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<v Speaker 1>Imaginately unscape stained crimson five lakes, shimmering with the blood

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<v Speaker 1>of a fallen warrior class. This is Samantha Panchaka, forged

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<v Speaker 1>in the fury of Rama, son of Jamadagni, a Brahmin

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<v Speaker 1>warrior whose rage against the Shatriyask reshaped the earth in

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<v Speaker 1>the sacred name Issha forest. The Rishis ask a simple question,

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<v Speaker 1>tell us about Samantha Panchaka, A question that sounds geographical,

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<v Speaker 1>but it isn't. They are not asking for coordinates. They

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<v Speaker 1>are asking for meaning. Places have meaning to them. They

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<v Speaker 1>hold memories. That's called energy, and Suta revives the meaning

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<v Speaker 1>out of memory of this place Samantha Panchaka. Suta is,

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<v Speaker 1>of course, the son of a bard. Suta again, remember

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<v Speaker 1>is Sauthi Ugrashrava. And he replies not with maps, but

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<v Speaker 1>with memory. Here he speaks of a time when the

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<v Speaker 1>earth drank blood, the blood of kings, the blood of ego,

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<v Speaker 1>the blood of imbalance. I'm reminded here of that scene

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<v Speaker 1>in the Hebrew Bible. You know, God says that after

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<v Speaker 1>King's murders his brother Abel. God says, now the ground

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<v Speaker 1>will swallow up and eat the blood, or drink the

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<v Speaker 1>blood So the earth here drinks this blood, the blood

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<v Speaker 1>of kings, the blood of ego, the blood of imbalance,

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<v Speaker 1>all of these expressions of the mind of ego right

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<v Speaker 1>super ego id. These are made visible in the form

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<v Speaker 1>of blood that is shed by warriors on the battlefield

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<v Speaker 1>in this place, Samanta Panchaka, those are the physical marks

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<v Speaker 1>that carry the memory of the psychology of the human

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<v Speaker 1>intelligence of that time, or of these warriors. Here stood

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<v Speaker 1>a rama of the axe Barashurama, who saw the corruption

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<v Speaker 1>of the warrior class. The Shatrias, their arrogance had overflowed.

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<v Speaker 1>Their swords, once for protection, were now for conquest. In

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<v Speaker 1>that rage, he perched them not once, not twice, but

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<v Speaker 1>twenty one times. He filled the land with crimson waters,

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<v Speaker 1>five lakes of blood. That land again was Samantha Panchaka.

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<v Speaker 1>The text tells us that he eradicated an entire lineage,

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<v Speaker 1>not once, but repeatedly, filling these lakes with their blood.

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<v Speaker 1>But this isn't just a story of a vengeance. It's

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<v Speaker 1>a crucible of transformation. And here lies the paradox. Right,

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<v Speaker 1>the same act that drenched the soil in violence became

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<v Speaker 1>a sacred a pilgrimage of purification. How can blood become

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<v Speaker 1>holy water? Because when Bashurama realized what Rage had done,

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<v Speaker 1>he stood in those waters, not to boast, but to repent.

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<v Speaker 1>Rama realized what Rage had done, he offered blood to

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<v Speaker 1>his ancestors, and from remorse the divine appeared. Even God's

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<v Speaker 1>respond to sincerity. They don't respond to perfection because in

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<v Speaker 1>a lot of ways, when we have perfection or there

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<v Speaker 1>is perfection, which quite frankly, because of what I know,

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<v Speaker 1>I wrote in my book Who God Really Is, perfection

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<v Speaker 1>is really never a state that exists in the universe.

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<v Speaker 1>But God doesn't respond to Let's say, if there was perfection,

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<v Speaker 1>he wouldn't respond because there's no need. What need is there?

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<v Speaker 1>God response to needs, needs, desire, wants. That's where how

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<v Speaker 1>he intervenes, and he responds to our knowledge of Him

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<v Speaker 1>with respect that need. When we know we have a

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<v Speaker 1>need and we also know that we need to reach

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<v Speaker 1>out to God to fulfill that need, then we get

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<v Speaker 1>a response. Then we get or we experience intervention from God.

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<v Speaker 1>We have to be open to seeing it though right

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<v Speaker 1>when it occurs. But usually people who have a need

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<v Speaker 1>and then also know that they need to reach out

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<v Speaker 1>to God to have that need fulfilled. They will also

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<v Speaker 1>usually be aware of, really awake, you know, they'll be

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<v Speaker 1>aware of when that need is, of when God is

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<v Speaker 1>intervening to fulfill that need, whether instantly or gradually. Okay,

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<v Speaker 1>usually those are the those are you know, spiritually evolved

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<v Speaker 1>people who will know, you know, they will know, so

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<v Speaker 1>they'll be aware. But here, so we have Rama, this

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<v Speaker 1>warrior who has killed so many, and he wants to

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<v Speaker 1>repent because he knows that what the result in front

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<v Speaker 1>of him, all this blood that drenches this field, you know,

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<v Speaker 1>this this land. He knows that it's a result of

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<v Speaker 1>his anger, his rage. He he knows it's not good.

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<v Speaker 1>This is not exactly a grand holy war carried out

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<v Speaker 1>by the fierce form of the female face of God, Durga.

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<v Speaker 1>So we have a need for repentance, and this is

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<v Speaker 1>what God responds to. Again, Gods don't respond to perfection,

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<v Speaker 1>but to need and sincerity and Rama's ancestors. This is

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<v Speaker 1>how God speaks through through Uh, through to Rama, through

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<v Speaker 1>the ancestors. His ancestors say, your devotion has pleased us,

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<v Speaker 1>what shall you ask? Ask for a boon? Rama didn't

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<v Speaker 1>ask for glory. He asked to be freed from the

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<v Speaker 1>sin of anger, and for the world to remember not

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<v Speaker 1>the killing, but the cleansing, the forgiveness. That's Samantha Panchaka.

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<v Speaker 1>That's the memory that the land holds, the karma right,

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<v Speaker 1>the karma dash memory, or the memor memorialized karma, memorialized karma.

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<v Speaker 1>I should say a battlefield became a mirror in that

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<v Speaker 1>moment that Rama asked for forgiveness. This is actually what

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<v Speaker 1>is being conveyed to us in these first you know

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<v Speaker 1>and a few scenes in the introduction to the mahabarata

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<v Speaker 1>A geography remembers the moral transformation of a man who

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<v Speaker 1>realized that anger cannot purify the world. The land holds

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<v Speaker 1>too much blood. The land is has swallowed too much blood,

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<v Speaker 1>and only his awareness of the difference between right and wrong,

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<v Speaker 1>his recognition of what is right and what is wrong,

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<v Speaker 1>can lead to purity, can lead to good things, can

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<v Speaker 1>lead to what does not need to be forgiven. Rama's

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<v Speaker 1>act is more than slaughter. It's an alchemical process because

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<v Speaker 1>as soon as he acts, he puts into also motion

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<v Speaker 1>the need for forgiveness. As I mentioned in my book

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<v Speaker 1>what is God Good for evil? Karma, sin and suffering

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<v Speaker 1>correctly explained Finally, in many mystical traditions, blood actually symbolizes

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<v Speaker 1>life force, the raw material of creation and destruction. Rama,

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<v Speaker 1>standing in these crimson waters, crimson because they have blood

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<v Speaker 1>in them, now offers oblations to his ancestors, transmuting violence

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<v Speaker 1>into devotion. His ancestors, led by Richica, appear in grant

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<v Speaker 1>a boon, turning these lakes into sacred tirthas places where

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<v Speaker 1>you know purification, where forgiveness can occur, true forgiveness can occur.

