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<v Speaker 1>Welcome Friends, its podcast podcasting time show Jack Again, Bryan,

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<v Speaker 1>they're talking down mom back.

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<v Speaker 2>Welcome to Movie Film. It's episode two ninety nine, brought

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<v Speaker 2>to you by Mister Boyd Productions. I'm Zaki Hassan. I'm here

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<v Speaker 2>with Brian O.

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<v Speaker 3>Hey. How's it going, Zachi?

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<v Speaker 2>Hey, We're back after our what feels like a summer

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<v Speaker 2>break kind of.

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<v Speaker 3>I know, I mean, we still had stuff dropping, but

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<v Speaker 3>a couple of those things we had had banked and

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<v Speaker 3>so I actually I was telling Federica last night, like

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<v Speaker 3>it feels weird like we've had you and I think

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<v Speaker 3>almost like two weeks I think since we last recorded.

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<v Speaker 2>Two weeks of not talking to each other at all.

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<v Speaker 3>I know, I know, and we've both been traveling. We've

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<v Speaker 3>all seen this great country of ours.

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<v Speaker 2>It's true, which has been nice. How was it? How

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<v Speaker 2>was your trip? It was good? Yeah. I went to Chicago,

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<v Speaker 2>as as I tend to do during the summer. I do,

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<v Speaker 2>I do. I've come to anticipate that as sort of

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<v Speaker 2>my my end of summer getaway. So this year it

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<v Speaker 2>was kind of a question mark whether I'd be able

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<v Speaker 2>to make it because because there was baby coming. But

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<v Speaker 2>I was able to move some things around. And it

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<v Speaker 2>was me and my second kid. We we had a

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<v Speaker 2>lot of fun. It was it was just the tourist,

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<v Speaker 2>which is nice. You know, that's cool. That's cool.

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<v Speaker 3>Bond bonding trip hopefully.

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<v Speaker 2>And speaking of Bond, yeah, we went to the Museum

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<v Speaker 2>of Science and Industry in in Chicago and uh, they

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<v Speaker 2>have a Science of double oh seven exhibit there.

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<v Speaker 3>What did I get into?

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<v Speaker 2>Like the gadgets and uh yeah, so they got they

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<v Speaker 2>got the props and you know that you've got the

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<v Speaker 2>actual Golden gun wielded by by by Christopher Lee on display.

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<v Speaker 2>You have the jet pack worn by by Sean Connery. Uh.

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<v Speaker 2>Plus oh so many cars. You have the the the

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<v Speaker 2>you know from Living Daylights and uh, the Spy who

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<v Speaker 2>Loved Me and Die Another Day, Casino Roy et cetera,

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<v Speaker 2>et cetera. See all the cars there. For me, it

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<v Speaker 2>was a lot of fun. And and the nice thing

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<v Speaker 2>is my son and I had gone through the majority

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<v Speaker 2>of the Bond movies just last year, so they were

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<v Speaker 2>within his frame of reference, which is just extra nice.

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<v Speaker 3>Man, that's perfect. Wow, that's fun.

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<v Speaker 2>Yeah. There was you know this other thing that was

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<v Speaker 2>super cool on Navy Peers. This exhibit called Flyover Okay,

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<v Speaker 2>and it's kind of this. It's it's similar to I

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<v Speaker 2>think at Disney they have something called Soaring, Yes, soaring

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<v Speaker 2>over California exactly. So this is basically that, but but Chicago.

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<v Speaker 2>And so you you you're you know, you're in a chair.

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<v Speaker 2>You buckle up, and it's like a dome projection of

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<v Speaker 2>like drone footage flying in and around Chicago.

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<v Speaker 3>Dude, that's what was It? Was there a video beforehand

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<v Speaker 3>starring Patrick Warburton, Not.

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<v Speaker 2>But no, not Patrick Warburton. It was, but it was

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<v Speaker 2>a video kind of saying how awesome Chicago is, which

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<v Speaker 2>you don't need to tell me that you you already

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<v Speaker 2>got my ticket.

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<v Speaker 3>Hey, that's my kind of town.

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<v Speaker 2>It indeed, it is a personatra yeah, and I'll tell

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<v Speaker 2>you I have not done Soaring, but this it it's

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<v Speaker 2>what it must be like to be Superman, right right, Yeah,

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<v Speaker 2>you know, yep, I love it.

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<v Speaker 3>I've only done the Disneyland one, but it's one of

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<v Speaker 3>those things that everybody loves, you know, even though it's

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<v Speaker 3>just getting in a chair and sitting in front of

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<v Speaker 3>a big movie screen at like the you know, most

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<v Speaker 3>fantastical theme park in the world. It's just that cool,

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<v Speaker 3>you know, it's that transportive. And and also I know

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<v Speaker 3>on the California one they spray sense into the room occasionally,

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<v Speaker 3>so you'll go over an orange grove and you'll smell oranges.

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<v Speaker 2>They do that similar. Yeah, And do you feel kind

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<v Speaker 2>of wind in your face?

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<v Speaker 1>Yeah?

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<v Speaker 2>Yeah, I mean they're at one point you kind of

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<v Speaker 2>it goes above the skyline, so you're talking like above

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<v Speaker 2>the Sears tower and you're looking straight down and then

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<v Speaker 2>it drops and just I mean I'm not moving right

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<v Speaker 2>but unconscious. I'm like, whoa, you.

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<v Speaker 3>Know, Yeah, that's awesome.

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<v Speaker 2>So that that was a I'm really glad I did that.

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<v Speaker 2>And that was totally my son. Like we were we

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<v Speaker 2>were running late, and I was like, all right, I

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<v Speaker 2>don't think we're too He's like, let's just do it.

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<v Speaker 2>I'm glad, glad we did that.

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<v Speaker 3>Yeah, good mom, glad he said something too.

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<v Speaker 2>Yeah. I mean it helps, honestly, because because otherwise, if

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<v Speaker 2>I have the whole clown car with me, it's it's

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<v Speaker 2>harder to fork out for some of the stuff. You know,

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<v Speaker 2>we did like the this speedboat thing off off of

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<v Speaker 2>Lake Michigan, which which was just bananas because we were

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<v Speaker 2>just completely drenched by the end of it.

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<v Speaker 3>He sent me a picture of before and after.

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<v Speaker 2>It was Yeah, I mean it was completely so a

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<v Speaker 2>lot of fun. But it's I if I had everybody,

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<v Speaker 2>i'd be like, Nope, not doing that, because I was

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<v Speaker 2>you know, it was not cheap, but but a great time. Also,

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<v Speaker 2>I want to mention, you know, one of our regular listeners,

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<v Speaker 2>Adam Lance Hendrickson. You know, usually when I go to Chicago,

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<v Speaker 2>I try to meet him. You know, we've grabbed breakfast

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<v Speaker 2>last couple of weeks, last couple of times. This time

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<v Speaker 2>we weren't able to make breakfast work. But I was like, hey,

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<v Speaker 2>why don't we watch Alien Romulus?

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<v Speaker 3>Oh cool?

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<v Speaker 2>And Adam, God bless Adam. It was his tenth anniversary

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<v Speaker 2>and He's like, I'm going to hang out with my

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<v Speaker 2>wife in the evening, but in the afternoon, I'm going

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<v Speaker 2>to hang out with you.

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<v Speaker 3>Wow, dude, that's great.

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<v Speaker 2>So I was really glad about that. So thank you,

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<v Speaker 2>Thank you Adam for making the time for that. I

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<v Speaker 2>really appreciated that. Yeah, I also wanted to mention that

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<v Speaker 2>just because this is a thing that just happened to me.

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<v Speaker 2>I just dropped my car off for service this morning,

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<v Speaker 2>and the service advisor at Nissan is somebody I had

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<v Speaker 2>as a student like seventeen years ago.

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<v Speaker 3>Wow, it's amazing.

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<v Speaker 2>Right.

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<v Speaker 3>So he's like, mister Hassan, yeah, you know.

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<v Speaker 2>And and it took me a second, but I recognize him,

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<v Speaker 2>and you know, he's got like great temples now and stuff.

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<v Speaker 2>And I'm like, wow, damn, you know. And and he

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<v Speaker 2>said the nicest thing. He's like, you know, I've been

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<v Speaker 2>on this whole journey in my life since then, and

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<v Speaker 2>yours is one of the classes that stayed with me.

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<v Speaker 2>And he said, I don't necessarily remember everything you taught me,

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<v Speaker 2>but I remember how you taught it to me. Huh,

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<v Speaker 2>like the the enthusiasm that I had being there and whatever.

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<v Speaker 2>And I mean what else can I ask for? Right?

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<v Speaker 3>That sounds like the highest compliment.

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<v Speaker 1>Uh?

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<v Speaker 2>That that was? That was It got my day off

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<v Speaker 2>to a good start.

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<v Speaker 3>I have to say, yeah, oh man, I love that.

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<v Speaker 3>That's so cool.

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<v Speaker 2>But what have you been up to? Enough about me?

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<v Speaker 2>Who cares about me? Well?

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<v Speaker 3>I you know, spoken about well on our Twisters commentary

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<v Speaker 3>our mutual friend Shawn you Speak co hosts on the show.

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<v Speaker 3>He and his family moved out of California into North Carolina,

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<v Speaker 3>and so I the family, majority of the family flew

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<v Speaker 3>out there, but there were two dogs to also.

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<v Speaker 2>Get Shawn's family.

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<v Speaker 3>By the way, Shawn's family said yeah, and so Sean

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<v Speaker 3>and I. He rented a mini van and we loaded

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<v Speaker 3>it up with things and the two dogs and we

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<v Speaker 3>literally drove from LA to to North Carolina.

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<v Speaker 2>So did you have like the Bill CONTI karate Kid

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<v Speaker 2>opening music? We should have.

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<v Speaker 3>Yeah, yeah, instead of I remember when his mom when

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<v Speaker 3>they arrived in California, She's like, look at those palm trees,

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<v Speaker 3>like that's I should have been, like, look at those lighthouses,

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<v Speaker 3>you know. When we got out there. But it was incredible.

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<v Speaker 3>I mean, obviously it was very bittersweet just having Sean

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<v Speaker 3>move out there, but it's a trip I'll never forget,

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<v Speaker 3>you know. It was just one of those things where

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<v Speaker 3>you get to be in a car with your your

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<v Speaker 3>best friend for like the entire day, literally seeing the country,

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<v Speaker 3>being where are we over in Texas? Oh okay, you know,

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<v Speaker 3>like just one of those things, and just getting to

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<v Speaker 3>eat random places, letting the dogs out. We were saying,

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<v Speaker 3>you know, these dogs got to see more of the

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<v Speaker 3>country than some other people ever get to see in

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<v Speaker 3>their lives, you know, pee on different grasses. So it

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<v Speaker 3>was it was a really awesome, meaningful time that meant

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<v Speaker 3>a lot to me. And man, I feel like I

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<v Speaker 3>missed out. Yeah, you know, it's just one of those things,

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<v Speaker 3>you know, if if it's gonna happen and you're gonna

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<v Speaker 3>have a friend move so far away, it's just really

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<v Speaker 3>special to get to spend that time then on that

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<v Speaker 3>you know, had that journey be apart, you know.

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<v Speaker 2>Yeah. So so for folks listening, maybe more more recent

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<v Speaker 2>comers who may not realize, you know, Sean co hosted

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<v Speaker 2>this show with us for the first you know, about

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<v Speaker 2>about a year and a half or so of this

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<v Speaker 2>of this podcast. But of course he's he's dipped back

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<v Speaker 2>in ever since. But above and beyond that, I mean

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<v Speaker 2>he and I know I can speak for you with

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<v Speaker 2>this too. I mean, he has been a constant presence

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<v Speaker 2>in our lives for the better part of a quarter century. Yeah, right,

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<v Speaker 2>And and you know I've known him since high school.

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<v Speaker 2>You known him since college, and there was that I've

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<v Speaker 2>always had that sense that even as you know, when

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<v Speaker 2>we lived in Chicago, he was you know, no more

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<v Speaker 2>than fifteen minutes away. Right when I would I would

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<v Speaker 2>go over to his parents' house so much that they

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<v Speaker 2>would set a place for me at the dinner table.

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<v Speaker 2>You know, I was like the Skippy if they were

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<v Speaker 2>the Keatons.

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<v Speaker 3>You know, we're gonna go down a worm or a

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<v Speaker 3>rabbit hole of a reference explanation.

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<v Speaker 2>Yeah, look it up, kids. And then you know, when

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<v Speaker 2>I moved to California, he followed shortly within a few months. Yeah,

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<v Speaker 2>I moved to I was in the Bay Area. He

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<v Speaker 2>moved to LA But you know, even though California's pretty

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<v Speaker 2>big state and it's pretty far, it was like a

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<v Speaker 2>forty five minute plane ride away, right right, And so

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<v Speaker 2>there was a sense of like, well, Sean is right there,

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<v Speaker 2>and and he's still right there. He's just a text

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<v Speaker 2>message away. But there's something about knowing he's across the

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<v Speaker 2>country now m hm. That definitely it hit me hard.

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<v Speaker 2>But it's also I mean, this is this is life, right,

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<v Speaker 2>he has change.

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<v Speaker 3>There's there's many chapters in our books, and it's always

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<v Speaker 3>kind of weird when a new chapter starts. Yeah, but

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<v Speaker 3>then you you look back at some of the older

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<v Speaker 3>chapters and they felt weird and different when they started,

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<v Speaker 3>but then you're like, oh that's still A was a

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<v Speaker 3>beautiful chapter. And I think it was nice for me

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<v Speaker 3>being out there because it didn't feel far away. It

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<v Speaker 3>was like, oh, well, I get to see where he

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<v Speaker 3>is now, this is the town, this is you know whatever,

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<v Speaker 3>it got to exist in that for a day, go

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<v Speaker 3>to the beach with the whole family and everything, and

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<v Speaker 3>it felt very accessible. And then I got on a

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<v Speaker 3>plane and I flew back, and I was like, well

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<v Speaker 3>that was easy, you know. So it's like I'll get

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<v Speaker 3>on a plane again and fly back out there.

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<v Speaker 2>So you did not have to ride a covered wagon

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<v Speaker 2>Oregon Trail style.

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<v Speaker 3>You know. There were many times when I was looking

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<v Speaker 3>at this great nation of ours, it's landscape, and I

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<v Speaker 3>was like, why did they keep going these crazy mountains?

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<v Speaker 3>And I was like, wow, is I can't even fathom it? Yeah,

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<v Speaker 3>what that would have been like the trail, But hey, we're.

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<v Speaker 2>Grateful they did the work on our behalf right that.

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<v Speaker 3>And also I have to say, literally taking a freeway

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<v Speaker 3>from like one ocean to the other, I marveled at

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<v Speaker 3>like the people that built these things that plotted out

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<v Speaker 3>all our freeways and roads and everything across and like

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<v Speaker 3>connected this huge country of ours, Like, it's remarkable. I mean,

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<v Speaker 3>it's just to think that that road never stopped and

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<v Speaker 3>it went all the way from one coast to the other.

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<v Speaker 3>It really, we talked about it. We're like, that's incredible,

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<v Speaker 3>these people that help this thing.

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<v Speaker 2>I hope you kind of filmed a little bit of

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<v Speaker 2>the business you encountered along the way, just sort of

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<v Speaker 2>just attract that journey, you know. I feel like that

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<v Speaker 2>would make a fun, you know, montage of some kind

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<v Speaker 2>of cut together.

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<v Speaker 3>Yeah, definitely a little bit of film, a lot of

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<v Speaker 3>pictures for sure. But yeah. Yeah, So then we've both

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<v Speaker 3>both rolled back into town.

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<v Speaker 2>Yeah, very I have to admit I was very selfishly.

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<v Speaker 2>I was like, hurry up and get back so I

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<v Speaker 2>can talk about alien romulus.

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<v Speaker 3>With you know what, Well I want to now I'm

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<v Speaker 3>get right into that, but we will, we.

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<v Speaker 2>Will get there. Well, what else have you seen?

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<v Speaker 3>I saw it right before I left. I saw two

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<v Speaker 3>things that I'll mention. One is I'd mentioned it before,

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<v Speaker 3>but the show on Hulu, The Bear, which is uh,

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<v Speaker 3>you know, it takes place in Chicago, speaking of and

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<v Speaker 3>about a professional chef who inherits kind of a family

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<v Speaker 3>business where they make Italian beef sandwiches, and then he

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<v Speaker 3>turns it into like a real high end kind of restaurant.

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<v Speaker 3>And the journey he keeps the crew the staff on

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<v Speaker 3>from the beef restaurant, and it's sort of the journey

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<v Speaker 3>of going from one type of restaurant to the other.

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<v Speaker 3>And it's a very you know, it's sort of I've

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<v Speaker 3>said it before, but I'm sure a lot of people

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<v Speaker 3>said this. It's like uncut gems in a restaurant. It's

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<v Speaker 3>very intense, very stressful. But the characters are really good.

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<v Speaker 3>And I worked in restaurants for a while, and so

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<v Speaker 3>I really like seeing that environment. And I had heard

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<v Speaker 3>i'd love season one, love season And by the way,

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<v Speaker 3>when when you and I first met, you were working

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<v Speaker 3>in a restaurant, That's right.

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<v Speaker 2>We literally was a while you were working in said restaurant.

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<v Speaker 3>Yep, and you were at my table and we found

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<v Speaker 3>out that we were going to be in the same

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<v Speaker 3>film class in a week.

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<v Speaker 2>Cut to twenty five years later, exactly twenty five years later,

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<v Speaker 2>who thought.

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<v Speaker 3>Here we are. That's amazing.

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<v Speaker 2>Here we are two hundred nine ninety nine episodes into

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<v Speaker 2>a podcast.

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<v Speaker 3>Man, I mean, and just now like it's been off

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<v Speaker 3>a little bit. Like I took Federica to my hometown

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<v Speaker 3>for the first time this year, and that restaurant, Hula Hans.

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<v Speaker 3>I mean, it was a real formative experience for me

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00:14:14.200 --> 00:14:17.519
<v Speaker 3>working there. It was like a second college experience, honestly.

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<v Speaker 3>And I'm still close with a lot of those people

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<v Speaker 3>that I worked with. And it's since gone out of business,

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00:14:25.000 --> 00:14:26.519
<v Speaker 3>but the building is still there.

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00:14:26.720 --> 00:14:28.679
<v Speaker 2>But it's like, isn't it something else now?

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00:14:29.240 --> 00:14:32.120
<v Speaker 3>It's just a husk. I mean, it's empty. And so

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<v Speaker 3>Federica and I went up and the whole thing was

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00:14:36.639 --> 00:14:38.240
<v Speaker 3>my brother and I worked there for X amount of

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00:14:38.320 --> 00:14:41.320
<v Speaker 3>years and there was a booth that had these two

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00:14:41.440 --> 00:14:44.399
<v Speaker 3>name plaques on it of these two women, and nobody

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00:14:44.480 --> 00:14:48.039
<v Speaker 3>knew who they were. And we're like, oh, well, my

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00:14:48.120 --> 00:14:50.120
<v Speaker 3>brother and I like, well, we're leaving. We've been here

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00:14:50.200 --> 00:14:51.960
<v Speaker 3>for a while, and I guess it's like the hubers

296
00:14:52.000 --> 00:14:54.080
<v Speaker 3>of being twenty years old or twenty one years old.

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<v Speaker 3>We're like, let's take those down and put up our

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00:14:57.399 --> 00:14:59.559
<v Speaker 3>names as plaques. And so that's what we did, like

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00:14:59.600 --> 00:15:02.519
<v Speaker 3>our last we took drills out and drilled those plaques,

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00:15:02.879 --> 00:15:06.840
<v Speaker 3>put our names into the booth. And uh I had

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00:15:06.840 --> 00:15:09.480
<v Speaker 3>people who you know from that town, who I went

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00:15:09.480 --> 00:15:11.840
<v Speaker 3>to high school with and beyond, and they would text

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00:15:11.879 --> 00:15:14.360
<v Speaker 3>me through the years and be like, dude, your plaques

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00:15:14.360 --> 00:15:17.480
<v Speaker 3>are still there, Like they're still in the booth. And

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00:15:17.559 --> 00:15:20.399
<v Speaker 3>so sure enough this year when when Frederica and I

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00:15:20.440 --> 00:15:22.919
<v Speaker 3>went out there, we looked through the window. All the

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00:15:22.960 --> 00:15:25.759
<v Speaker 3>tables are gone, the place is almost completely empty, but

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00:15:25.879 --> 00:15:27.519
<v Speaker 3>those two plaques are still on the wall.

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<v Speaker 2>Well damn all right, Yeah, we're gonna be there.

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<v Speaker 3>Until the roof caves in.

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<v Speaker 2>I guess that's that's kind of that's that's like, uh,

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00:15:38.440 --> 00:15:41.919
<v Speaker 2>it's you know those those documentaries on the Learning Channel

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00:15:42.000 --> 00:15:44.399
<v Speaker 2>or something like the World Without Us sort of the

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00:15:44.480 --> 00:15:49.519
<v Speaker 2>World after Us? Yes, right, right, like nothing nothing left

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00:15:49.600 --> 00:15:51.039
<v Speaker 2>but that yep.

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00:15:51.240 --> 00:15:53.159
<v Speaker 3>Or like when Bart writes his name in the concrete

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00:15:53.159 --> 00:15:55.519
<v Speaker 3>and they're like, who was this Bart? You know, like.

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<v Speaker 2>But yes.

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<v Speaker 3>Going back to the Bear, Season one great, Season two

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00:16:01.639 --> 00:16:04.799
<v Speaker 3>I really love there was an episode that focused on

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00:16:04.799 --> 00:16:06.600
<v Speaker 3>one character that I think might be one of my

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00:16:06.600 --> 00:16:11.799
<v Speaker 3>favorite episodes of TV ever. And season three I kind

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00:16:11.799 --> 00:16:14.600
<v Speaker 3>of put off. I don't know why. I just wanted

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00:16:14.600 --> 00:16:15.919
<v Speaker 3>to be in the right mood for it, and I

325
00:16:15.919 --> 00:16:18.639
<v Speaker 3>had heard a lot of people saying, oh, this is

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00:16:18.639 --> 00:16:20.360
<v Speaker 3>where it's starting to go off the rails, like they

327
00:16:20.399 --> 00:16:22.919
<v Speaker 3>had listened to their own hype and now it's becoming

328
00:16:22.919 --> 00:16:26.960
<v Speaker 3>a little pretentious and they're you know, certain episodes will

329
00:16:27.120 --> 00:16:30.759
<v Speaker 3>revolve around one idea and then just spin its wheels

330
00:16:30.799 --> 00:16:33.600
<v Speaker 3>in that idea for thirty minutes and go art, you know,

331
00:16:33.759 --> 00:16:36.320
<v Speaker 3>kind of a thing. And so I went into that like, oh,

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00:16:36.360 --> 00:16:39.080
<v Speaker 3>here we go. I'm not ready to not like this thing,

333
00:16:40.879 --> 00:16:44.279
<v Speaker 3>but I liked it. So I can see what some

334
00:16:44.320 --> 00:16:47.600
<v Speaker 3>people are saying. Just recently. I can't recall who, but

335
00:16:47.639 --> 00:16:49.919
<v Speaker 3>I saw someone posting about the first episode, which is

336
00:16:50.000 --> 00:16:56.320
<v Speaker 3>essentially a montage. The whole thirty plus minutes is a montage,

337
00:16:56.480 --> 00:17:00.480
<v Speaker 3>and it's it's almost like a previously on in a way,

338
00:17:00.519 --> 00:17:02.720
<v Speaker 3>but there's a lot of new footage and your understanding

339
00:17:02.879 --> 00:17:04.559
<v Speaker 3>the main character a little bit more, seeing a little

340
00:17:04.559 --> 00:17:07.240
<v Speaker 3>bit more of his past. It's very artistic. It's very

341
00:17:07.279 --> 00:17:12.440
<v Speaker 3>out there. But it totally worked for me. And that said,

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00:17:12.880 --> 00:17:15.240
<v Speaker 3>there were other episodes, if you want to call them

343
00:17:15.240 --> 00:17:17.759
<v Speaker 3>bottle episodes. I suppose that didn't work for me as well.

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00:17:17.799 --> 00:17:20.599
<v Speaker 3>And there was one I'll just say it's one where

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00:17:20.599 --> 00:17:24.039
<v Speaker 3>someone is giving birth and it becomes it's literally just

346
00:17:24.039 --> 00:17:27.359
<v Speaker 3>two characters talking for the whole episode, and I quickly

347
00:17:27.400 --> 00:17:30.119
<v Speaker 3>realized that's all that was going to happen, you know.

348
00:17:30.160 --> 00:17:32.039
<v Speaker 3>I was like, Oh, she's gonna have a monologue, and

349
00:17:32.039 --> 00:17:34.480
<v Speaker 3>then she's gonna have a monologue, and then the other

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00:17:34.519 --> 00:17:35.480
<v Speaker 3>person's gonna have a monologue.

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<v Speaker 2>Again.

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<v Speaker 3>I was like, okay, Like I just I don't know,

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00:17:38.799 --> 00:17:40.240
<v Speaker 3>maybe it was the wrong night, but I was not

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00:17:40.440 --> 00:17:41.799
<v Speaker 3>feeling it, and I was like, Okay, this is one

355
00:17:41.839 --> 00:17:43.240
<v Speaker 3>of those that I'm just gonna have to let go.

356
00:17:43.359 --> 00:17:45.839
<v Speaker 3>And I watched it. But but then they had another

357
00:17:45.880 --> 00:17:49.480
<v Speaker 3>episode where they focused on one particular character and their journey,

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00:17:49.519 --> 00:17:54.519
<v Speaker 3>and oh magic just like a short film, a beautiful

359
00:17:54.559 --> 00:18:00.079
<v Speaker 3>short film about just a person. So you know, looking

360
00:18:00.119 --> 00:18:03.319
<v Speaker 3>at the arc of the season, did we get very far?

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00:18:04.599 --> 00:18:06.799
<v Speaker 3>Not really? Actually, not really. I mean, they sort of

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00:18:06.839 --> 00:18:08.880
<v Speaker 3>set up a goal at the beginning that I don't

363
00:18:09.200 --> 00:18:10.519
<v Speaker 3>I mean, I watched it a week ago, but I

364
00:18:10.559 --> 00:18:14.880
<v Speaker 3>don't think we got there. But I enjoy spending time

365
00:18:14.920 --> 00:18:17.160
<v Speaker 3>in this place, and I find the characters very compelling,

366
00:18:18.599 --> 00:18:21.319
<v Speaker 3>and I believe I read somewhere I don't quote me

367
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<v Speaker 3>man this, but I believe that the creator wanted three seasons,

368
00:18:24.319 --> 00:18:29.759
<v Speaker 3>but Kulu wanted four and they shot these back to

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00:18:29.799 --> 00:18:32.440
<v Speaker 3>back three and four, So I wonder if there's a

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00:18:32.440 --> 00:18:35.359
<v Speaker 3>little bit of a stretching that was happening. Oh interesting,

371
00:18:36.279 --> 00:18:38.160
<v Speaker 3>and I know that happened with ted Lasso also, where

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00:18:38.160 --> 00:18:40.799
<v Speaker 3>they were like, Okay, we'll do you know, ten episodes,

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<v Speaker 3>and then Apple's like, can you give us thirteen? And

374
00:18:42.799 --> 00:18:44.920
<v Speaker 3>then there was like these three episodes that just did

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00:18:44.960 --> 00:18:47.880
<v Speaker 3>not flow with the others. So I don't know if

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00:18:47.880 --> 00:18:52.400
<v Speaker 3>that's the case, But my opinion, I still enjoyed this world,

377
00:18:52.440 --> 00:18:54.240
<v Speaker 3>and I'm looking forward to season four, So.

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00:18:54.440 --> 00:18:59.039
<v Speaker 2>Yeah, do you know I haven't I have been meaning to.

379
00:18:59.480 --> 00:19:04.240
<v Speaker 2>My wife loves it. She ended up rewatching the first

380
00:19:04.240 --> 00:19:06.960
<v Speaker 2>two seasons and then going right into the third one. Wow,

381
00:19:07.440 --> 00:19:10.759
<v Speaker 2>so she really likes it. But you know, what occurs

382
00:19:10.759 --> 00:19:13.200
<v Speaker 2>to me as we're talking about this, and maybe maybe

383
00:19:13.200 --> 00:19:15.720
<v Speaker 2>this doesn't apply specifically to the Bear, but just in general,

384
00:19:16.319 --> 00:19:22.319
<v Speaker 2>I'm kind of like, can we bring back twenty episode seasons?

385
00:19:23.240 --> 00:19:26.079
<v Speaker 3>You know, I would love I would like there for

386
00:19:26.799 --> 00:19:29.359
<v Speaker 3>it not to be an aversion to it. If a

387
00:19:29.440 --> 00:19:32.640
<v Speaker 3>show has twenty episodes, let it have twenty episodes. If

388
00:19:32.680 --> 00:19:35.599
<v Speaker 3>a show has six episodes, let it have six episodes,

389
00:19:35.839 --> 00:19:37.799
<v Speaker 3>I'd kind of like, and it seems that is the case,

390
00:19:37.839 --> 00:19:39.920
<v Speaker 3>I guess, but I'd like for there to be no rules,

391
00:19:40.039 --> 00:19:42.519
<v Speaker 3>like let the story be what it wants to be, right,

392
00:19:43.000 --> 00:19:43.279
<v Speaker 3>you know.

