1 00:00:02,279 --> 00:00:20,519 Speaker 1: H m hm h. 2 00:00:21,600 --> 00:00:22,960 Speaker 2: Do you wide the world? 3 00:00:24,359 --> 00:00:25,960 Speaker 3: We need a million? 4 00:00:27,079 --> 00:00:33,640 Speaker 2: We word a million to world? Do you want a song? 5 00:00:34,759 --> 00:00:40,280 Speaker 4: A song that I'm saying so, won't you please sing along? 6 00:00:41,600 --> 00:00:52,640 You are the world? You are the world. You are 7 00:00:53,399 --> 00:00:59,079 the world. You are the world. 8 00:01:03,560 --> 00:01:05,400 Speaker 2: The kid you remember. 9 00:01:06,599 --> 00:01:12,680 Speaker 4: Telling him something something that I can't describe. 10 00:01:13,799 --> 00:01:14,959 Speaker 5: She'll like some. 11 00:01:16,840 --> 00:01:20,000 Speaker 2: Light up my money, but well. 12 00:01:19,879 --> 00:01:23,599 Speaker 6: Be team for the night she had. 13 00:01:24,480 --> 00:01:24,799 Speaker 7: World. 14 00:01:28,000 --> 00:01:41,680 Speaker 1: You are world. You are one that I need. 15 00:02:06,120 --> 00:02:12,159 Speaker 2: Do you have a little shining apart it? And there's 16 00:02:12,280 --> 00:02:20,439 no stats in the sky, Just scared a look without anyone, 17 00:02:21,800 --> 00:02:23,319 never seen nothing. 18 00:02:23,680 --> 00:02:35,680 Speaker 8: Surprise ju World, you are world. 19 00:02:35,759 --> 00:02:44,439 Speaker 1: You are one that I need? 20 00:03:09,879 --> 00:03:10,639 Speaker 9: You wata. 21 00:03:12,240 --> 00:03:13,759 Speaker 1: What need a million? 22 00:03:14,919 --> 00:03:23,520 Speaker 2: We were million twelve? You hat a sun song that 23 00:03:23,719 --> 00:03:27,879 I'm sitting so won't you please sing? 24 00:03:28,280 --> 00:03:28,400 Speaker 10: Un? 25 00:03:43,159 --> 00:03:44,719 Speaker 3: You sound that crazy? 26 00:03:45,080 --> 00:03:54,879 Speaker 1: Now you've made the last you said O, don't fight 27 00:03:57,840 --> 00:04:12,960 until you WoT way let us out? Stop yell, leave alone? 28 00:04:17,399 --> 00:04:38,000 Speaker 9: Can you always helped me out? You vows both me straight. 29 00:04:40,759 --> 00:04:47,519 You make my eyeslide up when I get sold a fraid. 30 00:04:49,439 --> 00:04:51,079 Do you wanna hit you the lead? 31 00:04:54,199 --> 00:04:55,800 Speaker 11: Do you wanna be yelloway? 32 00:04:59,000 --> 00:05:00,279 Speaker 9: But don't let me eat? 33 00:05:00,399 --> 00:05:10,360 Speaker 1: Come help it up to lay? Listen away now way 34 00:05:10,800 --> 00:05:12,399 now I don't care. 35 00:05:13,160 --> 00:05:19,360 Speaker 12: Let's go away now now let me me Way Scots down, 36 00:05:21,000 --> 00:05:21,800 just home. 37 00:05:23,279 --> 00:05:42,160 Speaker 1: Father to love the hell somehow do whatever it say? 38 00:05:45,000 --> 00:05:54,560 Don't til slid up until you catch your lave hurts 39 00:05:54,680 --> 00:06:08,240 me now stopping that way They're down on you lack 40 00:06:08,319 --> 00:06:10,600 a little oatre. 41 00:06:13,319 --> 00:06:18,120 Speaker 13: W W. 42 00:06:22,720 --> 00:06:28,279 Speaker 1: Come on to night show me. Don't lie in your eyes. 43 00:06:31,920 --> 00:06:37,160 Speaker 12: A million dreams, bustle sieves in your eyes. 44 00:06:41,120 --> 00:06:46,079 Speaker 11: Let's go away now away now, I don't get Let's 45 00:06:46,160 --> 00:06:49,399 get away now away now, lady. 46 00:06:49,639 --> 00:06:57,639 Speaker 1: Way Scott's roup just brow follow you all. 47 00:07:18,120 --> 00:07:19,279 Speaker 6: So crazy? 48 00:07:19,600 --> 00:07:29,879 Speaker 1: Now you thick? You said the load out fire. 49 00:07:32,519 --> 00:07:32,639 Speaker 7: Jo. 50 00:07:42,639 --> 00:07:47,680 Speaker 14: That was the Loft Club flicker featuring Lisa Lobe. That 51 00:07:47,920 --> 00:07:50,800 was that came up during our conversation with Daniel Shamrock. 