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Speaker 1: Around Dodd City and in the territory on West. There's

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just one way to handle the killers of the spoilers,

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and that's where the US Marshall and The Sough of

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gun Smoke starring William Conrad, the story of the violon

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that moved west with young Americas and the story of

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a man who.

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Speaker 2: Moved with him. I'm that man, Matt Dillon, United States Marshall,

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the first man they look for and the less they.

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Speaker 1: Want to meet.

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Speaker 2: It's a chance a job, and it makes a man

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watchful and a little lonely. Hello chess O, hell well,

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I I was just just met coming over to office,

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mister Jonan.

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Speaker 3: I had me a little flash of beer.

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Speaker 1: You know, it sounds like a pretty good idea I

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want with you. Can I have a beer?

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Speaker 3: Play?

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Speaker 1: Sure, mushall. That's the matter with Kitty over there, and

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she's speaking to us as they look too old.

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Speaker 4: She ain't speaking to nobody hardly. Hey here, know, I

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was like she's been sitting there with her nose in

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that book every since I come in.

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Speaker 1: Here a book, kiddy, I'll have to look into it.

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Oh kitty, oh man, yes, Sey, sit down, I get

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you see you come in Ah you were too wrapped

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up in that thing.

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Speaker 3: Now it's not a thing.

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Speaker 5: It's a book of poetry.

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Speaker 1: Poetry.

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Speaker 6: Sure, that young Boston fella that came to last week

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lasted here. I saw it poems by tenants. I I

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never knew where it could be so beautiful, man, Yeah,

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listen to this, Yeah a cool martians see and through

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the Marsity Irons Creek and in the streams the long

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leaves flowers weep, and from the craggy latch poppy games

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and sleep and that some nine.

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Speaker 1: Excuse you know, that's quite a place he is describing

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kitty wherever it.

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Speaker 4: Is, Well, it's sure enough dark city.

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Speaker 1: Oh you could leave, you know, and find some place

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like that for him about Oh I will you know that?

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Speaker 6: I don't even try your mind.

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Speaker 1: Yeah, Marshall, Sam like it's walking his wife again. So

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muffler right out here, all right. I'll be back and

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I beat him, and I can't show him. I am

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just built in the sting that you will have to

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pull York's boy, all right like that, nothing from up

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and you just stay out of this, Marshall. But queen

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a man, this woman ain't nothing for the lord and

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poke into she'd stay home like she ought to do.

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She wouldn't have no complaints.

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Speaker 5: I don't even have you lose all the egg money

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on gambling and drinks.

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Speaker 1: Shut up, or I felt your teeth out of your head.

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Don't hell her. I can.

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Speaker 2: I've already told you, marshallman, it ain't none of the

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law's business.

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Speaker 1: For a few days in jail might change your mind

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about that. Jail did jail a man just for keeping

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order in his own household? Jail, honey, mine for feeding

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my woman. You can't tell me I cannot she signs

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the complaints.

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Speaker 5: Oh no, my, I wouldn't do nothing like that.

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Speaker 1: You just let me catch you signing a complaint.

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Speaker 2: It's like it as isn't the first time he's hit you,

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and it's more likely won't be the last unless he

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learns that he can't get away with it.

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Speaker 7: N No, no, I I wouldn't wanna sign no complaint.

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Speaker 1: Six months ago when Doc set those broken fingers for you,

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didn't Sam do that. She's a liar if she says so,

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No I I it was the gate on the Corald.

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Speaker 7: One of the calves was trying to get out.

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Speaker 1: Uh, you told dark you dropped a piece of stowboard

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on it.

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Speaker 5: But I I I I don't remember.

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Speaker 1: Uh. What you'd better remember is where you left to

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like it? Go get it, get back out the place. Well,

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I have more to say to you later. Alright, I'm go.

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It's like it.

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Speaker 2: You know, you don't have to put up her anymore

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or this now. If you want to sign a complaint,

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I'll see that you're protected.

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Speaker 1: No, no, boy short, it's all right.

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Speaker 7: I'll go.

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Speaker 1: Yeah, maybe I'll learn you're not to put into a

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man's personal affairs. More out butt in if you hit

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her again, I'm warning you.

