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Speaker 1: And let me get these mics up. We got a

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couple of guys here who've actually been on the show

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a number of times, but they've got some new music

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and one of them brought a guitar with them. We've

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got Jam Tomorrow. Two of the guys from Jam Tomorrow

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here with us in studio. Welcome, gentlemen. So MHP is here. Hello,

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that's easier to say that way, yeah, MHP. And uh

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and Mark is Mark. How do you say your last name?

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Badnee bad?

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Speaker 2: Nay?

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Speaker 1: Yeah, Okay, I've never been sure.

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Speaker 3: It depends sometimes.

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Speaker 1: Yeah, that's not how much whiskey's in bold? I got you,

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I got youa so.

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Speaker 4: Uh.

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Speaker 1: You guys got a new song that we're gonna play

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in a moment and uh and then you guys are

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gonna play live. So excited about that? What's the new?

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Do you want to tell us about the new single?

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Speaker 3: Yeah, so we haven't even dropped this one yet. You

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are getting hot wax here. This song is called twenty two.

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We've played it for three or four years. We may

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have actually played it on your show live in the past,

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but we recorded it in the studio. It actually had

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a horn player with us, which we've never recorded. I've

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never watched horns recorded before.

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Speaker 5: Oh.

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Speaker 3: It's sort of a stacking process where you lay down

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a line and then you come back to the beginning

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and you lay down a fifth over that or whatever

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your interval is, and then you go back to the

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beginning game and you lay another interval over that a chord,

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which is why there's always horn sections and never one

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horn player playing with the band live, which I never

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thought about it. It makes perfect sense. But it was

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really cool to watch it actually unfold. So we had

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a lot of fun. This song's about the triumphs of

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the Tarot deck, sort of a psychedelic journey through them. Okay,

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and this one's called twenty two.

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Speaker 1: Okay, very good, very good. And by the way, so

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this is a world radio premiere, Well you know what

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that means. It means this your.

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Speaker 2: Listen Tominate.

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Speaker 6: World premiere, traveling through the world past boats and boat temptations.

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Speaker 7: As Christmases in love look my way and win, but

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the world with the way to the world's in my

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cherry eyes.

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Speaker 5: And that magic.

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Speaker 2: My dongue.

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Speaker 8: Jumped free and Leger got my bag, I got my dog.

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Speaker 2: I'm stepping not for legend as the cards are debasing,

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always been.

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Speaker 9: Every don't care for me, and they, the fool, have

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to fage.

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Speaker 2: I need to have the strength to hold the lion

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sight and stand alone in the darn.

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Speaker 7: And holding out the lions.

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Speaker 8: As a wheel of fortune spends. Is justice on.

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Speaker 2: My side, and they hang me upside down, my hands.

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Speaker 8: By the tide. Just the food, the strange after Edgine.

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Speaker 5: Got my back, I got my dog.

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Speaker 10: I'm stepping shot of the legend at the deck fan town.

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Speaker 8: See how fade is cool, carefree?

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Speaker 5: You don't care for me.

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Speaker 8: I have to play the fool.

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Speaker 5: I have to play the food.

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Speaker 8: And I spelt death.

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Speaker 2: Unmistakable, A man on the water to unglasssy ulass fult.

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Speaker 8: That's the devil finds.

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Speaker 11: Being a change.

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Speaker 2: I can see the table fall, but I avoid the

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lighting somehow gave it all.

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Speaker 5: Just food.

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Speaker 10: Freaking at the edge, got my bag, I got make up,

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now stepping up by let as the car rain down,

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drowning in the food.

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Speaker 9: Every you don't care for me, I have they hear,

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the fool have.

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Speaker 8: Fligging the food. A woman like a star has pictures.

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Speaker 2: In her hand, and the moon shines over all the

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creatures of the sea and them. But the sun is

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rising in the angel Trucklet's judgment time.

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Speaker 8: The world is outs.

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Speaker 12: And we can only clib.

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Speaker 2: Jumped, the food springing and the engine.

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Speaker 8: God, my bag, I got my dog. I'm stepping up.

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Speaker 5: Let you and that.

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Speaker 13: I'll do God up, don't you can't help me?

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Speaker 8: I have.

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Speaker 12: Had league Oh oh oh.

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Speaker 1: Things A great track that is twenty two. The band

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is Jam Tomorrow. We've got two of the guys from

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Jam Tomorrow here in studio with us.

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Speaker 2: Uh.

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Speaker 1: We have both m HP and Marker here and no,

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no Gary, Now Gary Smith is is with you sometimes?

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Speaker 3: Right? Yeah, he's he actually has five bands and he

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I don't know if we can publicly announce it. I'm

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not going to say it. He just got signed with

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a national act.

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Speaker 1: Oh that.

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Speaker 3: I don't know if we're able to release that information yet.

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So we're going to be seeing less of him. We're

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hoping we're still going to get him in the studio. Yeah,

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pretty much everything and hopefully live on occasion. But most

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of what you're going to be seeing live is going

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to be Mark and I probably because he's on a

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plane from North Carolina right now. And yeah, you have

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to cancel another gid because he's gonna be in Jamaica.

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Speaker 1: Yeah, he's breaking my heart. He's got a lot going on. Well,

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you know, I always say he's like the busiest musician

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I know. Yeah, literally the busiest musician I know.

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Speaker 3: So we're so proud of him. It's well, yeah, we're

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just honored to be able to play with somebody of

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that talent.

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Speaker 1: Yeah, no doubt.

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Speaker 3: Yeah, it was his dream for sure.

