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<v Speaker 1>Uh, hello, everybody.

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<v Speaker 2>It's me Cecily don Nobler, not don like Donald, by

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<v Speaker 2>the way, just to make it's down Donnie, it's Donnie.

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<v Speaker 2>It's not Donnie. It's down like the time of day,

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<v Speaker 2>like the sun rise. Right, but I like to add

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<v Speaker 2>a why at the end to make it done. You know,

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<v Speaker 2>it's Donnie. What time is it, Donnie? It's kind of

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<v Speaker 2>it's desky, Donnie.

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<v Speaker 1>It's it's Cecily don I'm just gonna call you Cecily don.

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<v Speaker 2>Now.

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<v Speaker 1>I don't mind that I've had people call me that

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<v Speaker 1>in my life. I'm surprised.

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<v Speaker 2>We've been friends for a really long time, really long time,

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<v Speaker 2>decades and you never call me ces and a lot

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<v Speaker 2>of my friends call me cess, which I've just realized.

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<v Speaker 1>I feel like I do sometimes.

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<v Speaker 2>Well it's spech. It's because it became spec I think

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<v Speaker 2>that's right. I think that's right. Yeah, which is what

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<v Speaker 2>we're here to talk about. I'm here, obviously with Stephanie

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<v Speaker 2>Wilder Taylor to talk about and just like that Season three,

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<v Speaker 2>episode six, is.

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<v Speaker 1>This is how it all, This is how it all

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<v Speaker 1>began of us. We originally og bonded on hating Aiden.

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<v Speaker 2>Yeah, we were the originals when it was not cool

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<v Speaker 2>to hate on Aiden and we insisted we're not hate.

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<v Speaker 2>We were just like, this guy is seriously icky. Yes,

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<v Speaker 2>and now everybody's on our side. But it's like, where

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<v Speaker 2>were you before? Right, it's exhausting.

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<v Speaker 1>I do exhaust I do think some people, the cool people,

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<v Speaker 1>hated him like we did. I hated him, you know

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<v Speaker 1>what we mean a lot we could say hated. It's

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<v Speaker 1>a character. Are just yeah, right, we're not going to

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<v Speaker 1>hurt him. We're not spreading hate. It's not like we're

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<v Speaker 1>not Rogan.

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<v Speaker 2>I mean we're just I guess we're in a way,

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<v Speaker 2>we're like Rogan for this show.

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<v Speaker 1>Right right, right. It is ridiculous when we have to

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<v Speaker 1>catch ourselves going, now, we don't hate anybody, well, okay,

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<v Speaker 1>we can hate. We love them all deeply and the same.

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<v Speaker 2>There's no even difference in the way that we love

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<v Speaker 2>them the same way as you love your family. You

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<v Speaker 2>love them because love is love is love is humans,

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<v Speaker 2>and we are all just one.

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<v Speaker 1>Yeah, like this song now? Macro notes, oh good, Macro note,

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<v Speaker 1>this may be the worst written show I've ever encountered

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<v Speaker 1>of any like, the laziest worst writing of any show there.

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<v Speaker 2>For sure, I'm going to give you that. And the original,

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<v Speaker 2>as you know, I know, was not and you asked

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<v Speaker 2>me that last week. You're like, maybe I'm forgetting Sex

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<v Speaker 2>and the City, and maybe it was. I rewatch it

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<v Speaker 2>even to this day, and it's very good. I almost

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<v Speaker 2>sent you a clip of like a fight that Carrie

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<v Speaker 2>and Miranda had that would not the one I always

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<v Speaker 2>send you that reminds me of us, Not that one,

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<v Speaker 2>but there's other ones where it's like that is how

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<v Speaker 2>people in friendships. Yeah, that is real writing, and like

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<v Speaker 2>that's all and just across the board like that the

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<v Speaker 2>way they would talk at dinner and it was just

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<v Speaker 2>like you wanted to be part of it because you

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<v Speaker 2>felt like you were living it. And this is just

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<v Speaker 2>like this is like they got the worst multiicam sitcom

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<v Speaker 2>writer that exists, and they're like, could you write this?

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<v Speaker 1>Yes? Yes, I mean yeah, I couldn't like I couldn't

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<v Speaker 1>believe some of the like I was, I sat there

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<v Speaker 1>with my mouth open. I was like, well, I guess

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<v Speaker 1>we'll talk about this tomorrow, but like this is so insulting.

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<v Speaker 1>It's like and I don't know who's I'm trying to.

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<v Speaker 1>I'm really trying to figure out whose fault that is

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<v Speaker 1>because I look up the writers. Let's let's we're here.

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<v Speaker 2>We you know we do deep dives, isn't you know?

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<v Speaker 2>This isn't I'm going to do that, although I don't

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<v Speaker 2>trust AI anymore because oh, I have to tell you.

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<v Speaker 2>Maybe I'll save that for board AF. I have another

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<v Speaker 2>terrible AI story where it just like steered me wrong

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<v Speaker 2>in all information.

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<v Speaker 1>I trust no Google now, just like probably.

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<v Speaker 2>That let's uh season three, episode episode six writers or

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<v Speaker 2>just any of the writers, uh.

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<v Speaker 1>Writer?

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<v Speaker 2>Oh yeah, we'd have to go to like IMDb on this,

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<v Speaker 2>I think, okay, all right.

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<v Speaker 1>Well maybe we'll do that in our own time. Well

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<v Speaker 1>I think, I mean we could legitimately pause and look

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<v Speaker 1>it up. Okay, I'm gonna pause us hold on. Okay,

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<v Speaker 1>So we have some of the writers. We found Rachel Palmer.

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<v Speaker 1>We don't want to call her out. We don't know,

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<v Speaker 1>we don't know whose fault this is. We don't know

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<v Speaker 1>who's the problem. Yeah, we really Rachel Palmer worked on

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<v Speaker 1>Two Broke Girls, which is sitcommy, but also to which

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<v Speaker 1>is which is commed.

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<v Speaker 2>Okay, right, but these are multi there, like we said,

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<v Speaker 2>they felt multiicammy and the's a lot of these people

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<v Speaker 2>are coming from those types of shows, multiicam shows with

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<v Speaker 2>laugh tracks. It's like it's like they write the shows

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<v Speaker 2>waiting for a laugh and then they have the music

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<v Speaker 2>like in and just like that, like.

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<v Speaker 1>It's that ship. I feel like Lucas Frolicker is Prolic Frolic,

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<v Speaker 1>there's no I feel like he's the problem Two Broke Girls.

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<v Speaker 1>First of all, Well, a bunch of people from Two

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<v Speaker 1>Broke Girls? How's that such a good show that they're like,

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<v Speaker 1>can we get some of the writers from Two Broke Girls? Please?

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<v Speaker 1>It's not like that was a great show. It was

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<v Speaker 1>not some breakthrough. Wouldn't you expect a bunch of these

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<v Speaker 1>writers to be from like a very a cool like

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<v Speaker 1>HBO show.

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<v Speaker 2>You could get Lena Dunam in here, that would be

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<v Speaker 2>very interesting. Yes, they would be more naked, but they're

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<v Speaker 2>already pretty naked, right, right, Like you look up this guy,

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<v Speaker 2>Lucas Frolicks stuff right and he doesn't have much credit.

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<v Speaker 2>It's either no, and I believe part of this is

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<v Speaker 2>his fault. He was a well, he was a writer's assistant.

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<v Speaker 2>Well and listen to this.

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<v Speaker 1>He was the assistant to Michael Patrick King on something

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<v Speaker 1>called AJ and the Queen. This is our problem. I

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<v Speaker 1>don't think he's probably maybe he's dating Michael Patrick King.

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<v Speaker 1>I don't know.

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<v Speaker 2>They're all Michael Patrick King people, though they've all either

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<v Speaker 2>Sex and the City, which he's no genius. That's the problem.

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<v Speaker 2>That's one of the problems. There's a lot of problems.

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<v Speaker 2>There's a lot of problems. So this is all very intestuous.

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<v Speaker 1>You know. And there's a bunch of people who wrote

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<v Speaker 1>like one episode in like twenty twenty two, which is

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<v Speaker 1>maybe like they just didn't like their episode. This Julie

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<v Speaker 1>Rottenberg that you already mentioned. First of all, Rotten is

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<v Speaker 1>in the name, so that's not doesn't bode well. But yeah,

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<v Speaker 1>but she this person did write that od Mom Out,

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<v Speaker 1>which was like a fun show. I believe Smash a multicam, right.

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<v Speaker 1>I liked Smash, I really did like. I like Divorce,

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<v Speaker 1>which is a great show. So here's what I'm gonna

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<v Speaker 1>I'm going to tell myself that Julie Rottenberg is in

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<v Speaker 1>the writer's room on this show just going oh yeah, no,

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<v Speaker 1>absolutely not and gets overruled.

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<v Speaker 2>I didn't like Divorce, but obviously Sarah Jessica Parker and

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<v Speaker 2>she got along.

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<v Speaker 1>You know, she probably right her in because.

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<v Speaker 2>She's should I try again, because I like that type

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<v Speaker 2>of stuff usually, I love it.

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<v Speaker 1>I couldn't get passed.

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<v Speaker 2>How bad of an actor. What's his name is? He

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<v Speaker 2>just bugs me from the sideways. But I guess I

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<v Speaker 2>like it because that character. It's that character. He's just

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<v Speaker 2>like a dufist, which is annoying to her right right,

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<v Speaker 2>and then again it does get very over the top,

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<v Speaker 2>but part of it is that she doesn't.

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<v Speaker 1>Like that about him. I don't think.

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<v Speaker 2>I think I've given it like three tries because it

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<v Speaker 2>makes so much time. It's like, Oh, I like the HBO.

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<v Speaker 2>I like that kind of programming. I like her, Sarah

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<v Speaker 2>Jessica Parker, not as a person, but as an actress.

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<v Speaker 1>I like her. I have to.

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<v Speaker 2>That's our show. We love you, guys, have fun. Okay,

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<v Speaker 2>I'm really hungry.

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<v Speaker 1>In conclusion, this episode, in particular to me, was so

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<v Speaker 1>badly written. I was just like but also and also manipulative.

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<v Speaker 1>So I did find myself emotional, but I was like, Okay,

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<v Speaker 1>you can't take a show that's supposed to be this

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<v Speaker 1>kind of frothy, funny telt like it is sex comedy

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<v Speaker 1>real show and then just make every constant death constant

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<v Speaker 1>like find.

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<v Speaker 2>That that I don't mind because they did that in

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<v Speaker 2>the regular show. I mean, I don't think it's supposed

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<v Speaker 2>to be like hilarious all the time.

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<v Speaker 1>I mean, it's not. Okay, Well, here's a global here's

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<v Speaker 1>a global macro note that Lisa, Lisa's dad already died.

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<v Speaker 1>Did you know that? Yes? Did you know that? That's

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<v Speaker 1>a problem with the writing of the show. It's all over.

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<v Speaker 1>Her dad died in season two. She referred to her

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<v Speaker 1>dad as being dead. When my daddy, when daddy died,

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<v Speaker 1>I have literally like the sound up. I could, but

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<v Speaker 1>you won't be able to hear it.

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<v Speaker 2>Do it?

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<v Speaker 1>Okay, I can go to the tape. Okay, as they say,

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<v Speaker 1>go to the Okay, you won't be able to hear it.

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<v Speaker 1>But here is the recording. Are people at home will

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<v Speaker 1>hear it? It's nine seconds, so listen, listen carefully? Oh

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<v Speaker 1>you can't, you can't hear it? Hold on, She's well,

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<v Speaker 1>it's all right, it's all right. She basically says, when, yeah,

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<v Speaker 1>when my when my daddy died, When dad died, she says,

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<v Speaker 1>I mean, she's yeah, they all so he died. That

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<v Speaker 1>is ridiculous. Yeah, that's too bad. This was the season.

