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<v Speaker 1>You see, something's going to happen. What's going to happen?

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<v Speaker 2>What I.

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<v Speaker 3>Welcome back to the occult Rejects. Today we're diving into

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<v Speaker 3>a book that is not just about The X Files

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<v Speaker 3>as a television show, but about the X Files as

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<v Speaker 3>a cultural event, a conspiracy artifact, and a map of

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<v Speaker 3>the late twentieth century paranoia. We're talking about the xf

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<v Speaker 3>ultra the deepest dive the X Files, Conspiracy Culture, and

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<v Speaker 3>the National Security State by Christopher Knowles. Even though the

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<v Speaker 3>tunnel alone you can see what kind of territory the

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<v Speaker 3>book is moving through not just aliens, monsters and FBI files,

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<v Speaker 3>but conspiracy culture, myth symbolism, state secrecy, and the machinery

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<v Speaker 3>of modern belief. Knowles himself frames the book as a

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<v Speaker 3>work of cultural criticism and historical and artistic analysis, not

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<v Speaker 3>just fandom, which is important because this is clearly meant

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<v Speaker 3>to go much deeper than a simple episode guide. Christopher

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<v Speaker 3>Noles comes into the subject to somebody who has been

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<v Speaker 3>circling these themes for a long time. The front matter

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<v Speaker 3>shows a body of work already steeped in pop culture,

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<v Speaker 3>hidden meanings, comics, rock history and symbolic analysis, and in

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<v Speaker 3>the introduction, he makes it clear that this book grew

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<v Speaker 3>out of decades long obsession with the X Files. He

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<v Speaker 3>even says he co wrote the complete X Files back

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<v Speaker 3>in two thousand and eight and describes his own background

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<v Speaker 3>as one shaped by paranormal media, punk culture, simple spotting,

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<v Speaker 3>and proximity to people tied to the national security world.

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<v Speaker 3>So this is not a detached outside of looking in.

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<v Speaker 3>This is somebody who sees The X Files as one

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<v Speaker 3>of the great modern myth making engines of our time,

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<v Speaker 3>and who wants to trace everything packed inside it, from

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<v Speaker 3>UFO law and black projects to myth religion, human experimentation,

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<v Speaker 3>and the deeper symbolic architecture of this series itself. What

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<v Speaker 3>makes this book interesting is that Knowles is not arguing

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<v Speaker 3>that The X Files was just a hit show with

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<v Speaker 3>creepy monsters in great atmosphere. He's arguing it became something

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<v Speaker 3>much larger, a lens for reading the fears, conspiracies, obsessions,

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<v Speaker 3>and hidden tensions of the modern world. And when you

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<v Speaker 3>look at the table of contents you can see the

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<v Speaker 3>ambition immediately. Nineteen seventies conspiracy thrillers, UFO conspiracy theories, human experimentation, mythology,

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<v Speaker 3>the Bible Files, the Gnostic X Files, and then season

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<v Speaker 3>by season breakdowns tied back into all of it. This

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<v Speaker 3>book is trying to explain why The X Files hit

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<v Speaker 3>so hard, why it stayed alive in people's minds, and

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<v Speaker 3>why it still feels connected to the world long after

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<v Speaker 3>the original moment that produced it all. Right, now, enough

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<v Speaker 3>out of me, and before we introduced this guest, let

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<v Speaker 3>me introduce everybody else that is on the show with us,

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<v Speaker 3>all the other rejects. What is going on, Kiva? It's

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<v Speaker 3>good to have you back on. How are you?

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<v Speaker 2>Yeah?

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<v Speaker 4>Yeah, I'm doing great. Thanks for having me back on.

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<v Speaker 4>Nice to meet you, Chris.

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<v Speaker 5>I do traditional astrology as well as taro. You can

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<v Speaker 5>find me at eleven Kaiba Rose thirty three dot com

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<v Speaker 5>or Kiva Rose on Instagram, Facebook, and YouTube.

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<v Speaker 3>Good to have you, No, thank you so much for

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<v Speaker 3>making it. And my man Headless Giant. What is going on? Sir?

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<v Speaker 3>How wire? I? Hi?

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<v Speaker 6>You doing?

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<v Speaker 7>You can find me on Instagram, on Twitter, and on

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<v Speaker 7>YouTube at the Headless Giant. I'm also on Rumble right now,

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<v Speaker 7>so check those out. I'm happy to get into it.

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<v Speaker 7>I've got the trialogue on Sunday with Ethan Indigo and

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<v Speaker 7>Ricardo Calvario. I'm probably gonna be doing a live with

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<v Speaker 7>Ricardo this Sunday because he's down in Wisconsin, so we're

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<v Speaker 7>going to have a good time doing that.

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<v Speaker 6>So thank you.

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<v Speaker 3>Nice, nice, nice. You know what Joey from a Library

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<v Speaker 3>of the n told actually they're building a studio and

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<v Speaker 3>he actually asked me if I might be able to

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<v Speaker 3>go down there and actually record on his show, so

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<v Speaker 3>that would be actually fucking cool.

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<v Speaker 1>Man.

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<v Speaker 3>Yeah, uh, Brandon, my man, what is going on? How

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<v Speaker 3>will you?

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<v Speaker 2>What's up? Everyone? So glad to be back. It feels

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<v Speaker 2>like it's been forever since I've been on the Reject,

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<v Speaker 2>so it's wonderful to see you Nick again. Yeah, Christopher,

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<v Speaker 2>I'm so happy to be on this panel with you.

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<v Speaker 2>Like I told you beforehand, I've been following you for

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<v Speaker 2>years and years. Secret Sun Blog. Everyone should go head

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<v Speaker 2>on over there. Lucifer's technology is something that just cracks

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<v Speaker 2>open the code of all things. I'd say, quite brilliant.

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<v Speaker 2>So you can all follow me on megas in the media, YouTube, X,

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<v Speaker 2>all the thing, Instagram. We're doing it and we're doing

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<v Speaker 2>it all the time. Yeah, I'm just really excited about

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<v Speaker 2>this evening. X Files is one of my favorite shows.

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<v Speaker 2>Season three, episode twenty really breaks down a lot of

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<v Speaker 2>what's been going on in the world, I think, so

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<v Speaker 2>I hope we get into that a little bit today. Yeah,

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<v Speaker 2>I'm just excited to be here.

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<v Speaker 3>Thank you, Oh, thank you very much. Brandon, it's been

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<v Speaker 3>a minute. It's nice to see you back. And Jen

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<v Speaker 3>the Ninja, what is going on? How well are you?

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<v Speaker 8>Freda, what's a boss? Mister ninety three. I'm so glad

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<v Speaker 8>to be here. Thank you so much for inviting me. Obviously, Kaiva,

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<v Speaker 8>I've said this publicly on Brandon Show, but one of

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<v Speaker 8>my favorite astrologers, probably one of the few that I

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<v Speaker 8>really respect, so it's awesome to be on a panel

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<v Speaker 8>with her. Brandon, of course, my erstwhile co host on

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<v Speaker 8>our Monday Lives, which we've been doing a kind of

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<v Speaker 8>gonzo radio, which fits right in with my show, which

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<v Speaker 8>is Threshold Saints, which is serial Experiments, inspect Little Ontology.

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<v Speaker 8>You can find it on a substack is my best

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<v Speaker 8>landing platform, but also Spotify and Apple Threshold Saints substack

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<v Speaker 8>dot com. Today I'm dropping an episode with Paul Frederick

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<v Speaker 8>of the Demonosofty podcast and we're discussing sort of the

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<v Speaker 8>return to Zoroastrianism or what that will look like, of

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<v Speaker 8>course with my co host Solo Exile, and I am

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<v Speaker 8>really excited to be on a panel with Chris. This

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<v Speaker 8>is not my first time being on a panel with Chris.

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<v Speaker 8>It was a couple of years ago on End of

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<v Speaker 8>Day's Radio. But definitely I think we're going to have

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<v Speaker 8>a really interesting discussion. I'm happy to listen and learn,

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<v Speaker 8>and I want to shout out arrows in the chat

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<v Speaker 8>and also Vanessa, So what's up guys and the Great

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<v Speaker 8>Lodge represent Thank you so much, appreciate it.

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<v Speaker 3>That's awesome, nice, thank you very much. I appreciate you

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<v Speaker 3>making it. And finally, Christopher, please let everybody know like

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<v Speaker 3>what's over you where they can find anything that you

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<v Speaker 3>want to promote? Any links social media? What do you dealing?

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<v Speaker 6>Well, I have you know, I've been on Secret Sun

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<v Speaker 6>dot blogspot dot com since two thousand and seven. I've

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<v Speaker 6>got the Secret Sun sub stack, and I've got the

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<v Speaker 6>Secret Sun Institute for Advanced synchro Mysticism on Patreon and

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<v Speaker 6>all all three of those basically you know, they're all

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<v Speaker 6>very active. There's some cross posting but a lot of

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<v Speaker 6>times you'll get unique information on each particular platform. But

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<v Speaker 6>you know, things been rocking and rolling, particularly on the

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<v Speaker 6>Patreon since twenty twenty one, so coming up on five years.

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<v Speaker 6>Substack opened last year, and I have a YouTube channel,

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<v Speaker 6>but I don't really do much on it, you know,

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<v Speaker 6>I just sort of repost things. You know. Most of

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<v Speaker 6>the materials that I will upload will be excerpts or

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<v Speaker 6>reposts from materials that I've done for you know, the

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<v Speaker 6>Patreon and the substacks. And I'm doing books you know

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<v Speaker 6>I've got of course, we're talking about XCF Ultra, and

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<v Speaker 6>I'm working on a sequel to my twenty nineteen novel

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<v Speaker 6>He Will Live Up in the Sky, and I'm really trying.

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<v Speaker 6>One of my plans is to get both the original

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<v Speaker 6>book and the sequel. Now I'm done on audio book

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<v Speaker 6>for people, which is going to be a bit of work.

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<v Speaker 6>You know, you can't ai those kind of things, uh,

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<v Speaker 6>you know, non fiction books because there's so much inflection

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<v Speaker 6>and emotion and so on and so forth. So that's

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<v Speaker 6>gonna be uh, once I get the book done, I'm

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<v Speaker 6>about halfway through it now. Once I get the book done,

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<v Speaker 6>I'm going to be hopefully launching a Kickstarter or whatever

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<v Speaker 6>to uh raise the funds to get a really good reader.

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<v Speaker 6>And both books are very much in the vein of

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<v Speaker 6>you know, the things that you talk about that I

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<v Speaker 6>talk about, that I blog about that I write books about,

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<v Speaker 6>you know. So it's all in the same family. I'm

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<v Speaker 6>not I'm not like writing like like a romance novelist,

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<v Speaker 6>you know, or historic it's all processing the same kind

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<v Speaker 6>of information.

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<v Speaker 3>So that's cool.

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<v Speaker 6>Yeah, yeah, there you go.

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<v Speaker 3>You do have other stuff that you have written that

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<v Speaker 3>I didn't mention, but yeah.

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<v Speaker 6>Yeah, I've got a number of books. Uh you can

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<v Speaker 6>just uh there's a bunch of christ noles is just

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<v Speaker 6>let you know. So I I publish under my phone

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<v Speaker 6>and Chrystopher loreng Knowles. So if you want to look

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<v Speaker 6>me up on Amazon, just make sure because there's a

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<v Speaker 6>actually a fairly well known author who does sort of

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<v Speaker 6>like military fiction named Kris Nolls. So there you go.

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<v Speaker 6>There you have it.

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<v Speaker 3>Thank you, thank you very much, because I again appreciate

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<v Speaker 3>you coming on and everybody go check out his stuff.

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<v Speaker 3>I highly highly suggested if you if you don't know

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<v Speaker 3>who he is, if you don't mind, I would like

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<v Speaker 3>kind of if you could for the listeners. And I

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<v Speaker 3>really enjoyed. I thought it was pretty interesting, maybe because

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<v Speaker 3>of my age when we were close to the same age.

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<v Speaker 3>I just thought it was interesting for the way that

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<v Speaker 3>you put the context of, like, you know, before September tenth,

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<v Speaker 3>nineteen ninety three, how your life was and how you know,

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<v Speaker 3>how you saw the world and what you were into

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<v Speaker 3>before you you know, hit this obsession.

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<v Speaker 6>Yeah, I was primed. I was primed and pumps. Believe me,

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<v Speaker 6>I was. You know, I was there September tenth, nine

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<v Speaker 6>o'clock with Bells on. I was caught in the minutes. Well,

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<v Speaker 6>I mean what the reason being is that my wife

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<v Speaker 6>and I were really big like Fox TV, like when

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<v Speaker 6>it was like Simpson's and I'm embarrassed to say this,

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<v Speaker 6>but like Beverly Hills and Melrose Plays and Grounded for Life.

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<v Speaker 6>I mean, there was a lot of shows that we

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<v Speaker 6>were watching at the time, and we were on Saturday nights.

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<v Speaker 6>We had this ritual. We would order pizza and get

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<v Speaker 6>beers and watch Cops America's Most Wanted, and then the

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<v Speaker 6>show called Sightings.

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<v Speaker 9>I don't know if anybody you remember Sightings, right, Yes,

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<v Speaker 9>Sightings was sort of this like paranormal News magazine shows

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<v Speaker 9>sort of like sixty minutes for High Weirdness, and we

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<v Speaker 9>watched you know, that was like that was our nights.

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<v Speaker 6>That was our Saturday nights. So we started seeing the

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<v Speaker 6>trailers or the promos or whatever you want to call

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<v Speaker 6>them for the X Files, and I was just like,

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<v Speaker 6>you gotta be kidding me. I'm just like And the

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<v Speaker 6>interesting too, is that since they used the same font

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<v Speaker 6>that sort of stressed hype fighter font, I thought that

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<v Speaker 6>it was a spin off of Sightings, Like I thought,

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<v Speaker 6>the X file is going to be a spinoff of Signings,

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<v Speaker 6>which is kind of interesting. And it was all like,

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<v Speaker 6>you know, it's all gonna be UFOs. So just to

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<v Speaker 6>back up, I mean, if you know any of you

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<v Speaker 6>guys are younger, or your viewers or listeners are younger,

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<v Speaker 6>this was a time like early nineties when like UFO

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<v Speaker 6>culture was huge. I mean there would be like conventions,

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<v Speaker 6>UFO conventions somewhere like almost every weekend. And this is

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<v Speaker 6>like in the wake of like Bob Blazaar and Area

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<v Speaker 6>fifty one was a huge thing. You know, Communion was

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<v Speaker 6>a few years before, and then you had films like

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<v Speaker 6>Fire in the Sky and.

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<v Speaker 2>It was just.

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<v Speaker 6>There was a much more innocent world. You know. We

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<v Speaker 6>a lot of us took it more seriously maybe than

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<v Speaker 6>it should have been taken. But it was really big.

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<v Speaker 6>And this is also I had just gotten on the

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<v Speaker 6>Internet shortly before the X Files began, so there is

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<v Speaker 6>this whole thing like the X Files grew up with

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<v Speaker 6>the Internet. I got on the Internet I think almost

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<v Speaker 6>like maybe a week before the X Files premiered, and

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<v Speaker 6>it was like, I can't even begin to tell you

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<v Speaker 6>what it was like for me. I mean, this is

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<v Speaker 6>like a little twenty four you know, bits per second modem, right,

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<v Speaker 6>It's the little archaic thing, right, But it was just

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<v Speaker 6>so intoxicating. It was just like I swear to God,

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<v Speaker 6>it was like so many injecting opium directly into my

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<v Speaker 6>brain stem. It was just incredible. And it was like

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<v Speaker 6>that for a while. I really missed those days, I

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<v Speaker 6>really do. But I discovered like alt conspiracy and all

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<v Speaker 6>this kind of stuff on Usenet, which I had never

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<v Speaker 6>really been exposed to. But at the same time I

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<v Speaker 6>was really into like sixty Greatest Conspiracies of all Time,

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<v Speaker 6>and a couple of years later it was the Big

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<v Speaker 6>Book of Conspiracies, I mean, this is really the dawn

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<v Speaker 6>of the age, and this is like apocalypse culture. I mean,

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<v Speaker 6>I don't know if any of you guys are familiar

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<v Speaker 6>with any of these books or whatever, but I was.

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<v Speaker 6>There was actually a store in New York called see Here,

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<v Speaker 6>which started out just selling like rock magazines, but then

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<v Speaker 6>they sort of branched out and they there was a

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<v Speaker 6>lot of conspiracy stuff. I mean there was like research

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<v Speaker 6>and a mock press and all these kind of things,

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<v Speaker 6>and it was really like it was brand new to me,

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<v Speaker 6>you know. I mean, even though I had watched like

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<v Speaker 6>In Search of and all this kind of you know,

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<v Speaker 6>all this conspiracy movies from the seventies. Obviously Three Days

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<v Speaker 6>of the condor Parallox Files, so on and so forth,

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<v Speaker 6>or Parallax Parallax. Oh, not the Parallax view. I'm getting

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<v Speaker 6>confused here. So anyhow, I was just really I was

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<v Speaker 6>ready for it, you know, I just was prepared for it.

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<v Speaker 6>And that first episode just totally blew me away. But

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<v Speaker 6>then the second episode just like freaked me out. Like

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<v Speaker 6>I really thought like I was getting put on like

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<v Speaker 6>a watch list just for watching the show. I don't

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<v Speaker 6>know if anybody's ever seen the second episode, but it's

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<v Speaker 6>sort of like their Area fifty one episode. But the

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<v Speaker 6>whole thing was just like so incredibly paranoid. It was

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<v Speaker 6>like the most paranoid thing I think I'd ever seen

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<v Speaker 6>on TV before. But like I said, I mean, I

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<v Speaker 6>grew up in the seventies, so I saw Capricorn one

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<v Speaker 6>at the movies, you know, I mean all these kinds

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<v Speaker 6>of things. So I sort of had the same cultural

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<v Speaker 6>background that the writers and the producers of the show had,

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<v Speaker 6>you know, even though it was a few years younger

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<v Speaker 6>than most of them. But you know, I was ready

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<v Speaker 6>for it. So it was really exciting. And I still

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<v Speaker 6>think that the X Files pilot is probably the greatest

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<v Speaker 6>pilot ever made, you know, as far as like this

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<v Speaker 6>is the universe, this is the world. You know, it's

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<v Speaker 6>just completely establishing the world and setting the template and

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<v Speaker 6>just setting the table for everything that was about to come.

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<v Speaker 6>I mean, if you just go back and watch particular

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<v Speaker 6>those first two episodes, it's just amazing how well they

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<v Speaker 6>stand up.

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<v Speaker 3>Thank you, thank you. I know, you do mention something

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<v Speaker 3>in here, and I just kind of wanted to maybe

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<v Speaker 3>have you kind of give a little bit of a

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<v Speaker 3>background on this word hyperstitious because you do hyperstition. Oh okay,

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<v Speaker 3>yperstitious mind work.

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<v Speaker 6>Well yeah, I might have used it as an as

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<v Speaker 6>an adjective. Yeah, so hyperstition is this was it. I

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<v Speaker 6>think I might have been Nick Land who came up

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<v Speaker 6>with it. It was I think it was.

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<v Speaker 1>Him, Yeah, Nick, it was.

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<v Speaker 8>It was the you know, that sort of crew out

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<v Speaker 8>of the New School, for sure. There's a little debate

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<v Speaker 8>about it. I agree. I would say, yeah, I think

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<v Speaker 8>it's fair to say, like epistemologically Nick Land, okay, good,

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<v Speaker 8>he's the one that popularized it.

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<v Speaker 1>Anyway.

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<v Speaker 6>So it's this whole idea of you know, using data

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<v Speaker 6>almost as like as a form of magic. You know

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<v Speaker 6>it really, I mean, it really is a paranormal science

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<v Speaker 6>in some ways, I guess you would say. But it

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<v Speaker 6>has to do with there's a line in a Great

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<v Speaker 6>X Files episode where it says, you know, we predict

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<v Speaker 6>the future, and the best way to predict the futures

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<v Speaker 6>by inventing it, And that, to me is kind of

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<v Speaker 6>how hyperstition basically works. You put all these memes and

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<v Speaker 6>concepts and strange vocabulary and all these kind of things

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<v Speaker 6>out there, and this is very much obviously an Internet

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<v Speaker 6>based kind of thing from that Wild West period of

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<v Speaker 6>the early nineties, and you start to change the course

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<v Speaker 6>of reality through hyperstition, you know, through introducing these concepts

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<v Speaker 6>and ideas and like I said, memes and symbols and

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<v Speaker 6>all these kinds of things in a directed way, and

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<v Speaker 6>it becomes almost like the sort of push and pull

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<v Speaker 6>with external reality. Okay, and if jen am I am

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<v Speaker 6>I on on on track there, I mean you said.

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<v Speaker 8>I mean I I think you do a great job, Chris.

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<v Speaker 8>I'm not going to correct you on it. I think

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<v Speaker 8>that does exactly what it is. It's like a memetic magic.

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<v Speaker 8>It's it's chaos magic, a little left hand path informed.

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<v Speaker 8>It's using memes, keino as the as the Zoomers call

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<v Speaker 8>it as I also call it, you know, creating.

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<v Speaker 1>I think you said it perfectly.

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<v Speaker 8>It's the creator of sort of new words, the syncretism

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<v Speaker 8>of words itself. But all poets, in all magicians, like

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<v Speaker 8>I always say, Austin Osman Spare, I think he is

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<v Speaker 8>the sort of like the og at least kind of

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<v Speaker 8>of this kind of magic. I don't think that they're

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<v Speaker 8>pulling too far away from the you know, Western magical

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<v Speaker 8>tradition with hyperstition. I think it's just maybe a more

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<v Speaker 8>literary or literate way to articulate this exactly the same thing.

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<v Speaker 6>Well, I think, you know, the whole chaos aspect of it,

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<v Speaker 6>I think is you know, you've put the put your

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<v Speaker 6>finger on it there. Because the best example I think

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<v Speaker 6>of hyperstition would be the whole Kech thing from twenty

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<v Speaker 6>sixteen and me on so, and then there was that

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<v Speaker 6>you know, rather underwhelming X Files revival that same year

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<v Speaker 6>in twenty sixteen, so that would be the you know,

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<v Speaker 6>the whole Kech thing, four chan and all that kind

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<v Speaker 6>of thing. So, but it's something that I've been thinking

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<v Speaker 6>more and more and more about. I mean, this is

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<v Speaker 6>something that we can discuss in another episode maybe. But

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<v Speaker 6>the two things that I say are that, you know,

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<v Speaker 6>as far as synchronisticism is concerned, which I think is

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<v Speaker 6>sort of the redheaded cousin of hyperstition in some ways,

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<v Speaker 6>it's sort of the poor relation of hyperstition. But I

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<v Speaker 6>think the X Files in my mind and the work

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<v Speaker 6>that I've done, and I think the work that I

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<v Speaker 6>put in the book bears this out. I think it's

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<v Speaker 6>the most the second most potent synchronistic generator that I've

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<v Speaker 6>ever seen, and then I can even imagine. I don't

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<v Speaker 6>think you could have something with that kind of power

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<v Speaker 6>at any other time, like not even now, you know,

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<v Speaker 6>that time and history, when you still had a mass culture.

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<v Speaker 6>We don't have a mass culture anymore. When the Internet

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<v Speaker 6>was new, it's not new anymore. You had all these

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<v Speaker 6>preconditions that allowed something that was just pumping all this

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<v Speaker 6>incredibly potent symbolism into the culture, and it changed. It

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<v Speaker 6>changed the I mean I think it changed the course

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<v Speaker 6>of history. And that might sound a little over ambitious

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<v Speaker 6>in some ways, but but I really do believe it.

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<v Speaker 6>I think that it changed the way people thought, Like

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<v Speaker 6>you wouldn't have people like Alex Jones and Mark Dice

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<v Speaker 6>in the late nineties without the X Files. I mean,

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<v Speaker 6>those people were just they just would have never gained

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<v Speaker 6>any traction. They would have just seen as you know

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<v Speaker 6>as the way the people like that were seen prior

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<v Speaker 6>to the X Files is just completely marginal, irrelevant, koops.

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<v Speaker 6>And it was because the X Files had made this

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<v Speaker 6>whole worldview so alluring, And I think alluring is really

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<v Speaker 6>the term that it gave, you know, conspiracy culture and

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<v Speaker 6>all the rest of it a push that I can't

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<v Speaker 6>imagine would it ever ever happened without it?

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<v Speaker 3>Okay, that's interesting that you're saying that. I just want

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<v Speaker 3>to ask real quick, maybe your opinion and other people's opinion.

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<v Speaker 3>Could you see the Epstein files kind of like being

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<v Speaker 3>the kind of redone again, because like that's now giving

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<v Speaker 3>people who were like maybe like I've known a lot

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<v Speaker 3>of people, have seen a lot of people that really

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00:21:36.799 --> 00:21:40.759
<v Speaker 3>that was their conspiracy awakening. Now, so like I feel

378
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<v Speaker 3>like it's it's putting. I also have a problem with

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<v Speaker 3>believing it might be real, but I do see that

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<v Speaker 3>now it's like it is putting shit that was considered

381
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<v Speaker 3>a year or two ago, fucking fanatic thinking into like,

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<v Speaker 3>oh no, what's real.

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<v Speaker 6>Yeah, no, it's true. But I also thinks there is

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<v Speaker 6>a lot of hyperstition there. But I'll also think that

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<v Speaker 6>I think that Epstein himself was very aware of the

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<v Speaker 6>of the concept of hyperstition and the concept of me magic.

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<v Speaker 6>You know, he was he was hanging out on all

388
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<v Speaker 6>these boards. I mean, didn't he have I did? I

389
00:22:17.359 --> 00:22:20.960
<v Speaker 6>am I correct? Did he have like a four chance account?

390
00:22:20.960 --> 00:22:24.079
<v Speaker 6>I know he had a discord I think, so, I

391
00:22:24.079 --> 00:22:27.640
<v Speaker 6>mean he was tuned into this all these ideas and

392
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<v Speaker 6>so on. He was following all this stuff. So I

393
00:22:29.640 --> 00:22:33.759
<v Speaker 6>think it gets to be very murky. But I do

394
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<v Speaker 6>think one of the main one of the I think

395
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<v Speaker 6>one of the main objectives behind the epstein whatever it is.

396
00:22:41.920 --> 00:22:47.799
<v Speaker 6>I mean, whether it's a pyop or hyperstition or conspiracy,

397
00:22:47.880 --> 00:22:50.440
<v Speaker 6>whatever you choose to label it as. And it's going

398
00:22:50.480 --> 00:22:53.079
<v Speaker 6>to depend on how you perceive it, right, But I

399
00:22:53.079 --> 00:22:55.759
<v Speaker 6>think and I said this, and I got in trouble

400
00:22:55.759 --> 00:22:57.839
<v Speaker 6>for saying this, but it's like, I think the idea

401
00:22:58.000 --> 00:23:02.079
<v Speaker 6>was like to push the concept, to push this notion

402
00:23:02.119 --> 00:23:05.799
<v Speaker 6>in the public mind that elite pedophiles are interested in

403
00:23:05.960 --> 00:23:11.279
<v Speaker 6>post pubescent girls, when in reality, elite pedophiles are almost

404
00:23:11.440 --> 00:23:15.200
<v Speaker 6>exclusively interested in pre pubescent boys. Okay, I mean that's

405
00:23:15.240 --> 00:23:19.000
<v Speaker 6>just the reality of it. And I think that people

406
00:23:19.039 --> 00:23:22.440
<v Speaker 6>have gotten sort of misdirected, you know. I think it's

407
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<v Speaker 6>very convenient for a lot of people who are involved

408
00:23:26.839 --> 00:23:32.440
<v Speaker 6>in elite predation let's just call it, to think, oh, well,

409
00:23:33.200 --> 00:23:36.039
<v Speaker 6>it's just you know, it's these sixteen year old girls

410
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<v Speaker 6>who you know, they would have gotten in trouble somehow anyway.

411
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<v Speaker 6>You know, they are just you know, from trailer parks,

412
00:23:41.119 --> 00:23:43.359
<v Speaker 6>and they're all headed for trouble. You know, they probab

413
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<v Speaker 6>would have just been like working the strip in Pensacola

414
00:23:45.519 --> 00:23:51.359
<v Speaker 6>or something whatever. And then that's shifting the shifting the

415
00:23:51.400 --> 00:23:56.119
<v Speaker 6>focus away from what it really should be on, which

416
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<v Speaker 6>is that it's always been It's always been and you

417
00:24:00.799 --> 00:24:04.480
<v Speaker 6>read this in religion, in history and myth it's always

418
00:24:04.519 --> 00:24:08.240
<v Speaker 6>been focused on pep besting boys. And this might be

419
00:24:08.400 --> 00:24:12.119
<v Speaker 6>like a little bit of a you know, maybe this

420
00:24:12.200 --> 00:24:14.559
<v Speaker 6>is a little bit too much of us, you know,

421
00:24:14.599 --> 00:24:19.359
<v Speaker 6>a strong drink for people, but I really do believe.

422
00:24:19.039 --> 00:24:21.039
<v Speaker 3>That, and I think, well, I thought that was something

423
00:24:21.039 --> 00:24:23.200
<v Speaker 3>weird about the files. I was like, where's the boys.

424
00:24:23.200 --> 00:24:25.200
<v Speaker 3>It's like, this is old girls. Like I did actually

425
00:24:25.240 --> 00:24:25.880
<v Speaker 3>find that weird.

426
00:24:25.920 --> 00:24:29.400
<v Speaker 6>I was like it was, yeah, well that's see, that's

427
00:24:29.440 --> 00:24:32.160
<v Speaker 6>the thing that gets my hackles up. That's the thing

428
00:24:32.200 --> 00:24:35.759
<v Speaker 6>that raises my suspicions about the true nature of this

429
00:24:35.839 --> 00:24:40.079
<v Speaker 6>whole operation. And like I said, I mean, it's like

430
00:24:41.839 --> 00:24:47.279
<v Speaker 6>I think most people take it for granted if you

431
00:24:48.200 --> 00:24:53.759
<v Speaker 6>read the newspaper even that you know, girls under the

432
00:24:53.799 --> 00:24:56.440
<v Speaker 6>age of twenty, you know, say, between the ages of

433
00:24:56.440 --> 00:25:01.240
<v Speaker 6>fourteen and twenty are very highly sought aft or for prostitution,

434
00:25:01.400 --> 00:25:05.799
<v Speaker 6>whether it's in sort of this gray market prostitution in

435
00:25:06.279 --> 00:25:10.880
<v Speaker 6>Las Vegas or Los Angeles, wherever, you know, whatever you're

436
00:25:10.880 --> 00:25:15.079
<v Speaker 6>talking about. And I think it's just like the problem

437
00:25:15.119 --> 00:25:21.640
<v Speaker 6>that I had. And this gets to vocabulary and definition. Epstein,

438
00:25:21.759 --> 00:25:25.480
<v Speaker 6>as we know it was not technically a pedophile. He

439
00:25:25.640 --> 00:25:28.759
<v Speaker 6>was in a feeble file. He was interested in adolescence.

