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Speaker 1: Well, I really don't know how this came about. When

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I was drinking at the bar.

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Speaker 2: With my friend out, he said, the here cause Peggy suit,

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I said, to hide and your dough. She said, buy

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me a drink and make that suit. I said, a

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op man, of those wing that cus the winds are

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changing just a little ado.

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Speaker 3: The rope was all the burder I got this far.

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Speaker 4: I fell for the good.

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Speaker 1: At the bar, Peggy was pretty. She had streaking her head.

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She likeed my tattoos, and shecked a mysta and she said,

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buy me in Tim and Dan, I'll take you home,

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buy me in rows.

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Speaker 2: I leave it all alone, I said, an op man,

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ain't of those that ring it cause.

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Speaker 3: The winds are changing.

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Speaker 5: Just the loud.

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Speaker 1: The eggon the boat was all the blood I got

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this fire.

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Speaker 6: I fell from the good of the var.

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Speaker 2: A little Peggin moved into my fis man, you couldn't

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get the smile of.

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Speaker 1: Off of my feet. She had me with breakfast, she

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had me with wine.

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Speaker 6: Oh God, she had me all at the time.

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Speaker 2: I said, O man, and those are ringing, cuse the

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winds are changing just a little.

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Speaker 7: God.

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Speaker 1: Eggon the bull was all the blood I got.

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Speaker 7: This far.

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Speaker 1: I fell for the good of.

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Speaker 8: The bar.

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Speaker 4: Said, oh man, of those wing that cause the winds

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that change you just a little. That ago the room

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was all the bud I got this fire.

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Speaker 1: I fell for the good of the bye. I fell

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for the good of the bye.

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Speaker 7: I fell for the good of the bye.

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Speaker 1: High Hie, I felt for the good.

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Speaker 7: Of the bye.

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Speaker 3: Because so I thought.

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Speaker 9: You wanted to say, it's not a fly S song.

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Speaker 3: In a way, she said, Oh bad.

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Speaker 5: So I got so.

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Speaker 8: Got so.

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Speaker 3: Supplauses stuff. I think, got some baby Scots.

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Speaker 5: I think un.

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Speaker 8: Shall shot some.

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Speaker 3: S.

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Speaker 9: Oh that is so good. That is pretty good. The

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band is the Doldrums and we're going to talk to

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those guys in just a minute. They're here with us

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in studio. But welcome everybody.

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Speaker 1: Here we go.

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Speaker 9: It is time that time again Matt Connorton Unleashed and

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we are live from the studios of w m n

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H ninety five point three FM and Glorious Manchester, New Hampshire.

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Of course, also streaming if you go to Matt connorton

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dot com slash live. You can find the show from

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anywhere all your live streaming options, social media links, contact info,

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show archives, et cetera, et cetera. Today is Saturday, April nineteen,

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twenty twenty five, and I am not alone.

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Speaker 8: Jenny.

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Speaker 5: Good morning, sunshine.

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Speaker 9: Yes, Jenny is here in the studio with us. And uh,

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it's gonna be eighty degrees today, I believe, which is

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a big chap the windows. I was just reflecting last

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week when we were sitting here, going wow, I can't

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believe it's winter again.

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Speaker 3: When we late last weekend it was snowing.

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Speaker 9: Yeah, we woke up to a winter wonderland that was

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just total good. And today it's going to be eighty

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degrees so we're excited about that. Absolutely. Let me get

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these mics up here because we've got the band The

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Doldrums here with us, a live in studio. Welcome, guys, Hey,

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what's going on?

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Speaker 10: What's up?

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Speaker 9: I love that song, Pretty Girl? You know it's I

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really like your sound because your songs are they're very,

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very catchy, but also heavy, and not everyone can do

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catchy and heavy at the same time, you know what

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I mean?

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Speaker 11: Yeah, man, So I like that a lot.

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Speaker 10: Appreciate that.

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Speaker 9: I like that a lot. Absolutely, Here, let's do this.

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Let's start in the quarter here, let's go around the room.

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You can each U tell us who you are, what

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you do in the band.

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Speaker 10: What's up? My name is Rob O'Neill. I am the

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lead singer and guitarist.

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Speaker 12: Welcome. What's up, everybody? My name is Tom na Koja.

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I play bass and do backing vocals. Welcome, thank you.

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Speaker 11: Hello.

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Speaker 13: I'm Brendan Lacenti. I play guitar and do backup vocals

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as well.

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Speaker 9: Very good, very good, And you, sir, I play drums,

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all right, very good. Wow, that's all I do. Man,

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you got the easy one, although well, you do the most.

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You do the most work though, right, because you use

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all four of your limbs when you play, and you

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have to lug the most stuff. It's a team effort,

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right right, that's good. That's good, is it?

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Speaker 5: Really?

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Speaker 14: Do they help you?

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Speaker 9: Do they help you load in and load Outcause.

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Speaker 10: I don't ever help most of the I was gonna

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say not.

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Speaker 9: You know sometimes in bands, not everyone, not everyone shares

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that particular division of labor, you know, lugging the equipment.

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Speaker 11: We all help each other. Luckily we get it wrong.

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We do not want to do that, right right, Yeah,

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that's right.

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Speaker 9: Oh, I understand, I understand. Absolutely we should mention too

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before we go any further right off the top, and

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obviously we'll mention it again later in the conversation. But

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you guys have a show tonight for those listening live

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on Saturday morning at the shaft Sking. Correct.

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Speaker 10: Yes, we do, headlining as Shaskien doors at nine, I

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believe eight eight, doors at eight. Okay, it starts at yep.

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Speaker 9: Gotcha, gotcha? Who else is playing?

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Speaker 11: I know Regals is up.

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Speaker 9: We had them on the show. They're fantastic.

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Speaker 10: Yeah, they're great.

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Speaker 13: Yeah, we had playing with them, our friends Still Sleeping.

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It's their debut show tonight.

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Speaker 9: Oh I'm kidding, So that be awesome.

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Speaker 15: And then another band, Birds in Theory.

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Speaker 9: Okay, okay, I don't know. I don't know Still Sleeping

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or Birds in Theory, but very cool, very cool. And

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then you guys playing out a lot, you're doing a

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lot of shows or what's what's kind of the live

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live situation?

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Speaker 10: Like I feel like we haven't been doing many shows

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as of recently. We've been kind of focusing on recording

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new music. Yeah, we've got a music video coming out

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somewhat soon as well. Oh, so we've had a lot

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of focus on writing and everything, but uh, yeah, we're

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probably gonna try to book a lot more shows for

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the summer.

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Speaker 9: Nice. What track is the video for that's coming out?

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It's for Why for Why? Okay, yeah, okay, and we're

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gonna play that. We'll play that in a few minutes. Yeah,

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very cool. Uh is this gonna be your first video

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as a band, your first.

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Speaker 10: Music video or yeah, yeah, the full music video. Yeah,

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we have some like teaser videos, but this is gonna

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be the first full one.

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Speaker 9: Oh, very good. Is it a concept or is it

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just you guys playing live or I don't know how

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much you want to divulge about it.

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Speaker 10: Oh no, it's it's all good. Yeah, there's some concept

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we have who we call kind of our fifth member

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of the band, Devin Perry. He does our videos and

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he does our photography, Okay, so he also comes up

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with creative ideas for for videos. So it's kind of

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a little bit of an abstract idea. Yeah, we got

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a cool place over like in the Mills that we

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recorded in actually.

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Speaker 11: A friend of Brendan's.

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Speaker 15: Yeah, Karen jerzych Photography. She's over in over in Morgan Mills.

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Speaker 9: Oh okay, Oh very cool, good good.

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Speaker 12: Yeah, it's a wicked cool spot. Yeah, excellent. Is that

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where you guys rehearsed to we rehearse at house?

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Speaker 10: Oh nice, Yeah, he ends up mansion.

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Speaker 9: Oh, very good, very good.

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Speaker 11: It's a little raised the ranch and hooks it.

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Speaker 12: Is it?

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Speaker 9: Is it kind of uh? Is it soundproof? Or they're

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a little crazy with it?

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Speaker 11: Yeah?

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Speaker 5: Yeah?

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Speaker 9: Do they actually do they actually complain?

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Speaker 16: No?

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Speaker 17: Actually, I have one neighbor that's a little odd that

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will just random winches walk in the house and come

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down and.

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Speaker 11: Hangs out.

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Speaker 10: Good old Roger.

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Speaker 9: Oh that's cool though. That's validation, right, Like to have

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a neighbor who wants to come and check out what

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you're doing. That's pretty cool.

