me, at least in my own I mean,

514
00:26:40.160 --> 00:26:42.160
<v Speaker 4>I don't speak for anyone else but my own understanding

515
00:26:42.160 --> 00:26:45.039
<v Speaker 4>and my own depression, that felt very, very real. You know,

516
00:26:45.160 --> 00:26:48.160
<v Speaker 4>there was a period of time when I was trying

517
00:26:48.160 --> 00:26:49.880
<v Speaker 4>to crawl out of depression at the when it was

518
00:26:49.920 --> 00:26:52.839
<v Speaker 4>at its worst, when I started listening to podcasts in

519
00:26:52.880 --> 00:26:56.680
<v Speaker 4>part because I needed to always have voices talking to

520
00:26:56.720 --> 00:27:00.160
<v Speaker 4>me because or else, you know, not the voices in

521
00:27:00.200 --> 00:27:02.480
<v Speaker 4>my head in a literal schizophrenic way, but just in

522
00:27:02.559 --> 00:27:05.599
<v Speaker 4>terms of like my brain without active input would start

523
00:27:05.640 --> 00:27:09.240
<v Speaker 4>remembering and would immediately take me back to those things.

524
00:27:09.279 --> 00:27:12.519
<v Speaker 4>And that is something that happens in depression. And I

525
00:27:12.559 --> 00:27:15.519
<v Speaker 4>thought all that was brilliant. I will say I had

526
00:27:15.559 --> 00:27:17.680
<v Speaker 4>a very different response to the Special Effects. I laughed

527
00:27:17.680 --> 00:27:19.759
<v Speaker 4>out loud because I did think it was so manipulative

528
00:27:19.799 --> 00:27:22.319
<v Speaker 4>and bad and like, come on, how lazy is the

529
00:27:22.359 --> 00:27:25.000
<v Speaker 4>writing here? But I'm really glad it worked for others.

530
00:27:26.200 --> 00:27:28.880
<v Speaker 4>I think what I meant by the hero thing and maybe, actually,

531
00:27:29.079 --> 00:27:32.079
<v Speaker 4>I'm gonna say it again, I think, actually, you're right,

532
00:27:32.119 --> 00:27:33.759
<v Speaker 4>and I think you've got me to see the hero

533
00:27:33.799 --> 00:27:35.119
<v Speaker 4>thing in a different way. It's not that they all

534
00:27:35.160 --> 00:27:38.640
<v Speaker 4>want to be heroes. It's that again, in a way,

535
00:27:38.680 --> 00:27:43.400
<v Speaker 4>they're self medicating of they don't have the self validation

536
00:27:44.200 --> 00:27:47.880
<v Speaker 4>that humans need, and that they don't also have the

537
00:27:47.960 --> 00:27:51.279
<v Speaker 4>validation of their immediate friends and family and loved ones,

538
00:27:51.880 --> 00:27:55.440
<v Speaker 4>and as happens a lot myself very much included, and

539
00:27:55.440 --> 00:27:57.079
<v Speaker 4>I've had to be careful with this podcast not to be

540
00:27:57.119 --> 00:28:01.559
<v Speaker 4>doing this, but there I think Alexiascally and Walker they're

541
00:28:01.559 --> 00:28:04.079
<v Speaker 4>seeking it from strangers. You know a lot of people

542
00:28:04.119 --> 00:28:08.279
<v Speaker 4>who you think about that person who is just seeking

543
00:28:08.519 --> 00:28:11.119
<v Speaker 4>the cheers of the crowd while alienating all the people

544
00:28:11.119 --> 00:28:13.759
<v Speaker 4>close to them. That's very much a depressive trait and

545
00:28:13.799 --> 00:28:16.720
<v Speaker 4>can be linked to narcissism, but can just be depression

546
00:28:17.119 --> 00:28:21.119
<v Speaker 4>of you're craving that validation that you don't get from yourself,

547
00:28:21.200 --> 00:28:23.160
<v Speaker 4>and you're craving it from strangers. And it can be

548
00:28:23.559 --> 00:28:27.240
<v Speaker 4>you know, serial friendships, serial relationships, or trying to get

549
00:28:27.240 --> 00:28:29.359
<v Speaker 4>ten thousand likes, because if you just get a thousand

550
00:28:29.440 --> 00:28:32.759
<v Speaker 4>more likes, maybe your mother will stop braiding you for

551
00:28:32.799 --> 00:28:34.480
<v Speaker 4>the thing that she braided you about twenty years ago

552
00:28:34.480 --> 00:28:36.759
<v Speaker 4>that you can't forget, you know. And I do think

553
00:28:36.759 --> 00:28:38.960
<v Speaker 4>that you write they capture that very well and have

554
00:28:40.079 --> 00:28:42.200
<v Speaker 4>you'll Lena doesn't have that the way the others do,

555
00:28:42.279 --> 00:28:44.839
<v Speaker 4>and I think that's really interesting how that plays out.

556
00:28:45.319 --> 00:28:47.559
<v Speaker 3>Yeah. The other thing that you said that I was like,

557
00:28:48.640 --> 00:28:51.039
<v Speaker 3>I was like, well, this is really relevant is when

558
00:28:51.039 --> 00:28:53.599
<v Speaker 3>you were li likening like the different kinds of depression

559
00:28:53.599 --> 00:28:55.880
<v Speaker 3>to being trapped in a hole and how do you

560
00:28:55.920 --> 00:28:57.960
<v Speaker 3>get out of the hole if there's no ladder? That's

561
00:28:58.000 --> 00:29:01.960
<v Speaker 3>literally in the movie. Yeah, Yeah, there is a sequence

562
00:29:02.000 --> 00:29:04.599
<v Speaker 3>in the movie. It's when they're escaping this like death

563
00:29:04.680 --> 00:29:07.680
<v Speaker 3>trap that Valentina has sent them all into and they

564
00:29:07.759 --> 00:29:10.200
<v Speaker 3>there is an elevator shaft, but there's no elevator and

565
00:29:10.240 --> 00:29:12.559
<v Speaker 3>there's no ladder, so how do they get out of it?

566
00:29:12.960 --> 00:29:17.599
<v Speaker 3>And it's Bob actually who comes up with the idea

567
00:29:17.680 --> 00:29:20.960
<v Speaker 3>that they all link arms and press like back to back.

568
00:29:21.000 --> 00:29:24.359
<v Speaker 3>There's four of them at this point, It's Yolena, Bob, Walker,

569
00:29:24.440 --> 00:29:27.279
<v Speaker 3>and Ghost. They link arms, they back up and then

570
00:29:27.319 --> 00:29:32.200
<v Speaker 3>they like walk up the walls bracing against each other,

571
00:29:33.839 --> 00:29:36.799
<v Speaker 3>and like the metaphor could not be any more blatant,

572
00:29:36.920 --> 00:29:38.920
<v Speaker 3>like how do you get out of this? You have

573
00:29:39.000 --> 00:29:44.039
<v Speaker 3>to lean on each other, Like it's it's really extremely explicit,

574
00:29:45.279 --> 00:29:47.519
<v Speaker 3>and it's I mean, this is not the first movie

575
00:29:47.519 --> 00:29:50.039
<v Speaker 3>to use that as a metaphor for teamworking connection and

576
00:29:50.079 --> 00:29:53.960
<v Speaker 3>like being a better person by making friends. The Umperor's

577
00:29:54.000 --> 00:29:58.200
<v Speaker 3>New Groove does it beautifully. And it's only when they

578
00:29:58.240 --> 00:30:00.839
<v Speaker 3>get to the top and Walker just he needs to

579
00:30:00.839 --> 00:30:02.920
<v Speaker 3>be the hero because they when they get to the top,

580
00:30:02.960 --> 00:30:06.200
<v Speaker 3>they're like, wait, now, how do we get to the doorway?

581
00:30:07.480 --> 00:30:10.039
<v Speaker 3>And Walker decides that he's going to like do this

582
00:30:10.200 --> 00:30:14.200
<v Speaker 3>big hero moment and he's gonna jump for the doorway

583
00:30:14.319 --> 00:30:17.400
<v Speaker 3>and he almost kills everybody else because he's thinking as

584
00:30:17.440 --> 00:30:21.480
<v Speaker 3>an individual instead of how they support each other and

585
00:30:21.599 --> 00:30:26.039
<v Speaker 3>like coming up with a collective plan. So yeah, the

586
00:30:26.079 --> 00:30:30.640
<v Speaker 3>movie is really really unsubtle, like how do you get

587
00:30:30.640 --> 00:30:32.519
<v Speaker 3>out of the hole? Julian on each other?

588
00:30:35.480 --> 00:30:38.319
<v Speaker 7>But I love that. I don't know, like not everything

589
00:30:38.400 --> 00:30:44.480
<v Speaker 7>needs to be subtle, and no, that that metaphor can

590
00:30:44.519 --> 00:30:47.079
<v Speaker 7>easily be missed, right, you can just view it as

591
00:30:47.119 --> 00:30:51.240
<v Speaker 7>a action set piece moment well.

592
00:30:51.079 --> 00:30:53.200
<v Speaker 3>And I didn't. I did miss it. I didn't think

593
00:30:53.240 --> 00:30:55.079
<v Speaker 3>about it until I was thinking about like what we

594
00:30:55.079 --> 00:30:57.119
<v Speaker 3>were going to talk about in this discussion, and I

595
00:30:57.160 --> 00:31:00.799
<v Speaker 3>was like, oh, dang, okay, because it happen pretty early

596
00:31:00.839 --> 00:31:03.519
<v Speaker 3>in the movie before the theme of depression is really

597
00:31:03.559 --> 00:31:06.240
<v Speaker 3>expanded on, before you really see it for every character,

598
00:31:06.720 --> 00:31:11.319
<v Speaker 3>and I was like, oh, oh, okay, And you can

599
00:31:11.799 --> 00:31:15.359
<v Speaker 3>compare it to there's a scene during the climax before

600
00:31:15.400 --> 00:31:23.039
<v Speaker 3>the little girl gets nothinged, when basically they've just fought

601
00:31:23.079 --> 00:31:28.400
<v Speaker 3>Bob in Avenger's Tower and now they're back on the

602
00:31:28.440 --> 00:31:31.799
<v Speaker 3>street and he like takes that I think a helicopter

603
00:31:31.880 --> 00:31:35.000
<v Speaker 3>and it's causing all these building parts to fall down

604
00:31:35.039 --> 00:31:38.000
<v Speaker 3>onto the street and so they're like protecting civilians, which

605
00:31:38.039 --> 00:31:39.880
<v Speaker 3>was a very funny scene for me to watch because

606
00:31:39.880 --> 00:31:43.359
<v Speaker 3>I used to walk down that exact block every single day,

607
00:31:43.400 --> 00:31:46.680
<v Speaker 3>twice a day to go to work, and like, if

608
00:31:46.680 --> 00:31:49.200
<v Speaker 3>you're in the MCU, maybe don't ever go to Midtown

609
00:31:49.279 --> 00:31:56.079
<v Speaker 3>ever because it's not safe. But there's this moment where

610
00:31:56.160 --> 00:31:59.079
<v Speaker 3>I think it's Alexei who some there's like a huge

611
00:31:59.119 --> 00:32:03.119
<v Speaker 3>slab wall and it's falling over and it's about to

612
00:32:03.200 --> 00:32:05.559
<v Speaker 3>land on a civilian, and Alexei, who is a super

613
00:32:05.599 --> 00:32:08.079
<v Speaker 3>soldier like goes and catches the wall and is holding

614
00:32:08.079 --> 00:32:10.240
<v Speaker 3>it up, but he can't. He's not strong enough to

615
00:32:10.279 --> 00:32:12.559
<v Speaker 3>hold it indefinitely, and he's not strong enough to push

616
00:32:12.559 --> 00:32:15.559
<v Speaker 3>it back. And this civilian is just like hanging out

617
00:32:15.880 --> 00:32:17.000
<v Speaker 3>and not running.

618
00:32:19.680 --> 00:32:20.559
<v Speaker 7>Right outside.

