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<v Speaker 1>Okay, we are alive. Hi, this is William Ramsey. Welcome

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<v Speaker 1>to William Ramsey investigates on today's show. Have a very

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<v Speaker 1>special friend coming to us from the UK. His name

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<v Speaker 1>is Dennis Ingram I n G R AM and he

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<v Speaker 1>operates on YouTube. You're watching this on Rock Finn Rumble

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<v Speaker 1>or ex boom Er Black Sheep, you'll see that YouTube channel.

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<v Speaker 1>He's done a lot of original work on the sixties,

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<v Speaker 1>something in an era that I'm very interested in because

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<v Speaker 1>so much change happened during that time. And you can

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<v Speaker 1>read kind of his approach right there on the YouTube,

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<v Speaker 1>kind of front piece, and it's as basically, there was

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<v Speaker 1>a revolution in social norms, including clothing, music, dress, sexuality, formalities,

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<v Speaker 1>civil rights, precepts of civil and military duty, and schooling.

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<v Speaker 1>In the United Kingdom, especially London, the land that spawned

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<v Speaker 1>the Beatlemania, was called the Swinging sisc sixties, and in

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<v Speaker 1>the United States, no small thanks to the British invasion,

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<v Speaker 1>the sixties were also called the Cultural decade. So he

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<v Speaker 1>has some alternative views. He also has the substack page,

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<v Speaker 1>but you can check out and a lot of great

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<v Speaker 1>videos on a bunch of different subjects. But I came

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<v Speaker 1>across him when the Paul is Dead bid kind of subject.

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<v Speaker 1>We were talking in the pre show that I've done.

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<v Speaker 1>I was telling him I've done I think four shows

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<v Speaker 1>with four authors, Mike Williams, Sage of Quay, Tina Foster,

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<v Speaker 1>I had Claire Coon Cooney, Coohen and the most recent book,

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<v Speaker 1>I think it was Marston or whatever her last name was.

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<v Speaker 1>But that was another Paul is Dead kind of subject,

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<v Speaker 1>and we're going to talk more about that. The title

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<v Speaker 1>of this working title is the Maze of Facebook Paul's

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<v Speaker 1>Dead Groups, So we're going to kind of talk about

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<v Speaker 1>there's a lot of acrimony and friction between other researchers.

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<v Speaker 1>We're going to kind of get into that. So Dennis,

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<v Speaker 1>welcome to the show.

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<v Speaker 2>Thank you very much for having me.

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<v Speaker 1>Excellent. So, people who may not have heard of bloom

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<v Speaker 1>or Blacksheet, maybe you can talk about your background. You

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<v Speaker 1>said you were posting a lot on Facebook and kind

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<v Speaker 1>of what led up to your involvement in the Paula's

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<v Speaker 1>Dead groups.

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<v Speaker 2>I started out by accident. I was looking for a

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<v Speaker 2>new episode of The Higher Side Chats and Veritas on

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<v Speaker 2>YouTube and stumbled across the first interview with Dave McGowan

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<v Speaker 2>about he was being interviewed about his weird Scenes inside

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<v Speaker 2>the Canyon book. And one book led to another, and

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<v Speaker 2>like stepping stones, it led from two English authors, Nick

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<v Speaker 2>Colostrom and Mark Devlin and onto Mike Williams, and from

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<v Speaker 2>there on in I read the Memoirs of Billy Shears,

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<v Speaker 2>and it just so coincided with the first lockdown in

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<v Speaker 2>England twenty twenty and the pandemic, and so I had

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<v Speaker 2>enforced time on my hand, and so I started to

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<v Speaker 2>research the claims in the Memoirs of Billy Shears, and

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<v Speaker 2>one of those claims that the Beatles all had four doubles.

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<v Speaker 1>So the claim is they're all doubles. So not even

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<v Speaker 1>just that Paul McCartney's a double, but these people have doubles.

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<v Speaker 1>What did you what's your conclusion about that claim?

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<v Speaker 2>Well, I started and I started to look at it,

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<v Speaker 2>and I took my time to look, and having listened

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<v Speaker 2>to having followed Mike Williams on YouTube, I decided I

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<v Speaker 2>joined my first Facebook group, the pid Facebook group, because

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<v Speaker 2>people were saying, well, the guests on his show was

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<v Speaker 2>saying that there is no conflict. People can have their

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<v Speaker 2>own ideas and exchange views. But it wasn't quite how

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<v Speaker 2>it worked out for me. I should have observed more

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<v Speaker 2>before I posted what I thought was my research and

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<v Speaker 2>a convincing argument, And what I found was that more

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<v Speaker 2>and more people were posting montages, comparative photo montage as

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<v Speaker 2>just showing Billy as he is, called the Paul McCartney,

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<v Speaker 2>the so called imposta who took over the role of

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<v Speaker 2>Paul McCartney after September nineteen sixty six, and comparing him

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<v Speaker 2>to photos of the pre nineteen sixty six pool What

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<v Speaker 2>I found was that the pre nineteen sixty six pools

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<v Speaker 2>didn't all look the same.

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<v Speaker 1>Wow. That's incredible. It's interesting that we're doing this because

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<v Speaker 1>I just did a show on the GfK. We just

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<v Speaker 1>passed here in the States the GFKE anniversary in tons

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<v Speaker 1>of doubles, So you see this kind of intelligence, strange

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<v Speaker 1>cultural overlap. There were doubles of Oswald, there's no question

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<v Speaker 1>about it. But this is something weird and it kind

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<v Speaker 1>of makes you think that there's the intelligence ties to

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<v Speaker 1>the Beatles, right, So, I mean you've talked about that, right, Yeah.

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<v Speaker 2>It was quite by accident really that I found that

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<v Speaker 2>the pre sixty six pools didn't look the same. I

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<v Speaker 2>used the typical pointers that the CIA used, looking at

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<v Speaker 2>different ears ear lob shapes, whether the earlobs are attached

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<v Speaker 2>or unattached by the way Memoirs of Billy Shears is incorrect.

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<v Speaker 2>It is that everyone who plays Paul McCartney has got

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<v Speaker 2>unattached ear lobs. But the people who are trying to

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<v Speaker 2>prove to me and they are correct. There is a

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<v Speaker 2>difference between pre sixty six September sixty six Paul and

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<v Speaker 2>post sixty six Paul that otherwise known as Billy. There

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<v Speaker 2>are massive differences that anybody can see, but there are

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<v Speaker 2>also very subtle differences between the pools leading up to

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<v Speaker 2>that date, and their ears do not match.

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<v Speaker 1>It's incredible. I mean, so they had doubles even before

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<v Speaker 1>sixty eight, So what lead do you think that there

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<v Speaker 1>were other doubles for the other three members of the Beatles.

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<v Speaker 2>I don't. Look. The thing is with Lenin, and because

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<v Speaker 2>it's all about whether he was shot and whether that

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<v Speaker 2>was somebody else it was faked, and all the rest

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<v Speaker 2>of it. I'm certainly not a Lenin expert, but if

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<v Speaker 2>you look at Lenin's nose, then there are massive changes

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<v Speaker 2>in it being hooked and bent over. Some would say, oh,

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<v Speaker 2>well he's been operated on because of cocaine use and

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<v Speaker 2>so on, But there is a big jump even from

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<v Speaker 2>nineteen sixty six to sixty seven and the Magical Mystery

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<v Speaker 2>Tour Lenin so then it starts to become hooked. Whether

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<v Speaker 2>it's prosthetics for the Magical Mystery Tour, I don't know,

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<v Speaker 2>but he's different.

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<v Speaker 1>Wow, that's incredible. What do you think the purpose of

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<v Speaker 1>all these doubles was?

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<v Speaker 2>I think from a logical point of view, if you

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<v Speaker 2>look at the touring schedule of the band just in

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<v Speaker 2>nineteen sixty three in England, when they're basically trying to

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<v Speaker 2>make it, if you look at the live performances, miming performances,

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<v Speaker 2>it's just absolutely one thing after the other. I don't

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<v Speaker 2>think anybody could humanly play, even if it's only two

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<v Speaker 2>sets of twenty five minutes. I don't think that they

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<v Speaker 2>could bust in a van from one town to the

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<v Speaker 2>other without having somebody step in and help out with

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<v Speaker 2>interviews for instance, and miming on TV.