52 00:07:50,879 --> 00:07:52,879 So I looked that up really really good. I love that, 53 00:07:53,399 --> 00:07:55,480 very catchy. It's too bad that project didn't work out, 54 00:07:55,519 --> 00:07:59,120 but I do really enjoy Daniel's solo stuff. Let's take 55 00:07:59,160 --> 00:08:01,800 a quick break, shows love to our amazing sponsors and 56 00:08:01,879 --> 00:08:03,839 coming up an hour number two, we have vog and 57 00:08:03,959 --> 00:08:07,360 then Dave Strong don't go away. There is plenty more 58 00:08:07,399 --> 00:08:07,680 to come. 59 00:08:09,680 --> 00:08:11,879 Speaker 15: In times of crisis, you need a law firm that 60 00:08:11,959 --> 00:08:15,000 stands by your side. With over forty years of experience, 61 00:08:15,160 --> 00:08:18,839 Craigan Getsulis is dedicated to fighting for your rights. As 62 00:08:18,879 --> 00:08:22,040 former state prosecutors, our attorneys have the knowledge and trial 63 00:08:22,120 --> 00:08:26,040 experience to provide an aggressive defense against any charge, from 64 00:08:26,120 --> 00:08:30,399 DUIs to homicides. 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They serve all 106 00:10:56,799 --> 00:11:01,240 your business needs including employee benefits, planning, corporate design and 107 00:11:01,360 --> 00:11:07,320 business administration, investments and wealth management and customized business insurance solutions. 108 00:11:07,639 --> 00:11:10,440 Their phone number is eight sixty six eight four one 109 00:11:10,879 --> 00:11:14,639 forty six hundred, or on the web at CGI business 110 00:11:14,720 --> 00:11:16,080 Solutions dot com. 111 00:11:19,120 --> 00:11:22,600 Speaker 18: Behold the harmony of airwaves as you immerse yourself in 112 00:11:22,679 --> 00:11:27,200 the captivating frequencies of w MNHLP. The sonic heartbeats of 113 00:11:27,360 --> 00:11:30,879 Manchester transcending through the ether at ninety five point three 114 00:11:30,960 --> 00:11:34,759 megahertz frequency modulation or transmissions emanate from the zenith of 115 00:11:34,879 --> 00:11:37,440 one thousand Elm Street for insurre into the hearts of 116 00:11:37,519 --> 00:11:40,960 our creative realm at one nineteen Canal Street, where innovation 117 00:11:41,200 --> 00:11:45,080 and sound coluge. They're the impro moder of Manchester Public 118 00:11:45,159 --> 00:11:48,919 Television Service in the venerable City of Manchester, New Hampshire, USA. 119 00:11:49,360 --> 00:11:52,360 Enrich your auditory journey with the depth of our license 120 00:11:52,399 --> 00:11:56,000 to wesdos spent your missives. Do WMNH ninety five to 121 00:11:56,039 --> 00:11:59,759 three at gmail dot com or traverse the virtual corridors 122 00:11:59,799 --> 00:12:02,519 of w M n H Radio Dot or engage with 123 00:12:02,639 --> 00:12:05,399 our sonic vibrations by communing with us through the digital 124 00:12:05,519 --> 00:12:09,080 channels or radio records. Eager to enthrall you with its 125 00:12:09,200 --> 00:12:12,360 mesmerizing cadence and villain you with a cemony of foundless 126 00:12:12,440 --> 00:12:18,799 on its or is won Dude, w M n H 127 00:12:19,200 --> 00:12:20,279 rip the novels. 128 00:12:20,919 --> 00:12:22,679 Speaker 2: If you're listening to w M. 129 00:12:22,679 --> 00:12:22,919 Speaker 13: And H. 130 00:12:27,639 --> 00:13:36,000 Speaker 5: The Commander, don't get Supreme Lea maxill coming seasons tend 131 00:13:36,200 --> 00:13:37,120 to change. 132 00:13:38,279 --> 00:13:40,559 Speaker 1: Time just passes by. 133 00:13:42,039 --> 00:13:47,639 Speaker 4: Mistakes that was made said, that's that past. 134 00:13:50,080 --> 00:13:57,399 Speaker 20: That a track made me more strong though, lived them 135 00:13:58,000 --> 00:13:58,919 and count the. 136 00:14:00,440 --> 00:14:02,159 Speaker 1: Full breadness to. 137 00:14:13,720 --> 00:14:36,039 Speaker 3: S never thought said the day. 138 00:14:37,399 --> 00:14:39,879 Speaker 1: My life has. 139 00:14:39,519 --> 00:14:42,759 Speaker 12: Changed bred to. 140 00:14:44,720 --> 00:14:55,080 Speaker 20: Now a game both my James most stand. 