619
00:32:21.039 --> 00:32:25.119
<v Speaker 3>Move, move, and then I think it's maybe Walker or Bucky.

620
00:32:25.279 --> 00:32:28.079
<v Speaker 3>Like all the other characters one by one come over

621
00:32:28.319 --> 00:32:31.680
<v Speaker 3>and also hold up the wall, and there's no distinction

622
00:32:31.839 --> 00:32:35.319
<v Speaker 3>made between who had a super soldier serum injected into

623
00:32:35.400 --> 00:32:37.160
<v Speaker 3>them at some point and who didn't. Like I'm like,

624
00:32:37.200 --> 00:32:40.240
<v Speaker 3>what's Yolena gonna do? But they're all it's the only

625
00:32:40.319 --> 00:32:43.319
<v Speaker 3>way that they can save this person. And nobody has

626
00:32:43.400 --> 00:32:47.400
<v Speaker 3>like a moment of ego in this. They are genuinely cooperating.

627
00:32:47.519 --> 00:32:51.880
<v Speaker 3>And when they do flip the wall over and not

628
00:32:51.920 --> 00:32:54.440
<v Speaker 3>only does it work, but then all the civilians start applauding.

629
00:32:56.240 --> 00:33:00.200
<v Speaker 7>Yeah, I mean I like that. I feel like if

630
00:33:00.920 --> 00:33:04.200
<v Speaker 7>they wanted to be unsubtle, they could by adding dialogue

631
00:33:04.319 --> 00:33:09.119
<v Speaker 7>like we'll do it together or you can lean on me. Yeah,

632
00:33:09.160 --> 00:33:12.559
<v Speaker 7>that to me is unsubtle, But like the visual, I

633
00:33:12.640 --> 00:33:15.200
<v Speaker 7>really like the what you're describing about the visuals.

634
00:33:15.400 --> 00:33:18.319
<v Speaker 3>I thought it was done very elegantly, and they it

635
00:33:18.480 --> 00:33:22.359
<v Speaker 3>helps that all of these characters are very sarcastic and

636
00:33:22.440 --> 00:33:24.559
<v Speaker 3>like don't really like each other. I mean, they do

637
00:33:24.599 --> 00:33:26.359
<v Speaker 3>their friends at the end, but like also they don't

638
00:33:26.400 --> 00:33:28.480
<v Speaker 3>like each other, and so every time you have a

639
00:33:28.519 --> 00:33:30.680
<v Speaker 3>moment where it could be like we did it thanks

640
00:33:30.720 --> 00:33:34.480
<v Speaker 3>to teamwork, they'll just insult each other. And you know,

641
00:33:34.640 --> 00:33:37.200
<v Speaker 3>they it allows you to have the visual, which is

642
00:33:37.200 --> 00:33:43.640
<v Speaker 3>more important in movie language anyway, without it becoming belabored

643
00:33:43.839 --> 00:33:52.440
<v Speaker 3>or cheesy because they they undercut it with the sarcastic remark, right,

644
00:33:53.480 --> 00:33:53.680
<v Speaker 3>you know.

645
00:33:53.720 --> 00:33:56.039
<v Speaker 4>I think that's true. And I think especially Elena and

646
00:33:56.079 --> 00:34:03.599
<v Speaker 4>Alexi have a few moments of like genuine emotional connection

647
00:34:03.880 --> 00:34:05.920
<v Speaker 4>in ways that I think have really that both of

648
00:34:05.920 --> 00:34:08.159
<v Speaker 4>them have clearly been hungering for in terms of this

649
00:34:08.599 --> 00:34:12.480
<v Speaker 4>father daughter relationship that was several years ago in part

650
00:34:12.480 --> 00:34:14.559
<v Speaker 4>by the right Room, but in part by Alexi himself

651
00:34:14.599 --> 00:34:18.400
<v Speaker 4>and then by her rejecting him for instantable reasons and

652
00:34:18.400 --> 00:34:20.440
<v Speaker 4>stuff like this, And there was a really beautiful connection there.

653
00:34:21.280 --> 00:34:23.599
<v Speaker 3>Yeah, And I thought, like, to me, that was the

654
00:34:23.639 --> 00:34:25.960
<v Speaker 3>emotional turning point of the movie. And again like in

655
00:34:26.079 --> 00:34:30.679
<v Speaker 3>terms of this being Yolene's movie, that is the moment

656
00:34:30.800 --> 00:34:35.360
<v Speaker 3>where like, again, the structure of this movie is very transparent.

657
00:34:36.719 --> 00:34:39.039
<v Speaker 3>They have their low point at the end of act

658
00:34:39.039 --> 00:34:41.320
<v Speaker 3>two when they have gotten their asses kicked by Bob.

659
00:34:41.360 --> 00:34:43.639
<v Speaker 3>They have totally lost They have no way to stop him,

660
00:34:43.679 --> 00:34:46.880
<v Speaker 3>they don't know what to do. Elena says extremely cruel

661
00:34:46.920 --> 00:34:49.519
<v Speaker 3>things to every single member of the Thunderbolts and walks

662
00:34:49.559 --> 00:34:52.119
<v Speaker 3>away from them, and Alexi catches up with her and

663
00:34:52.239 --> 00:34:56.320
<v Speaker 3>is like, I'm sorry, I wasn't there for you, like

664
00:34:56.840 --> 00:35:00.199
<v Speaker 3>and like states the pain that they are both in

665
00:35:00.280 --> 00:35:02.599
<v Speaker 3>and they're like both crying and it's a really nice

666
00:35:02.639 --> 00:35:06.840
<v Speaker 3>scene and it is what gives her the Like, again,

667
00:35:07.239 --> 00:35:08.920
<v Speaker 3>you hit the low point at the end of act two,

668
00:35:09.039 --> 00:35:11.639
<v Speaker 3>and then you have that moment where you rally emotionally

669
00:35:11.760 --> 00:35:13.639
<v Speaker 3>so you can go in and fight the bad guy

670
00:35:14.119 --> 00:35:16.519
<v Speaker 3>in act three, which is exactly what happens. Because she

671
00:35:16.599 --> 00:35:20.079
<v Speaker 3>had that moment with Alexi, she has the emotional fortitude

672
00:35:20.079 --> 00:35:24.039
<v Speaker 3>to go into the darkness and try to share what

673
00:35:24.159 --> 00:35:26.800
<v Speaker 3>she has just gotten with somebody else.

674
00:35:29.320 --> 00:35:33.000
<v Speaker 7>Yeah, this is nice. I like this movie.

675
00:35:33.480 --> 00:35:35.800
<v Speaker 3>There's one more scene that I'm just like dying to

676
00:35:35.840 --> 00:35:37.760
<v Speaker 3>talk about. And then I promise I'll stop.

677
00:35:38.079 --> 00:35:40.639
<v Speaker 4>Please please do I have a big critique I want

678
00:35:40.679 --> 00:35:42.880
<v Speaker 4>to bring, but I want to hear more the positives,

679
00:35:42.880 --> 00:35:44.239
<v Speaker 4>So please go ahead.

680
00:35:44.480 --> 00:35:48.599
<v Speaker 3>Okay, So the you know, in terms of like, oh,

681
00:35:48.679 --> 00:35:52.599
<v Speaker 3>the toxic masculinity and he just needs a hug and whatever.

682
00:35:52.960 --> 00:35:55.760
<v Speaker 3>I do think that the movie actually explicitly rejects that.

683
00:35:56.079 --> 00:35:57.760
<v Speaker 3>And I don't think it rejects it with Bob. I

684
00:35:57.800 --> 00:36:02.039
<v Speaker 3>think it rejects it with Walker because his Bob has

685
00:36:02.039 --> 00:36:05.360
<v Speaker 3>this ability to touch people. This is before he really

686
00:36:05.679 --> 00:36:08.000
<v Speaker 3>knows that he has powers, and nobody knows what's going

687
00:36:08.039 --> 00:36:10.280
<v Speaker 3>on with him, but he can touch people, and he

688
00:36:10.360 --> 00:36:13.440
<v Speaker 3>can see those dark memories that they're trying to hide.

689
00:36:13.480 --> 00:36:15.519
<v Speaker 3>Like that's the first time we see the flashback of

690
00:36:15.599 --> 00:36:18.480
<v Speaker 3>Yolene as a child, luring her friend into a trap,

691
00:36:19.000 --> 00:36:21.800
<v Speaker 3>and so he touches Walker, and earlier in the movie,

692
00:36:21.800 --> 00:36:24.159
<v Speaker 3>Walker was bragging about how he has the best life

693
00:36:24.159 --> 00:36:25.679
<v Speaker 3>out of any of them because he has a wife

694
00:36:25.719 --> 00:36:28.639
<v Speaker 3>and a kid and like his life is complete and

695
00:36:28.679 --> 00:36:32.719
<v Speaker 3>they're all losers. So Bob touches him, and we see

696
00:36:32.719 --> 00:36:36.679
<v Speaker 3>a flashback of Walker sitting in his house. He's right

697
00:36:36.719 --> 00:36:39.599
<v Speaker 3>next to the crib. The baby is screaming, and his

698
00:36:39.639 --> 00:36:41.639
<v Speaker 3>wife is like, can you can you do something? Can

699
00:36:41.679 --> 00:36:44.079
<v Speaker 3>you help? Can you you know, like calling from the

700
00:36:44.119 --> 00:36:47.280
<v Speaker 3>other room, John, can you do something? And he's just

701
00:36:47.320 --> 00:36:51.960
<v Speaker 3>staring into space, like just totally checked out, ignoring his

702
00:36:52.039 --> 00:36:54.920
<v Speaker 3>crying child, ignoring his wife who is begging for help.

703
00:36:55.360 --> 00:36:58.480
<v Speaker 3>And she finally walks into the room, picks up the

704
00:36:58.519 --> 00:37:00.440
<v Speaker 3>baby and is like what is wrong with you and

705
00:37:00.519 --> 00:37:04.440
<v Speaker 3>walks out, And later we learn that she's actually left him,

706
00:37:04.480 --> 00:37:11.400
<v Speaker 3>like they're separated, right, And this this could be a

707
00:37:11.440 --> 00:37:14.360
<v Speaker 3>scene that's like, oh, poor Walker, like his wife is

708
00:37:14.400 --> 00:37:17.639
<v Speaker 3>such a bitch, but it's not. This is a memory

709
00:37:17.719 --> 00:37:22.360
<v Speaker 3>that's laden with profound shame for him because he is

710
00:37:22.519 --> 00:37:26.960
<v Speaker 3>failing as a husband and father, because he is failing

711
00:37:27.079 --> 00:37:31.599
<v Speaker 3>in domestic responsibilities. He is not comforting his child, and

712
00:37:31.639 --> 00:37:35.639
<v Speaker 3>he is not helping his wife. And the movie has

713
00:37:35.679 --> 00:37:38.480
<v Speaker 3>sympathy for him, like he's it's clearly not because he

714
00:37:38.480 --> 00:37:42.039
<v Speaker 3>doesn't care. He's clearly depressed. And the movie I felt

715
00:37:42.079 --> 00:37:45.360
<v Speaker 3>like that it managed to have sympathy for his depression

716
00:37:45.559 --> 00:37:54.159
<v Speaker 3>without excusing his failure to again be reliable in a

717
00:37:54.199 --> 00:38:05.119
<v Speaker 3>domestic sphere. And I think that that really is saying

718
00:38:05.159 --> 00:38:08.519
<v Speaker 3>something against that sort of toxic masculinity idea.

719
00:38:09.239 --> 00:38:11.840
<v Speaker 4>I think that's really fair, and I had a lot

720
00:38:11.920 --> 00:38:13.880
<v Speaker 4>of these in terms, but in many ways it is

721
00:38:14.360 --> 00:38:18.760
<v Speaker 4>a very i think intentional counterpoint of Alexi, who also

722
00:38:18.920 --> 00:38:22.880
<v Speaker 4>failed his child, failed as a father, and now is

723
00:38:22.920 --> 00:38:27.679
<v Speaker 4>trying to an exact opposite to Walker, who's denying that

724
00:38:28.199 --> 00:38:30.840
<v Speaker 4>and is more worried about other people thinking of him

725
00:38:30.840 --> 00:38:33.360
<v Speaker 4>as a good father than actually being a good father.