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<v Speaker 1>Wow incredible, So does that can know? I mean, can

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<v Speaker 1>you deduce them from all that information that these guys

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<v Speaker 1>were handled. It wasn't just some four friends from Liverpool

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<v Speaker 1>or something like that.

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<v Speaker 2>This is always a difficult one and it's about the

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<v Speaker 2>term manufactured. What is manufactured? If you look at other bands,

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<v Speaker 2>some members have been dropped out quite early on because

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<v Speaker 2>it's a face doesn't fit factor. The Small Faces got

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<v Speaker 2>rid of their keyboard player, not literally, they didn't bump

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<v Speaker 2>him off, but they fired him and brought in the

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<v Speaker 2>Ian McLagan, and that's probably because he was tall. With

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<v Speaker 2>Pete Best, he looked like a rocker and all the

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<v Speaker 2>girls like Pete Best, and I rather think that they

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<v Speaker 2>perhaps shows that Paul McCartney would be the baby faced

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<v Speaker 2>darling of the band, so we can't have that sort

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<v Speaker 2>of other image competing with him. So yes, there's manipulation

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<v Speaker 2>there rather than manufacturing, I think. Right.

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<v Speaker 1>So, I mean you've kind of went through the PIDA.

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<v Speaker 1>You went down and looked at all these old pictures

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<v Speaker 1>and things like that, and that's how you came to

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<v Speaker 1>this conclusion that whereas these other PID researchers set a

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<v Speaker 1>date of like September October sixty six, you say that

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<v Speaker 1>it goes all the way. Do you think it goes

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<v Speaker 1>all the way back to the beginning of the Beatles.

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<v Speaker 2>These doubles, I think there's at least two to start

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<v Speaker 2>off with that just don't look the same, and that's

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<v Speaker 2>looking at old cavern pictures. The thing is about this

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<v Speaker 2>is all photographically based. It's all based on photographs. And

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<v Speaker 2>the orthodox pid is that the orthodox I mean those

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<v Speaker 2>who believe there is one and only one Paul McCartney

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<v Speaker 2>before September sixty six and one impostcle Billy afterwards. They

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<v Speaker 2>like to use photographs that they adore on Facebook groups,

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<v Speaker 2>particular Facebook groups. They will look at photos after photos

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<v Speaker 2>after photo of Paul McCartney before nineteen sixty six and

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<v Speaker 2>not notice that there are any differences. But if you

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<v Speaker 2>use the same photographs and say, well, actually this guy

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<v Speaker 2>here has got different ears to this one here, they

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<v Speaker 2>will accuse you of manipulating the photograph. I've been invested

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<v Speaker 2>with photoshop skills that I never knew I had, not

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<v Speaker 2>that I've even got the program right.

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<v Speaker 1>So they're interpreting this, But some of the pictures have

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<v Speaker 1>been tinkered with, Like that's how I became convinced, or

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<v Speaker 1>I got the kind of feeling that Paul was switched

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<v Speaker 1>out or different because there was a time just in

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<v Speaker 1>the news stand here in the States, time picture thing

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<v Speaker 1>about the Beatles, and I'm like, this guy's there are

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<v Speaker 1>morphing faces together. This isn't the pure kind of face

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<v Speaker 1>that you would see, Like they've definitely shopped it, or

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<v Speaker 1>why are they tampering with the pictures?

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<v Speaker 2>Sorry to cut across you there with the Beatles Book Monthly,

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<v Speaker 2>their official publication, manipulated their own photographs and that was

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<v Speaker 2>in the transition stage between Paul and Billy, and they

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<v Speaker 2>were using mustaches, so they'd add a mustache onto old

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<v Speaker 2>pictures of Paul who didn't have one, and that's in

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<v Speaker 2>the Beatles' own magazine. It's rather clumsily done because it

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<v Speaker 2>was done in nineteen sixty six, so they've added a

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<v Speaker 2>mustage to the negatives. There's no photoshot back then. In

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<v Speaker 2>terms of manipulation, it's the bit of a case of

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<v Speaker 2>somempy ideas. Want their cake and eat it. They want

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<v Speaker 2>to worship or adore one photograph of Paul, but you can't.

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<v Speaker 2>They don't allow you to use that same photograph and

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<v Speaker 2>another one that they've been adoringly pouring over to show

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<v Speaker 2>that they are different. I think in terms of manipulation,

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<v Speaker 2>I think it's more a case that the photographs have

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<v Speaker 2>been uploaded, downloaded, uploaded, shared. They're like a mongrel dog.

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<v Speaker 2>You just don't know their b deigree anymore. And that's

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<v Speaker 2>why I use photographs that have been pre published, that

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<v Speaker 2>have been taken from screenshots of the Beatles' films, their

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<v Speaker 2>album covers, their own publications, and anything that's got associated

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<v Speaker 2>press on it or Getty images or something that is

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<v Speaker 2>being validated, rather than something from Pinterest or another source

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<v Speaker 2>like that.

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<v Speaker 1>Right now, it's incredible, and there's just so much evidence

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<v Speaker 1>that he's been switched out. You talk about the mustache,

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<v Speaker 1>there's weird beards. There's just so many subtle changes in

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<v Speaker 1>this guy's face. I was watching Strawberry Fields Forever, very

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<v Speaker 1>dark lyrics, by the way, which I didn't key into

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<v Speaker 1>when I was a kid. You know, now that I'm older,

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<v Speaker 1>I can kind of see the kind of mind control stuff.

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<v Speaker 1>But clearly a different guy, just like unbelievable. Like it's

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<v Speaker 1>obviously not the original Paul McCartney, and they put him

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<v Speaker 1>right out there.

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<v Speaker 2>They did, but it's very subtle. I mean, we didn't

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<v Speaker 2>see Paul McCartney or the Beatles for some time. I

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<v Speaker 2>first saw Billy when he was on top of the

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<v Speaker 2>Pops and they showed the Strawberry Fields and Penny Lane

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<v Speaker 2>promotional videos. But we weren't programmed then to think in

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<v Speaker 2>conspiratorial terms. It was Paul McCartney. It's a composite. It's

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<v Speaker 2>just Paul McCartney, and that's who we thought it was.

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<v Speaker 2>I didn't even believe in the pid thing at all.

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<v Speaker 2>I heard about twenty eight if the registration of the

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<v Speaker 2>White Beetle car on Abbey Road, but I just dismissed

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<v Speaker 2>it at the time. But when I saw Billy rocking

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<v Speaker 2>away there too on the rooftop, it was so embarrassingly

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<v Speaker 2>bad the movements that I just felt so embarrassed for

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<v Speaker 2>him and thought, well, you know, they just put me

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<v Speaker 2>straight off. I just thought it was laughable. It wasn't

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<v Speaker 2>the Beatle that I remembered.

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<v Speaker 1>Wow, it's remarkable. So that's the show they did in

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<v Speaker 1>what was that in London or New York City? The

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<v Speaker 1>rooftop one where John's wearing the furs.

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<v Speaker 2>Yeah, that's saddle on top of the Saddle building and

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<v Speaker 2>they were singing get Back and a few other numbers

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<v Speaker 2>and not very many and the police came up and

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<v Speaker 2>I think that was stage they stopped the recording of

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<v Speaker 2>the plane. But what's interesting to notice is that when

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<v Speaker 2>it comes to photographs, if we take the photograph of

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<v Speaker 2>Paul that was the first to appear on the Daily

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<v Speaker 2>Mirror front page back in October nineteen October nineteen sixty three,

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<v Speaker 2>the guy's got a horizontal scar under his chin and

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<v Speaker 2>it's plain to see. So that's the very very first

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<v Speaker 2>photograph on a British front page nineteen sixty three. That

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<v Speaker 2>scar appears throughout if you follow that particular Paul, you

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<v Speaker 2>can find him in nineteen well, you can find him

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<v Speaker 2>singing I Want to hold your hand on the Edge

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<v Speaker 2>Sullivan Show. You can find him singing on the German Tour.

