Speaker 1: Uh, hello, everybody.
Speaker 2: It's me Cecily don Nobler, not don like Donald, by
Speaker 2: the way, just to make it's down Donnie, it's Donnie.
Speaker 2: It's not Donnie. It's down like the time of day,
Speaker 2: like the sun rise. Right, but I like to add
Speaker 2: a why at the end to make it done. You know,
Speaker 2: it's Donnie. What time is it, Donnie? It's kind of
Speaker 2: it's desky, Donnie.
Speaker 1: It's it's Cecily don I'm just gonna call you Cecily don.
Speaker 2: Now.
Speaker 1: I don't mind that I've had people call me that
Speaker 1: in my life. I'm surprised.
Speaker 2: We've been friends for a really long time, really long time,
Speaker 2: decades and you never call me ces and a lot
Speaker 2: of my friends call me cess, which I've just realized.
Speaker 1: I feel like I do sometimes.
Speaker 2: Well it's spech. It's because it became spec I think
Speaker 2: that's right. I think that's right. Yeah, which is what
Speaker 2: we're here to talk about. I'm here, obviously with Stephanie
Speaker 2: Wilder Taylor to talk about and just like that Season three,
Speaker 2: episode six, is.
Speaker 1: This is how it all, This is how it all
Speaker 1: began of us. We originally og bonded on hating Aiden.
Speaker 2: Yeah, we were the originals when it was not cool
Speaker 2: to hate on Aiden and we insisted we're not hate.
Speaker 2: We were just like, this guy is seriously icky. Yes,
Speaker 2: and now everybody's on our side. But it's like, where
Speaker 2: were you before? Right, it's exhausting.
Speaker 1: I do exhaust I do think some people, the cool people,
Speaker 1: hated him like we did. I hated him, you know
Speaker 1: what we mean a lot we could say hated. It's
Speaker 1: a character. Are just yeah, right, we're not going to
Speaker 1: hurt him. We're not spreading hate. It's not like we're
Speaker 1: not Rogan.
Speaker 2: I mean we're just I guess we're in a way,
Speaker 2: we're like Rogan for this show.
Speaker 1: Right right, right. It is ridiculous when we have to
Speaker 1: catch ourselves going, now, we don't hate anybody, well, okay,
Speaker 1: we can hate. We love them all deeply and the same.
Speaker 2: There's no even difference in the way that we love
Speaker 2: them the same way as you love your family. You
Speaker 2: love them because love is love is love is humans,
Speaker 2: and we are all just one.
Speaker 1: Yeah, like this song now? Macro notes, oh good, Macro note,
Speaker 1: this may be the worst written show I've ever encountered
Speaker 1: of any like, the laziest worst writing of any show there.
Speaker 2: For sure, I'm going to give you that. And the original,
Speaker 2: as you know, I know, was not and you asked
Speaker 2: me that last week. You're like, maybe I'm forgetting Sex
Speaker 2: and the City, and maybe it was. I rewatch it
Speaker 2: even to this day, and it's very good. I almost
Speaker 2: sent you a clip of like a fight that Carrie
Speaker 2: and Miranda had that would not the one I always
Speaker 2: send you that reminds me of us, Not that one,
Speaker 2: but there's other ones where it's like that is how
Speaker 2: people in friendships. Yeah, that is real writing, and like
Speaker 2: that's all and just across the board like that the
Speaker 2: way they would talk at dinner and it was just
Speaker 2: like you wanted to be part of it because you
Speaker 2: felt like you were living it. And this is just
Speaker 2: like this is like they got the worst multiicam sitcom
Speaker 2: writer that exists, and they're like, could you write this?
Speaker 1: Yes? Yes, I mean yeah, I couldn't like I couldn't
Speaker 1: believe some of the like I was, I sat there
Speaker 1: with my mouth open. I was like, well, I guess
Speaker 1: we'll talk about this tomorrow, but like this is so insulting.
Speaker 1: It's like and I don't know who's I'm trying to.
Speaker 1: I'm really trying to figure out whose fault that is
Speaker 1: because I look up the writers. Let's let's we're here.
Speaker 2: We you know we do deep dives, isn't you know?
Speaker 2: This isn't I'm going to do that, although I don't
Speaker 2: trust AI anymore because oh, I have to tell you.
Speaker 2: Maybe I'll save that for board AF. I have another
Speaker 2: terrible AI story where it just like steered me wrong
Speaker 2: in all information.
Speaker 1: I trust no Google now, just like probably.
Speaker 2: That let's uh season three, episode episode six writers or
Speaker 2: just any of the writers, uh.
Speaker 1: Writer?
Speaker 2: Oh yeah, we'd have to go to like IMDb on this,
Speaker 2: I think, okay, all right.
Speaker 1: Well maybe we'll do that in our own time. Well
Speaker 1: I think, I mean we could legitimately pause and look
Speaker 1: it up. Okay, I'm gonna pause us hold on. Okay,
Speaker 1: So we have some of the writers. We found Rachel Palmer.
Speaker 1: We don't want to call her out. We don't know,
Speaker 1: we don't know whose fault this is. We don't know
Speaker 1: who's the problem. Yeah, we really Rachel Palmer worked on
Speaker 1: Two Broke Girls, which is sitcommy, but also to which
Speaker 1: is which is commed.
Speaker 2: Okay, right, but these are multi there, like we said,
Speaker 2: they felt multiicammy and the's a lot of these people
Speaker 2: are coming from those types of shows, multiicam shows with
Speaker 2: laugh tracks. It's like it's like they write the shows
Speaker 2: waiting for a laugh and then they have the music
Speaker 2: like in and just like that, like.
Speaker 1: It's that ship. I feel like Lucas Frolicker is Prolic Frolic,
Speaker 1: there's no I feel like he's the problem Two Broke Girls.
Speaker 1: First of all, Well, a bunch of people from Two
Speaker 1: Broke Girls? How's that such a good show that they're like,
Speaker 1: can we get some of the writers from Two Broke Girls? Please?
Speaker 1: It's not like that was a great show. It was
Speaker 1: not some breakthrough. Wouldn't you expect a bunch of these
Speaker 1: writers to be from like a very a cool like
Speaker 1: HBO show.
Speaker 2: You could get Lena Dunam in here, that would be
Speaker 2: very interesting. Yes, they would be more naked, but they're
Speaker 2: already pretty naked, right, right, Like you look up this guy,
Speaker 2: Lucas Frolicks stuff right and he doesn't have much credit.
Speaker 2: It's either no, and I believe part of this is
Speaker 2: his fault. He was a well, he was a writer's assistant.
Speaker 2: Well and listen to this.
Speaker 1: He was the assistant to Michael Patrick King on something
Speaker 1: called AJ and the Queen. This is our problem. I
Speaker 1: don't think he's probably maybe he's dating Michael Patrick King.
Speaker 1: I don't know.
Speaker 2: They're all Michael Patrick King people, though they've all either
Speaker 2: Sex and the City, which he's no genius. That's the problem.
Speaker 2: That's one of the problems. There's a lot of problems.
Speaker 2: There's a lot of problems. So this is all very intestuous.