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<v Speaker 1>In season one she talks about how her dad died.

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<v Speaker 1>Then he came to dinner in season two, and then

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<v Speaker 1>this is what people are laughing about, and now he's

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<v Speaker 1>dead again in season three. I mean, it's I told

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<v Speaker 1>you now.

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<v Speaker 2>This is a little bit different, but if you're writing

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<v Speaker 2>for the same universe. They did the spin off, The

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<v Speaker 2>Carry Diaries, which was another book by Candice, and I

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<v Speaker 2>tried to watch it. It was on like the WB or

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<v Speaker 2>CW whatever it was, and they got a lot of

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<v Speaker 2>things wrong about it was not consistent there either. There's

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<v Speaker 2>an entire episode in Sex and the City where Carrie

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<v Speaker 2>like kind of finally talks about like her dad issues

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<v Speaker 2>because her dad left. She says in Sex and the City,

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<v Speaker 2>my dad left when I was six and he never

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<v Speaker 2>came back. My mom raised me. That's very clear in

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<v Speaker 2>the thing, if anybody else, because they never talk about

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<v Speaker 2>their families. It's really weird. They have like no, they're

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<v Speaker 2>in this bubble all the time except for when Miranda

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<v Speaker 2>lost her mom. So then in the Carrie Diaries, she's

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<v Speaker 2>raised by her dad and her mom died when she

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<v Speaker 2>was a baby. It's like, wow, that's so weird. It

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<v Speaker 2>would just be like if like you had a spin

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<v Speaker 2>off of let me put it in a way, you

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<v Speaker 2>would understand lit The.

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<v Speaker 1>Cosby Show.

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<v Speaker 2>Let's say you love The Cosby Show. Right, Let's say

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<v Speaker 2>you watched The Cosby Show your whole life. Every day

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<v Speaker 2>you go back, you watch episodes.

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<v Speaker 1>I know you do that. I don't know how you

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<v Speaker 1>find them, but she has them on like VHS. Yeah.

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<v Speaker 1>They when they when they falsely accused Bill Cosby of

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<v Speaker 1>crimes that we all know he didn't commit. I I

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<v Speaker 1>was like, they're going to probably try to cancel him

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<v Speaker 1>and take my favorite show off. There.

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<v Speaker 2>Yeah, she recorded everything somehow from you can't I don't

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<v Speaker 2>even know how. I don't know how you did that,

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<v Speaker 2>but she did, and she watches she self soothes like

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<v Speaker 2>so okay, so let's say you watch that. And then

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<v Speaker 2>they have like a little spin off that's slightly different,

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<v Speaker 2>like they're like, okay, let's do the cause, let's do

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<v Speaker 2>like what Roseanne did. Why don't we do the Cosby

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<v Speaker 2>Show but he's not on. We kill him off, but

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<v Speaker 2>we have everybody else and then like the Corner Kids exactly,

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<v Speaker 2>so you, so you have like the what if they

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<v Speaker 2>just called it the Connor And they're like why though,

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<v Speaker 2>because so now you've got Claire Huxtable, you could just

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<v Speaker 2>call it the Huxtables.

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<v Speaker 1>Okay, why was it called the Cosby Show? That wasn't

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<v Speaker 1>even their name. That is so stupid. That makes me

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<v Speaker 1>so mad. That's just his name. His name was a.

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<v Speaker 2>Huxtable and the thing, Oh yeah, why would you leave it?

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<v Speaker 2>That's like what you pitch it with, Like, okay, so

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<v Speaker 2>the Cosby Project got it.

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<v Speaker 1>What changed the name of it? They just got too lazy.

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<v Speaker 1>They were like, well, it's already I don't know working titles,

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<v Speaker 1>the Cosby Show, whatever, the Cosby Project.

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<v Speaker 2>They're like, Seinfeld can be called Seinfeld, we see how

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<v Speaker 2>it is. And you're like, no, but that's his name

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<v Speaker 2>on the show. You can't why and just call him?

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<v Speaker 1>Okay? That makes me mad. But anyway, so imagine.

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<v Speaker 2>You're watching the show now and he's off of it,

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<v Speaker 2>and Claire is now played by a twenty two year

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<v Speaker 2>old Asian woman never explained, and also her name is

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<v Speaker 2>not Claire anymore.

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<v Speaker 1>Now it's like Janis. But it's supposed to be his.

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<v Speaker 2>One and only wife. You'd be mad because you'd be

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<v Speaker 2>like what, right, well what and then they change everything

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<v Speaker 2>and then there is no Rudy and then then Rudy

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<v Speaker 2>just never existed.

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<v Speaker 1>Yeah, that would be really weird. No, you can't do that,

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<v Speaker 1>or you have to call it something else, right and

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<v Speaker 1>just go we like these actors, and so we want

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<v Speaker 1>to put them in something else. But yeah, you can't

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<v Speaker 1>say it's the same thing.

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<v Speaker 2>I wish they had called this, I really wish instead

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<v Speaker 2>of in just like that, which I understand why they

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<v Speaker 2>called it that, but I wish they'd called it Duncan

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<v Speaker 2>and friends. What if they called it that and they're

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<v Speaker 2>like what In the first two seasons you're like, I

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<v Speaker 2>don't get it, Like you will. You're gonna get it.

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<v Speaker 2>It's gonna all come together in season three. You'll see.

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<v Speaker 1>See. The problem is none of these people have any

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<v Speaker 1>The show is out of their control. That's what it

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<v Speaker 1>sounds like.

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<v Speaker 2>It's written by all different people. Somebody wrote on Reddit

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<v Speaker 2>they wrote, oh my god, this is about her finding

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<v Speaker 2>out her dad already died.

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<v Speaker 1>It's supposed to be dead. Somebody wrote, oh my god,

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<v Speaker 1>what a fine lol. I think chat GPT is writing

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<v Speaker 1>these episodes with a prompt that mighty rage bait.

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<v Speaker 2>Oh my god, I have, Like I said, I have

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<v Speaker 2>a chat it reallyased. It steered me so wrong that

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<v Speaker 2>I have to go back into an article that's already

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<v Speaker 2>been published and make some pretty big changes because chat

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<v Speaker 2>GBT like completely completely made something up completely. I thought

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<v Speaker 2>it was googled. You know, sometimes it'll take you into

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<v Speaker 2>the AI mode. So I thought I was googling something,

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00:14:22.840 --> 00:14:25.080
<v Speaker 2>and you you think, if you google it, there there's

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<v Speaker 2>your information, right, you got it? No, no more, trust

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<v Speaker 2>nothing until you see it in like a real source, right, Trust.

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<v Speaker 1>Nothing, because I'm fine interesting, Okay, I will tell you

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<v Speaker 1>on board.

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<v Speaker 2>As okay, So do you have any metro notes? Did

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<v Speaker 2>you let How did you feel about this episode? I

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00:14:43.799 --> 00:14:48.120
<v Speaker 2>liked the episode in some ways. Now do I need

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00:14:48.519 --> 00:14:52.840
<v Speaker 2>uh bits e von whatever back in my life? Of course,

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00:14:52.919 --> 00:14:58.919
<v Speaker 2>not no reason for that. Another crazy cartoon character. She's

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<v Speaker 2>from the original. But it's like I was thinking about

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<v Speaker 2>this the whole time. There's so many people in New

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<v Speaker 2>York that they could run into from the original show, Like,

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00:15:06.679 --> 00:15:10.039
<v Speaker 2>there's hundreds of characters that would be interesting. That is

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<v Speaker 2>not one of them, right, So why they're trying to

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<v Speaker 2>make that happen is just like sad it's there.

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<v Speaker 1>They just don't know. They think their audience is like

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<v Speaker 1>ninety year old gay men. Yes, and I just don't.

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<v Speaker 2>Think that that's I mean, that might be the case

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00:15:23.679 --> 00:15:26.559
<v Speaker 2>to some degree, sure, but it's not all of It's

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<v Speaker 2>like stop, yeah, nobody wants okay, so let's get into it.

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<v Speaker 1>She's still writing.

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<v Speaker 2>She's writing her dumb fake book about the woman I

302
00:15:36.240 --> 00:15:37.639
<v Speaker 2>can't writing is so bad.

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<v Speaker 1>Lily's of the Valley godw their white bonnets to the

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00:15:43.360 --> 00:15:46.840
<v Speaker 1>pounding of the rain as the woman inside braves the

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00:15:47.000 --> 00:15:50.399
<v Speaker 1>unknown who writes like that, And later in the episode,

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<v Speaker 1>she's gonna want Duncan to read that shit. She's gotta

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<v Speaker 1>be embarrassed like that. I mean, if anything's going to

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<v Speaker 1>give him the ick, it's going to be reading the Valley.

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<v Speaker 1>Would that be.

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<v Speaker 2>He's like, oh, well to no, sorry going back to

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00:16:05.919 --> 00:16:09.000
<v Speaker 2>London as you know, only here six months, so very

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00:16:09.080 --> 00:16:10.039
<v Speaker 2>nice to you.

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<v Speaker 1>He like gently puts the book down, like cause he's

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<v Speaker 1>like but She's like, wait, I thought you were going

315
00:16:15.320 --> 00:16:18.519
<v Speaker 1>back in six months, and he's like, oh, yes, I

316
00:16:18.840 --> 00:16:21.600
<v Speaker 1>actually have already been here three months. You just I

317
00:16:21.679 --> 00:16:23.759
<v Speaker 1>mean I was already here just five and a half months.

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<v Speaker 1>I get. I guess we just we didn't run into

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00:16:26.279 --> 00:16:29.919
<v Speaker 1>each other. She's like, but yes, live downstairs, and you're

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00:16:30.039 --> 00:16:30.919
<v Speaker 1>very upset. I say.

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<v Speaker 2>He's like, time is different for the English. I suppose

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<v Speaker 2>he's trying to be Remember I told you I love

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<v Speaker 2>this the first you know. I'm people you guys know

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00:16:38.720 --> 00:16:41.200
<v Speaker 2>need to know that I'm a major Anglo fire, as

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<v Speaker 2>I'm sure a lot of us are. But I really like,

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00:16:43.200 --> 00:16:45.080
<v Speaker 2>you know, the first time I went there, I was

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<v Speaker 2>by myself and I was waiting for the tube and

328
00:16:47.480 --> 00:16:51.039
<v Speaker 2>I couldn't figure out which two subway thing to get on,

329
00:16:51.200 --> 00:16:54.080
<v Speaker 2>you know, let me say it like in America, like subway, Stephanie,

330
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<v Speaker 2>like a subway.

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<v Speaker 1>And there was this guy, I swear.

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<v Speaker 2>To God in my memory he was wearing a top hat,

333
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<v Speaker 2>but I know he wasn't, but he did have an

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00:17:02.240 --> 00:17:04.920
<v Speaker 2>umbrella and he was so tall in English, and I

335
00:17:05.039 --> 00:17:07.640
<v Speaker 2>was like, would this be the train I need to

336
00:17:07.680 --> 00:17:09.079
<v Speaker 2>get on to go to wherever?

337
00:17:09.240 --> 00:17:11.480
<v Speaker 1>Notting Hill, you know, and he just goes, he just

338
00:17:11.519 --> 00:17:15.039
<v Speaker 1>looked at me and he goes, no oh. And I

339
00:17:15.200 --> 00:17:17.480
<v Speaker 1>was like, it was cold. They are cold.

