Speaker 1: He's gonna play without an Ace in his death. Hi, Curly,
I'm the trap player. No, actually, I'm the plumber. I
was even right about me. I'm gonna go to space,
bad Space bad Oh crack no face is back, Carly.
Speaker 2: Well, here we are. It is twelve nineteen am. It
is Friday morning, Thursday night, and we obviously have all
heard the news. I heard early this after actually early
this morning. Obviously couldn't say anything publicly until the official
announcement came this afternoon. But uh, Ace is gone, and man,
this is uh this is a tough one. Obviously I
didn't know Ace. I met him a couple of times,
but dude changed my entire life. Obviously different intro. That's
the intro for Act, my Ace Fairly tribute band that
I've been doing since twenty and thirteen. I figured it
was fitting and in the words of my close personal friends,
don't go see Austin crack one for the space man.
I'm sorry, I'm numb. I'm numb. You didn't. I always say,
it's like when a musician dies, an actor dies, a
comedian dies, somebody that's famous dies, It's well, why are
you getting ripped up about it. You didn't know them,
they weren't your friends. But sometimes it's just on a
level that influences your whole life. Keith Robert Warr my
guitar player here in Vegas in the Act in the
act version, Vegas version of Act. Sorry, I'm just he
made the great statement, if there was no Ace, there's
no us, and that you don't realize how true that
statement is, how deep that statement is. Think about it.
If there's no Ace, there's no us, and that just
goes to show the impact that Ace and Kiss had
have had had had Jesus Christ. I can't talk. I
guess I'm doing a shot of whiskey cheers. The impact
that band has had on our lives. Would I have
picked up a guitar if it wasn't for Ace Freely, Probably,
but it would be a lot different. I say that
there's there's two reasons I picked up a guitar. It
was Ace Freely and the Johnny b Good scene from
Back to the Future. But the statement without Ace, there's
no Us runs so deep because the impact that that
band has had on my life, that Ace Frehley has
had on my life, the people that I have met,
the friends that I have that. I'm lucky to have
all of them, no matter who they are. Who knows
if our crafts, if our paths would have crossed, if
it was not for Kiss. And he's freely Yes, rock
and roll brings people together, but there is a bond
because of Kiss, that whole kiss army thing. It's so true,
Zeus said on made a joke on Shout Out Loud cast.
I'm a kiss TRD and I'm pretty damn proud of it. Well,
he's damn right, he's spot on. I am a kiss
hard and I am proud of it because without that band,
who knows what I would have done with my life.
Who knows what would have been? Who knows where I
would be without the influence of Ace Frehley, And without
the influence of Kiss, I don't even know. Maybe I
wouldn't have started to get into bands, Maybe I wouldn't
have got into radio. Maybe I wouldn't have followed this
path at all. And yes, I sound narcissistic talking about myself,
but this is blanket This is a blanket statement. This
is a blanket revelation the impact that Ace Frehley had
on my life. I might be married with four kids,
still in Sant Cloud, Minnesota, working some office job, owning
a business, being successful, not begging for money on the internet.
Yeah yeah, yeah, yeah. Oh you know what I got
that pulled up. Let's put that in Yeah yeah, yeah, yeah,
thank you, Pat Fontaine. It it's that's one of the
reasons that I'm so numb. You know, we always talk
about or you know, kiss us kiss fans. He was like,
we didn't. We always speculate, well, which one, which one
is going to go first, Not that we want any
of them to go, but we know it's going to
be inevitable. And obviously it is because Ace Frehley is gone.
Ace Frehley has risen to Gendell. He's gone home to Gendell.
I'm glad I didn't do this earlier. I heard this morning,
and you know, talking to some of my industry friends
and you know, hearing that it was confirmed and not
being able to say anything because you don't want to
be that guy that that says it before before it's
officially announced. I posted pictures, but you know, praying for
the best, you know, praying for good news because we
had all heard the rumors. The rumors were obviously out
there you know, a so called journalist posted a cryptic
thing that basically was saying rest in p s as
without saying it before there was an official announcement. And
that's bad. That's not good. You're not a fucking journalist
if you do that, because you know better if you're
a journalist quote unquote fucking journalist. I am a journalist.
I was a journalist. I was a rock writer. I
was a DJ radio DJ. Not that might be the
greatest beat I've ever created, out created. You gotta be smart.
