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<v Speaker 1>I think that the best way to come into this.

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<v Speaker 2>Is and this is my big takeaway after our conversation

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<v Speaker 2>about this film. So I do this radio hit obviously,

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<v Speaker 2>or we're recording it, I want to make sure, Okay,

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<v Speaker 2>So I do this radio hit on Ben's show on

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<v Speaker 2>Tuesdays as we preview this podcast to what the appetites

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<v Speaker 2>of his listeners. And it was one of those rare

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<v Speaker 2>circumstances where both of us had.

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<v Speaker 1>Seen the movie already.

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<v Speaker 2>Sometimes I had seen it and you haven't. Sometimes you

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<v Speaker 2>had seen it and I hadn't. Sometimes neither one of

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<v Speaker 2>us had seen it yet.

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<v Speaker 1>Yeah.

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<v Speaker 2>In fact, I think that happens most that's the norm. Yeh,

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<v Speaker 2>Tuesdays are the cheap days, right, exactly so, but this

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<v Speaker 2>is one of the rare times where we both saw

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<v Speaker 2>it and I was really really surprised to hear that.

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<v Speaker 2>I mean, you're there was no praise from you. It

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<v Speaker 2>was the most underwhelming reaction. I got free because I

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<v Speaker 2>thought you're gonna be so. I even said you, I'm like,

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<v Speaker 2>weren't you happy you saw your dead body?

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<v Speaker 1>Huh? And you were like, well, Bulky, it's certainly a movie.

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<v Speaker 2>Yeah, And I'm like, wow, I do not understand you

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<v Speaker 2>mentioned this is like episode forty something whatever.

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<v Speaker 1>Forty on the button, technically forty one if you count

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<v Speaker 1>the bride, right, let's not talk about it.

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<v Speaker 2>So when you told me that, I was like, and

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<v Speaker 2>I felt like I had you figured out. I kind

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<v Speaker 2>of knew what you liked and what you did. Yeah,

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<v Speaker 2>I don't anymore. No, it's still evolving now.

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<v Speaker 1>And I admitted off the air without exposing too much

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<v Speaker 1>for the purposes of this podcast. Your mind frame. It's

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<v Speaker 1>kind of like when you suggest to your wife or

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<v Speaker 1>significant other or girlfriend, boyfriend, whatever, brother, sister, Hey, you

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<v Speaker 1>gotta see this movie. I really enjoyed it. You know

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<v Speaker 1>what that happened to me with was The Mothman Prophecies

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<v Speaker 1>with Richard gear Wow, that's a how old is that movie?

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<v Speaker 1>Very old? I saw it as a child when it

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<v Speaker 1>was in theaters, and I was like, this is one

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<v Speaker 1>of the best things I've ever seen in my life.

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<v Speaker 1>And when I was twenty one, I worked at a

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<v Speaker 1>summer camp and I got a bunch of the counselors

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<v Speaker 1>together one night when we were all off, I'm like, guys,

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<v Speaker 1>you have to see this movie. It's like two hours

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<v Speaker 1>and twenty minutes. Long and I could tell, like forty

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<v Speaker 1>minutes in, I'm like, my twelve year old brain maybe

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<v Speaker 1>overhyped this movie, yeah, relative to what it is. And

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<v Speaker 1>you could feel the tension coming off of people. I

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<v Speaker 1>did not see this movie with anybody else, but I

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<v Speaker 1>was very distracted. I saw it on a Sunday. I

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<v Speaker 1>had a lot of things going on. I was riding high.

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<v Speaker 1>The Pens had finally won a game in their Flyer series,

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<v Speaker 1>but I still didn't have a lot of hope. But

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<v Speaker 1>I think it was the mindset at which I was

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<v Speaker 1>watching it and the movies over your dead body, and

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<v Speaker 1>like it's dislikable characters, right, Like you're not supposed to

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<v Speaker 1>like these characters, none of them. Yeah, it's like it's

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<v Speaker 1>like a slog. It's fun, it's funny, it's got its moments.

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<v Speaker 1>But I think it was the perfect storm and I will,

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<v Speaker 1>in all likelihood probably see this again because I think

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<v Speaker 1>my life circumstances impacted me. But I came out of

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<v Speaker 1>it and I compared it to Roses with you on

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<v Speaker 1>the show, and I was like, if you told me

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<v Speaker 1>in terms of a marital couple going through strife, and

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<v Speaker 1>I could only pick one of these movies. I'd pick

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<v Speaker 1>Roses ten out of ten times, which, of course is

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<v Speaker 1>the only one you didn't see this podcast. It's not

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<v Speaker 1>like you have a frame of reference here for that.

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<v Speaker 1>But that was kind of my attitude, having such a

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<v Speaker 1>fresh comparison of something to compare it against. I think

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<v Speaker 1>kind of also went against it as well, dancing around

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<v Speaker 1>the topic. We'll be doing this throughout the podcast. That

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<v Speaker 1>is not what this movie is about. I mean I

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<v Speaker 1>should know, I shouldn't say that. It kind of is, sure,

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<v Speaker 1>that's the overarching theme, that is, it's not necessarily the plot.

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<v Speaker 2>Right, Yeah, that's a good way of describing it. So

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<v Speaker 2>this is a spoiler alert, and by spoiler I.

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<v Speaker 1>Mean first third, well, end of the like no, no, no,

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<v Speaker 1>I'm not even that.

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<v Speaker 2>A lot of times I will, you know, go on

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<v Speaker 2>the internet to kind of get a frame of mind

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<v Speaker 2>of like what I'm expecting, you know, to see what

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<v Speaker 2>it's about. And a lot of times these films are

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<v Speaker 2>based off of books or other movies, right sure, And

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<v Speaker 2>so sometimes I will go and look up, you know,

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<v Speaker 2>more about that book or more about that movie, which

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<v Speaker 2>obviously contained massive spoilers. I did not do that for

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<v Speaker 2>this one, and I'm thrilled that I didn't. This is

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<v Speaker 2>based off a oh Man I forgot now it's Norwegian

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<v Speaker 2>or Finish. I think it's Finish, a film from about

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<v Speaker 2>twenty years ago now, I want to say, called The Trip,

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<v Speaker 2>and it's the exact same basically, the exact same plot

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<v Speaker 2>as Over Your Dead Body. Okay, So if you're like, oh,

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<v Speaker 2>I'll just look up The Trip and say don't do

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<v Speaker 2>it because it will ruin it for you, and I didn't.

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<v Speaker 2>I did that after Now there's like some little subtle

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<v Speaker 2>differences or whatever, but basically it was that. And I'm

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<v Speaker 2>thrilled because I'm sitting so two things in the first

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<v Speaker 2>thirty minutes number one, second straight week, I thought I

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<v Speaker 2>was in the wrong theater for how this started. Sure,

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<v Speaker 2>it was a brilliant, brilliant start to this film, and

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<v Speaker 2>then about a half hour in the cards are kind

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<v Speaker 2>of on the table the way that they build this

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<v Speaker 2>in the trailer. You know what I should have done

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<v Speaker 2>is I should have went back and watched the trailer

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<v Speaker 2>and see how much they reveal in the trailer. I

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<v Speaker 2>don't think it was a ton.

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<v Speaker 1>No, remember exactly. Yeah, I actually did rewatch the trailer

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<v Speaker 1>and how much, did it really? Yeah? Almost nothing. Yeah,

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<v Speaker 1>because I was interested as well if they gave away

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<v Speaker 1>some of the some of the moments there, and they

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<v Speaker 1>did not.

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<v Speaker 2>Yeah, So about a half hour thirty five minutes in,

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<v Speaker 2>Jason Sieagel's character and Samara Weaving's character are sitting at

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<v Speaker 2>the kitchen table or their dining room table at their

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<v Speaker 2>cabin and I'm assuming like upstate New York or somewhere

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<v Speaker 2>somewhere on there and basically everything like like they're sitting

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<v Speaker 2>at the table, the cards were on the table, Like

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<v Speaker 2>I'm like, how are they going to extend another seventy

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<v Speaker 2>minutes of this storyline?

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<v Speaker 1>Yeah?

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<v Speaker 2>You know, and if I thought of you too, because

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<v Speaker 2>I actually did think of it this time.

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<v Speaker 1>Eagle eyed. You don't even have to be really egoied.

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<v Speaker 2>But viewers who noticed something that was placed, sure in

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<v Speaker 2>that first thirty thirty five minutes, they're like, well, how

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<v Speaker 2>is that going to come back?

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<v Speaker 1>Oh?

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<v Speaker 2>It does, It does big time, And I'm proud that

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<v Speaker 2>I saw it, you know, like I noticed at this time, like, well,

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<v Speaker 2>obviously this is gonna be this is gonna be a thing.

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<v Speaker 2>And then sure enough, when it's actually Oh, in the

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<v Speaker 2>flashbacks that we got a nonlinear storytelling was sublime. I'll

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<v Speaker 2>set this up to you already know this. This was

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<v Speaker 2>Nick Cochin and Brian McIlhaney, the guys who wrote and

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<v Speaker 2>directed Pizza Movie. They wrote this film, and then Yorma Taconi,

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<v Speaker 2>who is a member of Lonely Island with Akiva Schaeffer

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<v Speaker 2>and Andy Samberg. He actually directed it, and he directed

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<v Speaker 2>some other SNL stuff like mcgruber.

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<v Speaker 1>And Rod and whatever.

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<v Speaker 2>So anyway, so you know there's like a potential for

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<v Speaker 2>fresh stuff, right, maybe some stuff you've never seen before,

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<v Speaker 2>and and things shone through an absurdist, hilarious lens. Yeah,

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<v Speaker 2>which I think we got. Oh absolutely, and I think

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<v Speaker 2>like some like Okay, my buddy Stirfry at work, he

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<v Speaker 2>does not appreciate films like this.

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<v Speaker 1>I told him, I think you might like this, but

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<v Speaker 1>I know Ben'll like it.

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<v Speaker 2>But I could see totally see why he wouldn't like

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<v Speaker 2>it because there was some stuff and you mentioned this

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<v Speaker 2>too over the top.

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<v Speaker 1>Yeah just great. I mean for me, it was great.

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<v Speaker 1>I thought it was everything involving Juliette Lewis.

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<v Speaker 2>Well, yeah, and the former mm A guy who was

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<v Speaker 2>also in this film too. I can't remember who named

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<v Speaker 2>Jardine Keith Jardine, I think his name is. There's just

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<v Speaker 2>a lot of like crazy stuff. Timothy Oliphant was great

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<v Speaker 2>because he basically played a version of himself. I think

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<v Speaker 2>it is awesome. He reminded me a lot. Do you

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<v Speaker 2>remember the movie Go. I think we've talked about Go before,

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<v Speaker 2>Katie Holmesye, he was like, he was like, I would

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<v Speaker 2>not surprise me at all if that was the same

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<v Speaker 2>character from Go that he played in this in this

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<v Speaker 2>movie anyway, So that was the setup for the first

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<v Speaker 2>half hour. I'm like, how are they going to extend this?

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<v Speaker 2>And then they did and it was awesome.

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<v Speaker 1>I can say from the first half hour, you know

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<v Speaker 1>what I felt oddly reminiscent of is the breakup with

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<v Speaker 1>Vince Vaughn and Jennifer A little bit. Yeah, because think

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<v Speaker 1>about that, so you are maybe are too far removed

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<v Speaker 1>from the dating world because I the small talk. I

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<v Speaker 1>remember being in an out We're in a half car

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<v Speaker 1>ride with a girl or woman that I was dating

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<v Speaker 1>that you knew it was on its last legs and

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<v Speaker 1>trying to fill an hour and a half of travel

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<v Speaker 1>with dialogue. Some witty banter boy drinks were kind of

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<v Speaker 1>strong at that party. Huh, you know, like that kind

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<v Speaker 1>of stuff. And I think they did a really good

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<v Speaker 1>job of capturing that feeling, and that was probably the

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<v Speaker 1>most relatable at any point, because like it gets to

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<v Speaker 1>an absurdist point and at that point, I'm like, oh, no,

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<v Speaker 1>we've all been here. And I've always kind of used

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<v Speaker 1>the breakup as my main go to because I had

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<v Speaker 1>a good friend of mine because I stupid me, I

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<v Speaker 1>thought they were going to make up at the end

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<v Speaker 1>of the movie and he's like, dude, the movie's called

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<v Speaker 1>the Breakup, And I was like, I guess I didn't

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<v Speaker 1>expect that. Yeah, I didn't. I fully expected to make

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<v Speaker 1>up too. Yeah. And so like there's moments that just

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<v Speaker 1>feel like such real relationships and real fights that break

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<v Speaker 1>out in the moment. This doesn't necessarily hit that level

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<v Speaker 1>of realism, but I did feel that awkward feeling in

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<v Speaker 1>your stomach. You're like, oh, this is criinge. Like I

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<v Speaker 1>almost I say, I can watch a Saw movie. I

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<v Speaker 1>can watch someone up their arm off and be like, oh,

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<v Speaker 1>this is gross. But when it's cringe, when it's uncomfortable,

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<v Speaker 1>when it's awkward, that's when I'm watching behind Like have

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<v Speaker 1>a finger, like stop talking, stop talking.

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<v Speaker 2>Rachel McAdams in that movie we just saw the Island.

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<v Speaker 1>One, what was it called?

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<v Speaker 2>Oh yes, send Help, Send Help, where she's talking to

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<v Speaker 2>like her boss in the office that kills. So I'll say,

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<v Speaker 2>this is a guy who's been married to his wife

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<v Speaker 2>now for oh man, I got to think about this.

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<v Speaker 2>It'll be fourteen years this December. I think, yeah, fourteen,

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<v Speaker 2>but I've been with her since two thousand and two, Okay,

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<v Speaker 2>so really I've been with her for two and a

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<v Speaker 2>half decades. Yeah, like I've been with somebody longer than

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<v Speaker 2>I've been single, essentially.

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<v Speaker 1>Well kind of, yeah, that might be accurate. I don't know. Yeah,

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<v Speaker 1>it's definitely accurate, right, it's definitely accurate.

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<v Speaker 2>Yes, those uncomfortable silences and and you know, marriage being

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<v Speaker 2>hard work sometimes, like you could tell that they were

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<v Speaker 2>both trying to be cordial to each other, right, but sometime,

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<v Speaker 2>especially in a marriage like that, which thank god, my

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<v Speaker 2>marriage is not like that, at least I don't think

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<v Speaker 2>my wife could tell me.

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<v Speaker 1>It's not like that for me.

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<v Speaker 2>Uh there, But it's like nails on the chalkboard, like

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<v Speaker 2>super painful to try, and you could tell the pain

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<v Speaker 2>that Jason segels like where he's trying to be super

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<v Speaker 2>nice and and you know, like, I mean, the thing

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<v Speaker 2>is I forgot in that moment he's plotting to kill her, right,

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<v Speaker 2>you know what I mean?

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<v Speaker 1>Like in that moment it was and they portrayed him

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<v Speaker 1>as more hapless, like she was far more stern. There's

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<v Speaker 1>a bit of character in version as the time goes

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<v Speaker 1>as the movie goes on, but at least at the

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<v Speaker 1>starting point, he was almost like, oh.

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<v Speaker 2>Fish well, I think that that kind of goes back

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<v Speaker 2>with their careers where she's the demanding, right aspiring actress

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<v Speaker 2>that and she's obviously much more attractive than Jason Seal.

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<v Speaker 2>And he's sort of like this beaten down director who

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<v Speaker 2>had this one film and now he's directing pop up ads,

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<v Speaker 2>which I didn't even know was a thing. I guess

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<v Speaker 2>it has to be a thing. And he just he's

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<v Speaker 2>just he's got this low self esteem. He goes to

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<v Speaker 2>is it his dad in the nursing home, who was

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<v Speaker 2>another great character in this movie. He goes to visit

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<v Speaker 2>his dad in the nursing home, and his dad's like,

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<v Speaker 2>you know, just destroying him, you know, yeah, just I

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<v Speaker 2>just I feel like, this was a guy that had

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<v Speaker 2>had so much stuff go bad in his life. We know,

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<v Speaker 2>but it's financial for troubles in this movie, and even

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<v Speaker 2>the thing that he needed to go right, he couldn't

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<v Speaker 2>even do.

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<v Speaker 1>That right, you know what I mean.

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<v Speaker 2>It just really was was bumbling, which is which is

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<v Speaker 2>kind of cool to see how his character sort of evolved.

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<v Speaker 2>When you're in these tight situations and you're in the

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<v Speaker 2>in the moment, you need to make split second decisions

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<v Speaker 2>that can change your life or whatever, it was interesting

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<v Speaker 2>to see how that character evolved as well.

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<v Speaker 1>Yeah, yeah, I always think that's an interesting plot device.

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<v Speaker 1>Were you a fan of Malcolm in the Middle when

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<v Speaker 1>it was on? You know what's funny? I should have

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<v Speaker 1>watched this show. Yeah, absolutely it had.

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<v Speaker 2>I mean there's technically four brothers, but one is in

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<v Speaker 2>boarding school. Yeah, so really was three brothers, and I

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<v Speaker 2>came with a family from a family of three brothers.

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<v Speaker 2>Now I was in the middle, but I was the

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<v Speaker 2>oldest one or whatever. But I remember watching the pilot

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<v Speaker 2>at my grandma's house after like a football game on

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<v Speaker 2>Fox or something. Yeah, it was after the Super Bowl.

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<v Speaker 2>I was after the Super Bowl. Yeah, so I watched

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<v Speaker 2>I watched the pilot and I'm like, oh, this this

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<v Speaker 2>will be a good show. Never watch it again. Yeah,

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<v Speaker 2>And I had Brian Kranston and who I'm a big

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<v Speaker 2>fan of, and they just I just watched the four

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<v Speaker 2>episode reboots.

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<v Speaker 1>So it was only four EPISODESO. Yeah, it was wonderful. Okay,

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<v Speaker 1>so well they had no business being that good, But

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<v Speaker 1>I bring that up to say so I loved that

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<v Speaker 1>show as well. I related to Malcolm on so many

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<v Speaker 1>different levels. A lot of the characters are reminiscent in

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<v Speaker 1>who I grew up with. It's a very dysfunctional family.

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<v Speaker 1>They love each other, but they have a weird way

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<v Speaker 1>of showing it. And at one point they break the

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<v Speaker 1>mom to the point where she just grabs the keys

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<v Speaker 1>and leaves and they've never seen that before. She goes

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<v Speaker 1>to the batting cages and she is just jack and

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<v Speaker 1>dingers and like all these other kids are waiting to

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<v Speaker 1>get in and she's like a grown ass woman. So

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<v Speaker 1>she like pulls out eighty dollars worth of quarters to

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<v Speaker 1>let them know, like, you will not be batting at

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<v Speaker 1>this batting case today. This is gonna be me for

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<v Speaker 1>the foreseeable future. And two clus just a relief stress. Yeah,

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<v Speaker 1>and two clowns come up to her. Literal clowns come

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<v Speaker 1>up and they say, hey, lady, it's a birthday party.

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<v Speaker 1>Why don't you get out of the way. And at

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<v Speaker 1>that point, the rest of the family was there, and

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<v Speaker 1>they see the way the clowns are talking to the

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<v Speaker 1>mom and the way they reconcile their differences. Is the

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<v Speaker 1>whole family beats the crap out of like a half

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<v Speaker 1>a dozen clowns through different ways, and they come out

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<v Speaker 1>of it on the other side realizing, yes, we are dysfunctional,

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<v Speaker 1>but were this kind of dysfunctional? And like that to

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<v Speaker 1>me was what they were setting up. That was what

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<v Speaker 1>kind of lent itself to me the entire time. And

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<v Speaker 1>I thought in that regard, they hit it on a

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<v Speaker 1>lot of levels.

