WEBVTT

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<v Speaker 1>Welcome back to Midnight Viewing, the Horror anthology podcast, where

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<v Speaker 1>this season we're taking a look at George A. Romero's

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<v Speaker 1>nineteen eighties series Tales from the Dark Side. Sharing the

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<v Speaker 1>Midnight view with me are the Projection Booths, Mike White.

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<v Speaker 2>I Weigh a Million Pounds.

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<v Speaker 1>And the culture cast Chris Statue, I loath, ZOODI fetishes.

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<v Speaker 3>We'll get there.

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<v Speaker 1>Tonight we are taking a look at the final two

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<v Speaker 1>episodes of season four, the final two episodes of Tawnsmen

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<v Speaker 1>The Dark Side. Those are Barter and Basher Malone. Barter

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<v Speaker 1>Season four, episode nineteen, originally aired on July the seventeenth,

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<v Speaker 1>nineteen eighty eight, Written by Julie Selbo, directed by Christopher T. Welch,

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<v Speaker 1>starring Jack Carter, Jill Duress, and Michael Santiago. This is

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<v Speaker 1>somehow a mashup of the previous two episodes, Going Native

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<v Speaker 1>and Hush. It's a real world I Love Lucy that

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<v Speaker 1>is visited by a door to door salesman who loves Monia.

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<v Speaker 1>What do you think of this one, Mike.

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<v Speaker 2>I actually had a really good time with this one. Obviously,

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<v Speaker 2>fan of I Love Lucy, also fan of Todd Haynes's

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<v Speaker 2>dot get spanked. I could have easily gone the other

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<v Speaker 2>way and been.

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<v Speaker 3>Like boy Jack Carter.

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<v Speaker 2>He was annoying, but I had a good time with

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<v Speaker 2>his weirdo English that he was doing, where I could

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<v Speaker 2>really understand. It was almost like a pig Latin that

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<v Speaker 2>he was speaking with the way that he was talking

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<v Speaker 2>about good, good and all this kind of stuff. Yeah,

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<v Speaker 2>I kind of liked it. I liked the parody of

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<v Speaker 2>I Love Lucy and I Yeah, of course, the kid

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<v Speaker 2>drumming was pretty annoying, but I really empathized with the

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<v Speaker 2>Lucy character on here. And yeah, I think that the

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<v Speaker 2>end was a little weak, but otherwise I was pleasantly

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<v Speaker 2>surprised with this one.

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<v Speaker 3>How about you, Chris, I thought it was interesting to

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<v Speaker 3>have a I Love Lucy parody A left field choice,

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<v Speaker 3>I guess. I just I wonder why is my kind

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<v Speaker 3>of takeaway? It seems like such an oddly specific thing

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<v Speaker 3>to pick and choose and do this. So in terms

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<v Speaker 3>of trying to nail the tone of the show that

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<v Speaker 3>they're parroting, I think they nailed that. It is just

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<v Speaker 3>an alien shows up on I Love Lucy. Okay, if

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<v Speaker 3>all right? I guess I don't need any more explanation

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<v Speaker 3>than that, and none is given, so it's interesting, I

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<v Speaker 3>will say that much. What about you, Father Malone.

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<v Speaker 1>I didn't like it overall because I don't like their

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<v Speaker 1>comedy episodes when they're not in the hands of comedians,

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<v Speaker 1>and for some reason they've decided they're going to close

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<v Speaker 1>out their entire series with a pair of comedy episodes.

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<v Speaker 1>I did notice though, that this dodge, this episode, dudge ah,

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<v Speaker 1>this episode does manage to accomplish in about twenty two

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<v Speaker 1>minutes what the entire mini series of Storm of the

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<v Speaker 1>Century by Stephen King was positing because it's the exact

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<v Speaker 1>same story, right, Like, this stranger shows up, acts weird,

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<v Speaker 1>then demands their child and they have to give him

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<v Speaker 1>to him, and then off he goes. It's like the

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<v Speaker 1>same plot. The ending is when I actually liked about it.

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<v Speaker 1>I liked that he took that kid and fucked off.