141 00:14:57,279 --> 00:14:58,200 Speaker 1: Still SA. 142 00:16:50,080 --> 00:16:53,519 Speaker 14: That is called brand new me. Sorry, trying to figure 143 00:16:53,559 --> 00:16:56,879 something out here from vo G who's been on the 144 00:16:56,879 --> 00:16:58,960 show with us before and it's supposed to be joining 145 00:16:59,039 --> 00:17:01,360 us this morning, but she, uh, she seems to be 146 00:17:01,559 --> 00:17:04,480 m I A So what I might do? I had 147 00:17:04,519 --> 00:17:07,880 another song I was gonna play of hers. She's released 148 00:17:07,880 --> 00:17:10,640 a couple of singles recently. There was something else I 149 00:17:10,759 --> 00:17:12,960 was going to play. At the end of our conversation, 150 00:17:13,240 --> 00:17:15,480 we had to stay on schedule today because we have 151 00:17:15,599 --> 00:17:18,839 Dave Strong coming up at ten thirty, so I might 152 00:17:18,880 --> 00:17:20,359 go ahead and play this other track that I was 153 00:17:20,400 --> 00:17:22,720 gonna save. Oh wait a minute, Oh this is her 154 00:17:23,039 --> 00:17:24,079 Vero G How you doing? 155 00:17:24,279 --> 00:17:25,839 Speaker 6: Welcome Adie. 156 00:17:26,319 --> 00:17:26,880 Speaker 14: I'm going good. 157 00:17:26,920 --> 00:17:27,960 Speaker 21: Thank you guys, asmark for. 158 00:17:29,839 --> 00:17:32,519 Speaker 14: Good I guys, good morning, good morning. Yeah, we just 159 00:17:32,599 --> 00:17:37,640 played brand new me great track, Thank you and I 160 00:17:37,680 --> 00:17:38,200 appreciate it. 161 00:17:38,319 --> 00:17:38,480 Speaker 7: Yeah. 162 00:17:38,559 --> 00:17:40,759 Speaker 14: Yeah, So, so what's been going on? So we h, 163 00:17:40,839 --> 00:17:43,039 it's been more than a year since you've been on 164 00:17:43,079 --> 00:17:46,400 the show with us. What's uh? But you've always got 165 00:17:46,440 --> 00:17:48,839 a lot going on. You know, you're you're a musician obviously, 166 00:17:49,319 --> 00:17:52,079 but you don't just release music you've got You're kind 167 00:17:52,079 --> 00:17:54,200 of a I think I refer to you as a 168 00:17:54,880 --> 00:17:57,079 multi what did I What did I say on Facebook? 169 00:17:57,119 --> 00:18:03,480 A multi media sensation something like that. So yeah, yeah, 170 00:18:03,960 --> 00:18:05,519 get us up to speed. What's been going on? 171 00:18:07,599 --> 00:18:10,960 Speaker 21: Yeah, definitely another problem? So yeah, first, as you guys know, 172 00:18:11,119 --> 00:18:13,759 the album's already out. It's called Brando Meads on most 173 00:18:13,759 --> 00:18:16,400 of your platforms. Prior to that, I just got a 174 00:18:16,440 --> 00:18:19,160 book out which is called Going Too Soon. And as 175 00:18:19,200 --> 00:18:21,680 you know, the phone guys played last time that's based 176 00:18:21,720 --> 00:18:23,279 on that which is you know, losing a child and 177 00:18:23,359 --> 00:18:26,240 that sports and it's out now on Amazon's and basket. 178 00:18:26,359 --> 00:18:29,200 That's really all support that you guys can Prior to that, 179 00:18:29,720 --> 00:18:32,400 I'm also working on other film projects for next year. 180 00:18:33,359 --> 00:18:35,960 It's going to be like an uplifting, motivational kind of 181 00:18:36,279 --> 00:18:38,920 short film or dark film they call it. So be 182 00:18:39,000 --> 00:18:42,079 out sometimes soon next year, made by January. So also 183 00:18:42,200 --> 00:18:44,400 you guys getting an exclusive on the show as well. 184 00:18:45,200 --> 00:18:48,839 I will be releasing a single based upon me. My 185 00:18:48,960 --> 00:18:52,160 mother had passedway this year in May, and I wanted 186 00:18:52,200 --> 00:18:54,839 to do something and honored her. So I decided to 187 00:18:55,279 --> 00:18:58,559 work on a single which will be called Since You're 188 00:18:58,559 --> 00:19:01,119 Going Away, and that will be out make your ingent 189 00:19:01,240 --> 00:19:03,599 as well. So I'm working on a lot of projects. 