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<v Speaker 2>Okay, so let me ask you this. You got breakup

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<v Speaker 2>vibes from this? Yeah, the movie The Breakup? You knew

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<v Speaker 2>how surprised you were at the ending of the breakup?

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<v Speaker 2>Did that enter in your mind as you're watching this

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<v Speaker 2>film towards the end?

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<v Speaker 1>No, No, I think it was a very uh do

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<v Speaker 1>I use the word tacky? I think it ended exactly

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<v Speaker 1>how you end this kind of movie. Okay, yeah, all

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<v Speaker 1>the way up until like the litteral real final scene,

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<v Speaker 1>I would say it is. It is absolutely the way

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<v Speaker 1>that you would explain. You know.

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<v Speaker 2>There's kind of like a mini twist that has nothing

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<v Speaker 2>to do with the plot really at the very end,

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<v Speaker 2>the last couple of scenes with a cameo, a couple

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<v Speaker 2>of cameos actually, and I did not see that coming down.

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<v Speaker 1>That was pretty awesome.

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<v Speaker 2>Yeah, okay, So what else did I want to say

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<v Speaker 2>about the setup to this movie? Oh there's a line

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<v Speaker 2>that Samorrow Weaving says, I'm not going to repeat when

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<v Speaker 2>they enter the cabin, right okay, and she says something

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<v Speaker 2>it's it's wine o'clock and exploitive after that. Yeah, I've

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<v Speaker 2>probably said that line a half dozen times since I've

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<v Speaker 2>seen this. I just and she said it. She's Australian, right,

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<v Speaker 2>She's Australian, And she says it in like a very

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<v Speaker 2>she's even Australian in this film, but she has this

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<v Speaker 2>Australian accent. She says it in a very like Midwestern

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<v Speaker 2>the almost American accent.

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<v Speaker 1>So she very rarely has the accent. She's normally playing

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<v Speaker 1>an American. Yeah, exactly like we just saw. But she's

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<v Speaker 1>a good actress. Absolutely, I told you, in my opinion,

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<v Speaker 1>if she's in a horror movie ready or not too Notwithstanding,

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<v Speaker 1>I'm typically like, oh, I'm at least giving this a shot,

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<v Speaker 1>because she very rarely is in something that I'm like, oh, well,

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<v Speaker 1>that wasn't worth my time. Like, I absolutely, I think

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<v Speaker 1>she's the twenty twenty screen queen. If she can close

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<v Speaker 1>out the decade in the right way. I think she's

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<v Speaker 1>going to be in like the realm of like Heather

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<v Speaker 1>Langen camp and Sidney nev Campbell and you know, the

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<v Speaker 1>handful of others that kind of made a name for

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<v Speaker 1>themselves in the horror genre.

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<v Speaker 2>Do you okay, how you can only choose one bucket?

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<v Speaker 1>Huh? What genre is this movie? Thriller? Actually, let's do this.

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<v Speaker 1>Let's do this.

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<v Speaker 2>You can give it three categories. There's the primary one,

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<v Speaker 2>the secondary in the tertiary. How would you describe it?

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<v Speaker 2>Which three genres?

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<v Speaker 1>Would you said? Thriller number one? Yeah? But now, if

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<v Speaker 1>you're giving me, yeah, thriller slept But like, is action

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<v Speaker 1>the same as thriller or is that a sub genre

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<v Speaker 1>of that?

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<v Speaker 2>No? I think they're two separate movies. Actions and thrillers

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<v Speaker 2>are are two different things.

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<v Speaker 1>I'd put it thriller comedy action because they.

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<v Speaker 2>Thriller, I would actually put it action with See you

356
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<v Speaker 2>said this too, that pizza movie is funnier, and I

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<v Speaker 2>immediately was just a gast that you would say that.

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<v Speaker 1>But then I was thinking about it.

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<v Speaker 2>I'm like, you know what, I think, Ben's right, I

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<v Speaker 2>think pizza, but that wasn't the idea of this time.

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<v Speaker 2>The comedic things were just put in for levity for

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<v Speaker 2>Levity's sake. There were several times in the last thirty

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<v Speaker 2>minutes where I verbally was like, oh, you know, like

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<v Speaker 2>one of those is like it was crazy. There are

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<v Speaker 2>certain things. Twenty one Jump Street had that scene on

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<v Speaker 2>the bridge where the bikers are chasing Jonah Hill and

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<v Speaker 2>Chandon Tatum and you keep expecting this big explosion and

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<v Speaker 2>never happens, and then when it shouldn't happen.

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<v Speaker 1>Yeah, I don't know what makes it happen. It's something

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<v Speaker 1>stupid chickens, yes exactly.

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<v Speaker 2>Yeah, anyway, but there are several fake outs in this

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<v Speaker 2>where I was like, oh, oh, yeah, you know, like

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<v Speaker 2>so it was very good, and I do.

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<v Speaker 1>Think that might be what's influencing my opinion as well,

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<v Speaker 1>because we have both kind of professed our fandom of

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<v Speaker 1>Jason Siegel, like the movies he's in, I'm like, that's

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<v Speaker 1>a good movie. And he has kind of taken a

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<v Speaker 1>back seat to Hollywood a lot lately, Like I really

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<v Speaker 1>don't see him a lot around a lot. I wondered

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<v Speaker 1>if he had been embroiled in a scandal, like he's

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<v Speaker 1>been that absent that I had to look it up

382
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<v Speaker 1>and I was like, did he do a thing that?

383
00:17:43.759 --> 00:17:45.680
<v Speaker 1>So what did you find out when you look at

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00:17:45.880 --> 00:17:47.799
<v Speaker 1>not a damn thing? Like it almost makes me wonder

385
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<v Speaker 1>if he's so normal and the rest of Hollywood is

386
00:17:50.640 --> 00:17:53.839
<v Speaker 1>such a cesspool that like he made his money and

387
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<v Speaker 1>is like, you know what, I'll do the projects I

388
00:17:55.799 --> 00:17:57.799
<v Speaker 1>want to do, But I definitely don't want to be

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<v Speaker 1>embroiled in all this nonsense for the rest of my life.

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<v Speaker 1>Like I am absolutely super imposing things on what may

391
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<v Speaker 1>be the case. But he's talented, he's funny, he wrote,

392
00:18:05.759 --> 00:18:08.279
<v Speaker 1>he's good musically, Like he's got a lot of talents

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<v Speaker 1>to bring people in. And like when you said, let's

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<v Speaker 1>see this movie, it's Jason Siegel and Tomorrow Weaving, Like

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<v Speaker 1>I didn't even need to know the rest. I was like, yeah, yeah, totally.

396
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<v Speaker 1>And this wasn't the kind of even the sad parts

397
00:18:20.319 --> 00:18:24.319
<v Speaker 1>of Forgetting Sarah Marshall had some you talk about quoting movies.

398
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<v Speaker 1>I still will quote Forgetting Sarah Marsha Triaking eighteen years later,

399
00:18:28.319 --> 00:18:31.759
<v Speaker 1>like and this just it did. It wasn't supposed to

400
00:18:31.799 --> 00:18:33.519
<v Speaker 1>be that. It's not like it was trying to be

401
00:18:33.599 --> 00:18:37.160
<v Speaker 1>funny and it missed. It's just that it wasn't as funny.

402
00:18:37.200 --> 00:18:39.799
<v Speaker 1>I guess I was expecting more of a comedy. I

403
00:18:39.799 --> 00:18:40.839
<v Speaker 1>guess it's the best way I can.

404
00:18:41.319 --> 00:18:44.279
<v Speaker 2>But like Smorrow Weaving does not do comedic stuff, like

405
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<v Speaker 2>the stuff that I mean, like, okay, what what's the

406
00:18:46.480 --> 00:18:47.440
<v Speaker 2>stuff that she's been in?

407
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<v Speaker 1>Obviously the movies we just saw, though, yeah ready or not?

408
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<v Speaker 3>Not?

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<v Speaker 1>To me, the funniest thing she's been in still shre

410
00:18:53.559 --> 00:18:56.400
<v Speaker 1>was she a scream too that she died she's uh,

411
00:18:56.480 --> 00:18:59.480
<v Speaker 1>you know the Drew Barry Moore. So she's gone very quickly.

412
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<v Speaker 1>But she did both Babysitter movies that went straight to Netflix,

413
00:19:03.680 --> 00:19:05.319
<v Speaker 1>and I remember the first one someone was like, you

414
00:19:05.400 --> 00:19:09.319
<v Speaker 1>have to see Babysitter and I'm like, dude, no, And

415
00:19:09.759 --> 00:19:13.880
<v Speaker 1>eventually movies. Yeah, Okay, she's a cultist. In the movie,

416
00:19:13.920 --> 00:19:17.640
<v Speaker 1>she's a beautiful babysitter and she's like babysitting this thirteen

417
00:19:17.720 --> 00:19:20.119
<v Speaker 1>year old boy and she invites her friends over, and

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<v Speaker 1>it plays out like a generic like can't tell the parents,

419
00:19:22.519 --> 00:19:24.079
<v Speaker 1>and you think it's gonna be some kind of romp,

420
00:19:24.079 --> 00:19:26.079
<v Speaker 1>and then it turns out they're into human sacrifice and

421
00:19:26.119 --> 00:19:29.240
<v Speaker 1>they're doing all this weird stuff and you will it

422
00:19:29.359 --> 00:19:32.240
<v Speaker 1>is so funny, the delivery of all the characters. It's

423
00:19:32.279 --> 00:19:34.319
<v Speaker 1>so well done. It's a horror comedy, and I love

424
00:19:34.359 --> 00:19:36.400
<v Speaker 1>that's what made me find this woman to begin with.

425
00:19:36.440 --> 00:19:40.119
<v Speaker 1>And I'm like, oh, so she's brilliant, Like this is fantastic.

426
00:19:40.279 --> 00:19:42.519
<v Speaker 1>And there's a sequel not nearly as good, but they

427
00:19:42.599 --> 00:19:46.119
<v Speaker 1>rarely are, and so I guess that would be the

428
00:19:46.160 --> 00:19:48.400
<v Speaker 1>closest thing to a calm And again, similar to this,

429
00:19:48.519 --> 00:19:50.960
<v Speaker 1>it's not a comedy, like it's definitely played out as

430
00:19:51.000 --> 00:19:54.799
<v Speaker 1>a horror, but like, ah, the whole cast of characters

431
00:19:54.839 --> 00:19:57.559
<v Speaker 1>just play so well with one another. So between Jason Segull,

432
00:19:57.640 --> 00:20:00.359
<v Speaker 1>having seen the Babysitter movies, I'm like, there's there's a

433
00:20:00.359 --> 00:20:02.599
<v Speaker 1>lot of moving parts here that I think could really

434
00:20:02.599 --> 00:20:04.880
<v Speaker 1>come together in a way that, in my humble opinion,

435
00:20:05.119 --> 00:20:07.279
<v Speaker 1>it just didn't hit in the way that I wanted

436
00:20:07.279 --> 00:20:07.480
<v Speaker 1>it to.

437
00:20:07.680 --> 00:20:10.039
<v Speaker 2>No, we have to go back and say, and this

438
00:20:10.119 --> 00:20:11.599
<v Speaker 2>is something you taught me, is.

439
00:20:12.079 --> 00:20:14.799
<v Speaker 1>Just because it's not what I wanted, Yeah exactly.

440
00:20:14.480 --> 00:20:16.960
<v Speaker 2>That doesn't necessarily mean it's bad or it could have

441
00:20:17.000 --> 00:20:17.799
<v Speaker 2>been better or whatever.

442
00:20:18.839 --> 00:20:20.400
<v Speaker 1>But if I would have known I was going to

443
00:20:20.440 --> 00:20:22.599
<v Speaker 1>a Jason siegeal vehicle that was going to be more

444
00:20:22.640 --> 00:20:25.000
<v Speaker 1>action in comedy, I would have had a different attitude,

445
00:20:25.000 --> 00:20:26.400
<v Speaker 1>you know what I mean. It would have been like

446
00:20:26.400 --> 00:20:28.920
<v Speaker 1>if you saw this is the End and there weren't

447
00:20:28.920 --> 00:20:33.200
<v Speaker 1>really any jokes, it was just right, okay, yeah briefly, yeah,

448
00:20:33.240 --> 00:20:35.720
<v Speaker 1>but like it was that cast of character, so Frank

449
00:20:36.000 --> 00:20:37.480
<v Speaker 1>and all that, and it's like if you went to

450
00:20:37.480 --> 00:20:39.720
<v Speaker 1>go see that and it was mostly about a group

451
00:20:39.720 --> 00:20:42.720
<v Speaker 1>of guys trying to survive the apocalypse with a handful

452
00:20:42.759 --> 00:20:45.640
<v Speaker 1>of jokes, Whereas this was mostly a bunch of jokes,

453
00:20:45.759 --> 00:20:49.480
<v Speaker 1>and there's an apocalypse happening while that's happening. And that's

454
00:20:49.599 --> 00:20:51.839
<v Speaker 1>kind of what I was anticipating here, and we kind

455
00:20:51.839 --> 00:20:52.880
<v Speaker 1>of got the opposite of that.

456
00:20:53.039 --> 00:20:55.319
<v Speaker 2>So let's talk about Siegel here for a second, just

457
00:20:55.680 --> 00:20:57.440
<v Speaker 2>his career, we go a little off topic.

458
00:20:57.519 --> 00:20:59.920
<v Speaker 1>Yeah, please, he was in Freaks and Geeks obviously. Yeah.

459
00:21:00.359 --> 00:21:03.279
<v Speaker 2>Now, he was also in and I believe he was

460
00:21:03.359 --> 00:21:05.400
<v Speaker 2>kind of miscast in this and I think it only

461
00:21:05.440 --> 00:21:07.319
<v Speaker 2>went like one season, but I thought it was gonna

462
00:21:07.359 --> 00:21:08.920
<v Speaker 2>be good and it wasn't Undeclared.

463
00:21:08.960 --> 00:21:11.200
<v Speaker 1>Do you remember the show? It was on Fox? Undeclared

464
00:21:11.279 --> 00:21:14.519
<v Speaker 1>Ja the movie which I think Jay Brules I think

465
00:21:14.559 --> 00:21:16.119
<v Speaker 1>it was based on the movie. I didn't know there

466
00:21:16.119 --> 00:21:18.839
<v Speaker 1>was a movie. Yeah, it came out in like six

467
00:21:18.880 --> 00:21:21.599
<v Speaker 1>where like they make up a college and like it's

468
00:21:21.680 --> 00:21:23.759
<v Speaker 1>not real. Yeah, there was a whole movie. Okay, so

469
00:21:23.839 --> 00:21:25.319
<v Speaker 1>that had to be after the show then.

470
00:21:25.720 --> 00:21:29.680
<v Speaker 2>Okay, the movie is really good. Okay, I'm not I

471
00:21:29.720 --> 00:21:31.720
<v Speaker 2>didn't even wear it. Wasn't even aware of this. Yeah,

472
00:21:31.759 --> 00:21:34.200
<v Speaker 2>so I believe Sega was kind of miscast in that

473
00:21:34.880 --> 00:21:37.920
<v Speaker 2>as like this kind of like, if I remember correctly,

474
00:21:38.000 --> 00:21:41.079
<v Speaker 2>a whole jock boyfriend of the love interest of the

475
00:21:41.119 --> 00:21:45.799
<v Speaker 2>main character. Okay, yeah, but I say this to to

476
00:21:45.880 --> 00:21:48.680
<v Speaker 2>say he was still an Undeclared, which kind of was.

477
00:21:49.720 --> 00:21:51.240
<v Speaker 2>I think you could make the case that it's in

478
00:21:51.279 --> 00:21:55.000
<v Speaker 2>the same tree as Freaks and Geeks. Okay, so what else?

479
00:21:55.039 --> 00:21:56.480
<v Speaker 2>What else has Jason Siegel done?

480
00:21:56.920 --> 00:21:59.559
<v Speaker 1>How I Met your Mother? I Met your mother? Popular one.

481
00:22:00.960 --> 00:22:03.480
<v Speaker 2>You were just mentioning it forgetting Sarah Marshall. Sure, I

482
00:22:03.519 --> 00:22:07.319
<v Speaker 2>love you man. Yeah, see sex tape. Okay, these these

483
00:22:07.440 --> 00:22:09.200
<v Speaker 2>very slapsticky kind of.

484
00:22:09.240 --> 00:22:11.599
<v Speaker 1>Com and Windfall from twenty twenty two which you haven't

485
00:22:11.599 --> 00:22:11.960
<v Speaker 1>seen that.

486
00:22:12.799 --> 00:22:16.680
<v Speaker 2>This doesn't fit my argument. Yeah, So he did all those, right?

487
00:22:16.720 --> 00:22:17.920
<v Speaker 2>And then what did he do after that?

488
00:22:18.119 --> 00:22:18.279
<v Speaker 1>Right?

489
00:22:18.799 --> 00:22:21.680
<v Speaker 2>I thought he wrote and directed Jeff who lives at

490
00:22:21.680 --> 00:22:23.519
<v Speaker 2>Home with Ed Helms. I could be wrong on that,

491
00:22:23.559 --> 00:22:25.279
<v Speaker 2>but I know he starred in it, okay, and that

492
00:22:25.359 --> 00:22:27.119
<v Speaker 2>was sort of like an artsy I don't want to

493
00:22:27.119 --> 00:22:28.039
<v Speaker 2>say dark comedy.

494
00:22:28.200 --> 00:22:29.960
<v Speaker 1>Yes, I already know where you're going with this to

495
00:22:29.960 --> 00:22:35.119
<v Speaker 1>carry on? And so he did that. He did that AMC.

496
00:22:34.640 --> 00:22:38.200
<v Speaker 2>Show Dispatches from Elsewhere is what it's called, which I

497
00:22:38.319 --> 00:22:40.319
<v Speaker 2>believe he was like the showrunner.

498
00:22:39.799 --> 00:22:43.240
<v Speaker 1>And writer for yeah, and the lead character exactly. I

499
00:22:43.279 --> 00:22:45.160
<v Speaker 1>watched two episodes in Bail. Did you watch it?

500
00:22:45.200 --> 00:22:47.319
<v Speaker 2>I didn't watch it, okay, but I do know that

501
00:22:47.519 --> 00:22:52.559
<v Speaker 2>it was sort of like this like Lostian type of

502
00:22:52.680 --> 00:22:55.200
<v Speaker 2>you don't really know exactly what's going on. It was

503
00:22:55.240 --> 00:22:58.039
<v Speaker 2>a very challenging, rewarded active viewing.

504
00:22:58.079 --> 00:22:59.799
<v Speaker 1>It reminded me of the Adjustment Bureau.

505
00:23:00.079 --> 00:23:02.680
<v Speaker 2>Matt Damon, Yeah, but that was a film. I'm yeah,

506
00:23:02.720 --> 00:23:04.960
<v Speaker 2>but the but the principals, Okay, yeah, first, but I'm

507
00:23:05.000 --> 00:23:06.960
<v Speaker 2>just saying like writing for television was a little bit

508
00:23:06.960 --> 00:23:10.000
<v Speaker 2>different for that, because you'd have like these these massive

509
00:23:10.039 --> 00:23:12.720
<v Speaker 2>one week cliffhangers where you're like, you know, just when

510
00:23:12.759 --> 00:23:14.119
<v Speaker 2>you think you got to figure it out, you don't

511
00:23:14.119 --> 00:23:14.680
<v Speaker 2>know anything.

512
00:23:14.880 --> 00:23:15.319
<v Speaker 1>Yeah.

513
00:23:15.359 --> 00:23:17.279
<v Speaker 2>And then I know a lot of people were disappointed

514
00:23:17.279 --> 00:23:19.000
<v Speaker 2>at the ending. Those who stuck around for it.