393
00:19:44.400 --> 00:19:47.319
<v Speaker 2>Yeah, I mean I think you know when you talk

394
00:19:47.359 --> 00:19:52.240
<v Speaker 2>about how there were certain episodes in the season that

395
00:19:52.319 --> 00:19:55.480
<v Speaker 2>struck you as, oh, you know, this is they're trying

396
00:19:55.480 --> 00:19:58.119
<v Speaker 2>to do some kind of a that gimmick. That's the

397
00:19:58.119 --> 00:20:01.559
<v Speaker 2>wrong word, but something something different, something off the beaten paths, right,

398
00:20:01.839 --> 00:20:04.599
<v Speaker 2>I'm like it would stick out less if there were

399
00:20:04.720 --> 00:20:09.880
<v Speaker 2>more regular episodes. I could see that, yeah, sure, Like

400
00:20:09.880 --> 00:20:12.319
<v Speaker 2>like I'll give an example. It's an imperfect analogy, but

401
00:20:12.440 --> 00:20:15.640
<v Speaker 2>like with you know, on Paramount Plus, they have the

402
00:20:15.680 --> 00:20:19.599
<v Speaker 2>Star Trek the Stranging Worlds show, right, which is something

403
00:20:19.720 --> 00:20:22.119
<v Speaker 2>in the mold of the original series and next generation

404
00:20:22.160 --> 00:20:26.680
<v Speaker 2>where it's kind of like your Planet of the Week show, right, right, right,

405
00:20:27.200 --> 00:20:29.920
<v Speaker 2>except each season is ten episodes, as opposed to those

406
00:20:29.960 --> 00:20:31.759
<v Speaker 2>shows at their peak where you were looking at you know,

407
00:20:31.920 --> 00:20:35.680
<v Speaker 2>between twenty four and twenty six. And so what happens

408
00:20:35.799 --> 00:20:40.640
<v Speaker 2>is like the most recent season you had one episode

409
00:20:40.759 --> 00:20:47.720
<v Speaker 2>where it was a musical episode. So some weird space

410
00:20:47.920 --> 00:20:52.359
<v Speaker 2>anomaly causes the crew members to start singing, right, that's fine,

411
00:20:52.359 --> 00:20:54.799
<v Speaker 2>it's quirky, it's fun. And then they had one where

412
00:20:54.799 --> 00:20:58.200
<v Speaker 2>it was like a crossover with the cartoon, the Lower

413
00:20:58.240 --> 00:21:02.599
<v Speaker 2>Decks cartoon show. Right, right, totally fine, quirky, it's fun,

414
00:21:02.599 --> 00:21:06.559
<v Speaker 2>it's different. But now it's like two quirky episodes out

415
00:21:06.559 --> 00:21:11.240
<v Speaker 2>of eight out of ten, right, And so I'm like, well,

416
00:21:11.279 --> 00:21:14.480
<v Speaker 2>I like having those, but I also don't like losing

417
00:21:15.160 --> 00:21:17.200
<v Speaker 2>like the the serious ones.

418
00:21:19.160 --> 00:21:22.680
<v Speaker 3>You know, maybe there's something to also something that's a

419
00:21:22.720 --> 00:21:26.759
<v Speaker 3>little more serialized, like Lost, a show like Lost, where

420
00:21:26.759 --> 00:21:29.240
<v Speaker 3>maybe that would have benefited from having more like sixteen

421
00:21:29.279 --> 00:21:34.559
<v Speaker 3>episode seasons. But when it's something that's more story of

422
00:21:34.559 --> 00:21:38.359
<v Speaker 3>the week or sitcomy or like The Simpsons or something

423
00:21:38.400 --> 00:21:41.880
<v Speaker 3>like that, then yeah, it'd be fun to have more.

424
00:21:42.519 --> 00:21:44.880
<v Speaker 2>Yeah, right, maybe that's what it is.

425
00:21:44.960 --> 00:21:48.559
<v Speaker 3>Yeah, yeah, yeah, Like that's a good point though, that

426
00:21:48.640 --> 00:21:50.440
<v Speaker 3>the ones that disappoint you would stand out.

427
00:21:50.400 --> 00:21:53.119
<v Speaker 2>Less exactly, right, because it's like, oh, we got we

428
00:21:53.200 --> 00:21:56.079
<v Speaker 2>got a whole bunch of these, you know, I don't know,

429
00:21:56.119 --> 00:21:59.480
<v Speaker 2>I'm I'm I'm on this show. I've been stumping for

430
00:21:59.799 --> 00:22:03.279
<v Speaker 2>the traditional network model of television, which, for as flawed

431
00:22:03.279 --> 00:22:07.559
<v Speaker 2>as it was, It worked for a very long time

432
00:22:07.640 --> 00:22:10.559
<v Speaker 2>before streaming showed up and to a lesser extent cable

433
00:22:10.759 --> 00:22:12.000
<v Speaker 2>and I was like, no, we're gonna do it this

434
00:22:12.039 --> 00:22:15.039
<v Speaker 2>way instead, right, and everyone followed suit, you.

435
00:22:15.000 --> 00:22:18.799
<v Speaker 3>Know, Yeah, Well, who knows, maybe we'll be getting back

436
00:22:18.839 --> 00:22:19.880
<v Speaker 3>to that at some point.

437
00:22:20.279 --> 00:22:22.519
<v Speaker 2>Yeah, we'll see. Yeah.

438
00:22:22.599 --> 00:22:24.759
<v Speaker 3>Well, speaking of streaming, I watched one other thing that

439
00:22:25.000 --> 00:22:29.200
<v Speaker 3>I would thought i'd bring up, which is a Disney movie.

440
00:22:29.200 --> 00:22:31.279
<v Speaker 3>It was on Disney Plus. It's called Young Woman in

441
00:22:31.319 --> 00:22:34.480
<v Speaker 3>the Sea and it's starring Daisy Ridley.

442
00:22:34.920 --> 00:22:37.079
<v Speaker 2>Oh so this is the new Star Wars movie that

443
00:22:37.160 --> 00:22:41.880
<v Speaker 2>she's Yeah, yes, it's called Star Wars Young Woman in

444
00:22:41.920 --> 00:22:42.240
<v Speaker 2>the Sea.

445
00:22:42.440 --> 00:22:44.880
<v Speaker 3>Yeah. I'm surprised more people aren't talking about it than

446
00:22:45.079 --> 00:22:50.920
<v Speaker 3>Star Wars. Basically, well, the plot is is from IMDb

447
00:22:51.079 --> 00:22:55.200
<v Speaker 3>says the story of competitive swimmer Gertrude Etterly, who in

448
00:22:55.279 --> 00:22:57.599
<v Speaker 3>nineteen twenty six was the first woman to ever swim

449
00:22:57.640 --> 00:23:03.119
<v Speaker 3>across the English Channel. And I saw this trailer in

450
00:23:03.160 --> 00:23:07.640
<v Speaker 3>the theater and I was like, huh, it looks kind

451
00:23:07.640 --> 00:23:10.200
<v Speaker 3>of old school, you know, it looks like sort of

452
00:23:10.200 --> 00:23:12.920
<v Speaker 3>like a Wonderful World of Disney kind of movie. And

453
00:23:12.960 --> 00:23:14.400
<v Speaker 3>I didn't think a lot about it. I was like, oh,

454
00:23:14.400 --> 00:23:17.440
<v Speaker 3>it looks nice, you know, And then I saw it

455
00:23:17.480 --> 00:23:21.400
<v Speaker 3>was getting these really amazing reviews and so much so

456
00:23:21.440 --> 00:23:23.200
<v Speaker 3>that I almost went to go see it in the theater.

457
00:23:23.279 --> 00:23:25.160
<v Speaker 3>I just wanted to. I just want to see something good.

458
00:23:25.359 --> 00:23:27.480
<v Speaker 3>It's something good that felt I didn't know. The story

459
00:23:27.599 --> 00:23:29.640
<v Speaker 3>felt a little old fashioned in a way that appealed

460
00:23:29.680 --> 00:23:33.640
<v Speaker 3>to me. And then I missed it. So shows up

461
00:23:33.640 --> 00:23:35.400
<v Speaker 3>on Disney Plus and I got to say, it's exactly

462
00:23:35.480 --> 00:23:36.759
<v Speaker 3>what I thought it was going to be. And I

463
00:23:36.799 --> 00:23:39.359
<v Speaker 3>mean that in the best way, Like it was very

464
00:23:39.400 --> 00:23:42.799
<v Speaker 3>reminiscent of like older Disney sports films, you know, sort

465
00:23:42.839 --> 00:23:45.160
<v Speaker 3>of like I mean like Wild Hearts Can't be Broken,

466
00:23:45.599 --> 00:23:48.640
<v Speaker 3>like those kind of old school things, and somewhat like

467
00:23:48.720 --> 00:23:52.680
<v Speaker 3>Remember the Titans, things like that. I say, Wild Hearts

468
00:23:52.680 --> 00:23:56.960
<v Speaker 3>Can't be Broken because it it's execution felt a little

469
00:23:57.160 --> 00:24:01.440
<v Speaker 3>simple at times, you know, taking place in the twenties,

470
00:24:01.480 --> 00:24:05.000
<v Speaker 3>there's a lot of emphasis on like, you know, girls

471
00:24:05.000 --> 00:24:06.920
<v Speaker 3>can't swim in a pool. They never have and they

472
00:24:06.920 --> 00:24:11.200
<v Speaker 3>never will, and you need that obviously to like for

473
00:24:11.240 --> 00:24:13.440
<v Speaker 3>the understand the world. But it gets to the point

474
00:24:13.480 --> 00:24:16.200
<v Speaker 3>where it almost gets repeated so many times it starts

475
00:24:16.240 --> 00:24:17.920
<v Speaker 3>to feel like walk hard or something, you know what

476
00:24:17.960 --> 00:24:21.559
<v Speaker 3>I mean, like paroting those types of movies about like

477
00:24:21.599 --> 00:24:23.640
<v Speaker 3>you know, girls have never crossed the sidewalk. They never

478
00:24:23.680 --> 00:24:27.519
<v Speaker 3>have and they never will, you know, like and so

479
00:24:27.519 --> 00:24:30.680
<v Speaker 3>so for that reason again, you need it. You need

480
00:24:30.720 --> 00:24:33.480
<v Speaker 3>that to understand what she's working against because it's so different,

481
00:24:33.759 --> 00:24:36.480
<v Speaker 3>well a lot different than the world we live in.

482
00:24:37.559 --> 00:24:39.759
<v Speaker 3>But it can occasionally make the film feel like it's

483
00:24:39.759 --> 00:24:43.240
<v Speaker 3>for a younger audience. So throwing that out there like

484
00:24:43.279 --> 00:24:46.279
<v Speaker 3>it does feel But I mean, I think that's kind

485
00:24:46.279 --> 00:24:48.000
<v Speaker 3>of nice. I mean, like how many family movies have

486
00:24:48.039 --> 00:24:52.039
<v Speaker 3>come out recently that aren't like something sort of chaotic

487
00:24:52.039 --> 00:24:55.839
<v Speaker 3>and goofy, like the Despicable Me movies or something like

488
00:24:55.839 --> 00:24:58.480
<v Speaker 3>this is just like a cool tale, a true story.

489
00:24:58.519 --> 00:25:01.680
<v Speaker 3>And by the end of it, I was like pumping

490
00:25:01.759 --> 00:25:04.400
<v Speaker 3>my fist, like I was really rooting for her. You know,

491
00:25:04.440 --> 00:25:06.079
<v Speaker 3>she has a lot that she's working against. You had

492
00:25:06.160 --> 00:25:08.279
<v Speaker 3>people who are working against her. And then of course

493
00:25:08.759 --> 00:25:11.119
<v Speaker 3>it's hard enough trying to swim the English channel. I mean, watch,

494
00:25:11.160 --> 00:25:13.960
<v Speaker 3>I'm a competent swimmer, I'm not a great swimmer, and

495
00:25:14.000 --> 00:25:17.799
<v Speaker 3>watching her swim against waves in the ocean for like

496
00:25:17.880 --> 00:25:20.880
<v Speaker 3>twenty plus hours, you're like, huh, this is insane. And

497
00:25:20.920 --> 00:25:26.640
<v Speaker 3>so yeah, they do a really good job of turning

498
00:25:26.640 --> 00:25:29.559
<v Speaker 3>into something where you understand the goal, you understand what's

499
00:25:29.559 --> 00:25:31.640
<v Speaker 3>against her at the finish line, and making it really

500
00:25:31.680 --> 00:25:36.240
<v Speaker 3>compelling for her to get there. And yeah, I was

501
00:25:36.279 --> 00:25:37.799
<v Speaker 3>I was like cheering when it was over. It's just

502
00:25:37.839 --> 00:25:41.640
<v Speaker 3>like a solid, feel good family film and I thought

503
00:25:41.640 --> 00:25:42.680
<v Speaker 3>it was worth recommend.

504
00:25:42.680 --> 00:25:43.880
<v Speaker 2>It's on Disney Plus.

505
00:25:43.880 --> 00:25:46.119
<v Speaker 3>On Disney Plus, people are looking for that. I think

506
00:25:46.119 --> 00:25:46.759
<v Speaker 3>they'll enjoy it.

507
00:25:47.799 --> 00:25:48.480
<v Speaker 2>Well, there we go.

508
00:25:49.240 --> 00:25:53.720
<v Speaker 3>Yeah, and d z Ridley she's great, Like she has

509
00:25:53.720 --> 00:25:56.920
<v Speaker 3>this like sparkle or something, and I just I'm surprised

510
00:25:57.000 --> 00:25:59.160
<v Speaker 3>we don't see her in more things. Like she's very

511
00:26:00.559 --> 00:26:02.640
<v Speaker 3>you know, I don't know, she just exudes something. She's

512
00:26:02.720 --> 00:26:05.160
<v Speaker 3>very captivating and she's I enjoyed her a lot in

513
00:26:05.200 --> 00:26:06.559
<v Speaker 3>this and it made me think, like, wow, I'm just

514
00:26:06.599 --> 00:26:08.039
<v Speaker 3>surprised we don't see more of her.

515
00:26:09.240 --> 00:26:13.039
<v Speaker 2>Well hope hopefully. Well, first of all, it's smart Disney

516
00:26:13.079 --> 00:26:14.200
<v Speaker 2>to kind of keep her in the fold.

517
00:26:15.640 --> 00:26:17.119
<v Speaker 3>Oh yeah, definitely right.

518
00:26:17.880 --> 00:26:21.880
<v Speaker 2>And and you know, I suspect that if this ray

519
00:26:22.119 --> 00:26:25.519
<v Speaker 2>movie that they're working on performs, that that'll that'll kind

520
00:26:25.519 --> 00:26:31.640
<v Speaker 2>of uh, you know, broaden broaden her her options, one presumes.

521
00:26:32.039 --> 00:26:33.960
<v Speaker 3>Yeah, well, speaking of I mean, I'm rooting for that.

522
00:26:34.119 --> 00:26:36.119
<v Speaker 3>I really want that movie to be awesome. But I

523
00:26:36.160 --> 00:26:39.240
<v Speaker 3>think you saw that the acle like got canceled, right, Yeah.

524
00:26:39.079 --> 00:26:41.759
<v Speaker 2>I did see that, not not terribly surprised, if I'm

525
00:26:41.799 --> 00:26:42.359
<v Speaker 2>being honest.

526
00:26:42.759 --> 00:26:43.960
<v Speaker 3>Yeah, did you finished it?

527
00:26:44.240 --> 00:26:45.720
<v Speaker 2>I did finish it.

528
00:26:45.519 --> 00:26:47.279
<v Speaker 3>It ended on a cliffhanger, right.

529
00:26:47.839 --> 00:26:51.039
<v Speaker 2>Well, it ended, yes, and no, I mean it ended. Yes,

530
00:26:51.400 --> 00:26:53.799
<v Speaker 2>it ended. Let me put this say, it ended at

531
00:26:53.799 --> 00:26:56.960
<v Speaker 2>a place where they could very well have been like,

532
00:26:57.000 --> 00:26:59.240
<v Speaker 2>and here's what happens next, But I think they also

533
00:26:59.319 --> 00:27:02.920
<v Speaker 2>ended at a place where like, that's where this story ends,

534
00:27:02.920 --> 00:27:06.079
<v Speaker 2>and something else could could pick up certain threads later.

535
00:27:06.920 --> 00:27:09.160
<v Speaker 3>Well that's good. I was feeling kind of bummed. I

536
00:27:09.200 --> 00:27:12.680
<v Speaker 3>was seeing obviously mixed reactions online because it's been mixed

537
00:27:12.720 --> 00:27:14.400
<v Speaker 3>reaction kind of show. But I was feeling bad for

538
00:27:14.440 --> 00:27:17.359
<v Speaker 3>the people that were invested if there was some story

539
00:27:17.839 --> 00:27:18.400
<v Speaker 3>hanging there.

540
00:27:19.119 --> 00:27:24.599
<v Speaker 2>I mean, ultimately, I am baffled by the idea that

541
00:27:24.640 --> 00:27:27.039
<v Speaker 2>you would spend one hundred and eighty million dollars on

542
00:27:27.680 --> 00:27:28.920
<v Speaker 2>a season of television.

543
00:27:30.000 --> 00:27:30.519
<v Speaker 3>Yeah.

544
00:27:30.599 --> 00:27:34.240
<v Speaker 2>Yeah, sure, it's insanity, right, So at that point you say, well,

545
00:27:34.759 --> 00:27:40.240
<v Speaker 2>you can't make something I was gonna say, that's this polarizing,

546
00:27:40.240 --> 00:27:42.519
<v Speaker 2>and that's almost unfair to this show because it's really

547
00:27:43.039 --> 00:27:46.119
<v Speaker 2>I don't think it is particularly polarizing, except that everything

548
00:27:46.240 --> 00:27:50.200
<v Speaker 2>now involved in Star Wars has become polarizing. Right. But

549
00:27:50.279 --> 00:27:52.279
<v Speaker 2>I would say, just as a matter of course, I

550
00:27:52.920 --> 00:27:56.519
<v Speaker 2>just watching the show. I think it's well made, but

551
00:27:56.640 --> 00:27:59.279
<v Speaker 2>I don't really see that money on screen, So I

552
00:27:59.319 --> 00:28:01.799
<v Speaker 2>don't know. I don't know that you needed to do that,

553
00:28:01.880 --> 00:28:05.359
<v Speaker 2>and I think you're better off doing showing you can

554
00:28:05.440 --> 00:28:09.200
<v Speaker 2>do it for for less out of pocket, you know,

555
00:28:11.440 --> 00:28:14.200
<v Speaker 2>But it's weird. I greeted the news with kind of like,

556
00:28:14.200 --> 00:28:18.440
<v Speaker 2>all right, well, that's fine, Like it doesn't particularly affect

557
00:28:18.480 --> 00:28:22.480
<v Speaker 2>me because I wasn't I wasn't blown away by the show.

558
00:28:22.519 --> 00:28:25.559
<v Speaker 2>I thought it was fine, you know, but it has

559
00:28:25.640 --> 00:28:29.519
<v Speaker 2>been aggravating seeing sort of the victory dance from people.

560
00:28:30.359 --> 00:28:32.599
<v Speaker 3>Yeah sure, right, or it's.

561
00:28:32.440 --> 00:28:34.440
<v Speaker 2>Like, you know again, it's just and this is a

562
00:28:34.440 --> 00:28:36.720
<v Speaker 2>broken record at this point, like why does everything have

563
00:28:36.839 --> 00:28:37.400
<v Speaker 2>to be a thing?

564
00:28:39.799 --> 00:28:43.480
<v Speaker 3>Yeah, No, for sure, I yeah, And I mean coming

565
00:28:43.480 --> 00:28:47.279
<v Speaker 3>at it from where I work and stuff, I look

566
00:28:47.319 --> 00:28:51.400
<v Speaker 3>at it as jobs, you know, in dreams, you know,

567
00:28:51.519 --> 00:28:54.519
<v Speaker 3>when that was someone's dream and like I it's even

568
00:28:54.559 --> 00:28:57.400
<v Speaker 3>if I don't like something, I'm still sad to see

569
00:28:57.400 --> 00:28:59.160
<v Speaker 3>it come to an end because it doesn't have to

570
00:28:59.160 --> 00:29:01.759
<v Speaker 3>be for me. But that's someone's dream, Those are people's jobs,

571
00:29:01.759 --> 00:29:05.240
<v Speaker 3>and that sucks. At the same time, it exists, and

572
00:29:05.279 --> 00:29:08.279
<v Speaker 3>it's it's another thing on the shelf, the Star Wars shelf,

573
00:29:08.319 --> 00:29:09.960
<v Speaker 3>and it's always going to be there for people to

574
00:29:09.960 --> 00:29:11.440
<v Speaker 3>pick up when they they want to.

575
00:29:11.559 --> 00:29:15.079
<v Speaker 2>I definitely agree with that. And and you know the conversation.

576
00:29:15.200 --> 00:29:18.359
<v Speaker 2>What what really aggravates me the most is sort of

577
00:29:18.359 --> 00:29:21.519
<v Speaker 2>this this shorthand of oh, well they went woke and

578
00:29:21.559 --> 00:29:24.640
<v Speaker 2>that's why they went broke, you know. And and this

579
00:29:24.759 --> 00:29:27.119
<v Speaker 2>show in particular, I'm I'm just like, well, what's the

580
00:29:27.559 --> 00:29:30.759
<v Speaker 2>quote unquote woke here? The fact that it has people

581
00:29:30.799 --> 00:29:35.960
<v Speaker 2>of color in most of the primary roles, Like that's

582
00:29:36.559 --> 00:29:39.920
<v Speaker 2>so because I'm like, well so what right? Right right?

583
00:29:40.319 --> 00:29:45.200
<v Speaker 2>I'm like cool, right, Like so you know that there's

584
00:29:45.240 --> 00:29:50.880
<v Speaker 2>this this narrow casting of like, uh, the mere presence

585
00:29:51.359 --> 00:29:57.599
<v Speaker 2>of diversity is a call to arms, you know.

586
00:29:59.039 --> 00:30:00.480
<v Speaker 3>Yeah, no, I agree with you. I mean I feel

587
00:30:00.519 --> 00:30:03.759
<v Speaker 3>like if a story is being contorted, you know, like

588
00:30:04.000 --> 00:30:07.319
<v Speaker 3>someone's trying to work with like one arm tied behind

589
00:30:07.359 --> 00:30:09.200
<v Speaker 3>their back for some sort of agenda. And I don't

590
00:30:09.200 --> 00:30:11.240
<v Speaker 3>even mean like a political or like a cultural or

591
00:30:11.279 --> 00:30:13.839
<v Speaker 3>any agenda, but just a studio agenda. This is just

592
00:30:14.000 --> 00:30:17.359
<v Speaker 3>like that's unfortunate when you can feel that. But it's like, yeah,

593
00:30:17.480 --> 00:30:21.599
<v Speaker 3>when you're complaining just because human beings are cast in

594
00:30:21.680 --> 00:30:24.720
<v Speaker 3>a show like that's not I don't know what are

595
00:30:24.720 --> 00:30:25.240
<v Speaker 3>we doing here?

596
00:30:25.960 --> 00:30:29.200
<v Speaker 2>Well, I saw somebody like in in the show, you know,

597
00:30:29.279 --> 00:30:32.279
<v Speaker 2>one of the Jedi that we see is a little

598
00:30:32.279 --> 00:30:35.839
<v Speaker 2>bit heavier set, and it was like, oh, this is

599
00:30:36.000 --> 00:30:38.720
<v Speaker 2>just like why are they having you know, Jedi are

600
00:30:38.720 --> 00:30:41.240
<v Speaker 2>allowed to be fat now, and this is just you know,

601
00:30:41.400 --> 00:30:44.400
<v Speaker 2>like yeah, oh be cause we have to accept all

602
00:30:44.480 --> 00:30:47.680
<v Speaker 2>kinds of people or whatever. And just like this is

603
00:30:47.880 --> 00:30:51.960
<v Speaker 2>truly the dumbest timeline we've wandered into, I know, I

604
00:30:52.039 --> 00:30:53.759
<v Speaker 2>mean you know what I mean, Like I cause I'm

605
00:30:54.279 --> 00:30:59.400
<v Speaker 2>I'm just looking at it like, well, if if you're

606
00:30:59.759 --> 00:31:03.240
<v Speaker 2>a depth at the force, I don't think your body

607
00:31:03.279 --> 00:31:08.480
<v Speaker 2>type matters that you're just good at the force, right,

608
00:31:08.519 --> 00:31:11.200
<v Speaker 2>and and you know it's not like I mean, it's

609
00:31:11.240 --> 00:31:13.240
<v Speaker 2>just different. I don't know, I don't know, Brian no.

610
00:31:13.359 --> 00:31:15.519
<v Speaker 3>I well, you know, you know I'm on the same

611
00:31:15.559 --> 00:31:16.079
<v Speaker 3>page as you.

612
00:31:16.920 --> 00:31:19.960
<v Speaker 2>I'm like, why are we doing this? You know, And

613
00:31:20.000 --> 00:31:23.200
<v Speaker 2>we talked about this a little while ago, like, you know,

614
00:31:23.359 --> 00:31:26.359
<v Speaker 2>Kiyati Monday, the show says he was born here, and

615
00:31:26.720 --> 00:31:29.440
<v Speaker 2>previous Cannon said he was born here. And suddenly the

616
00:31:29.880 --> 00:31:33.359
<v Speaker 2>you know, it's like the Jedi Arena in an episode two,

617
00:31:33.480 --> 00:31:36.599
<v Speaker 2>it's all these Kiyati Monday fans coming out of the wood.

618
00:31:37.079 --> 00:31:39.119
<v Speaker 2>We're like how, And I'm like, you people did not

619
00:31:39.240 --> 00:31:43.359
<v Speaker 2>exist like a month ago, you know.

620
00:31:44.079 --> 00:31:48.359
<v Speaker 3>Yeah, man, I mean it's going to be difficult when

621
00:31:48.359 --> 00:31:51.119
<v Speaker 3>they're trying to figure out their steps forward, you know,

622
00:31:51.359 --> 00:31:56.279
<v Speaker 3>like it's been challenging figuring out what to do post

623
00:31:56.799 --> 00:32:01.240
<v Speaker 3>the films, but also you just know people already have

624
00:32:01.319 --> 00:32:03.119
<v Speaker 3>their knives out no matter what you're doing.

625
00:32:03.640 --> 00:32:06.480
<v Speaker 2>Well well to that point, because you and I discussed

626
00:32:06.559 --> 00:32:11.279
<v Speaker 2>the trailer for the Mandalorian film.

627
00:32:11.799 --> 00:32:13.480
<v Speaker 3>Yeah, I couldn't remember if that was on air or not.

628
00:32:14.559 --> 00:32:18.000
<v Speaker 2>We texted about it, okay, yeah, yeah, But I mean,

629
00:32:18.240 --> 00:32:20.839
<v Speaker 2>you know, they haven't released an official thing, but there's

630
00:32:20.880 --> 00:32:23.519
<v Speaker 2>pictures and stuff that have sort of broken right, and

631
00:32:24.039 --> 00:32:26.880
<v Speaker 2>just in terms of I mean not having seen the trailer,

632
00:32:26.920 --> 00:32:29.440
<v Speaker 2>but just as a concept, right, We're like, well, what

633
00:32:30.400 --> 00:32:33.440
<v Speaker 2>is this movie gonna play? Mm hmmm, I think that's

634
00:32:33.480 --> 00:32:34.680
<v Speaker 2>the big question, right.

635
00:32:35.079 --> 00:32:39.759
<v Speaker 3>Well, yeah, I mean if you were to put out

636
00:32:39.839 --> 00:32:41.880
<v Speaker 3>a new I know people hate this, but I just

637
00:32:41.960 --> 00:32:44.359
<v Speaker 3>for whatever, like a new Skywalker film, let's say it,

638
00:32:44.359 --> 00:32:46.319
<v Speaker 3>like or Star Wars eight or whatever you want to

639
00:32:46.319 --> 00:32:50.440
<v Speaker 3>call it, you can have a certain expectation of what,

640
00:32:50.519 --> 00:32:51.920
<v Speaker 3>you know, how many people are going to show.

641
00:32:51.759 --> 00:32:52.119
<v Speaker 2>Up for that.

642
00:32:52.640 --> 00:32:55.599
<v Speaker 3>Yeah, this feels to me for the first time kind

643
00:32:55.599 --> 00:33:00.200
<v Speaker 3>of uncharted territory. Well maybe Rogue one, but right, this

644
00:33:00.240 --> 00:33:02.799
<v Speaker 3>feels a little different, and it'll will be an interesting

645
00:33:02.839 --> 00:33:05.279
<v Speaker 3>experiment to see what the audience is like for this.

646
00:33:06.000 --> 00:33:10.359
<v Speaker 2>Yeah. I think that what it has working in its

647
00:33:10.359 --> 00:33:13.000
<v Speaker 2>favor is the fact that it has been so long

648
00:33:13.079 --> 00:33:14.200
<v Speaker 2>now since the last movie.

649
00:33:15.839 --> 00:33:18.160
<v Speaker 3>Yeah, yeah, for sure, right.

650
00:33:18.039 --> 00:33:21.400
<v Speaker 2>Because because it's due out when is it due to

651
00:33:21.519 --> 00:33:24.680
<v Speaker 2>actually next summer? I think right next next summer? Okay,

652
00:33:24.759 --> 00:33:28.839
<v Speaker 2>So so yeah, we'd be looking at what six years

653
00:33:28.880 --> 00:33:33.480
<v Speaker 2>since the last movie? Wow? Yeah, you know, so maybe

654
00:33:33.480 --> 00:33:37.799
<v Speaker 2>that'll help, Maybe maybe that will help find an audience. Uh.