Speaker 1: You know. And there's a bunch of people who wrote
Speaker 1: like one episode in like twenty twenty two, which is
Speaker 1: maybe like they just didn't like their episode. This Julie
Speaker 1: Rottenberg that you already mentioned. First of all, Rotten is
Speaker 1: in the name, so that's not doesn't bode well. But yeah,
Speaker 1: but she this person did write that od Mom Out,
Speaker 1: which was like a fun show. I believe Smash a multicam, right.
Speaker 1: I liked Smash, I really did like. I like Divorce,
Speaker 1: which is a great show. So here's what I'm gonna
Speaker 1: I'm going to tell myself that Julie Rottenberg is in
Speaker 1: the writer's room on this show just going oh yeah, no,
Speaker 1: absolutely not and gets overruled.
Speaker 2: I didn't like Divorce, but obviously Sarah Jessica Parker and
Speaker 2: she got along.
Speaker 1: You know, she probably right her in because.
Speaker 2: She's should I try again, because I like that type
Speaker 2: of stuff usually, I love it.
Speaker 1: I couldn't get passed.
Speaker 2: How bad of an actor. What's his name is? He
Speaker 2: just bugs me from the sideways. But I guess I
Speaker 2: like it because that character. It's that character. He's just
Speaker 2: like a dufist, which is annoying to her right right,
Speaker 2: and then again it does get very over the top,
Speaker 2: but part of it is that she doesn't.
Speaker 1: Like that about him. I don't think.
Speaker 2: I think I've given it like three tries because it
Speaker 2: makes so much time. It's like, Oh, I like the HBO.
Speaker 2: I like that kind of programming. I like her, Sarah
Speaker 2: Jessica Parker, not as a person, but as an actress.
Speaker 1: I like her. I have to.
Speaker 2: That's our show. We love you, guys, have fun. Okay,
Speaker 2: I'm really hungry.
Speaker 1: In conclusion, this episode, in particular to me, was so
Speaker 1: badly written. I was just like but also and also manipulative.
Speaker 1: So I did find myself emotional, but I was like, Okay,
Speaker 1: you can't take a show that's supposed to be this
Speaker 1: kind of frothy, funny telt like it is sex comedy
Speaker 1: real show and then just make every constant death constant
Speaker 1: like find.
Speaker 2: That that I don't mind because they did that in
Speaker 2: the regular show. I mean, I don't think it's supposed
Speaker 2: to be like hilarious all the time.
Speaker 1: I mean, it's not. Okay, Well, here's a global here's
Speaker 1: a global macro note that Lisa, Lisa's dad already died.
Speaker 1: Did you know that? Yes? Did you know that? That's
Speaker 1: a problem with the writing of the show. It's all over.
Speaker 1: Her dad died in season two. She referred to her
Speaker 1: dad as being dead. When my daddy, when daddy died,
Speaker 1: I have literally like the sound up. I could, but
Speaker 1: you won't be able to hear it.
Speaker 2: Do it?
Speaker 1: Okay, I can go to the tape. Okay, as they say,
Speaker 1: go to the Okay, you won't be able to hear it.
Speaker 1: But here is the recording. Are people at home will
Speaker 1: hear it? It's nine seconds, so listen, listen carefully? Oh
Speaker 1: you can't, you can't hear it? Hold on, She's well,
Speaker 1: it's all right, it's all right. She basically says, when, yeah,
Speaker 1: when my when my daddy died, When dad died, she says,
Speaker 1: I mean, she's yeah, they all so he died. That
Speaker 1: is ridiculous. Yeah, that's too bad. This was the season.
Speaker 1: In season one she talks about how her dad died.
Speaker 1: Then he came to dinner in season two, and then
Speaker 1: this is what people are laughing about, and now he's
Speaker 1: dead again in season three. I mean, it's I told
Speaker 1: you now.
Speaker 2: This is a little bit different, but if you're writing
Speaker 2: for the same universe. They did the spin off, The
Speaker 2: Carry Diaries, which was another book by Candice, and I
Speaker 2: tried to watch it. It was on like the WB or
Speaker 2: CW whatever it was, and they got a lot of
Speaker 2: things wrong about it was not consistent there either. There's
Speaker 2: an entire episode in Sex and the City where Carrie
Speaker 2: like kind of finally talks about like her dad issues
Speaker 2: because her dad left. She says in Sex and the City,
Speaker 2: my dad left when I was six and he never
Speaker 2: came back. My mom raised me. That's very clear in
Speaker 2: the thing, if anybody else, because they never talk about
Speaker 2: their families. It's really weird. They have like no, they're
Speaker 2: in this bubble all the time except for when Miranda
Speaker 2: lost her mom. So then in the Carrie Diaries, she's
Speaker 2: raised by her dad and her mom died when she
Speaker 2: was a baby. It's like, wow, that's so weird. It
Speaker 2: would just be like if like you had a spin
Speaker 2: off of let me put it in a way, you
Speaker 2: would understand lit The.
Speaker 1: Cosby Show.
Speaker 2: Let's say you love The Cosby Show. Right, Let's say
Speaker 2: you watched The Cosby Show your whole life. Every day
Speaker 2: you go back, you watch episodes.
Speaker 1: I know you do that. I don't know how you
Speaker 1: find them, but she has them on like VHS. Yeah.
Speaker 1: They when they when they falsely accused Bill Cosby of
Speaker 1: crimes that we all know he didn't commit. I I
Speaker 1: was like, they're going to probably try to cancel him
Speaker 1: and take my favorite show off. There.
Speaker 2: Yeah, she recorded everything somehow from you can't I don't
Speaker 2: even know how. I don't know how you did that,
Speaker 2: but she did, and she watches she self soothes like
Speaker 2: so okay, so let's say you watch that. And then
Speaker 2: they have like a little spin off that's slightly different,
Speaker 2: like they're like, okay, let's do the cause, let's do
Speaker 2: like what Roseanne did. Why don't we do the Cosby
Speaker 2: Show but he's not on. We kill him off, but
Speaker 2: we have everybody else and then like the Corner Kids exactly,
Speaker 2: so you, so you have like the what if they
Speaker 2: just called it the Connor And they're like why though,
Speaker 2: because so now you've got Claire Huxtable, you could just
Speaker 2: call it the Huxtables.
Speaker 1: Okay, why was it called the Cosby Show? That wasn't
Speaker 1: even their name. That is so stupid. That makes me
Speaker 1: so mad. That's just his name. His name was a.
Speaker 2: Huxtable and the thing, Oh yeah, why would you leave it?
Speaker 2: That's like what you pitch it with, Like, okay, so
Speaker 2: the Cosby Project got it.
Speaker 1: What changed the name of it? They just got too lazy.
Speaker 1: They were like, well, it's already I don't know working titles,
Speaker 1: the Cosby Show, whatever, the Cosby Project.
Speaker 2: They're like, Seinfeld can be called Seinfeld, we see how
Speaker 2: it is. And you're like, no, but that's his name
Speaker 2: on the show. You can't why and just call him?
Speaker 1: Okay? That makes me mad. But anyway, so imagine.