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Speaker 11: Maybe about to check up on er.

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Speaker 5: Yeah.

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Speaker 3: Yeah.

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Speaker 9: Now, the the tracks that we're playing today are these

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from an album from an e P or they just

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singles or because there's so many different ways now that

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artists are releasing music.

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Speaker 10: Yeah, they're gonna be an upcoming EP.

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Speaker 9: Oh so the EP is upcoming? Uh? Any idea when

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any kind of an et a?

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Speaker 10: So we uh, we plan on releasing a single next Friday,

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and uh we we figure that, you know, may as

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well start plugging it here on the radio show. We

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haven't really talked about it much. Yeah, the EP is

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gonna be called the lunch Box EPA. And yeah, we're

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gonna be putting a single out. We don't have a

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release date quite yet for the actual EP itself. We're

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gonna start we're gonna start pushing that.

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Speaker 9: What's the single?

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Speaker 10: The single? It's gonna be freaking me out?

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Speaker 9: Oh right, right right, okay, yes, yes, I have I

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have a version of that are prepared that we can

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play on the show YEP.

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Speaker 10: Version. Yeah, very cool.

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Speaker 8: Yeah.

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Speaker 9: When I was listening to these, like I said, you

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know earlier, like I said at the end of Pretty Girl,

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you know, your songs are heavy, but they're catchy. And

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I really like that because, like I said, you know,

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most bands they try to kind of be one or

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the other, you know, and and so you got I

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mean it sounds like, you know, really a lot of effort,

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like who are the songwriters in the band? Because it's

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it's it sounds like you really put like you think

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about the craft of songwriting and it shows in your music,

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like who writes the songs? Or do you all right together?

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Speaker 18: All?

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Speaker 3: Yeah?

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Speaker 13: Yeah, yeah, all this stuff on the EP has been

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pretty much written by everybody at the same time.

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Speaker 9: Yeah.

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Speaker 10: Yeah, yeah, we have a pretty big hand in it.

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Speaker 12: No, that's great, that's great, I do. I will give

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credit where credit is due. Rob comes up with incredible

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melodies right out the jump. We y, we come up

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with a riff idea and the rest of us are

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jamming it out and he just sings gibberish the first

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time around. But he always gets an awesome melody right

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out the jump. So we always where we we videotape

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ourselves practicing. Yeah, so we can come back to that

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and make sure we don't lose that melody, you know.

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Speaker 9: That's that's a smart thing. I was in a band.

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This was a long time ago. I was in a

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band called First Shove, and we had we had a

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couple of songs that we were trying to work on

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one day at practice and like we we found ourselves

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actually forgetting parts to one of them, and it was

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a conversation. There was a conversation about maybe we should

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start recording, you know, because we would tend to write

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at our rehearsals and kind of be you know, we'd

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practice if we had shows, but we'd also write stuff

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at the same time. And and uh yeah, there was

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a point where we were actually forgetting things and it's like, oh,

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that's really bad.

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Speaker 11: Yeah. Yeah, that's why we always do some sort of

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a video.

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Speaker 12: Yeah, and we have a shared Google drive too, so

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we we always post up those. Every one of the

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songs that we've ever written has like fifteen different versions

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on video of the progression towards you know, the finished product.

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Speaker 9: Yeah. That's a really good idea. Yeah, that's really smart.

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It helps, Yeah, definitely. You guys want to play another song,

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another track?

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Speaker 19: Yeah?

256
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Speaker 9: Yeah, so what should we do next?

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Speaker 11: We want to go why next?

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Speaker 10: Yeah, we can do why.

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Speaker 9: Okay, that's a good one we had talked about. Now,

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was this the first single?

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Speaker 13: Yeah, that was the first one that we released at

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the beginning in like February or March of twenty twenty four. Okay,

263
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the version that we're hearing now is going to sound

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a little different than the one that we released.

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Speaker 15: Oh really drums, Oh yeah, entirely.

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Speaker 11: Oh no, chorded some stuff.

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Speaker 9: Cool okay, okay, And I'm just I'm always so curious

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about this kind of thing. Well, why did you decide

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to do that? What did they just not come out so?

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Speaker 6: Well?

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Speaker 11: The songs with Eric at Blackheart Sound.

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Speaker 16: Oh.

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Speaker 9: Eric, so his name, his name comes up on the

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show almost.

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Speaker 11: On a weekly basis. Literally one of the coolest people

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on the planet. Absolute Eric.

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Speaker 20: Yeah.

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Speaker 17: But we did three songs with them, and then we're like,

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you know, maybe let's go back and do a couple more.

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And then when we started doing the other three that

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are going to be on the EP, the drum sound

282
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was just so different, really, and it sounded so much better,

283
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and we were like, you know what, let's let's make

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it that way.

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Speaker 11: It's all consistent. Yeah, and it just came out so

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much better.

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Speaker 13: We learned a lesson there, which would be, if we

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think we're not going to just do three songs, we

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might as well just do it all at once.

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Speaker 15: And then that way folks do it day here, day here,

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day here.

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Speaker 9: You just get a week and do it.

293
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Speaker 11: All at once.

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Speaker 9: Yeah, there you go, there you go. All right, let's

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give this a spin. This is called Why and the

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band is the dol Drums.

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Speaker 7: Just get one?

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Speaker 3: Do you know?

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Speaker 8: I said.

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Speaker 3: Walking the ws You you want to say.

301
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Speaker 20: Why, I'll say times I think got say that, I

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got try that sais.

303
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Speaker 8: I not that s T S.

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Speaker 7: So just take me that to someone. Wow, wow, wow, so.

305
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Speaker 3: Gotch as canny?

306
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Speaker 8: So can it?

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Speaker 21: Sah, I love it.

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Speaker 9: That is so good. That is called why. And by

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the way, that is why not just the letter why

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if you're wondering. The band is The Doldrums, and we've

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got the band the Doldrums here with us alive in

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studio on this Saturday morning here at WMNH And uh yeah,

313
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I love that track. That is really good, really really good.

314
00:19:20,400 --> 00:19:23,200
Do you guys how many how many songs do you

315
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guys have? Like, do you have additional songs that you

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play live that that are not yet recorded or.

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Speaker 12: Not yet recorded. No, there are additional songs that we

318
00:19:33,599 --> 00:19:36,079
do play live. There was actually, well, there was a

319
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previous release from the band before me, Tom and the

320
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drummer Rob were in the band.

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Speaker 11: They had a I think it was a four track

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of five track.

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Speaker 13: Yeah, we had a there was a previous iteration that

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were me and Rob singer Rob, and we released a

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four song EP with a couple guys back in twenty twenty.

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Speaker 10: Twenty twenty. Yeah, we started the band of twenty eighteen.

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That's before we had these new handsome gentlemen here. Oh,

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Tom and drummer. Yeah, so twenty eighteen and then like

329
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we kicked out a couple of members because thee not

330
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good people.

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Speaker 15: Oh, we had a hiatus a while.

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Speaker 11: Sounds like there's a story there.

333
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Speaker 10: Oh, there's definitely a story there with a long story.

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Speaker 9: One you can tell her.

335
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Speaker 11: Probably not probably would I would go with probably, yeah.

336
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Speaker 10: Probably.

337
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Speaker 9: I'm always looking for the dirt always, maybe not on air, yeah,

338
00:20:34,920 --> 00:20:36,759
always looking for the for the dirt, but you know,

339
00:20:37,079 --> 00:20:40,920
off air dirt is the next best thing. Yeah, selfishly. Okay,

340
00:20:42,240 --> 00:20:43,599
By the way, so where does a name come from?

341
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The doldrums?

342
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Speaker 10: It's like al I came up with it. I mean

343
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like twenty eighteen when I started the bands, I like

344
00:20:52,880 --> 00:20:55,200
heard of the word and I was like, that would

345
00:20:55,359 --> 00:20:57,799
make a cool band name. It's like the the meaning

346
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of doldrums is like the part of the ocean where

347
00:21:00,079 --> 00:21:04,759
like boats like can't win there's like no wind, so

348
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they kind of sink.

349
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Speaker 15: Stuck in place.

350
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Speaker 9: I didn't know that was the etymology of the term. Yeah.

351
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Speaker 10: So it's kind of like people say like I'm in

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the dol rooms, meaning like you know, they're almost like

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being like depressed.

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Speaker 11: No progress yeaeah, okay, just a bunch of sad boys.

355
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Speaker 15: A fitting uting name.

356
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Speaker 9: Yeah yeah, yeah. I mean, while I don't know, the

357
00:21:25,119 --> 00:21:28,440
music's pretty high energy now, it's not like I didn't.