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00:17:17.680 --> 00:17:20.160
<v Speaker 2>They are very polite, but they will not give you

341
00:17:20.279 --> 00:17:22.319
<v Speaker 2>more than you've asked and you are not going to

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00:17:22.359 --> 00:17:24.559
<v Speaker 2>get a hug. And he was older, you know, this

343
00:17:24.759 --> 00:17:27.559
<v Speaker 2>was like a very but he wasn't that old. And

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<v Speaker 2>I was like, I am so attracted to you right now,

345
00:17:31.240 --> 00:17:34.079
<v Speaker 2>strange old man. I also still do not know which

346
00:17:34.119 --> 00:17:35.559
<v Speaker 2>train to get on, though, but he just I just

347
00:17:35.599 --> 00:17:37.680
<v Speaker 2>love that goes this, the train he goes new.

348
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<v Speaker 1>I love the English so much. And that I say

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<v Speaker 1>all that.

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<v Speaker 2>Because I really love Duncan. I'm really loving him. I

351
00:17:46.000 --> 00:17:48.440
<v Speaker 2>know they're not doing enough with him yet. I have

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<v Speaker 2>not seen more than this episode, but I just don't

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<v Speaker 2>you love him? Don't you want them to have like

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<v Speaker 2>a hot, passionate secks.

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<v Speaker 1>I mean, I don't see him as like hot and passionate.

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<v Speaker 1>I think he's just like grow she and not even

357
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<v Speaker 1>that money. He's kind of a dick and his apartment's

358
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<v Speaker 1>really dirty. I don't know, I'm not doing anything for me.

359
00:18:07.359 --> 00:18:09.519
<v Speaker 1>I just yeah, he's very serious. So he has her

360
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<v Speaker 1>over to like eat. He's so funny at all, and

361
00:18:11.559 --> 00:18:14.960
<v Speaker 1>he's very literal, like whenever she even tries to joke around,

362
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<v Speaker 1>he actually he doesn't get.

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<v Speaker 2>It like that.

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<v Speaker 1>He's like Krishna Ka. He reminds me of Alex Petrovsky.

365
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<v Speaker 1>I don't ever know.

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<v Speaker 2>I'll never know why she liked him, except that he

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00:18:25.519 --> 00:18:28.960
<v Speaker 2>had klout she didn't like him at all until Samantha

368
00:18:29.079 --> 00:18:32.039
<v Speaker 2>was like, oh everybody knows Petrovsky.

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<v Speaker 1>He was at Studio fifty four, honey. Yeah. I mean

370
00:18:35.960 --> 00:18:37.759
<v Speaker 1>then we had to put her through that, like how

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<v Speaker 1>old and they're all doing the math like what wait what?

372
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<v Speaker 1>And then like why is she? Why is she with him?

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<v Speaker 1>But I'm with it.

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<v Speaker 2>I'm for it with Duncan Oh, I like it. So

375
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<v Speaker 2>he's trying to have a conversation with her. What she's

376
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<v Speaker 2>being annoyed like about it? Like as I's been British

377
00:18:54.759 --> 00:18:55.359
<v Speaker 2>honest question.

378
00:18:55.519 --> 00:18:58.079
<v Speaker 1>Yeah, what do you like about him as far as

379
00:18:58.519 --> 00:19:01.960
<v Speaker 1>besides the actor playing, like besides he's cute, Yeah, but

380
00:19:02.079 --> 00:19:03.279
<v Speaker 1>that's okay, that's the actor.

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00:19:04.519 --> 00:19:08.000
<v Speaker 2>Yeah, but I mean I can't separate his Clive owenness.

382
00:19:09.319 --> 00:19:11.000
<v Speaker 2>I think he's just like you think he's one of

383
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<v Speaker 2>those like wound up Brits that, like you, just he

384
00:19:13.319 --> 00:19:16.960
<v Speaker 2>just needs a little sex. I like that, Okay, I

385
00:19:17.119 --> 00:19:19.400
<v Speaker 2>like that he's I like that he's a writer. I mean, yes,

386
00:19:19.599 --> 00:19:21.680
<v Speaker 2>that's a good question. He's not a lot of fun,

387
00:19:21.920 --> 00:19:25.400
<v Speaker 2>takes himself really seriously. He believes himself to be an

388
00:19:25.519 --> 00:19:29.839
<v Speaker 2>amazing writer. Yes, which I feel like it's confident.

389
00:19:30.279 --> 00:19:32.960
<v Speaker 1>Yeah if I I just you know, like I said,

390
00:19:33.039 --> 00:19:36.839
<v Speaker 1>I find I find the actor charming, but I find

391
00:19:36.920 --> 00:19:41.079
<v Speaker 1>the I don't know why she would like him except

392
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<v Speaker 1>that because he's not been nice to her one time

393
00:19:44.279 --> 00:19:46.359
<v Speaker 1>all that I would like him for that, right, But

394
00:19:46.480 --> 00:19:47.599
<v Speaker 1>I hear you, I hear you.

395
00:19:47.880 --> 00:19:49.839
<v Speaker 2>I also think she's being kind of annoying and rude

396
00:19:49.880 --> 00:19:52.319
<v Speaker 2>because when they're talking about their writing, when they're having

397
00:19:52.400 --> 00:19:54.880
<v Speaker 2>the mutton or whatever, because it's all really weird. He's like,

398
00:19:55.079 --> 00:19:56.240
<v Speaker 2>he's like, I want to take you out for a

399
00:19:56.240 --> 00:19:58.400
<v Speaker 2>purple drink, you know, or he's trying. I think he's

400
00:19:58.440 --> 00:20:01.519
<v Speaker 2>flirting with her for sure, in his way. And then

401
00:20:01.640 --> 00:20:04.200
<v Speaker 2>she basically is like, why are you taking it all? So?

402
00:20:04.240 --> 00:20:07.119
<v Speaker 1>Why do you got to work so hard? Because, as we.

403
00:20:07.119 --> 00:20:10.160
<v Speaker 2>Said last week, not everyone had a billionaire ex husband

404
00:20:10.200 --> 00:20:13.920
<v Speaker 2>who died on a peloton, right, Like, he's got a

405
00:20:14.000 --> 00:20:17.359
<v Speaker 2>work hard because he's probably has a mortgage. Well, wait,

406
00:20:17.440 --> 00:20:20.400
<v Speaker 2>who are you talking about, because I'm talking about she said,

407
00:20:20.440 --> 00:20:21.680
<v Speaker 2>what what husband?

408
00:20:21.799 --> 00:20:24.960
<v Speaker 1>What ex? She had a billionaire husband? I wouldn't know

409
00:20:25.160 --> 00:20:27.799
<v Speaker 1>because that's not Cary. I wouldn't know because that's not

410
00:20:27.880 --> 00:20:31.720
<v Speaker 1>really that's not really addressed in this way. We're talking

411
00:20:31.720 --> 00:20:34.920
<v Speaker 1>about Carrie and Big. So she says to Duncan when

412
00:20:34.960 --> 00:20:37.359
<v Speaker 1>they're eating, I know I'm making a joke that that

413
00:20:37.680 --> 00:20:41.160
<v Speaker 1>Biggs disappeared from the show. Oh oh oh, that was

414
00:20:41.200 --> 00:20:42.680
<v Speaker 1>too good. You were too good at it, because I

415
00:20:42.799 --> 00:20:45.119
<v Speaker 1>was just like, wait, are you making a joke? Did

416
00:20:45.160 --> 00:20:48.160
<v Speaker 1>he basically never existed in this universe? At this point,

417
00:20:48.279 --> 00:20:49.799
<v Speaker 1>we've not mentioned him one time.

418
00:20:49.960 --> 00:20:54.839
<v Speaker 2>It's true something. I was like, it's Carrie Bradshaw and Big. Yeah,

419
00:20:55.160 --> 00:20:55.519
<v Speaker 2>I get it.

420
00:20:55.759 --> 00:20:58.440
<v Speaker 1>Wouldn't it be great if they actually mentioned that Big

421
00:20:58.599 --> 00:21:02.119
<v Speaker 1>ever existed? But now suddenly we're in some bubble where

422
00:21:02.160 --> 00:21:05.720
<v Speaker 1>she just miraculously has this lifestyle.

423
00:21:06.359 --> 00:21:10.240
<v Speaker 2>Right and nothing He never thought like she lets him

424
00:21:10.240 --> 00:21:13.240
<v Speaker 2>assume that she's such a huge writer that that's why

425
00:21:13.319 --> 00:21:14.920
<v Speaker 2>she has this amazing place, right.

426
00:21:15.440 --> 00:21:16.200
<v Speaker 1>She doesn't.

427
00:21:16.240 --> 00:21:18.160
<v Speaker 2>She never says like, yeah, I mean I did have

428
00:21:18.200 --> 00:21:20.119
<v Speaker 2>a couple of books do okay, but you know I

429
00:21:20.200 --> 00:21:22.720
<v Speaker 2>was you know, it was never like huge journey, right

430
00:21:24.000 --> 00:21:25.599
<v Speaker 2>and you know the reason I live here?

431
00:21:26.400 --> 00:21:26.599
<v Speaker 1>Yeah?

432
00:21:26.680 --> 00:21:29.400
<v Speaker 2>No no mention, no mention of Aiden either. Weirdly huh

433
00:21:29.839 --> 00:21:33.319
<v Speaker 2>that we see all kinds of weird shit going down. Yeah,

434
00:21:33.359 --> 00:21:35.880
<v Speaker 2>so they decide to read each other's books and yeah,

435
00:21:35.920 --> 00:21:39.960
<v Speaker 2>and Carrie pretends to sort of like Mutton but not really.

436
00:21:40.640 --> 00:21:43.000
<v Speaker 2>But also, I just don't think that would happen. I

437
00:21:43.079 --> 00:21:44.960
<v Speaker 2>don't think that Duncan would be like, come.

438
00:21:44.920 --> 00:21:49.799
<v Speaker 1>Down to my gross apartment and with stained ceilings and

439
00:21:49.880 --> 00:21:52.839
<v Speaker 1>I'm going to make you a really kind of nasty

440
00:21:52.920 --> 00:21:58.079
<v Speaker 1>food to people who are asty. Yeah, and yeah, yeah,

441
00:21:58.599 --> 00:22:00.400
<v Speaker 1>and you're right though she is. She's like, I was,

442
00:22:00.720 --> 00:22:02.960
<v Speaker 1>I was really surprised to get your invitation. I thought

443
00:22:03.000 --> 00:22:06.720
<v Speaker 1>you're all like, work, work, work, Yeah, yeah, exactly. Here's

444
00:22:08.279 --> 00:22:10.440
<v Speaker 1>this is where the writing. Right off the bat, I

445
00:22:10.640 --> 00:22:14.839
<v Speaker 1>was just like, are you kidding? And then he's he says, well,

446
00:22:14.920 --> 00:22:18.359
<v Speaker 1>this is work, and then she goes, oh, the Mutton.

447
00:22:19.160 --> 00:22:22.640
<v Speaker 2>Like this is the best. That's when I wrote, I wrote,

448
00:22:22.680 --> 00:22:25.160
<v Speaker 2>even the actor can't be bothered to laugh. I don't

449
00:22:25.160 --> 00:22:27.319
<v Speaker 2>even blame Duncan for this. I think it's sort of

450
00:22:27.440 --> 00:22:29.839
<v Speaker 2>like he doesn't want to be held to that. So

451
00:22:29.960 --> 00:22:31.400
<v Speaker 2>he's just like, no, I'm gonna do what I'm gonna do.

