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Speaker 1: I want you to try a little thought experiment with me.

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It's it can feel a little claustrophobic, so just bear

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with me for a second.

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Speaker 2: Okay, I'm with you.

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Speaker 1: Imagine you have lived in a single house, yeah, your

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entire life. You were born there, you grew up there.

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You know every single inch of it. You know exactly

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which floorboard creaks in the hallway when you try to

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sneak to the kitchen at night. You know how the

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light hits that one spot on the kitchen table at

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exactly four point zero pm. That house is the only

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reality you have ever ever known.

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Speaker 2: It's a comfortable reality, it's predictable, it's you know, it's safe, exactly.

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Speaker 1: It's safe. But then one random Tuesday, you are walking

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down that same hall where you've walked down ten thousand times.

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You brush your hand against the wallpaper and you feel.

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Speaker 2: A seam, a scene that shouldn't be there.

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Speaker 1: It shouldn't be there, and you peel it back just

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a little bit, just a fraction, and you realize something

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completely impossible. There's a door there, Wow.

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Speaker 2: A door that leads to a room you didn't even

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know existed in your own house.

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Speaker 1: Or or worse, what if it's a door that doesn't

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lead to a room at all. What if it's a

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door that leads to somewhere that doesn't fit inside the

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blueprint of the house, somewhere that defies the very geometry

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of the building you spent your whole life in.

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Speaker 2: That's a chilling thought. It's the locked room mystery, but

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you're applying it to the entire planet. That sensation that

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the architecture of our own reality might have these hidden

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anemesis that we're just we're too blind to see.

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Speaker 1: That is the feeling we are chasing today. Welcome back

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to thrilling threads. Today, we aren't just reading history books

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or reciting dates. We are pulling at the loose threads

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of our reality. Specifically, we're diving into the physics, the folklore,

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and the absolute high strangeness of interdimensional travel.

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Speaker 2: And we have, I mean a massive stack of sources. Today.

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We're pulling heavily from ancient astronaut theory, from transcripts that

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got our hands on regarding visitors from other dimensions, and

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some very specific, really unsettling anomalies that have been reported

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by well sources. We're talking navy pilots, Soviet Cosmona.

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Speaker 1: Right, and the mission for this particular deep dive is

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I think really interesting. We are trying to reframe the

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entire conversation about extraterrestrials. Usually when we look for life,

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we look up.

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Speaker 2: Of course, you look at the stars. You think about

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distance light years, propulsion systems, spacecraft.

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Speaker 1: Which makes total sense if they aren't from Earth, logic

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dictates they must be from Mars or Alpha Centauri or

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you know, those that are reticulized system or whatever.

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Speaker 2: But the sources we're analyzing today ask a completely different question.

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What if the aliens aren't travelers from a different place

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in our universe?

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Speaker 1: What if they're from a different density exactly?

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Speaker 2: What if they're right next door, just just shifted one

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frequency away from us?

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Speaker 1: You know, it completely changes the fear factor too. I

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was thinking about this. If they're light years away, theoretically

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we see them coming, we see the armada on the sensors,

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you know, Independence.

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Speaker 2: Day style rightning, you have some warning.

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Speaker 1: But if they are interdimensional, I mean, they could be

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standing in the room with us right now, breathing down

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our necks and we just lack the sensory equipment to

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perceive them.

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Speaker 2: That is the terrifying part. It turns the universe from

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this vast empty ocean into a very very crowded elevator.

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And to explore this, we have an incredible itinerary lined up.

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Speaker 1: We really do. We are going to break down the

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physics of wormholes, I mean, the actual science behind the shortcut.

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We're going to look at the Bermuda Triangle, but not

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just as a place where planes crash, but as maybe

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a natural portal that malfunctions.

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Speaker 2: And we are definitely going to talk about the sally

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At seven incident, which is, honestly, it's one of the

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few space stories that genuinely unsettles me. Giant winged beings

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in orbit. That is a level of high strangeness that

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just goes beyond nuts and bolts.

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Speaker 1: It's biblical, it really is. It challenges that whole secular

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scientific view of space exploration we've built up. But before

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we get to the space angels, we need to start

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on the ground. We need to look at the hardware.

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If these portals exist, what do they look like, and

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maybe more importantly, how do you open them?

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Speaker 2: Which brings us to Peru high in the Andes.

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Speaker 1: Let's set the scene. We are about eight hundred miles

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southeast of Lima. We're near the shores of Lake Titakaka,

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which is itself a place of immense history and mystery.

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Speaker 2: And this is not an easy place to get to.

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We are talking about a region called Hyu Marca for

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a context. This is high altitude, about fourteen thousand feet up.

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The air is thin. It is incredibly quiet up there,

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I can only imagine, and the landscape is dominated by

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these massive, almost alien looking red rock formations. It looks Martian.

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It's a place where you really feel the isolation in

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your bones.

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Speaker 1: The sources describe it as literally in the middle of nowhere.

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But in this desolate landscape, there's one specific rock formation

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that just it stands out. It's called the Porta de

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Hyu Marca.

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Speaker 2: The Gate of the Gods.

