1
00:00:00,040 --> 00:00:03,240
Speaker 1: Hello, and good morning nimbly Hiero. How are you doing

2
00:00:03,439 --> 00:00:06,280
doing fantastic? Really excited to talk with you because this

3
00:00:06,320 --> 00:00:09,039
book is coming out at a really interesting time in

4
00:00:09,199 --> 00:00:11,880
history where people are on separate sides, but they're not

5
00:00:11,919 --> 00:00:15,759
having these conversations that that Gabe and Annabel are doing. Yes,

6
00:00:15,919 --> 00:00:18,199
that is for sure, but see, don't you think that

7
00:00:18,239 --> 00:00:20,120
this book could inspire that change?

8
00:00:20,120 --> 00:00:23,839
Speaker 2: Though? Yes, that's that is definitely my hope of I

9
00:00:23,879 --> 00:00:26,440
think that, you know, I think one of my favorite

10
00:00:26,480 --> 00:00:31,160
stories from from writing this book is one of them.

11
00:00:31,320 --> 00:00:33,200
I live in DC and at my son's school, one

12
00:00:33,200 --> 00:00:34,759
of the moms who'd read the book said that they

13
00:00:34,759 --> 00:00:39,159
should be required reading for Hill staffers because she had

14
00:00:39,159 --> 00:00:42,399
actually fell in love with her husband, she's regent when

15
00:00:42,439 --> 00:00:43,799
they were both on the hill and back in the

16
00:00:43,880 --> 00:00:46,119
day they used to you know, you would argue all day,

17
00:00:46,159 --> 00:00:48,039
then you would get fear, and then you would plan

18
00:00:48,119 --> 00:00:49,880
the same softball team and the next day, you know,

19
00:00:49,920 --> 00:00:53,960
you had you know, feels being made or relationships starting.

20
00:00:54,000 --> 00:00:56,079
And now that does not happen. There's none of that.

21
00:00:56,920 --> 00:00:58,399
You don't talk to him from the other side, you

22
00:00:58,399 --> 00:01:00,719
don't grab a beer, and so just think of all

23
00:01:00,719 --> 00:01:03,479
the lost romances that occurred because of this divide that.

24
00:01:03,479 --> 00:01:05,640
Speaker 1: Is so true. And you make Annabelle and Gabe feel

25
00:01:05,879 --> 00:01:09,879
so real. Is that because of your psychology and your

26
00:01:09,879 --> 00:01:12,959
psychotherapy background, Because I mean it's just they're so real.

27
00:01:13,040 --> 00:01:15,239
But it's almost like it's like, how did she make

28
00:01:15,280 --> 00:01:16,599
them so like us?

29
00:01:17,040 --> 00:01:19,680
Speaker 2: Yeah? I think I think it's a real a dantage

30
00:01:19,680 --> 00:01:22,319
being a writer and a therapist, because you know, usually

31
00:01:22,799 --> 00:01:25,760
we don't get to hear people's internal worlds. I could

32
00:01:25,799 --> 00:01:28,519
be in the worst mood, but you know, if I'm

33
00:01:28,599 --> 00:01:32,159
speaking to somebody, you know, if I'm speaking to a

34
00:01:32,239 --> 00:01:35,280
Barisa Starbucks er, if I'm speaking to a parent in school,

35
00:01:35,280 --> 00:01:37,439
I'm gonna have my game based on and be pleasant.

36
00:01:37,760 --> 00:01:40,640
But when you're in spescionalists on, you hear everything they're thinking,

37
00:01:41,400 --> 00:01:43,760
from the most absurd to the status and that really

38
00:01:43,799 --> 00:01:47,000
allows for such great character development when you're writing.

39
00:01:47,519 --> 00:01:49,359
Speaker 1: I like the way that you talk about the small

40
00:01:49,359 --> 00:01:51,200
town because I mean, over the past let's say eight

41
00:01:51,200 --> 00:01:53,959
to ten years, this small town feeling has really taken

42
00:01:54,040 --> 00:01:55,920
sides as well, and I can see it around the

43
00:01:55,959 --> 00:01:58,480
Charlotte area in the smaller towns, how everybody is on

44
00:01:58,519 --> 00:02:00,480
their side of the fence and they're not really getting

45
00:02:00,480 --> 00:02:01,480
along with each other all the.