515
00:23:19.119 --> 00:23:21.400
<v Speaker 1>Oh really, I didn't even follow up on it. I

516
00:23:21.480 --> 00:23:22.920
<v Speaker 1>just bailed. I was so disinterested.

517
00:23:23.000 --> 00:23:26.359
<v Speaker 2>Yeah, and if you would have, I'll tell you what

518
00:23:26.400 --> 00:23:29.720
<v Speaker 2>happens at the end. But it wasn't great at least again,

519
00:23:29.799 --> 00:23:32.240
<v Speaker 2>I didn't watch it. Maybe if if, if there's people

520
00:23:32.279 --> 00:23:34.559
<v Speaker 2>who love this, dispatches from Elsewhere show.

521
00:23:34.920 --> 00:23:37.559
<v Speaker 1>You're bad at liking things, or maybe I didn't. I

522
00:23:37.559 --> 00:23:39.480
<v Speaker 1>didn't watch it better, so I'm not gonna fry them.

523
00:23:39.599 --> 00:23:42.640
<v Speaker 2>Maybe maybe it's great, but you watched you watched it

524
00:23:42.680 --> 00:23:44.279
<v Speaker 2>for two episodes, and you could if.

525
00:23:44.119 --> 00:23:47.519
<v Speaker 1>You can't survive the Walking Dead bump when walking Dead

526
00:23:47.640 --> 00:23:49.920
<v Speaker 1>was the walk was the Walking Dead, bump. Did we

527
00:23:50.000 --> 00:23:51.960
<v Speaker 1>put you on after the Walking Dead? Like you have

528
00:23:52.039 --> 00:23:54.000
<v Speaker 1>a bill walking down?

529
00:23:54.119 --> 00:23:54.279
<v Speaker 2>Yes?

530
00:23:54.519 --> 00:23:56.200
<v Speaker 1>And I was just like I would actively be like,

531
00:23:56.240 --> 00:23:58.720
<v Speaker 1>where's the remote. I'm not watching episode three of this,

532
00:23:58.839 --> 00:23:59.960
<v Speaker 1>I'll put anything else on.

533
00:24:00.160 --> 00:24:02.319
<v Speaker 2>If if you look at AMC, there's a lot of

534
00:24:02.319 --> 00:24:03.400
<v Speaker 2>shows that did not say.

535
00:24:03.240 --> 00:24:05.119
<v Speaker 1>A thousand percent. Most of them didn't.

536
00:24:05.200 --> 00:24:07.839
<v Speaker 2>Well, if you're the Walking Dead did, which is great.

537
00:24:08.559 --> 00:24:11.240
<v Speaker 2>But then I think about Low Winter Sun with Mark Strong.

538
00:24:11.440 --> 00:24:14.920
<v Speaker 1>That was you know, the one with Loki. I didn't

539
00:24:14.920 --> 00:24:17.079
<v Speaker 1>go beyond Oh yeah it was that night Manager. Is

540
00:24:17.079 --> 00:24:18.680
<v Speaker 1>that what it was? Yeah?

541
00:24:18.720 --> 00:24:22.160
<v Speaker 2>And then Tom Hidlston by the way, you brute.

542
00:24:22.400 --> 00:24:23.400
<v Speaker 1>So uh.

543
00:24:23.440 --> 00:24:27.960
<v Speaker 2>And then they did the one about computers like and

544
00:24:28.039 --> 00:24:29.240
<v Speaker 2>I can't remember what it was called.

545
00:24:29.319 --> 00:24:32.200
<v Speaker 1>Oh yeah, I don't either. That was forgettable though, obviously yeah,

546
00:24:32.200 --> 00:24:33.880
<v Speaker 1>obviously very it wasn't on very long.

547
00:24:34.000 --> 00:24:37.559
<v Speaker 2>Yeah. So okay, we're getting way up. We're getting even

548
00:24:37.559 --> 00:24:42.240
<v Speaker 2>more off topic from off time. Okay, So now, and

549
00:24:42.319 --> 00:24:45.079
<v Speaker 2>I can't tell you everything that Siegul's done. I'm just

550
00:24:45.119 --> 00:24:48.720
<v Speaker 2>telling you what I've seen him do or what I

551
00:24:48.759 --> 00:24:51.279
<v Speaker 2>know that he's did or know that he's done. And

552
00:24:51.319 --> 00:24:53.599
<v Speaker 2>he seems to be branching off in almost to an

553
00:24:53.640 --> 00:24:58.640
<v Speaker 2>awe tour phase of his career where he did sex

554
00:24:58.720 --> 00:25:00.480
<v Speaker 2>tape and he did I Love You and to get

555
00:25:00.480 --> 00:25:01.839
<v Speaker 2>to get the bank roll to get his name.

556
00:25:01.880 --> 00:25:02.480
<v Speaker 1>Oh this.

557
00:25:04.079 --> 00:25:05.880
<v Speaker 2>What was the one with Captain Heigel and Seth Rowe?

558
00:25:06.000 --> 00:25:07.920
<v Speaker 2>This is forty No, no, no, The one before this

559
00:25:08.039 --> 00:25:08.960
<v Speaker 2>is forty knocked Up?

560
00:25:08.960 --> 00:25:09.400
<v Speaker 1>He did that.

561
00:25:09.640 --> 00:25:12.559
<v Speaker 2>Yeah, and he's playing basically like these kind of like

562
00:25:12.960 --> 00:25:16.359
<v Speaker 2>loser slacker characters. Oh, speaking of slacker characters, he was

563
00:25:16.400 --> 00:25:20.039
<v Speaker 2>in Slackers, which I'm telling you, did you watch that movie?

564
00:25:20.119 --> 00:25:21.680
<v Speaker 1>Yeah? Okay, all right, I just want to make because

565
00:25:21.839 --> 00:25:24.000
<v Speaker 1>I love that. I forgot he was in that though,

566
00:25:24.039 --> 00:25:28.680
<v Speaker 1>but yeah, you're on. Yeah. So anyway, so that's like

567
00:25:28.759 --> 00:25:30.200
<v Speaker 1>where I became the biggest Jason.

568
00:25:30.240 --> 00:25:32.720
<v Speaker 2>I knew I saw that more Schwartzman was going to

569
00:25:32.759 --> 00:25:35.720
<v Speaker 2>be huge, and he did take off, granted with a

570
00:25:35.759 --> 00:25:38.319
<v Speaker 2>little help from uh Wes Anderson, but he's the man.

571
00:25:38.640 --> 00:25:39.000
<v Speaker 1>Okay.

572
00:25:40.200 --> 00:25:43.759
<v Speaker 2>But so we're getting into this weird, different, new sort

573
00:25:43.759 --> 00:25:47.119
<v Speaker 2>of phase of his career, and perhaps when we went

574
00:25:47.240 --> 00:25:51.039
<v Speaker 2>in knowing it was Jason Siegel, we should have been like, Okay,

575
00:25:51.039 --> 00:25:51.759
<v Speaker 2>this isn't like.

576
00:25:52.039 --> 00:25:55.039
<v Speaker 1>Right, he's taking chances now, Yeah, he's doing different.

577
00:25:54.880 --> 00:25:57.519
<v Speaker 2>And he's doing stuff he wants to do, like for

578
00:25:57.720 --> 00:25:59.559
<v Speaker 2>for sake of argument, and like, you don't come off

579
00:25:59.599 --> 00:26:02.039
<v Speaker 2>being a shit runner of your only own television show

580
00:26:02.720 --> 00:26:04.319
<v Speaker 2>and just and then do something for a.

581
00:26:04.319 --> 00:26:06.640
<v Speaker 1>Check, right, exactly, Yeah, he doesn't need to do that,

582
00:26:06.680 --> 00:26:08.359
<v Speaker 1>and like for sake of argument, the wind fall me

583
00:26:08.359 --> 00:26:09.920
<v Speaker 1>because you said it didn't fit in. It fit in

584
00:26:09.960 --> 00:26:12.039
<v Speaker 1>with the second part of your point. Yeah, because I

585
00:26:12.039 --> 00:26:13.839
<v Speaker 1>don't know, I'm not familiar with that. I'm gonna describe

586
00:26:13.839 --> 00:26:15.400
<v Speaker 1>it to you, and you're gonna say, how the hell

587
00:26:15.400 --> 00:26:17.279
<v Speaker 1>have I not had any interesting scenes? And I will

588
00:26:17.319 --> 00:26:19.400
<v Speaker 1>say I thought it fell flat. But I'm gonna explain

589
00:26:19.440 --> 00:26:21.480
<v Speaker 1>the pieces to you. Now, I'm gonna explain the pieces.

590
00:26:22.319 --> 00:26:24.839
<v Speaker 1>So the point is, he plays your standard. It's basically

591
00:26:24.839 --> 00:26:27.559
<v Speaker 1>the plot the Good Fortune. He's basically a he's I'm sorry,

592
00:26:27.640 --> 00:26:29.519
<v Speaker 1>he's trying to make it in America and he can't.

593
00:26:29.559 --> 00:26:32.039
<v Speaker 1>He's like some kind of delivery driver or something whatever

594
00:26:32.079 --> 00:26:33.720
<v Speaker 1>brings him to this place. He ends up at this

595
00:26:33.799 --> 00:26:36.640
<v Speaker 1>billion dollar mansion, infinity pool, all this stuff, and he

596
00:26:36.720 --> 00:26:38.920
<v Speaker 1>ends up just squatting there and starting to take all

597
00:26:39.000 --> 00:26:43.000
<v Speaker 1>this guy's stuff. The guy that lived there is Jesse Plemmons,

598
00:26:44.119 --> 00:26:48.160
<v Speaker 1>and his wife Lily Collins. They come back Lily Collins

599
00:26:48.160 --> 00:26:52.240
<v Speaker 1>from Oh God, you put me on the spot here,

600
00:26:52.400 --> 00:26:55.279
<v Speaker 1>don't worry about But they show up and instead of

601
00:26:55.279 --> 00:26:57.680
<v Speaker 1>they they're like, you're gonna have to leave, And Jason

602
00:26:57.680 --> 00:26:59.680
<v Speaker 1>Siegial gets so used to the life that instead he

603
00:26:59.720 --> 00:27:02.079
<v Speaker 1>takes the two of them hostage, and it's them trying

604
00:27:02.119 --> 00:27:03.720
<v Speaker 1>to figure out a way that he is going to

605
00:27:03.759 --> 00:27:06.480
<v Speaker 1>be able to leave here. How much of their fortune

606
00:27:06.559 --> 00:27:09.200
<v Speaker 1>is he going to get for not killing them, And

607
00:27:09.240 --> 00:27:11.640
<v Speaker 1>it's just like they're kind of friends, but they also

608
00:27:11.640 --> 00:27:13.880
<v Speaker 1>are obviously waiting to kill one another at any moment.

609
00:27:14.079 --> 00:27:16.279
<v Speaker 1>And like all of this sounds, I'm describing it in

610
00:27:16.359 --> 00:27:20.279
<v Speaker 1>an excited and fun way that it's just like what

611
00:27:20.319 --> 00:27:22.880
<v Speaker 1>we saw. It's like there's moments where you're like a

612
00:27:23.519 --> 00:27:26.279
<v Speaker 1>and then but it's not like forgetting Sarah Marks, I

613
00:27:26.319 --> 00:27:28.599
<v Speaker 1>got it, Okay. I went into it much like I

614
00:27:28.640 --> 00:27:32.480
<v Speaker 1>did Sunday, being like, oh Jason, and then I'm like, ah,

615
00:27:32.680 --> 00:27:36.799
<v Speaker 1>Jason Siegel. Yeah, so it was. It was. It was

616
00:27:36.839 --> 00:27:38.920
<v Speaker 1>one of those kind of moment, which it's also weird too.

617
00:27:39.000 --> 00:27:41.160
<v Speaker 1>That's available on Netflix by the way, for anyone interested

618
00:27:41.200 --> 00:27:41.480
<v Speaker 1>in that one.

619
00:27:41.519 --> 00:27:43.799
<v Speaker 2>I'm assuming he got some sort of producer credit on

620
00:27:43.839 --> 00:27:47.279
<v Speaker 2>this film, yeah, but did not was not credit with

621
00:27:47.319 --> 00:27:49.839
<v Speaker 2>any of the writing nor any of the directing, which

622
00:27:49.839 --> 00:27:52.839
<v Speaker 2>I think is weird when you're when you've been doing.

623
00:27:52.720 --> 00:27:53.599
<v Speaker 1>As much as well.

624
00:27:53.640 --> 00:27:56.359
<v Speaker 2>Of course I shouldn't say that because I just assume

625
00:27:56.400 --> 00:27:58.920
<v Speaker 2>he's been doing a lot of directing and writing stuff.

626
00:27:58.960 --> 00:28:01.119
<v Speaker 2>But maybe he hasn't been. And I don't know.

627
00:28:01.319 --> 00:28:03.720
<v Speaker 1>What opened my eyes to this was Caught Stealing. But

628
00:28:03.759 --> 00:28:07.119
<v Speaker 1>I also begin to question sometimes, like what relationship does

629
00:28:07.119 --> 00:28:09.200
<v Speaker 1>he Sometimes I think it's just favors, you know what

630
00:28:09.240 --> 00:28:11.160
<v Speaker 1>I mean. It's like I need a big time name

631
00:28:11.200 --> 00:28:13.240
<v Speaker 1>to put in this movie. You and I are buds

632
00:28:13.240 --> 00:28:15.200
<v Speaker 1>off the scene. I'll give you a couple million dollars.

633
00:28:15.200 --> 00:28:16.799
<v Speaker 1>I'll let you do this the way you want to

634
00:28:16.799 --> 00:28:18.759
<v Speaker 1>do it. Yeah, and I need you to help me

635
00:28:18.880 --> 00:28:21.240
<v Speaker 1>build my own credit log. I don't know if this

636
00:28:21.359 --> 00:28:23.599
<v Speaker 1>is the case or not, but I sometimes wonder when

637
00:28:23.599 --> 00:28:26.960
<v Speaker 1>you watch Caught Stealing and freaking, ve Schreiber ends up

638
00:28:27.039 --> 00:28:29.640
<v Speaker 1>and like there was just a list actor after aylist actor,

639
00:28:29.720 --> 00:28:31.960
<v Speaker 1>like this is a very middling movie for so many

640
00:28:32.000 --> 00:28:34.759
<v Speaker 1>people to be to be in this film, Like how

641
00:28:34.799 --> 00:28:37.920
<v Speaker 1>would you do that? Who was who was? Who? Was

642
00:28:38.000 --> 00:28:41.039
<v Speaker 1>getting the favor done for them. I'm saying our boys,

643
00:28:41.279 --> 00:28:44.799
<v Speaker 1>uh yeah yeah, And it's just like maybe they have

644
00:28:44.880 --> 00:28:47.200
<v Speaker 1>a relationship and they're like, hey, you mind slumming it

645
00:28:47.240 --> 00:28:50.200
<v Speaker 1>with us and being an actor again to help get

646
00:28:50.359 --> 00:28:52.559
<v Speaker 1>Ben's butt in this seat so that we can get

647
00:28:52.559 --> 00:28:55.799
<v Speaker 1>a couple extra bucks for this ticket. Like maybe kind

648
00:28:55.799 --> 00:28:56.599
<v Speaker 1>of stuffy mee.

649
00:28:56.519 --> 00:28:58.759
<v Speaker 2>Intriguing him playing a director a struggling direction.

650
00:28:58.880 --> 00:29:02.039
<v Speaker 1>Sure, exactly, Like you never know with these artists. I

651
00:29:02.119 --> 00:29:04.960
<v Speaker 1>just went down a rabbit hole that Christian Bale hates westerns,

652
00:29:05.000 --> 00:29:08.160
<v Speaker 1>but he did do one western, right, Yeah, yeah, that

653
00:29:08.200 --> 00:29:09.799
<v Speaker 1>was a great movie exactly, and it was like it

654
00:29:09.880 --> 00:29:12.160
<v Speaker 1>had such emotional depth. And I was watching an interview

655
00:29:12.160 --> 00:29:14.440
<v Speaker 1>with him about why he broke his no westerns rule

656
00:29:14.519 --> 00:29:16.880
<v Speaker 1>to do that movie. So why did he He's he

657
00:29:16.960 --> 00:29:19.279
<v Speaker 1>was like, because it was about the characters, not the West.

658
00:29:19.599 --> 00:29:21.880
<v Speaker 1>He's like, most of the Western stuff was schlock and

659
00:29:21.920 --> 00:29:24.240
<v Speaker 1>it's like, here's the Native Americans and we got to

660
00:29:24.240 --> 00:29:26.359
<v Speaker 1>shoot these guys, whereas this was a much more character

661
00:29:26.440 --> 00:29:28.759
<v Speaker 1>driven story. That's what brought him into it, and he

662
00:29:28.920 --> 00:29:31.720
<v Speaker 1>just he annihilated that film as he always does. Maybe

663
00:29:31.720 --> 00:29:34.200
<v Speaker 1>that's one of these scenarios again, and I believe Tomorrow

664
00:29:34.240 --> 00:29:36.759
<v Speaker 1>Weaving no disrespect her. I obviously gave her her roses.

665
00:29:36.799 --> 00:29:38.599
<v Speaker 1>I feel like she's at the point of her career though,

666
00:29:38.599 --> 00:29:42.240
<v Speaker 1>where you maximize what you can get. When your name's hot,

667
00:29:42.319 --> 00:29:43.519
<v Speaker 1>you get in as many movies as you.

668
00:29:43.720 --> 00:29:45.519
<v Speaker 2>Yeah, her name's hot, but I think she's in danger

669
00:29:45.559 --> 00:29:47.920
<v Speaker 2>of being type cast here a little bit too. Yeah, absolutely,

670
00:29:47.960 --> 00:29:50.319
<v Speaker 2>because we're not seeing a whole lot of range from

671
00:29:50.559 --> 00:29:51.559
<v Speaker 2>I completely agree.

672
00:29:52.200 --> 00:29:54.680
<v Speaker 1>Maybe she doesn't care. Yeah, you just get in while

673
00:29:54.720 --> 00:29:56.440
<v Speaker 1>you can, and then you get out once it's over.

674
00:29:56.519 --> 00:29:59.640
<v Speaker 1>And that's that's not the stereotype, but that a lot

675
00:29:59.680 --> 00:30:03.240
<v Speaker 1>of act specifically find themselves in that in that kind

676
00:30:03.240 --> 00:30:04.079
<v Speaker 1>of category there.

677
00:30:04.119 --> 00:30:07.880
<v Speaker 2>Unfortunately, I want to delve into something here that is

678
00:30:07.880 --> 00:30:11.599
<v Speaker 2>going to be require some dancing on the part of

679
00:30:11.599 --> 00:30:12.240
<v Speaker 2>both of us.

680
00:30:12.799 --> 00:30:15.000
<v Speaker 1>The first big plot twist.

681
00:30:16.160 --> 00:30:20.759
<v Speaker 2>In this film, yeah, okay, number one, I brought up

682
00:30:20.759 --> 00:30:22.559
<v Speaker 2>something like that. I don't want to say an Easter

683
00:30:22.599 --> 00:30:25.720
<v Speaker 2>egg because it really wasn't hidden all that well, the

684
00:30:25.759 --> 00:30:26.920
<v Speaker 2>little the little.

685
00:30:28.519 --> 00:30:32.000
<v Speaker 1>Thing that I said would set up the the.

686
00:30:31.799 --> 00:30:35.920
<v Speaker 2>Next part of the movie, right, Okay, did you notice it? Yeah, okay,

687
00:30:36.079 --> 00:30:36.599
<v Speaker 2>pretty easily.

688
00:30:36.799 --> 00:30:37.039
<v Speaker 1>Yeah.

