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<v Speaker 1>Weary way.

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<v Speaker 2>We can kill a.

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<v Speaker 1>Shouting out their way? What the hell are you?

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<v Speaker 2>Yahuja Fest? That's right, we got a name. No, thanks

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<v Speaker 2>to you listeners, it's Yaucha Fest because I couldn't bear

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<v Speaker 2>to keep saying predator Fest because it sounds like a

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<v Speaker 2>Mara Lago mixer HP. Hey, how you doing, brother?

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<v Speaker 3>Doing wonderfully? How are you?

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<v Speaker 2>Father alone? I'm in the midst of a yaoucha fest.

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<v Speaker 2>I couldn't be better.

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<v Speaker 3>What's better than youch youcha fest?

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<v Speaker 2>Youchta yaoucha? Come mom? Brother?

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<v Speaker 3>Yeah with j Fest.

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<v Speaker 2>Winky dinky youcha?

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<v Speaker 3>I thought you were going to say it was blinking,

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<v Speaker 3>blinking and nod, winking, blinking and nod.

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<v Speaker 2>Winky dinky dog. Say it with me, Winky dinky. Do

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<v Speaker 2>you want the hoe cakes?

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<v Speaker 3>Hoecakes?

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<v Speaker 2>You want the wine ho cake? A little bit of

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<v Speaker 2>Hollywood shuffle for y'all.

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<v Speaker 3>Witherspoon, right, John Witherspoon.

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<v Speaker 2>The Great John Witherspoon. Absolutely, we're not here to talk

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<v Speaker 2>about John Witherspoon or Hollywood shuffle. We are talking Predator.

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<v Speaker 4>To Los Angeles nineteen nine seven. It's the hottest summer

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<v Speaker 4>on record. Pollution is choking the city. The gangs control

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<v Speaker 4>the streets. As bad as things are, they're about to

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<v Speaker 4>get worse, much worse.

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<v Speaker 1>Whoever killed it's gonna be I'm a fish.

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<v Speaker 2>It has almost no weight, but it cuts like steel.

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<v Speaker 1>Incredible. Who did this?

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<v Speaker 2>Took out four men art with machine guns by hand.

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<v Speaker 4>You don't know what you're dealing with. Other world life

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<v Speaker 4>forms drawn by heat and conflict.

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<v Speaker 3>He's on Safari, Lions, Tigers, the bears, oh.

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<v Speaker 5>My, Danny Glover, Gerry Busey, Ruben Blades, Maria Councta, Alonso,

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<v Speaker 5>Bill Paxton.

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<v Speaker 2>Predator two.

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<v Speaker 4>He's in town with a few days to kill this Thanksgiving.

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<v Speaker 2>Predator two directed by Stephen Hopkins, written by Jim and

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<v Speaker 2>John Thomas, based on characters by Jim and John Thomas,

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<v Speaker 2>Produced by Joel Silver, who Else and starring Oh geez

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<v Speaker 2>my list shit and starring Danny Glover, Gary Busey, Rubin Blades,

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<v Speaker 2>Maria Concitta, Alonzo, Bill Paxton. Finishing his trifecta of alien

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<v Speaker 2>murders and things from the future sci fi murders. Let's

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<v Speaker 2>call it the Paxton Trifectair also with Robert Dave, Adam Baldwin,

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<v Speaker 2>Kent McCord man from fucking car fifty four.

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<v Speaker 3>Adam to Merant, Adam twelve. Yeah, I was gonna say emergency,

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<v Speaker 3>but it's Adam twelve.

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<v Speaker 2>Adam twelve. My favorite episode of Adam twelve. Can I

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<v Speaker 2>just say there's an episode where he and his partner

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<v Speaker 2>are discussing how he's decided to start taking a bag

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<v Speaker 2>lunch to work, and the scene goes on for ten

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<v Speaker 2>minutes and it's just this back and forth just makes

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<v Speaker 2>economic sense for me. Adam twelve anyway. Also within also

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<v Speaker 2>with Martin Downey Junior.

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<v Speaker 3>Oh, go ahead, No, I was just about to say

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<v Speaker 3>Adam twelve was my oldest brother's favorite show that in

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<v Speaker 3>chips you can't get enough of them.

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<v Speaker 2>There's a reason I love your oldest brother best. And

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<v Speaker 2>also featuring Kevin Peter Hall returning as a The Predator,

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<v Speaker 2>but not the Predator because this is a different Predator.

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<v Speaker 2>He's very different. Indeed, HP Predator two released November the

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<v Speaker 2>twenty first, nineteen ninety Sir, I guess we were seniors

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<v Speaker 2>in high school.

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<v Speaker 3>Yeah, there was we were rising. That was early in

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<v Speaker 3>our seniorhood, and I believe we both I don't know

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<v Speaker 3>that if we saw.

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<v Speaker 2>This, Willow, did we not see this together.

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<v Speaker 3>I was going to say, I don't think we saw

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<v Speaker 3>it together, but I did remember. I did see this

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<v Speaker 3>in the movies, though I do that much, I do remember.

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<v Speaker 2>Now this is the second film in the series. Evidently

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<v Speaker 2>twentieth Century Fox immediately wanted a second film once the

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<v Speaker 2>first film was a massive success, so Jim and John

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<v Speaker 2>Thomas were called upon. They provided six different possible scenarios

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<v Speaker 2>and everyone agreed and urban Jungle is the way to go. Now.

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<v Speaker 2>They set this one in Los Angeles, but they needed

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<v Speaker 2>to make some adjustments because Los Angeles doesn't have a

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<v Speaker 2>subway system, and some of our techniques here are going

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<v Speaker 2>to be a little bit more futuristic. So this film

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<v Speaker 2>takes place ten years after the previous one, setting it

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<v Speaker 2>technically in the future, came out in nineteen ninety takes

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<v Speaker 2>place in nineteen ninety seven. HP, What were your thoughts then?

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<v Speaker 2>What are your thoughts now?

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<v Speaker 3>Overall thoughts overall in the movie.

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<v Speaker 2>Overall, we'll get granular in the moment.

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<v Speaker 3>Sure, at the time, I remember enjoying it quite a bit.

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<v Speaker 3>It was a departure from the first one. They I

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<v Speaker 3>liked the substitution of the urban the concrete jungle. If

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<v Speaker 3>you will for the Leafy Jungle. I liked it at

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<v Speaker 3>the time. That's my short review. How about yourself?

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<v Speaker 2>Yeah, I really liked it in a lot of ways.

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<v Speaker 2>I liked it more than the first film only because

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<v Speaker 2>I enjoyed putting it in an urban setting. The jungle

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<v Speaker 2>setting was great for a one off kind of remote scenario,

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<v Speaker 2>but the thing scenario or alien to aliens more like,

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<v Speaker 2>which this film parallels in more ways than one. So

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<v Speaker 2>I thoroughly enjoyed it. Then I remembered it nothing but fun.

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<v Speaker 2>Then it probably sa not a few times since then.

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<v Speaker 2>But what are your thoughts now, friend? You know what?

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<v Speaker 2>Fuck it, we'll get into that HP. What's the story here?

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<v Speaker 3>So the story is as you said, it's nineteen ninety seven.

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<v Speaker 3>There's it's it is. But it's an exaggerated, heightened version

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<v Speaker 3>of la in the future. Not to say it's like

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<v Speaker 3>a Judge Dread type of situation.

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<v Speaker 2>But it's a Demolition Man scenario, certainly.

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<v Speaker 3>That's it. It's as if Demolition Man took place. It

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<v Speaker 3>was a few years before the beginning of Demolition Man,

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<v Speaker 3>where there's still elements that look like the real current world,

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<v Speaker 3>but you have Morton Downey who's playing this sort of

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<v Speaker 3>the video telejournalist, the sort of muck raking. That's a

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<v Speaker 3>terrible word that makes me sound like I live in

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<v Speaker 3>you know, the forties or something. But he's playing Morton Downey.

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<v Speaker 3>Folks who don't remember Morton Downey was Was he the

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<v Speaker 3>original late night, hyper crazy, cheap ass talk show host.

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<v Speaker 2>There was a regional fella in California named Wally George

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<v Speaker 2>and basically, if you were able to tune into a

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<v Speaker 2>Wally George show, you saw the Morton Downey Junior Show.

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<v Speaker 2>In fact, Mortin Downy Junior appear on the Wally George

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<v Speaker 2>Show before he had his own show, so it's safe

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<v Speaker 2>to say that the format and the character he portrayed

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<v Speaker 2>were already in existence, but not nationally. So he basically

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<v Speaker 2>he's Oreos to Wally George's hydros.

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<v Speaker 3>Hydrox, Yeah, which I think we all can agree. Hydrox

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<v Speaker 3>was the superior cookie, but it is not remembered now

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<v Speaker 3>because Oreos had better marketing. But anyway, it's a future.

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<v Speaker 3>There's a gang war going on, and it's the hottest

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<v Speaker 3>summer on record or something. It's a very hot summer

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<v Speaker 3>and there's a gang war going on between the Jamaican

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<v Speaker 3>gang and the Columbian gang and police officers are dying

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<v Speaker 3>left and right. There's a little bit of RoboCop in

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<v Speaker 3>this movie too, not satire to that degree, but definitely

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<v Speaker 3>a heightened reality.

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<v Speaker 2>If you will, you can tell you that Thomas Brothers

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<v Speaker 2>are having a fun time caricaturizing Los Angeles because there

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<v Speaker 2>were gang wars going on, and there were all like

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<v Speaker 2>incredibly heat waves and droughts and such that had been

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<v Speaker 2>going on previously. Not to this level. This is exaggerated,

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<v Speaker 2>This is Judge Dread levels of exaggeration, but again without

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<v Speaker 2>the satire.

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<v Speaker 3>Correct correct. And Danny Glover is leading a team of

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<v Speaker 3>he's a cop and he has other cops. Maria Cancido

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<v Speaker 3>Alonso is on his I don't know is he a sergeant?

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<v Speaker 3>Is he I don't know what his title? Captain, lieutenant Mike,

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<v Speaker 3>that's right, Harrigan. And he has a team that works

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<v Speaker 3>Ruben Blades. Interesting, by the way, Father Malone, I, I

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<v Speaker 3>too was worried that I was going to mispronounce his name,

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<v Speaker 3>because naturally I'd want to say ruben blades or is

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<v Speaker 3>it blades? But I did look up an interview that

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<v Speaker 3>he gave for the walking Dead, and he basically said,

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<v Speaker 3>when I grew up, I called myself Blades, and then

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<v Speaker 3>later people in Panama called me blades, so it's blades,

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<v Speaker 3>it's blattes. I don't care. So I guess we'll continue

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<v Speaker 3>to call him blades out of some form of respect,

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<v Speaker 3>but it could go either way anyway.

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<v Speaker 2>When I saw this movie, I called him Ruben Blades

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<v Speaker 2>and I thought he was shaking too. I thought he

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<v Speaker 2>was the coolest motherfucker on You know. He was a

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<v Speaker 2>musician and I had one of his albums and in

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<v Speaker 2>the liner notes of the album it had his home

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<v Speaker 2>phone number and if you called it, he picked up.

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<v Speaker 2>And I know because I called him, and then I

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<v Speaker 2>panicked and hung up afterwards. But it was Ruben Blades.

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<v Speaker 3>Good for him.

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<v Speaker 5>He was.

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<v Speaker 3>Also he was the Helado de Coco guy in Do

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<v Speaker 3>the Right Thing. Was the little bit part he was, hey,

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<v Speaker 3>come get you come you want coconut dear? What would

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<v Speaker 3>you want? Yeah?

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<v Speaker 2>That was what I loved him. I miss him.

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<v Speaker 3>Ruben blood is I think he was. I want to

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<v Speaker 3>say he was also in Mobid of Blues. Wasn't he

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<v Speaker 3>the guy that sent the thugs to beat up Spike Lee?

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<v Speaker 2>We can only hope like one of his other noble deeds.

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<v Speaker 3>He's great. He's actually one of the things I really

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<v Speaker 3>liked about this movie. Anyway. There's this gang war going on,

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<v Speaker 3>and in the midst of all of this heat and

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<v Speaker 3>chaos and destruction, the predator A predator, not the Predator

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<v Speaker 3>has as Gary Busey's character says, he's on safari. He

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<v Speaker 3>plunks himself in the middle of all this chaos to

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<v Speaker 3>go hunting. That's true, that's the story on that show.

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<v Speaker 2>I love that he's just hanging out and watching this

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<v Speaker 2>fight going on at the beginning, don't you. Yeah, I do.

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<v Speaker 3>It's I will say this, if we're going to start

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<v Speaker 3>to get into this movie.

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<v Speaker 2>You know, let's get into it, because this opening scene

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<v Speaker 2>is fucking ridiculous. I get they're trying to paint this

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<v Speaker 2>as a comic bookie cartoony version of LA, a sci

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<v Speaker 2>fi version of La heightened. The reality version of LA.

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<v Speaker 2>The gunfight that's going on in the streets would be

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<v Speaker 2>talked about to this day had it happened back in

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<v Speaker 2>like nineteen ninety seven, Like there was a heat style

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<v Speaker 2>gun battle you remember in Las on the streets of

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<v Speaker 2>Los Angeles. There are a couple of guys with bank robbers,

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<v Speaker 2>and they ended up like shooting their way out. That

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<v Speaker 2>was all anyone could talk about for years and years

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<v Speaker 2>and years and years and years. Can you imagine this

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<v Speaker 2>fight going on? There are lines of cars, There are

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<v Speaker 2>lines of Colombian warlords, including El Scorpio. What was that

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<v Speaker 2>fella's name? I gotta find his name.

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<v Speaker 3>He was good only that This is the kind of

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<v Speaker 3>heightened scene where they're having this gun battle, and in

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<v Speaker 3>the midst of it, some of the gang members are

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<v Speaker 3>thrusting their faces into piles of cocaine to get themselves

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<v Speaker 3>like hyped up for this gun battle. In drives in

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<v Speaker 3>Danny Glover, they try to paint his character as being

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<v Speaker 3>a renegade from the very beginning. There's some officers down

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<v Speaker 3>and they can't get to them because of the fears

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<v Speaker 3>gun battle. So he commandeers a car and he drives

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<v Speaker 3>it in and he puts it's a crazy gun battle

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<v Speaker 3>and I have So there.

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<v Speaker 2>Are a couple officers in the middle of the street

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<v Speaker 2>and caught in the crossfire. He breaks the door off

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<v Speaker 2>of a car, uses it like as a battering ram,

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<v Speaker 2>and then ends up blocking the gun toting fiends from

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<v Speaker 2>the officers and they're able to pull them to safety. Hooray.

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<v Speaker 2>What I love is if you read anything about the

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<v Speaker 2>making of the film. Initially, director Stephen Hopkins wanted Patrick

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<v Speaker 2>Swayze in this role, and he wanted it to be

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<v Speaker 2>a buddy film of Patrick's and Arnold Schwarzenegger are running

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<v Speaker 2>through the streets of Los Angeles fighting the predators. And

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<v Speaker 2>then that didn't pan out and either direction. Schwartzenegger wanted

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<v Speaker 2>too much money and Patrick Swayzy was not available. So

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<v Speaker 2>Joel Silver reaches out to his old lethal weapon pal,

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<v Speaker 2>Danny Glover, and while he was doing that, Stephen Hopkins

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<v Speaker 2>was interviewing Steven Segal for the role of Detective Harrigan,

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<v Speaker 2>who was interested in doing it but wanted to change

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<v Speaker 2>his character so that he was a CIA operative and

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<v Speaker 2>like a martial arts expert, and Stephen Hopkins was like, no,

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<v Speaker 2>I want this to be more of an average Joe.

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<v Speaker 2>So sorry, no, thank you, Steven Singal. And now I

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<v Speaker 2>wonder what Stephen Hopkins' definition of an average Joe is.

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<v Speaker 2>Because Danny Glover shows up here, breaks the door off

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<v Speaker 2>of the car, slams it, and then saves those guys

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<v Speaker 2>and then everything. They all run into the building. They're

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<v Speaker 2>all high on cocaine. They have a fucking arsenal up there.

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<v Speaker 2>He's running up there as well. It's one hundred and

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<v Speaker 2>nine degrees out here. This is not average Joe. This

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<v Speaker 2>is Superhero. This basically would have been Schwarzenegger.

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<v Speaker 3>It would have been And I have to I have

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<v Speaker 3>to say part of my problem with this gun battle

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<v Speaker 3>and the movie a lot of the movie in general,

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<v Speaker 3>is the action I don't think is directed very well.