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<v Speaker 1>I just wish they had been happier at the end,

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<v Speaker 1>because they seem to rep it's a really weird tonal

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<v Speaker 1>shift at the end. You're not supposed to know, or

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<v Speaker 1>at least I didn't know how to feel, because it

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<v Speaker 1>like they're so sick of the kid, but they're I

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<v Speaker 1>don't know, I don't know what their intention was here

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<v Speaker 1>at the end, but it seemed plenty tales from the

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<v Speaker 1>dark side, and ordinarily they'll lean into the bitterness of it,

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<v Speaker 1>and here they was leaning into the grief of it,

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<v Speaker 1>which was an odd choice.

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<v Speaker 3>I think I agree with you as well, And it

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<v Speaker 3>just goes back to this whole idea of comedy I

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<v Speaker 3>think is much harder to do than most things in writing,

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<v Speaker 3>in terms of screenwriting, especially because again, comedy is so

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<v Speaker 3>subjective from person to person, and if you make somebody laugh, congratulations.

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<v Speaker 3>It is not easy. And the comedy in this is

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<v Speaker 3>again just very specific but broad at the same time.

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<v Speaker 3>And I don't I don't know if I've ever laughed

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<v Speaker 3>at any of these comedy episodes that this show has done,

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<v Speaker 3>because I'm just like, this is not a comedy style

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<v Speaker 3>that really resonates with me, and I don't know who

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<v Speaker 3>it's supposed to resonate with, because it's just say, it's

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<v Speaker 3>broadly unfunny. It just seems misdirected in where it's trying

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<v Speaker 3>to be funny, if that makes sense, Like it it's

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<v Speaker 3>mining the wrong gags, is what is what it feels like.

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<v Speaker 1>Yeah, it's doing this parody of I Love Lucy, and

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<v Speaker 1>that is a sitcom, so they are hitting all of

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<v Speaker 1>those same beats, and I don't understand the point of that.

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<v Speaker 3>Ultimately.

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<v Speaker 1>Are they trying to point out how hackneyed that the

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<v Speaker 1>show used to be or are they trying to mine

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<v Speaker 1>it for the same laughs. I don't know. I was confused.

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<v Speaker 1>I like you, but Mike, I want to agree with

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<v Speaker 1>you about Jack Carter's performance because I don't not like

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<v Speaker 1>the episode based on that. I think he is doing

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<v Speaker 1>a good job because he isn't like a stand up

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<v Speaker 1>comedian or anything. This is just a regular working character actor.

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<v Speaker 1>So he's really giving us all there and pulling it off.

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<v Speaker 1>I think that's really hard to do. Actually, even like

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<v Speaker 1>just basic English doubles speak is really hard to do.

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<v Speaker 2>Yeah, yeah, I like what he was doing. What normally

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<v Speaker 2>the steam coming from the ears gag is pretty rote.

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<v Speaker 2>But when it happened the first time, I was just like, oh, okay,

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<v Speaker 2>that was good. I like that. When it happened the

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<v Speaker 2>second time, I was like, okay, please don't do that again.

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<v Speaker 2>But yeah, I thought that he did a good job.

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<v Speaker 2>And Yeah, like you were saying, that whole don't Open

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<v Speaker 2>the Box. It felt very similar to that, except yeah,

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<v Speaker 2>it was like Ricky Ricardo was. He was more of

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<v Speaker 2>the prick than anybody else in this episode, just with

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<v Speaker 2>this whole like, oh, little Ricky's got to practice as drums.

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<v Speaker 2>And I loved how much stuff she got done without

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<v Speaker 2>little Ricky, like when she put him on pause. Yeah,

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<v Speaker 2>the whole thing of the machine disappearing. I was kind

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<v Speaker 2>of like, Okay, yeah, you guys are really fucked. If

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<v Speaker 2>you keep messing around with this stuff, you're never gonna

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<v Speaker 2>get your son back. And I see. I was waiting

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<v Speaker 2>for there to be a twist, whether it be a

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<v Speaker 2>good twist or a bad twist at the end, where

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<v Speaker 2>three years to this guy is actually like a lifetime,

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<v Speaker 2>or three years to this guy is a minute and

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<v Speaker 2>a half, because obviously, if he's from outer space, if

