Speaker 1: Around Dodd City and in the territory on West. There's
just one way to handle the killers of the spoilers,
and that's where the US Marshall and The Sough of
gun Smoke starring William Conrad, the story of the violon
that moved west with young Americas and the story of
a man who.
Speaker 2: Moved with him. I'm that man, Matt Dillon, United States Marshall,
the first man they look for and the less they.
Speaker 1: Want to meet.
Speaker 2: It's a chance a job, and it makes a man
watchful and a little lonely. Hello chess O, hell well,
I I was just just met coming over to office,
mister Jonan.
Speaker 3: I had me a little flash of beer.
Speaker 1: You know, it sounds like a pretty good idea I
want with you. Can I have a beer?
Speaker 3: Play?
Speaker 1: Sure, mushall. That's the matter with Kitty over there, and
she's speaking to us as they look too old.
Speaker 4: She ain't speaking to nobody hardly. Hey here, know, I
was like she's been sitting there with her nose in
that book every since I come in.
Speaker 1: Here a book, kiddy, I'll have to look into it.
Oh kitty, oh man, yes, Sey, sit down, I get
you see you come in Ah you were too wrapped
up in that thing.
Speaker 3: Now it's not a thing.
Speaker 5: It's a book of poetry.
Speaker 1: Poetry.
Speaker 6: Sure, that young Boston fella that came to last week
lasted here. I saw it poems by tenants. I I
never knew where it could be so beautiful, man, Yeah,
listen to this, Yeah a cool martians see and through
the Marsity Irons Creek and in the streams the long
leaves flowers weep, and from the craggy latch poppy games
and sleep and that some nine.
Speaker 1: Excuse you know, that's quite a place he is describing
kitty wherever it.
Speaker 4: Is, Well, it's sure enough dark city.
Speaker 1: Oh you could leave, you know, and find some place
like that for him about Oh I will you know that?
Speaker 6: I don't even try your mind.
Speaker 1: Yeah, Marshall, Sam like it's walking his wife again. So
muffler right out here, all right. I'll be back and
I beat him, and I can't show him. I am
just built in the sting that you will have to
pull York's boy, all right like that, nothing from up
and you just stay out of this, Marshall. But queen
a man, this woman ain't nothing for the lord and
poke into she'd stay home like she ought to do.
She wouldn't have no complaints.
Speaker 5: I don't even have you lose all the egg money
on gambling and drinks.
Speaker 1: Shut up, or I felt your teeth out of your head.
Don't hell her. I can.
Speaker 2: I've already told you, marshallman, it ain't none of the
law's business.
Speaker 1: For a few days in jail might change your mind
about that. Jail did jail a man just for keeping
order in his own household? Jail, honey, mine for feeding
my woman. You can't tell me I cannot she signs
the complaints.
Speaker 5: Oh no, my, I wouldn't do nothing like that.
Speaker 1: You just let me catch you signing a complaint.
Speaker 2: It's like it as isn't the first time he's hit you,
and it's more likely won't be the last unless he
learns that he can't get away with it.
Speaker 7: N No, no, I I wouldn't wanna sign no complaint.
Speaker 1: Six months ago when Doc set those broken fingers for you,
didn't Sam do that. She's a liar if she says so,
No I I it was the gate on the Corald.
Speaker 7: One of the calves was trying to get out.
Speaker 1: Uh, you told dark you dropped a piece of stowboard
on it.
Speaker 5: But I I I I don't remember.
Speaker 1: Uh. What you'd better remember is where you left to
like it? Go get it, get back out the place. Well,
I have more to say to you later. Alright, I'm go.
It's like it.
Speaker 2: You know, you don't have to put up her anymore
or this now. If you want to sign a complaint,
I'll see that you're protected.
Speaker 1: No, no, boy short, it's all right.
Speaker 7: I'll go.
Speaker 1: Yeah, maybe I'll learn you're not to put into a
man's personal affairs. More out butt in if you hit
her again, I'm warning you.
