WEBVTT

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<v Speaker 1>Welcome, dear listener, and thanks for joining us. I'm Yto

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<v Speaker 1>and I'm Stephen.

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<v Speaker 2>And this is a podcast all about the weird and

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<v Speaker 2>wonderful world of the dark comedy anthology series Inside number nine.

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<v Speaker 1>On each episode, we'll be diving into another one of

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<v Speaker 1>Steve Pemberton and Reese Sheresmith's twisted tales, putting it under

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<v Speaker 1>a lens and examining it within an inch of its life.

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<v Speaker 2>So make yourself comfortable, grab a cup of tea, and

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<v Speaker 2>join us for the ninth degree.

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<v Speaker 1>Hello, Hello, welcome back, welcome back.

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<v Speaker 2>How are you doing.

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<v Speaker 1>Yeah, I'm okay. How are you? Yeah?

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<v Speaker 2>Good, thank you? Just back from a weekend in Manchester

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<v Speaker 2>for Pride. So that's one.

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<v Speaker 1>Was that good?

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<v Speaker 2>Yeah it was really good. Busy, I bet yeah, but

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<v Speaker 2>really good. We saw the wonderful delights of Bewitched. If

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<v Speaker 2>anyone knows any songs by them, they manage to fill

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<v Speaker 2>forty minutes with their one song.

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<v Speaker 1>So what song is that, se LEVI, Oh, I don't

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<v Speaker 1>know it.

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<v Speaker 2>I'm not going to sing it. This may be about karaoke,

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<v Speaker 2>but I do not do I was going.

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<v Speaker 1>To say, give them. Given the nature of the episode,

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<v Speaker 1>I was wondering if we should sing the whole thing.

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<v Speaker 2>But we may lose our listeners at my end at least. Anyway,

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<v Speaker 2>did you get try anything that we can't?

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<v Speaker 1>Well, yeah, I went, me and my boyfriend, we went

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<v Speaker 1>to stay with my parents for a few days so

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<v Speaker 1>that they're basically they're in the process of in the

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<v Speaker 1>long term, in the process of retiring to the countryside,

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<v Speaker 1>and so we Yeah, we went to stay in their

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<v Speaker 1>nice country house. That makes it sound really fancy. It's

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<v Speaker 1>not that fancy.

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<v Speaker 2>Yeah, I'm seeing High Claire and everything like.

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<v Speaker 1>Yeah, my parents are moving to Downton Abbey and they're

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<v Speaker 1>going to have servants anyway. Yeah, so that was nice.

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<v Speaker 1>It's nice just to you know, do some cozy little

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<v Speaker 1>things like holiday things, isn't it.

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<v Speaker 2>Yeah.

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<v Speaker 1>We played a game that I really enjoyed. I think

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<v Speaker 1>you'd like it.

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<v Speaker 2>That's our Danes in the Country Pile. Yeah.

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<v Speaker 1>It's it's a little game with cards. It's called Shot

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<v Speaker 1>in the Dark.

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<v Speaker 2>Okay.

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<v Speaker 1>It's basically a quiz kind of thing where they give

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<v Speaker 1>you a question, then you have to all say a

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<v Speaker 1>number that you think the answer is, and then whoever's

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<v Speaker 1>closest gets the point. All right, Yeah, and yeah, it's

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<v Speaker 1>quite right up my street.

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<v Speaker 2>Sounds good. I love it.

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<v Speaker 1>Quiz One of the questions, for example, was how many

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<v Speaker 1>muscles are there in your fingers?

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<v Speaker 2>Oh Jesus, but each one are all fingers combined all together? Muscles? Well?

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<v Speaker 2>Are there?

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<v Speaker 1>That was yeah that No, there aren't any. That was

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<v Speaker 1>the trick of the question, that there are. They're all

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<v Speaker 1>in your hands, the ones.

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<v Speaker 2>That forearms, aren't they.

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<v Speaker 1>Yeah, so that was fun when point yeah, you get

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<v Speaker 1>a point. Yeah. There's also one that I thought was interesting,

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<v Speaker 1>which I've not heard of before, but it said the

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<v Speaker 1>shortest ever war was fought between the UK and Zanzibar

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<v Speaker 1>in eighteen ninety six, and it was how long did

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<v Speaker 1>it last?

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<v Speaker 2>I did know this. I do remember this being a fact.

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<v Speaker 2>It's all of like forty minutes, isn't it.

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<v Speaker 1>Yeah, you're two minutes off. It's thirty eight minutes. Yeah.

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<v Speaker 1>I just thought that was fascinating. Yeah.

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<v Speaker 2>I do remember it being stupidly short. I thought I

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<v Speaker 2>was over exaggerating how short it wasn't Yeah, that's about

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<v Speaker 2>as long as it takes to get together the paperwork

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<v Speaker 2>to sign that it's over right exactly.

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<v Speaker 1>Yeah. So yeah, I like that game. This is not.

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<v Speaker 1>It's not an advert. It's not sponsored, but.

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<v Speaker 2>Please sponsor us.

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<v Speaker 1>Yeah, what was our episode title from last week?

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<v Speaker 2>What was it?

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<v Speaker 1>Let's have a little flashback. Shall we break well? Breaking in?

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<v Speaker 1>But then she says technically not breaking in? Yeah, because

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<v Speaker 1>their boyfriend Simon said that all professors keep a spare

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<v Speaker 1>key above their glory.

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<v Speaker 2>Hold, hang on, hang on the episode, Simon says not.

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<v Speaker 2>Simon said, let's try that again. Professor Squire's has gone

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<v Speaker 2>to these judges and says that it's a you, not

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<v Speaker 2>a V in this word, and Simon says, it's a you.

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<v Speaker 1>There we go, that's more like it.

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<v Speaker 2>If we could trick you all.

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<v Speaker 1>Yeah, you think red Herrings.

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<v Speaker 2>We're getting we're getting too cocky with this.

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<v Speaker 1>We are.

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<v Speaker 2>Yeah, it'll bit us on the ass when we get

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<v Speaker 2>to pairds watch for Phobia sail alone Hide, Yeah exactly.

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<v Speaker 2>But yeah, we put off talking about this long enough.

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<v Speaker 1>I know. Yeah.

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<v Speaker 2>So we're back this week with Empty Orchestra, episode four

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<v Speaker 2>of series three, and.

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<v Speaker 1>Our souls are empty as well from having watched it.

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<v Speaker 2>It might be a bit of a downer episode. This

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<v Speaker 2>is not one of my favorites. Guys.

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<v Speaker 1>Yeah, let's let's be cool so I didn't really remember

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<v Speaker 1>much about it, but yeah, having rewatched it twice for this, Yeah,

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<v Speaker 1>it's probably not one of my favorites either, But that's

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<v Speaker 1>not to say that it's completely worthless.

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<v Speaker 2>No, and I'll be honest. I did enjoy it more

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<v Speaker 2>than I remembered enjoying.

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<v Speaker 1>It fair enough. That's good.

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<v Speaker 2>I mean, it's still not one of my favorites by

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<v Speaker 2>a long stretch.

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<v Speaker 1>Oh, definitely not.

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<v Speaker 2>But it was better than I remember it being. Okay,

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<v Speaker 2>so that's a bonus.

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<v Speaker 1>It is a bonus.

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<v Speaker 2>Yeah, But two inside number nine wiki for a synopsis,

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<v Speaker 2>Roger celebrates his promotion with a full on old school

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<v Speaker 2>karaoke session. What ensues is an evening of hopes, dreams, betrayal, intrigue, romance,

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<v Speaker 2>and an awful lot of singing. Can you tell I

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<v Speaker 2>don't read these before?

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<v Speaker 1>I I was just thinking what you said, an awful

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<v Speaker 1>lot of singing. You could phrase it a lot of

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<v Speaker 1>awful singing.

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<v Speaker 2>Yeah, yeah, it works both ways. I do like that

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<v Speaker 2>it's sort of an attempt at a sort of a

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<v Speaker 2>musical episode, and normally a fan of a musical, yeah,

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<v Speaker 2>I'm not such a fan of jukebox musicals no, so.

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<v Speaker 1>Yeah, I did. I read as well that this was

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<v Speaker 1>intended originally to be fully musical. Yeah, but they obviously

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<v Speaker 1>they couldn't get that to work.

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<v Speaker 2>No, there's some some of these things like the like

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<v Speaker 2>quite night in where you're like, what can we and

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<v Speaker 2>then they manage it this would I can't see that working.

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<v Speaker 1>That would never have worked. No, I'm not sure for

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<v Speaker 1>me how well the musical aspect of it works, like hmmm,

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<v Speaker 1>because I think the idea obviously is that whatever songs

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<v Speaker 1>come up are supposed to be sort of relevant, and

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<v Speaker 1>you know, and they are a little bit, but it

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<v Speaker 1>doesn't feel to me like they're really sort of advancing

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<v Speaker 1>the story in any way.

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<v Speaker 2>They're not. No, it's just like, oh aren't we sad?

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<v Speaker 2>Or hear's a song about something that references a sad thing. Yeah,

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<v Speaker 2>it's not really adding any extra nuance to it.

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<v Speaker 1>I did like the line from Steve's characters, Oh, it's

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<v Speaker 1>not just going to be one song after another. Is

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<v Speaker 1>it sums up the episode? Really, doesn't it? Yeah?

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<v Speaker 2>And my dad's view on musicals in general.

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<v Speaker 1>I remember watching Oliver or something like that with my

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<v Speaker 1>mum once and her saying, but what I don't understand

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<v Speaker 1>is how do they all know the dance moves? Yeah?

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<v Speaker 2>Yeah, that's my sister as well, pretty the same thing.

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<v Speaker 1>I mean, it's a valid question.

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<v Speaker 2>But yeah, I'm never sure how much it was straining

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<v Speaker 2>too much into just about musicals. But how much of

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<v Speaker 2>what is in the musical in a song is actually

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<v Speaker 2>really happening? Yeah, and how much how much is sort

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<v Speaker 2>of imaginary? Exactly what's really happened in the last three

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<v Speaker 2>minutes exactly.

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<v Speaker 1>I think when it comes to musicals, you can't be

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<v Speaker 1>looking too much into the reality of it. It's just

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<v Speaker 1>it's a It's a medium to tell a story, isn't it. Yeah,

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<v Speaker 1>but I know what you mean.

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<v Speaker 2>What are your thoughts on karaoke? By the way, are

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<v Speaker 2>you karaoke.

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<v Speaker 1>In general as a as a concept.

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<v Speaker 2>It's something you enjoy?

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<v Speaker 1>Well, I've never. I've never really done it, like I've

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<v Speaker 1>I don't have a life, so I've never. I've never

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<v Speaker 1>gone out and sung it myself.