You can't jump the gun. You can't. I get it.
You want to be the first, you want to get
the headlines. There's no reason for that. You want to
be a fucking pro be a pro. That shit pisses
me off. My kiss story, I'm gonna jump all over
the place. I'll get back to my where the funk
would I be? And I this is not gonna be
a long episode. You guys don't need to hear me
blabber on about Ace Frehley for three hours. I mean
I could, but I won't. And at the end of
this show, I'm going to play my interview. That one
time I got to interview Ace was when I was
doing mornings on the Monsters of Rock Radio on the
Dash Radio network, which is now something else. But Harlan
had me doing mornings, and I did like an actual
morning show. It wasn't just liner jock bullshit. I did
as much as a morning show that they would let me,
and I would definitely push the limits. You ever heard it,
you know exactly what I'm talking about. If you didn't,
well you missed it. I was actually pretty fucking good,
if I don't say so myself. But I was able
to interview Ace. I don't even know what year it was.
Whatever year I was doing was at twenty eighteen, twenty nineteen,
something like that. I know it wasn't COVID yet, but
those dark COVID times that we like to forget, or
try to forget at least. But I got to interview Ace,
and I remember that day. I wasn't sure he was
supposed to just call my Google voice number, but for
some fucking reason, my computer was not acting correctly. It's like,
you know what, let's do this at the studio. I
got the studio time and Ace was running late because
he it was a you know, the radio junket that
he had so he was running late and I could
have went longer, but there was people that had the
studio booked for after me, and I'm not an ass.
I'm not going to keep people waiting. But on the
other hand, I've got my hero, a rock and roll
Hall of Famer, the guitar player that has influenced my life,
on the phone doing an interview, and I'm like, I'm
trying to wrap it up. I don't want to wrap
it up. And at one point of the interview, which
you hear, he says, is he they're trying to get
rid of me? Like, no, it wasn't my fault. I
could have went at least another ten fifteen minutes with him,
but no, I think it was. That was his last
interview of the day, so I had more time. It's like, fuck,
that was the one time. That was the one time
I had a chance to interview Ace, and it was
a radio interview, so it was it had to be
like a radio style interview. It couldn't, I got I wish,
I wish I could have sat face to face with
him and done it like an actual interview. Oh, but
I am thankful that I had those eighteen minutes with
my heros freely, and yeah, I met him a couple
of times. It was just meet and quick meet and
greet things and it was fine. I mean it was great.
It's fucking ace, you know. Did the picture. The second
time was that Creature's Fast and he signed my solo
album poster. The only one I have left to get
is Paul. So maybe, maybe, just maybe, just maybe I
can finally get that in November. We'll see, I don't know,
praying to the Kiss gods that that can happen, because
then I can get all four and I get them
framed together. I since I moved into this apartment, I've
left the spot over my TV open in the living
room so I can hang those up, but they all
have to be autographed. The last one I need is Paul.
It is such a weird thing that a band can
just bring people together, and it would Kiss. It was
more than just the music it was. I think with Kiss,
it was the right time.
Speaker 1: There was.
Speaker 2: That time in the seventies when they broke and being young,
impressionable children, we were just intrigued by the look, intrigued
by the mistique, intrigued by what they were doing, and
then just so it happens that the music was fucking
awesome on top of it, we got hooked. It was
it was the seventies Beatlemania, it was the seventies Elvis.
We got hooked. And because of because of that getting
hooked at such a young age, we now have that camaraderie.
We now have that feeling, We now have that bond.
The packed the Kiss has had on my life is irreplaceable.
You don't have that bond and camaraderie with the Bay
City fucking Rollers. Yeah, we all love a lot of
the same bands, but there's something just different about Kiss.
Without Ace, there is no Us, and that is so
goddamn true. Without Ace, I would have no Ace Faily
Tribute band. I would not be playing with these great
musicians that I am lucky enough to play with. I
might not even know them. We might have never cried paths.
This whole world that I am in, I might not
be anywhere near if it was not for Kiss, and
if it was not for Ace fucking Freely. People can
shit on his guitar playing all they want, but he
is a rock god. He is a rock iconomy That
word gets thrown around a lot, but with Ace it
is true, that band influenced so many musicians. Ace Freeley
influenced so many guitar players. They don't play like him,
But if it wasn't for Ace, who knows what they
would play like. Who knows if they would be where
they are? Who knows if they would be in the
circles that we're in. It's so fucking weird. It's like
the butterfly effect. You kill one butterfly and that can
change the future. Thinking about a life with out kiss
and without as Freely, I don't fucking know. I mean
my youngest memories Christmas nineteen seventy six, getting Destroyer. We
lived in a trailer park. I remember then, you know.