46
00:02:01,439 --> 00:02:05,159
Speaker 2: Time, right, And it's a fictional town in the south,

47
00:02:05,159 --> 00:02:07,000
but it was kind of loosely based on the research

48
00:02:07,040 --> 00:02:10,000
triangle idea where you have this small town North Carolina

49
00:02:10,039 --> 00:02:12,439
in the book, which is against fictional, but half the

50
00:02:12,479 --> 00:02:17,120
town because of a research university and a hospital, there's

51
00:02:17,400 --> 00:02:19,159
half the town. The east side is liberal and then

52
00:02:19,199 --> 00:02:21,919
it's the south and so the north side is conservative.

53
00:02:21,960 --> 00:02:23,879
And these sides try to have nothing to do with

54
00:02:23,919 --> 00:02:26,680
each other. But what are the spaces that bring us together?

55
00:02:26,840 --> 00:02:28,960
Ana Gabe's case, that was a running team.

56
00:02:29,759 --> 00:02:32,280
Speaker 1: A lot of young adults, they have their opinions, but

57
00:02:32,280 --> 00:02:34,000
they don't know how to use their opinions. I think

58
00:02:34,000 --> 00:02:35,560
this is going to be a great teaching tool in

59
00:02:35,599 --> 00:02:37,759
the way of them saying, hey, I'm either Gabe or

60
00:02:37,800 --> 00:02:39,960
I'm Annabelle, and I want to be able to talk

61
00:02:40,000 --> 00:02:42,120
to somebody about this without being judged.

62
00:02:43,439 --> 00:02:46,199
Speaker 2: Absolutely, I see so much in my practice people are,

63
00:02:46,280 --> 00:02:49,639
especially colle students, they are cutting relationships off with people

64
00:02:49,719 --> 00:02:51,960
because of how they think what they post on social media.

65
00:02:52,120 --> 00:02:54,759
And plenty of grown ups are doing this, you know,

66
00:02:54,840 --> 00:02:57,599
even like fifty and six year olds are doing this

67
00:02:57,639 --> 00:02:59,719
and this has really become kind of commonplace now to

68
00:02:59,800 --> 00:03:02,080
not be able to really even be friends with someone

69
00:03:02,080 --> 00:03:04,680
who think differently. And I think there's a lot lost there.

70
00:03:05,000 --> 00:03:07,039
Speaker 1: Yeah, and to me, that's where ghosting came from. And

71
00:03:07,479 --> 00:03:09,919
I sat there and I kept wondering, is Gabe gonna

72
00:03:09,960 --> 00:03:13,479
ghost her? Because I mean we or would Annabelle ghosts Gabe?

73
00:03:13,680 --> 00:03:16,080
Speaker 2: Yeah? Probably Annibal will be more likely. I think she's

74
00:03:16,080 --> 00:03:17,120
more hot headed, Gabe.

75
00:03:16,960 --> 00:03:17,439
Speaker 1: A little more.

76
00:03:20,479 --> 00:03:20,560
Speaker 2: So.

77
00:03:20,639 --> 00:03:22,840
Speaker 1: What did you feel while you were putting those words together?

78
00:03:22,879 --> 00:03:24,800
Because I mean, it has to move through you first

79
00:03:24,840 --> 00:03:26,199
before it arrives in our eyes.

80
00:03:27,400 --> 00:03:29,560
Speaker 2: I think there are some parts that were challenging and

81
00:03:29,719 --> 00:03:32,199
like that, you know, when when your characters think differently

82
00:03:32,199 --> 00:03:34,719
than you do, that can be really challenging. But you know,

83
00:03:34,840 --> 00:03:36,840
that's where I think the power of you know, the

84
00:03:36,879 --> 00:03:39,879
power of like romance comes in, and the power of

85
00:03:39,919 --> 00:03:42,120
these shared spaces that have nothing to do with politics,

86
00:03:42,120 --> 00:03:44,879
where you can see and understand where someone's coming from.

87
00:03:46,000 --> 00:03:48,240
And so, you know, I think the mix of these

88
00:03:48,240 --> 00:03:50,680
like romance tropes where you have this idea that you

89
00:03:50,719 --> 00:03:54,319
know somebody, the power of buye in love. But what

90
00:03:54,439 --> 00:03:56,840
happens when you think so differently, and I just think

91
00:03:56,879 --> 00:03:58,960
that's such an interesting dynamic to words through and I

92
00:03:58,960 --> 00:04:01,520
think it definitely helps me kind of even speak to

93
00:04:01,560 --> 00:04:03,400
my friends who think differently in a different way and

94
00:04:03,439 --> 00:04:06,879
try to really understand them in a more open, open

95
00:04:06,879 --> 00:04:07,479
minded way.