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<v Speaker 2>Yeah, I've only ever done at house parties. Yeah, I

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<v Speaker 2>hate it though. For me, it's just it's just mothers

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<v Speaker 2>absolutely ruining abba songs and straight guys. Butcher miss the

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<v Speaker 2>bright side. It's just and sweet Caroline. That's all they

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<v Speaker 2>seems to want to sing.

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<v Speaker 1>Over and now, yeah, there are staples, aren't they that

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<v Speaker 1>people just go to?

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<v Speaker 2>Yeah, and I'm told I can't carry tune in a bucket,

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<v Speaker 2>so ah, well, yeah.

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<v Speaker 1>I can't vouch for that because I've not heard you sing,

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<v Speaker 1>but think yourself lucky. Yeah, I mean, I quite like singing.

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<v Speaker 1>I run the choir at school that I work at.

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<v Speaker 1>But it's like, yeah, I know what you mean. I

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<v Speaker 1>don't know. I guess it's something just people just do

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<v Speaker 1>when they're drunk, and it's just like it's never going

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<v Speaker 1>to sound great, is it.

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<v Speaker 2>No, that's the thing for me. I'm just I'm too

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<v Speaker 2>embarrassed that I'm like, I'm not arrogant or obnoxious enough

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<v Speaker 2>to think that I'll put for people through this and

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<v Speaker 2>they'll just want to deal with it. My ideal karaoke

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<v Speaker 2>song is something instrumental, I feel, or at best, like

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<v Speaker 2>the Tequila song.

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<v Speaker 1>Four minutes thirty three by John Cage. Yeah yeah, I

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<v Speaker 1>wind Ben up sometimes when he's singing, and I'm like,

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<v Speaker 1>do you requests like something instrumental? So our number nine

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<v Speaker 1>is a karaoke room in a karaoke booth club or something.

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<v Speaker 2>Yeah, yeah, which I like it's a bit different.

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<v Speaker 1>It is different. Yeah, you can say that for it, definitely.

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<v Speaker 1>And everyone's in fancy dress, yes.

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<v Speaker 2>Which adds an extra nice little layer to it. Yeah,

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<v Speaker 2>it would be quite boring if they were all just

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<v Speaker 2>there in their work gear, I suppose.

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<v Speaker 1>Yeah, yes, it would be even more boring.

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<v Speaker 2>Yeah. It helps differentiate the people a bit, it does.

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<v Speaker 2>I'm going to mess up everyone's names, but yeah.

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<v Speaker 1>Okay. So we've got Greg who's played by Reese Yes,

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<v Speaker 1>Sumo man, which so that mostly they're dressed like pop stars.

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<v Speaker 2>Yes, except oh he was he was thinking he was

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<v Speaker 2>a side from Gangnam Style, wasn't he apparently?

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<v Speaker 1>Yeah? So yeah, interesting. And then you've got conn Connie.

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<v Speaker 2>That is God, she's awful. Oh, I think she might

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<v Speaker 2>be one of the worst characters in the whole series

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<v Speaker 2>for me, how horrible she is for no reason.

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<v Speaker 1>That's the bulk of my notes that just she is

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<v Speaker 1>such a bitch, disgusting. Yeah, played brilliantly.

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<v Speaker 2>Just horrible, horrible person to someone that's well, I suppose

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<v Speaker 2>we don't know the backstory. Janet for all we know,

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<v Speaker 2>might be an awful person, but as far as we know,

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<v Speaker 2>she just hates her for no reason at.

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<v Speaker 1>All for being deaf.

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<v Speaker 2>Yeah, yeah, vile person, oh awful?

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<v Speaker 1>I mean yeah, I have plenty to say about her.

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<v Speaker 1>We'll come to that as we get through it.

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<v Speaker 2>But who else we've got. We've got fran Fran the Great,

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<v Speaker 2>Sarah Headland, yes as Britney Spears.

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<v Speaker 1>I guess yes, I think I recognized them all who

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<v Speaker 1>they were dressed as, apart from Janet is apparently boy George,

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<v Speaker 1>Boy George. Yeah, yeah, I didn't get that one.

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<v Speaker 2>Culture Club Days.

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<v Speaker 1>Yeah, okay, I'm so out of my comfort zone with

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<v Speaker 1>this episode.

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<v Speaker 2>Dwayne as Michael.

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<v Speaker 1>Jackson yet got that one? Yeah?

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<v Speaker 2>And Roger as.

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<v Speaker 1>Himself himself, the clown knows.

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<v Speaker 2>The clown knows and one of his best accents. Oh

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<v Speaker 2>my god, I can't wait for all your impressions.

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<v Speaker 1>It's so broad. It's so broad. I have to say something.

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<v Speaker 1>I can't watch Roger without thinking of my colleague, right, who,

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<v Speaker 1>funnily enough, is the one person at work that I've

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<v Speaker 1>talked to about Inside Number nine because he quite likes

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<v Speaker 1>recent Steve's work. And he said to me that he

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<v Speaker 1>watched this episode and he quite liked it. And I

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<v Speaker 1>didn't really say much more about it, but I'm now

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<v Speaker 1>wondering if he watched it and he just recognized himself

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<v Speaker 1>in it because he looked he is exactly like my colleague,

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<v Speaker 1>even the brummy accent, the glasses that the hair like. Yeah,

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<v Speaker 1>I hope he doesn't listen to this, but yeah, the

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<v Speaker 1>accent is crazy, isn't it. And I love the fact

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<v Speaker 1>that they chose what snake what they're going to see

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<v Speaker 1>because it's so perfect in their nextcent wart Snake.

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<v Speaker 2>Box at the Royal Albut oh, bless him. Yeah, it

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<v Speaker 2>is a funny old accent. Yes, and it's just certain

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<v Speaker 2>words that he so goes the town on with, Yes,

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<v Speaker 2>especially his little speech towards the end. So we start

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<v Speaker 2>with Reese, So what forgot first? Don't you want me?

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<v Speaker 2>Human league?

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<v Speaker 1>Yes?

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<v Speaker 2>With him and and Connie mm hm, oh they're just gross. Yeah.

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<v Speaker 2>It's bad enough that he's having an affair, but to.

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<v Speaker 1>Rubbing in her face like almost I think I think

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<v Speaker 1>Connie is slightly worse than Greg with it, because you know,

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<v Speaker 1>he's he's trying to hide it a little bit, but

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<v Speaker 1>she obviously she's got an interest in it, falling to

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<v Speaker 1>bits finding out anyway.

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<v Speaker 2>Yeah, so just doesn't care?

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<v Speaker 1>No, Oh god, she's awful. Oh she's so bad. We

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<v Speaker 1>all know people like that as well. That's the thing, like,

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<v Speaker 1>oh my god, this is it.

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<v Speaker 2>The worst people are there's so many of them. It's

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<v Speaker 2>not like the worst people are the Hitler's out there,

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<v Speaker 2>like obviously they're bad, but the really bad, the bad

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<v Speaker 2>people are just everywhere like her, just day to day. Yeah,

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<v Speaker 2>just like, why are you making life harder than it

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<v Speaker 2>needs to be?

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<v Speaker 1>Yeah, well, she's obviously got issues and confidence issues of

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<v Speaker 1>her own. I think that's why she's trying to pull

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<v Speaker 1>other people down and make herself feel better. But yeah,

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<v Speaker 1>it's disgusting. Just want to slap.

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<v Speaker 2>Her as as friend does.

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<v Speaker 1>Oh yes, good, I can understand as well. I can

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<v Speaker 1>understand why Greg perhaps isn't the happiest with Fran because

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<v Speaker 1>she is. She is a bit irritating.

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<v Speaker 2>Well, she seems nice enough.

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<v Speaker 1>She oh she's nice. But yeah, maybe I'm just being harsh.

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<v Speaker 1>But no, you do you feel sorry for her? Like

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<v Speaker 1>skipping way ahead? But when she gets promoted at the

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00:14:05.159 --> 00:14:08.360
<v Speaker 1>end and she immediately likes hugging him and bouncing up

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00:14:08.399 --> 00:14:09.840
<v Speaker 1>and down and can we look for a bigger flat

288
00:14:09.840 --> 00:14:12.679
<v Speaker 1>now and all that. Yeah, and obviously the dramatica and

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00:14:12.840 --> 00:14:16.240
<v Speaker 1>you know what's going on. Yeah, it's quite sad.

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<v Speaker 2>Yeah, yeah, bless her. But it's the fact that it's

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<v Speaker 2>sounder knows that. Yeah, it's just extra crawl.

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<v Speaker 1>And I do question, like, does she really have no idea?

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<v Speaker 1>Is she really that oblivious? I guess so, considering how

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<v Speaker 1>much she reacts when she finds out, because yeah, but

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00:14:33.559 --> 00:14:36.559
<v Speaker 1>it does seem like so screamingly obvious.

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<v Speaker 2>Well, yeah, they don't seem to be hiding it, but

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<v Speaker 2>then they are drinking, so I suppose maybe they're more

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<v Speaker 2>careful normally, Yeah, because they do that thing that really

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<v Speaker 2>annoys me in TV stuff where we'll talk to each

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<v Speaker 2>other in the same room as someone else when there's

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<v Speaker 2>no music playing and they can't hear us because they're

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<v Speaker 2>not in the camera shop. Yeah, and everyone to be

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00:14:54.919 --> 00:14:56.360
<v Speaker 2>able to hear what's going on in that room, it's

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<v Speaker 2>on of like four meters square at most.

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<v Speaker 1>Yeah, I know, you know what I mean, because.

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<v Speaker 2>I know obviously it hinges on Janet being able to

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<v Speaker 2>lip read, but she could have picked that up regardless. Yeah,

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00:15:10.399 --> 00:15:12.279
<v Speaker 2>she knows exactly what's going on. She doesn't need to

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<v Speaker 2>be able to read what they're saying.

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<v Speaker 1>Oh, no, that's a good point. Actually, the lip read

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<v Speaker 1>thing is this big reveal of oh gosh, she's understood

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00:15:20.279 --> 00:15:23.159
<v Speaker 1>everything that we've said, but you know, she's seen you

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<v Speaker 1>kissing him and putting your hand down the back of

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00:15:25.960 --> 00:15:28.960
<v Speaker 1>his costume and all that. Like, yeah, it's not exactly

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00:15:29.039 --> 00:15:29.759
<v Speaker 1>rocket science.

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<v Speaker 2>And also how much of a big reveal can it be?

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00:15:32.679 --> 00:15:34.879
<v Speaker 2>Surely they would know she can lip read if they

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00:15:34.919 --> 00:15:37.840
<v Speaker 2>work with her exactly. I don't really get that.