190 00:19:03,200 --> 00:19:03,720 Speaker 10: And that's with you. 191 00:19:04,279 --> 00:19:06,039 Speaker 14: Yeah, that's the thing. Like I said, You've always got 192 00:19:06,039 --> 00:19:09,359 a lot going on at once. What Uh so, Yeah, 193 00:19:09,440 --> 00:19:12,079 sorry to hear about your mother, that's uh yeah, it 194 00:19:12,400 --> 00:19:15,079 makes me whenever I hear that, you know, it makes 195 00:19:15,119 --> 00:19:17,319 me kind of take stock and I, you know, realize 196 00:19:17,359 --> 00:19:19,640 how fortunate I am to to still have my parents. 197 00:19:19,720 --> 00:19:22,599 But was was she a big Was she a big 198 00:19:22,640 --> 00:19:23,920 influence on you growing up? 199 00:19:25,880 --> 00:19:26,039 Speaker 9: Oh? 200 00:19:26,240 --> 00:19:29,039 Speaker 21: Yes, she she played a huge role into the like 201 00:19:29,160 --> 00:19:31,559 disparation you can say, behind me and getting into the 202 00:19:31,640 --> 00:19:34,799 music and the passion behind that, and you know now 203 00:19:34,839 --> 00:19:37,200 that she's going I kind of like just really hits 204 00:19:37,240 --> 00:19:38,000 me home sometimes. 205 00:19:38,759 --> 00:19:42,839 Speaker 14: Yeah, no doubt. The reason I'm curious about that is, 206 00:19:43,039 --> 00:19:45,559 you know, you you obviously you have a very impressive 207 00:19:45,640 --> 00:19:49,279 work ethic because you do so much. And I wonder 208 00:19:49,359 --> 00:19:51,440 if that's something that you got from her, or if 209 00:19:51,480 --> 00:19:54,279 that's something that you just kind of you know, sometimes 210 00:19:54,759 --> 00:19:56,799 not everything we get from our parents, So some things 211 00:19:56,799 --> 00:19:58,920 are just kind of the wiring in our brain is 212 00:19:59,000 --> 00:20:00,839 what it is for whatever, and then we just kind 213 00:20:00,880 --> 00:20:03,160 of go go in different directions. But I was just 214 00:20:03,240 --> 00:20:05,160 curious if that was something you got from her or 215 00:20:05,480 --> 00:20:06,720 from other family members. 216 00:20:09,640 --> 00:20:12,319 Speaker 21: For the most part, I mean, my parents always show me, 217 00:20:12,759 --> 00:20:14,759 especially a young age, like to really work hard in 218 00:20:14,799 --> 00:20:17,079 which you've ben even go all the way, so they 219 00:20:17,160 --> 00:20:20,039 had somewhat of a pivotal role for that. But I 220 00:20:20,079 --> 00:20:23,160 think for the most part, I just think generally it's 221 00:20:23,240 --> 00:20:25,400 something that was a drive of mind that I really 222 00:20:25,440 --> 00:20:26,720 want to just do. I want to if I have 223 00:20:26,799 --> 00:20:28,400 to get something's gonna have to do with myself and 224 00:20:29,079 --> 00:20:30,480 doing it for many years. I was like, you know, 225 00:20:30,640 --> 00:20:32,400 I gotta go and do it because somebody will do 226 00:20:32,440 --> 00:20:33,839 it that way I do it. I was like, yeah, 227 00:20:34,160 --> 00:20:36,000 And you know, you seem like you said, the journey 228 00:20:36,039 --> 00:20:38,119 I think well to for many years and you know, 229 00:20:38,279 --> 00:20:41,000 just to see the amazing feedback of love beginning receiving 230 00:20:41,079 --> 00:20:43,599 from you know, yourself, you guys and other people, and 231 00:20:43,680 --> 00:20:45,559 it's just an amazing it's an amazing journey. 