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<v Speaker 2>But then you can also find him in the seventies,

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<v Speaker 2>in the eighties, and it's you can say, also find

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<v Speaker 2>him being photographed with Done is deceased wife, and you

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<v Speaker 2>can find him photographed with Heather, the divorce wife. So

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<v Speaker 2>not every Paul died. And that was the point of

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<v Speaker 2>that video that I did, and it's on YouTube now.

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<v Speaker 1>Wow, it's incredible. So there were distinguishing characteristics. They had

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<v Speaker 1>a scar on his chin, which you can clearly see

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<v Speaker 1>also cut on his lip right that they kind of

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<v Speaker 1>had a fake.

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<v Speaker 2>Oh well, the that scar on the lip, they that

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<v Speaker 2>came from the alleged moped crash December Boxing Day, December

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<v Speaker 2>nineteen sixty five. But it came back even larger in

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<v Speaker 2>the if you look at the video in Strawberry Field's

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<v Speaker 2>and Penny Lane. Now some mainstream Beetle fans will say, well,

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<v Speaker 2>maybe it became reinfected and it swelled up to twice

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<v Speaker 2>asie as it originally was. But come, paperback writer, that

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<v Speaker 2>scar healed. So you know that the scar comes and goes.

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<v Speaker 2>Which is another video that's of mine that's on YouTube

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<v Speaker 2>as well.

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<v Speaker 1>So the scars come and go. He's got something on

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<v Speaker 1>his chin. He also has a chipped tooth here and there, right.

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<v Speaker 2>Yeah, the chip the chip tooth was repaired before the

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<v Speaker 2>German tour of sixty six. The scar on the chin,

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<v Speaker 2>the horizontal scar underneath, does not disappear. That goes throughout

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<v Speaker 2>the years. And then talking about chins, there isn't one

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<v Speaker 2>pool with a cleft or a dimple which is created

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<v Speaker 2>by bone structure of the jaw, so it's not going

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<v Speaker 2>to disappear. Kirk Douglas had his all his life, and

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<v Speaker 2>so did Robert Mitchen. But then there are other pools

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<v Speaker 2>where he's got a totally smooth round round chin, no cleft,

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<v Speaker 2>no nothing.

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<v Speaker 1>It's just so incredible when you the enormity and you

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<v Speaker 1>did a video on the Tavistock like how much of

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<v Speaker 1>the like? There's John Coleman's Committee of three hundred and

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<v Speaker 1>all this stuff. He makes allegations about Adorno. People have

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<v Speaker 1>discounted those. What's your thought about how much Tavistock influenced

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<v Speaker 1>the Beatles.

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<v Speaker 2>I think that Tavistock has been dumbed down and repeated

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<v Speaker 2>and parroted to the point where it's lost or meaning

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<v Speaker 2>it's a lot more complicated than that.

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<v Speaker 1>Could you expand on that then?

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<v Speaker 2>Yeah. For instance, there's absolutely no evidence to say that

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<v Speaker 2>Coleman actually was a spy. If you can get onto

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<v Speaker 2>his website, which I can't because I keep getting virus warnings,

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<v Speaker 2>there's nothing there on his profile, but I have read

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<v Speaker 2>the Committee of three hundred and on page one he

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<v Speaker 2>writes that on the thirtieth of April nineteen eighty one,

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<v Speaker 2>he wrote a monograph disclosing the existence of the Club

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<v Speaker 2>of Rome, well, that's nineteen eighty one, but that was

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<v Speaker 2>already known. The Club of Rome was already known in

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<v Speaker 2>the nineteen seventies. A newspaper articles mentioned the Club of Rome,

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<v Speaker 2>including numerous reviews on their paper The Limits of Growth.

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<v Speaker 2>So anybody who's got access to Google could find out

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<v Speaker 2>that what doctor John Coleman is saying there and claiming

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<v Speaker 2>as if you like his exclusive isn't an exclusive at all.

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<v Speaker 1>Interesting. And I mean there's other things going on. You

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<v Speaker 1>write about communism hypnotism, can you kind of you did

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<v Speaker 1>a couple of videos on that. Can you explain how

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<v Speaker 1>that's involved in the whole Beatles mania.

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<v Speaker 2>It comes from a book that a title of a

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<v Speaker 2>pamphlet of American evangelist preacher brought out the name of him,

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<v Speaker 2>I can't remember at the moment, but it basically lays

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<v Speaker 2>claim that the Beatles were trying to instill communism into

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<v Speaker 2>society and bring about cultural change. This is basically the

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<v Speaker 2>same argument that those who were mentioned the Tavistock and

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<v Speaker 2>support the Tavistock theory. It's been they basically simplify the

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<v Speaker 2>Tavistock Institute theory. But that's the complicated matter that perhaps

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<v Speaker 2>we'll touch on at a different time. But the communism's

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<v Speaker 2>part and the Beatles. Our own Church of England really

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<v Speaker 2>actually quite liked the Beatles eventually because they could see

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<v Speaker 2>it if they mimic the Beatles or introduce their music

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<v Speaker 2>into the church then and adopted them, then they were

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<v Speaker 2>they would encourage more young people to go to church,

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<v Speaker 2>especially the Church of English. And there was already in

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<v Speaker 2>decline at that point. We didn't need Tavistock or the

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<v Speaker 2>Beatles to bring the Church of England into into decline.

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<v Speaker 2>They managed to do that all on its own.

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<v Speaker 1>Hmm. Interesting was that was the book by? Was it

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<v Speaker 1>they sold their souls for rock and roll? Does that

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<v Speaker 1>sound right?

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<v Speaker 2>No, it's a pamphlet that was brought out at the

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<v Speaker 2>time by an evangelist.

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<v Speaker 1>Oh, David Noble, that's it. That's hypnotism and the Beatles

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<v Speaker 1>another book I have to get. Do you think that

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<v Speaker 1>there's hypnotism involved with the Beatles?

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<v Speaker 2>And I do, but I don't. I think it's more

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<v Speaker 2>to do with Tavistock and dr Asher and Stephen Ward.

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<v Speaker 2>There's certain manipulation on the go.

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<v Speaker 1>Right Ward is an interesting character. I've done a show

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<v Speaker 1>about Ward. I'm very familiar with the kind of Profumo affair,

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<v Speaker 1>Profumo affair and things like that. I mean, how in

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<v Speaker 1>the black magic actually Ward who added kind of a

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<v Speaker 1>presence here in the States for a minute minute, that's

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<v Speaker 1>where he went to get his degree. But how does

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<v Speaker 1>he tie into all of us.

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<v Speaker 2>Well, stephen Ward and Christine Keeler and Mandy Rice Davis

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<v Speaker 2>and the Astors, especially the stephen Ward. He was good

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<v Speaker 2>hypnotizing people. He was a good manipulator. He was also connected,

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<v Speaker 2>as you know, to most of the movers and shakers

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<v Speaker 2>and the royalty, the upper crust. So they were at

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<v Speaker 2>the forefront of the sexual revolution, if you like. Some

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<v Speaker 2>would argue in parallel with the Beatles, but that's I

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<v Speaker 2>think an exaggeration really, factually and statistically, that is an exaggeration.

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<v Speaker 2>A lot of the things that were supposed to have

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<v Speaker 2>happened in the sixties actually happened in the seventies.

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<v Speaker 1>Is terstic. I mean Ward was, I mean, I think

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<v Speaker 1>he had a place on the Astor estate. Right, So

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<v Speaker 1>he's like keyed into other important intellectual movements in the sixties, right,

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<v Speaker 1>was it the Cleving Climbington set or whatever.

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<v Speaker 2>Yeah, the the Clyde and sets and there's there's also

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<v Speaker 2>the the Ministry of Defense chief Perfumer himself. But he

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<v Speaker 2>wasn't squeaky clean Perfumer. He'd had affairs before, keither he was.

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<v Speaker 2>He wasn't a case that that's the only affair that

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<v Speaker 2>he had.

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<v Speaker 1>Yeah, it's the one he got, the one he got

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<v Speaker 1>caught for, right.