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<v Speaker 1>Well, no, with I think with Connie, it's the idea

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<v Speaker 1>that she has no interest in her. I suppose she

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<v Speaker 1>wouldn't she and she thinks she's stupid and this and that. Yeah, yeah,

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00:15:48.200 --> 00:15:51.000
<v Speaker 1>I suppose she wouldn't have even wouldn't even cross their mind,

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00:15:51.039 --> 00:15:54.039
<v Speaker 1>I think. But it's even that face she does when

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00:15:54.080 --> 00:15:55.919
<v Speaker 1>she says I can lip read, and then Connie just

325
00:15:56.200 --> 00:15:58.240
<v Speaker 1>obviously it's an audio medium. I can't do an impression

326
00:15:58.279 --> 00:16:03.919
<v Speaker 1>of it, but that face, yeah, like so what yeah, ugh,

327
00:16:04.399 --> 00:16:06.679
<v Speaker 1>slap slap her.

328
00:16:07.440 --> 00:16:09.399
<v Speaker 2>Yeah. I'm glad that this is one of the few

329
00:16:09.440 --> 00:16:12.159
<v Speaker 2>episodes that sort of has a happy ending, which is nice. Yeah,

330
00:16:12.240 --> 00:16:14.039
<v Speaker 2>I know we're jumping ahead, but it's all right.

331
00:16:14.159 --> 00:16:14.840
<v Speaker 1>Yeah, it is.

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00:16:14.879 --> 00:16:17.000
<v Speaker 2>Rare that we get them with a happy ending and

333
00:16:17.120 --> 00:16:20.480
<v Speaker 2>the right people get the right come upances and m And.

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00:16:20.399 --> 00:16:22.440
<v Speaker 1>That's one of the things that makes it not feel

335
00:16:22.519 --> 00:16:26.120
<v Speaker 1>very insudnum benign y. Yeah, I mean all the stuff

336
00:16:26.159 --> 00:16:29.799
<v Speaker 1>where usually there would be these sort of perilous moments

337
00:16:29.840 --> 00:16:31.679
<v Speaker 1>for it all to go wrong and horribly wrong and

338
00:16:31.759 --> 00:16:34.600
<v Speaker 1>dark and this and that. You know, so we've got

339
00:16:35.080 --> 00:16:38.720
<v Speaker 1>Dwayne has got these pills. But yeah, you know that

340
00:16:38.759 --> 00:16:40.440
<v Speaker 1>could have been and that could have be an opportunity

341
00:16:40.519 --> 00:16:44.559
<v Speaker 1>for something quite dark to take over, but they kind

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00:16:44.559 --> 00:16:45.360
<v Speaker 1>of sidestep that.

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00:16:45.639 --> 00:16:47.480
<v Speaker 2>I think the first time I watched it, I expected

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00:16:47.480 --> 00:16:50.399
<v Speaker 2>someone was going to die m from some sort of

345
00:16:50.519 --> 00:16:53.879
<v Speaker 2>reaction to whatever these drugs are that they've got. But

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00:16:53.960 --> 00:16:55.720
<v Speaker 2>I guess that in itself is the twist that there

347
00:16:55.759 --> 00:16:59.480
<v Speaker 2>isn't a twist as such. Yeah, and it is just

348
00:16:59.600 --> 00:17:04.279
<v Speaker 2>quite mundane and boring. The guy's getting divorced in someone's

349
00:17:04.359 --> 00:17:06.079
<v Speaker 2>and he's leaving. That's about it.

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00:17:06.839 --> 00:17:09.200
<v Speaker 1>And also, you know, we've just had the riddle of

351
00:17:09.279 --> 00:17:13.039
<v Speaker 1>the Sphinx's I'm getting cut off and eating and all that, Like,

352
00:17:13.279 --> 00:17:14.319
<v Speaker 1>where do you go from there?

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00:17:15.160 --> 00:17:17.759
<v Speaker 2>I remember reading that exactly was the quote for Steve

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00:17:17.839 --> 00:17:18.599
<v Speaker 2>Gabe exactly.

355
00:17:18.680 --> 00:17:21.640
<v Speaker 1>Yeah, you've got to do something different, So that's what

356
00:17:21.680 --> 00:17:22.039
<v Speaker 1>they did.

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00:17:22.559 --> 00:17:26.160
<v Speaker 2>Yeah. Yeah, and it is like I always said before,

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<v Speaker 2>with the like Nana's Party type episodes, just a group

359
00:17:29.279 --> 00:17:33.039
<v Speaker 2>of people, drama situation like the stage play, the ape

360
00:17:33.079 --> 00:17:36.440
<v Speaker 2>Bonnie type thing of the interplay between the people and

361
00:17:36.440 --> 00:17:40.960
<v Speaker 2>it's something going to happen thing. Again, I'm not a

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00:17:41.000 --> 00:17:44.720
<v Speaker 2>fan of but I guess people are. So. I was

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00:17:44.759 --> 00:17:47.200
<v Speaker 2>surprised having a look online that this is not a

364
00:17:47.279 --> 00:17:50.759
<v Speaker 2>particularly massively loved episode, but there are people that say

365
00:17:50.799 --> 00:17:54.119
<v Speaker 2>it's one of their favorites. Yeah, find wild. I stumbled

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00:17:54.119 --> 00:17:55.839
<v Speaker 2>across a Reddit thread where people were saying how they

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<v Speaker 2>love it so much.

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<v Speaker 1>Yeah, well, good for those people.

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00:17:58.960 --> 00:18:02.000
<v Speaker 2>Yeah, yeah, don't understand it, but good for them.

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00:18:02.119 --> 00:18:05.039
<v Speaker 1>Yeah. And if you're listening and you think we're tearing

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<v Speaker 1>it to shreds and you love it, then sorry, we

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00:18:07.680 --> 00:18:11.240
<v Speaker 1>are sorry. You know, I think we are trying not

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<v Speaker 1>to be too yeah, too harsh. But you know, that's

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00:18:13.759 --> 00:18:18.119
<v Speaker 1>the wonderful thing about opinions that we can all have different.

375
00:18:17.839 --> 00:18:21.039
<v Speaker 2>Months and anthology programs, yes, so that you can have

376
00:18:21.119 --> 00:18:23.720
<v Speaker 2>an entirely different story every week and you might not

377
00:18:23.920 --> 00:18:26.400
<v Speaker 2>chime with one, but you will be next week's or

378
00:18:26.480 --> 00:18:28.920
<v Speaker 2>vice versa. I'm sure there's plenty of episodes that we've

379
00:18:28.960 --> 00:18:33.279
<v Speaker 2>raved about that people hated. So what forgot? What song

380
00:18:33.319 --> 00:18:35.720
<v Speaker 2>have we gotten next? Saturday Night? Oh my god, lady,

381
00:18:35.720 --> 00:18:37.640
<v Speaker 2>hell that song goes on for ages? Please? No.

382
00:18:38.480 --> 00:18:41.079
<v Speaker 1>If I had to hear Sarah Hadlin going Saturday Day

383
00:18:41.200 --> 00:18:42.200
<v Speaker 1>night again.

384
00:18:42.960 --> 00:18:44.920
<v Speaker 2>She watched the words on the screen. She's not even

385
00:18:44.960 --> 00:18:49.400
<v Speaker 2>singing the words and over again. Yeah, they do have

386
00:18:49.440 --> 00:18:51.359
<v Speaker 2>a few more. I mean, there aren't many more words,

387
00:18:51.519 --> 00:18:53.079
<v Speaker 2>but there are more than she bothers to sing.

388
00:18:53.599 --> 00:18:55.079
<v Speaker 1>I think I'm going to be going to sleep with

389
00:18:55.119 --> 00:18:57.359
<v Speaker 1>that looping in my head Saturday night.

390
00:18:59.880 --> 00:19:02.039
<v Speaker 2>I do remember thinking that the continuity must have been

391
00:19:02.039 --> 00:19:05.039
<v Speaker 2>a nightmare in this because if they had to cut

392
00:19:05.079 --> 00:19:07.200
<v Speaker 2>from a different angle like yes, and obvious the music

393
00:19:07.200 --> 00:19:09.599
<v Speaker 2>will be added on later, but the words have to

394
00:19:09.640 --> 00:19:11.119
<v Speaker 2>be in the right place exactly.

395
00:19:11.200 --> 00:19:13.960
<v Speaker 1>Yeah, I believe it was quite a technical nightmare.

396
00:19:14.440 --> 00:19:15.240
<v Speaker 2>Yeah, but it was.

397
00:19:15.480 --> 00:19:17.400
<v Speaker 1>And I think they all had they all had hidden

398
00:19:17.400 --> 00:19:20.759
<v Speaker 1>ear pieces with the track playing right, so they could

399
00:19:20.880 --> 00:19:21.480
<v Speaker 1>do it that way.

400
00:19:21.519 --> 00:19:23.440
<v Speaker 2>But yeah, sinking it up to the words, yeah, because

401
00:19:23.440 --> 00:19:25.000
<v Speaker 2>it's almost always you can see the words.

402
00:19:25.440 --> 00:19:26.240
<v Speaker 1>Oh that as well?

403
00:19:26.359 --> 00:19:28.920
<v Speaker 2>Yeah, god yeah, yeah, And it's not just seeing the words.

404
00:19:28.960 --> 00:19:31.920
<v Speaker 2>It's seeing which word is being said right now? My god,

405
00:19:33.200 --> 00:19:36.079
<v Speaker 2>how karaokeviously works with the coloring in that it's yeah,

406
00:19:36.160 --> 00:19:39.119
<v Speaker 2>you can't just get it vaguely right, yeah, I mean

407
00:19:39.160 --> 00:19:40.839
<v Speaker 2>you can't. How many people are really paying attention to

408
00:19:40.880 --> 00:19:43.599
<v Speaker 2>it that closely, but we're not continuity. People are like

409
00:19:43.640 --> 00:19:46.200
<v Speaker 2>they want it to be spot on, which must have

410
00:19:46.240 --> 00:19:47.119
<v Speaker 2>been a nightmare.

411
00:19:47.480 --> 00:19:48.680
<v Speaker 1>Yeah, quite a challenge.

412
00:19:49.759 --> 00:19:56.759
<v Speaker 2>Oh and we skipped over Rocha Lashians, Yeah, which it

413
00:19:56.799 --> 00:19:59.400
<v Speaker 2>did check up on and letters are all correct. I know.

414
00:19:59.519 --> 00:20:01.920
<v Speaker 1>I was thinking they took far too long when I

415
00:20:01.960 --> 00:20:04.359
<v Speaker 1>first saw it. I thought I was looking at the

416
00:20:04.400 --> 00:20:06.960
<v Speaker 1>car bit and thinking there's no U in congratulations and

417
00:20:07.000 --> 00:20:07.920
<v Speaker 1>I was like, oh, yes there is.