726
00:38:33.440 --> 00:38:36.519
<v Speaker 4>Alexis trying to is acknowledging that he was a shitty

727
00:38:36.519 --> 00:38:41.079
<v Speaker 4>father and is trying to do better as someone who's

728
00:38:41.079 --> 00:38:43.519
<v Speaker 4>two months away from becoming a parent and had an

729
00:38:43.519 --> 00:38:45.880
<v Speaker 4>abusive father. This is all hitting really close to home,

730
00:38:46.159 --> 00:38:48.280
<v Speaker 4>and I remember, Yeah, I was sobbing during that scene

731
00:38:48.559 --> 00:38:51.039
<v Speaker 4>because it's one thing actually that they've drilled into us

732
00:38:51.039 --> 00:38:54.039
<v Speaker 4>in a couple of baby classes and books that I've

733
00:38:54.079 --> 00:38:58.360
<v Speaker 4>been reading, is like, no matter what you do, sometimes

734
00:38:58.400 --> 00:39:00.719
<v Speaker 4>your baby's gonna cry and there's little, really nothing you

735
00:39:00.760 --> 00:39:03.039
<v Speaker 4>can do to stop it, and that you're going to

736
00:39:03.039 --> 00:39:05.840
<v Speaker 4>feel like a failure. And I'm sitting here thinking about, Yeah,

737
00:39:05.840 --> 00:39:08.360
<v Speaker 4>for someone like John Walker who can stop bullets, who

738
00:39:08.360 --> 00:39:11.800
<v Speaker 4>can is so much more powerful than anyone else, the

739
00:39:11.880 --> 00:39:15.639
<v Speaker 4>idea that even he sometimes can't stop a baby from crying,

740
00:39:16.360 --> 00:39:18.079
<v Speaker 4>and would go into that kind of fugue state un

741
00:39:18.079 --> 00:39:21.119
<v Speaker 4>thus stop trying instead of like continuing to show the

742
00:39:21.119 --> 00:39:23.480
<v Speaker 4>baby love and affection and doing what you do until

743
00:39:23.639 --> 00:39:26.119
<v Speaker 4>it does stop crying on its own for whatever reason

744
00:39:26.199 --> 00:39:29.880
<v Speaker 4>or with what you're doing. It hits really hard, for sure.

745
00:39:34.360 --> 00:39:37.719
<v Speaker 4>Here's the so, I think you all have talked me

746
00:39:37.760 --> 00:39:40.360
<v Speaker 4>out of some of the toxic masculinity stuff that I

747
00:39:40.440 --> 00:39:42.960
<v Speaker 4>was seeing it, and I admit I think I am.

748
00:39:43.360 --> 00:39:44.880
<v Speaker 4>You know, it's kind of like some of the conversations

749
00:39:44.960 --> 00:39:48.679
<v Speaker 4>we've had in earlier podcasts about Burrier Gaze or fridging,

750
00:39:48.880 --> 00:39:53.559
<v Speaker 4>where the problem with these tropes is that things that

751
00:39:53.719 --> 00:39:56.559
<v Speaker 4>kind of look like it or rhyme with the trope,

752
00:39:56.760 --> 00:39:59.360
<v Speaker 4>it's easy to see them as the trope and react

753
00:39:59.400 --> 00:40:03.599
<v Speaker 4>badly to that as well because of that, And I

754
00:40:03.599 --> 00:40:06.960
<v Speaker 4>I would admit that for me, I hear what you're

755
00:40:06.960 --> 00:40:09.920
<v Speaker 4>saying about Elena, it did feel like it made Bob's

756
00:40:09.960 --> 00:40:12.760
<v Speaker 4>emotional journey the focus and everyone else have to deal

757
00:40:12.800 --> 00:40:16.320
<v Speaker 4>with to sort of subsume their emotional feelings for Bob's

758
00:40:16.320 --> 00:40:19.320
<v Speaker 4>emotional feelings. I didn't I didn't love that, but I

759
00:40:19.320 --> 00:40:20.760
<v Speaker 4>agree with you it's nowhere near as bad as I

760
00:40:20.880 --> 00:40:21.719
<v Speaker 4>first thought it was.

761
00:40:22.199 --> 00:40:25.000
<v Speaker 7>Well, I had to describe a question if I may,

762
00:40:25.480 --> 00:40:29.280
<v Speaker 7>because you described it as a pretty girl gives him

763
00:40:29.360 --> 00:40:32.760
<v Speaker 7>a hug, right, But isn't this a group hug.

764
00:40:33.320 --> 00:40:38.519
<v Speaker 4>It starts with just Jolena, Yeah, and it's very much

765
00:40:38.599 --> 00:40:40.239
<v Speaker 4>a go ahead, but.

766
00:40:40.199 --> 00:40:42.119
<v Speaker 7>They all they all hug together.

767
00:40:42.280 --> 00:40:45.039
<v Speaker 3>Yeah, so so Bob is. And that was another thing

768
00:40:45.119 --> 00:40:48.000
<v Speaker 3>that I thought was really again unsubtle, but really interesting.

769
00:40:50.039 --> 00:40:52.840
<v Speaker 3>So in the climax, they're in the lab, they're not

770
00:40:52.880 --> 00:40:55.599
<v Speaker 3>really in the lab. They're in this like mindscape of

771
00:40:55.800 --> 00:40:59.079
<v Speaker 3>Bob's of the lab where he was turned into century,

772
00:41:00.599 --> 00:41:03.320
<v Speaker 3>which is also it's like ground zero for his issues,

773
00:41:03.360 --> 00:41:05.719
<v Speaker 3>and it's also kind of ground zero for Yolena's because

774
00:41:05.719 --> 00:41:07.760
<v Speaker 3>that's where the opening scene of the movie is where

775
00:41:07.760 --> 00:41:15.960
<v Speaker 3>she's monologuing about her depression. And we basically the Void

776
00:41:16.000 --> 00:41:18.760
<v Speaker 3>shows up like we have regular Bob and then the

777
00:41:18.840 --> 00:41:23.440
<v Speaker 3>Void shows up and he is like using telekinesis to

778
00:41:23.559 --> 00:41:26.199
<v Speaker 3>like hurl bits of the lab at the rest of

779
00:41:26.239 --> 00:41:29.800
<v Speaker 3>the team. So they're all pinned against the wall. I

780
00:41:29.840 --> 00:41:33.280
<v Speaker 3>think Walker maybe has like something stuck through his shoulder.

781
00:41:33.320 --> 00:41:35.280
<v Speaker 3>Like they're pretty injured by it and they can't move,

782
00:41:35.320 --> 00:41:39.280
<v Speaker 3>they can't intervene, and so Bob is like fighting the

783
00:41:39.360 --> 00:41:43.360
<v Speaker 3>void and he gets the upper hand and he's like

784
00:41:43.559 --> 00:41:46.159
<v Speaker 3>on top of the void, punching him over and over

785
00:41:46.239 --> 00:41:49.239
<v Speaker 3>and over again, and you can see the blackness of

786
00:41:49.280 --> 00:41:53.360
<v Speaker 3>the void is creeping up over Bob, and I think

787
00:41:53.400 --> 00:41:56.599
<v Speaker 3>it's Bucky who's like, this is wrong, which was another

788
00:41:56.639 --> 00:42:00.840
<v Speaker 3>point that I really appreciated, Like, the solution is not violence.

789
00:42:01.760 --> 00:42:05.280
<v Speaker 3>The violence does not solve the problem in this movie.

790
00:42:05.599 --> 00:42:08.440
<v Speaker 4>And then he teaches that like if you accept depression,

791
00:42:08.440 --> 00:42:10.079
<v Speaker 4>which of first you're not supposed to, but if you do,

792
00:42:10.440 --> 00:42:12.559
<v Speaker 4>you can beat it by being strong. You can man

793
00:42:12.679 --> 00:42:15.239
<v Speaker 4>up right depression. Right that You're right. That scene is

794
00:42:15.280 --> 00:42:17.360
<v Speaker 4>a brilliant way of showing how wrong all that is.

795
00:42:17.960 --> 00:42:21.239
<v Speaker 3>It's the solution is not physical strength or like any

796
00:42:21.320 --> 00:42:24.280
<v Speaker 3>kind of like being stronger, and the solution is not

797
00:42:24.360 --> 00:42:29.679
<v Speaker 3>hating yourself. And so Bucky is like this is wrong,

798
00:42:29.719 --> 00:42:31.679
<v Speaker 3>and they're all like oh yo, like this is clearly

799
00:42:31.719 --> 00:42:36.119
<v Speaker 3>not the solution. So Yolena and Alexi are actually pinned

800
00:42:36.159 --> 00:42:40.119
<v Speaker 3>beneath the same piece of metal, and she looks at

801
00:42:40.199 --> 00:42:42.599
<v Speaker 3>him and he kind of nods at her, and then

802
00:42:42.679 --> 00:42:46.039
<v Speaker 3>he pushes harder against it. And takes all of the

803
00:42:46.079 --> 00:42:48.519
<v Speaker 3>weight so that she can slip out, which is yet

804
00:42:48.559 --> 00:42:52.239
<v Speaker 3>another moment of teamwork, right, so she can run to

805
00:42:52.320 --> 00:42:56.320
<v Speaker 3>Bob and like she pulls, like she's not running to

806
00:42:56.400 --> 00:42:58.800
<v Speaker 3>hug him. She's running to pull him off of the void,

807
00:42:59.039 --> 00:43:01.760
<v Speaker 3>which turns into a hug. She's like pinning his arms

808
00:43:01.800 --> 00:43:05.239
<v Speaker 3>so he stops doing this. It is also a hug, absolutely,

809
00:43:05.639 --> 00:43:09.119
<v Speaker 3>and then the metal kind of loosens its grip and

810
00:43:09.159 --> 00:43:11.679
<v Speaker 3>everybody else can run forward and like jump into the

811
00:43:11.760 --> 00:43:12.320
<v Speaker 3>hug too.

812
00:43:13.519 --> 00:43:15.440
<v Speaker 4>I think even before that, I mean she gets to

813
00:43:15.519 --> 00:43:18.639
<v Speaker 4>him first, yes, and that's to me it felt like

814
00:43:18.679 --> 00:43:20.920
<v Speaker 4>at first the moment between that. But again I'm trying

815
00:43:20.960 --> 00:43:24.199
<v Speaker 4>to move past that one. But to what I think

816
00:43:24.280 --> 00:43:26.559
<v Speaker 4>is cause I think, like I said, you've turned me

817
00:43:26.599 --> 00:43:28.119
<v Speaker 4>around on that one, but I think there is still

818
00:43:28.119 --> 00:43:30.800
<v Speaker 4>one part of it that hit me wrong. And there's

819
00:43:30.800 --> 00:43:33.400
<v Speaker 4>a number of great articles about this movie, some that

820
00:43:33.440 --> 00:43:35.639
<v Speaker 4>are very praising of it. And I want to be clear,

821
00:43:35.760 --> 00:43:38.800
<v Speaker 4>like the experience that some people have had with this,

822
00:43:39.000 --> 00:43:42.239
<v Speaker 4>including myself, of it not ringing true, does not negate

823
00:43:42.280 --> 00:43:44.599
<v Speaker 4>the fact that it rings true for many people. And

824
00:43:44.599 --> 00:43:46.639
<v Speaker 4>as I said, even for me, many parts did ring true.