689
00:30:37.200 --> 00:30:40.039
<v Speaker 2>Yeah, So when they cut to the scene one of

690
00:30:40.039 --> 00:30:43.240
<v Speaker 2>the flashbacks, which, by the way, the flashbacks were very

691
00:30:43.559 --> 00:30:46.480
<v Speaker 2>Lord and Miller in twenty one Jump Street twenty you know,

692
00:30:46.599 --> 00:30:49.920
<v Speaker 2>or yeah, five days later, five minutes earlier, oh and

693
00:30:49.960 --> 00:30:51.559
<v Speaker 2>then the three minutes later one.

694
00:30:51.799 --> 00:30:54.119
<v Speaker 1>Yeah. Yeah, they were having fun with that, all right.

695
00:30:54.160 --> 00:31:00.440
<v Speaker 2>So anyway, so immediately when you find out or.

696
00:31:02.599 --> 00:31:03.559
<v Speaker 1>How do I want to do this?

697
00:31:04.039 --> 00:31:08.279
<v Speaker 2>The ceiling thing, Yeah, the ceiling scene. Sure, did you

698
00:31:08.359 --> 00:31:11.200
<v Speaker 2>know exactly what was going on? Not exactly, but yeah,

699
00:31:11.480 --> 00:31:13.880
<v Speaker 2>like they laid it out. They like they let you

700
00:31:13.920 --> 00:31:15.480
<v Speaker 2>know pretty quickly, right for sure.

701
00:31:15.519 --> 00:31:16.079
<v Speaker 1>Yeah. Yeah.

702
00:31:16.079 --> 00:31:19.039
<v Speaker 2>But then I mean it was so great with with

703
00:31:19.079 --> 00:31:22.160
<v Speaker 2>the stuff like and you've taught me to be a

704
00:31:22.200 --> 00:31:25.960
<v Speaker 2>better viewer with this, the key on the on the

705
00:31:26.039 --> 00:31:31.160
<v Speaker 2>door doorframe, the blue sweater with the snowflakes on it,

706
00:31:32.039 --> 00:31:34.720
<v Speaker 2>all this stuff, like they they paid all that off.

707
00:31:34.640 --> 00:31:36.519
<v Speaker 1>Which is great, and they set it up in a

708
00:31:36.519 --> 00:31:37.079
<v Speaker 1>way and like.

709
00:31:37.119 --> 00:31:39.000
<v Speaker 2>It was one of those things where it's like you're

710
00:31:39.039 --> 00:31:41.559
<v Speaker 2>not it's not like a knives out type thing where

711
00:31:41.559 --> 00:31:43.160
<v Speaker 2>you're trying to like figure stuff out.

712
00:31:43.200 --> 00:31:46.440
<v Speaker 1>Anyone who says they saw, like I figured out the

713
00:31:46.519 --> 00:31:48.400
<v Speaker 1>knives out, but not the way the movie wanted me to.

714
00:31:48.559 --> 00:31:50.680
<v Speaker 1>I use I used movie acumen when they were like,

715
00:31:50.720 --> 00:31:52.960
<v Speaker 1>what do you see different in this picture compared to

716
00:31:53.000 --> 00:31:55.160
<v Speaker 1>the setup, Like, no one actually saw that lamp. Don't

717
00:31:55.160 --> 00:31:57.480
<v Speaker 1>tell me anybody saw that lamp in real life. This

718
00:31:57.960 --> 00:32:00.839
<v Speaker 1>was like, are you looking at your phone or are

719
00:32:00.880 --> 00:32:02.400
<v Speaker 1>you looking at the screen, because if you're looking at

720
00:32:02.440 --> 00:32:03.279
<v Speaker 1>the screen, you saw it.

721
00:32:03.400 --> 00:32:06.240
<v Speaker 2>My whole thing was like, I want to separate them here,

722
00:32:06.279 --> 00:32:09.519
<v Speaker 2>because in Knives Out, you're like and those types of movies,

723
00:32:09.559 --> 00:32:12.119
<v Speaker 2>you're constantly you feel this sense of euphoria when you

724
00:32:12.160 --> 00:32:12.960
<v Speaker 2>figure something out.

725
00:32:13.000 --> 00:32:14.359
<v Speaker 1>Right, Sure, this there.

726
00:32:14.359 --> 00:32:16.680
<v Speaker 2>Wasn't, but it still kind of felt a little rewarding, like,

727
00:32:16.680 --> 00:32:17.880
<v Speaker 2>oh yeah, they're paying.

728
00:32:17.599 --> 00:32:19.480
<v Speaker 1>Them it just you know, what it reminded me of

729
00:32:19.640 --> 00:32:21.559
<v Speaker 1>was how I met your mother. They were notorious for that,

730
00:32:21.599 --> 00:32:23.920
<v Speaker 1>and they wouldn't even do it in the same episode.

731
00:32:24.160 --> 00:32:26.640
<v Speaker 1>They would like in season two be telling the wrong

732
00:32:26.720 --> 00:32:29.000
<v Speaker 1>story about a goat, and then in season four you

733
00:32:29.039 --> 00:32:31.240
<v Speaker 1>get the story about the goat, right, and anyone who

734
00:32:31.319 --> 00:32:35.200
<v Speaker 1>remembered that the goat thing was happening rye And I

735
00:32:35.279 --> 00:32:37.440
<v Speaker 1>definitely found myself. And by the way, just so no

736
00:32:37.440 --> 00:32:39.599
<v Speaker 1>one judges me, because I know you watch Network TV

737
00:32:39.720 --> 00:32:41.759
<v Speaker 1>and I'm not judging you. Of course, that's the last

738
00:32:41.799 --> 00:32:44.720
<v Speaker 1>Network show I ever watched, Like I despise Network TV.

739
00:32:44.960 --> 00:32:48.079
<v Speaker 1>You know there's a but I enjoyed that show very much.

740
00:32:48.079 --> 00:32:49.359
<v Speaker 1>I called Friends two point zero.

741
00:32:49.400 --> 00:32:53.400
<v Speaker 2>Yeah, yeah, yeah, I've I could probably count on one

742
00:32:53.400 --> 00:32:54.960
<v Speaker 2>hand how many episodes I saw that show.

743
00:32:55.039 --> 00:32:57.839
<v Speaker 1>Really, although you weren't also a Friends person, you were sign.

744
00:32:58.079 --> 00:32:59.440
<v Speaker 2>That was Seinfeld, which I want to get into it

745
00:32:59.480 --> 00:33:03.400
<v Speaker 2>a little bit. But the people I went to college

746
00:33:03.400 --> 00:33:05.240
<v Speaker 2>with because I went to college and I was much

747
00:33:05.240 --> 00:33:08.799
<v Speaker 2>older well I shouldn't say much, but significantly noticeably older

748
00:33:08.839 --> 00:33:10.880
<v Speaker 2>than a lot of my classmates that I worked with

749
00:33:11.160 --> 00:33:13.440
<v Speaker 2>at the radio station, at the TV station, what have you.

750
00:33:14.279 --> 00:33:16.920
<v Speaker 2>And they were all huge fans, so they drop all

751
00:33:16.920 --> 00:33:21.599
<v Speaker 2>these hemium uh references, and I'll be like, what, Yeah,

752
00:33:21.759 --> 00:33:26.119
<v Speaker 2>I was doing the whole Proclaimers thing at my wedding

753
00:33:26.759 --> 00:33:29.440
<v Speaker 2>with them, you know, the and I didn't even realize

754
00:33:29.440 --> 00:33:29.640
<v Speaker 2>it was.

755
00:33:29.680 --> 00:33:32.720
<v Speaker 1>How I met your mother? Think ntil years later, that's hilarious. Yeah, Yeah,

756
00:33:32.960 --> 00:33:34.799
<v Speaker 1>Have you Met Ben? Was a game we'd played in

757
00:33:34.839 --> 00:33:37.160
<v Speaker 1>bars all the time. Have you Met Ben? Yeah? Have

758
00:33:37.279 --> 00:33:38.920
<v Speaker 1>you Met Ben? Like that was how they would break

759
00:33:38.960 --> 00:33:40.880
<v Speaker 1>the ice with a woman they thought was attractive at

760
00:33:40.920 --> 00:33:42.839
<v Speaker 1>the bar. Like one of the friends, have you Met Ted?

761
00:33:43.039 --> 00:33:46.480
<v Speaker 1>And then they would introduce Ted Mo the I gotcha okay, yeah,

762
00:33:46.480 --> 00:33:48.640
<v Speaker 1>and so have you be Carrier?

763
00:33:48.799 --> 00:33:52.440
<v Speaker 2>So so there is a conversation going on and and

764
00:33:52.519 --> 00:33:55.039
<v Speaker 2>I I know that when you're on, you're on.

765
00:33:55.079 --> 00:33:57.480
<v Speaker 1>With Nick and PJ.

766
00:33:57.680 --> 00:34:00.279
<v Speaker 2>Right yeah, still okay, So this is more more of

767
00:34:00.319 --> 00:34:04.240
<v Speaker 2>like a show with Tony J and Leo thing debating

768
00:34:04.319 --> 00:34:07.920
<v Speaker 2>King King of Queens versus Seinfeld. And to me, it's

769
00:34:07.920 --> 00:34:10.400
<v Speaker 2>not close. Yeah, I agree, but I had I said

770
00:34:10.400 --> 00:34:12.639
<v Speaker 2>this when they asked me last week. I said, I

771
00:34:12.679 --> 00:34:17.199
<v Speaker 2>have seen Seinfeld so many times. Sure, I have Seinfeld

772
00:34:17.239 --> 00:34:20.400
<v Speaker 2>on VHS And you say, bulky. Seinfeld was never released

773
00:34:20.400 --> 00:34:22.519
<v Speaker 2>on VHS. No, it wasn't recorded it.

774
00:34:22.559 --> 00:34:25.960
<v Speaker 1>I recorded only the syndicated version. Okay.

775
00:34:26.000 --> 00:34:27.960
<v Speaker 2>So the only episode I don't have is the Puerto

776
00:34:28.000 --> 00:34:30.920
<v Speaker 2>Rican Day episode, which was had a lot of you know,

777
00:34:31.079 --> 00:34:32.760
<v Speaker 2>oh my god, we can't be doing this, this is

778
00:34:32.800 --> 00:34:37.320
<v Speaker 2>so racist or whatever, and even when it was on

779
00:34:37.599 --> 00:34:39.519
<v Speaker 2>you know, just normal TV.

780
00:34:39.920 --> 00:34:40.519
<v Speaker 1>I'll watch it.

781
00:34:40.880 --> 00:34:43.960
<v Speaker 2>So I said, now, if Seinfeld and King and Queens

782
00:34:43.960 --> 00:34:45.199
<v Speaker 2>are both on, I will watch King.

783
00:34:45.119 --> 00:34:46.880
<v Speaker 1>Of Queens, sure, just for some new content.

784
00:34:47.119 --> 00:34:48.599
<v Speaker 2>But even though I've seen those a bunch of times,

785
00:34:48.719 --> 00:34:50.320
<v Speaker 2>but I haven't reached the pinnacle there.

786
00:34:50.960 --> 00:34:53.039
<v Speaker 1>Everybody loves Raymond. To me, I think is.

787
00:34:54.679 --> 00:34:56.760
<v Speaker 2>I don't put it on the same plane as Seinfeld,

788
00:34:57.400 --> 00:34:59.559
<v Speaker 2>but the writing and the acting performances on.

789
00:34:59.559 --> 00:35:00.639
<v Speaker 1>That is a good one.

790
00:35:00.719 --> 00:35:03.800
<v Speaker 2>I mean, we're pretty pretty efan amazing, all right. I

791
00:35:03.840 --> 00:35:05.199
<v Speaker 2>don't know how we got on the side. Oh siegu

792
00:35:05.280 --> 00:35:06.159
<v Speaker 2>was on how I met your.

793
00:35:06.119 --> 00:35:08.400
<v Speaker 1>Mother really quickly before we move on. That's pretty much

794
00:35:08.400 --> 00:35:10.280
<v Speaker 1>all I had to say. I just talked on my

795
00:35:10.320 --> 00:35:12.360
<v Speaker 1>show today and I thought you'd appreciate it because you

796
00:35:12.360 --> 00:35:14.480
<v Speaker 1>know all the episodes. But I was talking about owning

797
00:35:14.519 --> 00:35:17.000
<v Speaker 1>a Honda c r Z and I'd whip it around

798
00:35:17.000 --> 00:35:20.119
<v Speaker 1>downtown Pittsburgh and said I would parallel park pulling forward

799
00:35:20.159 --> 00:35:22.519
<v Speaker 1>into the space just to show people I could do it. Yeah,

800
00:35:22.599 --> 00:35:25.079
<v Speaker 1>And I immediately started thinking of the.

801
00:35:25.199 --> 00:35:34.639
<v Speaker 2>Parking spot with George and Mike Moss It where Moffatt's

802
00:35:34.679 --> 00:35:37.440
<v Speaker 2>trying to pull into a space and George is trying

803
00:35:37.480 --> 00:35:41.039
<v Speaker 2>to back into it and they can't pull forward like

804
00:35:41.119 --> 00:35:43.360
<v Speaker 2>I would do it just to people. People in the

805
00:35:43.360 --> 00:35:46.000
<v Speaker 2>neighborhood start coming down for like what's going on, and

806
00:35:46.079 --> 00:35:48.840
<v Speaker 2>then they each have there's like team George and team

807
00:35:48.880 --> 00:35:51.119
<v Speaker 2>pull in and team back in, And it was crazy,

808
00:35:51.159 --> 00:35:52.280
<v Speaker 2>but just to get get.

809
00:35:52.119 --> 00:35:54.760
<v Speaker 1>Even further off topic with it there so so enjoy

810
00:35:54.800 --> 00:35:57.599
<v Speaker 1>that one. Yeah people will okay, the.

811
00:35:59.199 --> 00:36:03.239
<v Speaker 2>On a level of zero being nothing at all and

812
00:36:03.320 --> 00:36:06.599
<v Speaker 2>ten being oh my goodness, I can't believe I didn't

813
00:36:06.599 --> 00:36:07.599
<v Speaker 2>see any of this coming.

814
00:36:08.079 --> 00:36:09.840
<v Speaker 1>Where did the plot twists?

815
00:36:10.039 --> 00:36:14.079
<v Speaker 2>Not plot twists like some of the shocking scenes we saw, Yeah,

816
00:36:14.199 --> 00:36:15.280
<v Speaker 2>and you know what I'm talking about.

817
00:36:15.320 --> 00:36:17.760
<v Speaker 1>Yeah, towards the end, where did that register for you?

818
00:36:17.880 --> 00:36:19.039
<v Speaker 1>On a scale of zero to ten?

819
00:36:19.159 --> 00:36:21.519
<v Speaker 2>I mean, because this is where I thought you were. Really,

820
00:36:21.679 --> 00:36:23.760
<v Speaker 2>I'm like, I'm watching this, I'm like, god, this is

821
00:36:23.800 --> 00:36:24.440
<v Speaker 2>just so common.

822
00:36:24.880 --> 00:36:27.360
<v Speaker 1>Yeah. It was just one after another, like they got

823
00:36:27.599 --> 00:36:31.800
<v Speaker 1>so where would you put it? Zero to see? Like seven? Okay, seven?

824
00:36:32.039 --> 00:36:34.480
<v Speaker 1>I was pleasantly like, well, not pleasure. I was surprised

825
00:36:34.480 --> 00:36:38.599
<v Speaker 1>by it. It felt excessive at times, Right, it did

826
00:36:38.679 --> 00:36:42.280
<v Speaker 1>feel excessive, But sometimes I think you like that, yeah

827
00:36:42.360 --> 00:36:45.480
<v Speaker 1>if you? And like again with with Siegel being the

828
00:36:45.760 --> 00:36:47.920
<v Speaker 1>tour as we describe him as he is, like you

829
00:36:47.920 --> 00:36:50.400
<v Speaker 1>can tell that probably was an intriguing part to it,

830
00:36:50.679 --> 00:36:54.159
<v Speaker 1>and especially because it started off so rote, like I

831
00:36:54.159 --> 00:36:56.639
<v Speaker 1>don't think I'm giving too much away, but like you

832
00:36:56.719 --> 00:37:00.239
<v Speaker 1>see the trap that Segel has to set up you

833
00:37:00.320 --> 00:37:03.639
<v Speaker 1>see that poison is going to be used by Samorrow

834
00:37:03.679 --> 00:37:05.960
<v Speaker 1>Weaving like, they don't hide it, they very clearly, and

835
00:37:05.960 --> 00:37:08.719
<v Speaker 1>then it's how those go awry, and I'm like, okay,

836
00:37:08.760 --> 00:37:10.400
<v Speaker 1>so this is just going to be slapstick for an

837
00:37:10.440 --> 00:37:12.599
<v Speaker 1>hour and a half. That ending was a pleasant surprise

838
00:37:12.679 --> 00:37:15.480
<v Speaker 1>in that way, because it started off so like point A,

839
00:37:15.719 --> 00:37:20.000
<v Speaker 1>point B, point C and eventually devolving into what was

840
00:37:20.039 --> 00:37:23.199
<v Speaker 1>which I can't really say much more about. Yeah, but

841
00:37:23.440 --> 00:37:26.599
<v Speaker 1>so it was a nice juxtaposition of the two types

842
00:37:26.840 --> 00:37:28.239
<v Speaker 1>of storytelling.

843
00:37:27.719 --> 00:37:29.639
<v Speaker 2>You know, going back on more than three dozen films

844
00:37:29.760 --> 00:37:31.880
<v Speaker 2>reviewed and I don't know how many hundreds of movies

845
00:37:31.880 --> 00:37:34.239
<v Speaker 2>we watched over the years, and I'm sure there's one

846
00:37:34.320 --> 00:37:37.280
<v Speaker 2>like it. I'm just hard pressed to come up with

847
00:37:37.320 --> 00:37:42.880
<v Speaker 2>a film like this, Ben where maybe Sorry to Bother

848
00:37:43.000 --> 00:37:45.719
<v Speaker 2>You it would be one of these, but where we

849
00:37:45.800 --> 00:37:48.599
<v Speaker 2>have this sort of expectation going in of what this

850
00:37:48.679 --> 00:37:51.119
<v Speaker 2>film's about. It sets up pretty well for what it's

851
00:37:51.119 --> 00:37:53.840
<v Speaker 2>about in the first thirty minutes or whatever, but then

852
00:37:53.880 --> 00:37:57.400
<v Speaker 2>the last two thirds of it something totally different, right, Yeah,

853
00:37:57.440 --> 00:38:00.760
<v Speaker 2>something total, and Sorry to Bother You obviously comes to mind,

854
00:38:02.039 --> 00:38:03.719
<v Speaker 2>but I mean other than that, I mean that that's

855
00:38:03.760 --> 00:38:07.000
<v Speaker 2>what I think makes this so unique. Yeah, and I

856
00:38:07.039 --> 00:38:09.280
<v Speaker 2>can't say unique because unique means it's one of a kind.

857
00:38:09.320 --> 00:38:10.519
<v Speaker 2>This is not one of a kind.

858
00:38:10.360 --> 00:38:12.280
<v Speaker 1>Film, but in this world, one of a kind's damn

859
00:38:12.280 --> 00:38:14.360
<v Speaker 1>near impossible at this point.

860
00:38:14.480 --> 00:38:17.360
<v Speaker 2>So because everybody takes elements from other things.

861
00:38:17.440 --> 00:38:19.480
<v Speaker 1>Yeah, right, there's really only what is it? There's like

862
00:38:19.599 --> 00:38:22.400
<v Speaker 1>seven stories that you can tell what it is. Yeah,

863
00:38:22.519 --> 00:38:24.760
<v Speaker 1>I didn't realize it. It's like the hero's journey. Well,

864
00:38:24.800 --> 00:38:25.519
<v Speaker 1>the hero's.