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Speaker 1: Now, when I first looked at the photos and the

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source material, my skepticism immediately kicked. I thought, okay, it's

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a rock formation. Humans are graded seeing patterns, you know,

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faces and clouds and rocks peridolia.

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Speaker 2: Sure, that's the first logical step.

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Speaker 1: But this, this isn't Perry Dooley. This is geometry, this

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is engineering.

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Speaker 2: It's unmistakably artificial imagine a massive sheer face of red rock,

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just a huge cliff face, and carved into it is

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a gigantic rectangle, perfectly leveled. It's about twenty three feet square.

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It looks like a blind entrance to a giant hangar

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or a temple.

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Speaker 1: But it doesn't open. That's the thing. It's just it's

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carved into the face. It's a facade. It goes nowhere, right.

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Speaker 2: But that's not even the weirdest part. At the bottom

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center of this giant twenty three foot square there is

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a smaller depression, a smaller carved rectangle, and this one

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is human sized. It's just under six feet tall.

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Speaker 1: So you have a giant door for titans, for ships,

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and then a little door for humans, like a cosmic

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doggy door.

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Speaker 2: That's the implication. But again, it's solid rock. The geologists

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have checked. There is no cavern behind it. There is

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no hidden hallway. If you were an archaeologist looking at

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this purely as a structural project, it makes zero sense none.

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Speaker 1: Why would an ancient civilization without power tools, mind, you

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expend this much energy and time and resources to carve

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a fake door into.

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Speaker 2: A mountain unless the door isn't physical that's the kicker,

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isn't it.

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Speaker 1: That has to be it.

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Speaker 2: If a function isn't for your body to walk through

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the rock via a tunnel, but for the rock itself

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to change state, then the engineering makes a completely different

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kind of sense.

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Speaker 1: And there's a specific detail about that smaller human sized

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door that really caught my attention in the transcripts. The

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archaeologists who examined the site, they found a small depression

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right in the center of the doorway, a circular indentation.

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Speaker 2: A socket or a key hole.

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Speaker 1: This is where the folklore stops being just a quaint

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story and starts sounding like an instruction manual. The local

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legends speak of an Incan priest king named Amaru Mehru.

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Speaker 2: The first priest King, and his story is, well, it's tragic, really,

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it's a story of an ending.

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Speaker 1: The story goes that Tomorrow Meru didn't just stumble upon

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this place. He was fleeing the Spanish conquistadors were ravaging

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the land, melting down the gold, destroying the culture. Amaru

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Meru flees to this high plateau and he brings something

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with him, the Key of the Gods of the Seven Rays.

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Speaker 2: Which is such a great evocative name, but in the

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specific legend we are analyzing. From the source, this object

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is described more simply as a golden.

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Speaker 1: Disc, a disc. And where did he get this disc?

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Speaker 2: The legend says it fell from the sky.

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Speaker 1: Okay, let's just pause there for a second. Fell from

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the sky. In a historical context, that usually means a meteorite.

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The ancients, you know, they loved worshiping iron meteorites. But

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tomorrow Meru didn't force this into a sword or a

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piece of armor. He used it as a tool, a.

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Speaker 2: Very specific tool that fit perfectly into that circular depression

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in the rock wall.

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Speaker 1: So picture this. You have this priest king. He's desperate,

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he's fleeing an invading army that's destroying his entire world.

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He runs to this massive rock wall in the middle

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of no where. He takes out this golden disc, which,

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let's be honest, sounds a lot like a distinct manufacturer

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geometric object, not some jagged meteorite, and he presses it

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into the socket.

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Speaker 2: And the shaman who supposedly witnessed this event, his account

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says the reaction was instantaneous. The rock it shimmered.

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Speaker 1: Shimmered. That's such a specific word. It's not crumbled or opened.

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It shimmered.

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Speaker 2: It implies a phase change. The description is that the

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solid wall became permeable, it became an interdimensional doorway. Amaro

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Merou stepped into the rock, the light faded behind him,

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and he was never seen again.

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Speaker 1: I mean, that is the ultimate escape plan. But I

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want to push on this golden disc idea because if

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we look at this of the lens of the ancient

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astronaut theory, this isn't magic.

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Speaker 2: It's hard for the user interface exactly.

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Speaker 1: It reminds me of two things. One obviously is the

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movie Stargate. You can't not think of it, yeah, But

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the other is more mundane. It reminds me of an

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RFID fob you used to get into an office building.

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Speaker 2: Right, you hold the token up to the reader, the

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maglock disengaged and the door opens. The rock itself is

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the mechanism the lock, but it's dormant until it receives

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the correct signal from the fob.

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Speaker 1: But in this case, the door isn't opening a physical latch.

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It's opening the fabric of space time itself.

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Speaker 2: And that brings up the space brothers, which is a

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term I just.

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Speaker 1: Love it sounds. It's so nineteen fifty, so sci fi

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boo movie. But this is an ancient local term, isn't it.

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Speaker 2: It is the local Imara people didn't refer to the

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entities that supposedly came through that door as gods in

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the supernatural sense. They call them space brothers. And they

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were very specific about where these brothers live. They didn't

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just point at the sky and say heaven.

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Speaker 1: No, they had a map, a starmap they did.