Then a year later, our neighbors were having I fucking
remember how I remember this shit, I don't know. A
year later, our neighbors were having a barbecue and one
of the guys had fucking Rock and Roll over and
I remember just staring at that record. Then the solo albums,
which was weird because my mom got me the solo records,
but she got me Jean, Paul and Peter. She never
got me the Ace one, probably because it was sold out,
because that's the only one that really sold. I have
my mom to think this is the uh all sandwiches aside, kidding, Mom,
I love you. If my mom had never got me
that Kiss destroyer, who knows? If she had never got
me those solo records?
Speaker 1: Who knows?
Speaker 2: Every morning on Monsters of Rock Radio, what did I
closed the show with my outro bumper music was Gene Simmons,
when you Wish upon a Star? If it wasn't for Kiss,
if it wasn't for Ace Frehley, who the fuck knows?
Without Ace? There is no us? All right, kids, here's
that interview from the Monsters of Rock Radio. Thank you
you guys, have a great evening, and enjoy the Brian
Slagel interview which is coming out today as well. Recorded
before a Past And then I did record with Mitch
Schneider pr Icon and talking Ozzie, Talking Petty, Talking Bowie,
and we got off the air and I didn't even
know that he represented Sam Kinnison and Bill Hicks, and
that just blew my fucking mind. And now he's gonna
have to come back because I want to talk about
Bill Hicks for an hour. Check out the Patreon. This
show is on the Patreon. AD free everything on the
Patreon is ad free. They get it before everybody else.
Thank you on, Thank you Patreon members, and thank you
guys for listening. And here's my Ace FREHELI.
Speaker 1: Interview Presley on the Monsters of Rock. Don't touch that dial, all.
Speaker 2: Right, everybody, it is the Monsters Rock? Is he Presley here?
And as promise on the phone line, A man that
I've been wanting to interview since i was four years old,
the reason I started playing guitar, my hero, Ace Frehley.
Welcome to the Monsters of Rock, mister Freeley.
Speaker 1: Thank you, Wizzy. I didn't realize you were really at
the rock and roll at age four.
Speaker 2: I was.
Speaker 1: I was.
Speaker 2: Mom brought me up on Elvis and all that stuff.
And then December twenty fourth, nineteen seventy six, Destroyer showed
up underneath the Christmas tree and it changed my life forever.
I was. I was warped forever.
Speaker 1: I guess you could say, yeah, I've heard that story before,
but Destroyer was a good record, and I'm glad it
was the beginning of your rock and roll career, and
so on and so forth.
Speaker 2: Before we get realing into the record, I mean, obviously,
the big news is you have a brand new band,
and ironically it's good friends of mine. I was, I'm
friends with Chris and Scott, and then all of a sudden, bam,
my buddies in in Jean's band show up and it's
like boom, they're an ACES band. Kind of explain kind
of what happened there?
Speaker 1: I told them, Yeah, I mean they were opening owing
Jean and invited me to go on tour with him
to Australia. You know. I asked him if I could
use this band to open for me, because it would
save me the large expense of flying in my whole
band and crew, you know. So he said absolutely, and
then we got along famously and the shows went great.
You know. I opened for Jean. Then he came out
and did an hour and forty five minutes. I had
to hang out for an hour and a half, and
then he brought me back on at the end of
the show to do a rock and roll night and deuce,
you know, and that brought down the house.
Speaker 2: Yeah, how long into that run after Jeane kind of
fell off the bill and it was just you and
those guys. Before you realize that, you know what, I
want to use these guys.
Speaker 1: Well, Yeah, Jean was supposed to go to Japan but canceled,
so I ended up going to Japan with his band,
and we just knocked them dead in Tokyo. It was
so much fun. You know. We were doing two shows
a night, and I was a little concerned that, you know,
I'd be able to pull that off, two seventy minute shows,
but I actually had a great time. And I think
part of it had to do with how well these
guys play and sing right right. You know, everybody in
the band's elite singer, so we can do three or
four part harmony, you know. In a way, it reminds
me of the way Kiss was in the beginning, you know,
you have four lead singers, Yeah, and the terrific musicians,
easy to get along with, and to me, it was
just the next logical step for me to go because
I was having problems with one of the members my band,
and I'm not going to mention any names, but it
was only a matter of time, so I figured, you know,
sooner than later, right.