Speaker 2: You're watching the show now and he's off of it,
Speaker 2: and Claire is now played by a twenty two year
Speaker 2: old Asian woman never explained, and also her name is
Speaker 2: not Claire anymore.
Speaker 1: Now it's like Janis. But it's supposed to be his.
Speaker 2: One and only wife. You'd be mad because you'd be
Speaker 2: like what, right, well what and then they change everything
Speaker 2: and then there is no Rudy and then then Rudy
Speaker 2: just never existed.
Speaker 1: Yeah, that would be really weird. No, you can't do that,
Speaker 1: or you have to call it something else, right and
Speaker 1: just go we like these actors, and so we want
Speaker 1: to put them in something else. But yeah, you can't
Speaker 1: say it's the same thing.
Speaker 2: I wish they had called this, I really wish instead
Speaker 2: of in just like that, which I understand why they
Speaker 2: called it that, but I wish they'd called it Duncan
Speaker 2: and friends. What if they called it that and they're
Speaker 2: like what In the first two seasons you're like, I
Speaker 2: don't get it, Like you will. You're gonna get it.
Speaker 2: It's gonna all come together in season three. You'll see.
Speaker 1: See. The problem is none of these people have any
Speaker 1: The show is out of their control. That's what it
Speaker 1: sounds like.
Speaker 2: It's written by all different people. Somebody wrote on Reddit
Speaker 2: they wrote, oh my god, this is about her finding
Speaker 2: out her dad already died.
Speaker 1: It's supposed to be dead. Somebody wrote, oh my god,
Speaker 1: what a fine lol. I think chat GPT is writing
Speaker 1: these episodes with a prompt that mighty rage bait.
Speaker 2: Oh my god, I have, Like I said, I have
Speaker 2: a chat it reallyased. It steered me so wrong that
Speaker 2: I have to go back into an article that's already
Speaker 2: been published and make some pretty big changes because chat
Speaker 2: GBT like completely completely made something up completely. I thought
Speaker 2: it was googled. You know, sometimes it'll take you into
Speaker 2: the AI mode. So I thought I was googling something,
Speaker 2: and you you think, if you google it, there there's
Speaker 2: your information, right, you got it? No, no more, trust
Speaker 2: nothing until you see it in like a real source, right, Trust.
Speaker 1: Nothing, because I'm fine interesting, Okay, I will tell you
Speaker 1: on board.
Speaker 2: As okay, So do you have any metro notes? Did
Speaker 2: you let How did you feel about this episode? I
Speaker 2: liked the episode in some ways. Now do I need
Speaker 2: uh bits e von whatever back in my life? Of course,
Speaker 2: not no reason for that. Another crazy cartoon character. She's
Speaker 2: from the original. But it's like I was thinking about
Speaker 2: this the whole time. There's so many people in New
Speaker 2: York that they could run into from the original show, Like,
Speaker 2: there's hundreds of characters that would be interesting. That is
Speaker 2: not one of them, right, So why they're trying to
Speaker 2: make that happen is just like sad it's there.
Speaker 1: They just don't know. They think their audience is like
Speaker 1: ninety year old gay men. Yes, and I just don't.
Speaker 2: Think that that's I mean, that might be the case
Speaker 2: to some degree, sure, but it's not all of It's
Speaker 2: like stop, yeah, nobody wants okay, so let's get into it.
Speaker 1: She's still writing.
Speaker 2: She's writing her dumb fake book about the woman I
Speaker 2: can't writing is so bad.
Speaker 1: Lily's of the Valley godw their white bonnets to the
Speaker 1: pounding of the rain as the woman inside braves the
Speaker 1: unknown who writes like that, And later in the episode,
Speaker 1: she's gonna want Duncan to read that shit. She's gotta
Speaker 1: be embarrassed like that. I mean, if anything's going to
Speaker 1: give him the ick, it's going to be reading the Valley.
Speaker 1: Would that be.
Speaker 2: He's like, oh, well to no, sorry going back to
Speaker 2: London as you know, only here six months, so very
Speaker 2: nice to you.
Speaker 1: He like gently puts the book down, like cause he's
Speaker 1: like but She's like, wait, I thought you were going
Speaker 1: back in six months, and he's like, oh, yes, I
Speaker 1: actually have already been here three months. You just I
Speaker 1: mean I was already here just five and a half months.
Speaker 1: I get. I guess we just we didn't run into
Speaker 1: each other. She's like, but yes, live downstairs, and you're
Speaker 1: very upset. I say.
Speaker 2: He's like, time is different for the English. I suppose
Speaker 2: he's trying to be Remember I told you I love
Speaker 2: this the first you know. I'm people you guys know
Speaker 2: need to know that I'm a major Anglo fire, as
Speaker 2: I'm sure a lot of us are. But I really like,
Speaker 2: you know, the first time I went there, I was
Speaker 2: by myself and I was waiting for the tube and
Speaker 2: I couldn't figure out which two subway thing to get on,
Speaker 2: you know, let me say it like in America, like subway, Stephanie,
Speaker 2: like a subway.
Speaker 1: And there was this guy, I swear.
Speaker 2: To God in my memory he was wearing a top hat,
Speaker 2: but I know he wasn't, but he did have an
Speaker 2: umbrella and he was so tall in English, and I
Speaker 2: was like, would this be the train I need to
Speaker 2: get on to go to wherever?
Speaker 1: Notting Hill, you know, and he just goes, he just
Speaker 1: looked at me and he goes, no oh. And I
Speaker 1: was like, it was cold. They are cold.
Speaker 2: They are very polite, but they will not give you
Speaker 2: more than you've asked and you are not going to
Speaker 2: get a hug. And he was older, you know, this
Speaker 2: was like a very but he wasn't that old. And
Speaker 2: I was like, I am so attracted to you right now,
Speaker 2: strange old man. I also still do not know which
Speaker 2: train to get on, though, but he just I just
Speaker 2: love that goes this, the train he goes new.
Speaker 1: I love the English so much. And that I say
Speaker 1: all that.
Speaker 2: Because I really love Duncan. I'm really loving him. I
Speaker 2: know they're not doing enough with him yet. I have
Speaker 2: not seen more than this episode, but I just don't
Speaker 2: you love him? Don't you want them to have like
Speaker 2: a hot, passionate secks.
Speaker 1: I mean, I don't see him as like hot and passionate.
Speaker 1: I think he's just like grow she and not even
Speaker 1: that money. He's kind of a dick and his apartment's
Speaker 1: really dirty. I don't know, I'm not doing anything for me.
Speaker 1: I just yeah, he's very serious. So he has her
Speaker 1: over to like eat. He's so funny at all, and
Speaker 1: he's very literal, like whenever she even tries to joke around,
Speaker 1: he actually he doesn't get.
Speaker 2: It like that.
Speaker 1: He's like Krishna Ka. He reminds me of Alex Petrovsky.
Speaker 1: I don't ever know.
Speaker 2: I'll never know why she liked him, except that he
Speaker 2: had klout she didn't like him at all until Samantha
Speaker 2: was like, oh everybody knows Petrovsky.