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Speaker 1: Oh, absolutely absolutely, it was mine thirty years ago, was it? Yeah,

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it's still time, you're still I just want to be

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in my bed at ten o'clock, I understand. Yeah, you

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guys had a show last night, right, and then yeah, we.

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Speaker 3: Didn't get back to well, we got back to my

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place at like midnight, and then we sat in the

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driveway for like forty five minutes just talking to my car.

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Really yeah yeah it was decompressing. Yeah yeah yeah. And

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then we'll playing tonight as well. We're actually playing at

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Litherman's Limited and Conquered from four to seven, okay, one

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six Hall Street right between next it's twelve and thirteen.

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I'm hoping we're going to play outside. It looks like

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it's gonna be nice.

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Speaker 1: Yeah, it's supposed to be very nice today. Yeah, outstanding.

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Speaker 3: It's actually attached to six h three barbecues. Yeah, so

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there will be good food as well as good beverage.

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Speaker 1: Oh, very nice, very nice. So you guys are gonna

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play live for us, so we are excellent.

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Speaker 3: This is This is an older song. This one comes

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from twenty one. This is from our thinly veiled Allegory series. Okay,

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if anyone's a fan of those, we have quite a

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few of them. This one's called here there Be Dragons.

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Back in the age of exploration, when they'd send cartographers

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out on boats, they would go as far as they

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could based on resources or food or budget or timeline

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or whatever, and they draw their map and then they'd

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say as far as they got. They kind of say,

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here there be dragons, which is sort of a way

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of saying like, don't go there. We don't know what's there,

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but I want to come back and map this later.

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So I'm just gonna dragons here to discourage other people

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from going. Okay, So this song is sort of about

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uncharted territory when I when I sold the business.

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Speaker 1: Oh yes, all right, very good. Jam tomorrow Live in studio.

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Speaker 8: Set sail at sunrise for parts on.

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Speaker 2: No, maybe you're not too wise or not yet growth

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set sail, a daybreak, to break from the past upon

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the water, self imposed out cats.

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Speaker 8: Here to be draggon.

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Speaker 2: It's the edge of the map, free he from antagonism

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and all of that. Here to be dragons, the map

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just dead.

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Speaker 8: At the mercy of what.

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Speaker 5: The wind.

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Speaker 14: Sails high at twelve bells, just blue on blue, with

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the sun as hot as hell, just burning on through

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sells high at midday in this minstrel's eye, not much

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to say as.

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Speaker 5: The world sells by.

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Speaker 2: Here there be dragons to the edge of the mouth,

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free from antagonism and non that. Here there be dragons uncertainty.

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See all I know is my guitar and meat. Storms

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are through, Storms are through, Storms are through. Storm sells

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down at sunset as a storm rolls in, batting down

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the hatchets, as the waves speaking, sails down at nightfall,

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as the waves turned white.

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Speaker 8: Oo is to feel small surrounded by night.

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Speaker 2: Here they be dragons, the edge of the mouth, free

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e fram antagonism and don Here to be dragons do

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nothing canvas see nothing, but I want it if you

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know what I'm mean. Here there be dragons, the edge

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of them now free from antagonism, and don.

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Speaker 5: Here they be dragons.

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Speaker 8: None canby see not what I.

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Speaker 5: Want if you know what I mean.

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Speaker 1: Hmmm, that's great, guys, thank you. Love that. Love that.

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Get those mics on there, there we go. What's that

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called again? Here there be dragged, Here there be dragons.

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I love it. I love it.

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Speaker 3: That's one of our first ones.

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Speaker 1: Actually, oh really, yeah, oh no kidding.

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Speaker 3: I think we started Our first original was twenty twenty,

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and then we just sort of trickled them out after that.

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Speaker 12: Yeah.

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Speaker 3: I think that was when we did falling into Place

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the place.

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Speaker 1: I love that song.

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Speaker 5: I think we might.

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Speaker 3: No, we don't have that on the list that we

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played that twice here. We try to keep it fresh, right.

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Speaker 1: Right, Yeah, if you are just showing us we've got

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two of the guys from jam tomorrow or I get well,

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I guess I don't have to say two of the guys, right,

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you guys are a jam from Yeah, Yeah.

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Speaker 3: We have additional folks. Gary's often with us, sometimes other people,

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or Nesto Burden sometimes joins us on keys. We've had

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Mike Freeman join us on cahone. Yeah, we had is

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it Brian that joined us on hoard. Yes, you actually

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sat in with us for a whole the whole gig

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at Strange Brew which is interesting. Yeah, Sight Unseen. Always

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interesting to play a three hour session with someone who's

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never heard your music before.

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Speaker 5: Had a lot of fun.

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Speaker 1: Yeah. Yeah, are you guys playing a lot? And it

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sounds like you've been pretty.

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Speaker 3: Busy right, Yeah, we had six gigs in four weeks

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at this block.

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Speaker 5: Yeah.

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Speaker 3: We probably do twenty shows a year. I would guess

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maybe twenty five. Oh, okay, give or take. It's been

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an interesting one coming up at the ballroom. Yeah, we're

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actually opening up for a stand up comedy show really

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Rockingham Ballroom a week from today from seven to eight.

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Tickets are available online. I don't know who the comedians are, ok,

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But a friend of mine's their program director and she

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invited us to come play after hearing us play at

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a charity gig that we did for the Coalition Against

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Domestic and Sexual Violence And she was actually their controller

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for thirty years until she retired and this is her

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retirement gig.

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Speaker 1: So oh wow, thanks to BAM.

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Speaker 3: If she's out there, we're looking forward to playing there.

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It'll be very interesting. To have a front facing audience,

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because we don't usually get that where everyone's actually looking

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at you versus just having their conversations and enjoying their beers.