Speaker 2: And the one thing that I noticed I was watching
some of the videos from that Japan tour, It's like
you were playing stuff, playing the songs a little bit faster.
The thing I noticed over the last few years has
been really really fucking slow, and now it's kind of
speeding getting back up to speed again.
Speaker 1: He just gave the hints away. Oh my god.
Speaker 2: So that's why, Yeah, exactly exactly, But no, it was
nice to hear hear all the songs back up to
speed again. And uh, I was. I was talking with
Jeremy a little bit and he's like, you know, we
were doing cold Gin and Osaka and we like it
was like the live one extended version and a sounded
like on a live one, and I was just geeking out.
Speaker 1: I'll tell you what song really got me, you know.
You know, because I've been doing two thousand Man on
and off for the last several years with my band,
you know, but they really never nailed the harmonies right,
because there's some great harmonies on my version of two
thousand Man, you know the cover I did of the Stones,
and I remember performing it in Tokyo opening night and
all of a sudden, I'm hearing this great harmony on
both sides for the stage that I'm saying, Wow, I
haven't heard this since I performed it with Paul and James.
Speaker 2: Yeah, how did you come across two thousand man. I
know you're an old school, you know music guy, and
I heard that you don't even listen to new music.
You just listened to the old shit. And I know
like a lot of the covers that you've done, you
haven't wanted to do. And but two thousand man is.
Speaker 1: Two thousand man is old ship.
Speaker 2: It is it is.
Speaker 1: It's from Satanic Magic. These request which was the that
was the Stones follow up to Sergeant Pepper's Only Osco band.
Speaker 2: Oh okay, okay, yeah, that's.
Speaker 1: You got to do your homework on this stuff, now,
is he?
Speaker 2: Oh, I've trust me. I've heard the Stones version. I
just didn't. Uh. I was just kind of wondering if
that was one of the things.
Speaker 1: That you Yes you did anything like The Stones.
Speaker 2: Yes you did. And that's that. That song is always
in my I actually have an Ace Freely tribute band
called Act and uh, that's always in the set.
Speaker 1: That's the first, right, you know what a for?
Speaker 2: Uh huh ah. That is wild and weird stuff.
Speaker 1: Actually I read that on.
Speaker 2: So it's got to be true, right, it's got to
be true. One of you know, one of the things
that what's got the Internet so it has to be true, right.
Speaker 1: Yeah.
Speaker 2: One of the things that we do in the band
is we we do a lot of the non makeup stuff,
and that's one of the things that I've noticed you've
kind of gone away from over the years too, from
the Freeliest Comment and the trouble Walking record and stuff
like that. Is there a reason you haven't.
Speaker 1: I'm gonna try to do a couple of those on
the Kiss Crews.
Speaker 2: Nice.
Speaker 1: Well, I think we're going to try to revive Save
Your Love, and I mean everybody has been demanding dark
Light for years, right, So we're gonna I'm actually flying
in a day early and going to a rehearsal studio
with the guys in Miami, you know, the day before
we get on the boat, so we can you know,
perform those to the best of our ability.
Speaker 2: And uh, you got to watch out for those guys.
They have tricks on how to get you to play
songs that you might have forgotten about, So just be careful.
I know their tricks. I'm not gonna give them away,
but I know them. I'm sure Jane has told you
about them, but uh, I mean.
Speaker 1: He hasn't said much. He just you know, He's just
happy that I'm using him because you know, he just
thinks they're a better band for me to work with.
Speaker 2: Yeah, and like I said.
Speaker 1: He's kind of taken me under his wing, so to speak,
and you know he's looking out for my best interests.
Speaker 2: That's awesome. Man. Well, and I know you guys kind
of you know, you guys are reconnected and he played
on the new record, But you guys did that show
in Saint PAULI a year ago? Is this kind of
how it all grew?
Speaker 1: I don't know. It's just like the planets are aligning.
That's like, I don't know how else to put it.