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<v Speaker 1>This mirrors the tantric idea of channeling primal emotions anger,

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<v Speaker 1>passion into divine source energy. Divine source energy, the energy

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<v Speaker 1>that I explain in complete detail, in complete thorough detail, real,

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<v Speaker 1>thorough detailed, sensible detail in my book Who God Really Is,

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<v Speaker 1>which I encourage you all to pick up today on Amazon.

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<v Speaker 1>Rama's fury becomes a catalyst for sanctities, suggesting that even

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<v Speaker 1>our darkest impulses, when offered to a higher purpose, can

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<v Speaker 1>birth something holy, or can become the start of a

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<v Speaker 1>renewal that's needed by humanity or the people around us. Now,

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<v Speaker 1>let's ground this further into reality. The creation of Samantha

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<v Speaker 1>Panchaka reflects humanity's recurring pattern of destruction and renewal. Think

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<v Speaker 1>of historical purges, revolutions, wars, or even modern quote unquote

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<v Speaker 1>cancelations right cancel culture on platforms like let's say x

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<v Speaker 1>or Instagram meta, you know, where entire ideology or YouTube

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<v Speaker 1>where entire ideologies are metaphorically slain to clear space for

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<v Speaker 1>new orders. Ramas act extreme as it is. It's definitely extreme,

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<v Speaker 1>almost like surreal but it's extreme, right, I mean, this

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<v Speaker 1>is what Hindu mythology is a lot of it is

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<v Speaker 1>very surreal, very it seems very extreme. But look at

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<v Speaker 1>how much I'm able to reveal to you is truth

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<v Speaker 1>underneath all that surrealism and intricacy and kind of longevity

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<v Speaker 1>of these texts, and not only in length longevity, but

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<v Speaker 1>just how long they've lasted, right, thousands of years. We

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<v Speaker 1>still find value in them. But look at how much

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<v Speaker 1>I've been able to reveal to you is actually being

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<v Speaker 1>conveyed to us. That's so relevant to us and our

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<v Speaker 1>nature that will forever be what it is right through

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<v Speaker 1>this surrealism, right underneath all this realism that look at

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<v Speaker 1>how much I've revealed to you, is there that's valuable,

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<v Speaker 1>that's treasure for us and that's realistic to us, to

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<v Speaker 1>our modern lives. Again, ramas act extreme as it is,

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<v Speaker 1>it's very extreme. Parallels moments when societies hit reset, often violently,

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<v Speaker 1>to correct perceived imbalances. Right, think of very sudden changes.

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<v Speaker 1>Think of like how even in the United States we

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<v Speaker 1>have four years of one kind of ideolog ideological presidency,

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<v Speaker 1>then we flip in the next four years into something

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<v Speaker 1>completely different. Right, So, I mean things happen very fast.

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<v Speaker 1>This is not something that's surreal if you really think

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<v Speaker 1>about it. This whole thing with Rama, this warrior right

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<v Speaker 1>drenching the land around him with so much blood. It's

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<v Speaker 1>the land has drank so much of this, the blood

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<v Speaker 1>of humans and all the animals that were slayed, and

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<v Speaker 1>you know, through this war, through these battles, skirmishes, and

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<v Speaker 1>then suddenly there's this, all of a sudden, there's just

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<v Speaker 1>this redemption, this repentance, this redemption, this forgiveness that occurs

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<v Speaker 1>not so suddenly, but it comes about pretty quickly. In

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<v Speaker 1>the Mahabadata introduction, it's not new to us. I mean,

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<v Speaker 1>we go through four years of one type of ideological

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<v Speaker 1>presidency in the United States. In the next four years

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<v Speaker 1>we flip. We flip suddenly, Yeah, I mean, this is real.

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<v Speaker 1>What's happening in our lives, what's happening in the Mahabadata

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<v Speaker 1>in these ancient hin Hindu, ancient Indian scriptures is relevant.

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<v Speaker 1>It makes sense. We experience it in the twenty first

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<v Speaker 1>century in our own ways, right within our modern systems

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<v Speaker 1>and structure. So it's not so surreal, you know, it's

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<v Speaker 1>not so removed from reality. What happens in these Hindu mythologies.

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<v Speaker 1>The lakes now sacred remind us that even chaos can

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<v Speaker 1>leave behind places of healing, like postwar reconciliation efforts or

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<v Speaker 1>community rebuilding after crises. Now here's a twist. What if

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<v Speaker 1>the land itself is the character or is a character.

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<v Speaker 1>Samantha Panchaka described as even and without ruggedness absorbs the

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<v Speaker 1>blood and becomes a tirtha, a crossing point to the divine,

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<v Speaker 1>a portal you know, almost like holy water, right, holy

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<v Speaker 1>water a portal to forgiveness. And when there's forgiveness, there's

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<v Speaker 1>an element or there wherever there is forgiveness, there is

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<v Speaker 1>this purity. And purity of course, we associate with the

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<v Speaker 1>divine to understand what purity really means, though it really

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<v Speaker 1>relates to you know, the scale of heaviness or weightiness

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<v Speaker 1>as I call it in my book Who God Really Is?

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<v Speaker 1>So do pick up my book to really understand what

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<v Speaker 1>purity actually is, what the experience of it is. In

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<v Speaker 1>indigenous spiritualities, land holds memory bearing witness to human triumphs

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<v Speaker 1>and tragedies. Samantha Panchaka is a geological diary. It's flatness

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<v Speaker 1>a canvas for cosmic dramas. Right, and today we see

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<v Speaker 1>it as a metaphor for Earth itself, scarred by human conflict,

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<v Speaker 1>yet enduring as a sacred space for reflection. We all

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<v Speaker 1>you know, incarnate or reincarnate to Earth to live out

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<v Speaker 1>a kind of learning experience, as I explain it in

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<v Speaker 1>my book Who God Really Is. Fast forward to the

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<v Speaker 1>cusp of the Dwapara and Gali Yugas, and Samantha Panjaka

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<v Speaker 1>hosts another cataclysm, the Mahabada the war. Right, so now

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<v Speaker 1>this battle that occurred with drama is in the past

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<v Speaker 1>in Samantha Panchaka, and now Samantha Panchaka becomes another you know,

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<v Speaker 1>yet again, a place of great important war. The story

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<v Speaker 1>doesn't stop there. Ugrashrava or Suta reminds the Rishis. It