452
00:22:31.559 --> 00:22:34.640
<v Speaker 1>But I was like, Okay, so these these writers Michael

453
00:22:34.640 --> 00:22:38.119
<v Speaker 1>Patrick King got so many specscripts from people that wanted

454
00:22:38.160 --> 00:22:41.519
<v Speaker 1>to write on and this is He pulled one out

455
00:22:41.640 --> 00:22:44.079
<v Speaker 1>and was like, yes, these are the writers, this is

456
00:22:44.119 --> 00:22:45.920
<v Speaker 1>the writer I'm going with, and this is what they

457
00:22:46.000 --> 00:22:48.440
<v Speaker 1>came up with, and this is what made it past

458
00:22:48.519 --> 00:22:54.160
<v Speaker 1>all the read throughs Now I know, I know. And

459
00:22:54.319 --> 00:22:57.400
<v Speaker 1>then and then he says wait. Then he says, well,

460
00:22:57.839 --> 00:23:00.920
<v Speaker 1>I've been I've been pounding away at Margaret every night,

461
00:23:01.440 --> 00:23:06.039
<v Speaker 1>and Carrie literally says, oh my gosh, that's you know,

462
00:23:07.160 --> 00:23:09.960
<v Speaker 1>my virgin ears or something like okay. So she doesn't

463
00:23:10.000 --> 00:23:13.319
<v Speaker 1>literally say that, she says something like oh that's like

464
00:23:13.559 --> 00:23:17.480
<v Speaker 1>not appropriate or something. It's like, okay, well you used

465
00:23:17.480 --> 00:23:21.079
<v Speaker 1>to be a sex columnist. Did your vagina article up

466
00:23:21.319 --> 00:23:25.200
<v Speaker 1>a guy being on you? Right? But she's John mad Men,

467
00:23:25.279 --> 00:23:27.680
<v Speaker 1>and now you're like, she's the worst. She sucks.

468
00:23:28.000 --> 00:23:30.079
<v Speaker 2>We know that, we're gonna just we're gonna do I

469
00:23:30.119 --> 00:23:31.880
<v Speaker 2>think we need to just flat out say it, like

470
00:23:32.039 --> 00:23:34.039
<v Speaker 2>and just leave it, because she sucks.

471
00:23:34.920 --> 00:23:37.880
<v Speaker 1>She sucks like Janet right from the also, but also

472
00:23:38.000 --> 00:23:40.200
<v Speaker 1>the writing. I mean the fact that she would be

473
00:23:40.400 --> 00:23:44.200
<v Speaker 1>that like I've been pounding weight, that she would take

474
00:23:44.279 --> 00:23:46.359
<v Speaker 1>that as a sex joke and then be like almost

475
00:23:46.400 --> 00:23:50.480
<v Speaker 1>offended by it is not the character. It's just such

476
00:23:50.559 --> 00:23:53.119
<v Speaker 1>bad writing to me, it's so lazy, it's really tiny.

477
00:23:54.000 --> 00:23:55.200
<v Speaker 1>We have no time for it because I want to

478
00:23:55.200 --> 00:23:57.680
<v Speaker 1>get to the sex with Duncan. That's the thing. I'm

479
00:23:57.720 --> 00:23:59.319
<v Speaker 1>just like, and he's and the actor does too.

480
00:23:59.359 --> 00:24:03.240
<v Speaker 2>I'm sure likeugh, all right, please? Hellon is my contract?

481
00:24:03.319 --> 00:24:05.640
<v Speaker 2>You see him like calling sag? She says that, and

482
00:24:05.680 --> 00:24:08.799
<v Speaker 2>he's like, one moment, please please could I get my

483
00:24:08.920 --> 00:24:10.240
<v Speaker 2>red piece on the line.

484
00:24:12.039 --> 00:24:15.319
<v Speaker 1>And do all I have to say this exact right? Fine?

485
00:24:15.359 --> 00:24:17.960
<v Speaker 1>As do I have to laugh? It says? I must laugh.

486
00:24:18.400 --> 00:24:22.279
<v Speaker 2>I don't, but I love that I'm making him kind

487
00:24:22.319 --> 00:24:25.160
<v Speaker 2>of pullsh But also what is did you buy that

488
00:24:25.319 --> 00:24:28.200
<v Speaker 2>he'd be like, can you after being so like not

489
00:24:29.160 --> 00:24:31.599
<v Speaker 2>into her and not taking her seriously that he would

490
00:24:31.640 --> 00:24:34.680
<v Speaker 2>be like could you could I get your your perspective

491
00:24:34.759 --> 00:24:35.319
<v Speaker 2>on my book?

492
00:24:35.839 --> 00:24:38.039
<v Speaker 1>Right? And like what have you written again?

493
00:24:38.279 --> 00:24:40.319
<v Speaker 2>Right? Oh? I used to have like a really wacky

494
00:24:40.440 --> 00:24:43.720
<v Speaker 2>sex column right and I couldn't help. But wonder if

495
00:24:43.759 --> 00:24:47.079
<v Speaker 2>you diz in somebody's eyes? Do their eyes hurt? Or

496
00:24:47.160 --> 00:24:50.680
<v Speaker 2>is it helpful to their eyes? Bye? What if what

497
00:24:50.759 --> 00:24:53.119
<v Speaker 2>if she signed up like off all our sex columns,

498
00:24:53.359 --> 00:24:54.759
<v Speaker 2>good bye bye bye.

499
00:24:56.119 --> 00:24:57.920
<v Speaker 1>I would believe it. I would believe it.

500
00:24:59.559 --> 00:25:01.960
<v Speaker 2>I couldn't help, But wonder if you pee on somebody

501
00:25:02.039 --> 00:25:05.720
<v Speaker 2>after sex, is that good luck? Like they say in Japan?

502
00:25:06.359 --> 00:25:08.319
<v Speaker 2>Like no, okay, first of all, no one says that

503
00:25:08.359 --> 00:25:11.079
<v Speaker 2>in Japan, so we're gonna have to take that out right.

504
00:25:11.680 --> 00:25:15.720
<v Speaker 2>He's not ad lib Please don't improvise, Sarah. We'd really

505
00:25:15.839 --> 00:25:18.440
<v Speaker 2>prefer that you just like stick to the script. Then

506
00:25:18.480 --> 00:25:21.920
<v Speaker 2>the script is even worse. I couldn't help, But wonder

507
00:25:22.039 --> 00:25:23.519
<v Speaker 2>is duncan gonna put it in me?

508
00:25:24.160 --> 00:25:29.039
<v Speaker 1>I mean, like I miss I miss those. So Carrie's

509
00:25:29.079 --> 00:25:31.960
<v Speaker 1>talking to Aiden as if they're as if they're just

510
00:25:32.039 --> 00:25:34.880
<v Speaker 1>an old married couple that just chit chat every night,

511
00:25:34.960 --> 00:25:38.079
<v Speaker 1>while he's brushing his teeth, you know, and she's like, yeah,

512
00:25:38.240 --> 00:25:40.720
<v Speaker 1>dunk in this. By the way, she's also taking tombs,

513
00:25:41.359 --> 00:25:44.440
<v Speaker 1>and we're setting up some story and we don't know

514
00:25:44.519 --> 00:25:47.119
<v Speaker 1>what it is yet. But suddenly Carrie is just in

515
00:25:47.200 --> 00:25:51.599
<v Speaker 1>a cartoonish manner going through things of toms and constantly.

516
00:25:51.599 --> 00:25:52.720
<v Speaker 1>But I don't even notice that either.

517
00:25:53.039 --> 00:25:55.640
<v Speaker 2>You know that that's Sarah like improvising too, Like I

518
00:25:55.720 --> 00:25:57.400
<v Speaker 2>bet you know, you know, I really take a lot

519
00:25:57.440 --> 00:25:59.680
<v Speaker 2>of toms, So I think that Carrie would too.

520
00:26:00.599 --> 00:26:02.680
<v Speaker 1>I think, well, they're setting something up though, because there's

521
00:26:02.759 --> 00:26:06.079
<v Speaker 1>like three different parts where there's the tombs are gone,

522
00:26:06.400 --> 00:26:09.079
<v Speaker 1>where she's out of going to set up like stomach cancer.

523
00:26:09.920 --> 00:26:13.559
<v Speaker 2>Oh my god, I wouldn't know more, can't no, or

524
00:26:13.640 --> 00:26:18.160
<v Speaker 2>maybe like a hysterectomy or something hys directly, She's like, well,

525
00:26:18.279 --> 00:26:20.440
<v Speaker 2>like maybe she's blowed, you know, like when you've got

526
00:26:20.440 --> 00:26:22.000
<v Speaker 2>all kinds of lady issues.

527
00:26:23.519 --> 00:26:25.559
<v Speaker 1>I feel like it would be more of like an ulcer.

528
00:26:27.799 --> 00:26:32.079
<v Speaker 2>Oh, I guess you mean they showed us three times time.

529
00:26:32.079 --> 00:26:33.359
<v Speaker 2>I didn't notice it even once.

530
00:26:34.359 --> 00:26:36.039
<v Speaker 1>Yep. Oh my gosh, a lot of time.

531
00:26:36.079 --> 00:26:38.319
<v Speaker 2>I'm like the big picture and you're like the details

532
00:26:38.359 --> 00:26:39.799
<v Speaker 2>on that very detail oriented.

533
00:26:39.960 --> 00:26:43.480
<v Speaker 1>Okay, it's now this is going to get even worse

534
00:26:43.559 --> 00:26:51.559
<v Speaker 1>to me, Yeah, it gets Aiden's like get ready coming

535
00:26:51.640 --> 00:26:56.039
<v Speaker 1>up and she's like, oh you are, Yeah, Wyatt's doing

536
00:26:56.119 --> 00:26:58.319
<v Speaker 1>a wilderness program for a week.

537
00:26:58.640 --> 00:27:01.559
<v Speaker 2>No, those are very dangerous. They have done many reports

538
00:27:01.640 --> 00:27:03.519
<v Speaker 2>on those places, and a lot of them are like,

539
00:27:04.079 --> 00:27:04.920
<v Speaker 2>like really bad.

540
00:27:04.960 --> 00:27:10.240
<v Speaker 1>There's no way in the world that Aiden would be like, yeah,

541
00:27:10.640 --> 00:27:13.880
<v Speaker 1>he found it himself. He looked. He looked up one

542
00:27:13.920 --> 00:27:19.039
<v Speaker 1>of those Paris Hilton expose survival camps that people die

543
00:27:19.240 --> 00:27:21.519
<v Speaker 1>at you, where they meet you and don't feed you.

544
00:27:21.960 --> 00:27:23.480
<v Speaker 1>He looked it up on his own and he wants

545
00:27:23.559 --> 00:27:26.880
<v Speaker 1>to go. Isn't that amazing, Carrie. He's like, I get

546
00:27:26.920 --> 00:27:29.960
<v Speaker 1>a week off, so I'm coming up. Get ready for

547
00:27:30.079 --> 00:27:33.640
<v Speaker 1>my weird mouth. It's just one big flat line. Oh

548
00:27:33.880 --> 00:27:36.519
<v Speaker 1>so here's here's what we're supposed to believe about this

549
00:27:36.759 --> 00:27:40.960
<v Speaker 1>character and this relationship. It's all up to aiden. She can't.

550
00:27:41.079 --> 00:27:44.079
<v Speaker 1>She originally wasn't really supposed to even text him or

551
00:27:44.200 --> 00:27:47.160
<v Speaker 1>let alone call him. That became a thing. He could

552
00:27:47.200 --> 00:27:50.680
<v Speaker 1>call her though, and be like, I'm horny, let's fuck

553
00:27:50.720 --> 00:27:52.839
<v Speaker 1>over the phone, and she'd have to hop to it

554
00:27:53.720 --> 00:27:56.839
<v Speaker 1>and just be ready whenever, because he's like, listen, I

555
00:27:56.920 --> 00:27:59.119
<v Speaker 1>got Wyatt's sleeping next to me. I'm ready to go.

556
00:27:59.319 --> 00:28:03.359
<v Speaker 1>Let's go. And she's supposed to be ready. Or he

557
00:28:03.440 --> 00:28:07.279
<v Speaker 1>can come visit her and surprise her because he feels

558
00:28:07.440 --> 00:28:09.960
<v Speaker 1>like it, but God forbid she comes down. It's a

559
00:28:10.039 --> 00:28:14.079
<v Speaker 1>whole thing. Oh, you're disrupting my whole family life. You

560
00:28:14.160 --> 00:28:16.640
<v Speaker 1>have to sleep in the sleep in the stables. I

561
00:28:16.720 --> 00:28:17.640
<v Speaker 1>mean yes, and.