418
00:20:12.359 --> 00:20:13.640
<v Speaker 2>But it does work. It does work.

419
00:20:13.920 --> 00:20:14.599
<v Speaker 1>It does work.

420
00:20:14.680 --> 00:20:17.240
<v Speaker 2>Yeah. I remember seeing them putting it up at the

421
00:20:17.240 --> 00:20:20.000
<v Speaker 2>start and being right, and I'm like, well that's not right.

422
00:20:20.039 --> 00:20:21.880
<v Speaker 2>It is wrong late, and then realize that they drop

423
00:20:21.880 --> 00:20:25.119
<v Speaker 2>it and they all go everywhere that makes sense? Can

424
00:20:25.160 --> 00:20:27.880
<v Speaker 2>Fran just not spell? How? Why does he think that

425
00:20:27.920 --> 00:20:30.599
<v Speaker 2>she's good for this promotion which you can't even spell congratulations?

426
00:20:30.599 --> 00:20:32.839
<v Speaker 2>Oh my god, before they've even got drunk.

427
00:20:35.079 --> 00:20:38.039
<v Speaker 1>So yeah, the big plot element of this envelope that

428
00:20:38.200 --> 00:20:42.240
<v Speaker 1>is Roger has it with a list of names on it,

429
00:20:43.000 --> 00:20:45.039
<v Speaker 1>and Greg's obsessed with trying to see it so he

430
00:20:45.079 --> 00:20:48.319
<v Speaker 1>can see who's going to be fired or major Sundant

431
00:20:48.359 --> 00:20:52.119
<v Speaker 1>rather Yeah, yeah.

432
00:20:51.440 --> 00:20:53.000
<v Speaker 2>WHI there's a whole lot of stakes.

433
00:20:53.000 --> 00:20:55.119
<v Speaker 1>I don't really care, Abel, I know what you mean.

434
00:20:56.119 --> 00:20:58.720
<v Speaker 2>Yeah, it's like even if he finds out, okay, well

435
00:20:58.920 --> 00:20:59.799
<v Speaker 2>you're gonna find out in an hour.

436
00:20:59.839 --> 00:21:01.880
<v Speaker 1>Any Yeah, there's not much he can do about it.

437
00:21:03.440 --> 00:21:06.680
<v Speaker 1>It's funny that Greg seems far more concerned about it

438
00:21:06.720 --> 00:21:07.400
<v Speaker 1>than anyone else.

439
00:21:08.839 --> 00:21:09.319
<v Speaker 2>You know why.

440
00:21:10.119 --> 00:21:10.440
<v Speaker 1>M hm.

441
00:21:10.759 --> 00:21:14.319
<v Speaker 2>Obviously doesn't want to lose your job, but I guess

442
00:21:14.319 --> 00:21:17.319
<v Speaker 2>he's happy when it's Fran, or he thinks it is, Yeah,

443
00:21:17.359 --> 00:21:19.279
<v Speaker 2>because then that's a nice easy way to get her

444
00:21:19.319 --> 00:21:22.279
<v Speaker 2>out of out of work and he can not have

445
00:21:22.319 --> 00:21:23.400
<v Speaker 2>to hide things as much.

446
00:21:23.480 --> 00:21:28.359
<v Speaker 1>And yeah it's grim yeah why they also horrible?

447
00:21:28.799 --> 00:21:31.240
<v Speaker 2>Yeah, and then poor Fran gets a door to the

448
00:21:31.319 --> 00:21:33.119
<v Speaker 2>face as well, or does she part of the whole

449
00:21:33.160 --> 00:21:36.599
<v Speaker 2>situation When she's trying to sneak the list out of

450
00:21:36.599 --> 00:21:38.920
<v Speaker 2>the pocket that's on the door, just as is it,

451
00:21:39.039 --> 00:21:41.880
<v Speaker 2>Dwayne comes back in and smashes the door into her face.

452
00:21:42.160 --> 00:21:43.200
<v Speaker 1>Oh I don't think I missed that.

453
00:21:43.200 --> 00:21:43.400
<v Speaker 2>A bit.

454
00:21:44.079 --> 00:21:49.759
<v Speaker 1>Yeah, shame it's not Connie, So I think we should

455
00:21:49.759 --> 00:21:53.279
<v Speaker 1>talk about Janet a bit. It is good representation to

456
00:21:53.279 --> 00:21:56.200
<v Speaker 1>have a deaf character played by a deaf actress as well.

457
00:21:56.319 --> 00:21:58.720
<v Speaker 2>It is. And she said that she couldn't speak highly

458
00:21:58.799 --> 00:22:01.519
<v Speaker 2>enough of the production team and how well they treated

459
00:22:01.559 --> 00:22:04.000
<v Speaker 2>her and how she didn't feel like the token deaf person.

460
00:22:04.160 --> 00:22:07.119
<v Speaker 1>Yeah, which is lovely. Which is fantastic, especially given this

461
00:22:07.279 --> 00:22:08.960
<v Speaker 1>was made like have a long ago.

462
00:22:09.000 --> 00:22:12.839
<v Speaker 2>Twenty seventeen. Yeah, it's like it could have been awful. Yeah,

463
00:22:13.119 --> 00:22:14.680
<v Speaker 2>still back then. So that's nice.

464
00:22:14.839 --> 00:22:17.799
<v Speaker 1>That is good. But yeah, she's a lovely character. You really,

465
00:22:18.400 --> 00:22:20.039
<v Speaker 1>I think warm to her in the episode.

466
00:22:20.279 --> 00:22:24.000
<v Speaker 2>Yeah, she is very sweet and just getting shat on

467
00:22:24.079 --> 00:22:26.279
<v Speaker 2>by everyone for no reason.

468
00:22:26.640 --> 00:22:30.000
<v Speaker 1>That's the thing. Connie is obviously overt about it being horrible.

469
00:22:30.480 --> 00:22:35.039
<v Speaker 1>And then you've got Dwayne who almost patronizes her. Yeah,

470
00:22:35.079 --> 00:22:38.200
<v Speaker 1>it's that moment when supposedly there's this pill roulette thing

471
00:22:38.680 --> 00:22:40.680
<v Speaker 1>and everyone's having a go at that, and then he

472
00:22:40.720 --> 00:22:42.319
<v Speaker 1>says to her about, oh, it's all right, you don't

473
00:22:42.319 --> 00:22:45.400
<v Speaker 1>have to as if her being deaf has anything to

474
00:22:45.400 --> 00:22:45.799
<v Speaker 1>do with that.

475
00:22:46.160 --> 00:22:48.440
<v Speaker 2>Yeah, and if anyone else protested, he would have been

476
00:22:48.480 --> 00:22:51.519
<v Speaker 2>more like oh, go for it, don't be boring or whatever. Yeah,

477
00:22:51.880 --> 00:22:55.759
<v Speaker 2>they all just sort of pussyfoot around her and m yeah,

478
00:22:55.920 --> 00:22:59.000
<v Speaker 2>which must be tough. Yes, I do wish that it

479
00:22:59.119 --> 00:23:01.839
<v Speaker 2>wasn't so so like that the croux of the episode

480
00:23:01.880 --> 00:23:05.480
<v Speaker 2>being not crocks off, but that she can lip read. Like,

481
00:23:05.680 --> 00:23:07.480
<v Speaker 2>it would have been nice if it if her deafness

482
00:23:07.559 --> 00:23:10.400
<v Speaker 2>wasn't really integral to the plot. It was just she

483
00:23:10.519 --> 00:23:13.599
<v Speaker 2>just happened to be deaf. Yeah, I don't like it

484
00:23:13.599 --> 00:23:16.319
<v Speaker 2>where it's well, if you don't serve a purpose to

485
00:23:16.319 --> 00:23:20.839
<v Speaker 2>the script, why not be in inverted commas? Normal? Yeah,

486
00:23:20.880 --> 00:23:23.240
<v Speaker 2>Like I remember thinking that it wasn't a great film,

487
00:23:23.240 --> 00:23:26.640
<v Speaker 2>But did you ever watch The Eternals, the Marvel film. Nope,

488
00:23:27.160 --> 00:23:29.359
<v Speaker 2>it didn't do very well. But that had a gay

489
00:23:29.440 --> 00:23:31.279
<v Speaker 2>character in it, it had a deaf character in it, It

490
00:23:31.319 --> 00:23:36.400
<v Speaker 2>had various different minority characters, but that played no bearing

491
00:23:36.440 --> 00:23:38.880
<v Speaker 2>on the story whatsoever. And I was like, that's how

492
00:23:38.880 --> 00:23:41.279
<v Speaker 2>you do representation. You don't go, well, we need someone

493
00:23:41.319 --> 00:23:44.359
<v Speaker 2>that can no braille, so let's have someone that's blind,

494
00:23:44.839 --> 00:23:47.680
<v Speaker 2>because it serves this point in the plot later. Yes,

495
00:23:47.880 --> 00:23:50.039
<v Speaker 2>it would have been nice if if she'd just gone,

496
00:23:50.359 --> 00:23:52.599
<v Speaker 2>you know, they'd said whatever. She'd gone, Well, yeah, it

497
00:23:52.680 --> 00:23:54.400
<v Speaker 2>might be deaf, but that I'm not an idiot. I

498
00:23:54.440 --> 00:23:57.839
<v Speaker 2>can see what's going on, Like, yeah, you're right, And

499
00:23:57.880 --> 00:23:59.680
<v Speaker 2>it hadn't been that she can lip read. It's just

500
00:23:59.720 --> 00:24:02.200
<v Speaker 2>that she's got eyes and she can see. It's it's

501
00:24:02.240 --> 00:24:03.759
<v Speaker 2>not anything to do with her deafness.

502
00:24:04.839 --> 00:24:06.799
<v Speaker 1>I think there's two ways of doing it. And I

503
00:24:06.880 --> 00:24:10.160
<v Speaker 1>think I think it's important to have incidental representation, like

504
00:24:10.200 --> 00:24:12.319
<v Speaker 1>you say, where it has nothing to do with anything.

505
00:24:12.359 --> 00:24:15.240
<v Speaker 1>But I think it's also important to have representation where

506
00:24:15.240 --> 00:24:18.000
<v Speaker 1>it is like part of the plot. You can have both,

507
00:24:18.039 --> 00:24:20.079
<v Speaker 1>but like in this case, it does feel a bit,

508
00:24:20.119 --> 00:24:23.079
<v Speaker 1>like you say, just like convenient that her deafness just

509
00:24:23.400 --> 00:24:26.440
<v Speaker 1>is what enabled her to save the day as it were.