I was just talking to my uh uh, public public
I was just sucking to my publicist, Bill My and
I said, Bill, you know, everything just seems to be
going my way lately, and I go, I feel like
the planets are aligning and I'm into bigger and better things.
And you know, one day at a time, I'm just
going with it. I'm going with the flow.
Speaker 2: That's all you can really do. But I did see
something that you're going to be doing the seventieth solo
record front to back at it like a New Jersey
Kiss expo or something like that.
Speaker 1: Yeah, I heard that, even though it wasn't my idea.
I just got a phone call and saying you gotta
do that, and luckily I can easily do it with
this band, right right.
Speaker 2: It was probably got to chop have.
Speaker 1: Three guitar players instead of too so a lot of that,
A lot of that album I overdubbed a lot of
extra guitars. So we'll be able to do that in
New Jersey. I think it's ten days before Christmas.
Speaker 2: Nice and you know what, it might have been them.
It might have been might have been one of their tricks.
Speaker 1: Okay, right, exactly, not a cheap trick.
Speaker 2: So the new record comes out on Friday. I want
to thank you for picking my birthday for the new
record to come out. That's uh, it makes me feel
very honored. It's called space.
Speaker 1: I'm the first person to say that.
Speaker 2: Really. Yeah, well, I'm just gonna take I'm just going
to take pride.
Speaker 1: The fact heard the record yet I have.
Speaker 2: And I really like it. You're you're playing is fucking amazing.
Thank you.
Speaker 1: Some one of my favorite songs is the Eddie Money cover.
Speaker 2: Yeah, that's great, that's great, Uh, song that you've loved
for a long time.
Speaker 1: Yeah. I mean I've always been a big fan of
Eddie Money. I remember seeing him play a two hundred
c club when his first album came out, and then
subsequently he had the huge hit Two Tickets to Paradise
and he, you know, his career was off.
Speaker 2: Yeah. Yeah, and I thought you did a great job on.
Speaker 1: It, thank you. You know, pretty much Eddie's Eddie's version
is keyboards and sacks, uh huh. And I pretty much
eliminated keyboards and sacks and just layered a lot of guitars.
Speaker 2: Well that's sometimes, you know. That's one thing I love
about your covers is you kind of reinvent them and
really make them your own.
Speaker 1: Somebody told me I asify him.
Speaker 2: You know, people people can look at this, just look
at the song titles on the new record, you know,
like I want to go back and rocking with the boys,
and without without you, I'm nothing and kind of kiss
geeks might be able to or might read into it
a little bit too far, thinking that, oh my god,
he's saying he wants to go back to kiss.
Speaker 1: Well I don't hear that. I just you know, a
lot of people are comparing this album to my seven
dy eight solo album. And you know, then some people
are saying, well, you know, a lot of the songs
are auto biographical, you know. I mean I identified with
the I want to go back because I looked at
that video and it reminded me of when, you know,
I did a piece with the Village Voice a couple
of years ago, and they they made me go back
up to the Bronx and show my old high school,
so on and so forth places I used to hang outing.
And then I saw that video and I said, Wow,
what a great video. And not only that, I mean
the song is brilliant and the lyrics and the melody
are wonderful. So I just said, I got to do
that song.
Speaker 2: Yeah, that's great. It's great. And I know we got
to wrap up here pretty quick. So I know you're
on the press junket fun times. But one thing I
did want to touch on, and.
Speaker 1: They'll just tell me we're fine, I hope.
Speaker 2: Oh god, no, god, no ship. If I if I
had the time, I would keep you on here for
three hours. But but you know, got another ten minutes.
All right, cool, But next time you're in LA, we
got to get you in studios. We can do a
nice uh, nice long form sit down. But I was
just that, I know, I know, I was at the
m I thing. I was the dork in the eighties
Ace Frailey replica stage jacket that asked about selling guitars. Okay, yeah,
I made a Chris Wise joke and You're like, you
gotta look like Chris, and I'm like, oh, okay, god
of threw me for a loop.
Speaker 1: Chris is a great guy. You know, he's working with
the Vampires now, he's doing shows that Joe Perry. He
just swishes me the best, you know, which is the
way it should be from everybody.