440
00:25:29.160 --> 00:25:33.240
<v Speaker 6>Those are two different phenomena. You might have been following

441
00:25:33.279 --> 00:25:37.559
<v Speaker 6>this horrible situation in Texas, right with this FedEx driver

442
00:25:38.480 --> 00:25:42.039
<v Speaker 6>who kidnaps this girl. See that, to me is what

443
00:25:42.240 --> 00:25:46.039
<v Speaker 6>see Pedophilia to me is also very very much a

444
00:25:46.079 --> 00:25:50.559
<v Speaker 6>misnomer because really what it is is pedopathy because it always,

445
00:25:50.720 --> 00:25:54.319
<v Speaker 6>it always leads to violence. You know, the children in

446
00:25:55.160 --> 00:25:58.640
<v Speaker 6>the materials that they consume always get younger and younger

447
00:25:58.640 --> 00:26:02.759
<v Speaker 6>and younger. It always becomes violent, all right, it always be.

448
00:26:03.000 --> 00:26:10.240
<v Speaker 6>It doesn't always end in murder, but violence is really

449
00:26:10.279 --> 00:26:15.559
<v Speaker 6>at the core of it, because it is a moral sickness, Okay,

450
00:26:16.079 --> 00:26:20.480
<v Speaker 6>And I think redefining that is this this some sleazy

451
00:26:20.519 --> 00:26:24.119
<v Speaker 6>old banker from New York who has a taste for

452
00:26:24.480 --> 00:26:28.680
<v Speaker 6>sixteen year old blonde girls from Florida doesn't really do

453
00:26:30.319 --> 00:26:33.599
<v Speaker 6>the real problem. You know, it doesn't do that doesn't

454
00:26:33.599 --> 00:26:37.400
<v Speaker 6>do justice to what the problem really is all about. Okay,

455
00:26:38.160 --> 00:26:39.920
<v Speaker 6>so I'm sorry, I'll get off my soap.

456
00:26:40.200 --> 00:26:43.279
<v Speaker 3>Yeah, yeah, you're good.

457
00:26:42.400 --> 00:26:44.319
<v Speaker 6>It's just you know, you'll see a lot of this

458
00:26:44.400 --> 00:26:48.359
<v Speaker 6>in the X Files too. I mean a lot of episodes.

459
00:26:48.880 --> 00:26:54.359
<v Speaker 6>One episode that I'm thinking of in particular, and there's

460
00:26:55.440 --> 00:26:58.680
<v Speaker 6>you know, since this is meant for public consumption, we

461
00:26:58.720 --> 00:27:02.440
<v Speaker 6>won't get into a think he was really going after.

462
00:27:02.519 --> 00:27:05.119
<v Speaker 6>But there's an episode called Red Museum, which is one

463
00:27:05.160 --> 00:27:07.519
<v Speaker 6>of what I call the nonfiction episodes, and it's it's

464
00:27:07.559 --> 00:27:15.799
<v Speaker 6>about this town where they're injecting the cattle with weird

465
00:27:16.319 --> 00:27:20.960
<v Speaker 6>genetically modified drugs and so on, but they're also injecting

466
00:27:21.039 --> 00:27:27.079
<v Speaker 6>the kids, and it's you know, a pedo sort of

467
00:27:27.519 --> 00:27:30.680
<v Speaker 6>blows the cover on the whole thing. But as I said,

468
00:27:30.720 --> 00:27:33.079
<v Speaker 6>I mean, he's interested in young boys, you know what

469
00:27:33.119 --> 00:27:37.440
<v Speaker 6>I'm saying. And that's really again, I mean, this is

470
00:27:38.079 --> 00:27:41.759
<v Speaker 6>you know, maybe a little bit too dark for noontime

471
00:27:41.799 --> 00:27:44.960
<v Speaker 6>on a Friday, but that's just that's just the way

472
00:27:44.960 --> 00:27:46.759
<v Speaker 6>it is. And that's the problem that I do have

473
00:27:46.920 --> 00:27:49.640
<v Speaker 6>with the Epstein materials is that I think that it

474
00:27:50.079 --> 00:27:52.680
<v Speaker 6>is a huge distraction for what the problem really is.

475
00:27:53.920 --> 00:27:56.160
<v Speaker 2>There's a I do want to add to that and

476
00:27:56.240 --> 00:27:58.960
<v Speaker 2>also kind of like take a paradigm shift. But in

477
00:27:59.000 --> 00:28:01.480
<v Speaker 2>that the whole idea of Chris Carter and X files

478
00:28:01.519 --> 00:28:05.880
<v Speaker 2>kind of blowing this thing open for for like an

479
00:28:05.920 --> 00:28:09.319
<v Speaker 2>Alex Jones and everyone to do their thing. I completely agree,

480
00:28:09.359 --> 00:28:13.519
<v Speaker 2>and it's quite fascinating. How then, that is itself a

481
00:28:13.559 --> 00:28:18.319
<v Speaker 2>paradigm shift in the collective consciousness of the media marketing

482
00:28:18.960 --> 00:28:23.480
<v Speaker 2>slash human angle to be able to see something and

483
00:28:23.519 --> 00:28:26.920
<v Speaker 2>then for to like basically plant seeds of people who

484
00:28:26.960 --> 00:28:29.920
<v Speaker 2>are already on the outskirts and then allow it for

485
00:28:30.319 --> 00:28:32.640
<v Speaker 2>them to open up these radio shows and things like that.

486
00:28:32.680 --> 00:28:35.759
<v Speaker 2>So I do find that to be it's an easy

487
00:28:35.799 --> 00:28:41.480
<v Speaker 2>way to see how modern myth is interactive in human experentiality,

488
00:28:41.640 --> 00:28:44.839
<v Speaker 2>and how it's not just myths are outside of us

489
00:28:44.880 --> 00:28:48.000
<v Speaker 2>and humans and the experiences we have or outside of us,

490
00:28:48.079 --> 00:28:51.519
<v Speaker 2>but they're deeply integrated and as well. You then get

491
00:28:51.519 --> 00:28:54.400
<v Speaker 2>this inversion with what you were just talking about with

492
00:28:54.599 --> 00:29:00.279
<v Speaker 2>how how do you traumatize and create traumatized humans is

493
00:29:00.319 --> 00:29:02.559
<v Speaker 2>to start at a young age, no matter who they are,

494
00:29:02.839 --> 00:29:05.880
<v Speaker 2>boy or girl. But it's really fascinating that then in

495
00:29:06.039 --> 00:29:11.000
<v Speaker 2>the military industrial mechanized, old garchical parasite class that how

496
00:29:11.000 --> 00:29:14.039
<v Speaker 2>do you build up people in vulnerable states, Just like

497
00:29:14.079 --> 00:29:17.000
<v Speaker 2>in the LSD experiments, you put somebody in a vulnerable state.

498
00:29:17.039 --> 00:29:18.640
<v Speaker 2>It doesn't always have to be a drugs. It can

499
00:29:18.680 --> 00:29:22.119
<v Speaker 2>be with these lower circuits that you know, sex and

500
00:29:22.160 --> 00:29:24.680
<v Speaker 2>all these different things and put them through terrible emotions

501
00:29:24.880 --> 00:29:28.839
<v Speaker 2>and then you can implant these circuitry these new programs,

502
00:29:29.119 --> 00:29:32.440
<v Speaker 2>put them into Hollywood, put them into the public sphere,

503
00:29:32.440 --> 00:29:36.279
<v Speaker 2>and it's almost like they're walking eggrogres themselves. They're walking

504
00:29:36.400 --> 00:29:39.440
<v Speaker 2>dark shades of the Night of the kliptotic spirits. As

505
00:29:39.480 --> 00:29:42.480
<v Speaker 2>then they go and they push up against everybody else,

506
00:29:43.079 --> 00:29:45.839
<v Speaker 2>you know, And so it's a fascinating that's a fascinating discussion.

507
00:29:45.880 --> 00:29:49.079
<v Speaker 2>So I just want to add that to it. Is

508
00:29:49.240 --> 00:29:52.480
<v Speaker 2>how you create an inverted myth for our culture to

509
00:29:52.720 --> 00:29:55.480
<v Speaker 2>follow and then at the same time be able to

510
00:29:55.519 --> 00:29:57.960
<v Speaker 2>cover it up and say, well, that's just all fantasy.

511
00:29:58.440 --> 00:30:01.319
<v Speaker 2>Because it just happened in a TV show doesn't mean

512
00:30:01.319 --> 00:30:03.319
<v Speaker 2>it's happening in real life. And so there's just so

513
00:30:03.440 --> 00:30:04.160
<v Speaker 2>many layers.

514
00:30:04.839 --> 00:30:07.759
<v Speaker 6>Well, there's also a liminality to it as well. Okay,

515
00:30:08.400 --> 00:30:11.880
<v Speaker 6>because when you the whole thing is that Chris Carter said,

516
00:30:12.079 --> 00:30:14.440
<v Speaker 6>it has to be real. You know, it's only scary

517
00:30:14.480 --> 00:30:17.480
<v Speaker 6>if it's real. But to me, the episodes I'm not

518
00:30:17.599 --> 00:30:24.599
<v Speaker 6>afraid of, the episodes of you know, vampires or whatever, right, mutants, zombies,

519
00:30:24.920 --> 00:30:27.319
<v Speaker 6>you know, I'm the episodes of the X Files that

520
00:30:27.400 --> 00:30:29.559
<v Speaker 6>really scare me are the ones that I call the

521
00:30:29.640 --> 00:30:34.240
<v Speaker 6>non fiction episodes, the episodes about mind control, the episodes

522
00:30:34.319 --> 00:30:38.039
<v Speaker 6>about human experimentation. I mean, there's and there's a whole

523
00:30:38.119 --> 00:30:41.920
<v Speaker 6>host of those, right, those episodes are the ones that

524
00:30:41.960 --> 00:30:44.079
<v Speaker 6>really get on your skin. And I had mentioned that

525
00:30:44.200 --> 00:30:48.079
<v Speaker 6>second episode Deep Throat. Now, if you watch that up, actually,

526
00:30:48.079 --> 00:30:50.519
<v Speaker 6>if you watch the first two episodes, you doesn't. And

527
00:30:50.559 --> 00:30:53.200
<v Speaker 6>I write this in the book, there's no reason to

528
00:30:53.240 --> 00:30:55.759
<v Speaker 6>believe that any of this is aliens, that anything that

529
00:30:55.799 --> 00:31:00.279
<v Speaker 6>you're seeing is anything but the military. And and this

530
00:31:00.319 --> 00:31:03.119
<v Speaker 6>is something that's explicitly spelled out in the in the

531
00:31:03.160 --> 00:31:06.960
<v Speaker 6>series as well in the fifth season, there's no reason

532
00:31:06.960 --> 00:31:08.960
<v Speaker 6>if you go back and watch that, it's just it's

533
00:31:09.000 --> 00:31:12.640
<v Speaker 6>all about people being experienced on the first season, you know,

534
00:31:12.680 --> 00:31:17.000
<v Speaker 6>the first pilot, like I said, it's about kids being

535
00:31:17.079 --> 00:31:21.599
<v Speaker 6>experimented on and there's no there's no trace. You don't

536
00:31:21.640 --> 00:31:23.720
<v Speaker 6>see a gray, you don't see a UFO. I mean,

537
00:31:23.720 --> 00:31:26.000
<v Speaker 6>you'll you'll see some lights in the woods and so on,

538
00:31:26.079 --> 00:31:28.279
<v Speaker 6>but that could be anything. That could be some sort

539
00:31:28.319 --> 00:31:31.519
<v Speaker 6>of helicopter, could be any you know, just something special

540
00:31:31.519 --> 00:31:34.279
<v Speaker 6>effects that they were putting on for the for the

541
00:31:34.319 --> 00:31:38.079
<v Speaker 6>agent's benefit. So when you when you put it in

542
00:31:38.160 --> 00:31:40.160
<v Speaker 6>that kind of context. And this is why the Scully

543
00:31:40.240 --> 00:31:45.400
<v Speaker 6>character is so important too, because she ideally provides a

544
00:31:45.519 --> 00:31:50.559
<v Speaker 6>very credible alternative explanation to what you're seeing. And there

545
00:31:50.599 --> 00:31:53.559
<v Speaker 6>is this weird and this, you know, this cuts to

546
00:31:53.599 --> 00:31:56.480
<v Speaker 6>the heart of the liminality. There's something that I've always

547
00:31:56.519 --> 00:32:04.119
<v Speaker 6>noticed is that the most effective paranormal, supernatural, mystical, whatever

548
00:32:04.319 --> 00:32:06.759
<v Speaker 6>kind of stories you're talking about. To me, the most

549
00:32:06.799 --> 00:32:09.960
<v Speaker 6>effective ones are the ones that are for you, within

550
00:32:10.000 --> 00:32:15.480
<v Speaker 6>the narrative, a very credible counter explanation to the paranormal,

551
00:32:15.559 --> 00:32:18.920
<v Speaker 6>to the to the mystical, to the spiritual, to the supernatural.

552
00:32:19.000 --> 00:32:22.640
<v Speaker 6>But ever, this this is a very strange power and

553
00:32:22.640 --> 00:32:27.039
<v Speaker 6>I think it is some sort of I'm not exactly

554
00:32:27.119 --> 00:32:29.960
<v Speaker 6>even sure how to explain it, but it's something that

555
00:32:30.000 --> 00:32:33.920
<v Speaker 6>I've noticed, you know, throughout you know, throughout all the

556
00:32:33.960 --> 00:32:36.839
<v Speaker 6>things that I've read and watched and so on and

557
00:32:36.839 --> 00:32:40.599
<v Speaker 6>so forth, that the best story. That's why the Scully

558
00:32:40.759 --> 00:32:44.240
<v Speaker 6>character is so important to me, because she's the voice

559
00:32:44.240 --> 00:32:46.839
<v Speaker 6>of the audience. And I think I believe Chris Carter

560
00:32:46.960 --> 00:32:51.480
<v Speaker 6>said that. So that's when that liminality and that and

561
00:32:51.519 --> 00:32:54.119
<v Speaker 6>then it starts to break out of the screen. You know,

562
00:32:54.160 --> 00:32:58.000
<v Speaker 6>it starts to break out of the confines of fictional content, right,

563
00:32:58.559 --> 00:33:03.000
<v Speaker 6>it starts to I don't I don't want to use

564
00:33:03.039 --> 00:33:05.319
<v Speaker 6>the word infect because that sort of has a negative

565
00:33:05.319 --> 00:33:07.359
<v Speaker 6>connotation to it, but it's you know, it starts to

566
00:33:07.400 --> 00:33:11.119
<v Speaker 6>play in seeds in your mind. And that again, that's

567
00:33:11.160 --> 00:33:13.160
<v Speaker 6>why I think the show was so I mean, there'd

568
00:33:13.200 --> 00:33:18.200
<v Speaker 6>been a bunch of shows in the past, like The

569
00:33:18.440 --> 00:33:22.720
<v Speaker 6>X Files. You know, the main example that people always

570
00:33:22.759 --> 00:33:25.640
<v Speaker 6>cite is cull Check the Night Stalk from the early seventies,

571
00:33:26.519 --> 00:33:32.319
<v Speaker 6>but that didn't have a powerful counterargument to the paranormal

572
00:33:32.559 --> 00:33:35.079
<v Speaker 6>and that's why it didn't last long, and that's why

573
00:33:35.119 --> 00:33:38.359
<v Speaker 6>it didn't have the effect, right, I mean, let's be

574
00:33:38.519 --> 00:33:41.279
<v Speaker 6>frank here. I mean, it's also the chemistry between David

575
00:33:41.319 --> 00:33:45.799
<v Speaker 6>d'copany and Jillian Anderson, ironically, who hated each other's guts

576
00:33:45.839 --> 00:33:47.920
<v Speaker 6>when they were making the show, but they had this

577
00:33:48.039 --> 00:33:52.319
<v Speaker 6>incredible on screen chemistry. But see, that's what that's what

578
00:33:52.480 --> 00:33:55.359
<v Speaker 6>it was really all about for me, is that when

579
00:33:55.440 --> 00:33:59.680
<v Speaker 6>ideas break out of the confines of fiction, when they

580
00:33:59.680 --> 00:34:02.519
<v Speaker 6>break the confines of entertainment, when they break out of

581
00:34:02.519 --> 00:34:06.160
<v Speaker 6>the confines of like a weekly television show, and they

582
00:34:06.200 --> 00:34:10.039
<v Speaker 6>start to plan seeds in the culture, and that is

583
00:34:10.079 --> 00:34:13.519
<v Speaker 6>a formula that will never be replicated. I don't think

584
00:34:13.559 --> 00:34:15.679
<v Speaker 6>I don't think you'll ever see anything like that again.

585
00:34:16.760 --> 00:34:23.559
<v Speaker 6>And that paradigm shift that you're referring to really boils

586
00:34:23.639 --> 00:34:28.320
<v Speaker 6>down to a bunch of really smart people who really

587
00:34:28.320 --> 00:34:32.039
<v Speaker 6>did the reading, really did the research, and maybe did

588
00:34:32.039 --> 00:34:34.480
<v Speaker 6>have this sort of sense that they did want to

589
00:34:35.679 --> 00:34:37.599
<v Speaker 6>They didn't have the term for it. I don't know

590
00:34:37.639 --> 00:34:41.920
<v Speaker 6>if they knew of the term hyperstition, but they were basically,

591
00:34:42.760 --> 00:34:45.239
<v Speaker 6>you know, it's it is a former chaos magic, I

592
00:34:45.280 --> 00:34:47.519
<v Speaker 6>think ideally.

593
00:34:47.119 --> 00:34:50.039
<v Speaker 7>So in some ways, you could see the bi camera

594
00:34:50.280 --> 00:34:53.199
<v Speaker 7>mind in both Molder and Scully. Right, You've got this

595
00:34:54.280 --> 00:34:57.559
<v Speaker 7>this guy going out there and trying to find the unknown,

596
00:34:57.599 --> 00:35:01.159
<v Speaker 7>and then the grounding of the more rational in Scully

597
00:35:01.880 --> 00:35:04.719
<v Speaker 7>and the two of them together almost walk the audience

598
00:35:05.199 --> 00:35:08.599
<v Speaker 7>up to the point of actually believing this stuff, because

599
00:35:08.920 --> 00:35:11.159
<v Speaker 7>in a lot of ways, at the end of the episode,

600
00:35:11.400 --> 00:35:16.599
<v Speaker 7>Scully's explanations are kind of like too outside of the realm,

601
00:35:16.599 --> 00:35:18.480
<v Speaker 7>and you're almost like yelling at her. Can't you see

602
00:35:18.519 --> 00:35:19.840
<v Speaker 7>it's right in front of your face?

603
00:35:19.920 --> 00:35:20.159
<v Speaker 6>You know.

604
00:35:20.599 --> 00:35:23.440
<v Speaker 7>Meanwhile, you know, Moulders out there getting kidnapped by Grays

605
00:35:23.559 --> 00:35:26.280
<v Speaker 7>or whatever it is, and you don't know, you know

606
00:35:26.360 --> 00:35:28.639
<v Speaker 7>exactly how to get back to it, but you know,

607
00:35:28.679 --> 00:35:31.679
<v Speaker 7>it's like a step by step process where the audience

608
00:35:31.760 --> 00:35:34.320
<v Speaker 7>is then, you know, led to the conclusion that maybe

609
00:35:34.400 --> 00:35:36.480
<v Speaker 7>there is something else out there, or maybe there is,

610
00:35:36.719 --> 00:35:39.079
<v Speaker 7>but you're always left with that uncertainty because of those

611
00:35:39.079 --> 00:35:42.119
<v Speaker 7>two characters and their reflective nature on each other.

612
00:35:42.559 --> 00:35:47.920
<v Speaker 6>Well, there's a very important concept here that I know.

613
00:35:48.119 --> 00:35:49.679
<v Speaker 6>I mean, since I did work on the book and

614
00:35:49.719 --> 00:35:53.159
<v Speaker 6>I read you know, these hours of transcripts of interviews

615
00:35:53.159 --> 00:35:55.760
<v Speaker 6>and so on with all the producers and writers and

616
00:35:55.760 --> 00:35:59.960
<v Speaker 6>so on, they were very focused on point of view,

617
00:36:00.320 --> 00:36:04.320
<v Speaker 6>like who is telling you this story? And really all

618
00:36:05.360 --> 00:36:07.719
<v Speaker 6>everything you see on the screen is the result of

619
00:36:07.760 --> 00:36:11.519
<v Speaker 6>an unreliable narrator. It's always from somebody's point of view,

620
00:36:11.559 --> 00:36:15.199
<v Speaker 6>which is colored by their preconceptions, which is colored by

621
00:36:15.199 --> 00:36:18.920
<v Speaker 6>their beliefs, which is colored by their prejudices. Okay, so

622
00:36:19.480 --> 00:36:22.920
<v Speaker 6>that's something when you go, if you're going to do

623
00:36:23.039 --> 00:36:27.400
<v Speaker 6>like a rewatch, you know you're not watching a presentation

624
00:36:27.519 --> 00:36:32.039
<v Speaker 6>of objective reality ever on that show, Okay, And and

625
00:36:32.239 --> 00:36:38.280
<v Speaker 6>very deliberately so, they always were presenting you who is

626
00:36:38.320 --> 00:36:42.239
<v Speaker 6>telling you this story? Is this scholar? Is this Mauldi scholar?

627
00:36:42.599 --> 00:36:44.440
<v Speaker 6>Is this Skully? Is a small or is this somebody else?

628
00:36:44.440 --> 00:36:45.679
<v Speaker 6>I mean, who who's who?

629
00:36:45.760 --> 00:36:46.199
<v Speaker 2>Is?

630
00:36:46.400 --> 00:36:49.280
<v Speaker 6>Whose point of view is this story coming from? And

631
00:36:49.760 --> 00:36:52.920
<v Speaker 6>one of the things that I mean, one of the

632
00:36:52.920 --> 00:36:58.800
<v Speaker 6>main sections in the book is I my fand theory,

633
00:36:58.920 --> 00:37:02.119
<v Speaker 6>my Ultimate ex Files fant theory. And and I'll share

634
00:37:02.199 --> 00:37:04.679
<v Speaker 6>this now. I mean, I might as well just let

635
00:37:04.800 --> 00:37:08.519
<v Speaker 6>us loose. Now. I have this fan theory that The

636
00:37:08.639 --> 00:37:14.760
<v Speaker 6>X Files is really about these two subjects of this vast,

637
00:37:15.039 --> 00:37:23.360
<v Speaker 6>far reaching mind control and eugenics program. Okay, and bear

638
00:37:23.400 --> 00:37:26.239
<v Speaker 6>with me here. I've thought about this for a very

639
00:37:26.280 --> 00:37:29.960
<v Speaker 6>long time. So really, what Molder and Scully are is

640
00:37:30.000 --> 00:37:36.159
<v Speaker 6>that their assassins, Okay, they're programmed assassins, and they're programmed

641
00:37:36.199 --> 00:37:40.039
<v Speaker 6>with their particular point of view with their particular prejudices, right,

642
00:37:41.320 --> 00:37:44.480
<v Speaker 6>But there's this huge program, this post war program, this

643
00:37:44.559 --> 00:37:47.719
<v Speaker 6>eugenics program, you know, to create a slave race, to

644
00:37:47.760 --> 00:37:52.440
<v Speaker 6>create super soldiers, you know, to create all these various, uh,

645
00:37:53.880 --> 00:37:58.360
<v Speaker 6>subsets of humanity. And they were chosen because their families

646
00:37:58.360 --> 00:38:02.760
<v Speaker 6>were both part of the military industrial complex. They were chosen,

647
00:38:02.800 --> 00:38:06.159
<v Speaker 6>you know, not only to be these programmed assassins. So

648
00:38:06.320 --> 00:38:09.599
<v Speaker 6>when they're hunting down these monsters and so on, really

649
00:38:09.639 --> 00:38:13.599
<v Speaker 6>what they're hunting down are the rejects or the escapees

650
00:38:13.719 --> 00:38:17.800
<v Speaker 6>from this genetic engineering program. And I mean, as crazy

651
00:38:17.840 --> 00:38:20.199
<v Speaker 6>as that sounds to some people, there is an episode

652
00:38:20.639 --> 00:38:25.400
<v Speaker 6>in that twenty sixteen season called Founders Mutation that basically

653
00:38:25.559 --> 00:38:27.840
<v Speaker 6>kind of spells that out. And that was that was

654
00:38:27.880 --> 00:38:31.119
<v Speaker 6>the episode. I mean, even though that series miniseries whatever

655
00:38:31.320 --> 00:38:34.239
<v Speaker 6>was pretty underwhelming, that episode blew my mind open because

656
00:38:34.239 --> 00:38:37.079
<v Speaker 6>I'm like, oh, there's there's the final puzzle. So you're

657
00:38:37.079 --> 00:38:41.159
<v Speaker 6>not watching these two separate series where like there'll be

658
00:38:41.199 --> 00:38:45.519
<v Speaker 6>the episodes with the UFO and alien conspiracy and then

659
00:38:45.599 --> 00:38:48.360
<v Speaker 6>you'll watch the episodes with like the monsters and so on. No,

660
00:38:48.440 --> 00:38:53.119
<v Speaker 6>it's all the same story because they're not aliens, they're

661
00:38:53.119 --> 00:38:57.880
<v Speaker 6>not monsters as we understand them. It's all part of

662
00:38:57.920 --> 00:39:02.480
<v Speaker 6>this genetics program, and Moulderin's Gully are programmed to think

663
00:39:02.480 --> 00:39:05.559
<v Speaker 6>that they're fighting monsters or they're chasing aliens or whatever

664
00:39:06.239 --> 00:39:08.559
<v Speaker 6>to assuage their consciences so they can, you know, they

665
00:39:08.599 --> 00:39:11.519
<v Speaker 6>can kill these poor creatures who are all part of

666
00:39:11.559 --> 00:39:17.760
<v Speaker 6>this genetic horrific experimentation you know that started in the

667
00:39:17.800 --> 00:39:19.840
<v Speaker 6>post war paper clip and all the rest of it.

668
00:39:21.719 --> 00:39:23.719
<v Speaker 6>But at the same time, they're also being primed to

669
00:39:23.800 --> 00:39:27.480
<v Speaker 6>create like children, you know, bere offspring for the new

670
00:39:27.519 --> 00:39:31.840
<v Speaker 6>super race. Now I spelled this out in great detail

671
00:39:31.920 --> 00:39:35.840
<v Speaker 6>because I can cite you chapter in verse in all

672
00:39:35.880 --> 00:39:41.079
<v Speaker 6>the different episodes that bolst of this theory. And like

673
00:39:41.119 --> 00:39:43.480
<v Speaker 6>I said, in those first two episodes, you don't see aliens.

674
00:39:43.519 --> 00:39:45.760
<v Speaker 6>There's no why would you believe in aliens. There's no

675
00:39:46.199 --> 00:39:48.119
<v Speaker 6>sign of aliens anywhere. I mean, you don't. I don't

676
00:39:48.119 --> 00:39:50.400
<v Speaker 6>think you even see actual, like sort of gray aliens

677
00:39:50.440 --> 00:39:53.079
<v Speaker 6>until the second season, and even then you're not sure

678
00:39:53.079 --> 00:39:57.960
<v Speaker 6>if it's a hallucination or not. And that's kind of

679
00:39:58.000 --> 00:40:01.519
<v Speaker 6>the magic of the series as well. Now, if you

680
00:40:01.599 --> 00:40:03.800
<v Speaker 6>go back and watch that with that in mind, you

681
00:40:03.800 --> 00:40:07.880
<v Speaker 6>should also you know, read the book so I can

682
00:40:07.920 --> 00:40:12.920
<v Speaker 6>explain it for you know, episode by episode it will

683
00:40:12.960 --> 00:40:15.960
<v Speaker 6>start to you'll suddenly realize that you're watching a completely

684
00:40:16.000 --> 00:40:19.199
<v Speaker 6>different series than the one you thought you were. And

685
00:40:19.239 --> 00:40:21.639
<v Speaker 6>again that granted that is a theory, right, it's a

686
00:40:21.679 --> 00:40:24.480
<v Speaker 6>fan there, but I think it's pretty well supported by

687
00:40:24.480 --> 00:40:27.599
<v Speaker 6>the evidence. So there you go.

688
00:40:28.320 --> 00:40:30.440
<v Speaker 2>Yeah, that's great. I wanted to bring up, like I

689
00:40:30.480 --> 00:40:33.039
<v Speaker 2>did beforehand, my favorite episode. I have a bunch of

690
00:40:33.039 --> 00:40:37.480
<v Speaker 2>favorite episodes, but it's from season three, episode twenty, the

691
00:40:37.599 --> 00:40:38.920
<v Speaker 2>jose Chunk from outer Space.

692
00:40:38.960 --> 00:40:41.599
<v Speaker 6>Oh yeah, there you go. That's the that's the one.

693
00:40:42.000 --> 00:40:45.079
<v Speaker 2>That's exactly. That's the one what I'm talking about. And

694
00:40:45.119 --> 00:40:47.400
<v Speaker 2>it's got so many exactly so it's got so many

695
00:40:47.440 --> 00:40:48.800
<v Speaker 2>layers in it. So I don't know if it's better

696
00:40:48.840 --> 00:40:52.159
<v Speaker 2>for you to describe it what's going on there, because

697
00:40:52.199 --> 00:40:55.119
<v Speaker 2>you get everything. You get the two kids who are

698
00:40:55.280 --> 00:40:58.440
<v Speaker 2>driving home after a date and they get confronted by

699
00:40:58.440 --> 00:41:01.519
<v Speaker 2>a UFO and then and all you know is that

700
00:41:01.559 --> 00:41:03.360
<v Speaker 2>they go, they get home, they don't know how they

701
00:41:03.400 --> 00:41:05.960
<v Speaker 2>got there. The girl has her clothes inside out. People

702
00:41:06.000 --> 00:41:09.880
<v Speaker 2>are thinking it's it's date grape. And then all of

703
00:41:09.920 --> 00:41:12.039
<v Speaker 2>a sudden, the boy's like no, that's not what happened.