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<v Speaker 2>That's right. Yeah, but he wasn't squeaky clean. He was

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<v Speaker 2>no saint. And basically they they they were they were

356
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<v Speaker 2>cool girls. They were a good time girls. Showed girls

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<v Speaker 2>that had been linked with gangsters and linked with the

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<v Speaker 2>nightclubs and so on.

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<v Speaker 1>Right there in that environment, the Cray Brothers and a

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<v Speaker 1>lot of interesting characters in the sixties. A lot OF's

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<v Speaker 1>still rough. I mean, I think Crowley's kind of like

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<v Speaker 1>air was friends with the craze and hanging out all

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<v Speaker 1>those guys. Tom dreiberg right, do you know if Tom Driver?

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<v Speaker 2>I know I've done a video on him as well.

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<v Speaker 2>KGB alleged double agent m I five. He was the

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<v Speaker 2>chairman of the Labor Party, I believe.

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<v Speaker 1>Yeah, he's like the top top post in the kind

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<v Speaker 1>of left in the UK.

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<v Speaker 2>Yeah, he was gay, probably had the craze, arranged rent boys,

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<v Speaker 2>for him and for for Brian Epstein, and then there's

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<v Speaker 2>a law boothby case it's linked in with with him

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<v Speaker 2>as well.

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<v Speaker 1>Right, so both sides of the aisle, so to speak.

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<v Speaker 1>And there's pictures of Dryberg and Booth be together like

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<v Speaker 1>there's there there are chums, and you can type Dryverer

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<v Speaker 1>to Crowley, Maxwell Knight and also the what is it

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<v Speaker 1>the Five Spies right the yeah, I forgot he went

378
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<v Speaker 1>to he went to Russia to talk with one of

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<v Speaker 1>the Cambridge Five, right.

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<v Speaker 2>Yeah, And you can you can tie in with Christopher Lee,

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<v Speaker 2>the Christopher Lee video that I've done about the McCartney's

382
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<v Speaker 2>friends on the cover of Band on the Run. You

383
00:24:20.279 --> 00:24:25.319
<v Speaker 2>can tie tie all of them back to Ian Fleming

384
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<v Speaker 2>as well, who was Christopher Lee's step cousin. And Dennis Wheatley,

385
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<v Speaker 2>the author of of all the the books about Satanism

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<v Speaker 2>and the Devil.

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<v Speaker 1>And so on, The Devil Rides Out. Yeah, that's right.

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<v Speaker 1>Wheeley was actually influenced on Fleming. Fleming said he based

389
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<v Speaker 1>James Bond, the probably the most well known spy movies

390
00:24:47.440 --> 00:24:51.920
<v Speaker 1>and books and world history on Wheeley books. So there's

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<v Speaker 1>like the weirdest kind of weird cultural nexus.

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<v Speaker 2>I first heard about Crowley through Dennis Wheatley and his

393
00:25:00.240 --> 00:25:05.319
<v Speaker 2>book and the Devil in all his works, right.

394
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<v Speaker 1>Yeah, he wrote like a lot of the coult stuff.

395
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<v Speaker 1>He's actually very interesting guy. His daughter's around. She's like,

396
00:25:11.319 --> 00:25:15.680
<v Speaker 1>she's involved in kind of ancient kind of UK you know,

397
00:25:16.640 --> 00:25:20.720
<v Speaker 1>folk sites or whatever, like, uh, monoliths and stones and stuff.

398
00:25:20.759 --> 00:25:22.720
<v Speaker 1>So she's around. I tried to get to talk to her.

399
00:25:22.759 --> 00:25:25.240
<v Speaker 1>She wouldn't, she wouldn't come on the show. But uh,

400
00:25:25.599 --> 00:25:28.599
<v Speaker 1>it is interesting how all these guys, uh this fake

401
00:25:28.680 --> 00:25:31.279
<v Speaker 1>Paul Live and Let Die the famous song, right, yeah,

402
00:25:31.319 --> 00:25:34.640
<v Speaker 1>this is it so like the culture lasted past the

403
00:25:34.640 --> 00:25:36.920
<v Speaker 1>Beatles and for people don't know, the Beatles kind of

404
00:25:36.960 --> 00:25:40.400
<v Speaker 1>mysteriously stopped or quote the Beatles unquote stop touring in

405
00:25:40.440 --> 00:25:43.680
<v Speaker 1>sixty six, right, kind of at the apex of their fame,

406
00:25:44.000 --> 00:25:44.519
<v Speaker 1>is that right?

407
00:25:45.079 --> 00:25:48.400
<v Speaker 2>Yeah? And it did Candlestick Park in San Francisco that

408
00:25:48.480 --> 00:25:50.000
<v Speaker 2>was their last last concert.

409
00:25:51.200 --> 00:25:53.799
<v Speaker 1>Wow, that's incredible. Yeah, all this stuff. By the way,

410
00:25:53.839 --> 00:25:58.039
<v Speaker 1>Dennis Wheeley has a signed copy of Alister Crowley's Magic

411
00:25:58.079 --> 00:26:01.319
<v Speaker 1>e Theory and Practice, and I have a copy of

412
00:26:01.359 --> 00:26:04.799
<v Speaker 1>that in my book Children of the Beast. So whel

413
00:26:05.319 --> 00:26:07.000
<v Speaker 1>people in the States, they don't know much about Driver

414
00:26:07.200 --> 00:26:08.559
<v Speaker 1>and Wheatley, but they should.

415
00:26:09.759 --> 00:26:13.960
<v Speaker 2>Well. Christopher me he was great mates with with Weekly

416
00:26:14.799 --> 00:26:17.319
<v Speaker 2>and that The Devil in all his works is not

417
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<v Speaker 2>a novel, it's not fiction.

418
00:26:20.319 --> 00:26:20.960
<v Speaker 1>It is a.

419
00:26:20.960 --> 00:26:24.759
<v Speaker 2>Serious book that that weakly put out. And that's where

420
00:26:24.839 --> 00:26:28.440
<v Speaker 2>I heard about Crowley, and they set me on a

421
00:26:28.480 --> 00:26:31.480
<v Speaker 2>path to learn more about him.

422
00:26:31.680 --> 00:26:33.599
<v Speaker 1>Yeah, that's my first book, Profit of Evil. You can

423
00:26:33.640 --> 00:26:37.119
<v Speaker 1>read that as somebody who's not into you know, somebody

424
00:26:37.160 --> 00:26:39.680
<v Speaker 1>a student of black magic, not a practitioner, because there

425
00:26:39.720 --> 00:26:44.240
<v Speaker 1>are biographies of Croley by practitioners, which you'll get a

426
00:26:44.359 --> 00:26:50.000
<v Speaker 1>very different side. Have you ever read they used Dark Forces? No,

427
00:26:50.640 --> 00:26:54.720
<v Speaker 1>I haven't. It's about the Nazis. It's supposedly fiction, but

428
00:26:56.000 --> 00:26:58.240
<v Speaker 1>you know, you can see a lot more things in

429
00:26:58.640 --> 00:27:02.640
<v Speaker 1>supposed fiction than maybe the uh, you know, a factual

430
00:27:02.720 --> 00:27:04.960
<v Speaker 1>thing like that. But it's it's crazy.

431
00:27:05.839 --> 00:27:10.799
<v Speaker 2>If people watch my Christopher Lee video, they'll see that.

432
00:27:11.359 --> 00:27:14.640
<v Speaker 2>I think that a lot of what Ian Fleming said

433
00:27:14.680 --> 00:27:20.720
<v Speaker 2>in fiction regard Inspector, he was actually it was actually

434
00:27:20.880 --> 00:27:25.279
<v Speaker 2>the Spinet or the Spider, which is Martin Borman's worldwide

435
00:27:25.319 --> 00:27:30.000
<v Speaker 2>business network. So what he said in fiction was based

436
00:27:30.039 --> 00:27:30.519
<v Speaker 2>on fact.

437
00:27:31.519 --> 00:27:34.079
<v Speaker 1>I think you're right, because he actually uses La cirque,

438
00:27:34.319 --> 00:27:37.000
<v Speaker 1>which is a known kind of fascist thing. So some

439
00:27:37.039 --> 00:27:41.000
<v Speaker 1>of the he's revealing exposing stuff. People think it's fictional,

440
00:27:41.079 --> 00:27:44.039
<v Speaker 1>it's not. And he was fleming for people who don't know.