655
00:33:38.000 --> 00:33:40.160
<v Speaker 2>In the meantime, real quick, just wanted to mention, h

656
00:33:40.799 --> 00:33:44.799
<v Speaker 2>I have begun my umpteenth rewatch of the West Wing.

657
00:33:45.799 --> 00:33:46.880
<v Speaker 3>Oh really okay?

658
00:33:47.039 --> 00:33:49.599
<v Speaker 2>Uh, And I was I was moved to do this

659
00:33:49.720 --> 00:33:53.559
<v Speaker 2>because of this new book that I've been well, I've

660
00:33:53.559 --> 00:33:56.240
<v Speaker 2>been listening to it but via audiobook, but it's a

661
00:33:56.240 --> 00:34:00.359
<v Speaker 2>book book also, uh. And it's called What's Next. And

662
00:34:00.400 --> 00:34:05.279
<v Speaker 2>it's by Melissa Fitzgerald and Mary McCormick, who were both

663
00:34:05.359 --> 00:34:07.920
<v Speaker 2>actors on The West Wing. And this is basically the

664
00:34:07.960 --> 00:34:10.360
<v Speaker 2>definitive oral history of the series.

665
00:34:10.679 --> 00:34:11.440
<v Speaker 3>Okay.

666
00:34:12.000 --> 00:34:14.480
<v Speaker 2>And for any fan of the show, which I suspect

667
00:34:14.679 --> 00:34:17.480
<v Speaker 2>some of the people listening are are fans, it's just

668
00:34:18.039 --> 00:34:21.159
<v Speaker 2>it's it's it is just a love letter to the show,

669
00:34:21.159 --> 00:34:23.719
<v Speaker 2>and it really you know, some of the stories are known,

670
00:34:23.840 --> 00:34:26.440
<v Speaker 2>some are less known, but just to really to get

671
00:34:26.480 --> 00:34:31.000
<v Speaker 2>into the perspectives of the people involved. Again that you

672
00:34:31.039 --> 00:34:34.400
<v Speaker 2>already know this, but but The West Wing is my

673
00:34:34.599 --> 00:34:41.320
<v Speaker 2>favorite TV show of all time, and so every it

674
00:34:41.400 --> 00:34:43.760
<v Speaker 2>ends up being like every presidential election year, I end

675
00:34:43.840 --> 00:34:48.400
<v Speaker 2>up rewatching it, yep. And I love it every single time.

676
00:34:48.639 --> 00:34:51.079
<v Speaker 2>And I love it for so many different reasons, but

677
00:34:51.199 --> 00:34:57.880
<v Speaker 2>foremost among them being the way it presents public service

678
00:34:58.119 --> 00:35:02.480
<v Speaker 2>as a as an inherent good. This is something worth doing, right.

679
00:35:02.519 --> 00:35:06.000
<v Speaker 2>So we have so many cynical shows about politics, about

680
00:35:06.039 --> 00:35:11.760
<v Speaker 2>our politics, whether the the doufest angle like Veep or

681
00:35:11.880 --> 00:35:15.039
<v Speaker 2>the sinister angle like House of Cards, whatever, And here's

682
00:35:15.079 --> 00:35:19.480
<v Speaker 2>the show that says, no, this is something that's possible.

683
00:35:19.519 --> 00:35:25.320
<v Speaker 2>You can have decent people going into politics to genuinely

684
00:35:25.360 --> 00:35:29.440
<v Speaker 2>help people. M h. And maybe that is sci.

685
00:35:29.320 --> 00:35:32.639
<v Speaker 3>Fi, sure, or aspirational.

686
00:35:33.000 --> 00:35:38.159
<v Speaker 2>Aspirational, absolutely, you know, but that's why I keep going

687
00:35:38.199 --> 00:35:38.920
<v Speaker 2>back to that show.

688
00:35:39.519 --> 00:35:41.400
<v Speaker 3>Yeah, man, I've I've got to get to it. That

689
00:35:41.519 --> 00:35:44.559
<v Speaker 3>And Sean was telling me about Friday Night Lights again.

690
00:35:44.639 --> 00:35:47.320
<v Speaker 2>He's like, you're oh sure, sure, yeah, absolutely, and kind

691
00:35:47.320 --> 00:35:53.360
<v Speaker 2>of similar vein, you know, sure pointing to our best selves,

692
00:35:53.400 --> 00:35:56.679
<v Speaker 2>you know, like, I know, I know for sure, Well,

693
00:35:56.679 --> 00:35:59.119
<v Speaker 2>Friday Night Lights, I know for sure you're gonna you're

694
00:35:59.119 --> 00:36:02.599
<v Speaker 2>gonna adore that show. Sure, but I believe you'd. Hey,

695
00:36:02.840 --> 00:36:07.320
<v Speaker 2>Frederica likes west Wing, Yeah, I know, I know. Between

696
00:36:07.360 --> 00:36:09.000
<v Speaker 2>the two of us, I figured we can we can

697
00:36:09.079 --> 00:36:09.920
<v Speaker 2>nudge you, you.

698
00:36:09.840 --> 00:36:11.519
<v Speaker 3>Know, yeah, exactly.

699
00:36:12.480 --> 00:36:16.360
<v Speaker 2>But but the audiobook is terrific, and I suspect that

700
00:36:16.360 --> 00:36:18.519
<v Speaker 2>that the book book is is just as good. And

701
00:36:18.920 --> 00:36:20.880
<v Speaker 2>I just wanted to throw out a recommendation for that

702
00:36:21.320 --> 00:36:23.960
<v Speaker 2>nice that that other book I was telling you about

703
00:36:24.000 --> 00:36:27.920
<v Speaker 2>last time. The future was now. Yes, that ended up

704
00:36:27.960 --> 00:36:32.840
<v Speaker 2>being like my Chicago trip, listening for the whole and

705
00:36:33.000 --> 00:36:34.599
<v Speaker 2>it was me and my son. We ended up listening

706
00:36:34.679 --> 00:36:39.920
<v Speaker 2>to the whole book. Man, dude, you will, you will

707
00:36:39.960 --> 00:36:41.239
<v Speaker 2>for sure love it.

708
00:36:41.599 --> 00:36:43.400
<v Speaker 3>Okay, okay, I'll check it out.

709
00:36:43.840 --> 00:36:47.039
<v Speaker 2>I mean, it's crazy to think about how Summer of

710
00:36:47.079 --> 00:36:54.960
<v Speaker 2>eighty two, just these these incredibly influential films were all

711
00:36:55.039 --> 00:36:58.800
<v Speaker 2>crammed into this eight week period, just one on top

712
00:36:58.840 --> 00:37:03.800
<v Speaker 2>of the other. Yeah, right, I mean, obviously E. T

713
00:37:05.360 --> 00:37:07.800
<v Speaker 2>was at the top of the heat, but like Blade

714
00:37:07.840 --> 00:37:10.559
<v Speaker 2>Runner and The Thing and Conan the Barbarians Star Trek

715
00:37:10.599 --> 00:37:13.119
<v Speaker 2>two and Da Da Da d dau Tron you know,

716
00:37:13.960 --> 00:37:17.519
<v Speaker 2>and every what. This is the point that the book makes.

717
00:37:17.559 --> 00:37:22.960
<v Speaker 2>Every single one of those films except one, has been

718
00:37:23.639 --> 00:37:27.559
<v Speaker 2>sequelized or remade or continued in some form in the

719
00:37:27.599 --> 00:37:31.760
<v Speaker 2>forty two years since, right, right right, And obviously the

720
00:37:31.800 --> 00:37:35.000
<v Speaker 2>only one that has not is well you tell me,

721
00:37:35.039 --> 00:37:37.039
<v Speaker 2>Brian E T. E T.

722
00:37:37.760 --> 00:37:41.360
<v Speaker 3>Because oh Spielberg is making another UFO movie. So fingers

723
00:37:41.400 --> 00:37:43.239
<v Speaker 3>crossed fingers.

724
00:37:47.239 --> 00:37:50.880
<v Speaker 2>But absolutely worth worth the worth the reader, worth the listen.

725
00:37:50.880 --> 00:37:54.039
<v Speaker 2>However you consume your books, I know you'll, you'll, absolutely

726
00:37:54.719 --> 00:37:55.679
<v Speaker 2>you'll just devour it.

727
00:37:55.920 --> 00:37:57.400
<v Speaker 3>Okay, I'll definitely check it out.

728
00:37:57.760 --> 00:38:01.480
<v Speaker 2>Yeah, but hey, let's take short break and we'll come

729
00:38:01.519 --> 00:38:13.159
<v Speaker 2>back with some listener letters. And we're back, and hey,

730
00:38:13.360 --> 00:38:15.519
<v Speaker 2>we got some notes in the old mail bag.

731
00:38:15.639 --> 00:38:16.920
<v Speaker 3>Brian, great, I love it.

732
00:38:17.440 --> 00:38:20.199
<v Speaker 2>Yeah, here's one we got from Adamo, who says, Hi, guys,

733
00:38:20.320 --> 00:38:22.440
<v Speaker 2>it was so much fun to listen to the commentary

734
00:38:22.480 --> 00:38:25.960
<v Speaker 2>on Twister, and then your review of Twisters, and hearing

735
00:38:26.039 --> 00:38:28.840
<v Speaker 2>Sean gush about how much he loves the original movie.

736
00:38:28.920 --> 00:38:31.320
<v Speaker 2>My son also a Sean and I took a long

737
00:38:31.360 --> 00:38:34.599
<v Speaker 2>weekend road trip last summer to Wakita to the Twister

738
00:38:34.800 --> 00:38:37.960
<v Speaker 2>Movie Museum, and even made a side quest a bit

739
00:38:38.039 --> 00:38:41.039
<v Speaker 2>further east to Call Lake, where the Cow's scene was filmed.

740
00:38:41.239 --> 00:38:43.440
<v Speaker 2>We're planning a trip back in twenty six for the

741
00:38:43.480 --> 00:38:46.719
<v Speaker 2>thirtieth anniversary. They're already making plans for a big event

742
00:38:47.159 --> 00:38:49.599
<v Speaker 2>in the museum. They have a graphic of the VP

743
00:38:49.840 --> 00:38:53.280
<v Speaker 2>that Stormchasers did across the region in memorial to Bill Paxton.

744
00:38:53.519 --> 00:38:56.119
<v Speaker 2>It was awesome to hear Sean mention it. I admit

745
00:38:56.199 --> 00:38:58.800
<v Speaker 2>I got a lump in my throat with Twisters. I

746
00:38:58.800 --> 00:39:01.039
<v Speaker 2>had such a great time. Glad you guys did too,

747
00:39:01.079 --> 00:39:06.119
<v Speaker 2>Even though I hate Clen Powell. Geez dude, geez dude,

748
00:39:06.280 --> 00:39:10.280
<v Speaker 2>save some good looks for the rest of us. I

749
00:39:10.760 --> 00:39:13.519
<v Speaker 2>kind of agree with that. Actually. As for the other

750
00:39:13.599 --> 00:39:16.039
<v Speaker 2>little art film that you covered recently, I can't believe

751
00:39:16.079 --> 00:39:19.679
<v Speaker 2>you forgot to mention the real star of Deadpool and Wolverine,

752
00:39:19.760 --> 00:39:23.679
<v Speaker 2>Peggy aka dog Pool stole the show and man Ryan

753
00:39:23.719 --> 00:39:26.199
<v Speaker 2>Reynolds let her go all in with that tongue action.

754
00:39:27.559 --> 00:39:28.239
<v Speaker 3>Yeah.

755
00:39:28.480 --> 00:39:31.000
<v Speaker 2>Hearing Zachie break down all the Wolverine variants that I

756
00:39:31.039 --> 00:39:32.760
<v Speaker 2>knew when I saw the movie was so much fun.

757
00:39:32.960 --> 00:39:36.239
<v Speaker 2>Only a true eighties nineties era comic geek would really

758
00:39:36.239 --> 00:39:40.119
<v Speaker 2>appreciate all of those. That's right, So you can see

759
00:39:40.119 --> 00:39:47.000
<v Speaker 2>yourself out. Brian having Wesley Snipes come back as spoiler

760
00:39:47.000 --> 00:39:51.000
<v Speaker 2>alert Blade, He's now the longest tenured Marvel character in movies.

761
00:39:51.079 --> 00:39:52.599
<v Speaker 2>I was actually thinking about that. As soon as he

762
00:39:52.599 --> 00:39:55.960
<v Speaker 2>showed up. I was like, boom, got himself a Guinness record.

763
00:39:56.360 --> 00:39:59.239
<v Speaker 3>Wow. Yeah, he says.

764
00:39:59.280 --> 00:40:01.039
<v Speaker 2>I saw the first the day before I went to

765
00:40:01.079 --> 00:40:04.079
<v Speaker 2>basic training, which means I'm, uh, well, we don't need

766
00:40:04.119 --> 00:40:08.719
<v Speaker 2>to talk about that. Best wishes is always adam. Uh Yeah,

767
00:40:08.760 --> 00:40:12.559
<v Speaker 2>you know. I watched the first Blade opening night in

768
00:40:12.639 --> 00:40:16.880
<v Speaker 2>the theater. I always picture those as two thousands movies.

769
00:40:17.239 --> 00:40:22.079
<v Speaker 2>That was ninety eight first, and I can I can

770
00:40:22.119 --> 00:40:25.920
<v Speaker 2>attest to the fact that nobody was taking that movie

771
00:40:25.960 --> 00:40:27.480
<v Speaker 2>seriously from the trailers.

772
00:40:27.920 --> 00:40:30.679
<v Speaker 3>I kind of remember that, like it wasn't something I

773
00:40:30.679 --> 00:40:31.880
<v Speaker 3>felt like I had to go see.

774
00:40:32.440 --> 00:40:36.280
<v Speaker 2>Yeah, yeah, I mean, And and in fact, even even

775
00:40:36.320 --> 00:40:38.800
<v Speaker 2>the Marvel people were trying to distance themselves from it.

776
00:40:39.599 --> 00:40:41.840
<v Speaker 3>Were you familiar with the comic or the character. I

777
00:40:41.880 --> 00:40:43.239
<v Speaker 3>guess I was familiar.

778
00:40:42.960 --> 00:40:46.119
<v Speaker 2>With the character. Yeah, I mean in an abstract sense.

779
00:40:46.159 --> 00:40:50.400
<v Speaker 2>I mean, the movie largely reinvented him because he was

780
00:40:50.440 --> 00:40:53.840
<v Speaker 2>such a blank slate MM like he was introduced. There

781
00:40:53.880 --> 00:40:55.760
<v Speaker 2>was a comic book in the in the in the

782
00:40:55.760 --> 00:41:00.360
<v Speaker 2>seventies called Tomb of Dracula, and it's about Dracula in

783
00:41:00.400 --> 00:41:05.239
<v Speaker 2>the Marvel universe. And it's a terrific comic series. It's

784
00:41:05.239 --> 00:41:08.880
<v Speaker 2>about this group of vampire hunters in the modern day

785
00:41:09.039 --> 00:41:11.559
<v Speaker 2>who are trying to defeat Dracula, and it's you know,

786
00:41:11.960 --> 00:41:14.239
<v Speaker 2>it's just it's like a drama series set within the

787
00:41:14.280 --> 00:41:19.360
<v Speaker 2>Marvel universe. In fact, if you go into the Nostalgia

788
00:41:19.400 --> 00:41:23.599
<v Speaker 2>Theater podcast archives, I interviewed Glenn Greenberg about Dracula in general,

789
00:41:23.639 --> 00:41:26.599
<v Speaker 2>but we specifically got into that comic book because he

790
00:41:26.679 --> 00:41:28.920
<v Speaker 2>was such a big fan of that book that he

791
00:41:29.159 --> 00:41:31.480
<v Speaker 2>in the late nineties he got to write a Dracula

792
00:41:31.519 --> 00:41:33.800
<v Speaker 2>mini series from Marvel that was kind of a sequel

793
00:41:33.840 --> 00:41:34.719
<v Speaker 2>to that book.

794
00:41:35.320 --> 00:41:35.800
<v Speaker 3>That's cool.

795
00:41:36.760 --> 00:41:40.679
<v Speaker 2>But regardless, Blade was introduced in that book as part

796
00:41:40.679 --> 00:41:45.440
<v Speaker 2>of that ensemble. Okay, and we're talking mid seventies, so

797
00:41:45.599 --> 00:41:48.320
<v Speaker 2>it's like Shaft as a vampire.

798
00:41:47.960 --> 00:41:51.199
<v Speaker 3>Hunter, right right, right, sure, sure, you.

799
00:41:51.239 --> 00:41:52.920
<v Speaker 2>Know what I mean. He's a big afro. He had

800
00:41:52.920 --> 00:42:00.480
<v Speaker 2>the leather jacket and steaks, you know, and so very

801
00:42:01.280 --> 00:42:04.599
<v Speaker 2>bare framework there that they then took an entirely different

802
00:42:04.599 --> 00:42:07.840
<v Speaker 2>direction in the film, and that's what became the definitive version.

803
00:42:07.880 --> 00:42:10.639
<v Speaker 2>So the whole idea that he's a half man, half

804
00:42:10.719 --> 00:42:13.880
<v Speaker 2>vampire all that the movie did. That Oh interesting, that

805
00:42:13.960 --> 00:42:17.679
<v Speaker 2>wasn't the comic. The comics like ret conned that in

806
00:42:18.000 --> 00:42:22.039
<v Speaker 2>after the movie, but the movie was. And that's what

807
00:42:22.199 --> 00:42:24.199
<v Speaker 2>sort of if if we have, if you were to

808
00:42:24.239 --> 00:42:27.960
<v Speaker 2>list like certain characteristics of Blade, that would be like

809
00:42:28.519 --> 00:42:32.719
<v Speaker 2>one of the main things you say, right, you know, I.

810
00:42:32.639 --> 00:42:34.880
<v Speaker 3>Got to check those out. Sometimes I still haven't seen them, so.

811
00:42:35.440 --> 00:42:40.440
<v Speaker 2>Oh you've seen none of them. No, oh yeah, hey,

812
00:42:40.519 --> 00:42:43.480
<v Speaker 2>well I suspect. I mean, come on, assuming the MCU

813
00:42:43.599 --> 00:42:46.000
<v Speaker 2>Blade ever gets released, I feel like we'll probably comment

814
00:42:46.079 --> 00:42:47.760
<v Speaker 2>arry our way through the first time.

815
00:42:48.199 --> 00:42:50.800
<v Speaker 3>I feel like it's something I would enjoy right now,

816
00:42:50.800 --> 00:42:53.199
<v Speaker 3>I think, so I agree. I have to mention by

817
00:42:53.199 --> 00:42:56.760
<v Speaker 3>the way too. He referenced the Wikita Twister Museum.

818
00:42:57.199 --> 00:42:57.400
<v Speaker 2>Yeah.

819
00:42:57.480 --> 00:43:00.840
<v Speaker 3>Yeah, and you know, obviously Sean, being the Twister head

820
00:43:00.880 --> 00:43:04.199
<v Speaker 3>that he is, I was like, we passed through Oklahoma

821
00:43:04.519 --> 00:43:06.639
<v Speaker 3>and I was like, are we are we gonna check

822
00:43:06.679 --> 00:43:08.039
<v Speaker 3>it out? And He's like, oh, already looked into it.

823
00:43:08.039 --> 00:43:11.679
<v Speaker 3>It's like three hours off course. I was like, ah,

824
00:43:12.039 --> 00:43:15.400
<v Speaker 3>I was really hoping we'd get to I'm scious, what's there?

825
00:43:15.599 --> 00:43:18.920
<v Speaker 3>You know, I was hoping to glimpse it, But yeah,

826
00:43:19.199 --> 00:43:21.159
<v Speaker 3>not writing it off sometime in the future.

827
00:43:22.480 --> 00:43:26.679
<v Speaker 2>One of these days. Here's another note we got from

828
00:43:26.920 --> 00:43:30.599
<v Speaker 2>Stephen Club, and this is in reference to our commentary

829
00:43:30.639 --> 00:43:34.960
<v Speaker 2>track for Terminator Salvation. M I don't hear what this

830
00:43:35.840 --> 00:43:39.480
<v Speaker 2>he says this is, and I fully agree with this sentiment.

831
00:43:39.519 --> 00:43:44.400
<v Speaker 2>He says, sometimes backstory should remain backstory. He says, pretty

832
00:43:44.480 --> 00:43:48.239
<v Speaker 2>much the entire movie. I wondered how the Terminators couldn't

833
00:43:48.280 --> 00:43:52.719
<v Speaker 2>crush humanity like a bug. They were so overpowered in

834
00:43:53.280 --> 00:43:56.480
<v Speaker 2>Salvation specifically, that humanity didn't stand a chance, no matter

835
00:43:56.519 --> 00:44:01.679
<v Speaker 2>how good John Connor was at making pipe bombs. It's

836
00:44:01.760 --> 00:44:04.960
<v Speaker 2>one thing to say humanity one. It's quite another to

837
00:44:05.079 --> 00:44:08.119
<v Speaker 2>show them being outnumbered, outmatched, and outclassed.

838
00:44:09.000 --> 00:44:12.440
<v Speaker 3>It's a great point, it right, Yeah, I.

839
00:44:12.400 --> 00:44:14.719
<v Speaker 2>Mean this kind of gets to what I've said in

840
00:44:15.400 --> 00:44:19.079
<v Speaker 2>our track, where it's like the little snippets we got

841
00:44:19.119 --> 00:44:24.039
<v Speaker 2>of the future war were more interesting than setting a movie,

842
00:44:24.480 --> 00:44:25.800
<v Speaker 2>an entire movie within it.

843
00:44:26.119 --> 00:44:30.559
<v Speaker 3>Mm hm, you know, yeah, I mean, it's just fascinating,

844
00:44:31.039 --> 00:44:34.679
<v Speaker 3>mysterious backstory in the first film, this is the world

845
00:44:34.719 --> 00:44:38.360
<v Speaker 3>that person comes from. That's why it matters. But now

846
00:44:38.360 --> 00:44:41.440
<v Speaker 3>we are in nineteen eighty four and the mission must

847
00:44:41.440 --> 00:44:43.639
<v Speaker 3>be completed. But yeah, when you really dig into it,

848
00:44:43.800 --> 00:44:46.159
<v Speaker 3>you open up a whole can of worms of questions.

849
00:44:46.239 --> 00:44:49.599
<v Speaker 3>And I'm not saying this there can't be a version

850
00:44:49.639 --> 00:44:53.400
<v Speaker 3>that is good in the future, but if you don't

851
00:44:53.400 --> 00:44:55.360
<v Speaker 3>do it well enough, then yes, you start to have

852
00:44:55.440 --> 00:44:57.360
<v Speaker 3>those questions crop up.

853
00:44:57.400 --> 00:45:00.000
<v Speaker 2>Well, it gets to just the inherent problem with prequel

854
00:45:00.719 --> 00:45:03.360
<v Speaker 2>all the time, which is again, as you said, not

855
00:45:03.440 --> 00:45:05.920
<v Speaker 2>to say you can't have a good prequel. But fundamentally,

856
00:45:06.480 --> 00:45:09.360
<v Speaker 2>the question you have to lick is, well, if this

857
00:45:09.599 --> 00:45:14.519
<v Speaker 2>was important enough to tell, it would have already been

858
00:45:14.639 --> 00:45:19.000
<v Speaker 2>told the first time, Like everything everything you need should

859
00:45:19.000 --> 00:45:21.360
<v Speaker 2>already be in the first movie. And by the way,

860
00:45:21.599 --> 00:45:24.800
<v Speaker 2>you know, it's funny. I was having this conversation in

861
00:45:24.840 --> 00:45:27.800
<v Speaker 2>a broad sense with my students, and I was like, like,

862
00:45:28.079 --> 00:45:30.679
<v Speaker 2>what are what are I was like, I'm making a case.

863
00:45:30.719 --> 00:45:32.639
<v Speaker 2>I was like, I don't think most prequels are necessary,

864
00:45:32.639 --> 00:45:35.440
<v Speaker 2>and handshot up, well, what about the Star Wars prequels?

865
00:45:35.679 --> 00:45:38.559
<v Speaker 2>And I said, well, I know y'all grew up with them.

866
00:45:38.599 --> 00:45:40.840
<v Speaker 2>I'm just gonna go out on a lim and say

867
00:45:40.920 --> 00:45:45.480
<v Speaker 2>they weren't necessary, right, right, right, and and the slack

868
00:45:45.639 --> 00:45:49.599
<v Speaker 2>jawed you know responses I got, But I still feel that, right,

869
00:45:49.639 --> 00:45:52.360
<v Speaker 2>I don't at this point their grandfathered in. I don't

870
00:45:52.360 --> 00:45:58.079
<v Speaker 2>mind them. But fundamentally, I lived twenty two years. No, well,

871
00:45:58.119 --> 00:46:02.920
<v Speaker 2>I personally did not. I lived twenty yours without any

872
00:46:03.000 --> 00:46:05.960
<v Speaker 2>Star Wars prequels, but the world lived for twenty two

873
00:46:06.039 --> 00:46:09.920
<v Speaker 2>years about Star Wars prequels yep. And and we did

874
00:46:10.039 --> 00:46:12.559
<v Speaker 2>just fine. Right.

875
00:46:13.239 --> 00:46:15.440
<v Speaker 3>I love that though. That's so interesting from people that

876
00:46:15.519 --> 00:46:17.760
<v Speaker 3>they only know a world that exists with them. They're

877
00:46:17.800 --> 00:46:18.599
<v Speaker 3>part of the story for them.

878
00:46:18.599 --> 00:46:21.960
<v Speaker 2>It's like, well, how can you know Anakin turned bad

879
00:46:21.960 --> 00:46:23.920
<v Speaker 2>if you don't see him turn bad? And it's like, well,

880
00:46:23.960 --> 00:46:28.079
<v Speaker 2>we used to our imagination son, this magical thing.

881
00:46:29.599 --> 00:46:30.079
<v Speaker 3>I love it.

882
00:46:31.079 --> 00:46:34.199
<v Speaker 2>Here's another comment we got from Jeffrey Meisner, also in

883
00:46:34.239 --> 00:46:37.519
<v Speaker 2>reference to our term in your Salvation commentary, he says,

884
00:46:37.559 --> 00:46:40.840
<v Speaker 2>I think this was the funniest commentary track yet. I

885
00:46:40.880 --> 00:46:44.280
<v Speaker 2>can't wait for Genesis and Dark Fate, which isn't something

886
00:46:44.320 --> 00:46:45.159
<v Speaker 2>I thought i'd say.

887
00:46:45.199 --> 00:46:50.239
<v Speaker 3>Again, that's funny, now, thank you.

888
00:46:51.280 --> 00:46:54.639
<v Speaker 2>I had such a blast talking through that movie with you.

889
00:46:55.159 --> 00:46:58.679
<v Speaker 3>Me too, Me too. It was fun, I'd said weeks ago.

890
00:46:58.760 --> 00:47:02.239
<v Speaker 3>I just wanted to go back because I watched every

891
00:47:02.320 --> 00:47:06.039
<v Speaker 3>Terminator sequel once dismissed it and moved on with my life. Yeah,

892
00:47:06.079 --> 00:47:07.719
<v Speaker 3>but I kind of wanted to give them another shake

893
00:47:07.760 --> 00:47:10.719
<v Speaker 3>when I wasn't judging them so harshly, you know, Opening Night,

894
00:47:11.440 --> 00:47:14.360
<v Speaker 3>And it was really fun looking at the pluses and

895
00:47:14.400 --> 00:47:16.079
<v Speaker 3>minuses and talking through them with you.

896
00:47:16.599 --> 00:47:19.360
<v Speaker 2>So have you Have you watched Genesis and Dark Fate again?

897
00:47:20.280 --> 00:47:22.159
<v Speaker 3>No, but I really do intend to.

898
00:47:22.920 --> 00:47:25.599
<v Speaker 2>Yeah. Yeah, well hey, just just wait, wait a little

899
00:47:25.599 --> 00:47:27.239
<v Speaker 2>while and you know we'll get to it for our

900
00:47:27.239 --> 00:47:27.920
<v Speaker 2>commentary track.

901
00:47:28.239 --> 00:47:28.440
<v Speaker 3>Yeah.

902
00:47:28.559 --> 00:47:31.440
<v Speaker 2>Yeah, I feel like this has become kind of like

903
00:47:31.480 --> 00:47:33.079
<v Speaker 2>a late summer thing.

904
00:47:33.000 --> 00:47:36.159
<v Speaker 3>Now, our Terminator commentaries.

905
00:47:36.320 --> 00:47:41.360
<v Speaker 2>Yeah, it's like for the next couple summers at least. Yeah.

906
00:47:41.440 --> 00:47:44.280
<v Speaker 3>I just I remember little bits of them. That's the

907
00:47:44.400 --> 00:47:46.480
<v Speaker 3>That's why I'm excited to go back. I'm excited to

908
00:47:46.519 --> 00:47:49.639
<v Speaker 3>remember what the stories actually are and like the leaps

909
00:47:49.679 --> 00:47:52.000
<v Speaker 3>they take, and I just remember. I feel like I

910
00:47:52.039 --> 00:47:57.320
<v Speaker 3>can picture what's her name from Game of Thrones, Amelia Clark, Yeah,

911
00:47:57.360 --> 00:48:01.119
<v Speaker 3>calling the terminator Pops or something. H that's a memory

912
00:48:01.119 --> 00:48:01.360
<v Speaker 3>I have.

913
00:48:02.320 --> 00:48:02.840
<v Speaker 2>Yeah, I don't.

914
00:48:02.920 --> 00:48:04.280
<v Speaker 3>I don't really remember the movie.