510
00:24:27.000 --> 00:24:30.799
<v Speaker 2>Yeah, but did you hear about how the actress Emily

511
00:24:30.839 --> 00:24:32.559
<v Speaker 2>Howlett had learnt how to sing for it?

512
00:24:32.880 --> 00:24:33.240
<v Speaker 1>I did.

513
00:24:33.319 --> 00:24:35.720
<v Speaker 2>Yeah, she didn't, being deaf, didn't really have any concept

514
00:24:35.759 --> 00:24:36.759
<v Speaker 2>of how singing works.

515
00:24:37.000 --> 00:24:39.400
<v Speaker 1>Yeah, I mean, she wasn't even aware of the concept

516
00:24:39.440 --> 00:24:41.480
<v Speaker 1>of high and low notes and what that means. And

517
00:24:41.559 --> 00:24:43.680
<v Speaker 1>I've I've always found that fascinating as a as a

518
00:24:43.759 --> 00:24:46.880
<v Speaker 1>musician myself, Like, yeah, the fact that we think of

519
00:24:47.359 --> 00:24:50.559
<v Speaker 1>high notes and low notes as high and low, which

520
00:24:50.599 --> 00:24:53.160
<v Speaker 1>is like a positional thing. Yeah, and why that is

521
00:24:53.640 --> 00:24:55.160
<v Speaker 1>And obviously you know, if you're deaf and you've got

522
00:24:55.200 --> 00:24:58.440
<v Speaker 1>no frame of reference, Yeah, it's wild you wouldn't have

523
00:24:58.480 --> 00:25:02.000
<v Speaker 1>a clue. So yeah, it's incredible what she managed to

524
00:25:02.000 --> 00:25:02.680
<v Speaker 1>do for this.

525
00:25:02.960 --> 00:25:05.400
<v Speaker 2>Yeah, and I saw that. I don't know how true

526
00:25:05.440 --> 00:25:07.400
<v Speaker 2>it is because I've got this from Reddit, but apparently

527
00:25:07.440 --> 00:25:10.480
<v Speaker 2>in an interview with Stephen Reese, they'd said that she

528
00:25:10.599 --> 00:25:14.359
<v Speaker 2>was actually really quite good, and they'd had to in

529
00:25:14.920 --> 00:25:17.920
<v Speaker 2>post make her timing sound a bit more off to

530
00:25:18.000 --> 00:25:20.880
<v Speaker 2>make it sound more fitting of how to match her

531
00:25:20.880 --> 00:25:25.440
<v Speaker 2>confidence of the character. I mean, yes, she seemed too good. Wow.

532
00:25:25.640 --> 00:25:30.359
<v Speaker 1>Yeah, she did so much homework for it. Yeah. Yeah, Wow, it's.

533
00:25:30.240 --> 00:25:32.519
<v Speaker 2>Crazy how much work actors put in for what is

534
00:25:32.799 --> 00:25:36.359
<v Speaker 2>half an hour's worth of screen time learning how to

535
00:25:36.440 --> 00:25:37.960
<v Speaker 2>sing from scratch.

536
00:25:38.480 --> 00:25:39.599
<v Speaker 1>Yeah.

537
00:25:39.640 --> 00:25:43.519
<v Speaker 2>So you've got Roger that's just announced that he's getting divorced. Yes,

538
00:25:43.599 --> 00:25:47.240
<v Speaker 2>and then in their infinite wisdom, go with I know

539
00:25:47.319 --> 00:25:48.079
<v Speaker 2>him so well.

540
00:25:47.920 --> 00:25:50.599
<v Speaker 1>From Jet Yeah.

541
00:25:49.480 --> 00:25:52.680
<v Speaker 2>I like to hope that that was already the next

542
00:25:52.680 --> 00:25:54.759
<v Speaker 2>song that was going to be playing, but they all

543
00:25:54.799 --> 00:25:56.519
<v Speaker 2>seem like Dix and I'm not sure that it.

544
00:25:56.559 --> 00:25:59.680
<v Speaker 1>Was no, Well, I think I think Fran is a

545
00:25:59.680 --> 00:26:01.759
<v Speaker 1>bit sorry, but I think think she's a bit thick.

546
00:26:02.200 --> 00:26:04.640
<v Speaker 2>Hmm. Do you remember didn't even consider.

547
00:26:04.359 --> 00:26:07.119
<v Speaker 1>It, like a sensitive person might have skipped that song.

548
00:26:08.039 --> 00:26:10.960
<v Speaker 1>But Dwayne's just like, oh, well done, Fran, like that

549
00:26:11.000 --> 00:26:11.799
<v Speaker 1>it was ironic.

550
00:26:13.319 --> 00:26:15.400
<v Speaker 2>Yes, she's got I knowing so well with a lame

551
00:26:15.440 --> 00:26:18.440
<v Speaker 2>page and the other one that Fran and Connie saying

552
00:26:19.240 --> 00:26:22.400
<v Speaker 2>bless him in the middle, just smiling along while these

553
00:26:22.400 --> 00:26:25.160
<v Speaker 2>two women effectively fight over him when Mom doesn't even

554
00:26:25.200 --> 00:26:28.359
<v Speaker 2>know she's doing it. Yeah, Connie.

555
00:26:28.920 --> 00:26:34.359
<v Speaker 1>Yeah, it's another example of how horrible she is. It's

556
00:26:34.400 --> 00:26:35.960
<v Speaker 1>just every single everything.

557
00:26:36.000 --> 00:26:39.920
<v Speaker 2>It's the my God and everything she does, every bit,

558
00:26:40.000 --> 00:26:41.640
<v Speaker 2>every line she has is horrible breaking.

559
00:26:41.759 --> 00:26:44.480
<v Speaker 1>Yeah, And like I can't remember exactly what she says,

560
00:26:44.480 --> 00:26:47.119
<v Speaker 1>but there's one bit where she makes a joke at

561
00:26:47.480 --> 00:26:50.720
<v Speaker 1>Janet's expense, and then Janet comes in and she's like, oh, sorry,

562
00:26:50.720 --> 00:26:53.079
<v Speaker 1>did you say something? And she she can't bother to

563
00:26:53.240 --> 00:26:55.839
<v Speaker 1>repeat it because it was it was not to her.

564
00:26:55.920 --> 00:26:59.400
<v Speaker 1>It was just a joke at her expense, being tone

565
00:26:59.400 --> 00:27:02.000
<v Speaker 1>deaf or something, that was it. Yes, Yeah, and that

566
00:27:02.000 --> 00:27:03.839
<v Speaker 1>bit where she goes, I don't make him repeat it.

567
00:27:03.880 --> 00:27:07.319
<v Speaker 1>Have some sensitivity for once in your life, like, oh,

568
00:27:07.480 --> 00:27:09.319
<v Speaker 1>fuck off, fuck off.

569
00:27:11.680 --> 00:27:14.279
<v Speaker 2>Oh turns out to it does a great job with it.

570
00:27:14.640 --> 00:27:15.519
<v Speaker 1>I'm just going to say that.

571
00:27:15.599 --> 00:27:18.079
<v Speaker 2>Yeah, she really makes you hate this character.

572
00:27:20.319 --> 00:27:23.720
<v Speaker 1>Also, Connie obviously takes Dwayne's phone and sends that fake

573
00:27:23.839 --> 00:27:27.279
<v Speaker 1>text to Janet, which, again, oh my god, she's acting

574
00:27:27.319 --> 00:27:28.680
<v Speaker 1>like a bloody schoolgirl.

575
00:27:28.960 --> 00:27:31.720
<v Speaker 2>Yeah, just stirring it up for the sake of it

576
00:27:31.920 --> 00:27:36.119
<v Speaker 2>and just yeah, she can tell that she likes Dwayne. Yeah,

577
00:27:36.160 --> 00:27:37.839
<v Speaker 2>and she just wants to humiliate her.

578
00:27:38.480 --> 00:27:41.039
<v Speaker 1>Yeah, and that whole bit where she says to someone

579
00:27:41.039 --> 00:27:43.240
<v Speaker 1>else about oh have you seen this, she's all over

580
00:27:43.319 --> 00:27:45.359
<v Speaker 1>him and all that, as if she thinks that she

581
00:27:45.400 --> 00:27:48.160
<v Speaker 1>doesn't deserve you know, romance or.

582
00:27:48.160 --> 00:27:52.079
<v Speaker 2>Whatever, especially when she's all over Greg. Yeah.

583
00:27:52.119 --> 00:27:55.680
<v Speaker 1>I don't know what she's got against her, No, it's

584
00:27:55.759 --> 00:27:57.960
<v Speaker 1>just that she she thinks that like, oh, you know,

585
00:27:58.079 --> 00:28:00.240
<v Speaker 1>these people come in and take my jobs away from

586
00:28:00.240 --> 00:28:02.200
<v Speaker 1>me and all that, and she thinks that, oh, she's

587
00:28:02.240 --> 00:28:04.519
<v Speaker 1>only got where she is because people feel sorry for hers.

588
00:28:04.519 --> 00:28:08.480
<v Speaker 2>What she says, Yeah, yeah, But then, as I said,

589
00:28:08.480 --> 00:28:10.359
<v Speaker 2>we only see this is one night out that we've seen.

590
00:28:10.400 --> 00:28:12.480
<v Speaker 2>They might have all worked together for the past ten years,

591
00:28:12.799 --> 00:28:15.359
<v Speaker 2>and there might be history going on for all we know.

592
00:28:15.720 --> 00:28:17.200
<v Speaker 1>Yeah, but at the end of the day, if we

593
00:28:17.200 --> 00:28:18.920
<v Speaker 1>were supposed to take that from it, they'd have shown

594
00:28:19.000 --> 00:28:21.359
<v Speaker 1>us that. So I think we had to take what

595
00:28:21.400 --> 00:28:24.240
<v Speaker 1>we've seen at face value. And Janet's obviously a sympathetic

596
00:28:24.319 --> 00:28:28.720
<v Speaker 1>character when he's a bitch. Yeah, that's all there is

597
00:28:28.720 --> 00:28:31.240
<v Speaker 1>to it. Yeah, as far as I'm concerned.

598
00:28:32.240 --> 00:28:34.519
<v Speaker 2>So then we get the reveal that Roger has to

599
00:28:34.519 --> 00:28:37.480
<v Speaker 2>make someone redundant and has chosen to bender La krem

600
00:28:37.599 --> 00:28:42.319
<v Speaker 2>himself and sack himself, which I don't know how that

601
00:28:42.359 --> 00:28:44.480
<v Speaker 2>would really work in terms of he's not in the

602
00:28:44.519 --> 00:28:47.880
<v Speaker 2>same job Paul as they are, Like if he makes

603
00:28:47.960 --> 00:28:51.200
<v Speaker 2>himself redundant, but then they need to backfill his role

604
00:28:51.240 --> 00:28:54.880
<v Speaker 2>and then they'll hire externally, and potentially just because he's

605
00:28:54.880 --> 00:28:56.720
<v Speaker 2>recommended friend doesn't mean she's getting the job.