704
00:41:12.079 --> 00:41:15.519
<v Speaker 2>And then Moulder and Scully are being interviewed by Jose Chung,

705
00:41:15.559 --> 00:41:18.360
<v Speaker 2>who's an actual writer in real life and he wrote

706
00:41:18.400 --> 00:41:20.760
<v Speaker 2>that episode, right, is that No?

707
00:41:20.760 --> 00:41:22.320
<v Speaker 6>No, he's a fictional character.

708
00:41:22.639 --> 00:41:24.719
<v Speaker 2>Oh I thought he was an actual writer. Okay, nice,

709
00:41:24.760 --> 00:41:25.639
<v Speaker 2>Well they got okay.

710
00:41:25.719 --> 00:41:28.760
<v Speaker 6>But there are two different theories that I've heard. One

711
00:41:28.840 --> 00:41:30.400
<v Speaker 6>is that he's based on John Keel.

712
00:41:31.440 --> 00:41:34.000
<v Speaker 2>That's actually what i've heard, you're and the other.

713
00:41:33.880 --> 00:41:35.559
<v Speaker 6>One is that he's based on Whitley Streeber.

714
00:41:36.800 --> 00:41:39.519
<v Speaker 2>That's a good combination, but take you. Yeah, But for

715
00:41:39.679 --> 00:41:42.320
<v Speaker 2>the episode, why it's exactly what you were just talking

716
00:41:42.320 --> 00:41:46.760
<v Speaker 2>about is because you're getting now Moulder and Scully being

717
00:41:46.760 --> 00:41:49.519
<v Speaker 2>interviewed by this writer who's trying to write this piece

718
00:41:49.639 --> 00:41:53.920
<v Speaker 2>on on aliens and different things, and they're trying to

719
00:41:53.920 --> 00:41:57.719
<v Speaker 2>break down and understand if this was actually a terrible

720
00:41:57.760 --> 00:42:04.639
<v Speaker 2>sexual encounter, or if they actually were abducted by UFOs,

721
00:42:05.360 --> 00:42:09.159
<v Speaker 2>or if it was the Military Industrial Complex who actually

722
00:42:09.199 --> 00:42:12.280
<v Speaker 2>took them in for human experimentation and then did a

723
00:42:12.320 --> 00:42:17.280
<v Speaker 2>psychological experiment on them that blanked out their memory, or

724
00:42:18.119 --> 00:42:21.159
<v Speaker 2>actually it was all three and not the gray aliens,

725
00:42:21.199 --> 00:42:23.800
<v Speaker 2>but different aliens were going on. So you get memory.

726
00:42:23.880 --> 00:42:28.920
<v Speaker 2>You get these kids who actually have imprinted implanted memories

727
00:42:29.320 --> 00:42:32.800
<v Speaker 2>of being abducted by gray aliens, and they both have

728
00:42:33.360 --> 00:42:38.880
<v Speaker 2>similar but slightly different understandings of what that abduction happened.

729
00:42:39.119 --> 00:42:42.400
<v Speaker 2>And as they're going through it, they're able to peer

730
00:42:42.559 --> 00:42:47.400
<v Speaker 2>through moldernscoolre able to peer through the actual layers of

731
00:42:47.480 --> 00:42:50.559
<v Speaker 2>the abduction theory to see that it wasn't a gray alien,

732
00:42:50.679 --> 00:42:53.920
<v Speaker 2>but it was the military industrial complex psychotherapist who was

733
00:42:54.119 --> 00:42:57.719
<v Speaker 2>putting them in an hypnotic trance to make them believe

734
00:42:58.199 --> 00:43:01.519
<v Speaker 2>that it was an alien abduct But by the end

735
00:43:01.559 --> 00:43:04.360
<v Speaker 2>of it, you actually get to see this alien that

736
00:43:04.599 --> 00:43:07.480
<v Speaker 2>was there, that was there on the outside, and it's

737
00:43:07.480 --> 00:43:09.320
<v Speaker 2>so crazy. And you also get the men in black

738
00:43:09.400 --> 00:43:11.679
<v Speaker 2>coming in just even true, I think is one of

739
00:43:11.719 --> 00:43:17.239
<v Speaker 2>them if I wasn't mistaken or WI. Yeah, exactly. And

740
00:43:17.360 --> 00:43:20.599
<v Speaker 2>so that's a perfect micro macrocosm to exactly what you

741
00:43:20.639 --> 00:43:24.519
<v Speaker 2>were saying of question, the questioning of the question, to

742
00:43:24.599 --> 00:43:26.400
<v Speaker 2>try to get back to what the main theory was

743
00:43:26.400 --> 00:43:28.440
<v Speaker 2>that it was there were aliens evolved, but not really,

744
00:43:28.440 --> 00:43:30.639
<v Speaker 2>it was the military industrial complex and not really. The

745
00:43:30.760 --> 00:43:34.039
<v Speaker 2>mind is so malleable, and I think that's one of

746
00:43:34.079 --> 00:43:37.280
<v Speaker 2>the base theories of the X Files is the malleability

747
00:43:37.519 --> 00:43:40.159
<v Speaker 2>of the mind through paradigm shifts of conscious and people

748
00:43:40.199 --> 00:43:41.599
<v Speaker 2>trying to work on it.

749
00:43:41.800 --> 00:43:44.239
<v Speaker 6>So that's nice. Well, I wonder sometimes if that's what

750
00:43:45.000 --> 00:43:47.480
<v Speaker 6>I don't like this term, but if that was like

751
00:43:47.519 --> 00:43:50.559
<v Speaker 6>a revelation of the method X Files episode you know,

752
00:43:50.719 --> 00:43:54.480
<v Speaker 6>so killing this is what it's really about. It's about

753
00:43:54.719 --> 00:44:00.159
<v Speaker 6>the military abducting people and hypnotizing them into believing they

754
00:44:00.199 --> 00:44:03.199
<v Speaker 6>were taken by aliens and so on. Yeah, you know

755
00:44:03.199 --> 00:44:06.440
<v Speaker 6>what that episode is explicitly about. And there are hints

756
00:44:06.480 --> 00:44:08.639
<v Speaker 6>of that, like I said, throughout the series, and like

757
00:44:09.440 --> 00:44:12.679
<v Speaker 6>the first two episodes, I think you could plug that

758
00:44:12.800 --> 00:44:18.880
<v Speaker 6>same interpretation into So yeah, that's that's a good one,

759
00:44:18.960 --> 00:44:21.079
<v Speaker 6>and I recommend that everybody watched that.

760
00:44:21.480 --> 00:44:23.679
<v Speaker 2>Uh, and you also get the.

761
00:44:24.559 --> 00:44:26.519
<v Speaker 6>Talking up my hat about my fan theory. I think

762
00:44:26.559 --> 00:44:28.519
<v Speaker 6>if you watch that, you'll see it pretty much play

763
00:44:28.519 --> 00:44:29.280
<v Speaker 6>out there, no.

764
00:44:29.280 --> 00:44:32.760
<v Speaker 2>Plays out directly. You even get the paranoia of Molder

765
00:44:33.360 --> 00:44:38.239
<v Speaker 2>going into a coffee shop and eating pie and talking

766
00:44:38.280 --> 00:44:42.480
<v Speaker 2>to this like diner individual and that whole thing you

767
00:44:42.519 --> 00:44:45.039
<v Speaker 2>don't even know is real or not, because then you

768
00:44:45.079 --> 00:44:47.519
<v Speaker 2>have other people going in there and trying to test

769
00:44:47.519 --> 00:44:50.199
<v Speaker 2>the theory of molder did you actually go there? And

770
00:44:50.239 --> 00:44:52.760
<v Speaker 2>they're continually going back to the writer and telling them

771
00:44:52.840 --> 00:44:55.400
<v Speaker 2>the story, and it's one of the best episodes. I

772
00:44:55.440 --> 00:44:57.480
<v Speaker 2>do everyone go out there? Season three, episode.

773
00:44:57.119 --> 00:45:02.920
<v Speaker 6>Twenty Yeah, good man, that's I'm glad. That's awesome.

774
00:45:06.480 --> 00:45:09.559
<v Speaker 5>It's interesting from the astrology of actually, like when the

775
00:45:09.559 --> 00:45:12.480
<v Speaker 5>season came out, it was during that like Neptune Uranus

776
00:45:12.559 --> 00:45:17.199
<v Speaker 5>conjunction as well as like the Saturn square Pluto happening,

777
00:45:17.320 --> 00:45:19.440
<v Speaker 5>so like Saturn's and Aquarius, and so when we think

778
00:45:19.480 --> 00:45:22.159
<v Speaker 5>like last time, you know, Saturn was an Aquarius, recently

779
00:45:22.280 --> 00:45:24.760
<v Speaker 5>was like covid times, right, So it's interesting, Like the

780
00:45:24.880 --> 00:45:28.039
<v Speaker 5>interesting thing about Saturn and Aquarius is it's like people

781
00:45:28.199 --> 00:45:30.840
<v Speaker 5>want to belong to something, right, they want to be

782
00:45:30.880 --> 00:45:33.519
<v Speaker 5>a part of something. And then just going back to

783
00:45:33.599 --> 00:45:36.280
<v Speaker 5>like what you said about the show being able to

784
00:45:36.360 --> 00:45:39.719
<v Speaker 5>just blast people to like the expansion like that is

785
00:45:39.760 --> 00:45:42.360
<v Speaker 5>like that Neptune Uranus thing. It's like, you know, and

786
00:45:42.400 --> 00:45:46.320
<v Speaker 5>it's in Capricorn, so Urinus was blasting open Saturn's world

787
00:45:46.360 --> 00:45:50.000
<v Speaker 5>of materiality, and then you have Neptune giving us this

788
00:45:50.119 --> 00:45:54.599
<v Speaker 5>like foggy, very like grounded glimpse of the others.

789
00:45:54.679 --> 00:45:56.519
<v Speaker 4>So it's interesting, Like the way you described it is

790
00:45:56.599 --> 00:45:57.159
<v Speaker 4>very much like I.

791
00:45:57.159 --> 00:45:59.559
<v Speaker 5>Looked up the chart for when if you said the

792
00:45:59.559 --> 00:46:02.800
<v Speaker 5>show star it well all the time exactly.

793
00:46:02.880 --> 00:46:05.360
<v Speaker 6>But yeah, well I'm glad you brought that up too,

794
00:46:05.440 --> 00:46:07.880
<v Speaker 6>because there's that whole idea. I mean, correct me if

795
00:46:07.920 --> 00:46:12.400
<v Speaker 6>I'm wrong, but Neptune sort of having a deceptive and

796
00:46:14.000 --> 00:46:18.079
<v Speaker 6>aspect to it as well. So I think that's that's. Uh.

797
00:46:18.239 --> 00:46:21.360
<v Speaker 6>There is an episode they did do an episode on astrology.

798
00:46:21.639 --> 00:46:26.159
<v Speaker 6>That's an episode called ZG, and it was about you know,

799
00:46:26.199 --> 00:46:28.440
<v Speaker 6>one of these where all the planets the line up

800
00:46:29.360 --> 00:46:33.480
<v Speaker 6>and just one particular town in New Hampshire. You know,

801
00:46:33.519 --> 00:46:37.199
<v Speaker 6>people just all started going crazy because of this this conjunction.

802
00:46:37.400 --> 00:46:39.440
<v Speaker 6>I mean, I don't know if that's grounded in real

803
00:46:39.480 --> 00:46:45.199
<v Speaker 6>astrology personally, but I recommend you check out that episode

804
00:46:45.239 --> 00:46:48.039
<v Speaker 6>and maybe get back to me and tell me any

805
00:46:48.280 --> 00:46:52.119
<v Speaker 6>sort of my real life. It's called ZG, you know,

806
00:46:52.360 --> 00:46:56.239
<v Speaker 6>like the whole idea.

807
00:46:56.400 --> 00:46:59.320
<v Speaker 2>I just found it. It's episode thirteen, season three. We'll

808
00:46:59.360 --> 00:46:59.760
<v Speaker 2>watch it.

809
00:47:00.320 --> 00:47:06.760
<v Speaker 6>Yeah, definitely definitely recommend that. But you know, and another

810
00:47:06.760 --> 00:47:08.840
<v Speaker 6>inesing thing too is that you know, so I talk

811
00:47:08.920 --> 00:47:14.320
<v Speaker 6>about synchronicity and there's an episode in the ninth season

812
00:47:14.719 --> 00:47:17.760
<v Speaker 6>where Burt Reylds plays God. Right, but it is all

813
00:47:17.800 --> 00:47:22.760
<v Speaker 6>about pattern recognition and synchronicity. And if you listen to

814
00:47:22.960 --> 00:47:28.079
<v Speaker 6>the the director's commentary, Chris Carter gives this whole commentary,

815
00:47:28.840 --> 00:47:31.199
<v Speaker 6>but it almost sounds like he's like a neoplatonist in

816
00:47:31.280 --> 00:47:33.360
<v Speaker 6>some ways, you know. I mean, it's like his whole

817
00:47:34.679 --> 00:47:37.400
<v Speaker 6>and it's almost like very medieval thinking as well too,

818
00:47:37.400 --> 00:47:40.719
<v Speaker 6>because it's all about, you know, recognizing patterns and that

819
00:47:40.760 --> 00:47:44.559
<v Speaker 6>God is constantly presenting us with these sort of puzzles

820
00:47:44.559 --> 00:47:47.800
<v Speaker 6>that we need to solve and everything like that, which

821
00:47:47.840 --> 00:47:51.159
<v Speaker 6>is kind of the basis of you know, what I've

822
00:47:51.159 --> 00:47:55.679
<v Speaker 6>been doing for for a number of years, that we're

823
00:47:55.719 --> 00:47:59.079
<v Speaker 6>presented with with all these puzzles that if we start

824
00:47:59.119 --> 00:48:02.199
<v Speaker 6>to recognize the pawn and that's explicitly in the dialogue too.

825
00:48:02.239 --> 00:48:05.800
<v Speaker 6>You know, it's like the winners recognize the patterns, they

826
00:48:05.800 --> 00:48:08.280
<v Speaker 6>can sense the patterns, and they can work with the patterns,

827
00:48:08.639 --> 00:48:12.199
<v Speaker 6>you know, which to me is it's almost a synchronistic

828
00:48:12.280 --> 00:48:16.679
<v Speaker 6>manifesto in some ways. So anyway, there you go.

829
00:48:17.159 --> 00:48:20.320
<v Speaker 7>Well, in a lot of ways, the the the introduction

830
00:48:20.480 --> 00:48:24.559
<v Speaker 7>of this strategic ambiguity that the X Files was constantly

831
00:48:24.639 --> 00:48:28.480
<v Speaker 7>harping on has been utilized to a great extent by

832
00:48:28.960 --> 00:48:31.199
<v Speaker 7>you know, actual policy.

833
00:48:30.719 --> 00:48:31.960
<v Speaker 6>Makers within the government.

834
00:48:32.000 --> 00:48:37.960
<v Speaker 7>If you if you know about cast Sunstein and his uh.

835
00:48:37.159 --> 00:48:39.400
<v Speaker 6>I was just reading about him yesterday. It's so weird.

836
00:48:39.480 --> 00:48:41.039
<v Speaker 6>Go ahead, I'm sorry.

837
00:48:41.239 --> 00:48:46.400
<v Speaker 10>Hey, synchromistic, right, but that idea of like injecting these

838
00:48:46.440 --> 00:48:51.119
<v Speaker 10>new ideas into maybe problematic pattern noticers is sort of

839
00:48:51.159 --> 00:48:52.920
<v Speaker 10>the entire presentation.

840
00:48:53.199 --> 00:48:55.679
<v Speaker 7>And what a lot of people miss from that is

841
00:48:55.679 --> 00:49:01.119
<v Speaker 7>his co author is a you know, one of these jesuits, right,

842
00:49:01.239 --> 00:49:05.039
<v Speaker 7>He's he's a jesuit talking with Cass Sunstein about how

843
00:49:05.159 --> 00:49:09.880
<v Speaker 7>how we can cognitively infiltrate the conspiracy movement. And in

844
00:49:09.920 --> 00:49:11.679
<v Speaker 7>a lot of ways, you can you can kind of

845
00:49:11.960 --> 00:49:14.639
<v Speaker 7>play off of a lot of the themes in X

846
00:49:14.679 --> 00:49:17.440
<v Speaker 7>files and say, well, what can we gain from this

847
00:49:17.559 --> 00:49:20.800
<v Speaker 7>show that we can inject into the conspiracy community to

848
00:49:20.880 --> 00:49:24.280
<v Speaker 7>maybe divert them off in different directions. And it's it's

849
00:49:24.280 --> 00:49:26.800
<v Speaker 7>almost like it's a culmination of all of these different

850
00:49:26.920 --> 00:49:31.599
<v Speaker 7>hyperstitions and now they become the hyperstition magicians, putting out

851
00:49:31.599 --> 00:49:34.760
<v Speaker 7>strategic ambiguity and all sort of walks of life, you know,

852
00:49:34.800 --> 00:49:35.880
<v Speaker 7>flooding the zone.

853
00:49:36.280 --> 00:49:39.400
<v Speaker 6>Well, I think, I think Sunstein, I'm familiar with that

854
00:49:39.440 --> 00:49:42.000
<v Speaker 6>whole idea. And there was there was a Pentagon paper

855
00:49:42.000 --> 00:49:45.519
<v Speaker 6>that was released, the one with that had like an

856
00:49:45.519 --> 00:49:49.280
<v Speaker 6>inteller on the cover of it or something that's very

857
00:49:49.280 --> 00:49:51.320
<v Speaker 6>boomer thinking. You know, I don't I don't like to

858
00:49:51.320 --> 00:49:55.079
<v Speaker 6>sort of lapse into these sort of generational stereotypes, but

859
00:49:55.119 --> 00:49:57.079
<v Speaker 6>that it's very much like boomer thinking.

860
00:49:56.840 --> 00:49:59.000
<v Speaker 2>That it's the boomers, you know what I mean.

861
00:49:59.719 --> 00:50:02.800
<v Speaker 6>Yes, so you have this mainstream, right, and then you

862
00:50:02.880 --> 00:50:07.440
<v Speaker 6>have this other mainstream that you can infiltrate and manipulate

863
00:50:07.519 --> 00:50:11.719
<v Speaker 6>the way they've infiltrated manipulated the mainstream. Well, it's not

864
00:50:11.760 --> 00:50:15.000
<v Speaker 6>like that anymore. There is no mainstream. There were thousands

865
00:50:15.079 --> 00:50:17.599
<v Speaker 6>and thousands of streams. I mean, it looks like, let's

866
00:50:17.639 --> 00:50:22.679
<v Speaker 6>call them capillaries right there. There is no main vein

867
00:50:23.280 --> 00:50:29.280
<v Speaker 6>of conspiracy thinking anymore. It's this roiling and mutually hostile

868
00:50:29.679 --> 00:50:35.400
<v Speaker 6>network of capillaries. Okay, and that's increasing. I mean, all

869
00:50:35.440 --> 00:50:37.400
<v Speaker 6>you have to do is just go on a Twitter.

870
00:50:38.400 --> 00:50:41.199
<v Speaker 6>And I think that that kind of like cast sunsteam

871
00:50:41.320 --> 00:50:47.039
<v Speaker 6>thinking is very archaic, and I don't think that it's

872
00:50:47.079 --> 00:50:51.360
<v Speaker 6>really subscribed to anymore. You know, There's certainly been attempts

873
00:50:51.519 --> 00:50:55.599
<v Speaker 6>to sort of manipulate the alternative, you know, the other

874
00:50:55.679 --> 00:51:01.000
<v Speaker 6>mainstream quote unquote, but it always fails because you've got

875
00:51:01.440 --> 00:51:09.039
<v Speaker 6>groups of young people who have these micro mini micro cultures,

876
00:51:09.079 --> 00:51:14.760
<v Speaker 6>whose language and whose mode of thought and whose methods

877
00:51:14.800 --> 00:51:20.440
<v Speaker 6>of communication are so are cain and so hyper specialized

878
00:51:21.960 --> 00:51:25.960
<v Speaker 6>that you can't infiltrate that. You know, it becomes like

879
00:51:26.039 --> 00:51:28.960
<v Speaker 6>that meme that the Steve Semi meme, Hello fellow kids, right,

880
00:51:29.079 --> 00:51:33.679
<v Speaker 6>you know you can't you can't infiltrate some discord group

881
00:51:34.039 --> 00:51:38.599
<v Speaker 6>with these extremely online kids who've been talking to each

882
00:51:38.599 --> 00:51:44.480
<v Speaker 6>other exclusively for for years, have their own vocabulary, their

883
00:51:44.519 --> 00:51:50.960
<v Speaker 6>own modes of unconscious signaling. Even you can't infiltrate that.

884
00:51:51.079 --> 00:51:54.519
<v Speaker 6>You can't subvert that anymore. And I think I think

885
00:51:54.559 --> 00:51:59.119
<v Speaker 6>that's really played into the you know, what I see is,

886
00:51:59.199 --> 00:52:01.159
<v Speaker 6>you know, we are in the middle of the Fourth Turning,

887
00:52:01.719 --> 00:52:04.360
<v Speaker 6>and I think the X Files in some ways, you know,

888
00:52:04.400 --> 00:52:09.000
<v Speaker 6>I mean, it was thirty years ago, right, but I

889
00:52:09.039 --> 00:52:13.239
<v Speaker 6>think that it did sort of presage Fourth Turning in

890
00:52:13.559 --> 00:52:18.639
<v Speaker 6>a lot of ways. And the people who I don't

891
00:52:18.679 --> 00:52:20.719
<v Speaker 6>want to say they're in power, you know, that's sort

892
00:52:20.719 --> 00:52:25.360
<v Speaker 6>of a subjective term. But the people who grew up

893
00:52:25.360 --> 00:52:27.119
<v Speaker 6>on the X files are the people who are moving

894
00:52:27.159 --> 00:52:32.960
<v Speaker 6>into positions of influence in whatever field or or not.

895
00:52:33.039 --> 00:52:34.920
<v Speaker 6>If they didn't grow up with the X files, they

896
00:52:34.920 --> 00:52:38.199
<v Speaker 6>grew up in that same environment, right, And you know,

897
00:52:38.320 --> 00:52:42.199
<v Speaker 6>talking about people like Mark Dice and Alex Jones and

898
00:52:42.239 --> 00:52:44.440
<v Speaker 6>so on. I mean, if you go back, I don't

899
00:52:44.440 --> 00:52:45.960
<v Speaker 6>even know if you can even find the stuff because

900
00:52:45.960 --> 00:52:48.920
<v Speaker 6>everything is disappearing from the Internet these days. But you

901
00:52:48.960 --> 00:52:52.480
<v Speaker 6>know a lot of quote unquote conspiracy sites, you know,

902
00:52:52.519 --> 00:52:55.800
<v Speaker 6>would use something like files, and you know they're always

903
00:52:55.840 --> 00:52:59.719
<v Speaker 6>trying to sort of glom there, get some of that glamour, right,

904
00:53:00.000 --> 00:53:03.000
<v Speaker 6>some of that X files glamour for themselves. So they

905
00:53:03.280 --> 00:53:06.679
<v Speaker 6>use like similar typography of fonts and so on, or

906
00:53:07.159 --> 00:53:10.159
<v Speaker 6>you know, use the files in their name and everything

907
00:53:10.239 --> 00:53:16.480
<v Speaker 6>like that. But that again, that's that's archaic, that's already

908
00:53:16.559 --> 00:53:18.159
<v Speaker 6>cycled out of the culture completely.

909
00:53:18.199 --> 00:53:25.119
<v Speaker 3>I think you did mention some stuff about it. I

910
00:53:25.119 --> 00:53:29.199
<v Speaker 3>think you mentioned it earlier too. When it comes like symbolism,

911
00:53:29.320 --> 00:53:33.239
<v Speaker 3>you think that they use that a lot. Actually, hmmm,

912
00:53:33.440 --> 00:53:35.960
<v Speaker 3>do you want to give like some I guess maybe

913
00:53:35.960 --> 00:53:39.159
<v Speaker 3>some examples that you started maybe seeing it. They gave

914
00:53:39.159 --> 00:53:40.079
<v Speaker 3>you that idea.

915
00:53:41.239 --> 00:53:44.400
<v Speaker 6>Well, the symbolism that I was really been really focused on,

916
00:53:44.880 --> 00:53:49.760
<v Speaker 6>and ironically it's sort of led to this whole realization

917
00:53:49.960 --> 00:53:53.480
<v Speaker 6>about like the fact that that's why I called the

918
00:53:53.480 --> 00:53:56.559
<v Speaker 6>book x f Ultro right, a little bit of a

919
00:53:56.599 --> 00:54:01.679
<v Speaker 6>play on words there, because I could be wrong, maybe,

920
00:54:01.719 --> 00:54:06.719
<v Speaker 6>you know, but I said, burying myself in this material

921
00:54:06.800 --> 00:54:10.159
<v Speaker 6>for over thirty years. Now I think that I've made

922
00:54:10.159 --> 00:54:13.519
<v Speaker 6>my case. But the symbolism that I was always really

923
00:54:13.519 --> 00:54:19.320
<v Speaker 6>interested in was from the mystery cults, Greco Roman mystery cults.

924
00:54:20.280 --> 00:54:23.920
<v Speaker 6>Now the whole thing with like the abducted sister and

925
00:54:24.039 --> 00:54:28.039
<v Speaker 6>that's it's Orpheus and Eridity, and then when Scully is

926
00:54:28.079 --> 00:54:31.639
<v Speaker 6>abducted they play that up and that the future film

927
00:54:31.679 --> 00:54:35.480
<v Speaker 6>Fight the Future it's even more explicit. Like Carter was

928
00:54:35.519 --> 00:54:40.360
<v Speaker 6>really focused on this symbolism from the mystery cults, and

929
00:54:40.400 --> 00:54:42.639
<v Speaker 6>there would be episodes that Wou'd be playing like on

930
00:54:42.719 --> 00:54:47.480
<v Speaker 6>Demeter and Persephony, so on one episode which is very

931
00:54:47.480 --> 00:54:52.159
<v Speaker 6>hard to watch called Ubiliat, which is it? And like

932
00:54:52.199 --> 00:54:54.159
<v Speaker 6>it even ends on a river, you know what I mean,

933
00:54:54.159 --> 00:54:56.840
<v Speaker 6>like the river sticks. And so I've been writing about

934
00:54:56.840 --> 00:55:00.880
<v Speaker 6>this for years, right, and then getting back to twenty sixteen. Right,

935
00:55:02.159 --> 00:55:07.039
<v Speaker 6>there's an episode called Babylon, and it's literally like Mulder

936
00:55:07.039 --> 00:55:10.599
<v Speaker 6>takes mushrooms, even though they have to hedge it for

937
00:55:10.679 --> 00:55:13.199
<v Speaker 6>the for the censors, right, but he takes mushrooms and

938
00:55:13.239 --> 00:55:17.239
<v Speaker 6>he descends into the underworld and he's on the River Styx, right,

939
00:55:17.639 --> 00:55:20.199
<v Speaker 6>and you know, with the dams and everything like that.

940
00:55:21.840 --> 00:55:24.400
<v Speaker 6>And I just remember watching it and thinking, God, Chris

941
00:55:24.440 --> 00:55:28.159
<v Speaker 6>Carter wrote this from me, I really did. I really

942
00:55:28.159 --> 00:55:32.239
<v Speaker 6>thought that, because like I've been talking about all this symbolism,

943
00:55:32.320 --> 00:55:37.199
<v Speaker 6>you know, particularly from Greco Roman mystery cults. But it

944
00:55:37.239 --> 00:55:41.840
<v Speaker 6>really began for me before I sort of realized that

945
00:55:41.840 --> 00:55:46.000
<v Speaker 6>Greco mystery cults. There was a guy named David Flynn.

946
00:55:46.000 --> 00:55:47.880
<v Speaker 6>I don't know if anybody's ever heard of him. He

947
00:55:48.039 --> 00:55:52.639
<v Speaker 6>was a Christian conspiracy researcher from the nineties, passed away,

948
00:55:52.719 --> 00:55:56.800
<v Speaker 6>I believe twenty twelve, which is kind of ironic because

949
00:55:56.840 --> 00:56:00.320
<v Speaker 6>he'd written a lot about twenty twelve. But he had

950
00:56:00.360 --> 00:56:07.880
<v Speaker 6>started this website in nineteen ninety nine now it's two thousand,

951
00:56:07.920 --> 00:56:10.480
<v Speaker 6>called Having Moulder's Baby, and this whole thing was like

952
00:56:11.800 --> 00:56:14.440
<v Speaker 6>this whole storyline, you know, Moulder's abducted and so on,

953
00:56:14.480 --> 00:56:16.840
<v Speaker 6>and it's like Osiris and Isis and Horace and all

954
00:56:16.880 --> 00:56:22.480
<v Speaker 6>that kind of thing. And he you can even I

955
00:56:22.519 --> 00:56:25.000
<v Speaker 6>don't know if the website is still online, but you

956
00:56:25.039 --> 00:56:28.519
<v Speaker 6>could probably find it on like internet wayback machine. But

957
00:56:30.199 --> 00:56:33.360
<v Speaker 6>I was waiting for years for him to follow up

958
00:56:33.360 --> 00:56:35.559
<v Speaker 6>on him, like okay, well you know, tell us more,

959
00:56:36.079 --> 00:56:38.880
<v Speaker 6>let's hear it. And he never followed up on it.

960
00:56:38.920 --> 00:56:39.960
<v Speaker 6>So I was like, all right, I'm going to do

961
00:56:39.960 --> 00:56:42.880
<v Speaker 6>it myself. So I went back and watched this whole

962
00:56:42.920 --> 00:56:47.079
<v Speaker 6>thing where like they're playing off the whole thing with

963
00:56:48.840 --> 00:56:54.320
<v Speaker 6>that and Osiris and the birth the birth of Horace

964
00:56:54.400 --> 00:56:56.800
<v Speaker 6>and so on, and the wilderness and everything like that,

965
00:56:57.840 --> 00:57:03.400
<v Speaker 6>and they followed that arc like rather closely. I mean

966
00:57:03.440 --> 00:57:08.000
<v Speaker 6>there's no there's no exact symbolism, like you don't see

967
00:57:08.000 --> 00:57:11.159
<v Speaker 6>pyramids and all that kind of stuff or whatever, you know,

968
00:57:11.840 --> 00:57:14.480
<v Speaker 6>eyes of raw something, you know, there's none of that.

969
00:57:15.320 --> 00:57:21.000
<v Speaker 6>But they're following the mythological arc very closely. Now, this

970
00:57:21.119 --> 00:57:23.800
<v Speaker 6>has been done for thousands of years. I mean this

971
00:57:23.920 --> 00:57:27.719
<v Speaker 6>is as old as time, right, just rewriting myths for

972
00:57:28.440 --> 00:57:31.400
<v Speaker 6>your new myths or whatever, for your religion or for

973
00:57:31.440 --> 00:57:34.599
<v Speaker 6>your stories. I mean, this is as old as time.