441
00:27:44.200 --> 00:27:47.880
<v Speaker 1>Was a very successful member of I think the Naval

442
00:27:47.920 --> 00:27:50.759
<v Speaker 1>Intelligence and they even his boss said he was a

443
00:27:50.759 --> 00:27:53.480
<v Speaker 1>war winner. He was very clever doing all kinds of

444
00:27:53.559 --> 00:27:59.359
<v Speaker 1>raids and psychological operations, and he had an interest. There's

445
00:27:59.359 --> 00:28:02.039
<v Speaker 1>a picture of him with Lucky Luccia, know, like incredible

446
00:28:02.079 --> 00:28:04.200
<v Speaker 1>stuff like he just couldn't talk about it because of

447
00:28:04.200 --> 00:28:08.880
<v Speaker 1>the National Secrecy Act. But he wasn't some desk jockey,

448
00:28:08.880 --> 00:28:10.839
<v Speaker 1>as my understanding, did you get that impression.

449
00:28:11.400 --> 00:28:14.960
<v Speaker 2>No, he wasn't. And there is another book that's supposed

450
00:28:15.000 --> 00:28:20.039
<v Speaker 2>to be fiction, and that is BOP JB. And that

451
00:28:20.200 --> 00:28:26.000
<v Speaker 2>is the extrication of Martin Borman from nineteen forty four

452
00:28:26.079 --> 00:28:31.720
<v Speaker 2>in Berlin, because Borman survived and Paul Manning, a leading

453
00:28:32.119 --> 00:28:35.559
<v Speaker 2>American journalist, has wrote a book. He wrote a book

454
00:28:35.559 --> 00:28:40.000
<v Speaker 2>about Borman's escape for Berlin and his network. Wow, it's

455
00:28:40.079 --> 00:28:43.279
<v Speaker 2>quite tedious in place in an accountant would absolutely love it.

456
00:28:43.519 --> 00:28:47.119
<v Speaker 2>There's something like seven hundred and fifty front companies set

457
00:28:47.200 --> 00:28:49.480
<v Speaker 2>up through in neutral countries.

458
00:28:50.119 --> 00:28:54.279
<v Speaker 1>Wow, that's incredible. It's almost like Otto Skorsni who had

459
00:28:54.319 --> 00:28:57.559
<v Speaker 1>this kind of huge network too. He's probably keyed into that,

460
00:28:57.640 --> 00:28:59.680
<v Speaker 1>didn't know it. But you know, Martin Borman had ten

461
00:29:00.039 --> 00:29:03.599
<v Speaker 1>kids and some of them are in the States to

462
00:29:03.599 --> 00:29:06.519
<v Speaker 1>this day. I don't know, I will tell you how

463
00:29:06.519 --> 00:29:11.279
<v Speaker 1>I know that, but they're around. It's incredible, like the grandkids.

464
00:29:10.680 --> 00:29:13.440
<v Speaker 2>You know, Oh yeah, at school saying he is quite

465
00:29:13.599 --> 00:29:16.119
<v Speaker 2>quite a character, wasn't he. He he managed to get

466
00:29:16.759 --> 00:29:20.640
<v Speaker 2>Mussolini out and he was a Prussian soldier with the

467
00:29:20.720 --> 00:29:22.640
<v Speaker 2>Jordan scar and all the rest of it.

468
00:29:22.839 --> 00:29:25.880
<v Speaker 1>Yeah, yeah, No, he's almost like out of But apparently

469
00:29:25.960 --> 00:29:29.279
<v Speaker 1>he's used as a kind of by Fleming as kind

470
00:29:29.279 --> 00:29:31.599
<v Speaker 1>of like a character, and one of was much like Crowley.

471
00:29:32.599 --> 00:29:36.480
<v Speaker 1>The shift in Casino Royales based on Crowley. So he

472
00:29:36.759 --> 00:29:39.319
<v Speaker 1>use these kind of real characters he knew for his

473
00:29:39.440 --> 00:29:43.359
<v Speaker 1>show inspiration, so to speak, Plumbing. I mean, it's incredible

474
00:29:43.400 --> 00:29:47.400
<v Speaker 1>because the culture of the Beatles and Fleming worldwide right

475
00:29:47.440 --> 00:29:50.000
<v Speaker 1>at the same time. Really, I think Kennedy was reading

476
00:29:50.039 --> 00:29:54.079
<v Speaker 1>Fleming too, you know, John GfK and The White House.

477
00:29:54.079 --> 00:29:56.440
<v Speaker 1>So this is all taking place in the sixties, overlapping

478
00:29:56.480 --> 00:29:57.680
<v Speaker 1>with each other, right, all them.

479
00:29:57.720 --> 00:30:04.920
<v Speaker 2>Yeah, But ironically Croley died in obscurity in nineteen forty seven,

480
00:30:06.279 --> 00:30:07.559
<v Speaker 2>the heroin that eight.

481
00:30:09.480 --> 00:30:11.119
<v Speaker 1>In Hastings, right, yeah.

482
00:30:10.799 --> 00:30:14.200
<v Speaker 2>In Hastings, and the only people that were getting excited

483
00:30:14.240 --> 00:30:16.920
<v Speaker 2>about it were the local church because they were expecting,

484
00:30:17.319 --> 00:30:20.839
<v Speaker 2>literally for the devil to ride out around Hastings and

485
00:30:20.960 --> 00:30:25.799
<v Speaker 2>after Croley died, but nothing happened. It is hardly anybody

486
00:30:25.880 --> 00:30:28.400
<v Speaker 2>knew anything about him. I think it's ashes that now

487
00:30:28.400 --> 00:30:29.759
<v Speaker 2>are in America somewhere.

488
00:30:30.200 --> 00:30:32.519
<v Speaker 1>Yeah, that's correct. They're kind of either a hidden or

489
00:30:32.839 --> 00:30:36.880
<v Speaker 1>misplaced location, but yeah, exactly. Yeah, I think it's since

490
00:30:36.880 --> 00:30:39.720
<v Speaker 1>somewhere in Virginia's where they were last scene. But maybe

491
00:30:39.720 --> 00:30:42.680
<v Speaker 1>somebody has them. I don't know, but yeah, I mean,

492
00:30:42.839 --> 00:30:48.039
<v Speaker 1>is it is interesting that he he got higher repute

493
00:30:48.640 --> 00:30:52.279
<v Speaker 1>after his death and he predicted the birth of the child,

494
00:30:52.279 --> 00:30:53.839
<v Speaker 1>the birth of the child of Horst, would be in

495
00:30:53.839 --> 00:30:57.759
<v Speaker 1>the sixties, So it coincides with so much cultural change,

496
00:30:58.200 --> 00:31:01.559
<v Speaker 1>kinter cultural change. I mean that stark contrast between the

497
00:31:01.559 --> 00:31:06.960
<v Speaker 1>fifties and sixties is obvious. But yeah, so learyly love

498
00:31:07.000 --> 00:31:07.920
<v Speaker 1>Crowley as.

499
00:31:08.359 --> 00:31:11.960
<v Speaker 2>It's interesting to look though, if we say Okay, so

500
00:31:12.559 --> 00:31:15.559
<v Speaker 2>the Beatles didn't happen, what would have happened in England

501
00:31:16.400 --> 00:31:20.039
<v Speaker 2>because that's where it all started and according to the

502
00:31:20.039 --> 00:31:23.640
<v Speaker 2>predictions of the melody maker at the time, the way

503
00:31:23.720 --> 00:31:26.279
<v Speaker 2>things that we're going to go, the next wave of

504
00:31:26.440 --> 00:31:32.000
<v Speaker 2>popular music would be jazz interesting and not because that's

505
00:31:32.039 --> 00:31:35.799
<v Speaker 2>why they were saying that, oh, guitar based music is dead.