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Speaker 2: They pointed to the Pleiades. They pointed to Orion's belt.

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The source material quotes a local elder saying, this is

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the bridge to home.

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Speaker 1: Bridge to home. That implies a commute. It implies that

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this wasn't some one time miracle. This was a transit hub,

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a grand central station for the.

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Speaker 2: Pleiades, a transit hub that has been locked down because

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we lost the key. Amar Romero took it with him.

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Speaker 1: That's the tragedy of it, right. The door is still there.

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We can go touch it, you can fly to Paru

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and put your hand in that indentation. But without the disc,

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it's just a rock.

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Speaker 2: Or maybe we just don't know how to turn it

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on anymore. Maybe the disc was just one way to

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do it. We see a rock, they saw a machine.

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Speaker 1: So if we accept the premise of the source for

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a moment that this is a technological device left by

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visitors from the Pliades, how does it actually work? I

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mean physically? How do you make a rock permeable? This

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brings us to the science of the shortcut.

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Speaker 2: Well, yeah, that pushes us out of archaeology and squarely

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into theoretical physics. If you want to walk through a

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wall or travel to the Pleiades without spending four hundred

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years on a spaceship, you have to manipulate the space

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time geometry around you. You need a wormhole, the Einstein

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rosenbridge exactly. And this is where that Golden disc becomes

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really fascinating from a physics perspective, because to create a

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stable wormhole, at least according to our current understanding of

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general relativity, you need an immense, almost unimaginable amount of energy,

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or you need something called exotic matter to keep the

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throat of the wormhole open.

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Speaker 1: Exotic matter meaning stuff with negative energies a right.

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Speaker 2: That's the theory. Normal matter has positive mass and gravity

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pulls it together. Exotic matter would theoretically have negative mass.

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It would push gravity apart, it would act as a

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kind of anti gravity scaffold. If you don't have that,

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the wormhole collapses the second you try to step.

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Speaker 1: Through it, and it would crush you into singularity.

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Speaker 2: Instantly, instantly. So it's not a very forgiving technology.

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Speaker 1: So okay, let's speculate wildly for a second. Could the

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Golden Disc have been a container for this exotic matter

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or a device that manipulates local gravity fields on a

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quantum level.

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Speaker 2: It fits the profile. If it fell from the sky,

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it implies advanced manufacture, not something you can just dig up.

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If it opens a door to the stars, it implies

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it controls the energy required to fold space. It's the

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battery and the key in one.

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Speaker 1: Let's break down on that folding space concept for a second,

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because we hear wormhole all the time in movies. But

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the source material makes a distinction about dimensions that I

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found really helpful in wrapping my head around it.

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Speaker 2: Yes, it frames dimensions not as places, but as directions.

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Speaker 1: Unpack that because when I hear fourth dimension, my mind

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just goes to some trippy light show from the seventies movie.

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Speaker 2: Okay, it's a simple analogy, but it works. Imagine you

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are a stick figure drawing on a flat piece of paper.

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You are a two D being. You can go left, right, forward, backward.

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That is your entire universe.

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Speaker 1: I have no concept of up or down none.

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Speaker 2: Up doesn't exist for you. It's not a direction you

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can move in. Now, imagine I, a three D human,

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touch the paper with my fingertip. To you, a weird

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circular object just appeared out.

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Speaker 1: Of nowhere, right out of thin air, and.

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Speaker 2: It changes size as I press my finger down further.

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It's magic, it's a miracle, or it's a monster.

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Speaker 1: And then when you lift your finger, I'm gone.

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Speaker 2: I vanish. I haven't gone far away on the paper.

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I'm just one inch above the paper. But to you,

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I have exited the universe. I am in a direction

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you can't perceive.

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Speaker 1: So the argument here is that the space brothers, or

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the entities of marmiro met they are just in the

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up direction of our reality.

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Speaker 2: Exactly. They are in a higher dimension. And a wormhole

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or a portal like the one in Peru is essentially

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a ramp or an elevator. It allows a three D

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being like us to move in a fourth dimensional direction,

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even for a moment.

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Speaker 1: Which means you don't need to travel a million light

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years to get from the Pleiads to Peru.

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Speaker 2: You just fold the paper, you punch a hole, the

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distance becomes zero.

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Speaker 1: That would explain so much. It explains why we don't

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see them on radar or with telescopes. They aren't flying

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past Mars. They are stepping through the wallpaper of our reality.

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Speaker 2: And that brings us to a really terrifying possibility. If

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there are doors that are locked and controlled, you know,

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with a key like the one in Peru, are the

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doors that are broken, doors that just swing open randomly

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when they shouldn't.

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Speaker 1: You mean natural wormholes, unstable ones, traps, and that takes

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us from the high dry mountains of Peru down to

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the warm deep waters of the ocean. We need to

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talk about the Bermuda Triangle.

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Speaker 2: The most famous anomaly on Earth, a five hundred thousand

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square mile patch of ocean between Florida, Bermuda and Puerto Rico.

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Speaker 1: And I know, I know, everyone has heard of the triangle.

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It's almost a cliche at this point. People blame it

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for everything. But the source material focuses on one specific

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incident that I think we need to revisit because the

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details when you really read them are haunting flight nineteen.