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<v Speaker 3>It's there's not a great sense of context. I think

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<v Speaker 3>one of the things that's wonderful about the First Predator

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<v Speaker 3>is you always understand where they are in relation to

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<v Speaker 3>the Predator and what's happening. And that's key to a

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<v Speaker 3>good action sequence. Diehard, that is a textbook case and

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<v Speaker 3>how to direct and how to direct action in a

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<v Speaker 3>motion picture. This is just there. There's a lot of

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<v Speaker 3>slow motion. There's just wants and gun battles. Maybe that's

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<v Speaker 3>the point is it's so chaotic, but I kept losing

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<v Speaker 3>my bearing on where things were happening that it just

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<v Speaker 3>became a lot of noise and storm un drying without

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<v Speaker 3>a lot of character to it. What did you think

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<v Speaker 3>of how it was directed. The action.

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<v Speaker 2>I remember really liking the direction for some goddamned reason

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00:14:59.159 --> 00:15:03.120
<v Speaker 2>because it it is poorly directed. What you're saying, you

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<v Speaker 2>never get a sense of geography in this movie at all.

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<v Speaker 2>There are fights going on with multiple characters involved in

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<v Speaker 2>multiple situations, and you never know where any of them

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<v Speaker 2>are or where they are in relation to each other.

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<v Speaker 2>It is chaotically edited. Even you know this shit going

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<v Speaker 2>on because stuff is blowing up and people are flying

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<v Speaker 2>through the air and bullets are being spat in every direction,

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<v Speaker 2>but it's not like you ever know. It's not like

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<v Speaker 2>there's a story being told here.

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<v Speaker 3>And it only gets worse when the predator shows up

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<v Speaker 3>because then he's camouflaged. The whole point is you don't

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<v Speaker 3>see him until he wants to see you, and it's

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00:15:47.840 --> 00:15:51.559
<v Speaker 3>just now like it's all geography at all. Context is

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<v Speaker 3>lost because now they're shooting at something else. It's edited,

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<v Speaker 3>like you said, very poorly, very choppily edited. I guess

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<v Speaker 3>that's partly the time that this movie was made is

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<v Speaker 3>to blame, because that was the style of action picture

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<v Speaker 3>at the Yeah.

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<v Speaker 2>But but just the moments where Harrigan gets the car

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<v Speaker 2>in between the gunmen and the police the gunman at

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00:16:11.759 --> 00:16:15.440
<v Speaker 2>that point all run into the building and then suddenly,

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00:16:15.799 --> 00:16:18.200
<v Speaker 2>because they need them there again, they're there again. There's

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00:16:18.240 --> 00:16:20.080
<v Speaker 2>like a whole other line of guy shooting so that

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00:16:20.120 --> 00:16:23.799
<v Speaker 2>Harrogan can blow them all away. Speaking of which, Harrogan

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00:16:23.840 --> 00:16:26.799
<v Speaker 2>gets behind a group of four gunmen who are firing

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<v Speaker 2>on his fellow officers, and he goes hey so that

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00:16:30.559 --> 00:16:33.320
<v Speaker 2>they can all turn around, because it would be somehow

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00:16:33.440 --> 00:16:35.840
<v Speaker 2>immoral to have shot these guys in the back. What

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00:16:35.879 --> 00:16:38.720
<v Speaker 2>the fuck is happening? No, I don't know.

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<v Speaker 3>I love Danny Glover. I think he's perfect in the

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<v Speaker 3>lethal Weapon movies as the over the hill cop who's

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00:16:48.720 --> 00:16:50.600
<v Speaker 3>too old for this shit. I don't think he was

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00:16:50.679 --> 00:16:53.240
<v Speaker 3>right for this movie. As happy as I am that

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00:16:53.799 --> 00:16:58.000
<v Speaker 3>an African American got the lead role in an action picture,

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00:16:58.279 --> 00:17:00.840
<v Speaker 3>and I know he was psyched because of interviews where

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00:17:00.879 --> 00:17:03.360
<v Speaker 3>he said he jumped at the chance for him to

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00:17:03.399 --> 00:17:06.279
<v Speaker 3>go toe to toe with the predator and be a badass.

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<v Speaker 3>That's totally awesome, right on the problem is I maybe

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00:17:11.599 --> 00:17:14.880
<v Speaker 3>he just wasn't Maybe he was directed a certain way.

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00:17:15.039 --> 00:17:19.960
<v Speaker 3>He's often bellowing his lines and it's I don't know,

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00:17:20.000 --> 00:17:23.039
<v Speaker 3>he just he's such a good traumatic actor, and he's

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00:17:23.119 --> 00:17:26.759
<v Speaker 3>good as the sort of a buddy and a buddy

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00:17:26.759 --> 00:17:29.799
<v Speaker 3>cop movie. I just don't think he was right here

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00:17:29.839 --> 00:17:33.359
<v Speaker 3>because he just seems to be laboring all the time,

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00:17:33.559 --> 00:17:36.160
<v Speaker 3>not laboring, and I'm too old for this shit, because

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00:17:36.160 --> 00:17:38.799
<v Speaker 3>at no point is that actually spoken in this movie. Gratefully,

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00:17:39.480 --> 00:17:44.680
<v Speaker 3>but I just didn't buy him as the hardened lieutenant

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00:17:44.720 --> 00:17:46.799
<v Speaker 3>who's trying to keep it together in the midst of

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00:17:46.799 --> 00:17:49.599
<v Speaker 3>this gang war. That what did you think? Father alone?

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00:17:49.640 --> 00:17:52.480
<v Speaker 2>I think Schwarzenegger has a presence in action movies where

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00:17:52.480 --> 00:17:54.519
<v Speaker 2>you don't need to know anything about the character because

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00:17:54.519 --> 00:17:57.880
<v Speaker 2>it's Arnold Schwarzeneger. And in a case like this, where

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00:17:58.519 --> 00:18:01.880
<v Speaker 2>we were dropped into a whole new movie with a

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00:18:01.880 --> 00:18:05.319
<v Speaker 2>whole new set of characters, we need someone of equal standing.

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00:18:06.079 --> 00:18:08.640
<v Speaker 2>I think Danny Glever could have been that had this

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00:18:08.720 --> 00:18:11.519
<v Speaker 2>character been written a little bit better, had they given

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00:18:11.599 --> 00:18:16.480
<v Speaker 2>us one scene of introspection or his home life or

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00:18:16.519 --> 00:18:19.440
<v Speaker 2>anything at all that drives this man. Because I know

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00:18:19.599 --> 00:18:22.119
<v Speaker 2>nothing about him, I began the movie the same way

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00:18:22.160 --> 00:18:23.880
<v Speaker 2>I ended the movie as far as my knowledge of

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00:18:23.920 --> 00:18:30.039
<v Speaker 2>this guy. Look, I'm not mister screenwriter. Screenplay tricks like,

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00:18:30.079 --> 00:18:32.680
<v Speaker 2>I don't need a character arc necessarily. I don't have

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00:18:32.680 --> 00:18:35.160
<v Speaker 2>a problem with the character beginning and ending the same place,

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00:18:35.240 --> 00:18:37.160
<v Speaker 2>but I need to know something about them other than

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00:18:37.319 --> 00:18:38.559
<v Speaker 2>he's really good at his job.

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<v Speaker 3>Oh you're going to say something. No, yeah, I remember

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00:18:42.920 --> 00:18:46.039
<v Speaker 3>enjoying him when I saw it for the first time.

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00:18:46.119 --> 00:18:48.039
<v Speaker 3>I thought it was pretty cool, it was interesting, it

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00:18:48.079 --> 00:18:49.480
<v Speaker 3>was an action.

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00:18:49.839 --> 00:18:52.559
<v Speaker 2>Let's talk you know before you go there, because you

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00:18:52.599 --> 00:18:54.759
<v Speaker 2>brought up Stephen Hopkins. So I just want to double

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00:18:54.799 --> 00:18:56.599
<v Speaker 2>back on him for a second, because in my mind

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00:18:56.599 --> 00:18:58.880
<v Speaker 2>he was a good director, and rereading the list of

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00:18:58.920 --> 00:19:01.000
<v Speaker 2>movies that he made, no, he is not, because he

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00:19:01.039 --> 00:19:03.440
<v Speaker 2>made name Fordham Street, Dream Child, which is terrible. He

335
00:19:03.480 --> 00:19:05.640
<v Speaker 2>made this, which is pretty good, but it's only it's

336
00:19:05.680 --> 00:19:08.720
<v Speaker 2>good kind of despite him. Then he made the Judgment Night,

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00:19:08.880 --> 00:19:14.400
<v Speaker 2>which hilariously HP I found myself watching about two weeks ago. Really,

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00:19:14.400 --> 00:19:16.000
<v Speaker 2>it was just on. It was like one of those

339
00:19:16.440 --> 00:19:19.920
<v Speaker 2>Roku channel has a list of potential movies that are

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00:19:19.920 --> 00:19:21.519
<v Speaker 2>playing right now, and he pressed the button and it

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00:19:21.559 --> 00:19:24.079
<v Speaker 2>just starts and thuning. Oh, but I haven't seen Judgment Nights,

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00:19:24.119 --> 00:19:26.440
<v Speaker 2>and since it was in theaters, I wonder if it

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00:19:26.480 --> 00:19:30.640
<v Speaker 2>held up. Oh man, no, not at all. It is uttered.

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<v Speaker 2>Garbage soundtrack is still great.

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<v Speaker 3>I was gonna say the soundtrack is still awesome, but

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<v Speaker 3>I agree with you that it doesn't hold up. Another

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00:19:37.799 --> 00:19:39.160
<v Speaker 3>movie that I liked at the time, and then I

348
00:19:39.240 --> 00:19:41.480
<v Speaker 3>rewatched it later and said, oh, this isn't so good.

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00:19:42.119 --> 00:19:45.759
<v Speaker 2>Speaking of terrible movies, he follows that up with Blown Away,

350
00:19:46.480 --> 00:19:49.839
<v Speaker 2>the most adult one. But let me speak as an

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00:19:49.880 --> 00:19:52.119
<v Speaker 2>Irish person here, the most let me speak as a

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00:19:52.160 --> 00:19:56.880
<v Speaker 2>Boston Irish person here, the most insulting, IRA fucking knockoff,

353
00:19:56.960 --> 00:20:00.400
<v Speaker 2>bullshit movie. I've ever seen a movie where Jeff Bridge

354
00:20:00.599 --> 00:20:04.000
<v Speaker 2>jumps on a motorcycle in back Bay to drive to

355
00:20:04.640 --> 00:20:07.759
<v Speaker 2>the Esplanade and then somehow goes over the Longfellow Bridge.

356
00:20:08.160 --> 00:20:11.440
<v Speaker 3>Yeah, not a lot of geography there either. I actually

357
00:20:11.480 --> 00:20:14.680
<v Speaker 3>it's funny. I could have sworn that this was the

358
00:20:14.720 --> 00:20:17.599
<v Speaker 3>same director who did one of the Bill and Ted movies,

359
00:20:17.640 --> 00:20:20.319
<v Speaker 3>but I had him mixed up with Stephen Herrick.

360
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<v Speaker 2>Me nuts too, me the same thing. I thought, you

361
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<v Speaker 2>know what, I don't know much about this guy, but

362
00:20:26.319 --> 00:20:28.160
<v Speaker 2>I know he directed one of those Bill and Ted movies,

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00:20:28.200 --> 00:20:30.000
<v Speaker 2>so I'm going to give him the benefit of the doubt.

364
00:20:30.000 --> 00:20:31.599
<v Speaker 2>As I was watching and going is this guy a

365
00:20:31.640 --> 00:20:34.960
<v Speaker 2>bad director? Because this is not well directed at all?

366
00:20:35.079 --> 00:20:38.319
<v Speaker 2>The ghost and the darkness. Remember that, Remember Lost in

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<v Speaker 2>Space with Joey Tribiani. Yeah, in the gleap like merchandising monkey.

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00:20:45.759 --> 00:20:48.599
<v Speaker 3>Yeah, that was the funny story. I came out. I

369
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<v Speaker 3>visited you in Vegas. It was my fortieth birthday. Do

370
00:20:52.200 --> 00:20:54.680
<v Speaker 3>you remember this? And I was staying. We were staying

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00:20:54.720 --> 00:20:57.480
<v Speaker 3>at the Planet Hollywood Hotel, which I don't think is

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<v Speaker 3>even still there.

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<v Speaker 2>Is it Planet Hollywood the hotel?

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00:21:01.480 --> 00:21:01.559
<v Speaker 1>No?

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00:21:02.160 --> 00:21:04.920
<v Speaker 2>What is it now? I think it's still Planet Hollywood.

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00:21:05.240 --> 00:21:07.160
<v Speaker 3>I don't know. We were staying in the Lost in

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<v Speaker 3>Space room.

378
00:21:07.960 --> 00:21:10.759
<v Speaker 2>It had no Planet Hollywood as a restaurant is closed.

379
00:21:10.799 --> 00:21:12.759
<v Speaker 2>Planet Hollywood as a hotel is still there.

380
00:21:12.880 --> 00:21:15.279
<v Speaker 3>It's still there, Okay. Like I said, we every room

381
00:21:15.319 --> 00:21:17.319
<v Speaker 3>I think had a different theme, a different movie. And

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00:21:17.359 --> 00:21:19.720
<v Speaker 3>we were in the Lost in Space room that had

383
00:21:19.720 --> 00:21:22.279
<v Speaker 3>a couple of props that were encased in loose sight

384
00:21:22.480 --> 00:21:24.880
<v Speaker 3>in a table or something, and it was, oh, okay,

385
00:21:24.880 --> 00:21:26.519
<v Speaker 3>it's Lost in Space with Gary Oldman.

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00:21:26.559 --> 00:21:29.000
<v Speaker 2>All right, did it have Heathers? Did it have a

387
00:21:29.039 --> 00:21:30.720
<v Speaker 2>display of Heather Gram's will to live?

388
00:21:32.240 --> 00:21:35.640
<v Speaker 3>No? But yeah, I agree when I looked him up

389
00:21:35.640 --> 00:21:37.319
<v Speaker 3>and said, oh, this isn't the same guy I thought

390
00:21:37.319 --> 00:21:40.759
<v Speaker 3>he was. Because I thought this for years, probably until

391
00:21:40.839 --> 00:21:43.319
<v Speaker 3>fairly recently. I didn't know that it wasn't the same

392
00:21:43.359 --> 00:21:46.359
<v Speaker 3>guy from the Bill and Ted pictures. But this was.

393
00:21:46.839 --> 00:21:50.279
<v Speaker 3>It was not it was not directed. Well you know

394
00:21:50.440 --> 00:21:55.680
<v Speaker 3>he the actors performances are all over the place. The action,

395
00:21:55.920 --> 00:22:00.640
<v Speaker 3>like we said, is not very interestingly done, and.

396
00:22:00.599 --> 00:22:04.079
<v Speaker 2>It's just just the costume choices alone in some cases.

397
00:22:04.519 --> 00:22:07.440
<v Speaker 3>Oh, we haven't even talked about Bill Paxton. So Bill

398
00:22:07.480 --> 00:22:09.839
<v Speaker 3>Paxton you mentioned him at the top. He's in this.

399
00:22:10.279 --> 00:22:11.880
<v Speaker 3>The thing is I love that he was in it

400
00:22:11.960 --> 00:22:14.559
<v Speaker 3>because we all were such fans of his back then

401
00:22:14.680 --> 00:22:18.319
<v Speaker 3>he was in his prime with aliens and true lies

402
00:22:18.400 --> 00:22:21.759
<v Speaker 3>and this he in this picture. He looks like he

403
00:22:21.799 --> 00:22:24.880
<v Speaker 3>should be swing dancing to Big Bad Voodoo Daddy with

404
00:22:24.920 --> 00:22:27.960
<v Speaker 3>Heather Graham. They put him in these like bowling shirts

405
00:22:28.000 --> 00:22:29.400
<v Speaker 3>and Fedora's.

406
00:22:29.559 --> 00:22:34.160
<v Speaker 2>He looks of fire, which he's in pretty much.

407
00:22:34.279 --> 00:22:37.119
<v Speaker 3>The only thing missing was like a wallet chain. He

408
00:22:37.240 --> 00:22:40.519
<v Speaker 3>just he looked. It was weird. And he's supposed to be.