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Speaker 1: Yeah. Yeah, oh, fantastic, fantastic. You guys want to play another.

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Speaker 3: One, Yeah, let's do. It's Gonna Hurt Mark. This one's

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really new. We just wrote this a couple of years

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ago and then forgot it. Probably actually wrote this in

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September twenty two, and then it got lost and just

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got rediscovered about a month ago. So we've been playing

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this lately. I really dig this. This might be my

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favorite of our new batch of songs. One's called It's

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Gonna Hurt.

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Speaker 1: It's Gonna Hurt Jam Tomorrow live in studio.

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Speaker 2: Darkest Blast Crickets singing their song as the passing summer

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tries to see long warm winds to see with the

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first falling leaves, make us believe whatever we want to believe.

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It's gonna heart the very nat Day believe in black

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and white.

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Speaker 3: I'll share it's a.

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Speaker 2: Gray It's gonna hurt the very nats Day wearing the

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pangelum swings theah the way a feral philosophy, like a

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gin with a double n like a genie without a bottle,

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somehow summoned again, waiting to build the temple.

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Speaker 3: No one has ever seen like Jack seeking a giant.

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Speaker 2: With just magic. Be It's gonna hurt the very nats Day.

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Wearing the clouds start.

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Speaker 8: To roll away. It's gonna hurt the very nat stay.

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Speaker 2: Wearing the pange lung swings, be ah the way take it,

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constant bewilderment at what we have become? Did I blink

259
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too long? Have my sands? It's gone now? But every

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time I turn around, trees is off the paths, the

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same old ground. And I know this will lats, but

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it does, Yes, it does. It's gonna hurt the very

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naxt stay.

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Speaker 5: In the end. What did we pay?

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Speaker 2: It's gonna heard the very next stay, wear the pang

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and long sweet me, Oh the way it's gonna heart

267
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in this crazy vi ween only like minded let him side.

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Speaker 8: It's gonna heard when we fall apart.

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Speaker 2: It's gonna hurt with brooking pots, when we fall pond,

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fall apart the very next day.

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Speaker 8: It's gonna hurt.

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Speaker 2: When we fall a bump, when we fall a bomb,

273
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Very Naxt Day, Very nat Day, It's gonna.

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Speaker 1: Hmm, I love it. Great job guys, thank you. Jam

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Tomorrow is here with us. We have fun live in studio.

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Speaker 3: It was good to hang out with We've known each

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other like almost twenty years now, hasn't been that long.

278
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I think he started in two thousand and nine with chemical.

279
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Speaker 1: Discs, with chemical distance.

280
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Speaker 3: I believe when we did the Defeat Concession party, we'll

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be plugged in outside of city Hall, oh without a

282
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permit with your buddy who would run for.

283
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Speaker 1: Mayor, Glenn r J will let the People's mayor. Yes, yes, And.

284
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Speaker 3: There were kids skating by and mocking us and.

285
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Speaker 1: Oh yeah, that was great, good times.

286
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Speaker 3: So that was that was That was our first official

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show together.

288
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Speaker 1: That was Yeah, that's wild. The auto Yep, that's right.

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Speaker 3: I think it was Stone Church after that, and then

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we sort of decided that we were a thing and

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not just a passing.

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Speaker 1: Yeah yeah, yeah, wow, Oh that was that long ago. Well,

293
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the time goes goes fast. I almost hate to say that.

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It's such a cliche, but it also is true. As

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we get older, it goes faster.

296
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Speaker 3: Ain't that true?

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Speaker 1: I don't like it? Well, should we play another studio track?

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Speaker 3: Yeah, let's do that. We've got.

299
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Speaker 1: We got Uh, you guys wanted to play White Whale, right,

300
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that's uh, that's one of the new one.

301
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Speaker 3: Yeah, let's do White Whale. This is one that Gary

302
00:19:42,480 --> 00:19:43,880
who's not here, got in a car accident a few

303
00:19:43,960 --> 00:19:45,480
years ago. He's a he's a race driver. He was

304
00:19:45,480 --> 00:19:47,599
doing still climb and his steering wheel fell off and

305
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he hit a tree at like sixty five miles an

306
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hour without hitting the brakes, totaled, the car broke a

307
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bunch of bones. He was laid up for a couple

308
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of months. Yeah. I visited him a couple of times

309
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and he had he could play his tiny little tenor

310
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guitar because it's all he could fit around the hardware

311
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that was sticking out of his body and all. How

312
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he was sitting and we wrote this song with him

313
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on tender guitar and then went to record it and

314
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he's like, I think this needs something, and so he

315
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hopped on keys and he played keys on it as well.

316
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And then we actually brought Mike Freeman, our Cohen player, in

317
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to sit on a kit after the fact, and he

318
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was the last thing that we recorded, which is kind

319
00:20:14,720 --> 00:20:17,119
of an awkward way to record drums. So they're a

320
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little jazzy as it were. But yeah, this song is

321
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called white Whale, and it's just sort of about impermanence

322
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as it were.

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Speaker 1: All right, this is white Whale, jam tomorrow. Check this out.

324
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Speaker 2: Sometimes you find the dream.

325
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Speaker 8: Sometimes you find you've woke in up. Some things aren't

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what they see.

327
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Speaker 2: Sometimes you spill yourm damn cover. Sometimes you look back.

328
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I had a dream you think you have, But what

329
00:21:31,039 --> 00:21:39,960
you've got right now in all that bad. No one

330
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will write the book. No one will tell, say in

331
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a hundred years, no one will care about your wide

332
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wal No one will ride the book. No one would

333
00:22:02,440 --> 00:22:04,359
tell the sale.