506
00:31:36.480 --> 00:31:39.400
<v Speaker 2>That's one of the reasons why one label didn't didn't

507
00:31:39.440 --> 00:31:42.799
<v Speaker 2>sign the Beatles. We thought guitar bassed music has had

508
00:31:42.839 --> 00:31:47.720
<v Speaker 2>it that jazz is the way to go. And it's

509
00:31:47.720 --> 00:31:53.680
<v Speaker 2>funny that English subculture, the Mods, they started off liking

510
00:31:53.720 --> 00:31:58.799
<v Speaker 2>and listening to modern jazz and then moved into soul

511
00:31:59.039 --> 00:32:03.319
<v Speaker 2>and blues and scar and so on. The Beatles started

512
00:32:03.359 --> 00:32:08.400
<v Speaker 2>out as rockers. The Mods never listened to rock music

513
00:32:09.000 --> 00:32:11.079
<v Speaker 2>and they didn't listen to the Beatles. The Beatles were

514
00:32:11.119 --> 00:32:14.839
<v Speaker 2>too mainstream to be considered by the Mods and be

515
00:32:14.920 --> 00:32:19.559
<v Speaker 2>on their playlist. So whether it they developed into the

516
00:32:19.559 --> 00:32:23.039
<v Speaker 2>Mods still would have come about listening through listening to

517
00:32:23.119 --> 00:32:26.200
<v Speaker 2>modern jazz. That's that's another thing. The rockers, on the

518
00:32:26.240 --> 00:32:28.519
<v Speaker 2>other hand, you might have heard of the Mods and rockers.

519
00:32:28.839 --> 00:32:32.440
<v Speaker 1>Sure, yeah, I mean that culture kind of at least

520
00:32:32.440 --> 00:32:34.559
<v Speaker 1>when might when I was younger, kind of blood over

521
00:32:34.599 --> 00:32:36.599
<v Speaker 1>the who and kind of some of that. I can't remember

522
00:32:36.759 --> 00:32:42.240
<v Speaker 1>where they used to drive around in the motorbikes and

523
00:32:42.240 --> 00:32:42.839
<v Speaker 1>stuff like that.

524
00:32:42.880 --> 00:32:45.880
<v Speaker 2>Those are the mods, right, No, no, no, no, the

525
00:32:45.960 --> 00:32:49.839
<v Speaker 2>mods were riding around on my Italian scooters.

526
00:32:50.039 --> 00:32:50.880
<v Speaker 1>Yeah, that's what I meant.

527
00:32:50.960 --> 00:32:56.400
<v Speaker 2>Yeah, when they were working and the rockers, they based

528
00:32:56.519 --> 00:33:00.839
<v Speaker 2>their style on nineteen fifties White America and rock stars.

529
00:33:01.400 --> 00:33:06.400
<v Speaker 2>Interesting Elvis Presley and so on. Well, Elvis Presley didn't

530
00:33:06.400 --> 00:33:08.400
<v Speaker 2>cut it for me. I was a mode at the time.

531
00:33:10.119 --> 00:33:13.759
<v Speaker 2>They're all somebody that there were previous generations music. They're

532
00:33:13.880 --> 00:33:17.680
<v Speaker 2>old hat. I mean Bill Haley. He looked older than

533
00:33:17.680 --> 00:33:21.519
<v Speaker 2>my father in the sixties, right right.

534
00:33:21.359 --> 00:33:25.400
<v Speaker 1>Wild Who was Clement Florid freyd You have this band

535
00:33:25.400 --> 00:33:29.039
<v Speaker 1>of friends sections of your most recent work, Kenny Lynch,

536
00:33:29.079 --> 00:33:32.319
<v Speaker 1>Christopher Lee who everybody should know. Yeah, maybe Clement Freud

537
00:33:32.400 --> 00:33:34.759
<v Speaker 1>is a little bit more mysterious, but kind of ties

538
00:33:34.839 --> 00:33:37.240
<v Speaker 1>in and it's been exposed recently. Right.

539
00:33:38.400 --> 00:33:42.759
<v Speaker 2>He was exposed in a documentary in twenty sixteen. But

540
00:33:42.880 --> 00:33:46.640
<v Speaker 2>before that he was a national treasure. He was knighted.

541
00:33:46.839 --> 00:33:51.039
<v Speaker 2>He was a liberal MP for Ely in Cambridgeshire. He

542
00:33:51.160 --> 00:33:57.400
<v Speaker 2>was on radio quiz shows, very sarcastic, very witty and

543
00:33:58.200 --> 00:34:00.839
<v Speaker 2>loved by it by lots of people. He started off

544
00:34:01.200 --> 00:34:05.680
<v Speaker 2>advertising dog food but because he had the features of

545
00:34:05.720 --> 00:34:08.639
<v Speaker 2>a bloodhound, so he used to appear on television sat

546
00:34:08.719 --> 00:34:12.920
<v Speaker 2>next to a bloodhound. And before that, though as a

547
00:34:12.920 --> 00:34:16.639
<v Speaker 2>master chef, he run there. He was working at the

548
00:34:16.639 --> 00:34:21.480
<v Speaker 2>Dorchester Hotel Wow. But he also had linked with the

549
00:34:21.679 --> 00:34:26.960
<v Speaker 2>likes of Rolf Harris, who was another national treasure who

550
00:34:27.000 --> 00:34:29.079
<v Speaker 2>turned out to be a pedophile.

551
00:34:28.800 --> 00:34:30.960
<v Speaker 1>Just like Sable. Right, there's pictures of like all these

552
00:34:30.960 --> 00:34:35.159
<v Speaker 1>guys in with sal like very dark, like I've done

553
00:34:35.199 --> 00:34:35.559
<v Speaker 1>chills on.

554
00:34:37.360 --> 00:34:42.440
<v Speaker 2>But Saba wasn't caught. Neither was Clement Freud. But Rolf

555
00:34:42.440 --> 00:34:46.960
<v Speaker 2>Harris was caught. But he painted the portrait of the Queen.

556
00:34:47.360 --> 00:34:53.039
<v Speaker 2>They both Sable and Rolf Harris did TV shows. Rolf

557
00:34:53.039 --> 00:34:55.039
<v Speaker 2>Harris has even played Glassery Festival.

558
00:34:56.679 --> 00:35:01.440
<v Speaker 1>It's incredible, it's incredible stuff. But Freud, I mean Freud

559
00:35:01.639 --> 00:35:05.320
<v Speaker 1>was associated with the Beatles, or with Fall or whatever.

560
00:35:05.440 --> 00:35:09.760
<v Speaker 2>Right, he appeared on the band on the Run and

561
00:35:10.000 --> 00:35:15.159
<v Speaker 2>on the video I've included an audio clip of Fall

562
00:35:16.039 --> 00:35:18.679
<v Speaker 2>saying about how he met him and if you look

563
00:35:18.760 --> 00:35:23.039
<v Speaker 2>on the McCartney project is basically he chose the people

564
00:35:23.159 --> 00:35:26.639
<v Speaker 2>quite random people, which is why I looked at them

565
00:35:26.840 --> 00:35:32.440
<v Speaker 2>for that album cover, purely based allegedly on the names

566
00:35:32.440 --> 00:35:35.039
<v Speaker 2>that he had in his diary that were free that day.

567
00:35:37.119 --> 00:35:39.639
<v Speaker 2>So he had Kenny Lynch, and he did have links

568
00:35:39.679 --> 00:35:44.039
<v Speaker 2>with Kenny Lynch because Kenny Lynch originally toured with the

569
00:35:44.039 --> 00:35:47.599
<v Speaker 2>Beatles in their first UK WI tour back in February

570
00:35:47.679 --> 00:35:51.360
<v Speaker 2>nineteen sixty three. Kenny Lynch was a singer in his

571
00:35:51.400 --> 00:35:53.840
<v Speaker 2>own right and a songwriter as well.

572
00:35:56.079 --> 00:35:59.199
<v Speaker 1>And Freud, I mean, is famously part of the Freud family. Right,

573
00:36:00.039 --> 00:36:04.280
<v Speaker 1>FREYD makes it to London eventually, if I remember correctly, Yeah.