409
00:22:41.279 --> 00:22:45.839
<v Speaker 3>He's a cop who transfers to Danny Glover's Harrigan's unit

410
00:22:45.920 --> 00:22:48.680
<v Speaker 3>because he wants to be where the action is the

411
00:22:49.960 --> 00:22:55.960
<v Speaker 3>low ranger. But there's no evidence whatsoever with his performance

412
00:22:56.519 --> 00:22:59.119
<v Speaker 3>or with the character truth be Told that he is

413
00:22:59.240 --> 00:23:03.559
<v Speaker 3>this badass. He's he comes off. Think of him in

414
00:23:03.640 --> 00:23:07.519
<v Speaker 3>True Lies, when he's putting on the charm to Jamie

415
00:23:07.599 --> 00:23:10.519
<v Speaker 3>Lee Curtis and pretending to be a secret agent. That's

416
00:23:10.559 --> 00:23:14.119
<v Speaker 3>the guy we get here, the guy with a patter who's,

417
00:23:14.519 --> 00:23:17.000
<v Speaker 3>you know, always on the make. He's always trying out

418
00:23:17.000 --> 00:23:20.640
<v Speaker 3>a line on Alonso or some woman in a bar.

419
00:23:21.079 --> 00:23:24.400
<v Speaker 3>Like I. I was mystified at his character. What the

420
00:23:24.400 --> 00:23:26.119
<v Speaker 3>point of it was, Father Malone. I guess that's more

421
00:23:26.160 --> 00:23:27.319
<v Speaker 3>the writing than the directing.

422
00:23:27.640 --> 00:23:31.799
<v Speaker 2>But still, yeah, it's fifty percent Hudson from Aliens and

423
00:23:31.799 --> 00:23:35.240
<v Speaker 2>fifty percent that guy from True Eyes, like an uncomfortable

424
00:23:35.279 --> 00:23:39.480
<v Speaker 2>balance that doesn't ever come off. And yeah, I don't

425
00:23:39.519 --> 00:23:41.720
<v Speaker 2>know if it's the writing or what, but I don't know.

426
00:23:41.920 --> 00:23:44.960
<v Speaker 2>It's a weird combination of a poor writing and maybe

427
00:23:45.000 --> 00:23:47.200
<v Speaker 2>poor choices on Bill Packson's part. I think, in an

428
00:23:47.240 --> 00:23:50.079
<v Speaker 2>attempt to get away from Hudson, he was trying to

429
00:23:50.079 --> 00:23:55.440
<v Speaker 2>play this like overeager guy like he's it's weird. He's

430
00:23:55.480 --> 00:23:58.160
<v Speaker 2>trying to give this guy's vulnerability when he needs to

431
00:23:58.200 --> 00:24:01.440
<v Speaker 2>be just a cocky prick, so he's way so slick.

432
00:24:02.119 --> 00:24:04.240
<v Speaker 2>He was slick, but like everything he was saying was

433
00:24:04.279 --> 00:24:09.640
<v Speaker 2>like awkward and socially, you know, inempt. So I don't know.

434
00:24:10.200 --> 00:24:13.200
<v Speaker 3>So that was disappointing rewatching it all these years later,

435
00:24:13.240 --> 00:24:15.440
<v Speaker 3>because like I said, I love him in almost everything

436
00:24:15.440 --> 00:24:17.039
<v Speaker 3>I see him. In this case, it was just a

437
00:24:17.119 --> 00:24:20.759
<v Speaker 3>lot while. But but there are things. Let's let's turn

438
00:24:20.759 --> 00:24:23.680
<v Speaker 3>this around. Let's continue talking about the plot of the movie.

439
00:24:23.799 --> 00:24:26.640
<v Speaker 3>So in the midst of this gang war, the Predator

440
00:24:26.839 --> 00:24:31.200
<v Speaker 3>crashes in and at this crime scene. Actually no, they

441
00:24:31.680 --> 00:24:37.000
<v Speaker 3>later there's a the Colombian drug lord is basically like

442
00:24:37.079 --> 00:24:41.759
<v Speaker 3>a bunch of the Jamaicans break into his his mansion

443
00:24:41.839 --> 00:24:45.079
<v Speaker 3>or whatever, and they're going to kill him, ritualistically kill him.

444
00:24:45.160 --> 00:24:48.279
<v Speaker 2>And it's all like Frank Lloyd right as Tech right.

445
00:24:49.000 --> 00:24:52.759
<v Speaker 2>So it's so which also echoes the kind of blade

446
00:24:52.839 --> 00:24:55.799
<v Speaker 2>Runner apartments, which is also that sort of Frank Lloyd

447
00:24:55.839 --> 00:24:57.240
<v Speaker 2>right as Tech tile.

448
00:24:57.440 --> 00:24:59.319
<v Speaker 3>The funny thing is they're gonna they say that they

449
00:24:59.400 --> 00:25:02.720
<v Speaker 3>hunt they this drug lord up by his feet and

450
00:25:02.720 --> 00:25:04.759
<v Speaker 3>they're gonna cut his heart out because they say they

451
00:25:04.759 --> 00:25:07.480
<v Speaker 3>want to do it ritualistically. They're gonna do voodoo. They're

452
00:25:07.480 --> 00:25:09.279
<v Speaker 3>gonna they're gonna kill himvoodoo stuff.

453
00:25:09.079 --> 00:25:12.039
<v Speaker 2>And they they've dipped a chicken leg and blood and

454
00:25:12.079 --> 00:25:14.720
<v Speaker 2>they're like writing on his chest sigils and stuff, like

455
00:25:14.759 --> 00:25:16.680
<v Speaker 2>freaking him out with all the voodoo thisss.

456
00:25:16.920 --> 00:25:21.160
<v Speaker 3>But here's the thing. They're Jamaican. Yeah, they're not hate

457
00:25:21.559 --> 00:25:24.960
<v Speaker 3>and they're Jamaicans. I thought that was I didn't catch

458
00:25:25.000 --> 00:25:27.119
<v Speaker 3>that when I was a kid, obviously, but now I'm like,

459
00:25:27.160 --> 00:25:30.440
<v Speaker 3>that's interesting. Anyway, as they're killing this drug lord, the

460
00:25:30.480 --> 00:25:35.039
<v Speaker 3>predator is broken in and kills everybody in the whole room.

461
00:25:35.119 --> 00:25:38.559
<v Speaker 3>And then as the cops Danny Glover and Ruben Blade,

462
00:25:38.640 --> 00:25:43.839
<v Speaker 3>so they're investigating incomes in CIA group led by who

463
00:25:44.039 --> 00:25:44.519
<v Speaker 3>fought him.

464
00:25:44.440 --> 00:25:51.720
<v Speaker 2>Alone, Uncle red Garabuse. Oh mah, I love Garret Busy.

465
00:25:52.400 --> 00:25:55.880
<v Speaker 2>He's you know what he's post this is post motorcycle accident,

466
00:25:55.960 --> 00:25:59.279
<v Speaker 2>but not he hasn't fucking completely lost it this.

467
00:25:59.480 --> 00:26:02.880
<v Speaker 3>I think think this was his first picture after the accident,

468
00:26:02.960 --> 00:26:07.319
<v Speaker 3>so he hadn't it hadn't progressed to looney Tunes yet.

469
00:26:07.359 --> 00:26:10.400
<v Speaker 3>So he's he still has a good he's still helding

470
00:26:10.400 --> 00:26:13.720
<v Speaker 3>it together pretty well and good than this. Yeah, he's

471
00:26:13.759 --> 00:26:17.880
<v Speaker 3>really good. Because so he Glover Harrigan knows something is

472
00:26:17.960 --> 00:26:21.079
<v Speaker 3>up because these CIA goons come in and there.

473
00:26:21.160 --> 00:26:24.880
<v Speaker 2>They basically what if they swapped roles, Actually.

474
00:26:24.640 --> 00:26:26.759
<v Speaker 3>That would have been interesting because you would have been

475
00:26:26.759 --> 00:26:31.240
<v Speaker 3>more likely to believe Danny Glover until you realize what

476
00:26:31.279 --> 00:26:36.880
<v Speaker 3>he's actually up to. Because initially, keys, like the character

477
00:26:36.880 --> 00:26:39.680
<v Speaker 3>Gary Busey plays, tries to come on, hey, you know,

478
00:26:39.759 --> 00:26:41.440
<v Speaker 3>I don't want to step on your toes. I'm just

479
00:26:41.480 --> 00:26:43.920
<v Speaker 3>trying to do my job too. But it very quickly

480
00:26:43.960 --> 00:26:47.559
<v Speaker 3>becomes obvious that there's more to this whole situation than

481
00:26:47.599 --> 00:26:50.720
<v Speaker 3>meets the eye. Because the CIA guys come in and

482
00:26:50.799 --> 00:26:54.400
<v Speaker 3>they established jurisdiction, they kick everybody out. There's something going

483
00:26:54.400 --> 00:26:58.000
<v Speaker 3>on in what you find out. Look, this is a

484
00:26:58.039 --> 00:27:01.079
<v Speaker 3>you know, thirty year old movie. Pretty much spoiler alert

485
00:27:01.240 --> 00:27:05.359
<v Speaker 3>abound here. They have been tracking the predator for since

486
00:27:05.640 --> 00:27:08.799
<v Speaker 3>the incident in the jungle actually with Donald Schwarzenegger.

487
00:27:09.480 --> 00:27:15.160
<v Speaker 2>They because one explosion total total three hundred city blocks

488
00:27:15.240 --> 00:27:18.279
<v Speaker 2>in area, and now they want that goddamned weapon. They

489
00:27:18.319 --> 00:27:19.119
<v Speaker 2>want the predator.

490
00:27:19.640 --> 00:27:23.160
<v Speaker 3>They want the predator, and they've even there's mentioned they

491
00:27:23.160 --> 00:27:27.279
<v Speaker 3>don't followup, but they've actually even interviewed Anna, the woman

492
00:27:27.319 --> 00:27:30.359
<v Speaker 3>that they took prisoner in the first movie who actually

493
00:27:30.440 --> 00:27:34.000
<v Speaker 3>helps them escape on the chopper. So they know all

494
00:27:34.039 --> 00:27:36.680
<v Speaker 3>this stuff about the predator and they what effectively what

495
00:27:36.720 --> 00:27:39.680
<v Speaker 3>they've done is they've tracked the predator here. They have

496
00:27:39.759 --> 00:27:43.440
<v Speaker 3>studied his habits. They know where he is living, they

497
00:27:43.480 --> 00:27:46.160
<v Speaker 3>know where he's feeding, and they know what his effective

498
00:27:46.240 --> 00:27:50.039
<v Speaker 3>radius of hunting his hunting grounds are. So they've got

499
00:27:50.039 --> 00:27:53.640
<v Speaker 3>this whole situation at a slaughterhouse where they're going to

500
00:27:53.680 --> 00:27:58.319
<v Speaker 3>try to finally capture the predator using all this technology.

501
00:27:58.400 --> 00:28:01.160
<v Speaker 3>They've doused the room and radio accletive dust so they

502
00:28:01.200 --> 00:28:06.279
<v Speaker 3>can track the predator. They're using special suits that block

503
00:28:06.319 --> 00:28:09.240
<v Speaker 3>out body heat so that the predator can't see them.

504
00:28:09.960 --> 00:28:12.720
<v Speaker 2>And you may know, they know that the predator can

505
00:28:12.799 --> 00:28:16.599
<v Speaker 2>only see in one spectrum of light. How they know

506
00:28:16.720 --> 00:28:18.720
<v Speaker 2>this good question.

507
00:28:20.240 --> 00:28:22.440
<v Speaker 3>But and actually they're wrong about that.

508
00:28:22.599 --> 00:28:25.039
<v Speaker 2>In fact, it's hilarious. It's the best part of the

509
00:28:25.039 --> 00:28:28.440
<v Speaker 2>movie honestly, where he's like looking around and he kind

510
00:28:28.440 --> 00:28:30.319
<v Speaker 2>of hears something and he gets a sense that something's

511
00:28:30.359 --> 00:28:32.599
<v Speaker 2>not right, and then he just goes switch switch, Oh,

512
00:28:32.640 --> 00:28:33.160
<v Speaker 2>there they are.

513
00:28:33.920 --> 00:28:36.759
<v Speaker 3>Yeah, And that sequence, although it's the most indebted to

514
00:28:36.960 --> 00:28:41.559
<v Speaker 3>aliens because what you have is so Adam Baldwin Linderman

515
00:28:41.680 --> 00:28:44.440
<v Speaker 3>from My Bodyguard and from what I understand it all

516
00:28:44.440 --> 00:28:47.119
<v Speaker 3>around grumpy guy, not a good guy.

517
00:28:47.519 --> 00:28:51.000
<v Speaker 2>You know what's funny about him? He's a up until

518
00:28:51.000 --> 00:28:52.559
<v Speaker 2>this moment, I think I would have just said, oh,

519
00:28:52.599 --> 00:28:55.599
<v Speaker 2>Adam Baldwin right wing lunatic, right, But now I don't

520
00:28:55.640 --> 00:28:57.799
<v Speaker 2>know how much of a lunatic he is. Maybe he's

521
00:28:57.960 --> 00:29:00.400
<v Speaker 2>just a conservative asshole, you know what I mean. Like,

522
00:29:00.599 --> 00:29:04.599
<v Speaker 2>maybe he's not that bad anymore comparatively speaking. Maybe he

523
00:29:04.680 --> 00:29:07.920
<v Speaker 2>is pretty mild, but at one time he was. Maybe

524
00:29:07.920 --> 00:29:09.799
<v Speaker 2>he just doesn't want to pay taxes as much as

525
00:29:09.799 --> 00:29:11.279
<v Speaker 2>everybody else, you know what I mean. But he doesn't

526
00:29:11.279 --> 00:29:13.359
<v Speaker 2>want to overthrow the government. Maybe he's that level.

527
00:29:13.880 --> 00:29:16.079
<v Speaker 3>It could be maybe I should reap. Maybe it's time

528
00:29:16.079 --> 00:29:18.279
<v Speaker 3>for a reappraisal given our currency.

529
00:29:18.640 --> 00:29:20.880
<v Speaker 2>Let's look at Charlton Heston like on a in a

530
00:29:20.920 --> 00:29:23.039
<v Speaker 2>whole New light man, you know what I mean, Like

531
00:29:23.240 --> 00:29:25.920
<v Speaker 2>patriot Charlton Heston. Yeah, so he.

532
00:29:26.200 --> 00:29:28.640
<v Speaker 3>Kind of made for a while, he made a career

533
00:29:28.680 --> 00:29:31.240
<v Speaker 3>of playing kind of these second bananas in these movies.

534
00:29:31.559 --> 00:29:35.920
<v Speaker 3>He is effectively Keys's second in command. He's the one

535
00:29:35.960 --> 00:29:40.359
<v Speaker 3>with with Harrigan in the command center as Keys and

536
00:29:40.440 --> 00:29:43.799
<v Speaker 3>his team are moving through the slaughterhouse getting ready for

537
00:29:43.880 --> 00:29:45.559
<v Speaker 3>the final capture of the predator.

538
00:29:46.319 --> 00:29:47.200
<v Speaker 2>Get your people.

539
00:29:48.920 --> 00:29:53.599
<v Speaker 3>Right, that's that's because what you have is you even

540
00:29:53.640 --> 00:29:57.319
<v Speaker 3>have that the view screen with everybody's remote camera footage

541
00:29:57.319 --> 00:30:01.440
<v Speaker 3>and one yeah, and one by one they're winking out

542
00:30:01.440 --> 00:30:05.640
<v Speaker 3>as the Predator's killing everybody in this slaughterhouse. Pun intended,

543
00:30:06.079 --> 00:30:10.279
<v Speaker 3>but all kidding aside that this is my favorite sequence

544
00:30:10.279 --> 00:30:13.880
<v Speaker 3>of the whole movie because it's what the movie is

545
00:30:14.000 --> 00:30:17.480
<v Speaker 3>lacking for the most part, in my opinion, is from

546
00:30:17.480 --> 00:30:20.599
<v Speaker 3>the first movie is suspense. The first movie, there's no

547
00:30:20.720 --> 00:30:22.920
<v Speaker 3>end to the suspense. They're moving through the jungle, there's

548
00:30:22.960 --> 00:30:26.119
<v Speaker 3>things cracking, and they're always on edge, and you as

549
00:30:26.160 --> 00:30:30.400
<v Speaker 3>the viewer on edge as well. This one's they've substituted

550
00:30:30.920 --> 00:30:34.880
<v Speaker 3>suspense for action and gore in a lot of ways.