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Speaker 2: December five, nineteen forty five, right after the war.

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Speaker 1: This wasn't some amateur hour. This was a routine training mission.

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Five US Navy Avenger bombers take off from Fort Lauderdale.

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The weather is fine. These are experienced pilots. Lieutenant Charles

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Taylor is leading the squadron. He knows these.

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Speaker 2: Waters, and about an hour and a half into a

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simple three hour flight, the logic just it breaks down.

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Taylor sends a transmission back to the tower. He says

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his compasses are failing, both of.

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Speaker 1: Them, both of them at the same time, at.

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Speaker 2: The same time, and he says something that just chills

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me to the bone. We don't know which way is west.

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Everything is wrong, strange. Even the ocean doesn't look as

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it should.

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Speaker 1: Even the ocean doesn't look as it should. That's the

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line I keep coming back to that. If you are

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a Navy pilot, you know what the ocean looks like.

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You've seen it in every condition. How can the ocean

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look wrong?

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Speaker 2: Later reports from other pilots in the squadron before they

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lost contact mentioned them seeing white water, but not white

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caps from waves. They described it as a glowing or

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churning whiteness, and the confusion was total. They were over

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familiar territory, the Florida Keys, yet they couldn't recognize anything.

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Speaker 1: It's like a landscape itself was changing around them.

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Speaker 2: And then silence. The entire squadron vanishes, and.

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Speaker 1: We aren't talking about a crash where we find debris.

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A few days later, we were talking about five massive

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bombers just gone. When Navy launched one of the largest

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air and sea searches in history, they found nothing, no

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oil slicks, no wreckage, no life preservers. Nothing.

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Speaker 2: But wait, it gets worse, which is the craziest part

339
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of this story. The Navy sends out a rescue plane,

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a PBM Mariner flying boat with a crew.

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Speaker 1: Of eleven, to search for them.

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Speaker 2: And it also disappears without a trace.

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Speaker 1: So, in one afternoon, twenty seven men and six military

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aircraft just vanish off the face of the Earth.

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Speaker 2: So the question is where did they go? Did they

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crash and the ocean just swallowed every last piece of them,

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or did they slip?

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Speaker 1: The source material speculates that the Bermuda Triangle might be

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a natural portal, a.

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Speaker 2: Place where the fabric of space time is thin or volatile.

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The experts in the transcripts we reviewed, they ask, are

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these planes and ships being sucked into another dimension?

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Speaker 1: Can you just imagine that for a second, You're flying along,

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It's a sunny afternoon, Your compass starts spinning like crazy.

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You look down and the ocean is turning white. And

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then suddenly you aren't in nineteen forty five over Florida anymore.

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You slip through a crack in the whale.

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Speaker 2: It connects back to the physics we just discussed. If

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a wormhole opens, even a small, unstable one, it could

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create absolute electromagnetic chaos. It could distort light, it could

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mess with gravity. That explains the compass's failing. That explains

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the visual distortion of the ocean.

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Speaker 1: But why there, Why that specific patch of ocean? There

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are other strange places, sure, but the triangle is the

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most famous. The source brings up a theory that I

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find fascinating, even if it is a bit out there.

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It's the Atlantis connection.

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Speaker 2: Yes, Plato's account of Atlantis, describing it as this technological

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marvel that sank into the ocean around nine thousand, six

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hundred BC.

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Speaker 1: The idea being that Atlantis wasn't just a city with

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nice pillars and canals. It was a high tech civilization,

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maybe with technology, but we still can't comprehend.

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Speaker 2: And the speculation and the source material is what if

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the ruins are down there at the bottom of the triangle,

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and what if their power source is still active, the.

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Speaker 1: Dormant machine on the seafloor, just humming away after ten

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thousand years exactly.

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Speaker 2: Imagine a massive generator or a crystal energy grid, something

380
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the ancient astronaut theorists discuss often that was damaged when

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the city sank. It's been sitting there for millennia, damaged, malfunctioning,

382
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firing off these energy bursts randomly.

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Speaker 1: So if Flight nineteen didn't just get lost, they flew

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over an ancient Atlantean reactor that surged at the exact

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wrong moment.

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Speaker 2: And it either pulled them down with some kind of

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gravitational anomaly or it opened a door that they couldn't close.

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The source asks, is this why pilots and sailors experience

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electronic fog and time slips in that area? Is it

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the residual energy of a lost civilization interfering with our

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modern tech?

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Speaker 1: It connects the technological aspect of the Peru gate with

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the accidental aspect of the triangle. In Peru, you need

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a key to open the lock. In the triangle, the

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lock is broken and the door is just flapping in

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the wind.

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Speaker 2: That's a great way to put it. One is a

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controlled entry point, the other is a hazard. It's a

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cosmic pothole in the road of reality.

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Speaker 1: Okay, I want to pivot. This has all been very

401
00:18:53,839 --> 00:18:56,920
terrestrial in a way. We've talked about stone doors on land.

402
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We've talked about gravitational traps in the sea. To go

403
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way up into orbit.

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Speaker 2: We have to talk about the Saliat seven incident.

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Speaker 1: This story. Every time I read about it, I have

406
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to pause. It challenges my worldview more than anything else

407
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we've discussed today.