96
00:04:08,080 --> 00:04:10,599
Speaker 1: One of the title of the book really caught my

97
00:04:10,639 --> 00:04:13,080
attention because in so many different ways there could be

98
00:04:13,120 --> 00:04:15,560
different definitions, because running mates could be there on two

99
00:04:15,599 --> 00:04:17,959
different sides of the political fans, running mate means they're

100
00:04:17,959 --> 00:04:19,160
out there running together.

101
00:04:19,279 --> 00:04:21,120
Speaker 2: Right and in this case both work.

102
00:04:21,399 --> 00:04:23,680
Speaker 1: Yeah, yeah, yeah. I just thought that was very clever

103
00:04:23,720 --> 00:04:25,759
as to how you're doing it, because once you dive

104
00:04:25,800 --> 00:04:27,519
into those pages and you see what it's about there,

105
00:04:27,560 --> 00:04:30,279
you go, oh, I know where we're going with this.

106
00:04:30,600 --> 00:04:34,399
Speaker 2: Yes, yes, definitely, And that was I think the first

107
00:04:34,439 --> 00:04:37,199
title was something like the Lost Art of Manners, and

108
00:04:37,240 --> 00:04:39,600
then they were like, that's not catchy enough, and then

109
00:04:40,000 --> 00:04:41,759
you know, I think it was a brainstorm and my

110
00:04:41,839 --> 00:04:46,360
agent and me and the publisher all like kind of

111
00:04:46,399 --> 00:04:48,519
finding the right title, which which you know, even though

112
00:04:48,519 --> 00:04:51,319
writing is a solo sport and you know there's so

113
00:04:51,439 --> 00:04:53,360
many people help, it's really a team effort.

114
00:04:53,160 --> 00:04:55,519
Speaker 1: At the end, a solo sport, but yet when you

115
00:04:55,519 --> 00:04:57,839
get two runners together, they've got a lot of things

116
00:04:57,879 --> 00:05:00,639
to talk about, that is for sure. I think it's

117
00:05:00,680 --> 00:05:02,160
because they're up there in their heads so much while

118
00:05:02,160 --> 00:05:03,720
they're out there running around that they've just got to

119
00:05:03,720 --> 00:05:04,680
get it out with somebody.

120
00:05:04,839 --> 00:05:07,279
Speaker 2: Yes, Yes, And then after running, you're in a good mood.

121
00:05:07,279 --> 00:05:09,279
It's good for mental health, so you can argue less

122
00:05:09,279 --> 00:05:12,560
while you're talking about hard choices. Maybe that's the key.

123
00:05:12,600 --> 00:05:14,639
We should have everyone like run ten miles and they

124
00:05:14,639 --> 00:05:16,639
can argue you. They'd probably get along better.

125
00:05:17,040 --> 00:05:19,519
Speaker 1: So many listeners and readers are going to really see

126
00:05:19,519 --> 00:05:22,199
themselves inside these storylines in the way that you know

127
00:05:22,240 --> 00:05:24,959
they inside their mind. They are an activist, they want

128
00:05:25,000 --> 00:05:27,720
to see some activism. But where can they go to

129
00:05:27,800 --> 00:05:30,240
even learn more about this because there's so many people

130
00:05:30,240 --> 00:05:33,480
that want the younger generation to use their voice.

131
00:05:34,000 --> 00:05:35,920
Speaker 2: Yes, I think I think you want to think like,

132
00:05:36,040 --> 00:05:39,240
I think it's so great that the younger generation does

133
00:05:39,319 --> 00:05:40,639
want to use their voice, and I think they have

134
00:05:40,720 --> 00:05:43,639
more platforms than ever. I think social media, which has

135
00:05:43,759 --> 00:05:47,720
benefits and you know, bad and good. Like everything else,

136
00:05:48,079 --> 00:05:50,639
you know, you can through social media you could be

137
00:05:50,839 --> 00:05:53,199
live in a place that maybe you know, not a

138
00:05:53,519 --> 00:05:56,680
major TV or radio town and still be really heard

139
00:05:56,759 --> 00:05:59,399
and like whether it's on YouTube or on your Instagram channel.