865
00:38:25.239 --> 00:38:28.320
<v Speaker 2>Journey is like one thing, right and like, and there

866
00:38:28.360 --> 00:38:30.440
<v Speaker 2>will be people that will tell you that every film

867
00:38:31.000 --> 00:38:32.920
<v Speaker 2>it has some sort of version of the of the

868
00:38:33.000 --> 00:38:36.360
<v Speaker 2>hero's journey, Like every film is a hero's journey.

869
00:38:36.840 --> 00:38:41.280
<v Speaker 1>Okay, but it's it's executed differently. Sure, but like to

870
00:38:41.440 --> 00:38:44.119
<v Speaker 1>like make a very extreme example, the Who's On First?

871
00:38:44.159 --> 00:38:46.159
<v Speaker 1>With Abbott and Constello is one of the most famous

872
00:38:46.199 --> 00:38:46.679
<v Speaker 1>things ever.

873
00:38:46.840 --> 00:38:51.599
<v Speaker 2>I can't believe you're bringing this up. Okay, randomly, last

874
00:38:52.360 --> 00:38:53.280
<v Speaker 2>this would have been.

875
00:38:54.639 --> 00:38:55.159
<v Speaker 1>Friday.

876
00:38:55.719 --> 00:38:59.559
<v Speaker 2>My kids had their Fine Arts uh presentation at school,

877
00:39:01.320 --> 00:39:05.639
<v Speaker 2>which is just like music and whatever. Sure, randomly Friday morning,

878
00:39:05.840 --> 00:39:07.079
<v Speaker 2>I'm like, god, you know what, I had?

879
00:39:07.079 --> 00:39:07.920
<v Speaker 1>The Who's On First?

880
00:39:07.920 --> 00:39:10.840
<v Speaker 2>Like my parents got me the audio cassette back in

881
00:39:10.880 --> 00:39:13.400
<v Speaker 2>the day for Christmas, and I thought it was great

882
00:39:13.599 --> 00:39:15.559
<v Speaker 2>and I used to have the whole thing memorized.

883
00:39:15.599 --> 00:39:16.440
<v Speaker 1>I listened to it so much.

884
00:39:17.440 --> 00:39:20.800
<v Speaker 2>Anyway, randomly on Friday, I'm like, God, I haven't listen.

885
00:39:20.840 --> 00:39:22.280
<v Speaker 1>I gotta go on YouTube and watch that.

886
00:39:22.400 --> 00:39:25.480
<v Speaker 2>You know, because just to watch it again this Fine

887
00:39:25.559 --> 00:39:28.280
<v Speaker 2>Arts presentation. Hours after I have this, two of the

888
00:39:28.320 --> 00:39:31.280
<v Speaker 2>older kids executed the Who's On First.

889
00:39:32.760 --> 00:39:33.440
<v Speaker 1>It's wonderful.

890
00:39:33.599 --> 00:39:36.000
<v Speaker 2>It was wonderful, but really weird, right yeah, and then

891
00:39:36.039 --> 00:39:39.960
<v Speaker 2>now here I am later, I know this story.

892
00:39:40.840 --> 00:39:41.400
<v Speaker 1>Oh dude, I.

893
00:39:41.320 --> 00:39:43.119
<v Speaker 2>Felt I So I watched it on YouTube last night

894
00:39:43.119 --> 00:39:44.719
<v Speaker 2>because I remembered. I'm like, oh, I never watched it,

895
00:39:45.039 --> 00:39:47.599
<v Speaker 2>and I watched the movie version, which I shouldn't have

896
00:39:47.599 --> 00:39:49.480
<v Speaker 2>because there's no laugh track in there, and I think

897
00:39:49.519 --> 00:39:52.119
<v Speaker 2>those guys are really good at playing off audience reactions. Yeah,

898
00:39:52.239 --> 00:39:54.599
<v Speaker 2>so I should have watched the actual like radio version

899
00:39:55.280 --> 00:39:58.000
<v Speaker 2>or television show version. And then I fell down the

900
00:39:58.039 --> 00:40:01.239
<v Speaker 2>Abbot and Costello rabbit hole. God, so much stuff I

901
00:40:01.280 --> 00:40:02.519
<v Speaker 2>learned about those guys anyway.

902
00:40:02.599 --> 00:40:04.639
<v Speaker 1>Yeah, well no, the only reason I bring them up.

903
00:40:04.639 --> 00:40:06.679
<v Speaker 1>Have you ever seen And this is gonna sound ridiculous

904
00:40:06.679 --> 00:40:08.719
<v Speaker 1>because these are two of the classic people in all

905
00:40:08.760 --> 00:40:12.280
<v Speaker 1>of Hollywood and comedy. Have you ever seen the Jason

906
00:40:12.320 --> 00:40:16.519
<v Speaker 1>Lee and Tom Green vehicle stealing Harvard? No? I have not, okay,

907
00:40:16.599 --> 00:40:19.920
<v Speaker 1>but but I know of it. There's a scene where

908
00:40:19.920 --> 00:40:22.480
<v Speaker 1>they're intending to break into a wealthy person's house. Jason

909
00:40:22.519 --> 00:40:25.360
<v Speaker 1>Lee needs thirty thousand dollars and he's like yeah. Tom

910
00:40:25.400 --> 00:40:27.280
<v Speaker 1>Green's like, yeah, it's gonna be easy in and out,

911
00:40:27.320 --> 00:40:29.440
<v Speaker 1>no risk. And he's like, all right, let's go. He says,

912
00:40:29.480 --> 00:40:31.519
<v Speaker 1>what do you mean let's go? And Jason Lee's like,

913
00:40:31.559 --> 00:40:33.079
<v Speaker 1>we're gonna go break into the house. He goes, well, no,

914
00:40:33.119 --> 00:40:35.039
<v Speaker 1>you're gonna break into the house. I don't need any money.

915
00:40:35.039 --> 00:40:36.679
<v Speaker 1>Why should I assume the risk? He says, you just

916
00:40:36.719 --> 00:40:38.920
<v Speaker 1>said there is no risk. He goes, there's not. Like

917
00:40:39.199 --> 00:40:44.119
<v Speaker 1>it's a circular. It's the same principle, completely different execution.

918
00:40:44.239 --> 00:40:46.239
<v Speaker 1>And I'd argue it's very funny. I'll show it to

919
00:40:46.280 --> 00:40:47.840
<v Speaker 1>you when we get off the air. It's a very

920
00:40:47.880 --> 00:40:52.039
<v Speaker 1>funny scene. And it's all about the execution and delivery

921
00:40:52.239 --> 00:40:55.880
<v Speaker 1>that makes things unique. So even though we've seen everything before,

922
00:40:56.280 --> 00:40:59.559
<v Speaker 1>it's a matter you're not necessarily horse cocaine really can't

923
00:40:59.599 --> 00:41:02.199
<v Speaker 1>be due done more than one way, But it could

924
00:41:02.199 --> 00:41:05.000
<v Speaker 1>be like Magnolia and instead of having horse cocaine, it

925
00:41:05.079 --> 00:41:08.159
<v Speaker 1>just starts raining frogs for no reason when everything hits

926
00:41:08.159 --> 00:41:11.000
<v Speaker 1>a boiling point and then it just starts. That's basically

927
00:41:11.039 --> 00:41:13.760
<v Speaker 1>the same kind of idea, but X shown to you

928
00:41:13.800 --> 00:41:16.280
<v Speaker 1>in an entirely different way with an entirely different plot.

929
00:41:16.559 --> 00:41:18.440
<v Speaker 1>And this is kind of the same thing again here

930
00:41:18.480 --> 00:41:21.320
<v Speaker 1>as well, although I'd argue not in the same realm

931
00:41:21.400 --> 00:41:23.920
<v Speaker 1>as those two examples we just gave in terms of

932
00:41:23.960 --> 00:41:26.800
<v Speaker 1>a memorability, But also am I the weird one? Like

933
00:41:26.840 --> 00:41:28.639
<v Speaker 1>who else knows what's Sorry to Bother You? Is?

934
00:41:28.679 --> 00:41:31.559
<v Speaker 2>Magnolia is very famous? Like how many people You're the

935
00:41:31.559 --> 00:41:34.400
<v Speaker 2>only person. Okay, you're the only person ever to bring

936
00:41:34.480 --> 00:41:38.440
<v Speaker 2>up Sorry to Bother You with me? And anytime I've

937
00:41:38.480 --> 00:41:41.000
<v Speaker 2>talked about this film with other people, like yeah, my

938
00:41:41.000 --> 00:41:43.039
<v Speaker 2>buddy Ben that I do this podcast with, he's the

939
00:41:43.079 --> 00:41:44.679
<v Speaker 2>one who told me about it, They're like, I never

940
00:41:44.719 --> 00:41:47.239
<v Speaker 2>heard of it. And then some of them are actually

941
00:41:47.239 --> 00:41:49.280
<v Speaker 2>watching and they're like, wow, that was pretty messed up,

942
00:41:49.400 --> 00:41:51.039
<v Speaker 2>you know good?

943
00:41:51.559 --> 00:41:53.679
<v Speaker 1>But yeah, exactly, there are people in their eighties because

944
00:41:53.719 --> 00:41:55.559
<v Speaker 1>I do am talk and there are people in their

945
00:41:55.599 --> 00:41:58.320
<v Speaker 1>eighties that would like find me on Twitter and be like, Ben,

946
00:41:58.360 --> 00:42:00.000
<v Speaker 1>I watched Sorry to Bother You and I'm just sing

947
00:42:00.039 --> 00:42:02.440
<v Speaker 1>and they're looking at their profile picture picturing them looking

948
00:42:02.440 --> 00:42:05.039
<v Speaker 1>at this naked horseman in way of all the movie

949
00:42:05.079 --> 00:42:08.159
<v Speaker 1>suggestions I've made you although it is one of my favorites. Yeah,

950
00:42:08.199 --> 00:42:10.079
<v Speaker 1>I was like, this is the one you listened to

951
00:42:10.119 --> 00:42:13.840
<v Speaker 1>me and have decided to comment about. What was their

952
00:42:13.840 --> 00:42:16.000
<v Speaker 1>reaction to it? They were like, oh, really, it was

953
00:42:16.119 --> 00:42:18.280
<v Speaker 1>really uniquest. When you're eighty, you're probably just looking for

954
00:42:18.320 --> 00:42:19.360
<v Speaker 1>anything new, right.

955
00:42:20.679 --> 00:42:23.320
<v Speaker 2>If I'm but dude, if I'm eighty, I would not

956
00:42:23.440 --> 00:42:25.119
<v Speaker 2>understand like what was going on.

957
00:42:25.320 --> 00:42:28.039
<v Speaker 1>Yeah, there's probably a lot they needed to think.

958
00:42:28.159 --> 00:42:30.039
<v Speaker 2>Could you You said it's one of your favorites. Could

959
00:42:30.079 --> 00:42:32.960
<v Speaker 2>you if somebody because I can't do this, if somebody

960
00:42:33.159 --> 00:42:35.400
<v Speaker 2>told you to rank your top five movies of all time?

961
00:42:35.440 --> 00:42:39.199
<v Speaker 1>Could you do it? No, because it's it's environmental. Like

962
00:42:39.239 --> 00:42:42.039
<v Speaker 1>if you were like, tell me your top five adolescent movies,

963
00:42:42.079 --> 00:42:44.960
<v Speaker 1>tell me your top five movies since you moved to Wisconsin,

964
00:42:45.039 --> 00:42:47.119
<v Speaker 1>tell me your top five I could do that in

965
00:42:47.159 --> 00:42:49.440
<v Speaker 1>a heartbeat. But in terms of like I mean, I know,

966
00:42:49.519 --> 00:42:52.320
<v Speaker 1>Fight Club and Sorry to Bother You, the Dark Knights,

967
00:42:52.360 --> 00:42:56.880
<v Speaker 1>like those are all in some realm of my top movies,

968
00:42:56.920 --> 00:42:59.239
<v Speaker 1>but I've liked to actually rank them. They're just so different.

969
00:42:59.320 --> 00:43:01.480
<v Speaker 1>Your first piate the care bean freaking love that met,

970
00:43:01.639 --> 00:43:04.440
<v Speaker 1>and then it changes over time, of course, exactly because

971
00:43:04.440 --> 00:43:06.400
<v Speaker 1>you get different stuff out of it every single time,

972
00:43:06.559 --> 00:43:06.760
<v Speaker 1>you know.

973
00:43:06.800 --> 00:43:11.000
<v Speaker 2>For a while, so for I really held on to

974
00:43:11.079 --> 00:43:13.079
<v Speaker 2>these epics. Like to me, if I'm gonna say my

975
00:43:13.159 --> 00:43:15.760
<v Speaker 2>favorite movie of all time is blah blah blah, it's

976
00:43:15.760 --> 00:43:21.119
<v Speaker 2>got to be some epic type of like really involved filmmaking, storyline,

977
00:43:21.639 --> 00:43:23.920
<v Speaker 2>acting whatever. I can't I can't put dumb and Dumber

978
00:43:24.119 --> 00:43:27.320
<v Speaker 2>up there, sure no for no offense to the people.

979
00:43:27.039 --> 00:43:31.440
<v Speaker 1>But I can put it best comedy, yeah totally. But

980
00:43:31.679 --> 00:43:34.440
<v Speaker 1>best film overall, Balky's best picture. Yeah.

981
00:43:34.519 --> 00:43:36.880
<v Speaker 2>So for a while, I don't think I really had one.

982
00:43:37.400 --> 00:43:39.239
<v Speaker 2>And then I saw Titanic for the first time and

983
00:43:39.280 --> 00:43:42.400
<v Speaker 2>I'm like, oh my god, this is blew me away right,

984
00:43:43.079 --> 00:43:46.320
<v Speaker 2>and and yet the love story whatever, but just the

985
00:43:46.400 --> 00:43:51.119
<v Speaker 2>actual filmmaking, the cinematography, I mean, the setup that you

986
00:43:51.239 --> 00:43:53.280
<v Speaker 2>had for this movie, like an hour and a half

987
00:43:53.679 --> 00:43:55.039
<v Speaker 2>or two hours. That was like an hour and a

988
00:43:55.039 --> 00:43:57.119
<v Speaker 2>half before this Iceberg even enters.

989
00:43:57.159 --> 00:43:59.519
<v Speaker 1>Yeah, yeah, I mean it is.

990
00:43:59.559 --> 00:44:01.559
<v Speaker 2>And I have both of them. Yeah, I should say

991
00:44:01.599 --> 00:44:03.159
<v Speaker 2>both of them. If I have one, I obviously have

992
00:44:03.159 --> 00:44:07.199
<v Speaker 2>the other. So so for that, like the setup was

993
00:44:07.280 --> 00:44:11.320
<v Speaker 2>so involved and then I'm actually feeling like I'm I'm

994
00:44:11.400 --> 00:44:13.000
<v Speaker 2>on this ship.

995
00:44:13.079 --> 00:44:13.480
<v Speaker 1>Yeah, you know.

996
00:44:14.960 --> 00:44:17.079
<v Speaker 2>So then I don't know for like, and I could

997
00:44:17.119 --> 00:44:19.280
<v Speaker 2>only bring myself to watch it once a year because

998
00:44:19.280 --> 00:44:20.800
<v Speaker 2>it just got it took so much.

999
00:44:20.599 --> 00:44:23.440
<v Speaker 1>Out of it, watch a bunch.

1000
00:44:23.639 --> 00:44:27.800
<v Speaker 2>Then years later the Curious Case of Benjamin Button held

1001
00:44:27.840 --> 00:44:30.920
<v Speaker 2>the held the title for me, that's interesting and I

1002
00:44:30.960 --> 00:44:33.960
<v Speaker 2>don't know what it was if I identified with this

1003
00:44:34.280 --> 00:44:37.679
<v Speaker 2>kid who was born an old man and then dies

1004
00:44:38.119 --> 00:44:41.199
<v Speaker 2>a baby, you know whatever, and how backwards his life

1005
00:44:41.320 --> 00:44:43.760
<v Speaker 2>is and you are taken through it is an epics

1006
00:44:43.800 --> 00:44:46.719
<v Speaker 2>story man, like the stuff with his father, with the

1007
00:44:46.840 --> 00:44:50.800
<v Speaker 2>Chicken Russia, with with the dancer, like all in the

1008
00:44:50.800 --> 00:44:52.519
<v Speaker 2>the old folks. So I mean like it is so

1009
00:44:52.599 --> 00:44:55.440
<v Speaker 2>in the hersham Ma hershaw Ali, who is brilliant in this.

1010
00:44:55.840 --> 00:44:59.360
<v Speaker 2>And oh the other woman I can't think she was

1011
00:44:59.360 --> 00:45:04.719
<v Speaker 2>in for brother the three thousands, andre three thousands wife

1012
00:45:05.679 --> 00:45:09.480
<v Speaker 2>she was in Oh I don't know what her name? Okay,

1013
00:45:09.960 --> 00:45:12.199
<v Speaker 2>look it up, look, look it up. A Curious Case

1014
00:45:12.199 --> 00:45:14.320
<v Speaker 2>of Benjamin Button. She was great in it, and I

1015
00:45:14.360 --> 00:45:18.000
<v Speaker 2>can't think of what her name is, but but she

1016
00:45:18.119 --> 00:45:20.159
<v Speaker 2>was great. So she had all these other characters that

1017
00:45:20.159 --> 00:45:26.760
<v Speaker 2>that were fantastic in Itaji Pnsen, That's who it was.

1018
00:45:27.480 --> 00:45:28.159
<v Speaker 1>She was great.

1019
00:45:28.199 --> 00:45:31.159
<v Speaker 2>So and then and that movie too, I watched it

1020
00:45:31.239 --> 00:45:33.079
<v Speaker 2>like two or three times. I'm like, I can't. It

1021
00:45:33.440 --> 00:45:35.960
<v Speaker 2>takes too much out of me. I don't have time,

1022
00:45:36.039 --> 00:45:38.079
<v Speaker 2>and so like I would not consider I do like

1023
00:45:38.119 --> 00:45:40.760
<v Speaker 2>that movie and the way it tied in with Katrina

1024
00:45:40.800 --> 00:45:42.079
<v Speaker 2>and everything at the end, which.

1025
00:45:41.920 --> 00:45:42.480
<v Speaker 1>Is really cool.

1026
00:45:42.920 --> 00:45:46.159
<v Speaker 2>I do like that movie, but I can't label it

1027
00:45:46.320 --> 00:45:48.639
<v Speaker 2>as my favorite of all time. So if somebody were

1028
00:45:48.679 --> 00:45:51.760
<v Speaker 2>to ask me, bulky, don't even rank them, just what's

1029
00:45:51.760 --> 00:45:52.840
<v Speaker 2>your favorite movie all time?

1030
00:45:53.639 --> 00:45:55.840
<v Speaker 1>I wouldn't even know where to begin, right, and I'd

1031
00:45:55.880 --> 00:45:58.079
<v Speaker 1>have a starting point. But starting.

1032
00:45:58.679 --> 00:46:01.119
<v Speaker 2>The other thing too, is I and You've added horror

1033
00:46:01.800 --> 00:46:04.039
<v Speaker 2>to my repertoire a little bit, and I'm starting like

1034
00:46:04.119 --> 00:46:06.639
<v Speaker 2>that genre more so. Sure I did, but for me

1035
00:46:06.719 --> 00:46:11.320
<v Speaker 2>it was like comedy, drama, action, you know, thrillers, psychological

1036
00:46:11.679 --> 00:46:15.920
<v Speaker 2>thrillers like like those. I liked everything like rom com

1037
00:46:16.000 --> 00:46:18.719
<v Speaker 2>is really the only thing. I just can't.

1038
00:46:18.360 --> 00:46:19.920
<v Speaker 1>I can't. I cannot get on board with you.

1039
00:46:20.119 --> 00:46:23.039
<v Speaker 2>There's certain romantic comedies that that are fine or whatever,

1040
00:46:23.760 --> 00:46:24.880
<v Speaker 2>but mostly I can't.