915
00:48:06.920 --> 00:48:09.519
<v Speaker 2>Uh well I will get there eventually.

916
00:48:09.960 --> 00:48:13.519
<v Speaker 3>Ye who you interviewed? By the way, remember that I did.

917
00:48:13.559 --> 00:48:16.079
<v Speaker 2>I think I think we put her interview on the show.

918
00:48:16.239 --> 00:48:21.039
<v Speaker 2>If I'm not mistaken, fairly certain it seriously I've done.

919
00:48:21.079 --> 00:48:23.920
<v Speaker 2>I've done plenty of long form interviews. I've done plenty

920
00:48:23.920 --> 00:48:29.880
<v Speaker 2>of junkets. That interview with the Millia Clark probably, if

921
00:48:29.920 --> 00:48:31.880
<v Speaker 2>not my favorite, in like my top three.

922
00:48:32.280 --> 00:48:36.159
<v Speaker 3>Wow, she was so.

923
00:48:35.280 --> 00:48:38.519
<v Speaker 2>Sweet and and I I just started out by saying, well,

924
00:48:38.599 --> 00:48:40.480
<v Speaker 2>we had a conversation about the movie. It was it

925
00:48:40.519 --> 00:48:47.760
<v Speaker 2>was me before you and and she was like, uh,

926
00:48:48.440 --> 00:48:51.079
<v Speaker 2>you know, very gregarious about that film. And then I

927
00:48:51.199 --> 00:48:53.800
<v Speaker 2>ended with, hey, I have a Game of Thrones question,

928
00:48:54.239 --> 00:48:55.920
<v Speaker 2>and she's like okay, And I was like, I should

929
00:48:55.960 --> 00:48:59.239
<v Speaker 2>preface this by saying I've never seen the show, and

930
00:48:59.280 --> 00:49:01.880
<v Speaker 2>she was just did by that. You know, that's great,

931
00:49:02.760 --> 00:49:05.880
<v Speaker 2>very very sweet. So I'll always have an affinity for her,

932
00:49:05.920 --> 00:49:08.280
<v Speaker 2>even though I've still yet to see yet to see

933
00:49:08.280 --> 00:49:08.960
<v Speaker 2>Game of Thrones.

934
00:49:09.480 --> 00:49:12.199
<v Speaker 3>Yeah, yeah, i'd I'd be curious. I'd be curious how

935
00:49:12.320 --> 00:49:12.719
<v Speaker 3>holds up.

936
00:49:14.119 --> 00:49:16.599
<v Speaker 2>It's funny, you know when when we were in Chicago,

937
00:49:16.760 --> 00:49:18.920
<v Speaker 2>you know, my my my son, his name is Mikyle,

938
00:49:19.559 --> 00:49:23.480
<v Speaker 2>and he was he was telling his he was telling

939
00:49:23.519 --> 00:49:25.800
<v Speaker 2>my cousin. He's like, oh, you know, if I'm around

940
00:49:25.920 --> 00:49:31.159
<v Speaker 2>like like regular folks aka white people, uh, I just

941
00:49:31.199 --> 00:49:35.079
<v Speaker 2>say call me Michael, right. And I was like, well, dude,

942
00:49:35.159 --> 00:49:36.960
<v Speaker 2>come on, man, you got a unique names, go for it.

943
00:49:37.000 --> 00:49:39.360
<v Speaker 2>And my my cousin I love that. He's like, hey, listen, man,

944
00:49:39.400 --> 00:49:46.960
<v Speaker 2>if white people can say Denaris Targarian, they can say Mica.

945
00:49:46.039 --> 00:49:46.440
<v Speaker 3>Bravo.

946
00:49:52.559 --> 00:49:59.559
<v Speaker 2>It's like I ca'ah pretty much, you know, yeah, but hey,

947
00:49:59.639 --> 00:50:01.920
<v Speaker 2>let's it's take another short break we got some headlines.

948
00:50:11.119 --> 00:50:14.360
<v Speaker 2>All right, well we're we are back, and here's some

949
00:50:14.400 --> 00:50:17.159
<v Speaker 2>good news for the I'm going to say the eight

950
00:50:17.280 --> 00:50:21.599
<v Speaker 2>or ten people who are interested. But Horizon and American

951
00:50:21.679 --> 00:50:25.000
<v Speaker 2>Saga Chapter one is now streaming on Max.

952
00:50:26.159 --> 00:50:29.960
<v Speaker 3>There you go. This is it for everybody who was like, wow,

953
00:50:30.039 --> 00:50:32.679
<v Speaker 3>wait you know, oh it should have been a series whatever, Well,

954
00:50:32.719 --> 00:50:35.159
<v Speaker 3>there it is. I'm actually very curious to read a

955
00:50:35.159 --> 00:50:36.880
<v Speaker 3>little more discourse about this movie.

956
00:50:37.920 --> 00:50:42.199
<v Speaker 2>Now I've taken this on. This is like my charity

957
00:50:42.360 --> 00:50:49.679
<v Speaker 2>right now is to help multi millionaire Kevin Costner have

958
00:50:49.880 --> 00:50:52.079
<v Speaker 2>his little passion project.

959
00:50:51.679 --> 00:50:53.199
<v Speaker 3>Succeed, right right.

960
00:50:55.559 --> 00:50:56.920
<v Speaker 2>I'm still no date, by the way.

961
00:50:56.800 --> 00:50:59.800
<v Speaker 3>For part two, but it is going to debut at

962
00:50:59.800 --> 00:51:00.760
<v Speaker 3>a Fear festival, isn't it.

963
00:51:01.639 --> 00:51:03.360
<v Speaker 2>Yeah, but out of competition.

964
00:51:04.280 --> 00:51:07.440
<v Speaker 3>Yeah, But I mean it exists. It's mixed, it's you

965
00:51:07.519 --> 00:51:10.760
<v Speaker 3>know what I mean, it's printed or downloaded onto some

966
00:51:10.800 --> 00:51:12.320
<v Speaker 3>sort of DCP or something. You know what I mean.

967
00:51:12.360 --> 00:51:17.440
<v Speaker 3>It exists. So I would love to see it. I

968
00:51:17.480 --> 00:51:20.280
<v Speaker 3>really would. I mean, I you know, we were sort

969
00:51:20.320 --> 00:51:22.679
<v Speaker 3>of we're both positive. You were more positive. I was

970
00:51:22.760 --> 00:51:25.639
<v Speaker 3>like positive, and I'm ready for the next thing, so

971
00:51:25.679 --> 00:51:28.159
<v Speaker 3>I can feel like I have a more complete sense

972
00:51:28.159 --> 00:51:32.079
<v Speaker 3>of what the story is. Yeah, so I'm ready. Yeah,

973
00:51:32.159 --> 00:51:33.920
<v Speaker 3>I hope people discover it here and then I hope

974
00:51:33.920 --> 00:51:36.280
<v Speaker 3>the second one there's a demand for it, you know.

975
00:51:36.440 --> 00:51:39.880
<v Speaker 2>I mean just just selfishly at this point, I want

976
00:51:39.920 --> 00:51:42.880
<v Speaker 2>to be able to justify the three hours that I've

977
00:51:42.920 --> 00:51:43.840
<v Speaker 2>put in thus far.

978
00:51:44.239 --> 00:51:45.519
<v Speaker 3>Sure, yeah, totally.

979
00:51:45.559 --> 00:51:49.159
<v Speaker 2>That's really because because three hours. See this is not

980
00:51:49.320 --> 00:51:52.360
<v Speaker 2>like the Acolyte, right, because the Acolyte ended and I'm like,

981
00:51:52.360 --> 00:51:53.840
<v Speaker 2>all right, well that's the end, and that's why this

982
00:51:53.960 --> 00:51:56.440
<v Speaker 2>I'm like, no, no, no, this is we're in the

983
00:51:56.440 --> 00:51:57.920
<v Speaker 2>middle of the beginning.

984
00:51:58.280 --> 00:52:01.599
<v Speaker 3>Right, Yes, definitely, you know, I need.

985
00:52:01.480 --> 00:52:04.119
<v Speaker 2>I need something. I need I need some closure of something.

986
00:52:04.360 --> 00:52:08.679
<v Speaker 3>Arcs have begun, but there have not been any wrap

987
00:52:08.760 --> 00:52:10.119
<v Speaker 3>ups or conclusions to anything.

988
00:52:10.840 --> 00:52:13.320
<v Speaker 2>That's right, Yeah, where it goes, So just just give us,

989
00:52:13.440 --> 00:52:17.960
<v Speaker 2>just give us that. Come on, come on. It's like

990
00:52:18.239 --> 00:52:21.119
<v Speaker 2>we're like that the s n L. You know where

991
00:52:21.239 --> 00:52:27.199
<v Speaker 2>we're with Chris Farley is he's a good boy. Just

992
00:52:27.400 --> 00:52:32.360
<v Speaker 2>let him finish his movie, Kevin Coss' movie. Let me

993
00:52:32.360 --> 00:52:43.440
<v Speaker 2>finish come see part two and three. Let him finish it. Hey.

994
00:52:43.480 --> 00:52:47.719
<v Speaker 2>Speaking of passion projects that are that are shrouded in controversy,

995
00:52:47.840 --> 00:52:53.159
<v Speaker 2>here's something interesting. So Megalopolis, which I have trouble saying

996
00:52:53.199 --> 00:52:56.639
<v Speaker 2>that title. It sounds like a made up name. Yes,

997
00:52:57.920 --> 00:53:01.920
<v Speaker 2>but it is in fact Francis Coppola's next project, possibly

998
00:53:02.000 --> 00:53:04.000
<v Speaker 2>his like filmmaking Swan Song.

999
00:53:04.599 --> 00:53:07.400
<v Speaker 3>Possibly. I mean this has been a long time coming too.

1000
00:53:07.400 --> 00:53:09.679
<v Speaker 3>I mean this is yeah, like you said, Passion project,

1001
00:53:09.679 --> 00:53:15.079
<v Speaker 3>there's been years in the making his Vineyards, Yeah, to

1002
00:53:15.079 --> 00:53:16.400
<v Speaker 3>make this thing. That's how much he wanted.

1003
00:53:17.199 --> 00:53:19.960
<v Speaker 2>He's paid out of pocket to make this sci fi

1004
00:53:20.000 --> 00:53:22.880
<v Speaker 2>epic starring Adam Driver. So so this one is due

1005
00:53:22.920 --> 00:53:28.039
<v Speaker 2>out when Brian like in September, I think, okay, so

1006
00:53:28.199 --> 00:53:31.280
<v Speaker 2>it's it's coming up. So lions Gate, which is distributing it,

1007
00:53:32.000 --> 00:53:34.079
<v Speaker 2>had a little bit of a snaff foo earlier this

1008
00:53:34.119 --> 00:53:36.360
<v Speaker 2>week because they put out an ad now the Now

1009
00:53:36.400 --> 00:53:40.280
<v Speaker 2>The The The thinking behind the ad was, Hey, we're

1010
00:53:40.280 --> 00:53:43.239
<v Speaker 2>gonna I'm guessing they're looking at this movie and they're like, God,

1011
00:53:43.280 --> 00:53:47.079
<v Speaker 2>this thing is kind of kind of I'm guessing I've

1012
00:53:47.280 --> 00:53:48.920
<v Speaker 2>not any seen it. They're like, this is gonna be

1013
00:53:48.960 --> 00:53:52.480
<v Speaker 2>hard to market. That's the because it's esoteric and whatever.

1014
00:53:52.599 --> 00:53:55.000
<v Speaker 2>Just based on the trailer and and the reactions out

1015
00:53:55.039 --> 00:53:57.039
<v Speaker 2>of can or wherever it played. Ye so so they

1016
00:53:57.039 --> 00:54:02.679
<v Speaker 2>put out a trailer where they have quotes from famous

1017
00:54:02.719 --> 00:54:10.800
<v Speaker 2>critics who were dismissive of Coppola's previous masterpieces. And so

1018
00:54:10.960 --> 00:54:16.800
<v Speaker 2>you have, you know, Roger Ebert saying Bram Stoker's Dracula

1019
00:54:16.880 --> 00:54:19.639
<v Speaker 2>is no good, and you have Pauline Kle saying The

1020
00:54:19.639 --> 00:54:23.360
<v Speaker 2>Godfather's no good or whatever it was. And so that

1021
00:54:23.360 --> 00:54:25.480
<v Speaker 2>that gets put out there, and that's it, and then

1022
00:54:25.519 --> 00:54:28.719
<v Speaker 2>it turns out and this is done with a little

1023
00:54:28.719 --> 00:54:31.440
<v Speaker 2>bit of digging. I think I think Bill J. Eberley,

1024
00:54:32.280 --> 00:54:36.760
<v Speaker 2>who was the first person who noticed this, I realized

1025
00:54:36.800 --> 00:54:39.199
<v Speaker 2>that the quotes were fabricated.

1026
00:54:40.039 --> 00:54:42.239
<v Speaker 3>Yeah. He I think it was as easy as he

1027
00:54:42.280 --> 00:54:45.800
<v Speaker 3>took those quotes, put them into Google and they did

1028
00:54:45.800 --> 00:54:48.400
<v Speaker 3>not turn up. He checked out the reviews by Pauline

1029
00:54:48.440 --> 00:54:51.480
<v Speaker 3>Kle for The Godfather and those quotes were not included.

1030
00:54:54.039 --> 00:54:58.079
<v Speaker 2>And apparently it gets more interesting, those quotes were in

1031
00:54:58.119 --> 00:54:59.760
<v Speaker 2>fact AI generated.

1032
00:55:00.480 --> 00:55:01.840
<v Speaker 3>Oh I didn't even know that part.

1033
00:55:02.440 --> 00:55:07.239
<v Speaker 2>Yeah. This is as of just earlier today in Variety

1034
00:55:08.480 --> 00:55:12.199
<v Speaker 2>it says your Lionsgate has parted ways with Eddie Egan,

1035
00:55:12.280 --> 00:55:15.400
<v Speaker 2>the marketing consultant who came up with the Megalopolis trailer

1036
00:55:15.440 --> 00:55:20.000
<v Speaker 2>that included fake quotes from famous film critics. Studio pulled

1037
00:55:20.000 --> 00:55:22.159
<v Speaker 2>the trailer on Wednesday after it was pointed out that

1038
00:55:21.840 --> 00:55:24.840
<v Speaker 2>the quotes trashing Francis Ford coplas previous work did not

1039
00:55:25.079 --> 00:55:27.960
<v Speaker 2>actually appear in the critics reviews and were in fact

1040
00:55:28.000 --> 00:55:33.519
<v Speaker 2>made up. Let's see where's the bit here, Yeah, it's

1041
00:55:33.559 --> 00:55:36.320
<v Speaker 2>a For instance, the trailer claimed that Pauline Cale wrote

1042
00:55:36.320 --> 00:55:39.119
<v Speaker 2>in The New Yorker that The Godfather was quote diminished

1043
00:55:39.159 --> 00:55:43.880
<v Speaker 2>by its artsiness. Kale in fact loved the movie. Listen.

1044
00:55:45.000 --> 00:55:48.360
<v Speaker 2>When Variety prompted AI service chat GPT to provide negative

1045
00:55:48.360 --> 00:55:51.760
<v Speaker 2>criticism about copelists work from well known reviewers, the responses

1046
00:55:51.760 --> 00:55:56.400
<v Speaker 2>provided were strikingly similar to the quotes included in the trailer. Wow,

1047
00:55:57.320 --> 00:56:00.239
<v Speaker 2>so chat GPT is something I'm having to do with

1048
00:56:00.360 --> 00:56:01.599
<v Speaker 2>as a college professor.

1049
00:56:02.760 --> 00:56:06.000
<v Speaker 3>I can't even imagine. I really can't. I mean, people

1050
00:56:06.000 --> 00:56:08.239
<v Speaker 3>turning in papers to you, like, how in the world

1051
00:56:08.280 --> 00:56:08.760
<v Speaker 3>do you know?

1052
00:56:10.000 --> 00:56:14.599
<v Speaker 2>I at this point it's I mean, I'm swimming against

1053
00:56:14.599 --> 00:56:17.679
<v Speaker 2>the tide. It's so so so hard, you know. So

1054
00:56:17.760 --> 00:56:19.719
<v Speaker 2>I what I this is just I Mean, what I've

1055
00:56:19.719 --> 00:56:21.920
<v Speaker 2>tried to do as an instructor is try to minimize

1056
00:56:21.920 --> 00:56:27.559
<v Speaker 2>the amount of subjective work and instead lean more heavily

1057
00:56:27.599 --> 00:56:30.039
<v Speaker 2>on objective assessment quizzes and things like that.

1058
00:56:32.719 --> 00:56:33.960
<v Speaker 3>Where are we headed with Hechy?

1059
00:56:34.440 --> 00:56:36.079
<v Speaker 2>I mean, yeah, it's like you know, I mean, I

1060
00:56:36.119 --> 00:56:38.920
<v Speaker 2>still have like essays and stuff, but what I've tried

1061
00:56:38.960 --> 00:56:44.199
<v Speaker 2>to do is narrow cast my own prompt to sort

1062
00:56:44.199 --> 00:56:48.599
<v Speaker 2>of to put the focus on give me your thoughts,

1063
00:56:48.639 --> 00:56:51.000
<v Speaker 2>give me your like, what's your interpretation of this? And

1064
00:56:51.039 --> 00:56:53.440
<v Speaker 2>just you know, there's no right or wrong necessarily, but

1065
00:56:53.480 --> 00:56:56.400
<v Speaker 2>I just want to see that you've given it some thought,

1066
00:56:56.559 --> 00:57:00.519
<v Speaker 2>you know, and that's something that chat GPT can'tssssarily do

1067
00:57:00.639 --> 00:57:04.719
<v Speaker 2>for you. But it's hard, you know. Yeah, And I

1068
00:57:04.760 --> 00:57:06.559
<v Speaker 2>don't know what the film is about, but I'm sure

1069
00:57:06.559 --> 00:57:08.840
<v Speaker 2>it would be the irony of ironies if that, If

1070
00:57:08.880 --> 00:57:13.239
<v Speaker 2>it too is something about the encroachment of AI.

1071
00:57:13.360 --> 00:57:16.519
<v Speaker 3>Action, that would be But I mean, you know, it's

1072
00:57:16.519 --> 00:57:18.559
<v Speaker 3>funny because I was, like I said, on the road,

1073
00:57:18.599 --> 00:57:20.559
<v Speaker 3>and I wasn't able to keep up with news the

1074
00:57:20.599 --> 00:57:24.079
<v Speaker 3>same way. But I saw this story unfold as headlines

1075
00:57:24.920 --> 00:57:29.559
<v Speaker 3>where it was like new Megalapolis trailer, you know, Megalapolis

1076
00:57:29.599 --> 00:57:34.000
<v Speaker 3>trailer bold, and it's using negative quotes to bolster itself,

1077
00:57:34.039 --> 00:57:38.280
<v Speaker 3>and it's like Megalapolis trailer under scrutiny. It's like, you know,

1078
00:57:38.360 --> 00:57:41.440
<v Speaker 3>Lionsgate apologizes, Like just watching the story through headlines throughout

1079
00:57:41.480 --> 00:57:43.400
<v Speaker 3>the day, it was kind of funn yeah, but I mean,

1080
00:57:44.079 --> 00:57:46.119
<v Speaker 3>how hard would it have been to find a negative

1081
00:57:46.159 --> 00:57:49.320
<v Speaker 3>quote about any of those movies? Just one quote? Like

1082
00:57:49.400 --> 00:57:51.239
<v Speaker 3>and why attribute it to some of the most famous

1083
00:57:51.239 --> 00:57:52.239
<v Speaker 3>film critics of all.

1084
00:57:52.119 --> 00:57:57.039
<v Speaker 2>Time who are gone right? Yeah, you know, And that's

1085
00:57:57.320 --> 00:57:59.679
<v Speaker 2>that was the weird thing because I watched the trailer

1086
00:57:59.800 --> 00:58:03.360
<v Speaker 2>and I didn't. I'd love to say I was like, well,

1087
00:58:03.400 --> 00:58:05.599
<v Speaker 2>those aren't real quotes. I didn't, but I was definitely

1088
00:58:05.599 --> 00:58:07.679
<v Speaker 2>it pricked me a little bit because I was like,

1089
00:58:08.960 --> 00:58:11.719
<v Speaker 2>I don't think Pauline Kill hated The Godfather. I feel

1090
00:58:11.719 --> 00:58:13.239
<v Speaker 2>like I would remember that. So I was like, oh,

1091
00:58:13.239 --> 00:58:16.400
<v Speaker 2>they're probably pulling like one phrase out of context to

1092
00:58:16.440 --> 00:58:19.320
<v Speaker 2>make it sound like she hated it. That was my assumption, right,

1093
00:58:19.960 --> 00:58:25.119
<v Speaker 2>I didn't think they were chat gpting that bitch the trick,

1094
00:58:25.239 --> 00:58:26.840
<v Speaker 2>yeah bitch, I mean the trailer.

1095
00:58:27.000 --> 00:58:30.119
<v Speaker 3>Yeah. Well, and we should say also that the trailer

1096
00:58:30.159 --> 00:58:33.559
<v Speaker 3>was narrated by Laurence Fishburne, which is he in the movie.

1097
00:58:34.039 --> 00:58:36.079
<v Speaker 3>I don't knew, but I mean he goes all the

1098
00:58:36.119 --> 00:58:38.320
<v Speaker 3>way back to Apocalypse now right with Coppola.

1099
00:58:38.679 --> 00:58:40.280
<v Speaker 2>That's right. I forgot about that.

1100
00:58:40.800 --> 00:58:43.719
<v Speaker 3>Yeah. So I mean, I mean just hearing his voice. Man,

1101
00:58:44.000 --> 00:58:47.719
<v Speaker 3>he's an actor. But there was just this air of

1102
00:58:47.800 --> 00:58:50.679
<v Speaker 3>authenticity or you know what I mean, like I gave

1103
00:58:50.719 --> 00:58:54.079
<v Speaker 3>it this sort of feeling of I don't know, I

1104
00:58:54.119 --> 00:58:56.840
<v Speaker 3>definitely get the vibe they were going for. It could

1105
00:58:56.840 --> 00:58:59.320
<v Speaker 3>have almost worked. It just was too bad they had

1106
00:58:59.320 --> 00:59:02.400
<v Speaker 3>to not only lie, but like they got caught so quickly,

1107
00:59:02.519 --> 00:59:03.800
<v Speaker 3>you know what I mean. It wasn't even a very

1108
00:59:04.199 --> 00:59:06.960
<v Speaker 3>it was really checked. Lie.

1109
00:59:08.079 --> 00:59:11.960
<v Speaker 2>That's embarrassing. Yeah, I mean it's it's literally and me.

1110
00:59:12.000 --> 00:59:14.320
<v Speaker 2>We're talking about chat GPT. I mean, because I've gotten

1111
00:59:14.440 --> 00:59:19.280
<v Speaker 2>essays that were clearly AI generated, and you know, I

1112
00:59:19.440 --> 00:59:21.840
<v Speaker 2>checked the sources and I'm like, this source doesn't exist.

1113
00:59:22.639 --> 00:59:24.679
<v Speaker 3>Mmmm, oh it makes up sources.

1114
00:59:24.760 --> 00:59:26.039
<v Speaker 2>Oh sure. Yeah.

1115
00:59:26.119 --> 00:59:28.440
<v Speaker 3>I've never I'm gonna be honest, I've never really used it.

1116
00:59:28.440 --> 00:59:31.960
<v Speaker 3>I think I went on there once like as an experiment,

1117
00:59:32.000 --> 00:59:33.880
<v Speaker 3>Like you you did this really funny thing where you

1118
00:59:33.920 --> 00:59:36.840
<v Speaker 3>were like, give me the plot to the Fugitive too,

1119
00:59:37.760 --> 00:59:39.599
<v Speaker 3>that's right, you know, and you were sending me all

1120
00:59:39.639 --> 00:59:40.920
<v Speaker 3>these things, and so I went in there and it

1121
00:59:40.960 --> 00:59:42.719
<v Speaker 3>was just like, what would happen if, like, you know,

1122
00:59:42.840 --> 00:59:45.599
<v Speaker 3>Gumby married you know, MS Piggy or something like. I

1123
00:59:45.599 --> 00:59:47.239
<v Speaker 3>don't know, like I don't even know where that came

1124
00:59:47.239 --> 00:59:49.719
<v Speaker 3>from right now, but I don't know.

1125
00:59:49.760 --> 00:59:50.880
<v Speaker 2>We're learning all kinds of things.

1126
00:59:51.920 --> 00:59:54.039
<v Speaker 3>I actually have a Gumby on my desk, so I

1127
00:59:54.079 --> 00:59:59.599
<v Speaker 3>was like Gumby, but I've never tried it for anything serious.

1128
01:00:00.400 --> 01:00:04.880
<v Speaker 3>So when you're reading a chat GPT generated essay, I mean,

1129
01:00:04.960 --> 01:00:08.159
<v Speaker 3>is it immediately obvious, like is there turns of phrases

1130
01:00:08.440 --> 01:00:11.280
<v Speaker 3>or does it sound kind of sterile and robotic?

1131
01:00:12.840 --> 01:00:18.760
<v Speaker 2>There? There are certain there are certain red flags, but

1132
01:00:18.800 --> 01:00:22.719
<v Speaker 2>here's the reality. I mean, I mean it just the

1133
01:00:22.760 --> 01:00:27.360
<v Speaker 2>ground is shifting under our feet, right, So you have

1134
01:00:27.440 --> 01:00:31.199
<v Speaker 2>things like grammarly and whatever that everybody uses now to

1135
01:00:31.320 --> 01:00:34.199
<v Speaker 2>check their writing, right sure, And so I mean it's

1136
01:00:34.239 --> 01:00:38.719
<v Speaker 2>it's harder and harder because because you can't just pull

1137
01:00:38.760 --> 01:00:40.280
<v Speaker 2>somebody aside and be like, hey, I know you had

1138
01:00:40.320 --> 01:00:43.599
<v Speaker 2>AI do this, because because you just don't know. You

1139
01:00:43.719 --> 01:00:47.320
<v Speaker 2>don't you know if you're gonna if you're gonna come

1140
01:00:47.320 --> 01:00:49.800
<v Speaker 2>out with the accusation like that, you better be completely

1141
01:00:49.800 --> 01:00:53.320
<v Speaker 2>buttoned down, and you just can't be yeah, you know, so,

1142
01:00:53.440 --> 01:00:55.400
<v Speaker 2>I mean this is like we're just going off on

1143
01:00:55.400 --> 01:00:58.440
<v Speaker 2>this tangent. But you know, I think as an instructor,

1144
01:00:58.440 --> 01:01:03.000
<v Speaker 2>what I'm struggling with is finding a way to incorporate

1145
01:01:03.480 --> 01:01:07.800
<v Speaker 2>AI and say, you know, maybe find a way to say, hey,

1146
01:01:07.960 --> 01:01:09.480
<v Speaker 2>use it, but use it the right way.

1147
01:01:10.840 --> 01:01:13.719
<v Speaker 3>I think that feels that makes sense to me, Like

1148
01:01:13.760 --> 01:01:15.199
<v Speaker 3>it's hard. I mean, we're not getting rid of it.

1149
01:01:15.679 --> 01:01:17.840
<v Speaker 3>So if you can find out a way to continue

1150
01:01:17.920 --> 01:01:21.159
<v Speaker 3>to help them to expand themselves, yeah, while using it,

1151
01:01:21.519 --> 01:01:23.360
<v Speaker 3>that seems forward thinking to me.

1152
01:01:24.000 --> 01:01:27.440
<v Speaker 2>Yeah. Look, I think and I mean I'm lucky because

1153
01:01:27.639 --> 01:01:29.920
<v Speaker 2>it's not like I'm teaching English Lit or something where

1154
01:01:30.000 --> 01:01:33.719
<v Speaker 2>people are write really advanced type stuff. I can be like, hey,

1155
01:01:33.719 --> 01:01:35.159
<v Speaker 2>what'd you think of this movie? And I'm like this,

1156
01:01:35.280 --> 01:01:36.760
<v Speaker 2>and I can just be like hey, and I want

1157
01:01:36.760 --> 01:01:38.000
<v Speaker 2>to hear from you. I don't really care what tu

1158
01:01:38.119 --> 01:01:39.360
<v Speaker 2>GPT has to say, you know.

1159
01:01:40.079 --> 01:01:40.239
<v Speaker 1>But.

1160
01:01:42.559 --> 01:01:47.679
<v Speaker 2>Fundamentally this is I mean, it's orders a magnitude of difference,

1161
01:01:47.679 --> 01:01:52.199
<v Speaker 2>but it's a similar place to like Wikipedia, where when

1162
01:01:52.239 --> 01:01:55.599
<v Speaker 2>it first started, you know, it's like, oh, don't use Wikipedia, right,

1163
01:01:56.559 --> 01:01:59.239
<v Speaker 2>and I've said it for a while, I'm like, look,

1164
01:01:59.480 --> 01:02:01.159
<v Speaker 2>I could say don't use Wikipedia. I know you're going

1165
01:02:01.199 --> 01:02:04.440
<v Speaker 2>to use it anyway, but there's a way to use it, right,

1166
01:02:04.480 --> 01:02:06.639
<v Speaker 2>and there's a there are best practices, and so I

1167
01:02:06.679 --> 01:02:08.679
<v Speaker 2>think with chatch GPD is just a matter of figuring out, well,

1168
01:02:08.719 --> 01:02:11.280
<v Speaker 2>what are the best practices here? You know, right right?