606
00:28:56.799 --> 00:28:57.359
<v Speaker 1>No, it doesn't.

607
00:28:57.720 --> 00:28:59.960
<v Speaker 2>He might get replaced and then still one of them has.

608
00:28:59.880 --> 00:29:03.440
<v Speaker 1>To go yeah, yeah, unless he's had the conversation and

609
00:29:03.480 --> 00:29:05.160
<v Speaker 1>they you know, they know that's what's going to happen.

610
00:29:05.160 --> 00:29:06.799
<v Speaker 1>But I don't know, it's not very realistic.

611
00:29:07.319 --> 00:29:10.400
<v Speaker 2>No, we don't even have any idea what this company does.

612
00:29:10.720 --> 00:29:14.759
<v Speaker 1>No, it's something to do with sales, because right, because

613
00:29:14.799 --> 00:29:17.160
<v Speaker 1>Greg is worried about not having done very well on sales.

614
00:29:17.519 --> 00:29:21.079
<v Speaker 2>Right, But isn't every company about sales. Ultimately, in some

615
00:29:21.400 --> 00:29:24.559
<v Speaker 2>shape or form, every company is selling something.

616
00:29:26.519 --> 00:29:31.079
<v Speaker 1>Welcome to capitalism.

617
00:29:31.160 --> 00:29:32.720
<v Speaker 2>But yeah, I haven't a clue and we know no

618
00:29:32.759 --> 00:29:34.599
<v Speaker 2>idea how big this company is. It could be twenty

619
00:29:34.640 --> 00:29:38.000
<v Speaker 2>people or it could be two thousand people, with no

620
00:29:38.079 --> 00:29:41.759
<v Speaker 2>real idea. Because if Frands getting recommended to the board

621
00:29:41.880 --> 00:29:44.559
<v Speaker 2>for this job and she's the best they can offer,

622
00:29:44.599 --> 00:29:47.000
<v Speaker 2>I don't think this company's going very far.

623
00:29:47.359 --> 00:29:51.720
<v Speaker 1>Oh my god. Yeah. Yeah. It's also funny watching it,

624
00:29:51.839 --> 00:29:54.839
<v Speaker 1>like knowing what that little conversation he has with her

625
00:29:54.920 --> 00:29:59.640
<v Speaker 1>is about. It's about he's offering her this promotion, but

626
00:29:59.720 --> 00:30:02.519
<v Speaker 1>they have to play it as if he's told her

627
00:30:02.519 --> 00:30:05.839
<v Speaker 1>that he's making her redundant. Yeah, so she's got to

628
00:30:05.880 --> 00:30:09.400
<v Speaker 1>do that sort of double meaning acting and I just

629
00:30:09.400 --> 00:30:10.319
<v Speaker 1>find that a bit awkward.

630
00:30:11.119 --> 00:30:13.240
<v Speaker 2>Yeah, but I guess there's an element of it is

631
00:30:13.279 --> 00:30:16.160
<v Speaker 2>that she's sad that he's leaving. Yes, Yeah, and she's

632
00:30:16.640 --> 00:30:18.400
<v Speaker 2>being one of the few nice people in the room

633
00:30:18.440 --> 00:30:21.039
<v Speaker 2>of not going I've got a great job, and like

634
00:30:21.599 --> 00:30:23.480
<v Speaker 2>in his face of when he's saying he's leaving his

635
00:30:23.599 --> 00:30:25.319
<v Speaker 2>job and his life's falling to bits, and he's moving

636
00:30:25.319 --> 00:30:26.680
<v Speaker 2>to a different country to go away from it all.

637
00:30:27.359 --> 00:30:29.240
<v Speaker 2>Maybe she is nice, yeah, but she doesn't seem all

638
00:30:29.240 --> 00:30:33.160
<v Speaker 2>that competent. No, maybe I've just seen too much Miranda

639
00:30:33.160 --> 00:30:37.799
<v Speaker 2>and I can't imagine her being all that useful.

640
00:30:38.559 --> 00:30:41.279
<v Speaker 1>Well, yeah, I was wondering why she didn't sing Proud

641
00:30:41.359 --> 00:30:47.480
<v Speaker 1>by Her the Small song. So then we obviously we

642
00:30:47.519 --> 00:30:50.160
<v Speaker 1>get the reveal that it's not that at all. It's

643
00:30:50.839 --> 00:30:52.880
<v Speaker 1>like you said, Benda La kreming himself.

644
00:30:55.400 --> 00:31:00.160
<v Speaker 2>Interesting if you know, you know a yeah.

645
00:30:59.079 --> 00:31:01.640
<v Speaker 1>But yeah, God, I can't get over his accent when

646
00:31:01.640 --> 00:31:03.200
<v Speaker 1>he's walking up and down the line of them and

647
00:31:03.240 --> 00:31:05.720
<v Speaker 1>he's like, oh, I've been tesked with letting one of

648
00:31:05.759 --> 00:31:11.519
<v Speaker 1>you good people go and hard abited.

649
00:31:14.640 --> 00:31:16.400
<v Speaker 2>We just really choose certain words.

650
00:31:17.119 --> 00:31:22.119
<v Speaker 1>Yeah, it is a really delicious accent to do. Apparently

651
00:31:22.160 --> 00:31:26.559
<v Speaker 1>it's one of the least enjoyed accents to listen to.

652
00:31:27.960 --> 00:31:30.079
<v Speaker 2>I don't want to put off our listeners in Birmingham.

653
00:31:30.519 --> 00:31:36.680
<v Speaker 1>But it's not me saying it's not enjoyable. It's the public.

654
00:31:38.480 --> 00:31:46.880
<v Speaker 1>The public have spoken. The public have spoken. Yeah, then

655
00:31:46.920 --> 00:31:49.920
<v Speaker 1>you've got this hen party that come in and invade.

656
00:31:49.839 --> 00:31:53.440
<v Speaker 2>Oh fucking hen parties. Yes, so I live in York

657
00:31:53.519 --> 00:31:55.839
<v Speaker 2>and ninety people a night our a hen party. I

658
00:31:55.880 --> 00:31:57.759
<v Speaker 2>don't know how many people are getting married. They come

659
00:31:57.799 --> 00:31:59.759
<v Speaker 2>to your because they think it's posh and classy, and

660
00:31:59.799 --> 00:32:03.319
<v Speaker 2>then they throw up all over it and it's just

661
00:32:03.359 --> 00:32:06.920
<v Speaker 2>inflatable dicks and feather bowers everywhere. Yeah, and it's like,

662
00:32:07.119 --> 00:32:11.839
<v Speaker 2>I'll get out leave yeah, parties, I.

663
00:32:11.920 --> 00:32:15.880
<v Speaker 1>Bet I just it really irrationally annoys me. That bit

664
00:32:15.920 --> 00:32:17.640
<v Speaker 1>when they come in and they're like, oh, we've got

665
00:32:17.680 --> 00:32:19.599
<v Speaker 1>it till half passed and they're like, oh, well it's

666
00:32:19.640 --> 00:32:23.920
<v Speaker 1>nearly half passed now, like no wait.

667
00:32:26.240 --> 00:32:28.519
<v Speaker 2>Although that said, that is the bit where they seem

668
00:32:28.559 --> 00:32:30.240
<v Speaker 2>to enjoy the night out of the most.

669
00:32:31.880 --> 00:32:34.599
<v Speaker 1>It's nice and it does make a good atmosphere for

670
00:32:34.640 --> 00:32:38.000
<v Speaker 1>the end because the whole reveal of like oh look

671
00:32:38.119 --> 00:32:40.799
<v Speaker 1>they've got lipstick showing up in the UV light, Like

672
00:32:40.839 --> 00:32:43.319
<v Speaker 1>that wouldn't work so well if it was just the

673
00:32:43.359 --> 00:32:46.400
<v Speaker 1>people from the office. Yeah, in the room. It's nice

674
00:32:46.440 --> 00:32:47.799
<v Speaker 1>that it's more of a crowded room.

675
00:32:48.200 --> 00:32:51.480
<v Speaker 2>Yeah, the end works quite nicely. Yeah, it's a good

676
00:32:51.759 --> 00:32:54.039
<v Speaker 2>sort of it's nice seeing them all happy old good ones.

677
00:32:54.039 --> 00:32:58.119
<v Speaker 2>Happy Roger dancing away with a random woman. I mean,

678
00:32:58.319 --> 00:33:00.279
<v Speaker 2>he's about twenty shots deep by this point, isn't he.

679
00:33:00.319 --> 00:33:05.240
<v Speaker 2>Oh you're just there taking after after shot offering tickets

680
00:33:05.240 --> 00:33:05.799
<v Speaker 2>to White Snake.

681
00:33:05.880 --> 00:33:08.440
<v Speaker 1>Oh yeah, I wonder if she looks words nice.

682
00:33:10.880 --> 00:33:11.160
<v Speaker 2>Is she?

683
00:33:11.359 --> 00:33:13.599
<v Speaker 1>Is she singing karaoke or is she just lip syncing

684
00:33:13.680 --> 00:33:18.079
<v Speaker 1>to a song? I don't know, because she sounds really good.

685
00:33:18.119 --> 00:33:20.480
<v Speaker 1>If she's singing good, sounds like an actual pop star

686
00:33:20.960 --> 00:33:24.599
<v Speaker 1>or something like. I think it's a sea song David

687
00:33:24.640 --> 00:33:26.279
<v Speaker 1>Ghetter featuring Sire.

688
00:33:26.960 --> 00:33:29.960
<v Speaker 2>Oh maybe. Yeah, I don't know. It's Titanium David Ghetter,

689
00:33:30.000 --> 00:33:32.079
<v Speaker 2>but I didn't. I'm not sure who the singer on

690
00:33:32.160 --> 00:33:32.319
<v Speaker 2>it is.

691
00:33:32.400 --> 00:33:34.279
<v Speaker 1>Yeah, it's featuring here, that is it. I looked it

692
00:33:34.319 --> 00:33:34.759
<v Speaker 1>up earlier.

693
00:33:35.680 --> 00:33:38.920
<v Speaker 2>Yeah, she does do a good job if she is singing. Yeah,

694
00:33:38.920 --> 00:33:41.319
<v Speaker 2>it's delicious. When when you see all fault bits for

695
00:33:41.799 --> 00:33:42.440
<v Speaker 2>Connie and.

696
00:33:42.440 --> 00:33:44.440
<v Speaker 1>Greg, Oh yeah, I want it.