574
00:36:04.119 --> 00:36:08.119
<v Speaker 2>He comes, Yeah, it comes back from London from France

575
00:36:08.159 --> 00:36:12.679
<v Speaker 2>having run a hotel. Then works his way up through

576
00:36:14.159 --> 00:36:20.000
<v Speaker 2>TV adverts, the TV ads and radio and various panelist

577
00:36:20.079 --> 00:36:22.719
<v Speaker 2>shows and so on. And I think he was a

578
00:36:22.760 --> 00:36:25.800
<v Speaker 2>Liberal MB for about seventeen years. And then when he

579
00:36:25.880 --> 00:36:30.280
<v Speaker 2>lost the election, oddly enough, they gave him a knighthood.

580
00:36:30.320 --> 00:36:32.679
<v Speaker 2>It's like giving a guy a prize for losing.

581
00:36:34.039 --> 00:36:38.320
<v Speaker 1>Wow, amazing, It's just an amazing sense of a series.

582
00:36:38.360 --> 00:36:40.800
<v Speaker 1>And then Tavistock's brought up again because I think that

583
00:36:40.840 --> 00:36:43.199
<v Speaker 1>Freud was somewhere at one of those clinics, right.

584
00:36:44.159 --> 00:36:49.239
<v Speaker 2>Freud himself, Sigmund Freud was opposed boy of the Tavistock

585
00:36:49.320 --> 00:36:54.079
<v Speaker 2>Clinic and the Tavistock Institute related in there is the

586
00:36:54.199 --> 00:36:58.920
<v Speaker 2>King of marketing or if you like, propaganda, which is

587
00:36:59.079 --> 00:37:03.239
<v Speaker 2>Edward Burnet. He's the guy who was convincing women to

588
00:37:03.320 --> 00:37:06.840
<v Speaker 2>smoke even though it was considered not the thing to do,

589
00:37:07.519 --> 00:37:10.039
<v Speaker 2>and he was convinced it could have convince people to

590
00:37:10.079 --> 00:37:13.719
<v Speaker 2>introduce fluoride into water as well, and quite a few

591
00:37:13.800 --> 00:37:15.960
<v Speaker 2>other I heard.

592
00:37:15.960 --> 00:37:20.440
<v Speaker 1>He was involved in making bacon a morning staple like

593
00:37:21.079 --> 00:37:23.480
<v Speaker 1>bacon that was the belly was like the throwaway part

594
00:37:23.599 --> 00:37:28.599
<v Speaker 1>of of the of the animal at that time, because

595
00:37:30.000 --> 00:37:32.119
<v Speaker 1>that's my understanding. Don't quote me on that, but.

596
00:37:32.639 --> 00:37:35.559
<v Speaker 2>I didn't know that, but you can quote you can

597
00:37:35.639 --> 00:37:39.519
<v Speaker 2>quote me on Burnet is. Actually he was behind the

598
00:37:39.559 --> 00:37:45.159
<v Speaker 2>Guatemala and bringing down a Guatemale and democratic electric.

599
00:37:44.719 --> 00:37:49.000
<v Speaker 1>Gunns, right are bends, Yeah, yeah, which is a whole

600
00:37:49.039 --> 00:37:52.880
<v Speaker 1>full CIA operation. That was another one right after either

601
00:37:53.000 --> 00:37:59.239
<v Speaker 1>before after Iran. Right, So yeah, what a tapestry. I mean,

602
00:37:59.360 --> 00:38:02.079
<v Speaker 1>so much going on, it's just off the charts, this

603
00:38:02.119 --> 00:38:07.079
<v Speaker 1>crazy stuff so many dark characters. Holy smokes, I'm.

604
00:38:06.920 --> 00:38:14.159
<v Speaker 2>Happy sorry to cutting that I could have made the

605
00:38:14.880 --> 00:38:18.079
<v Speaker 2>video rather than twenty six minutes about Clement Freud, I

606
00:38:18.119 --> 00:38:21.400
<v Speaker 2>could have easily have made it an hour. And people

607
00:38:21.480 --> 00:38:23.599
<v Speaker 2>say to me, oh, oh, you missed this pizza out

608
00:38:23.599 --> 00:38:25.880
<v Speaker 2>and you missed that part out. And I don't know

609
00:38:25.920 --> 00:38:29.639
<v Speaker 2>who would watch a video and listening to me droning

610
00:38:29.679 --> 00:38:33.800
<v Speaker 2>on for an hour. But yeah, they're all connected, and

611
00:38:33.840 --> 00:38:36.559
<v Speaker 2>it's the deeper you dig, the more connections you find.

612
00:38:38.119 --> 00:38:41.719
<v Speaker 1>Yeah, no, it's it's it's very it gets very dark,

613
00:38:41.920 --> 00:38:45.599
<v Speaker 1>like word was very dark. Saval was super dark and

614
00:38:45.840 --> 00:38:49.039
<v Speaker 1>probably new. I mean he knew all like the hand

615
00:38:49.079 --> 00:38:51.360
<v Speaker 1>signs that the Beatles knew, you know, all this kind

616
00:38:51.360 --> 00:38:54.920
<v Speaker 1>of like um initiated all that stuff. But yeah, that

617
00:38:54.960 --> 00:38:59.199
<v Speaker 1>picture of that you have of Christopher Lee Freud and

618
00:39:00.519 --> 00:39:04.440
<v Speaker 1>Billy and a couple other interesting characters really something else

619
00:39:04.440 --> 00:39:06.920
<v Speaker 1>when you look at it, you know, in perspective with

620
00:39:07.400 --> 00:39:10.039
<v Speaker 1>the lens that you have now, because all this stuff,

621
00:39:10.039 --> 00:39:11.880
<v Speaker 1>like people didn't know what was going on behind the

622
00:39:11.880 --> 00:39:14.880
<v Speaker 1>scenes back then, there was no way to critically analyze

623
00:39:14.880 --> 00:39:17.239
<v Speaker 1>all this stuff, right, No.

624
00:39:17.079 --> 00:39:20.679
<v Speaker 2>There wasn't. I mean, the internet does help out, but

625
00:39:20.800 --> 00:39:25.000
<v Speaker 2>I think that you if you have the cultural background,

626
00:39:25.039 --> 00:39:30.599
<v Speaker 2>the social cultural background that is British orientated, then you're

627
00:39:30.719 --> 00:39:34.079
<v Speaker 2>more likely to look into it because you've seen these

628
00:39:34.679 --> 00:39:38.599
<v Speaker 2>people as national treasures on TV and heard them on radio.

629
00:39:39.639 --> 00:39:43.480
<v Speaker 2>And that video with Chris Relee starts off with an

630
00:39:43.519 --> 00:39:50.519
<v Speaker 2>American guy stopping Clement Freud in San Diego and he goes, oh,

631
00:39:50.840 --> 00:39:53.159
<v Speaker 2>you're that guy on the on the cover of Band

632
00:39:53.199 --> 00:39:55.840
<v Speaker 2>on the Run. Well that's all that he knew him by.

633
00:39:56.960 --> 00:40:03.719
<v Speaker 1>Right, Interesting? Yeah, yeah, dressing America how Americans like, how

634
00:40:03.719 --> 00:40:06.480
<v Speaker 1>we comprehend what's going on in England. You know, we

635
00:40:06.760 --> 00:40:09.079
<v Speaker 1>don't see as much as you guys did. Maybe it's

636
00:40:09.159 --> 00:40:12.559
<v Speaker 1>the same same way around like our political leaders. Maybe

637
00:40:12.559 --> 00:40:14.679
<v Speaker 1>you don't see him as much as like we're used to.

638
00:40:14.840 --> 00:40:19.840
<v Speaker 1>But it seems to be a thing. But yeah, the

639
00:40:19.880 --> 00:40:22.400
<v Speaker 1>Beatles are something else. Like the fact that they had

640
00:40:22.519 --> 00:40:25.440
<v Speaker 1>doubles for this guy going back to the sixties early

641
00:40:25.519 --> 00:40:31.119
<v Speaker 1>sixties is crazy. That they're just using doubles into the seventies. Right,

642
00:40:31.599 --> 00:40:34.960
<v Speaker 1>So it's not even this like the PID groups are

643
00:40:35.000 --> 00:40:37.559
<v Speaker 1>like sixty six change, that's it, but that it's much

644
00:40:38.039 --> 00:40:40.320
<v Speaker 1>it's much broader than that. Would you agree with that.