551
00:30:34.920 --> 00:30:38.440
<v Speaker 3>This was the only sequence where it's a little more

552
00:30:38.440 --> 00:30:40.960
<v Speaker 3>suspenseful because, as you said, the predator comes back. They

553
00:30:41.039 --> 00:30:43.000
<v Speaker 3>know he's going to be back, and they feel like

554
00:30:43.039 --> 00:30:45.759
<v Speaker 3>they've got him trapped. He's falling into their trap. But

555
00:30:45.799 --> 00:30:49.440
<v Speaker 3>then as you said, he stops, confusing them. They're like,

556
00:30:49.440 --> 00:30:51.680
<v Speaker 3>why is he stopping? And then he switches his vision

557
00:30:52.039 --> 00:30:54.480
<v Speaker 3>to another mode where he can see the UV lights

558
00:30:55.119 --> 00:30:57.799
<v Speaker 3>and then he's just off to the races. And you

559
00:30:57.880 --> 00:31:00.519
<v Speaker 3>see all this cool tech. They've added all this cool

560
00:31:00.640 --> 00:31:03.960
<v Speaker 3>tech to this picture, Father Malone. They have they introduced

561
00:31:04.079 --> 00:31:06.799
<v Speaker 3>he's got spears that he's throwing around. He has that

562
00:31:07.359 --> 00:31:11.559
<v Speaker 3>disc saw blade thing that he's throwing around. It's a

563
00:31:11.599 --> 00:31:14.359
<v Speaker 3>really cool sequence. I thought, probably the best one in

564
00:31:14.400 --> 00:31:14.640
<v Speaker 3>the movie.

565
00:31:14.680 --> 00:31:18.039
<v Speaker 2>I would say, Oh, totally agree with you. Absolutely. It's

566
00:31:18.160 --> 00:31:21.079
<v Speaker 2>we haven't mentioned that the scene before us, the subway scene, right,

567
00:31:21.119 --> 00:31:23.119
<v Speaker 2>we haven't mentioned Ruben Blade is getting killed or any

568
00:31:23.119 --> 00:31:25.119
<v Speaker 2>of that stuff. But anyway, none of that matters because

569
00:31:25.240 --> 00:31:28.680
<v Speaker 2>here we are. We're in the slaughterhouse. And what I

570
00:31:28.759 --> 00:31:32.920
<v Speaker 2>liked about the scene isn't so much the tension because there,

571
00:31:33.079 --> 00:31:35.440
<v Speaker 2>as far as I'm concerned, that whole scene takes place

572
00:31:35.480 --> 00:31:37.599
<v Speaker 2>from the predator's point of view, The whole tension that

573
00:31:37.680 --> 00:31:41.160
<v Speaker 2>exists in the first film is because we don't know

574
00:31:41.200 --> 00:31:45.240
<v Speaker 2>what's following. It's fine on the view, yeah exactly. It's

575
00:31:45.279 --> 00:31:48.599
<v Speaker 2>like we've now seen the shark in Jaws. You can't

576
00:31:48.920 --> 00:31:52.759
<v Speaker 2>just be hinting at it now. And they a good

577
00:31:52.839 --> 00:31:56.920
<v Speaker 2>half to three quarters of this movie is really just

578
00:31:57.079 --> 00:32:03.359
<v Speaker 2>the early CGIFN the Predator being invisible, and that's fine,

579
00:32:03.759 --> 00:32:05.759
<v Speaker 2>but we know what he looks like and we want

580
00:32:05.759 --> 00:32:08.400
<v Speaker 2>to see him. Yeah, there are times when it makes

581
00:32:08.400 --> 00:32:11.039
<v Speaker 2>no sense when he's invisible, you know what I mean,

582
00:32:11.039 --> 00:32:12.920
<v Speaker 2>Like why would he be cloaking himself all of the time?

583
00:32:12.960 --> 00:32:14.640
<v Speaker 2>Why would he wear his mask all the time for

584
00:32:14.680 --> 00:32:17.279
<v Speaker 2>that matter. But anyway, point being, once we get to

585
00:32:17.359 --> 00:32:20.400
<v Speaker 2>the slaughterhouse and the particles of dust are the radioactive

586
00:32:20.400 --> 00:32:23.559
<v Speaker 2>particles are lining his skin like the cloaking device no

587
00:32:23.640 --> 00:32:25.960
<v Speaker 2>longer works. So it's really the first time we get

588
00:32:26.000 --> 00:32:29.240
<v Speaker 2>to see the Predator in action and not only decimate

589
00:32:29.279 --> 00:32:32.279
<v Speaker 2>those guys. But the fight between him and Danny Glover

590
00:32:32.440 --> 00:32:35.720
<v Speaker 2>is great, man, And I hadn't remembered the fight at

591
00:32:35.759 --> 00:32:38.680
<v Speaker 2>all from seeing it as a kid. So when he's

592
00:32:38.759 --> 00:32:43.400
<v Speaker 2>chasing Danny Glover likest amidst the hanging halves of beef

593
00:32:44.200 --> 00:32:46.920
<v Speaker 2>that you know it is a slaughterhouse, and they're just

594
00:32:46.960 --> 00:32:49.599
<v Speaker 2>shoving the signs of beef back and forth, so it

595
00:32:49.640 --> 00:32:52.160
<v Speaker 2>becomes kind of pendulum. I was thinking, like, oh man,

596
00:32:52.160 --> 00:32:54.240
<v Speaker 2>why doesn't the Predator just slice through them with his

597
00:32:54.359 --> 00:32:57.680
<v Speaker 2>giant wrist blade. Got'd be so awesome, and of course

598
00:32:57.720 --> 00:33:00.720
<v Speaker 2>he does. Once they introduce the disc, the Boomrang disc

599
00:33:00.799 --> 00:33:02.400
<v Speaker 2>that he has, it cuts through all of them. It

600
00:33:02.440 --> 00:33:04.960
<v Speaker 2>was great that the whole sequence is fantastic, including that,

601
00:33:05.319 --> 00:33:07.880
<v Speaker 2>because all we get is it slicing and slicing through

602
00:33:07.880 --> 00:33:09.799
<v Speaker 2>all these sides of beef and then we can't see

603
00:33:09.839 --> 00:33:12.160
<v Speaker 2>but we can see Gary Busey's legs underneath, and the

604
00:33:12.240 --> 00:33:13.839
<v Speaker 2>legs just fall over. Awesome.

605
00:33:14.880 --> 00:33:18.119
<v Speaker 3>It's probably my favorite single shot of the whole movie.

606
00:33:18.119 --> 00:33:21.960
<v Speaker 3>That and there was another sequence that I thought was

607
00:33:22.000 --> 00:33:25.039
<v Speaker 3>actually interesting. I'd forgotten about it. So at one point

608
00:33:25.160 --> 00:33:28.319
<v Speaker 3>we're going to backtrack a little bit. Danny Glover, I

609
00:33:28.400 --> 00:33:31.240
<v Speaker 3>keep saying his name, Harrigan is going to go talk

610
00:33:31.279 --> 00:33:35.119
<v Speaker 3>to the head of the Jamaican gang. King Willie is seeing.

611
00:33:34.920 --> 00:33:38.240
<v Speaker 2>Willy played by Calvin Lockhart, the amazing Calvin Lockhart from

612
00:33:38.480 --> 00:33:40.799
<v Speaker 2>Cotton comes to Harlem and the Baron.

613
00:33:41.640 --> 00:33:42.799
<v Speaker 3>He's really good in this.

614
00:33:43.119 --> 00:33:46.400
<v Speaker 2>He's great man. He's so scary, and it's unlike any

615
00:33:46.480 --> 00:33:48.599
<v Speaker 2>other performance I've seen of the guy.

616
00:33:48.680 --> 00:33:52.039
<v Speaker 3>He's exaggerated, but in a good way. Like this guy,

617
00:33:52.200 --> 00:33:55.839
<v Speaker 3>he's exaggerated without losing the danger of this gang lord.

618
00:33:56.319 --> 00:34:01.400
<v Speaker 3>So he knows sort of preternaturally that he doesn't know

619
00:34:01.440 --> 00:34:03.079
<v Speaker 3>that the predator is an alien, but he knows he

620
00:34:03.440 --> 00:34:07.640
<v Speaker 3>looks at it from a supernatural perspective. And after they

621
00:34:07.640 --> 00:34:11.840
<v Speaker 3>have their quick conversation him and Harrigan, the predator goes

622
00:34:12.119 --> 00:34:14.800
<v Speaker 3>to kill him. I don't know exactly why or how

623
00:34:14.840 --> 00:34:18.239
<v Speaker 3>this happens, but they square off. First off, there's a

624
00:34:18.239 --> 00:34:20.840
<v Speaker 3>great shot of the predator as he's cloaked. He's walking

625
00:34:21.000 --> 00:34:26.719
<v Speaker 3>towards King Willie walking through water, and it's really cool

626
00:34:26.760 --> 00:34:29.559
<v Speaker 3>because it's this tracking shot from the perspective of his

627
00:34:29.639 --> 00:34:33.119
<v Speaker 3>feet and they're cloaked, so you see these cloaked feet

628
00:34:33.199 --> 00:34:37.000
<v Speaker 3>walking through and it's not cg because this was too

629
00:34:37.039 --> 00:34:39.440
<v Speaker 3>early for that, or maybe just before it was. You

630
00:34:39.440 --> 00:34:42.000
<v Speaker 3>could really be done easily, so it was a great shot.

631
00:34:42.159 --> 00:34:45.519
<v Speaker 3>Then King Willy takes out it takes a sword out

632
00:34:45.559 --> 00:34:47.719
<v Speaker 3>of his cane. It's one of those sword canes, and

633
00:34:48.000 --> 00:34:50.679
<v Speaker 3>he's ready to square off against the predator and he

634
00:34:50.880 --> 00:34:54.039
<v Speaker 3>screams and the screen cuts to a shot of his

635
00:34:54.199 --> 00:34:58.760
<v Speaker 3>face with mouth agape, and then you realize that it's

636
00:34:58.800 --> 00:35:02.159
<v Speaker 3>not his head been cut off of his body, and

637
00:35:02.280 --> 00:35:06.199
<v Speaker 3>the predator walks towards the background holding So what you

638
00:35:06.239 --> 00:35:08.679
<v Speaker 3>thought was a scream of let's get it on, is

639
00:35:08.719 --> 00:35:11.199
<v Speaker 3>really the scream of him dying, and it's a really

640
00:35:11.239 --> 00:35:15.079
<v Speaker 3>interesting juxtaposition, and I thought it was a very cool

641
00:35:15.119 --> 00:35:19.519
<v Speaker 3>little because it's a nice shorthand for this fight that

642
00:35:19.559 --> 00:35:22.400
<v Speaker 3>he could never win anyway, So I thought that was

643
00:35:22.519 --> 00:35:24.599
<v Speaker 3>kind of that was a creative direction there.

644
00:35:24.880 --> 00:35:27.400
<v Speaker 2>Yeah, we didn't need to see that fight, and it

645
00:35:27.519 --> 00:35:31.920
<v Speaker 2>is a great transition, and that sequence and the slaughterhouse

646
00:35:31.960 --> 00:35:35.039
<v Speaker 2>sequence are the things that I took away from this movie,

647
00:35:35.039 --> 00:35:39.159
<v Speaker 2>I guess. So it's why I remembered it being well directed,

648
00:35:39.159 --> 00:35:41.800
<v Speaker 2>because that shot is great, and maybe the prosthetic is

649
00:35:41.880 --> 00:35:44.360
<v Speaker 2>really good that they've made of Calvin Lockhart, so you

650
00:35:44.880 --> 00:35:46.599
<v Speaker 2>buy it that it's just we've cut to a close

651
00:35:46.679 --> 00:35:48.480
<v Speaker 2>up of him screaming, and then it's just the head

652
00:35:48.519 --> 00:35:49.360
<v Speaker 2>being dragged away.

653
00:35:49.960 --> 00:35:53.280
<v Speaker 3>Some of this there's bits in pieces, little fleeting images

654
00:35:53.360 --> 00:35:57.440
<v Speaker 3>and shots that work that are frustrating because in the

655
00:35:57.519 --> 00:36:00.440
<v Speaker 3>hands of somebody, I don't want to keep using McTiernan.

656
00:36:00.559 --> 00:36:03.280
<v Speaker 3>But let's say for a minute that McTiernan could make

657
00:36:03.360 --> 00:36:05.320
<v Speaker 3>I think by then, I think it would have been

658
00:36:05.400 --> 00:36:09.119
<v Speaker 3>too expensive to hire McTiernan, because he'd already done Die Hard.

659
00:36:09.800 --> 00:36:11.400
<v Speaker 3>He was his star Wars on the Rise. He wasn't

660
00:36:11.440 --> 00:36:13.559
<v Speaker 3>going to do a sequel and at this point in

661
00:36:13.679 --> 00:36:18.039
<v Speaker 3>his career, so it's hard not to think about what could.

662
00:36:17.920 --> 00:36:18.320
<v Speaker 2>This have been.

663
00:36:18.360 --> 00:36:21.159
<v Speaker 3>In a better set of hands Fottom alone, it would

664
00:36:21.159 --> 00:36:23.599
<v Speaker 3>have been a much more interesting picture, I think.

665
00:36:23.880 --> 00:36:25.559
<v Speaker 2>I think so. I think the script needed to work

666
00:36:25.599 --> 00:36:28.920
<v Speaker 2>as well, though, obviously like the Jerry Lambert character, the

667
00:36:28.920 --> 00:36:34.360
<v Speaker 2>Billy Billy Paxton, the Bill Paxton character. Yeah, and just

668
00:36:34.480 --> 00:36:37.440
<v Speaker 2>you know, a little more depth, Like they've created this

669
00:36:37.480 --> 00:36:39.360
<v Speaker 2>big team so that they could pick them off one

670
00:36:39.360 --> 00:36:42.440
<v Speaker 2>by one. But we're not given any character depth to

671
00:36:42.480 --> 00:36:44.360
<v Speaker 2>our leads. So what are we supposed to get from

672
00:36:44.360 --> 00:36:48.519
<v Speaker 2>our peripheral characters. And here's where casting is so important.

673
00:36:48.559 --> 00:36:50.840
<v Speaker 2>Because Ruben Blade, I don't need to know anyth about him.

674
00:36:50.840 --> 00:36:52.880
<v Speaker 2>He brought everything to that character. I know that guy.

675
00:36:52.920 --> 00:36:54.639
<v Speaker 2>He's super cool. I want to hang out with him.

676
00:36:54.840 --> 00:36:57.199
<v Speaker 2>Maria Conshiela A Lonzo is a terrible fucking actress and

677
00:36:57.280 --> 00:36:59.239
<v Speaker 2>I don't know what she's doing here at all.

678
00:37:00.039 --> 00:37:03.960
<v Speaker 3>So to man, they wanted a female actress with edge,

679
00:37:04.559 --> 00:37:06.280
<v Speaker 3>and not to say that.

680
00:37:06.239 --> 00:37:09.599
<v Speaker 2>She Latina does not automatically equal edge. They could have

681
00:37:09.599 --> 00:37:12.559
<v Speaker 2>found a Latina actress who is a fucking badass. Instead

682
00:37:12.599 --> 00:37:14.760
<v Speaker 2>they got the girl who's not good in a fucking

683
00:37:14.960 --> 00:37:15.880
<v Speaker 2>romantic comedy.

684
00:37:16.440 --> 00:37:18.039
<v Speaker 3>It didn't work at all.

685
00:37:18.119 --> 00:37:21.480
<v Speaker 2>But I think specifically of Touch and Go with Michael Keaton.

686
00:37:21.519 --> 00:37:23.199
<v Speaker 2>She ruined that movie.

687
00:37:24.519 --> 00:37:27.400
<v Speaker 3>That's another good call, another good call by you. I

688
00:37:27.400 --> 00:37:29.159
<v Speaker 3>want to talk. I want to backtrack for one minute.

689
00:37:29.159 --> 00:37:30.599
<v Speaker 3>I know we're jumping all over the places.

690
00:37:30.719 --> 00:37:33.920
<v Speaker 2>Is our wants That's okay. We're wearing invisibility cloaks. They

691
00:37:33.920 --> 00:37:35.000
<v Speaker 2>can't see us doing it.