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<v Speaker 1>was here again at Samanta Panchaka, that another flood came,

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<v Speaker 1>not of one man's anger, but of collective karma, memorialized

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<v Speaker 1>karma that will be memorialized as it is in the Mahabarata,

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<v Speaker 1>which we are all listening to. Thousands of years later,

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<v Speaker 1>at the edge of Dwapara and Kali Yugas, eighteen massive

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<v Speaker 1>armies gathered here, eighteen Akshauhinis. The mathematics of destruction, or

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<v Speaker 1>there's mathematics here involved in this destruction. This was the

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<v Speaker 1>Kurukshetra War, the echo of the same imbalance, but Ashurama

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<v Speaker 1>or rama once fought to end. It's as though the

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<v Speaker 1>Earth chose the same stage twice to remind humanity that

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<v Speaker 1>we don't learn through information. We learned through repetition, repetition, recycling,

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<v Speaker 1>repetition cycles again and again occurring here time loops back

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<v Speaker 1>on itself. And this actually reminds me of a vision

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<v Speaker 1>that God gave me when I was writing the book

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<v Speaker 1>Who God Really Is, and it was this of a loop.

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<v Speaker 1>But the loop wasn't There wasn't just one loop. There

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<v Speaker 1>were like three loops before. And that's how we move forward.

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<v Speaker 1>It was like a forward moving arrow, but it had

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<v Speaker 1>three loops in it, and that's it how we learn.

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<v Speaker 1>So that's the vision I received from God when I

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<v Speaker 1>was writing my book Who God Really Is, precisely related

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<v Speaker 1>to this phenomenon of how we learn, how human humanity learns,

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<v Speaker 1>how the creatures of the universe learn, how the aliens

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<v Speaker 1>who exist in this universe also learn. It's through repetition

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<v Speaker 1>of these cycles that also are actually moving us forward,

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<v Speaker 1>even though they seem to keep us in a repetitive

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<v Speaker 1>state too, which is fascinating. But again you'll have to

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<v Speaker 1>pick up my book Who God Really Is to understand

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<v Speaker 1>all of those truths. The warriors of Dwapara are haunted,

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<v Speaker 1>descendants of the violence of the Trita Yuga. The lakes

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<v Speaker 1>that once held the blood of arrogance now reflect the

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<v Speaker 1>blood of destiny. In every yoga, Samantha Panchaka becomes a

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<v Speaker 1>metaphor a place where humanity meets its own shadow. Eighteen

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<v Speaker 1>uk shohinis. Massive armies of chariots, elephants, horses and foot

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<v Speaker 1>soldiers clash on this sacred plain. The rishis then ask

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<v Speaker 1>what is an What is an ak Shohini? A simple

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<v Speaker 1>question right, Yet Suta answers with stunning precision. He speaks

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<v Speaker 1>like an engineer of the cosmos. A putti, one chariot,

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<v Speaker 1>one elephant, five soldiers, three horses, three putties, make a

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<v Speaker 1>sena muka, et cetera, et cetera. The numbers multiply until

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<v Speaker 1>one auk Shohini becomes a colossal organism of war, organism

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<v Speaker 1>of war, an entire organism of war. And these are

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<v Speaker 1>its organs. Twenty one thousand, eight hundred and seventy chariots,

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<v Speaker 1>you know, all these different elephants, and the one hundred

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<v Speaker 1>thousand plus soldiers and sixty five thousand plus horses and whatnot,

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<v Speaker 1>And eighteen of these assembled at Gurukshetra, and they all perish,

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<v Speaker 1>cementing the site's sanctity. What does this tell us about

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<v Speaker 1>war scale and sanctity? Before I continue, I just want

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<v Speaker 1>to ask you to please remember to leave a rating

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<v Speaker 1>or review on Spotify or Apple podcasts. I really appreciate

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<v Speaker 1>it spiritually. The precise tally of an Ak Shohini reflects

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<v Speaker 1>the universe's obsession with balance. In Vadic thought, everything is

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<v Speaker 1>accounted for, every soldier, every horse, every life. There is

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<v Speaker 1>an accounting here the war's devastation orchestrated by time the

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<v Speaker 1>great orchestrator suggests a karmic ledger being settled. The slaughter

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<v Speaker 1>at Samantha Panchaka isn't random. It's a cosmic recalibration where

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<v Speaker 1>dharma or righteousness, and addharma unrighteousness, clash to restore equilibrium.

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<v Speaker 1>Many people actually believe that what's going on in this world,

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<v Speaker 1>or since the COVID nineteen pandemic, has been a lot

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<v Speaker 1>of this karma from the world wars, World War One,

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<v Speaker 1>and especially World War Two, being revisited by humans who

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<v Speaker 1>are unsettled, you know, they don't feel settled by the outcomes,

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<v Speaker 1>the immediate outcomes of World War One and particularly World

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<v Speaker 1>War Two, and so as the world order changes now

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<v Speaker 1>or has dramatically been changing since the year twenty twenty,

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<v Speaker 1>a lot of people believe that there's this spiritual, you know,

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<v Speaker 1>kind of stuff going on here where humanity, large swaths

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<v Speaker 1>of humanity and culture are confronting and trying to resolve

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<v Speaker 1>or trying to push through or heal through, move past

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<v Speaker 1>the karma that the world has sat with for over

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<v Speaker 1>fifty years since World the end of World War Two,

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<v Speaker 1>since the outcomes of World War two. So you know

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<v Speaker 1>the Vedic scriptures, here, the ancient Indian scriptures, ancient Indian

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<v Speaker 1>spirituality speaks to our reality in the twenty first century.

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<v Speaker 1>I cannot, you know, reiterate that enough. And what is

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<v Speaker 1>being taught here in the introduction to the Mahabarata resonates

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<v Speaker 1>actually with also mystical traditions like Kabbala, where divine justice

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<v Speaker 1>balances creation through cycles of destruction and renewal. Let's think

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<v Speaker 1>about the detailed breakdown of an Akshauhini. It mirrors modern

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<v Speaker 1>military logistics right, think of troop deployment, tanks and drones,

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<v Speaker 1>all quantified for strategy. But the brilliance lies not in

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<v Speaker 1>the arithmetic the mathematics. Here, the ancient sages in the

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<v Speaker 1>Mahabadata are showing us something deeper, that war itself is

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<v Speaker 1>a system. Every act of collective destruction begins with a pattern,

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<v Speaker 1>a precise architecture of ego and pride, structured, disciplined, glorified, until,

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<v Speaker 1>of course, it collapses under its own design. Because why

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<v Speaker 1>because as I say in my book and as I

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<v Speaker 1>teach in my book, it is not the system of love,

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<v Speaker 1>which is the system of God. Which is the fundamental

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<v Speaker 1>framework that is carrying the entire or entire existence. War

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<v Speaker 1>is a system. Love is a system. Love is indeed

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<v Speaker 1>a system. You will will understand that entire system in

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<v Speaker 1>my book Who God Really Is? So war is a system,

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<v Speaker 1>but it's not God. It's not a system of God.