974
00:57:35.079 --> 00:57:39.320
<v Speaker 6>But I was really because I have like really serious OCD.

975
00:57:39.639 --> 00:57:42.639
<v Speaker 6>I was just so hyper focused on the detail of it,

976
00:57:43.400 --> 00:57:47.039
<v Speaker 6>and that again led me into this whole other you know,

977
00:57:47.079 --> 00:57:51.320
<v Speaker 6>the Greco Roman mythology and so on and so forth.

978
00:57:52.320 --> 00:57:55.039
<v Speaker 6>But they are there's also what they call easter eggs,

979
00:57:55.079 --> 00:57:57.719
<v Speaker 6>so they would put they would insert a lot of

980
00:57:57.960 --> 00:58:04.199
<v Speaker 6>symbols explicitly, and that even on the official website back

981
00:58:04.360 --> 00:58:08.159
<v Speaker 6>when it was running, would let you know what they

982
00:58:08.239 --> 00:58:10.599
<v Speaker 6>were and so on. But I think a lot of

983
00:58:10.599 --> 00:58:14.119
<v Speaker 6>that was sort of misdirection. But it's it's all to

984
00:58:14.239 --> 00:58:21.239
<v Speaker 6>sort of hyperactivate a part of our imaginations, I guess

985
00:58:21.280 --> 00:58:26.840
<v Speaker 6>you would say, And that to me fed into this

986
00:58:27.239 --> 00:58:33.280
<v Speaker 6>liminal power, you know, of this hyperstitious power. Even though

987
00:58:33.440 --> 00:58:39.119
<v Speaker 6>it's not like you'll see where say, say like the

988
00:58:39.159 --> 00:58:43.480
<v Speaker 6>Matrix films, where the symbolism is like bashing over the

989
00:58:43.519 --> 00:58:45.920
<v Speaker 6>head with a hammer and saying, look at us, aren't

990
00:58:45.920 --> 00:58:49.360
<v Speaker 6>we clever? Look at our symbols? WHOA right? And it's

991
00:58:49.400 --> 00:58:52.599
<v Speaker 6>just it's just so corny and cheesy, and it doesn't

992
00:58:52.599 --> 00:58:57.480
<v Speaker 6>really land. I think when you have to go searching

993
00:58:57.519 --> 00:59:03.400
<v Speaker 6>for it, or when you're sort of soaking it in unconsciously,

994
00:59:03.599 --> 00:59:07.960
<v Speaker 6>that's when I think it really starts to bed itself

995
00:59:08.239 --> 00:59:09.639
<v Speaker 6>into your unconscious mind.

996
00:59:10.960 --> 00:59:13.519
<v Speaker 2>Yeah, no, I like that. I like that a lot

997
00:59:13.559 --> 00:59:17.119
<v Speaker 2>because I like the idea well as whatever. However old

998
00:59:17.159 --> 00:59:19.039
<v Speaker 2>I was when that came out in nineteen ninety nine,

999
00:59:19.039 --> 00:59:21.079
<v Speaker 2>I care I remember, but I remember watching it for

1000
00:59:21.119 --> 00:59:24.079
<v Speaker 2>the first time with my mom and the Matrix, and

1001
00:59:24.119 --> 00:59:26.840
<v Speaker 2>it was one of those things for my teenage mind

1002
00:59:27.480 --> 00:59:30.840
<v Speaker 2>being bashed over the head, especially going back to the

1003
00:59:30.880 --> 00:59:34.360
<v Speaker 2>idea that you need to put yourself into imprint vulnerability

1004
00:59:34.400 --> 00:59:36.840
<v Speaker 2>for things to be able to take control and change that.

1005
00:59:36.920 --> 00:59:39.320
<v Speaker 2>I kind of needed that because you question things, and

1006
00:59:39.360 --> 00:59:41.159
<v Speaker 2>you have all the fantasy and the sci fi as

1007
00:59:41.159 --> 00:59:43.719
<v Speaker 2>a kid you're reading, and it doesn't really lead you

1008
00:59:43.800 --> 00:59:46.599
<v Speaker 2>into this thing about like what is the matrix? You know,

1009
00:59:46.679 --> 00:59:49.679
<v Speaker 2>it's like it's you know, it's like something of the

1010
00:59:49.719 --> 00:59:51.639
<v Speaker 2>mind and it's all around as blah blah blah. You

1011
00:59:51.719 --> 00:59:53.960
<v Speaker 2>kind of need that, but it's not like it landed.

1012
00:59:54.000 --> 00:59:55.760
<v Speaker 2>And that's something I'm continually trying to tell people is

1013
00:59:55.800 --> 00:59:57.599
<v Speaker 2>that you don't just take the red pill once and

1014
00:59:57.599 --> 01:00:02.159
<v Speaker 2>you're done. You need to continue embed these sign symbols,

1015
01:00:02.199 --> 01:00:05.639
<v Speaker 2>myths into yourself and then when you get into what

1016
01:00:05.679 --> 01:00:10.559
<v Speaker 2>you're just talking about, the deep mythologies of Osiris set

1017
01:00:10.639 --> 01:00:13.719
<v Speaker 2>battling Horace. Finally the battle the isis going out and

1018
01:00:13.800 --> 01:00:17.199
<v Speaker 2>doing the thing, and this going back through and you get,

1019
01:00:17.199 --> 01:00:20.159
<v Speaker 2>you know, from the Mythrick to Plato to the Orphik

1020
01:00:20.320 --> 01:00:23.320
<v Speaker 2>to now you're in the uma Elish and beyond. Like

1021
01:00:23.559 --> 01:00:27.360
<v Speaker 2>that's how you really get the fine pin details, and

1022
01:00:27.400 --> 01:00:31.199
<v Speaker 2>your consciousness truly changes and now you formulate a worldview,

1023
01:00:31.639 --> 01:00:34.360
<v Speaker 2>and then from that worldview you can I think personally,

1024
01:00:34.360 --> 01:00:38.400
<v Speaker 2>this is the theory Brandonly. Theory is that then now

1025
01:00:38.559 --> 01:00:42.119
<v Speaker 2>you can see magic in all things, because you're not

1026
01:00:42.320 --> 01:00:46.280
<v Speaker 2>just some automaton NPC agent Smith. At any time an

1027
01:00:46.280 --> 01:00:49.679
<v Speaker 2>ideology can imprint you. And then now you're just spewing

1028
01:00:49.760 --> 01:00:53.519
<v Speaker 2>nonsense of left or right. But now you're actually able

1029
01:00:53.559 --> 01:00:56.360
<v Speaker 2>to see the narratives because you can pick apart the

1030
01:00:56.440 --> 01:00:59.199
<v Speaker 2>deep underpinning of the myth, the magic and the meaning

1031
01:00:59.199 --> 01:01:00.840
<v Speaker 2>of things. And so I've just love what you're saying

1032
01:01:00.840 --> 01:01:03.000
<v Speaker 2>because I think as much as I'm all like, you're right,

1033
01:01:03.079 --> 01:01:05.159
<v Speaker 2>it was bashing over the head. And now look where

1034
01:01:05.159 --> 01:01:06.960
<v Speaker 2>they're at and they're trying to change the red pill

1035
01:01:06.960 --> 01:01:10.079
<v Speaker 2>into some training porn. But the idea is that you know,

1036
01:01:10.199 --> 01:01:13.639
<v Speaker 2>it's like it's like taking this terrible, like this beautiful thing.

1037
01:01:14.119 --> 01:01:15.760
<v Speaker 2>Even I like all three. I think I've heard you

1038
01:01:15.840 --> 01:01:17.400
<v Speaker 2>say you don't really like another two. I don't know,

1039
01:01:17.400 --> 01:01:24.079
<v Speaker 2>you can well listen. I was a huge William Gibson fan, yeah, okay.

1040
01:01:24.079 --> 01:01:29.119
<v Speaker 6>Back in the nineties and what they call the what

1041
01:01:29.199 --> 01:01:37.679
<v Speaker 6>is it, the Sprawl trilogy, Neuromancer, Conciero and amazing, amazing,

1042
01:01:37.679 --> 01:01:42.639
<v Speaker 6>but also the Burning Chrome collection. So it's the the

1043
01:01:42.760 --> 01:01:49.000
<v Speaker 6>absolute plagiarism of The Matrix is really when I watched it,

1044
01:01:49.079 --> 01:01:52.280
<v Speaker 6>I was just okay, I recognize that from this and

1045
01:01:52.360 --> 01:01:54.320
<v Speaker 6>recognized from that, and they even have you know, Kenna

1046
01:01:54.360 --> 01:01:56.840
<v Speaker 6>Reeves who was in Johnny Knaemonic, which is a terrible

1047
01:01:56.880 --> 01:02:01.159
<v Speaker 6>movie but still pretty obvious, you know, hit you on

1048
01:02:01.199 --> 01:02:04.119
<v Speaker 6>the head with that. But I was also I'm still

1049
01:02:04.119 --> 01:02:06.519
<v Speaker 6>a very big fan of Dark City, which came on

1050
01:02:06.639 --> 01:02:11.760
<v Speaker 6>a year before and Matrix sort of I don't know

1051
01:02:11.800 --> 01:02:15.679
<v Speaker 6>how it happened. It might have just been coincidental, but

1052
01:02:15.719 --> 01:02:20.199
<v Speaker 6>the Matrix ends up recycling a lot of the ideas

1053
01:02:20.239 --> 01:02:24.199
<v Speaker 6>from Dark City, which I think is a vastly superior film.

1054
01:02:25.360 --> 01:02:27.000
<v Speaker 6>But I picked up on all the you know, the

1055
01:02:27.079 --> 01:02:31.960
<v Speaker 6>queer theory stuff in the in the first Matrix because really, yeah,

1056
01:02:32.000 --> 01:02:35.920
<v Speaker 6>I thought it was pretty obvious. I know, I did.

1057
01:02:35.960 --> 01:02:40.079
<v Speaker 6>I thought it was pretty blatant even then. And you

1058
01:02:40.079 --> 01:02:41.199
<v Speaker 6>know when that I didn't.

1059
01:02:40.920 --> 01:02:42.599
<v Speaker 2>Even know what to put that mint when I was

1060
01:02:42.639 --> 01:02:44.719
<v Speaker 2>that age. So there's that in the middle.

1061
01:02:44.440 --> 01:02:47.639
<v Speaker 6>Of nowhere, you know. And I was working in New

1062
01:02:47.760 --> 01:02:50.360
<v Speaker 6>York and so on for a number of years and

1063
01:02:51.760 --> 01:02:55.000
<v Speaker 6>reading the Village Voice and New York presence, so you know,

1064
01:02:55.079 --> 01:03:00.440
<v Speaker 6>it's like I was sort of with that whole mind set.

1065
01:03:01.239 --> 01:03:03.920
<v Speaker 6>So I thought it was you know, and and what's

1066
01:03:03.920 --> 01:03:07.079
<v Speaker 6>her name, Carrie Lee? What's that actress's name, the one

1067
01:03:07.079 --> 01:03:16.679
<v Speaker 6>who played Trinity, Oh, you know, who's also in the

1068
01:03:16.679 --> 01:03:22.199
<v Speaker 6>the only, the only Christopher Nolan film that I really like, Amento. Yeah,

1069
01:03:22.800 --> 01:03:25.559
<v Speaker 6>Which it's funny if you watch Memento, it's kind of

1070
01:03:25.639 --> 01:03:28.199
<v Speaker 6>like the Matrix in reverse, because the Matrix is all

1071
01:03:28.239 --> 01:03:32.039
<v Speaker 6>about like im like remembering, you know, It's it's about

1072
01:03:32.519 --> 01:03:36.599
<v Speaker 6>waking up and remembering, and Memento is about like forgetting

1073
01:03:36.880 --> 01:03:41.880
<v Speaker 6>and falling asleep. Think about that. Watch those two films together.

1074
01:03:42.119 --> 01:03:45.920
<v Speaker 6>You'll see, in some very strange way, they're they're like

1075
01:03:46.079 --> 01:03:48.800
<v Speaker 6>mirror images of each other. I don't know if that's intentional.

1076
01:03:48.880 --> 01:03:51.480
<v Speaker 6>But but she has you know, she has sort of

1077
01:03:51.519 --> 01:03:56.320
<v Speaker 6>like a very butch kind of presentation and and but

1078
01:03:56.360 --> 01:03:59.119
<v Speaker 6>that but that all comes from Sally Shears in the

1079
01:03:59.199 --> 01:04:05.800
<v Speaker 6>William Gibson Okay, so and look, William Gibson's just completely

1080
01:04:05.920 --> 01:04:08.960
<v Speaker 6>I mean he's completely lost his mind. Over the past

1081
01:04:09.119 --> 01:04:12.840
<v Speaker 6>ten years twenty years or so, he hasn't written anything.

1082
01:04:12.840 --> 01:04:15.320
<v Speaker 6>He hasn't written anything since. I think the last thing

1083
01:04:15.559 --> 01:04:17.840
<v Speaker 6>I enjoyed by him was All Tomorrow's Parties. I read

1084
01:04:17.880 --> 01:04:21.239
<v Speaker 6>that other trilogy did with like Spook Country and the

1085
01:04:21.280 --> 01:04:24.280
<v Speaker 6>rest of it, and I thought it was just insanely

1086
01:04:24.320 --> 01:04:27.039
<v Speaker 6>boring anyway, But that's that kind of ruined the matrix

1087
01:04:27.039 --> 01:04:29.599
<v Speaker 6>for me because I was just I was too well

1088
01:04:29.920 --> 01:04:34.639
<v Speaker 6>versed in all the material that they were just completely plagiarizing.

1089
01:04:34.880 --> 01:04:37.199
<v Speaker 2>Yeah, and then and then Grant Morrison is the Invisibles,

1090
01:04:37.199 --> 01:04:38.280
<v Speaker 2>Grand Morrison will always stayed.

1091
01:04:38.400 --> 01:04:41.039
<v Speaker 6>Yeah, No, I never, I don't never saw that. I

1092
01:04:41.079 --> 01:04:43.360
<v Speaker 6>don't see that. I think that's just Grant Morrison just

1093
01:04:43.400 --> 01:04:46.360
<v Speaker 6>trying to inject himself into a popular brain.

1094
01:04:46.440 --> 01:04:49.280
<v Speaker 2>And I love the Invisibles. So I am an Invisible

1095
01:04:49.440 --> 01:04:52.320
<v Speaker 2>stand because it was part of my awakening with Promethea

1096
01:04:52.400 --> 01:04:54.599
<v Speaker 2>Allen Moore Grant Morrison side by side, So that was it.

1097
01:04:54.719 --> 01:04:55.679
<v Speaker 6>Yeah, yeah, but that.

1098
01:04:55.800 --> 01:04:59.639
<v Speaker 8>Is interesting, sorry, Chris, But it is interesting about Grant

1099
01:04:59.639 --> 01:05:03.199
<v Speaker 8>Morris and inserting himself into popular culture because that is

1100
01:05:03.239 --> 01:05:07.639
<v Speaker 8>like the most definitive example of hyperstition itself, by like

1101
01:05:08.280 --> 01:05:11.119
<v Speaker 8>narrating yourself to be involved in something that you weren't

1102
01:05:11.119 --> 01:05:15.480
<v Speaker 8>even necessarily part of that you weren't necessarily even maybe

1103
01:05:15.719 --> 01:05:18.280
<v Speaker 8>he wasn't even famous around for that. So it is

1104
01:05:18.360 --> 01:05:22.239
<v Speaker 8>interesting to me that he's that. Because he said it,

1105
01:05:22.559 --> 01:05:26.039
<v Speaker 8>people associate it with him, and then that is hypercition

1106
01:05:26.199 --> 01:05:28.000
<v Speaker 8>creating your own great marketing.

1107
01:05:28.119 --> 01:05:29.480
<v Speaker 2>That is great marketing.

1108
01:05:29.760 --> 01:05:31.400
<v Speaker 6>Well, I'll tell you I have a bit of a

1109
01:05:31.920 --> 01:05:34.239
<v Speaker 6>phone to pick with Grant Morrison because I had written

1110
01:05:34.360 --> 01:05:37.840
<v Speaker 6>Our Gods Were Spandex back in two thousand, well, it

1111
01:05:37.920 --> 01:05:39.639
<v Speaker 6>was published in two thousand and seven, I wrote in

1112
01:05:39.719 --> 01:05:41.800
<v Speaker 6>two thousand and five. But and then he did that

1113
01:05:41.840 --> 01:05:46.119
<v Speaker 6>book Super Gods, Yeah, where he was basically you know,

1114
01:05:46.280 --> 01:05:51.199
<v Speaker 6>poaching on my land like that. So I was, but

1115
01:05:51.320 --> 01:05:54.920
<v Speaker 6>I had written I had written there was this. So

1116
01:05:54.960 --> 01:05:57.639
<v Speaker 6>I was an associate editor on this magazine called Comic

1117
01:05:57.880 --> 01:06:00.519
<v Speaker 6>Artist back in the day, and I had written this

1118
01:06:01.840 --> 01:06:05.239
<v Speaker 6>editorial called show me the magic, which had to do

1119
01:06:05.320 --> 01:06:07.840
<v Speaker 6>with you know, Grant Morrison and Alan Moore, because at

1120
01:06:07.840 --> 01:06:10.800
<v Speaker 6>that point in time, Omethea had just become what I

1121
01:06:10.840 --> 01:06:14.599
<v Speaker 6>call theosophical summer camp, where it just become you know,

1122
01:06:14.639 --> 01:06:17.079
<v Speaker 6>it's it wasn't a story anymore. It was just like, oh,

1123
01:06:17.159 --> 01:06:21.000
<v Speaker 6>let's walk around through you know, the tarot and and

1124
01:06:21.039 --> 01:06:21.719
<v Speaker 6>all the rest of it.

1125
01:06:21.920 --> 01:06:25.679
<v Speaker 2>Yes, until the last volume, Chris, the last volume showed

1126
01:06:25.719 --> 01:06:28.679
<v Speaker 2>the eminetizing of the ace caton throughout.

1127
01:06:29.440 --> 01:06:32.639
<v Speaker 6>Is true, but by then, but then we lost me.

1128
01:06:32.800 --> 01:06:35.280
<v Speaker 6>I just was like, I'm done, I'm done, and blame me.

1129
01:06:35.320 --> 01:06:38.239
<v Speaker 6>I love Alan Moore. I think I think his master work,

1130
01:06:38.280 --> 01:06:39.719
<v Speaker 6>his true master work is Providence.

1131
01:06:40.840 --> 01:06:43.719
<v Speaker 2>Well, Providence was amazing for everyone who doesn't know, it's

1132
01:06:44.159 --> 01:06:47.280
<v Speaker 2>HP Lovecraftthulian Nicromnicon. It's some.

1133
01:06:47.719 --> 01:06:50.000
<v Speaker 6>Providence was very very highly recommended.

1134
01:06:50.360 --> 01:06:52.440
<v Speaker 2>But it also will make you sick if you watch it.

1135
01:06:52.480 --> 01:06:54.440
<v Speaker 2>I just want everybody to know. And if you don't

1136
01:06:54.440 --> 01:06:55.960
<v Speaker 2>got a if you got a week something, you might

1137
01:06:56.000 --> 01:06:56.639
<v Speaker 2>not want to read it.

1138
01:06:56.920 --> 01:07:06.239
<v Speaker 6>Yeah, yeah that's true too. But but so the Invisibles,

1139
01:07:06.719 --> 01:07:09.239
<v Speaker 6>what is that series even about? Though? You know, I

1140
01:07:09.280 --> 01:07:12.199
<v Speaker 6>mean it's like the Love the Matrix. I hate it.

1141
01:07:12.199 --> 01:07:16.239
<v Speaker 6>It has a central conceit. Right, Okay, we're in the matrix.

1142
01:07:16.239 --> 01:07:18.039
<v Speaker 6>We've got to get out of the matrix, but then

1143
01:07:18.079 --> 01:07:21.280
<v Speaker 6>we want to get back into the matrix outside the matrix. Thus, right,

1144
01:07:21.320 --> 01:07:24.880
<v Speaker 6>that's kind of the moral of the story. I mean, right,

1145
01:07:25.199 --> 01:07:29.400
<v Speaker 6>The Invisibles is basically about whatever book Brant Morrison was

1146
01:07:29.440 --> 01:07:32.320
<v Speaker 6>reading at the time. But one thing I did want

1147
01:07:32.320 --> 01:07:34.360
<v Speaker 6>to bring up, and just before I lose my train

1148
01:07:34.400 --> 01:07:39.360
<v Speaker 6>of thought on this with the X Files, what really

1149
01:07:39.719 --> 01:07:43.440
<v Speaker 6>I first started to notice was all the mushrooms and

1150
01:07:43.639 --> 01:07:49.239
<v Speaker 6>LSD and hallucinogens and iboga and so on in the storylines.

1151
01:07:50.840 --> 01:07:52.719
<v Speaker 6>And the thing that I began to notice is that

1152
01:07:54.039 --> 01:07:59.679
<v Speaker 6>they would either put either explicit or very thinly veiled

1153
01:07:59.719 --> 01:08:03.280
<v Speaker 6>simple about mushrooms, LSD and all the rest of it

1154
01:08:03.719 --> 01:08:06.400
<v Speaker 6>in this what they call the mythology, right the stories

1155
01:08:06.440 --> 01:08:10.719
<v Speaker 6>about the alien colonization, or they would have the episode

1156
01:08:10.760 --> 01:08:14.840
<v Speaker 6>before or after the stories about alien colonization have an

1157
01:08:14.880 --> 01:08:21.640
<v Speaker 6>explicit context with like I said, I boga, mushrooms and

1158
01:08:21.640 --> 01:08:24.239
<v Speaker 6>so on and so forth. And then they even did

1159
01:08:24.840 --> 01:08:30.039
<v Speaker 6>this one episode about iboga where they explicitly call out

1160
01:08:30.560 --> 01:08:35.960
<v Speaker 6>MK ultra, right, But they also did another another one,

1161
01:08:36.039 --> 01:08:43.800
<v Speaker 6>another episode with it's eybotenic acid. I believe that's the

1162
01:08:43.800 --> 01:08:48.359
<v Speaker 6>the active ingredient in I boga, right, but I think yeah,

1163
01:08:48.399 --> 01:08:50.840
<v Speaker 6>And in the episode it's it's mushrooms. So I'm not

1164
01:08:50.880 --> 01:08:55.720
<v Speaker 6>exactly sure what the context is there, but I started

1165
01:08:55.720 --> 01:08:58.840
<v Speaker 6>to just go back and realize that the whole all

1166
01:08:58.840 --> 01:09:05.079
<v Speaker 6>the black oil is a hallucinogen mind control basically trope

1167
01:09:05.399 --> 01:09:07.680
<v Speaker 6>if you look at it in the context of the

1168
01:09:07.680 --> 01:09:12.600
<v Speaker 6>stories and all the rest of it, you know, I

1169
01:09:12.600 --> 01:09:17.840
<v Speaker 6>mean the aliens themselves, the aliens themselves are mushrooms. Now

1170
01:09:17.880 --> 01:09:20.079
<v Speaker 6>that sounds like, oh my god, what is he talking about?

1171
01:09:20.600 --> 01:09:20.960
<v Speaker 2>McKenna.

1172
01:09:21.840 --> 01:09:27.760
<v Speaker 6>Yeah, well, if you again read the book, I'll explain

1173
01:09:27.920 --> 01:09:33.520
<v Speaker 6>to you exactly why I believe that that it is. Now.

1174
01:09:33.600 --> 01:09:36.239
<v Speaker 6>Chris Carter was a surfer in the seventies. Need I

1175
01:09:36.279 --> 01:09:40.399
<v Speaker 6>say more? I mean, what else do you need to say?

1176
01:09:40.439 --> 01:09:43.479
<v Speaker 6>And he's even mentioned that, you know, there were certain

1177
01:09:44.319 --> 01:09:47.079
<v Speaker 6>he called them, certain sacraments that needed to be observed,

1178
01:09:47.359 --> 01:09:53.359
<v Speaker 6>and also in between I think it was the second

1179
01:09:53.359 --> 01:09:59.439
<v Speaker 6>and third season, he had gone to Sedona to attend

1180
01:09:59.720 --> 01:10:04.439
<v Speaker 6>a Peyoti ritual, which was then also written directly into

1181
01:10:04.479 --> 01:10:08.039
<v Speaker 6>the storyline. And he's never been shy about you know,

1182
01:10:08.359 --> 01:10:11.800
<v Speaker 6>that he based his stories on this experience he had

1183
01:10:11.840 --> 01:10:15.600
<v Speaker 6>at this Navajo Peyoti ritual. So uh, there you go.

1184
01:10:15.760 --> 01:10:17.760
<v Speaker 6>So but it all ties in, and you know, we

1185
01:10:17.800 --> 01:10:21.880
<v Speaker 6>were talking about the mystery cults that's all based in hallucinogens.

1186
01:10:22.520 --> 01:10:25.239
<v Speaker 6>You know, all the Isis and Osire's stuff is all

1187
01:10:26.319 --> 01:10:32.239
<v Speaker 6>plucinogenic symbolism. We're seeing this in the news now that

1188
01:10:32.359 --> 01:10:39.479
<v Speaker 6>the Elsinian mysteries of Demeter and Persephone, they the the kaikon,

1189
01:10:39.600 --> 01:10:44.279
<v Speaker 6>as it's called, was was actually a derivative of l

1190
01:10:44.439 --> 01:10:49.319
<v Speaker 6>s A, which is a precursor to LSD. Yeah, so,

1191
01:10:49.520 --> 01:10:50.119
<v Speaker 6>I mean that's.

1192
01:10:51.479 --> 01:10:54.760
<v Speaker 2>Right. What's that Road to eleusis? Watson's book is a

1193
01:10:54.800 --> 01:10:55.880
<v Speaker 2>great example of how that.

1194
01:10:56.159 --> 01:10:58.760
<v Speaker 6>Yeah, I don't know, I don't know. Carter never mentioned

1195
01:10:58.800 --> 01:11:02.359
<v Speaker 6>that book, per se. I've never seen him cite that

1196
01:11:02.479 --> 01:11:06.359
<v Speaker 6>book or cite Wasson's work. But then again, I mean

1197
01:11:06.399 --> 01:11:08.359
<v Speaker 6>does he even have to because that stuff has been

1198
01:11:08.439 --> 01:11:10.800
<v Speaker 6>so embedded into the culture.

1199
01:11:11.159 --> 01:11:11.359
<v Speaker 2>Yep.

1200
01:11:12.000 --> 01:11:15.760
<v Speaker 6>Now, something you really have to be careful with. You know.

1201
01:11:15.880 --> 01:11:22.279
<v Speaker 6>I am very much against the recreational use or the

1202
01:11:22.399 --> 01:11:27.319
<v Speaker 6>irresponsible use of hallucinogens and so on and so forth,

1203
01:11:27.960 --> 01:11:30.560
<v Speaker 6>and I'm very concerned about what I call MKL to

1204
01:11:30.760 --> 01:11:32.680
<v Speaker 6>three point zero, where like when you go to the

1205
01:11:32.680 --> 01:11:37.079
<v Speaker 6>emergency room, instead of giving you painkillers, they give you ketemine.

1206
01:11:37.279 --> 01:11:39.920
<v Speaker 2>Isn't that crazy? Isn't that crazy? There's ketamine centers all

1207
01:11:39.920 --> 01:11:40.479
<v Speaker 2>over the place.

1208
01:11:40.520 --> 01:11:45.520
<v Speaker 6>Now, Yeah, that's and now they and now there's like

1209
01:11:45.760 --> 01:11:48.239
<v Speaker 6>a new long acting d MT.

1210
01:11:48.880 --> 01:11:52.399
<v Speaker 2>Yeah. Brian Johnson and his whole nonsense that he's pushing

1211
01:11:52.479 --> 01:11:56.119
<v Speaker 2>for immortality and the nonsense that he does.

1212
01:11:56.560 --> 01:11:59.800
<v Speaker 6>Yeah, I mean, listen, a lot of people don't want

1213
01:11:59.800 --> 01:12:04.239
<v Speaker 6>to hear, but it's like that's throughout history, that's how

1214
01:12:04.319 --> 01:12:08.239
<v Speaker 6>you encounter angels and devils, angels and demons, right, is

1215
01:12:08.920 --> 01:12:17.439
<v Speaker 6>that's the medium, these various pharmaceutical pharmacratic leucinogenic. So you

1216
01:12:17.560 --> 01:12:19.640
<v Speaker 6>have to be really careful and if you I've studied

1217
01:12:19.680 --> 01:12:24.119
<v Speaker 6>the mystery cults, right, and the mystery cults were most

1218
01:12:24.119 --> 01:12:26.479
<v Speaker 6>of them. I mean, there were the Bakans and the

1219
01:12:26.720 --> 01:12:29.239
<v Speaker 6>you know, the Dionysus cult, which were just completely insane

1220
01:12:29.279 --> 01:12:32.319
<v Speaker 6>and completely off the wall. But like you know, samul

1221
01:12:32.319 --> 01:12:34.920
<v Speaker 6>Thra Soleusis, I mean, they were very very strict. You

1222
01:12:34.920 --> 01:12:37.600
<v Speaker 6>would have to fast and you have to study because

1223
01:12:37.640 --> 01:12:41.239
<v Speaker 6>what it was really about was preparing you, you know,

1224
01:12:41.279 --> 01:12:44.159
<v Speaker 6>to meet the gods and not have a bad experience.

1225
01:12:44.199 --> 01:12:46.039
<v Speaker 6>Well you end up meeting you know, the gods or

1226
01:12:46.039 --> 01:12:50.840
<v Speaker 6>the angels, not the demons, right, And that's really what

1227
01:12:50.880 --> 01:12:53.920
<v Speaker 6>it was all about. It was about learning to you know,

1228
01:12:53.960 --> 01:12:57.920
<v Speaker 6>to focus your mind to fast, to purify yourself so

1229
01:12:58.119 --> 01:13:02.079
<v Speaker 6>you could enter into this realm. Now that's something you

1230
01:13:02.119 --> 01:13:05.760
<v Speaker 6>have to be very careful about because we're seeing it

1231
01:13:05.800 --> 01:13:07.600
<v Speaker 6>all the time, and we're seeing it like in this

1232
01:13:07.800 --> 01:13:12.680
<v Speaker 6>supercharged THHC. That's that's everywhere. Now you know where you

1233
01:13:12.720 --> 01:13:17.039
<v Speaker 6>get these? You go to the gas station and get these,

1234
01:13:17.199 --> 01:13:19.479
<v Speaker 6>you know, Delta nine cubes of a lot of three

1235
01:13:19.520 --> 01:13:23.720
<v Speaker 6>thousand milligrams per gummy. Oh yeah, you know what I mean.