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<v Speaker 2>he goes out into space and comes back, three years

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<v Speaker 2>for him might have passed in three hundred years here

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<v Speaker 2>on Earth. It's been a while since I've seen an interstellar,

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<v Speaker 2>but that's what I seem to remember from the old

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<v Speaker 2>Einstein concept of time. So I was hoping for something

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<v Speaker 2>just a little extra, h like the little kick in

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<v Speaker 2>the ribs. Towards the end there either like I said,

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<v Speaker 2>a happy twist or just a real fuck you don't

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<v Speaker 2>mess with any of this stuff, Like you really shouldn't

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<v Speaker 2>be bartering with this gentleman.

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<v Speaker 1>It is a cautionary too, yeah, as most.

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<v Speaker 3>Of them are. Yeah, by the end of it, I

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<v Speaker 3>guess I was under the assumption they wouldn't be that

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<v Speaker 3>disappointed that their son was gone because they were annoyed

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<v Speaker 3>by him. But they do seem a little bit more

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<v Speaker 3>put out by it than I have assumed they would be.

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<v Speaker 3>They're bereft. Man.

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<v Speaker 1>She's like playing to Ricky there.

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<v Speaker 2>I know, And I thought she'd be happy because it's

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<v Speaker 2>like when little Ricky's out of the way, she gets

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<v Speaker 2>so much done and she's able to like figure out

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<v Speaker 2>more of these household tints. That was an odd thread

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<v Speaker 2>going through there. But this whole what contest and if

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<v Speaker 2>we win, we get to be on television. I was like,

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<v Speaker 2>that is such a Lucy trope, the whole like her

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<v Speaker 2>just quest for fame and wants to be on television,

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<v Speaker 2>and the worst way.

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<v Speaker 1>I think it's a worthy I think I love Lucy

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<v Speaker 1>is worthy of parody, and particularly this is what like

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<v Speaker 1>eighty eight. At this point, this is the boomer generation.

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<v Speaker 1>They grew up on this goddamn show, and they need

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<v Speaker 1>to take it apart. But I don't think it's I'm

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<v Speaker 1>just repeating. This is an echo chamber now. It isn't

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<v Speaker 1>vicious enough, and it's not or and or not funny

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<v Speaker 1>enough or sentimental enough. It's just there. I didn't hate it,

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<v Speaker 1>but I didn't feel one way or another. I think

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<v Speaker 1>the episode wanted me to feel something at the end there.

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<v Speaker 3>They picked I Love Lucy intentionally and I don't understand why.

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<v Speaker 3>It's like, you don't get me to the point of

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<v Speaker 3>understand why you chose I Love Lucy, which to your

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<v Speaker 3>point is like you should have done something a little

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<v Speaker 3>bit more subversive or a little bit more pointed, and

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<v Speaker 3>you don't. It's just like the most obvious things to parody.

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<v Speaker 3>I'm surprised we didn't get Ethel and Fred showing up.

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<v Speaker 3>We get mentioned of them with Bethel, which is.

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<v Speaker 1>Wow, I love and little Nicky, Little Nicky.

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<v Speaker 3>Yeah.

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<v Speaker 2>I mean they already did a really good just in

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<v Speaker 2>a three minute music video like the Ricky video by

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<v Speaker 2>a weird al is freaking fantastic. And that was the

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<v Speaker 2>first time where you got to see weird Al without

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<v Speaker 2>the long curly hair, where he puts on the wig

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<v Speaker 2>for that Ricky character.

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<v Speaker 1>And he looks great in that video.

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<v Speaker 3>Yeah, that was a long time before this.

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<v Speaker 2>Oh yeah, but I don't remember when Dotty gets Spanked

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<v Speaker 2>came out. But yeah, I agree with you. This was

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<v Speaker 2>the time where I was nineteen ninety three, Yeah, so weird.

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<v Speaker 2>And what year was this one? This was ninety eight

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<v Speaker 2>white okay, so eighty eight, so right in the middle

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<v Speaker 2>between those two. Yeah, I agree. I was just gonna

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<v Speaker 2>say agree with you as far as this is, I

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<v Speaker 2>guess a good time to parody Lucy. But it does

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<v Speaker 2>feel like a strange marriage of the East. And I

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<v Speaker 2>am almost curious to go back to the original short

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<v Speaker 2>story to see how much of the Lucy Ricky stuff.