825
00:43:46.960 --> 00:43:49.519
<v Speaker 4>There's a great article on how the movie is apparently

826
00:43:49.519 --> 00:43:53.480
<v Speaker 4>an expression of CBT cognitive behavioral therapy, something I haven't

827
00:43:53.480 --> 00:43:55.320
<v Speaker 4>been through, but I know it's really saved a lot

828
00:43:55.360 --> 00:43:59.800
<v Speaker 4>of lives. But there's an article in Polygon called Thunderbolts,

829
00:43:59.800 --> 00:44:03.320
<v Speaker 4>Big Depression metaphor hit me hard, mostly for the wrong reasons.

830
00:44:03.639 --> 00:44:06.360
<v Speaker 4>What Marvel Studio's latest gets right and wrong about living

831
00:44:06.400 --> 00:44:09.360
<v Speaker 4>with depression. It's by Tasha Robinson, and she talks about

832
00:44:09.400 --> 00:44:13.480
<v Speaker 4>having depression and how this movie hit her, and I

833
00:44:13.559 --> 00:44:15.639
<v Speaker 4>just want to read a couple parts of it because

834
00:44:15.639 --> 00:44:19.280
<v Speaker 4>it really was effective, and it's talking about all the

835
00:44:19.280 --> 00:44:21.920
<v Speaker 4>things that the movie gets right and says, but it

836
00:44:21.960 --> 00:44:24.519
<v Speaker 4>misses one big issue with depression. The aspect of the

837
00:44:24.519 --> 00:44:26.360
<v Speaker 4>movie that most made me shrink in my seat in

838
00:44:26.400 --> 00:44:29.360
<v Speaker 4>the theater, the sense of shame that comes with needing

839
00:44:29.360 --> 00:44:31.800
<v Speaker 4>this kind of help and with putting this much weight

840
00:44:31.840 --> 00:44:35.480
<v Speaker 4>and demand on other people. There's a comforting fantasy in

841
00:44:35.519 --> 00:44:38.119
<v Speaker 4>the idea that even though everyone in Thunderbolts is navigating

842
00:44:38.159 --> 00:44:41.239
<v Speaker 4>major traumas of their own, they're all capable of temporarily

843
00:44:41.320 --> 00:44:44.199
<v Speaker 4>setting aside their own issues to focus on comforting and

844
00:44:44.239 --> 00:44:47.639
<v Speaker 4>supporting Bob. Granted they don't have much choice, given that

845
00:44:47.639 --> 00:44:51.239
<v Speaker 4>he's encompassing the world in nightmarish darkness. Still, the film

846
00:44:51.280 --> 00:44:54.000
<v Speaker 4>frames that group hug as an act of caring and empathy,

847
00:44:54.440 --> 00:44:59.559
<v Speaker 4>not desperation or grudging heroic obligation. He has easy ability

848
00:44:59.599 --> 00:45:01.639
<v Speaker 4>to absor the orb of that comfort when it comes, though,

849
00:45:01.679 --> 00:45:04.400
<v Speaker 4>to take on Yo Lana's message of companionship as a

850
00:45:04.440 --> 00:45:07.360
<v Speaker 4>real fix for his loneliness, and to do it without embarrassment.

851
00:45:07.880 --> 00:45:10.519
<v Speaker 4>To me, that felt harder to believe than MCU. Multiverses

852
00:45:10.519 --> 00:45:12.920
<v Speaker 4>are magic and almost toxic itself and its lack of

853
00:45:12.960 --> 00:45:16.199
<v Speaker 4>weight or complexity. I've been through this kind of crisis myself,

854
00:45:16.199 --> 00:45:18.079
<v Speaker 4>facing my own mental health struggles, or trying to help

855
00:45:18.079 --> 00:45:21.239
<v Speaker 4>friends navigate theirs. And shame is often a major factor,

856
00:45:21.280 --> 00:45:23.400
<v Speaker 4>both as an oncoming part of the larger weight of

857
00:45:23.440 --> 00:45:26.920
<v Speaker 4>depression and in moments like these where long simmering melancholy

858
00:45:26.960 --> 00:45:29.920
<v Speaker 4>reaches a boiling point. It's hard to accept help, it's

859
00:45:29.960 --> 00:45:33.199
<v Speaker 4>hard to admit problems. The societal view of depression holds

860
00:45:33.199 --> 00:45:35.079
<v Speaker 4>that everyone should be strong, independent, and self contained, and

861
00:45:35.119 --> 00:45:38.000
<v Speaker 4>that should be embarrassing to demand other people's time, attention,

862
00:45:38.119 --> 00:45:41.280
<v Speaker 4>or love. And I mean stop, stop, stop reading it,

863
00:45:41.400 --> 00:45:43.440
<v Speaker 4>and I don't want to kind of let her words speak.

864
00:45:43.760 --> 00:45:45.480
<v Speaker 4>But one thing she goes on to talk is that

865
00:45:45.480 --> 00:45:47.760
<v Speaker 4>it was really frustrating that at the end Bob has

866
00:45:47.800 --> 00:45:50.559
<v Speaker 4>no memory of this because he kind of therefore escapes

867
00:45:50.639 --> 00:45:53.400
<v Speaker 4>the sense of like, wait a minute, when everyone else

868
00:45:53.480 --> 00:45:56.639
<v Speaker 4>was going through their own stuff. Not only but I

869
00:45:56.760 --> 00:45:59.239
<v Speaker 4>kind of like started hurting everyone to the point that

870
00:45:59.280 --> 00:46:02.280
<v Speaker 4>they had to stop dealing with their stuff and help

871
00:46:02.360 --> 00:46:05.920
<v Speaker 4>me with mine. And for me, that felt very, very

872
00:46:05.960 --> 00:46:08.440
<v Speaker 4>real of the sense of like, and it's part of

873
00:46:08.480 --> 00:46:10.639
<v Speaker 4>the shame spiral and the way you know, our brains

874
00:46:10.639 --> 00:46:14.079
<v Speaker 4>lie to us in depression or the kinds of mental illness,

875
00:46:14.079 --> 00:46:16.800
<v Speaker 4>because the reality is your friends are glad to help you.

876
00:46:16.840 --> 00:46:20.239
<v Speaker 4>The people in the movie are happy to help Bob,

877
00:46:20.320 --> 00:46:22.199
<v Speaker 4>They want to help Bob, they want to help each other.

878
00:46:23.280 --> 00:46:27.480
<v Speaker 4>But it just felt like the phrase alone in a

879
00:46:27.519 --> 00:46:29.440
<v Speaker 4>crowd is one that I really related to a lot

880
00:46:29.639 --> 00:46:31.480
<v Speaker 4>in the midst of my worst depression of like, yes,

881
00:46:31.519 --> 00:46:33.360
<v Speaker 4>I had all these friends around me who loved me,

882
00:46:33.400 --> 00:46:35.360
<v Speaker 4>who wanted to take care of me, but it didn't

883
00:46:35.360 --> 00:46:38.159
<v Speaker 4>help at all. It just continued the shame spiral downwards.

884
00:46:38.320 --> 00:46:40.760
<v Speaker 4>And so I think that's the only part of it

885
00:46:40.800 --> 00:46:42.880
<v Speaker 4>that I think still continues to ring false to me.

886
00:46:43.159 --> 00:46:45.320
<v Speaker 4>Is and hero Artica I think is great and I

887
00:46:45.360 --> 00:46:47.559
<v Speaker 4>want to I'll put it in the show notes. I

888
00:46:47.559 --> 00:46:48.599
<v Speaker 4>want to kind of put it to you all of

889
00:46:48.960 --> 00:46:51.880
<v Speaker 4>kind of your perspective on that of the like this can.

890
00:46:52.000 --> 00:46:54.400
<v Speaker 4>And I think for some people depression is absolutely helped

891
00:46:54.440 --> 00:46:57.519
<v Speaker 4>by having lots of people like people come to them

892
00:46:57.760 --> 00:47:00.920
<v Speaker 4>with love and affection and caring. But that sometimes that

893
00:47:00.920 --> 00:47:04.039
<v Speaker 4>can actually backfire or or that that that that can

894
00:47:04.320 --> 00:47:06.679
<v Speaker 4>uh not, it doesn't always ring true the way it

895
00:47:06.719 --> 00:47:09.639
<v Speaker 4>does in this movie.

896
00:47:09.920 --> 00:47:12.280
<v Speaker 3>I mean, first of all, I want to say, like,

897
00:47:12.400 --> 00:47:15.239
<v Speaker 3>you don't need to apologize for not liking this movie

898
00:47:15.360 --> 00:47:19.119
<v Speaker 3>as much as I do, because I came onto your podcast,

899
00:47:19.480 --> 00:47:22.719
<v Speaker 3>I came into your home many times and said I

900
00:47:22.760 --> 00:47:26.000
<v Speaker 3>don't like Superman seventy eight or The Dark Knight, and

901
00:47:26.039 --> 00:47:27.119
<v Speaker 3>you were still friends with me.

902
00:47:27.280 --> 00:47:29.159
<v Speaker 4>So that's true. This is true. This is true.

903
00:47:29.280 --> 00:47:36.519
<v Speaker 3>We can disagree and it's okay. I definitely like I

904
00:47:36.519 --> 00:47:38.480
<v Speaker 3>I it sounds like a really interesting article and I'm

905
00:47:38.519 --> 00:47:41.719
<v Speaker 3>going to look it up after we're done we're done talking,

906
00:47:43.719 --> 00:47:50.639
<v Speaker 3>and I I think those are really interesting points. As

907
00:47:50.639 --> 00:47:56.480
<v Speaker 3>someone who has also struggled with depression, I would agree

908
00:47:56.480 --> 00:48:00.480
<v Speaker 3>that like shame is a huge, huge factor in it,

909
00:48:00.960 --> 00:48:03.440
<v Speaker 3>and it's a huge factor that prevents you from being

910
00:48:03.480 --> 00:48:05.800
<v Speaker 3>able to turn to others and say, hey, this is

911
00:48:05.800 --> 00:48:08.199
<v Speaker 3>what's going on with me. And it's definitely something that

912
00:48:08.239 --> 00:48:13.000
<v Speaker 3>I very much struggled with and have historically struggled with.

913
00:48:14.519 --> 00:48:19.559
<v Speaker 3>And I do think it is something again like shame

914
00:48:19.800 --> 00:48:23.000
<v Speaker 3>is a huge emotion in this film. It's something that

915
00:48:23.280 --> 00:48:33.039
<v Speaker 3>it hammers home repeatedly. I will say, you know, I

916
00:48:33.079 --> 00:48:36.719
<v Speaker 3>don't think it's like the minute the characters are offered

917
00:48:36.719 --> 00:48:39.840
<v Speaker 3>a helping hand, they immediately accept it like it's a

918
00:48:39.840 --> 00:48:41.920
<v Speaker 3>two hour movie. And I think that that is the

919
00:48:42.039 --> 00:48:45.519
<v Speaker 3>journey from being unable to make those connections, Like they

920
00:48:45.559 --> 00:48:47.639
<v Speaker 3>don't like each other at the beginning, they can't get along.

921
00:48:48.559 --> 00:48:51.320
<v Speaker 3>That is part of the journey being able to accept

922
00:48:51.360 --> 00:48:54.239
<v Speaker 3>that help and to like they Yes, they literally lean

923
00:48:54.320 --> 00:48:56.119
<v Speaker 3>on each other towards the beginning of the movie, but

924
00:48:56.159 --> 00:48:59.280
<v Speaker 3>they cannot emotionally lean on each other until the end.

925
00:49:00.599 --> 00:49:02.920
<v Speaker 3>But I also think, like I mean, even right in

926
00:49:02.920 --> 00:49:07.480
<v Speaker 3>the movie, they depict multiple experiences of depression and none

927
00:49:07.480 --> 00:49:09.920
<v Speaker 3>of them are exactly the same. And I just I

928
00:49:09.920 --> 00:49:14.360
<v Speaker 3>think it's when you're telling a story about something that

929
00:49:14.519 --> 00:49:20.679
<v Speaker 3>is so so loaded and so personal and so difficult.