692
00:37:35.639 --> 00:37:39.239
<v Speaker 3>You made reference to a sequence that happens just before

693
00:37:40.159 --> 00:37:44.360
<v Speaker 3>Harrigan goes to the slaughterhouse to see the Predator go

694
00:37:44.440 --> 00:37:47.880
<v Speaker 3>up against the CIA team. There there's a subway. It's

695
00:37:47.880 --> 00:37:51.679
<v Speaker 3>a subway sequence where Maria can cheetah Lonzo's character in

696
00:37:51.719 --> 00:37:55.400
<v Speaker 3>Bill Paxton. They're on the subway and it's actually some

697
00:37:55.440 --> 00:37:57.440
<v Speaker 3>of it's actually kind of funny because there's a gang

698
00:37:57.920 --> 00:38:01.280
<v Speaker 3>of punks for a black a better term their textbook.

699
00:38:01.480 --> 00:38:03.679
<v Speaker 3>They could have come from the movie Breaking. They look

700
00:38:03.760 --> 00:38:06.880
<v Speaker 3>like punks, basically like TV chips punks.

701
00:38:06.880 --> 00:38:09.159
<v Speaker 2>Basically all the gangs in this movie could have stepped

702
00:38:09.159 --> 00:38:11.199
<v Speaker 2>out of the Warriors. Do you remember that the fucking

703
00:38:11.280 --> 00:38:15.199
<v Speaker 2>Jamaican gang the posse are wearing in that fucking sequence

704
00:38:15.360 --> 00:38:19.800
<v Speaker 2>in the Mayan theme thing like the flashiest, stupidest, like

705
00:38:20.000 --> 00:38:22.840
<v Speaker 2>shiniest clothing I've ever They seem Oh, I didn't even

706
00:38:22.840 --> 00:38:24.960
<v Speaker 2>want to say it just seems awful anyway.

707
00:38:25.480 --> 00:38:28.159
<v Speaker 3>So this sequence, so the funny part of this, the

708
00:38:28.199 --> 00:38:30.800
<v Speaker 3>part that I found amusing, was this gang starts to

709
00:38:30.840 --> 00:38:34.000
<v Speaker 3>hassle this little nebishy guy in the suit, this white

710
00:38:34.000 --> 00:38:38.280
<v Speaker 3>guy in the suit get Bernie gets and then he

711
00:38:38.400 --> 00:38:40.280
<v Speaker 3>freaks out and pulls out a gun to say I

712
00:38:40.320 --> 00:38:42.360
<v Speaker 3>don't want to use this, and the gang just laughs

713
00:38:42.360 --> 00:38:45.400
<v Speaker 3>at the guy. But then everybody else on the subway car,

714
00:38:45.519 --> 00:38:49.199
<v Speaker 3>everyone Grandmother's people on the way, everyone pulls a gun,

715
00:38:49.360 --> 00:38:52.199
<v Speaker 3>which is the one part that I thought the exaggeratedness

716
00:38:52.239 --> 00:38:55.320
<v Speaker 3>of the whole futuristic angle I thought was pretty funny.

717
00:38:55.639 --> 00:39:00.320
<v Speaker 3>But what worked conceptually is at that shortly they're after

718
00:39:00.360 --> 00:39:04.559
<v Speaker 3>the predator breaks into I think sensing all of this,

719
00:39:04.679 --> 00:39:07.639
<v Speaker 3>all these guns and all this action, the predator breaks

720
00:39:07.639 --> 00:39:09.840
<v Speaker 3>into the subway cars. It's running and all the lights

721
00:39:09.880 --> 00:39:12.079
<v Speaker 3>go off and it's very it. They try to be

722
00:39:12.119 --> 00:39:16.199
<v Speaker 3>stylistic by having it be stroby because the lights are

723
00:39:16.320 --> 00:39:19.639
<v Speaker 3>flickering and there's guns going off and everything, and that

724
00:39:20.159 --> 00:39:22.119
<v Speaker 3>it was so disappointing because it could have been a

725
00:39:22.159 --> 00:39:27.800
<v Speaker 3>great sequence, if artfully directed, but it just it wasn't.

726
00:39:27.840 --> 00:39:30.320
<v Speaker 3>It was just so again, I couldn't keep track of

727
00:39:30.320 --> 00:39:33.760
<v Speaker 3>what was happening. It's even worse because it's shrouded in

728
00:39:33.880 --> 00:39:36.639
<v Speaker 3>darkness the subway car, so you can't see where the

729
00:39:36.639 --> 00:39:39.239
<v Speaker 3>alien is or the predator is, or what it's doing

730
00:39:39.440 --> 00:39:43.559
<v Speaker 3>or how it's dispatching these poor people on this subway car.

731
00:39:44.079 --> 00:39:45.960
<v Speaker 3>It's just it was a big fail. It could have

732
00:39:46.000 --> 00:39:49.320
<v Speaker 3>been a there's two or three action sequences that could

733
00:39:49.360 --> 00:39:52.000
<v Speaker 3>have been really cool that are just limp.

734
00:39:52.559 --> 00:39:57.760
<v Speaker 2>Yeah around this time. No, not around this time. Okay,

735
00:39:57.800 --> 00:40:00.360
<v Speaker 2>So there was no subway in Los Angele Less at

736
00:40:00.440 --> 00:40:02.360
<v Speaker 2>the time, so this was they had to film. So

737
00:40:02.679 --> 00:40:04.519
<v Speaker 2>whenever they're in a tunnel, they seem to have gone

738
00:40:04.519 --> 00:40:06.840
<v Speaker 2>on location to some tunnel, But whenever they're in the

739
00:40:06.920 --> 00:40:10.119
<v Speaker 2>train itself, it looks worse than the train from the

740
00:40:10.159 --> 00:40:15.119
<v Speaker 2>Trial of the Incredible Hulk that we saw recently. Yeah,

741
00:40:15.519 --> 00:40:18.119
<v Speaker 2>it really looks like a set on a fucking sound stage,

742
00:40:18.320 --> 00:40:22.239
<v Speaker 2>and it's unacceptable in this movie. And then shots of

743
00:40:22.280 --> 00:40:24.760
<v Speaker 2>the predator like crawling on the scene crawling on the

744
00:40:24.880 --> 00:40:26.599
<v Speaker 2>roof of the thing. It just looks like it's on

745
00:40:26.719 --> 00:40:30.480
<v Speaker 2>us also sitting on a set somewhere, like the chaotic

746
00:40:31.199 --> 00:40:33.599
<v Speaker 2>moment when the predator gets on board, Like you said that,

747
00:40:33.679 --> 00:40:36.440
<v Speaker 2>Like the lights go out because I guess they want

748
00:40:36.440 --> 00:40:39.079
<v Speaker 2>it to be atmospheric. The lights don't go out on trains, no,

749
00:40:39.199 --> 00:40:41.000
<v Speaker 2>for no reason. When you're in a tunnel. It's just

750
00:40:41.480 --> 00:40:43.559
<v Speaker 2>everyone would freak the fuck out. It wouldn't be any

751
00:40:43.800 --> 00:40:45.840
<v Speaker 2>no one would be riding the fucking subway if lights

752
00:40:45.840 --> 00:40:47.719
<v Speaker 2>went out for that extended period of time. It's not

753
00:40:47.760 --> 00:40:50.440
<v Speaker 2>like they shot out the lights or anything. And on

754
00:40:50.519 --> 00:40:54.360
<v Speaker 2>top of that, the predator remains cloaked for the entire sequence,

755
00:40:54.880 --> 00:40:58.840
<v Speaker 2>and then it keeps because it's strobing. There's really no difference.

756
00:40:58.960 --> 00:41:02.119
<v Speaker 2>It just seems like a set of lines drawn on

757
00:41:02.920 --> 00:41:05.400
<v Speaker 2>to the frames no matter what. So it just I

758
00:41:05.400 --> 00:41:10.000
<v Speaker 2>don't know, it just seems poorly composited. Everything about the

759
00:41:10.000 --> 00:41:11.119
<v Speaker 2>scene is terrible.

760
00:41:11.280 --> 00:41:15.559
<v Speaker 3>But it's again hearkening back to Aliens, where there are

761
00:41:15.719 --> 00:41:19.000
<v Speaker 3>fights that happen in darkness that are only illuminated by

762
00:41:19.079 --> 00:41:20.800
<v Speaker 3>the machine guns and the weaponry.

763
00:41:21.119 --> 00:41:23.400
<v Speaker 2>This is the scene in This is the scene in

764
00:41:23.440 --> 00:41:25.480
<v Speaker 2>the lab when they come up through the ceiling when

765
00:41:25.519 --> 00:41:29.079
<v Speaker 2>they're like, yeah, they're in the room. That's this exactly,

766
00:41:29.119 --> 00:41:33.400
<v Speaker 2>except it's just it's all chaos. There's it. What's crazy

767
00:41:33.400 --> 00:41:36.639
<v Speaker 2>about it is there's really just the predator and Bill

768
00:41:36.679 --> 00:41:40.000
<v Speaker 2>Paxton's character, and that's the whole scene, him making his

769
00:41:40.079 --> 00:41:44.519
<v Speaker 2>way to Bill Paxton slowly while Maria Cancio Alonso forces

770
00:41:44.559 --> 00:41:46.440
<v Speaker 2>everyone back to the front of the train. Why they

771
00:41:46.440 --> 00:41:50.639
<v Speaker 2>haven't stopped the train by the way, anyway, So you

772
00:41:50.760 --> 00:41:53.760
<v Speaker 2>have less geography, you have less characters to deal with,

773
00:41:54.000 --> 00:41:57.079
<v Speaker 2>because James Cameron had a whole fucking He's still had

774
00:41:57.119 --> 00:41:59.639
<v Speaker 2>half the fucking platoon left in the fucking in the

775
00:41:59.719 --> 00:42:01.719
<v Speaker 2>lab bay when the Aliens came in, and I knew

776
00:42:01.760 --> 00:42:04.920
<v Speaker 2>where everyone was at every moment. Here it's two guys,

777
00:42:04.920 --> 00:42:07.159
<v Speaker 2>and I'm like, what's going on the entire time? Plus

778
00:42:07.159 --> 00:42:08.920
<v Speaker 2>we're on a set. Girl.

779
00:42:10.199 --> 00:42:12.960
<v Speaker 3>It was a bummer. Really. What I kept thinking is

780
00:42:13.000 --> 00:42:15.679
<v Speaker 3>I'm watching this is man, I'd love to be watching

781
00:42:15.679 --> 00:42:20.079
<v Speaker 3>Aliens right now because it's so because it's so indebted,

782
00:42:20.159 --> 00:42:22.920
<v Speaker 3>like I said, to Aliens, indebted to a lot of

783
00:42:22.920 --> 00:42:26.159
<v Speaker 3>different pictures of that time. But I think most clearly

784
00:42:26.719 --> 00:42:29.360
<v Speaker 3>in the fact that Bill Paxton is there front and center.

785
00:42:30.039 --> 00:42:33.559
<v Speaker 3>You can't help but get that vibe that they were

786
00:42:33.559 --> 00:42:35.519
<v Speaker 3>looking for. They wanted a little bit of that edge,

787
00:42:35.760 --> 00:42:38.920
<v Speaker 3>that aliens vibe, and they just it's a shame because

788
00:42:39.519 --> 00:42:43.760
<v Speaker 3>the Predator is a fucking great character, and the idea

789
00:42:43.800 --> 00:42:47.880
<v Speaker 3>of having him going nuts in an urban center like

790
00:42:47.920 --> 00:42:51.079
<v Speaker 3>Los Angeles, I thought it was and is still a

791
00:42:51.119 --> 00:42:54.639
<v Speaker 3>really cool idea. It's just not executed well on any

792
00:42:54.679 --> 00:42:55.440
<v Speaker 3>number of levels.

793
00:42:55.880 --> 00:42:58.039
<v Speaker 2>Yeah. I was stoked for the futurism, and then it's

794
00:42:58.079 --> 00:43:00.599
<v Speaker 2>not really futurism at all. It's just that they needed

795
00:43:00.599 --> 00:43:05.400
<v Speaker 2>the subway there. And the technology that the CIA guys

796
00:43:05.480 --> 00:43:08.639
<v Speaker 2>have is more advanced than they could possibly have. The

797
00:43:08.719 --> 00:43:12.199
<v Speaker 2>lab at the police station has apparently like a radio

798
00:43:13.159 --> 00:43:16.639
<v Speaker 2>radiography you know, a radioactive whatever the fuck that is,

799
00:43:16.679 --> 00:43:19.880
<v Speaker 2>like a carbon dating machine basically, yeah, yeah, let's put

800
00:43:19.920 --> 00:43:21.920
<v Speaker 2>it in this spear and find out, Oh, it's not

801
00:43:21.960 --> 00:43:22.599
<v Speaker 2>from this earth.

802
00:43:23.039 --> 00:43:25.599
<v Speaker 3>Yeah, it's like an electron microscope in the middle of

803
00:43:25.679 --> 00:43:30.039
<v Speaker 3>some cash strapped police department in LA. They would never

804
00:43:30.079 --> 00:43:33.079
<v Speaker 3>have that because what happens is Ruben Blades's character has

805
00:43:33.079 --> 00:43:37.800
<v Speaker 3>gone back to the Dominican mansion because he spotted the

806
00:43:37.800 --> 00:43:40.360
<v Speaker 3>tip of a spear stuck in an air vent from

807
00:43:40.440 --> 00:43:43.440
<v Speaker 3>the battle that happened there, so he recovers it in

808
00:43:43.480 --> 00:43:46.119
<v Speaker 3>the In the process of doing so, the predator kills him,

809
00:43:46.519 --> 00:43:50.119
<v Speaker 3>but he manages I don't recall exactly how, but Harrigan

810
00:43:50.199 --> 00:43:52.480
<v Speaker 3>is in possession of this spear tip and he gives

811
00:43:52.480 --> 00:43:55.519
<v Speaker 3>it to the like the forensic examiner and the police department.

812
00:43:55.880 --> 00:43:58.800
<v Speaker 3>And another thing that really bugged me, I just remember this.

813
00:43:59.400 --> 00:44:01.480
<v Speaker 3>I don't know if you notice this, but it really

814
00:44:01.559 --> 00:44:04.559
<v Speaker 3>fucking bugged me is so much of this movie the

815
00:44:04.599 --> 00:44:08.280
<v Speaker 3>dialogue is looped after the fact. Did you notice that? Yes,

816
00:44:08.719 --> 00:44:12.599
<v Speaker 3>very little of it is actually recorded in on the

817
00:44:12.719 --> 00:44:15.079
<v Speaker 3>day on the set. I don't know if they just

818
00:44:15.119 --> 00:44:17.480
<v Speaker 3>had maybe they were filming in Los Angeles for some

819
00:44:17.480 --> 00:44:19.320
<v Speaker 3>of these scenes and that they just couldn't get the

820
00:44:19.400 --> 00:44:22.760
<v Speaker 3>sound correct. But it just drove me. No matter how

821
00:44:22.800 --> 00:44:26.119
<v Speaker 3>good the looping is and how much they try to

822
00:44:26.159 --> 00:44:29.320
<v Speaker 3>make it match, it always bugs me. It's like bad

823
00:44:29.360 --> 00:44:31.519
<v Speaker 3>lip syncing. That's exactly what it is.

824
00:44:31.800 --> 00:44:34.599
<v Speaker 2>My favorite line in the movie, which is reminiscent of

825
00:44:34.639 --> 00:44:39.119
<v Speaker 2>my favorite line from Evil Did to the Workshed, is

826
00:44:39.159 --> 00:44:42.079
<v Speaker 2>when Danny Glover at the beginning of the movie opens

827
00:44:42.079 --> 00:44:44.119
<v Speaker 2>the chunk of his car to pick which weapon he's

828
00:44:44.159 --> 00:44:46.480
<v Speaker 2>going to choose. You know, this average Joe. He's got

829
00:44:46.519 --> 00:44:50.000
<v Speaker 2>like a dozen handguns and machine pistols in there, and

830
00:44:50.079 --> 00:44:53.239
<v Speaker 2>he takes out this hand cannon and then says to himself,

831
00:44:53.760 --> 00:44:56.360
<v Speaker 2>not big enough, and then takes out a shotgun.

832
00:44:57.960 --> 00:45:00.760
<v Speaker 3>It's really, it's bad. It's a bummer. It was really.