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<v Speaker 3>Is in there.

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<v Speaker 1>Probably nothing at all, Probably just a brief mention. Sometimes

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<v Speaker 1>she felt like Lucy Ricardo, I know what to do.

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<v Speaker 3>And for me, honestly did they were they not just

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<v Speaker 3>able to get Ray Walston? Is that what it is?

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<v Speaker 3>They were just like Ray Walston, will you come be

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<v Speaker 3>in our episode?

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<v Speaker 2>That my favorite Martian.

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<v Speaker 3>It is It's like I love Lucy meets my favorite Martian,

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<v Speaker 3>but they don't. It's almost like they don't belabor the

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<v Speaker 3>point enough. That's what it is, like, you should I

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<v Speaker 3>don't know. There should have been maybe more of a

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<v Speaker 3>framing device or something. I don't know. Its just it

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<v Speaker 3>does fall a little flat. But what a weird thing.

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<v Speaker 3>I love, Lucy.

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<v Speaker 1>It's straddling this weird line of being the sitcom and

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<v Speaker 1>being a real world version of the sitcom, and it

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<v Speaker 1>can't figure out which one it wants to be, so

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<v Speaker 1>it's neither exactly. Yeah, and finally, oh my god, here

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<v Speaker 1>we are at the end season four episode twenty My

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<v Speaker 1>cousin Basher Malone, written by Peter O'Keefe, directed by Anthony

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<v Speaker 1>Santa Crocy. This was originally aired on July the twenty fourth,

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<v Speaker 1>nineteen eighty eight. Perfect time for a horror anthology series,

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<v Speaker 1>Middle of Summer, starring Vic Tayback, Marie den Brink Stevens,

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<v Speaker 1>and Marlene Cassamento. Are you ready for the match of

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<v Speaker 1>a lifetime? This is not it. It's Basher Malone versus Trag,

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<v Speaker 1>a demon from Hell. Wild you think of this one, Chris,

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<v Speaker 1>you're there, you're a wrestling expert. What did you think

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<v Speaker 1>of this? Fucking fantastic display of.

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<v Speaker 2>Yeah.

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<v Speaker 3>Start in the trail off there the Stephen Capello, the

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<v Speaker 3>California terminator who tagged with the future and I guess

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<v Speaker 3>at the time now former governor of Minnesota Jesse Ventura.

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<v Speaker 3>Stephen Coppello would go on to paint the Governor's mansion

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<v Speaker 3>and paint a portrait of Jesse Ventura for his time

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<v Speaker 3>in the governor governorship of Minnesota. I am a wrestling fan. Yes,

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<v Speaker 3>this is yeah, this is not what what in God's

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<v Speaker 3>name is this? This is wrestling question mark? This is

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<v Speaker 3>something again similarly to the last episode, like high concept,

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<v Speaker 3>strange all over the place, doesn't necessarily succeed completely, but

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<v Speaker 3>it's weird. It's weird enough to have my attention. I

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<v Speaker 3>don't think it gets all the way to a twenty

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<v Speaker 3>three minute episode without like meandering for a minute because

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<v Speaker 3>it is so high concept. But I think it's fine.

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<v Speaker 3>I will say to your point, if this is the

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<v Speaker 3>way you're ending your show, not a good way to

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<v Speaker 3>end your show, one might say, one of the worst

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<v Speaker 3>ways to Drew show. Not the worst way, because I

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<v Speaker 3>think comparative to maybe some of the other final episodes

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<v Speaker 3>we've seen of things It's not as bad as some

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<v Speaker 3>of the other ones, but not a great way to

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<v Speaker 3>end a show that started out really strong about you, Mike.

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<v Speaker 2>Yeah, what a weird thing. This is going to be

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<v Speaker 2>a strange complaint. The music. The music that just keeps

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<v Speaker 2>repeating over and over again.

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<v Speaker 3>It's not a strange complaint when it's that bad.