140
00:05:59,399 --> 00:06:01,079
You know, I think more than ever, there are these

141
00:06:01,079 --> 00:06:02,959
ways we can get our voices heard. But I think

142
00:06:03,519 --> 00:06:06,600
the trapping is is that how do we make sure

143
00:06:07,519 --> 00:06:09,920
we can hold our own views and talk with our

144
00:06:09,920 --> 00:06:13,240
own views, but not totally shut out other points of views,

145
00:06:13,240 --> 00:06:15,480
even if they are very different and maybe even feel threatening.

146
00:06:15,680 --> 00:06:18,519
Speaker 1: Yeah, yeah, because it's even a fearful journey if you're

147
00:06:18,519 --> 00:06:20,199
even going to be on social media, because I mean

148
00:06:20,199 --> 00:06:21,879
it's all there, but you know, do you want to

149
00:06:21,879 --> 00:06:23,319
be a part of that crowd right?

150
00:06:23,399 --> 00:06:26,240
Speaker 2: Right? And there's a lot of harm from social media too,

151
00:06:26,240 --> 00:06:27,319
So it's so complicated.

152
00:06:28,639 --> 00:06:31,800
Speaker 1: So now to get into this storyline, how did you

153
00:06:31,839 --> 00:06:33,480
measure the balance in it? Because I mean that's what

154
00:06:33,519 --> 00:06:35,759
I love about this is that is that your editor

155
00:06:35,759 --> 00:06:37,040
that did that? Or I mean, how did you keep

156
00:06:37,040 --> 00:06:38,279
it so well balanced?

157
00:06:38,920 --> 00:06:41,480
Speaker 2: Well? I think you know, I am a huge lifelong

158
00:06:41,959 --> 00:06:45,240
romance okay, lover and reader and romance novels actually have

159
00:06:45,319 --> 00:06:48,199
pretty clear guidelines that I don't think everyone knows about. Like,

160
00:06:48,399 --> 00:06:50,519
to really be a romance, you have to have the

161
00:06:51,360 --> 00:06:53,680
two love interest on the page. Every ten pages, they

162
00:06:53,680 --> 00:06:55,839
have to be together. Oh well, so there's usually a

163
00:06:55,879 --> 00:06:58,639
third act breakup, and usually there's always a halfway. Ever,

164
00:06:58,680 --> 00:07:01,519
ask and I think, you know, writing this book, maybe

165
00:07:01,519 --> 00:07:04,079
really understand why that's so important, because so I says,

166
00:07:04,160 --> 00:07:05,560
you don't want to get you know, at the end

167
00:07:05,560 --> 00:07:07,160
of the day, you want people to be in the

168
00:07:07,240 --> 00:07:09,120
romance and the comedy, and the way to do that

169
00:07:09,199 --> 00:07:11,639
is to keep the tension between the characters. It's exciting.

170
00:07:11,920 --> 00:07:14,079
Usually tension is threatening, right, Usually if people are not

171
00:07:14,560 --> 00:07:16,839
getting along, it makes so uncomfortable. But in this case,

172
00:07:16,879 --> 00:07:19,399
it's adding to the romance appeal. So you know, I

173
00:07:19,399 --> 00:07:22,279
think that's the real balance, which is it's almost exciting

174
00:07:22,279 --> 00:07:24,399
when they disagree because there's some other you know, sexual

175
00:07:24,439 --> 00:07:26,639
attension there instead of it just being awkward.

176
00:07:26,920 --> 00:07:29,160
Speaker 1: See. I like tension and I like conflict. And the

177
00:07:29,199 --> 00:07:30,920
thing is is I'll dive into it as a writer,

178
00:07:31,079 --> 00:07:32,319
and now I've got to figure out how am I

179
00:07:32,319 --> 00:07:34,040
going to find some piece here as well?

180
00:07:34,120 --> 00:07:34,920
Speaker 2: Right? Right?

181
00:07:36,040 --> 00:07:38,560
Speaker 1: But it gets inside your own person. I guess you

182
00:07:38,639 --> 00:07:40,720
being a psychotherapist, I mean, hey, I guess you just

183
00:07:40,759 --> 00:07:41,800
take care of yourself.

184
00:07:42,279 --> 00:07:45,000
Speaker 2: Yeah, well, I mean I think I'm also a runner.

185
00:07:45,000 --> 00:07:47,639
I'm not an engrave or like fabulous runners. I just

186
00:07:47,680 --> 00:07:49,920
run three miles very slowly, and I read a lot

187
00:07:49,920 --> 00:07:53,160
of romance, and I eat a lot of chocolate chip cookies.