Speaker 1: He was at Studio fifty four, honey. Yeah. I mean
Speaker 1: then we had to put her through that, like how
Speaker 1: old and they're all doing the math like what wait what?
Speaker 1: And then like why is she? Why is she with him?
Speaker 1: But I'm with it.
Speaker 2: I'm for it with Duncan Oh, I like it. So
Speaker 2: he's trying to have a conversation with her. What she's
Speaker 2: being annoyed like about it? Like as I's been British
Speaker 2: honest question.
Speaker 1: Yeah, what do you like about him as far as
Speaker 1: besides the actor playing, like besides he's cute, Yeah, but
Speaker 1: that's okay, that's the actor.
Speaker 2: Yeah, but I mean I can't separate his Clive owenness.
Speaker 2: I think he's just like you think he's one of
Speaker 2: those like wound up Brits that, like you, just he
Speaker 2: just needs a little sex. I like that, Okay, I
Speaker 2: like that he's I like that he's a writer. I mean, yes,
Speaker 2: that's a good question. He's not a lot of fun,
Speaker 2: takes himself really seriously. He believes himself to be an
Speaker 2: amazing writer. Yes, which I feel like it's confident.
Speaker 1: Yeah if I I just you know, like I said,
Speaker 1: I find I find the actor charming, but I find
Speaker 1: the I don't know why she would like him except
Speaker 1: that because he's not been nice to her one time
Speaker 1: all that I would like him for that, right, But
Speaker 1: I hear you, I hear you.
Speaker 2: I also think she's being kind of annoying and rude
Speaker 2: because when they're talking about their writing, when they're having
Speaker 2: the mutton or whatever, because it's all really weird. He's like,
Speaker 2: he's like, I want to take you out for a
Speaker 2: purple drink, you know, or he's trying. I think he's
Speaker 2: flirting with her for sure, in his way. And then
Speaker 2: she basically is like, why are you taking it all? So?
Speaker 1: Why do you got to work so hard? Because, as we.
Speaker 2: Said last week, not everyone had a billionaire ex husband
Speaker 2: who died on a peloton, right, Like, he's got a
Speaker 2: work hard because he's probably has a mortgage. Well, wait,
Speaker 2: who are you talking about, because I'm talking about she said,
Speaker 2: what what husband?
Speaker 1: What ex? She had a billionaire husband? I wouldn't know
Speaker 1: because that's not Cary. I wouldn't know because that's not
Speaker 1: really that's not really addressed in this way. We're talking
Speaker 1: about Carrie and Big. So she says to Duncan when
Speaker 1: they're eating, I know I'm making a joke that that
Speaker 1: Biggs disappeared from the show. Oh oh oh, that was
Speaker 1: too good. You were too good at it, because I
Speaker 1: was just like, wait, are you making a joke? Did
Speaker 1: he basically never existed in this universe? At this point,
Speaker 1: we've not mentioned him one time.
Speaker 2: It's true something. I was like, it's Carrie Bradshaw and Big. Yeah,
Speaker 2: I get it.
Speaker 1: Wouldn't it be great if they actually mentioned that Big
Speaker 1: ever existed? But now suddenly we're in some bubble where
Speaker 1: she just miraculously has this lifestyle.
Speaker 2: Right and nothing He never thought like she lets him
Speaker 2: assume that she's such a huge writer that that's why
Speaker 2: she has this amazing place, right.
Speaker 1: She doesn't.
Speaker 2: She never says like, yeah, I mean I did have
Speaker 2: a couple of books do okay, but you know I
Speaker 2: was you know, it was never like huge journey, right
Speaker 2: and you know the reason I live here?
Speaker 1: Yeah?
Speaker 2: No no mention, no mention of Aiden either. Weirdly huh
Speaker 2: that we see all kinds of weird shit going down. Yeah,
Speaker 2: so they decide to read each other's books and yeah,
Speaker 2: and Carrie pretends to sort of like Mutton but not really.
Speaker 2: But also, I just don't think that would happen. I
Speaker 2: don't think that Duncan would be like, come.
Speaker 1: Down to my gross apartment and with stained ceilings and
Speaker 1: I'm going to make you a really kind of nasty
Speaker 1: food to people who are asty. Yeah, and yeah, yeah,
Speaker 1: and you're right though she is. She's like, I was,
Speaker 1: I was really surprised to get your invitation. I thought
Speaker 1: you're all like, work, work, work, Yeah, yeah, exactly. Here's
Speaker 1: this is where the writing. Right off the bat, I
Speaker 1: was just like, are you kidding? And then he's he says, well,
Speaker 1: this is work, and then she goes, oh, the Mutton.
Speaker 2: Like this is the best. That's when I wrote, I wrote,
Speaker 2: even the actor can't be bothered to laugh. I don't
Speaker 2: even blame Duncan for this. I think it's sort of
Speaker 2: like he doesn't want to be held to that. So
Speaker 2: he's just like, no, I'm gonna do what I'm gonna do.
Speaker 1: But I was like, Okay, so these these writers Michael
Speaker 1: Patrick King got so many specscripts from people that wanted
Speaker 1: to write on and this is He pulled one out
Speaker 1: and was like, yes, these are the writers, this is
Speaker 1: the writer I'm going with, and this is what they
Speaker 1: came up with, and this is what made it past
Speaker 1: all the read throughs Now I know, I know. And
Speaker 1: then and then he says wait. Then he says, well,
Speaker 1: I've been I've been pounding away at Margaret every night,
Speaker 1: and Carrie literally says, oh my gosh, that's you know,
Speaker 1: my virgin ears or something like okay. So she doesn't
Speaker 1: literally say that, she says something like oh that's like
Speaker 1: not appropriate or something. It's like, okay, well you used
Speaker 1: to be a sex columnist. Did your vagina article up
Speaker 1: a guy being on you? Right? But she's John mad Men,
Speaker 1: and now you're like, she's the worst. She sucks.
Speaker 2: We know that, we're gonna just we're gonna do I
Speaker 2: think we need to just flat out say it, like
Speaker 2: and just leave it, because she sucks.
Speaker 1: She sucks like Janet right from the also, but also
Speaker 1: the writing. I mean the fact that she would be
Speaker 1: that like I've been pounding weight, that she would take
Speaker 1: that as a sex joke and then be like almost
Speaker 1: offended by it is not the character. It's just such
Speaker 1: bad writing to me, it's so lazy, it's really tiny.
Speaker 1: We have no time for it because I want to
Speaker 1: get to the sex with Duncan. That's the thing. I'm
Speaker 1: just like, and he's and the actor does too.
Speaker 2: I'm sure likeugh, all right, please? Hellon is my contract?
Speaker 2: You see him like calling sag? She says that, and
Speaker 2: he's like, one moment, please please could I get my
Speaker 2: red piece on the line.
Speaker 1: And do all I have to say this exact right? Fine?
Speaker 1: As do I have to laugh? It says? I must laugh.
Speaker 2: I don't, but I love that I'm making him kind
Speaker 2: of pullsh But also what is did you buy that
Speaker 2: he'd be like, can you after being so like not
Speaker 2: into her and not taking her seriously that he would
Speaker 2: be like could you could I get your your perspective
Speaker 2: on my book?