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<v Speaker 2>And at one point it becomes love theme from Basher.

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<v Speaker 3>It's just it's so strange.

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<v Speaker 2>I was so happy when I saw Victa back in

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<v Speaker 2>this love Victory back. I kept wondering, does he always

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<v Speaker 2>have to have a cigar in his mouth? I guess

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<v Speaker 2>he didn't when he was on Colombo trying to sell

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<v Speaker 2>some shifty art. But yeah, this whole all American boy

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<v Speaker 2>who brings his mother to the games and eats milk

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<v Speaker 2>and cookies and stuff. It's good for a few seconds.

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<v Speaker 2>But then once they get to a big devil type

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<v Speaker 2>match and stuff, and I'm just like, is Victate back

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<v Speaker 2>the devil? Or is he just a horrible person? I

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<v Speaker 2>think he's just horrible. And then apparently because of how

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<v Speaker 2>horrible you are, the guy who he's fighting gains weight.

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<v Speaker 3>He becomes like bane, so the sins he weighs the

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<v Speaker 3>sins weighs the sins.

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<v Speaker 2>Yeah, and that victory back has a like the trident

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<v Speaker 2>on his hat and it's what's to say in his shirt?

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<v Speaker 2>It actually says like devil's something on his shirt. I'm

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<v Speaker 2>just like, oh, okay, yeah, what a weird way what

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<v Speaker 2>to end your show? And just a strange episode because

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<v Speaker 2>at one point it just becomes like what a five

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<v Speaker 2>hander of all these people in an empty gym with

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<v Speaker 2>that cool laser effect that they're doing that was pretty expensive.

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<v Speaker 2>You this one, FM.

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<v Speaker 1>PEPSI say, relax, who Yeah, they broke out that laser.

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<v Speaker 1>I will say that the one time the use of

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<v Speaker 1>the laser machine was really cool was when Brink Stevens

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<v Speaker 1>melts down and they have it playing on her as

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<v Speaker 1>if it's electricity, as if she's short circuiting. I thought

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<v Speaker 1>that was such a great effect, and if they didn't

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<v Speaker 1>use the laser at all for the rest of it,

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<v Speaker 1>then it would have been better. Overall, do we really

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<v Speaker 1>need three matches? Does it need to be three falls?

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<v Speaker 1>Are you kidding me?

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<v Speaker 3>It's an Iron Man match, baby, you don't we go.

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<v Speaker 1>To commercial, we come back and we're still fucking fighting.

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<v Speaker 3>Yeah.

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<v Speaker 2>Had they put both of these into one episode. It

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<v Speaker 2>probably would have been way better just cut both of

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<v Speaker 2>these down by half, but no, we're committed to the

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<v Speaker 2>half hour bit.

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<v Speaker 1>I will say there's a nice circularity to the after

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<v Speaker 1>the pilot the first official episode of Tales from the

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<v Speaker 1>Dark Side was victay Back not remembering or his child that.

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<v Speaker 3>Who is this kid?

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<v Speaker 1>So it's good that he was in the first and

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<v Speaker 1>now he's here back in the last, and that's nice

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<v Speaker 1>and it's always good to see him. But is this

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<v Speaker 1>just some fucking real world version of or some like

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<v Speaker 1>it's Hull Covid, right, I mean.

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<v Speaker 3>It's Hull Covid, and it's Captain Lou Albano, and it's

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<v Speaker 3>and then the guy who's dressed up like Trog is Vader.

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<v Speaker 3>He's literally wearing Vader's outfit with the like the red

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<v Speaker 3>singlet and the mask.

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<v Speaker 1>And then but in nineteen I don't think Vader was

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<v Speaker 1>that big a deal, don't Wasn't he a nineties guy?

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<v Speaker 2>Darth Vader was very big since nineteen seventy seven, thank.

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<v Speaker 3>Very much, heard of Jesus. Sorry, we're talking about the

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<v Speaker 3>wrestler known as a big Van Vader, Sir Darth Vader. Sorry,

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<v Speaker 3>people are real confused all of us.

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<v Speaker 1>He has more than more than one name. I had

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<v Speaker 1>no idea.