358
00:21:28,880 --> 00:21:30,519
I didn't know quite what to expect when I saw

359
00:21:30,559 --> 00:21:32,319
the name of the Doldrums. I thought it might be punk.

360
00:21:32,359 --> 00:21:34,160
I thought it might be like, you know, kind of

361
00:21:34,480 --> 00:21:36,400
more stoner metal. I don't know, how do you guys

362
00:21:36,480 --> 00:21:38,599
describe for people who haven't heard heard your sound? Like,

363
00:21:38,640 --> 00:21:39,839
how do you how do you describe it?

364
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Speaker 15: That's really I don't think we know anything difficult.

365
00:21:42,839 --> 00:21:47,160
Speaker 10: It's like its like I, at least personally have a

366
00:21:47,240 --> 00:21:50,480
lot of like garage rock influence. Yeah, so I kind

367
00:21:50,519 --> 00:21:52,000
of like try to show that in the band. I

368
00:21:52,039 --> 00:21:53,440
think we have some of that sound in there.

369
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Speaker 21: Yeah.

370
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Speaker 11: Yeah, it's really hard, but it kind of like started

371
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off as it was supposed to be, like funk.

372
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Speaker 17: When I joined the band, that was kind of metal drummer. Yeah,

373
00:22:05,519 --> 00:22:07,599
I was a very heavy drummer and they were looking

374
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for that. And I think when I joined the band,

375
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I kind of got away from the surf punk thing,

376
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and I think we just kind of meshed.

377
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Speaker 12: Yeah, so I do think we still dip back into

378
00:22:16,119 --> 00:22:18,759
the surf punk surf punk roots every once in a while.

379
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Speaker 9: But yeah, yeah, I mean I can hear that. I

380
00:22:21,640 --> 00:22:24,359
can hear that mix of influences, and I can actually

381
00:22:24,440 --> 00:22:26,880
imagine you guys doing a surf punk song, you know.

382
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Speaker 11: Yeah, yeah, I can hear that, and.

383
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Speaker 17: I think that's why it's it's so like, you know,

384
00:22:31,160 --> 00:22:32,799
we have some tracks that are very heavy and then

385
00:22:32,880 --> 00:22:35,960
they're very melodic. Yeah, like we we kind of just

386
00:22:36,039 --> 00:22:37,079
thrive off each other with that.

387
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Speaker 5: Yeah.

388
00:22:37,720 --> 00:22:40,759
Speaker 9: So is there anybody in the area that you guys

389
00:22:40,880 --> 00:22:42,319
play a lot of shows with, you know, it kind

390
00:22:42,319 --> 00:22:49,200
of happens organically sometimes, yeahs yeah.

391
00:22:49,079 --> 00:22:55,359
Speaker 12: Definitely, granitears okay, yeah yeah, but I mean, honestly, we

392
00:22:55,480 --> 00:23:00,440
haven't played that many live shows overall. Yeah, it's we

393
00:23:00,599 --> 00:23:04,119
we We've spent a lot of time on this EP. Yeah, yeah,

394
00:23:04,759 --> 00:23:06,599
going into the studio and getting these recordings.

395
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Speaker 5: Yeah.

396
00:23:07,200 --> 00:23:08,920
Speaker 9: What's interesting about you guys doing a lot of shows

397
00:23:08,960 --> 00:23:10,880
with the Regels is obviously they have a very different

398
00:23:10,920 --> 00:23:14,400
sound than you. Yeah, but but they're interesting too, and

399
00:23:14,480 --> 00:23:16,119
that they've got like a real like you can hear

400
00:23:16,160 --> 00:23:18,240
a lot of different influences in their music as well

401
00:23:18,400 --> 00:23:21,079
as great and it's but yeah, they are so good.

402
00:23:21,440 --> 00:23:23,480
It was just the well we had them on the show.

403
00:23:23,519 --> 00:23:26,079
It was just the two guys came in and played live,

404
00:23:26,599 --> 00:23:27,960
but it was was so good.

405
00:23:28,400 --> 00:23:28,599
Speaker 11: Bet.

406
00:23:28,759 --> 00:23:30,839
Speaker 9: But we saw them. We met them at the Shasking

407
00:23:30,920 --> 00:23:34,119
Jenny and I did, uh originally right, it was that

408
00:23:34,200 --> 00:23:36,400
was the first time we'd met them, right the Shasking

409
00:23:36,480 --> 00:23:39,720
that night. Yeah, yeah, because Jenny's son Jesse, was playing

410
00:23:39,759 --> 00:23:42,319
there at Jesse Coffee and that was Yeah, that was

411
00:23:42,319 --> 00:23:44,400
the first time we'd met Regels and it was like, wow,

412
00:23:44,680 --> 00:23:46,200
I don't know if it was the full Oh no, wait,

413
00:23:46,240 --> 00:23:49,680
didn't we meet them before that at Mosaic Mosaic Arts Studio.

414
00:23:50,279 --> 00:23:54,359
That was the full band that was playing that night. Yeah, yeah,

415
00:23:54,440 --> 00:23:57,079
but they're uh, they're really really good. What are what

416
00:23:57,160 --> 00:23:58,839
are kind of the long term plans as far as

417
00:23:58,880 --> 00:24:01,839
you guys are, are you looking to tour? Like do

418
00:24:01,880 --> 00:24:03,680
you were? I know you haven't played a ton of

419
00:24:03,720 --> 00:24:05,720
shows yet, but are you looking to to kind of

420
00:24:05,880 --> 00:24:08,000
get on the road or what's what's really.

421
00:24:07,920 --> 00:24:08,960
Speaker 11: Talked about touring?

422
00:24:09,839 --> 00:24:13,240
Speaker 12: We are submitting for a contest with this music video

423
00:24:13,319 --> 00:24:18,039
that we just made, and I mean the prize being

424
00:24:18,279 --> 00:24:22,200
a stage at Warped Tour, like playing at warp So

425
00:24:22,799 --> 00:24:24,440
I mean fingers crossed obviously a.

426
00:24:24,440 --> 00:24:25,400
Speaker 5: Little bit of a long.

427
00:24:26,799 --> 00:24:27,400
Speaker 15: Might as well try.

428
00:24:27,559 --> 00:24:28,920
Speaker 10: I believe we can do it.

429
00:24:29,200 --> 00:24:31,880
Speaker 9: Yeah, yeah, I believe you can too. That would be cool.

430
00:24:31,880 --> 00:24:33,680
I can imagine you guys have warped tour. Definitely.

431
00:24:34,200 --> 00:24:36,359
Speaker 11: Yeah, you want to play the what do you want

432
00:24:36,400 --> 00:24:37,680
to play next? We should play another one.

433
00:24:37,920 --> 00:24:41,839
Speaker 12: We should play the single out for Friday. Yeah, so

434
00:24:42,000 --> 00:24:43,880
this will this will be the first time anybody's hearing.

435
00:24:44,880 --> 00:24:47,400
So this is the uh so, obviously first time on

436
00:24:47,440 --> 00:24:49,519
the radio. Then, so this is the world radio premiere,

437
00:24:49,720 --> 00:24:51,319
world period.

438
00:24:51,559 --> 00:24:52,519
Speaker 10: Yea world premiere.

439
00:24:52,680 --> 00:24:53,359
Speaker 11: It's a banger.

440
00:24:53,519 --> 00:24:56,880
Speaker 9: We love the world premieres here and this is uh so,

441
00:24:57,039 --> 00:24:59,279
this is freaking me out, freaking me out?

442
00:24:59,359 --> 00:25:01,160
Speaker 22: Yeah, and I just got to make sure I've got

443
00:25:01,200 --> 00:25:06,519
the right version, big things coming, got to make sure

444
00:25:07,119 --> 00:25:09,720
and uh the heck did I do with it?

445
00:25:09,839 --> 00:25:09,960
Speaker 8: Oh?

446
00:25:10,000 --> 00:25:10,519
Speaker 5: Maybe I didn't.

447
00:25:10,559 --> 00:25:12,279
Speaker 9: Maybe I didn't download that one onto the computer. He

448
00:25:12,440 --> 00:25:14,839
That's okay, that I can do that really quick. Tell

449
00:25:14,920 --> 00:25:16,720
us about this while I'm doing that, Like, what what

450
00:25:16,799 --> 00:25:18,000
should we know about? This song?

451
00:25:19,200 --> 00:25:22,640
Speaker 11: Freaking me out? Probably heavier than every other one of

452
00:25:22,720 --> 00:25:23,119
our songs.

453
00:25:23,200 --> 00:25:26,759
Speaker 15: Definitely have been weirder, definitely considerably weirder.