833
00:45:00.840 --> 00:45:02.880
<v Speaker 3>I was bummed out watching this because I had such

834
00:45:02.960 --> 00:45:08.119
<v Speaker 3>fond memories we both did and the it. But let's

835
00:45:08.119 --> 00:45:09.960
<v Speaker 3>turn this around a little bit. Father Little we bagged

836
00:45:09.960 --> 00:45:12.440
<v Speaker 3>on this movie pretty good. But let's turn this around

837
00:45:12.480 --> 00:45:15.679
<v Speaker 3>a little bit. If I may, what worked for you

838
00:45:16.119 --> 00:45:20.559
<v Speaker 3>in this movie? Actors, sequences, special effects did what was

839
00:45:20.679 --> 00:45:21.440
<v Speaker 3>positive for you?

840
00:45:22.199 --> 00:45:24.840
<v Speaker 2>The redesign of the Predator, I think is really good.

841
00:45:25.320 --> 00:45:27.920
<v Speaker 2>This new Predator. He's a little more sleek, he's a

842
00:45:27.920 --> 00:45:33.360
<v Speaker 2>little more tribal, he's a little more fanged. I noticed

843
00:45:33.519 --> 00:45:38.199
<v Speaker 2>his face is a little meaner. I liked that. I

844
00:45:38.360 --> 00:45:42.480
<v Speaker 2>liked finding out that it's actually the Predator making those

845
00:45:42.559 --> 00:45:47.719
<v Speaker 2>vocalizations and not just a recording back at you. This

846
00:45:47.840 --> 00:45:49.800
<v Speaker 2>I did not like. Okay, I want to keep heeping

847
00:45:49.840 --> 00:45:52.719
<v Speaker 2>praise where it belongs. But now that I'm thinking of it,

848
00:45:52.760 --> 00:45:55.559
<v Speaker 2>I have to say it. The movie just seemed the

849
00:45:55.639 --> 00:45:58.719
<v Speaker 2>dialogue was just a choc a block full of whatever

850
00:45:58.840 --> 00:46:01.840
<v Speaker 2>was on the latest T shirt. Spencer gifts because shit

851
00:46:01.960 --> 00:46:06.639
<v Speaker 2>Happens is featured throughout, which was remember that, like the Yeah,

852
00:46:06.679 --> 00:46:08.840
<v Speaker 2>that was a phrase that sort of came about at

853
00:46:08.840 --> 00:46:11.559
<v Speaker 2>this time. And what was the other one? Oh, the

854
00:46:12.360 --> 00:46:15.679
<v Speaker 2>I hate in a sequel to a movie where they

855
00:46:15.679 --> 00:46:18.639
<v Speaker 2>have a callback line where the characters involved would not

856
00:46:18.760 --> 00:46:22.079
<v Speaker 2>have known that line from the previous film. They did

857
00:46:22.079 --> 00:46:24.679
<v Speaker 2>it a lot in Alien Rodulus get away from Her,

858
00:46:24.719 --> 00:46:28.039
<v Speaker 2>You bitch, what that hasn't happened yet? What are you

859
00:46:28.039 --> 00:46:32.119
<v Speaker 2>even talking anyway? So in this one, Danny Glover takes

860
00:46:32.159 --> 00:46:33.920
<v Speaker 2>the mask off of the Predator and he says, you

861
00:46:33.960 --> 00:46:36.760
<v Speaker 2>are one ugly mother, and then the Predator grabs it.

862
00:46:36.840 --> 00:46:42.239
<v Speaker 2>He goes motherfucker. I was like, what why? Okay, ripley, Jeane, everybody,

863
00:46:42.280 --> 00:46:44.639
<v Speaker 2>so you say predator and she goes nuts. Really, Jane,

864
00:46:44.760 --> 00:46:51.920
<v Speaker 2>calm down, what was that? You were one ugly motherfucker?

865
00:46:51.960 --> 00:46:54.079
<v Speaker 2>Like that? I guess that they were trying to yippy kaye.

866
00:46:54.360 --> 00:46:58.320
<v Speaker 2>That is that what they're trying to do, Because there.

867
00:46:58.039 --> 00:47:02.000
<v Speaker 3>Were a few sort of typical art any lines in

868
00:47:02.039 --> 00:47:06.840
<v Speaker 3>the first Predatory sorry, go ahead, that's okay. This was

869
00:47:06.840 --> 00:47:10.199
<v Speaker 3>still the time of the Quippi action vehicle. You have

870
00:47:10.239 --> 00:47:12.199
<v Speaker 3>to put a little humor in there, even like Freddy

871
00:47:12.239 --> 00:47:14.719
<v Speaker 3>and night Right elm Street like he became a quip machine.

872
00:47:14.760 --> 00:47:17.559
<v Speaker 3>He was more funny than he was SCARYO after a fashion.

873
00:47:17.920 --> 00:47:22.519
<v Speaker 3>But because you have Arnold throwing a machete through guy

874
00:47:22.599 --> 00:47:25.599
<v Speaker 3>and it says stick around things like that or that

875
00:47:25.679 --> 00:47:30.280
<v Speaker 3>hit the spot from running Man you need, It's almost

876
00:47:30.280 --> 00:47:32.880
<v Speaker 3>like they feel the need to defuse some of terror

877
00:47:33.360 --> 00:47:35.920
<v Speaker 3>and like the horror of it by throwing in these

878
00:47:35.920 --> 00:47:40.119
<v Speaker 3>little catch that I thought was really annoying because it's

879
00:47:40.159 --> 00:47:43.559
<v Speaker 3>so clearly it's almost like fan service to the original picture.

880
00:47:43.639 --> 00:47:45.639
<v Speaker 3>Hey do you guys remember how funny it was in

881
00:47:45.679 --> 00:47:48.639
<v Speaker 3>the first picture. Now it's funny here too, write don't

882
00:47:48.679 --> 00:47:51.880
<v Speaker 3>you love it? I agree? That totally fell flat for me.

883
00:47:52.519 --> 00:47:55.920
<v Speaker 3>And there's other bits. I think the efforts at humor

884
00:47:56.039 --> 00:47:58.559
<v Speaker 3>overall in this movie, Like there's a lot like the

885
00:47:58.639 --> 00:48:03.760
<v Speaker 3>Morton Downey Junior characters played for laughs and it he's

886
00:48:03.760 --> 00:48:06.800
<v Speaker 3>the typical smarmy journalist who gets punched in the face

887
00:48:06.840 --> 00:48:09.039
<v Speaker 3>at the end. I didn't like him at all. I

888
00:48:09.039 --> 00:48:11.239
<v Speaker 3>didn't think he served any real purpose.

889
00:48:11.000 --> 00:48:13.440
<v Speaker 2>But other than that, they wanted to make fun of

890
00:48:13.480 --> 00:48:15.679
<v Speaker 2>journalism at the time they were taking the cue from

891
00:48:15.760 --> 00:48:18.199
<v Speaker 2>RoboCop there, I think they were trying to sure that

892
00:48:18.280 --> 00:48:20.480
<v Speaker 2>was their attempt at satire. You know what I hated

893
00:48:20.480 --> 00:48:25.440
<v Speaker 2>about the Montinny Junior sequence. By then reporters, every reporter

894
00:48:25.719 --> 00:48:28.920
<v Speaker 2>on any show, when they were holding a microphone, the

895
00:48:28.960 --> 00:48:32.760
<v Speaker 2>microphone would have a little cube around the right around

896
00:48:32.800 --> 00:48:34.679
<v Speaker 2>the bottom of the phone thing, right, a little cube

897
00:48:34.679 --> 00:48:38.039
<v Speaker 2>with the logo on it. In cheap movie productions, they

898
00:48:38.039 --> 00:48:40.800
<v Speaker 2>always have they've double printed something and then they just

899
00:48:40.840 --> 00:48:43.360
<v Speaker 2>tape it around the microphone. And he has this little

900
00:48:43.400 --> 00:48:46.400
<v Speaker 2>fucking taped together piece of shit. And I just kept thinking, like,

901
00:48:47.039 --> 00:48:49.760
<v Speaker 2>this is supposed to be like a network nationwide show,

902
00:48:50.280 --> 00:48:53.719
<v Speaker 2>and why is that? Because the fucking prop master was

903
00:48:53.760 --> 00:48:56.960
<v Speaker 2>too busy trying to find you know, shotgun shells or something.

904
00:48:57.000 --> 00:48:57.199
<v Speaker 2>You know.

905
00:48:57.920 --> 00:49:01.000
<v Speaker 3>Yeah, but kind of looping at the stuff that I

906
00:49:01.119 --> 00:49:03.360
<v Speaker 3>liked that I thought was still a sort of yeah,

907
00:49:03.360 --> 00:49:09.519
<v Speaker 3>we're talking about like right, sorry? Is so the the

908
00:49:09.559 --> 00:49:12.360
<v Speaker 3>climax of the movie, after the predator wipes out everybody

909
00:49:12.360 --> 00:49:15.960
<v Speaker 3>in the slaughterhouse, it effectively becomes a fight. But over

910
00:49:16.280 --> 00:49:19.639
<v Speaker 3>the course of a city block or two between Harrigan

911
00:49:19.679 --> 00:49:22.360
<v Speaker 3>and the predator. They battle their way through an apartment building,

912
00:49:22.679 --> 00:49:27.159
<v Speaker 3>ultimately making their way to the predator's ship, which is

913
00:49:27.280 --> 00:49:31.559
<v Speaker 3>underneath the slaughterhouse. An apartment building near the slaughterhouse. Basically

914
00:49:31.599 --> 00:49:35.559
<v Speaker 3>it's sitting there and Harrigan has made his way to

915
00:49:35.679 --> 00:49:39.079
<v Speaker 3>the ship trying to chase the predator. And I thought,

916
00:49:39.719 --> 00:49:43.519
<v Speaker 3>to me, even going back to a movie like Close Encounters,

917
00:49:43.519 --> 00:49:48.400
<v Speaker 3>to me, there's something creepy about investigating a flying saucer

918
00:49:48.440 --> 00:49:51.039
<v Speaker 3>when it's taken seriously. When I'm not talking about just

919
00:49:51.400 --> 00:49:54.480
<v Speaker 3>flashing lights that are blinking in sequence or out of

920
00:49:54.519 --> 00:49:58.400
<v Speaker 3>sequence or what have you. This was the the design

921
00:49:58.519 --> 00:50:03.440
<v Speaker 3>of the alien ship. The pre 's ship was sufficiently

922
00:50:03.519 --> 00:50:07.400
<v Speaker 3>creepy for me because it's basically cloaked in kind of

923
00:50:07.519 --> 00:50:10.159
<v Speaker 3>smoke or just the you know, vapor.

924
00:50:10.400 --> 00:50:13.119
<v Speaker 2>There's a low lying flat fog.

925
00:50:13.239 --> 00:50:15.320
<v Speaker 3>Yeah, it's a fog, and that's where you see there's

926
00:50:15.320 --> 00:50:19.079
<v Speaker 3>a famous shot where he's looking around the ship and

927
00:50:19.119 --> 00:50:21.719
<v Speaker 3>he sees a wall of trophies, and that's where the

928
00:50:21.760 --> 00:50:26.000
<v Speaker 3>famous shot of the alien skull is there. Because it

929
00:50:26.079 --> 00:50:27.920
<v Speaker 3>kind of introduced the idea that the predator and the

930
00:50:27.960 --> 00:50:32.119
<v Speaker 3>alien are in the same universe coexisting. I thought that

931
00:50:32.239 --> 00:50:32.920
<v Speaker 3>was really cool.

932
00:50:33.199 --> 00:50:36.519
<v Speaker 2>That is the one thing we can really thank Steven

933
00:50:36.599 --> 00:50:40.159
<v Speaker 2>Hopkins for who when he was at stan Winston Studios,

934
00:50:40.280 --> 00:50:41.960
<v Speaker 2>saw one of the skulls and went, oh, we can

935
00:50:42.000 --> 00:50:44.880
<v Speaker 2>put this in there, and and then he opened up

936
00:50:44.880 --> 00:50:47.400
<v Speaker 2>a door that has never been closed.

937
00:50:47.079 --> 00:50:49.920
<v Speaker 3>And then never ever been closed again. But the ship

938
00:50:50.000 --> 00:50:55.119
<v Speaker 3>is it's giger esque where there's no controls, there's nothing

939
00:50:55.159 --> 00:50:58.000
<v Speaker 3>that it's all sort of these rolling walls that have

940
00:50:58.079 --> 00:51:01.760
<v Speaker 3>an odd texture, almost like bone or just I don't know,

941
00:51:01.800 --> 00:51:03.760
<v Speaker 3>I can't describe the texture of it. And that's where

942
00:51:03.760 --> 00:51:07.320
<v Speaker 3>the final stand between the predator and Harrigan takes place,

943
00:51:07.360 --> 00:51:10.320
<v Speaker 3>and in fact he actually he finally kills the predator.

944
00:51:10.599 --> 00:51:13.719
<v Speaker 3>But maybe the coolest part of this whole thing is

945
00:51:14.239 --> 00:51:17.559
<v Speaker 3>after he's killed the predator, about five or six other

946
00:51:17.639 --> 00:51:22.400
<v Speaker 3>predators de cloak themselves all around him. So here we

947
00:51:22.440 --> 00:51:25.880
<v Speaker 3>are his audience members thinking, yeah, he did it, he

948
00:51:26.000 --> 00:51:28.280
<v Speaker 3>killed the predator. No, because now there's no way he's

949
00:51:28.280 --> 00:51:29.880
<v Speaker 3>going to get through these six or seven and they

950
00:51:29.920 --> 00:51:33.840
<v Speaker 3>all have unique designs, introducing this idea that there's maybe

951
00:51:33.840 --> 00:51:40.199
<v Speaker 3>there's like a ranking society within the Yauch Race.

952
00:51:40.760 --> 00:51:42.719
<v Speaker 2>Yaouce yaouche yeaoch.

953
00:51:42.840 --> 00:51:45.920
<v Speaker 3>So I thought that was not only was that pretty

954
00:51:46.039 --> 00:51:49.440
<v Speaker 3>pretty satisfying, but the weirdest part of this whole thing,

955
00:51:49.440 --> 00:51:52.280
<v Speaker 3>and there's no way they would have known that this

956
00:51:52.320 --> 00:51:57.239
<v Speaker 3>would be called back thirty years later, is they carry

957
00:51:57.239 --> 00:52:02.039
<v Speaker 3>off this dead predator and knowledgement of yeah, you know,

958
00:52:02.480 --> 00:52:05.840
<v Speaker 3>we respect you. One of the predators before he leaves

959
00:52:06.400 --> 00:52:13.800
<v Speaker 3>throws harrigan an antique flintlock pistol that's inscribed to Raphael

960
00:52:14.239 --> 00:52:18.639
<v Speaker 3>Adelini seventeen fifteen. I think there's the date, which at

961
00:52:18.639 --> 00:52:21.480
<v Speaker 3>the time, the idea is, oh my god, these predators

962
00:52:21.480 --> 00:52:24.000
<v Speaker 3>have been coming to this planet for hundreds of years.

963
00:52:24.519 --> 00:52:29.280
<v Speaker 3>But what I think is great is that fucking mastermind Trachtenberg.

964
00:52:29.920 --> 00:52:34.760
<v Speaker 3>He brought back that fucking pistol in Prey, which linking

965
00:52:34.800 --> 00:52:39.119
<v Speaker 3>these movies that have really no business like Predator two,

966
00:52:40.760 --> 00:52:43.280
<v Speaker 3>is in no way on the level of Prey, which

967
00:52:43.320 --> 00:52:44.760
<v Speaker 3>I think in near masterpiece.

968
00:52:45.320 --> 00:52:46.880
<v Speaker 2>But it's kind of cool.

969
00:52:46.920 --> 00:52:49.559
<v Speaker 3>You gotta admit, father Malone that somehow now these universes

970
00:52:49.559 --> 00:52:52.880
<v Speaker 3>are linked and it creates this mythology around this pistol

971
00:52:52.920 --> 00:52:53.960
<v Speaker 3>and these creatures.

972
00:52:54.199 --> 00:53:00.119
<v Speaker 2>Yeah, sometimes prequels are fucking cool. It's just that sometimes

973
00:53:00.199 --> 00:53:02.639
<v Speaker 2>we don't need to know every little thing about every

974
00:53:02.639 --> 00:53:06.360
<v Speaker 2>fucking tree branch. Sometimes you know, a little that was

975
00:53:06.480 --> 00:53:09.440
<v Speaker 2>just a little, as you said, that was a little

976
00:53:09.639 --> 00:53:11.800
<v Speaker 2>easter egg, just to let the audience know the predators

977
00:53:11.840 --> 00:53:14.360
<v Speaker 2>have been here forever, and to open up the possibility

978
00:53:14.400 --> 00:53:17.519
<v Speaker 2>of telling all these different stories. Not ever I think

979
00:53:17.599 --> 00:53:20.599
<v Speaker 2>believing we were going to tell that story of that pistol,

980
00:53:20.960 --> 00:53:26.000
<v Speaker 2>which pray is ultimately it is a prequel to this movie.