697
00:33:44.480 --> 00:33:47.519
<v Speaker 2>I wanted more than just a slapping her fran that is.

698
00:33:48.440 --> 00:33:51.880
<v Speaker 2>But they're miserable. They're now both fired, not got a job,

699
00:33:51.920 --> 00:33:56.119
<v Speaker 2>which doesn't feel very hr safe. I feel like they've

700
00:33:56.119 --> 00:33:59.559
<v Speaker 2>got grounds for a tribunal, yes on fair dismission.

701
00:34:00.079 --> 00:34:02.920
<v Speaker 1>But there's plenty that they can bring up about them

702
00:34:03.200 --> 00:34:05.759
<v Speaker 1>true unprofessional conduct, I'm sure, and.

703
00:34:05.920 --> 00:34:08.119
<v Speaker 2>I guess they could dig up something.

704
00:34:08.159 --> 00:34:15.599
<v Speaker 1>I'm bullying Janet and yeah, yeah, ugh indeed, And then

705
00:34:15.639 --> 00:34:19.400
<v Speaker 1>we've got this strange pairing off of Duane with Janet.

706
00:34:19.960 --> 00:34:21.280
<v Speaker 2>Yeah. I don't buy it.

707
00:34:21.599 --> 00:34:24.079
<v Speaker 1>When earlier in the episode he said to her, look,

708
00:34:24.119 --> 00:34:26.280
<v Speaker 1>you know, I don't like you that way.

709
00:34:26.840 --> 00:34:28.840
<v Speaker 2>Yeah, which is fine, which is.

710
00:34:28.800 --> 00:34:31.639
<v Speaker 1>Fine, But now I'm wondering, you know, was he just

711
00:34:31.719 --> 00:34:35.840
<v Speaker 1>saying that because he was too shy or nervous or whatever,

712
00:34:36.800 --> 00:34:39.719
<v Speaker 1>or has he suddenly changed his mind because he saw

713
00:34:39.760 --> 00:34:43.119
<v Speaker 1>what she did for fran Oh No, this is a.

714
00:34:43.039 --> 00:34:45.719
<v Speaker 2>Bit I just didn't connect with. I felt like they

715
00:34:45.719 --> 00:34:49.119
<v Speaker 2>felt like they had to give everyone a happy ending. Yeah,

716
00:34:49.159 --> 00:34:51.719
<v Speaker 2>and that would be hers. Yeah, because it very much

717
00:34:51.719 --> 00:34:54.360
<v Speaker 2>felt like he wasn't interested in that way and that

718
00:34:54.480 --> 00:34:57.440
<v Speaker 2>was fine, And then all of a sudden he is,

719
00:34:57.480 --> 00:35:00.239
<v Speaker 2>And then all of a sudden he is, Yeah, Yes.

720
00:35:00.280 --> 00:35:02.559
<v Speaker 1>It's just you know, maybe it's just they're all a

721
00:35:02.559 --> 00:35:05.679
<v Speaker 1>bit drunk and you know, it's not that significant, but

722
00:35:05.920 --> 00:35:09.440
<v Speaker 1>maybe maybe, Yeah, it was a bit strange.

723
00:35:09.760 --> 00:35:11.880
<v Speaker 2>It is, But like I say, it's nice that we

724
00:35:11.880 --> 00:35:13.480
<v Speaker 2>have a happy ending for the people that deserve it

725
00:35:13.920 --> 00:35:18.760
<v Speaker 2>M for once. Yeah, no one died, no one ended

726
00:35:18.840 --> 00:35:21.159
<v Speaker 2>up chained up in a basement, no one ended up.

727
00:35:22.760 --> 00:35:28.920
<v Speaker 1>Yeah, you just wish that Connie had all those things. So, yeah,

728
00:35:29.039 --> 00:35:34.360
<v Speaker 1>I think we've exhausted the plot probably, probably.

729
00:35:35.360 --> 00:35:35.480
<v Speaker 2>So.

730
00:35:35.639 --> 00:35:39.480
<v Speaker 1>I just found it quite a frustrating experience to watch,

731
00:35:40.400 --> 00:35:44.880
<v Speaker 1>because the constant noise, the constant music, the constant bad singing,

732
00:35:45.599 --> 00:35:48.960
<v Speaker 1>the shouting over the music to hear the dialogue. Yeah,

733
00:35:49.320 --> 00:35:51.639
<v Speaker 1>I just find it very overwhelming and a bit like

734
00:35:52.239 --> 00:35:54.119
<v Speaker 1>why am I watching this? It's not very it's not

735
00:35:54.280 --> 00:35:55.320
<v Speaker 1>very enjoyable.

736
00:35:56.320 --> 00:35:59.519
<v Speaker 2>Yeah, and for me that I struggle sometimes remembering names

737
00:35:59.519 --> 00:36:02.719
<v Speaker 2>and remembering who's who, and when there's all the music

738
00:36:02.719 --> 00:36:04.440
<v Speaker 2>going on top and you're trying to remember who's who

739
00:36:04.519 --> 00:36:07.639
<v Speaker 2>and how each of them are connected and who's not

740
00:36:07.719 --> 00:36:10.360
<v Speaker 2>saying the truth to who. I remember the first time

741
00:36:10.440 --> 00:36:13.840
<v Speaker 2>struggling to remember what was going on and why, and

742
00:36:14.079 --> 00:36:15.679
<v Speaker 2>feeling like it's one that you had to watch again

743
00:36:15.719 --> 00:36:18.039
<v Speaker 2>to understand, and really not wanting to watch it again.

744
00:36:18.159 --> 00:36:22.599
<v Speaker 2>M didn't. Yeah, it didn't really click for me so much.

745
00:36:22.960 --> 00:36:25.760
<v Speaker 2>As I said on a second and third watch earlier today,

746
00:36:26.079 --> 00:36:29.119
<v Speaker 2>I enjoyed it more than I remembered. I still wouldn't

747
00:36:29.119 --> 00:36:30.599
<v Speaker 2>say I loved it by any stretch, but.

748
00:36:31.079 --> 00:36:33.280
<v Speaker 1>So prior to today, you'd only watched it once.

749
00:36:33.360 --> 00:36:36.199
<v Speaker 2>Ever, Yeah, I think i'd watched I think I'd tried

750
00:36:36.239 --> 00:36:40.159
<v Speaker 2>to rewatch it and just could not be bothered. I

751
00:36:40.159 --> 00:36:41.719
<v Speaker 2>got about halfway through and I was like, I just

752
00:36:41.760 --> 00:36:42.280
<v Speaker 2>don't care.

753
00:36:42.760 --> 00:36:43.480
<v Speaker 1>Yeah.

754
00:36:45.559 --> 00:36:47.239
<v Speaker 2>I think it was when you were when i'd got

755
00:36:47.239 --> 00:36:48.960
<v Speaker 2>you watching them, and I think you got around that

756
00:36:49.000 --> 00:36:50.960
<v Speaker 2>episode and I was like, maybe I'll give it a go.

757
00:36:51.079 --> 00:36:54.480
<v Speaker 2>Maybe I've misremembered or like badly judged it. I was like, no,

758
00:36:54.599 --> 00:36:55.320
<v Speaker 2>I can't be bothered.

759
00:36:56.239 --> 00:36:58.239
<v Speaker 1>Yeah, I honestly can't remember what I thought of it

760
00:36:58.280 --> 00:37:00.440
<v Speaker 1>that first time, even though it wasn't that I'm ay,

761
00:37:01.440 --> 00:37:03.079
<v Speaker 1>but I didn't enjoy it this time.

762
00:37:04.239 --> 00:37:07.480
<v Speaker 2>It's such a different style to what all the others are. Yes,

763
00:37:08.360 --> 00:37:10.119
<v Speaker 2>I know that's kind of the point of an anthology,

764
00:37:10.119 --> 00:37:13.760
<v Speaker 2>but equally, it doesn't really have much that keeps it

765
00:37:14.159 --> 00:37:18.119
<v Speaker 2>in that world for me, and it's almost too big

766
00:37:18.119 --> 00:37:20.719
<v Speaker 2>a cast. Like I like it when it's just more

767
00:37:20.760 --> 00:37:23.960
<v Speaker 2>two or three people, and it's the more the more

768
00:37:23.960 --> 00:37:28.280
<v Speaker 2>serious ones. I guess, yeah, obviously with the comedy, but

769
00:37:28.840 --> 00:37:30.440
<v Speaker 2>I prefer when they're a little bit more serious and

770
00:37:30.480 --> 00:37:31.119
<v Speaker 2>have more steaks.

771
00:37:31.519 --> 00:37:34.360
<v Speaker 1>Yeah, I know, I know what you mean. But like

772
00:37:34.440 --> 00:37:37.960
<v Speaker 1>you said, it's it's all about a variety, isn't It

773
00:37:37.960 --> 00:37:40.159
<v Speaker 1>didn't appeal to us. Well, I'm sure appeal to other

774
00:37:40.199 --> 00:37:46.719
<v Speaker 1>people totally. So Yeah, the dreaded question, mm hmmm, what

775
00:37:46.760 --> 00:37:51.079
<v Speaker 1>are you rating it out of nine? I don't want

776
00:37:51.119 --> 00:37:53.480
<v Speaker 1>to be so cruel, just be honest.

777
00:37:55.079 --> 00:37:56.920
<v Speaker 2>I don't know if I've ever established in my head

778
00:37:56.960 --> 00:38:00.199
<v Speaker 2>whether this is one is just that it's awful, or

779
00:38:00.199 --> 00:38:02.280
<v Speaker 2>one there is that it's the worst episode.

780
00:38:02.800 --> 00:38:05.880
<v Speaker 1>I see what you mean. Yes, Like I think it's

781
00:38:05.960 --> 00:38:08.679
<v Speaker 1>more the latter. What you just said that it yeah, yeah,

782
00:38:08.719 --> 00:38:12.719
<v Speaker 1>because otherwise they could all be eights and nine s. Yeah,

783
00:38:12.840 --> 00:38:15.079
<v Speaker 1>I think you've got to compare them to each other somewhat.

784
00:38:15.199 --> 00:38:16.880
<v Speaker 2>And if we put nothing lower than a three, well

785
00:38:16.920 --> 00:38:18.599
<v Speaker 2>then three is by definition just a one.

786
00:38:18.880 --> 00:38:20.280
<v Speaker 1>Yeah, exactly, really, and we.

787
00:38:20.400 --> 00:38:22.280
<v Speaker 2>Just got everything out of seven instead of out of

788
00:38:22.559 --> 00:38:26.039
<v Speaker 2>so Yeah, so unfortunately for me it's a one.

789
00:38:28.760 --> 00:38:30.159
<v Speaker 1>Yeah, I'm not surprised.