930
00:49:21.480 --> 00:49:23.400
<v Speaker 3>It's not going to work for everybody. It's not going

931
00:49:23.440 --> 00:49:30.639
<v Speaker 3>to work for everybody's experience. And I often find media

932
00:49:30.679 --> 00:49:37.320
<v Speaker 3>depictions of depression. I very rarely connect with them. I

933
00:49:37.480 --> 00:49:41.559
<v Speaker 3>very rarely see my own experience reflected in them. And

934
00:49:41.639 --> 00:49:43.960
<v Speaker 3>I remember, I mean this was like ten years ago now,

935
00:49:44.280 --> 00:49:47.559
<v Speaker 3>but I remember once reading a review of the Mark

936
00:49:47.599 --> 00:49:53.440
<v Speaker 3>Wade Run on Daredevil, which is about Daredevil struggling with

937
00:49:53.480 --> 00:49:57.559
<v Speaker 3>depression and masking, and somebody was reviewing it and said, like,

938
00:49:57.679 --> 00:50:00.559
<v Speaker 3>that's what I do to mask my depression. I smile

939
00:50:00.679 --> 00:50:03.159
<v Speaker 3>like a good little extrovert, and like, to this day,

940
00:50:03.840 --> 00:50:07.199
<v Speaker 3>the phrase good little extrovert like gets the water works

941
00:50:07.239 --> 00:50:10.559
<v Speaker 3>going for me in a way that, again, you know,

942
00:50:10.639 --> 00:50:13.599
<v Speaker 3>the sort of typical depiction of here's this person who

943
00:50:13.599 --> 00:50:17.360
<v Speaker 3>can't get out of bed, right doesn't. So I think

944
00:50:17.719 --> 00:50:20.960
<v Speaker 3>I don't. I don't think this movie can be everything

945
00:50:20.960 --> 00:50:25.239
<v Speaker 3>to any to everyone, And I I think it's that's fair,

946
00:50:26.000 --> 00:50:28.159
<v Speaker 3>very worthwhile to say, like, this didn't work for me

947
00:50:28.199 --> 00:50:30.599
<v Speaker 3>because this is my experience, because that's the only way

948
00:50:30.639 --> 00:50:33.440
<v Speaker 3>that we can understand each other.

949
00:50:34.679 --> 00:50:36.079
<v Speaker 4>I think that's a really good point. And I think

950
00:50:36.119 --> 00:50:38.639
<v Speaker 4>that like we have been focusing more in this movie

951
00:50:38.679 --> 00:50:40.960
<v Speaker 4>than I planned to, and and we've been going for

952
00:50:41.000 --> 00:50:42.239
<v Speaker 4>a while, so it won't go too much longer. But

953
00:50:42.239 --> 00:50:43.760
<v Speaker 4>I mean, we can use this kind of expand out

954
00:50:43.760 --> 00:50:45.760
<v Speaker 4>a bit, which is that you know, earlier in the

955
00:50:45.840 --> 00:50:47.599
<v Speaker 4>article they kind of talk about like, should a movie

956
00:50:47.639 --> 00:50:50.320
<v Speaker 4>like this try and wrestle with something as deep as

957
00:50:50.800 --> 00:50:54.360
<v Speaker 4>depression and mental illness while also having you know, action

958
00:50:54.480 --> 00:50:57.480
<v Speaker 4>scenes and quips and funny jokes and set up of

959
00:50:57.519 --> 00:51:01.440
<v Speaker 4>the villain. I would have liked a more believable or

960
00:51:01.440 --> 00:51:05.599
<v Speaker 4>at least in some tiny way relatable villain we get.

961
00:51:05.639 --> 00:51:07.519
<v Speaker 4>I think someone who twirls a mustache even more so

962
00:51:07.559 --> 00:51:10.760
<v Speaker 4>than Emperor Palpatine. Neither one of them have mustaches, but

963
00:51:10.760 --> 00:51:11.559
<v Speaker 4>you get my point.

964
00:51:12.440 --> 00:51:15.599
<v Speaker 3>But I think Valentina would rock a mustache.

965
00:51:15.960 --> 00:51:18.639
<v Speaker 4>I think that's very She would stroke a beard so.

966
00:51:18.559 --> 00:51:20.119
<v Speaker 3>Well, she'd be so good at it.

967
00:51:20.960 --> 00:51:24.960
<v Speaker 4>But I feel like I having had this conversation, I

968
00:51:25.000 --> 00:51:27.800
<v Speaker 4>feel like I am glad this movie is moving the

969
00:51:27.800 --> 00:51:31.480
<v Speaker 4>conversation forward. I may not love the things that it's

970
00:51:31.480 --> 00:51:33.400
<v Speaker 4>adding to the conversation, but if it like, I feel

971
00:51:33.400 --> 00:51:35.559
<v Speaker 4>like it's asking really good questions. Even if I don't

972
00:51:35.559 --> 00:51:38.840
<v Speaker 4>love the answers that it's proposing, and that's I don't

973
00:51:38.880 --> 00:51:40.400
<v Speaker 4>think I can ask anything more of media, Like I

974
00:51:40.400 --> 00:51:42.800
<v Speaker 4>think that's exactly what we want to see. And a

975
00:51:42.880 --> 00:51:44.679
<v Speaker 4>lot of what this podcast is about is saying, how

976
00:51:44.719 --> 00:51:47.800
<v Speaker 4>can you have things that have fun action scenes and

977
00:51:47.880 --> 00:51:50.480
<v Speaker 4>quippy dialogue and a lot of humor. Though I didn't

978
00:51:50.480 --> 00:51:52.159
<v Speaker 4>think this movie is a funny as a lot of other people,

979
00:51:52.159 --> 00:51:54.960
<v Speaker 4>but that's putting aside, but like, how about that and

980
00:51:55.079 --> 00:51:56.760
<v Speaker 4>still deal with with serious issues.

981
00:51:58.880 --> 00:52:01.360
<v Speaker 3>I think part of why this movie is because like

982
00:52:03.039 --> 00:52:05.559
<v Speaker 3>most of the reaction I've seen has been like, Wow,

983
00:52:05.679 --> 00:52:08.039
<v Speaker 3>this is so much better than I expected. Wow, this

984
00:52:08.119 --> 00:52:11.440
<v Speaker 3>is real, Like people were surprised. I was surprised, And

985
00:52:11.519 --> 00:52:13.800
<v Speaker 3>I think a lot of that is because the MCU

986
00:52:13.880 --> 00:52:19.360
<v Speaker 3>has reached a point where a lot of these products

987
00:52:19.360 --> 00:52:21.880
<v Speaker 3>that they're creating and I use the word product deliberately

988
00:52:21.960 --> 00:52:25.880
<v Speaker 3>rather than like stories or movies or TV shows, feel

989
00:52:25.920 --> 00:52:29.480
<v Speaker 3>like we need to keep the IP going. We need

990
00:52:29.480 --> 00:52:33.000
<v Speaker 3>to like put out our requisite number of Marvel products

991
00:52:33.039 --> 00:52:38.159
<v Speaker 3>in this year. We made this thing by committee based

992
00:52:38.159 --> 00:52:42.639
<v Speaker 3>on who is under contract, and it's like it just here,

993
00:52:42.679 --> 00:52:45.280
<v Speaker 3>it is. It came out of sausage factory and so

994
00:52:45.639 --> 00:52:48.159
<v Speaker 3>to see a movie that is about something and is

995
00:52:48.239 --> 00:52:51.119
<v Speaker 3>trying to say something, even if it's something it's saying

996
00:52:51.519 --> 00:52:57.719
<v Speaker 3>doesn't necessarily work for everyone. I think really is is

997
00:52:57.719 --> 00:53:02.159
<v Speaker 3>a reason for that, like surprise pleasure of oh oh wait.

998
00:53:02.360 --> 00:53:06.199
<v Speaker 3>I liked this, this, this, I connected with this, which

999
00:53:06.199 --> 00:53:08.280
<v Speaker 3>was also how I felt about Agatha all along, which

1000
00:53:08.320 --> 00:53:11.159
<v Speaker 3>I thought was like a shameless money grab, like we're

1001
00:53:11.199 --> 00:53:14.280
<v Speaker 3>really doing a TV show about a song from a

1002
00:53:14.280 --> 00:53:17.079
<v Speaker 3>different TV show, And then it really had something to

1003
00:53:17.119 --> 00:53:18.559
<v Speaker 3>say and I found it very moving.

1004
00:53:19.119 --> 00:53:23.079
<v Speaker 4>Yeah, yeah, it's definitely true, and it will just kind

1005
00:53:23.119 --> 00:53:25.559
<v Speaker 4>of as a side because Agatha along a lot of

1006
00:53:25.559 --> 00:53:28.800
<v Speaker 4>it is about motherhood and things like that. I am

1007
00:53:28.960 --> 00:53:33.320
<v Speaker 4>so so so glad that Elene's depression and her shame

1008
00:53:33.400 --> 00:53:35.719
<v Speaker 4>moment in the Shame Room and all of this never

1009
00:53:35.760 --> 00:53:38.440
<v Speaker 4>had anything to do with the forced tystectomy that oh

1010
00:53:38.480 --> 00:53:41.039
<v Speaker 4>my god, yes, because that was such a painful thing

1011
00:53:41.039 --> 00:53:43.000
<v Speaker 4>with her and Natasha over a couple different products. So

1012
00:53:43.719 --> 00:53:46.920
<v Speaker 4>glad to avoid that. Riggi, where do you kind of

1013
00:53:46.960 --> 00:53:49.880
<v Speaker 4>fall on this? Having having heard this discussion, what's kind

1014
00:53:49.880 --> 00:53:52.679
<v Speaker 4>of your thoughts on movies like this that are that

1015
00:53:52.760 --> 00:53:54.679
<v Speaker 4>are not meant to be, like, you know, two hour

1016
00:53:55.039 --> 00:54:00.280
<v Speaker 4>Navel gazing explorations of our deepest, darkest mental demons, but

1017
00:54:00.320 --> 00:54:02.719
<v Speaker 4>then are wrestling with such hard issues amongst the fight

1018
00:54:02.760 --> 00:54:05.119
<v Speaker 4>scenes and the quips and the fun stuff.

1019
00:54:06.239 --> 00:54:08.880
<v Speaker 7>Yeah, I have a couple of thoughts. I mean I

1020
00:54:08.920 --> 00:54:11.440
<v Speaker 7>should have written some of these down. So the first

1021
00:54:11.480 --> 00:54:17.199
<v Speaker 7>thing is like that the Polygon article and Bob forgetting right,

1022
00:54:17.280 --> 00:54:20.320
<v Speaker 7>forgetting about what he did as the Century and the

1023
00:54:20.360 --> 00:54:23.119
<v Speaker 7>Void is like going back to being true to the

1024
00:54:23.199 --> 00:54:27.039
<v Speaker 7>comics version of him. And I think part of it

1025
00:54:27.119 --> 00:54:30.559
<v Speaker 7>is a conceit that you have to depower him until

1026
00:54:30.599 --> 00:54:33.800
<v Speaker 7>the next crisis, right, it's like the whole Superman problem,

1027
00:54:34.079 --> 00:54:35.719
<v Speaker 7>And it's like if you have the Century as part

1028
00:54:35.719 --> 00:54:38.159
<v Speaker 7>of the Avengers, like, wouldn't he just solve everything immediately?

1029
00:54:38.559 --> 00:54:40.920
<v Speaker 7>So I think you have to like depower him and

1030
00:54:40.960 --> 00:54:43.599
<v Speaker 7>sit him on the bench in this form. So it's

1031
00:54:43.639 --> 00:54:46.840
<v Speaker 7>like an unfortunate product of like what you have to

1032
00:54:46.880 --> 00:54:49.039
<v Speaker 7>do with this character, like between movies.

1033
00:54:50.039 --> 00:54:52.199
<v Speaker 3>And I can gag about that too at the end

1034
00:54:52.239 --> 00:54:54.280
<v Speaker 3>when they're like, Okay, we gotta fight crime. Can you

1035
00:54:54.360 --> 00:54:56.199
<v Speaker 3>like do something and he's like, I don't remember how

1036
00:54:56.199 --> 00:54:57.360
<v Speaker 3>to anymore? Guys. Sorry.