1236
01:13:23.760 --> 01:13:26.279
<v Speaker 2>I mean that people are tripping balls because it changes

1237
01:13:26.359 --> 01:13:28.720
<v Speaker 2>into a psychedelic through your liver. But most people don't

1238
01:13:28.720 --> 01:13:30.920
<v Speaker 2>know that that it becomes psychedelic compound.

1239
01:13:31.039 --> 01:13:35.560
<v Speaker 6>Well, I mean, full disclosure, I do. I do take

1240
01:13:36.760 --> 01:13:40.680
<v Speaker 6>very small amounts of Delta eights at night because I

1241
01:13:40.760 --> 01:13:46.079
<v Speaker 6>have a sleep disorder. Guilty, I mean full disclosure, have

1242
01:13:46.159 --> 01:13:48.600
<v Speaker 6>but I have, I mean I do have some Well

1243
01:13:48.600 --> 01:13:52.239
<v Speaker 6>it's like Delta nine, Delta zero or Delta O whatever

1244
01:13:52.359 --> 01:13:55.319
<v Speaker 6>THCO which actually I kind of liked even though if

1245
01:13:55.319 --> 01:13:57.119
<v Speaker 6>you took a little too much of that, you'd be

1246
01:13:57.159 --> 01:13:59.760
<v Speaker 6>in real trouble. But they took it off the market.

1247
01:14:00.600 --> 01:14:05.520
<v Speaker 6>But anyhow, but you know that is that's that's the venue. Yeah.

1248
01:14:05.560 --> 01:14:10.279
<v Speaker 6>And you know, people when I bring this up, there

1249
01:14:10.279 --> 01:14:12.359
<v Speaker 6>are a lot of people who's like, religion is the

1250
01:14:12.399 --> 01:14:15.359
<v Speaker 6>hallucinogen itself. And I'm like, no, you gotta be careful,

1251
01:14:15.560 --> 01:14:17.119
<v Speaker 6>you know. I mean, people have been telling you for

1252
01:14:17.199 --> 01:14:20.079
<v Speaker 6>thousands of years that this isn't a joke. This isn't

1253
01:14:20.079 --> 01:14:23.199
<v Speaker 6>a game, you know, this isn't recreation. This is really serious.

1254
01:14:23.319 --> 01:14:27.119
<v Speaker 6>This is where you read, you meet real entities, you know,

1255
01:14:27.199 --> 01:14:29.920
<v Speaker 6>and real entities get enter into our world through you

1256
01:14:31.039 --> 01:14:32.880
<v Speaker 6>and these chemicals.

1257
01:14:32.319 --> 01:14:33.680
<v Speaker 2>And attach themselves to you.

1258
01:14:34.279 --> 01:14:37.199
<v Speaker 6>Yes, yes, and that's you know, and I'm just seeing

1259
01:14:40.800 --> 01:14:42.680
<v Speaker 6>seeing it more and more. I mean. One thing I

1260
01:14:42.680 --> 01:14:45.199
<v Speaker 6>will tell you is that The X Files was originally

1261
01:14:45.199 --> 01:14:48.520
<v Speaker 6>canceled after the ninth season, but there were the plans

1262
01:14:48.960 --> 01:14:51.720
<v Speaker 6>to end the whole alien thing in the ninth season

1263
01:14:51.840 --> 01:14:56.560
<v Speaker 6>and then in the tenth season the stories would focus

1264
01:14:56.600 --> 01:14:59.399
<v Speaker 6>around evil as like a contagion. You know. It was

1265
01:14:59.439 --> 01:15:03.760
<v Speaker 6>basically about possession, entity possession, and they did a few

1266
01:15:03.800 --> 01:15:07.880
<v Speaker 6>episodes like that throughout the series. But I'm just seeing

1267
01:15:07.920 --> 01:15:11.920
<v Speaker 6>it more and more, you know, I'm seeing people behaving.

1268
01:15:12.520 --> 01:15:15.720
<v Speaker 6>Did you see that video that woman who was stabbing

1269
01:15:15.720 --> 01:15:18.359
<v Speaker 6>that little kid in the parking lot and you just

1270
01:15:18.399 --> 01:15:20.640
<v Speaker 6>saw the look on her face and just like that

1271
01:15:20.800 --> 01:15:27.720
<v Speaker 6>is lot out possession. That woman was possessed. And you

1272
01:15:27.760 --> 01:15:31.279
<v Speaker 6>just see this on an increasing basis. In gosh, do

1273
01:15:31.279 --> 01:15:33.119
<v Speaker 6>you think and there's anything to do with like, you know,

1274
01:15:35.079 --> 01:15:39.159
<v Speaker 6>all these drugs being mainstreamed and fed to people who

1275
01:15:39.159 --> 01:15:45.279
<v Speaker 6>are ready on the edge, already on the borderline. So again,

1276
01:15:45.399 --> 01:15:47.880
<v Speaker 6>I get a lot of criticism because people think I'm

1277
01:15:47.880 --> 01:15:50.880
<v Speaker 6>just being puritanical. I'm not being cured.

1278
01:15:51.000 --> 01:15:53.239
<v Speaker 3>No, I actually think you're totally nawing something. Man. I

1279
01:15:53.319 --> 01:15:55.560
<v Speaker 3>actually think there's a lot of people that are out

1280
01:15:55.560 --> 01:15:59.159
<v Speaker 3>there strategically pushing mushrooms in certain drugs for a reason

1281
01:15:59.159 --> 01:15:59.880
<v Speaker 3>that's ne for a been.

1282
01:16:01.000 --> 01:16:05.439
<v Speaker 6>Yeah, no, it's now, it's not. And that's not to

1283
01:16:05.479 --> 01:16:08.520
<v Speaker 6>say that there isn't potential benefits.

1284
01:16:08.800 --> 01:16:11.720
<v Speaker 3>There is, yes, I agree, room so on and so forth.

1285
01:16:11.760 --> 01:16:15.920
<v Speaker 6>I mean, I'm not saying that, but nuance gets lost

1286
01:16:16.159 --> 01:16:17.720
<v Speaker 6>very quickly. Unfortunately.

1287
01:16:17.720 --> 01:16:20.359
<v Speaker 3>Spiritualism, why the partying is it could be a fine

1288
01:16:20.359 --> 01:16:21.399
<v Speaker 3>line sometimes too.

1289
01:16:22.520 --> 01:16:26.000
<v Speaker 2>Why through the yoga struct why and even magic, you

1290
01:16:26.119 --> 01:16:29.439
<v Speaker 2>train to make sure your moral structures, your ethical structures,

1291
01:16:29.520 --> 01:16:35.560
<v Speaker 2>your body posture, you're breathing. Because anxiety, paranoia are the

1292
01:16:35.560 --> 01:16:40.119
<v Speaker 2>demons that that we're talking about, Yes, yes, sneaking over

1293
01:16:40.600 --> 01:16:41.359
<v Speaker 2>and then most of.

1294
01:16:41.319 --> 01:16:46.000
<v Speaker 6>The anxiety, anxiety and paranoia and guilt are the catalysts.

1295
01:16:46.199 --> 01:16:50.920
<v Speaker 6>Yes for that for those negative influences, I think I agree.

1296
01:16:51.000 --> 01:16:51.239
<v Speaker 2>Yeah.

1297
01:16:51.279 --> 01:16:54.279
<v Speaker 5>And then also like from like a Buddhist perspective, you know,

1298
01:16:54.319 --> 01:16:56.079
<v Speaker 5>when we look at even like the news, like we

1299
01:16:56.119 --> 01:16:59.079
<v Speaker 5>think people are going crazy, it's because they're literally inviting

1300
01:16:59.119 --> 01:17:00.800
<v Speaker 5>in these demons, because in order for a demon to

1301
01:17:00.880 --> 01:17:03.119
<v Speaker 5>enter into your body, you have to believe in the energy.

1302
01:17:03.039 --> 01:17:04.720
<v Speaker 4>Is that it is attracted to.

1303
01:17:04.880 --> 01:17:08.439
<v Speaker 5>Right, So drugs maybe breaks people out of their emotional stability.

1304
01:17:08.479 --> 01:17:11.039
<v Speaker 5>But that's why I think like religion and spirituality and

1305
01:17:11.039 --> 01:17:12.680
<v Speaker 5>like mebeing in a Buddhist is such important thing to

1306
01:17:12.720 --> 01:17:15.800
<v Speaker 5>me because it teaches you about emptiness of phenomena. Is

1307
01:17:15.800 --> 01:17:18.000
<v Speaker 5>like we are all vessels, whether you want to believe

1308
01:17:18.039 --> 01:17:20.319
<v Speaker 5>it or not. You are a vessel for something, and

1309
01:17:20.359 --> 01:17:22.640
<v Speaker 5>it's better to be a vessel for like the highest power.

1310
01:17:22.720 --> 01:17:22.880
<v Speaker 6>Right.

1311
01:17:22.920 --> 01:17:25.479
<v Speaker 5>So I think there's a mixture of like the drugs,

1312
01:17:25.520 --> 01:17:27.920
<v Speaker 5>but also like the news has been like hyped up,

1313
01:17:27.960 --> 01:17:30.479
<v Speaker 5>and then we have social media, which is like doubling

1314
01:17:30.520 --> 01:17:33.520
<v Speaker 5>down on that like crazy reality that people are buying into,

1315
01:17:33.640 --> 01:17:35.800
<v Speaker 5>and then just like yeah, going out and doing crazy

1316
01:17:35.800 --> 01:17:40.119
<v Speaker 5>shit because they've invited in this energy by not having stability.

1317
01:17:40.159 --> 01:17:41.840
<v Speaker 4>So I think it is a mixture of like the

1318
01:17:41.920 --> 01:17:43.600
<v Speaker 4>drugs and the everything.

1319
01:17:43.680 --> 01:17:47.199
<v Speaker 6>But yeah, yeah, it's an assault. I think it's a

1320
01:17:47.239 --> 01:17:52.479
<v Speaker 6>coordinating assault on a wide scale. Now, one thing that

1321
01:17:52.479 --> 01:17:53.880
<v Speaker 6>I've talked about I don't know if I talked about

1322
01:17:53.960 --> 01:17:57.119
<v Speaker 6>in the book, but when I was a kid, I

1323
01:17:57.159 --> 01:17:59.880
<v Speaker 6>would get really really high fevers and I would hallucinate.

1324
01:18:00.920 --> 01:18:04.000
<v Speaker 6>And I found out that high fever were tripped the

1325
01:18:04.119 --> 01:18:07.399
<v Speaker 6>DMT circuit in your brain. So I had some pretty

1326
01:18:09.119 --> 01:18:14.520
<v Speaker 6>pretty vivid and extreme haint hallucinations. And when I got

1327
01:18:14.600 --> 01:18:21.439
<v Speaker 6>a little older and started experimenting quote unquote, I was like, yeah,

1328
01:18:21.439 --> 01:18:25.520
<v Speaker 6>I know this territory very well. You know, I know

1329
01:18:25.920 --> 01:18:31.880
<v Speaker 6>it was completely familiar to me. It was people don't

1330
01:18:31.880 --> 01:18:34.359
<v Speaker 6>believe me when I say that, but you know, what

1331
01:18:34.399 --> 01:18:34.960
<v Speaker 6>am I going to do?

1332
01:18:35.000 --> 01:18:35.359
<v Speaker 2>I don't know.

1333
01:18:35.479 --> 01:18:37.640
<v Speaker 3>I believe when I was younger, when I was a child,

1334
01:18:38.199 --> 01:18:40.039
<v Speaker 3>I ended up getting this fucking weird shit. I never

1335
01:18:40.079 --> 01:18:41.920
<v Speaker 3>heard of it before. It's like a crazy version of

1336
01:18:41.960 --> 01:18:45.239
<v Speaker 3>chicken pox basically, Katsaki and I ended up with like

1337
01:18:45.239 --> 01:18:47.680
<v Speaker 3>one hundred and three fever. I was fucking hallucinating. My

1338
01:18:47.720 --> 01:18:49.920
<v Speaker 3>mom took me to the fucking doctors and she's like,

1339
01:18:50.000 --> 01:18:53.359
<v Speaker 3>you know, fucking kids like asking me shit, that's like there,

1340
01:18:53.760 --> 01:18:55.640
<v Speaker 3>you know, And there was because of the fevers. They

1341
01:18:55.680 --> 01:18:57.439
<v Speaker 3>were saying, they're like, Joe, his fever is so high,

1342
01:18:57.680 --> 01:19:00.640
<v Speaker 3>this can actually happen. And I do what I do

1343
01:19:00.720 --> 01:19:03.000
<v Speaker 3>see a correlation of what you're saying. Once he took

1344
01:19:03.079 --> 01:19:05.880
<v Speaker 3>other things, it was like, this doesn't seem like I

1345
01:19:06.000 --> 01:19:07.119
<v Speaker 3>see a little bit of a correlation.

1346
01:19:07.199 --> 01:19:10.239
<v Speaker 6>Yeah, did you ever see the movie Jacob's.

1347
01:19:09.960 --> 01:19:12.199
<v Speaker 3>Ladder parts of it? I've never seen the whole thing.

1348
01:19:13.199 --> 01:19:15.640
<v Speaker 6>Okay, I've watched that movie like over one hundred times.

1349
01:19:17.199 --> 01:19:19.560
<v Speaker 6>Don't don't ask me what that says about me, But

1350
01:19:20.680 --> 01:19:25.000
<v Speaker 6>there is there is a whole sequence in there. I mean.

1351
01:19:25.119 --> 01:19:28.920
<v Speaker 6>So that is also an MKL for a narrative explicitly

1352
01:19:29.239 --> 01:19:34.079
<v Speaker 6>spelled out in the story, but it manifests itself where

1353
01:19:34.239 --> 01:19:40.319
<v Speaker 6>you know, the Tim Robbins Jacob's Ladder character gets you

1354
01:19:40.319 --> 01:19:42.239
<v Speaker 6>know what you're talking about a viral infection, and he

1355
01:19:42.279 --> 01:19:45.439
<v Speaker 6>gets like a super high fever, which you know I

1356
01:19:45.439 --> 01:19:47.000
<v Speaker 6>would get like one hundred and five hundred and six

1357
01:19:47.000 --> 01:19:49.760
<v Speaker 6>all the time. And he and he and that starts

1358
01:19:49.840 --> 01:19:53.079
<v Speaker 6>playing into this whole a blow where he's seeing you know,

1359
01:19:53.159 --> 01:19:57.840
<v Speaker 6>demons and so on everywhere it goes that. I can't

1360
01:19:57.880 --> 01:20:02.800
<v Speaker 6>recommend the film enough. It's not an easy watch. It's

1361
01:20:02.840 --> 01:20:08.640
<v Speaker 6>gruesomely violence in some some places. But it was based

1362
01:20:08.640 --> 01:20:13.479
<v Speaker 6>on was it the Bardo? The bar help me out here?

1363
01:20:13.560 --> 01:20:17.479
<v Speaker 6>Kaiva's and the Tibetan book are the dead? It's what

1364
01:20:17.600 --> 01:20:18.680
<v Speaker 6>is it? The barto a dole?

1365
01:20:19.079 --> 01:20:21.640
<v Speaker 2>The barto photos are the realms that you go into

1366
01:20:21.760 --> 01:20:25.439
<v Speaker 2>when you're when you die, and you train yourself through

1367
01:20:25.520 --> 01:20:31.159
<v Speaker 2>the Tibetan Buddhist practices of the bone tradition to enter

1368
01:20:31.239 --> 01:20:33.359
<v Speaker 2>into these different phases. So if you have that tradition,

1369
01:20:33.399 --> 01:20:35.840
<v Speaker 2>if you actually go through and follow the light, you'll

1370
01:20:35.920 --> 01:20:38.279
<v Speaker 2>end them this like red space, which actually is a

1371
01:20:38.319 --> 01:20:38.960
<v Speaker 2>bad space.

1372
01:20:39.840 --> 01:20:43.039
<v Speaker 8>But yeah, well it can be can be branded, not always,

1373
01:20:43.079 --> 01:20:46.119
<v Speaker 8>not always, but yeah, we enter into the you know,

1374
01:20:46.159 --> 01:20:49.520
<v Speaker 8>you enter into the bardo, you see the existence, appearance

1375
01:20:49.680 --> 01:20:52.880
<v Speaker 8>of the emptiness. As Kaiva said of phenomena, and you

1376
01:20:52.960 --> 01:20:55.560
<v Speaker 8>have to recognize it for what it really is, which

1377
01:20:55.600 --> 01:20:58.199
<v Speaker 8>is of course empty, but that's not how it appears

1378
01:20:58.239 --> 01:20:58.479
<v Speaker 8>to you.

1379
01:20:59.119 --> 01:21:01.000
<v Speaker 1>So the the key, the sort of the.

1380
01:21:01.039 --> 01:21:04.800
<v Speaker 8>Key to traversing the mahasmashana or the carnal ground of

1381
01:21:04.840 --> 01:21:08.760
<v Speaker 8>ultimate reality is recognizing that emptiness is the quote unquote

1382
01:21:08.760 --> 01:21:12.199
<v Speaker 8>primordial truth, and that everything that arises before you is

1383
01:21:12.239 --> 01:21:14.680
<v Speaker 8>just like the kind of.

1384
01:21:14.560 --> 01:21:16.279
<v Speaker 1>The aggregates of your own mind.

1385
01:21:17.039 --> 01:21:21.960
<v Speaker 6>Mm hmm. Well, the film also explicitly ties that in

1386
01:21:22.439 --> 01:21:32.640
<v Speaker 6>too medieval Christian mysticism concepts of purgatory, and it's actually right.

1387
01:21:33.079 --> 01:21:37.159
<v Speaker 6>There's actually a scene, you know, we're spelled like purgatory

1388
01:21:37.319 --> 01:21:41.199
<v Speaker 6>is the demons are really angels who are tearing away

1389
01:21:41.239 --> 01:21:47.079
<v Speaker 6>your attachments to to life, right, I mean, I'm that

1390
01:21:47.119 --> 01:21:50.319
<v Speaker 6>sounds very Buddhist to me as well, right, like you're

1391
01:21:50.479 --> 01:21:53.239
<v Speaker 6>you know, yeah, attachments, attachment.

1392
01:21:53.279 --> 01:21:56.880
<v Speaker 8>And so there is a similarity, Chris like to the

1393
01:21:57.000 --> 01:22:00.359
<v Speaker 8>kind of Catholic like the more Catholic idea is of

1394
01:22:00.680 --> 01:22:03.640
<v Speaker 8>a kind of interstitial realm, like even Kaivo was saying before,

1395
01:22:03.800 --> 01:22:06.880
<v Speaker 8>like of Neptune the smoky place. This makes complete sense

1396
01:22:06.920 --> 01:22:10.600
<v Speaker 8>in the tontric perspective or contract astrological perspective, because that

1397
01:22:10.720 --> 01:22:14.079
<v Speaker 8>is kind of like the when the the body is

1398
01:22:14.079 --> 01:22:17.359
<v Speaker 8>completely made dissolute, that would be kind of that Katuvian

1399
01:22:18.439 --> 01:22:22.560
<v Speaker 8>or Neptune. And depending on your framing of like the

1400
01:22:22.640 --> 01:22:26.119
<v Speaker 8>outer three planets and their relationship with the Vita castrology,

1401
01:22:26.119 --> 01:22:29.640
<v Speaker 8>but yeah, I think it's the same. It's like you're

1402
01:22:29.680 --> 01:22:32.760
<v Speaker 8>in this kind of interstitial zone. It's not it's not

1403
01:22:33.840 --> 01:22:36.640
<v Speaker 8>it's not it's not destruction and it's not creation. It's

1404
01:22:36.720 --> 01:22:37.880
<v Speaker 8>kind of it's in between.

1405
01:22:40.000 --> 01:22:41.720
<v Speaker 6>Well, when I think of Neptune too, I also think

1406
01:22:41.720 --> 01:22:45.560
<v Speaker 6>a proteus and you know, the whole idea of like

1407
01:22:45.640 --> 01:22:49.000
<v Speaker 6>Protea in the original, and it's the abyss and the waters,

1408
01:22:49.800 --> 01:22:53.560
<v Speaker 6>but it's also shape shifting and at the same time

1409
01:22:53.600 --> 01:23:00.520
<v Speaker 6>it's also prophetic. Are you guys familiar with the god.

1410
01:23:00.079 --> 01:23:01.800
<v Speaker 2>Old Man of the Sea, right, Homer?

1411
01:23:01.960 --> 01:23:04.199
<v Speaker 6>Yeah, Yeah, the Old Man is exactly the Old Man

1412
01:23:04.239 --> 01:23:08.119
<v Speaker 6>of the Sea. So but there is that whole idea

1413
01:23:08.319 --> 01:23:15.840
<v Speaker 6>of deception sort of almost being a mask for revelation. Yeah,

1414
01:23:16.239 --> 01:23:20.960
<v Speaker 6>do you understand what I'm saying. And that's something that

1415
01:23:21.000 --> 01:23:24.640
<v Speaker 6>you see throughout the X Files, ironically, and the other

1416
01:23:24.640 --> 01:23:29.119
<v Speaker 6>thing I should mention too is that him Robbins is

1417
01:23:29.119 --> 01:23:33.479
<v Speaker 6>the star of Jacob Sladder and the last person you

1418
01:23:33.520 --> 01:23:36.720
<v Speaker 6>see on screen in any X Files episode, which is

1419
01:23:36.760 --> 01:23:41.159
<v Speaker 6>the eleventh season last episode, is his son, Miles Robins,

1420
01:23:41.239 --> 01:23:47.720
<v Speaker 6>who plays Mulder and Scully's son, who's and he rises

1421
01:23:47.800 --> 01:23:50.239
<v Speaker 6>up out of the waters, and he he is the

1422
01:23:50.279 --> 01:23:53.680
<v Speaker 6>new proteus because he's a shape shifter as well, but

1423
01:23:53.760 --> 01:23:56.880
<v Speaker 6>he's also psychic, so but he's all he's prophetic, and

1424
01:23:57.840 --> 01:23:59.800
<v Speaker 6>I don't know, I mean, I wonder how much of

1425
01:23:59.840 --> 01:24:02.560
<v Speaker 6>that ties into a cargo was saying about the whole

1426
01:24:02.800 --> 01:24:07.680
<v Speaker 6>influence of Neptune on the pilot episode. Some Well, I

1427
01:24:07.680 --> 01:24:10.600
<v Speaker 6>guess at that point it was twenty three years earlier, right,

1428
01:24:12.600 --> 01:24:17.920
<v Speaker 6>that's too Yeah, I mean that seems like so Uranus

1429
01:24:18.000 --> 01:24:18.840
<v Speaker 6>is the sky.

1430
01:24:19.199 --> 01:24:20.800
<v Speaker 4>Right, and it breaks open things.

1431
01:24:21.000 --> 01:24:23.880
<v Speaker 5>So it's like as Uranus is like breaking open Saturn's

1432
01:24:23.920 --> 01:24:27.439
<v Speaker 5>world of like stability. Yeah, Like Neptune's planting these like

1433
01:24:27.560 --> 01:24:29.960
<v Speaker 5>visions and ideas.

1434
01:24:32.479 --> 01:24:35.319
<v Speaker 6>So it all plays in. I mean, Chris Carter again

1435
01:24:35.520 --> 01:24:45.239
<v Speaker 6>was well versed in ancient mythology, and there are explicit

1436
01:24:46.079 --> 01:24:50.560
<v Speaker 6>references to that, and he did write an episode about astrology,

1437
01:24:50.680 --> 01:24:52.920
<v Speaker 6>so I'm kind of wondering if he was kind of

1438
01:24:54.039 --> 01:24:56.880
<v Speaker 6>maybe aware that. But one thing that Dean Haglin who

1439
01:24:56.880 --> 01:24:58.479
<v Speaker 6>plays one of the Lone Gunman. If you guys want

1440
01:24:58.520 --> 01:25:03.000
<v Speaker 6>to talk about that Lone Gunman episode, it said that

1441
01:25:03.880 --> 01:25:08.680
<v Speaker 6>the CIA would have fortune tellows and astrologers at Hollywood

1442
01:25:08.680 --> 01:25:14.239
<v Speaker 6>parties back in the early nineties, and one of one

1443
01:25:14.279 --> 01:25:16.560
<v Speaker 6>of them, you know, it's said to Chris Carter when

1444
01:25:16.600 --> 01:25:19.079
<v Speaker 6>the show was being developed, you know this is going

1445
01:25:19.119 --> 01:25:21.439
<v Speaker 6>to be you know, it's going to be a huge success,

1446
01:25:21.520 --> 01:25:25.039
<v Speaker 6>and all the rest of it kind of makes you

1447
01:25:25.119 --> 01:25:30.640
<v Speaker 6>wonder though, right, Well, one thing I try to impart

1448
01:25:30.680 --> 01:25:34.800
<v Speaker 6>to people because there's this whole and this whole comes

1449
01:25:34.800 --> 01:25:39.960
<v Speaker 6>from that whole boomer conspiracy world. Oh it's all distraction

1450
01:25:40.399 --> 01:25:43.399
<v Speaker 6>or whatever. It's like, No, there, these people really are

1451
01:25:43.560 --> 01:25:50.880
<v Speaker 6>true believers. I think there is I think a grave

1452
01:25:51.000 --> 01:25:53.239
<v Speaker 6>misconception and it's one of the things I write about,

1453
01:25:53.399 --> 01:25:55.399
<v Speaker 6>you know, Like I mentioned my first novel, He Will

1454
01:25:55.439 --> 01:25:57.760
<v Speaker 6>Live Up in the Sky, is that I really wanted

1455
01:25:57.760 --> 01:26:00.119
<v Speaker 6>to impart to people. The people who get involved than

1456
01:26:00.199 --> 01:26:02.359
<v Speaker 6>these kind of programs and stuff when it deals with

1457
01:26:02.399 --> 01:26:05.359
<v Speaker 6>the paranormal and so on and so forth, are true believers.

1458
01:26:05.560 --> 01:26:08.039
<v Speaker 6>And I think that's become blatantly obvious now with this

1459
01:26:08.079 --> 01:26:15.920
<v Speaker 6>whole UFO disclosure run around, you know, I think, you know,

1460
01:26:16.000 --> 01:26:18.479
<v Speaker 6>it's it's fairly obvious that, you know, people like Jim

1461
01:26:18.479 --> 01:26:23.720
<v Speaker 6>semi Van and what's his name, Grush, you know, and

1462
01:26:23.760 --> 01:26:26.960
<v Speaker 6>all these people who come out of the quote unquote

1463
01:26:26.960 --> 01:26:30.640
<v Speaker 6>intelligence community, they really are true believers. You know. I

1464
01:26:31.119 --> 01:26:37.239
<v Speaker 6>don't think they're play acting. The more disturbing truth to

1465
01:26:37.319 --> 01:26:39.439
<v Speaker 6>me is that they really do believe all this stuff

1466
01:26:39.680 --> 01:26:46.439
<v Speaker 6>lock stock and barrel, you know, all this UFO lore

1467
01:26:48.439 --> 01:26:55.199
<v Speaker 6>that has been ceded into the culture by the military

1468
01:26:55.680 --> 01:27:00.319
<v Speaker 6>since the nineteen forties, and specifically the Navy, you know,

1469
01:27:00.359 --> 01:27:05.239
<v Speaker 6>talk about Neptune and Proteus, right, and that whole influence

1470
01:27:07.079 --> 01:27:11.199
<v Speaker 6>is that group Nightcap, which is explicitly cited in the

1471
01:27:11.199 --> 01:27:17.159
<v Speaker 6>next Files episode the Executive Committee. We're all Navy and

1472
01:27:17.239 --> 01:27:26.479
<v Speaker 6>Marine flag officers, you know, which means like you know, commanders, commodores, admirals,

1473
01:27:26.840 --> 01:27:30.159
<v Speaker 6>generals and so on and so forth. I think there

1474
01:27:30.239 --> 01:27:35.239
<v Speaker 6>is a misconception that these people aren't true believers, and

1475
01:27:35.319 --> 01:27:38.439
<v Speaker 6>I think that is a very very dangerous belief.

1476
01:27:40.359 --> 01:27:42.039
<v Speaker 2>Yeah, and that goes back to you talking about like

1477
01:27:42.119 --> 01:27:45.600
<v Speaker 2>facing our delusions like the Proteus and the Neptune. You're

1478
01:27:45.720 --> 01:27:48.279
<v Speaker 2>in this type of things. Is that when we come

1479
01:27:48.319 --> 01:27:51.119
<v Speaker 2>up against our delusions, which is the same as like

1480
01:27:51.159 --> 01:27:53.800
<v Speaker 2>Buddha coming in under the body tree, coming up against

1481
01:27:53.800 --> 01:27:57.319
<v Speaker 2>Mara and all the illusions of reality of the illusions.

1482
01:27:57.800 --> 01:27:59.720
<v Speaker 2>Like I think it's sometimes we think when we talk

1483
01:27:59.760 --> 01:28:03.720
<v Speaker 2>about illusions of reality, it's always we always think external

1484
01:28:04.479 --> 01:28:07.039
<v Speaker 2>when we should actually be thinking of these illusions. Are

1485
01:28:07.079 --> 01:28:11.720
<v Speaker 2>these internal aspects of how we use our perception to

1486
01:28:11.880 --> 01:28:15.800
<v Speaker 2>understand external events, And so it's such a fascinating thing.

1487
01:28:15.880 --> 01:28:18.079
<v Speaker 2>Jesus did it when he was, you know, confronted with

1488
01:28:18.119 --> 01:28:20.760
<v Speaker 2>Satan on the mount and he had to go through

1489
01:28:20.800 --> 01:28:23.239
<v Speaker 2>the Three trials. Buddha goes through the three trials. I

1490
01:28:23.239 --> 01:28:25.399
<v Speaker 2>feel like same thing we do when we're going up

1491
01:28:25.439 --> 01:28:29.720
<v Speaker 2>against our own delusions. When we take high dosages of entheogens,

1492
01:28:30.079 --> 01:28:33.279
<v Speaker 2>you go through that first ego death and you're confronted

1493
01:28:33.399 --> 01:28:37.800
<v Speaker 2>with the great you know, Guardian at the threshold. And

1494
01:28:37.840 --> 01:28:42.319
<v Speaker 2>I think that very much relates to alien disclosure. What

1495
01:28:42.359 --> 01:28:44.880
<v Speaker 2>the X files was constantly trying to ask us about

1496
01:28:44.880 --> 01:28:48.920
<v Speaker 2>our own paranoid Schitzo understanding about how these things are

1497
01:28:49.000 --> 01:28:51.840
<v Speaker 2>happening in the world, that we are deluded to think

1498
01:28:51.920 --> 01:28:55.640
<v Speaker 2>many things and if we can calm those delusions and

1499
01:28:55.680 --> 01:28:59.720
<v Speaker 2>try to center ourselves through you know, practice of sorts

1500
01:28:59.840 --> 01:29:04.039
<v Speaker 2>or understanding the synchro mystic events you know, of the

1501
01:29:04.039 --> 01:29:07.039
<v Speaker 2>external internal world as they happen. It's just funny how

1502
01:29:07.039 --> 01:29:11.079
<v Speaker 2>these things continue to spiral out and in together.