Speaker 2: Yeah. Actually Chris has played with us, played with my
Ace Frailey tribute band. It was fun. He's a yeah,
he's a great dude. But I mean, obviously, you know
Kiss is going on their big into the Road tour,
and if Gene and Paul come out and say like, look,
this is the band. You know it's Tommy and Eric,
this is the band. But they came to you and said, look,
I mean, would you be opposed to opening the opening
the tour? Would that be something that you'd be interested
in or would that be like a slap in.
Speaker 1: The face I would not open the tour. Okay, you
can tell them. I said that they're going to hear it, all.
Speaker 2: Right, cool.
Speaker 1: I don't know.
Speaker 2: I mean that's something that kiss geeks talk about.
Speaker 1: I can't regain my throne. I'm not going to be the.
Speaker 2: Oh I love it. I love it, and that is
your throne.
Speaker 1: God damn it.
Speaker 2: Yes you did. I mean, going going back to seventy eight,
when the Solo records came out, I knew they kind
of came out as a you and Peter wanted to
leave and they said, no, stay, able to do solo records. YadA, YadA, YadA.
Did the solo records? Is can't be the last question? Unfortunately,
not necessarily that did? The solo records kind of cause
a bigger but a bigger jar in a bigger cut
in the in the band.
Speaker 1: You mean the word you're looking for is a rip?
Speaker 2: Yes, not too thank you? Thank you.
Speaker 1: I usually can't remember those kinds of words, but I did.
Speaker 2: Obviously I can't either. What you know, what you know?
Speaker 1: What you know? What happened is they when I went
in the studio with Eddie Kramer alone, just me, Eddie
and Anton Tigg. You know you know, it was very
obvious to me. I was more creative away from Paul
and Jean and Peter. Yeah, sometimes you got too many
chefs in the kitchen. And uh, it was kind of
the beginning of the end because I saw myself, you know,
eventually leaving Kiss and going out on my own and
putting a band together.
Speaker 2: Yeah.
Speaker 1: Unfortunately, when I made that decision, I forgot that I
was drunk in the drug addicts. Everything work his plans.
But you know, somehow, some way I got out of that.
And you know, now I'm twelve years sober and everything
seems to be going my way.
Speaker 2: And you're off the sugars and greens. Well, you're off.
You're on that low carb diet. Man, You're thin.
Speaker 1: Now.
Speaker 2: I love it. It's it's just right to see. Yeah,
I love it, man, You're healthy. And I guess kind
of where I was going to with the question is
did the did the solo records cause any jealousy between
the members? I mean cause I know you had you know,
you were on the wall of the wet Madison Square
Garden for years. It was just you. It wasn't the band.
Was there like a competition in jealousy between the guys
at the time.
Speaker 1: You know, those guys never acknowledged that my album did
the best. And if you asked Jank today, he'll still
say that his album sold.
Speaker 2: That's what it says on Wikipedia. Ironically.
Speaker 1: Look, ain't know Jeane Zigo y yes, absolutely here has
a pretty big ego. And I mean, you know, we
never talked about it, to be honest with different. Okay
from my memory, you know, but I don't remember discussing it.
It was just we all did it and then we
tried to move on, you know, and got you. But
I think they were very much aware of the fact
that I was going to want to have more more
songs on records in the future, which I did, and
they were realizing, you know that I'm somebody that I
must respect, bar and let me just you know, do
my thing.
Speaker 2: Well, you did a great thing. Just thank you, as
I did a great thing. You did a great thing
the whole career, you did a great thing and everything,
it was everything. You know, you made a great solo record,
You've had a great career, rock and roll Hall of Fame.
I mean, what else can you say, dude? And as
a fan, I just want to say thank you. I
know you've heard that ten billion times, but thank you
for coming on the Monsters of Rock. And like I said,
next time you're in LA, let's sit down and do this.
Do this face to face.
Speaker 1: All right. It sounds like a plan. Thank you, Izzie.
I'm glad you liked the record, and I'm just hoping
when it hits the street in two days the fans
feel the same way.
Speaker 2: I hope so too, and I'm gonna do my goddamn
bestis to uh make sure.
Speaker 1: All right. Well, you know I live in Ratchell, Santa Face,
so I'm only an hour and forty five minutes from you.
Speaker 2: I know I'll make the drive. Just say the word,
all right, Yeah, absolutely, thank you so much, man, I
really appreciate it.
Speaker 1: Thanks all right, have a great day.
Speaker 2: Anytime, all right. Yeah, bye bye, bye bye