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Speaker 6: I was hoping you had flopping him last.

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Speaker 3: Time was too general.

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Speaker 1: And I get a glass to arrive at. Yeah, you're

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mush poor, a little gallop.

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Speaker 8: Mad.

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Speaker 6: You remember Hester when you first came here.

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Speaker 3: From Yeah, remember the girls helped me in.

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Speaker 6: See we made her a wedding that's out of some

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linen tables for all white.

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Speaker 1: Pretty as a picture.

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Speaker 4: You know she shore anybody pretty?

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Speaker 1: Now that's the way he see her. And no, cause

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I was sound, had a lot of bad luck. Tester

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two years of crop faces was most of his herd

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like water fever, and that hurt far. No, but it

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makes a man kind of a short tipping.

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Speaker 4: Or two.

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Speaker 3: I headn't for something bad matter, and I'll.

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Speaker 1: Get you a lot of trouble, nord kidding, I won't

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take it.

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Speaker 3: But a man breathe in uh be just like this

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uh or deepen?

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Speaker 1: I ride, now, breathe out and flows. That's fine, that's

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now once more, that's good.

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Speaker 3: Now breathe out?

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Speaker 1: Fine, fine, fine? Where what your shirt back on? That man?

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All right? You may to tell me that you can

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really tell you something about a man tells us about

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whistling to him to that whatever you call it, that

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is called a stethoscope and the horse I can tell him.

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Why else did I be doing it just to impress people?

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And they wouldn't put them passed? All impressed too and

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joy loud? That got no better sense to go out

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there get a bullet for as long I didn't do

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it on purpose time besides, just all healed up and

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that in that row, hi cocky, or of course it's

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healed up. Gods girty, you know what I mean. Until

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I came to Die City.

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Speaker 3: I had no conception of what the human body couldn't do.

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By during the war, as see.

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Speaker 5: Men die with wounds that you wouldn't even go to bed.

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Speaker 1: And I always figured they can't bury it as why

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as you're on your feet? Uh w why missus lackett

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I the dark? She's been beaten up to death?

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Speaker 3: Well, uh, I said, well all I can do for

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right now?

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Speaker 6: Man?

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Speaker 3: The nose is broken and that one web and her

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eye is I just don't know, harsy.

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Speaker 1: Uh do you you feel like telling me what happened? Man?

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Speaker 5: I don't know myself.

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Speaker 9: Hm.

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Speaker 5: Nothing, I guess I mis like it.

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Speaker 2: I wouldn't call it nothing when you would hurt so

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bad that you could hardly call up those stairs.

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Speaker 5: It don't matter nothing that didn't Now how did it happen?

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I don't remember my s I I don't remember it

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was same, wasn't no, no, I I fell off the wagon.

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Speaker 1: All this didn't happen from a fall. You may as

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well tell him. It's like and I'm gonna find out

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one way or the other. And I wasn't. That's Sam.

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Speaker 5: He killed me for telling tell you what.

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Speaker 1: He won't hurt you. I'll see to that.

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Speaker 7: I thought he was going to you tonight.

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Speaker 8: He was like, you just keeps getting most mean and cool.

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Speaker 5: Not I know he'd really killed me if I hadn't

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got no way.

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Speaker 1: He's not gonna kill anybody like you just signed a complaint.

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Speaker 5: Now that they carried him, is this, Oh, it's a

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different When we got married him and and the way

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the world looked.

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Speaker 7: Everything is different.

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Speaker 3: Was well, maybe that's not talking for nothing.

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Speaker 5: I used to think back on my the times went

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and awake at night, listened to the tideoats across the prairie.

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Speaker 7: I don't do that much no more, but I used to, like,

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like whenyway was first.

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Speaker 9: Night m there's no kind of the devil, And he'd

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he tell me I I was the prettiest school that

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was in my whole life.

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Speaker 1: I was working.

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Speaker 8: Did he want me to put on my good dressings

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and want me set in the poots in the evening

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and and with my boots with the pearl He he

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pented on me himself, And and that would always laugh

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because he.

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Speaker 5: Would comes in.

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Speaker 7: He couldn't.

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Speaker 5: That That's what it was about tonight, Marshall.