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<v Speaker 1>Therefore it doesn't stand the test of time. It just

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<v Speaker 1>doesn't stand. It collapses really under its own design, under

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<v Speaker 1>its own weight. And this reminds me of what I

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<v Speaker 1>just mentioned maybe several minutes ago in this podcast episode

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<v Speaker 1>about weightiness, right and purity, and how the real meaning

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<v Speaker 1>of purity lies in the understanding of weightiness, weightiness, weight.

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<v Speaker 1>It's as if the Mahambadata is whispering to us mathematics

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<v Speaker 1>can measure men, but not wisdom. It reminds me of

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<v Speaker 1>you know, if you read the preview of my book

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<v Speaker 1>Who God Really Is, this is exactly what the first

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<v Speaker 1>two chapters talk about. Mathematics can measure men, but there's

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<v Speaker 1>no relation that it has to wisdom. There's just no relation.

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<v Speaker 1>It has to wisdom. Even the perfect order of an

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<v Speaker 1>AKSHAWHEMI cannot control the chaos born of desire. Today, our

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<v Speaker 1>modern armies are not you know, elephants and chariots. They

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<v Speaker 1>are algorithms, corporations, information networks. Some might even say the

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<v Speaker 1>education system, media ecosystem. Yet the pattern remains. We still

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<v Speaker 1>calculate victory and loss with numbers, right, We still calculate

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<v Speaker 1>our victories and losses within these armies with numbers, GDP numbers, views, metrics, casualties,

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<v Speaker 1>forgetting that the true war is always internal, as I say,

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<v Speaker 1>the greatest, as I say in my book Who God

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<v Speaker 1>Really Is, and through this podcast often the greatest battles

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<v Speaker 1>on Earth take place for your minds and in your minds.

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<v Speaker 1>The Mahabhadada's war scale, with its eighteen uk shahinis dwarfs

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<v Speaker 1>modern conflicts, yet it echoes their futility. Consider World War

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<v Speaker 1>one's trenches or today's proxy wars. Massive resources are spent,

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<v Speaker 1>many lives are lost, and for what Ultimately The texts

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<v Speaker 1>it's all it's like we revisit the same thing over

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<v Speaker 1>and over again, and then we're not happy with the outcome,

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<v Speaker 1>right like we weren't. There were places on this earth

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<v Speaker 1>who were not happy with the outcome of World War

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<v Speaker 1>two or World War one that then led to World

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<v Speaker 1>War two. Then World War two. People weren't happy, and

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<v Speaker 1>now we're seeing what we have in this world, right,

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<v Speaker 1>skirmishes between different countries, all with late with relation to

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<v Speaker 1>the outcomes of world the immediate outcomes of World War two.

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<v Speaker 1>Who knows if Worl'll be fully happy with what we

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<v Speaker 1>get after these skirmishes and battles of the current to

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<v Speaker 1>day are settled, then who knows. You know, if we're

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<v Speaker 1>not happy, then you know, maybe twenty thirty, fifty even

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<v Speaker 1>less than that, maybe ten or five years from now

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<v Speaker 1>will be added again. Right, so again, for what right?

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<v Speaker 1>The Mahabharata's mention of leaders like Bishma, Drona and Garna

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<v Speaker 1>commanding for days only to fall reflect the transient glory

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<v Speaker 1>of power on x and Instagram and meta and like

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<v Speaker 1>different social media platforms snapchat, TikTok posts often debate the

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<v Speaker 1>cost of modern wars billions spent, lives erased, yet the

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<v Speaker 1>cycle persists, just as it did at Samantha Punchaka. The Mahabharata,

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<v Speaker 1>even in its introduction, is all of what I have said,

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<v Speaker 1>is this is what I've been able to gather through

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<v Speaker 1>just the introduction. This is what the words, though simple

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<v Speaker 1>they might be, are reflecting to us. They want us

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<v Speaker 1>to see this through them. The Mahabharata's mention of Ashwatama's

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<v Speaker 1>night massacre inspired by an owl killing crows is chillingly unique.

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<v Speaker 1>Sutta lists the leaders like a eulogy, Bishma, Drona, Karna, Salia,

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<v Speaker 1>and finally the duel between Bima and Duryodhana. But then

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<v Speaker 1>when all is seemingly over comes the most haunting moment,

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<v Speaker 1>Ashwatama's night of a vengeance. He is inspired by an

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<v Speaker 1>owl killing crows. What's he inspired by? Nature? The natural world? Right?

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<v Speaker 1>He was inspired by animals, which aren't exactly of divine intelligence,

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<v Speaker 1>let's be honest. And he chooses to take on that

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<v Speaker 1>animalist nature because he engages in a night of a vengeance.

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<v Speaker 1>So again, this is reflecting back to us that human

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<v Speaker 1>nature can be of one kind, doesn't have to be,

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<v Speaker 1>but it can be of one kind, and that is

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<v Speaker 1>of animalistic nature. And it's also an omen that the

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<v Speaker 1>natural order has turned nocturnal. It's turned dark, right, owl

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<v Speaker 1>killing crows, it's dark in blind rage, in darkness, when

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<v Speaker 1>they were sleeping. He slaughters the sleeping sons of Dropadi.

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<v Speaker 1>The war's blood is not yet dry, and yet another

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<v Speaker 1>soul breaks under the weight of his grief. This is

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<v Speaker 1>where the Mahabharata becomes more than epic. It becomes a

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<v Speaker 1>mirror of mental torment. Ashatama represents the human mind after trauma,

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<v Speaker 1>rational thought, gone, ethics blurred, haunted by the illusion that

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<v Speaker 1>revenge equals justice. Krishna intervenes not by killing him, but

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<v Speaker 1>by transforming him, and we'll see that as we go

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<v Speaker 1>through the Mahabharata. He curses Ashwatama to live eternally, a

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<v Speaker 1>wandering lesson that unhealed anger never dies. In a lot

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<v Speaker 1>of ways, I'm reminded of what God does to Cain

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<v Speaker 1>in the Hebrew Bible, the famous story of Cain and Abel,

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<v Speaker 1>where Cain is spared even after he kills his own

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<v Speaker 1>brother Abel. But he's left wandering, right, He's left wandering

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<v Speaker 1>the earth as a fugitive forever. Every generation finds it.

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<v Speaker 1>It's Ashwatama. Ashwaamah is shunned, the part of us that

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<v Speaker 1>cannot move on. It's forever stuck in wandering. It's lost.

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<v Speaker 1>In many cultures, owl symbolize death or hidden wisdom. Ashwatama,

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<v Speaker 1>driven by grief over his father Drouna's death, channels this

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<v Speaker 1>omen into a brutal act, slaughtering the Jala's as they sleep.

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<v Speaker 1>It actually suggests the shadow side of instinct, when pain

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<v Speaker 1>distorts instinct or insight into destruction. Right when we are

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<v Speaker 1>we seem incentivized, or we start to take on this

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<v Speaker 1>impulse toward further destruction, toward anger and revenge and vengeance.