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Speaker 2: I think it's definitely the most surreal. It's the one

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that breaks all the molds.

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Speaker 1: Set the scene for us.

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Speaker 2: Yeah, where are we win as this It's July twelfth,

412
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nineteen eighty four. Cold war is still very much a thing.

413
00:19:22,799 --> 00:19:26,240
We are on the Soviet space station Seliot seven. There

414
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are three cosmonauts on board, well like at cough, Liamid

415
00:19:29,680 --> 00:19:31,759
Kazim and Vladimir Solovya.

416
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Speaker 1: And let's be really clear about who these men are.

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They are Soviet cosmonauts. They are atheists by state mandate.

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They are trained scientists, test pilots, engineers. These are not

419
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people who hallucinate. They are, by training, some of the toughest,

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most pragmatic people on Earth.

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Speaker 2: Absolutely, they are not prone to flights of fancy. They

422
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are the definition of the right stuff. But on this

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day they send a transmission to mission control that sounds like, well,

424
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it sounds like it's sanate.

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Speaker 1: They report that the station is suddenly bathed in an intense,

426
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brilliant orange light.

427
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Speaker 2: They said it was so bright it physically blinded them

428
00:20:03,759 --> 00:20:05,799
for a moment. The whole station was just filled with

429
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this orange gas or light. And when their eyes finally adjusted,

430
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they looked out.

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Speaker 1: The portholes and they saw something.

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Speaker 2: They reported seeing seven enormous winged humanoid beings floating in

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the vacuum of space right outside their windows, keeping pace

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with the station as it orbited the Earth at seventeen

435
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thousand miles an hour seven.

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Speaker 1: And when we say enormous, the source is pretty specific

437
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about the scale, isn't it.

438
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Speaker 2: The source says approximately ninety feet tall.

439
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Speaker 1: Ninety feet Just take a moment and think about that scale.

440
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That is a ten story building floating in the blackness

441
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of space with wings.

442
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Speaker 2: And the description is very, very specific. They didn't say aliens,

443
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they didn't say grays or reptilians. They said the beings

444
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emanated in ethereal light. They had halos, they had massive wings.

445
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They looked for all intents and purposes like classical angels.

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Speaker 1: And they stayed there for ten minutes. This wasn't a

447
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subliminal flash or trigger to light. They hung out there.

448
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They smiled at the cosmonauts. The Cosmos said the beings

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looked peaceful, benevolent, and then they just faded away.

450
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Speaker 2: And the story gets even stranger because mission control, of

451
00:21:11,160 --> 00:21:14,440
course told them they were hallucinating from exhaustion. But to

452
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verify they weren't crazy, the Soviets actually sent up a

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second crew later on, three more cosmonauts, and the event

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happened again. They saw the same beings.

455
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Speaker 1: So now you have six witnesses, six highly trained Soviet cosmonauts.

456
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We have to ask the question, this isn't little green

457
00:21:31,799 --> 00:21:35,160
men in a saucer. This is biblical scale high strangeness.

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What on earth are we looking at here?

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Speaker 2: The source material draws a direct unambiguous line from the

460
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Soviet seven incident to religious texts from all over the world.

461
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It suggests that what we call angels and what we

462
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call aliens might be the exact same phenomenon, just viewed

463
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through different cultural lenses over time.

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Speaker 1: It brings up the history of Muhammed right the foundations

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of Islam.

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Speaker 2: Yes six' ten, Ad mohammed is meditating in a cave

467
00:22:00,359 --> 00:22:03,799
and the Angel gabriel appears to. Him, now traditionally that

468
00:22:03,920 --> 00:22:07,880
is a spiritual religious, event but the ancient astronaut theorists

469
00:22:07,920 --> 00:22:11,000
they look at the mechanics of. It gabriel Visits mohammad

470
00:22:11,039 --> 00:22:14,200
for twenty three, years dictating The. Koran but there is

471
00:22:14,240 --> 00:22:17,200
one specific event called The Night, journey.

472
00:22:16,920 --> 00:22:19,440
Speaker 1: Where gabriel Takes mohammed to circle.

473
00:22:19,079 --> 00:22:22,559
Speaker 2: The earth, exactly and the text describe seeing the whole

474
00:22:22,599 --> 00:22:25,799
planet from. Above but the crucial, detail the one that

475
00:22:25,839 --> 00:22:29,119
makes a physicist's ears perk, up is the time. Dilation

476
00:22:29,640 --> 00:22:31,680
it says the entire journey took one and a half.

477
00:22:31,759 --> 00:22:34,720
Speaker 1: Minutes he circled The, earth saw, everything and came back

478
00:22:34,759 --> 00:22:37,960
in ninety. Seconds that sounds a lot Like einstein's theory of.

479
00:22:37,960 --> 00:22:40,359
Speaker 2: Relativity it does if you are traveling at or near

480
00:22:40,440 --> 00:22:42,640
the speed of, light or moving through a. Wormhole time

481
00:22:42,640 --> 00:22:44,920
behaves differently for you than it does for a stationary.

482
00:22:44,920 --> 00:22:48,200
Observer to the observer On, earth it's an. Instant to the,

483
00:22:48,240 --> 00:22:49,039
traveler it's a.