1169
01:02:12.159 --> 01:02:12.639
<v Speaker 3>Interesting?

1170
01:02:12.960 --> 01:02:16.000
<v Speaker 2>Yeah, yeah, as it pertains to the Megalopolis trailer is

1171
01:02:16.039 --> 01:02:18.519
<v Speaker 2>kind of funny because because Lionsgate said that they pulled it,

1172
01:02:18.920 --> 01:02:22.559
<v Speaker 2>but I guess it made it to a few prints

1173
01:02:22.559 --> 01:02:26.079
<v Speaker 2>of the crow, which okay, and so I know I

1174
01:02:26.519 --> 01:02:28.239
<v Speaker 2>saw pictures of people who went to see the crow

1175
01:02:28.320 --> 01:02:31.239
<v Speaker 2>last night. They had pictures of the of the Megalopolis

1176
01:02:31.239 --> 01:02:35.599
<v Speaker 2>trailer with the with the faulty quote quote quote attributions.

1177
01:02:36.280 --> 01:02:37.920
<v Speaker 3>Funny. I mean, yeah, I was worried I was going

1178
01:02:37.960 --> 01:02:39.920
<v Speaker 3>to miss it for that reason, like I wanted to

1179
01:02:39.960 --> 01:02:42.480
<v Speaker 3>see it, but it was very easy to find. So yes,

1180
01:02:42.840 --> 01:02:43.480
<v Speaker 3>still out there.

1181
01:02:44.360 --> 01:02:46.400
<v Speaker 2>Uh well actually, well while we're talking about the crow,

1182
01:02:46.480 --> 01:02:51.119
<v Speaker 2>I mean, neither of us has seen it, but holy crap,

1183
01:02:51.280 --> 01:02:55.519
<v Speaker 2>like right, it feels like people just kind of lined

1184
01:02:55.599 --> 01:02:57.000
<v Speaker 2>up to take a whack at this thing.

1185
01:02:58.320 --> 01:03:03.679
<v Speaker 3>Yeah, yeah, I yeah. I frequent Reddit user and one

1186
01:03:03.719 --> 01:03:06.639
<v Speaker 3>of the reddits I've subscribed to is like movie, you know,

1187
01:03:06.760 --> 01:03:09.440
<v Speaker 3>spoiler review or like non spoiler review sort of thing,

1188
01:03:09.480 --> 01:03:11.599
<v Speaker 3>And so every week when something comes out, I'm curious

1189
01:03:11.599 --> 01:03:14.159
<v Speaker 3>to look at the non spoiler thing, and man, yeah,

1190
01:03:14.159 --> 01:03:18.599
<v Speaker 3>everybody was well taking a whack at it. This one is,

1191
01:03:19.320 --> 01:03:20.840
<v Speaker 3>you know, the thing that I had read. I can't

1192
01:03:20.840 --> 01:03:22.800
<v Speaker 3>back this up. I haven't seen it. But apparently he

1193
01:03:22.840 --> 01:03:26.280
<v Speaker 3>doesn't really even become like the Crow or act out

1194
01:03:26.280 --> 01:03:28.039
<v Speaker 3>as the Crow until like the third act.

1195
01:03:27.880 --> 01:03:30.800
<v Speaker 2>Of the film. Seems like a problem.

1196
01:03:31.400 --> 01:03:33.840
<v Speaker 3>What what are we doing here?

1197
01:03:34.000 --> 01:03:38.039
<v Speaker 2>You know? See? What strikes me is that this is

1198
01:03:38.079 --> 01:03:42.920
<v Speaker 2>a film that, certainly, for the entire life of our podcast,

1199
01:03:43.320 --> 01:03:46.239
<v Speaker 2>has been in some stage of development.

1200
01:03:46.880 --> 01:03:48.519
<v Speaker 3>Yeah long time, A long time.

1201
01:03:48.519 --> 01:03:50.760
<v Speaker 2>I mean since the mid two thousands, and at one

1202
01:03:50.760 --> 01:03:55.400
<v Speaker 2>point Bradley Cooper was attached. Yeah, Jason Momoa, I'm sure

1203
01:03:55.440 --> 01:03:58.519
<v Speaker 2>other people I'm forgetting. I mean, they've been trying to

1204
01:03:58.519 --> 01:04:00.840
<v Speaker 2>get this thing going for a while. I've been absolutely

1205
01:04:00.840 --> 01:04:03.480
<v Speaker 2>consistent in saying, why on earth do you need to

1206
01:04:03.519 --> 01:04:07.800
<v Speaker 2>remake this movie? If nothing, if for no other reason,

1207
01:04:07.960 --> 01:04:13.000
<v Speaker 2>then the the tragedy behind that original film is something

1208
01:04:13.039 --> 01:04:18.079
<v Speaker 2>that should let it stand apart forever. You know. Yeah,

1209
01:04:18.119 --> 01:04:19.960
<v Speaker 2>by the way, there is the braindon Lee film.

1210
01:04:21.079 --> 01:04:21.880
<v Speaker 3>Wait say that again?

1211
01:04:22.119 --> 01:04:23.079
<v Speaker 2>It still holds up?

1212
01:04:23.599 --> 01:04:25.559
<v Speaker 3>Oh yeah, yeah, yeah, no, I mean yeah, they got

1213
01:04:25.599 --> 01:04:28.960
<v Speaker 3>it right the first time. Everything about it, I mean,

1214
01:04:29.000 --> 01:04:32.760
<v Speaker 3>the soundtrack is iconic, the look of it is iconic,

1215
01:04:32.960 --> 01:04:35.719
<v Speaker 3>you know, the makeup and everything. I mean, And to

1216
01:04:35.800 --> 01:04:37.880
<v Speaker 3>be fair, they've made sequels. They had a.

1217
01:04:37.800 --> 01:04:39.480
<v Speaker 2>TV series that pretty bad.

1218
01:04:40.320 --> 01:04:45.719
<v Speaker 3>Yeah, but I can understand it, Like it's an iconic visual,

1219
01:04:46.079 --> 01:04:50.239
<v Speaker 3>that character. So in the age of nothing but ips

1220
01:04:50.280 --> 01:04:53.079
<v Speaker 3>being made, it makes sense to want to try to

1221
01:04:53.079 --> 01:04:55.199
<v Speaker 3>do something with the Crow. But you know, I think

1222
01:04:55.239 --> 01:04:57.079
<v Speaker 3>we were saying before we even got on air, it's like,

1223
01:04:57.159 --> 01:04:59.800
<v Speaker 3>if you don't have it, don't waste it, you know,

1224
01:05:00.199 --> 01:05:02.920
<v Speaker 3>Like why they've been trying for so long and it hasn't

1225
01:05:02.960 --> 01:05:04.559
<v Speaker 3>been working, Like why did they all of a sudden

1226
01:05:04.559 --> 01:05:06.159
<v Speaker 3>go yet? Did they just say good enough?

1227
01:05:07.000 --> 01:05:11.000
<v Speaker 2>I mean really? Right? You know, Rupert Sanders directed this

1228
01:05:11.079 --> 01:05:16.800
<v Speaker 2>who he's he did Snowed in The Huntsman, right yeah.

1229
01:05:16.880 --> 01:05:20.280
<v Speaker 2>And and Bill Scarsgard, who I hear is like okay

1230
01:05:20.320 --> 01:05:22.079
<v Speaker 2>in it. Yeah.

1231
01:05:22.119 --> 01:05:24.119
<v Speaker 3>You know, he's one of those guys I think everybody

1232
01:05:24.239 --> 01:05:25.679
<v Speaker 3>kind of likes, but he just kind of can't get

1233
01:05:25.679 --> 01:05:28.199
<v Speaker 3>a break with his films, right right. He was in

1234
01:05:28.239 --> 01:05:30.480
<v Speaker 3>the what was that really violent movie?

1235
01:05:31.079 --> 01:05:34.559
<v Speaker 2>Was it John Wick four? I don't know. That's the

1236
01:05:34.559 --> 01:05:35.519
<v Speaker 2>only one I haven't seen.

1237
01:05:35.920 --> 01:05:38.960
<v Speaker 3>Oh funny, it's I'm not making a great case for it.

1238
01:05:38.960 --> 01:05:40.440
<v Speaker 3>But I remember seeing him in a movie where he

1239
01:05:40.480 --> 01:05:43.360
<v Speaker 3>played this I think it was John Wick for. But

1240
01:05:43.440 --> 01:05:45.360
<v Speaker 3>I remember thinking on like, oh, I like this guy.

1241
01:05:45.480 --> 01:05:47.960
<v Speaker 3>He's pretty good. He's a good presence, Like he's unique.

1242
01:05:48.360 --> 01:05:51.840
<v Speaker 3>It is John Wick for by the way, Okay, yeah, yeah, yeah,

1243
01:05:51.920 --> 01:05:55.159
<v Speaker 3>I remember him in horse Stables and you know, hurting people.

1244
01:05:55.440 --> 01:05:59.079
<v Speaker 3>But but yeah, I mean it kind of bums me out.

1245
01:05:59.119 --> 01:06:01.719
<v Speaker 3>I feel bad for him, you know, like you take

1246
01:06:01.719 --> 01:06:03.599
<v Speaker 3>a role, you give it a shot. But if it's

1247
01:06:03.599 --> 01:06:04.480
<v Speaker 3>not there, it's not there.

1248
01:06:05.000 --> 01:06:07.400
<v Speaker 2>I mean to the point you were making earlier. They

1249
01:06:07.599 --> 01:06:13.400
<v Speaker 2>they did three sequels to the the original one, okay,

1250
01:06:14.000 --> 01:06:16.280
<v Speaker 2>and I would say only one is like a direct

1251
01:06:16.320 --> 01:06:20.280
<v Speaker 2>sequel in that it carries forward certain characters. But the

1252
01:06:20.360 --> 01:06:25.599
<v Speaker 2>thing is, did did the Eric Draven story really need

1253
01:06:25.639 --> 01:06:26.440
<v Speaker 2>to be done again?

1254
01:06:28.199 --> 01:06:31.239
<v Speaker 3>Yeah? I know, it feels like the natural way to

1255
01:06:31.280 --> 01:06:34.599
<v Speaker 3>go is tell a different story and the crow brings

1256
01:06:34.599 --> 01:06:36.079
<v Speaker 3>someone else back for a different reason.

1257
01:06:36.639 --> 01:06:41.559
<v Speaker 2>Yeah, or just do something in the vein of the crow.

1258
01:06:41.760 --> 01:06:44.280
<v Speaker 2>But I have would be a brand new thing.

1259
01:06:44.880 --> 01:06:49.320
<v Speaker 3>M No, that doesn't make any sense to crazy talk.

1260
01:06:51.679 --> 01:06:56.000
<v Speaker 2>It's fine. I used to watch the television show, oh really,

1261
01:06:56.119 --> 01:06:59.199
<v Speaker 2>which was yeah, I mean it was like a syndicated

1262
01:07:00.119 --> 01:07:05.480
<v Speaker 2>know w C I U, you know, Saturday afternoons, you know,

1263
01:07:05.599 --> 01:07:09.679
<v Speaker 2>shot in Vancouver type thing, you know, and it was

1264
01:07:10.000 --> 01:07:11.679
<v Speaker 2>it was it was Eric.

1265
01:07:11.559 --> 01:07:16.039
<v Speaker 3>Draven m righting wrongs basically.

1266
01:07:16.159 --> 01:07:19.400
<v Speaker 2>Yeah. So instead of, you know, the film ends with him,

1267
01:07:19.880 --> 01:07:24.719
<v Speaker 2>he goes back to He's reunited with Shelley and that's it, right, Yeah,

1268
01:07:24.760 --> 01:07:27.639
<v Speaker 2>But the show was called The crow Stairway to Heaven,

1269
01:07:28.719 --> 01:07:31.199
<v Speaker 2>and the idea is that like he has to eventually,

1270
01:07:32.800 --> 01:07:35.079
<v Speaker 2>eventually he'll be reunited with her, but he has to

1271
01:07:35.159 --> 01:07:39.280
<v Speaker 2>like do good deeds and stuff. Okay, okay, which like

1272
01:07:39.519 --> 01:07:42.880
<v Speaker 2>all right, you know, you know what I didn't like

1273
01:07:42.920 --> 01:07:46.400
<v Speaker 2>about that. It starred Mark de costcos As as Eric,

1274
01:07:46.559 --> 01:07:49.280
<v Speaker 2>and he you know, he's from he's been a bunch

1275
01:07:49.280 --> 01:07:51.599
<v Speaker 2>of stuff, like he was in on Hawaii oz and stuff.

1276
01:07:51.599 --> 01:07:54.840
<v Speaker 2>But he he was he was in the Double Dragon movie,

1277
01:07:54.840 --> 01:07:58.079
<v Speaker 2>you remember that. Yeah, he was the not Scott Wolf.

1278
01:07:59.239 --> 01:08:01.119
<v Speaker 3>That Scott Wolf's the only person I remember from that.

1279
01:08:01.119 --> 01:08:04.159
<v Speaker 2>So okay, yeah, but but it was like he's like

1280
01:08:04.280 --> 01:08:07.199
<v Speaker 2>he has like a normal he looks normal, and then

1281
01:08:07.280 --> 01:08:09.760
<v Speaker 2>like when he when he's like goes into action, he

1282
01:08:09.920 --> 01:08:13.719
<v Speaker 2>like crows out. Oh and he gets like crow face.

1283
01:08:14.679 --> 01:08:15.280
<v Speaker 3>Interesting.

1284
01:08:15.440 --> 01:08:18.039
<v Speaker 2>Okay, that was like their solution as opposed to having

1285
01:08:18.079 --> 01:08:19.560
<v Speaker 2>him just wander around with the makeup on it.

1286
01:08:19.640 --> 01:08:21.439
<v Speaker 3>All the time. Yeah, so he could walk into a

1287
01:08:21.479 --> 01:08:26.199
<v Speaker 3>bar somewhere and look unassuming, but then he gets activated.

1288
01:08:26.800 --> 01:08:32.560
<v Speaker 2>He's like crow power is activated. He would say that. Yeah,

1289
01:08:32.600 --> 01:08:34.640
<v Speaker 2>so that was a weird one. I can't speak to

1290
01:08:34.680 --> 01:08:37.720
<v Speaker 2>whether it's I can't imagine it holds up very well,

1291
01:08:37.760 --> 01:08:40.000
<v Speaker 2>but but I remember watching it when it aired.

1292
01:08:40.720 --> 01:08:44.079
<v Speaker 3>Yeah, well, this movie, I mean, I gotta be honest,

1293
01:08:44.079 --> 01:08:45.640
<v Speaker 3>I don't think I would leave the house for it,

1294
01:08:47.319 --> 01:08:50.479
<v Speaker 3>but there's a curiosity factor that I would. If it

1295
01:08:50.560 --> 01:08:53.239
<v Speaker 3>was on HBO one evening, I could see stopping on it.

1296
01:08:54.159 --> 01:08:57.039
<v Speaker 2>Well, there you go. That's that's Brian's final word on

1297
01:08:57.199 --> 01:08:57.680
<v Speaker 2>The Crow.

1298
01:08:59.279 --> 01:08:59.920
<v Speaker 3>I mean, I I.

1299
01:09:00.119 --> 01:09:02.920
<v Speaker 2>Do think it is remarkable that, I mean, there was

1300
01:09:03.199 --> 01:09:07.159
<v Speaker 2>no chatter about this movie at all leading up into

1301
01:09:07.199 --> 01:09:08.319
<v Speaker 2>literally its release.

1302
01:09:08.840 --> 01:09:10.760
<v Speaker 3>No, well, the trailer came out a couple months ago.

1303
01:09:10.920 --> 01:09:16.039
<v Speaker 3>Everyone tugged on their collars going oh and then yeah,

1304
01:09:16.079 --> 01:09:18.119
<v Speaker 3>to your point, you texted me and said, can you

1305
01:09:18.159 --> 01:09:19.680
<v Speaker 3>believe no one's talking about The Crow? And I think

1306
01:09:19.720 --> 01:09:22.359
<v Speaker 3>I said that's coming out this week. Yeah, Like I

1307
01:09:22.359 --> 01:09:24.560
<v Speaker 3>didn't even know that, and I follow this stuff.

1308
01:09:24.720 --> 01:09:27.279
<v Speaker 2>And I should say, I mean I mentioned it in

1309
01:09:27.319 --> 01:09:30.159
<v Speaker 2>my class just as oh, by the way, and most

1310
01:09:30.199 --> 01:09:31.840
<v Speaker 2>of them are like, what's we don't even know what

1311
01:09:31.920 --> 01:09:32.479
<v Speaker 2>the crow is?

1312
01:09:32.800 --> 01:09:35.039
<v Speaker 3>I was just wondering, Yeah, I wonder if that's like

1313
01:09:35.079 --> 01:09:37.399
<v Speaker 3>a I'm trying to think of an equivalent. I mean,

1314
01:09:37.439 --> 01:09:39.399
<v Speaker 3>that's what that was ninety four, So it's like thirty

1315
01:09:39.479 --> 01:09:42.960
<v Speaker 3>years ago, you know, Yeah, ninety four, like it.

1316
01:09:42.920 --> 01:09:48.640
<v Speaker 2>Had cultural relevance above and beyond the the you know,

1317
01:09:48.720 --> 01:09:51.039
<v Speaker 2>the music and everything, obviously because of Brandon Lee and

1318
01:09:51.079 --> 01:09:54.159
<v Speaker 2>what happened to him. And I mean that again, I

1319
01:09:54.239 --> 01:09:58.159
<v Speaker 2>think the movie holds up pretty well, but it Yeah,

1320
01:09:58.279 --> 01:10:00.479
<v Speaker 2>I mean, it's gonna have a different resid ence for

1321
01:10:00.520 --> 01:10:01.399
<v Speaker 2>our generation.

1322
01:10:03.159 --> 01:10:05.960
<v Speaker 3>Yeah. I'd be curious actually to show it to someone

1323
01:10:06.000 --> 01:10:07.039
<v Speaker 3>younger and see what they think of it.

1324
01:10:07.079 --> 01:10:09.359
<v Speaker 2>See what they think of it. Yeah, like you said,

1325
01:10:09.399 --> 01:10:13.119
<v Speaker 2>great soundtrack? Yeah, oh yeah, yeah. Hey, let's take another

1326
01:10:13.119 --> 01:10:16.119
<v Speaker 2>short break and we will talk about the movie still

1327
01:10:16.159 --> 01:10:27.880
<v Speaker 2>sitting atop the box office this weekend and we're back,

1328
01:10:27.920 --> 01:10:30.560
<v Speaker 2>and hey, Brian, you know who else is back that

1329
01:10:30.760 --> 01:10:36.000
<v Speaker 2>sick it's been a while. It's those wacky face hugging

1330
01:10:36.119 --> 01:10:41.560
<v Speaker 2>Zeno morphs from the Alien franchise. Yay, just when you

1331
01:10:41.640 --> 01:10:45.720
<v Speaker 2>thought it was safe to go back into space. Yeah

1332
01:10:46.159 --> 01:10:49.560
<v Speaker 2>something Alien Romulus is in theaters now. It was number

1333
01:10:49.640 --> 01:10:52.880
<v Speaker 2>one last weekend, and as it heads into its second weekend,

1334
01:10:52.920 --> 01:10:54.880
<v Speaker 2>looks like it's going to be number one again as

1335
01:10:54.920 --> 01:10:58.479
<v Speaker 2>we record this. So if I'm wrong, boy, will I

1336
01:10:58.520 --> 01:10:59.520
<v Speaker 2>have egg on my face?

1337
01:11:01.880 --> 01:11:04.399
<v Speaker 3>Apparently for the people who've seen The First Crow, it

1338
01:11:04.520 --> 01:11:05.680
<v Speaker 3>can rain all the time.

1339
01:11:09.399 --> 01:11:11.479
<v Speaker 2>You know that film. By the way, Alex Proyus, who

1340
01:11:11.479 --> 01:11:15.279
<v Speaker 2>directed that film, Yeah, really like he had the potential

1341
01:11:15.319 --> 01:11:18.600
<v Speaker 2>to be like a true like a Ridley Scott level visionary.

1342
01:11:18.880 --> 01:11:23.359
<v Speaker 2>Yeah yeah, I mean between The Crow and Dark City,

1343
01:11:23.560 --> 01:11:25.880
<v Speaker 2>Dark City, if you just can't call it a career

1344
01:11:25.920 --> 01:11:27.800
<v Speaker 2>after those two, man, you got it made in the shade?

1345
01:11:29.199 --> 01:11:29.760
<v Speaker 2>What happened?

1346
01:11:29.800 --> 01:11:33.479
<v Speaker 3>I know he made Knowing, Yes, and he did I Robot,

1347
01:11:33.920 --> 01:11:36.159
<v Speaker 3>I Robot. I forgot about that one.

1348
01:11:36.279 --> 01:11:38.039
<v Speaker 2>Yeah, and then he did Gods of Egypt and that

1349
01:11:38.439 --> 01:11:39.079
<v Speaker 2>that's around.

1350
01:11:41.760 --> 01:11:44.439
<v Speaker 3>Are those his projects or was he someone who took

1351
01:11:44.840 --> 01:11:47.760
<v Speaker 3>you know, a script in was the visionary who brought

1352
01:11:47.760 --> 01:11:48.039
<v Speaker 3>it to.

1353
01:11:48.039 --> 01:11:50.840
<v Speaker 2>Life that I do not know, although I suspect, at

1354
01:11:50.880 --> 01:11:53.039
<v Speaker 2>least in so far as I Robot, he was probably

1355
01:11:54.319 --> 01:11:55.960
<v Speaker 2>something close to a hired gun.

1356
01:11:56.479 --> 01:11:59.000
<v Speaker 3>It's so interesting because what I remember about I Robot

1357
01:11:59.079 --> 01:12:02.720
<v Speaker 3>is that it felt like a very polished studio yes

1358
01:12:02.760 --> 01:12:05.640
<v Speaker 3>s II fi adventure film, and I just didn't feel

1359
01:12:05.640 --> 01:12:07.479
<v Speaker 3>a lot for it, which is weird coming from a

1360
01:12:07.520 --> 01:12:10.479
<v Speaker 3>guy who made Dark City and The Crow That's right, right,

1361
01:12:10.520 --> 01:12:15.439
<v Speaker 3>which are just dripping with like artistry and creativity and

1362
01:12:15.920 --> 01:12:16.479
<v Speaker 3>a vision.

1363
01:12:16.800 --> 01:12:19.439
<v Speaker 2>Yeah. Yeah, I mean I thought I Robot was. It

1364
01:12:19.520 --> 01:12:22.439
<v Speaker 2>was fine. It was like Eye Candy. I don't remember

1365
01:12:22.479 --> 01:12:23.319
<v Speaker 2>anything about.

1366
01:12:23.039 --> 01:12:24.359
<v Speaker 3>It same, you know.

1367
01:12:25.640 --> 01:12:31.079
<v Speaker 2>But anyway, Yeah, speaking of Eye Candy, I should say

1368
01:12:31.399 --> 01:12:34.880
<v Speaker 2>Alien Romulus. This is the ninth Alien film, by the way,

1369
01:12:34.920 --> 01:12:38.560
<v Speaker 2>you believe. Wow, that's a lot that includes two alien

1370
01:12:38.600 --> 01:12:41.319
<v Speaker 2>versus Predator movies. I'm I'm They're part of the count

1371
01:12:41.319 --> 01:12:42.359
<v Speaker 2>as far as I'm concerned.

1372
01:12:42.560 --> 01:12:45.079
<v Speaker 3>Still, I saw someone say that this is a forty

1373
01:12:45.079 --> 01:12:48.279
<v Speaker 3>five year old franchise the other day, and I was like.

1374
01:12:48.560 --> 01:12:52.840
<v Speaker 2>Wow, that is bananas. That's something that really is. And

1375
01:12:52.920 --> 01:12:56.039
<v Speaker 2>I think that says a lot about sort of the

1376
01:12:56.319 --> 01:13:02.680
<v Speaker 2>the the Eternal appeal of this particular mister. So this

1377
01:13:02.840 --> 01:13:06.840
<v Speaker 2>was originally intended to be a straight to Hulu movie

1378
01:13:06.920 --> 01:13:08.720
<v Speaker 2>I'll pray a couple of years ago.

1379
01:13:09.239 --> 01:13:11.880
<v Speaker 3>That's insane. Yeah, that's insane.

1380
01:13:13.000 --> 01:13:15.359
<v Speaker 2>Yeah. Well, I think I think Disney saw the good

1381
01:13:15.399 --> 01:13:17.560
<v Speaker 2>reaction Pray got and they were like, that should have

1382
01:13:17.600 --> 01:13:20.680
<v Speaker 2>been released in theaters. Agreed, and so with this they

1383
01:13:21.000 --> 01:13:24.239
<v Speaker 2>rejiggered it a little bit. It was made for around

1384
01:13:24.279 --> 01:13:29.600
<v Speaker 2>eighty million dollars, which is like in today's economy, that's

1385
01:13:29.600 --> 01:13:31.039
<v Speaker 2>like Blair Witch Project money.

1386
01:13:31.520 --> 01:13:33.680
<v Speaker 3>Dude, you would never know it.

1387
01:13:34.039 --> 01:13:38.600
<v Speaker 2>Yeah right, yeah, yeah, you know, so I should say

1388
01:13:38.840 --> 01:13:41.800
<v Speaker 2>I I, as I mentioned earlier in the show, I

1389
01:13:41.840 --> 01:13:45.079
<v Speaker 2>went and saw it with with Adam Lance Hendrickson, a

1390
01:13:45.079 --> 01:13:47.079
<v Speaker 2>fan of our show, who said, hey, let's let's meet

1391
01:13:47.119 --> 01:13:51.119
<v Speaker 2>at in Elmhurst. There's a there's like a classic cinema.

1392
01:13:51.319 --> 01:13:52.800
<v Speaker 2>I was like, let's do it. It's like an old

1393
01:13:52.840 --> 01:13:55.920
<v Speaker 2>timey It's like it's like the Last Action Hero theater,

1394
01:13:56.000 --> 01:13:56.520
<v Speaker 2>you know what I mean?

1395
01:13:56.600 --> 01:13:59.079
<v Speaker 3>Oh cool, okay, like the movie Palace kind of one

1396
01:13:59.079 --> 01:13:59.479
<v Speaker 3>of them things.

1397
01:13:59.520 --> 01:14:03.520
<v Speaker 2>Yeah. But but the screening room itself had been upgraded

1398
01:14:03.560 --> 01:14:05.880
<v Speaker 2>and it had reclining seats and stuff and new new

1399
01:14:05.880 --> 01:14:09.199
<v Speaker 2>fangled sound and so we sit down and we start watching.

1400
01:14:09.239 --> 01:14:15.079
<v Speaker 2>The movie starts playing and you could not really make

1401
01:14:15.119 --> 01:14:20.199
<v Speaker 2>out the dialogue. Oh so the sound mix was shoddy

1402
01:14:21.560 --> 01:14:23.960
<v Speaker 2>to the to the point where Adam, to his credit,

1403
01:14:24.119 --> 01:14:26.560
<v Speaker 2>got up several times to be like, hey, guys, this

1404
01:14:26.760 --> 01:14:29.439
<v Speaker 2>the saint. It's not working. You know, the sound it's

1405
01:14:29.479 --> 01:14:30.680
<v Speaker 2>hard to hear you know.

1406
01:14:30.720 --> 01:14:32.640
<v Speaker 3>What do you mean? Like like in terms like it

1407
01:14:32.680 --> 01:14:33.760
<v Speaker 3>was bad speakers.

1408
01:14:33.880 --> 01:14:37.279
<v Speaker 2>It was not. It was not mixed properly. And in

1409
01:14:37.319 --> 01:14:40.760
<v Speaker 2>my layman's opinion.

1410
01:14:40.520 --> 01:14:42.319
<v Speaker 3>Yeah, maybe certain channels weren't coming.

1411
01:14:42.439 --> 01:14:48.520
<v Speaker 2>Yeah, so so like the dialogue was being overpowered by

1412
01:14:48.520 --> 01:14:51.680
<v Speaker 2>the sound effects and whatnot. Okay, so you had to

1413
01:14:51.720 --> 01:14:53.720
<v Speaker 2>struggle a little bit to hear it. Like I'm I'm

1414
01:14:53.760 --> 01:14:56.039
<v Speaker 2>somebody when I watch movies at home, just as a

1415
01:14:56.800 --> 01:15:00.680
<v Speaker 2>I just I watched with subtitles on. So I'm I'm like, God,

1416
01:15:00.680 --> 01:15:02.079
<v Speaker 2>I could use some subtitles, you know.

1417
01:15:02.279 --> 01:15:04.560
<v Speaker 3>No, I just I don't know, because Federica does that too,

1418
01:15:04.600 --> 01:15:05.840
<v Speaker 3>and you're only emboldening her.

1419
01:15:08.239 --> 01:15:08.560
<v Speaker 2>You know what.

1420
01:15:09.439 --> 01:15:11.760
<v Speaker 3>It's a huge thing. I'm seeing memes about this. I

1421
01:15:11.800 --> 01:15:14.880
<v Speaker 3>was on the airplane recently. I saw people like, I know,

1422
01:15:15.000 --> 01:15:16.880
<v Speaker 3>this is a thing. I just I have such a

1423
01:15:16.880 --> 01:15:17.560
<v Speaker 3>hard time with it.