Speaker 1: Right? And like what have you written again?
Speaker 2: Right? Oh? I used to have like a really wacky
Speaker 2: sex column right and I couldn't help. But wonder if
Speaker 2: you diz in somebody's eyes? Do their eyes hurt? Or
Speaker 2: is it helpful to their eyes? Bye? What if what
Speaker 2: if she signed up like off all our sex columns,
Speaker 2: good bye bye bye.
Speaker 1: I would believe it. I would believe it.
Speaker 2: I couldn't help, But wonder if you pee on somebody
Speaker 2: after sex, is that good luck? Like they say in Japan?
Speaker 2: Like no, okay, first of all, no one says that
Speaker 2: in Japan, so we're gonna have to take that out right.
Speaker 2: He's not ad lib Please don't improvise, Sarah. We'd really
Speaker 2: prefer that you just like stick to the script. Then
Speaker 2: the script is even worse. I couldn't help, But wonder
Speaker 2: is duncan gonna put it in me?
Speaker 1: I mean, like I miss I miss those. So Carrie's
Speaker 1: talking to Aiden as if they're as if they're just
Speaker 1: an old married couple that just chit chat every night,
Speaker 1: while he's brushing his teeth, you know, and she's like, yeah,
Speaker 1: dunk in this. By the way, she's also taking tombs,
Speaker 1: and we're setting up some story and we don't know
Speaker 1: what it is yet. But suddenly Carrie is just in
Speaker 1: a cartoonish manner going through things of toms and constantly.
Speaker 1: But I don't even notice that either.
Speaker 2: You know that that's Sarah like improvising too, Like I
Speaker 2: bet you know, you know, I really take a lot
Speaker 2: of toms, So I think that Carrie would too.
Speaker 1: I think, well, they're setting something up though, because there's
Speaker 1: like three different parts where there's the tombs are gone,
Speaker 1: where she's out of going to set up like stomach cancer.
Speaker 2: Oh my god, I wouldn't know more, can't no, or
Speaker 2: maybe like a hysterectomy or something hys directly, She's like, well,
Speaker 2: like maybe she's blowed, you know, like when you've got
Speaker 2: all kinds of lady issues.
Speaker 1: I feel like it would be more of like an ulcer.
Speaker 2: Oh, I guess you mean they showed us three times time.
Speaker 2: I didn't notice it even once.
Speaker 1: Yep. Oh my gosh, a lot of time.
Speaker 2: I'm like the big picture and you're like the details
Speaker 2: on that very detail oriented.
Speaker 1: Okay, it's now this is going to get even worse
Speaker 1: to me, Yeah, it gets Aiden's like get ready coming
Speaker 1: up and she's like, oh you are, Yeah, Wyatt's doing
Speaker 1: a wilderness program for a week.
Speaker 2: No, those are very dangerous. They have done many reports
Speaker 2: on those places, and a lot of them are like,
Speaker 2: like really bad.
Speaker 1: There's no way in the world that Aiden would be like, yeah,
Speaker 1: he found it himself. He looked. He looked up one
Speaker 1: of those Paris Hilton expose survival camps that people die
Speaker 1: at you, where they meet you and don't feed you.
Speaker 1: He looked it up on his own and he wants
Speaker 1: to go. Isn't that amazing, Carrie. He's like, I get
Speaker 1: a week off, so I'm coming up. Get ready for
Speaker 1: my weird mouth. It's just one big flat line. Oh
Speaker 1: so here's here's what we're supposed to believe about this
Speaker 1: character and this relationship. It's all up to aiden. She can't.
Speaker 1: She originally wasn't really supposed to even text him or
Speaker 1: let alone call him. That became a thing. He could
Speaker 1: call her though, and be like, I'm horny, let's fuck
Speaker 1: over the phone, and she'd have to hop to it
Speaker 1: and just be ready whenever, because he's like, listen, I
Speaker 1: got Wyatt's sleeping next to me. I'm ready to go.
Speaker 1: Let's go. And she's supposed to be ready. Or he
Speaker 1: can come visit her and surprise her because he feels
Speaker 1: like it, but God forbid she comes down. It's a
Speaker 1: whole thing. Oh, you're disrupting my whole family life. You
Speaker 1: have to sleep in the sleep in the stables. I
Speaker 1: mean yes, and.
Speaker 2: I'm not going to give you a sweatshirt until my
Speaker 2: son actually is like carry would you like a toothbrush
Speaker 2: or something?
Speaker 1: Anything you need a whole night there? Yeah, nothing, And
Speaker 1: she's cool with that. And I'm sorry, but by the way,
Speaker 1: during this whole episode, she remains cool with whatever hitty
Speaker 1: oh behavior he has to offer.
Speaker 2: I wrote that so many she is like a fucking zombie.
Speaker 2: She's in nothing. She's a shell of who she was. Right,
Speaker 2: there's nothing going on upstairs. Maybe the Toms is like
Speaker 2: some kind of like dementia thing. Is Tom's a thing
Speaker 2: you take if you just forgetful?
Speaker 1: No, probably not. I'm just throwing that out there because.
Speaker 2: She's seeming like she's like lot void of anybody, like
Speaker 2: she doesn't even know herself. Now, I'm not saying you
Speaker 2: got to be all fired up, you know, back to
Speaker 2: when they first moved in together and they were fighting
Speaker 2: all the time.
Speaker 1: But I would love and I'm sure this exists. I
Speaker 1: don't know how to do this. Maybe John can do it.
Speaker 2: I would love to put together a montage of all
Speaker 2: the times that Aiden was like very inappropriately angry in
Speaker 2: the original series.
Speaker 1: Well, like I said, he's been inappropriately and he hit her,
Speaker 1: he hit her. I talked about that. Last week they
Speaker 1: were in a fight. He kept every time the phone rang.
Speaker 2: He thought it was Big because they she had cheated
Speaker 2: on him with Big, but they she got back with Aiden,
Speaker 2: and you know, understandably Big was still calling and whatever,
Speaker 2: but he was mad, and so he wouldn't talk to
Speaker 2: her about it.
Speaker 1: And she's She's like, can you put my nicotine patch
Speaker 1: on me? I'm really right right? He was like, yeah,
Speaker 1: he hits her, he slaps it. That's really hard. Just
Speaker 1: tell that. Last week's like, not hurt buddy, and he
Speaker 1: doesn't say anything.
Speaker 2: She goes that kind of hurt buddy, and he's like
Speaker 2: shrugs and walks off, and it was like a hard hit.
Speaker 1: He hit her. Wow. And there's any time they were
Speaker 1: in a fight.
Speaker 2: She was awful too, but like they would be in
Speaker 2: these fights and he would scream at the top of
Speaker 2: his lungs, like scream at her, and she would scream
Speaker 2: at him. I mean, they weren't but he was always
Speaker 2: just either kind of seething inside.