484
00:22:49,119 --> 00:22:53,279
Speaker 1: Journey so the source asked the, question Was gabriel an interdimensional?

485
00:22:53,319 --> 00:22:56,599
Traveler were the beings outside sally at seven the same

486
00:22:56,680 --> 00:22:59,720
kind of? Entities these travelers from a higher? Dimension and are.

487
00:22:59,640 --> 00:23:02,200
Speaker 2: They aaring in a form that we can. Comprehend that's

488
00:23:02,240 --> 00:23:04,839
the big question for. Me if a being from the fifth,

489
00:23:04,839 --> 00:23:07,759
dimension a being of pure energy or, light poked its

490
00:23:07,759 --> 00:23:10,240
head into our THREE d, world what would it even

491
00:23:10,319 --> 00:23:10,799
look like to?

492
00:23:10,920 --> 00:23:13,640
Speaker 1: Us maybe our brains just can't process, it so it

493
00:23:13,680 --> 00:23:16,880
fills in the. Blanks our brain interprets that energy as

494
00:23:17,240 --> 00:23:20,480
wings and a, halo because that's the closest reference file

495
00:23:20,559 --> 00:23:23,720
we have in our cultural. Software shiny thing in sky

496
00:23:23,759 --> 00:23:26,160
that brings a message must be an, angel or.

497
00:23:26,119 --> 00:23:29,359
Speaker 2: Maybe they intentionally project that image to keep us. Calm

498
00:23:29,720 --> 00:23:32,559
the cosmonauts said they felt, peaceful a sense of. Awe

499
00:23:33,240 --> 00:23:36,480
if you saw a ninety foot screaming geometric shape of pure,

500
00:23:36,559 --> 00:23:38,960
energy you might. Panic you might have a heart. Attack

501
00:23:39,200 --> 00:23:40,960
if you see a smiling angel you watch In.

502
00:23:41,000 --> 00:23:43,759
Speaker 1: Wonder it connects back to The Peru, gate, too doesn't.

503
00:23:43,799 --> 00:23:47,359
It the space, brothers the. Messengers we keep seeing these

504
00:23:47,400 --> 00:23:51,039
advanced beings interacting with, humanity teaching, us giving us, books

505
00:23:51,079 --> 00:23:53,400
giving us. Keys they seem to want to help us

506
00:23:53,440 --> 00:23:53,920
unlock the.

507
00:23:53,960 --> 00:23:57,720
Speaker 2: Doors but and here's where the episode takes its biggest

508
00:23:57,839 --> 00:24:01,400
AND i think most profound. Turn and what if we're

509
00:24:01,440 --> 00:24:04,759
looking in the wrong place for the. Key we've been

510
00:24:04,799 --> 00:24:09,240
talking about stone, doors ocean, traps and space, stations all external.

511
00:24:09,279 --> 00:24:10,839
Speaker 1: Things what if the doors inside?

512
00:24:10,920 --> 00:24:14,359
Speaker 2: Us this is the final and perhaps most empowering shift

513
00:24:14,400 --> 00:24:16,440
in the source material we're looking. At we go from

514
00:24:16,480 --> 00:24:18,119
external technology to internal.

515
00:24:18,119 --> 00:24:21,279
Speaker 1: Biology and for that we are going to The Kalahari

516
00:24:21,359 --> 00:24:24,119
desert to talk about The Sand, bushman the first.

517
00:24:24,200 --> 00:24:27,960
Speaker 2: Tribe genetic studies have shown that The sand people possess

518
00:24:28,039 --> 00:24:31,559
some of the, oldest most DIVERSE dna On. Earth they,

519
00:24:31,599 --> 00:24:34,720
are in a, sense the primordial seed of. Humanity if

520
00:24:34,720 --> 00:24:37,559
anyone remembers the original instructions for being, human it's.

521
00:24:37,599 --> 00:24:40,640
Speaker 1: Them and they have a, ritual a very intense ritual

522
00:24:40,680 --> 00:24:41,319
called the Trans.

523
00:24:41,400 --> 00:24:44,039
Speaker 2: Dance it's a fireside. Ceremony it lasts for hours and.

524
00:24:44,079 --> 00:24:47,119
Hours they, dance they, chant the rhythm gets incredibly, intense

525
00:24:47,440 --> 00:24:49,720
and the goal of all of this is to activate

526
00:24:49,759 --> 00:24:51,119
a specific energy within the.

527
00:24:51,160 --> 00:24:53,160
Speaker 1: Body they call it noom am, i saying that.

528
00:24:53,200 --> 00:24:58,160
Speaker 2: Right nim. Yes it's described as a boiling. Energy the

529
00:24:58,200 --> 00:25:00,240
shamans say it sits dormant at the base of the,

530
00:25:00,240 --> 00:25:03,279
spine and through the, dance through the, rhythm it heats,

531
00:25:03,359 --> 00:25:06,440
Up it, boils rises up the spine and exits through

532
00:25:06,480 --> 00:25:07,000
the crown of the.