1424
01:15:17.640 --> 01:15:22.000
<v Speaker 2>I've been watching movies with subtitles since since two thousand

1425
01:15:22.039 --> 01:15:27.079
<v Speaker 2>and one, when they released The Godfather Trilogy on DVD. Yeah,

1426
01:15:27.199 --> 01:15:29.760
<v Speaker 2>and I was having trouble understanding some of these folks

1427
01:15:29.800 --> 01:15:31.520
<v Speaker 2>in their accents. I put on the subtitles. I was like,

1428
01:15:31.520 --> 01:15:32.920
<v Speaker 2>oh my god, this is the Promised Land.

1429
01:15:33.640 --> 01:15:35.560
<v Speaker 3>Do you find your eyes drawn to it? Though?

1430
01:15:36.640 --> 01:15:40.560
<v Speaker 2>At this point no, I'm just it's just part of

1431
01:15:40.560 --> 01:15:41.239
<v Speaker 2>the experience.

1432
01:15:41.800 --> 01:15:44.560
<v Speaker 3>So you're sort of used to them on screen. I mean, obviously,

1433
01:15:44.600 --> 01:15:46.680
<v Speaker 3>when I'm watching a foreign film or something in a

1434
01:15:46.680 --> 01:15:48.680
<v Speaker 3>different language, I'm used to it, and my eyes are

1435
01:15:48.760 --> 01:15:51.520
<v Speaker 3>drawn to it. I need them. But you so if

1436
01:15:51.560 --> 01:15:54.279
<v Speaker 3>you ALIGNE goes past really quickly, you don't understand it.

1437
01:15:54.319 --> 01:15:56.520
<v Speaker 3>You're kind of trained to look down really quickly.

1438
01:15:57.439 --> 01:15:59.720
<v Speaker 2>And yeah, I mean it's not I wouldn't even say

1439
01:15:59.800 --> 01:16:04.560
<v Speaker 2>it that directed emotion. It's just I'm just taking the

1440
01:16:04.560 --> 01:16:07.279
<v Speaker 2>totality of the screen, including the text.

1441
01:16:07.560 --> 01:16:09.960
<v Speaker 3>I see, I see.

1442
01:16:10.159 --> 01:16:12.359
<v Speaker 2>So, so Frederica, keep doing what you're doing.

1443
01:16:13.079 --> 01:16:13.720
<v Speaker 3>I got your back.

1444
01:16:13.760 --> 01:16:19.600
<v Speaker 2>Don't listen to this this heathen. That's hilarious. But anyway,

1445
01:16:19.600 --> 01:16:22.560
<v Speaker 2>I could have used some of them subtitles watching it.

1446
01:16:23.800 --> 01:16:27.039
<v Speaker 2>So so the mix got a little better as we went,

1447
01:16:27.079 --> 01:16:29.880
<v Speaker 2>and it was not It was not an ideal experience.

1448
01:16:29.920 --> 01:16:33.800
<v Speaker 2>But I want to call out Adam actually getting up

1449
01:16:33.880 --> 01:16:35.880
<v Speaker 2>multiple times and asking him to fix it, because I

1450
01:16:35.880 --> 01:16:37.319
<v Speaker 2>don't know that I would have did that, you know.

1451
01:16:37.960 --> 01:16:41.239
<v Speaker 3>Oh yeah, I had experience like that too, where audio

1452
01:16:41.359 --> 01:16:44.399
<v Speaker 3>was weird. It's very loud, like loud to the point

1453
01:16:44.399 --> 01:16:48.000
<v Speaker 3>of pain. And I to this day, I'm like, why

1454
01:16:48.039 --> 01:16:50.159
<v Speaker 3>did I get up and say something rather than go

1455
01:16:50.239 --> 01:16:51.880
<v Speaker 3>through that for two and a half hours.

1456
01:16:52.680 --> 01:16:57.279
<v Speaker 2>So what ended up happening is I had to watch

1457
01:16:57.359 --> 01:16:59.560
<v Speaker 2>it again just so that I could I could make

1458
01:16:59.600 --> 01:17:05.000
<v Speaker 2>out the look. And you you watched this last.

1459
01:17:04.840 --> 01:17:06.520
<v Speaker 3>Night, right yesterday afternoon?

1460
01:17:06.640 --> 01:17:09.000
<v Speaker 2>Yeah? Yesterday? Okay, So we have not discussed this at all.

1461
01:17:09.600 --> 01:17:12.279
<v Speaker 2>I think I think it's and I hate doing this.

1462
01:17:12.399 --> 01:17:18.279
<v Speaker 2>I think it's just one of those Eh, it's fine, Zachi. Yeah,

1463
01:17:18.600 --> 01:17:21.880
<v Speaker 2>I loved it. Wow.

1464
01:17:22.399 --> 01:17:23.439
<v Speaker 3>How often does that happen?

1465
01:17:23.680 --> 01:17:24.279
<v Speaker 2>Wow? All right?

1466
01:17:24.720 --> 01:17:28.880
<v Speaker 3>I went in very I wouldn't even say skeptical. I was.

1467
01:17:29.199 --> 01:17:31.840
<v Speaker 3>I'm a fan of alien and aliens, but I'm not.

1468
01:17:32.079 --> 01:17:33.840
<v Speaker 3>They're not like my terminator too, you know, I know

1469
01:17:33.880 --> 01:17:36.159
<v Speaker 3>it backwards and sure, sure it's tied to my youth

1470
01:17:36.239 --> 01:17:39.560
<v Speaker 3>or anything. Yeah, And so I saw the trailer, I

1471
01:17:39.600 --> 01:17:42.880
<v Speaker 3>was like, I'm hopeful. I love that shot of Kaylee

1472
01:17:42.880 --> 01:17:46.279
<v Speaker 3>Spainey with the gun. It looks like something from nineteen

1473
01:17:46.319 --> 01:17:47.640
<v Speaker 3>eighty six and the best.

1474
01:17:47.399 --> 01:17:49.439
<v Speaker 2>Possible way, totally yeah.

1475
01:17:49.479 --> 01:17:52.520
<v Speaker 3>And so I went into this truly out of obligation,

1476
01:17:53.319 --> 01:17:55.920
<v Speaker 3>like like I would watch it at some point, but

1477
01:17:56.159 --> 01:17:59.239
<v Speaker 3>you know, the hit to miss ratio in the series

1478
01:17:59.319 --> 01:18:01.640
<v Speaker 3>is not that great, you know what I mean, And

1479
01:18:01.720 --> 01:18:03.640
<v Speaker 3>so I went in like, Okay, here we go. And

1480
01:18:03.680 --> 01:18:05.920
<v Speaker 3>then it's like it starts out on that you know,

1481
01:18:06.000 --> 01:18:09.159
<v Speaker 3>colonized planet and you know her and her her brother

1482
01:18:09.920 --> 01:18:13.359
<v Speaker 3>quote unquote, and like and I was like, I'm kind

1483
01:18:13.359 --> 01:18:16.479
<v Speaker 3>of into this, like I'm enjoying the world building. And

1484
01:18:17.199 --> 01:18:19.520
<v Speaker 3>then it came up with their goal. You know, it's

1485
01:18:19.520 --> 01:18:21.640
<v Speaker 3>a little risky, but let's go do this and then

1486
01:18:21.840 --> 01:18:24.399
<v Speaker 3>we can get a specifics later. But like this ticking

1487
01:18:24.479 --> 01:18:28.479
<v Speaker 3>clock is introduced, and I literally out loud went fantastic.

1488
01:18:29.359 --> 01:18:35.000
<v Speaker 3>That ticking clock is so cool. And I loved the filmmaking.

1489
01:18:35.119 --> 01:18:38.680
<v Speaker 3>I loved the I thought they captured the alien aesthetic

1490
01:18:38.800 --> 01:18:44.960
<v Speaker 3>of these like damp ships and like a filmmaker visuals,

1491
01:18:45.560 --> 01:18:52.000
<v Speaker 3>you know, very thoughtful direction and like the tension was

1492
01:18:52.600 --> 01:18:56.640
<v Speaker 3>interesting or well done. The set pieces were inventive and

1493
01:18:56.880 --> 01:19:00.399
<v Speaker 3>used everything that was available within the not only the

1494
01:19:00.439 --> 01:19:02.359
<v Speaker 3>geography of the ship, but the logic of the ship

1495
01:19:02.399 --> 01:19:03.319
<v Speaker 3>and how it works.

1496
01:19:03.800 --> 01:19:07.079
<v Speaker 2>And the station or station space station.

1497
01:19:07.199 --> 01:19:10.600
<v Speaker 3>And like two thirds in, I was like, a plus

1498
01:19:11.720 --> 01:19:13.600
<v Speaker 3>right now, I mean it is this like a plus

1499
01:19:13.600 --> 01:19:15.520
<v Speaker 3>like Godfather's a plus. Like no, no, but like as

1500
01:19:15.520 --> 01:19:18.039
<v Speaker 3>an alien, I totally get what you're saying, A plus,

1501
01:19:18.079 --> 01:19:21.319
<v Speaker 3>Like I have no complaints. And then in the third

1502
01:19:21.359 --> 01:19:23.880
<v Speaker 3>act something happens that made me like, yeah.

1503
01:19:24.239 --> 01:19:28.399
<v Speaker 2>That's where it kind of lost me. Not even lost me,

1504
01:19:28.439 --> 01:19:33.439
<v Speaker 2>but that's where I was like, all right that you know, Yeah.

1505
01:19:33.119 --> 01:19:36.279
<v Speaker 3>I was actually like, dude, I actually Frederika hates' movies

1506
01:19:36.279 --> 01:19:36.439
<v Speaker 3>like this.

1507
01:19:36.680 --> 01:19:37.760
<v Speaker 2>I think she actually like this.

1508
01:19:38.039 --> 01:19:39.159
<v Speaker 3>And then I was even like you know what, I'm

1509
01:19:39.159 --> 01:19:41.039
<v Speaker 3>gonna take my brother. I'm gonna take my brother to this.

1510
01:19:41.359 --> 01:19:43.319
<v Speaker 3>And then I have to say the ending did knock

1511
01:19:43.399 --> 01:19:45.079
<v Speaker 3>me down to like yeah, maybe I'll take my brother.

1512
01:19:45.239 --> 01:19:49.199
<v Speaker 2>See Okay, So so without spoiling anything, here here is

1513
01:19:49.319 --> 01:19:52.680
<v Speaker 2>where I end up at. It's fine because I did

1514
01:19:52.800 --> 01:19:54.680
<v Speaker 2>enjoy it. I think I think all the stuff that

1515
01:19:54.760 --> 01:19:58.079
<v Speaker 2>you said, I think fide Alvarez did an amazing job,

1516
01:19:58.119 --> 01:20:01.720
<v Speaker 2>really evoking both of the first two films, both of

1517
01:20:02.600 --> 01:20:07.720
<v Speaker 2>like Chef's Kiss. Yeah, I don't what I and they

1518
01:20:07.920 --> 01:20:10.079
<v Speaker 2>you know what they said, what the filmmakers said. Oh,

1519
01:20:10.119 --> 01:20:12.079
<v Speaker 2>there's all these like nods to the other films in

1520
01:20:12.119 --> 01:20:14.520
<v Speaker 2>the series throughout. And I was on board for the

1521
01:20:14.520 --> 01:20:17.119
<v Speaker 2>most part. And we'll get into those and spoilers what

1522
01:20:17.199 --> 01:20:20.920
<v Speaker 2>I was less on board for. And my son, who

1523
01:20:20.960 --> 01:20:22.680
<v Speaker 2>I my oldest son. I went with him the second

1524
01:20:22.680 --> 01:20:24.760
<v Speaker 2>time he pointed this out, and I agree with him.

1525
01:20:25.239 --> 01:20:29.520
<v Speaker 2>The final third or the final bit at the near

1526
01:20:30.000 --> 01:20:33.720
<v Speaker 2>near the near the end is a virtual remake of

1527
01:20:33.720 --> 01:20:35.600
<v Speaker 2>the original movie.

1528
01:20:35.920 --> 01:20:39.279
<v Speaker 3>I don't disagree. I don't disagree, and you know, and

1529
01:20:39.319 --> 01:20:41.079
<v Speaker 3>that's the other thing too, I do have to give

1530
01:20:41.079 --> 01:20:43.239
<v Speaker 3>like a caveat, even though I'm not backing down from

1531
01:20:43.760 --> 01:20:46.359
<v Speaker 3>really enjoying myself. Yes, and maybe it even had to

1532
01:20:46.399 --> 01:20:48.479
<v Speaker 3>do with me sort of. Okay, I just got back

1533
01:20:48.479 --> 01:20:50.119
<v Speaker 3>from this trip. I'm really tired, but I gotta go

1534
01:20:50.239 --> 01:20:52.680
<v Speaker 3>see this and talk about with Zachi and yeah, and

1535
01:20:52.720 --> 01:20:56.039
<v Speaker 3>then getting really into it and leaning forward in my

1536
01:20:56.079 --> 01:20:58.680
<v Speaker 3>seat and walking out like man, I had a good time.

1537
01:20:59.159 --> 01:21:02.680
<v Speaker 3>That that was my perience. I also have seen people

1538
01:21:02.800 --> 01:21:07.159
<v Speaker 3>criticizing it for being I guess derivative, you know, like

1539
01:21:07.239 --> 01:21:09.319
<v Speaker 3>just repeating the first two films, and I would say,

1540
01:21:09.359 --> 01:21:11.760
<v Speaker 3>you know what, You're not wrong, like, you're not wrong,

1541
01:21:11.800 --> 01:21:15.800
<v Speaker 3>Like this to me feels like a synthesis. I would say,

1542
01:21:15.800 --> 01:21:18.399
<v Speaker 3>a very good synthesis of one and two.

1543
01:21:19.000 --> 01:21:21.359
<v Speaker 2>See, you know what, you're You're right. And and if

1544
01:21:21.399 --> 01:21:22.920
<v Speaker 2>I can just add to that, what it felt like

1545
01:21:23.000 --> 01:21:26.760
<v Speaker 2>to me was a Force Awakens Alien movie.

1546
01:21:27.039 --> 01:21:29.319
<v Speaker 3>Mmmm, yeah, sure right.

1547
01:21:29.319 --> 01:21:33.159
<v Speaker 2>You know how Force Awakens is basically a remake of

1548
01:21:33.159 --> 01:21:33.760
<v Speaker 2>Star Wars.

1549
01:21:34.119 --> 01:21:35.359
<v Speaker 3>Yeah, yeah, that's what this.

1550
01:21:35.479 --> 01:21:39.479
<v Speaker 2>Is, right, and and essentially Kaylee Spainey is and you

1551
01:21:39.560 --> 01:21:43.279
<v Speaker 2>got you Got, you Got Ray and Finn basically, No,

1552
01:21:43.399 --> 01:21:48.039
<v Speaker 2>you're so right. I'm not saying that in a bad way.

1553
01:21:48.119 --> 01:21:50.640
<v Speaker 2>I get it because this is an IP and Disney's

1554
01:21:50.640 --> 01:21:52.960
<v Speaker 2>gonna want to find Fox Slash. Disney's gonna find ways

1555
01:21:52.960 --> 01:21:56.560
<v Speaker 2>to to you know, to platform it outward. Totally fine.

1556
01:21:57.840 --> 01:22:04.000
<v Speaker 2>The the the only part of that derivative, that derivative

1557
01:22:04.039 --> 01:22:08.920
<v Speaker 2>aspect that pulled me out was how much the final

1558
01:22:09.279 --> 01:22:12.199
<v Speaker 2>piece felt like just redoing the exact ending of Alien.

1559
01:22:13.960 --> 01:22:16.680
<v Speaker 3>You know, I can't disagree, and I think I actually

1560
01:22:16.720 --> 01:22:18.520
<v Speaker 3>liked it. We both have these opinions because I think

1561
01:22:18.560 --> 01:22:22.840
<v Speaker 3>we're coming from slightly similar but slightly different places relationships

1562
01:22:22.880 --> 01:22:25.039
<v Speaker 3>with the movies. So I'm happy I can sort of

1563
01:22:25.039 --> 01:22:27.720
<v Speaker 3>represent this where it's like someone who saw Star Wars

1564
01:22:28.359 --> 01:22:29.880
<v Speaker 3>two or three times and it was like, oh yeah,

1565
01:22:29.880 --> 01:22:33.079
<v Speaker 3>I remember liking Star Wars. So it's not maybe as

1566
01:22:33.119 --> 01:22:37.039
<v Speaker 3>in my face right, although it did cross my mind

1567
01:22:37.039 --> 01:22:37.840
<v Speaker 3>while it was happening.

1568
01:22:38.439 --> 01:22:41.840
<v Speaker 2>I mean, I'll tell you, I mean, given the totality

1569
01:22:41.960 --> 01:22:44.880
<v Speaker 2>of alien films, I would place this in the upper third.

1570
01:22:45.119 --> 01:22:47.760
<v Speaker 3>You know me too, Oh yeah, definitely, you know.

1571
01:22:47.840 --> 01:22:50.720
<v Speaker 2>I don't I don't know where i'd put it with

1572
01:22:50.840 --> 01:22:52.520
<v Speaker 2>reference to the third one, but certainly I liked it

1573
01:22:52.520 --> 01:22:54.119
<v Speaker 2>better than the fourth one, which I don't believe you've

1574
01:22:54.119 --> 01:22:54.600
<v Speaker 2>even seen.

1575
01:22:54.920 --> 01:22:57.119
<v Speaker 3>No, no, everybody told me it's not worth it, and

1576
01:22:57.199 --> 01:23:00.399
<v Speaker 3>so i've I'll watch it someday, but it's never that's

1577
01:23:00.439 --> 01:23:03.479
<v Speaker 3>a weird one, man, because I think it has some

1578
01:23:03.520 --> 01:23:07.159
<v Speaker 3>good ideas, yeah, that are not executed particularly well.

1579
01:23:07.159 --> 01:23:13.800
<v Speaker 2>In my opinion, I think this one what I really appreciated,

1580
01:23:14.680 --> 01:23:18.439
<v Speaker 2>and I think I think we're like ya close to spoilers, so,

1581
01:23:18.479 --> 01:23:24.399
<v Speaker 2>but ultimately what I appreciated was the esthetic approach, how

1582
01:23:24.439 --> 01:23:28.000
<v Speaker 2>it very much. It lives within the world of those

1583
01:23:28.000 --> 01:23:32.359
<v Speaker 2>first two movies. It's clearly made and Fida Alvarez and

1584
01:23:32.399 --> 01:23:35.000
<v Speaker 2>I'm assuming you know the various people he got to

1585
01:23:35.439 --> 01:23:38.439
<v Speaker 2>make the movie with them very much. Coming at it

1586
01:23:38.600 --> 01:23:42.039
<v Speaker 2>as fans of those.

1587
01:23:41.800 --> 01:23:47.079
<v Speaker 3>Two movies, definitely. I mean the production design, like I said,

1588
01:23:47.079 --> 01:23:50.960
<v Speaker 3>the damp ships, the old school sort of eighties kind

1589
01:23:50.960 --> 01:23:51.760
<v Speaker 3>of computers.

1590
01:23:51.800 --> 01:23:54.119
<v Speaker 2>The computers, yep, I loved that.

1591
01:23:54.239 --> 01:23:58.479
<v Speaker 3>Honestly, me too, man, you know, even just real I

1592
01:23:58.560 --> 01:24:01.399
<v Speaker 3>just wanted to in the filmmaking. Like it was the lenses.

1593
01:24:01.560 --> 01:24:04.199
<v Speaker 3>I could tell the lenses he was using, and like,

1594
01:24:04.199 --> 01:24:05.600
<v Speaker 3>I don't know if it was shot in film or not.

1595
01:24:05.720 --> 01:24:07.800
<v Speaker 3>Usually I'm pretty good at it. Twisters was shot on

1596
01:24:07.840 --> 01:24:10.680
<v Speaker 3>film and it was beautiful. You could tell. And I

1597
01:24:10.720 --> 01:24:13.000
<v Speaker 3>really feel like it elevated that film. This one, I

1598
01:24:13.039 --> 01:24:16.479
<v Speaker 3>don't know, it feels like it was, and so I

1599
01:24:16.520 --> 01:24:19.359
<v Speaker 3>think it reminded, you know, what it was, like, evoked

1600
01:24:20.079 --> 01:24:23.079
<v Speaker 3>the type of movies that delighted me when I was young. Sure,

1601
01:24:23.760 --> 01:24:26.479
<v Speaker 3>it's style. There's a group shot where the kids are

1602
01:24:26.520 --> 01:24:28.520
<v Speaker 3>talking about I think they're talking about taking off or

1603
01:24:28.600 --> 01:24:30.760
<v Speaker 3>what the plan is, and there's this group shot of

1604
01:24:30.800 --> 01:24:33.560
<v Speaker 3>them and it just has that sort of slightly warped

1605
01:24:34.680 --> 01:24:37.479
<v Speaker 3>wide angle sort of and the way that they're blocked

1606
01:24:37.479 --> 01:24:39.159
<v Speaker 3>and seated in the room. And I was just like, man,

1607
01:24:39.159 --> 01:24:41.640
<v Speaker 3>I feel like I'm watching a lust movie from my

1608
01:24:41.760 --> 01:24:45.359
<v Speaker 3>youth and it really and not just that stuff. I

1609
01:24:45.399 --> 01:24:48.880
<v Speaker 3>did enjoy the relationship with Kaylee Spiney and like I said,

1610
01:24:48.880 --> 01:24:52.199
<v Speaker 3>her brother, that worked for me that it was changes

1611
01:24:52.279 --> 01:24:54.920
<v Speaker 3>the shifts in that Yeah, that were for you two.

1612
01:24:55.319 --> 01:24:58.199
<v Speaker 2>Oh yeah. And by the way, David Johnson who plays Andy,

1613
01:24:58.600 --> 01:25:00.359
<v Speaker 2>he was great to me.

1614
01:25:00.479 --> 01:25:01.800
<v Speaker 3>That's like a starmaking role.

1615
01:25:02.000 --> 01:25:03.239
<v Speaker 2>Yeah. Yeah, he's terrific in though.

1616
01:25:03.319 --> 01:25:05.640
<v Speaker 3>Yeah, and she's been great too. I mean, Priscilla had

1617
01:25:05.640 --> 01:25:10.000
<v Speaker 3>a good Civil War, good couple of years alien. Yeah, yeah.

1618
01:25:10.039 --> 01:25:11.920
<v Speaker 3>And I just thought the set piece, I mean, that's

1619
01:25:11.960 --> 01:25:15.000
<v Speaker 3>what we're going for. Could you completely shift it and

1620
01:25:15.039 --> 01:25:17.560
<v Speaker 3>not put it on a ship and people getting picked off? Yes,

1621
01:25:17.600 --> 01:25:19.359
<v Speaker 3>And I think they should because they're going to keep

1622
01:25:19.359 --> 01:25:22.720
<v Speaker 3>making these please do that. But for whatever this is,

1623
01:25:22.800 --> 01:25:24.960
<v Speaker 3>like I said, as a synthesis, I thought it was

1624
01:25:25.000 --> 01:25:30.520
<v Speaker 3>a highly successful synthesis of new characters, new locations, new parameters,

1625
01:25:31.159 --> 01:25:35.800
<v Speaker 3>and some really cool ideas for them to navigate through.

1626
01:25:36.039 --> 01:25:39.520
<v Speaker 3>That just had me. I literally noticed at one point,

1627
01:25:39.560 --> 01:25:41.439
<v Speaker 3>I was leaning for it in my seat, having a

1628
01:25:41.479 --> 01:25:41.960
<v Speaker 3>great time.

1629
01:25:42.439 --> 01:25:48.439
<v Speaker 2>Yeah, I think ultimately where I landed is is it?

1630
01:25:48.800 --> 01:25:50.439
<v Speaker 3>It's it's a.

1631
01:25:50.560 --> 01:25:57.239
<v Speaker 2>Fine entry in this franchise that doesn't touch its height, sure,

1632
01:25:57.439 --> 01:26:00.800
<v Speaker 2>but is pretty well above it's lows.

1633
01:26:03.079 --> 01:26:05.479
<v Speaker 3>Yeah. Yeah, And I mean in the in the age

1634
01:26:05.520 --> 01:26:08.960
<v Speaker 3>of these legacy sequels, these speaking of the Crow, you

1635
01:26:08.960 --> 01:26:12.000
<v Speaker 3>know what I mean. You go, oh, well, they can

1636
01:26:12.079 --> 01:26:16.920
<v Speaker 3>make another good alien movie, even though yes, like, is

1637
01:26:16.960 --> 01:26:22.239
<v Speaker 3>it a little bit you know, an echo too much

1638
01:26:22.279 --> 01:26:23.199
<v Speaker 3>of an echo of something?

1639
01:26:23.840 --> 01:26:23.960
<v Speaker 1>Oh?

1640
01:26:24.039 --> 01:26:24.319
<v Speaker 2>Very much.

1641
01:26:24.399 --> 01:26:27.560
<v Speaker 3>So absolutely I can see that, and it would be

1642
01:26:27.600 --> 01:26:29.680
<v Speaker 3>cool if they could figure out some sort of new

1643
01:26:29.720 --> 01:26:32.039
<v Speaker 3>angle to come at it with. Totally. But I guess

1644
01:26:32.079 --> 01:26:34.000
<v Speaker 3>it was just to my surprise how much I enjoyed this.

1645
01:26:35.760 --> 01:26:37.920
<v Speaker 2>Well, hey, you want to talk spoilers, let's do it.

1646
01:26:41.880 --> 01:26:42.640
<v Speaker 3>Spoiler.

1647
01:26:46.760 --> 01:26:50.399
<v Speaker 2>So right up top we come in. We you know,

1648
01:26:50.520 --> 01:26:53.640
<v Speaker 2>you have the type face, the saw bass typeface, you know,

1649
01:26:54.600 --> 01:26:57.680
<v Speaker 2>And I'm like, okay, already, my my short hairs are

1650
01:26:57.680 --> 01:26:59.119
<v Speaker 2>standing up. I'm like, oh ho, there we.

1651
01:26:59.159 --> 01:27:03.680
<v Speaker 3>Dude, James Horner esque music over the stars. I was like,

1652
01:27:03.760 --> 01:27:07.039
<v Speaker 3>oh my gosh, Like I was like, you're really going

1653
01:27:07.119 --> 01:27:08.279
<v Speaker 3>to do like a score like that.

1654
01:27:09.279 --> 01:27:12.520
<v Speaker 2>Well, and then and then we float through the wreckage

1655
01:27:12.560 --> 01:27:15.920
<v Speaker 2>of the Nostromo and I'm like, sign me up.

1656
01:27:16.199 --> 01:27:18.079
<v Speaker 3>You know, yeah, it looked I couldn't selve as a

1657
01:27:18.079 --> 01:27:18.760
<v Speaker 3>model or CG.

1658
01:27:19.439 --> 01:27:20.039
<v Speaker 2>Oh there you go.

1659
01:27:20.640 --> 01:27:23.760
<v Speaker 3>Whoever did that? Kudos, man, kudos.

1660
01:27:25.079 --> 01:27:27.680
<v Speaker 2>I had a student by the recently, who's who's like, oh,

1661
01:27:27.720 --> 01:27:31.000
<v Speaker 2>I just watched the original Alien and I was like, oh,

1662
01:27:31.079 --> 01:27:33.359
<v Speaker 2>did you think? And they said, you know, I didn't

1663
01:27:33.359 --> 01:27:39.039
<v Speaker 2>think the CG was very good. And I said, oh,

1664
01:27:39.079 --> 01:27:46.720
<v Speaker 2>well there's a reason for that. Oh no, but okay,

1665
01:27:46.760 --> 01:27:49.600
<v Speaker 2>So this is set twenty years after Alien. Right, it's

1666
01:27:49.640 --> 01:27:52.119
<v Speaker 2>a I think I think the term is mid qool

1667
01:27:52.399 --> 01:27:57.600
<v Speaker 2>as as the youngsters. So I liked that. I like

1668
01:27:57.680 --> 01:28:02.560
<v Speaker 2>how they found some cracks to fit a story into that.

1669
01:28:02.560 --> 01:28:07.159
<v Speaker 2>That all I was on board with the the what

1670
01:28:07.319 --> 01:28:09.439
<v Speaker 2>I'm I'm like, this is my problem, right, I'm like

1671
01:28:10.319 --> 01:28:13.560
<v Speaker 2>watching the how does the continuity fit together? Right? And

1672
01:28:13.560 --> 01:28:16.920
<v Speaker 2>and you've got the Ridley Scott prequel movies, you know, Prometheus,

1673
01:28:16.920 --> 01:28:19.159
<v Speaker 2>an Alien, Covenant, and you got this and how does

1674
01:28:19.159 --> 01:28:23.399
<v Speaker 2>it all fit? And And what I appreciated was that

1675
01:28:23.479 --> 01:28:29.399
<v Speaker 2>this movie attempts to encompass the totality. So you've got okay,

1676
01:28:29.439 --> 01:28:34.520
<v Speaker 2>so we should mention this. You've got a CGI resurrected

1677
01:28:34.880 --> 01:28:35.520
<v Speaker 2>Ian Holme.

1678
01:28:36.680 --> 01:28:37.680
<v Speaker 3>Yeah, what do you think about that?

1679
01:28:39.319 --> 01:28:41.680
<v Speaker 2>So I've seen a lot of people online kind of

1680
01:28:41.680 --> 01:28:45.279
<v Speaker 2>losing their shit over this. Yeah, right, oh, this is

1681
01:28:45.840 --> 01:28:49.239
<v Speaker 2>you know, it's disrespectful, it's a homunculus and all this

1682
01:28:49.279 --> 01:28:52.319
<v Speaker 2>other stuff and and on. Maybe this is like a

1683
01:28:52.359 --> 01:28:54.680
<v Speaker 2>controversial opinion, but I'm like, look, if you can do

1684
01:28:54.760 --> 01:28:57.520
<v Speaker 2>it well and if the family is on board with it,

1685
01:28:57.600 --> 01:29:00.600
<v Speaker 2>I don't see that much of a problem with it.