454
00:25:27,200 --> 00:25:29,000
Speaker 12: All over the place, but a little bit of a

455
00:25:29,079 --> 00:25:31,559
Latin beat in there, a little bit of a circus

456
00:25:31,720 --> 00:25:36,759
jem Okay, yeah, yeah.

457
00:25:36,920 --> 00:25:39,039
Speaker 10: It's got a little bit of everything to be honest.

458
00:25:39,680 --> 00:25:42,680
Speaker 9: Okay, definitely a strange one for us, Okay. And what

459
00:25:42,799 --> 00:25:44,720
went into the decision to make this the next single?

460
00:25:44,799 --> 00:25:47,680
Any any method to that or do you just really

461
00:25:47,799 --> 00:25:48,240
like the track?

462
00:25:48,359 --> 00:25:50,240
Speaker 11: It's how it always happens. We were in the studio

463
00:25:50,920 --> 00:25:52,319
and I get done with my parts, and all of

464
00:25:52,319 --> 00:25:54,319
a sudden, they go, well, we got a little bit

465
00:25:54,319 --> 00:25:55,799
of time, you want to maybe try to lay down

466
00:25:55,799 --> 00:25:56,279
some drum.

467
00:25:56,200 --> 00:25:56,720
Speaker 10: Tracks for this.

468
00:25:58,440 --> 00:26:00,160
Speaker 11: Take, And I'm like, we'll see if we do. And

469
00:26:00,200 --> 00:26:02,000
then all of a sudden, it just became like our

470
00:26:02,079 --> 00:26:05,759
favorite every yeah, yeah, yeah, every song becomes our new

471
00:26:05,880 --> 00:26:06,720
favorite song.

472
00:26:06,799 --> 00:26:07,559
Speaker 3: Right right, yeah.

473
00:26:08,039 --> 00:26:11,559
Speaker 13: And we're also like pushing what like the envelope of

474
00:26:11,640 --> 00:26:13,960
what we've been doing with each new song, Like everything's

475
00:26:13,960 --> 00:26:18,519
been getting weirder and crazier. We're kind of finding our

476
00:26:18,559 --> 00:26:20,200
sound a little more, especially with the songs that we're

477
00:26:20,200 --> 00:26:22,200
working on now, like it's starting to come into place.

478
00:26:22,680 --> 00:26:26,200
Speaker 15: And so this one definitely we all were like this rules.

479
00:26:26,079 --> 00:26:28,079
Speaker 9: All right, that's so good, all right, And this is

480
00:26:28,119 --> 00:26:32,400
coming out Friday. Yeah, alright, very good, very good things

481
00:26:32,440 --> 00:26:35,720
coming all right, let's give this a listen. This is

482
00:26:35,799 --> 00:26:39,240
the uh this is an exclusive here on WMNH World

483
00:26:39,319 --> 00:26:46,599
Radio Premiere. Oh, Jenny's ready for Easter World. We'll have

484
00:26:46,720 --> 00:26:48,240
to take a picture of that later because people aren't

485
00:26:48,240 --> 00:26:50,519
going to know what I'm talking about. But I didn't

486
00:26:50,559 --> 00:26:53,799
expect that World Radio Premiere. This is brand new from

487
00:26:53,839 --> 00:26:56,480
the Doldrums. This is called freaking me Out.

488
00:26:56,960 --> 00:26:57,759
Speaker 5: You are listening to.

489
00:26:58,160 --> 00:27:02,319
Speaker 1: WUM and H World Premiere.

490
00:27:05,000 --> 00:27:06,839
Speaker 3: Them coming back from the time.

491
00:27:09,599 --> 00:27:11,920
Speaker 8: All of this is wreaking me out.

492
00:27:14,640 --> 00:27:20,200
Speaker 3: The playing tricks in my head, all of this is

493
00:27:20,319 --> 00:27:21,519
bringing me down.

494
00:27:24,279 --> 00:27:29,680
Speaker 20: I got my ass tied car talking my mind a lot.

495
00:27:29,640 --> 00:27:30,759
Speaker 5: The icy day.

496
00:27:31,160 --> 00:27:35,759
Speaker 3: I just wanted to feeling away back ways I've been

497
00:27:35,960 --> 00:27:41,720
having from me all mostly something panic calls in my mind.

498
00:27:41,880 --> 00:27:45,160
Speaker 5: Sent I joined back from the time.

499
00:27:48,000 --> 00:27:51,519
Speaker 3: All of this is raping me speak.

500
00:27:53,039 --> 00:27:54,279
Speaker 5: My play tricks in.

501
00:27:57,599 --> 00:27:59,839
Speaker 8: All the shaking me down.

502
00:28:02,640 --> 00:28:06,240
Speaker 3: I got that cold skin. I'm so so so bakle

503
00:28:06,519 --> 00:28:09,960
this it's my getop.

504
00:28:09,519 --> 00:28:10,519
Speaker 8: Playing it on the.

505
00:28:12,240 --> 00:28:15,759
Speaker 20: I'm cotting cold and looking for a way and breaking

506
00:28:15,839 --> 00:28:19,559
the shade. Then it's pulling that body comes on it

507
00:28:19,799 --> 00:28:23,720
on it on any I'm getting it dried Dad and

508
00:28:23,880 --> 00:28:26,720
crashing out, falling from Space.

509
00:28:26,640 --> 00:28:27,039
Speaker 3: I'm.

510
00:28:29,279 --> 00:28:30,599
Speaker 5: Let's get out the.

511
00:28:30,680 --> 00:28:33,440
Speaker 3: Space, the coming back from the Dead.

512
00:28:35,680 --> 00:28:42,200
Speaker 5: And all this is breaking me out w six and.

513
00:28:45,279 --> 00:28:47,680
Speaker 7: Then it says breaking.

514
00:28:47,359 --> 00:29:30,799
Speaker 5: Me coming back from the day.

515
00:29:33,240 --> 00:29:34,440
Speaker 9: Wow, that is awesome.

516
00:29:35,400 --> 00:29:35,799
Speaker 3: I love it.

517
00:29:35,920 --> 00:29:37,279
Speaker 14: I love it, love the good.

518
00:29:38,079 --> 00:29:39,920
Speaker 9: I was so into it I forgot to keep an

519
00:29:39,960 --> 00:29:41,920
eye on when when the track was ending. That is

520
00:29:42,000 --> 00:29:43,839
so good. That's so good.

521
00:29:44,119 --> 00:29:44,400
Speaker 10: Thank you.

522
00:29:45,319 --> 00:29:47,680
Speaker 9: That is the world radio premiere Freaking Me Out from

523
00:29:48,000 --> 00:29:50,599
the Doldrums and that's coming out this coming Friday or

524
00:29:50,680 --> 00:29:54,440
next Friday, the Friday, coming out Friday. Okay, very good,

525
00:29:54,559 --> 00:29:57,000
very good. Is it just a single coming out? Or

526
00:29:57,039 --> 00:29:59,119
will will the video be out? At the is up?

527
00:29:59,160 --> 00:29:59,839
When you're doing the video?

528
00:30:00,400 --> 00:30:03,480
Speaker 12: Just the single? This is coming out coming Friday. The

529
00:30:03,599 --> 00:30:05,640
video we're doing is for why I want all?

530
00:30:05,960 --> 00:30:08,119
Speaker 9: That's right, that's right, that's for Why are you gonna

531
00:30:08,200 --> 00:30:09,599
also do a video for Freaking Me Out?

532
00:30:09,640 --> 00:30:10,000
Speaker 3: Do you think?

533
00:30:10,079 --> 00:30:10,119
Speaker 23: Or?

534
00:30:10,160 --> 00:30:12,160
Speaker 10: Oh, yeah, definitely, definitely I think so.

535
00:30:13,240 --> 00:30:14,079
Speaker 9: No, it deserves one.

536
00:30:14,839 --> 00:30:14,960
Speaker 3: Uh?

537
00:30:15,680 --> 00:30:15,799
Speaker 16: Is that?

538
00:30:16,160 --> 00:30:18,039
Speaker 9: Is that one of the more challenging songs to play

539
00:30:18,119 --> 00:30:20,359
because you've got that middle part with the time change

540
00:30:20,400 --> 00:30:21,000
and that.

541
00:30:21,599 --> 00:30:24,519
Speaker 11: It's interesting that one not so much in my opinion.

542
00:30:24,720 --> 00:30:27,599
Speaker 12: I mean, what would you say, what's your It's more

543
00:30:27,640 --> 00:30:30,400
important to know what the drummer, what's your heart?