Speaker 1: Or just or yelling. He's like, not he's not the
Speaker 1: chill furniture store guy, but that he wanted people to
Speaker 1: believe he was. Well, so now I mean, I don't
Speaker 1: know how he was in terms of dad jokes, but
Speaker 1: now he's just, oh, I don't There's no way, there's
Speaker 1: no way that this character of Carrie would be attracted
Speaker 1: to a guy that's just constant bad jokes and puns.
Speaker 2: He was always doing that. When they he wanted to
Speaker 2: get married and she didn't. She was like, let's live
Speaker 2: together for a while. He you know, proposed and stuff,
Speaker 2: but she was like, let me just sit with the
Speaker 2: engagement for a little bit. And then they were in
Speaker 2: the shower one time and he was like, hey, why
Speaker 2: don't we go to Hawaii and get maued. No, yes,
Speaker 2: and then she says, she's like, did you just pun
Speaker 2: in the shower? Like she you know, played off of
Speaker 2: it back then. She's like, did you just pun in
Speaker 2: the nude or something? And he's like I did. Then
Speaker 2: he made another pun.
Speaker 1: Oh he did it all the time. Okay, Oh so
Speaker 1: did she? By the way, that was the writer's Okay,
Speaker 1: well that's crazy.
Speaker 2: Yeah, but I liked that storyline because she wasn't ready
Speaker 2: to get married and so she didn't wear the ring
Speaker 2: on her finger. She wore it as a necklace. And
Speaker 2: they would they thought about that's real shit, that would happen.
Speaker 2: She was scared and like didn't so that's not happening
Speaker 2: in here. In here, he makes these jokes. She laughs
Speaker 2: at everything he says. She's totally fine with whatever he
Speaker 2: throws at her. He says, I'm coming. She doesn't say, like,
Speaker 2: oh wait, I might have plans, like I.
Speaker 1: Have a doctor's appointment on Thursday. Am I not what
Speaker 1: you're ying. You're you're gonna I have to drop everything
Speaker 1: because your son has plans for a week.
Speaker 2: So okay, So we cut to Miranda wakes up in
Speaker 2: the dark bed with at Joys, who I love, Loving
Speaker 2: Joy as well.
Speaker 1: See you'll like her. Well, okay, she's not that nice,
Speaker 1: so I guess it's just all British people, I guess
Speaker 1: are supposed to be kind of like not that nice.
Speaker 1: First of all, I think she's Nice's when has she
Speaker 1: been nice? She's not warm at all.
Speaker 2: She really loves Miranda, I think loves this two strong.
Speaker 2: But she likes Miranda and she's.
Speaker 1: Very like, well she's she's rude about like we're going
Speaker 1: to find out later. I mean, she likes her, but
Speaker 1: right away she's like, yeah, don't like kids. It's like Okay.
Speaker 1: First of all, her son doesn't even live with them
Speaker 1: late Okay, we'll get to that later. But first of all,
Speaker 1: she's very biting in her humor, which and I understand
Speaker 1: that if it's Carrie, Like I get Carrie being annoyed
Speaker 1: at Miranda for how she's acting and being like, please
Speaker 1: continue to get it right. And I can see Carrie
Speaker 1: being like, no, please, You're welcome here as long as
Speaker 1: you like and being kind of sarcastic. But Joy's already
Speaker 1: given her the business, and I am taking that so differently.
Speaker 1: I'm taking it.
Speaker 2: I just wrote, Miranda must be a really bad guest
Speaker 2: for two people in a row to be like after
Speaker 2: just a couple of days, like, okay, hoidbye.
Speaker 1: I think it's Miranda on this one. Like I don't
Speaker 1: know why I do too, But they haven't shown Miranda
Speaker 1: in this part, like overstaying her welcome. They're just making
Speaker 1: it seem like Joy is very like I need my space,
Speaker 1: Like I like Joy. I'm a big fan.
Speaker 2: Maybe maybe I was so beaten down by Chay, you know,
Speaker 2: or rosy O'donald that I'm just like, oh, thank you
Speaker 2: for this, thank you for actually like you're gonna have
Speaker 2: this like lovely lesbian couple representatives.
Speaker 1: Yes, I just I just find her very prickly. I
Speaker 1: like it prickly.
Speaker 2: I think that's where we're coming from different places. I
Speaker 2: just think it's kind of sexy. Maybe that's it. I mean,
Speaker 2: it never works out. I'm not saying that that's like
Speaker 2: the bet.
Speaker 1: I just I just she's just not that nice, like
Speaker 1: I prefer Rosi o' donald at the point. That's that's
Speaker 1: you know, who really liked her. I don't know. I
Speaker 1: think I think we'll see Yeah, sure.
Speaker 2: Okay, so Miranda, okay, so she wants she She's like,
Speaker 2: I'd really like you to meet Brady, and yeah, right
Speaker 2: away she's not into it. We what does seem a
Speaker 2: little fast? I wouldn't want that either.
Speaker 1: That's how lesbians are. Well, I know that's the thing.
Speaker 1: What do you bring on the second date? A U haul.
Speaker 2: Yeah.
Speaker 1: I don't think it's that weird that she wants her
Speaker 1: and Brady is her adult son, So I just think
Speaker 1: it's a weird. It would be one thing if he
Speaker 1: was ten and she was like, oh, I'm gonna meet
Speaker 1: your ten your kid. This is like a grown ass son,
Speaker 1: Like I guess, I mean look, I have no But
Speaker 1: it's not that she's not it's not that she thinks
Speaker 1: it's too fast to meet her son. The whole storyline
Speaker 1: is that she doesn't like kids. Yeah, which is you
Speaker 1: have to there's a weird thing for the writers here. Yes,
Speaker 1: it felt very tacked on, like, oh, well, let's make her,
Speaker 1: let's give her this. And then she but it would
Speaker 1: be different if Brady was younger. I just don't think
Speaker 1: we should have gone that way with the writing. It
Speaker 1: didn't bother me, but I can see your point. I
Speaker 1: can see that. So she's like, so then we skip
Speaker 1: over to Charlotte and runs into it and then wait,
Speaker 1: don't forget that. She says, uh, oh yeah, oh it's interesting.
Speaker 1: You're the name Brady. Had you come up with that?
Speaker 2: And she goes, oh, something about his dad's last name,
Speaker 2: and she's like, oh, okay, too much information.
Speaker 1: It's like she was making a joke. I didn't that
Speaker 1: was a joke. She was like, oh, go to am.
Speaker 1: I mean I thought that was cute. Okay.
Speaker 2: I like that.
Speaker 1: I don't.
Speaker 3: We're not we may not, we may not agree on joy,
Speaker 3: I may come around, we may change each other's minds,
Speaker 3: but I like that character. Okay, I would watch her
Speaker 3: in another show. I would watch a spinoff called like
Speaker 3: Joy in Buds just called Joy.
Speaker 2: Yeah, Joy like working on her She's just working on
Speaker 2: her laptop for another BBC pen. It's that's the whole show.
Speaker 2: Occasionally she'll say hi to someone that passes by in
Speaker 2: her office.
Speaker 1: Unfortunately, the Buds refers to all her obnoxious friends that
Speaker 1: came over and we're super high Camp.
Speaker 2: Richard Curtis, the Bridget Jones, I'm the gay one. Well
Speaker 2: I'm the girl, I'm the woman, I'm the woman of color.