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<v Speaker 1>So today we might see this in how social media

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<v Speaker 1>amplifies rage. Right, social media can amplify rage in us,

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<v Speaker 1>turning omens like viral posts into calls for vengeance. Ashwatama's

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<v Speaker 1>act is a cautionary tale. Unchecked grief can desecrate even

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<v Speaker 1>sacred ground. Then, what is fascinating about the Mahabharata is

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<v Speaker 1>that it pivots from telling us about, you know, these

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<v Speaker 1>scenes that will be coming up in the Bharata itself.

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<v Speaker 1>It pivots to just the text, talking about the text

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<v Speaker 1>itself and how it is a just text. I also

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<v Speaker 1>describe the Bible as a just text right, just as injustice,

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<v Speaker 1>and I explained that, of course in my books, which

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<v Speaker 1>you can discover on Amazon. The Badatha here is described

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<v Speaker 1>as the path to liberation, a treatise. Notice the word

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<v Speaker 1>treaties on dharma arta and Gama. Sutta then says right.

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<v Speaker 1>He says, this story the Baatha was once told by

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<v Speaker 1>Vyasa's disciple to King Jana Maajaya. So we are hearing

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<v Speaker 1>a story within a story within another story. Vasa to

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<v Speaker 1>the disciple, the disciple right to. Then come Sutta to

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<v Speaker 1>the Rishis, and then the to us. Of course, us

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<v Speaker 1>here in this podcast me to you. This is not

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<v Speaker 1>all you know linear storytelling. It's fractal storytelling. The Maha

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<v Speaker 1>Baratha is designed like the universe. Every part contains the whole.

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<v Speaker 1>When Suta calls it the atman among things to be known,

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<v Speaker 1>he is saying that this story is not entertainment, it

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<v Speaker 1>is consciousness itself. Listening to it purifies the listener because

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<v Speaker 1>it awakens awareness of life's paradoxes, love and loss, action

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<v Speaker 1>and renunciation, dharma and despair, boons being given by God

404
00:30:25.920 --> 00:30:32.480
<v Speaker 1>to even demons. Right in our age, listening has become passive, right,

405
00:30:32.559 --> 00:30:35.480
<v Speaker 1>nobody wants to listen. That's half of humanity's problem is

406
00:30:35.519 --> 00:30:37.960
<v Speaker 1>that it's stubborn. It doesn't want to listen. Even when

407
00:30:37.960 --> 00:30:41.720
<v Speaker 1>it believes it's listening, it's really not listening, right, So

408
00:30:41.759 --> 00:30:44.680
<v Speaker 1>it doesn't want to listen. There's this stubbornness in humanity,

409
00:30:44.720 --> 00:30:47.759
<v Speaker 1>and so you know, we are still facing the crises

410
00:30:47.799 --> 00:30:52.240
<v Speaker 1>that we have faced thousands of years before, consistent issues.

411
00:30:52.279 --> 00:30:56.079
<v Speaker 1>We consistently battle the same problems decade after decade. We

412
00:30:56.160 --> 00:31:01.119
<v Speaker 1>keep talking about them, keep analyzing them or not solving them.

413
00:31:01.279 --> 00:31:08.160
<v Speaker 1>In Vedic culture, sravana sravana listening was a form of yoga.

414
00:31:08.799 --> 00:31:12.759
<v Speaker 1>When you listen deeply to truth, you dissolve karma. That's

415
00:31:12.799 --> 00:31:17.519
<v Speaker 1>why Sutta compares listening to bathing in sacred waters, because

416
00:31:17.559 --> 00:31:22.079
<v Speaker 1>each of verse washes a layer of illusion away. It's

417
00:31:22.119 --> 00:31:25.839
<v Speaker 1>compared to the Atma. The Mahabharata is compared to the Atman,

418
00:31:25.960 --> 00:31:30.119
<v Speaker 1>the soul of all stories, freeing listeners from sin, like

419
00:31:30.640 --> 00:31:36.759
<v Speaker 1>bathing in Pushkada's holy waters. Its structure barvas like Adi,

420
00:31:36.960 --> 00:31:44.319
<v Speaker 1>Sabah and Aranyaka, unfolds a tapestry of human experience. Suta

421
00:31:44.400 --> 00:31:49.480
<v Speaker 1>does outline the Mahabharata structure, the re the barvas from

422
00:31:49.519 --> 00:31:53.319
<v Speaker 1>Adi to Swarga, on and on, from origin to ascent.

423
00:31:53.960 --> 00:31:57.880
<v Speaker 1>This is not random listing. Its spiritual anatomy that's being

424
00:31:57.960 --> 00:32:01.680
<v Speaker 1>laid out for us, that's being conveyed to us, is

425
00:32:01.720 --> 00:32:03.920
<v Speaker 1>being told that this is what we're going to go through,

426
00:32:03.920 --> 00:32:06.000
<v Speaker 1>This is what you're going to go through in your life.

427
00:32:06.039 --> 00:32:09.119
<v Speaker 1>In a lot of ways, each parva is a chakra,

428
00:32:09.400 --> 00:32:13.279
<v Speaker 1>a center of energy in the human experience. Adhi parva

429
00:32:13.599 --> 00:32:21.599
<v Speaker 1>birth beginnings, formation of ego and purpose, Saba parva ambition, power, pride, right,

430
00:32:21.720 --> 00:32:27.839
<v Speaker 1>the manipura chakra, Vana parva, exile, introspection, the heart's longing,

431
00:32:28.880 --> 00:32:35.640
<v Speaker 1>Virata parva concealment, humility, the throat silence, trying to achieve understanding,

432
00:32:36.119 --> 00:32:41.839
<v Speaker 1>ud yoga parva, choice, alignment, the ajina chakra of insight,

433
00:32:43.079 --> 00:32:47.759
<v Speaker 1>bishma tu drona barv us right, the war itself, awakening

434
00:32:47.799 --> 00:32:52.079
<v Speaker 1>through conflict, restoration of order, Order comes out of disorder.