1503
01:29:11.520 --> 01:29:15.880
<v Speaker 6>Well, I do use synchronicity as my yardstick. Yeah, yeah,

1504
01:29:16.359 --> 01:29:21.239
<v Speaker 6>I'm just yeah, thank you. You know, just a very

1505
01:29:21.439 --> 01:29:26.520
<v Speaker 6>heightened awareness of deception and lies and misdirection and so on.

1506
01:29:27.199 --> 01:29:35.039
<v Speaker 6>But when things break, that veil between the imaginal and

1507
01:29:35.079 --> 01:29:44.039
<v Speaker 6>the temporal that is hard to manufacture. Okay, you can

1508
01:29:44.079 --> 01:29:48.520
<v Speaker 6>sort of create a counterfeit of it, which happens all

1509
01:29:48.560 --> 01:29:54.279
<v Speaker 6>the time. But I think that if you're rigorous in

1510
01:29:54.319 --> 01:29:59.239
<v Speaker 6>your approach to synchronisticism, it becomes like a great you

1511
01:29:59.239 --> 01:30:02.239
<v Speaker 6>know bs to so to speak.

1512
01:30:02.880 --> 01:30:04.800
<v Speaker 2>Yeah, and we spend most of our and this is

1513
01:30:04.840 --> 01:30:07.840
<v Speaker 2>something that needs to be understood by the audience and

1514
01:30:07.880 --> 01:30:13.279
<v Speaker 2>many people around, is that the differentiation between understanding the

1515
01:30:13.359 --> 01:30:19.079
<v Speaker 2>idea that materiality created consciousness instead of how our physical

1516
01:30:19.079 --> 01:30:23.279
<v Speaker 2>bodies are tuning forks for consciousness and then we switch

1517
01:30:23.319 --> 01:30:28.119
<v Speaker 2>our understanding. It's kind of like a Kantean Compernican revolution

1518
01:30:28.560 --> 01:30:31.079
<v Speaker 2>is where it's like it seems to me that the

1519
01:30:31.159 --> 01:30:34.880
<v Speaker 2>ideal realm was first created and why we speak about

1520
01:30:34.920 --> 01:30:39.359
<v Speaker 2>cabbala and missicism magic and then everything stems forth into materiality.

1521
01:30:39.800 --> 01:30:41.479
<v Speaker 2>And I think about it when we were talking, is

1522
01:30:41.520 --> 01:30:44.119
<v Speaker 2>like we spend most of our days in the ideal

1523
01:30:44.640 --> 01:30:47.319
<v Speaker 2>or in the idea spheres, in the imaginal realms. In

1524
01:30:47.359 --> 01:30:50.359
<v Speaker 2>the imagination, we sleep more than we do anything else.

1525
01:30:50.399 --> 01:30:52.600
<v Speaker 2>And even when we're walking in the world, in the

1526
01:30:52.760 --> 01:30:56.279
<v Speaker 2>material world, we're sleepwalking through our reality. And so to

1527
01:30:56.359 --> 01:31:01.279
<v Speaker 2>think that materiality is more real than the idea spheres

1528
01:31:01.359 --> 01:31:03.600
<v Speaker 2>is kind of a deluded take, because of we are

1529
01:31:03.680 --> 01:31:07.119
<v Speaker 2>within the ideal realms at all times. And then to

1530
01:31:07.199 --> 01:31:10.039
<v Speaker 2>even say that I am contradicting myself because I don't.

1531
01:31:10.279 --> 01:31:12.279
<v Speaker 2>I think cartesianism is one of the worst things to

1532
01:31:12.319 --> 01:31:15.000
<v Speaker 2>happen to us. And so the idea is that we

1533
01:31:15.079 --> 01:31:17.600
<v Speaker 2>need to merge these two things. And it's really hard

1534
01:31:17.640 --> 01:31:21.239
<v Speaker 2>because our language, which is magic. Right, even saying language

1535
01:31:21.319 --> 01:31:24.079
<v Speaker 2>is magic is getting us away from understanding that all

1536
01:31:24.159 --> 01:31:27.760
<v Speaker 2>language is metaphor, and so we can understand the metaphors

1537
01:31:27.880 --> 01:31:32.359
<v Speaker 2>of our own understanding. Is that then we're understanding something.

1538
01:31:32.399 --> 01:31:35.640
<v Speaker 2>We're we're merging the body mind back together. And I

1539
01:31:35.640 --> 01:31:39.079
<v Speaker 2>think that's really important to understand then when disclosure happens,

1540
01:31:39.439 --> 01:31:42.760
<v Speaker 2>to not believe it, doesn't say it's not happening, but

1541
01:31:42.840 --> 01:31:46.520
<v Speaker 2>to understand that if we read Jacques Villet, Carl Jung

1542
01:31:46.760 --> 01:31:49.760
<v Speaker 2>and the ancients and the modern the and the mythologies

1543
01:31:49.760 --> 01:31:52.479
<v Speaker 2>of our past and present, that they're trying to tell

1544
01:31:52.560 --> 01:31:55.279
<v Speaker 2>us much of the same thing all the time, is

1545
01:31:55.319 --> 01:31:58.000
<v Speaker 2>that this is a remembering and you're waking up to

1546
01:31:58.079 --> 01:32:02.760
<v Speaker 2>something and to stop sleep walking through through your reality.

1547
01:32:03.039 --> 01:32:06.039
<v Speaker 6>So it's well.

1548
01:32:06.359 --> 01:32:09.079
<v Speaker 7>On that note, like you guys are talking about childhood

1549
01:32:09.079 --> 01:32:14.279
<v Speaker 7>fevers and talking about these psychedelic experiences like these are

1550
01:32:14.319 --> 01:32:17.319
<v Speaker 7>all playing into the idea of the shamanic right, and

1551
01:32:17.359 --> 01:32:21.319
<v Speaker 7>even the show is sort of like walking you through

1552
01:32:21.319 --> 01:32:25.520
<v Speaker 7>the dismembering of certain ideas that maybe the boomer generation

1553
01:32:25.720 --> 01:32:28.279
<v Speaker 7>had about the government and how they're all loving and

1554
01:32:28.359 --> 01:32:32.760
<v Speaker 7>all good and all caring, and so where does that

1555
01:32:32.920 --> 01:32:36.560
<v Speaker 7>integration start and stop As a societal level, You know,

1556
01:32:36.600 --> 01:32:39.439
<v Speaker 7>we're sort of coming up to the point where all

1557
01:32:39.479 --> 01:32:42.600
<v Speaker 7>of these late nineties films of living in this sort

1558
01:32:42.640 --> 01:32:46.680
<v Speaker 7>of unreal world are now coming to fruition, right, So

1559
01:32:46.920 --> 01:32:50.479
<v Speaker 7>you know, you've got the Matrix movies about this unreal matrix,

1560
01:32:50.520 --> 01:32:52.640
<v Speaker 7>you've got Dark City, all of these other things are

1561
01:32:52.680 --> 01:32:56.720
<v Speaker 7>talking about the unreal sort of taking precedent over the

1562
01:32:56.800 --> 01:32:59.399
<v Speaker 7>reel and trying to find your way out through this maze.

1563
01:33:00.079 --> 01:33:02.720
<v Speaker 7>So at what point are we going to reach that

1564
01:33:02.760 --> 01:33:04.439
<v Speaker 7>sort of breaking point? Is it going to be a

1565
01:33:04.479 --> 01:33:08.960
<v Speaker 7>positive or a negative thing? Because we have most.

1566
01:33:08.800 --> 01:33:12.159
<v Speaker 6>People aren't I mean, and increasingly I mean people are

1567
01:33:12.199 --> 01:33:19.399
<v Speaker 6>becoming semi sentient on a societal scale. I don't know

1568
01:33:19.439 --> 01:33:23.119
<v Speaker 6>if you guys follow well, you know, we've had thousands

1569
01:33:23.159 --> 01:33:29.239
<v Speaker 6>of teachers quit teaching because this what they called Generation Alpha,

1570
01:33:29.479 --> 01:33:33.439
<v Speaker 6>are unedgucable and they have no attention spans, they have

1571
01:33:33.600 --> 01:33:38.479
<v Speaker 6>no conceptual they have no inner dialogue real. So I

1572
01:33:38.520 --> 01:33:43.600
<v Speaker 6>think that it's going to be I don't want to say,

1573
01:33:43.640 --> 01:33:46.399
<v Speaker 6>like a Dawn of the Dead situation, you know, where

1574
01:33:47.279 --> 01:33:51.920
<v Speaker 6>we're dealing with masses of zombies and just a few

1575
01:33:52.640 --> 01:33:55.520
<v Speaker 6>sentient people. I hope we know we're not chased into

1576
01:33:55.600 --> 01:34:02.880
<v Speaker 6>extinction because it will all fall apart. Then I think

1577
01:34:02.880 --> 01:34:06.119
<v Speaker 6>it's it's up to the individual. It's up to each

1578
01:34:06.159 --> 01:34:13.840
<v Speaker 6>individual to tend to their own enlightened. You can't rely

1579
01:34:16.600 --> 01:34:23.359
<v Speaker 6>on systems anymore, you know, particularly now because all institutions

1580
01:34:23.479 --> 01:34:31.119
<v Speaker 6>have been infiltrated, subverted and degraded. Really, I mean all

1581
01:34:31.560 --> 01:34:40.560
<v Speaker 6>our education system, our religious system, government industry across the board, right, media,

1582
01:34:41.560 --> 01:34:47.399
<v Speaker 6>it's all been degraded, it's all been co opted. So

1583
01:34:47.520 --> 01:34:51.520
<v Speaker 6>we can't we're not going to get our power from that,

1584
01:34:52.079 --> 01:34:56.079
<v Speaker 6>you know, you have to find it somewhere else. And

1585
01:34:56.239 --> 01:34:58.760
<v Speaker 6>discussions like this I think are a really important part

1586
01:34:58.800 --> 01:35:05.199
<v Speaker 6>of that. But just understand that you're almost sort of

1587
01:35:05.199 --> 01:35:09.439
<v Speaker 6>like putting a target on your forehead because we're dealing

1588
01:35:09.680 --> 01:35:14.279
<v Speaker 6>with a growing mass of sleepwalkers who don't want to

1589
01:35:14.319 --> 01:35:19.520
<v Speaker 6>be awakened, who don't even know there is an awakened state,

1590
01:35:20.479 --> 01:35:27.159
<v Speaker 6>right They're they're totally focused on the scrolling. They can't

1591
01:35:27.199 --> 01:35:30.439
<v Speaker 6>even focus on a half an hour television program anymore.

1592
01:35:32.239 --> 01:35:38.920
<v Speaker 6>Attention spans have been just completely shattered on a majority,

1593
01:35:38.960 --> 01:35:42.399
<v Speaker 6>I think of the population. So you have to take

1594
01:35:42.479 --> 01:35:45.600
<v Speaker 6>you have to take responsibility for yourself and I think

1595
01:35:48.479 --> 01:35:54.920
<v Speaker 6>networking and coalescing and so on, while avoiding creating a

1596
01:35:54.960 --> 01:35:58.359
<v Speaker 6>new set of institutions, right because whenever you create a

1597
01:35:58.359 --> 01:36:03.720
<v Speaker 6>set of institutions, those institutions need to be maintained, all right,

1598
01:36:04.239 --> 01:36:10.239
<v Speaker 6>And the people who are going to come to you

1599
01:36:10.439 --> 01:36:14.199
<v Speaker 6>to maintain those institutions are going to want to co

1600
01:36:14.279 --> 01:36:19.640
<v Speaker 6>opt them and you know, bring them into this clive

1601
01:36:19.800 --> 01:36:23.359
<v Speaker 6>mind that we're seeing built, okay, on an increasing basis.

1602
01:36:24.079 --> 01:36:28.520
<v Speaker 6>So it's a it's a weird kind of dance right

1603
01:36:28.560 --> 01:36:32.800
<v Speaker 6>where you need to. You can't do it alone, you

1604
01:36:32.880 --> 01:36:39.000
<v Speaker 6>can't work in isolation. But I do think that any

1605
01:36:39.119 --> 01:36:44.279
<v Speaker 6>time a structure or a system is built, it will

1606
01:36:44.279 --> 01:36:48.600
<v Speaker 6>be either co opted from within or destroyed from without.

1607
01:36:50.039 --> 01:36:51.520
<v Speaker 6>I really honestly believe that.

1608
01:36:52.399 --> 01:36:54.880
<v Speaker 2>No, I completely agree, and it makes me think of

1609
01:36:55.880 --> 01:36:57.720
<v Speaker 2>and for me all the time. I'm always going back

1610
01:36:57.760 --> 01:36:59.520
<v Speaker 2>to it. But Plato's cave has been such a big

1611
01:36:59.560 --> 01:37:02.720
<v Speaker 2>idea from my own life and understanding is that once

1612
01:37:02.760 --> 01:37:04.600
<v Speaker 2>you get out of the cave, right, it's just this

1613
01:37:04.800 --> 01:37:06.920
<v Speaker 2>very similar to the matrix. You waking up from the matrix,

1614
01:37:06.920 --> 01:37:08.800
<v Speaker 2>You go out there, you witness the forms, you do,

1615
01:37:08.920 --> 01:37:10.840
<v Speaker 2>go back into the cave. And what Plato says is

1616
01:37:10.880 --> 01:37:12.720
<v Speaker 2>that when you go back into the cave, you will

1617
01:37:12.720 --> 01:37:15.960
<v Speaker 2>be mocked by those still shackled to the wall, and

1618
01:37:16.159 --> 01:37:19.279
<v Speaker 2>if upsetting them enough, you will be killed. And I

1619
01:37:19.319 --> 01:37:23.039
<v Speaker 2>think that's really important. Knowing that I'm not saying people

1620
01:37:23.079 --> 01:37:25.359
<v Speaker 2>are going to be physically killed here, but it's happening.

1621
01:37:25.800 --> 01:37:28.920
<v Speaker 2>But the idea that further goes is that you're not

1622
01:37:28.960 --> 01:37:31.039
<v Speaker 2>bringing the light back with you as you go in.

1623
01:37:31.600 --> 01:37:33.359
<v Speaker 2>You're not bringing the forms back in there as you

1624
01:37:33.399 --> 01:37:35.399
<v Speaker 2>go in. You are going in there to kind of

1625
01:37:35.640 --> 01:37:39.079
<v Speaker 2>do the thing. Because the cave is this institutionalized world,

1626
01:37:39.079 --> 01:37:41.479
<v Speaker 2>the bureaucratic world. It is this that even that we're

1627
01:37:41.520 --> 01:37:44.000
<v Speaker 2>doing right now. We're speaking and then we speak in

1628
01:37:44.079 --> 01:37:48.840
<v Speaker 2>dialogue and dialectic and you know, really, to me, you know,

1629
01:37:48.920 --> 01:37:51.399
<v Speaker 2>all of Plato's work is what in him, what he's

1630
01:37:51.399 --> 01:37:54.920
<v Speaker 2>trying to do is he's discussing the orphic mystery traditions,

1631
01:37:54.960 --> 01:37:57.840
<v Speaker 2>the Pythagorea and mystery traditions and all the mystery traditions

1632
01:37:57.840 --> 01:37:59.359
<v Speaker 2>that he was a part of at that time frame.

1633
01:37:59.560 --> 01:38:02.800
<v Speaker 2>And upon doing so, he's teaching people how to philosophize.

1634
01:38:02.920 --> 01:38:04.760
<v Speaker 2>And that's why I'm trying That's why for me and

1635
01:38:04.840 --> 01:38:07.560
<v Speaker 2>my work, I'm like, let's learn kind of Like what

1636
01:38:07.600 --> 01:38:10.359
<v Speaker 2>you're doing, Chris is like you're like there's this synchronistic

1637
01:38:10.439 --> 01:38:15.920
<v Speaker 2>events going on. You're reframing people's understanding how to make

1638
01:38:15.960 --> 01:38:19.119
<v Speaker 2>the connections between as you're always talking about the sirens

1639
01:38:19.439 --> 01:38:22.640
<v Speaker 2>and the Sirens Call and these things in our music.

1640
01:38:23.079 --> 01:38:26.239
<v Speaker 2>Two then the X files and our modern myths of today.

1641
01:38:26.640 --> 01:38:28.920
<v Speaker 2>And when you can see those from a new perspective

1642
01:38:28.960 --> 01:38:31.600
<v Speaker 2>instead of just recreationizing them, but seeing them as this

1643
01:38:31.720 --> 01:38:35.800
<v Speaker 2>grander cyclical pattern, then others can take up their own stand,

1644
01:38:35.840 --> 01:38:38.840
<v Speaker 2>in their own agency in the world and start asking

1645
01:38:38.920 --> 01:38:41.239
<v Speaker 2>questions and then have the dialogue, because I think that's

1646
01:38:41.279 --> 01:38:43.520
<v Speaker 2>something that we need to all get back to, which again,

1647
01:38:43.520 --> 01:38:45.520
<v Speaker 2>like you said, and I agree, panels like this and

1648
01:38:45.560 --> 01:38:48.840
<v Speaker 2>all the work that you know, Greg Carlwood and all

1649
01:38:48.880 --> 01:38:50.640
<v Speaker 2>these different people are doing out in the world is

1650
01:38:50.640 --> 01:38:53.680
<v Speaker 2>really important because without this, all people are getting is

1651
01:38:53.720 --> 01:38:57.239
<v Speaker 2>the modern mainstream media pandering back and forth between that

1652
01:38:57.279 --> 01:39:00.119
<v Speaker 2>Hegelian dialectic because they don't want to teach people how

1653
01:38:59.960 --> 01:39:01.640
<v Speaker 2>to think for themselves.

1654
01:39:01.479 --> 01:39:05.920
<v Speaker 6>It's it's worse than that, thoughn't it. I'm almost I'm

1655
01:39:05.960 --> 01:39:11.239
<v Speaker 6>almost nostalgic for that a Gaelian dialectic. Excuse me just

1656
01:39:11.239 --> 01:39:17.840
<v Speaker 6>a moment. Yeah, what it is now is just cacophony.

1657
01:39:18.800 --> 01:39:26.439
<v Speaker 6>And it's a cacophony of completely untutored minds. Okay, I mean,

1658
01:39:26.479 --> 01:39:31.359
<v Speaker 6>just go on any social media platform and but there's

1659
01:39:31.399 --> 01:39:38.199
<v Speaker 6>also pseudo enlightenment and and all the rest of it.

1660
01:39:41.199 --> 01:39:44.600
<v Speaker 6>And I think it just numbs people. It's it's numbing.

1661
01:39:44.720 --> 01:39:51.439
<v Speaker 6>I mean I find it numbing sometimes. So like I said,

1662
01:39:51.520 --> 01:39:55.239
<v Speaker 6>I mean, you can't. You can't take responsibility for somebody

1663
01:39:55.279 --> 01:39:58.399
<v Speaker 6>else's enlightenment. You know, you can't. You can lead a

1664
01:39:58.920 --> 01:40:01.119
<v Speaker 6>horse to water, but you can't and make them drink right,

1665
01:40:01.560 --> 01:40:03.720
<v Speaker 6>or you can't make them think right.

1666
01:40:03.520 --> 01:40:03.640
<v Speaker 4>Right.

1667
01:40:06.399 --> 01:40:09.840
<v Speaker 6>But I think there are you know, a number of

1668
01:40:09.880 --> 01:40:15.119
<v Speaker 6>people out there who you can reach and like I said,

1669
01:40:15.159 --> 01:40:23.880
<v Speaker 6>you can coalesce with while avoiding becoming an institution yourself,

1670
01:40:24.000 --> 01:40:29.800
<v Speaker 6>or building building just another wall, building, just another prison,

1671
01:40:31.920 --> 01:40:36.359
<v Speaker 6>which I again, I believe all institutions eventually become. And

1672
01:40:36.479 --> 01:40:38.359
<v Speaker 6>it's it's the nature of the beasts, because you know,

1673
01:40:38.399 --> 01:40:42.359
<v Speaker 6>somebody has to sweep the floors, and somebody has to

1674
01:40:42.439 --> 01:40:44.880
<v Speaker 6>stuff the envelopes, and you know, some many somebody has

1675
01:40:44.920 --> 01:40:47.880
<v Speaker 6>to do the spreadsheets and everything. And the people who

1676
01:40:49.399 --> 01:40:56.199
<v Speaker 6>do that, quite often are people who are basically broken

1677
01:40:56.279 --> 01:41:03.399
<v Speaker 6>inside and want to use your structure, your institution, whatever

1678
01:41:03.439 --> 01:41:10.319
<v Speaker 6>you've built, to subvert it to their weird, suicidal, destructive,

1679
01:41:12.920 --> 01:41:18.800
<v Speaker 6>apocalyptic ends. And I realize that sounds a bit pessimistic

1680
01:41:18.840 --> 01:41:24.840
<v Speaker 6>in some ways, but hopefully we can learn or we

1681
01:41:24.880 --> 01:41:32.560
<v Speaker 6>can develop technologies where these old institutional superstructures can become obsolete.

1682
01:41:34.640 --> 01:41:38.680
<v Speaker 5>Okay, it's interesting about that is the Uranus and Taurus

1683
01:41:38.720 --> 01:41:42.560
<v Speaker 5>is now ending, So since twenty eighteen, Uranus and Taurus

1684
01:41:42.600 --> 01:41:45.520
<v Speaker 5>is breaking down tradition, so like since twenty eighteen, you

1685
01:41:45.520 --> 01:41:48.000
<v Speaker 5>can reflect on it. Right, it's like twenty eighteen till now,

1686
01:41:48.039 --> 01:41:50.800
<v Speaker 5>like we've seen so much as like opening up of

1687
01:41:51.039 --> 01:41:53.800
<v Speaker 5>like you know, institutions that we used to trust, news stations,

1688
01:41:53.800 --> 01:41:56.920
<v Speaker 5>all these things, and now Urinus is moving into Gemini.

1689
01:41:57.000 --> 01:41:59.520
<v Speaker 5>So it is this time of like changing how we

1690
01:41:59.600 --> 01:42:04.319
<v Speaker 5>exchange information, changing how we learn things, breakthroughs in science

1691
01:42:04.399 --> 01:42:07.680
<v Speaker 5>and like humanity and connection because Gemini is like the

1692
01:42:07.720 --> 01:42:09.119
<v Speaker 5>bridge between the black and the white.

1693
01:42:09.119 --> 01:42:12.000
<v Speaker 4>It's the depolarization of things, and so it.

1694
01:42:11.960 --> 01:42:14.479
<v Speaker 5>Might be interesting to see how it's going to be

1695
01:42:14.520 --> 01:42:15.960
<v Speaker 5>eight years of it, right, So it's going to be

1696
01:42:15.960 --> 01:42:18.199
<v Speaker 5>like a progress of eight years, just like we had

1697
01:42:18.199 --> 01:42:20.079
<v Speaker 5>a progress of eight years till now, where we're like

1698
01:42:20.319 --> 01:42:22.760
<v Speaker 5>all the institutions that we once knew are now broken,

1699
01:42:23.000 --> 01:42:26.800
<v Speaker 5>right like Urinus rip shit up since twenty eighteen, So

1700
01:42:26.840 --> 01:42:29.159
<v Speaker 5>it will be interesting to see if like things and

1701
01:42:29.199 --> 01:42:32.800
<v Speaker 5>that's where like directing is so important because these people.

1702
01:42:32.560 --> 01:42:34.520
<v Speaker 4>Know these astrological trends that they use them.

1703
01:42:34.600 --> 01:42:38.319
<v Speaker 5>Right, So you can use astrological trends, it's to gear

1704
01:42:38.359 --> 01:42:39.680
<v Speaker 5>people to think a certain way.

1705
01:42:40.000 --> 01:42:41.520
<v Speaker 4>And I think that's where it's interesting.

1706
01:42:41.640 --> 01:42:46.720
<v Speaker 5>Like when you know, when we had you know, Saturn

1707
01:42:46.760 --> 01:42:48.760
<v Speaker 5>and Aquarius and everybody wanted to belong it was like

1708
01:42:48.800 --> 01:42:51.680
<v Speaker 5>the time of COVID, right, so it's like they pushed

1709
01:42:51.760 --> 01:42:54.279
<v Speaker 5>this like thing of like you can belong to this group,

1710
01:42:54.359 --> 01:42:56.920
<v Speaker 5>you can belong to that group, and you can also

1711
01:42:56.960 --> 01:42:57.840
<v Speaker 5>be a non vaxxer.

1712
01:42:58.119 --> 01:42:59.119
<v Speaker 4>That's also a group.

1713
01:42:59.199 --> 01:43:01.960
<v Speaker 5>Right, here's the groups that you can belong to because

1714
01:43:01.960 --> 01:43:05.520
<v Speaker 5>you want to belong And so it's interesting how That's

1715
01:43:05.520 --> 01:43:06.800
<v Speaker 5>what I always think about. It is like how can

1716
01:43:06.840 --> 01:43:10.560
<v Speaker 5>we gear people towards the good direction?

1717
01:43:10.600 --> 01:43:12.479
<v Speaker 4>But obviously I'm not influential enough to do that, but

1718
01:43:12.600 --> 01:43:13.680
<v Speaker 4>you know, yeah.

1719
01:43:13.479 --> 01:43:16.279
<v Speaker 6>Well I'm thinking about you're thinking about Saturn and Saturn

1720
01:43:16.359 --> 01:43:19.720
<v Speaker 6>eating as children, and I'm hearing more and more about

1721
01:43:20.039 --> 01:43:26.800
<v Speaker 6>these turbo cancers that increasingly younger people are dealing with.

1722
01:43:29.000 --> 01:43:35.079
<v Speaker 6>I certainly have my interpretation or my theory on why

1723
01:43:35.159 --> 01:43:38.800
<v Speaker 6>that is happening, but it's like the people who wanted

1724
01:43:38.840 --> 01:43:44.359
<v Speaker 6>to belong to that crusade. Really what it was, it

1725
01:43:44.479 --> 01:43:49.600
<v Speaker 6>was a moral panic crusade. Are being eaten by it,

1726
01:43:50.439 --> 01:43:55.439
<v Speaker 6>literally eaten by it. But there's also I don't know,

1727
01:43:56.039 --> 01:43:59.920
<v Speaker 6>you didn't mention, was it Neptune and aries? Did you mention?

1728
01:44:00.039 --> 01:44:02.960
<v Speaker 5>Yeah, that's just yeah, that's recently just Neptune moved into

1729
01:44:03.039 --> 01:44:06.560
<v Speaker 5>areas just like a couple of months ago I did.

1730
01:44:06.680 --> 01:44:10.359
<v Speaker 6>I had a discussion with an astrology named Noah Campbell.

1731
01:44:10.399 --> 01:44:13.319
<v Speaker 6>I don't know if you're familiar with Noah. We did

1732
01:44:13.359 --> 01:44:18.960
<v Speaker 6>a whole discussion on what that portends, you know, Neptune

1733
01:44:18.960 --> 01:44:20.319
<v Speaker 6>and areas and so on.

1734
01:44:21.800 --> 01:44:22.039
<v Speaker 5>And.

1735
01:44:23.720 --> 01:44:27.000
<v Speaker 6>It went, you know, it's it's gone from my mind

1736
01:44:27.119 --> 01:44:30.640
<v Speaker 6>because my brain just doesn't think that way. But if

1737
01:44:30.640 --> 01:44:32.800
<v Speaker 6>you want, I can send you a link to the discussion. Anyhow,

1738
01:44:34.239 --> 01:44:36.399
<v Speaker 6>we are on so many different levels. I mean, there

1739
01:44:36.399 --> 01:44:39.560
<v Speaker 6>are so many of these macro trends or these huge

1740
01:44:39.640 --> 01:44:42.800
<v Speaker 6>forces or these movements or these alignments of these conjunctions

1741
01:44:43.359 --> 01:44:47.760
<v Speaker 6>that are all happening now right, they're all coming into

1742
01:44:48.720 --> 01:44:52.600
<v Speaker 6>playe now. And what is what is that something had mentioned?

1743
01:44:52.640 --> 01:44:55.640
<v Speaker 6>There's some sort of conjunction of something that hasn't happened

1744
01:44:55.680 --> 01:45:00.600
<v Speaker 6>since like the time of Christ. What was that there's

1745
01:45:00.640 --> 01:45:05.680
<v Speaker 6>some major alignment or some something.

1746
01:45:07.399 --> 01:45:10.520
<v Speaker 5>It might have been like in a specific degree, because

1747
01:45:10.560 --> 01:45:13.319
<v Speaker 5>all the planets are going to interact within like two

1748
01:45:13.439 --> 01:45:15.960
<v Speaker 5>hundred and fifty years, because that's kind of like the

1749
01:45:16.000 --> 01:45:17.960
<v Speaker 5>cycle of Pluto. That would be like the longest one,

1750
01:45:18.199 --> 01:45:19.720
<v Speaker 5>but most I mean, it's going to be like in

1751
01:45:19.760 --> 01:45:23.399
<v Speaker 5>a sign, So maybe I think it was maybe like

1752
01:45:23.439 --> 01:45:26.800
<v Speaker 5>the Neptune Saturn. I could look it up in my

1753
01:45:27.840 --> 01:45:31.039
<v Speaker 5>phone to see what that aspect would be. But there

1754
01:45:31.159 --> 01:45:33.119
<v Speaker 5>is like you know, they do interact all the time,

1755
01:45:33.119 --> 01:45:34.279
<v Speaker 5>but in a specific sign.

1756
01:45:34.479 --> 01:45:36.319
<v Speaker 4>Is sometimes when people get hyped about.

1757
01:45:36.199 --> 01:45:38.000
<v Speaker 5>Because they're like, oh my gosh, this hasn't happened in

1758
01:45:38.000 --> 01:45:40.399
<v Speaker 5>this sign since you know, a long, long time ago.

1759
01:45:40.399 --> 01:45:41.039
<v Speaker 4>But I can look it.