1686
01:29:01.880 --> 01:29:04.439
<v Speaker 3>Yeah, I agree. I thought it worked. It was jarring

1687
01:29:04.479 --> 01:29:07.079
<v Speaker 3>at first, right, and some of it I thought looked

1688
01:29:07.079 --> 01:29:09.039
<v Speaker 3>a little dodgy. I think that was the only dodgy

1689
01:29:09.039 --> 01:29:14.079
<v Speaker 3>looking visual effects in the film. Yes, but it felt

1690
01:29:14.239 --> 01:29:15.880
<v Speaker 3>of the world. It did.

1691
01:29:16.279 --> 01:29:19.000
<v Speaker 2>The only the only caveat I would say is I

1692
01:29:19.039 --> 01:29:21.920
<v Speaker 2>would have preferred if he and this is not ash.

1693
01:29:22.039 --> 01:29:24.640
<v Speaker 2>This is Rook, a new character. But you know, I

1694
01:29:24.680 --> 01:29:27.119
<v Speaker 2>think in terms of the movies Shorthand, it makes sense

1695
01:29:27.199 --> 01:29:30.520
<v Speaker 2>to have him because you see Ian Holme and right

1696
01:29:30.600 --> 01:29:36.119
<v Speaker 2>away you're like, this, this guy's sketchy as opposed to

1697
01:29:36.600 --> 01:29:39.119
<v Speaker 2>having a new synthetic person. And then we have to

1698
01:29:39.920 --> 01:29:42.199
<v Speaker 2>connect the dots on our own whether he is or

1699
01:29:42.239 --> 01:29:44.319
<v Speaker 2>not a good guy or a bad guy.

1700
01:29:44.399 --> 01:29:45.159
<v Speaker 3>Yeah, that's good point.

1701
01:29:46.039 --> 01:29:48.279
<v Speaker 2>However, I would have preferred not to have him be

1702
01:29:48.319 --> 01:29:50.680
<v Speaker 2>a presence all the way throughout. I think a little

1703
01:29:50.720 --> 01:29:51.760
<v Speaker 2>would have gone a long way.

1704
01:29:51.960 --> 01:29:54.680
<v Speaker 3>M M yeah yeah, Like I was appearing on those monitors,

1705
01:29:55.079 --> 01:29:56.760
<v Speaker 3>on the monitors, and then and then this is so

1706
01:29:56.840 --> 01:29:58.000
<v Speaker 3>this is a thing that bugged me.

1707
01:29:58.039 --> 01:30:01.159
<v Speaker 2>I don't mind member berries, but I don't like is

1708
01:30:01.880 --> 01:30:03.680
<v Speaker 2>you know, and this is Terminator movies do this like

1709
01:30:03.720 --> 01:30:07.079
<v Speaker 2>oh hey, I'll be back right yeah where He's like,

1710
01:30:07.720 --> 01:30:10.960
<v Speaker 2>you know, I don't uh, you know, I won't tell

1711
01:30:11.000 --> 01:30:13.079
<v Speaker 2>you the chances, but you have my sympathy. I'm like, oh,

1712
01:30:13.119 --> 01:30:15.239
<v Speaker 2>that's the exact same thing. Ash says, like, you guys

1713
01:30:15.239 --> 01:30:18.159
<v Speaker 2>all just say the same stuff. You know. That stuff

1714
01:30:18.199 --> 01:30:18.920
<v Speaker 2>takes me out of it.

1715
01:30:19.760 --> 01:30:23.279
<v Speaker 3>And surprisingly, as on the nose as that was, that wasn't,

1716
01:30:23.319 --> 01:30:25.439
<v Speaker 3>the to my opinion, most offensive.

1717
01:30:26.239 --> 01:30:28.720
<v Speaker 2>Okay a line. I think I know what you're talking about. Yeah.

1718
01:30:28.840 --> 01:30:34.680
<v Speaker 2>If if Andy said get away from her period, yep,

1719
01:30:34.920 --> 01:30:35.720
<v Speaker 2>I would have been fine.

1720
01:30:35.920 --> 01:30:36.319
<v Speaker 3>Perfect.

1721
01:30:37.199 --> 01:30:40.079
<v Speaker 2>When he says literally he's like, get away from her

1722
01:30:40.479 --> 01:30:43.359
<v Speaker 2>dot dot dot, I'm like, please, don't, please, don't please

1723
01:30:44.800 --> 01:30:46.239
<v Speaker 2>you bitch. Oh damn it.

1724
01:30:46.720 --> 01:30:49.479
<v Speaker 3>I know, it was like, oh, come on, like, it's

1725
01:30:49.520 --> 01:30:52.359
<v Speaker 3>like he watched the other movie exactly. That's and he

1726
01:30:52.399 --> 01:30:55.840
<v Speaker 3>doesn't drives me that way. That's that's not his character

1727
01:30:55.920 --> 01:30:57.239
<v Speaker 3>to talk like that, right.

1728
01:30:58.000 --> 01:30:58.239
<v Speaker 2>Yeah.

1729
01:30:58.279 --> 01:30:58.520
<v Speaker 3>That was.

1730
01:31:00.359 --> 01:31:03.279
<v Speaker 2>So that type of stuff I don't like. As far

1731
01:31:03.319 --> 01:31:06.239
<v Speaker 2>as the Rook character and the role he plays, I

1732
01:31:06.840 --> 01:31:09.159
<v Speaker 2>had no problem. Again, I'm kind of like, look, it

1733
01:31:09.159 --> 01:31:11.319
<v Speaker 2>sounds like the family was on board. And I know

1734
01:31:11.520 --> 01:31:14.640
<v Speaker 2>before Ian Holme died, he did this little cameo in

1735
01:31:14.680 --> 01:31:19.079
<v Speaker 2>the Hobbit, so I feel like he would have been

1736
01:31:19.079 --> 01:31:21.159
<v Speaker 2>open to this at least. I don't know. Maybe I don't.

1737
01:31:21.359 --> 01:31:24.239
<v Speaker 2>That's presumptuous on my part, but I just feel like

1738
01:31:24.680 --> 01:31:27.600
<v Speaker 2>it it doesn't seem out of the realm of possibility. Yeah. Yeah,

1739
01:31:28.119 --> 01:31:30.119
<v Speaker 2>so all of that, I was on board with that.

1740
01:31:30.159 --> 01:31:33.239
<v Speaker 2>And again the aesthetic, like the way they go into

1741
01:31:33.239 --> 01:31:35.920
<v Speaker 2>the science lab and you're like, my god, this looks

1742
01:31:35.960 --> 01:31:38.439
<v Speaker 2>like the thing on the Nostromo. You know, like I

1743
01:31:38.439 --> 01:31:47.920
<v Speaker 2>loved all of that stuff. I think that this is

1744
01:31:47.960 --> 01:31:49.960
<v Speaker 2>and this is where watching it twice really helped. I

1745
01:31:50.119 --> 01:31:56.720
<v Speaker 2>was like, how long has this ship been like a derelict?

1746
01:31:57.840 --> 01:31:59.760
<v Speaker 2>You know what I mean? Because I'm like, it sounds

1747
01:31:59.800 --> 01:32:01.880
<v Speaker 2>like what they're doing is pretty important. Sounds like the

1748
01:32:01.880 --> 01:32:05.479
<v Speaker 2>company knew about it right right sitting here. And then

1749
01:32:05.800 --> 01:32:07.920
<v Speaker 2>the second time, because I could actually hear him, he's like,

1750
01:32:09.119 --> 01:32:12.279
<v Speaker 2>we were searching for the wreckage of the Nostromo for

1751
01:32:12.279 --> 01:32:15.119
<v Speaker 2>twenty years. We found it about one hundred and ten

1752
01:32:15.199 --> 01:32:20.159
<v Speaker 2>days ago, and so within the last three months all

1753
01:32:20.199 --> 01:32:23.720
<v Speaker 2>of this went down, right, So then it makes sense that, well,

1754
01:32:23.760 --> 01:32:27.000
<v Speaker 2>it's everything went to shit very quickly and the company

1755
01:32:27.039 --> 01:32:29.840
<v Speaker 2>just hasn't had time to send anybody and they just

1756
01:32:29.880 --> 01:32:32.680
<v Speaker 2>happened to stumble upon it then, So that that clicked

1757
01:32:32.720 --> 01:32:40.760
<v Speaker 2>for me. That made sense. Yeah, in terms of the

1758
01:32:40.760 --> 01:32:44.439
<v Speaker 2>the progression of the story, Like I said, I'm I

1759
01:32:44.560 --> 01:32:47.800
<v Speaker 2>was kind of like, first of all, when they find

1760
01:32:48.199 --> 01:32:51.119
<v Speaker 2>that whole the room with the face huggers, Yeah, dude,

1761
01:32:51.439 --> 01:32:55.199
<v Speaker 2>I've seen so many versions of this scene, you know.

1762
01:32:55.880 --> 01:32:59.520
<v Speaker 2>I'm kind they did something new. Yep, you know that.

1763
01:32:59.640 --> 01:33:03.720
<v Speaker 2>And then there's the other scene when they're going there's

1764
01:33:03.800 --> 01:33:05.800
<v Speaker 2>it's like a room full of face huggers and they

1765
01:33:05.800 --> 01:33:07.000
<v Speaker 2>have to just get through.

1766
01:33:06.800 --> 01:33:09.760
<v Speaker 3>It and be quiet, dude. And then that girl's in

1767
01:33:09.840 --> 01:33:12.920
<v Speaker 3>peril and she's speaking through the calm and he's like

1768
01:33:12.920 --> 01:33:14.720
<v Speaker 3>like trying to cover the calm.

1769
01:33:15.159 --> 01:33:19.520
<v Speaker 2>Great by the way, Dora the Explorer goes through it

1770
01:33:19.680 --> 01:33:19.920
<v Speaker 2>in this.

1771
01:33:21.840 --> 01:33:23.079
<v Speaker 3>Yeah, oh I didn't know that.

1772
01:33:23.199 --> 01:33:25.680
<v Speaker 2>Yeah she's ever said, Yeah, we just saw her in

1773
01:33:25.960 --> 01:33:28.439
<v Speaker 2>that other piece of shit movie too, was that.

1774
01:33:28.560 --> 01:33:33.760
<v Speaker 3>Madame Web Wow? Okay, now she's great in this. She

1775
01:33:34.159 --> 01:33:36.479
<v Speaker 3>was good in this, but dude, Yeah, the set pieces,

1776
01:33:36.600 --> 01:33:40.399
<v Speaker 3>the whole thing where they introduce the gravity, you know,

1777
01:33:40.520 --> 01:33:43.720
<v Speaker 3>kicking on and off, you know, introduced at the beginning,

1778
01:33:43.760 --> 01:33:45.640
<v Speaker 3>and it's fun because it makes it an obstacle for

1779
01:33:45.680 --> 01:33:48.279
<v Speaker 3>them to get to their goal, you know, right at

1780
01:33:48.319 --> 01:33:50.840
<v Speaker 3>the beginning. But that the way that that comes back

1781
01:33:50.840 --> 01:33:53.840
<v Speaker 3>into play when she's in that hallway. I loved it

1782
01:33:53.840 --> 01:33:55.800
<v Speaker 3>because she was in that hallway. She's literally got her

1783
01:33:55.800 --> 01:33:58.239
<v Speaker 3>back against the wall. There's all these aliens coming toward

1784
01:33:58.279 --> 01:34:01.079
<v Speaker 3>her and she's got that gun, but you can't shoot

1785
01:34:01.079 --> 01:34:03.279
<v Speaker 3>them because their acid blood will go through the ship

1786
01:34:03.279 --> 01:34:06.319
<v Speaker 3>and they'll crash. I literally was like, I love this.

1787
01:34:06.520 --> 01:34:08.720
<v Speaker 3>I have no idea what she can do. I don't know,

1788
01:34:08.840 --> 01:34:11.000
<v Speaker 3>and I can't wait to find out. And then when

1789
01:34:11.000 --> 01:34:14.359
<v Speaker 3>they use the gravity, and so she shoots kills all

1790
01:34:14.359 --> 01:34:17.640
<v Speaker 3>the aliens and all their blood is floating in the

1791
01:34:17.720 --> 01:34:20.039
<v Speaker 3>air and she has to navigate her way through there

1792
01:34:20.079 --> 01:34:21.760
<v Speaker 3>and even like she's going to encounter it, so she

1793
01:34:21.800 --> 01:34:23.479
<v Speaker 3>shoots her gun to push herself down.

1794
01:34:24.039 --> 01:34:24.359
<v Speaker 2>Yeah.

1795
01:34:24.399 --> 01:34:26.880
<v Speaker 3>I was like, come on, this is great.

1796
01:34:27.039 --> 01:34:29.439
<v Speaker 2>That was that was pretty effective. I mean, that's well,

1797
01:34:29.439 --> 01:34:31.439
<v Speaker 2>that's kind of the thing, right, that's the essential. This

1798
01:34:31.520 --> 01:34:35.640
<v Speaker 2>is something that Ridley Scott talked about after Prometheus, you know,

1799
01:34:35.680 --> 01:34:38.600
<v Speaker 2>before before Alien Covenant, they were going to do just

1800
01:34:38.600 --> 01:34:42.640
<v Speaker 2>a straight ahead sequel to Prometheus, and somebody asked him like,

1801
01:34:42.640 --> 01:34:44.079
<v Speaker 2>are you going to bring in the alien or whatever?

1802
01:34:44.119 --> 01:34:46.560
<v Speaker 2>He says, well, I think they've done everything they can

1803
01:34:46.680 --> 01:34:50.840
<v Speaker 2>with that creature, you know. And and you know, I

1804
01:34:50.840 --> 01:34:54.039
<v Speaker 2>think I think Fan uproar led to them doing Alien

1805
01:34:54.039 --> 01:34:56.359
<v Speaker 2>Covenant and that it's not a movie I was crazy about.

1806
01:34:56.359 --> 01:34:58.520
<v Speaker 2>Some people like it, but I think what this movie

1807
01:34:58.520 --> 01:35:00.680
<v Speaker 2>showed to me at least, it's like, well there's I mean,

1808
01:35:01.880 --> 01:35:05.199
<v Speaker 2>it's an it's a visually distinctive creature with a very

1809
01:35:05.239 --> 01:35:10.319
<v Speaker 2>specific set of strengths and limitations, and it's all about

1810
01:35:10.359 --> 01:35:13.640
<v Speaker 2>finding a new angle, you know. So I'm on board

1811
01:35:13.640 --> 01:35:16.520
<v Speaker 2>for that. Just HARKing back to what I was saying

1812
01:35:16.520 --> 01:35:20.239
<v Speaker 2>earlier about it, sort of these references that include the

1813
01:35:20.279 --> 01:35:27.039
<v Speaker 2>totality for me, hearing Ian Holme as basically Ash talking

1814
01:35:27.079 --> 01:35:32.279
<v Speaker 2>about the Prometheus. Yeah, that's to me, that's like Luke

1815
01:35:32.319 --> 01:35:36.760
<v Speaker 2>Skywalker mentioning Dart Citius. You know what I mean. You're like, oh, wow,

1816
01:35:36.840 --> 01:35:38.720
<v Speaker 2>it's that thing, but it's that other thing and they're

1817
01:35:38.720 --> 01:35:44.159
<v Speaker 2>all connected. Wow. Yeah yeah, like like I think, because

1818
01:35:44.199 --> 01:35:47.000
<v Speaker 2>again I was not a fan of Alien Covenant. However

1819
01:35:47.640 --> 01:35:49.840
<v Speaker 2>that's in the mix, right. That's so I like the

1820
01:35:49.960 --> 01:35:56.880
<v Speaker 2>idea of tying this in because to me, this by

1821
01:35:56.960 --> 01:35:58.520
<v Speaker 2>virtue of what we see in this film, it gives

1822
01:35:58.800 --> 01:36:03.520
<v Speaker 2>some context to Alien that is intriguing, right, like, oh,

1823
01:36:03.319 --> 01:36:07.000
<v Speaker 2>the company wanted the alien, but why did they want

1824
01:36:07.000 --> 01:36:10.800
<v Speaker 2>the alien? Oh they're trying to engineer people for terraforming

1825
01:36:10.840 --> 01:36:12.640
<v Speaker 2>or whatever. Like all of that is interesting, these little

1826
01:36:12.640 --> 01:36:15.000
<v Speaker 2>pieces that you can carry forward, you know. I did

1827
01:36:15.039 --> 01:36:15.239
<v Speaker 2>like it.

1828
01:36:15.319 --> 01:36:17.239
<v Speaker 3>Yes, all that world building stuff was great, and like

1829
01:36:17.319 --> 01:36:19.399
<v Speaker 3>I said, the first act, I was just eating it up,

1830
01:36:19.479 --> 01:36:22.399
<v Speaker 3>like seeing them what their reality was. And when she's

1831
01:36:22.439 --> 01:36:24.760
<v Speaker 3>trying to say that she has her hours and the

1832
01:36:24.800 --> 01:36:29.159
<v Speaker 3>poor you know, android beaten up and he's telling the

1833
01:36:29.239 --> 01:36:33.319
<v Speaker 3>dad jokes like I was just all that was so great. Yeah,

1834
01:36:33.399 --> 01:36:37.359
<v Speaker 3>and then I yeah, the black Goo it's it kind

1835
01:36:37.359 --> 01:36:38.760
<v Speaker 3>of makes sense why they would want It's like, well,

1836
01:36:38.760 --> 01:36:42.000
<v Speaker 3>everyone's dying, like we keep getting diseases. Like colonizing these

1837
01:36:42.039 --> 01:36:45.199
<v Speaker 3>places is not working out. We need to enhance these people.

1838
01:36:45.239 --> 01:36:47.399
<v Speaker 3>I was like, oh yeah, I mean I don't love

1839
01:36:47.399 --> 01:36:51.239
<v Speaker 3>the goo, but like it. It makes sense, like it

1840
01:36:50.600 --> 01:36:54.479
<v Speaker 3>they they fit it in and at the very least.

1841
01:36:54.800 --> 01:36:57.479
<v Speaker 2>Well, hold on, I'm going to contradict myself into a second.

1842
01:36:57.520 --> 01:37:02.119
<v Speaker 2>But one thing about both prometh and Covenant which drove

1843
01:37:02.199 --> 01:37:04.800
<v Speaker 2>me bananas is you have people acting in a way

1844
01:37:05.359 --> 01:37:08.119
<v Speaker 2>that no human would act under these circumstances.

1845
01:37:08.359 --> 01:37:09.199
<v Speaker 3>Yeah.

1846
01:37:09.359 --> 01:37:13.039
<v Speaker 2>Right, So in Prometheus, you're, you know, they're exploring this

1847
01:37:13.680 --> 01:37:16.800
<v Speaker 2>alien temple or whatever it is, and this weird snake

1848
01:37:16.880 --> 01:37:19.399
<v Speaker 2>looking thing pokes its head up, and so one of

1849
01:37:19.399 --> 01:37:22.239
<v Speaker 2>our genius scientific explorers is like, hey, buddy, and he

1850
01:37:22.319 --> 01:37:23.640
<v Speaker 2>kind of sticks his hand up. I'm like, what are

1851
01:37:23.640 --> 01:37:27.880
<v Speaker 2>you stupid? And he predictably dies shortly thereafter it. And

1852
01:37:27.920 --> 01:37:31.279
<v Speaker 2>then similar stuff in Covenant. They're like, hey, this planet's fine,

1853
01:37:31.359 --> 01:37:35.399
<v Speaker 2>let's all take off our helmets. I'm like, no, don't

1854
01:37:35.399 --> 01:37:38.079
<v Speaker 2>do that. Yeah, And for the most part with this film,

1855
01:37:38.119 --> 01:37:41.640
<v Speaker 2>I was like, Okay, they're at least acting believably. Yeah,

1856
01:37:41.760 --> 01:37:43.880
<v Speaker 2>up until Dora the Explorer is like, hey, let me

1857
01:37:43.920 --> 01:37:46.520
<v Speaker 2>inject this thing into my body. What could possibly go wrong?

1858
01:37:47.479 --> 01:37:49.159
<v Speaker 3>You know, it's funny. I mean, it's we'd joke about

1859
01:37:49.199 --> 01:37:52.439
<v Speaker 3>Chekhov's gun a lot, and it's funny because when she's

1860
01:37:52.479 --> 01:37:56.319
<v Speaker 3>about to do it, when she's still with Rain and Rain,

1861
01:37:56.319 --> 01:37:59.319
<v Speaker 3>all of a sudden, it's like, no, don't. I was like, oh, phew.

1862
01:37:59.479 --> 01:38:01.800
<v Speaker 3>But then when what's her name?

1863
01:38:01.880 --> 01:38:01.960
<v Speaker 1>Ka?

1864
01:38:03.239 --> 01:38:06.399
<v Speaker 3>You know she's a lone, she's pregnant, she's dying. I

1865
01:38:06.439 --> 01:38:08.359
<v Speaker 3>was like, oh, I don't really want this to happen,

1866
01:38:08.399 --> 01:38:11.119
<v Speaker 3>but you also realize it has to happen, you know

1867
01:38:11.159 --> 01:38:13.640
<v Speaker 3>what I mean? And so then I mean, well, then

1868
01:38:13.680 --> 01:38:16.039
<v Speaker 3>the movie turns into the movie split, you know what

1869
01:38:16.079 --> 01:38:19.680
<v Speaker 3>I mean. You get like the half man half alien

1870
01:38:19.760 --> 01:38:25.000
<v Speaker 3>hybrid thing, and I was like, eh, like for truly,

1871
01:38:25.119 --> 01:38:27.560
<v Speaker 3>like I was on a high with this movie, and

1872
01:38:27.600 --> 01:38:32.399
<v Speaker 3>when that thing was introduced, I was like, Okay, I

1873
01:38:32.399 --> 01:38:33.600
<v Speaker 3>don't know, how'd you feel about that?

1874
01:38:35.239 --> 01:38:39.640
<v Speaker 2>So it it? It looks it looks kind of like

1875
01:38:39.680 --> 01:38:43.159
<v Speaker 2>an engineer, you know, from Frometheus. Right, first of all,

1876
01:38:43.199 --> 01:38:45.199
<v Speaker 2>I was like, Wow, that's some crazy cgi and that's

1877
01:38:45.199 --> 01:38:47.199
<v Speaker 2>actually a real dude.

1878
01:38:47.520 --> 01:38:49.279
<v Speaker 3>I'm the close ups I felt like you could tell

1879
01:38:49.359 --> 01:38:50.159
<v Speaker 3>it looked pretty good.

1880
01:38:50.680 --> 01:38:52.479
<v Speaker 2>I don't even mean the close ups. I mean just

1881
01:38:52.520 --> 01:38:56.640
<v Speaker 2>standing up. It's a real guy. Wow, Like you know

1882
01:38:56.640 --> 01:38:58.760
<v Speaker 2>how the alien in seventy nine, that's a guy in

1883
01:38:58.800 --> 01:39:00.880
<v Speaker 2>a suit. This is a guy who they just put

1884
01:39:00.920 --> 01:39:03.199
<v Speaker 2>like an alien tail on and crap.

1885
01:39:03.279 --> 01:39:05.479
<v Speaker 3>Well, I hope the NBA is keeping watch.

1886
01:39:06.000 --> 01:39:11.279
<v Speaker 2>Right, Yeah, I so so the and the creature is

1887
01:39:11.279 --> 01:39:14.840
<v Speaker 2>called the Offspring by the way, okay, uh and it's

1888
01:39:15.640 --> 01:39:21.079
<v Speaker 2>say again I love that band. Yeah, it's reminiscent of

1889
01:39:21.399 --> 01:39:26.720
<v Speaker 2>an alien resurrection. There's a creature called the Newborn. Yeah,

1890
01:39:26.760 --> 01:39:29.600
<v Speaker 2>and that's like a human alien hybrid in a different way.

1891
01:39:29.720 --> 01:39:31.520
<v Speaker 2>I've heard about you like this. This this is a

1892
01:39:31.560 --> 01:39:33.760
<v Speaker 2>little call. Yeah, and that's disgusting looking in that So

1893
01:39:33.960 --> 01:39:37.720
<v Speaker 2>this is kind of in that vein. Yeah it uhh.

1894
01:39:38.439 --> 01:39:41.439
<v Speaker 2>I never fully got on board with it. I found

1895
01:39:41.439 --> 01:39:44.439
<v Speaker 2>it too disgusting looking.

1896
01:39:45.960 --> 01:39:49.279
<v Speaker 3>Yes, I thought it was gross for starters, but I

1897
01:39:49.279 --> 01:39:51.239
<v Speaker 3>can live with gross if I'm on board with it.

1898
01:39:52.399 --> 01:39:57.079
<v Speaker 3>But I it's like the whole reality of the movie

1899
01:39:57.199 --> 01:40:00.520
<v Speaker 3>shifted slightly and I was really enjoying the reality I

1900
01:40:00.520 --> 01:40:02.920
<v Speaker 3>had just been in, right, you know what I'm saying,

1901
01:40:03.000 --> 01:40:06.359
<v Speaker 3>which I you know, reality, aliens whatever, like right, but

1902
01:40:06.479 --> 01:40:06.920
<v Speaker 3>I get.

1903
01:40:06.960 --> 01:40:09.840
<v Speaker 2>The very similitude that they created, which.

1904
01:40:09.640 --> 01:40:12.039
<v Speaker 3>I thought they did very very well. And then this

1905
01:40:12.119 --> 01:40:15.159
<v Speaker 3>one I felt like I leapt into another like the

1906
01:40:15.199 --> 01:40:17.439
<v Speaker 3>movie Species or something, you know what I mean. And

1907
01:40:17.560 --> 01:40:19.479
<v Speaker 3>I was like, no, I was really enjoying the other movie.

1908
01:40:19.720 --> 01:40:25.720
<v Speaker 2>Yeah, so it's so to me, it's was it was.

1909
01:40:25.760 --> 01:40:28.760
<v Speaker 2>I crazy about Act three. I was not did it

1910
01:40:29.000 --> 01:40:29.920
<v Speaker 2>kill the entire movie?

1911
01:40:29.920 --> 01:40:30.119
<v Speaker 3>For me?

1912
01:40:30.199 --> 01:40:33.119
<v Speaker 2>It did not. I know for some people it did.

1913
01:40:34.319 --> 01:40:39.159
<v Speaker 2>I'm not there. But but again, just just to echo

1914
01:40:39.199 --> 01:40:42.000
<v Speaker 2>what I was saying before, it's not even so much

1915
01:40:42.039 --> 01:40:44.880
<v Speaker 2>as the creature being kind of off putting or whatever,

1916
01:40:45.079 --> 01:40:49.560
<v Speaker 2>but I'm like, it just it became such a retread

1917
01:40:50.560 --> 01:40:53.359
<v Speaker 2>of like, Okay, now she's she's in her underwear. Now

1918
01:40:53.399 --> 01:40:55.720
<v Speaker 2>she's got to get into spacesuit, and now she's got

1919
01:40:55.720 --> 01:40:57.680
<v Speaker 2>to open up the vacuum of space. Like it's like

1920
01:40:57.960 --> 01:40:59.000
<v Speaker 2>beat for beat, you know.

1921
01:40:59.119 --> 01:41:02.119
<v Speaker 3>I definitely thought it with kicking the thing out into space.

1922
01:41:02.199 --> 01:41:03.960
<v Speaker 3>I didn't even think about like when she was kind

1923
01:41:03.960 --> 01:41:06.079
<v Speaker 3>of yet ready, like in her underwear and whatever, that's.

1924
01:41:05.960 --> 01:41:08.960
<v Speaker 2>So true, You're right, And then at the end she's

1925
01:41:09.039 --> 01:41:09.960
<v Speaker 2>like this is rain.

1926
01:41:10.800 --> 01:41:11.000
<v Speaker 3>Yeah.

1927
01:41:12.800 --> 01:41:15.439
<v Speaker 2>Carrodine last survivor of this signing off, I'm like, is

1928
01:41:15.439 --> 01:41:18.520
<v Speaker 2>this just a thing that we do now in this universe?

1929
01:41:18.600 --> 01:41:18.760
<v Speaker 2>You know?

1930
01:41:19.279 --> 01:41:20.840
<v Speaker 3>Fair? Totally fair, you know.

1931
01:41:20.880 --> 01:41:22.960
<v Speaker 2>I like, like, that's the stuff that pricks me. And

1932
01:41:23.039 --> 01:41:25.760
<v Speaker 2>again it's not like a deal breaker, but that's that's like,

1933
01:41:26.199 --> 01:41:28.239
<v Speaker 2>that's like, hey, you've seen the other movie, right, and

1934
01:41:28.279 --> 01:41:29.479
<v Speaker 2>it's just like that thing, you know.