232 00:20:46,079 --> 00:20:46,319 Speaker 6: Yeah. 233 00:20:46,559 --> 00:20:49,680 Speaker 14: Absolutely, what is your uh? And by the way, I'm 234 00:20:49,680 --> 00:20:52,079 looking at your website by the way, and vero g 235 00:20:52,279 --> 00:20:55,640 music dot com. And you know, I'm curious because you know, 236 00:20:55,720 --> 00:20:57,400 a lot a lot of musicians listen to the show, 237 00:20:57,400 --> 00:21:00,599 a lot of industry people. How do you you know, 238 00:21:00,839 --> 00:21:04,240 what is your approach to kind of because you do 239 00:21:04,359 --> 00:21:07,200 have a lot going on and you're able to promote 240 00:21:07,240 --> 00:21:09,119 it all and get it all out there. Do you 241 00:21:09,359 --> 00:21:12,319 have a strategy that you use in terms of social 242 00:21:12,480 --> 00:21:15,599 media or marketing yourself? Like, I'm really interested in what 243 00:21:15,720 --> 00:21:20,400 your approaches to that because sometimes when someone has these 244 00:21:20,559 --> 00:21:25,480 various different creative outlets, it's hard to sort of disseminate 245 00:21:25,559 --> 00:21:27,640 that to the you know, to the public, you know, 246 00:21:27,759 --> 00:21:30,640 and build a fan base because they're not sure what 247 00:21:30,799 --> 00:21:33,240 to pay attention to, like what's what's your approach to 248 00:21:33,359 --> 00:21:35,599 marketing or if you have one and maybe you don't, 249 00:21:35,640 --> 00:21:37,119 maybe you just kind of put it all out there. 250 00:21:37,119 --> 00:21:39,240 I don't know, but you must be doing something right 251 00:21:39,319 --> 00:21:40,960 because you get a lot of you do get a 252 00:21:41,000 --> 00:21:41,960 lot of positive attention. 253 00:21:43,680 --> 00:21:43,960 Speaker 17: Thank you. 254 00:21:44,119 --> 00:21:48,640 Speaker 21: I appreciate that. No, I honestly, Matt, I think it's 255 00:21:48,720 --> 00:21:51,799 like Toronto error. That's how I learned from doing it 256 00:21:51,880 --> 00:21:53,640 for a good amount of years. Now I think it's 257 00:21:53,640 --> 00:21:55,680 from error and how I work, well, how do I 258 00:21:55,720 --> 00:21:58,480 do with the marketing and promotions is like like yourself. 259 00:21:58,559 --> 00:22:00,160 You know, I have for friends like you who are 260 00:22:00,200 --> 00:22:03,680 really like supportive and you know. I also I've been 261 00:22:03,720 --> 00:22:05,960 realizing that I've been using Facebook ads, which helps a 262 00:22:06,000 --> 00:22:08,720 whole lot now because you know, it's one thing is 263 00:22:08,799 --> 00:22:11,599 you as one person alone. You can't do it the 264 00:22:11,680 --> 00:22:13,000 only one person. You have so many things to do. 265 00:22:13,200 --> 00:22:15,559 You got to bamage your life and in your personal life, 266 00:22:15,599 --> 00:22:17,279 so it's like you just can't be to scare all 267 00:22:17,400 --> 00:22:20,440 day promoting promoting. So I realized that helps a whole 268 00:22:20,480 --> 00:22:22,920 lot with my marketing plan and my strategies with that 269 00:22:23,400 --> 00:22:25,279 and also just a word of all people putting out 270 00:22:25,279 --> 00:22:26,920 the word you know, hey, looks check her out what 271 00:22:27,039 --> 00:22:29,839 she's doing. And it's just just been amazing. It's been 272 00:22:29,880 --> 00:22:33,640 really supportive and it's been it's been an interesting situation. 273 00:22:34,759 --> 00:22:36,599 Speaker 14: Do you enjoy that part of it because a lot 274 00:22:36,640 --> 00:22:39,599 of musicians don't like doing the you know, they'll do it, 275 00:22:39,680 --> 00:22:41,559 but they don't like doing that part of it, you know, 276 00:22:41,680 --> 00:22:44,720 the promotional part, or like you said using Facebook ads, 277 00:22:44,799 --> 00:22:48,039 I'm someone who it's all fascinating to me. You know, 278 00:22:48,079 --> 00:22:49,720 I'm a musician. I played in a lot of bands, 279 00:22:49,759 --> 00:22:52,640 but to me, like all aspects of the business have 280 00:22:52,720 --> 00:22:55,079 always been fascinating to me. So I'll do anything and 281 00:22:55,160 --> 00:22:57,160 I don't mind doing it because I actually enjoy it. 282 00:22:57,319 --> 00:22:59,160 Do you do you enjoy it? Or is or is 283 00:22:59,200 --> 00:23:02,359 that part the promotional part is something more you have 284 00:23:02,559 --> 00:23:04,759 to do, uh to get where you're going? 