Speaker 2: Well I'm this one. It's just three of them, and
Speaker 2: they pop out of everywhere. They're summoned like us. They're
Speaker 2: like summoned. They'll say a line and they'll be did
Speaker 2: you say Cavia? Like why do we keep writing this
Speaker 2: trio of friendships?
Speaker 1: Why?
Speaker 2: Why?
Speaker 1: Okay?
Speaker 2: So, now let's get to even worse thing, which is
Speaker 2: Charlotte runs into is it?
Speaker 1: It's Bitsy bits So Charlotte's outside of Sloan Kettering, which
Speaker 1: is the cancer center, right, and you know that Bitsy
Speaker 1: was married to Nathan Lane. Remember that?
Speaker 2: Oh okay, so not in real life, right, but on
Speaker 2: the show, they get married and everyone's like that guy's
Speaker 2: getting married to a woman. And it was a whole
Speaker 2: big episode and was kind of funny. I liked I
Speaker 2: liked that world, okay, And she there was sort of
Speaker 2: a conversation where she like kind of was like, yeah,
Speaker 2: I know, but you know that's we're not going to
Speaker 2: say that. So she was a beard for Nathan Lane
Speaker 2: and she's annoying as fuck and always has been. And
Speaker 2: I'm not really sure why she's here.
Speaker 1: I think it's like, I mean, is it supposed to
Speaker 1: be that, you know, uh, sort of representing that these
Speaker 1: women are starting to feel like irrelevant as they get older.
Speaker 1: I don't know, I don't know. So she yes, she
Speaker 1: sees her at the center, She's like, what are what
Speaker 1: are what on her? For?
Speaker 2: Earth are you doing here? And then Charlotte tries to
Speaker 2: change the subject. It's like, well, I guess I'll see
Speaker 2: you at the Tiffany's tea time, Which are.
Speaker 1: You kidding me? Yeah? I mean they really. Charlotte is
Speaker 1: truly the worst written character.
Speaker 2: That's my least favorite because that's not a real person, right,
Speaker 2: Nobody in this day and age, like I'd go if invited,
Speaker 2: but I'm not invited.
Speaker 1: And nor I guess was bitsy. I guess so. But also,
Speaker 1: we're going to give Charlotte's character this sort of serious
Speaker 1: storyline all of a sudden, when she really has been
Speaker 1: nothing but a cartoon. And you may say, well, what,
Speaker 1: you're not happy either way, Like when she's a cartoon,
Speaker 1: you're not happy, But then they give her something real
Speaker 1: and you're not happy. But how about some kind of
Speaker 1: happy medium. How about something in the middle besides either
Speaker 1: she's crying all the time because you know, she's worried
Speaker 1: about her husband, or she's just a cartoonish mom who's
Speaker 1: like acting like she's in some kind of like what
Speaker 1: do you call it when they're when they're like doing
Speaker 1: a robbery kind of TV show, like a yes, like
Speaker 1: a heist comedy's She's a lot.
Speaker 2: She's always been a lot. I've never really enjoyed the acting,
Speaker 2: and I don't enjoy the character. I relate the least.
Speaker 2: Yeah to that, Yeah, I don't know what she's going
Speaker 2: on about. So off she goes, and everybody's whatever. Then
Speaker 2: we switch and we talked about this last week how
Speaker 2: the editing is so bad. We'll have a scene for
Speaker 2: like one minute and then it switches now where it
Speaker 2: like Sema?
Speaker 1: Right? Oh? This? Oh god?
Speaker 2: This is a scene where she's she's got her son,
Speaker 2: she's listening to her music and she has to say
Speaker 2: goodbye to her driver.
Speaker 1: Oh so sad? What's up twenty twenty five? Oh no?
Speaker 1: Does she have to say goodbye to her driver? Why?
Speaker 1: It's I'm poor now, I'm very poor, so I can't
Speaker 1: use you? Right?
Speaker 2: You know that's coming back where she's going to like
Speaker 2: get a big deal and then get her driver again.
Speaker 1: Yeah, clearly, but it's she's the most unlikable character on
Speaker 1: the show. This is the problem is so many of
Speaker 1: them are unlikable that we don't have good choices. You
Speaker 1: know what I really root for? Are any of us
Speaker 1: supposed to be rooting for Seema?
Speaker 2: Oh no, I don't think you're even thinking about Sema,
Speaker 2: Like she's just such a nothing real care. I don't
Speaker 2: actually mind her as an actress. Did we say this before?
Speaker 2: I think she's fine. I think it's just again it's
Speaker 2: the writing exactly. So then she's got this appointment with
Speaker 2: mirand she's gonna help Miranda, which I didn't understand. So
Speaker 2: she's buying another place she's renting currently I guess, and
Speaker 2: then she's now going to buy because she's like, this
Speaker 2: is the perfect department.
Speaker 1: I want it. It's amazing, Oh my god. And they're like, Okay,
Speaker 1: it's a done deal.
Speaker 2: You shouldd to one hundred and fifty thousand over asking,
Speaker 2: and Miranda's like, no, on principle, I'm not doing that.
Speaker 1: Which I none of this. This was so stupid. Suddenly Miranda,
Speaker 1: who's living, who's living with Carrie staying in airbnbs, has
Speaker 1: some pretty and she's now living with her girlfriend, overstaying
Speaker 1: her welcome with somebody she just started dating who's letting
Speaker 1: her stay at her place and she has the money,
Speaker 1: and she's like, absolutely not, there's a problem with New
Speaker 1: York real estate.
Speaker 2: Oh you didn't know, Cynthia. That's Cynthia talking. That is
Speaker 2: not see, that's Cynthia's been doing this a lot, and
Speaker 2: it's bugging me. I agree with much of her politics,
Speaker 2: but she is putting them into the show. That sounded
Speaker 2: like such a speech given that she decided to do,
Speaker 2: because remember she ran for like mayor or governor of
Speaker 2: New York. Yes, yes, I do, excuse me, So all
Speaker 2: of that is like, yeah, that's her inserting this bullshit,
Speaker 2: and we're like, we don't need to take five minutes
Speaker 2: to talk about that.
Speaker 1: That's so so just go with the character. Have somebody
Speaker 1: else do that. Have have a scene if you really
Speaker 1: want that in the show. But Miranda's character is going
Speaker 1: to be like absolutely not no, not doing it principle.
Speaker 2: Also, when they show her from behind the mom Bob,
Speaker 2: the graduated Bob is trying my patience in a way
Speaker 2: that I and I don't know if that's hormones on
Speaker 2: my end, I don't know, but I was like, I
Speaker 2: don't know, I'm on the verge of like screaming at somebody.
Speaker 2: I do not like a graduated Bob. I'm sorry. If
Speaker 2: somebody listening has that, I'm sure you're rocking it.
Speaker 1: I just cannot. I can't.
Speaker 2: You know what I'm talking about. It is a mushroom.
Speaker 2: And then the curls under and like, yes, no, stop stop,
Speaker 2: do better so much. Yes, but sort of kind of that,
Speaker 2: but it's also like, yeah, mostly that is some version.