544
00:30:30,480 --> 00:30:31,240
Speaker 9: Is song to play?

545
00:30:31,359 --> 00:30:32,559
Speaker 11: What's my hardest song to play?

546
00:30:32,599 --> 00:30:36,279
Speaker 17: I think depending on where we are in the set lists,

547
00:30:36,400 --> 00:30:39,039
I think sometimes big black, big black, bottle of booth.

548
00:30:40,839 --> 00:30:44,200
Speaker 11: To say it, but it's hard to high energy. It's

549
00:30:44,240 --> 00:30:46,680
like two and a half minutes of like I'm just sweating.

550
00:30:46,880 --> 00:30:49,480
Speaker 17: Yeah, yeah, I will say Freaking me Out was the

551
00:30:49,519 --> 00:30:52,039
first song that ever recorded where I did blast beats.

552
00:30:53,880 --> 00:30:56,880
Speaker 11: Beats. I'm like, I've never done this before. That was

553
00:30:57,079 --> 00:30:57,759
that was interesting?

554
00:30:58,359 --> 00:30:59,119
Speaker 14: Was it harder to that?

555
00:30:59,359 --> 00:31:02,160
Speaker 9: That companty easy once you wait for and I just

556
00:31:02,240 --> 00:31:02,920
went for it and I was like.

557
00:31:02,920 --> 00:31:05,799
Speaker 11: Okay, but I've never done it before. So yeah, but

558
00:31:05,920 --> 00:31:06,759
it came out great.

559
00:31:06,880 --> 00:31:07,880
Speaker 9: Very cool, very cool.

560
00:31:08,000 --> 00:31:08,200
Speaker 11: Yeah.

561
00:31:08,640 --> 00:31:10,680
Speaker 9: By the way, in the chat room, let's see I

562
00:31:10,799 --> 00:31:15,640
see Nick Nemitz says, Sup dudes, Hell yeah that somebody

563
00:31:15,680 --> 00:31:16,119
you guys.

564
00:31:17,880 --> 00:31:18,480
Speaker 3: That Hell?

565
00:31:18,559 --> 00:31:21,640
Speaker 9: Yes, I'm sorry I misread that, Sup dude. Hell Yes, okay,

566
00:31:21,759 --> 00:31:23,960
well there you go. Also, be Panard is in there

567
00:31:23,960 --> 00:31:26,240
and says good morning everyone. And our friend Maria Vanish,

568
00:31:26,240 --> 00:31:28,920
she's a big supporter of the show and all the shows.

569
00:31:28,920 --> 00:31:29,559
Here be Pinard.

570
00:31:29,640 --> 00:31:32,880
Speaker 11: Yeah, do you know it's a Bernard. Oh that's my

571
00:31:32,920 --> 00:31:33,559
friend Brian, but.

572
00:31:33,720 --> 00:31:37,200
Speaker 9: Okay, no, be Bernard. Yeah, she's she's always in there

573
00:31:37,200 --> 00:31:40,880
on Saturday morning. Also, I see uh cheryld Krakowski is

574
00:31:40,920 --> 00:31:44,960
in the chat room. Who does uh Jenny's beautiful nails? Correct?

575
00:31:45,640 --> 00:31:46,400
Yes she does.

576
00:31:46,839 --> 00:31:52,480
Speaker 11: She does, very pretty courious, very springy today.

577
00:31:52,680 --> 00:31:55,119
Speaker 21: Yeah, rainbow going on.

578
00:31:55,440 --> 00:31:57,799
Speaker 9: Yeah, go ahead and give her website a plug if

579
00:31:57,799 --> 00:31:58,039
you want.

580
00:31:59,799 --> 00:32:02,119
Speaker 21: Oh you don't have the website in front of me.

581
00:32:02,359 --> 00:32:03,880
Oh I'm a terrible human.

582
00:32:04,000 --> 00:32:05,319
Speaker 9: Oh sorry, well, we'll come back to it later.

583
00:32:05,519 --> 00:32:09,920
Speaker 12: It is so many choices, so manny as an m

584
00:32:10,000 --> 00:32:13,039
a n I choices dot com very.

585
00:32:13,000 --> 00:32:18,200
Speaker 9: Nice, very nice, very nice. Now, so all these these

586
00:32:18,240 --> 00:32:20,400
were all recorded with Eric. Is that is that correct?

587
00:32:20,440 --> 00:32:20,640
Speaker 3: Yeah?

588
00:32:21,000 --> 00:32:23,279
Speaker 9: Yeah, his, Like I said earlier, his name comes up

589
00:32:23,319 --> 00:32:25,039
on the show all the time. How did how did

590
00:32:25,079 --> 00:32:26,640
you guys come to work with him? Or had you

591
00:32:26,720 --> 00:32:29,839
worked with him before the CP or Yeah? So the first.

592
00:32:31,599 --> 00:32:34,279
Speaker 13: In the original uh iteration back in twenty eighteen, me

593
00:32:34,359 --> 00:32:37,359
and Rob had gone to him when he basically just

594
00:32:37,400 --> 00:32:39,640
first opened Black Heart in the building that he has

595
00:32:39,759 --> 00:32:43,200
now yeah, and we did, we started recording a whole

596
00:32:43,240 --> 00:32:47,759
album and then we took that little hiatus and we

597
00:32:47,839 --> 00:32:50,079
came back did the four songs that we actually released

598
00:32:50,119 --> 00:32:52,079
with him. Yeah, and then I mean, since then, it's

599
00:32:52,160 --> 00:32:55,599
just yeah, it's just we're always going to go back.

600
00:32:55,680 --> 00:32:57,359
Speaker 9: Yeah. I was gonna say, like, why would you even

601
00:32:57,400 --> 00:32:58,480
want to work with anybody else?

602
00:32:58,519 --> 00:32:58,640
Speaker 3: You know.

603
00:32:58,759 --> 00:33:00,000
Speaker 9: I don't get me wrong. There's a lot of great,

604
00:33:00,279 --> 00:33:03,000
great recording studios around and everything, and people who are

605
00:33:03,200 --> 00:33:05,000
really good at what they're doing. But I kind of

606
00:33:05,039 --> 00:33:06,160
feel like Eric is the best.

607
00:33:06,279 --> 00:33:08,240
Speaker 11: I mean, Eric just get us.

608
00:33:08,480 --> 00:33:08,680
Speaker 9: Yeah.

609
00:33:08,720 --> 00:33:08,920
Speaker 24: Yeah.

610
00:33:09,000 --> 00:33:11,279
Speaker 13: The thing you know, he always has ideas to to

611
00:33:11,319 --> 00:33:14,519
add into the song and stuff. He has no fear

612
00:33:14,599 --> 00:33:16,240
of just jumping in and being yeah let me just

613
00:33:16,240 --> 00:33:17,359
put this little guitar lock on.

614
00:33:17,680 --> 00:33:21,319
Speaker 9: Yeah yeah, yeah absolutely. Yeah, Like I said, because when

615
00:33:21,319 --> 00:33:23,319
we had him on the show, because I told him,

616
00:33:23,319 --> 00:33:26,720
you know, your name comes up constantly. So yeah, we

617
00:33:26,759 --> 00:33:28,319
had him on the show. I don't know, maybe six

618
00:33:28,400 --> 00:33:30,839
months ago, maybe longer, we should, we should get him

619
00:33:30,839 --> 00:33:33,119
back on, but uh, but he's busier than ever.

620
00:33:33,240 --> 00:33:33,400
Speaker 3: You know.

621
00:33:33,599 --> 00:33:39,640
Speaker 9: Yeah, he's doing great. And yeah, absolutely, he's he's fantastic. Yeah,

622
00:33:41,000 --> 00:33:42,599
and and what about the now. As far as the

623
00:33:42,680 --> 00:33:45,519
video for for why why is the song? You've got

624
00:33:45,519 --> 00:33:46,160
the video for right?

625
00:33:46,440 --> 00:33:46,599
Speaker 11: Is that?

626
00:33:47,000 --> 00:33:48,960
Speaker 9: Are you doing that all your yourselves? Or is the

627
00:33:49,039 --> 00:33:50,720
video already done or are you going to film it?

628
00:33:51,559 --> 00:33:51,960
Speaker 10: The filming?

629
00:33:52,960 --> 00:33:54,960
Speaker 9: Oh, okay, the film is done. It just needs editing.