1041
00:46:24.920 --> 00:46:27.440
<v Speaker 1>Like I'm not a Hope Floatsky. You won't. You won't

1042
00:46:27.440 --> 00:46:29.039
<v Speaker 1>see me talking about that.

1043
00:46:29.440 --> 00:46:31.679
<v Speaker 2>So but now I add horror to this, and like

1044
00:46:31.719 --> 00:46:33.760
<v Speaker 2>this is a completely other thing too, where I can't

1045
00:46:33.760 --> 00:46:35.880
<v Speaker 2>really Now I'm just enjoying film for the sake of

1046
00:46:35.960 --> 00:46:36.440
<v Speaker 2>enjoying film.

1047
00:46:36.519 --> 00:46:39.199
<v Speaker 1>Yeah. Oh, and like it's almost impossible and we're so

1048
00:46:39.280 --> 00:46:41.159
<v Speaker 1>far off topic, but I love it because I just

1049
00:46:41.199 --> 00:46:43.079
<v Speaker 1>saw this post three days ago, and the fact that

1050
00:46:43.119 --> 00:46:45.920
<v Speaker 1>you mentioned Titanic is kind of ironic, much like I

1051
00:46:45.960 --> 00:46:50.920
<v Speaker 1>did the of it and Costello. But some an account

1052
00:46:51.000 --> 00:46:56.000
<v Speaker 1>that I follow on Twitter put up two Rotten Tomatoes

1053
00:46:56.079 --> 00:46:59.360
<v Speaker 1>sites and was like, really, and it is really, you're

1054
00:46:59.360 --> 00:47:02.480
<v Speaker 1>trying to tell me that Titanic is worse than Sam

1055
00:47:02.559 --> 00:47:05.320
<v Speaker 1>Raimi's Dragged Me to Hell from two thousand and nine,

1056
00:47:05.440 --> 00:47:07.239
<v Speaker 1>and you look and Drag Me to Hell has a

1057
00:47:07.320 --> 00:47:11.079
<v Speaker 1>higher critics and audience score than Titanic does, and like,

1058
00:47:11.119 --> 00:47:14.039
<v Speaker 1>if you ask me, drag Me to Hell all day. Yeah,

1059
00:47:14.039 --> 00:47:16.840
<v Speaker 1>But like it's it's a matter of like reviewing it

1060
00:47:16.880 --> 00:47:17.519
<v Speaker 1>for what it is.

1061
00:47:17.719 --> 00:47:19.480
<v Speaker 2>Does that say something about the people who are going

1062
00:47:19.559 --> 00:47:21.920
<v Speaker 2>on Rotten Tomatoes and just movie critics in general.

1063
00:47:22.400 --> 00:47:25.000
<v Speaker 1>Oh? Absolutely. And I've always been a firm believer, like

1064
00:47:25.559 --> 00:47:28.960
<v Speaker 1>Dumb and Dumber with critics always was rated like now

1065
00:47:29.000 --> 00:47:31.760
<v Speaker 1>it's kind of adjusted because enough people with common sense

1066
00:47:31.800 --> 00:47:33.960
<v Speaker 1>have become critics. But like when Rotten Tomatoes was new,

1067
00:47:34.159 --> 00:47:36.519
<v Speaker 1>Dumb and Dumber on critics would be like thirty five

1068
00:47:36.559 --> 00:47:39.400
<v Speaker 1>to forty percent. It's like it's slapstick blah blah blah,

1069
00:47:39.400 --> 00:47:42.679
<v Speaker 1>and it's like it's called dumb and dumber. Yeah, it's

1070
00:47:42.719 --> 00:47:43.679
<v Speaker 1>like what are in the title?

1071
00:47:43.840 --> 00:47:47.880
<v Speaker 3>Yeah, every you got exactly what you wanted out of

1072
00:47:47.880 --> 00:47:50.039
<v Speaker 3>that man. Anyone went to that movie got exactly what

1073
00:47:50.079 --> 00:47:52.480
<v Speaker 3>they wanted in the in the critics score didn't reflect that.

1074
00:47:52.559 --> 00:47:54.800
<v Speaker 3>And I have noticed as time has gone on the

1075
00:47:54.840 --> 00:47:58.599
<v Speaker 3>Freaking Terrifier series, all three of them from critics has

1076
00:47:58.719 --> 00:48:01.480
<v Speaker 3>over a ninety percent review rating, even though they are

1077
00:48:01.519 --> 00:48:03.800
<v Speaker 3>most they're so graphic that I can barely get through them,

1078
00:48:03.800 --> 00:48:06.239
<v Speaker 3>and I'm like, this has a ninety two percent because

1079
00:48:06.320 --> 00:48:08.679
<v Speaker 3>you know what you're getting, and you're like, if I

1080
00:48:08.760 --> 00:48:11.719
<v Speaker 3>wanted to be grossed out by a mime, I got

1081
00:48:11.760 --> 00:48:13.800
<v Speaker 3>that for an hour and a half. I got that,

1082
00:48:13.840 --> 00:48:15.840
<v Speaker 3>and the reviews kind of reflect that. And I still

1083
00:48:15.880 --> 00:48:18.840
<v Speaker 3>maintain Drag Me to Hell's a very underrated classic.

1084
00:48:18.920 --> 00:48:20.719
<v Speaker 2>Yeah no, and by the way, you're not the only

1085
00:48:20.760 --> 00:48:25.039
<v Speaker 2>one who's who said that. Yeah, okay, So regarding the

1086
00:48:25.159 --> 00:48:29.880
<v Speaker 2>Terrifier thing, is there, I mean, are there levels of execution.

1087
00:48:29.639 --> 00:48:31.880
<v Speaker 1>Of like executions of bad work.

1088
00:48:32.440 --> 00:48:38.239
<v Speaker 2>Are there levels of how things are presented to the

1089
00:48:38.320 --> 00:48:42.400
<v Speaker 2>viewer that are better in Terrifier that are not as

1090
00:48:42.440 --> 00:48:43.679
<v Speaker 2>good in some other yes?

1091
00:48:43.920 --> 00:48:47.800
<v Speaker 1>Okay, Yeah, so it's very nihilistic. It just feels heavy.

1092
00:48:47.920 --> 00:48:50.519
<v Speaker 2>Okay, So from as much from an artok this is

1093
00:48:50.559 --> 00:48:53.760
<v Speaker 2>going to sound like an oxymoron. From from an objective

1094
00:48:53.920 --> 00:48:57.480
<v Speaker 2>artistic standpoint, Yeah, you can make the case a pretty

1095
00:48:57.519 --> 00:49:01.880
<v Speaker 2>strong case that Terrifier does things better. Yeah, and those

1096
00:49:01.920 --> 00:49:04.840
<v Speaker 2>films better than it's peers in a genre.

1097
00:49:04.599 --> 00:49:07.079
<v Speaker 1>Then Hatchet, and like Hatchet's an enjoyable movie, but it's

1098
00:49:07.119 --> 00:49:09.239
<v Speaker 1>more of a comedy. They kind of stay lighthearted. This

1099
00:49:09.519 --> 00:49:11.440
<v Speaker 1>the best way I can describe the Terrify would you

1100
00:49:11.440 --> 00:49:13.880
<v Speaker 1>what would you? Yeah, okay, what would you compare Terrifier

1101
00:49:13.920 --> 00:49:17.199
<v Speaker 1>to nothing? Okay? And because the best way I can

1102
00:49:17.239 --> 00:49:18.639
<v Speaker 1>describe it is when I was a kid. I was

1103
00:49:18.639 --> 00:49:20.599
<v Speaker 1>a thrill Secret's why I like horror movies when I

1104
00:49:20.679 --> 00:49:23.039
<v Speaker 1>was a kid, and I'd always ride roller coasters. I

1105
00:49:23.079 --> 00:49:25.639
<v Speaker 1>went to Cedar Point and I was sixteen years old

1106
00:49:25.679 --> 00:49:28.800
<v Speaker 1>and I was on the drag Cedar Point. I heard

1107
00:49:28.760 --> 00:49:31.880
<v Speaker 1>it's like the they call themselves the roller coaster capital

1108
00:49:31.880 --> 00:49:33.400
<v Speaker 1>of the world. They have they have a roller coaster

1109
00:49:33.440 --> 00:49:35.800
<v Speaker 1>there called the Dragster that goes where is is this

1110
00:49:35.800 --> 00:49:38.960
<v Speaker 1>in Pittsburgh, Ohio? Oh okay. It goes one hundred and

1111
00:49:39.000 --> 00:49:40.960
<v Speaker 1>twenty eight miles an hour and it just shoots you

1112
00:49:41.039 --> 00:49:43.199
<v Speaker 1>up a hill and you're four hundred and thirty feet

1113
00:49:43.199 --> 00:49:44.960
<v Speaker 1>in the air and then you just go straight down

1114
00:49:44.960 --> 00:49:47.000
<v Speaker 1>and that's the whole ride, and you go, but you

1115
00:49:47.079 --> 00:49:49.480
<v Speaker 1>it's like go and you're going one hundred and twenty eight.

1116
00:49:49.519 --> 00:49:51.679
<v Speaker 1>They have a phenomenon right there. You see yourself hit it.

1117
00:49:51.719 --> 00:49:53.840
<v Speaker 1>You go up. You're watching them test it and sometimes

1118
00:49:53.920 --> 00:49:56.480
<v Speaker 1>it doesn't clear the top of it because it's too windy,

1119
00:49:56.519 --> 00:49:57.920
<v Speaker 1>and they're like, we got to wait a little bit.

1120
00:49:58.400 --> 00:50:00.599
<v Speaker 1>And I remember sitting there. I was sixteen and my

1121
00:50:00.599 --> 00:50:02.639
<v Speaker 1>brother was fourteen. It is the only time because like

1122
00:50:02.679 --> 00:50:04.199
<v Speaker 1>I was like, yeah, I don't give a crap. I'm

1123
00:50:04.239 --> 00:50:06.920
<v Speaker 1>here with my hands up and like I'm loose on

1124
00:50:06.960 --> 00:50:08.960
<v Speaker 1>that one you saw me holding the thing. I'm like, okay,

1125
00:50:09.000 --> 00:50:10.920
<v Speaker 1>when is this actually gonna take off? I actually can

1126
00:50:11.000 --> 00:50:12.760
<v Speaker 1>feel it in the pit of my stomach. I'm nervous.

1127
00:50:12.840 --> 00:50:15.000
<v Speaker 1>I know I'll be fine, but like I am anxious

1128
00:50:15.000 --> 00:50:18.159
<v Speaker 1>about what's about to happen. When Terrifier three came out

1129
00:50:18.199 --> 00:50:20.480
<v Speaker 1>most recently, and like they put it on a streaming service,

1130
00:50:20.519 --> 00:50:22.519
<v Speaker 1>I watched it the first day it was available, and

1131
00:50:22.559 --> 00:50:26.599
<v Speaker 1>I had the drags. I'm like, yeah, all right, I

1132
00:50:26.599 --> 00:50:28.679
<v Speaker 1>guess we're doing this. This is how long? Two hours

1133
00:50:28.679 --> 00:50:30.920
<v Speaker 1>and twelve minutes? All right, let's do those are two

1134
00:50:31.000 --> 00:50:35.079
<v Speaker 1>hour movies. I'm like, all right, let's see. And like

1135
00:50:35.320 --> 00:50:37.960
<v Speaker 1>the third one starts, the main character who's in it

1136
00:50:38.000 --> 00:50:40.840
<v Speaker 1>said that he saw the scene for the opening scene,

1137
00:50:40.840 --> 00:50:45.039
<v Speaker 1>the way it was decorated and vomited, and I was like, oh, okay,

1138
00:50:45.440 --> 00:50:47.280
<v Speaker 1>let's see what happens. And I watch it, and I'll

1139
00:50:47.280 --> 00:50:50.639
<v Speaker 1>be honest, I've seen worse. But it's the it's the

1140
00:50:50.760 --> 00:50:54.400
<v Speaker 1>context behind what happens in the first scene where you

1141
00:50:54.480 --> 00:50:56.320
<v Speaker 1>were you said, you see what you see, and you're

1142
00:50:56.320 --> 00:50:58.880
<v Speaker 1>just like, okay, this probably would resonate with me more

1143
00:50:58.880 --> 00:51:00.559
<v Speaker 1>if I were in a different phase of my life.

1144
00:51:00.559 --> 00:51:03.159
<v Speaker 1>But I can understand why this would hit home with people.

1145
00:51:03.199 --> 00:51:04.760
<v Speaker 2>And so would it be better if you would have

1146
00:51:04.800 --> 00:51:06.079
<v Speaker 2>seen those when you were younger?

1147
00:51:06.960 --> 00:51:09.840
<v Speaker 1>See I I'd like, I like that, we're going down

1148
00:51:09.880 --> 00:51:12.119
<v Speaker 1>this rabbit hole. But I always say, if I had kids,

1149
00:51:12.119 --> 00:51:14.079
<v Speaker 1>I would show them the stuff that I grew up on,

1150
00:51:14.159 --> 00:51:16.440
<v Speaker 1>because I think this would have turned me off to horror.

1151
00:51:16.719 --> 00:51:18.880
<v Speaker 1>Like I needed to see Freddy like turn into a

1152
00:51:18.920 --> 00:51:22.559
<v Speaker 1>TV and jam someone's face into a TV. I'd be like, oh,

1153
00:51:22.599 --> 00:51:25.480
<v Speaker 1>that was silly, welcome to prime time, bitch, like fun times.

1154
00:51:25.480 --> 00:51:27.679
<v Speaker 1>I'm seven years old, Like ah good, I was quoting

1155
00:51:27.679 --> 00:51:31.199
<v Speaker 1>that all the time, terrifying. It just hits levels of

1156
00:51:31.400 --> 00:51:34.800
<v Speaker 1>just like I said, just extreme nihilism and extreme grossness.

1157
00:51:34.840 --> 00:51:37.679
<v Speaker 1>And there is a plot and like again it's it's

1158
00:51:37.719 --> 00:51:41.000
<v Speaker 1>like a very pro feminist movie. It's gonna sound ridiculous,

1159
00:51:41.039 --> 00:51:43.079
<v Speaker 1>Like there's a there's a through point that you're like, oh,

1160
00:51:43.119 --> 00:51:46.360
<v Speaker 1>this has a really coherent message throughout these entire films,

1161
00:51:46.360 --> 00:51:50.599
<v Speaker 1>Like there is attention to detail and a quasi plot there.

1162
00:51:50.760 --> 00:51:53.559
<v Speaker 1>But it's the third the second I plot, Yeah, the

1163
00:51:53.599 --> 00:51:55.880
<v Speaker 1>second one's two hours and thirty two minutes long. Man,

1164
00:51:55.920 --> 00:51:58.679
<v Speaker 1>I'm not even joking. An hour and forty five to

1165
00:51:58.760 --> 00:52:01.039
<v Speaker 1>an hour fifty minutes of it is just like, oh

1166
00:52:01.079 --> 00:52:04.079
<v Speaker 1>my god, come on, he's just like Glory shopping one

1167
00:52:04.159 --> 00:52:07.719
<v Speaker 1>limb after and doing these awful things to these people,

1168
00:52:07.719 --> 00:52:10.400
<v Speaker 1>and you're just like, how am I getting through this?

1169
00:52:10.480 --> 00:52:13.079
<v Speaker 1>And like that? That that to me. My brother will

1170
00:52:13.119 --> 00:52:15.239
<v Speaker 1>tell you that it's the best thing he's ever seen,

1171
00:52:15.280 --> 00:52:17.639
<v Speaker 1>the third one, because they just after you see the

1172
00:52:17.639 --> 00:52:19.599
<v Speaker 1>third one, you really can't watch the second one anymore.

1173
00:52:19.639 --> 00:52:22.760
<v Speaker 1>It's like a John Wick movie because once you see

1174
00:52:22.760 --> 00:52:24.760
<v Speaker 1>literally you're like, oh, the second one's kind of passe

1175
00:52:24.760 --> 00:52:27.119
<v Speaker 1>all things. And the fourth one, which is coming out

1176
00:52:27.119 --> 00:52:29.800
<v Speaker 1>in October, which I won't make us do, but it's

1177
00:52:29.840 --> 00:52:32.360
<v Speaker 1>the final one. That's not There's no way it's going

1178
00:52:32.400 --> 00:52:33.159
<v Speaker 1>to be the final one.

1179
00:52:33.239 --> 00:52:33.280
<v Speaker 3>No.

1180
00:52:33.679 --> 00:52:35.440
<v Speaker 1>Like I'm telling you, man, it's telling the plut they're

1181
00:52:35.440 --> 00:52:38.119
<v Speaker 1>actually going to hell for the fourth movie because the

1182
00:52:38.159 --> 00:52:40.320
<v Speaker 1>third one, let's just say, there's a reason on the.

1183
00:52:40.320 --> 00:52:43.679
<v Speaker 2>Fifth one they'll go back to hell. There's I've seen

1184
00:52:44.119 --> 00:52:46.920
<v Speaker 2>I know what Vin Diesel does. Okay, it's it's not

1185
00:52:47.039 --> 00:52:48.559
<v Speaker 2>something that can't be duplicated.

1186
00:52:48.639 --> 00:52:49.199
<v Speaker 1>I'm telling you.

1187
00:52:49.320 --> 00:52:52.679
<v Speaker 2>I'm telling you the Tom Cruise, Vin Diesel, all these guys,

1188
00:52:52.760 --> 00:52:54.599
<v Speaker 2>they know how to do it, and the Terrifier is

1189
00:52:54.599 --> 00:52:56.280
<v Speaker 2>going to figure it out as well. Yeah, you can't

1190
00:52:56.320 --> 00:52:58.119
<v Speaker 2>as long as this film is making money and it

1191
00:52:58.239 --> 00:53:00.920
<v Speaker 2>is buzzy, you know, like I've never seen any of them.

1192
00:53:01.039 --> 00:53:02.000
<v Speaker 1>Yeah, and when it.

1193
00:53:01.960 --> 00:53:04.760
<v Speaker 2>Comes to be like Halloween, everybody's talking about Terrifier, we

1194
00:53:04.760 --> 00:53:06.639
<v Speaker 2>gotta watch a terrifier, more terrifier, Terrifier.

1195
00:53:07.079 --> 00:53:08.599
<v Speaker 1>Like, you can't have.

1196
00:53:09.239 --> 00:53:13.039
<v Speaker 2>That much attention focused on you by the American viewing

1197
00:53:13.079 --> 00:53:15.960
<v Speaker 2>public and maybe even worldwide viewing public and just be

1198
00:53:16.079 --> 00:53:17.519
<v Speaker 2>like now we're gonna we're gonna wrap.

1199
00:53:17.440 --> 00:53:17.840
<v Speaker 1>Up the story.

1200
00:53:17.920 --> 00:53:20.199
<v Speaker 2>Now you're not Jerry Seinfeld. You can't just you can't

1201
00:53:20.239 --> 00:53:23.079
<v Speaker 2>just go out like that. That's not there's so many

1202
00:53:23.079 --> 00:53:25.679
<v Speaker 2>people that that would be craving more. There's gonna be more.

1203
00:53:25.719 --> 00:53:28.400
<v Speaker 2>Maybe it's a British direct. I'll make a bet on this. Okay,

1204
00:53:28.400 --> 00:53:29.599
<v Speaker 2>when did the first one come out?