645
00:40:41.320 --> 00:40:43.480
<v Speaker 2>I would create so much much broader than that, and

646
00:40:43.519 --> 00:40:47.760
<v Speaker 2>I would say that I there definitely was the change

647
00:40:47.800 --> 00:40:51.760
<v Speaker 2>between the poll in September sixty six and the billy.

648
00:40:52.159 --> 00:40:54.320
<v Speaker 2>But there's more than one Billy, and there's more than

649
00:40:54.400 --> 00:40:58.920
<v Speaker 2>one pole, and one of the poles at least trust over.

650
00:40:59.000 --> 00:41:02.840
<v Speaker 2>That's Setchember sixty six deadline if you forget that out.

651
00:41:04.199 --> 00:41:08.280
<v Speaker 2>So the p I D conspiracy is a distraction.

652
00:41:09.440 --> 00:41:13.199
<v Speaker 1>Right, it's almost like a minimizing of how much brought,

653
00:41:13.320 --> 00:41:16.199
<v Speaker 1>how much more profound it is if they have multiple

654
00:41:16.239 --> 00:41:19.039
<v Speaker 1>guys going all the way, So it's easy to just

655
00:41:19.119 --> 00:41:21.119
<v Speaker 1>off one of them, right, I could just get rid

656
00:41:21.119 --> 00:41:22.880
<v Speaker 1>of one, and we still got two in the two

657
00:41:22.880 --> 00:41:24.880
<v Speaker 1>in the background. Right, Well, they.

658
00:41:24.760 --> 00:41:27.239
<v Speaker 2>Don't necessarily have to off one of them. They could

659
00:41:27.440 --> 00:41:31.320
<v Speaker 2>just replaced him multiple times. You could go and retire

660
00:41:31.360 --> 00:41:33.639
<v Speaker 2>for for a year or two and pop back up again.

661
00:41:33.679 --> 00:41:36.199
<v Speaker 2>In the seventies, the same guy who was on the

662
00:41:36.280 --> 00:41:38.559
<v Speaker 2>Daily Mirror front cover was the same one who was

663
00:41:38.599 --> 00:41:41.960
<v Speaker 2>with with with Linda. You can see the scar under

664
00:41:42.000 --> 00:41:46.000
<v Speaker 2>the under the chin. It's the same guy who married Heather,

665
00:41:46.280 --> 00:41:50.199
<v Speaker 2>same scar under the chin. So it's into the nineties,

666
00:41:50.320 --> 00:41:54.119
<v Speaker 2>you know. But there are other ones as well, so

667
00:41:54.440 --> 00:41:57.079
<v Speaker 2>it's it's you have to get beyond this poor is

668
00:41:57.119 --> 00:42:01.880
<v Speaker 2>dead business. I'm sure that's just a and I know

669
00:42:01.960 --> 00:42:04.599
<v Speaker 2>that that's why I'm the Black Sheep because I won't

670
00:42:04.960 --> 00:42:07.760
<v Speaker 2>follow I've followed the Paul is Dead business and he

671
00:42:07.840 --> 00:42:10.159
<v Speaker 2>might be dead. One of them might be dead, but

672
00:42:10.199 --> 00:42:12.840
<v Speaker 2>I'm waiting for someone to show me which one it is.

673
00:42:14.000 --> 00:42:21.679
<v Speaker 1>Right right, Wow, crazy, It's amazing. People got to check

674
00:42:21.719 --> 00:42:23.360
<v Speaker 1>out your videos. What is there anything you like to

675
00:42:23.360 --> 00:42:25.079
<v Speaker 1>add or anything I missed before you wrapping up?

676
00:42:25.679 --> 00:42:28.519
<v Speaker 2>No, I'd like people to have a look at the

677
00:42:28.519 --> 00:42:33.440
<v Speaker 2>Boom of Black Sheep YouTube channel. If they look at

678
00:42:33.440 --> 00:42:38.199
<v Speaker 2>my childhood beatle Mania, they'll understand my backstory and how

679
00:42:38.239 --> 00:42:41.760
<v Speaker 2>I became a Beatles fan. And if you like how

680
00:42:41.840 --> 00:42:46.280
<v Speaker 2>I was subjected to the promotion. Someone say it's propaganda

681
00:42:46.440 --> 00:42:50.039
<v Speaker 2>of the Beatles in nineteen sixty three in England in

682
00:42:50.159 --> 00:42:53.599
<v Speaker 2>that year or from March to December, and they can

683
00:42:53.679 --> 00:42:57.880
<v Speaker 2>look at the people who were behind beetle Mania and

684
00:42:57.920 --> 00:43:02.679
<v Speaker 2>it's certainly not a case of four highly talented working

685
00:43:02.719 --> 00:43:06.639
<v Speaker 2>class lads from Liverpool who shoot through sheer hard work

686
00:43:07.079 --> 00:43:09.440
<v Speaker 2>work made it on their own right. There are a

687
00:43:09.559 --> 00:43:13.159
<v Speaker 2>lot of connections the whole network behind them. Now, that

688
00:43:13.199 --> 00:43:17.000
<v Speaker 2>could have been coincidental, but they were all connected. Whether

689
00:43:17.039 --> 00:43:20.119
<v Speaker 2>they owned the padium, or whether they took the photographs

690
00:43:20.159 --> 00:43:24.639
<v Speaker 2>of the Beatles or whatever, or were their music publisher,

691
00:43:24.920 --> 00:43:28.440
<v Speaker 2>they were all connected together. They all knew each other previously.

692
00:43:29.559 --> 00:43:32.679
<v Speaker 1>Yeah, no, it's incredible that whole story doesn't wash. And

693
00:43:32.719 --> 00:43:37.480
<v Speaker 1>there's more stories about there's so many additional artists who

694
00:43:37.519 --> 00:43:40.880
<v Speaker 1>played on their albums and things that people don't know of.

695
00:43:41.800 --> 00:43:44.360
<v Speaker 1>And there was a Quincy Jones passed away this year

696
00:43:44.599 --> 00:43:47.199
<v Speaker 1>and he said, like, these guys couldn't play music, like

697
00:43:47.280 --> 00:43:49.159
<v Speaker 1>Ringo Star was a terrible drummer. You had to go

698
00:43:49.280 --> 00:43:51.800
<v Speaker 1>get better drummers to come in and play. And he

699
00:43:51.840 --> 00:43:54.119
<v Speaker 1>should have done easy sets and things like that. So

700
00:43:54.639 --> 00:43:56.719
<v Speaker 1>the notion that these guys are putting together some of

701
00:43:56.719 --> 00:44:00.880
<v Speaker 1>the very so sophisticated music is it's really a stretch

702
00:44:00.920 --> 00:44:03.440
<v Speaker 1>for me. But I will put a link to boom

703
00:44:03.480 --> 00:44:07.079
<v Speaker 1>Er Black Sheep the YouTube check channel. People check that out,

704
00:44:07.079 --> 00:44:10.000
<v Speaker 1>and also your substack so people can check out some

705
00:44:10.079 --> 00:44:13.559
<v Speaker 1>of the pictures on substack as well. But thank you

706
00:44:13.559 --> 00:44:15.559
<v Speaker 1>so much for your time, really appreciate it. When we're

707
00:44:15.599 --> 00:44:19.480
<v Speaker 1>Black Sheep, Dennis Ingram on the Paul is dead? Is

708
00:44:19.480 --> 00:44:21.960
<v Speaker 1>Paul really dead? Or how many palls are dead? I

709
00:44:21.960 --> 00:44:24.760
<v Speaker 1>mean it's probably Paul. Paul's are dead is how I'm

710
00:44:24.760 --> 00:44:26.599
<v Speaker 1>going to retitle this. But thanks so much for your.

711
00:44:26.480 --> 00:44:28.639
<v Speaker 2>Time, Thank you very much for having me, and I

712
00:44:28.639 --> 00:44:30.199
<v Speaker 2>hope I haven't cut across you too many.

713
00:44:30.360 --> 00:44:31.679
<v Speaker 1>No, it's all good. We're good. We're good.

714
00:44:31.760 --> 00:44:32.559
<v Speaker 2>Thank you, and stay there