435
00:32:53.400 --> 00:32:58.519
<v Speaker 1>The crown is achieved right Shanti or santi and anusasana

436
00:32:58.759 --> 00:33:03.440
<v Speaker 1>barvas wisdom, surrender, surrendering to the Holy God, God itself,

437
00:33:03.519 --> 00:33:08.839
<v Speaker 1>the crown, padava, liberation, merging with the divine. It's not

438
00:33:09.200 --> 00:33:13.640
<v Speaker 1>just a war story. It's the journey of consciousness from

439
00:33:13.759 --> 00:33:21.079
<v Speaker 1>ignorance to illumination. Each fall, each exile, each battle, each

440
00:33:21.160 --> 00:33:25.240
<v Speaker 1>failure mirrors the inner wars we all face. What makes

441
00:33:25.279 --> 00:33:29.960
<v Speaker 1>this epic so enduring. It's enduring because you see yourself

442
00:33:30.039 --> 00:33:33.440
<v Speaker 1>in it, or at least if you're now following this podcast,

443
00:33:33.519 --> 00:33:36.319
<v Speaker 1>you will begin to see how you are in it. Right,

444
00:33:36.759 --> 00:33:41.519
<v Speaker 1>You will thoroughly actually understand how you are reflected in

445
00:33:41.559 --> 00:33:46.000
<v Speaker 1>the Mahabadata. So spiritually, the Badata is a mirror for

446
00:33:46.079 --> 00:33:50.359
<v Speaker 1>the soul. Its stories are Juna's exile, dropa dis swam vada,

447
00:33:50.440 --> 00:33:54.759
<v Speaker 1>Krishna's cosmic revelation in the Ghita reflect the human journey

448
00:33:54.759 --> 00:34:00.440
<v Speaker 1>through desire, duty, and transcendence, responsibility, then letting it all go, oh,

449
00:34:00.720 --> 00:34:04.640
<v Speaker 1>but still letting it go in not in failure, but

450
00:34:04.720 --> 00:34:08.960
<v Speaker 1>in a sense of success. Right. The mahabhadat the claims

451
00:34:09.000 --> 00:34:14.800
<v Speaker 1>reciting it's itself cleanses sins, suggesting a cathartic power akin

452
00:34:14.840 --> 00:34:19.960
<v Speaker 1>to meditation or prayer in Yungian terms. Related to Carl

453
00:34:20.079 --> 00:34:24.840
<v Speaker 1>jung Right, the famous psychologist, It's an archetypal narrative, with

454
00:34:25.000 --> 00:34:29.480
<v Speaker 1>heroes like our Juna embodying the warrior within us wrestling

455
00:34:29.519 --> 00:34:33.679
<v Speaker 1>with doubt and destiny. Listening to it, we confront our

456
00:34:33.760 --> 00:34:36.800
<v Speaker 1>own moral dilemmas in the twenty first century in the

457
00:34:36.840 --> 00:34:44.880
<v Speaker 1>postmodern world, finding clarity in the Mahabhada doas vastness the

458
00:34:44.960 --> 00:34:49.719
<v Speaker 1>Mahabhadata structure it does mirror how we process collective trauma.

459
00:34:50.159 --> 00:34:54.960
<v Speaker 1>It's butt of us are like chapters of history, wars, betrayals, exiles,

460
00:34:55.320 --> 00:34:59.599
<v Speaker 1>yet they offer hope through resilience. Think about just even

461
00:35:00.360 --> 00:35:06.159
<v Speaker 1>generational family trauma, right, wars amongst family members and different clans,

462
00:35:06.199 --> 00:35:11.679
<v Speaker 1>and how we process that. You know, storytelling on platforms,

463
00:35:11.800 --> 00:35:16.199
<v Speaker 1>different social media platforms serves a similar role, even if

464
00:35:16.199 --> 00:35:20.559
<v Speaker 1>it's just in small post forms right or limited number

465
00:35:20.559 --> 00:35:25.239
<v Speaker 1>of character posts. The Maha Batata's claim that it surpasses

466
00:35:25.400 --> 00:35:29.760
<v Speaker 1>mere vowels and consonants resonates with how stories, whether in

467
00:35:29.840 --> 00:35:36.679
<v Speaker 1>ancient texts or viral you know, social media threads, shape culture, ethics,

468
00:35:36.719 --> 00:35:41.400
<v Speaker 1>and identity. Now here's a wild thought. What if the

469
00:35:41.440 --> 00:35:46.639
<v Speaker 1>Maha Badata is an ancient Ai. Its vastness, with interconnected

470
00:35:46.719 --> 00:35:52.039
<v Speaker 1>stories and teachings resembles a neural network processing dharma across

471
00:35:52.320 --> 00:35:57.679
<v Speaker 1>contexts vasa. Its composer is like a coder, embedding wisdom

472
00:35:57.800 --> 00:36:04.760
<v Speaker 1>into a self sustaining When the Mahabharata says it's cherished

473
00:36:04.840 --> 00:36:09.639
<v Speaker 1>by poets as servants honor masters, it evokes how AI

474
00:36:10.440 --> 00:36:16.000
<v Speaker 1>serves users by weaving knowledge into answers The Mahabharata's ability

475
00:36:16.039 --> 00:36:20.599
<v Speaker 1>to free from sin parallels how information, when shared with

476
00:36:20.760 --> 00:36:26.920
<v Speaker 1>the right intent, can enlighten or heal. Samantha Panchaka, born

477
00:36:26.960 --> 00:36:31.400
<v Speaker 1>in blood, sanctified by boons and immortalized by war, dance

478
00:36:31.840 --> 00:36:36.280
<v Speaker 1>as a testament to humanity's dance with destruction and redemption.

479
00:36:37.519 --> 00:36:41.480
<v Speaker 1>When Suta calls the Mahabharata as vital as the elements,

480
00:36:41.679 --> 00:36:46.440
<v Speaker 1>he's not exaggerating. He's reminding us that dharma, the principle

481
00:36:46.480 --> 00:36:50.480
<v Speaker 1>of truth, balance and order, is the gravitational force of

482
00:36:50.599 --> 00:36:56.800
<v Speaker 1>human existence. This dance between destruction and redemption right, Humanity's

483
00:36:56.920 --> 00:36:59.400
<v Speaker 1>dance that I just mentioned reminds me of what I

484
00:36:59.480 --> 00:37:05.559
<v Speaker 1>taught you about life a few podcast episodes ago, where

485
00:37:05.599 --> 00:37:08.679
<v Speaker 1>I said that life, all that life is, is a

486
00:37:08.760 --> 00:37:14.400
<v Speaker 1>consistent confrontation between what we call good and chaos. That's

487
00:37:14.440 --> 00:37:19.519
<v Speaker 1>what life is, is a consistent confrontation, a consistent, complicated

488
00:37:19.719 --> 00:37:24.840
<v Speaker 1>dance between good and chaos. This competitive dance, I called it,

489
00:37:24.880 --> 00:37:31.880
<v Speaker 1>a competitive dance break dharma, and like gravity, it doesn't punish.

490
00:37:32.159 --> 00:37:40.639
<v Speaker 1>It corrects. Ramas Lakes, Kurukshetra's battlefield, and Ashwatama's curse. They

491
00:37:40.679 --> 00:37:46.639
<v Speaker 1>are all gravitational corrections in our lives too. When we

492
00:37:46.840 --> 00:37:51.400
<v Speaker 1>act from greed, anger or pride, the universe doesn't condemn us,

493
00:37:51.760 --> 00:37:56.880
<v Speaker 1>it rebalances us. The Mahabadata shows that even divine avatars

494
00:37:56.960 --> 00:38:02.039
<v Speaker 1>and sages are not immune to this law. But when

495
00:38:02.079 --> 00:38:07.639
<v Speaker 1>they awaken, their pain becomes purification, their sin becomes sanctity,

496
00:38:08.119 --> 00:38:12.840
<v Speaker 1>and their remorse becomes a pilgrimage site. The Maha Bhadata's

497
00:38:12.920 --> 00:38:18.400
<v Speaker 1>narrative from Rama's Lakes to the Pandavas Triumph invites us

498
00:38:18.679 --> 00:38:25.159
<v Speaker 1>to reflect our own sacred spaces, literal and metaphorical. So again,

499
00:38:25.199 --> 00:38:28.719
<v Speaker 1>what is Samantha Panjaka today? It is not a lake

500
00:38:28.840 --> 00:38:32.320
<v Speaker 1>in India. It is the landscape of the human heart.