630
00:33:55,039 --> 00:33:57,960
Speaker 10: Yeah, the film he's done, Like I said, our videographer,

631
00:33:58,519 --> 00:34:01,359
like he had the idea for it and he just

632
00:34:01,480 --> 00:34:03,440
he just needs to edit it now. And we have

633
00:34:03,559 --> 00:34:08,239
a submission date for May third, I believe, to send

634
00:34:08,320 --> 00:34:12,079
it to uh the contest for you know, for the

635
00:34:12,119 --> 00:34:14,360
spot on Warped. Yeah, for the Warped tour. I think

636
00:34:14,400 --> 00:34:17,960
we get money and yeah, but we'll but.

637
00:34:18,039 --> 00:34:21,559
Speaker 9: We'll we'll release it then, I mean, yeah, yeah, yeah,

638
00:34:21,800 --> 00:34:26,320
oh yeah, very cool, very cool. We should uh, I

639
00:34:26,440 --> 00:34:27,960
want to make sure we get we get one or

640
00:34:28,000 --> 00:34:30,760
two more and uh, let's let's play let's play another track.

641
00:34:30,760 --> 00:34:31,599
What do you guys want to play?

642
00:34:31,960 --> 00:34:33,320
Speaker 11: Should we do Big Black Bottle?

643
00:34:34,280 --> 00:34:34,360
Speaker 3: Oh?

644
00:34:34,440 --> 00:34:38,519
Speaker 10: Yeah, we were just talking about yeah party track.

645
00:34:40,679 --> 00:34:42,079
Speaker 13: It might have been the first time that we wrote

646
00:34:42,119 --> 00:34:44,599
back in twenty eighteen, really as a joke, but now

647
00:34:44,679 --> 00:34:46,159
it's turned into I think.

648
00:34:46,000 --> 00:34:48,199
Speaker 11: A lot of us and it actually has Tom mainly

649
00:34:48,280 --> 00:34:48,880
on Bold yeah.

650
00:34:49,039 --> 00:34:49,239
Speaker 3: Yeah.

651
00:34:51,440 --> 00:34:53,559
Speaker 12: After after I had joined the band, me and Rob

652
00:34:53,599 --> 00:34:55,920
had joined the band, they played us some of their

653
00:34:55,960 --> 00:34:59,559
old tracks that didn't make it onto the previous eph

654
00:34:59,599 --> 00:35:01,360
and they made me a big black bottle of booze.

655
00:35:01,400 --> 00:35:03,719
Then I was like, that is one of the greatest

656
00:35:03,760 --> 00:35:09,559
punk so so I forced them all to continue to

657
00:35:09,599 --> 00:35:13,159
play that song. Uh yeah, And we went back into

658
00:35:13,159 --> 00:35:14,480
the studio and.

659
00:35:15,039 --> 00:35:19,920
Speaker 11: I hated playing that song like the longest time. So good.

660
00:35:20,480 --> 00:35:22,880
Speaker 10: Yeah, it turned out it gets the crowd going for sure.

661
00:35:23,039 --> 00:35:26,440
Speaker 11: Yeah, but yeah, this one mainly I'm I'm I'm mostly

662
00:35:26,559 --> 00:35:29,079
lead on this vocally. It was really cool.

663
00:35:29,159 --> 00:35:31,800
Speaker 9: All right, sweet, let's give this a spin. This is big,

664
00:35:32,320 --> 00:35:34,159
big black bottle. But yeah, that is hard to second

665
00:35:35,320 --> 00:35:39,360
big black bottle of booze. The band is the Doldrums.

666
00:36:01,599 --> 00:36:08,199
Speaker 20: He's got a bag fly baas, I got a bag blas.

667
00:36:06,840 --> 00:36:10,039
Speaker 6: I got a bag laugh blas.

668
00:36:09,360 --> 00:36:10,360
Speaker 7: I got a bag black.

669
00:36:12,599 --> 00:36:14,239
Speaker 6: No one's ever gonna take it away.

670
00:36:14,360 --> 00:36:16,760
Speaker 9: No, no one's ever gonna take it away.

671
00:36:16,880 --> 00:36:18,320
Speaker 3: No, no what's ever.

672
00:36:18,320 --> 00:36:21,280
Speaker 20: Gonna take it away. No, no one's ever gonna take

673
00:36:21,320 --> 00:36:21,800
it away.

674
00:36:21,920 --> 00:36:34,559
Speaker 6: No, No, I got back my bah blah blahs.

675
00:36:34,639 --> 00:36:37,519
Speaker 20: I gotta bag fly bla blah blahs. I got a

676
00:36:37,599 --> 00:36:42,599
bag fly by blah bus. I gotta bag black base.

677
00:36:42,920 --> 00:36:45,679
Speaker 9: No one's ever gonna take it away, though, No one

678
00:36:45,760 --> 00:36:47,039
tell her gonna take it away.

679
00:36:47,199 --> 00:36:49,599
Speaker 3: No, no one tellver gonna take it away.

680
00:36:49,719 --> 00:36:52,320
Speaker 20: No, no one tell her gonna take it away. No,

681
00:36:53,000 --> 00:36:55,880
no one tever gonna take it away. No, no one's

682
00:36:55,880 --> 00:36:57,159
ever gonna take it away.

683
00:36:57,320 --> 00:36:59,719
Speaker 5: No, no one's ever gonna take it away.

684
00:37:32,599 --> 00:37:33,400
Speaker 3: I got bag.

685
00:37:42,800 --> 00:37:44,000
Speaker 6: I got a b B.

686
00:37:46,440 --> 00:37:51,079
Speaker 20: Bag bat bag.

687
00:37:55,760 --> 00:37:56,840
Speaker 11: That was a little bit at the end.

688
00:37:56,880 --> 00:38:07,079
Speaker 14: Here ready, big black bottle of booze.

689
00:38:07,440 --> 00:38:12,239
Speaker 9: Hey, I did it by the Doldrums and we've got

690
00:38:12,280 --> 00:38:14,039
the dol drums here with us in studio. Yeah, that

691
00:38:14,159 --> 00:38:15,760
is a great track. That is really really everything you

692
00:38:15,840 --> 00:38:20,119
guys have is really CATCHYPPI. I love that absolutely, and

693
00:38:20,159 --> 00:38:22,400
I can imagine too that that gets the crowd going live,

694
00:38:22,440 --> 00:38:24,599
because that's why you can definitely sing along to, you know.

695
00:38:24,719 --> 00:38:27,559
Speaker 11: For surely two lines.

696
00:38:28,280 --> 00:38:28,480
Speaker 3: Yeah.

697
00:38:28,719 --> 00:38:31,280
Speaker 10: I used to sing this song and then I was like,

698
00:38:31,400 --> 00:38:33,400
I need a vocal break during the set. So I

699
00:38:33,559 --> 00:38:35,599
was like, you know, Tom, I'm gonna have you sing this.

700
00:38:36,039 --> 00:38:36,239
Speaker 3: Yeah.

701
00:38:36,840 --> 00:38:40,519
Speaker 10: So yeah, it's it's nice to I just play guitar

702
00:38:40,639 --> 00:38:42,920
and I do a little bit of backing vocals during

703
00:38:43,000 --> 00:38:43,639
that track.

704
00:38:43,480 --> 00:38:45,920
Speaker 11: But we usually put that one towards the middle of

705
00:38:45,960 --> 00:38:47,840
the set just so he can take a breathing.

706
00:38:47,760 --> 00:38:49,199
Speaker 9: Yeah, that makes sense.

707
00:38:49,239 --> 00:38:50,800
Speaker 15: That's not a vocal break for me though.

708
00:38:51,039 --> 00:38:54,519
Speaker 10: No, it is not, right right, it's a vocal break

709
00:38:54,559 --> 00:38:56,079
for drummer over here though.

710
00:38:56,199 --> 00:38:56,400
Speaker 3: Yeah.

711
00:38:57,400 --> 00:38:59,840
Speaker 9: Yeah, you do you sing backups live?

712
00:39:00,239 --> 00:39:02,480
Speaker 11: I mean I have, but typically I just kind of

713
00:39:02,519 --> 00:39:04,599
focus on, you know, just carrying the beat.

714
00:39:04,840 --> 00:39:05,719
Speaker 5: Yeah, you got it.

715
00:39:05,760 --> 00:39:08,880
Speaker 11: We got enough vocal power. Yeah, it's really it would

716
00:39:08,920 --> 00:39:09,679
just be redundant.

717
00:39:09,800 --> 00:39:10,320
Speaker 5: We do have.

718
00:39:10,840 --> 00:39:12,719
Speaker 11: I mean there's a lot of gang vocals on a

719
00:39:12,800 --> 00:39:13,559
lot of our tracks.