1037
00:54:57.480 --> 00:55:04.199
<v Speaker 7>Yeah, as a as a product of as Jessica was saying,

1038
00:55:04.199 --> 00:55:11.039
<v Speaker 7>like the MCU machine, I think to me, like, you

1039
00:55:11.079 --> 00:55:15.480
<v Speaker 7>look at the names involved in this movie and what

1040
00:55:15.679 --> 00:55:20.800
<v Speaker 7>they have done previously, it really shows that they put

1041
00:55:20.840 --> 00:55:25.000
<v Speaker 7>a lot more trust back into the creators. I got

1042
00:55:25.039 --> 00:55:27.840
<v Speaker 7>their names right here. So Joanna Callo is one of

1043
00:55:27.840 --> 00:55:30.920
<v Speaker 7>the writers. She's a writer on The Bear, which is

1044
00:55:31.000 --> 00:55:34.800
<v Speaker 7>just like a multi Emmy winning show and deals with

1045
00:55:34.840 --> 00:55:37.920
<v Speaker 7>a lot of you know, similar issues of like people

1046
00:55:38.039 --> 00:55:40.800
<v Speaker 7>under pressure and like how they react to that and

1047
00:55:40.840 --> 00:55:43.119
<v Speaker 7>then the other on the other side. Jake Schreier, the

1048
00:55:43.199 --> 00:55:46.960
<v Speaker 7>director Hit. One of his last projects was Beef, which

1049
00:55:47.000 --> 00:55:49.119
<v Speaker 7>is a Netflix show. I actually went and watched the

1050
00:55:49.119 --> 00:55:52.519
<v Speaker 7>first episode just to see what it was like, like tonally,

1051
00:55:52.800 --> 00:55:56.320
<v Speaker 7>and it really struck me that Beef is a show where,

1052
00:55:56.320 --> 00:56:00.199
<v Speaker 7>like the two main characters are going through some some

1053
00:56:00.320 --> 00:56:04.280
<v Speaker 7>kind of depressive episode and it's leading to them acting

1054
00:56:04.320 --> 00:56:08.239
<v Speaker 7>out in ways that are you know, not not good

1055
00:56:08.440 --> 00:56:13.679
<v Speaker 7>for them. And to bring bring all that together in

1056
00:56:13.760 --> 00:56:19.159
<v Speaker 7>a superhero movie is kind of stunning, and I would

1057
00:56:19.159 --> 00:56:22.920
<v Speaker 7>not have expected it from the MCU, like even a

1058
00:56:22.960 --> 00:56:27.719
<v Speaker 7>year ago. Right, Yeah, So it sounds to me like

1059
00:56:27.920 --> 00:56:31.679
<v Speaker 7>this is the like the best representation or the best

1060
00:56:31.679 --> 00:56:36.760
<v Speaker 7>exploration of depression in the MCU, which is a low bar,

1061
00:56:37.079 --> 00:56:40.239
<v Speaker 7>probably like Iron Man three, right or that was a

1062
00:56:40.280 --> 00:56:46.199
<v Speaker 7>little bit more PTSD, but but similar tone. It's a

1063
00:56:46.199 --> 00:56:51.519
<v Speaker 7>low bar, but they they set the bar further, is

1064
00:56:51.559 --> 00:56:53.239
<v Speaker 7>what it sounds like. They move the bar.

1065
00:56:53.880 --> 00:56:56.280
<v Speaker 4>If we're separating out the Netflix MCU, then yeah, I

1066
00:56:56.280 --> 00:56:58.519
<v Speaker 4>think I would agree. I would definitely put dare to

1067
00:56:58.519 --> 00:57:02.320
<v Speaker 4>put but anyway I started vision.

1068
00:57:02.920 --> 00:57:07.400
<v Speaker 7>Yeah, yeah, absolutely so on the movie side, like this

1069
00:57:07.480 --> 00:57:10.960
<v Speaker 7>is this is the best. It's a new bar that

1070
00:57:11.039 --> 00:57:13.239
<v Speaker 7>sounds like a good thing to me, and the fact

1071
00:57:13.239 --> 00:57:16.199
<v Speaker 7>that it is getting accolades just as a movie in

1072
00:57:16.320 --> 00:57:21.280
<v Speaker 7>general while accomplishing then is a positive step forward. And

1073
00:57:21.320 --> 00:57:24.079
<v Speaker 7>the fact that like they it seems like they let

1074
00:57:24.119 --> 00:57:27.079
<v Speaker 7>the creators like tell the story for the most part

1075
00:57:27.119 --> 00:57:30.320
<v Speaker 7>that they wanted to tell, and there are elements where

1076
00:57:30.320 --> 00:57:32.039
<v Speaker 7>they have to set up the next movie in the

1077
00:57:32.079 --> 00:57:37.239
<v Speaker 7>next movie obviously, but I'm actually shocked, so, like I mean,

1078
00:57:37.280 --> 00:57:40.079
<v Speaker 7>the the big spoilery thing about the Asterisk is that

1079
00:57:40.239 --> 00:57:43.480
<v Speaker 7>at the end they are introduced as the New Avengers

1080
00:57:43.920 --> 00:57:48.559
<v Speaker 7>by Valve right right, And I'm shocked that that is

1081
00:57:48.599 --> 00:57:53.280
<v Speaker 7>the conclusion just from a from a franchise standpoint, because

1082
00:57:53.280 --> 00:57:55.960
<v Speaker 7>they've been setting up, you know, Sam Wilson's supposed to

1083
00:57:56.000 --> 00:57:59.920
<v Speaker 7>be putting the New Avengers together. They've had teasers about

1084
00:58:00.199 --> 00:58:03.239
<v Speaker 7>Miss Marvel and Kate Bishops being the young Avengers, and

1085
00:58:03.280 --> 00:58:05.639
<v Speaker 7>this just came out of nowhere. It's like, Oh, they're

1086
00:58:05.639 --> 00:58:09.199
<v Speaker 7>the Avengers and and and and to give these characters

1087
00:58:09.239 --> 00:58:13.400
<v Speaker 7>that mantle in this moment in the franchise history is

1088
00:58:13.480 --> 00:58:16.599
<v Speaker 7>kind of stunning to me and says something about the

1089
00:58:16.639 --> 00:58:18.639
<v Speaker 7>trust that they put in these performers.

1090
00:58:19.039 --> 00:58:22.039
<v Speaker 4>Right, I think that's overstating at somewhat, and I want

1091
00:58:22.039 --> 00:58:23.760
<v Speaker 4>to go too into this. There is a totally different issue,

1092
00:58:23.800 --> 00:58:25.559
<v Speaker 4>but it just you can tell me if you disagree.

1093
00:58:25.599 --> 00:58:27.960
<v Speaker 4>But to me, it did not, in any way, shape

1094
00:58:28.000 --> 00:58:31.400
<v Speaker 4>or form, feel like the MCU was saying these are

1095
00:58:31.440 --> 00:58:32.239
<v Speaker 4>the new Avengers.

1096
00:58:32.800 --> 00:58:34.960
<v Speaker 3>It was it was saying about it at the end.

1097
00:58:35.079 --> 00:58:36.960
<v Speaker 3>They're so sam issuing them.

1098
00:58:37.159 --> 00:58:41.400
<v Speaker 4>Yeah, it was saying that val is that the United

1099
00:58:41.559 --> 00:58:44.360
<v Speaker 4>States is saying they're the new Avengers, the same way

1100
00:58:44.360 --> 00:58:47.960
<v Speaker 4>they're saying that John Walker is the new Captain America. Like,

1101
00:58:48.119 --> 00:58:51.199
<v Speaker 4>I don't think that these are the stars of Avengers

1102
00:58:51.559 --> 00:58:54.840
<v Speaker 4>Doomsday or whatever it is, but it probably thought that

1103
00:58:54.840 --> 00:58:56.400
<v Speaker 4>they're gonna be in it for sure, and they became

1104
00:58:56.480 --> 00:58:58.800
<v Speaker 4>the Avengers team. But I think I think the idea

1105
00:58:58.880 --> 00:59:02.440
<v Speaker 4>is that in universe the term Avengers is now being

1106
00:59:02.480 --> 00:59:05.320
<v Speaker 4>in conflict, not that the MCU itself is sort of

1107
00:59:05.320 --> 00:59:08.280
<v Speaker 4>in a meta way saying these characters are the Avengers.

1108
00:59:09.280 --> 00:59:12.679
<v Speaker 3>Yeah, although to be fair, who's on Sam's team?

1109
00:59:13.079 --> 00:59:13.800
<v Speaker 4>Yeah, like that.

1110
00:59:15.440 --> 00:59:19.239
<v Speaker 7>At this point they are more the Avengers than you know, Sam,

1111
00:59:19.519 --> 00:59:24.239
<v Speaker 7>Joaquin Falcon, Shan Chi like Captain Marvel, Like she's off

1112
00:59:24.239 --> 00:59:26.320
<v Speaker 7>planet again, right, and that's how they get rid of

1113
00:59:26.400 --> 00:59:29.199
<v Speaker 7>her until the next movie. She's always off planet. Like

1114
00:59:29.280 --> 00:59:31.480
<v Speaker 7>they're not a team, Like this is much more of

1115
00:59:31.519 --> 00:59:34.760
<v Speaker 7>a team after this movie than anything else going on.

1116
00:59:35.599 --> 00:59:37.280
<v Speaker 4>Well, let's get to that when we get to our

1117
00:59:37.320 --> 00:59:40.039
<v Speaker 4>next Avengers movie, because I'll be really disappointed, I think

1118
00:59:40.039 --> 00:59:42.599
<v Speaker 4>if that's actually what they do. But just going back

1119
00:59:42.599 --> 00:59:45.280
<v Speaker 4>to the mental side of it, I I hear what

1120
00:59:45.320 --> 00:59:46.840
<v Speaker 4>you're saying. I do think as I think about it,

1121
00:59:46.840 --> 00:59:49.039
<v Speaker 4>that there's a lot of other movies, even in the MCU,

1122
00:59:49.119 --> 00:59:51.920
<v Speaker 4>that I think handled depression of mental almost better. I

1123
00:59:51.920 --> 00:59:54.519
<v Speaker 4>think Black Panther two does a lot with it. I

1124
00:59:54.559 --> 00:59:57.480
<v Speaker 4>think Avengers End Game, especially in the character of four,

1125
00:59:57.599 --> 01:00:02.639
<v Speaker 4>does an awful lot with it. And with Tony you.

1126
01:00:02.559 --> 01:00:06.320
<v Speaker 3>Say better though, because I know there was a lot

1127
01:00:06.400 --> 01:00:11.559
<v Speaker 3>of unhappiness about particularly thor and like Chris Hemsworth in

1128
01:00:11.599 --> 01:00:13.199
<v Speaker 3>a fat suit, like didn't know.

1129
01:00:13.320 --> 01:00:16.239
<v Speaker 4>So for me as someone, the main way that my depression,

1130
01:00:17.920 --> 01:00:19.639
<v Speaker 4>the main way that my I've talked about this before,

1131
01:00:19.679 --> 01:00:21.320
<v Speaker 4>but the main way that my depression should have like

1132
01:00:22.480 --> 01:00:24.840
<v Speaker 4>exerted itself in the outer world was me gaining a

1133
01:00:24.880 --> 01:00:28.119
<v Speaker 4>lot of weight and him getting me heroic without losing

1134
01:00:28.199 --> 01:00:31.239
<v Speaker 4>the weight was I thought incredibly cathartic for that perspective.

1135
01:00:31.280 --> 01:00:34.559
<v Speaker 4>So yeah, I agree that it's controversial, but I'm just

1136
01:00:34.559 --> 01:00:36.760
<v Speaker 4>saying that I to me, this hasn't set the new bar,

1137
01:00:36.840 --> 01:00:38.360
<v Speaker 4>but I'd say it rises to the bar that a

1138
01:00:38.440 --> 01:00:40.239
<v Speaker 4>couple of others have hit that a lot do not

1139
01:00:40.280 --> 01:00:40.960
<v Speaker 4>come close to.