Speaker 6: I was hoping you had flopping him last.
Speaker 3: Time was too general.
Speaker 1: And I get a glass to arrive at. Yeah, you're
mush poor, a little gallop.
Speaker 8: Mad.
Speaker 6: You remember Hester when you first came here.
Speaker 3: From Yeah, remember the girls helped me in.
Speaker 6: See we made her a wedding that's out of some
linen tables for all white.
Speaker 1: Pretty as a picture.
Speaker 4: You know she shore anybody pretty?
Speaker 1: Now that's the way he see her. And no, cause
I was sound, had a lot of bad luck. Tester
two years of crop faces was most of his herd
like water fever, and that hurt far. No, but it
makes a man kind of a short tipping.
Speaker 4: Or two.
Speaker 3: I headn't for something bad matter, and I'll.
Speaker 1: Get you a lot of trouble, nord kidding, I won't
take it.
Speaker 3: But a man breathe in uh be just like this
uh or deepen?
Speaker 1: I ride, now, breathe out and flows. That's fine, that's
now once more, that's good.
Speaker 3: Now breathe out?
Speaker 1: Fine, fine, fine? Where what your shirt back on? That man?
All right? You may to tell me that you can
really tell you something about a man tells us about
whistling to him to that whatever you call it, that
is called a stethoscope and the horse I can tell him.
Why else did I be doing it just to impress people?
And they wouldn't put them passed? All impressed too and
joy loud? That got no better sense to go out
there get a bullet for as long I didn't do
it on purpose time besides, just all healed up and
that in that row, hi cocky, or of course it's
healed up. Gods girty, you know what I mean. Until
I came to Die City.
Speaker 3: I had no conception of what the human body couldn't do.
By during the war, as see.
Speaker 5: Men die with wounds that you wouldn't even go to bed.
Speaker 1: And I always figured they can't bury it as why
as you're on your feet? Uh w why missus lackett
I the dark? She's been beaten up to death?
Speaker 3: Well, uh, I said, well all I can do for
right now?
Speaker 6: Man?
Speaker 3: The nose is broken and that one web and her
eye is I just don't know, harsy.
Speaker 1: Uh do you you feel like telling me what happened? Man?
Speaker 5: I don't know myself.
Speaker 9: Hm.
Speaker 5: Nothing, I guess I mis like it.
Speaker 2: I wouldn't call it nothing when you would hurt so
bad that you could hardly call up those stairs.
Speaker 5: It don't matter nothing that didn't Now how did it happen?
I don't remember my s I I don't remember it
was same, wasn't no, no, I I fell off the wagon.
Speaker 1: All this didn't happen from a fall. You may as
well tell him. It's like and I'm gonna find out
one way or the other. And I wasn't. That's Sam.
Speaker 5: He killed me for telling tell you what.
Speaker 1: He won't hurt you. I'll see to that.
Speaker 7: I thought he was going to you tonight.
Speaker 8: He was like, you just keeps getting most mean and cool.
Speaker 5: Not I know he'd really killed me if I hadn't
got no way.
Speaker 1: He's not gonna kill anybody like you just signed a complaint.
Speaker 5: Now that they carried him, is this, Oh, it's a
different When we got married him and and the way
the world looked.
Speaker 7: Everything is different.
Speaker 3: Was well, maybe that's not talking for nothing.
Speaker 5: I used to think back on my the times went
and awake at night, listened to the tideoats across the prairie.
Speaker 7: I don't do that much no more, but I used to, like,
like whenyway was first.
Speaker 9: Night m there's no kind of the devil, And he'd
he tell me I I was the prettiest school that
was in my whole life.
Speaker 1: I was working.
Speaker 8: Did he want me to put on my good dressings
and want me set in the poots in the evening
and and with my boots with the pearl He he
pented on me himself, And and that would always laugh
because he.
Speaker 5: Would comes in.
Speaker 7: He couldn't.
Speaker 5: That That's what it was about tonight, Marshall.