790
00:38:29.800 --> 00:38:31.639
<v Speaker 2>It's my least favorite episode of the whole run.

791
00:38:32.039 --> 00:38:35.119
<v Speaker 1>Yeah, I'm not surprised. Yeah, I'm on similar lines. I

792
00:38:35.119 --> 00:38:38.119
<v Speaker 1>was deciding whether to do a one or two, because

793
00:38:38.159 --> 00:38:40.440
<v Speaker 1>one does seem very low, and like I said, there

794
00:38:40.480 --> 00:38:42.880
<v Speaker 1>are things about it that I thought were good, like

795
00:38:42.960 --> 00:38:46.360
<v Speaker 1>TAM's in Althawait. It's performance was brilliant. Steve's performance really

796
00:38:46.360 --> 00:38:49.360
<v Speaker 1>made me laugh. But then I look at if I

797
00:38:49.400 --> 00:38:52.000
<v Speaker 1>give it a two, and then I've given Last Gasp

798
00:38:52.000 --> 00:38:53.920
<v Speaker 1>and the Understudy of three, which is only one point

799
00:38:53.920 --> 00:38:58.079
<v Speaker 1>above that, and they're much better than this. So yeah, yeah,

800
00:38:58.760 --> 00:39:01.119
<v Speaker 1>I'm so sorry to anyone who loves it, but I

801
00:39:01.119 --> 00:39:02.400
<v Speaker 1>think I'm gonna have to do the same as you

802
00:39:02.400 --> 00:39:09.159
<v Speaker 1>and give it a one. Sorry, guys, Yeah, I'm sorry.

803
00:39:11.239 --> 00:39:13.800
<v Speaker 2>But on a more fun note, did you spot the

804
00:39:13.840 --> 00:39:14.440
<v Speaker 2>hair in this one?

805
00:39:14.800 --> 00:39:16.920
<v Speaker 1>No? And I can't even imagine where it could have been.

806
00:39:17.119 --> 00:39:20.280
<v Speaker 2>It is a tricksy one. So it is about seventeen

807
00:39:20.320 --> 00:39:24.000
<v Speaker 2>minutes in. It's in the photo that Steve gets out

808
00:39:24.039 --> 00:39:27.039
<v Speaker 2>of his wallet. It's like on the bed next to

809
00:39:27.119 --> 00:39:31.039
<v Speaker 2>him for no reason, because it has to be. Yeah,

810
00:39:31.440 --> 00:39:32.920
<v Speaker 2>he gets the photo out and foils it.

811
00:39:33.159 --> 00:39:34.840
<v Speaker 1>I can't even remember him getting a photo out. I

812
00:39:34.880 --> 00:39:36.519
<v Speaker 1>think it blotted out my memory already.

813
00:39:37.840 --> 00:39:40.840
<v Speaker 2>When you notice it, it's very obvious, okay, but yeah,

814
00:39:40.840 --> 00:39:43.039
<v Speaker 2>if you don't happen to really be focusing on that

815
00:39:43.159 --> 00:39:45.320
<v Speaker 2>particular two seconds of screen time.

816
00:39:45.679 --> 00:39:48.519
<v Speaker 1>No, okay, well there we go.

817
00:39:49.119 --> 00:39:50.599
<v Speaker 2>Is anything else that's isn't it?

818
00:39:50.880 --> 00:39:52.079
<v Speaker 1>I've got a message to read.

819
00:39:52.320 --> 00:39:55.079
<v Speaker 2>Oh not someone that likes this episode, is it? No,

820
00:39:55.199 --> 00:39:57.679
<v Speaker 2>I'm just going to I don't shut all over it.

821
00:39:57.719 --> 00:39:59.480
<v Speaker 2>And then they were like, I can't wait for you

822
00:39:59.559 --> 00:40:00.639
<v Speaker 2>to get to him the orchestra.

823
00:40:01.639 --> 00:40:03.960
<v Speaker 1>Yeah, I don't know. To be fair, they may like it.

824
00:40:05.719 --> 00:40:06.519
<v Speaker 2>Sorry if we do.

825
00:40:07.559 --> 00:40:10.880
<v Speaker 1>Yeah. Yeah. This is from Nessa, who sent this on Discord.

826
00:40:11.760 --> 00:40:13.360
<v Speaker 1>Just wanted to say that this is honestly one of

827
00:40:13.440 --> 00:40:16.360
<v Speaker 1>my favorite podcasts in my rotation right now. I'm currently

828
00:40:16.360 --> 00:40:19.320
<v Speaker 1>preparing for a monster video Reviewing every episode of Inside

829
00:40:19.400 --> 00:40:21.760
<v Speaker 1>Number nine and hearing the refreshing perspectives of what the

830
00:40:21.840 --> 00:40:25.119
<v Speaker 1>lads thought about the stories is seriously helpful. It also

831
00:40:25.199 --> 00:40:27.519
<v Speaker 1>really helps that the chemistry between Stephen and Yanto are

832
00:40:27.559 --> 00:40:29.679
<v Speaker 1>so great. It really feels like I'm talking shit with

833
00:40:29.719 --> 00:40:33.280
<v Speaker 1>some friends about a show. We all love absolutely great podcasts,

834
00:40:33.280 --> 00:40:34.840
<v Speaker 1>and I'm so excited to see the rest of the

835
00:40:34.840 --> 00:40:36.760
<v Speaker 1>show covered, especially Deadline.

836
00:40:37.519 --> 00:40:38.480
<v Speaker 2>Ah.

837
00:40:38.519 --> 00:40:39.440
<v Speaker 1>That's nice, isn't it.

838
00:40:39.760 --> 00:40:40.440
<v Speaker 2>We're lads.

839
00:40:40.559 --> 00:40:42.039
<v Speaker 1>I was going to say, that's the first time I've

840
00:40:42.039 --> 00:40:44.599
<v Speaker 1>ever been described as a lad. We're lads in my life.

841
00:40:45.679 --> 00:40:50.159
<v Speaker 1>I'm one of the lads. Oh thanks Beta, Yes, so

842
00:40:50.199 --> 00:40:50.880
<v Speaker 1>thank you Nessa.

843
00:40:51.000 --> 00:40:52.000
<v Speaker 2>Oh it's really sweet.

844
00:40:52.079 --> 00:40:53.119
<v Speaker 1>That is really lovely to hear.

845
00:40:53.639 --> 00:40:55.000
<v Speaker 2>Yeah, that's very sweet.

846
00:40:55.400 --> 00:40:57.599
<v Speaker 1>And we're sorry that we read your message out on

847
00:40:57.639 --> 00:41:03.519
<v Speaker 1>what was such a debbie downer of an episode. Your

848
00:41:03.519 --> 00:41:06.599
<v Speaker 1>message was the highlight of the episode. Yeah, yeah it was.

849
00:41:06.920 --> 00:41:07.679
<v Speaker 2>That's really sweet.

850
00:41:08.079 --> 00:41:10.480
<v Speaker 1>Yeah, thank you for that. And yes, just to reminder

851
00:41:10.519 --> 00:41:13.519
<v Speaker 1>that if anyone is into discord and all that stuff,

852
00:41:13.719 --> 00:41:15.679
<v Speaker 1>we've got our Discord server. You can find it on

853
00:41:15.679 --> 00:41:18.639
<v Speaker 1>our link tree in the show notes. What we watching

854
00:41:18.679 --> 00:41:19.199
<v Speaker 1>next week?

855
00:41:19.800 --> 00:41:25.199
<v Speaker 2>Next week we have little little dumping Ah yeah, okay,

856
00:41:25.760 --> 00:41:26.440
<v Speaker 2>different one.

857
00:41:26.880 --> 00:41:29.920
<v Speaker 1>Yes, from what I remember, I quite liked it, so

858
00:41:29.960 --> 00:41:32.199
<v Speaker 1>we shall see. It's got to be a step up

859
00:41:32.199 --> 00:41:32.719
<v Speaker 1>from today.

860
00:41:33.119 --> 00:41:37.000
<v Speaker 2>Yes, yes, definitionally, we can't go lower than we went.

861
00:41:36.880 --> 00:41:40.079
<v Speaker 1>Today, well unless we give something zero, but I don't

862
00:41:40.079 --> 00:41:40.760
<v Speaker 1>think that's going to happen.

863
00:41:41.079 --> 00:41:47.199
<v Speaker 2>It was an option, and retrospectively zero that just feels

864
00:41:47.480 --> 00:41:48.239
<v Speaker 2>too cruel for me.

865
00:41:48.559 --> 00:41:56.880
<v Speaker 1>Yeah, minus nine. I always that's a completely random tangent.

866
00:41:56.920 --> 00:41:58.960
<v Speaker 1>But you know, on like quiz shows and stuff, when

867
00:41:59.000 --> 00:42:01.960
<v Speaker 1>you score money as you go up and then if

868
00:42:02.000 --> 00:42:04.079
<v Speaker 1>you go down below zero, you go into the minus

869
00:42:04.840 --> 00:42:06.239
<v Speaker 1>and I always think, if you get to the end

870
00:42:06.280 --> 00:42:07.880
<v Speaker 1>of the show, are they expecting you to pay them

871
00:42:07.920 --> 00:42:08.280
<v Speaker 1>that much?

872
00:42:12.280 --> 00:42:12.440
<v Speaker 2>Oh?

873
00:42:12.480 --> 00:42:15.119
<v Speaker 1>I'm so sorry you didn't wear now two thousand pounds

874
00:42:15.159 --> 00:42:21.239
<v Speaker 1>please anyway? Yes, so, we'll be back next week for

875
00:42:21.280 --> 00:42:24.960
<v Speaker 1>Little Little Dumpling. We'll see you then, but for now,

876
00:42:25.079 --> 00:42:28.639
<v Speaker 1>I reckon it's time to turn off the backing track

877
00:42:31.519 --> 00:42:32.079
<v Speaker 1>number nine.

878
00:42:32.920 --> 00:42:35.480
<v Speaker 2>But the music never really stops, does it?

879
00:42:36.039 --> 00:42:44.679
<v Speaker 1>No? Saturday Day night. Thanks for listening to the Ninth Degree.

880
00:42:45.159 --> 00:42:47.000
<v Speaker 1>If you'd like to get in touch, you can find

881
00:42:47.079 --> 00:42:50.440
<v Speaker 1>us on Instagram, Twitter, and TikTok at ninth degree Pod,

882
00:42:50.960 --> 00:42:54.519
<v Speaker 1>or email us at ninth Degree Pod at gmail dot com.

883
00:42:54.599 --> 00:42:56.559
<v Speaker 1>You can also leave us a rating or a review

884
00:42:56.840 --> 00:43:06.239
<v Speaker 1>wherever you get your podcasts.