1760
01:45:41.039 --> 01:45:43.560
<v Speaker 6>Up and then the houses and all the rest of it,

1761
01:45:43.640 --> 01:45:47.479
<v Speaker 6>and the Deccans, and I'm just so totally useless of astrology.

1762
01:45:47.520 --> 01:45:53.439
<v Speaker 6>I apologize anyhow, Well, you brought up chronism, and I

1763
01:45:53.479 --> 01:45:56.560
<v Speaker 6>think the X files is a really good example of that.

1764
01:45:56.600 --> 01:45:59.000
<v Speaker 7>You know, they're kind of the children of the FBI,

1765
01:45:59.520 --> 01:46:02.800
<v Speaker 7>and they're constantly being consumed by the government. You know,

1766
01:46:02.840 --> 01:46:07.319
<v Speaker 7>they're constantly being you know, used for their intelligence gathering,

1767
01:46:07.439 --> 01:46:09.800
<v Speaker 7>capability and then sort of thrown to the side and

1768
01:46:09.960 --> 01:46:12.640
<v Speaker 7>used up. You know, that's sort of like the same

1769
01:46:12.680 --> 01:46:15.279
<v Speaker 7>thing we see with you know, COVID and all the

1770
01:46:15.319 --> 01:46:18.319
<v Speaker 7>rest of these ideas is that we get used for

1771
01:46:18.439 --> 01:46:20.920
<v Speaker 7>our resources and then sort of tossed to the side.

1772
01:46:20.960 --> 01:46:24.960
<v Speaker 7>And that's that's a cycle that we've only recently, in

1773
01:46:25.079 --> 01:46:28.239
<v Speaker 7>terms of American history, become aware of. We thought that,

1774
01:46:28.319 --> 01:46:31.199
<v Speaker 7>you know, there was a reciprocal relationship going on here,

1775
01:46:31.199 --> 01:46:34.720
<v Speaker 7>but it seems like human resources are more and more

1776
01:46:35.520 --> 01:46:37.279
<v Speaker 7>used up in the toss to the side, and then

1777
01:46:37.319 --> 01:46:40.640
<v Speaker 7>we get something else. You brought up naval intelligence, and

1778
01:46:40.720 --> 01:46:45.920
<v Speaker 7>this is like the original form of intelligence, right, and

1779
01:46:45.960 --> 01:46:48.760
<v Speaker 7>in multiple ways. But for society, like you had to

1780
01:46:48.800 --> 01:46:54.279
<v Speaker 7>have this naval trade network that allowed for the you know,

1781
01:46:54.520 --> 01:46:57.520
<v Speaker 7>the trade of goods across boundaries using the water as

1782
01:46:57.560 --> 01:47:00.760
<v Speaker 7>their medium. What we see now going on with UH

1783
01:47:00.960 --> 01:47:05.039
<v Speaker 7>with Iran is that the naval blockade is sort of

1784
01:47:05.079 --> 01:47:08.000
<v Speaker 7>the central focus of society, right. And if you think

1785
01:47:08.039 --> 01:47:10.960
<v Speaker 7>of water as some sort of a conscious energy, what

1786
01:47:11.000 --> 01:47:14.960
<v Speaker 7>we're seeing is now this blockade of consciousness and and

1787
01:47:15.039 --> 01:47:17.640
<v Speaker 7>you know, everybody's sort of being diverted into this path

1788
01:47:17.680 --> 01:47:20.640
<v Speaker 7>of you know, focusing on on warfare and how can

1789
01:47:20.680 --> 01:47:23.760
<v Speaker 7>we how can we prop up this failing empire? And

1790
01:47:23.800 --> 01:47:28.000
<v Speaker 7>another way of putting naval intelligence is om fulo skepsis right,

1791
01:47:28.039 --> 01:47:32.479
<v Speaker 7>which would be naval dazing. And this is kind of

1792
01:47:32.520 --> 01:47:35.319
<v Speaker 7>the naval intelligence that we have now where all of

1793
01:47:35.359 --> 01:47:38.520
<v Speaker 7>these you know, people are just so hung up on themselves.

1794
01:47:38.520 --> 01:47:39.520
<v Speaker 6>Look at Pete Hegseth.

1795
01:47:39.600 --> 01:47:41.640
<v Speaker 7>You know, there's not a thing that he could say

1796
01:47:41.680 --> 01:47:43.920
<v Speaker 7>that you know, he wouldn't love to hear out of himself.

1797
01:47:44.239 --> 01:47:47.560
<v Speaker 7>And the entire thing is sort of inwardly focused. And

1798
01:47:47.720 --> 01:47:50.840
<v Speaker 7>now we're seeing the Trump administration turn on their own

1799
01:47:50.920 --> 01:47:54.640
<v Speaker 7>supporters and not listening to anybody. It's it's kind of

1800
01:47:54.680 --> 01:47:57.319
<v Speaker 7>intensely focused on the self while also being.

1801
01:47:57.279 --> 01:48:01.159
<v Speaker 6>Blind completely to what a lot of that might be. Also,

1802
01:48:01.359 --> 01:48:03.920
<v Speaker 6>I mean, there's just so many syops going on. I

1803
01:48:03.960 --> 01:48:06.640
<v Speaker 6>call it the syops singularity. I don't know what is

1804
01:48:06.640 --> 01:48:09.000
<v Speaker 6>signal or noise anymore. But I wanted to just sort

1805
01:48:09.039 --> 01:48:10.800
<v Speaker 6>of just back up a bit to what you had

1806
01:48:10.800 --> 01:48:13.920
<v Speaker 6>said about, you know, these systems sort of discarding people.

1807
01:48:14.800 --> 01:48:19.039
<v Speaker 6>I used to I mentioned this before we started the show.

1808
01:48:19.920 --> 01:48:24.680
<v Speaker 6>My day job was I was a freelancer from Marvel

1809
01:48:25.119 --> 01:48:30.000
<v Speaker 6>and for fifteen years from Marvel Studios. Now, I don't

1810
01:48:30.000 --> 01:48:35.640
<v Speaker 6>know if you've heard about this, but Disney, who owns Marvel,

1811
01:48:36.079 --> 01:48:38.399
<v Speaker 6>and that's a whole other story that we can maybe

1812
01:48:38.439 --> 01:48:42.760
<v Speaker 6>talk about one day, just basically fired everybody. So all

1813
01:48:42.800 --> 01:48:46.319
<v Speaker 6>the people who are making these movies, creating the concepts

1814
01:48:46.319 --> 01:48:49.479
<v Speaker 6>for these movies, that were basically keeping the lights on

1815
01:48:49.560 --> 01:48:56.279
<v Speaker 6>in Hollywood. I mean, Hollywood is rapidly imploding. We're just

1816
01:48:56.560 --> 01:49:01.000
<v Speaker 6>unceremoniously let go. And where where's the loyalty? You know,

1817
01:49:01.039 --> 01:49:06.760
<v Speaker 6>these these these great artists, these great visualizers, these great conceptualists,

1818
01:49:07.560 --> 01:49:15.479
<v Speaker 6>who earned billions of dollars for this company. It's like, sorry, goodbye,

1819
01:49:16.000 --> 01:49:19.920
<v Speaker 6>you know, no gold watch, You're done. I mean, I'm

1820
01:49:19.920 --> 01:49:22.880
<v Speaker 6>sure a lot of them got good severance packages. But

1821
01:49:23.000 --> 01:49:28.600
<v Speaker 6>I had been aware of this back in twenty twenty. Ironically,

1822
01:49:28.720 --> 01:49:32.920
<v Speaker 6>you know, the last work I did for Marvel was

1823
01:49:33.039 --> 01:49:36.399
<v Speaker 6>right before the whole COVID thing, you know, the shutdowns.

1824
01:49:36.439 --> 01:49:41.960
<v Speaker 6>In March of twenty twenty. I just finished my last

1825
01:49:42.039 --> 01:49:47.159
<v Speaker 6>job for Marvel just as that kicked in, and that

1826
01:49:47.319 --> 01:49:50.840
<v Speaker 6>was for the Eternals movie. And that was the movie

1827
01:49:50.880 --> 01:49:52.439
<v Speaker 6>that basically broke their backs.

1828
01:49:53.359 --> 01:49:55.479
<v Speaker 2>You know, if you look, that was God awful. That

1829
01:49:55.520 --> 01:50:01.119
<v Speaker 2>movie sucked, Yeah, which is amazing. I love that of

1830
01:50:01.159 --> 01:50:02.920
<v Speaker 2>those comics, you know that.

1831
01:50:03.039 --> 01:50:05.119
<v Speaker 6>It's it's It's funny though, because, like when I first

1832
01:50:05.119 --> 01:50:09.399
<v Speaker 6>started with a Secret Son, one of the earliest sort

1833
01:50:09.479 --> 01:50:12.199
<v Speaker 6>of mega threads that I had done on that blog

1834
01:50:12.399 --> 01:50:18.119
<v Speaker 6>was about the comic book of the Eternals. And I

1835
01:50:18.159 --> 01:50:20.479
<v Speaker 6>should have known better. You know, when I first heard

1836
01:50:20.520 --> 01:50:22.199
<v Speaker 6>they were going to do the Eternals, I was like,

1837
01:50:22.199 --> 01:50:24.159
<v Speaker 6>oh my god, this is great. And then of course

1838
01:50:24.159 --> 01:50:26.800
<v Speaker 6>I realized this is modern day Hollywood when they can't

1839
01:50:27.039 --> 01:50:31.039
<v Speaker 6>find their ass with both hands anymore. But I knew

1840
01:50:31.960 --> 01:50:35.079
<v Speaker 6>six years ago that it was over, you know, because

1841
01:50:35.079 --> 01:50:37.079
<v Speaker 6>I had that I had a different vantage point. Remember

1842
01:50:37.119 --> 01:50:40.399
<v Speaker 6>that scene in Mothman Prophecies, or like, you know, see

1843
01:50:40.399 --> 01:50:42.800
<v Speaker 6>that man up there cleaning the windows. You know, if

1844
01:50:42.840 --> 01:50:44.600
<v Speaker 6>there's an accident down the street, he can see. It

1845
01:50:44.600 --> 01:50:46.800
<v Speaker 6>doesn't make him gone, It just means he has a

1846
01:50:46.840 --> 01:50:49.720
<v Speaker 6>different vantage point on what's going on. And a lot

1847
01:50:49.720 --> 01:50:51.239
<v Speaker 6>of people are like, oh, you're crazy, you don't know

1848
01:50:51.279 --> 01:50:53.119
<v Speaker 6>what you're talking about. Oh It's like, well, maybe I

1849
01:50:53.119 --> 01:50:55.279
<v Speaker 6>do know what I talk about because I work for

1850
01:50:55.319 --> 01:50:58.039
<v Speaker 6>this company for twenty five years. Maybe I have a

1851
01:50:58.039 --> 01:51:00.720
<v Speaker 6>little bit more insight than you do, miss or random

1852
01:51:00.760 --> 01:51:05.079
<v Speaker 6>blogger nowhere person. But anyhow, I mean I knew that

1853
01:51:05.119 --> 01:51:07.880
<v Speaker 6>it was over, right, I knew that it was over

1854
01:51:07.960 --> 01:51:12.880
<v Speaker 6>because I wasn't getting the call. You know, my phone

1855
01:51:12.920 --> 01:51:15.720
<v Speaker 6>wasn't ringing. They weren't because there was no work to

1856
01:51:15.720 --> 01:51:18.479
<v Speaker 6>be done because the Canarian. The coal mine for the

1857
01:51:18.520 --> 01:51:23.119
<v Speaker 6>collapse of the Marvel Universe was the collapse of the

1858
01:51:23.159 --> 01:51:25.760
<v Speaker 6>work I was doing, which is licensing and merchandising for

1859
01:51:25.800 --> 01:51:29.760
<v Speaker 6>the films and so on. Because nobody wanted the toys anymore. No, no,

1860
01:51:30.000 --> 01:51:35.920
<v Speaker 6>you know, kids did not want eternals toys. I mean

1861
01:51:35.960 --> 01:51:38.079
<v Speaker 6>that you can still find them, like you know, these

1862
01:51:38.119 --> 01:51:43.520
<v Speaker 6>clothes out stores and everything. But that was that's to me,

1863
01:51:44.159 --> 01:51:46.159
<v Speaker 6>reminds me what Kay was talking about, because that's the

1864
01:51:46.159 --> 01:51:48.760
<v Speaker 6>whole woke thing, and that was I don't know if

1865
01:51:48.760 --> 01:51:52.960
<v Speaker 6>that's Aturnian or Tunian or whatever it is, but that

1866
01:51:53.119 --> 01:51:55.039
<v Speaker 6>was very much like, you know, people wanted to jump

1867
01:51:55.039 --> 01:51:57.880
<v Speaker 6>on this bandwagon. They didn't realize that the bandwagon was

1868
01:51:57.920 --> 01:51:59.960
<v Speaker 6>headed for a cliff that they were all going to

1869
01:52:00.079 --> 01:52:03.319
<v Speaker 6>go over, which you know is exactly what happens. So

1870
01:52:04.079 --> 01:52:07.319
<v Speaker 6>I'm not exactly sure what the you know, the astrology

1871
01:52:07.359 --> 01:52:10.119
<v Speaker 6>on that would be myself. But I saw it happened,

1872
01:52:10.359 --> 01:52:13.880
<v Speaker 6>and it's exactly, you know, ties into what what Kayla

1873
01:52:14.199 --> 01:52:18.000
<v Speaker 6>was saying before. So anyhow, and of course now they

1874
01:52:18.319 --> 01:52:20.960
<v Speaker 6>you know, the same company Disney owns the X Files,

1875
01:52:21.439 --> 01:52:24.199
<v Speaker 6>and they bought Fox and they're doing this whole reboote

1876
01:52:24.199 --> 01:52:30.359
<v Speaker 6>that I know is just not gonna fly. People have

1877
01:52:30.439 --> 01:52:33.000
<v Speaker 6>asked me about it. I'm just like, no, this this isn't.

1878
01:52:33.079 --> 01:52:37.199
<v Speaker 6>This isn't. This is an exercise from the last regime,

1879
01:52:38.279 --> 01:52:43.479
<v Speaker 6>the Bob Eiger regime. Hopefully they won't do too much

1880
01:52:43.560 --> 01:52:48.319
<v Speaker 6>damage to the to the franchise, because I'd like people

1881
01:52:48.319 --> 01:52:55.319
<v Speaker 6>will continue buying my book.

1882
01:52:55.439 --> 01:52:59.520
<v Speaker 7>Well, there's kind of a narrative chronism with the mouse.

1883
01:52:59.640 --> 01:53:03.760
<v Speaker 7>Just buy up all of these cultural you know, lexic vermin.

1884
01:53:04.560 --> 01:53:10.199
<v Speaker 6>Just think about that, just vermin, the ver vermin consuming

1885
01:53:10.239 --> 01:53:10.920
<v Speaker 6>all the cheese.

1886
01:53:11.119 --> 01:53:14.439
<v Speaker 2>Right, it's you just talk, You just spoke headless as

1887
01:53:14.520 --> 01:53:15.279
<v Speaker 2>language there.

1888
01:53:16.119 --> 01:53:16.479
<v Speaker 6>What's that?

1889
01:53:16.560 --> 01:53:18.720
<v Speaker 5>It's interesting as kind of Pluto in a way, like

1890
01:53:18.760 --> 01:53:22.119
<v Speaker 5>Pluto and Aquarius, right, just kind of like I don't know,

1891
01:53:22.159 --> 01:53:23.720
<v Speaker 5>when we think of Pluto, it is almost like the

1892
01:53:23.760 --> 01:53:26.600
<v Speaker 5>blowing up of culture, right, So maybe that is something

1893
01:53:26.840 --> 01:53:29.159
<v Speaker 5>because we don't need it anymore, Right, Like there's a

1894
01:53:29.199 --> 01:53:32.840
<v Speaker 5>healthy point of recognizing, like we don't really need that anymore,

1895
01:53:32.880 --> 01:53:35.079
<v Speaker 5>Like do we want this to be a part of

1896
01:53:35.119 --> 01:53:38.600
<v Speaker 5>our culture? And maybe, like these people, you know, destroying

1897
01:53:38.640 --> 01:53:40.520
<v Speaker 5>it is like giving an opportunity for new growth and

1898
01:53:40.600 --> 01:53:41.960
<v Speaker 5>culture that we need or something.

1899
01:53:42.319 --> 01:53:46.239
<v Speaker 6>I totally agree. I mean, I'm very much against all

1900
01:53:46.279 --> 01:53:49.399
<v Speaker 6>these reboots and sequels and remakes and everything. It's like,

1901
01:53:51.119 --> 01:53:55.880
<v Speaker 6>all these Star Trek belongs to the sixties. Star Wars

1902
01:53:55.880 --> 01:54:01.840
<v Speaker 6>belongs to the seventies and eighties, right, Marvel belongs to

1903
01:54:01.920 --> 01:54:06.319
<v Speaker 6>the sixties, seventies and eighties. These ideas, you can't just

1904
01:54:06.600 --> 01:54:08.800
<v Speaker 6>rip them out of the time period in which they

1905
01:54:08.800 --> 01:54:15.000
<v Speaker 6>were created and to the conditions and situations and realities

1906
01:54:15.000 --> 01:54:18.199
<v Speaker 6>that they spoke to and just expect, you know, oh,

1907
01:54:18.239 --> 01:54:22.880
<v Speaker 6>we'll give them a modern gloss and it'll be business

1908
01:54:22.880 --> 01:54:25.640
<v Speaker 6>as usual. It doesn't work that way, you know, things,

1909
01:54:28.399 --> 01:54:33.119
<v Speaker 6>mythology is not forever. This is something that I very

1910
01:54:33.119 --> 01:54:37.199
<v Speaker 6>strongly believe is that myths are part of the worlds

1911
01:54:37.399 --> 01:54:42.560
<v Speaker 6>in which they arise. Okay, now there are universal ideas

1912
01:54:42.600 --> 01:54:46.880
<v Speaker 6>and concepts and impulses beneath those myths, But I'm talking

1913
01:54:46.920 --> 01:54:52.520
<v Speaker 6>about the structure the outer shell of the myth is

1914
01:54:53.119 --> 01:54:58.880
<v Speaker 6>created for particular people in particular times. Okay, they're not

1915
01:54:59.000 --> 01:55:04.119
<v Speaker 6>just it's not like, you know, like a widget, you

1916
01:55:04.159 --> 01:55:07.800
<v Speaker 6>can just change it out right, you can just put

1917
01:55:07.800 --> 01:55:10.279
<v Speaker 6>a coat of paint on it and resell it. It

1918
01:55:10.279 --> 01:55:11.199
<v Speaker 6>doesn't work that way.

1919
01:55:11.920 --> 01:55:15.279
<v Speaker 2>It's it's it's the change of the AONs, which is

1920
01:55:15.319 --> 01:55:16.840
<v Speaker 2>the term that I, you know, a lot of people

1921
01:55:16.960 --> 01:55:18.920
<v Speaker 2>use and I really like to use. And Gin is

1922
01:55:19.319 --> 01:55:21.560
<v Speaker 2>huge on this kind of movement as well. Is that

1923
01:55:21.600 --> 01:55:24.159
<v Speaker 2>we're you know, you move through the aon of Osyrius

1924
01:55:24.159 --> 01:55:26.800
<v Speaker 2>and the rising and the dying god. You know, aon

1925
01:55:26.840 --> 01:55:29.079
<v Speaker 2>of Horus is breaking things. So I know that's very cruelly,

1926
01:55:29.079 --> 01:55:31.479
<v Speaker 2>but there's more than that. You know, a on the

1927
01:55:31.560 --> 01:55:35.640
<v Speaker 2>Daughter is some is Gin is so elegantly is trying

1928
01:55:35.680 --> 01:55:38.720
<v Speaker 2>to put into the Happaborean mythos of things, and so

1929
01:55:39.079 --> 01:55:41.640
<v Speaker 2>I think it's interesting. And I myself am trying to

1930
01:55:41.680 --> 01:55:45.640
<v Speaker 2>push the aon of anime weebdom because I find that

1931
01:55:45.720 --> 01:55:49.960
<v Speaker 2>the East and Japan, South Korea, China are the anime

1932
01:55:50.199 --> 01:55:53.239
<v Speaker 2>that's the new modern myth. And even Jim Lee has

1933
01:55:53.239 --> 01:55:55.720
<v Speaker 2>come out and said anime is crushing us, Manga is

1934
01:55:55.760 --> 01:55:58.359
<v Speaker 2>crushing us right now because they're actually not being pushed

1935
01:55:58.359 --> 01:56:01.880
<v Speaker 2>by a woke agenda. They're come up with new ideas

1936
01:56:01.880 --> 01:56:05.439
<v Speaker 2>that are still hitting on old Shinto or old Japanese

1937
01:56:05.560 --> 01:56:08.960
<v Speaker 2>or even old Western alchemical and all these different mythologies

1938
01:56:09.000 --> 01:56:10.479
<v Speaker 2>of the West, but they're doing it in a new

1939
01:56:10.520 --> 01:56:13.279
<v Speaker 2>way that's capturing the attention of the youth. And it

1940
01:56:13.520 --> 01:56:15.119
<v Speaker 2>you know, and just you know, it tookt me wrong.

1941
01:56:15.159 --> 01:56:16.199
<v Speaker 2>The first thing. A lot of people think of and

1942
01:56:16.279 --> 01:56:22.159
<v Speaker 2>think of anime as that web style of you know,

1943
01:56:22.239 --> 01:56:24.079
<v Speaker 2>all the more lewd things that you get. But there

1944
01:56:24.119 --> 01:56:29.119
<v Speaker 2>are brilliant, beautiful changing of how to take a modern

1945
01:56:29.159 --> 01:56:33.760
<v Speaker 2>individual who suffers and bring them into the wider scheme

1946
01:56:33.800 --> 01:56:37.520
<v Speaker 2>of things so they can transcend their lower states and

1947
01:56:37.680 --> 01:56:41.760
<v Speaker 2>reach higher divine states through suffering and that passion and

1948
01:56:41.920 --> 01:56:44.560
<v Speaker 2>through trying to the old be Bushido code that I

1949
01:56:44.600 --> 01:56:47.760
<v Speaker 2>will die daily and upon doing so, I will alchemize

1950
01:56:47.760 --> 01:56:51.359
<v Speaker 2>myself and transcend my current state to be the highest

1951
01:56:51.399 --> 01:56:53.920
<v Speaker 2>individual that I can and bring my friends along with me.

1952
01:56:54.439 --> 01:56:56.840
<v Speaker 6>Well, that's what all heroic myths are supposed to be about,

1953
01:56:57.199 --> 01:57:00.359
<v Speaker 6>supposed to be, you know, going back to the Greeks,

1954
01:57:01.760 --> 01:57:09.880
<v Speaker 6>the self sacrificing individuals who suffer for the rest of us,

1955
01:57:11.439 --> 01:57:14.680
<v Speaker 6>put themselves on the line, and that's that's the basis

1956
01:57:14.680 --> 01:57:20.479
<v Speaker 6>of all heroic mythology. I think that we've lost that

1957
01:57:21.359 --> 01:57:27.479
<v Speaker 6>in many, many important ways. And this whole mythology, you know,

1958
01:57:27.520 --> 01:57:32.079
<v Speaker 6>where ninety five fifteen year old girls can beat up

1959
01:57:32.079 --> 01:57:37.760
<v Speaker 6>a squad of I mean, but you know, I mean,

1960
01:57:39.039 --> 01:57:43.199
<v Speaker 6>it's it's not based in reality. And I another thing

1961
01:57:43.239 --> 01:57:45.119
<v Speaker 6>that I talk about all the time. People have probably

1962
01:57:45.159 --> 01:57:50.600
<v Speaker 6>heard me say this is that I think CGI killed

1963
01:57:50.600 --> 01:57:54.880
<v Speaker 6>the magic of the movies, right. I think that when

1964
01:57:54.880 --> 01:57:59.199
<v Speaker 6>you look at CGI, no matter how beautiful it is,

1965
01:58:00.319 --> 01:58:04.680
<v Speaker 6>there's something in your mind's eye that realizes that it

1966
01:58:05.119 --> 01:58:09.439
<v Speaker 6>has no atomic reality. It's just pure electrons. Now, you

1967
01:58:09.520 --> 01:58:12.239
<v Speaker 6>go back to the movies that I grew up on, right,

1968
01:58:12.720 --> 01:58:15.119
<v Speaker 6>and some of the you see some of the like

1969
01:58:15.680 --> 01:58:18.000
<v Speaker 6>in camera of puppet puppetry and all these kind of

1970
01:58:18.000 --> 01:58:20.479
<v Speaker 6>effects and miniatures and everything. Some of it can seem

1971
01:58:20.680 --> 01:58:23.800
<v Speaker 6>pretty laughable now. But you didn't. You didn't think that.

1972
01:58:23.880 --> 01:58:25.920
<v Speaker 6>I mean, it used to be going to the movies

1973
01:58:26.039 --> 01:58:27.800
<v Speaker 6>was like going to temple, you know, it was like

1974
01:58:27.840 --> 01:58:31.239
<v Speaker 6>stepping into this temple of the mind, of the imagination.

1975
01:58:32.439 --> 01:58:37.159
<v Speaker 6>And I think that CGI broke that packed with us.

1976
01:58:37.399 --> 01:58:40.960
<v Speaker 6>You know. I remember seeing the first Blade Runner when

1977
01:58:40.960 --> 01:58:44.800
<v Speaker 6>it came out. The weekend it came out, and I

1978
01:58:45.039 --> 01:58:50.840
<v Speaker 6>was basically a religious experience for me. And all those

1979
01:58:50.920 --> 01:58:53.159
<v Speaker 6>miniatures of the city and all the rest of it,

1980
01:58:53.199 --> 01:58:55.800
<v Speaker 6>and the spaceships flying around and everything going on in

1981
01:58:55.800 --> 01:59:00.199
<v Speaker 6>that movie. People might look at it now and think, well, yeah,

1982
01:59:00.199 --> 01:59:03.079
<v Speaker 6>it's a little dated. I didn't think that. I was,

1983
01:59:03.119 --> 01:59:05.800
<v Speaker 6>like I am in that reality like you would not believe,

1984
01:59:05.880 --> 01:59:09.479
<v Speaker 6>you know, I'm sixteen years old. Actually no, it's still fifteen.

1985
01:59:10.000 --> 01:59:12.279
<v Speaker 6>You know. My mind is still just totally pumped in

1986
01:59:12.319 --> 01:59:15.920
<v Speaker 6>prime for this right to step into this other world.

1987
01:59:16.840 --> 01:59:20.640
<v Speaker 6>And what was the other film? Oh this is good.

1988
01:59:21.079 --> 01:59:25.039
<v Speaker 6>Nobody's heard of this movie. But when when me and

1989
01:59:25.079 --> 01:59:27.840
<v Speaker 6>my friends were kids, we're all just total delinquents, and

1990
01:59:27.880 --> 01:59:30.079
<v Speaker 6>we used to have this thing where like, let's get

1991
01:59:30.079 --> 01:59:32.600
<v Speaker 6>as high as we can before we sneak into the movies.

1992
01:59:33.079 --> 01:59:35.159
<v Speaker 6>And there was this movie that nobody's ever heard of.

1993
01:59:35.279 --> 01:59:36.960
<v Speaker 6>You can probably look it up. It's called Rock and

1994
01:59:37.079 --> 01:59:44.000
<v Speaker 6>Roll nineteen eighty three Don Bluth animation film. When I

1995
01:59:44.039 --> 01:59:46.239
<v Speaker 6>went back and looked at it, it just looked ridiculous

1996
01:59:46.279 --> 01:59:52.039
<v Speaker 6>to me. But my brain's in that state it was.

1997
01:59:52.319 --> 01:59:54.840
<v Speaker 6>I was in it. I was in that world, you know,

1998
01:59:54.920 --> 01:59:58.199
<v Speaker 6>I entered into that world and I can't remember, I

1999
01:59:58.199 --> 02:00:01.239
<v Speaker 6>cannot remember the last time I had that experience at

2000
02:00:01.239 --> 02:00:04.239
<v Speaker 6>the movements, And I think CGI has a lot to

2001
02:00:04.279 --> 02:00:11.479
<v Speaker 6>do with that. You know, it doesn't, it doesn't capture

2002
02:00:11.520 --> 02:00:19.239
<v Speaker 6>you because somewhere you know, it's it's unreal. So that's

2003
02:00:19.279 --> 02:00:20.760
<v Speaker 6>sort of a I don't know if that has to

2004
02:00:20.760 --> 02:00:23.640
<v Speaker 6>do with the X file. Well, I'll tell you exactly

2005
02:00:23.640 --> 02:00:24.760
<v Speaker 6>what it has to do with the X Files. I

2006
02:00:25.000 --> 02:00:27.520
<v Speaker 6>did not like the feature film, the first feature film

2007
02:00:27.560 --> 02:00:32.319
<v Speaker 6>at all. It took. What made the X Files magic

2008
02:00:32.439 --> 02:00:35.039
<v Speaker 6>was the intimacy of it. It was very intimate. You know,

2009
02:00:35.039 --> 02:00:37.600
<v Speaker 6>it's this intimate relationship between this man and this woman

2010
02:00:39.760 --> 02:00:44.800
<v Speaker 6>suffering and struggling in the dark, you know, out away

2011
02:00:44.800 --> 02:00:48.279
<v Speaker 6>from the public eye. And when there's giant spaceships and

2012
02:00:48.600 --> 02:00:51.239
<v Speaker 6>all and buildings blowing up and all the rest of it,

2013
02:00:51.319 --> 02:00:58.840
<v Speaker 6>that broke that compact of intimacy. You know, I don't know,

2014
02:00:59.039 --> 02:01:01.880
<v Speaker 6>I don't know how to explain it, you know, to

2015
02:01:01.920 --> 02:01:05.319
<v Speaker 6>give you an effective metaphor for that, But it's it's,

2016
02:01:05.760 --> 02:01:08.239
<v Speaker 6>you know, it's like when your favorite band becomes popular

2017
02:01:08.800 --> 02:01:12.359
<v Speaker 6>because they change the style, right, they sell out. I

2018
02:01:12.439 --> 02:01:14.520
<v Speaker 6>kind of felt like, you know, the X Files kind

2019
02:01:14.520 --> 02:01:16.640
<v Speaker 6>of sold out for that movie. I mean, I love

2020
02:01:16.680 --> 02:01:19.840
<v Speaker 6>the second movie, which everybody seems to hate. But that's

2021
02:01:19.880 --> 02:01:25.640
<v Speaker 6>the whole other discussion. Anyhow, any other questions.