1205
00:53:29.960 --> 00:53:31.800
<v Speaker 1>Let me double check that, let me double chaw. And

1206
00:53:31.800 --> 00:53:34.400
<v Speaker 1>it's over ten years old, right, Well it actually it

1207
00:53:34.519 --> 00:53:37.199
<v Speaker 1>started off it was like if you've ever seen Creep Show,

1208
00:53:37.239 --> 00:53:39.480
<v Speaker 1>it was he hit Art. The clown was a character

1209
00:53:39.599 --> 00:53:42.239
<v Speaker 1>in the creepshow. Okay, not literally. Creep show was called

1210
00:53:42.280 --> 00:53:44.519
<v Speaker 1>All Hallow's Eve, but it was one of the three

1211
00:53:44.559 --> 00:53:47.000
<v Speaker 1>stories that were told. The clown was there. But the

1212
00:53:47.039 --> 00:53:53.480
<v Speaker 1>first Terrifier release, uh March fifteenth, twenty eighteen.

1213
00:53:53.639 --> 00:53:55.719
<v Speaker 2>Okay, so it's eight years old. So he's been coming

1214
00:53:55.760 --> 00:53:57.039
<v Speaker 2>over about every two or three years.

1215
00:53:57.280 --> 00:53:59.519
<v Speaker 1>Twenty two and then twenty four, and then it's coming

1216
00:53:59.559 --> 00:54:03.199
<v Speaker 1>out in October, I believe of this year. Confirmed for

1217
00:54:03.239 --> 00:54:04.760
<v Speaker 1>twenty twenty six is all it says.

1218
00:54:05.039 --> 00:54:07.679
<v Speaker 2>I will tell you this right now, before we hit

1219
00:54:07.760 --> 00:54:10.719
<v Speaker 2>twenty January first, twenty thirty, we will have a fifth

1220
00:54:10.800 --> 00:54:12.320
<v Speaker 2>Terrifier film out in the pub.

1221
00:54:12.480 --> 00:54:14.440
<v Speaker 1>Now, I'll take that, all right. What do you want

1222
00:54:14.480 --> 00:54:17.280
<v Speaker 1>to say? Fifty fifty bucks? All right, all right, there

1223
00:54:17.320 --> 00:54:19.280
<v Speaker 1>you go. You guys are a witness here January first,

1224
00:54:19.280 --> 00:54:21.400
<v Speaker 1>twenty thirty. If I'm still alive, I'm getting the time

1225
00:54:21.679 --> 00:54:24.159
<v Speaker 1>of I'm time staying okay, yeah.

1226
00:54:24.719 --> 00:54:27.760
<v Speaker 2>Eleven, okay, so real quick. As long as they're super

1227
00:54:27.800 --> 00:54:29.320
<v Speaker 2>off topic. I don't know how he This is a

1228
00:54:29.360 --> 00:54:31.079
<v Speaker 2>disservice to Jason Siegeld Tomorrow Weaving.

1229
00:54:31.880 --> 00:54:33.239
<v Speaker 1>I like where we ended up on this.

1230
00:54:33.280 --> 00:54:36.599
<v Speaker 2>Honestly, the tales from eighty five Stranger things.

1231
00:54:36.639 --> 00:54:38.119
<v Speaker 1>Have you seen that at all? There's one the you

1232
00:54:38.199 --> 00:54:39.760
<v Speaker 1>brought it up with me, but I have not seen

1233
00:54:39.800 --> 00:54:40.199
<v Speaker 1>it yet.

1234
00:54:41.039 --> 00:54:45.199
<v Speaker 2>Robert England one of the it's obviously animated, so he's

1235
00:54:45.199 --> 00:54:47.840
<v Speaker 2>not in it, but he plays I can't remember the

1236
00:54:47.920 --> 00:54:50.480
<v Speaker 2>character's name, but it's one word and he's he's the

1237
00:54:50.559 --> 00:54:53.519
<v Speaker 2>voice of this one character entails from eighty five, which

1238
00:54:53.559 --> 00:54:54.960
<v Speaker 2>is going to be very very interesting.

1239
00:54:55.079 --> 00:54:56.000
<v Speaker 1>Yeah. I was trying to react.

1240
00:54:56.000 --> 00:54:57.920
<v Speaker 2>My brain said, when you brought up Freddy him like

1241
00:54:58.000 --> 00:54:59.599
<v Speaker 2>I was just talking about him the other day. So

1242
00:54:59.639 --> 00:55:02.360
<v Speaker 2>that'll be that'll be cool. Okay, we gotta bring it back.

1243
00:55:03.920 --> 00:55:06.280
<v Speaker 2>I'm trying to think if I have anything else to

1244
00:55:06.400 --> 00:55:09.360
<v Speaker 2>say about this. It's difficult to talk about the last

1245
00:55:09.440 --> 00:55:12.199
<v Speaker 2>hour of the movie and any more detailed than we've

1246
00:55:12.239 --> 00:55:16.719
<v Speaker 2>already did. So I'll just I'll sum this up. I'll

1247
00:55:16.719 --> 00:55:19.920
<v Speaker 2>sum this up. Slow burn set up. It only took

1248
00:55:19.920 --> 00:55:23.159
<v Speaker 2>about a half hour. I had myself wondering, what where

1249
00:55:23.159 --> 00:55:25.400
<v Speaker 2>are they gonna go from here? Yeah, the last hour

1250
00:55:25.480 --> 00:55:27.679
<v Speaker 2>I loved it was great. I didn't know what was

1251
00:55:27.719 --> 00:55:29.960
<v Speaker 2>gonna happen next. Ben would agree with me that it

1252
00:55:30.039 --> 00:55:32.360
<v Speaker 2>was over the top. I liked the over the top

1253
00:55:32.480 --> 00:55:36.639
<v Speaker 2>aspects of it. More so than Ben did. It was, dude,

1254
00:55:36.639 --> 00:55:38.440
<v Speaker 2>it was just I didn't know what I was watching.

1255
00:55:38.800 --> 00:55:41.159
<v Speaker 2>It was it was so it was just fun. It

1256
00:55:41.199 --> 00:55:43.559
<v Speaker 2>was so fun. Not cathartic is the wrong word, but

1257
00:55:43.599 --> 00:55:45.519
<v Speaker 2>it was so much fun watching this. I'm like, I

1258
00:55:45.599 --> 00:55:48.280
<v Speaker 2>just wanted it to keep going, you know, until you know,

1259
00:55:48.280 --> 00:55:51.800
<v Speaker 2>the story eventually resolved itself and we got the ending

1260
00:55:51.840 --> 00:55:55.280
<v Speaker 2>and what have you. So, I dude, I thought this

1261
00:55:55.440 --> 00:55:58.360
<v Speaker 2>was a really fun watch. I was thinking about this

1262
00:55:58.400 --> 00:55:59.719
<v Speaker 2>for a while. I'm giving it an eight, and I

1263
00:56:00.159 --> 00:56:02.320
<v Speaker 2>I know that's going to be higher than you, but

1264
00:56:02.599 --> 00:56:04.440
<v Speaker 2>this is a solid eight for me. This is this

1265
00:56:04.519 --> 00:56:09.280
<v Speaker 2>is right up there with Send Help, the the Sam

1266
00:56:09.360 --> 00:56:12.760
<v Speaker 2>Rockwell one that we watched Lock Half Fun, Don't Die,

1267
00:56:13.480 --> 00:56:15.639
<v Speaker 2>right up there with kind of like I don't want

1268
00:56:15.639 --> 00:56:18.880
<v Speaker 2>to say obserdist, but like stuff that like you know,

1269
00:56:18.960 --> 00:56:21.639
<v Speaker 2>you really got to suspend disbelief.

1270
00:56:21.760 --> 00:56:24.800
<v Speaker 1>Yeah, time chewing scenery, I think is probably a phrase

1271
00:56:24.840 --> 00:56:27.559
<v Speaker 1>that we banded about quite a bit describing this movie.

1272
00:56:27.679 --> 00:56:30.320
<v Speaker 2>So so so for so for this, it's right up

1273
00:56:30.320 --> 00:56:33.840
<v Speaker 2>there with that, Like this falls into the growing larger

1274
00:56:33.880 --> 00:56:36.199
<v Speaker 2>bucket of movies I probably wouldn't have seen if we

1275
00:56:36.199 --> 00:56:38.840
<v Speaker 2>weren't doing this podcast. Yeah, and I'm glad I watched

1276
00:56:38.840 --> 00:56:40.159
<v Speaker 2>it because it was so much fun.

1277
00:56:40.280 --> 00:56:42.239
<v Speaker 1>Yeah, and I'm not mad that I watched it, but

1278
00:56:42.280 --> 00:56:45.679
<v Speaker 1>I'm more in the in the sixth range. However, I

1279
00:56:45.719 --> 00:56:47.559
<v Speaker 1>do reserve the right. I'm going to give it a

1280
00:56:47.599 --> 00:56:50.559
<v Speaker 1>second viewing, and I reserve the right to come back

1281
00:56:50.599 --> 00:56:52.760
<v Speaker 1>to this at a future episode. I'll be like, that'll

1282
00:56:52.760 --> 00:56:55.480
<v Speaker 1>be the cold open. I'll be like, hey, you know.

1283
00:56:55.679 --> 00:56:58.039
<v Speaker 2>And like the the plot twist will be lost on

1284
00:56:58.079 --> 00:57:00.480
<v Speaker 2>you because you'll know it's coming, right. But I think

1285
00:57:00.519 --> 00:57:02.480
<v Speaker 2>the execution of the stuff I really thought you were

1286
00:57:02.480 --> 00:57:04.360
<v Speaker 2>going to enjoy over the last forty minutes.

1287
00:57:04.199 --> 00:57:06.519
<v Speaker 1>I think that's right. And I'm very good at putting

1288
00:57:06.519 --> 00:57:10.039
<v Speaker 1>myself in that mindset of just like like I can

1289
00:57:10.119 --> 00:57:13.400
<v Speaker 1>watch Jaws and know that like when Jaws came out,

1290
00:57:13.519 --> 00:57:15.800
<v Speaker 1>no one knew what it was about because trailers weren't

1291
00:57:15.800 --> 00:57:17.480
<v Speaker 1>what they used to be, Like, no one knew what

1292
00:57:17.480 --> 00:57:19.400
<v Speaker 1>they were getting into. They just went in and were like, oh,

1293
00:57:19.440 --> 00:57:21.800
<v Speaker 1>I wonder what this Jaws movie is and they were floored.

1294
00:57:21.800 --> 00:57:24.679
<v Speaker 1>And like, I can put myself in that, in that boat,

1295
00:57:24.760 --> 00:57:27.760
<v Speaker 1>even though I metaphorically speaking of metaphorically speaking, you needed

1296
00:57:27.760 --> 00:57:29.440
<v Speaker 1>a bigger one. I must figure one.

1297
00:57:29.559 --> 00:57:32.000
<v Speaker 2>So the other and I just want to touch on

1298
00:57:32.000 --> 00:57:34.440
<v Speaker 2>this real quick. The other character that we I gave

1299
00:57:34.519 --> 00:57:37.280
<v Speaker 2>short shrift to was the guy who played Jason Siegel's

1300
00:57:37.320 --> 00:57:40.480
<v Speaker 2>dad in this film. And I can't remember what the

1301
00:57:40.519 --> 00:57:43.559
<v Speaker 2>actor's name is, but he is a longtime character actor

1302
00:57:44.119 --> 00:57:47.880
<v Speaker 2>and I recognized him immediately, Ben And maybe you did,

1303
00:57:47.880 --> 00:57:50.559
<v Speaker 2>maybe you didn't. You probably didn't. But I love the

1304
00:57:50.559 --> 00:57:52.920
<v Speaker 2>movie Spotlight. You know I've talked about that before. Yeah,

1305
00:57:53.239 --> 00:57:57.480
<v Speaker 2>he was in Spotlight. Okay, Yes, the scene with Michael

1306
00:57:57.559 --> 00:58:00.480
<v Speaker 2>Keaton and him at the bar having a drink and

1307
00:58:00.519 --> 00:58:03.480
<v Speaker 2>he kind of tells Michael Keaton's character, you know, this

1308
00:58:03.559 --> 00:58:05.719
<v Speaker 2>is the church, you probably need to back off. He

1309
00:58:05.800 --> 00:58:09.000
<v Speaker 2>also was in the scene with Michael Keaton Rachel McAdams

1310
00:58:09.280 --> 00:58:11.559
<v Speaker 2>the teacher, and then he's sort of like a liaison

1311
00:58:11.639 --> 00:58:14.280
<v Speaker 2>with the school district and the Catholic church. The four

1312
00:58:14.320 --> 00:58:16.840
<v Speaker 2>of them were meeting at the school and then they

1313
00:58:16.840 --> 00:58:19.519
<v Speaker 2>walk across the street to the Boston Globe. Those are

1314
00:58:19.519 --> 00:58:21.199
<v Speaker 2>the only two scenes I remember him being in. I

1315
00:58:21.199 --> 00:58:22.840
<v Speaker 2>think he was in more, but I'm like, that's the

1316
00:58:22.920 --> 00:58:25.679
<v Speaker 2>dude from Spotlan. Yeah, and you never think it was

1317
00:58:25.719 --> 00:58:27.800
<v Speaker 2>such a button and it was the same guy obviously,

1318
00:58:27.880 --> 00:58:30.000
<v Speaker 2>but he was such a buttoned up guy in Spotlight and.

1319
00:58:30.119 --> 00:58:32.599
<v Speaker 1>This he was just he was awesome. Man. Yeah, like

1320
00:58:32.639 --> 00:58:35.400
<v Speaker 1>that guy was great. Oh my god. And then the car.

1321
00:58:35.599 --> 00:58:37.519
<v Speaker 1>We didn't even talk about the car. I didn't even

1322
00:58:37.519 --> 00:58:39.280
<v Speaker 1>know stuff like that existed in real life.

1323
00:58:39.480 --> 00:58:43.880
<v Speaker 2>A samurai swords, shift knobs, that's awesome. And the lighting,

1324
00:58:44.039 --> 00:58:47.079
<v Speaker 2>oh god, it was just great. And consider the guy

1325
00:58:47.159 --> 00:58:48.840
<v Speaker 2>driving it. Now, maybe that's one of the over the

1326
00:58:48.840 --> 00:58:50.119
<v Speaker 2>top things, sure for you.

1327
00:58:50.079 --> 00:58:53.719
<v Speaker 1>But yeah, no, I dig it, and I always find

1328
00:58:53.719 --> 00:58:57.199
<v Speaker 1>it interesting the character actor is used as an insult

1329
00:58:57.239 --> 00:58:59.000
<v Speaker 1>because to me, those are some of the best people.

1330
00:58:59.039 --> 00:59:01.400
<v Speaker 1>That's what makes movies movies, because you can be one thing,

1331
00:59:02.039 --> 00:59:04.199
<v Speaker 1>who were we just saying Samorrow weavings kind of just

1332
00:59:04.280 --> 00:59:08.039
<v Speaker 1>the one thing in most movies, Whereas if you can

1333
00:59:08.079 --> 00:59:10.960
<v Speaker 1>play four distinct characters, that's a hell of a skill

1334
00:59:11.039 --> 00:59:12.840
<v Speaker 1>that I should be more appreciated. I think that.

1335
00:59:13.000 --> 00:59:17.320
<v Speaker 2>Yeah, character actors are are are celebrated amongst their peers,

1336
00:59:17.360 --> 00:59:19.280
<v Speaker 2>I think, yes, but not amongst.

1337
00:59:19.079 --> 00:59:22.719
<v Speaker 1>It's like the term a comedian's comedian, where like they

1338
00:59:22.719 --> 00:59:27.639
<v Speaker 1>aren't necessarily commercially accepted, but amongst other comedians, Like, no,

1339
00:59:27.760 --> 00:59:29.960
<v Speaker 1>that's actually a super funny guy, but it's just not

1340
00:59:29.960 --> 00:59:33.039
<v Speaker 1>commercially funny. Yeah, and it's a similar idea.

1341
00:59:32.880 --> 00:59:35.440
<v Speaker 2>And like the great ones are memorable enough for like

1342
00:59:35.559 --> 00:59:37.639
<v Speaker 2>casting directors be like, oh, we should get this guy

1343
00:59:38.079 --> 00:59:40.039
<v Speaker 2>or this woman for this part or whatever, and then

1344
00:59:40.079 --> 00:59:41.440
<v Speaker 2>all of a sudden, before you know what, this guy

1345
00:59:41.679 --> 00:59:44.039
<v Speaker 2>or this woman have like forty credits to their name,

1346
00:59:44.199 --> 00:59:45.440
<v Speaker 2>Like how did they get all this work?

1347
00:59:45.480 --> 00:59:47.880
<v Speaker 1>They're good at their job. There's one I'm going to

1348
00:59:47.920 --> 00:59:54.599
<v Speaker 1>see if it works. Character actor BoJack Horsemen. Yeah, character

1349
00:59:54.679 --> 00:59:59.679
<v Speaker 1>actress Margo Martindale. She's not I don't even think you

1350
00:59:59.719 --> 01:00:00.760
<v Speaker 1>can call our character actor.

1351
01:00:01.199 --> 01:00:05.000
<v Speaker 2>I know she's been Academy Award nominated at least once, yeah,

1352
01:00:05.119 --> 01:00:07.840
<v Speaker 2>maybe twice. Now, she's been in a ton of stuff

1353
01:00:07.880 --> 01:00:09.719
<v Speaker 2>and granted, yeah she's a character actor and a lot

1354
01:00:09.760 --> 01:00:11.920
<v Speaker 2>of stuff, but she's I mean, like you you don't

1355
01:00:11.960 --> 01:00:16.159
<v Speaker 2>get I think once you are Academy Award nominated, you can't.

1356
01:00:15.920 --> 01:00:18.000
<v Speaker 1>Be a character. But have you not did you not

1357
01:00:18.079 --> 01:00:20.519
<v Speaker 1>watch BoJack Horseman at all on that place? I've seen

1358
01:00:20.559 --> 01:00:22.960
<v Speaker 1>a couple episodes, so it's a running bit throughout all

1359
01:00:23.000 --> 01:00:26.079
<v Speaker 1>five seasons where like they don't even know that she's there,

1360
01:00:26.159 --> 01:00:29.880
<v Speaker 1>but she was the nurse in one scene like how

1361
01:00:29.920 --> 01:00:32.719
<v Speaker 1>does she disappear into all these roles? And like that's

1362
01:00:32.719 --> 01:00:37.000
<v Speaker 1>always my career. I just yeah, that's the quintessential character

1363
01:00:37.039 --> 01:00:40.079
<v Speaker 1>actor to me is Margot Martindale. But yeah, all right,

1364
01:00:40.119 --> 01:00:42.199
<v Speaker 1>that feels like a good note. I realized while we

1365
01:00:42.199 --> 01:00:44.280
<v Speaker 1>were talking, I need to start sending you the links

1366
01:00:44.320 --> 01:00:45.840
<v Speaker 1>to the movies that I think because I can't. I

1367
01:00:45.880 --> 01:00:48.079
<v Speaker 1>saw like four, I'm like, oh that comes out me first,

1368
01:00:48.280 --> 01:00:49.639
<v Speaker 1>but I remember any of them.

1369
01:00:49.760 --> 01:00:52.280
<v Speaker 2>Okay, So I have a list here, and there's one

1370
01:00:52.320 --> 01:00:54.199
<v Speaker 2>I'm hoping that you're gonna say, and you're probably gonna say, no,

1371
01:00:54.199 --> 01:00:56.119
<v Speaker 2>we're not doing it. I'm not going to tell you

1372
01:00:56.159 --> 01:00:58.960
<v Speaker 2>which one is cool. I want you to tell me

1373
01:00:59.639 --> 01:01:02.760
<v Speaker 2>which one you want to see. Okay, So here are

1374
01:01:02.760 --> 01:01:04.639
<v Speaker 2>the choices. This is what I got lined up for us.

1375
01:01:05.800 --> 01:01:09.280
<v Speaker 2>There's this movie called Hokum with Adam Scott. It's a

1376
01:01:09.320 --> 01:01:09.960
<v Speaker 2>horror movie.