533
00:25:07,039 --> 00:25:10,720
Speaker 1: Head and the descriptions of this experience are. Visceral it sounds,

534
00:25:10,720 --> 00:25:14,400
painful it sounds incredibly. Intense but when it, happens when

535
00:25:14,400 --> 00:25:16,680
that energy is, released the shaman.

536
00:25:17,519 --> 00:25:21,759
Speaker 2: Changes the source lists some absolutely incredible. Abilities once the

537
00:25:21,839 --> 00:25:25,440
neom is, activated the shaman can reportedly travel to the spirit,

538
00:25:25,480 --> 00:25:28,640
world which the source directly equates to traveling to other.

539
00:25:28,680 --> 00:25:31,640
Speaker 1: Dimensions but it's not just mental. Travel this isn't just

540
00:25:31,680 --> 00:25:34,640
a vivid dream or a. Hallucination there are physical effects

541
00:25:34,680 --> 00:25:37,200
reported that are, well they're hard to.

542
00:25:37,240 --> 00:25:40,519
Speaker 2: Explain fire. Immunity this is the detail that blew my.

543
00:25:40,559 --> 00:25:42,839
Mind the source claims that when they are in this trance,

544
00:25:42,880 --> 00:25:45,519
state they can put their heads directly into the. Fire

545
00:25:45,839 --> 00:25:48,440
they can eat hot, coals they can handle burning logs

546
00:25:48,440 --> 00:25:49,400
without blistering their.

547
00:25:49,400 --> 00:25:52,440
Speaker 1: Hands there's a quote that, says although their hair might,

548
00:25:52,599 --> 00:25:57,039
singe their face won't be. Burned that that is a

549
00:25:57,079 --> 00:26:00,680
biological anomaly that shouldn't be. Possible according to a understanding

550
00:26:00,720 --> 00:26:01,200
of physics and.

551
00:26:01,200 --> 00:26:05,160
Speaker 2: Biology it suggests that this boiling energy actually changes the

552
00:26:05,240 --> 00:26:07,920
vibrational state of the. Body it shifts the phase of

553
00:26:07,960 --> 00:26:10,480
their matter just enough that the fire doesn't interact with

554
00:26:10,519 --> 00:26:12,079
them in the normal destructive.

555
00:26:12,119 --> 00:26:14,880
Speaker 1: Way so tie this back to The Golden disk and

556
00:26:14,920 --> 00:26:15,599
the machines In.

557
00:26:15,599 --> 00:26:19,440
Speaker 2: Peru, well the expert analysis in the source asks a critical,

558
00:26:19,559 --> 00:26:24,279
question is this magic or is it? Biology if the

559
00:26:24,400 --> 00:26:27,480
sand have the oldest HUMAN, dna maybe they have the

560
00:26:27,519 --> 00:26:31,160
original keys to the car encoded in their. Blood maybe

561
00:26:31,200 --> 00:26:32,680
that's the human factory, setting.

562
00:26:32,440 --> 00:26:34,200
Speaker 1: Meaning maybe we were all designed to do this.

563
00:26:34,319 --> 00:26:36,920
Speaker 2: Exactly maybe The Golden disc In peru was a, crutch

564
00:26:37,319 --> 00:26:39,759
a technological tool for people who have forgotten how to

565
00:26:39,839 --> 00:26:43,680
use their own internal. Technology but the sand they never.

566
00:26:43,759 --> 00:26:46,720
Forgot they don't need the, disc they don't need the wormhole.

567
00:26:46,759 --> 00:26:49,759
Machine they use consciousness itself as the.

568
00:26:49,799 --> 00:26:53,359
Speaker 1: Portal that is a massive idea that consciousness is the ultimate.

569
00:26:53,440 --> 00:26:54,400
Vehicle if the.

570
00:26:54,480 --> 00:26:58,079
Speaker 2: Universe is met of frequencies and vibrations like your wallpaper,

571
00:26:58,119 --> 00:27:00,920
analogy then maybe you. DON'T i don't need a spaceship

572
00:27:00,920 --> 00:27:03,039
to go up to the next. Dimension you just need

573
00:27:03,079 --> 00:27:04,839
to change your own frequency to match.

574
00:27:04,880 --> 00:27:07,279
Speaker 1: It you tune the radio dial of your soul and.

575
00:27:07,480 --> 00:27:11,319
Speaker 2: Pop you're. There you're with the space, brothers you're seeing the.

576
00:27:11,359 --> 00:27:13,119
Angels so let's just.

577
00:27:13,119 --> 00:27:15,200
Speaker 1: Look at the map we've drawn. Today we have the

578
00:27:15,240 --> 00:27:19,079
locked door In peru that needs a specific physical. Key

579
00:27:19,400 --> 00:27:21,720
we have the broken door in The Bermuda triangle that

580
00:27:21,799 --> 00:27:24,440
can trap you by. Accident we have the travelers At

581
00:27:24,480 --> 00:27:27,039
salued seven who seem to live outside the house entirely

582
00:27:27,079 --> 00:27:29,440
and just peek in the. Windows and now we have

583
00:27:29,519 --> 00:27:32,680
the internal key of the Sand, bushman a biological.