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Speaker 7: He wanted that boat to bring in the town himself,

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but I wouldn't tell him where it was.

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Speaker 1: Uh, what is it.

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Speaker 7: Change?

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Speaker 5: His people would start out good and wait them and

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turns them bad.

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Speaker 3: I don't know it.

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Speaker 1: It's time maybe, or maybe it's a prairie praying. I

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hate it. So you just signed a complaintess like it?

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Speaker 5: Yes, yes, that will Marshall.

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Speaker 4: Wa alright, alright, everybody quiet down court in sessions. I

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don't have much time. I wrote it in yesterday right

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out again tonight.

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Speaker 1: So it don't matter whether you got business with this

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corner if you just come in off the street the.

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Speaker 4: Lof long as you hear, you gotta show proper respects

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that we can get on with the cases.

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Speaker 3: And in this say, now.

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Speaker 4: There's the first thing you got here is a case

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of life beating Sam Rackett, were limingary here in the

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same in course, Yes, as I just buy 'em all

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from the jail, I ain't done.

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Speaker 1: Sam.

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Speaker 4: You'll get your chance to speak your peers from what

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I hear about that you're over dyling court anyhow, Marks

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bling here just to where is mine?

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Speaker 1: Well I don't know, sir. I figured he'd be here,

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but now we can't start.

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Speaker 3: Just without him.

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Speaker 1: Well see him, and doctor's gonna bring me lacke and

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providing herself up to it.

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Speaker 4: According to Doc, she's she's got to lose the sight

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in one of her eyes.

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Speaker 1: Oh it's a lie. You just putting on trying to

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make the card on you. Sam.

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Speaker 4: I'll tell you right now, I don't like wife be,

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but if you get me mad, I'll find something legal

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loophole to hang him.

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Speaker 1: I ain't don't. I'm sorry to be later, your honor,

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sired man. Uh cause et to Sherman's lagers, there was

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in any condition to come here, but she insisted that

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she was, so she ought to be in bed.

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Speaker 9: Hena.

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Speaker 1: You a bunch of lie.

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Speaker 4: Alright, alright, let's get on with it.

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Speaker 3: Then I read the complaint here and none gonna see

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what we got to going.

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Speaker 1: Uh Now, there's a complaint.

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Speaker 5: Charge in your honor, I see, sir, could I take something?

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Speaker 3: Well, it ain't quite in order, but I guess it's

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all right.

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Speaker 1: What is it is? Like?

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Speaker 9: It?

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Speaker 1: W well? It it?

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Speaker 9: It's about that complaint John, Now, I wanted to take

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it back. I I don't know what I was thinking

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when I signed it.

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Speaker 7: That there ain't no ton in that tid.

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Speaker 4: I I feel that's how.

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Speaker 7: I got hurt.

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Speaker 1: Yeah, I told you that I complaint with your back

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of lies and I, oh my shoe, she's afraid of

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him here on her. She's scared to go through with it.

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Speaker 3: You're sure as this is what you wanna do, is

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like it?

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Speaker 4: Just uh, I'm sure it seems a shamed a lot

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of white beets. The scuds like him get off scott

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free just by intimidating the witness. Now, there was only

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some other charges like resisting the rest of shooting off

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flying it just restaurant and Richard, don't have this flyopping flat.

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Well in that case, I'm fifty dollars or fifty days.

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Speaker 1: Oh you ain't not fifty dollars, and you know it

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the durry crooked way or on it. Here's your business,

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mat all right, your honor, all right, come on saying

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I gotta fix stack of fire whatever the ti or

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just wait it be come well, it's not locked. Come

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on in mord oh, Harry, it's like it. Eric take

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his chair.

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Speaker 7: Huh, thanks your timing me.

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Speaker 3: Come on, test that's how it will now.

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Speaker 7: Well kind of old, somehow tested.

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Speaker 1: Old must be all a twenty five. I guess well, it.

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Speaker 5: Ain't two years that make the old.

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Speaker 1: Marshall.

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Speaker 9: I I didn't come to talk about that though.

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Speaker 1: You shouldn't be here at all. It's like it. I

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told you to stay in bed for another week at least,

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I think, Well, I I.

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Speaker 8: Just couldn't get used to it, Marshall, it didn't seem proper.