2022
02:01:25.359 --> 02:01:26.840
<v Speaker 3>Yeah, I was just ask anybody I have any other

2023
02:01:26.920 --> 02:01:28.920
<v Speaker 3>questions before we set the Rabbit up Earth two hours.

2024
02:01:30.159 --> 02:01:31.880
<v Speaker 8>Well, I just want to say that I loved what

2025
02:01:32.039 --> 02:01:34.520
<v Speaker 8>Kaiva said, and thank you Brandon for shouting out Anne

2026
02:01:34.520 --> 02:01:36.680
<v Speaker 8>of the Daughter. Of course, that's like such a seminal

2027
02:01:36.840 --> 02:01:38.000
<v Speaker 8>part of my whole project.

2028
02:01:39.079 --> 02:01:39.520
<v Speaker 1>Thank you.

2029
02:01:40.000 --> 02:01:42.560
<v Speaker 8>But you know, I think what Kaiva said about Pluto

2030
02:01:42.720 --> 02:01:44.960
<v Speaker 8>was really on point, especially in regards to Anne of

2031
02:01:45.000 --> 02:01:49.239
<v Speaker 8>the Daughter, because even though most people, most astrologers think

2032
02:01:49.239 --> 02:01:53.600
<v Speaker 8>of Pluto as like just strictly a purely destructive force,

2033
02:01:53.680 --> 02:01:56.079
<v Speaker 8>I think there's actually a lot of resolution of paradox

2034
02:01:56.119 --> 02:01:59.000
<v Speaker 8>that happens, especially if you're comparing it to Uranus. It

2035
02:01:59.159 --> 02:02:02.199
<v Speaker 8>kind of opens the opens the gate, you could say,

2036
02:02:02.239 --> 02:02:05.920
<v Speaker 8>for a new paradigm rather than just destroys the old,

2037
02:02:05.960 --> 02:02:08.920
<v Speaker 8>which is what both Pluto and Uranus can do. But

2038
02:02:09.000 --> 02:02:13.439
<v Speaker 8>I think Pluto actually allows for a kind of recreation

2039
02:02:13.560 --> 02:02:16.359
<v Speaker 8>of the not the past, not a return in like

2040
02:02:16.399 --> 02:02:20.279
<v Speaker 8>an Evolian sense, but perhaps maybe something new, a progressive,

2041
02:02:20.279 --> 02:02:22.479
<v Speaker 8>a on and not in the political sense, but just

2042
02:02:22.960 --> 02:02:26.159
<v Speaker 8>something like a way to move forward with the movement

2043
02:02:26.159 --> 02:02:29.239
<v Speaker 8>of the cosmos, or some sorrow rather than you know,

2044
02:02:29.760 --> 02:02:32.800
<v Speaker 8>be referential to like a mythical as I call it.

2045
02:02:32.840 --> 02:02:33.920
<v Speaker 1>Wee wi was King's past.

2046
02:02:35.640 --> 02:02:39.720
<v Speaker 6>All of nature is renewed by fire, right, that's the

2047
02:02:39.800 --> 02:02:47.359
<v Speaker 6>meaning of iron are nice? Let's a Roman saying. So

2048
02:02:48.079 --> 02:02:51.800
<v Speaker 6>destruction is an important part of new creation, you know,

2049
02:02:52.279 --> 02:02:54.039
<v Speaker 6>you have to clear away the old. And I think

2050
02:02:54.119 --> 02:02:58.359
<v Speaker 6>that is why our culture is so dead, because we

2051
02:02:58.399 --> 02:03:00.600
<v Speaker 6>won't like go of the X File, we won't let

2052
02:03:00.640 --> 02:03:02.760
<v Speaker 6>go Star Trek, we won't let go of Star Wars.

2053
02:03:02.800 --> 02:03:05.119
<v Speaker 6>We won't let go of Superman and Batman and the

2054
02:03:05.279 --> 02:03:09.520
<v Speaker 6>X Men. You know, all these just archaic and you know,

2055
02:03:09.600 --> 02:03:14.520
<v Speaker 6>anachronistic ideas from a completely different world, a completely different reality.

2056
02:03:15.000 --> 02:03:18.000
<v Speaker 6>We can't let go of them, right, I mean, the

2057
02:03:18.159 --> 02:03:20.239
<v Speaker 6>corporations can't let go of them because they don't have

2058
02:03:20.279 --> 02:03:23.119
<v Speaker 6>anything new to replace them with. And then the fans

2059
02:03:23.199 --> 02:03:29.279
<v Speaker 6>are so emotionally invested in these characters they have to die,

2060
02:03:29.640 --> 02:03:32.760
<v Speaker 6>you know, they can't just be the walking dead forever.

2061
02:03:33.119 --> 02:03:37.159
<v Speaker 6>You know, and again I'm totally against this whole of anybody,

2062
02:03:37.399 --> 02:03:40.000
<v Speaker 6>anybody doing like a new X file series. It's like, no,

2063
02:03:40.159 --> 02:03:42.279
<v Speaker 6>that belongs to the nineties. Let it go, leave it

2064
02:03:42.319 --> 02:03:45.680
<v Speaker 6>in the past. Right. We have to have like new

2065
02:03:45.800 --> 02:03:48.720
<v Speaker 6>stories to tell each other. If we just keep telling

2066
02:03:48.760 --> 02:03:52.119
<v Speaker 6>each other the same stories, I mean, that's why things

2067
02:03:52.159 --> 02:04:01.119
<v Speaker 6>are just so depressing and static. You know. I consider

2068
02:04:01.199 --> 02:04:05.159
<v Speaker 6>myself incredibly blessed, you know, to be like this weirdo

2069
02:04:05.439 --> 02:04:09.600
<v Speaker 6>kid who lived for pop culture when you know, in

2070
02:04:09.640 --> 02:04:13.399
<v Speaker 6>the seventies and eighties, right when when things were new

2071
02:04:13.600 --> 02:04:16.640
<v Speaker 6>and exciting all the time, and it was like new

2072
02:04:16.680 --> 02:04:18.720
<v Speaker 6>ideas kind of you know, like I said, being fifteen

2073
02:04:18.800 --> 02:04:21.880
<v Speaker 6>years old going to see Blade Runner, being ten years

2074
02:04:21.920 --> 02:04:24.159
<v Speaker 6>old and going to see the first Star Wars movie.

2075
02:04:24.199 --> 02:04:29.600
<v Speaker 6>It's just like you can't replicate that. It's like stuck

2076
02:04:29.760 --> 02:04:32.960
<v Speaker 6>chasing that dragon. It really is. It really is an addiction,

2077
02:04:33.159 --> 02:04:35.880
<v Speaker 6>you know, and it's like you'll you'll never equal that

2078
02:04:35.960 --> 02:04:39.640
<v Speaker 6>first high, You'll never equal that first rush that you

2079
02:04:39.760 --> 02:04:44.840
<v Speaker 6>got from seeing Star Wars or whatever film. I don't

2080
02:04:44.880 --> 02:04:48.399
<v Speaker 6>know the answer to it, and I just unfortunately, I

2081
02:04:48.439 --> 02:04:52.800
<v Speaker 6>think the economics of it don't pan out anymore. I mean, hope.

2082
02:04:52.920 --> 02:04:54.279
<v Speaker 6>I mean, I know a lot of people are very

2083
02:04:54.319 --> 02:04:57.680
<v Speaker 6>down on an AI, and I completely understand why. But

2084
02:04:58.439 --> 02:05:02.520
<v Speaker 6>I think the only hope is is somebody in there,

2085
02:05:02.560 --> 02:05:08.680
<v Speaker 6>some kid in their basement, you know, tapped into whatever

2086
02:05:08.800 --> 02:05:14.479
<v Speaker 6>clod I don't even know whatever animation AI and having

2087
02:05:14.520 --> 02:05:18.399
<v Speaker 6>something new to say. You know, that's that's the only

2088
02:05:18.439 --> 02:05:20.359
<v Speaker 6>way out of this mess. We have to let all

2089
02:05:20.399 --> 02:05:24.479
<v Speaker 6>these old stories die because they are smothering us, you know,

2090
02:05:25.000 --> 02:05:30.319
<v Speaker 6>they're smothering us. It's to me, it does feel very Saturnian.

2091
02:05:30.680 --> 02:05:34.359
<v Speaker 6>It is a very set you know, like Saturnian energy,

2092
02:05:34.479 --> 02:05:38.399
<v Speaker 6>just like pinning you down in place right and just

2093
02:05:38.439 --> 02:05:41.960
<v Speaker 6>sort of smacking you around. We have to let go

2094
02:05:42.039 --> 02:05:46.439
<v Speaker 6>of that. We need we need fresh ideas and fresh energies,

2095
02:05:48.000 --> 02:05:50.159
<v Speaker 6>and we certainly need them more in more than just

2096
02:05:50.199 --> 02:05:53.279
<v Speaker 6>pop culture, you know, we need them in our governments

2097
02:05:53.479 --> 02:05:57.720
<v Speaker 6>and our institutions and our economics and all the rest

2098
02:05:57.720 --> 02:05:59.800
<v Speaker 6>of it. We need like truly new ideas, you know,

2099
02:05:59.840 --> 02:06:03.399
<v Speaker 6>like socialism is a not a new idea. It's actually

2100
02:06:03.720 --> 02:06:07.079
<v Speaker 6>a very very ancient idea, you know. I mean ancient

2101
02:06:07.119 --> 02:06:10.319
<v Speaker 6>sumer was actually a communist state, you know, it was

2102
02:06:10.359 --> 02:06:14.680
<v Speaker 6>a communist theocracy. Those aren't new ideas we need, like

2103
02:06:14.760 --> 02:06:16.680
<v Speaker 6>real new ideas and fresh thinking.

2104
02:06:18.840 --> 02:06:21.319
<v Speaker 5>Well, that's a nice about Uranus and Gemini coming up

2105
02:06:21.399 --> 02:06:25.640
<v Speaker 5>next not this Saturday, but next Saturday, Uriness moves into Gemini.

2106
02:06:25.760 --> 02:06:28.840
<v Speaker 5>I mean, because Gemini is also economics. It's the marketplace, right,

2107
02:06:28.880 --> 02:06:33.439
<v Speaker 5>so Gemini is the marketplace exchanging of ideas. So we

2108
02:06:33.520 --> 02:06:35.800
<v Speaker 5>can probably see like all those things are describing is

2109
02:06:35.800 --> 02:06:37.119
<v Speaker 5>like that's a fun thing about astrology.

2110
02:06:37.119 --> 02:06:38.520
<v Speaker 4>It's like we all crave.

2111
02:06:38.319 --> 02:06:41.359
<v Speaker 5>It and then it comes because it's like, you know,

2112
02:06:41.399 --> 02:06:42.239
<v Speaker 5>that's the process.

2113
02:06:42.359 --> 02:06:44.079
<v Speaker 4>So it'll be interesting to see what happens over the

2114
02:06:44.079 --> 02:06:44.560
<v Speaker 4>eight years.

2115
02:06:44.720 --> 02:06:47.479
<v Speaker 6>There are also the gates to Heaven, right, you know,

2116
02:06:47.680 --> 02:06:52.720
<v Speaker 6>Boaz and Jack and Gemini. It's at the crossroads of

2117
02:06:54.279 --> 02:06:59.479
<v Speaker 6>the ecliptic and the celestial plane, right, and that's you know,

2118
02:06:59.520 --> 02:07:05.760
<v Speaker 6>you enter in through Gemini, you know, Ariga sending Ariga Perseus,

2119
02:07:05.880 --> 02:07:10.039
<v Speaker 6>you know, up to to Heaven, up to Cepheus. Right,

2120
02:07:10.880 --> 02:07:13.680
<v Speaker 6>and that we can maybe do a show on this,

2121
02:07:14.199 --> 02:07:17.199
<v Speaker 6>you know, my interpretation of what the whole nine eleven

2122
02:07:17.239 --> 02:07:18.560
<v Speaker 6>Mega ritual is really about.

2123
02:07:19.800 --> 02:07:22.960
<v Speaker 3>But uh yeah, yeah.

2124
02:07:23.079 --> 02:07:29.880
<v Speaker 6>I'll have to in on that because it's all celestial.

2125
02:07:30.039 --> 02:07:32.960
<v Speaker 6>It all has to do with the watchers. That's another

2126
02:07:32.960 --> 02:07:35.520
<v Speaker 6>thing that I've talked quite a lot about, watcher cults,

2127
02:07:35.960 --> 02:07:38.640
<v Speaker 6>fallen angels, restoring the fallen angels to heaven, and so

2128
02:07:38.680 --> 02:07:41.920
<v Speaker 6>on and so forth. So uh, but Gemini is the gateway.

2129
02:07:41.960 --> 02:07:47.279
<v Speaker 6>I mean, it's it's you. You ascend up the celestial plane,

2130
02:07:47.840 --> 02:07:52.079
<v Speaker 6>you know, like I said, through Ariga and Perseus and

2131
02:07:53.520 --> 02:07:57.399
<v Speaker 6>Cassiopia Andromeda and Vegasist and so on and so forth.

2132
02:07:58.119 --> 02:08:03.039
<v Speaker 6>But then you're you're at Sepias. But that becomes the

2133
02:08:03.079 --> 02:08:09.119
<v Speaker 6>war in heaven between Draco and Sepias. Right, Oh, don't

2134
02:08:09.159 --> 02:08:11.560
<v Speaker 6>get me strong on that. We'll never get out of here.

2135
02:08:14.359 --> 02:08:16.039
<v Speaker 3>Thank you very much for coming on. Man, that was

2136
02:08:16.079 --> 02:08:18.000
<v Speaker 3>like an awesome discussion. There's a lot deeper than I

2137
02:08:18.600 --> 02:08:22.479
<v Speaker 3>to go. Hell, yeah, no, that was great stuff. Before

2138
02:08:22.520 --> 02:08:25.079
<v Speaker 3>we let you plug everything that you got, we'll have

2139
02:08:25.079 --> 02:08:27.439
<v Speaker 3>everybody else. Just remind everybody we can find all their

2140
02:08:27.439 --> 02:08:30.560
<v Speaker 3>amazing work. Kaiva, Please let everybody know what they can

2141
02:08:30.600 --> 02:08:31.680
<v Speaker 3>find your stuff one more time.

2142
02:08:32.399 --> 02:08:35.640
<v Speaker 5>Yes, this is a lovely conversation. You can find me

2143
02:08:35.680 --> 02:08:38.119
<v Speaker 5>at eleven Kaiba Rose thirty three dot com. You can

2144
02:08:38.159 --> 02:08:41.119
<v Speaker 5>also find me at Kaiva Rose, Instagram, Facebook, and YouTube.

2145
02:08:41.399 --> 02:08:44.039
<v Speaker 5>And I also have new ideas because I have my books.

2146
02:08:44.239 --> 02:08:47.159
<v Speaker 5>So I'm an young adult author. So Rue Odyssey is

2147
02:08:47.199 --> 02:08:50.600
<v Speaker 5>my fantasy series, and it's mystical.

2148
02:08:50.159 --> 02:08:51.680
<v Speaker 4>It's magical, it's steampunk.

2149
02:08:51.760 --> 02:08:55.039
<v Speaker 5>It has ancient wisdom thrown in there as well, so

2150
02:08:55.119 --> 02:08:56.479
<v Speaker 5>it's fantastic and fun.

2151
02:08:56.479 --> 02:08:58.119
<v Speaker 4>And there's part one and two and I'm writing part

2152
02:08:58.159 --> 02:09:01.439
<v Speaker 4>three right now. So yes, thanks for this wonderful conversation.

2153
02:09:01.920 --> 02:09:05.000
<v Speaker 3>Thank you for making it. Appreciate it. And Headler's Giant,

2154
02:09:05.079 --> 02:09:06.199
<v Speaker 3>my man, what is going on? Sir?

2155
02:09:07.239 --> 02:09:07.760
<v Speaker 6>Hi you doing?

2156
02:09:07.800 --> 02:09:11.600
<v Speaker 7>You can find me on Twitter, on Instagram, on YouTube

2157
02:09:11.640 --> 02:09:14.960
<v Speaker 7>at the Headless Giant, and also on Rumble, So go

2158
02:09:15.239 --> 02:09:17.600
<v Speaker 7>subscribe over to Rumble if you haven't yet, I need

2159
02:09:17.640 --> 02:09:19.279
<v Speaker 7>to get those numbers up and.

2160
02:09:19.560 --> 02:09:20.159
<v Speaker 6>Check me out.

2161
02:09:20.199 --> 02:09:22.960
<v Speaker 7>On Sunday morning at ten thirty Central, We're going to

2162
02:09:22.960 --> 02:09:27.239
<v Speaker 7>be doing a live trialogue with Ethan Indigo Ricardo Calvario

2163
02:09:27.319 --> 02:09:31.079
<v Speaker 7>and I'm going to be down there. You're, you know, Madison,

2164
02:09:31.119 --> 02:09:33.439
<v Speaker 7>Wisconsin doing a live with Ricardo.

2165
02:09:33.600 --> 02:09:34.800
<v Speaker 6>So it's going to be awesome.

2166
02:09:35.319 --> 02:09:38.760
<v Speaker 3>Check it out, very good, very good. And Jim the Ninja,

2167
02:09:38.760 --> 02:09:39.600
<v Speaker 3>what is going on, sir?

2168
02:09:41.359 --> 02:09:42.039
<v Speaker 1>What is up us?

2169
02:09:42.199 --> 02:09:44.359
<v Speaker 8>Thank you so much for having me on. Thank you, Chris,

2170
02:09:44.399 --> 02:09:46.439
<v Speaker 8>it was great to speak to you again after that,

2171
02:09:46.560 --> 02:09:48.039
<v Speaker 8>I think it's been like a year and a half

2172
02:09:48.079 --> 02:09:51.479
<v Speaker 8>to two years, so honestly, it was really like very

2173
02:09:51.560 --> 02:09:54.039
<v Speaker 8>it was very cool and I appreciate it, and of

2174
02:09:54.039 --> 02:09:57.720
<v Speaker 8>course too Kaiva, and I'm looking forward to our conversation

2175
02:09:57.960 --> 02:09:59.960
<v Speaker 8>in the future and hopefully we'll talk about your books

2176
02:10:00.079 --> 02:10:04.279
<v Speaker 8>as well. And of course Brandon Lee my brother, my

2177
02:10:04.319 --> 02:10:07.640
<v Speaker 8>brother from Mercury. On Monday nights, we have been doing

2178
02:10:07.680 --> 02:10:10.119
<v Speaker 8>this gonzo radio thing. You can also check me out

2179
02:10:10.159 --> 02:10:12.199
<v Speaker 8>of Threshold Saints and the Gray Lodge, which is our

2180
02:10:12.199 --> 02:10:17.800
<v Speaker 8>group show all speculative Cabala, speculative Cali Chakra and speculative Narcissism,

2181
02:10:18.000 --> 02:10:20.560
<v Speaker 8>so we do Friday night Nastic Mass.

2182
02:10:20.800 --> 02:10:22.000
<v Speaker 1>And then also.

2183
02:10:23.479 --> 02:10:25.600
<v Speaker 8>Yeah, follow me on Twitter at wu Conreborn, w uk

2184
02:10:25.680 --> 02:10:27.560
<v Speaker 8>O and g Reborn that's my big account, but you

2185
02:10:27.600 --> 02:10:30.000
<v Speaker 8>can also follow the show on I G and x

2186
02:10:30.079 --> 02:10:33.640
<v Speaker 8>Twitter at Threshold Saints. So thank you guys so much.

2187
02:10:33.760 --> 02:10:36.439
<v Speaker 1>It was I don't know that I have seen a

2188
02:10:36.439 --> 02:10:38.399
<v Speaker 1>lot of X files, but I honestly don't remember.

2189
02:10:38.760 --> 02:10:41.680
<v Speaker 8>But what I found interesting was really the sort of

2190
02:10:41.720 --> 02:10:44.279
<v Speaker 8>depth and contours of this conversation.

2191
02:10:44.399 --> 02:10:46.319
<v Speaker 1>So thank you guys. Appreciate it well.

2192
02:10:46.359 --> 02:10:51.520
<v Speaker 6>My book is available on Kindle too if you don't

2193
02:10:51.520 --> 02:10:54.600
<v Speaker 6>want to take the plunge for the well, the full

2194
02:10:54.720 --> 02:10:59.760
<v Speaker 6>ride again, it's it's going to show up backwards. But

2195
02:11:00.119 --> 02:11:03.880
<v Speaker 6>xf Ultra, the X files, conspiracy culture in the National

2196
02:11:03.920 --> 02:11:09.399
<v Speaker 6>Security State, and it's everything that we've discussed and so

2197
02:11:09.399 --> 02:11:10.199
<v Speaker 6>so much more.

2198
02:11:10.560 --> 02:11:12.760
<v Speaker 3>Oh yeah, it's actually going to uh.

2199
02:11:13.640 --> 02:11:18.359
<v Speaker 6>You know, the mechanics and the history of the National

2200
02:11:18.399 --> 02:11:23.640
<v Speaker 6>security state, post war human experimentation, and also the whole

2201
02:11:23.760 --> 02:11:29.640
<v Speaker 6>UFO situation as well, which is seems to be perpetual

2202
02:11:29.720 --> 02:11:33.560
<v Speaker 6>these days where we're looking down the barrel of disclosure

2203
02:11:33.680 --> 02:11:34.600
<v Speaker 6>day coming out.

2204
02:11:35.199 --> 02:11:38.600
<v Speaker 3>Oh yeah, so it's going to say this all.

2205
02:11:39.920 --> 02:11:42.800
<v Speaker 6>It seems to me like it's I call it close

2206
02:11:42.840 --> 02:11:45.680
<v Speaker 6>and counts of the third kind with major depressive disorder.

2207
02:11:49.520 --> 02:11:49.920
<v Speaker 2>I like that.

2208
02:11:50.600 --> 02:11:53.159
<v Speaker 3>And Brandon, let everybody know what's up with you man.

2209
02:11:53.279 --> 02:11:56.760
<v Speaker 2>Please, thank you, thank you. Nick is always always proud

2210
02:11:56.800 --> 02:11:59.359
<v Speaker 2>to be a reject of the occult, a reject of

2211
02:11:59.399 --> 02:12:03.479
<v Speaker 2>the rejects. Can't even help it. This is how it goes. Chris,

2212
02:12:03.600 --> 02:12:05.680
<v Speaker 2>this was fantastic. I've been wanting to talk to you

2213
02:12:05.720 --> 02:12:08.000
<v Speaker 2>for a very long time. Obviously, I'm gonna ask you

2214
02:12:08.399 --> 02:12:11.000
<v Speaker 2>please come on my show. I would love to interview

2215
02:12:11.159 --> 02:12:13.680
<v Speaker 2>you and put all your work out there for everyone

2216
02:12:13.720 --> 02:12:15.439
<v Speaker 2>to see. So I would love that.

2217
02:12:15.640 --> 02:12:16.239
<v Speaker 6>Let's do it.

2218
02:12:16.439 --> 02:12:19.920
<v Speaker 2>Let's do it. Beautiful, awesome. Everyone. Head over to megas

2219
02:12:20.000 --> 02:12:22.199
<v Speaker 2>in the Media on YouTube, subscribe, like and share. I

2220
02:12:22.199 --> 02:12:24.640
<v Speaker 2>got merch dropping, It's on the web, it's on It's

2221
02:12:24.680 --> 02:12:27.000
<v Speaker 2>out there. Do you want this logo? Do you want

2222
02:12:27.000 --> 02:12:29.439
<v Speaker 2>to wear it on all your garb? I know you do.

2223
02:12:29.720 --> 02:12:32.359
<v Speaker 2>Head over to megas in the Media, check me out

2224
02:12:32.439 --> 02:12:35.680
<v Speaker 2>on x Instagram and the like. Jin the Ninja and

2225
02:12:35.760 --> 02:12:39.159
<v Speaker 2>Me on Monday evenings. It's been fantastic for some reason.

2226
02:12:39.199 --> 02:12:40.640
<v Speaker 2>If you want to listen to us for two to

2227
02:12:40.720 --> 02:12:43.600
<v Speaker 2>three hours jabber on about certain topics, that's what we do.

2228
02:12:44.000 --> 02:12:46.600
<v Speaker 2>Ethan Indogo and I just did a show. We're both

2229
02:12:46.640 --> 02:12:49.359
<v Speaker 2>tai Chi martial art practitioneers. We did one part one,

2230
02:12:49.359 --> 02:12:51.560
<v Speaker 2>We're gonna do part two next week, and then we're

2231
02:12:51.560 --> 02:12:54.239
<v Speaker 2>gonna talk about the Dow the following week, most likely

2232
02:12:55.000 --> 02:12:57.520
<v Speaker 2>coming up on my show. I have dropping a Sarah

2233
02:12:57.640 --> 02:13:02.119
<v Speaker 2>Jane's Dream Mysteries that I just did. We went deep

2234
02:13:02.199 --> 02:13:05.600
<v Speaker 2>for a few hours. It was fantastic. The Great Gordon

2235
02:13:05.640 --> 02:13:07.680
<v Speaker 2>White is coming on at the end of the month,

2236
02:13:07.760 --> 02:13:10.439
<v Speaker 2>which I'm really excited to chat with him because I

2237
02:13:10.600 --> 02:13:12.960
<v Speaker 2>like you, Chris, like Greg. I've been listening to you

2238
02:13:12.960 --> 02:13:16.159
<v Speaker 2>guys for years and it's kind of like talking to

2239
02:13:16.199 --> 02:13:18.920
<v Speaker 2>the people that have helped also, not just mold, but

2240
02:13:19.399 --> 02:13:21.720
<v Speaker 2>people that I'm like, oh my god, other people think

2241
02:13:21.760 --> 02:13:26.079
<v Speaker 2>like I do. Thank fucking heavens. As well. As there's

2242
02:13:26.119 --> 02:13:29.399
<v Speaker 2>a book it's called Black Pilgrimage David Beth he's the publisher.

2243
02:13:29.720 --> 02:13:33.800
<v Speaker 2>He owns the publishing company fone Press. He's coming on

2244
02:13:33.920 --> 02:13:37.039
<v Speaker 2>and I'm going to be dropping that that book is fantastic.

2245
02:13:38.000 --> 02:13:40.039
<v Speaker 2>So yeah, everyone just head on over there. That's my

2246
02:13:40.119 --> 02:13:43.159
<v Speaker 2>shtick again. Thank you Chris, thank you Nick, and again

2247
02:13:43.439 --> 02:13:46.239
<v Speaker 2>everyone out there subscribe. I can share to all of

2248
02:13:46.279 --> 02:13:49.760
<v Speaker 2>these people. Head over to Kiverros eleven thirty three. She's

2249
02:13:49.800 --> 02:13:52.520
<v Speaker 2>the best astrologer out there. Book yourself with her if

2250
02:13:52.560 --> 02:13:55.560
<v Speaker 2>you want to figure out how your life works in

2251
02:13:55.600 --> 02:13:58.479
<v Speaker 2>the Grand majesty of this celestial.

2252
02:13:59.279 --> 02:14:03.680
<v Speaker 3>Thank you very much. And Chris, please remind everybody where

2253
02:14:03.680 --> 02:14:05.680
<v Speaker 3>you can find all your great stuff and all your

2254
02:14:05.720 --> 02:14:06.159
<v Speaker 3>social media.

2255
02:14:06.159 --> 02:14:10.359
<v Speaker 6>Okay, secretsun dot blogspot dot com is the old war Horse,

2256
02:14:11.960 --> 02:14:16.840
<v Speaker 6>then the the Secret Sun substack dot com. I'm going

2257
02:14:16.920 --> 02:14:21.359
<v Speaker 6>to be changing the address for that soon to secretsun

2258
02:14:21.439 --> 02:14:24.920
<v Speaker 6>dot blog for now. You can find it at thesecretsun

2259
02:14:25.000 --> 02:14:27.159
<v Speaker 6>dot blog. I mean, I've been around, I've been on

2260
02:14:27.199 --> 02:14:29.319
<v Speaker 6>the internet forever, so I'm pretty easy to find.

2261
02:14:29.520 --> 02:14:31.000
<v Speaker 3>Yeah, even if you just put his name in hip

2262
02:14:31.039 --> 02:14:31.600
<v Speaker 3>will pop up.

2263
02:14:32.239 --> 02:14:36.560
<v Speaker 6>Yeah, and look forward to uh interacting with the folks

2264
02:14:36.560 --> 02:14:37.119
<v Speaker 6>out there.

2265
02:14:37.760 --> 02:14:39.479
<v Speaker 3>Well, thank you very much, man. This is really an

2266
02:14:39.479 --> 02:14:42.239
<v Speaker 3>awesome episode. I really had a great talk and like

2267
02:14:42.279 --> 02:14:44.560
<v Speaker 3>I said, one and the other directions, I didn't expect it.

2268
02:14:44.640 --> 02:14:47.399
<v Speaker 3>I thought it was awesome. Really love to get you

2269
02:14:47.439 --> 02:14:50.359
<v Speaker 3>on again and finally happy we finally did. It's been

2270
02:14:50.399 --> 02:14:52.199
<v Speaker 3>a while I've wanted to get you on the show, so.

2271
02:14:52.359 --> 02:14:57.199
<v Speaker 6>Well, let's pencil in a September appearance. Yeah, nine to.

2272
02:14:57.159 --> 02:15:01.479
<v Speaker 3>Eleven, definitely, definitely, definitely down for that. The twenty fifth year,

2273
02:15:01.680 --> 02:15:04.520
<v Speaker 3>Sooth annivers.

2274
02:15:04.279 --> 02:15:09.239
<v Speaker 6>Your twenty fifth anniversary, and I'll walk everyone through because

2275
02:15:10.640 --> 02:15:17.039
<v Speaker 6>once you see the correspondences, you'll realize that something much

2276
02:15:17.159 --> 02:15:21.399
<v Speaker 6>different than you've been told by anyone. What's going on

2277
02:15:21.479 --> 02:15:21.880
<v Speaker 6>that day?

2278
02:15:22.039 --> 02:15:25.199
<v Speaker 3>Oh, very interested, very interesting. Thank you very much, Chris.

2279
02:15:25.800 --> 02:15:26.000
<v Speaker 9>Uh.

2280
02:15:26.119 --> 02:15:28.479
<v Speaker 3>Yeah again, thank you everybody for making the show too,

2281
02:15:28.520 --> 02:15:30.600
<v Speaker 3>and everybody in the chat. How warld that is what's up?

2282
02:15:30.600 --> 02:15:30.720
<v Speaker 6>Man?

2283
02:15:30.800 --> 02:15:33.600
<v Speaker 3>Thank you very much and that's what we go live.

2284
02:15:33.840 --> 02:15:37.000
<v Speaker 3>And until the next one, everybody be well later.