720
00:39:13,760 --> 00:39:16,679
Speaker 9: Yeah, yeah, yeah, I think that's Yeah. I think that's

721
00:39:16,679 --> 00:39:17,960
a big part of what you guys do. That's a

722
00:39:17,960 --> 00:39:20,280
big part of what brings the energy to it too. Yeah,

723
00:39:20,800 --> 00:39:24,880
but uh yeah, that's that's really really good. What do

724
00:39:24,920 --> 00:39:26,559
you What else do you guys have coming up? Obviously

725
00:39:26,599 --> 00:39:28,639
you have the show tonight at the Shaft Skiing, and

726
00:39:28,719 --> 00:39:31,559
then do you have some other stuff coming up or

727
00:39:31,559 --> 00:39:33,840
I don't know, if you're more focused on on promoting

728
00:39:33,880 --> 00:39:36,920
the singles or or I assume summer you're going to

729
00:39:36,960 --> 00:39:38,880
be busy, right, because every everybody plays a lot in

730
00:39:38,880 --> 00:39:39,840
the summer, it seems.

731
00:39:39,679 --> 00:39:41,360
Speaker 15: Like, yeah, I think the plan is well.

732
00:39:41,360 --> 00:39:42,760
Speaker 13: We just needed to take some time to kind of

733
00:39:42,840 --> 00:39:45,519
dial in and get in the studio, get everything mixed,

734
00:39:45,559 --> 00:39:48,719
get everything mastered, figure out the video thing, all that stuff.

735
00:39:49,239 --> 00:39:51,079
So we took a little bit of break from playing

736
00:39:51,119 --> 00:39:54,320
shows since, like I don't know January or February, but

737
00:39:54,400 --> 00:39:58,320
I think for the summer we're gonna start accepting shows again.

738
00:39:58,480 --> 00:39:58,639
Speaker 8: Yeah.

739
00:40:00,480 --> 00:40:02,039
Speaker 11: Good, only serious inquiries.

740
00:40:02,239 --> 00:40:06,519
Speaker 9: Yeah yeah, yeah, hit us up.

741
00:40:06,559 --> 00:40:08,639
Speaker 11: Everybody, play your show.

742
00:40:08,800 --> 00:40:12,280
Speaker 9: Yeah, very cool, very cool. Uh, let's talk about tonight

743
00:40:12,360 --> 00:40:14,119
once again too. We want to make sure people know

744
00:40:14,199 --> 00:40:15,719
for people just joining us, you got a big show

745
00:40:15,719 --> 00:40:18,679
tonight at the shaft Skin Absolutely tonight.

746
00:40:18,800 --> 00:40:22,280
Speaker 10: Tonight. Doors are our san doors are at eight. Okay,

747
00:40:22,480 --> 00:40:25,280
we are headlining, So I'm sorry, but we're going on

748
00:40:25,400 --> 00:40:28,480
probably around like ten thirty. Yeah yeah, so a little

749
00:40:28,519 --> 00:40:30,199
bit late, but it'll be worth it.

750
00:40:30,480 --> 00:40:30,679
Speaker 9: Yeah.

751
00:40:30,760 --> 00:40:32,800
Speaker 11: They we'll have some beers with you before we go on.

752
00:40:33,360 --> 00:40:33,559
Speaker 5: Yeah.

753
00:40:34,599 --> 00:40:38,119
Speaker 10: We were playing yeah with our good friend TJ. Rushton.

754
00:40:38,320 --> 00:40:41,800
It's his new band's first show. Oh so his his

755
00:40:41,960 --> 00:40:44,239
debut show, and we're excited about that. We heard some

756
00:40:44,360 --> 00:40:47,079
tracks from them recently and they're fantastic.

757
00:40:47,760 --> 00:40:49,239
Speaker 11: Yeah, also recorded with Eric.

758
00:40:49,719 --> 00:40:53,159
Speaker 9: Also yeah, yeah, yeah, which band is that Still Sleeping?

759
00:40:53,320 --> 00:40:57,199
Speaker 10: Still Sleeping? Yeah, yeah, they're they're they're great. So we're excited.

760
00:40:57,199 --> 00:40:59,239
We got a banging line up tonight.

761
00:40:59,360 --> 00:40:59,800
Speaker 11: Yeah yeah.

762
00:41:00,159 --> 00:41:05,199
Speaker 10: And yeahs there fourth maybe fourth time playing with them, it'll.

763
00:41:05,039 --> 00:41:06,920
Speaker 15: Be yeah four.

764
00:41:08,360 --> 00:41:09,239
Speaker 9: Okay, okay.

765
00:41:09,400 --> 00:41:09,639
Speaker 11: Cool.

766
00:41:09,880 --> 00:41:15,360
Speaker 9: And there's Birds in Theory. Okay, very cool. I wonder

767
00:41:15,400 --> 00:41:17,079
where that name comes from. Birds in Theory.

768
00:41:17,480 --> 00:41:19,679
Speaker 10: Well, they're birds in Theory.

769
00:41:20,039 --> 00:41:21,760
Speaker 9: Well, because when I hear the name, I think of that,

770
00:41:22,000 --> 00:41:23,800
uh you know that fake because you guys know what

771
00:41:23,840 --> 00:41:26,440
I'm talking about, that fake conspiracy theory that about birds

772
00:41:26,480 --> 00:41:26,920
aren't real.

773
00:41:28,199 --> 00:41:30,199
Speaker 13: I don't think any of us have met them yet.

774
00:41:30,280 --> 00:41:33,960
So we'll find out tonight. Yeah, back on that, very curious. Yeah, yeah,

775
00:41:33,960 --> 00:41:35,280
we'll have to we'll have to get them on the

776
00:41:35,320 --> 00:41:35,679
show too.

777
00:41:36,159 --> 00:41:38,960
Speaker 9: Uh, let's see. And then uh, let's remind everybody too

778
00:41:38,960 --> 00:41:40,840
about the new single coming out.

779
00:41:40,960 --> 00:41:44,000
Speaker 12: Freaking Me Out, Freaking me Out, freaking me Out, Yeah,

780
00:41:44,079 --> 00:41:44,880
coming out on Friday.

781
00:41:44,920 --> 00:41:48,679
Speaker 9: It's a freaky freaky song, Freaky Friday that will be

782
00:41:48,760 --> 00:41:50,840
on all the streaming platforms and everything, I assume.

783
00:41:50,920 --> 00:41:53,559
Speaker 10: Yeah, oh yeah, yeah, we're excited about that.

784
00:41:54,039 --> 00:41:57,280
Speaker 9: Excellent, excellent and Uh, where should people go online to

785
00:41:57,360 --> 00:41:58,920
keep up with everything that you guys are doing. Where's

786
00:41:58,920 --> 00:41:59,960
the best place to go right now?

787
00:42:00,199 --> 00:42:01,119
Speaker 11: That's an excellent question.

788
00:42:01,159 --> 00:42:02,039
Speaker 15: Probably the Instagram.

789
00:42:02,480 --> 00:42:04,719
Speaker 10: Yeah, we're mostly active on Instagram.

790
00:42:04,920 --> 00:42:06,960
Speaker 9: Okay, we have a.

791
00:42:08,599 --> 00:42:12,320
Speaker 10: Brandan's girlfriends doing our social media now, so okay, shout

792
00:42:12,320 --> 00:42:12,760
out Haley.

793
00:42:13,599 --> 00:42:16,599
Speaker 13: Just starting to get things working more consistently, and let's

794
00:42:16,719 --> 00:42:17,280
disjoint it.

795
00:42:17,559 --> 00:42:20,400
Speaker 9: Okay, yeah, yeah, Well it's hard. You know, it's a

796
00:42:20,480 --> 00:42:22,400
lot with social media especially, there's a lot to.

797
00:42:22,440 --> 00:42:22,840
Speaker 11: Keep up with.

798
00:42:23,360 --> 00:42:24,480
Speaker 10: Yeah, it's exhausting.

799
00:42:24,599 --> 00:42:28,320
Speaker 17: Ye, sometimes we show our age on social media, definite cringe.

800
00:42:29,679 --> 00:42:31,599
Speaker 13: Me and Rob think were really funny, but nobody else thinks.

801
00:42:32,840 --> 00:42:34,679
Speaker 10: So yeah, we have a lot of inside jokes that

802
00:42:34,760 --> 00:42:36,320
we don't like.

803
00:42:36,360 --> 00:42:37,679
Speaker 15: The artist of the band is like, what is wrong

804
00:42:37,719 --> 00:42:38,159
with you? Guys?

805
00:42:38,559 --> 00:42:39,000
Speaker 5: I love it?