188
00:07:53,160 --> 00:07:55,480
But I also think that, you know, moving back to DC,

189
00:07:56,360 --> 00:07:58,319
I've been around a lot of people who think differently

190
00:07:58,319 --> 00:08:00,920
than me again, and I really I think something that's

191
00:08:00,959 --> 00:08:02,839
and powerful is that I can also learn from the

192
00:08:02,879 --> 00:08:05,680
way other people do things, and that that makes me

193
00:08:05,720 --> 00:08:07,439
a better therapist, and it makes me a better mom,

194
00:08:07,480 --> 00:08:08,879
and it makes me a better writer. So I think

195
00:08:08,879 --> 00:08:10,079
that's been really powerful too.

196
00:08:10,360 --> 00:08:11,720
Speaker 1: What is your writing discipline?

197
00:08:12,360 --> 00:08:14,959
Speaker 2: All right? So I'm I have two small boys and

198
00:08:15,040 --> 00:08:17,199
I work full time. So I'm I'm going to tell

199
00:08:17,240 --> 00:08:19,160
you what I do. I would never recommend this for

200
00:08:19,199 --> 00:08:21,160
mental health, because it's bad for mental health. I write

201
00:08:21,160 --> 00:08:24,879
between ten pm and twelve thirty or one am, and

202
00:08:24,920 --> 00:08:28,040
I do that by eating Eminem's and espresso the whole time.

203
00:08:28,480 --> 00:08:31,920
So again, I do not recommend that as a therapist,

204
00:08:31,920 --> 00:08:33,919
but it is effective for a writing mom who has

205
00:08:33,960 --> 00:08:36,960
a full time job. And I think, you know, writing

206
00:08:37,519 --> 00:08:39,600
just when you're writing the discipline, like people really wanted

207
00:08:39,600 --> 00:08:42,120
to be romantic inspiration. Here I go. But that is

208
00:08:42,200 --> 00:08:45,320
not true. It's like anything else, you have to put

209
00:08:45,320 --> 00:08:47,120
your butt in a chair and kind of produce a

210
00:08:47,120 --> 00:08:49,279
certain amount of words or pages a day, and so

211
00:08:49,600 --> 00:08:51,799
you know, that's kind of the reality. And I think

212
00:08:51,799 --> 00:08:53,759
eminems are a great way to motivate.

213
00:08:54,480 --> 00:08:56,279
Speaker 1: I know a lot of musicians that do exactly what

214
00:08:56,320 --> 00:08:58,279
you do, and they say, you know, I want to

215
00:08:58,279 --> 00:09:00,600
write at night, that that's where my energy is given birth.

216
00:09:01,000 --> 00:09:03,840
Speaker 2: Yeah, yes, or in my case more the only time

217
00:09:03,879 --> 00:09:06,759
I have. But I definitely recommend trying to split more

218
00:09:06,799 --> 00:09:09,559
than I've slept in the last year, but it's been

219
00:09:09,559 --> 00:09:09,919
worth it.

220
00:09:10,399 --> 00:09:13,279
Speaker 1: When did you start to realize that Gabe and Annabelle

221
00:09:13,279 --> 00:09:15,840
were starting to respect each other? And to me, it's

222
00:09:15,879 --> 00:09:18,840
at that perfectly balanced timing when when it really starts

223
00:09:18,840 --> 00:09:19,279
to click.

224
00:09:20,039 --> 00:09:22,360
Speaker 2: Yeah, I think so. At first, you see that they

225
00:09:22,360 --> 00:09:25,960
can't really tolerate the pressure of their friends and families.

226
00:09:25,960 --> 00:09:28,440
They feel almost too embarrassed to really be together, and

227
00:09:28,480 --> 00:09:31,039
that when that shifts, when they're willing to still be

228
00:09:31,120 --> 00:09:34,120
together despite kind of pressures from family or friends, is

229
00:09:34,480 --> 00:09:37,759
a shift that they're prioritizing each other and also really

230
00:09:37,799 --> 00:09:40,279
feeling more confident themselves to make decisions they think are

231
00:09:40,320 --> 00:09:43,159
true to who they want to be rather than who

232
00:09:43,200 --> 00:09:45,159
who the people they're around are pushing them to do.

233
00:09:45,559 --> 00:09:47,840
Speaker 1: Wow, So do you make this a ten part binge watch?

234
00:09:47,879 --> 00:09:49,399
Are you going to do a rom com here?