334
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Speaker 8: A hundred years.

335
00:22:07,319 --> 00:22:11,920
Speaker 2: No one would care about the winden that filled your sas.

336
00:22:17,279 --> 00:22:19,839
Speaker 8: About the windden that filled.

337
00:22:19,480 --> 00:22:35,000
Speaker 15: Your say, like a body when the soul.

338
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Speaker 2: Has departed, still walking around, still walking around, empty hearted.

339
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Speaker 8: Not quite sure when all of this even started. Like

340
00:22:58,720 --> 00:23:04,599
a body where the soul has departed.

341
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Speaker 2: No one will write the book, No one will tell

342
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lets say it.

343
00:23:16,119 --> 00:23:17,640
Speaker 8: In a hundred years.

344
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Speaker 2: No one will care about your wide will. No one

345
00:23:25,720 --> 00:23:32,440
will write the book, no one will sell let say

346
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in a hundred years.

347
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Speaker 8: No one will care about the winten that.

348
00:23:38,359 --> 00:23:46,720
Speaker 5: Bill Jos say about the when.

349
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Speaker 2: That bill yours safe. Leaves are growing outside my front door,

350
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new leaves.

351
00:24:09,640 --> 00:24:12,519
Speaker 8: That burn't there before.

352
00:24:14,160 --> 00:24:14,960
Speaker 5: And yet.

353
00:24:17,480 --> 00:24:23,079
Speaker 8: All leaves well they're just last year around.

354
00:24:23,319 --> 00:24:29,599
Speaker 2: Now these leaves are the same but different.

355
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Speaker 8: Somehow.

356
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Speaker 2: No one will ride book, No one will sell the same.

357
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Speaker 8: A hundred years.

358
00:24:45,839 --> 00:24:50,920
Speaker 2: No one will care about your wide ways.

359
00:24:53,279 --> 00:24:55,480
Speaker 8: No one will ride book.

360
00:24:56,359 --> 00:25:00,079
Speaker 2: No one will tell say a.

361
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Speaker 8: Hundred years.

362
00:25:03,400 --> 00:25:08,160
Speaker 9: No one will care about the win that Phil josee.

363
00:25:13,359 --> 00:25:25,359
Speaker 8: About the win that Phil Jose win, that Phil jose.

364
00:25:31,400 --> 00:25:34,079
Speaker 1: Hmm. That is beautiful. That is called White Whale. And

365
00:25:34,119 --> 00:25:36,119
the band is Jam Tomorrow. We've got the guys from

366
00:25:36,200 --> 00:25:39,000
Jam Tomorrow here in studio with us. And by the way,

367
00:25:39,000 --> 00:25:41,319
Gary Smith is in the chat room. I mentioned this

368
00:25:41,359 --> 00:25:42,839
while the song was playing, and he says, Hey, I

369
00:25:42,920 --> 00:25:47,319
know that song. That's that Gary Yoh? Do you guys

370
00:25:47,319 --> 00:25:49,000
want to play you guys want to play another live

371
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one for us?

372
00:25:50,440 --> 00:25:51,400
Speaker 3: What do you want to play?

373
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Speaker 8: Mark?

374
00:25:52,119 --> 00:25:54,400
Speaker 3: Do you want to even Fall? Or Bean Hollow or

375
00:25:54,480 --> 00:25:59,480
killing time? All right, so we're gonna do Bean Hollow.

376
00:25:59,480 --> 00:26:01,759
We haven't done the song in a long time. Being

377
00:26:01,799 --> 00:26:04,799
Hollow is actually a beach in California on Route one,

378
00:26:05,240 --> 00:26:11,279
sort of between Monterey and Santa Cruz roughly speaking. And

379
00:26:12,279 --> 00:26:13,920
you can camp there as long as you pack out,

380
00:26:13,920 --> 00:26:16,240
which you pack in. And I spent way too much

381
00:26:16,279 --> 00:26:18,440
time there when I was supposed to be at college,

382
00:26:19,400 --> 00:26:21,799
which is probably why I don't have a degree. But

383
00:26:21,960 --> 00:26:24,039
I have a beautiful song, and it's one of my

384
00:26:24,039 --> 00:26:25,880
favorite places in the world. And I'm actually gonna be

385
00:26:25,920 --> 00:26:29,880
going back there in another month and change look up pictures.

386
00:26:29,920 --> 00:26:31,599
It's just a beach, but it's a beautiful beach if

387
00:26:31,599 --> 00:26:33,759
you like California beaches, and how can you not. It's

388
00:26:33,799 --> 00:26:36,880
a kind of the quintessential beautiful landscape, California beach.

389
00:26:36,920 --> 00:26:37,680
Speaker 1: So okay, it's a.

390
00:26:37,680 --> 00:26:40,319
Speaker 3: Song about my experiences there when I was supposed to

391
00:26:40,359 --> 00:26:41,039
be doing.

392
00:26:40,839 --> 00:27:26,359
Speaker 1: Other things, all right, jam Tomorrow live in studio.

393
00:27:05,319 --> 00:27:07,839
Speaker 5: And I recall.

394
00:27:09,839 --> 00:27:17,680
Speaker 16: Sometime before the fall, when life was glowy.

395
00:27:19,680 --> 00:27:30,680
Speaker 2: On with unknowing, when we had no fear, when life

396
00:27:30,759 --> 00:27:36,400
was here, when tomorrow couldn't end.

397
00:27:38,039 --> 00:27:44,799
Speaker 5: With leaders, we wouldn't say drive out to the.