562
00:28:17.640 --> 00:28:19.279
<v Speaker 2>I'm not going to give you a sweatshirt until my

563
00:28:19.519 --> 00:28:21.839
<v Speaker 2>son actually is like carry would you like a toothbrush

564
00:28:21.920 --> 00:28:22.160
<v Speaker 2>or something?

565
00:28:22.319 --> 00:28:25.319
<v Speaker 1>Anything you need a whole night there? Yeah, nothing, And

566
00:28:25.720 --> 00:28:28.319
<v Speaker 1>she's cool with that. And I'm sorry, but by the way,

567
00:28:28.480 --> 00:28:32.599
<v Speaker 1>during this whole episode, she remains cool with whatever hitty

568
00:28:33.039 --> 00:28:34.640
<v Speaker 1>oh behavior he has to offer.

569
00:28:35.279 --> 00:28:37.599
<v Speaker 2>I wrote that so many she is like a fucking zombie.

570
00:28:37.920 --> 00:28:40.759
<v Speaker 2>She's in nothing. She's a shell of who she was. Right,

571
00:28:41.200 --> 00:28:43.680
<v Speaker 2>there's nothing going on upstairs. Maybe the Toms is like

572
00:28:43.759 --> 00:28:46.880
<v Speaker 2>some kind of like dementia thing. Is Tom's a thing

573
00:28:46.920 --> 00:28:48.200
<v Speaker 2>you take if you just forgetful?

574
00:28:48.359 --> 00:28:51.440
<v Speaker 1>No, probably not. I'm just throwing that out there because.

575
00:28:51.440 --> 00:28:55.119
<v Speaker 2>She's seeming like she's like lot void of anybody, like

576
00:28:55.240 --> 00:28:58.799
<v Speaker 2>she doesn't even know herself. Now, I'm not saying you

577
00:28:58.880 --> 00:29:01.079
<v Speaker 2>got to be all fired up, you know, back to

578
00:29:01.160 --> 00:29:03.119
<v Speaker 2>when they first moved in together and they were fighting

579
00:29:03.160 --> 00:29:03.640
<v Speaker 2>all the time.

580
00:29:04.000 --> 00:29:06.200
<v Speaker 1>But I would love and I'm sure this exists. I

581
00:29:06.240 --> 00:29:08.079
<v Speaker 1>don't know how to do this. Maybe John can do it.

582
00:29:08.680 --> 00:29:12.160
<v Speaker 2>I would love to put together a montage of all

583
00:29:12.200 --> 00:29:15.680
<v Speaker 2>the times that Aiden was like very inappropriately angry in

584
00:29:15.759 --> 00:29:16.720
<v Speaker 2>the original series.

585
00:29:17.279 --> 00:29:21.599
<v Speaker 1>Well, like I said, he's been inappropriately and he hit her,

586
00:29:22.400 --> 00:29:24.599
<v Speaker 1>he hit her. I talked about that. Last week they

587
00:29:24.640 --> 00:29:26.920
<v Speaker 1>were in a fight. He kept every time the phone rang.

588
00:29:27.000 --> 00:29:29.160
<v Speaker 2>He thought it was Big because they she had cheated

589
00:29:29.240 --> 00:29:31.119
<v Speaker 2>on him with Big, but they she got back with Aiden,

590
00:29:31.599 --> 00:29:34.440
<v Speaker 2>and you know, understandably Big was still calling and whatever,

591
00:29:34.759 --> 00:29:36.880
<v Speaker 2>but he was mad, and so he wouldn't talk to

592
00:29:36.920 --> 00:29:37.359
<v Speaker 2>her about it.

593
00:29:37.640 --> 00:29:40.079
<v Speaker 1>And she's She's like, can you put my nicotine patch

594
00:29:40.160 --> 00:29:42.440
<v Speaker 1>on me? I'm really right right? He was like, yeah,

595
00:29:42.519 --> 00:29:45.279
<v Speaker 1>he hits her, he slaps it. That's really hard. Just

596
00:29:45.880 --> 00:29:47.960
<v Speaker 1>tell that. Last week's like, not hurt buddy, and he

597
00:29:48.119 --> 00:29:48.880
<v Speaker 1>doesn't say anything.

598
00:29:48.960 --> 00:29:51.240
<v Speaker 2>She goes that kind of hurt buddy, and he's like

599
00:29:51.759 --> 00:29:54.039
<v Speaker 2>shrugs and walks off, and it was like a hard hit.

600
00:29:55.000 --> 00:29:57.240
<v Speaker 1>He hit her. Wow. And there's any time they were

601
00:29:57.279 --> 00:29:57.720
<v Speaker 1>in a fight.

602
00:29:58.119 --> 00:30:00.319
<v Speaker 2>She was awful too, but like they would be in

603
00:30:00.359 --> 00:30:02.680
<v Speaker 2>these fights and he would scream at the top of

604
00:30:02.720 --> 00:30:06.119
<v Speaker 2>his lungs, like scream at her, and she would scream

605
00:30:06.119 --> 00:30:08.880
<v Speaker 2>at him. I mean, they weren't but he was always

606
00:30:09.000 --> 00:30:11.279
<v Speaker 2>just either kind of seething inside.

607
00:30:12.559 --> 00:30:17.480
<v Speaker 1>Or just or yelling. He's like, not he's not the

608
00:30:17.640 --> 00:30:20.559
<v Speaker 1>chill furniture store guy, but that he wanted people to

609
00:30:20.640 --> 00:30:23.519
<v Speaker 1>believe he was. Well, so now I mean, I don't

610
00:30:23.599 --> 00:30:26.000
<v Speaker 1>know how he was in terms of dad jokes, but

611
00:30:26.200 --> 00:30:30.119
<v Speaker 1>now he's just, oh, I don't There's no way, there's

612
00:30:30.319 --> 00:30:34.359
<v Speaker 1>no way that this character of Carrie would be attracted

613
00:30:34.400 --> 00:30:37.400
<v Speaker 1>to a guy that's just constant bad jokes and puns.

614
00:30:38.000 --> 00:30:39.880
<v Speaker 2>He was always doing that. When they he wanted to

615
00:30:39.920 --> 00:30:41.720
<v Speaker 2>get married and she didn't. She was like, let's live

616
00:30:41.759 --> 00:30:44.119
<v Speaker 2>together for a while. He you know, proposed and stuff,

617
00:30:44.160 --> 00:30:45.599
<v Speaker 2>but she was like, let me just sit with the

618
00:30:45.680 --> 00:30:48.440
<v Speaker 2>engagement for a little bit. And then they were in

619
00:30:48.480 --> 00:30:51.000
<v Speaker 2>the shower one time and he was like, hey, why

620
00:30:51.000 --> 00:30:55.279
<v Speaker 2>don't we go to Hawaii and get maued. No, yes,

621
00:30:56.200 --> 00:30:58.559
<v Speaker 2>and then she says, she's like, did you just pun

622
00:30:58.640 --> 00:31:00.839
<v Speaker 2>in the shower? Like she you know, played off of

623
00:31:00.880 --> 00:31:02.599
<v Speaker 2>it back then. She's like, did you just pun in

624
00:31:02.759 --> 00:31:05.240
<v Speaker 2>the nude or something? And he's like I did. Then

625
00:31:05.279 --> 00:31:06.319
<v Speaker 2>he made another pun.

626
00:31:07.319 --> 00:31:09.160
<v Speaker 1>Oh he did it all the time. Okay, Oh so

627
00:31:09.279 --> 00:31:12.400
<v Speaker 1>did she? By the way, that was the writer's Okay,

628
00:31:12.680 --> 00:31:13.559
<v Speaker 1>well that's crazy.

629
00:31:14.799 --> 00:31:17.559
<v Speaker 2>Yeah, but I liked that storyline because she wasn't ready

630
00:31:17.559 --> 00:31:19.680
<v Speaker 2>to get married and so she didn't wear the ring

631
00:31:19.720 --> 00:31:21.720
<v Speaker 2>on her finger. She wore it as a necklace. And

632
00:31:21.799 --> 00:31:24.119
<v Speaker 2>they would they thought about that's real shit, that would happen.

633
00:31:24.279 --> 00:31:27.440
<v Speaker 2>She was scared and like didn't so that's not happening

634
00:31:27.519 --> 00:31:30.920
<v Speaker 2>in here. In here, he makes these jokes. She laughs

635
00:31:30.920 --> 00:31:34.160
<v Speaker 2>at everything he says. She's totally fine with whatever he

636
00:31:34.240 --> 00:31:37.799
<v Speaker 2>throws at her. He says, I'm coming. She doesn't say, like,

637
00:31:37.880 --> 00:31:39.839
<v Speaker 2>oh wait, I might have plans, like I.

638
00:31:39.880 --> 00:31:41.799
<v Speaker 1>Have a doctor's appointment on Thursday. Am I not what

639
00:31:41.880 --> 00:31:45.440
<v Speaker 1>you're ying. You're you're gonna I have to drop everything

640
00:31:45.519 --> 00:31:48.680
<v Speaker 1>because your son has plans for a week.

641
00:31:49.720 --> 00:31:53.400
<v Speaker 2>So okay, So we cut to Miranda wakes up in

642
00:31:53.519 --> 00:31:58.359
<v Speaker 2>the dark bed with at Joys, who I love, Loving

643
00:31:58.440 --> 00:31:59.079
<v Speaker 2>Joy as well.

644
00:31:59.359 --> 00:32:04.640
<v Speaker 1>See you'll like her. Well, okay, she's not that nice,

645
00:32:04.839 --> 00:32:07.400
<v Speaker 1>so I guess it's just all British people, I guess

646
00:32:07.440 --> 00:32:10.440
<v Speaker 1>are supposed to be kind of like not that nice.

647
00:32:11.000 --> 00:32:14.119
<v Speaker 1>First of all, I think she's Nice's when has she

648
00:32:14.240 --> 00:32:15.880
<v Speaker 1>been nice? She's not warm at all.

649
00:32:16.400 --> 00:32:19.039
<v Speaker 2>She really loves Miranda, I think loves this two strong.

650
00:32:19.079 --> 00:32:20.640
<v Speaker 2>But she likes Miranda and she's.

651
00:32:20.680 --> 00:32:24.039
<v Speaker 1>Very like, well she's she's rude about like we're going

652
00:32:24.079 --> 00:32:26.000
<v Speaker 1>to find out later. I mean, she likes her, but

653
00:32:26.119 --> 00:32:29.119
<v Speaker 1>right away she's like, yeah, don't like kids. It's like Okay.

654
00:32:30.160 --> 00:32:32.599
<v Speaker 1>First of all, her son doesn't even live with them

655
00:32:33.039 --> 00:32:36.480
<v Speaker 1>late Okay, we'll get to that later. But first of all,

656
00:32:36.720 --> 00:32:41.119
<v Speaker 1>she's very biting in her humor, which and I understand

657
00:32:41.359 --> 00:32:45.240
<v Speaker 1>that if it's Carrie, Like I get Carrie being annoyed

658
00:32:45.279 --> 00:32:48.200
<v Speaker 1>at Miranda for how she's acting and being like, please

659
00:32:48.599 --> 00:32:52.359
<v Speaker 1>continue to get it right. And I can see Carrie

660
00:32:52.480 --> 00:32:56.400
<v Speaker 1>being like, no, please, You're welcome here as long as

661
00:32:56.440 --> 00:32:59.839
<v Speaker 1>you like and being kind of sarcastic. But Joy's already

662
00:33:00.240 --> 00:33:03.759
<v Speaker 1>given her the business, and I am taking that so differently.

663
00:33:03.880 --> 00:33:04.400
<v Speaker 1>I'm taking it.