501
00:38:32.960 --> 00:38:37.119
<v Speaker 1>Every time we battle with ourselves between rage and forgiveness,

502
00:38:37.559 --> 00:38:42.480
<v Speaker 1>between you know, accepting someone again or rejecting them, it

503
00:38:42.559 --> 00:38:45.519
<v Speaker 1>is it's the It's you know, pride and peace, right,

504
00:38:45.920 --> 00:38:49.920
<v Speaker 1>control and surrender, all these battles within ourselves. We stand

505
00:38:50.079 --> 00:38:54.239
<v Speaker 1>on our own Samantha Panjaka. We are on that Samantha Punchaka.

506
00:38:54.320 --> 00:38:56.760
<v Speaker 1>Each time we engage in these battles in our in

507
00:38:56.840 --> 00:39:01.760
<v Speaker 1>our minds, each of us has has our lakes filled

508
00:39:01.840 --> 00:39:07.679
<v Speaker 1>not with obviously blood, but with memories. Regrets, memorialized karma,

509
00:39:07.840 --> 00:39:11.159
<v Speaker 1>words we can't take back, and each of us has

510
00:39:11.280 --> 00:39:15.840
<v Speaker 1>ancestors not just of blood, but of spirit waiting to say,

511
00:39:16.000 --> 00:39:21.360
<v Speaker 1>be free, let your pain become sacred. The Mahabadata was

512
00:39:21.480 --> 00:39:26.440
<v Speaker 1>never about ancient war. It was about modern conscience. And

513
00:39:26.519 --> 00:39:29.599
<v Speaker 1>when we listen not just with the ears, but with

514
00:39:29.719 --> 00:39:34.840
<v Speaker 1>the soul, we rediscover what Suta called the athman among

515
00:39:34.960 --> 00:39:39.239
<v Speaker 1>things to be known, right, the atman among things to

516
00:39:39.280 --> 00:39:41.559
<v Speaker 1>be known. There are many things that there are out

517
00:39:41.559 --> 00:39:44.719
<v Speaker 1>there that are to be known. But God is of

518
00:39:44.800 --> 00:39:48.960
<v Speaker 1>a very special, very supreme kind, as I state in

519
00:39:49.039 --> 00:39:51.920
<v Speaker 1>my book, who God really is. And that is what

520
00:39:52.320 --> 00:39:57.280
<v Speaker 1>differentiates or it speaks to the difference between knowledge and wisdom.

521
00:39:57.559 --> 00:40:00.559
<v Speaker 1>Wisdom serves us well. Wisdom is exis ex actly what

522
00:40:00.760 --> 00:40:06.840
<v Speaker 1>is lacking tremendously amongst so many humans, including what society

523
00:40:07.039 --> 00:40:10.800
<v Speaker 1>deems or whose society deems us the genius is on earth,

524
00:40:11.199 --> 00:40:16.800
<v Speaker 1>Wisdom lacks in them severely. The greatest war is never

525
00:40:16.880 --> 00:40:19.760
<v Speaker 1>between the Pandavas and the God of us. It is

526
00:40:19.800 --> 00:40:23.519
<v Speaker 1>between the darkness and the light within us. And Samantha

527
00:40:23.559 --> 00:40:28.000
<v Speaker 1>Panchaka is where that war ends in stillness, in forgiveness,

528
00:40:28.039 --> 00:40:34.480
<v Speaker 1>in awakening, and in wisdom, Samantha Panchaka is a metaphor

529
00:40:34.559 --> 00:40:37.639
<v Speaker 1>for your heart. You know, like the lakes, our inner

530
00:40:37.679 --> 00:40:41.559
<v Speaker 1>worlds can be stained by anger or loss. Yet through intention,

531
00:40:41.960 --> 00:40:46.599
<v Speaker 1>like Rama's offering right at the very beginning of my

532
00:40:47.079 --> 00:40:52.159
<v Speaker 1>episode from yesterday, that offering is made, they become tirtas

533
00:40:53.079 --> 00:40:57.119
<v Speaker 1>your inner worlds become those crossing points or portals to peace.

534
00:40:58.199 --> 00:41:03.360
<v Speaker 1>The Mahabharata's emphasis on Samantha Panchaka's sanctity across the three

535
00:41:03.400 --> 00:41:11.800
<v Speaker 1>worlds suggests a universal truth. Every wound, when realized that

536
00:41:12.360 --> 00:41:15.480
<v Speaker 1>it must not stand for what it is, which is

537
00:41:15.559 --> 00:41:19.800
<v Speaker 1>wound a wound, it becomes a portal to the divine right.

538
00:41:19.880 --> 00:41:22.559
<v Speaker 1>We don't want wounds. It is okay to say I

539
00:41:22.599 --> 00:41:25.480
<v Speaker 1>don't want to be wounded, or I don't want this

540
00:41:25.559 --> 00:41:29.119
<v Speaker 1>wound to stick, or I don't want to embrace a

541
00:41:29.159 --> 00:41:32.800
<v Speaker 1>wound from what I've gone through. It's not necessary, folks,

542
00:41:32.800 --> 00:41:35.679
<v Speaker 1>for you to have a wound, and I'll talk about

543
00:41:35.719 --> 00:41:39.320
<v Speaker 1>that in a future episode. But those wounds, whatever you

544
00:41:39.400 --> 00:41:42.559
<v Speaker 1>do have, when you recognize them that they must not

545
00:41:42.840 --> 00:41:46.159
<v Speaker 1>be for a bee as they are or what they are,

546
00:41:46.480 --> 00:41:49.039
<v Speaker 1>then we can then make them portals to the divine

547
00:41:49.079 --> 00:41:52.400
<v Speaker 1>and that's when the transformation occurs from you know, being

548
00:41:52.400 --> 00:41:55.880
<v Speaker 1>a wound to being something of wisdom. You know, we

549
00:41:55.920 --> 00:42:00.119
<v Speaker 1>turn wounds into wisdom. Meditation practice is like you know,

550
00:42:00.239 --> 00:42:04.599
<v Speaker 1>vipsana Vipsana meditation or the more powerful meditation that I

551
00:42:04.800 --> 00:42:07.239
<v Speaker 1>discuss in my book Who God really is, which is

552
00:42:07.360 --> 00:42:12.360
<v Speaker 1>Manthra meditation. It echoes all of these truths. They urge us,

553
00:42:12.480 --> 00:42:18.079
<v Speaker 1>Especially Manthra meditation urges us to transform wounds into wisdom

554
00:42:18.679 --> 00:42:22.159
<v Speaker 1>as we call upon God, more of God to enter

555
00:42:22.280 --> 00:42:26.800
<v Speaker 1>our being and to be one with our being in reality,

556
00:42:26.880 --> 00:42:31.280
<v Speaker 1>Samantha Panchaka mirrors places like Gettysburg in the US or

557
00:42:31.360 --> 00:42:38.760
<v Speaker 1>Hiroshima in Japan, battle grounds turned memorials. These sites, once scarred,

558
00:42:39.039 --> 00:42:44.000
<v Speaker 1>now draw pilgrims seeking meaning on different social media platforms.