1935
01:41:30.560 --> 01:41:32.680
<v Speaker 3>Yeah, So like I'm kind of with you. It wasn't

1936
01:41:32.800 --> 01:41:35.239
<v Speaker 3>enough to derail the movie from me. At the end

1937
01:41:35.239 --> 01:41:37.359
<v Speaker 3>of the day, I like the first I'd say like

1938
01:41:37.399 --> 01:41:44.239
<v Speaker 3>three quarters of this movie really really enjoyed. Last quarter didn't,

1939
01:41:44.399 --> 01:41:46.600
<v Speaker 3>like I said, felt like I left into another movie,

1940
01:41:46.640 --> 01:41:50.680
<v Speaker 3>like you said, got a little repetitive. Although I will

1941
01:41:50.720 --> 01:41:54.600
<v Speaker 3>add to that I did love the Well, what I

1942
01:41:54.640 --> 01:41:56.880
<v Speaker 3>was saying referring to earlier with the ticking clock was

1943
01:41:57.279 --> 01:41:59.119
<v Speaker 3>we've got to get these power cells out of here,

1944
01:42:00.159 --> 01:42:02.760
<v Speaker 3>and in thirty six hours, this thing is just on

1945
01:42:02.800 --> 01:42:06.520
<v Speaker 3>a collision course to this ring of this planet, right,

1946
01:42:06.760 --> 01:42:08.640
<v Speaker 3>which I was like, oh, come on, that's so good,

1947
01:42:08.920 --> 01:42:12.439
<v Speaker 3>like right, like just using the environment, it makes total sense.

1948
01:42:12.479 --> 01:42:15.520
<v Speaker 3>It's organic original, that's a really fun And then of

1949
01:42:15.520 --> 01:42:18.439
<v Speaker 3>course they get you know, things go haywire and it

1950
01:42:18.479 --> 01:42:20.439
<v Speaker 3>shortens the window and they're going to hit those rings

1951
01:42:20.439 --> 01:42:23.640
<v Speaker 3>even quicker. So when it came to her being connected

1952
01:42:23.640 --> 01:42:26.560
<v Speaker 3>to that cable, having to get him out detached the

1953
01:42:26.560 --> 01:42:30.520
<v Speaker 3>bottom thing, and then it involved that bottom whatever storage

1954
01:42:30.520 --> 01:42:34.560
<v Speaker 3>thing colliding into those rings, the spinning rings of that planet,

1955
01:42:34.760 --> 01:42:36.720
<v Speaker 3>and then the shit blasting off just in time before

1956
01:42:36.760 --> 01:42:39.039
<v Speaker 3>it hits the rings. And I really liked that. I

1957
01:42:39.079 --> 01:42:40.039
<v Speaker 3>thought that was pretty cool.

1958
01:42:40.439 --> 01:42:44.560
<v Speaker 2>No, I think the internal logic holds up pretty well.

1959
01:42:44.560 --> 01:42:47.119
<v Speaker 2>And I'm sure somebody will write in and tell me

1960
01:42:47.119 --> 01:42:48.800
<v Speaker 2>how it falls apart and which is fine. But I mean,

1961
01:42:49.359 --> 01:42:52.880
<v Speaker 2>just at a glance, it seem seemed to hold up okay,

1962
01:42:52.920 --> 01:42:56.039
<v Speaker 2>and so I'm fine with that, and I like for

1963
01:42:56.079 --> 01:43:00.720
<v Speaker 2>the most part how it fits in continuity wise, and

1964
01:43:00.800 --> 01:43:04.479
<v Speaker 2>I'm definitely like, well, well there's an opportunity here to

1965
01:43:04.560 --> 01:43:08.640
<v Speaker 2>do something with this universe. I mean, I like the universe,

1966
01:43:08.680 --> 01:43:11.720
<v Speaker 2>you know, I like the alien universe. I love whyland Utani,

1967
01:43:11.760 --> 01:43:14.399
<v Speaker 2>which I'm I'm gonna say is like Amazon one hundred

1968
01:43:14.439 --> 01:43:18.399
<v Speaker 2>years from now. Basically. Yeah, it was all fun and

1969
01:43:18.479 --> 01:43:22.399
<v Speaker 2>games and we were ordering toilet paper. You know, they'll

1970
01:43:22.439 --> 01:43:27.119
<v Speaker 2>be bioengineering us before we know it, you know, I like,

1971
01:43:27.319 --> 01:43:30.800
<v Speaker 2>I like that like the fleshing out of what the

1972
01:43:30.800 --> 01:43:33.239
<v Speaker 2>company is everything else. And I think the existence of

1973
01:43:33.279 --> 01:43:35.920
<v Speaker 2>this film within this time period in the in the

1974
01:43:36.079 --> 01:43:40.479
<v Speaker 2>you know, the cannon speaks to like the acknowledgment that well,

1975
01:43:40.520 --> 01:43:43.840
<v Speaker 2>that's the most fruitful place to tell stories.

1976
01:43:44.359 --> 01:43:44.760
<v Speaker 3>Mmmm.

1977
01:43:45.159 --> 01:43:48.199
<v Speaker 2>Sure, because you know, because they kept moving forward. The

1978
01:43:48.279 --> 01:43:51.680
<v Speaker 2>last the fourth, the Sigourney Weaver one is like one

1979
01:43:51.760 --> 01:43:56.359
<v Speaker 2>hundred years after or whatever it is, you know, and

1980
01:43:56.439 --> 01:43:59.239
<v Speaker 2>it gets less interesting, you know, But when you keep

1981
01:43:59.239 --> 01:44:02.199
<v Speaker 2>it somewhat close to where we came in, you know

1982
01:44:02.279 --> 01:44:05.000
<v Speaker 2>that there's the opportunity there for for something that we

1983
01:44:05.039 --> 01:44:10.640
<v Speaker 2>can somewhat relate to. Yep, yep. And so it's it's

1984
01:44:11.800 --> 01:44:15.199
<v Speaker 2>again at this point, this is a very this is

1985
01:44:15.239 --> 01:44:19.399
<v Speaker 2>a very expansive franchise. So it's I'm kind of looking

1986
01:44:19.479 --> 01:44:24.319
<v Speaker 2>at it at any new films as new Terminator movies

1987
01:44:24.399 --> 01:44:27.520
<v Speaker 2>almost like, Okay, well, at this point, we're not going

1988
01:44:27.600 --> 01:44:30.640
<v Speaker 2>to get anything close to those first two. Yeah, but

1989
01:44:31.079 --> 01:44:33.840
<v Speaker 2>give me something that that pulls me in a little bit.

1990
01:44:33.920 --> 01:44:35.960
<v Speaker 2>And I would say in terms of hit to miss ratio,

1991
01:44:35.960 --> 01:44:37.920
<v Speaker 2>as far as that goes, I'd say the Alien franchise

1992
01:44:38.039 --> 01:44:42.319
<v Speaker 2>is fared better overall than than than the terminatory.

1993
01:44:42.359 --> 01:44:43.800
<v Speaker 3>Yeah, definitely, you know.

1994
01:44:44.359 --> 01:44:49.279
<v Speaker 2>Uh so it's it, it's it's uh for me personally,

1995
01:44:49.319 --> 01:44:52.199
<v Speaker 2>I'm when when the movie ended, I was like, well,

1996
01:44:52.720 --> 01:44:56.399
<v Speaker 2>I don't know what else you can do with this character,

1997
01:44:58.399 --> 01:45:01.119
<v Speaker 2>but I'd be curious to see more of her. So

1998
01:45:01.159 --> 01:45:04.680
<v Speaker 2>that's to me, like that, I'd put that in the

1999
01:45:04.720 --> 01:45:05.600
<v Speaker 2>wind column, you know.

2000
01:45:05.880 --> 01:45:09.319
<v Speaker 3>Totally totally. I mean, yeah, her and her brother being

2001
01:45:09.359 --> 01:45:13.840
<v Speaker 3>sort of the main protagonists. I really enjoyed their journey,

2002
01:45:14.119 --> 01:45:18.159
<v Speaker 3>you know, I mean where he's sort of a caretaker

2003
01:45:18.159 --> 01:45:20.479
<v Speaker 3>for her, but he's programmed to be sort of like

2004
01:45:20.479 --> 01:45:23.560
<v Speaker 3>almost like a younger brother, it seems. And then when

2005
01:45:23.600 --> 01:45:26.039
<v Speaker 3>he gets his chip replaced and he becomes really smart,

2006
01:45:26.039 --> 01:45:27.880
<v Speaker 3>and then he's basically you know, the needs of the

2007
01:45:28.479 --> 01:45:30.600
<v Speaker 3>many way the needs of the few kind of becomes

2008
01:45:30.640 --> 01:45:32.680
<v Speaker 3>cold in that sort of way that they don't like.

2009
01:45:34.199 --> 01:45:37.800
<v Speaker 3>And then you know, her deciding to go back after him,

2010
01:45:37.840 --> 01:45:39.960
<v Speaker 3>like all that track for me, the emotionality of all

2011
01:45:40.000 --> 01:45:41.159
<v Speaker 3>that I was really important.

2012
01:45:41.199 --> 01:45:45.479
<v Speaker 2>Oh yeah, I I mean I think, well, and when

2013
01:45:45.479 --> 01:45:50.720
<v Speaker 2>we look at the the other human characters on balance,

2014
01:45:50.920 --> 01:45:55.960
<v Speaker 2>I liked them same, which to me, that's that's your

2015
01:45:56.000 --> 01:45:58.359
<v Speaker 2>win right there, where you're actually like, oh I don't

2016
01:45:58.359 --> 01:46:01.840
<v Speaker 2>do that, you know, like all of that idiot, the

2017
01:46:02.079 --> 01:46:12.359
<v Speaker 2>the the the guy, the the guy with the headband. Yeah, yeah, yeah,

2018
01:46:12.359 --> 01:46:15.479
<v Speaker 2>the kind of the jerk character when he when he

2019
01:46:15.600 --> 01:46:19.199
<v Speaker 2>sticks the that little electrode probe thing from from King

2020
01:46:19.239 --> 01:46:20.720
<v Speaker 2>to the Planet of the Apes, when he puts that

2021
01:46:20.840 --> 01:46:24.359
<v Speaker 2>in the the sack and he pulls it, I sees

2022
01:46:24.399 --> 01:46:30.640
<v Speaker 2>this burned. I'm like, hey, stupid, yeah, keep walking moron,

2023
01:46:30.880 --> 01:46:33.920
<v Speaker 2>you know. Yeah. It's like, hey, there's this thing sticking out.

2024
01:46:34.000 --> 01:46:36.760
<v Speaker 2>Let me let me just poke my eye socket right

2025
01:46:36.840 --> 01:46:41.119
<v Speaker 2>up next to it and see what's happening there. You know. Yeah,

2026
01:46:41.159 --> 01:46:44.800
<v Speaker 2>this is the stuff where I'm like, come on, come on, guys. Yep, yep.

2027
01:46:45.439 --> 01:46:49.039
<v Speaker 2>It's it's very funny because because again, you you look

2028
01:46:49.079 --> 01:46:54.720
<v Speaker 2>at John Hurt in Alien and when he looks into

2029
01:46:54.760 --> 01:46:59.239
<v Speaker 2>the thing, You're like, well, don't do that right, right,

2030
01:47:00.119 --> 01:47:02.560
<v Speaker 2>And you always say like, would I say that? Now,

2031
01:47:02.640 --> 01:47:04.720
<v Speaker 2>I'm only saying that because I know Alien, right, And

2032
01:47:04.720 --> 01:47:07.520
<v Speaker 2>I'm like, no, I'm just a terrified person in general.

2033
01:47:09.560 --> 01:47:14.800
<v Speaker 2>So something is guey and sketchy and and not you know,

2034
01:47:14.960 --> 01:47:16.800
<v Speaker 2>it does not occur naturally.

2035
01:47:17.399 --> 01:47:18.119
<v Speaker 3>Yep, yep.

2036
01:47:18.199 --> 01:47:20.079
<v Speaker 2>I'm not gonna I'm not gonna stick my face in it.

2037
01:47:20.079 --> 01:47:21.680
<v Speaker 2>That's to me, that's how Zaki is on rolls.

2038
01:47:21.800 --> 01:47:24.079
<v Speaker 3>No need to poke it. I'm not a poke type

2039
01:47:24.079 --> 01:47:24.520
<v Speaker 3>of ers.

2040
01:47:25.039 --> 01:47:32.800
<v Speaker 2>Just keep walking. It walks. Yeah. But but you know, uh,

2041
01:47:33.199 --> 01:47:38.000
<v Speaker 2>I I'm glad it's performing because I'm curious to see

2042
01:47:38.000 --> 01:47:40.119
<v Speaker 2>what happens next with this universe. I think it's interesting

2043
01:47:40.159 --> 01:47:44.039
<v Speaker 2>that Ridley Scott is an EP on this, and I

2044
01:47:44.039 --> 01:47:47.840
<v Speaker 2>would not be surprised if the Prometheus references were put in.

2045
01:47:47.880 --> 01:47:49.680
<v Speaker 2>At his prodding.

2046
01:47:49.479 --> 01:47:52.399
<v Speaker 3>One he's like, it's like, where's the goo?

2047
01:47:54.399 --> 01:47:58.439
<v Speaker 2>Right? Yeah, Like he's kind of like the the you know,

2048
01:47:58.560 --> 01:48:00.760
<v Speaker 2>the overseer of Alien and stuff. It feels like I

2049
01:48:00.760 --> 01:48:02.760
<v Speaker 2>think he might even be involved with this new show

2050
01:48:02.800 --> 01:48:03.479
<v Speaker 2>that's coming up.

2051
01:48:03.760 --> 01:48:05.760
<v Speaker 3>You know what, though, he set the template, and that

2052
01:48:06.039 --> 01:48:08.119
<v Speaker 3>is quite a template.

2053
01:48:07.760 --> 01:48:08.960
<v Speaker 2>Like I quite a template, you know.

2054
01:48:09.199 --> 01:48:13.159
<v Speaker 3>Halfway through I was even thinking there was that movie

2055
01:48:13.159 --> 01:48:16.399
<v Speaker 3>that came out a couple of years ago, Life all Right,

2056
01:48:16.479 --> 01:48:19.000
<v Speaker 3>which was a lot like Alien essentially, you know, this

2057
01:48:19.720 --> 01:48:24.279
<v Speaker 3>entity picking out people in space, and I remember being fine,

2058
01:48:24.359 --> 01:48:26.720
<v Speaker 3>I don't remember a lot about it, to be honest, right,

2059
01:48:26.800 --> 01:48:29.239
<v Speaker 3>but it didn't linger in my mind. It didn't create

2060
01:48:29.239 --> 01:48:32.479
<v Speaker 3>a world I remember, and I thought about that during

2061
01:48:32.560 --> 01:48:37.159
<v Speaker 3>this because man, this it's really Scott created this sort

2062
01:48:37.159 --> 01:48:40.640
<v Speaker 3>of vibe for this universe. But I was amazed at

2063
01:48:40.680 --> 01:48:44.439
<v Speaker 3>how they reconjured that vibe. It's just not easy to do.

2064
01:48:44.520 --> 01:48:46.199
<v Speaker 3>I mean we were talking about it in the Terminator

2065
01:48:46.239 --> 01:48:49.439
<v Speaker 3>Salvation commentary where I was like, this doesn't feel connected

2066
01:48:49.439 --> 01:48:51.760
<v Speaker 3>to the other movies. For me, it doesn't even resemble

2067
01:48:51.800 --> 01:48:54.880
<v Speaker 3>the other movies, right, And I was just amazed that

2068
01:48:56.319 --> 01:48:59.119
<v Speaker 3>he was able, Alvarez was able to do that, like

2069
01:48:59.159 --> 01:49:03.199
<v Speaker 3>it it felt like an a level execution. Yeah, I

2070
01:49:03.239 --> 01:49:07.520
<v Speaker 3>mean in this world it fits seamlessly between the first

2071
01:49:07.600 --> 01:49:12.760
<v Speaker 3>two yep, where I'd be very curious, like if someone

2072
01:49:12.840 --> 01:49:17.079
<v Speaker 3>were to watch them in chronological order, how they would flow.

2073
01:49:17.159 --> 01:49:19.920
<v Speaker 3>And that, honestly, that's the reason why the little, the

2074
01:49:19.960 --> 01:49:23.680
<v Speaker 3>little verbal nods I didn't like, m yeah, because you're right.

2075
01:49:23.680 --> 01:49:26.000
<v Speaker 3>If you put up sorry, I'm I'm how are you

2076
01:49:26.039 --> 01:49:28.920
<v Speaker 3>often probably gonna say the same thing you're about to Yeah,

2077
01:49:29.000 --> 01:49:31.079
<v Speaker 3>well go ahead. Yeah. Well then if you get the

2078
01:49:31.079 --> 01:49:33.479
<v Speaker 3>the Andy character saying get away from her, you bitch,

2079
01:49:34.560 --> 01:49:36.920
<v Speaker 3>and then you watched Aliens next, it's like it takes

2080
01:49:36.960 --> 01:49:39.640
<v Speaker 3>away the power of that moment, which is an incredible moment.

2081
01:49:40.279 --> 01:49:43.159
<v Speaker 2>Yes again, it's in the theater. I was like, get

2082
01:49:43.199 --> 01:49:45.039
<v Speaker 2>away from her. I love it. And then when he

2083
01:49:45.039 --> 01:49:45.520
<v Speaker 2>says you.

2084
01:49:45.640 --> 01:49:49.760
<v Speaker 3>Bitch, I was like, really, like, I would be kind

2085
01:49:49.800 --> 01:49:51.520
<v Speaker 3>of curious to be in the room when they're making

2086
01:49:51.520 --> 01:49:52.439
<v Speaker 3>a decision, like.

2087
01:49:52.600 --> 01:49:55.720
<v Speaker 2>Yeah, I mean you know, you know they had that

2088
01:49:55.760 --> 01:49:57.680
<v Speaker 2>conversation should we put this part of that way? You know?

2089
01:49:58.000 --> 01:50:00.000
<v Speaker 3>Oh, I'm sure there was decision. Yeah, like a very

2090
01:50:00.039 --> 01:50:01.279
<v Speaker 3>version with a version without it.

2091
01:50:01.760 --> 01:50:07.560
<v Speaker 2>Yeah, but yeah, Hey, you know what, Look, as far

2092
01:50:07.600 --> 01:50:12.359
<v Speaker 2>as I'm concerned, we have the television show coming next

2093
01:50:12.399 --> 01:50:15.680
<v Speaker 2>year by Noah Hawley, and I think that is set

2094
01:50:15.840 --> 01:50:22.279
<v Speaker 2>a concurrent to Prometheus, if I'm not mistaken timeline wise.

2095
01:50:24.359 --> 01:50:25.600
<v Speaker 2>So I don't know. I don't know what the plan

2096
01:50:25.720 --> 01:50:29.199
<v Speaker 2>is are that it's called Alien Earth. Make of that

2097
01:50:29.199 --> 01:50:35.039
<v Speaker 2>what you will, Okay, but but I'm excited to see

2098
01:50:35.479 --> 01:50:36.039
<v Speaker 2>what they do.

2099
01:50:36.439 --> 01:50:38.840
<v Speaker 3>You know, I'm in. I'm in, Yeah for sure.

2100
01:50:38.880 --> 01:50:43.039
<v Speaker 2>Yeah, this is you know, the Alien franchise. You know,

2101
01:50:43.119 --> 01:50:46.720
<v Speaker 2>for me, it's even between the films. You know. Dark

2102
01:50:46.760 --> 01:50:49.279
<v Speaker 2>Horse Comics for the longest time, they had a whole

2103
01:50:49.319 --> 01:50:54.000
<v Speaker 2>series of comic books, yeah, and set in different time

2104
01:50:54.039 --> 01:50:56.760
<v Speaker 2>periods and whatever. And they did the same thing with Predator,

2105
01:50:56.800 --> 01:50:59.800
<v Speaker 2>you know, and that I'm kind of like that if

2106
01:50:59.840 --> 01:51:01.960
<v Speaker 2>we end up with something like that, like what dark

2107
01:51:02.000 --> 01:51:03.880
<v Speaker 2>Horse Comics did for all those decades, like here's an

2108
01:51:03.880 --> 01:51:08.119
<v Speaker 2>alien story set in this time, you know, and that's

2109
01:51:08.399 --> 01:51:11.640
<v Speaker 2>I'm on board for that totally, because I think the

2110
01:51:11.760 --> 01:51:17.399
<v Speaker 2>creature is obviously visually distinctive. It's never you'll never be

2111
01:51:17.439 --> 01:51:19.359
<v Speaker 2>able to do this kind of creature as good as this.

2112
01:51:21.560 --> 01:51:23.079
<v Speaker 2>And also, I mean, I think there's a lot of

2113
01:51:23.439 --> 01:51:25.560
<v Speaker 2>potential for different story I've used to.

2114
01:51:25.479 --> 01:51:27.840
<v Speaker 3>Explore, you know, I agree, And if you can keep

2115
01:51:27.880 --> 01:51:32.159
<v Speaker 3>coming with interesting scenarios and ways to play with this stuff, yeah,

2116
01:51:32.239 --> 01:51:33.920
<v Speaker 3>well then I will enjoy it.

2117
01:51:35.000 --> 01:51:35.479
<v Speaker 2>There you go.

2118
01:51:36.760 --> 01:51:39.840
<v Speaker 3>This is great, man. I'm really enjoyed this conversation. When

2119
01:51:39.880 --> 01:51:43.079
<v Speaker 3>it ended, I was so tempted to text you. Really,

2120
01:51:43.239 --> 01:51:45.119
<v Speaker 3>we don't tend to do that, so I was like, Okay,

2121
01:51:45.119 --> 01:51:48.640
<v Speaker 3>I'm gonna try to avoid it talking tomorrow. So yeah, well,

2122
01:51:48.720 --> 01:51:53.920
<v Speaker 3>I hope people enjoyed this conversation, and hey, let us

2123
01:51:53.920 --> 01:51:56.079
<v Speaker 3>know your thoughts. I mean, this has been somewhat of

2124
01:51:56.119 --> 01:51:59.479
<v Speaker 3>a divisive film, so hey, maybe you disagree with us,

2125
01:51:59.479 --> 01:51:59.960
<v Speaker 3>and that's fine.

2126
01:52:00.720 --> 01:52:02.800
<v Speaker 2>Let us know. You can email us at MOVIEFILM Podcast

2127
01:52:02.840 --> 01:52:04.840
<v Speaker 2>at gmail dot com. You can all so hit like

2128
01:52:04.920 --> 01:52:07.880
<v Speaker 2>on our Facebook page Facebook dot com, slash Movie Film

2129
01:52:07.920 --> 01:52:10.600
<v Speaker 2>Podcast and message us there. As always, if you like

2130
01:52:10.640 --> 01:52:12.640
<v Speaker 2>what we're doing, please go to Apple Podcasts and leave

2131
01:52:12.680 --> 01:52:14.680
<v Speaker 2>a review, leave a star rating. Every little bit helps

2132
01:52:15.039 --> 01:52:17.079
<v Speaker 2>spread the word. We're also on YouTube, so if you

2133
01:52:17.119 --> 01:52:21.199
<v Speaker 2>want to subscribe to our YouTube channel and access our

2134
01:52:21.239 --> 01:52:22.800
<v Speaker 2>content that way, hey, you know what, that's fine too.

2135
01:52:22.920 --> 01:52:24.359
<v Speaker 2>If you're looking for me online, you can find me

2136
01:52:24.399 --> 01:52:27.399
<v Speaker 2>on social media at Zachie's Corner. That's the Aki S Corner.

2137
01:52:28.239 --> 01:52:32.600
<v Speaker 2>I also have a couple pieces up at San Francisco

2138
01:52:32.680 --> 01:52:34.800
<v Speaker 2>Chronicle and also at IGN. I have my review of

2139
01:52:35.039 --> 01:52:39.039
<v Speaker 2>Watchman Chapter one. This is the new animated adaptation of

2140
01:52:39.199 --> 01:52:40.800
<v Speaker 2>the classic.

2141
01:52:40.600 --> 01:52:45.399
<v Speaker 3>Graphic novel A wait, where's that to watch you?

2142
01:52:45.520 --> 01:52:51.439
<v Speaker 2>It's streaming, but my review is at IgM. Cool off,

2143
01:52:51.520 --> 01:52:56.039
<v Speaker 2>check that out. So, yeah, they've taken the graphic novel

2144
01:52:56.119 --> 01:52:58.560
<v Speaker 2>and they're adapting it into two parts, a two part

2145
01:52:58.600 --> 01:53:01.359
<v Speaker 2>animated movie, so kind of like the long Halloween, Got It,

2146
01:53:01.520 --> 01:53:01.920
<v Speaker 2>Got It?

2147
01:53:02.000 --> 01:53:02.199
<v Speaker 1>You know?

2148
01:53:02.720 --> 01:53:08.640
<v Speaker 2>So so this, the first part goes up to well, shit,

2149
01:53:08.680 --> 01:53:10.039
<v Speaker 2>I don't even remember what party goes up.

2150
01:53:10.000 --> 01:53:10.279
<v Speaker 3>To, but.

2151
01:53:12.199 --> 01:53:15.359
<v Speaker 2>It's it's interesting because I think I think it's a

2152
01:53:15.399 --> 01:53:17.880
<v Speaker 2>good adaptation. It's by J. Michael Straczinski. He did the

2153
01:53:17.920 --> 01:53:21.039
<v Speaker 2>script and it's you know, he created about on five,

2154
01:53:21.039 --> 01:53:24.239
<v Speaker 2>et cetera. And he, unlike the Snyder film, you know,

2155
01:53:24.239 --> 01:53:27.800
<v Speaker 2>he tries to stick very closely to the to the text,

2156
01:53:27.960 --> 01:53:34.359
<v Speaker 2>you know. But the problem I had is that in

2157
01:53:34.479 --> 01:53:37.079
<v Speaker 2>terms of like the performances, which are all pretty good,

2158
01:53:37.119 --> 01:53:39.920
<v Speaker 2>but you can't help but compare them with the live

2159
01:53:39.960 --> 01:53:43.880
<v Speaker 2>action performers. And and say what you will about the

2160
01:53:43.960 --> 01:53:47.760
<v Speaker 2>Zack Snyder movie, the casting was like on point, Jackie

2161
01:53:47.760 --> 01:53:51.000
<v Speaker 2>Earl Haley was amazing as Warshak, right right right, And

2162
01:53:51.039 --> 01:53:53.600
<v Speaker 2>here you've got Titus well Over as Warshak. Titus well Over,

2163
01:53:53.680 --> 01:53:57.600
<v Speaker 2>great actor, and I can totally see him as Warshak.

2164
01:53:57.720 --> 01:54:01.319
<v Speaker 3>But it's not Jackie Earl Haley. Sure sure feels like

2165
01:54:01.319 --> 01:54:01.920
<v Speaker 3>an imitation.

2166
01:54:02.079 --> 01:54:05.079
<v Speaker 2>Following that, yeah, weirdly right and then and then the

2167
01:54:05.119 --> 01:54:08.119
<v Speaker 2>bigger problem, and this is this is the issue with

2168
01:54:08.119 --> 01:54:11.000
<v Speaker 2>both the Snyder film and the animated movie. Neither one

2169
01:54:11.520 --> 01:54:16.239
<v Speaker 2>convinced me that you're not better off just reading the comic. Hmmm. Interesting,

2170
01:54:16.359 --> 01:54:18.920
<v Speaker 2>that's to me. I'm like the comic. I mean, I

2171
01:54:18.960 --> 01:54:22.279
<v Speaker 2>remember you had this issue with the with the Snyder film.

2172
01:54:23.239 --> 01:54:25.319
<v Speaker 3>Yeah, yeah, no, I I read it for the first

2173
01:54:25.319 --> 01:54:28.600
<v Speaker 3>time in preparation for the movie, and I really enjoyed it.

2174
01:54:29.279 --> 01:54:33.720
<v Speaker 3>Yeah hmm, okay, well, you know, I mean, if I

2175
01:54:33.800 --> 01:54:36.840
<v Speaker 3>come across it out of curiosity, I'd like to see

2176
01:54:36.840 --> 01:54:38.119
<v Speaker 3>there's certain moments.

2177
01:54:37.840 --> 01:54:40.640
<v Speaker 2>It's not it's not terrible. It's not terrible. And the

2178
01:54:40.640 --> 01:54:44.560
<v Speaker 2>the animation at CG animated, but the style is meant

2179
01:54:44.600 --> 01:54:48.319
<v Speaker 2>to look like Dave Gibbons is drawing, sure, which I

2180
01:54:48.319 --> 01:54:50.439
<v Speaker 2>think is really cool. I kind of evokes his brushstroke

2181
01:54:50.479 --> 01:54:53.840
<v Speaker 2>and stuff, so so worth the look, worth the look anyway? Cool? Cool?

2182
01:54:54.119 --> 01:54:55.720
<v Speaker 2>But what about you? What do you have anything you

2183
01:54:55.760 --> 01:54:56.560
<v Speaker 2>want to talk up?

2184
01:54:57.239 --> 01:55:00.960
<v Speaker 3>Well? In past weeks, I've been talking about episodes of

2185
01:55:01.000 --> 01:55:04.800
<v Speaker 3>Young Jedi Adventures dropping and they've dropped, so those are

2186
01:55:04.920 --> 01:55:09.800
<v Speaker 3>available now season two, first batch of episodes on Disney

2187
01:55:09.880 --> 01:55:11.079
<v Speaker 3>Junior and Disney Plus.

2188
01:55:11.520 --> 01:55:14.600
<v Speaker 2>There you go, there it is. Thanks everybody for listening.

2189
01:55:14.600 --> 01:55:16.600
<v Speaker 2>We'll catch you next time. This has been episode two

2190
01:55:16.720 --> 01:55:19.600
<v Speaker 2>ninety nine, and look at that three hundred is right

2191
01:55:19.600 --> 01:55:22.159
<v Speaker 2>around the corner. Wow.

2192
01:55:24.119 --> 01:55:31.880
<v Speaker 1>Welcome friends to podcasts podcasting. John Show back again. Bye

2193
01:55:31.920 --> 01:55:35.479
<v Speaker 1>he they're talking tout Groobys Mommy Now podcast on