285 00:23:06,640 --> 00:23:09,880 Speaker 21: Yeah, definitely. And you said youselt you're outimization, so you 286 00:23:09,960 --> 00:23:11,640 know more first time how hard it is to do 287 00:23:11,720 --> 00:23:14,079 and get yourself out there and people to pay attention 288 00:23:14,119 --> 00:23:16,240 to what you're doing. So I think we know by 289 00:23:16,359 --> 00:23:18,240 doing this now this is kind of like strategy with 290 00:23:18,599 --> 00:23:21,640 Facebook as or other ways of promoting yourself. I do 291 00:23:21,839 --> 00:23:25,680 have some way of enjoying doing it because it gets 292 00:23:25,720 --> 00:23:27,519 you to know, like people to know what they're paying 293 00:23:27,519 --> 00:23:30,640 attention or engaging with three YEARSIC or engaging or contacting 294 00:23:30,720 --> 00:23:33,000 you like hey, you know, I want to check yourself 295 00:23:33,039 --> 00:23:35,480 out or and it's that source. So it's it's and 296 00:23:35,519 --> 00:23:37,920 I thought about somebodys as well, like, you know, one 297 00:23:37,960 --> 00:23:41,200 thing we don't have anymore is so technology wise we're 298 00:23:41,519 --> 00:23:44,319 so focused on just putting on that's it. I'm just 299 00:23:44,480 --> 00:23:46,680 kind of go to school. I like to meet people, 300 00:23:47,079 --> 00:23:48,799 like just engage with them and get to know what 301 00:23:48,880 --> 00:23:51,000 they're like, you know, talk to them like your friends, 302 00:23:51,039 --> 00:23:53,839 your supporters, And we don't have that anymore and speed, 303 00:23:53,920 --> 00:23:55,119 so I mean we should. 304 00:23:54,839 --> 00:23:55,359 Speaker 10: Have that more of it. 305 00:23:55,519 --> 00:23:59,000 Speaker 14: Yeah, and tell me about a brand new me. This 306 00:23:59,160 --> 00:24:01,279 is Is this a album that you've released or is 307 00:24:01,319 --> 00:24:03,519 this an EP or what? What is this exactly? 308 00:24:05,279 --> 00:24:05,480 Speaker 10: Yes? 309 00:24:05,599 --> 00:24:08,359 Speaker 21: Yes, so this album is a full album. It has 310 00:24:08,440 --> 00:24:12,240 ten songs, and this is actually long way way. It's 311 00:24:12,279 --> 00:24:14,880 been a long way, like holding up like it's been 312 00:24:14,880 --> 00:24:17,359 a while. I finally get this album out and it's 313 00:24:17,440 --> 00:24:19,920 just this phenomenal doing music. As you guys heard of 314 00:24:20,079 --> 00:24:22,680 thanks for playing that, and it has other amazing tracks 315 00:24:22,720 --> 00:24:26,759 on their young Girl as a Lot, as lot of 316 00:24:27,079 --> 00:24:28,599 as a Body. He has a lot of great other 317 00:24:28,680 --> 00:24:31,920 songs in there, Big shots rats. But that's my producer 318 00:24:31,960 --> 00:24:34,400 for similar tracks on there, and all the producers have 319 00:24:34,480 --> 00:24:36,240 a chance to have, you know, worked on this album. 320 00:24:36,480 --> 00:24:38,519 But it's just been amazing to see the feedback on 321 00:24:38,559 --> 00:24:41,000 it and the title of brandomly the constable of that, 322 00:24:41,359 --> 00:24:43,759 it's pretty much of me skating like like you know, 323 00:24:43,920 --> 00:24:46,359 it's a new leaf, new chapter and it's a new 324 00:24:46,400 --> 00:24:47,720 way of looking at life differently. 