1140
01:00:41.840 --> 01:00:44.400
<v Speaker 3>Well, And that I think is also a great example

1141
01:00:44.440 --> 01:00:47.920
<v Speaker 3>of how, like, yeah, differently, we need these multiple depictions

1142
01:00:48.039 --> 01:00:50.880
<v Speaker 3>because things are going to hit different for different people

1143
01:00:51.239 --> 01:00:53.159
<v Speaker 3>with different experiences.

1144
01:00:52.960 --> 01:00:54.639
<v Speaker 4>For sure, And I think, to me, that's kind of

1145
01:00:54.679 --> 01:00:57.880
<v Speaker 4>my My biggest takeaway is I feel like this movie

1146
01:00:57.920 --> 01:01:00.880
<v Speaker 4>tried something it didn't just to be like this is

1147
01:01:00.880 --> 01:01:05.159
<v Speaker 4>what you were saying, Jessica, It wasn't just more hollywoods,

1148
01:01:05.280 --> 01:01:09.119
<v Speaker 4>you know. It wasn't just another factory produced by the

1149
01:01:09.199 --> 01:01:11.559
<v Speaker 4>Numbers superhero movie that was kind of soulless and had

1150
01:01:11.559 --> 01:01:15.599
<v Speaker 4>nothing to say. This tried something like I love the

1151
01:01:15.639 --> 01:01:19.159
<v Speaker 4>TV show The Acolyte. It was trying something totally new

1152
01:01:19.199 --> 01:01:21.519
<v Speaker 4>in Star Wars. I don't think it was totally successful.

1153
01:01:22.119 --> 01:01:24.159
<v Speaker 4>I do wind I did wind up loving it, though,

1154
01:01:24.400 --> 01:01:26.599
<v Speaker 4>but I think even if I hadn't, I was really

1155
01:01:26.639 --> 01:01:29.000
<v Speaker 4>glad that it tried something. And I think that's kind

1156
01:01:29.000 --> 01:01:31.719
<v Speaker 4>of what I feel about this is I think this

1157
01:01:31.880 --> 01:01:34.599
<v Speaker 4>was like, let's try something. I think it failed to

1158
01:01:34.679 --> 01:01:37.320
<v Speaker 4>try it, but I think I'm much happier having it

1159
01:01:37.440 --> 01:01:39.840
<v Speaker 4>try and for me fail and for a lot of

1160
01:01:39.840 --> 01:01:42.599
<v Speaker 4>other people succeed, then for them to just give us

1161
01:01:42.599 --> 01:01:45.760
<v Speaker 4>another soulas you know, by the Numbers kind of thing

1162
01:01:45.800 --> 01:01:47.960
<v Speaker 4>that has nothing to say and it's just an excuse

1163
01:01:48.039 --> 01:01:50.559
<v Speaker 4>for big, shiny things, and you know, the newest actor

1164
01:01:50.599 --> 01:01:52.159
<v Speaker 4>to be in the tight Suit whatever it is.

1165
01:01:52.719 --> 01:01:59.679
<v Speaker 8>Yeah, absolutely, speaking of the newest actor in the Tight Suit,

1166
01:02:00.320 --> 01:02:03.960
<v Speaker 8>I would be remiss if I did not talk about

1167
01:02:03.960 --> 01:02:09.880
<v Speaker 8>the fact that originally Stephen Yung from Beef and The

1168
01:02:09.920 --> 01:02:14.559
<v Speaker 8>Walking Dead, among other things, he was originally cast to

1169
01:02:14.639 --> 01:02:16.239
<v Speaker 8>be Sentry and it was.

1170
01:02:16.239 --> 01:02:19.239
<v Speaker 7>Only because of the writer strike, kind of like throwing

1171
01:02:19.320 --> 01:02:21.800
<v Speaker 7>all the schedules out of sync. Then he had to

1172
01:02:21.880 --> 01:02:24.119
<v Speaker 7>drop out of this project because he had other commitments

1173
01:02:24.199 --> 01:02:27.760
<v Speaker 7>that he that he had to honor. So I would

1174
01:02:27.800 --> 01:02:30.880
<v Speaker 7>have loved that. Like I again, I watched the first

1175
01:02:30.920 --> 01:02:34.320
<v Speaker 7>episode of Beef, and I like saw this Bob character,

1176
01:02:34.800 --> 01:02:38.119
<v Speaker 7>like the depression and also like parts of the anger

1177
01:02:38.239 --> 01:02:40.440
<v Speaker 7>like in this and I was like, yeah, like I

1178
01:02:40.760 --> 01:02:44.480
<v Speaker 7>could totally have seen him as this role. I've seen

1179
01:02:44.519 --> 01:02:46.679
<v Speaker 7>some concept art where they give him the blonde hair

1180
01:02:46.760 --> 01:02:50.239
<v Speaker 7>because that's like a very key part of century like

1181
01:02:50.320 --> 01:02:54.320
<v Speaker 7>the power of a thousand suns or whatever, a million maybe,

1182
01:02:55.119 --> 01:02:59.239
<v Speaker 7>and so like his hair is like golden blonde. Like

1183
01:03:00.199 --> 01:03:02.639
<v Speaker 7>what I wanted to see is Steve in you like

1184
01:03:02.840 --> 01:03:06.280
<v Speaker 7>with the blonde diet here. I don't know, maybe we

1185
01:03:06.360 --> 01:03:09.320
<v Speaker 7>could change that part, but I would have enjoyed that

1186
01:03:09.400 --> 01:03:11.360
<v Speaker 7>a lot to see him in this role.

1187
01:03:12.440 --> 01:03:15.119
<v Speaker 4>And I will say I think for me and I

1188
01:03:15.159 --> 01:03:17.840
<v Speaker 4>think probably I was letting the context in which I

1189
01:03:17.920 --> 01:03:20.960
<v Speaker 4>was seeing this movie play too big of a role

1190
01:03:21.039 --> 01:03:23.840
<v Speaker 4>because right now, in the political world and stuff, we

1191
01:03:23.960 --> 01:03:25.800
<v Speaker 4>are seeing an awful lot of like but think of

1192
01:03:25.840 --> 01:03:28.519
<v Speaker 4>the poor straight white CIS men. You know, like what

1193
01:03:28.639 --> 01:03:31.920
<v Speaker 4>about their feelings and they're not getting into Harvard enough

1194
01:03:31.960 --> 01:03:34.599
<v Speaker 4>and so that's driving politics, and like, you know, they're

1195
01:03:34.639 --> 01:03:37.159
<v Speaker 4>being oppressed every time people talk badly about them on

1196
01:03:37.199 --> 01:03:42.000
<v Speaker 4>social media. And so in that context, for me, asking

1197
01:03:42.039 --> 01:03:44.000
<v Speaker 4>me to think that all the characters should care about

1198
01:03:44.000 --> 01:03:46.480
<v Speaker 4>a straight, white CIS guy, and maybe he's not straight

1199
01:03:46.559 --> 01:03:48.679
<v Speaker 4>or cis, but but that's certainly I we portrayed so

1200
01:03:48.760 --> 01:03:52.119
<v Speaker 4>far that his emotional problem should be the thing that

1201
01:03:52.159 --> 01:03:54.960
<v Speaker 4>everyone has to focus on. It just hit me wrong,

1202
01:03:55.679 --> 01:03:58.199
<v Speaker 4>and so I would have loved to see that difference.

1203
01:03:58.239 --> 01:04:00.199
<v Speaker 4>But I think, you know, I'm willing to step back

1204
01:04:00.239 --> 01:04:03.119
<v Speaker 4>and say, that's probably me reading too much of my

1205
01:04:03.159 --> 01:04:05.320
<v Speaker 4>feelings about the rest of the world onto this movie,

1206
01:04:05.360 --> 01:04:09.000
<v Speaker 4>because yeah, all people's feelings do deserve attention and care

1207
01:04:09.039 --> 01:04:11.159
<v Speaker 4>and things like that. It doesn't mean that Bob shouldn't.

1208
01:04:11.360 --> 01:04:13.679
<v Speaker 4>It's just that to me, it's not the high priority

1209
01:04:13.679 --> 01:04:14.599
<v Speaker 4>that I think the movie made it.

1210
01:04:15.719 --> 01:04:19.800
<v Speaker 3>I do think that, like as established, we didn't have

1211
01:04:19.800 --> 01:04:21.599
<v Speaker 3>the same read on the movie. But I do think

1212
01:04:21.639 --> 01:04:25.800
<v Speaker 3>that if they had cast a non white actor as Bob,

1213
01:04:26.159 --> 01:04:28.679
<v Speaker 3>it would have changed some of that subtext for sure,

1214
01:04:28.880 --> 01:04:34.119
<v Speaker 3>or even stuff like so Riki, you talked about Sentry

1215
01:04:34.159 --> 01:04:38.239
<v Speaker 3>being blonde. There is actually a gag where Valentina makes

1216
01:04:38.239 --> 01:04:41.480
<v Speaker 3>Bob dye his hair blonde because that's the look she

1217
01:04:41.559 --> 01:04:42.840
<v Speaker 3>has in mind for a century.

1218
01:04:43.079 --> 01:04:43.239
<v Speaker 4>Ok.

1219
01:04:43.440 --> 01:04:45.960
<v Speaker 3>And I think, and it's a gag like it's he's

1220
01:04:46.880 --> 01:04:50.480
<v Speaker 3>it's supposed to be ridiculous that he would do this

1221
01:04:51.119 --> 01:04:54.679
<v Speaker 3>that like he feels uncomfortable about it. I think that

1222
01:04:54.800 --> 01:04:59.760
<v Speaker 3>gag lands very differently if she's making an Asian man

1223
01:04:59.840 --> 01:05:01.920
<v Speaker 3>die his hair blonde. Yeah, a certain way.

1224
01:05:02.039 --> 01:05:05.440
<v Speaker 7>Like that may just be an artifact of that original casting.

1225
01:05:05.880 --> 01:05:07.760
<v Speaker 3>Yeah, I think, well, that's interesting. That would have been

1226
01:05:07.840 --> 01:05:08.519
<v Speaker 3>really interesting.

1227
01:05:08.639 --> 01:05:10.480
<v Speaker 4>Yeah, the joke felt a little weird. I was like,

1228
01:05:10.480 --> 01:05:12.559
<v Speaker 4>why is he so bothered by this? And I think, yeah,

1229
01:05:12.599 --> 01:05:15.400
<v Speaker 4>that would have been very interesting with different casting. I

1230
01:05:15.639 --> 01:05:17.360
<v Speaker 4>really want to wrap up. This actually inspires me to

1231
01:05:17.360 --> 01:05:20.960
<v Speaker 4>ask a different question, Jessica, and for Eureki as well.

1232
01:05:22.400 --> 01:05:24.119
<v Speaker 4>How do you think it would have affected the movie

1233
01:05:25.000 --> 01:05:28.239
<v Speaker 4>if they hadn't given us the Bob character. If if

1234
01:05:28.280 --> 01:05:31.320
<v Speaker 4>the movie really was focusing on Yolene's mental health journey

1235
01:05:31.760 --> 01:05:33.400
<v Speaker 4>and she was the one who became the void.

1236
01:05:37.519 --> 01:05:40.519
<v Speaker 7>That's such a loaded question for me, just because of

1237
01:05:41.280 --> 01:05:48.400
<v Speaker 7>the comics connection of it, Like I tolerate changes. I'm

1238
01:05:48.440 --> 01:05:49.840
<v Speaker 7>not one of those people. It's like it has to

1239
01:05:49.880 --> 01:05:53.840
<v Speaker 7>be exactly like the comics. But Century and Void are

1240
01:05:53.840 --> 01:05:58.599
<v Speaker 7>like inextric but inextricably connected. So I guess you would

1241
01:05:58.960 --> 01:06:00.119
<v Speaker 7>if they had changed the name.