Speaker 1: We don't have to do that. No, we don't.
Speaker 2: Okay, So now we're back with Charlotte and Harry and
Speaker 2: she's being very peppy. I'm just so annoyed by that
Speaker 2: I don't even think I wrote more than she's being peppy.
Speaker 1: Yeah, she's trying to give him like his options and
Speaker 1: be optimistic. And one of the possibilities is all that
Speaker 1: child dysfunctions. So we're supposed to you know, Harry's like
Speaker 1: this sex machine and he's like, absolutely not right.
Speaker 2: It's a chemo. It's like chemo versus a surgery. Can
Speaker 2: I say something, bless you? Let me say this about
Speaker 2: Cross State Camp. Yeah, my dad had it. It was
Speaker 2: one of the many things he had. It's not the
Speaker 2: thing that took him out, but he had it early
Speaker 2: on and they caught it in his sixties and he
Speaker 2: had to do he did a surgery or like a
Speaker 2: radiation thing, and it really did fuck up like his
Speaker 2: stomach for the rest of his life. So if anyone's
Speaker 2: listening that is a guy or has someone in their
Speaker 2: life that has it, like make sure to like look
Speaker 2: at all the modern new options of things that you
Speaker 2: can do. He did these radiation seeds. I think it's
Speaker 2: okay to talk about it. He's he wouldn't mind. I
Speaker 2: don't think.
Speaker 1: Yeah, it like really fucked up his digestive system.
Speaker 2: So that's a real thing that they're talking about we
Speaker 2: just don't we don't need the actors, We don't need
Speaker 2: Kristin Davis going like, and it's an I'm going to
Speaker 2: quit all my jobs and we're going to sell the
Speaker 2: house and we're going to live in a commune.
Speaker 1: This is we don't need that. Part of what is
Speaker 1: going to really annoy me about this episode, even though
Speaker 1: we're like almost done with the first half and I'm
Speaker 1: on page two of my notes, but is the feeling
Speaker 1: in all these women that are supposed to be it's
Speaker 1: sex in the City. It's it's progressive, and yet it's
Speaker 1: very regressive in the fact that Charlotte is immediately going
Speaker 1: to quit her job because because she says not you,
Speaker 1: he's like, what, don't do that? Right? And also Lisa,
Speaker 1: the whole story that's coming up with Lisa, where oh
Speaker 1: my god, she put her phone on do not Disturb
Speaker 1: for fuck an hour and now she's a horrible person,
Speaker 1: horrible mom, not available to people. So it's all these women,
Speaker 1: and and then Carrie having to be always available to
Speaker 1: Aiden just in case he decides he's got he's got
Speaker 1: a free weekend, then she needs to be at his
Speaker 1: service and wait for him for five years and not
Speaker 1: sleep with anybody else. Good point all of all of
Speaker 1: this is all of these characters. M hmm, it's it's
Speaker 1: ridiculous anyway.
Speaker 2: Well, and then let's just get through the next seat.
Speaker 2: Carrie goes to what are they called dough Wars.
Speaker 1: What's the name of this? Is going to what do
Speaker 1: they call the bread Hotties? Yeah, you call it? So
Speaker 1: dict do they go down to Dicto? Yeah? And just
Speaker 1: oh my god, I'm about to be like so annoyed.
Speaker 1: So just Seppie's behind the counter and they're never going
Speaker 1: to stop with Giuseppe's got a giant cock storyline, why why,
Speaker 1: it's got to be very right. But there's a woman
Speaker 1: who looks like the woman that played and it's I
Speaker 1: think it's Rob Reiner's mother. They all have what she's
Speaker 1: having lady from and Harry met Sally say it's that character.
Speaker 1: It's that older Jewish lady who's staring down Giuseppe's cock
Speaker 1: like enamored with his. That's not a fit. And Anthony goes, hey,
Speaker 1: his eyes are up here. Yeah, it's not. We're not.
Speaker 2: Let me just say as women, I can't speak for
Speaker 2: all women, but we're not that into that we don't
Speaker 2: really care.
Speaker 1: Well, we're not doing that.
Speaker 2: I never stare at a guys like I never even
Speaker 2: John Hamm, who I've met, and I am short enough
Speaker 2: that I come up to his crotch. Basically, I did
Speaker 2: not just like examine that. You know, that's weird. We
Speaker 2: don't that's not that's not a that's not a thing
Speaker 2: we do.
Speaker 1: Well. I will say that I have. I have checked
Speaker 1: out John Ham's outline, but.
Speaker 2: It's people told you too, because that everyone's talking about
Speaker 2: it and they send it to you with a circle
Speaker 2: not you wouldn't think to look at it otherwise.
Speaker 1: Right, I wouldn't be at a coffee shop and staring
Speaker 1: at a guy's dick through his pants to the point,
Speaker 1: especially in my eighties, to the point that somebody has
Speaker 1: to say, hey, eyes up here, that's just it's so cartoony.
Speaker 1: I was so annoyed.
Speaker 2: Okay, so uh sema as another listing and then but
Speaker 2: oh no, there, you can't have dogs? Is that that
Speaker 2: this conversation?
Speaker 1: I'm just She's like, I found you this time, I
Speaker 1: found you a condo, a condo, and oh abba dabba,
Speaker 1: no dogs. She's like, it's perfect for you. No, yapping dogs,
Speaker 1: and then Miranda immediately is like, oh wait dogs, no dogs,
Speaker 1: because obviously if there's no pets, that's not going to
Speaker 1: be that's not going to work for me, because like Joy,
Speaker 1: he has dogs, and I need to have dogs and
Speaker 1: I need to have sleepovers. And she's like, and also,
Speaker 1: I'm introducing Joy to Brady. Yeah, it's a lot thrown
Speaker 1: at us.
Speaker 2: And then in the midst of that, Charlotte, again speaking
Speaker 2: of Cartoony, gets the phone call and she's like, oh, no,
Speaker 2: it's Harry.
Speaker 1: It's fine. He always calls me. Nothing to call about,
Speaker 1: just a call.
Speaker 2: I'll take this over here. It's like, girl, girl, there's
Speaker 2: no way that they would really hang out with you. No, Like,
Speaker 2: this is a friend This is a friendship break up
Speaker 2: that I'd like to see happen. Oh my god, we're
Speaker 2: just now on page two. I literally just turned one page. Yeah, okay,
Speaker 2: maybe we should we break here. I guess we could
Speaker 2: get I'm sure we could keep going.
Speaker 1: We could break. We talked a lot about at the beginning.
Speaker 1: So yeah, yeah, okay, so we're gonna yeah, we're gonna
Speaker 1: get right into it.
Speaker 2: Stay for part two. You're already here, So we don't
Speaker 2: have to yell at you about listening to part one. Yeah,
Speaker 2: maybe that's why they don't listen, because we have too
Speaker 2: much upfront. Maybe they don't like the macron Okay, I
Speaker 2: like it.
Speaker 1: Hey you tell us. All right, guys, all right, we
Speaker 1: will see you in a few minutes. Goodbye, all right before,
Speaker 1: by the way, well good bye.