325 00:24:47,920 --> 00:24:54,440 Speaker 14: Lessen excellent, excellent. Did did you you mentioned delays in 326 00:24:54,839 --> 00:24:57,680 getting this done? I'm just curious, like what what what 327 00:24:57,920 --> 00:24:58,960 was holding things up? 328 00:25:01,279 --> 00:25:03,920 Speaker 21: Yes, So one of the factors I was kind of 329 00:25:04,079 --> 00:25:05,880 going through it at the time before the Games I'm 330 00:25:05,880 --> 00:25:09,559 gonna release was the financial part. Is to say, because 331 00:25:09,759 --> 00:25:12,039 as you know, like being an independent artist, you don't 332 00:25:12,079 --> 00:25:14,960 really have a backing or support in essence to help 333 00:25:15,039 --> 00:25:17,920 you invest into your you know, your projects or anything 334 00:25:17,960 --> 00:25:20,960 in that nature. So with this I had to financially 335 00:25:21,359 --> 00:25:23,799 put all the money behind back on this project. And 336 00:25:24,400 --> 00:25:27,440 now I'm starting to appreciate the feedback and the love 337 00:25:27,519 --> 00:25:29,960 and support with this, which has been a long time coming. 338 00:25:30,079 --> 00:25:32,480 But it's just amazing to see now it's worth it. 339 00:25:32,759 --> 00:25:35,960 Speaker 14: Yeah, yeah, absolutely, And there's so you said there's ten 340 00:25:36,039 --> 00:25:40,240 tracks on the album, correct, Yes, Now, were these all 341 00:25:40,359 --> 00:25:43,440 recorded in the same studio or did you kind of 342 00:25:43,480 --> 00:25:46,160 mix it up as far as what the process was. 343 00:25:48,880 --> 00:25:52,759 Speaker 21: For the most part, Yes, it was at one particular studio. 344 00:25:53,640 --> 00:25:55,920 They shout out to Eddie. He was an amazing engineer 345 00:25:56,000 --> 00:25:58,200 on this project as well. And you know, it was 346 00:25:58,279 --> 00:26:01,000 just years in the making and this is something we've 347 00:26:01,000 --> 00:26:03,920 been doing this since last year's album and to finally 348 00:26:03,920 --> 00:26:06,319 getting completed and put it out there, it was just 349 00:26:06,759 --> 00:26:09,079 the journey was amazing. It's also it was small, but it. 350 00:26:09,119 --> 00:26:09,480 Speaker 10: Was worth it. 351 00:26:10,000 --> 00:26:10,200 Speaker 6: Yeah. 352 00:26:10,279 --> 00:26:12,119 Speaker 14: And you learn a lot along the way with something 353 00:26:12,240 --> 00:26:14,359 like that, right, you know when when things i mean 354 00:26:14,400 --> 00:26:16,839 that's the thing when not not just in music, but 355 00:26:16,960 --> 00:26:19,960 in anything in life, when things don't necessarily go as 356 00:26:20,200 --> 00:26:22,559 quickly as you'd like or quite as planned, at least 357 00:26:22,599 --> 00:26:26,160 you learn you know as you're going what can what 358 00:26:26,319 --> 00:26:28,640 can hold you up, and what can what to prepare 359 00:26:28,720 --> 00:26:31,039 for and you know in the future and whatnot. So 360 00:26:31,359 --> 00:26:34,440 there's always learning involved, which is a good thing a 361 00:26:34,519 --> 00:26:38,079 silver lining and then once you come which and then 362 00:26:38,119 --> 00:26:40,920 what you come out with is uh is uh worth it? 363 00:26:41,400 --> 00:26:44,079 Did did you work with you mentioned a producer. Did 364 00:26:44,119 --> 00:26:45,960 you work with the same producer on all the tracks 365 00:26:46,039 --> 00:26:46,839 or did that change? 366 00:26:48,519 --> 00:26:48,640 Speaker 5: Uh? 367 00:26:48,880 --> 00:26:51,519 Speaker 21: No, No, I've been working for a good money years 368 00:26:51,559 --> 00:26:53,440 now and with this album, I think it was like 369 00:26:53,480 --> 00:26:58,319 two or three songs. He produced this artis me other 370 00:26:58,400 --> 00:27:01,119 producers I've worked with, also a new producers I work. 371 00:27:01,480 --> 00:27:04,279 Oh and you know the song is just you get 372 00:27:04,480 --> 00:27:06,400 just to hear the album, the sound is totally different, 373 00:27:06,880 --> 00:27:09,400 and when you hear the vocals, you see the growth 374 00:27:09,440 --> 00:27:12,559 in the vocals is totally like expand and it's just 375 00:27:12,720 --> 00:27:15,279 like a whole new Christian sound of Who I Am House. 