398
00:27:44,799 --> 00:27:52,720
Speaker 4: Ocean side just to buy some place too high, drive

399
00:27:52,799 --> 00:27:56,640
out to the ocean side?

400
00:27:57,200 --> 00:27:59,640
Speaker 8: Can I confide.

401
00:28:00,480 --> 00:28:00,960
Speaker 6: In you?

402
00:28:04,960 --> 00:28:14,960
Speaker 5: Confiding him? And I remember.

403
00:28:17,279 --> 00:28:28,119
Speaker 17: One lost subtember, the poetry unread, the potent.

404
00:28:28,160 --> 00:28:29,880
Speaker 8: Words unset.

405
00:28:31,680 --> 00:28:34,960
Speaker 5: When we took no part.

406
00:28:36,279 --> 00:28:43,359
Speaker 16: To be was the call went tomorro couldn't be seen

407
00:28:45,240 --> 00:28:48,440
with word, We couldn't breath.

408
00:28:50,119 --> 00:28:52,839
Speaker 5: Drive out to the orcean.

409
00:28:52,799 --> 00:29:00,200
Speaker 18: Side, just to mind some place to have drive up

410
00:29:00,599 --> 00:29:12,559
studiosian side. Can I decide when you decide with you.

411
00:29:27,559 --> 00:29:31,079
Speaker 8: And somehow iron vision.

412
00:29:32,359 --> 00:29:38,640
Speaker 2: Someplace beyond to vision, someplace.

413
00:29:39,359 --> 00:29:45,000
Speaker 11: By the sea, spin it quiet.

414
00:29:47,720 --> 00:29:54,559
Speaker 5: Where we were not we by happened.

415
00:29:56,079 --> 00:30:04,160
Speaker 2: When tomorrow was like today, remembering when we used to say,

416
00:30:06,039 --> 00:30:12,680
job out to the ocean, SA, just buy some place

417
00:30:12,960 --> 00:30:13,599
to her.

418
00:30:15,359 --> 00:30:18,759
Speaker 18: Job out to the ocean, SA.

419
00:30:19,720 --> 00:30:27,640
Speaker 11: Can I watch the tide with you, Watch the tide

420
00:30:28,160 --> 00:30:40,480
with you, Watch the tide with you, Watch the tide

421
00:30:40,640 --> 00:30:41,160
with you?

422
00:30:44,319 --> 00:30:48,480
Speaker 1: Hm hmm, outstanding, outstanding jam tomorrow is here with us

423
00:30:48,480 --> 00:30:51,519
live in studio. If you're just joining us sounding amazing

424
00:30:52,319 --> 00:30:55,880
and absolutely absolutely I'm thinking of I know we have

425
00:30:55,880 --> 00:30:57,519
one more studio track that you wanted to get in.

426
00:30:57,559 --> 00:30:59,599
I'm thinking we'll save that for the end of the segment,

427
00:30:59,640 --> 00:31:01,960
which which won't be too far away because the time

428
00:31:02,000 --> 00:31:03,759
does go quickly, as we discussed.

429
00:31:03,359 --> 00:31:09,039
Speaker 3: Earlier, indeed, ugiting as we speak, Yes, yes, what what

430
00:31:09,079 --> 00:31:10,960
should do you guys have anything this weekend?

431
00:31:10,960 --> 00:31:12,519
Speaker 1: Do you have any shows this weekend? We show, Yeah,

432
00:31:12,559 --> 00:31:13,079
we should know.

433
00:31:13,000 --> 00:31:17,319
Speaker 3: About Lytheran's Limited today from four to seven. That's outside.

434
00:31:17,319 --> 00:31:20,519
We're hoping in Conquered on Hall Street. That'll be that'll

435
00:31:20,559 --> 00:31:22,759
be a great set. That's gonna be a pretty original,

436
00:31:22,799 --> 00:31:25,400
heavy set. And then a week from today we're playing

437
00:31:25,400 --> 00:31:28,039
at the Rockingham Ballroom. We'll be opening up for their

438
00:31:28,079 --> 00:31:30,200
stand up comedy act. That will be seven to eight.

439
00:31:30,440 --> 00:31:35,680
Tickets are available on their website. That's Rockingham Ballroom. Following

440
00:31:35,960 --> 00:31:39,640
we have a gig at Aviva Tratcheria in Bedford on

441
00:31:39,720 --> 00:31:42,319
the tenth, which is the following Friday. We'll be playing

442
00:31:42,319 --> 00:31:44,240
outside there as well. That's a great venue. We had

443
00:31:44,279 --> 00:31:47,160
so much fun place, a big fire pit. The audience

444
00:31:47,240 --> 00:31:49,839
was super engaged. It was just it was outside. The

445
00:31:50,000 --> 00:31:52,640
energy was amazing. That was a great gig and foot

446
00:31:52,839 --> 00:31:54,640
and the food's awesome. And then I think, I think

447
00:31:54,680 --> 00:31:57,039
we've got a break after that. I think we actually

448
00:31:57,039 --> 00:31:59,119
don't have anything for the rest of October. After that,

449
00:31:59,200 --> 00:32:01,599
We've we've been playing out pretty heavily. We had six

450
00:32:01,640 --> 00:32:05,960
gigs in four weeks, yeah, culminating with this one coming

451
00:32:06,039 --> 00:32:08,079
up next Saturday. Okay, and then we got a private

452
00:32:08,119 --> 00:32:09,920
music party actually in a couple weeks after that. But

453
00:32:10,480 --> 00:32:12,400
you got to know somebody to get invited to that one.

454
00:32:12,519 --> 00:32:15,440
Speaker 1: Yeah, yeah, you guys want to play one more live.