1242
01:06:00.639 --> 01:06:03.559
<v Speaker 4>Oh I'm saying if they made her both Century and Void.

1243
01:06:03.719 --> 01:06:10.880
<v Speaker 7>Oh oh yeah, I wouldn't have been able to tolerate that.

1244
01:06:11.119 --> 01:06:13.920
<v Speaker 7>I guess that's like that's one step too far. Like

1245
01:06:13.960 --> 01:06:16.480
<v Speaker 7>I don't know where the lines are right, but it

1246
01:06:16.519 --> 01:06:20.719
<v Speaker 7>would be like what if you what if you made

1247
01:06:20.800 --> 01:06:24.760
<v Speaker 7>like this other human being who's not Bruce Banner the Hulk,

1248
01:06:25.800 --> 01:06:29.079
<v Speaker 7>which again, like comics have done lots of other Hulks

1249
01:06:29.119 --> 01:06:32.159
<v Speaker 7>and lots of other people, but I'm talking like original

1250
01:06:32.440 --> 01:06:35.480
<v Speaker 7>the Hulk. Like no, then just like make it one

1251
01:06:35.480 --> 01:06:37.760
<v Speaker 7>of the other characters, is how I would be.

1252
01:06:37.800 --> 01:06:40.519
<v Speaker 3>Like it would be like if after Iron Man two

1253
01:06:41.000 --> 01:06:43.599
<v Speaker 3>they gave Tony Stark Super Soldier Saramon. They were like,

1254
01:06:43.639 --> 01:06:46.920
<v Speaker 3>he's also Captain America. Now it's like an established character

1255
01:06:46.960 --> 01:06:49.800
<v Speaker 3>who has this storyline, and now it's also going to

1256
01:06:49.880 --> 01:06:50.119
<v Speaker 3>be this.

1257
01:06:50.119 --> 01:06:54.119
<v Speaker 7>Other Yeah, it's it's it's tough, I know, Matthew, Like

1258
01:06:54.199 --> 01:06:57.280
<v Speaker 7>where you're trying to go with the question and of

1259
01:06:57.360 --> 01:07:00.880
<v Speaker 7>like dealing with with the gender issue of it all.

1260
01:07:01.639 --> 01:07:06.119
<v Speaker 7>But ultimately like these are these are ips that have

1261
01:07:06.199 --> 01:07:08.000
<v Speaker 7>to they have to but.

1262
01:07:07.920 --> 01:07:10.519
<v Speaker 4>They yeah, there's a larger narrative that they Yeah.

1263
01:07:10.960 --> 01:07:13.880
<v Speaker 7>It's it's hard for me to disconnect that and this.

1264
01:07:15.039 --> 01:07:17.639
<v Speaker 4>Walking out of the movie theater, I said to my partner,

1265
01:07:17.679 --> 01:07:19.199
<v Speaker 4>who had seen the movie with why didn't they just

1266
01:07:19.199 --> 01:07:21.599
<v Speaker 4>make it all about Elaine's emotional journey? Why not have

1267
01:07:21.679 --> 01:07:25.039
<v Speaker 4>her be the one who gets sort of inner depression,

1268
01:07:25.440 --> 01:07:28.360
<v Speaker 4>gets talked into this be a hero thing by Val

1269
01:07:28.519 --> 01:07:30.920
<v Speaker 4>and then has the crash. And then once I realized

1270
01:07:30.960 --> 01:07:33.559
<v Speaker 4>that because I having watched it, I had no idea

1271
01:07:33.599 --> 01:07:36.519
<v Speaker 4>that Void's century was a thing, And when coming out

1272
01:07:36.519 --> 01:07:38.719
<v Speaker 4>of it, I was like, oh, okay, there's this longer thing,

1273
01:07:38.800 --> 01:07:41.119
<v Speaker 4>so plugging you Lane into it wouldn't quite make sense.

1274
01:07:41.199 --> 01:07:43.360
<v Speaker 4>But yeah, that's that's kind of where the question came from,

1275
01:07:43.440 --> 01:07:44.360
<v Speaker 4>and that that's.

1276
01:07:44.199 --> 01:07:46.400
<v Speaker 7>Like the MCU of it, right. They have to like

1277
01:07:46.559 --> 01:07:49.000
<v Speaker 7>get to a certain point within the next X movies

1278
01:07:49.039 --> 01:07:52.639
<v Speaker 7>of like introducing certain characters that they know they're going

1279
01:07:52.679 --> 01:07:54.840
<v Speaker 7>to want to have and like the big crossovers.

1280
01:07:54.880 --> 01:07:59.719
<v Speaker 3>So see, for me, like I I don't care about

1281
01:07:59.719 --> 01:08:02.679
<v Speaker 3>this at all, Like I've read comics with him, but

1282
01:08:02.800 --> 01:08:06.960
<v Speaker 3>never like you know, that's never been my focus in Marvel,

1283
01:08:07.079 --> 01:08:10.280
<v Speaker 3>So I don't have Like there are plenty of characters

1284
01:08:10.320 --> 01:08:12.679
<v Speaker 3>who I would be like, no, but that's not how

1285
01:08:12.719 --> 01:08:16.359
<v Speaker 3>it is in the comics. Like I very relatable feelings there,

1286
01:08:16.359 --> 01:08:18.039
<v Speaker 3>but Sentry is just not one of them for me,

1287
01:08:18.079 --> 01:08:27.199
<v Speaker 3>and neither is Yolena. That the way this movie is structured,

1288
01:08:27.239 --> 01:08:28.920
<v Speaker 3>like it would have to be a completely different movie.

1289
01:08:28.920 --> 01:08:30.760
<v Speaker 3>It would not be like just a case of like

1290
01:08:30.800 --> 01:08:34.720
<v Speaker 3>that climax is different like that, among other things, we'd

1291
01:08:34.720 --> 01:08:39.520
<v Speaker 3>have to introduce the idea that Elena has been subjected

1292
01:08:39.560 --> 01:08:45.279
<v Speaker 3>to intrusive medical experiments, which I don't don't really want

1293
01:08:45.279 --> 01:08:48.199
<v Speaker 3>to introduce here, ye, or like you know, you can,

1294
01:08:48.319 --> 01:08:49.920
<v Speaker 3>like there are other ways you could, you know, if

1295
01:08:49.960 --> 01:08:55.000
<v Speaker 3>you're totally decoupling the whole narrative of Bob Sentry Void,

1296
01:08:55.079 --> 01:08:57.720
<v Speaker 3>then you can find other ways, some other mcguffin that

1297
01:08:57.800 --> 01:09:04.079
<v Speaker 3>triggers her turning into the void. But for me, I

1298
01:09:04.239 --> 01:09:10.239
<v Speaker 3>still go ahead, go ahead. I still think it remains

1299
01:09:10.279 --> 01:09:13.319
<v Speaker 3>her movie the whole way through. I do not think

1300
01:09:13.680 --> 01:09:15.760
<v Speaker 3>I did not watch that movie and feel like it

1301
01:09:15.840 --> 01:09:20.560
<v Speaker 3>became Bob's movie, Like, among other things, in that climax,

1302
01:09:20.960 --> 01:09:26.000
<v Speaker 3>we go through three different memories of Yolena's that are

1303
01:09:26.039 --> 01:09:30.399
<v Speaker 3>like horrible traumatic memories. We glimpse part of Bob's through

1304
01:09:30.399 --> 01:09:33.239
<v Speaker 3>a crack in the floor, like we don't we don't

1305
01:09:33.279 --> 01:09:37.840
<v Speaker 3>get his story because this isn't his story. And I

1306
01:09:40.159 --> 01:09:46.840
<v Speaker 3>to me, there's two halves to Yolena's journey and or

1307
01:09:46.920 --> 01:09:51.840
<v Speaker 3>to her to her being able to start healing, and

1308
01:09:51.920 --> 01:09:55.079
<v Speaker 3>the first half of that is Alexi reaching out to her,

1309
01:09:55.439 --> 01:09:57.880
<v Speaker 3>and the second half of that is her reaching out

1310
01:09:57.880 --> 01:10:00.600
<v Speaker 3>to someone else, and they are equally im important. Like

1311
01:10:00.680 --> 01:10:04.399
<v Speaker 3>I think the fact that she chooses to do this

1312
01:10:06.439 --> 01:10:11.239
<v Speaker 3>is I don't think it's about him. I think it's

1313
01:10:11.279 --> 01:10:15.119
<v Speaker 3>about what she needs. And I can see that coming

1314
01:10:15.159 --> 01:10:17.840
<v Speaker 3>off as like it's really important for women to be

1315
01:10:17.960 --> 01:10:23.439
<v Speaker 3>nurturing or something, but that is that's just that's not

1316
01:10:23.560 --> 01:10:25.880
<v Speaker 3>the read I had on it. Like, I do think

1317
01:10:25.920 --> 01:10:35.000
<v Speaker 3>that her deliberately forging that connection is crucial to her

1318
01:10:35.239 --> 01:10:39.640
<v Speaker 3>character development in her narrative. So I do think it

1319
01:10:39.640 --> 01:10:41.880
<v Speaker 3>would be interesting to see a movie where Yolena becomes

1320
01:10:41.920 --> 01:10:48.359
<v Speaker 3>a cosmic being. I support her in those right, those journeys,

1321
01:10:48.439 --> 01:10:51.560
<v Speaker 3>but I don't think it would I don't know that

1322
01:10:51.560 --> 01:10:53.760
<v Speaker 3>it would be a worst movie, but I don't think

1323
01:10:53.920 --> 01:10:56.159
<v Speaker 3>but I don't personally feel like I need that version.

1324
01:10:56.640 --> 01:10:58.800
<v Speaker 4>Okay, now, I think that makes all the ten of sense.

1325
01:10:58.840 --> 01:11:00.600
<v Speaker 4>And this is exactly why I wanted to have conversation

1326
01:11:00.640 --> 01:11:02.640
<v Speaker 4>and I well, I was excited for you to see

1327
01:11:02.640 --> 01:11:04.680
<v Speaker 4>the movie, and Riki, I'm so glad you were able

1328
01:11:04.720 --> 01:11:07.319
<v Speaker 4>to bring so much this conversation. This has really helped

1329
01:11:07.319 --> 01:11:09.760
<v Speaker 4>me shift my perspective on the movie. Listeners, As always,

1330
01:11:09.760 --> 01:11:11.960
<v Speaker 4>we want to know what you think. We will still

1331
01:11:11.960 --> 01:11:13.920
<v Speaker 4>be collecting feedback. Like I said, we're going on hiatus

1332
01:11:13.960 --> 01:11:16.079
<v Speaker 4>for a while. I'm going to keep recording episodes and

1333
01:11:16.119 --> 01:11:17.600
<v Speaker 4>part what we want to do is have a backlog

1334
01:11:17.640 --> 01:11:19.800
<v Speaker 4>because right now, a lot of times when I record

1335
01:11:19.800 --> 01:11:21.439
<v Speaker 4>an episode, I then have to turn it around in

1336
01:11:21.479 --> 01:11:23.640
<v Speaker 4>twenty four hours and I'm trying to That's just not

1337
01:11:23.760 --> 01:11:25.399
<v Speaker 4>possible right now, and it's going to be even more

1338
01:11:25.399 --> 01:11:28.399
<v Speaker 4>impossible when I I'm trying very hard not to be

1339
01:11:28.439 --> 01:11:31.640
<v Speaker 4>the father John Walker. So yeah, so we will keep

1340
01:11:31.720 --> 01:11:33.600
<v Speaker 4>getting feedback. Let us know what you think all the

1341
01:11:33.600 --> 01:11:36.600
<v Speaker 4>informations in the show notes. Rieki Jessica, thank you both

1342
01:11:36.640 --> 01:11:37.960
<v Speaker 4>so much for being a part of this to our listeners,

1343
01:11:37.960 --> 01:11:38.560
<v Speaker 4>Thank you so much.

1344
01:11:38.800 --> 01:11:39.199
<v Speaker 3>We have