559
00:42:44.039 --> 00:42:48.960
<v Speaker 1>Discussions about different sacred sites often highlight their role in reconciliation.

560
00:42:49.599 --> 00:42:54.719
<v Speaker 1>Like indigenous lands right, Samantha Panchaka story urges us to

561
00:42:54.840 --> 00:42:59.119
<v Speaker 1>honor our planets, wounded places from war torn regions to

562
00:42:59.239 --> 00:43:04.400
<v Speaker 1>polluted river as potential tirtas or portals for collective healing.

563
00:43:05.480 --> 00:43:11.559
<v Speaker 1>The Mahambharata calls Time the great orchestrator, weaving Rama's rage.

564
00:43:11.800 --> 00:43:17.320
<v Speaker 1>The Mahabharata, war and the Mahabarata's wisdom into one tapestry.

565
00:43:18.079 --> 00:43:22.079
<v Speaker 1>In quantum physics, time is nonlinear, a fabric where past

566
00:43:22.159 --> 00:43:25.559
<v Speaker 1>and future coexist. In my book, I mentioned time as

567
00:43:25.599 --> 00:43:35.280
<v Speaker 1>being simply an affixation to the continuous presence Samantha Panchaka. Then,

568
00:43:35.920 --> 00:43:41.119
<v Speaker 1>within the scope of these correct understandings of reality related

569
00:43:41.159 --> 00:43:46.159
<v Speaker 1>to time is just a temporary note where events across

570
00:43:46.239 --> 00:43:51.119
<v Speaker 1>Yugas converge. It invites us to see our lives as

571
00:43:51.199 --> 00:43:55.519
<v Speaker 1>part of a larger weave, where every act, violent or

572
00:43:55.559 --> 00:44:00.679
<v Speaker 1>redemptive shapes the cosmic story. As we leave Samantha Bunchuka,

573
00:44:00.800 --> 00:44:04.760
<v Speaker 1>we carry its lessons. Rage can birth sanctity, war can

574
00:44:04.840 --> 00:44:09.519
<v Speaker 1>teach peace, and stories can liberate. Whether you see it

575
00:44:09.559 --> 00:44:14.360
<v Speaker 1>as a spiritual crucible, ahistorical mirror, or a cosmic algorithm,

576
00:44:14.840 --> 00:44:19.519
<v Speaker 1>the Mahabadata challenges us to find the sacred in our struggles.

577
00:44:23.119 --> 00:44:27.639
<v Speaker 1>On different social media platforms, users share stories or tales

578
00:44:27.719 --> 00:44:30.840
<v Speaker 1>of personal battles. Right there's a lot of what I

579
00:44:30.920 --> 00:44:35.920
<v Speaker 1>call quote unquote emotion porn out there, everybody sharing their grief,

580
00:44:35.960 --> 00:44:39.039
<v Speaker 1>story or their wounds into the world. How many are

581
00:44:39.079 --> 00:44:43.039
<v Speaker 1>actually focusing more on their self healing, though, right, rather

582
00:44:43.079 --> 00:44:47.159
<v Speaker 1>than being captivated by all everybody else's in all these battles.

583
00:44:47.199 --> 00:44:50.920
<v Speaker 1>Everybody's just putting out there. How many are actually healing

584
00:44:51.079 --> 00:44:55.199
<v Speaker 1>themselves rather than just continually talking and talking and talking

585
00:44:55.239 --> 00:45:01.800
<v Speaker 1>and unloading those griefs onto strangers on the internet. In

586
00:45:01.840 --> 00:45:06.079
<v Speaker 1>the mahabadat the action is taken to heal, action is taken.

587
00:45:06.880 --> 00:45:09.199
<v Speaker 1>A lot of humans are losing that aspect. We're just

588
00:45:09.239 --> 00:45:12.920
<v Speaker 1>sitting there, especially on these social media platforms, and especially

589
00:45:12.920 --> 00:45:16.280
<v Speaker 1>with our love for therapists, right, talking and talking and

590
00:45:16.320 --> 00:45:18.880
<v Speaker 1>talking our griefs. But how many people are actually doing

591
00:45:19.800 --> 00:45:22.599
<v Speaker 1>or undertaking the methods, for example, that I mentioned in

592
00:45:22.639 --> 00:45:26.199
<v Speaker 1>my book Who God Really Is for self healing? Not

593
00:45:26.639 --> 00:45:29.159
<v Speaker 1>very many. When you look at the world around you,

594
00:45:29.320 --> 00:45:32.400
<v Speaker 1>or broadly speaking, right, when you look at the overly

595
00:45:32.480 --> 00:45:35.639
<v Speaker 1>unstable world, or when you consider how difficult it is

596
00:45:35.719 --> 00:45:38.360
<v Speaker 1>for people to hold down a marriage in this day

597
00:45:38.400 --> 00:45:40.320
<v Speaker 1>and age, or how difficult it is to even just

598
00:45:40.599 --> 00:45:43.440
<v Speaker 1>form a relationship or try to get to the stage

599
00:45:43.440 --> 00:45:46.559
<v Speaker 1>of marriage or feel comfortable with the concept of marriage. Right,

600
00:45:47.159 --> 00:45:50.159
<v Speaker 1>So a lot of people need what I am offering.

601
00:45:53.320 --> 00:45:59.119
<v Speaker 1>What wounds will you transform with the knowledge that I provide? Pause,

602
00:45:59.440 --> 00:46:04.320
<v Speaker 1>take a moment reflect and perhaps like Rama at the

603
00:46:04.320 --> 00:46:09.920
<v Speaker 1>beginning of yesterday's Naked Hindu Tales episode, offer your burdens

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<v Speaker 1>to something greater. Thanks for joining me on today's Naked

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<v Speaker 1>Hindu Tales episode. Leave a review on Spotify or Apple Podcasts.

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<v Speaker 1>I'll really appreciate it, and ask me any spiritual or

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<v Speaker 1>non spiritual question you have in your review. I'll be

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<v Speaker 1>sure to cover it in a future episode for the

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<v Speaker 1>benefit of all. Do check out all of my books

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<v Speaker 1>on Amazon. I cannot stress enough how valuable they are.

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<v Speaker 1>So that's why I repeatedly mention different books in my

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<v Speaker 1>podcast episodes, especially for the new view for the new listeners,

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<v Speaker 1>and thank you again for listening. I'll speak with you

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<v Speaker 1>in the next episode.