981
00:53:27.239 --> 00:53:30.280
<v Speaker 2>It's kind of you, you know, it's funny. Gary Busey

982
00:53:30.480 --> 00:53:33.880
<v Speaker 2>when he's debriefing Danny Glever, this is an alien, you idiot,

983
00:53:33.920 --> 00:53:37.719
<v Speaker 2>stopped coming to the crime scenes. He mentions Ewo Jima

984
00:53:38.199 --> 00:53:42.000
<v Speaker 2>and Cambodia and be Root as other times that they

985
00:53:42.239 --> 00:53:44.679
<v Speaker 2>they know that the predators have visited us. What I

986
00:53:44.719 --> 00:53:47.840
<v Speaker 2>love about that ending. First of all, Lawrence Paul was

987
00:53:47.840 --> 00:53:50.079
<v Speaker 2>the production designer on this, and I agree with you.

988
00:53:50.280 --> 00:53:55.480
<v Speaker 2>His design for their ship is fucking great, and it

989
00:53:55.519 --> 00:54:00.719
<v Speaker 2>in a way mirrors the Frank Lloyd Wright design apartment.

990
00:54:00.880 --> 00:54:04.400
<v Speaker 2>The Mayan kind of carvings, because all of the there

991
00:54:04.480 --> 00:54:08.800
<v Speaker 2>seem to be sigils and symbols carved everywhere on this ship.

992
00:54:09.199 --> 00:54:14.000
<v Speaker 2>The low lying fog is troubling. Why what is that?

993
00:54:14.039 --> 00:54:16.320
<v Speaker 2>Why you guys are wearing masks or you visit or

994
00:54:16.400 --> 00:54:18.400
<v Speaker 2>do you take the masks off and you breathe that

995
00:54:18.519 --> 00:54:20.719
<v Speaker 2>what is happening? I don't know, and I don't need

996
00:54:20.760 --> 00:54:22.000
<v Speaker 2>to know, but I'd like to know.

997
00:54:23.840 --> 00:54:27.679
<v Speaker 3>In its obfuscation, the ship becomes all the more believable

998
00:54:27.719 --> 00:54:30.239
<v Speaker 3>to me, because I have a feeling if any of

999
00:54:30.320 --> 00:54:33.360
<v Speaker 3>us ever got on an alien ship, it wouldn't like

1000
00:54:33.400 --> 00:54:36.960
<v Speaker 3>I said, it wouldn't look like lost in space to

1001
00:54:37.039 --> 00:54:41.000
<v Speaker 3>call back. It would look mysterious and weird and not

1002
00:54:41.239 --> 00:54:44.039
<v Speaker 3>meant for humans. And that's exactly what you get here.

1003
00:54:44.079 --> 00:54:46.400
<v Speaker 3>And I think that's if you're going to try to

1004
00:54:46.440 --> 00:54:48.920
<v Speaker 3>redeem the movie. It almost redeems the movie put it

1005
00:54:48.920 --> 00:54:52.079
<v Speaker 3>that way to me because it's so the mystery of it.

1006
00:54:52.119 --> 00:54:53.960
<v Speaker 3>I was captivated by all over again.

1007
00:54:54.559 --> 00:54:57.760
<v Speaker 2>I here's the only good thing about it watching it

1008
00:54:57.800 --> 00:55:00.920
<v Speaker 2>again now in that final scene when you realize there's

1009
00:55:01.039 --> 00:55:04.519
<v Speaker 2>seven or eight of them, that this was a hunting party,

1010
00:55:05.000 --> 00:55:08.480
<v Speaker 2>What were they doing? Where were they? Were they just

1011
00:55:08.519 --> 00:55:10.559
<v Speaker 2>in other parts of the city, you know what I mean?

1012
00:55:10.679 --> 00:55:13.320
<v Speaker 2>There's this is where their ship was so and these

1013
00:55:13.320 --> 00:55:17.199
<v Speaker 2>guys are on foot. Yeah, what other fucking trouble. I

1014
00:55:17.400 --> 00:55:20.679
<v Speaker 2>you know, you could very easily make another movie that

1015
00:55:20.719 --> 00:55:23.960
<v Speaker 2>takes place at the exact same time that Predator two

1016
00:55:24.039 --> 00:55:26.639
<v Speaker 2>takes place in Los Angeles, in other parts of the

1017
00:55:26.639 --> 00:55:30.440
<v Speaker 2>city with the rest of that gang. The Predators fascinate me, man.

1018
00:55:30.679 --> 00:55:36.239
<v Speaker 2>The Yahoucha fascinate me, man. And there's precious little mythology

1019
00:55:36.880 --> 00:55:39.079
<v Speaker 2>about them that the films have given us. I know,

1020
00:55:39.079 --> 00:55:41.719
<v Speaker 2>the novels and blah blah blah blah blah, but extended

1021
00:55:41.840 --> 00:55:44.840
<v Speaker 2>universes don't matter. What we're given in the films is

1022
00:55:45.039 --> 00:55:47.400
<v Speaker 2>very little. And I know the new one, bad Lands,

1023
00:55:47.480 --> 00:55:50.639
<v Speaker 2>is going to change a lot of that. I'm curious.

1024
00:55:51.079 --> 00:55:54.960
<v Speaker 2>I still haven't watched the trailer. I'm curious if the Predators,

1025
00:55:54.960 --> 00:55:58.039
<v Speaker 2>if the Yaucha themselves will speak to one another and

1026
00:55:58.079 --> 00:56:01.039
<v Speaker 2>we get to hear that language. To spoil it for you,

1027
00:56:01.360 --> 00:56:01.960
<v Speaker 2>do they.

1028
00:56:02.400 --> 00:56:06.800
<v Speaker 3>He speaks a line in the trailer Predator speaks.

1029
00:56:07.000 --> 00:56:09.320
<v Speaker 2>Does he say speak in English or no?

1030
00:56:09.320 --> 00:56:11.320
<v Speaker 3>No, it's subtitled it's his language.

1031
00:56:11.880 --> 00:56:13.159
<v Speaker 2>Oh wonderful, Okay, good.

1032
00:56:13.960 --> 00:56:17.599
<v Speaker 3>I couldn't look. I think I mentioned that Predator two

1033
00:56:17.800 --> 00:56:20.239
<v Speaker 3>was the last Predator movie that I saw in the theater.

1034
00:56:20.320 --> 00:56:22.719
<v Speaker 3>What I didn't say, was that was the last Predator

1035
00:56:22.760 --> 00:56:28.039
<v Speaker 3>movie that I even saw period until Prey popped up

1036
00:56:28.039 --> 00:56:30.440
<v Speaker 3>on my radar and it was impossible to ignore because

1037
00:56:30.440 --> 00:56:34.719
<v Speaker 3>the reviews were so strong, and that made me a

1038
00:56:34.760 --> 00:56:38.800
<v Speaker 3>Predator fan all over again. And now I could not

1039
00:56:38.920 --> 00:56:42.280
<v Speaker 3>be more excited for Predator bad Lands because I have

1040
00:56:42.480 --> 00:56:47.920
<v Speaker 3>such total and utter faith in the filmmakers that they've

1041
00:56:48.000 --> 00:56:52.719
<v Speaker 3>cracked the code on making a good, solid Predator movie

1042
00:56:52.800 --> 00:56:56.079
<v Speaker 3>that doesn't short change you on any of the things

1043
00:56:56.079 --> 00:56:59.559
<v Speaker 3>that you love about the Predators. And as you just said,

1044
00:56:59.679 --> 00:57:03.159
<v Speaker 3>like it's gonna peel back more of the mythos and

1045
00:57:03.199 --> 00:57:07.440
<v Speaker 3>the mythology around the race of yaouches that I think

1046
00:57:07.559 --> 00:57:11.440
<v Speaker 3>is so compelling and so exciting for I. My hat's

1047
00:57:11.440 --> 00:57:14.119
<v Speaker 3>off like they've built a better mouse trap. That's the

1048
00:57:14.159 --> 00:57:14.840
<v Speaker 3>amazing thing.

1049
00:57:15.119 --> 00:57:17.960
<v Speaker 2>Here's another thing I like the bread Predator too, and

1050
00:57:18.039 --> 00:57:20.679
<v Speaker 2>it actually ties into what we're talking about in that

1051
00:57:20.719 --> 00:57:23.480
<v Speaker 2>we don't know very much about the Predator. So anytime

1052
00:57:23.480 --> 00:57:27.159
<v Speaker 2>we get a breadcrumb of anything, I'm excited. Here we

1053
00:57:27.199 --> 00:57:32.480
<v Speaker 2>get a much more extended sequence of the loving attention

1054
00:57:33.480 --> 00:57:38.280
<v Speaker 2>the Yaoucha pays to his trophy. He's buffing that skull

1055
00:57:38.360 --> 00:57:41.599
<v Speaker 2>by the end, he's got a buffing machine polishing it.

1056
00:57:42.760 --> 00:57:44.840
<v Speaker 2>I thought, wow, you know he really cares.

1057
00:57:45.199 --> 00:57:47.719
<v Speaker 3>He does because I think in the first one you

1058
00:57:47.760 --> 00:57:51.280
<v Speaker 3>see him lovingly stroke one of the skulls. But you're right,

1059
00:57:51.360 --> 00:57:54.719
<v Speaker 3>you see more of the process by which he leaning

1060
00:57:54.800 --> 00:57:55.760
<v Speaker 3>that thing. Enf Man.

1061
00:57:56.320 --> 00:57:59.440
<v Speaker 2>We get to see King William all manner of undress

1062
00:57:59.480 --> 00:58:02.800
<v Speaker 2>in this film thanks to our friend the Yauchi. Here.

1063
00:58:02.960 --> 00:58:05.280
<v Speaker 2>The other thing that I like that they show us

1064
00:58:05.280 --> 00:58:08.800
<v Speaker 2>here when Danny Glover and Harrigan to the au are fighting,

1065
00:58:09.440 --> 00:58:13.639
<v Speaker 2>he cuts off the predator's forearm. The predators has armed

1066
00:58:13.679 --> 00:58:16.519
<v Speaker 2>the explosive. I think a little prematurely, a little premature

1067
00:58:16.639 --> 00:58:18.639
<v Speaker 2>on the predator's part there. He should that's a last

1068
00:58:18.719 --> 00:58:21.199
<v Speaker 2>ditch thing. Come on, don't just throw that around will

1069
00:58:21.239 --> 00:58:24.480
<v Speaker 2>I nill I. But he's gonna blow himself up, right,

1070
00:58:24.840 --> 00:58:27.159
<v Speaker 2>So he cuts the arm up and then we get

1071
00:58:27.159 --> 00:58:29.360
<v Speaker 2>to see the predator like deal with the wound. I

1072
00:58:29.400 --> 00:58:32.880
<v Speaker 2>love seeing the predators deal with their wounds. That's fucking awesome.

1073
00:58:32.920 --> 00:58:34.239
<v Speaker 2>They did it in the first film. He has to

1074
00:58:34.239 --> 00:58:36.559
<v Speaker 2>suiture himself up a little bit. And now now this

1075
00:58:36.599 --> 00:58:38.480
<v Speaker 2>one has to deal with a whole fucking limb gun.

1076
00:58:38.840 --> 00:58:42.400
<v Speaker 3>Oh boy, that and that was such a weird sequence

1077
00:58:42.480 --> 00:58:45.519
<v Speaker 3>because what he does is he breaks his way into

1078
00:58:45.559 --> 00:58:50.519
<v Speaker 3>a bathroom in this apartment and he grabs, he smashes

1079
00:58:50.519 --> 00:58:52.800
<v Speaker 3>a bunch of the tile off the wall. I don't

1080
00:58:53.039 --> 00:58:54.519
<v Speaker 3>I have no idea what this has to do with

1081
00:58:54.639 --> 00:58:59.519
<v Speaker 3>anything with the practicality of medical triage. But he gets

1082
00:58:59.559 --> 00:59:02.360
<v Speaker 3>all of this tile, he breaks it up in his hands,

1083
00:59:02.400 --> 00:59:06.360
<v Speaker 3>he lights like a Bunsen burner. He puts it into

1084
00:59:06.440 --> 00:59:09.880
<v Speaker 3>the Bunsen burner with some kind of chemical, this blue chemical.

1085
00:59:10.320 --> 00:59:13.760
<v Speaker 3>It becomes a paste, and then he slathers that paste

1086
00:59:13.840 --> 00:59:17.960
<v Speaker 3>on his stump and on his bullet wounds on his chest.

1087
00:59:18.000 --> 00:59:21.599
<v Speaker 3>But what does a bunch of wall tile have to

1088
00:59:21.639 --> 00:59:24.400
<v Speaker 3>do with I was left to more questions and answers

1089
00:59:24.400 --> 00:59:27.079
<v Speaker 3>there father alone. It was cool, but I didn't quite

1090
00:59:27.159 --> 00:59:28.199
<v Speaker 3>understand what was going on.

1091
00:59:28.960 --> 00:59:31.079
<v Speaker 2>I love that I didn't understand what was going on.

1092
00:59:31.280 --> 00:59:34.159
<v Speaker 2>He knew what he was doing. He recognized that tile

1093
00:59:34.360 --> 00:59:36.960
<v Speaker 2>is apparently whatever's the some property in there is going

1094
00:59:37.000 --> 00:59:39.119
<v Speaker 2>to help him couterize his wounds.

1095
00:59:39.639 --> 00:59:42.360
<v Speaker 3>Yeah. The other thing that is, it's funny, we're we're

1096
00:59:42.400 --> 00:59:44.400
<v Speaker 3>talking a little bit. All I was, I guess talking

1097
00:59:44.519 --> 00:59:47.519
<v Speaker 3>making reference to prey. And one of the things that

1098
00:59:47.719 --> 00:59:52.079
<v Speaker 3>is unavoidable. Which look, Kevin Peter Hall is awesome as

1099
00:59:52.119 --> 00:59:57.119
<v Speaker 3>the Predator. He is, there's menace in every move that

1100
00:59:57.199 --> 01:00:00.639
<v Speaker 3>he makes. But the thing that is is a bummer.

1101
01:00:00.679 --> 01:00:03.320
<v Speaker 3>Now looking back and having all these other newer movies,

1102
01:00:03.360 --> 01:00:05.760
<v Speaker 3>these newer Predator movies coming out, it's a little like

1103
01:00:06.199 --> 01:00:09.159
<v Speaker 3>when you're a kid and you see the light saber

1104
01:00:09.239 --> 01:00:12.119
<v Speaker 3>duel between Darth Vader and ben Kenobi and the Death

1105
01:00:12.159 --> 01:00:16.719
<v Speaker 3>Star the very first movie, and it there's not much happens, right,

1106
01:00:17.039 --> 01:00:20.039
<v Speaker 3>They're not flipping, they're not doing But now when you

1107
01:00:20.079 --> 01:00:23.639
<v Speaker 3>look at a Jedi lightsaber duel now in modern day

1108
01:00:23.880 --> 01:00:27.679
<v Speaker 3>as a you know, modern meaning twenty twenty five, they're

1109
01:00:27.719 --> 01:00:31.599
<v Speaker 3>flipping there. There's karate influences, there's all this kind of stuff.

1110
01:00:32.079 --> 01:00:36.559
<v Speaker 3>The Predator, like the Predator then, was dealing with the

1111
01:00:36.559 --> 01:00:40.440
<v Speaker 3>limits of the costume. There's a big This costume weighed

1112
01:00:40.519 --> 01:00:43.480
<v Speaker 3>like something on the order of like hundreds of pounds

1113
01:00:44.119 --> 01:00:46.119
<v Speaker 3>on this sky. There's only so much Kevin Peter Hall,

1114
01:00:46.199 --> 01:00:48.039
<v Speaker 3>being as big as he is, he's not going to

1115
01:00:48.199 --> 01:00:51.719
<v Speaker 3>be doing all kinds of crazy action stuff. You can

1116
01:00:51.760 --> 01:00:54.559
<v Speaker 3>do that now because of the benefit of modern effects.