664
00:33:04.480 --> 00:33:07.160
<v Speaker 2>I just wrote, Miranda must be a really bad guest

665
00:33:08.119 --> 00:33:09.880
<v Speaker 2>for two people in a row to be like after

666
00:33:10.039 --> 00:33:12.480
<v Speaker 2>just a couple of days, like, okay, hoidbye.

667
00:33:13.160 --> 00:33:15.200
<v Speaker 1>I think it's Miranda on this one. Like I don't

668
00:33:15.200 --> 00:33:17.440
<v Speaker 1>know why I do too, But they haven't shown Miranda

669
00:33:17.599 --> 00:33:20.200
<v Speaker 1>in this part, like overstaying her welcome. They're just making

670
00:33:20.240 --> 00:33:22.960
<v Speaker 1>it seem like Joy is very like I need my space,

671
00:33:24.839 --> 00:33:26.720
<v Speaker 1>Like I like Joy. I'm a big fan.

672
00:33:26.880 --> 00:33:30.640
<v Speaker 2>Maybe maybe I was so beaten down by Chay, you know,

673
00:33:31.079 --> 00:33:33.720
<v Speaker 2>or rosy O'donald that I'm just like, oh, thank you

674
00:33:33.839 --> 00:33:36.480
<v Speaker 2>for this, thank you for actually like you're gonna have

675
00:33:36.559 --> 00:33:39.880
<v Speaker 2>this like lovely lesbian couple representatives.

676
00:33:39.960 --> 00:33:44.319
<v Speaker 1>Yes, I just I just find her very prickly. I

677
00:33:44.559 --> 00:33:45.240
<v Speaker 1>like it prickly.

678
00:33:45.759 --> 00:33:47.480
<v Speaker 2>I think that's where we're coming from different places. I

679
00:33:47.599 --> 00:33:52.799
<v Speaker 2>just think it's kind of sexy. Maybe that's it. I mean,

680
00:33:52.839 --> 00:33:54.759
<v Speaker 2>it never works out. I'm not saying that that's like

681
00:33:54.799 --> 00:33:55.119
<v Speaker 2>the bet.

682
00:33:55.200 --> 00:33:57.960
<v Speaker 1>I just I just she's just not that nice, like

683
00:33:58.119 --> 00:34:01.599
<v Speaker 1>I prefer Rosi o' donald at the point. That's that's

684
00:34:01.920 --> 00:34:04.759
<v Speaker 1>you know, who really liked her. I don't know. I

685
00:34:04.799 --> 00:34:07.480
<v Speaker 1>think I think we'll see Yeah, sure.

686
00:34:07.519 --> 00:34:10.880
<v Speaker 2>Okay, so Miranda, okay, so she wants she She's like,

687
00:34:10.920 --> 00:34:13.400
<v Speaker 2>I'd really like you to meet Brady, and yeah, right

688
00:34:13.480 --> 00:34:15.920
<v Speaker 2>away she's not into it. We what does seem a

689
00:34:15.960 --> 00:34:18.920
<v Speaker 2>little fast? I wouldn't want that either.

690
00:34:19.079 --> 00:34:22.159
<v Speaker 1>That's how lesbians are. Well, I know that's the thing.

691
00:34:22.280 --> 00:34:24.239
<v Speaker 1>What do you bring on the second date? A U haul.

692
00:34:24.400 --> 00:34:24.559
<v Speaker 2>Yeah.

693
00:34:26.480 --> 00:34:29.239
<v Speaker 1>I don't think it's that weird that she wants her

694
00:34:30.119 --> 00:34:33.480
<v Speaker 1>and Brady is her adult son, So I just think

695
00:34:33.519 --> 00:34:36.119
<v Speaker 1>it's a weird. It would be one thing if he

696
00:34:36.280 --> 00:34:40.199
<v Speaker 1>was ten and she was like, oh, I'm gonna meet

697
00:34:40.199 --> 00:34:43.679
<v Speaker 1>your ten your kid. This is like a grown ass son,

698
00:34:44.800 --> 00:34:47.239
<v Speaker 1>Like I guess, I mean look, I have no But

699
00:34:47.599 --> 00:34:51.239
<v Speaker 1>it's not that she's not it's not that she thinks

700
00:34:51.320 --> 00:34:54.320
<v Speaker 1>it's too fast to meet her son. The whole storyline

701
00:34:54.400 --> 00:34:57.800
<v Speaker 1>is that she doesn't like kids. Yeah, which is you

702
00:34:57.960 --> 00:35:01.440
<v Speaker 1>have to there's a weird thing for the writers here. Yes,

703
00:35:01.559 --> 00:35:05.239
<v Speaker 1>it felt very tacked on, like, oh, well, let's make her,

704
00:35:06.159 --> 00:35:08.559
<v Speaker 1>let's give her this. And then she but it would

705
00:35:08.599 --> 00:35:11.199
<v Speaker 1>be different if Brady was younger. I just don't think

706
00:35:11.239 --> 00:35:14.199
<v Speaker 1>we should have gone that way with the writing. It

707
00:35:14.280 --> 00:35:16.599
<v Speaker 1>didn't bother me, but I can see your point. I

708
00:35:16.639 --> 00:35:19.280
<v Speaker 1>can see that. So she's like, so then we skip

709
00:35:19.320 --> 00:35:21.639
<v Speaker 1>over to Charlotte and runs into it and then wait,

710
00:35:21.719 --> 00:35:25.360
<v Speaker 1>don't forget that. She says, uh, oh yeah, oh it's interesting.

711
00:35:25.559 --> 00:35:27.360
<v Speaker 1>You're the name Brady. Had you come up with that?

712
00:35:27.480 --> 00:35:30.159
<v Speaker 2>And she goes, oh, something about his dad's last name,

713
00:35:30.199 --> 00:35:32.039
<v Speaker 2>and she's like, oh, okay, too much information.

714
00:35:32.559 --> 00:35:35.320
<v Speaker 1>It's like she was making a joke. I didn't that

715
00:35:35.480 --> 00:35:37.760
<v Speaker 1>was a joke. She was like, oh, go to am.

716
00:35:37.960 --> 00:35:40.199
<v Speaker 1>I mean I thought that was cute. Okay.

717
00:35:40.320 --> 00:35:40.840
<v Speaker 2>I like that.

718
00:35:41.119 --> 00:35:41.400
<v Speaker 1>I don't.

719
00:35:41.480 --> 00:35:43.880
<v Speaker 3>We're not we may not, we may not agree on joy,

720
00:35:44.119 --> 00:35:47.039
<v Speaker 3>I may come around, we may change each other's minds,

721
00:35:47.119 --> 00:35:49.840
<v Speaker 3>but I like that character. Okay, I would watch her

722
00:35:49.920 --> 00:35:52.199
<v Speaker 3>in another show. I would watch a spinoff called like

723
00:35:52.559 --> 00:35:54.760
<v Speaker 3>Joy in Buds just called Joy.

724
00:35:54.880 --> 00:35:57.840
<v Speaker 2>Yeah, Joy like working on her She's just working on

725
00:35:57.920 --> 00:36:01.360
<v Speaker 2>her laptop for another BBC pen. It's that's the whole show.

726
00:36:01.840 --> 00:36:03.920
<v Speaker 2>Occasionally she'll say hi to someone that passes by in

727
00:36:03.960 --> 00:36:04.440
<v Speaker 2>her office.

728
00:36:04.599 --> 00:36:09.159
<v Speaker 1>Unfortunately, the Buds refers to all her obnoxious friends that

729
00:36:09.360 --> 00:36:11.639
<v Speaker 1>came over and we're super high Camp.

730
00:36:12.480 --> 00:36:16.760
<v Speaker 2>Richard Curtis, the Bridget Jones, I'm the gay one. Well

731
00:36:16.880 --> 00:36:19.800
<v Speaker 2>I'm the girl, I'm the woman, I'm the woman of color.

732
00:36:19.960 --> 00:36:21.440
<v Speaker 2>Well I'm this one. It's just three of them, and

733
00:36:21.480 --> 00:36:24.280
<v Speaker 2>they pop out of everywhere. They're summoned like us. They're

734
00:36:24.360 --> 00:36:26.719
<v Speaker 2>like summoned. They'll say a line and they'll be did

735
00:36:26.800 --> 00:36:31.639
<v Speaker 2>you say Cavia? Like why do we keep writing this

736
00:36:32.239 --> 00:36:33.719
<v Speaker 2>trio of friendships?

737
00:36:34.880 --> 00:36:35.079
<v Speaker 1>Why?

738
00:36:35.920 --> 00:36:36.119
<v Speaker 2>Why?

739
00:36:38.480 --> 00:36:38.760
<v Speaker 1>Okay?

740
00:36:39.159 --> 00:36:42.440
<v Speaker 2>So, now let's get to even worse thing, which is

741
00:36:42.679 --> 00:36:44.440
<v Speaker 2>Charlotte runs into is it?

742
00:36:44.679 --> 00:36:49.960
<v Speaker 1>It's Bitsy bits So Charlotte's outside of Sloan Kettering, which

743
00:36:50.039 --> 00:36:53.719
<v Speaker 1>is the cancer center, right, and you know that Bitsy

744
00:36:53.920 --> 00:36:55.920
<v Speaker 1>was married to Nathan Lane. Remember that?

745
00:36:56.039 --> 00:36:58.679
<v Speaker 2>Oh okay, so not in real life, right, but on

746
00:36:58.760 --> 00:37:01.400
<v Speaker 2>the show, they get married and everyone's like that guy's

747
00:37:01.400 --> 00:37:03.480
<v Speaker 2>getting married to a woman. And it was a whole

748
00:37:03.599 --> 00:37:05.960
<v Speaker 2>big episode and was kind of funny. I liked I

749
00:37:06.119 --> 00:37:10.159
<v Speaker 2>liked that world, okay, And she there was sort of

750
00:37:10.199 --> 00:37:12.199
<v Speaker 2>a conversation where she like kind of was like, yeah,

751
00:37:12.239 --> 00:37:14.559
<v Speaker 2>I know, but you know that's we're not going to

752
00:37:14.599 --> 00:37:17.559
<v Speaker 2>say that. So she was a beard for Nathan Lane

753
00:37:18.000 --> 00:37:20.519
<v Speaker 2>and she's annoying as fuck and always has been. And

754
00:37:20.519 --> 00:37:22.079
<v Speaker 2>I'm not really sure why she's here.

755
00:37:23.360 --> 00:37:25.360
<v Speaker 1>I think it's like, I mean, is it supposed to

756
00:37:25.440 --> 00:37:30.039
<v Speaker 1>be that, you know, uh, sort of representing that these

757
00:37:30.119 --> 00:37:34.039
<v Speaker 1>women are starting to feel like irrelevant as they get older.

758
00:37:35.159 --> 00:37:37.960
<v Speaker 1>I don't know, I don't know. So she yes, she

759
00:37:38.079 --> 00:37:39.559
<v Speaker 1>sees her at the center, She's like, what are what

760
00:37:39.679 --> 00:37:40.519
<v Speaker 1>are what on her? For?

761
00:37:40.760 --> 00:37:42.960
<v Speaker 2>Earth are you doing here? And then Charlotte tries to

762
00:37:43.039 --> 00:37:45.480
<v Speaker 2>change the subject. It's like, well, I guess I'll see

763
00:37:45.480 --> 00:37:47.360
<v Speaker 2>you at the Tiffany's tea time, Which are.

764
00:37:47.360 --> 00:37:51.719
<v Speaker 1>You kidding me? Yeah? I mean they really. Charlotte is

765
00:37:51.800 --> 00:37:53.360
<v Speaker 1>truly the worst written character.