1377
01:01:10.079 --> 01:01:12.639
<v Speaker 1>Yeah. I just saw the trailer for it and it

1378
01:01:12.719 --> 01:01:15.199
<v Speaker 1>spoke to me a little. But yeah, well let's see

1379
01:01:15.199 --> 01:01:15.800
<v Speaker 1>what else you got.

1380
01:01:15.840 --> 01:01:20.000
<v Speaker 2>There's Omaha, which looks like a really kind of heavy

1381
01:01:20.119 --> 01:01:25.280
<v Speaker 2>drama about a guy bringing his kids cross country on

1382
01:01:25.320 --> 01:01:27.519
<v Speaker 2>a trip after something happens to their mother. I bring

1383
01:01:27.519 --> 01:01:29.599
<v Speaker 2>it up because John mcgaro's in it. John mcgaro, I

1384
01:01:29.639 --> 01:01:31.679
<v Speaker 2>think is like an underrated actor. He was in The

1385
01:01:31.719 --> 01:01:34.800
<v Speaker 2>Big Short. He was the neurotic guy of brown Hole Capital. Yeah,

1386
01:01:34.840 --> 01:01:36.400
<v Speaker 2>and I brought him up before. I think he's a

1387
01:01:36.400 --> 01:01:36.800
<v Speaker 2>good actor.

1388
01:01:36.840 --> 01:01:40.400
<v Speaker 1>Okay, So there's that one audience, so.

1389
01:01:40.360 --> 01:01:42.960
<v Speaker 2>They can't forget it, and that's the reaction I expected.

1390
01:01:43.000 --> 01:01:45.000
<v Speaker 2>But I thought i'd bring it up on the On

1391
01:01:45.079 --> 01:01:47.280
<v Speaker 2>the list I'm looking at, this is not in alphabetical order,

1392
01:01:47.320 --> 01:01:50.440
<v Speaker 2>and Omaha was listed first, So like, okay, well, this

1393
01:01:50.920 --> 01:01:53.480
<v Speaker 2>obviously must be somebody thinks it's good.

1394
01:01:53.559 --> 01:01:53.920
<v Speaker 1>Okay.

1395
01:01:54.760 --> 01:01:57.519
<v Speaker 2>Animal Farm is an animated adventure.

1396
01:01:58.000 --> 01:02:01.199
<v Speaker 1>I mean, I love the book and I probably will

1397
01:02:01.239 --> 01:02:03.280
<v Speaker 1>see that movie in my free time. I reference it

1398
01:02:03.320 --> 01:02:05.719
<v Speaker 1>all the time on my show. But it doesn't seem

1399
01:02:05.760 --> 01:02:08.159
<v Speaker 1>like this movie particularly sticks to the plots. And if

1400
01:02:08.280 --> 01:02:10.760
<v Speaker 1>that's the case, then I'm not interested, all right, And

1401
01:02:10.800 --> 01:02:12.920
<v Speaker 1>then you have the Circus directed it though it might

1402
01:02:12.960 --> 01:02:14.639
<v Speaker 1>be good and that don't take that as an indictment

1403
01:02:14.639 --> 01:02:15.599
<v Speaker 1>in case it turns out to.

1404
01:02:15.519 --> 01:02:19.199
<v Speaker 2>Pop Animal Friends, which I believe is another animated movie

1405
01:02:19.239 --> 01:02:23.599
<v Speaker 2>coming out this weekend. Dan Levy less interest in that oneay, Yeah, uh,

1406
01:02:23.960 --> 01:02:26.559
<v Speaker 2>Devil wears Prada to get out of here, keep moving.

1407
01:02:26.639 --> 01:02:29.039
<v Speaker 2>Never saw the first one that yeah, either, and then

1408
01:02:29.119 --> 01:02:32.960
<v Speaker 2>I thought saving the one that I really wanted for last.

1409
01:02:34.840 --> 01:02:36.960
<v Speaker 1>Now I don't see it on here. Maybe it's not.

1410
01:02:37.079 --> 01:02:39.800
<v Speaker 1>I thought it'd open up this weekend. What is it?

1411
01:02:40.719 --> 01:02:41.440
<v Speaker 1>Deep water?

1412
01:02:41.760 --> 01:02:44.639
<v Speaker 2>Oh dude, that's the one I was gonna suggest, really,

1413
01:02:44.719 --> 01:02:46.920
<v Speaker 2>because that's when I was like, he'll never go for it.

1414
01:02:47.119 --> 01:02:49.320
<v Speaker 1>I'm gonna have to send you a screenshot. So, like,

1415
01:02:49.440 --> 01:02:51.000
<v Speaker 1>I have a habit. And this is going to sound

1416
01:02:51.119 --> 01:02:53.000
<v Speaker 1>ridiculous to people listening to me, but if you know

1417
01:02:53.119 --> 01:02:55.400
<v Speaker 1>me personally, it makes perfect sense. I'm very big on

1418
01:02:55.519 --> 01:02:59.079
<v Speaker 1>box and whisker plots to describe exactly how much I think.

1419
01:02:59.159 --> 01:03:03.000
<v Speaker 1>Whisker Yeah, so basically breaks things up into quartiles, like

1420
01:03:03.119 --> 01:03:05.519
<v Speaker 1>you have the top twenty five percent, the bottom twenty

1421
01:03:05.559 --> 01:03:07.880
<v Speaker 1>five percent, and the two twenty five percent. And I

1422
01:03:07.960 --> 01:03:09.719
<v Speaker 1>can use them very frequently.

1423
01:03:09.400 --> 01:03:11.960
<v Speaker 2>To like, oh, what does box and whisker have anything

1424
01:03:11.960 --> 01:03:12.239
<v Speaker 2>to do with it?

1425
01:03:12.519 --> 01:03:14.679
<v Speaker 1>Because you make boxes and then the whiskers kind of

1426
01:03:14.760 --> 01:03:17.920
<v Speaker 1>represent the top twenty five and bottom twenty five percent,

1427
01:03:18.000 --> 01:03:20.159
<v Speaker 1>and in the box is the middle like the average

1428
01:03:20.199 --> 01:03:23.679
<v Speaker 1>either slightly below or above average, and you're just describing

1429
01:03:23.679 --> 01:03:26.039
<v Speaker 1>a bell curve, aren't you? Sort of It's a different

1430
01:03:26.039 --> 01:03:28.360
<v Speaker 1>way to kind of put that same kind of information

1431
01:03:28.440 --> 01:03:32.480
<v Speaker 1>out there. After I saw Cocaine Bear, someone was like,

1432
01:03:32.599 --> 01:03:34.920
<v Speaker 1>how good was Cocaine Bear? I said, let me make

1433
01:03:34.960 --> 01:03:37.320
<v Speaker 1>you a box and whisker plot of all of the

1434
01:03:37.400 --> 01:03:39.880
<v Speaker 1>creature feature movies, and then I'll show you where Cocaine

1435
01:03:39.920 --> 01:03:42.679
<v Speaker 1>Bear ends up on my list, and like, what's funny is?

1436
01:03:42.719 --> 01:03:44.480
<v Speaker 1>And I never noticed it about myself, but in the

1437
01:03:44.599 --> 01:03:47.400
<v Speaker 1>top percentile of the box and whisker plot, it was

1438
01:03:47.880 --> 01:03:51.119
<v Speaker 1>deep blue sy forty seven meters down the sequel the

1439
01:03:51.239 --> 01:03:54.760
<v Speaker 1>original forty seven meters down Jaws. And I was like, okay,

1440
01:03:54.880 --> 01:03:57.159
<v Speaker 1>so obviously I like shark movies. And I didn't know

1441
01:03:57.280 --> 01:03:59.559
<v Speaker 1>this until I actually the Shallows was high up on

1442
01:03:59.639 --> 01:04:01.639
<v Speaker 1>the list, and I was like, clearly, I just like

1443
01:04:01.719 --> 01:04:03.880
<v Speaker 1>shark movies. And I didn't know this about myself until

1444
01:04:03.880 --> 01:04:05.800
<v Speaker 1>I saw it in writing, Well, what about what did

1445
01:04:05.840 --> 01:04:08.360
<v Speaker 1>you think of open Water? That's by far the worst

1446
01:04:08.440 --> 01:04:11.960
<v Speaker 1>one of all and that's not really a shark movie, like,

1447
01:04:13.559 --> 01:04:15.880
<v Speaker 1>but I'm telling you that was the no that scared

1448
01:04:15.880 --> 01:04:17.440
<v Speaker 1>the hell out of you. I always will equate you.

1449
01:04:17.960 --> 01:04:21.639
<v Speaker 2>The most creeped out Okay. So obviously the plot is wild.

1450
01:04:21.760 --> 01:04:23.960
<v Speaker 2>I mean it ends up, which this is kind of comparable.

1451
01:04:24.000 --> 01:04:27.239
<v Speaker 2>It seems like there's a little more you know, surface area.

1452
01:04:27.320 --> 01:04:29.760
<v Speaker 1>Who wants Okay.

1453
01:04:29.920 --> 01:04:33.320
<v Speaker 2>But here's the other thing too, with with open water,

1454
01:04:34.800 --> 01:04:36.639
<v Speaker 2>and I know it's hokey. I've went back and I've

1455
01:04:36.639 --> 01:04:37.800
<v Speaker 2>looked at this scene, Ben.

1456
01:04:37.920 --> 01:04:38.840
<v Speaker 1>And it is hoky.

1457
01:04:38.920 --> 01:04:42.519
<v Speaker 2>It's stupid, and yeah, it's not really well done. But

1458
01:04:42.840 --> 01:04:47.239
<v Speaker 2>the scene at the very end where the camera, oh

1459
01:04:47.400 --> 01:04:50.519
<v Speaker 2>my god. There has not been a shark movie that

1460
01:04:50.719 --> 01:04:53.880
<v Speaker 2>has executed anything I'm including Jaws Deep Blue Seed when

1461
01:04:53.880 --> 01:04:57.199
<v Speaker 2>the shark eats Samuel Jackson. There has not been anything

1462
01:04:57.440 --> 01:04:58.760
<v Speaker 2>anything ever that I've seen.

1463
01:04:58.880 --> 01:05:03.320
<v Speaker 1>Counterpoint, have you forty seven meters down too too? See

1464
01:05:03.360 --> 01:05:06.039
<v Speaker 1>two cage? Because you would never expect that that movie

1465
01:05:06.079 --> 01:05:08.280
<v Speaker 1>would be any good. Yeah, that's why it blows the

1466
01:05:08.320 --> 01:05:11.519
<v Speaker 1>first one in it? Right, nobody's in it relative to

1467
01:05:11.599 --> 01:05:14.480
<v Speaker 1>the first one. Nobody's in it. Yeah the Meg. We

1468
01:05:14.519 --> 01:05:17.159
<v Speaker 1>didn't even mention the Meg. Yeah, which, yeah, that's a

1469
01:05:17.199 --> 01:05:19.960
<v Speaker 1>bit different. But like dude, forty seven meters down too,

1470
01:05:20.159 --> 01:05:22.320
<v Speaker 1>it's called uncaged because they're not even in a cage.

1471
01:05:22.440 --> 01:05:24.719
<v Speaker 1>But Ben, how do you how do you do a

1472
01:05:24.800 --> 01:05:26.719
<v Speaker 1>movie like that when you're not in a cage. They

1473
01:05:26.800 --> 01:05:29.880
<v Speaker 1>go to these underground it's three college age girls. They

1474
01:05:30.000 --> 01:05:32.880
<v Speaker 1>scuba dive down to check out these underground temples and

1475
01:05:32.920 --> 01:05:35.280
<v Speaker 1>they knock over pillars and it kind of traps them

1476
01:05:35.320 --> 01:05:37.079
<v Speaker 1>into thing, so they have to go out a separate way,

1477
01:05:37.119 --> 01:05:39.480
<v Speaker 1>and now they're basically in this underwater temple. And because

1478
01:05:39.519 --> 01:05:43.000
<v Speaker 1>they knocked the pillars over, the water water is Murky

1479
01:05:43.360 --> 01:05:46.039
<v Speaker 1>and the Sharks. The entire movie. I watched it clenched,

1480
01:05:46.480 --> 01:05:48.880
<v Speaker 1>you know what, was clenched for an hour and a

1481
01:05:48.880 --> 01:05:51.719
<v Speaker 1>half because when the sharks appeared, they looked real and

1482
01:05:52.480 --> 01:05:54.280
<v Speaker 1>it's hard to get me with a jump scare beca.

1483
01:05:54.320 --> 01:05:56.039
<v Speaker 1>I'm always like, Okay, you're gonna look at the thing,

1484
01:05:56.119 --> 01:05:57.679
<v Speaker 1>it won't be there. You're gonna look back and then

1485
01:05:57.679 --> 01:06:00.159
<v Speaker 1>it'll be there. That's not what they do. They She

1486
01:06:00.360 --> 01:06:02.599
<v Speaker 1>was just like, Oh, I've been lulled into a false

1487
01:06:02.599 --> 01:06:04.320
<v Speaker 1>sense of security. I don't even know if sharks are

1488
01:06:04.360 --> 01:06:07.280
<v Speaker 1>in this way. Yeah, all right, I gotta watch it.

1489
01:06:07.480 --> 01:06:09.840
<v Speaker 1>It's a hunt. I believe it's also on Netflix. It is,

1490
01:06:09.920 --> 01:06:14.119
<v Speaker 1>without a doubt, my favorite creature feature. Cocaine Bear is

1491
01:06:14.199 --> 01:06:16.719
<v Speaker 1>like in my bottom forty percent, like I wasn't impressed

1492
01:06:16.760 --> 01:06:17.199
<v Speaker 1>with it go on.

1493
01:06:17.920 --> 01:06:22.320
<v Speaker 2>Probably because the expectations and like the how people. You know,

1494
01:06:22.440 --> 01:06:25.320
<v Speaker 2>It's like when Gerard Butler came out with that movie Plane.

1495
01:06:25.639 --> 01:06:28.159
<v Speaker 1>Yeah, that one was yeah exactly. I was excited for

1496
01:06:28.239 --> 01:06:31.119
<v Speaker 1>that after Yeah. No, So anyway, I don't think Cocaine

1497
01:06:31.159 --> 01:06:33.639
<v Speaker 1>Bear took itself seriously enough. I know it's a ridiculous sense.

1498
01:06:33.679 --> 01:06:36.360
<v Speaker 1>You know, we directed that. By the way, Elizabeth thinks, oh,

1499
01:06:36.559 --> 01:06:38.360
<v Speaker 1>I think she's in it, right, she's in it. Yeah.

1500
01:06:39.159 --> 01:06:41.440
<v Speaker 1>And that was Ray Liota's final film that he ever made.

1501
01:06:43.039 --> 01:06:46.480
<v Speaker 1>On top Yeah right, definitely wasn't the bottom, but like, yeah, yeah,

1502
01:06:47.079 --> 01:06:49.400
<v Speaker 1>but yeah, deep Water I'm in said Okay, good.

1503
01:06:49.480 --> 01:06:51.599
<v Speaker 2>So I didn't think you're gonna say Yesterda'm like, oh,

1504
01:06:51.679 --> 01:06:54.039
<v Speaker 2>balky that because I didn't realize you were this big

1505
01:06:54.079 --> 01:06:54.880
<v Speaker 2>of a shark movie fan.

1506
01:06:55.000 --> 01:06:55.599
<v Speaker 1>Yeah, neither did I.

1507
01:06:55.800 --> 01:06:58.599
<v Speaker 2>There's another one. Did you see crawl at all?

1508
01:06:59.000 --> 01:06:59.199
<v Speaker 1>Yeah?

1509
01:06:59.400 --> 01:07:01.920
<v Speaker 2>With the iterator Yeah, And there's one with a shark

1510
01:07:01.960 --> 01:07:04.320
<v Speaker 2>and yeah, and that. I just happened to be watching

1511
01:07:04.400 --> 01:07:09.280
<v Speaker 2>the trailer for that one day and I said to

1512
01:07:09.920 --> 01:07:11.840
<v Speaker 2>my wife, I'm like, hey, we should watch this sometime,

1513
01:07:12.400 --> 01:07:15.239
<v Speaker 2>and she's like, my dad won't shut up. About this movie.

1514
01:07:15.280 --> 01:07:17.360
<v Speaker 2>He wants to watch it a second time with me. Yeah,

1515
01:07:17.440 --> 01:07:19.079
<v Speaker 2>and then he came over and they watched it. I

1516
01:07:19.119 --> 01:07:20.719
<v Speaker 2>had something going on to show or something. Remember what

1517
01:07:20.800 --> 01:07:22.480
<v Speaker 2>it was called, because I wanted to see that as well,

1518
01:07:22.519 --> 01:07:23.199
<v Speaker 2>and I can't remember.

1519
01:07:23.440 --> 01:07:26.400
<v Speaker 1>It's one word. Okay is it on Netflix? Is they

1520
01:07:26.440 --> 01:07:29.039
<v Speaker 1>watched Okay? Yeah, because I've seen that it advertises to him.

1521
01:07:29.039 --> 01:07:31.840
<v Speaker 1>It's like, oh, this dumb ass will love this. Yeah. Good,

1522
01:07:33.480 --> 01:07:36.000
<v Speaker 1>but uh yeah, I'm excited for that one. And hokum,

1523
01:07:36.280 --> 01:07:38.480
<v Speaker 1>that could end up banging. But uh, crash is what

1524
01:07:38.519 --> 01:07:41.119
<v Speaker 1>it's called. Crash Okay, Yeah, that's what it is. Hokum.

1525
01:07:41.199 --> 01:07:42.920
<v Speaker 1>I like, for all I know, this will be one

1526
01:07:42.960 --> 01:07:44.920
<v Speaker 1>of our biggest regrets because maybe it'll turn out Hocum's

1527
01:07:44.920 --> 01:07:47.440
<v Speaker 1>an instant classic, but like I'm not. I wasn't sold

1528
01:07:47.519 --> 01:07:49.519
<v Speaker 1>on it, And like if we don't, which everyone we

1529
01:07:49.599 --> 01:07:51.760
<v Speaker 1>don't see, We've got a pretty decent line up coming

1530
01:07:51.840 --> 01:07:54.000
<v Speaker 1>up with the Moratal Kombat movie and a handful of

1531
01:07:54.039 --> 01:07:56.760
<v Speaker 1>other up punish coming out two weeks away from Mortal

1532
01:07:56.840 --> 01:07:59.679
<v Speaker 1>Kombat two episodes. Yeah, we'll do deep Water and then

1533
01:07:59.719 --> 01:08:02.119
<v Speaker 1>we'll be where we'll come back. So uh and then

1534
01:08:02.320 --> 01:08:04.159
<v Speaker 1>I mean technically we could do HOKEM then, because after

1535
01:08:04.199 --> 01:08:06.079
<v Speaker 1>that we have the Punisher, which will be available forever

1536
01:08:06.199 --> 01:08:08.159
<v Speaker 1>by kind of like the cash in on that Punisher

1537
01:08:08.199 --> 01:08:10.079
<v Speaker 1>buzz right when it's new. So you know what, I

1538
01:08:10.159 --> 01:08:12.159
<v Speaker 1>just realized I didn't watch the airbla. Yeah I didn't either,

1539
01:08:12.599 --> 01:08:14.679
<v Speaker 1>I didn't see Yesterdays. But anyway, I think we've gone

1540
01:08:14.679 --> 01:08:16.920
<v Speaker 1>on long enough. Oh my god. Sorry, this was the

1541
01:08:17.079 --> 01:08:19.119
<v Speaker 1>most off topic of all off times. Yeah, let you

1542
01:08:19.199 --> 01:08:20.840
<v Speaker 1>guys know what you're getting into at this point, and

1543
01:08:20.880 --> 01:08:22.920
<v Speaker 1>so thanks for being here and we'll be back next week.