455
00:32:15,279 --> 00:32:18,480
Speaker 3: One, I would excuse me. This one's called killing Time.

456
00:32:18,759 --> 00:32:20,759
It was a very mythic kind of song. Oh yeah,

457
00:32:20,799 --> 00:32:22,519
this is so we have played this last time? Oh

458
00:32:22,559 --> 00:32:23,039
you have? Yeah?

459
00:32:23,319 --> 00:32:24,039
Speaker 1: I love this song.

460
00:32:24,119 --> 00:32:26,160
Speaker 3: Yeah, I feel like it was. It got good response,

461
00:32:26,200 --> 00:32:28,119
so I enjoyed playing this. My wife helped me write

462
00:32:28,119 --> 00:32:29,839
this one. Hopefully she's listening on her way to work.

463
00:32:29,920 --> 00:32:30,160
Speaker 1: Nice.

464
00:32:30,680 --> 00:32:33,640
Speaker 3: Hi, Charlene, So thank you for joining us once again

465
00:32:33,640 --> 00:32:35,440
this mark I'm a MHP. We really appreciate your bringing

466
00:32:35,480 --> 00:32:35,839
us on here.

467
00:32:35,839 --> 00:32:38,839
Speaker 1: Matt absolutely thank you. Always wonderful to have you jam

468
00:32:38,880 --> 00:32:40,039
tomorrow live in studio.

469
00:33:06,880 --> 00:33:08,200
Speaker 19: There is a song.

470
00:33:09,519 --> 00:33:16,759
Speaker 20: I want to tell from way back deep like a well.

471
00:33:19,039 --> 00:33:20,799
There is a song.

472
00:33:22,240 --> 00:33:24,119
Speaker 5: I need to say.

473
00:33:25,400 --> 00:33:29,920
Speaker 8: It seems it somehow God away.

474
00:33:31,960 --> 00:33:35,559
Speaker 2: I'm just killing time until time kills me.

475
00:33:37,680 --> 00:33:40,920
Speaker 8: A coin for the very mannering for.

476
00:33:41,319 --> 00:33:48,279
Speaker 2: The sea, Give light darkness, give lie fun to Clay.

477
00:33:49,839 --> 00:33:54,400
Speaker 8: Till time kills me. I'm killing time to take.

478
00:34:08,119 --> 00:34:16,400
Speaker 20: There is a story from the Distant Paths, before the first.

479
00:34:17,599 --> 00:34:19,000
Speaker 5: Became the last.

480
00:34:20,760 --> 00:34:27,199
Speaker 2: There is a story I need to share. Came from

481
00:34:27,239 --> 00:34:35,079
no place, and it's going nowhere. I'm just killing time

482
00:34:35,199 --> 00:34:41,840
until time kills me. A coin for the fairy, mandering

483
00:34:42,480 --> 00:34:48,639
for the sea, give light to darkness, give life, one

484
00:34:48,800 --> 00:34:57,800
to play until time kills me. I'm killing time today.

485
00:35:34,960 --> 00:35:39,039
Speaker 20: There is a message that must be conveyed.

486
00:35:40,559 --> 00:35:44,559
Speaker 19: From whatever place you have made.

487
00:35:46,840 --> 00:35:51,440
Speaker 2: There was a message I needed to pass on.

488
00:35:52,079 --> 00:35:54,719
Speaker 8: But it's gone. It's gone.

489
00:35:55,119 --> 00:35:58,519
Speaker 7: It's gone, gone, gone, gone, gone on.

490
00:35:59,599 --> 00:36:05,840
Speaker 2: I'm just killing time until time kills me. A'm going

491
00:36:06,000 --> 00:36:11,880
for the fairy man ering for the seed, Give light

492
00:36:12,000 --> 00:36:18,960
to darkness, give life unto clay til time kills me.

493
00:36:19,400 --> 00:36:26,280
I'm killing time today. I'm just killing time until time

494
00:36:26,599 --> 00:36:33,440
kills me. A coin for the fairy, mandering for the sea,

495
00:36:35,320 --> 00:36:42,159
give light to darkness, give life unto clay until time

496
00:36:42,360 --> 00:36:43,000
kills me.

497
00:36:43,360 --> 00:36:49,880
Speaker 11: I'm killing time today.

498
00:36:50,840 --> 00:36:55,639
Speaker 8: I'm killing time today.

499
00:36:56,280 --> 00:37:08,400
Speaker 19: I'm killing time today.

500
00:37:08,920 --> 00:37:12,440
Speaker 1: I love that song. Great job, guys, great job. Jam

501
00:37:12,480 --> 00:37:16,440
tomorrow here with us alive in studio and let's see

502
00:37:16,440 --> 00:37:20,400
so in a moment we're gonna we'll uh finish out

503
00:37:20,400 --> 00:37:24,199
with a beautiful loser. Another great studio track. But uh,

504
00:37:24,280 --> 00:37:26,119
where should people go? Online? To keep up with everything

505
00:37:26,119 --> 00:37:28,280
that you guys are doing. Where what should our listeners

506
00:37:28,320 --> 00:37:28,679
know about?

507
00:37:29,079 --> 00:37:31,840
Speaker 3: So we're kind of Unfortunately I'm no longer on social media.

508
00:37:32,480 --> 00:37:36,239
Oh yes, yeah, Facebook deleted my profile. Wow, I didn't

509
00:37:36,239 --> 00:37:38,280
even know they did. And unfortunately I don't even know

510
00:37:38,320 --> 00:37:39,480
what I did to be proud of.

511
00:37:39,719 --> 00:37:40,119
Speaker 1: They don't.