1117
01:00:54.639 --> 01:00:56.880
<v Speaker 3>But it's a little bit of a bummer that we

1118
01:00:56.920 --> 01:00:59.400
<v Speaker 3>don't get to see the predator do his thing like

1119
01:00:59.440 --> 01:01:01.719
<v Speaker 3>we see him do and pray in some of the

1120
01:01:01.719 --> 01:01:02.559
<v Speaker 3>other pictures.

1121
01:01:02.800 --> 01:01:05.400
<v Speaker 2>Yeah, I had a similar experience after the run of

1122
01:01:05.440 --> 01:01:07.519
<v Speaker 2>the recent Planet of the Apes movies and then going

1123
01:01:07.559 --> 01:01:10.599
<v Speaker 2>back and watch the originals and going, oh boy, these

1124
01:01:10.920 --> 01:01:13.719
<v Speaker 2>are really are some people in masks. I know, I've

1125
01:01:13.719 --> 01:01:16.159
<v Speaker 2>been impressed my entire life, but this is a little tough.

1126
01:01:16.199 --> 01:01:18.960
<v Speaker 2>Now I'm going to have to re re immerse myself

1127
01:01:19.000 --> 01:01:19.440
<v Speaker 2>into this.

1128
01:01:20.039 --> 01:01:21.760
<v Speaker 3>It's true. You can say what you want about the

1129
01:01:21.760 --> 01:01:26.360
<v Speaker 3>Tim Burton reboot or reimagining, but those ape costumes were

1130
01:01:26.599 --> 01:01:30.880
<v Speaker 3>pretty fucking cool. That was if that really truly looked

1131
01:01:31.000 --> 01:01:35.679
<v Speaker 3>like an orangutan evolved to human like proportions.

1132
01:01:35.719 --> 01:01:38.159
<v Speaker 2>Well, you're talking about practical makeup. I'm talking about the

1133
01:01:38.199 --> 01:01:40.920
<v Speaker 2>CG fest with Andy serkis all the recent rise of

1134
01:01:40.960 --> 01:01:44.079
<v Speaker 2>the Planet of the Apes, and we've got completely computer

1135
01:01:44.199 --> 01:01:51.079
<v Speaker 2>generated characters and they are talking and emoting and unlike

1136
01:01:51.239 --> 01:01:55.000
<v Speaker 2>anything that the nineteen sixty eight prosthetics could afford.

1137
01:01:55.360 --> 01:01:59.400
<v Speaker 3>It's pretty amazing. But despite that, like I said, there's there.

1138
01:01:59.280 --> 01:02:02.079
<v Speaker 2>Are saying you know, you made the analogy about Star

1139
01:02:02.119 --> 01:02:05.960
<v Speaker 2>Wars going back and watching the Obi Wan and Darth

1140
01:02:06.039 --> 01:02:09.880
<v Speaker 2>Vader fight. Now, it's kind of pathetic. It's they're practicing

1141
01:02:10.000 --> 01:02:12.719
<v Speaker 2>just kendo, so they're just kind of clacking the blades

1142
01:02:12.719 --> 01:02:14.840
<v Speaker 2>against each other. Was just how you fight in kendo.

1143
01:02:15.039 --> 01:02:17.079
<v Speaker 2>Nobody knew that they were going to be fighting a

1144
01:02:17.159 --> 01:02:22.880
<v Speaker 2>la saber via, you know, speed fighting eventually. So but

1145
01:02:23.840 --> 01:02:26.840
<v Speaker 2>do you remember when those lunatics made I think it's

1146
01:02:26.880 --> 01:02:31.320
<v Speaker 2>called like scene eighty six where they refilmed what that

1147
01:02:31.360 --> 01:02:34.079
<v Speaker 2>fight would have looked like between Obi Wan and It's

1148
01:02:34.119 --> 01:02:36.079
<v Speaker 2>on YouTube. It was a very popular video.

1149
01:02:36.280 --> 01:02:39.480
<v Speaker 3>I do remember that. Funny enough, I actually rewatched that recently.

1150
01:02:39.559 --> 01:02:42.079
<v Speaker 3>I saw it when it was when it went viral

1151
01:02:42.119 --> 01:02:44.599
<v Speaker 3>a few years ago, but I did rewatch it recently.

1152
01:02:44.960 --> 01:02:47.280
<v Speaker 2>You know, at the time it came out, I was like,

1153
01:02:47.679 --> 01:02:50.000
<v Speaker 2>come on, you guys, calm down with this shit. Do

1154
01:02:50.000 --> 01:02:52.559
<v Speaker 2>you really need this? And now I agree with you.

1155
01:02:52.599 --> 01:02:54.760
<v Speaker 2>Maybe they ought have just cut that into Star Wars.

1156
01:02:55.719 --> 01:02:58.880
<v Speaker 3>You know, there's a line between this, you know, making

1157
01:02:58.920 --> 01:03:01.400
<v Speaker 3>it better and making the special edition right.

1158
01:03:01.760 --> 01:03:04.920
<v Speaker 2>Well, you know, mister Lucas is very fond of reimagining

1159
01:03:04.960 --> 01:03:06.960
<v Speaker 2>his own works, so maybe he ought to take the

1160
01:03:07.000 --> 01:03:09.480
<v Speaker 2>fans queue there and go back and do Star Wars again.

1161
01:03:10.039 --> 01:03:12.719
<v Speaker 2>Maybe that's maybe that's an experiment Disney ought to auto

1162
01:03:12.760 --> 01:03:16.320
<v Speaker 2>allow him to do redo the three again now any

1163
01:03:16.320 --> 01:03:17.719
<v Speaker 2>way you want.

1164
01:03:17.480 --> 01:03:19.000
<v Speaker 3>I would go see it. I may not like it,

1165
01:03:19.039 --> 01:03:19.960
<v Speaker 3>but I would go seek.

1166
01:03:20.039 --> 01:03:22.639
<v Speaker 2>Yeah, go see it. Man so yeah so.

1167
01:03:22.960 --> 01:03:24.840
<v Speaker 3>But I guess that's maybe that's part of the charm

1168
01:03:25.719 --> 01:03:28.960
<v Speaker 3>thinking about it, of those early Predator movies where they're

1169
01:03:29.000 --> 01:03:32.639
<v Speaker 3>dealing with the constraints of that big, bulky costume and

1170
01:03:32.639 --> 01:03:35.719
<v Speaker 3>there's only so much that this actor can do. So

1171
01:03:35.760 --> 01:03:37.679
<v Speaker 3>I guess it. I don't know. I guess it works

1172
01:03:37.719 --> 01:03:40.480
<v Speaker 3>for the time, but it is pretty impressive to see

1173
01:03:40.519 --> 01:03:43.800
<v Speaker 3>what you can do with modern effects, like in Prey

1174
01:03:44.039 --> 01:03:45.639
<v Speaker 3>and bad Lands. That's going to be awesome.

1175
01:03:46.320 --> 01:03:50.119
<v Speaker 2>That's not what we're watching next, friend, that will be

1176
01:03:50.199 --> 01:03:54.039
<v Speaker 2>Alien versus Predator on the next yaouca fest. Have got

1177
01:03:54.039 --> 01:03:55.000
<v Speaker 2>anything more to say about this?

1178
01:03:55.599 --> 01:03:55.800
<v Speaker 4>Oh?

1179
01:03:56.000 --> 01:03:58.360
<v Speaker 3>One thing I didn't mention, and you didn't mention it either.

1180
01:03:58.400 --> 01:04:03.480
<v Speaker 3>I'm surprised, given our shared night mister Walter's podcasting and

1181
01:04:03.519 --> 01:04:07.280
<v Speaker 3>so forth, you didn't note the fact that in Predator Too,

1182
01:04:07.360 --> 01:04:11.960
<v Speaker 3>we have a full fledged DC CAB reunion. You never

1183
01:04:12.039 --> 01:04:13.079
<v Speaker 3>mentioned it.

1184
01:04:13.199 --> 01:04:19.400
<v Speaker 2>Adam Baldwin, Gary Busey and they working together and Hackenberry. Wow,

1185
01:04:19.440 --> 01:04:21.800
<v Speaker 2>And we also have a Lethal Weapon reunion in Gary

1186
01:04:21.800 --> 01:04:22.800
<v Speaker 2>Busey and Danny Glover.

1187
01:04:23.519 --> 01:04:25.400
<v Speaker 3>That's true. And Steve Kahan.

1188
01:04:25.840 --> 01:04:28.039
<v Speaker 2>Steve Kahan is who Steve Kahan.

1189
01:04:28.280 --> 01:04:31.239
<v Speaker 3>He was a big Richard Donner guy. He was in

1190
01:04:31.960 --> 01:04:34.440
<v Speaker 3>He was in Maverick in the Lethal Weapon movies. He

1191
01:04:34.519 --> 01:04:38.519
<v Speaker 3>was the captain. You know. That was another It's a

1192
01:04:38.559 --> 01:04:41.599
<v Speaker 3>minor thing. He's not in it that much, but he's there.

1193
01:04:42.519 --> 01:04:44.639
<v Speaker 3>But yeah, I was surprised you didn't note the fact

1194
01:04:44.679 --> 01:04:48.360
<v Speaker 3>that Albert Hackenberry was in this with with Gary Busey.

1195
01:04:48.519 --> 01:04:52.719
<v Speaker 2>Hey man, I only noticed the Lethal Weapon reunion this time,

1196
01:04:52.760 --> 01:04:55.480
<v Speaker 2>watching it like my brain was too scrambled. Plus I

1197
01:04:55.519 --> 01:04:58.480
<v Speaker 2>had I was thinking every time I saw Adam Baldwin,

1198
01:04:58.519 --> 01:05:00.639
<v Speaker 2>I kept thinking the thought that I already expressed, which

1199
01:05:00.800 --> 01:05:02.199
<v Speaker 2>is he that bad? Now I'm going to have to

1200
01:05:02.199 --> 01:05:03.000
<v Speaker 2>reassess this guy.

1201
01:05:03.519 --> 01:05:06.199
<v Speaker 3>Yeah, I don't know. And I thought, by the way,

1202
01:05:06.199 --> 01:05:07.440
<v Speaker 3>I thought just then you were going to make a

1203
01:05:07.519 --> 01:05:09.039
<v Speaker 3>joke and say, you know, I'm not going to hunt

1204
01:05:09.039 --> 01:05:12.119
<v Speaker 3>the predator on January eighth, because that's ill. This is birtha.

1205
01:05:13.360 --> 01:05:14.280
<v Speaker 2>I let you say it.

1206
01:05:14.639 --> 01:05:17.119
<v Speaker 3>I don't. I didn't do it justice. But but no,

1207
01:05:17.280 --> 01:05:20.679
<v Speaker 3>My final word on this is, you know, we've said

1208
01:05:20.679 --> 01:05:25.199
<v Speaker 3>it all it was. It's disappointing, but I'm hopeful that

1209
01:05:25.400 --> 01:05:27.239
<v Speaker 3>I know that by the time we get to Pray

1210
01:05:27.480 --> 01:05:30.559
<v Speaker 3>that there's a re rejuvenation in the series. I'm hoping

1211
01:05:30.599 --> 01:05:33.239
<v Speaker 3>some of these middle pictures are going to satisfy me

1212
01:05:33.760 --> 01:05:34.519
<v Speaker 3>a little concern.

1213
01:05:35.079 --> 01:05:36.559
<v Speaker 2>Wait till we get to the Predator.

1214
01:05:37.119 --> 01:05:38.559
<v Speaker 3>Is that the the Shane Black one?

1215
01:05:38.760 --> 01:05:42.000
<v Speaker 2>Yes? All right, oh boy, you're gonna love it.

1216
01:05:43.840 --> 01:05:46.159
<v Speaker 3>I can sense the sarcasm, so a little bit.

1217
01:05:48.360 --> 01:05:52.639
<v Speaker 2>Ah well, anyway, until next time, until the next yahoucha fest?

1218
01:05:52.679 --> 01:05:54.199
<v Speaker 2>Where can people find you when they're looking for you?

1219
01:05:54.239 --> 01:05:55.880
<v Speaker 2>Mister h p all right?

1220
01:05:56.039 --> 01:05:58.599
<v Speaker 3>As I alluded to her or mentioned earlier, I co

1221
01:05:58.639 --> 01:06:03.519
<v Speaker 3>host the night Mister Walters Taxi podcast with Father Malone here.

1222
01:06:03.800 --> 01:06:06.280
<v Speaker 3>I am also an occasional guest on The Culture Cast

1223
01:06:06.320 --> 01:06:10.719
<v Speaker 3>with Chris Dashu. I host the Noise Junkies music podcast.

1224
01:06:10.880 --> 01:06:15.760
<v Speaker 3>And finally, I have a band camp site hpmusicplace dot

1225
01:06:15.800 --> 01:06:16.920
<v Speaker 3>bancamp dot com.

1226
01:06:17.360 --> 01:06:21.119
<v Speaker 2>As for me, you're listening to my show, Hey, people

1227
01:06:21.159 --> 01:06:24.480
<v Speaker 2>in Las Vegas and the Las Vegas area come around October,

1228
01:06:24.920 --> 01:06:27.239
<v Speaker 2>might want to stop by the Nightmare in Vegas Convention

1229
01:06:27.360 --> 01:06:31.000
<v Speaker 2>where you'll find the Midnight Viewing Crew on display. We

1230
01:06:31.079 --> 01:06:32.920
<v Speaker 2>will be We're going to have a full day, full

1231
01:06:32.960 --> 01:06:35.000
<v Speaker 2>two days of presence there at the convention October the

1232
01:06:35.039 --> 01:06:37.719
<v Speaker 2>fourth and the fifth stop by. We're gonna be recording

1233
01:06:37.760 --> 01:06:40.760
<v Speaker 2>all goddamn day long, and they're gonna be have special

1234
01:06:40.800 --> 01:06:43.039
<v Speaker 2>guests and such. It's a long ways off, but you know,

1235
01:06:43.159 --> 01:06:45.840
<v Speaker 2>planting the seed as it were. We'll talk to you

1236
01:06:45.880 --> 01:06:48.559
<v Speaker 2>again on Monday for another Father Malone's weekly round up,

1237
01:06:48.559 --> 01:06:50.320
<v Speaker 2>and next Friday we'll probably be a Tails from the

1238
01:06:50.400 --> 01:06:52.840
<v Speaker 2>dark Side or a Fusco Fest or something. There's too much,

1239
01:06:53.159 --> 01:06:55.440
<v Speaker 2>there's too much content. I don't know what to do

1240
01:06:55.480 --> 01:06:57.800
<v Speaker 2>with at all. Oh my God, take me away Predator

1241
01:06:57.840 --> 01:06:58.719
<v Speaker 2>to I think.

1242
01:06:58.559 --> 01:06:59.360
<v Speaker 1>You know who he is.

1243
01:07:01.280 --> 01:07:01.760
<v Speaker 2>I won't have.

1244
01:07:04.400 --> 01:07:09.440
<v Speaker 1>I don't know who he is, but I know who.

1245
01:07:10.280 --> 01:07:15.400
<v Speaker 4>Is the other aside, what are you talking about?

1246
01:07:16.159 --> 01:07:22.239
<v Speaker 1>The spirit world? Man? You see, it's always the same.

1247
01:07:25.000 --> 01:07:29.079
<v Speaker 5>There's no stopping what can be stopped, no killing what

1248
01:07:29.320 --> 01:07:30.519
<v Speaker 5>can't be killed.

1249
01:07:30.960 --> 01:07:35.880
<v Speaker 3>Hey, make sense, man, the same that's killing your people

1250
01:07:35.920 --> 01:07:38.119
<v Speaker 3>and mind it's from the others.

1251
01:07:39.360 --> 01:07:41.159
<v Speaker 2>I can feel him all around.

1252
01:07:42.480 --> 01:07:47.559
<v Speaker 1>You can't see the eyes of the demon until him

1253
01:07:47.559 --> 01:07:48.719
<v Speaker 1>come carling.

1254
01:07:49.199 --> 01:07:49.559
<v Speaker 4>M h.

1255
01:07:51.320 --> 01:07:51.360
<v Speaker 3>H.

1256
01:07:54.960 --> 01:07:55.880
<v Speaker 2>You can killing.

1257
01:07:57.599 --> 01:07:57.800
<v Speaker 4>Time.

1258
01:08:01.719 --> 01:08:05.320
<v Speaker 1>There's something out there writing in the spook. In languish,

1259
01:08:09.760 --> 01:08:10.880
<v Speaker 1>I look about

1260
01:08:18.840 --> 01:08:20.039
<v Speaker 2>What dying hell I