584
00:27:32,720 --> 00:27:35,359
Speaker 2: Stargate it paints a picture of a universe that is

585
00:27:35,480 --> 00:27:38,039
much more crowded and much more accessible than we are

586
00:27:38,079 --> 00:27:38,559
taught to.

587
00:27:38,599 --> 00:27:41,079
Speaker 1: BELIEVE i want to read a quote from the source

588
00:27:41,119 --> 00:27:43,440
material that really sums this up for. Me it talks

589
00:27:43,440 --> 00:27:43,720
about the.

590
00:27:43,799 --> 00:27:46,160
Speaker 2: Highway, yes that's a powerful.

591
00:27:46,200 --> 00:27:48,880
Speaker 1: Image the quote IS i think somewhere out there there's

592
00:27:48,920 --> 00:27:52,720
a highway containing the souls of millions of aliens traveling

593
00:27:52,759 --> 00:27:54,319
across the galaxy at the speed of.

594
00:27:54,400 --> 00:27:57,599
Speaker 2: Light and the chilling part is the question that, follows.

595
00:27:57,480 --> 00:27:59,880
Speaker 1: If it's right next to, us could we humans detect

596
00:28:00,079 --> 00:28:00,559
this super.

597
00:28:00,640 --> 00:28:04,880
Speaker 2: Highway, no we are like ants living on the median

598
00:28:04,920 --> 00:28:07,759
of an. Interstate we see the flash of headlights and

599
00:28:07,799 --> 00:28:10,960
think it's. Lightning we feel the rumble of the trucks

600
00:28:11,000 --> 00:28:14,720
and think it's, thunder but really it's just cosmic rush.

601
00:28:14,759 --> 00:28:17,960
Speaker 1: Hour the source ends on a hopeful, note though it

602
00:28:18,000 --> 00:28:20,880
talks about the future of physics where we might be.

603
00:28:20,920 --> 00:28:23,680
Speaker 2: Heading it predicts that we are currently in a kind of,

604
00:28:23,839 --> 00:28:27,319
exile that we've been separated from these other. Dimensions but

605
00:28:27,400 --> 00:28:29,759
the future of, science it, argues is to combine the

606
00:28:29,839 --> 00:28:34,119
visible and the non, visible to merge spirituality and quantum.

607
00:28:34,160 --> 00:28:37,720
Speaker 1: Mechanics the unseen will be. Seen that's the.

608
00:28:37,759 --> 00:28:40,920
Speaker 2: Promise if we can update our laws of physics to include,

609
00:28:40,960 --> 00:28:45,279
consciousness to include, multidimensionality we might just rejoin the. Neighborhood

610
00:28:45,319 --> 00:28:47,440
we might finally realize we haven't been alone in the

611
00:28:47,440 --> 00:28:47,759
house at.

612
00:28:47,799 --> 00:28:49,480
Speaker 1: All we might finally find that door in the.

613
00:28:49,400 --> 00:28:51,200
Speaker 2: Wallpaper and have the courage to open.

614
00:28:51,240 --> 00:28:53,319
Speaker 1: It so here's the. QUESTION i want to leave all

615
00:28:53,400 --> 00:28:56,640
of you with. Today it's a thrilling threads. Tradition let's hear.

616
00:28:56,680 --> 00:28:59,640
It if you hiked up that plateau In, peru if

617
00:28:59,680 --> 00:29:02,440
you still before the gate of The, gods feeling that

618
00:29:02,599 --> 00:29:05,680
thin cold wind on your, face and if you look

619
00:29:05,799 --> 00:29:08,559
down and you found that golden disk lying in the,

620
00:29:08,559 --> 00:29:11,440
dirt knowing that if you put it in the, slot

621
00:29:11,799 --> 00:29:14,599
you'd be leaving everything you've ever known and you might

622
00:29:14,680 --> 00:29:16,680
never come. Back would you do?

623
00:29:16,759 --> 00:29:19,400
Speaker 2: It that is the ultimate, question isn't it the explorer's?

624
00:29:19,440 --> 00:29:24,559
Dilemma curiosity versus? Safety would you leave the known house

625
00:29:24,640 --> 00:29:25,359
for the unknown?

626
00:29:25,480 --> 00:29:30,759
Speaker 1: Universe and one, more Regarding flight, nineteen do you think

627
00:29:30,799 --> 00:29:33,039
those twenty seven men are dead or do you think

628
00:29:33,039 --> 00:29:35,839
they are just elsewhere waiting for the door to open.

629
00:29:35,839 --> 00:29:38,440
Speaker 2: Again i'd like to believe they are, elsewhere flying a

630
00:29:38,440 --> 00:29:40,839
patrol in the. Sky we just can't. See it's a nicer.

631
00:29:40,880 --> 00:29:42,640
Speaker 1: Thought if you have a, theory or if you've ever

632
00:29:42,680 --> 00:29:44,400
seen a door where there shouldn't be, one leave us

633
00:29:44,400 --> 00:29:45,599
a comment. Below we want to hear.

634
00:29:45,599 --> 00:29:46,279
Speaker 2: It we certainly.

635
00:29:46,359 --> 00:29:49,200
Speaker 1: Do until next, time keep pulling the. Threads you never

636
00:29:49,279 --> 00:29:50,240
know what we'll. Unravel