512
00:37:40,199 --> 00:37:40,320
Speaker 8: Uh.

513
00:37:40,360 --> 00:37:41,840
Speaker 1: Yeah, they don't like to tell you, Like.

514
00:37:41,760 --> 00:37:43,000
Speaker 3: When you go to jail and they show you the

515
00:37:43,000 --> 00:37:45,440
post and you're like, you're right, you're a naughty boy.

516
00:37:45,039 --> 00:37:47,159
You violated our Zucker standards.

517
00:37:47,440 --> 00:37:49,159
Speaker 1: Uh, they have to tell you what you were arrested

518
00:37:49,199 --> 00:37:51,639
for when you go to jail. They don't. But social media,

519
00:37:51,880 --> 00:37:54,000
they don't tell you what you uh, they don't always

520
00:37:54,039 --> 00:37:55,800
tell you at least what the problem was.

521
00:37:55,920 --> 00:37:58,199
Speaker 3: And I was I was the primary promoter for the band,

522
00:37:58,280 --> 00:38:00,440
and so I no longer am. So Mark post some

523
00:38:00,440 --> 00:38:03,119
stuff on facebooking and finance at Jam Tomorrow dashed the band,

524
00:38:03,519 --> 00:38:05,000
So you don't confuse it with you know, Jam Tomorrow

525
00:38:05,039 --> 00:38:07,480
the lunchbox, right, Jam Tomorrow the Flamethrower.

526
00:38:07,679 --> 00:38:10,679
Speaker 1: The kids love that one for Jam Tomorrow the jam

527
00:38:10,760 --> 00:38:13,760
that's true, yes, yes, but you cannot eat today, right,

528
00:38:13,800 --> 00:38:15,280
you can eat it tomorrow or yesterday but not.

529
00:38:15,280 --> 00:38:18,559
Speaker 3: Today, but not today today. That's actually the origin of

530
00:38:18,599 --> 00:38:20,199
the name. It's actually from through the looking Glass.

531
00:38:20,280 --> 00:38:20,400
Speaker 1: Yea.

532
00:38:20,559 --> 00:38:22,519
Speaker 3: Alice is talking to the Red Queen and she's trying

533
00:38:22,559 --> 00:38:24,320
to coax her into having some jam. But she said

534
00:38:24,519 --> 00:38:26,480
jam tomorrow and jam yesterday, but never jam today.

535
00:38:26,599 --> 00:38:26,719
Speaker 12: Right.

536
00:38:26,840 --> 00:38:27,639
Speaker 3: It's actually funny.

537
00:38:27,679 --> 00:38:30,599
Speaker 2: Last night at the Strange Brew, we played and our name.

538
00:38:30,440 --> 00:38:32,480
Speaker 21: Was on the chalkboard, and a couple of people like,

539
00:38:32,519 --> 00:38:33,679
so there's a jam tonight.

540
00:38:33,760 --> 00:38:37,599
Speaker 3: We're who is playing. We're like, uh yeahla to them.

541
00:38:37,519 --> 00:38:38,599
Speaker 1: I can see how that would happen.

542
00:38:39,280 --> 00:38:41,079
Speaker 3: And we're also like the farthest thing from a jam

543
00:38:41,119 --> 00:38:41,960
band that you can imagine.

544
00:38:42,000 --> 00:38:43,599
Speaker 1: That's true, that's true. Yeah.

545
00:38:43,599 --> 00:38:45,400
Speaker 3: So Facebook is really the best place to find us.

546
00:38:45,440 --> 00:38:48,639
We occasionally, when we remember, we post stuff on Gary's

547
00:38:48,679 --> 00:38:50,480
I think it's Gary Smith Music. I don't remember the

548
00:38:50,519 --> 00:38:51,920
name of his website if he's still in the chat,

549
00:38:51,920 --> 00:38:53,519
if you throw it in there, Gary, But Gary does

550
00:38:53,519 --> 00:38:55,320
have a web page for all of his musical enterprises,

551
00:38:55,320 --> 00:38:57,559
and when I remember that he has it, we throw

552
00:38:57,639 --> 00:38:59,800
dates up there. But Facebook is probably the best place

553
00:38:59,800 --> 00:39:02,079
if you just follow us there. We generally post stuff

554
00:39:02,079 --> 00:39:03,320
a couple of weeks before it happens.

555
00:39:03,440 --> 00:39:06,159
Speaker 1: Okay, okay, outstanding and one more time too for our

556
00:39:06,199 --> 00:39:11,559
live listeners. Sorry, our live listeners, it's early. What's going

557
00:39:11,599 --> 00:39:12,840
on today? You guys got a show today?

558
00:39:12,880 --> 00:39:13,000
Speaker 6: Yep?

559
00:39:13,039 --> 00:39:16,159
Speaker 3: We're playing at Litherman's Limited Brewery and Conquered from four

560
00:39:16,199 --> 00:39:18,159
to seven. I think we're gonna be outside. They do

561
00:39:18,239 --> 00:39:20,079
have barbecue, but i'd get there early because the food

562
00:39:20,079 --> 00:39:21,920
can run out. Okay, I'd like to throw out a

563
00:39:22,000 --> 00:39:25,840
quick shout out to our artist. We are so fortunate

564
00:39:25,880 --> 00:39:28,119
in that my friend Jim Balile lets us use his

565
00:39:28,199 --> 00:39:31,679
paintings for all of our stuff. Like everything you've ever

566
00:39:31,719 --> 00:39:34,039
seen of us has been one of his paintings. And

567
00:39:34,320 --> 00:39:36,760
he's just so kind in that in exchange for promotion