Speaker 7: He wanted that boat to bring in the town himself,
but I wouldn't tell him where it was.
Speaker 1: Uh, what is it.
Speaker 7: Change?
Speaker 5: His people would start out good and wait them and
turns them bad.
Speaker 3: I don't know it.
Speaker 1: It's time maybe, or maybe it's a prairie praying. I
hate it. So you just signed a complaintess like it?
Speaker 5: Yes, yes, that will Marshall.
Speaker 4: Wa alright, alright, everybody quiet down court in sessions. I
don't have much time. I wrote it in yesterday right
out again tonight.
Speaker 1: So it don't matter whether you got business with this
corner if you just come in off the street the.
Speaker 4: Lof long as you hear, you gotta show proper respects
that we can get on with the cases.
Speaker 3: And in this say, now.
Speaker 4: There's the first thing you got here is a case
of life beating Sam Rackett, were limingary here in the
same in course, Yes, as I just buy 'em all
from the jail, I ain't done.
Speaker 1: Sam.
Speaker 4: You'll get your chance to speak your peers from what
I hear about that you're over dyling court anyhow, Marks
bling here just to where is mine?
Speaker 1: Well I don't know, sir. I figured he'd be here,
but now we can't start.
Speaker 3: Just without him.
Speaker 1: Well see him, and doctor's gonna bring me lacke and
providing herself up to it.
Speaker 4: According to Doc, she's she's got to lose the sight
in one of her eyes.
Speaker 1: Oh it's a lie. You just putting on trying to
make the card on you. Sam.
Speaker 4: I'll tell you right now, I don't like wife be,
but if you get me mad, I'll find something legal
loophole to hang him.
Speaker 1: I ain't don't. I'm sorry to be later, your honor,
sired man. Uh cause et to Sherman's lagers, there was
in any condition to come here, but she insisted that
she was, so she ought to be in bed.
Speaker 9: Hena.
Speaker 1: You a bunch of lie.
Speaker 4: Alright, alright, let's get on with it.
Speaker 3: Then I read the complaint here and none gonna see
what we got to going.
Speaker 1: Uh Now, there's a complaint.
Speaker 5: Charge in your honor, I see, sir, could I take something?
Speaker 3: Well, it ain't quite in order, but I guess it's
all right.
Speaker 1: What is it is? Like?
Speaker 9: It?
Speaker 1: W well? It it?
Speaker 9: It's about that complaint John, Now, I wanted to take
it back. I I don't know what I was thinking
when I signed it.
Speaker 7: That there ain't no ton in that tid.
Speaker 4: I I feel that's how.
Speaker 7: I got hurt.
Speaker 1: Yeah, I told you that I complaint with your back
of lies and I, oh my shoe, she's afraid of
him here on her. She's scared to go through with it.
Speaker 3: You're sure as this is what you wanna do, is
like it?
Speaker 4: Just uh, I'm sure it seems a shamed a lot
of white beets. The scuds like him get off scott
free just by intimidating the witness. Now, there was only
some other charges like resisting the rest of shooting off
flying it just restaurant and Richard, don't have this flyopping flat.
Well in that case, I'm fifty dollars or fifty days.
Speaker 1: Oh you ain't not fifty dollars, and you know it
the durry crooked way or on it. Here's your business,
mat all right, your honor, all right, come on saying
I gotta fix stack of fire whatever the ti or
just wait it be come well, it's not locked. Come
on in mord oh, Harry, it's like it. Eric take
his chair.
Speaker 7: Huh, thanks your timing me.
Speaker 3: Come on, test that's how it will now.
Speaker 7: Well kind of old, somehow tested.
Speaker 1: Old must be all a twenty five. I guess well, it.
Speaker 5: Ain't two years that make the old.
Speaker 1: Marshall.
Speaker 9: I I didn't come to talk about that though.
Speaker 1: You shouldn't be here at all. It's like it. I
told you to stay in bed for another week at least,
I think, Well, I I.
Speaker 8: Just couldn't get used to it, Marshall, it didn't seem proper.