806
00:42:39,599 --> 00:42:42,199
Speaker 9: That's awesome, that's awesome. Well, guys, thank you so much.

807
00:42:42,280 --> 00:42:45,119
This has been wonderful. And uh, what should we play

808
00:42:45,639 --> 00:42:47,280
to close the segment?

809
00:42:48,000 --> 00:42:48,679
Speaker 15: What you guys.

810
00:42:50,280 --> 00:42:52,159
Speaker 11: Gotta do bad man, bad Man?

811
00:42:52,360 --> 00:42:55,599
Speaker 9: Okay? Why why why do you say gotta do bad man?

812
00:42:55,760 --> 00:42:56,599
Speaker 11: It rips.

813
00:42:58,480 --> 00:43:00,360
Speaker 9: Anything else you want us to know about it before playing.

814
00:43:00,360 --> 00:43:03,199
Speaker 10: It's about being a bad man. I'll be bad at

815
00:43:03,239 --> 00:43:04,000
being a bad man.

816
00:43:04,519 --> 00:43:05,039
Speaker 11: Sad boys.

817
00:43:06,559 --> 00:43:07,960
Speaker 10: A lot of us, a lot of our songs are

818
00:43:08,000 --> 00:43:11,320
just about being sad and bad, being sad and bad.

819
00:43:11,440 --> 00:43:14,920
Speaker 9: All right, I love it, I love it all right, guys,

820
00:43:15,000 --> 00:43:16,760
thank you again. I have a great show tonight, and

821
00:43:17,239 --> 00:43:18,920
we will definitely do this again in the future.

822
00:43:19,320 --> 00:43:20,559
Speaker 14: And check this out.

823
00:43:20,679 --> 00:43:22,840
Speaker 9: This is this is bad Man and the band is

824
00:43:23,239 --> 00:44:03,320
the Doldrums, and it's some time to you said the

825
00:44:03,400 --> 00:44:03,960
same mom.

826
00:44:04,000 --> 00:44:07,039
Speaker 3: I gives us some the tree, I says, spot.

827
00:44:19,880 --> 00:44:23,760
Speaker 5: See you sit. I don't want dr.

828
00:44:25,400 --> 00:44:29,039
Speaker 3: Trumps how you got trouble sta.

829
00:44:30,719 --> 00:44:31,960
Speaker 8: But it's some so.

830
00:44:33,599 --> 00:44:37,199
Speaker 20: Gill some scheful, he said. I'll say you I guess

831
00:44:37,239 --> 00:44:41,280
as something. Trees outside the breach already lie.

832
00:44:52,000 --> 00:44:52,480
Speaker 3: Across.

833
00:44:52,559 --> 00:44:53,719
Speaker 5: I like, that's.

834
00:44:55,400 --> 00:44:59,400
Speaker 7: So yeah, so big boy.

835
00:45:03,119 --> 00:45:11,079
Speaker 5: Talk past. So I don't want to.

836
00:45:27,800 --> 00:45:39,159
Speaker 7: Go clost.

837
00:45:39,840 --> 00:45:41,239
Speaker 5: That's not going to.

838
00:45:44,239 --> 00:45:50,519
Speaker 8: Call you talk baster.

839
00:45:51,079 --> 00:45:57,679
Speaker 7: So I don't want to.

840
00:45:59,360 --> 00:46:01,199
Speaker 5: Jim that.

841
00:46:36,400 --> 00:46:37,199
Speaker 1: Very up to.

842
00:46:41,639 --> 00:46:45,800
Speaker 3: Stay stuck in the content, so.

843
00:46:52,400 --> 00:46:55,880
Speaker 9: I don't so Hi frolls in the cooler.

844
00:46:57,360 --> 00:46:57,679
Speaker 8: Sound.

845
00:46:58,440 --> 00:47:10,000
Speaker 3: So it's still starts.

846
00:47:09,719 --> 00:47:29,360
Speaker 20: T s right, chill, got much shot me out, don't

847
00:47:31,639 --> 00:47:35,760
rights fast to.

848
00:47:39,119 --> 00:47:41,199
Speaker 3: Show how.

849
00:47:47,000 --> 00:47:48,079
Speaker 5: Chased at.

850
00:48:39,599 --> 00:48:42,039
Speaker 24: The go.

851
00:48:43,840 --> 00:48:52,119
Speaker 5: To s come to fall way go sy.

852
00:48:54,800 --> 00:48:57,760
Speaker 3: Go so try cls in the corner.

853
00:49:09,679 --> 00:50:31,519
Speaker 25: So thank your frae hearing the girl uish voice. If

854
00:50:31,559 --> 00:50:35,400
we do not fail, do send fire breaking them home, say.

855
00:50:35,280 --> 00:50:37,639
Speaker 7: A phrase told, it's not fold through.

856
00:50:37,599 --> 00:50:40,800
Speaker 3: The freekers, no brains not that's on the balls.

857
00:50:40,920 --> 00:50:42,440
Speaker 6: The game one ninety.

858
00:50:42,199 --> 00:50:47,760
Speaker 7: Five thread light at night, you may still the night.

859
00:50:51,159 --> 00:50:53,840
Speaker 6: You're a filly listen.

860
00:50:53,840 --> 00:51:01,000
Speaker 20: A life fussing the silence the same, surfe wray away.

861
00:51:01,360 --> 00:51:08,119
Speaker 3: We don't to strive forever lays a lever time. So

862
00:51:08,239 --> 00:51:12,800
I'm stay with myself, talking my limits. Answers a call

863
00:51:13,199 --> 00:51:15,800
us flower reason, I'm force his song. I'm stuffing a

864
00:51:15,880 --> 00:51:19,320
pause for an art do last three three.

865
00:51:19,239 --> 00:51:23,639
Speaker 25: Myself off my limits answers the call pushing blow reason

866
00:51:23,800 --> 00:51:25,400
for it song, I stuff.

867
00:51:25,159 --> 00:51:26,360
Speaker 8: A goss never.

868
00:51:31,119 --> 00:51:36,480
Speaker 20: Gay years of fury least and the life, classing the

869
00:51:36,800 --> 00:51:39,719
silence the same, or survive.

870
00:51:40,119 --> 00:51:42,440
Speaker 3: Wait, always wait.

871
00:51:42,400 --> 00:51:47,280
Speaker 20: Dominate the sky forever lasallever.

872
00:51:46,840 --> 00:52:13,599
Speaker 23: Time eight years a legacy cotton stone everywhere that old

873
00:52:13,679 --> 00:52:17,920
seats We've sold, no retreat, standing aloud, fringing the days

874
00:52:17,960 --> 00:52:23,960
the la South, eight years of Philly unleasten.

875
00:52:23,599 --> 00:52:30,760
Speaker 20: Alive, classing the silence the same, or survive way away.

876
00:52:31,079 --> 00:52:36,719
Speaker 3: We don't light the sky forever unre for lever time.

877
00:52:53,239 --> 00:52:59,639
Speaker 26: At least and a life crushing the silence the signal.

878
00:52:59,360 --> 00:53:02,559
Speaker 1: Survive radio lives.

879
00:53:02,800 --> 00:53:08,360
Speaker 20: We dolenate the sky forever unleashed will never die.

880
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895
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Speaker 29: They can be reached at six oh three two two

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919
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920
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Speaker 28: Late Night to Light with DJ Mitas right here on

921
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922
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923
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Speaker 28: To four am.

924
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925
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Speaker 19: They're the impro moder of Manchester Public television service in

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dot com or traverse the virtual corridors of wmnhradio dot org.

944
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the digital channels or radio beconds. Eager to enthrall you

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949
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950
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to Matt Connorton unleashed on ninety five point three w

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m n H, S.

952
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Speaker 8: S S.

953
00:58:43,360 --> 00:58:46,440
Speaker 7: S S.

954
00:58:49,000 --> 00:58:51,880
Speaker 3: S S.

955
00:59:22,519 --> 00:59:28,519
Speaker 26: Whether the ka sudoslies, voices, scream needs, bloody skies, Let.

956
00:59:28,519 --> 00:59:32,360
Speaker 1: It's fall shoot into skies. A world sworn by the

957
00:59:32,519 --> 00:59:32,920
power of.

958
00:59:33,000 --> 00:59:37,920
Speaker 26: Lies, the sting of script, transcensal, Wolves of silk and

959
00:59:38,159 --> 00:59:43,320
cons of gold, Great Defision, Moll Decay and the Seven Seals,

960
00:59:43,719 --> 00:59:50,920
break away, Stopy, stopping in a centire peace.

961
00:59:51,559 --> 00:59:54,639
Speaker 3: Jeez, the leading