568
00:39:36,880 --> 00:39:38,480
of his website, and I've bought a few of his

569
00:39:38,519 --> 00:39:40,239
paintings because I love him, he lets us use all

570
00:39:40,280 --> 00:39:41,760
of his art for free, which is just such a

571
00:39:41,760 --> 00:39:43,719
beautiful arrangement. And in fact, the last time we were

572
00:39:43,719 --> 00:39:47,039
on your show and we played Killing Time, he painted

573
00:39:47,159 --> 00:39:50,320
three paintings inspired by Killing Time, one of which, oh well,

574
00:39:50,320 --> 00:39:52,159
be the cover for that song when we dropped the

575
00:39:52,559 --> 00:39:55,119
cool version. So hopefully he's tuning in right now. We

576
00:39:55,159 --> 00:39:57,400
love you. Jim, You're just awesome. You enhance our music

577
00:39:57,480 --> 00:39:57,920
so much.

578
00:39:58,800 --> 00:40:01,920
Speaker 1: That's fantastic, fan tastic. Well, guys, thank you so much,

579
00:40:01,920 --> 00:40:04,920
always wonderful to see you both. Absolutely in a moment,

580
00:40:04,960 --> 00:40:07,719
we're gonna play Beautiful Loser, and if you are listening

581
00:40:07,760 --> 00:40:10,039
live on Saturday stick around. Coming up in the second hour,

582
00:40:10,079 --> 00:40:13,119
we have the band The Falls from Across the Pond.

583
00:40:13,159 --> 00:40:14,719
They're gonna be joining us to be a WhatsApp or

584
00:40:14,719 --> 00:40:16,719
at least one of the guys is, and we're gonna

585
00:40:16,719 --> 00:40:18,920
play their newest single, which we did do the American

586
00:40:19,000 --> 00:40:21,960
radio premiere for here recently, called Between the Lines, and

587
00:40:22,039 --> 00:40:24,119
we're gonna be playing another one of their tracks too.

588
00:40:24,119 --> 00:40:26,000
And then in the third hour, Temptress is going to

589
00:40:26,079 --> 00:40:29,800
be with us live in studio. So another busy show.

590
00:40:29,920 --> 00:40:32,119
Lots coming up, but we're gonna hit this track. Guys.

591
00:40:32,159 --> 00:40:34,360
Thank you again, thanks for having Thank you man, Thank

592
00:40:34,360 --> 00:40:37,039
you Jim. Absolutely absolutely, and here it is. This is

593
00:40:37,159 --> 00:40:40,719
Beautiful Loser and this is Jam Tomorrow.

594
00:41:00,079 --> 00:41:03,840
Speaker 2: A big hold in the fabric of space and time.

595
00:41:04,280 --> 00:41:08,400
Speaker 8: Like I needed a dollar and I had a time.

596
00:41:09,719 --> 00:41:14,079
Speaker 2: A ben to both ends of the Mississippi, from the

597
00:41:14,119 --> 00:41:16,760
Minnesota Highlands to the New Orleans Ocean.

598
00:41:16,960 --> 00:41:22,559
Speaker 8: She grips me, and I don't know what had to me.

599
00:41:24,119 --> 00:41:28,719
Speaker 21: Tweam feeling life and living free.

600
00:41:29,000 --> 00:41:38,920
Speaker 2: Keep walking towards where I think I might be. God

601
00:41:39,079 --> 00:41:44,480
is alive and the magic is afoot. Some things just

602
00:41:44,679 --> 00:41:51,079
won't stay aware of that, But reinvention tainted by previous

603
00:41:51,119 --> 00:41:55,239
intention won't save us from those things just can't mention.

604
00:41:57,800 --> 00:41:59,000
Speaker 8: And I don't know.

605
00:42:00,079 --> 00:42:06,079
Speaker 21: I've been to me, dream feeling live and live and free.

606
00:42:07,400 --> 00:42:11,079
Speaker 2: Keep walking towards where I think I might be.

607
00:42:12,800 --> 00:42:14,840
Speaker 8: Yeah to the bridge, and.

608
00:42:36,599 --> 00:42:42,239
Speaker 21: I don't know what I've been to me, Dream feeling live,

609
00:42:43,400 --> 00:42:49,519
living free, keep walking towards where I think I might be.

610
00:42:55,360 --> 00:42:59,000
Speaker 2: Every time we pull back the curtain, we find another curtain.

611
00:42:59,360 --> 00:43:02,559
Speaker 8: But my my, this is lee read and my back

612
00:43:02,760 --> 00:43:03,519
is hurting.

613
00:43:05,000 --> 00:43:09,039
Speaker 2: The only thing I've ever known for the hurting is

614
00:43:09,119 --> 00:43:12,880
behind every curtain, there's another curtain and another curtain.

615
00:43:14,639 --> 00:43:20,199
Speaker 8: And I don't know what happened to me. Dream feeling

616
00:43:20,360 --> 00:43:23,119
life and love and free.

617
00:43:24,239 --> 00:43:27,920
Speaker 2: Keep walk into hoods where I think I might be.

618
00:43:33,840 --> 00:43:37,119
Speaker 8: And I don't know what happened to me.

619
00:43:38,559 --> 00:43:44,280
Speaker 2: Dream feeling life and live and free, Keep walking to

620
00:43:44,440 --> 00:43:48,280
hoods where I think I might be.

621
00:43:53,000 --> 00:43:58,519
Speaker 21: And I don't know what happened to me, dream feeling

622
00:43:58,679 --> 00:44:04,320
Speaker 2: Live and live back free jeep walking to ones where

623
00:44:04,360 --> 00:44:07,760
I think I might be, Where I think I might be,