766
00:37:53.480 --> 00:37:57.280
<v Speaker 2>That's my least favorite because that's not a real person, right,

767
00:37:57.679 --> 00:38:01.199
<v Speaker 2>Nobody in this day and age, like I'd go if invited,

768
00:38:01.280 --> 00:38:03.039
<v Speaker 2>but I'm not invited.

769
00:38:04.239 --> 00:38:08.840
<v Speaker 1>And nor I guess was bitsy. I guess so. But also,

770
00:38:09.400 --> 00:38:14.599
<v Speaker 1>we're going to give Charlotte's character this sort of serious

771
00:38:14.719 --> 00:38:17.199
<v Speaker 1>storyline all of a sudden, when she really has been

772
00:38:17.280 --> 00:38:21.159
<v Speaker 1>nothing but a cartoon. And you may say, well, what,

773
00:38:21.400 --> 00:38:23.800
<v Speaker 1>you're not happy either way, Like when she's a cartoon,

774
00:38:23.840 --> 00:38:25.880
<v Speaker 1>you're not happy, But then they give her something real

775
00:38:26.000 --> 00:38:28.440
<v Speaker 1>and you're not happy. But how about some kind of

776
00:38:28.480 --> 00:38:31.880
<v Speaker 1>happy medium. How about something in the middle besides either

777
00:38:32.079 --> 00:38:35.400
<v Speaker 1>she's crying all the time because you know, she's worried

778
00:38:35.400 --> 00:38:40.920
<v Speaker 1>about her husband, or she's just a cartoonish mom who's

779
00:38:41.280 --> 00:38:45.599
<v Speaker 1>like acting like she's in some kind of like what

780
00:38:45.679 --> 00:38:47.760
<v Speaker 1>do you call it when they're when they're like doing

781
00:38:47.840 --> 00:38:51.960
<v Speaker 1>a robbery kind of TV show, like a yes, like

782
00:38:52.039 --> 00:38:55.559
<v Speaker 1>a heist comedy's She's a lot.

783
00:38:55.639 --> 00:38:58.199
<v Speaker 2>She's always been a lot. I've never really enjoyed the acting,

784
00:38:58.400 --> 00:39:01.159
<v Speaker 2>and I don't enjoy the character. I relate the least.

785
00:39:02.000 --> 00:39:03.960
<v Speaker 2>Yeah to that, Yeah, I don't know what she's going

786
00:39:04.000 --> 00:39:07.519
<v Speaker 2>on about. So off she goes, and everybody's whatever. Then

787
00:39:07.559 --> 00:39:09.400
<v Speaker 2>we switch and we talked about this last week how

788
00:39:09.480 --> 00:39:11.119
<v Speaker 2>the editing is so bad. We'll have a scene for

789
00:39:11.320 --> 00:39:15.039
<v Speaker 2>like one minute and then it switches now where it

790
00:39:15.239 --> 00:39:15.760
<v Speaker 2>like Sema?

791
00:39:17.320 --> 00:39:18.400
<v Speaker 1>Right? Oh? This? Oh god?

792
00:39:18.679 --> 00:39:20.400
<v Speaker 2>This is a scene where she's she's got her son,

793
00:39:20.519 --> 00:39:22.760
<v Speaker 2>she's listening to her music and she has to say

794
00:39:22.800 --> 00:39:23.679
<v Speaker 2>goodbye to her driver.

795
00:39:23.880 --> 00:39:27.039
<v Speaker 1>Oh so sad? What's up twenty twenty five? Oh no?

796
00:39:27.559 --> 00:39:29.679
<v Speaker 1>Does she have to say goodbye to her driver? Why?

797
00:39:30.440 --> 00:39:33.800
<v Speaker 1>It's I'm poor now, I'm very poor, so I can't

798
00:39:33.920 --> 00:39:34.360
<v Speaker 1>use you? Right?

799
00:39:34.440 --> 00:39:36.119
<v Speaker 2>You know that's coming back where she's going to like

800
00:39:36.199 --> 00:39:38.760
<v Speaker 2>get a big deal and then get her driver again.

801
00:39:39.480 --> 00:39:44.880
<v Speaker 1>Yeah, clearly, but it's she's the most unlikable character on

802
00:39:44.960 --> 00:39:47.559
<v Speaker 1>the show. This is the problem is so many of

803
00:39:47.599 --> 00:39:50.920
<v Speaker 1>them are unlikable that we don't have good choices. You

804
00:39:51.000 --> 00:39:53.360
<v Speaker 1>know what I really root for? Are any of us

805
00:39:53.400 --> 00:39:55.599
<v Speaker 1>supposed to be rooting for Seema?

806
00:39:56.320 --> 00:39:59.320
<v Speaker 2>Oh no, I don't think you're even thinking about Sema,

807
00:39:59.400 --> 00:40:02.920
<v Speaker 2>Like she's just such a nothing real care. I don't

808
00:40:02.960 --> 00:40:05.840
<v Speaker 2>actually mind her as an actress. Did we say this before?

809
00:40:05.920 --> 00:40:07.880
<v Speaker 2>I think she's fine. I think it's just again it's

810
00:40:07.960 --> 00:40:12.800
<v Speaker 2>the writing exactly. So then she's got this appointment with

811
00:40:12.960 --> 00:40:15.519
<v Speaker 2>mirand she's gonna help Miranda, which I didn't understand. So

812
00:40:15.599 --> 00:40:20.119
<v Speaker 2>she's buying another place she's renting currently I guess, and

813
00:40:20.199 --> 00:40:23.039
<v Speaker 2>then she's now going to buy because she's like, this

814
00:40:23.159 --> 00:40:24.039
<v Speaker 2>is the perfect department.

815
00:40:24.079 --> 00:40:26.440
<v Speaker 1>I want it. It's amazing, Oh my god. And they're like, Okay,

816
00:40:26.599 --> 00:40:27.320
<v Speaker 1>it's a done deal.

817
00:40:27.400 --> 00:40:29.719
<v Speaker 2>You shouldd to one hundred and fifty thousand over asking,

818
00:40:30.320 --> 00:40:32.360
<v Speaker 2>and Miranda's like, no, on principle, I'm not doing that.

819
00:40:32.840 --> 00:40:37.559
<v Speaker 1>Which I none of this. This was so stupid. Suddenly Miranda,

820
00:40:37.719 --> 00:40:42.960
<v Speaker 1>who's living, who's living with Carrie staying in airbnbs, has

821
00:40:43.159 --> 00:40:47.079
<v Speaker 1>some pretty and she's now living with her girlfriend, overstaying

822
00:40:47.119 --> 00:40:49.760
<v Speaker 1>her welcome with somebody she just started dating who's letting

823
00:40:49.800 --> 00:40:51.960
<v Speaker 1>her stay at her place and she has the money,

824
00:40:52.400 --> 00:40:56.840
<v Speaker 1>and she's like, absolutely not, there's a problem with New

825
00:40:56.920 --> 00:40:57.599
<v Speaker 1>York real estate.

826
00:40:57.719 --> 00:41:01.119
<v Speaker 2>Oh you didn't know, Cynthia. That's Cynthia talking. That is

827
00:41:01.239 --> 00:41:03.559
<v Speaker 2>not see, that's Cynthia's been doing this a lot, and

828
00:41:03.639 --> 00:41:07.280
<v Speaker 2>it's bugging me. I agree with much of her politics,

829
00:41:07.639 --> 00:41:10.599
<v Speaker 2>but she is putting them into the show. That sounded

830
00:41:10.679 --> 00:41:13.000
<v Speaker 2>like such a speech given that she decided to do,

831
00:41:13.480 --> 00:41:16.000
<v Speaker 2>because remember she ran for like mayor or governor of

832
00:41:16.079 --> 00:41:20.840
<v Speaker 2>New York. Yes, yes, I do, excuse me, So all

833
00:41:20.920 --> 00:41:24.400
<v Speaker 2>of that is like, yeah, that's her inserting this bullshit,

834
00:41:24.519 --> 00:41:26.480
<v Speaker 2>and we're like, we don't need to take five minutes

835
00:41:26.519 --> 00:41:27.119
<v Speaker 2>to talk about that.

836
00:41:28.360 --> 00:41:31.440
<v Speaker 1>That's so so just go with the character. Have somebody

837
00:41:31.519 --> 00:41:33.880
<v Speaker 1>else do that. Have have a scene if you really

838
00:41:33.960 --> 00:41:36.840
<v Speaker 1>want that in the show. But Miranda's character is going

839
00:41:36.920 --> 00:41:40.760
<v Speaker 1>to be like absolutely not no, not doing it principle.

840
00:41:40.880 --> 00:41:43.519
<v Speaker 2>Also, when they show her from behind the mom Bob,

841
00:41:43.599 --> 00:41:46.639
<v Speaker 2>the graduated Bob is trying my patience in a way

842
00:41:46.719 --> 00:41:48.639
<v Speaker 2>that I and I don't know if that's hormones on

843
00:41:48.760 --> 00:41:50.400
<v Speaker 2>my end, I don't know, but I was like, I

844
00:41:50.440 --> 00:41:53.000
<v Speaker 2>don't know, I'm on the verge of like screaming at somebody.

845
00:41:53.880 --> 00:41:56.480
<v Speaker 2>I do not like a graduated Bob. I'm sorry. If

846
00:41:56.679 --> 00:41:59.239
<v Speaker 2>somebody listening has that, I'm sure you're rocking it.

847
00:41:59.440 --> 00:42:01.079
<v Speaker 1>I just cannot. I can't.

848
00:42:01.079 --> 00:42:02.480
<v Speaker 2>You know what I'm talking about. It is a mushroom.

849
00:42:02.519 --> 00:42:06.639
<v Speaker 2>And then the curls under and like, yes, no, stop stop,

850
00:42:06.880 --> 00:42:11.760
<v Speaker 2>do better so much. Yes, but sort of kind of that,

851
00:42:11.920 --> 00:42:14.840
<v Speaker 2>but it's also like, yeah, mostly that is some version.

852
00:42:14.960 --> 00:42:16.960
<v Speaker 1>We don't have to do that. No, we don't.

853
00:42:17.119 --> 00:42:19.639
<v Speaker 2>Okay, So now we're back with Charlotte and Harry and

854
00:42:19.760 --> 00:42:22.719
<v Speaker 2>she's being very peppy. I'm just so annoyed by that

855
00:42:22.760 --> 00:42:25.000
<v Speaker 2>I don't even think I wrote more than she's being peppy.

856
00:42:25.239 --> 00:42:27.559
<v Speaker 1>Yeah, she's trying to give him like his options and

857
00:42:27.679 --> 00:42:30.840
<v Speaker 1>be optimistic. And one of the possibilities is all that

858
00:42:31.079 --> 00:42:35.960
<v Speaker 1>child dysfunctions. So we're supposed to you know, Harry's like

859
00:42:36.119 --> 00:42:41.320
<v Speaker 1>this sex machine and he's like, absolutely not right.

860
00:42:41.360 --> 00:42:45.199
<v Speaker 2>It's a chemo. It's like chemo versus a surgery. Can

861
00:42:45.239 --> 00:42:47.960
<v Speaker 2>I say something, bless you? Let me say this about

862
00:42:48.039 --> 00:42:51.239
<v Speaker 2>Cross State Camp. Yeah, my dad had it. It was

863
00:42:51.280 --> 00:42:53.199
<v Speaker 2>one of the many things he had. It's not the

864
00:42:53.280 --> 00:42:55.639
<v Speaker 2>thing that took him out, but he had it early

865
00:42:55.719 --> 00:42:58.800
<v Speaker 2>on and they caught it in his sixties and he

866
00:42:58.920 --> 00:43:00.880
<v Speaker 2>had to do he did a surgery or like a

867
00:43:01.000 --> 00:43:04.400
<v Speaker 2>radiation thing, and it really did fuck up like his

868
00:43:04.559 --> 00:43:07.320
<v Speaker 2>stomach for the rest of his life. So if anyone's

869
00:43:07.360 --> 00:43:09.599
<v Speaker 2>listening that is a guy or has someone in their

870
00:43:09.639 --> 00:43:11.079
<v Speaker 2>life that has it, like make sure to like look

871
00:43:11.119 --> 00:43:14.159
<v Speaker 2>at all the modern new options of things that you

872
00:43:14.199 --> 00:43:17.800
<v Speaker 2>can do. He did these radiation seeds. I think it's

873
00:43:17.840 --> 00:43:20.119
<v Speaker 2>okay to talk about it. He's he wouldn't mind. I

874
00:43:20.159 --> 00:43:20.559
<v Speaker 2>don't think.