235
00:09:50,120 --> 00:09:53,039
Speaker 2: I think I'm going I might go back because there's

236
00:09:53,039 --> 00:09:56,360
some side characters who should have other stories that I'm

237
00:09:57,120 --> 00:09:59,200
I think my next novel is also be romantic comedy,

238
00:09:59,200 --> 00:10:01,080
but in a different say, with a new guest, at

239
00:10:01,159 --> 00:10:02,279
least for now. See.

240
00:10:02,320 --> 00:10:04,600
Speaker 1: I like that kind of thinking because I mean when

241
00:10:04,639 --> 00:10:07,080
you bring people into the storyline and it's almost like

242
00:10:07,120 --> 00:10:09,159
the reader gets to see them shake hands. Okay, I'll

243
00:10:09,159 --> 00:10:11,279
never see him again. So yeah, continuing on with a

244
00:10:11,279 --> 00:10:12,679
story like that gives you a series.

245
00:10:13,399 --> 00:10:15,519
Speaker 2: Yes, yes, that's it. There are there are some side

246
00:10:15,559 --> 00:10:17,919
characters who I know people really want stories for. That's

247
00:10:17,960 --> 00:10:20,000
been some of the seed back there, especially Sam and

248
00:10:20,039 --> 00:10:22,480
Dell who are like the best friends and Nason. People

249
00:10:22,519 --> 00:10:24,279
really want to see them have their own romances, and

250
00:10:24,320 --> 00:10:26,399
maybe one day they will, because everyone deserves a happy

251
00:10:26,399 --> 00:10:27,279
ever after. Wow.

252
00:10:27,360 --> 00:10:29,240
Speaker 1: I would love to see the research on how many

253
00:10:29,399 --> 00:10:32,200
grown men will find this book and they will read it.

254
00:10:32,960 --> 00:10:35,799
Speaker 2: I have so my husband's a lawyer and his friends

255
00:10:35,840 --> 00:10:38,039
only read nonfiction, but because this was my book, they

256
00:10:38,120 --> 00:10:40,519
all read it and it was there for literally they

257
00:10:40,799 --> 00:10:44,840
read biographies, war biographies, you know, the Constitution, wherever they read.

258
00:10:45,000 --> 00:10:47,240
They've never read a rom com. And they were so

259
00:10:47,360 --> 00:10:49,480
funny reading this book because they were texting me about

260
00:10:49,480 --> 00:10:52,919
it NonStop. They thought it was so romantic. They never

261
00:10:53,200 --> 00:10:56,279
they thought it was much more like you know, they've

262
00:10:56,279 --> 00:10:58,200
not used some books with this level of sexual attention,

263
00:10:58,320 --> 00:11:00,639
even though it's very PG. Thirteen. So it's so funny

264
00:11:00,679 --> 00:11:03,159
watching them, particularly just running me.

265
00:11:03,519 --> 00:11:07,360
Speaker 1: Yeah, we're all still just kids. We never really grow up. Yes,

266
00:11:08,840 --> 00:11:10,840
So where can people go to find out more about you, Emily,

267
00:11:10,840 --> 00:11:12,960
because I want them to really get into what you're doing.

268
00:11:13,440 --> 00:11:15,240
Speaker 2: Yes, So I have a website and if you just

269
00:11:15,279 --> 00:11:18,279
google Emily Locker author, it will pop up, and there's

270
00:11:18,279 --> 00:11:20,440
a way you can email me on that. And also

271
00:11:20,559 --> 00:11:22,759
I'm on Instagram and you can always DM me and

272
00:11:22,799 --> 00:11:25,440
I will do my best to always answer. I love

273
00:11:25,519 --> 00:11:28,960
talking about romance, therapy and empathy and all these topics.

274
00:11:29,399 --> 00:11:30,519
Speaker 1: I love it. You got to come back to the

275
00:11:30,519 --> 00:11:32,440
show anytime in the future. The door is always going

276
00:11:32,480 --> 00:11:33,200
to be open for you.

277
00:11:33,679 --> 00:11:34,279
Speaker 2: I would love that.

278
00:11:34,480 --> 00:11:36,480
Speaker 1: Thank you, Ero well, be brilliant and thank you so

279
00:11:36,559 --> 00:11:38,679
much for sharing your writing and not hiding it underneath

280
00:11:38,679 --> 00:11:39,000
your bed.

281
00:11:39,360 --> 00:11:41,480
Speaker 2: Oh, thank you, thank you so much, and thanks for

282
00:11:41,480 --> 00:11:41,960
having me