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<v Speaker 3>Yeah, yeah, Big Van Vader was he was wrestling from

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<v Speaker 3>like the mid mid eighties on. But yeah, he was

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<v Speaker 3>height of his time was in the nineties in the WWE.

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<v Speaker 3>But it is Lou Albano clearly, because the way Vic

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<v Speaker 3>Tabac is rested at the beginning of the episode, he's

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<v Speaker 3>wearing those like bright colorful shirts, just like Albono did.

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<v Speaker 3>And then yes, Stephen Capello, it is just Hulk Hogan clearly,

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<v Speaker 3>Like that's very odd.

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<v Speaker 1>He's basically saying, take your vitamins and say your prayers,

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<v Speaker 1>like there's a variation on that, like that, we're supposed

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<v Speaker 1>to believe that this is what Hulk Hogan would really be.

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<v Speaker 1>Like No, actually, as it turns out, sorry.

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<v Speaker 3>Rac the Devil's dick. He didn't fight the Devil shockingly,

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<v Speaker 3>I know.

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<v Speaker 2>Yeah, you would have been like, oh that guy, Yeah,

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<v Speaker 2>it's pretty he's got some good ideas if you really

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<v Speaker 2>stop and listen.

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<v Speaker 1>To him, I'm gonna throw the match for Satan or

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<v Speaker 1>they wouldn't do that, brother, But he's good.

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<v Speaker 3>By Oh god, what what an ironic episode to have

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<v Speaker 3>to watch after the passing of Hulk Hogan too. It

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<v Speaker 3>takes on new meaning after the passing of one Terry

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<v Speaker 3>Hulk Hogan. Boleya.

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<v Speaker 1>Are they still doing that Chris Hemsworth movie? Remember they

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<v Speaker 1>were like he was in constant training for Swans and shit,

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<v Speaker 1>I'm like.

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<v Speaker 2>Oh, twenty six inch fons.

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<v Speaker 3>Yeah, you still do an Vince McMahon movie too. You

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<v Speaker 3>can really have this run the circuit of shithead people.

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<v Speaker 1>In the wrestling we all just want a macho man movie.

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<v Speaker 1>Let's face that's true.

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<v Speaker 3>Yeah, which basically they have.

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<v Speaker 1>They have to miss Elizabeth here with Stevens' character.

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<v Speaker 2>Yeah, it was nice seeing her. It's always nicee in her,

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<v Speaker 2>but yeah, very nice seeing her in this episode.

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<v Speaker 3>There was weird kind of fac similes for people in

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<v Speaker 3>the real world of wrestling at the time, and if

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<v Speaker 3>you're alive at the time, it's very obvious it's inescapable

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<v Speaker 3>at the time.

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<v Speaker 1>And I just don't know what amounted anything other than

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<v Speaker 1>too many matches. And I really hated our lead and

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<v Speaker 1>I kind of wanted them to all get stuffed into

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<v Speaker 1>that fucking refrigerator of Laserdom.

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<v Speaker 2>Yeah. The final thing when tay Back gets sent through

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<v Speaker 2>the portal with the wrestler and who because they're touching now,

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<v Speaker 2>suddenly he becomes the biggest weight in the world. How

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<v Speaker 2>just like break apart and go their own ways. I'm like, yeah,

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<v Speaker 2>that was a really bad.

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<v Speaker 1>Maximilian.

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<v Speaker 2>Yes, yes, very very black Sorry dark hole. Yep, you're right.

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<v Speaker 3>They came out of that black hole. I don't understand

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<v Speaker 3>what the problem is with them going back into it. Yeah,

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<v Speaker 3>he just walked out of it before. All right, there's

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<v Speaker 3>the problem, Like.

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<v Speaker 2>Do some walkout music? Yeah, it's just the same theme

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<v Speaker 2>as they played through the entire fucking thing.

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<v Speaker 1>Who's got a bass guitar? Could you just play that

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<v Speaker 1>over there?

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00:19:35.799 --> 00:19:38.880
<v Speaker 3>Which of these is trogs entrance music? Please play it

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<v Speaker 3>for me.

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<v Speaker 2>Let's get the music cues from Tales from the Dark

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<v Speaker 2>Side season four.