875
00:43:21.519 --> 00:43:23.679
<v Speaker 1>Yeah, it like really fucked up his digestive system.

876
00:43:23.719 --> 00:43:25.960
<v Speaker 2>So that's a real thing that they're talking about we

877
00:43:26.079 --> 00:43:27.920
<v Speaker 2>just don't we don't need the actors, We don't need

878
00:43:28.039 --> 00:43:31.000
<v Speaker 2>Kristin Davis going like, and it's an I'm going to

879
00:43:31.079 --> 00:43:33.480
<v Speaker 2>quit all my jobs and we're going to sell the

880
00:43:33.559 --> 00:43:35.199
<v Speaker 2>house and we're going to live in a commune.

881
00:43:35.559 --> 00:43:37.599
<v Speaker 1>This is we don't need that. Part of what is

882
00:43:37.719 --> 00:43:40.320
<v Speaker 1>going to really annoy me about this episode, even though

883
00:43:40.360 --> 00:43:42.719
<v Speaker 1>we're like almost done with the first half and I'm

884
00:43:42.760 --> 00:43:46.639
<v Speaker 1>on page two of my notes, but is the feeling

885
00:43:47.079 --> 00:43:49.159
<v Speaker 1>in all these women that are supposed to be it's

886
00:43:49.199 --> 00:43:53.400
<v Speaker 1>sex in the City. It's it's progressive, and yet it's

887
00:43:53.599 --> 00:43:56.719
<v Speaker 1>very regressive in the fact that Charlotte is immediately going

888
00:43:56.800 --> 00:44:00.079
<v Speaker 1>to quit her job because because she says not you,

889
00:44:00.159 --> 00:44:02.920
<v Speaker 1>he's like, what, don't do that? Right? And also Lisa,

890
00:44:03.000 --> 00:44:05.840
<v Speaker 1>the whole story that's coming up with Lisa, where oh

891
00:44:05.920 --> 00:44:08.239
<v Speaker 1>my god, she put her phone on do not Disturb

892
00:44:08.719 --> 00:44:11.599
<v Speaker 1>for fuck an hour and now she's a horrible person,

893
00:44:11.719 --> 00:44:17.239
<v Speaker 1>horrible mom, not available to people. So it's all these women,

894
00:44:17.360 --> 00:44:20.519
<v Speaker 1>and and then Carrie having to be always available to

895
00:44:20.599 --> 00:44:23.639
<v Speaker 1>Aiden just in case he decides he's got he's got

896
00:44:23.679 --> 00:44:27.320
<v Speaker 1>a free weekend, then she needs to be at his

897
00:44:27.400 --> 00:44:29.800
<v Speaker 1>service and wait for him for five years and not

898
00:44:29.920 --> 00:44:32.760
<v Speaker 1>sleep with anybody else. Good point all of all of

899
00:44:32.880 --> 00:44:37.480
<v Speaker 1>this is all of these characters. M hmm, it's it's

900
00:44:37.639 --> 00:44:39.679
<v Speaker 1>ridiculous anyway.

901
00:44:39.760 --> 00:44:41.639
<v Speaker 2>Well, and then let's just get through the next seat.

902
00:44:41.719 --> 00:44:43.719
<v Speaker 2>Carrie goes to what are they called dough Wars.

903
00:44:44.159 --> 00:44:46.519
<v Speaker 1>What's the name of this? Is going to what do

904
00:44:46.599 --> 00:44:50.760
<v Speaker 1>they call the bread Hotties? Yeah, you call it? So

905
00:44:51.840 --> 00:44:54.280
<v Speaker 1>dict do they go down to Dicto? Yeah? And just

906
00:44:55.440 --> 00:44:59.079
<v Speaker 1>oh my god, I'm about to be like so annoyed.

907
00:44:59.599 --> 00:45:02.360
<v Speaker 1>So just Seppie's behind the counter and they're never going

908
00:45:02.440 --> 00:45:08.159
<v Speaker 1>to stop with Giuseppe's got a giant cock storyline, why why,

909
00:45:08.280 --> 00:45:10.360
<v Speaker 1>it's got to be very right. But there's a woman

910
00:45:10.400 --> 00:45:13.360
<v Speaker 1>who looks like the woman that played and it's I

911
00:45:13.480 --> 00:45:19.920
<v Speaker 1>think it's Rob Reiner's mother. They all have what she's

912
00:45:20.039 --> 00:45:23.880
<v Speaker 1>having lady from and Harry met Sally say it's that character.

913
00:45:24.079 --> 00:45:29.480
<v Speaker 1>It's that older Jewish lady who's staring down Giuseppe's cock

914
00:45:29.800 --> 00:45:33.480
<v Speaker 1>like enamored with his. That's not a fit. And Anthony goes, hey,

915
00:45:34.000 --> 00:45:36.800
<v Speaker 1>his eyes are up here. Yeah, it's not. We're not.

916
00:45:37.159 --> 00:45:38.920
<v Speaker 2>Let me just say as women, I can't speak for

917
00:45:38.960 --> 00:45:41.480
<v Speaker 2>all women, but we're not that into that we don't

918
00:45:41.519 --> 00:45:41.920
<v Speaker 2>really care.

919
00:45:42.239 --> 00:45:43.480
<v Speaker 1>Well, we're not doing that.

920
00:45:43.559 --> 00:45:45.840
<v Speaker 2>I never stare at a guys like I never even

921
00:45:45.960 --> 00:45:48.760
<v Speaker 2>John Hamm, who I've met, and I am short enough

922
00:45:48.800 --> 00:45:50.719
<v Speaker 2>that I come up to his crotch. Basically, I did

923
00:45:50.800 --> 00:45:56.079
<v Speaker 2>not just like examine that. You know, that's weird. We

924
00:45:56.159 --> 00:45:58.599
<v Speaker 2>don't that's not that's not a that's not a thing

925
00:45:58.679 --> 00:45:58.880
<v Speaker 2>we do.

926
00:45:59.400 --> 00:46:03.199
<v Speaker 1>Well. I will say that I have. I have checked

927
00:46:03.199 --> 00:46:05.760
<v Speaker 1>out John Ham's outline, but.

928
00:46:06.760 --> 00:46:09.320
<v Speaker 2>It's people told you too, because that everyone's talking about

929
00:46:09.320 --> 00:46:10.920
<v Speaker 2>it and they send it to you with a circle

930
00:46:11.079 --> 00:46:13.559
<v Speaker 2>not you wouldn't think to look at it otherwise.

931
00:46:13.400 --> 00:46:16.519
<v Speaker 1>Right, I wouldn't be at a coffee shop and staring

932
00:46:16.599 --> 00:46:20.840
<v Speaker 1>at a guy's dick through his pants to the point,

933
00:46:21.679 --> 00:46:24.880
<v Speaker 1>especially in my eighties, to the point that somebody has

934
00:46:25.000 --> 00:46:29.400
<v Speaker 1>to say, hey, eyes up here, that's just it's so cartoony.

935
00:46:29.599 --> 00:46:30.800
<v Speaker 1>I was so annoyed.

936
00:46:32.079 --> 00:46:36.079
<v Speaker 2>Okay, so uh sema as another listing and then but

937
00:46:36.199 --> 00:46:37.960
<v Speaker 2>oh no, there, you can't have dogs? Is that that

938
00:46:38.159 --> 00:46:38.800
<v Speaker 2>this conversation?

939
00:46:38.920 --> 00:46:40.440
<v Speaker 1>I'm just She's like, I found you this time, I

940
00:46:40.480 --> 00:46:45.000
<v Speaker 1>found you a condo, a condo, and oh abba dabba,

941
00:46:45.239 --> 00:46:49.280
<v Speaker 1>no dogs. She's like, it's perfect for you. No, yapping dogs,

942
00:46:50.599 --> 00:46:54.159
<v Speaker 1>and then Miranda immediately is like, oh wait dogs, no dogs,

943
00:46:54.519 --> 00:46:56.760
<v Speaker 1>because obviously if there's no pets, that's not going to

944
00:46:56.800 --> 00:46:59.760
<v Speaker 1>be that's not going to work for me, because like Joy,

945
00:47:00.079 --> 00:47:01.719
<v Speaker 1>he has dogs, and I need to have dogs and

946
00:47:01.800 --> 00:47:04.320
<v Speaker 1>I need to have sleepovers. And she's like, and also,

947
00:47:04.360 --> 00:47:08.880
<v Speaker 1>I'm introducing Joy to Brady. Yeah, it's a lot thrown

948
00:47:08.960 --> 00:47:09.239
<v Speaker 1>at us.

949
00:47:09.320 --> 00:47:12.000
<v Speaker 2>And then in the midst of that, Charlotte, again speaking

950
00:47:12.000 --> 00:47:13.840
<v Speaker 2>of Cartoony, gets the phone call and she's like, oh, no,

951
00:47:14.159 --> 00:47:14.639
<v Speaker 2>it's Harry.

952
00:47:14.880 --> 00:47:17.679
<v Speaker 1>It's fine. He always calls me. Nothing to call about,

953
00:47:17.840 --> 00:47:18.239
<v Speaker 1>just a call.

954
00:47:18.360 --> 00:47:22.559
<v Speaker 2>I'll take this over here. It's like, girl, girl, there's

955
00:47:22.679 --> 00:47:25.400
<v Speaker 2>no way that they would really hang out with you. No, Like,

956
00:47:25.599 --> 00:47:27.639
<v Speaker 2>this is a friend This is a friendship break up

957
00:47:27.840 --> 00:47:30.079
<v Speaker 2>that I'd like to see happen. Oh my god, we're

958
00:47:30.199 --> 00:47:35.079
<v Speaker 2>just now on page two. I literally just turned one page. Yeah, okay,

959
00:47:35.440 --> 00:47:38.280
<v Speaker 2>maybe we should we break here. I guess we could

960
00:47:38.280 --> 00:47:40.199
<v Speaker 2>get I'm sure we could keep going.

961
00:47:40.320 --> 00:47:43.639
<v Speaker 1>We could break. We talked a lot about at the beginning.

962
00:47:44.079 --> 00:47:46.519
<v Speaker 1>So yeah, yeah, okay, so we're gonna yeah, we're gonna

963
00:47:46.559 --> 00:47:47.159
<v Speaker 1>get right into it.

964
00:47:47.400 --> 00:47:49.920
<v Speaker 2>Stay for part two. You're already here, So we don't

965
00:47:49.960 --> 00:47:51.840
<v Speaker 2>have to yell at you about listening to part one. Yeah,

966
00:47:52.159 --> 00:47:53.960
<v Speaker 2>maybe that's why they don't listen, because we have too

967
00:47:54.039 --> 00:47:56.559
<v Speaker 2>much upfront. Maybe they don't like the macron Okay, I

968
00:47:56.719 --> 00:47:56.920
<v Speaker 2>like it.

969
00:47:57.880 --> 00:48:00.840
<v Speaker 1>Hey you tell us. All right, guys, all right, we

970
00:48:00.960 --> 00:48:04.639
<v Speaker 1>will see you in a few minutes. Goodbye, all right before,

971
00:48:04.800 --> 00:48:07.679
<v Speaker 1>by the way, well good bye.