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Speaker 1: Well, you wanna talk to Sam now?

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Speaker 9: How's he?

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Speaker 3: How's he take him to at?

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Speaker 1: Marshall? Mean, and maybe we can work some of that

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out of him. But time as fifty days are up?

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Speaker 5: Well, now th the way I recollect that?

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Speaker 7: The the judge said fifty dollars or fifty days. Yeah,

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that's right, and that if the finaless to be paid up,

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you'd turn him loose.

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Speaker 2: Well, yeah, forty one dollars stands now, he's been here

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nine days. But I doubt anybody's gonna pay me mine.

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Speaker 5: I wanted to pay his fine, Marshal. Why I got

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the money?

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Speaker 9: I I told him my boats to one of the

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girls at the long Burn.

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Speaker 1: Yes see, but yes, I see, But but man, it's

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lack it.

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Speaker 4: He weren't near killed you a couple of weeks ago.

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Speaker 7: Next time he might just do it now, Chest, there

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he won't prey hollar moncrel.

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Speaker 5: Forty one dollars, Well, now I go get him money.

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Speaker 1: Chest, Yes, sir, but it's lacked. Why are you doing

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this first?

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Speaker 2: For drawing their complaint in court and not paying his

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fine and getting him out.

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Speaker 7: QUI, I don't know exactly, least not how to put

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it in words. I I've been trying to think things

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out for the last two weeks. My life and not

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in the house wasted and what becomes me?

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Speaker 1: And all? How you'll get over there some time?

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Speaker 9: No, Marti, you get beat just so many times. When

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you get over it, then there's one. Finally you don't

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get over cause it ain't nothing messed up?

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Speaker 3: Esther, What do you think you're doing here?

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Speaker 1: Come around the globe?

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Speaker 3: Did you?

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Speaker 1: No? Sam? You just paid your fine? Sam? Here being released? Oh?

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Are you finally come to your senses at tuc time?

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You marshall? Maybe you just learn you're not the interfere

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between the man and his wife. No, I don't call

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a wife beater or a man.

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Speaker 9: Ain't you done no thinking?

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Speaker 5: Sam? Ain't you even sorry at.

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Speaker 1: All for what you done to me? But keep your

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mouth shut if you know what's good for you, Well,

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I've done ain't nothing to what it happen you.

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Speaker 3: If you try along again me again, you beat me?

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Speaker 9: Is that what you're saying?

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Speaker 1: I'll beat you a bunny? You don't stand lying, I

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might just throw your paint off the place. I can't

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see no reason keeping somebody ugly and broken up with.

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Speaker 5: You, and it's still things.

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Speaker 1: And it'll go on be and.

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Speaker 5: You ain't changed one bit.

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Speaker 9: You really think it wouldn't as like I just hope

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that was all martial, the last little piece of hope

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I had.

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Speaker 7: Then come over here by the window. Uh, I bought

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your presence. I gotta wrapped up in here.

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Speaker 1: What you do finally sell that broke yours hadn't let you.

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Speaker 9: Off and caught?

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Speaker 7: And but I guess you're kind the back in court

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now charge was killing the woman, your wife?

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Speaker 1: How do you plead?

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Speaker 5: Sam?

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Speaker 3: I don't know what you cause?

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Speaker 5: How do you please?

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Speaker 1: I'll please you when I get out to place. Now

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you won't.

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Speaker 7: And if you won't answer the charge or even say

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you're sorry.

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Speaker 1: Your promise to do better, then the court's gonna decide

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for you.

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Speaker 7: They're guilty, Sam. That's the way the court decides guilty.

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Hence the gun Marshal, I reckon you'll want.

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Speaker 1: It for everything.

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Speaker 10: Gunsmoke, produced and directed by Norman McDonald, stars William Conrad

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as Matt Dylan us Marshall. The script was specially written

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for gun Smote by Les Brunchfield, with editorial supervision by

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John The music was composed and conducted by Rex Corey.

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Sound patterns were by Ray.

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Speaker 1: Kemper and Bill James.

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Speaker 10: Featured in the cast were Parley Bayer as Chester, Howard

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mcghear as Doc, and Georgia Ellis as Kidding