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<v Speaker 1>I will hunt them down. I know they exist somewhere.

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<v Speaker 1>Donald Wuvenstein will not return my Toels. No, he's been

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<v Speaker 1>very nice. He's just very hesitant to talk. It's unusual,

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<v Speaker 1>and really I just want to talk to his brother anyway.

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<v Speaker 2>So there you go.

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<v Speaker 1>All right, till next time the next episode of Midnight

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<v Speaker 1>yere we're gonna be looking at It's not a series anymore.

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<v Speaker 1>It's We're gonna be looking at the movie Tales from

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<v Speaker 1>the Dark Side, the movie from nineteen ninety until then.

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<v Speaker 1>Where are you working on? People find it? Chris Statue

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<v Speaker 1>looking whoa.

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<v Speaker 3>Yeah, you can find all the things that I do

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<v Speaker 3>over weirdingwaymedia dot com, including this show and the Culture

380
00:20:21.799 --> 00:20:26.640
<v Speaker 3>Cast and Shabby Detective and col check tapes which is done.

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<v Speaker 3>There's a lot of stuff. Everything can be found over

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00:20:28.400 --> 00:20:32.480
<v Speaker 3>at wordingwaymedia dot com, other than my patreon which has

383
00:20:32.720 --> 00:20:34.880
<v Speaker 3>ranked on Bond which Father Malone you were on at

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<v Speaker 3>one point talking about live and let die twice twice.

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<v Speaker 3>That was what to say, and then you came back.

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<v Speaker 3>I know from what we talked about.

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<v Speaker 2>You loly start twice.

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<v Speaker 3>Sorry or so they say. And yeah, you can find

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00:20:49.720 --> 00:20:52.519
<v Speaker 3>that on my patreon, which is patreon dot com slash Culturecast,

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00:20:52.599 --> 00:20:56.400
<v Speaker 3>or Mike's patreon patreon dot com slash Projection Booth. But

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00:20:56.440 --> 00:20:58.799
<v Speaker 3>more importantly, given that this is your show patreon dot

392
00:20:58.799 --> 00:21:01.960
<v Speaker 3>com slash Father Malone, as we can go to financially

393
00:21:01.960 --> 00:21:04.480
<v Speaker 3>support you, which you're working pretty damn hard to make

394
00:21:04.519 --> 00:21:06.640
<v Speaker 3>this show. So I would suggest anyone who's listening to this,

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00:21:06.720 --> 00:21:08.799
<v Speaker 3>if you're not already doing it, go and do that.

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00:21:08.960 --> 00:21:10.519
<v Speaker 3>So what about you, Mike White?

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<v Speaker 2>Pretty much the same thing. I will just say, go

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00:21:13.759 --> 00:21:16.440
<v Speaker 2>on over to Weadingwaymedia dot com and check out all

399
00:21:16.480 --> 00:21:17.200
<v Speaker 2>the fun stuff.

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<v Speaker 1>How about you FM, as Chris said Patreon dot com

401
00:21:20.720 --> 00:21:23.559
<v Speaker 1>final slash fond them alone. You get episodes early and

402
00:21:23.599 --> 00:21:25.440
<v Speaker 1>commercial free. In fact, you're gonna get a whole lot

403
00:21:25.440 --> 00:21:27.720
<v Speaker 1>of new bonus contacts. Finally got my nose to the

404
00:21:27.759 --> 00:21:31.640
<v Speaker 1>fucking grindstone. So we've got a comic book horror film

405
00:21:31.680 --> 00:21:35.400
<v Speaker 1>adaptation fest currently going on. Star Trek Fest is going on.

406
00:21:35.599 --> 00:21:38.880
<v Speaker 1>We just finished up our Yaucha Fest with a day

407
00:21:38.880 --> 00:21:41.920
<v Speaker 1>of release of fucking Predator bad Lands. Anyway, go check

408
00:21:41.960 --> 00:21:45.119
<v Speaker 1>out all that stuff there. Until next time, try to

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00:21:45.240 --> 00:21:46.039
<v Speaker 1>enjoy the daylight

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<v Speaker 3>Range as