Speaker 1: Well, you wanna talk to Sam now?
Speaker 9: How's he?
Speaker 3: How's he take him to at?
Speaker 1: Marshall? Mean, and maybe we can work some of that
out of him. But time as fifty days are up?
Speaker 5: Well, now th the way I recollect that?
Speaker 7: The the judge said fifty dollars or fifty days. Yeah,
that's right, and that if the finaless to be paid up,
you'd turn him loose.
Speaker 2: Well, yeah, forty one dollars stands now, he's been here
nine days. But I doubt anybody's gonna pay me mine.
Speaker 5: I wanted to pay his fine, Marshal. Why I got
the money?
Speaker 9: I I told him my boats to one of the
girls at the long Burn.
Speaker 1: Yes see, but yes, I see, But but man, it's
lack it.
Speaker 4: He weren't near killed you a couple of weeks ago.
Speaker 7: Next time he might just do it now, Chest, there
he won't prey hollar moncrel.
Speaker 5: Forty one dollars, Well, now I go get him money.
Speaker 1: Chest, Yes, sir, but it's lacked. Why are you doing
this first?
Speaker 2: For drawing their complaint in court and not paying his
fine and getting him out.
Speaker 7: QUI, I don't know exactly, least not how to put
it in words. I I've been trying to think things
out for the last two weeks. My life and not
in the house wasted and what becomes me?
Speaker 1: And all? How you'll get over there some time?
Speaker 9: No, Marti, you get beat just so many times. When
you get over it, then there's one. Finally you don't
get over cause it ain't nothing messed up?
Speaker 3: Esther, What do you think you're doing here?
Speaker 1: Come around the globe?
Speaker 3: Did you?
Speaker 1: No? Sam? You just paid your fine? Sam? Here being released? Oh?
Are you finally come to your senses at tuc time?
You marshall? Maybe you just learn you're not the interfere
between the man and his wife. No, I don't call
a wife beater or a man.
Speaker 9: Ain't you done no thinking?
Speaker 5: Sam? Ain't you even sorry at.
Speaker 1: All for what you done to me? But keep your
mouth shut if you know what's good for you, Well,
I've done ain't nothing to what it happen you.
Speaker 3: If you try along again me again, you beat me?
Speaker 9: Is that what you're saying?
Speaker 1: I'll beat you a bunny? You don't stand lying, I
might just throw your paint off the place. I can't
see no reason keeping somebody ugly and broken up with.
Speaker 5: You, and it's still things.
Speaker 1: And it'll go on be and.
Speaker 5: You ain't changed one bit.
Speaker 9: You really think it wouldn't as like I just hope
that was all martial, the last little piece of hope
I had.
Speaker 7: Then come over here by the window. Uh, I bought
your presence. I gotta wrapped up in here.
Speaker 1: What you do finally sell that broke yours hadn't let you.
Speaker 9: Off and caught?
Speaker 7: And but I guess you're kind the back in court
now charge was killing the woman, your wife?
Speaker 1: How do you plead?
Speaker 5: Sam?
Speaker 3: I don't know what you cause?
Speaker 5: How do you please?
Speaker 1: I'll please you when I get out to place. Now
you won't.
Speaker 7: And if you won't answer the charge or even say
you're sorry.
Speaker 1: Your promise to do better, then the court's gonna decide
for you.
Speaker 7: They're guilty, Sam. That's the way the court decides guilty.
Hence the gun Marshal, I reckon you'll want.
Speaker 1: It for everything.
Speaker 10: Gunsmoke, produced and directed by Norman McDonald, stars William Conrad
as Matt Dylan us Marshall. The script was specially written
for gun Smote by Les Brunchfield, with editorial supervision by
John The music was composed and conducted by Rex Corey.
Sound patterns were by Ray.
Speaker 1: Kemper and Bill James.
Speaker 10: Featured in the cast were Parley Bayer as Chester, Howard
mcghear as Doc, and Georgia Ellis as Kidding