376 00:27:15,720 --> 00:27:18,599 Speaker 14: Okay, So it sounds like has your approach changed over 377 00:27:18,599 --> 00:27:20,640 the years, because it sounds like this is an evolution 378 00:27:20,880 --> 00:27:22,880 for you, which makes sense because that you know, the 379 00:27:22,960 --> 00:27:25,039 album is called the Brand New Me as as your 380 00:27:25,079 --> 00:27:28,359 approach in terms of singing as that specifically changed over 381 00:27:28,400 --> 00:27:31,160 the years, because you were talking about the vocals changing. 382 00:27:33,079 --> 00:27:36,759 Speaker 21: Yes, yes, definitely, since you know when we're beginning, you know, 383 00:27:36,839 --> 00:27:39,880 my other projects are done. I don't just like I 384 00:27:39,920 --> 00:27:42,440 don't really discredit that because it's who I am, my journey. 385 00:27:42,519 --> 00:27:46,559 But I feel like this album particularly now that's all Now, 386 00:27:47,000 --> 00:27:52,400 I think it's really shown, uh, the the amount of growth, 387 00:27:52,440 --> 00:27:54,799 as they say, as me as in my artistry and 388 00:27:54,880 --> 00:27:57,759 my songwriting. And you could you definitely hear it, the 389 00:27:57,839 --> 00:27:59,799 difference in the change, but it's definitely more stronger. 390 00:28:00,880 --> 00:28:05,119 Speaker 14: Yeah, so it sounds like you're more confident with it. Yeah, No, 391 00:28:05,279 --> 00:28:09,359 that that's that's great. And uh so we're gonna we're 392 00:28:09,400 --> 00:28:11,720 gonna close out in a moment. We we we've got 393 00:28:11,759 --> 00:28:14,519 a busy show today, but we are gonna play this. 394 00:28:14,680 --> 00:28:16,279 We're gonna play this track. You are the one in 395 00:28:16,359 --> 00:28:19,599 a moment. But vo g, what should people know about 396 00:28:19,720 --> 00:28:21,200 how to keep up? Like I said, you've got a 397 00:28:21,240 --> 00:28:23,160 lot going on? What should people know about how to 398 00:28:23,240 --> 00:28:26,400 keep up with you online? Any and and do you 399 00:28:26,480 --> 00:28:27,720 have anything coming up? I don't know if you have 400 00:28:27,799 --> 00:28:30,880 any live performances, uh, if you're doing any songs from 401 00:28:30,920 --> 00:28:33,920 this album live, but anything our listeners should know about. 402 00:28:35,400 --> 00:28:38,440 Speaker 21: Yes, definitely. So actually, as we speak, I won't be 403 00:28:38,599 --> 00:28:42,279 performing definitely next year for the new songs, I'm still 404 00:28:42,319 --> 00:28:44,519 working on that, but as we speak, I do have 405 00:28:44,599 --> 00:28:47,279 a toy drive coming up next Sunday on the fifties 406 00:28:47,720 --> 00:28:49,880 and I won't take the place here in New York City. 407 00:28:50,000 --> 00:28:53,200 Done somehn excellent, And we'll be having toys, thank you, 408 00:28:53,480 --> 00:28:56,200 thank you. We'll be having toys. We're having life performs 409 00:28:56,240 --> 00:28:58,920 from other artists and you know, families and kids will 410 00:28:58,960 --> 00:29:00,960 be coming and get their toy then, you know, just 411 00:29:01,160 --> 00:29:03,920 a celebration of Joy's Christmas for that. So I'm very 412 00:29:03,960 --> 00:29:06,319 excited for that. That'll be from four pm, I think 413 00:29:06,400 --> 00:29:09,440 with MPM so real it was interested, Alison. My information 414 00:29:09,519 --> 00:29:12,960 by social media, you to find me in IG is 415 00:29:13,400 --> 00:29:18,000 at official Vero G. Also website is www dot verogmusic 416 00:29:18,079 --> 00:29:21,720 dot com. My artist page is at for Facebook at 417 00:29:22,000 --> 00:29:25,279 v e r O twenty eighty four. And you know 418 00:29:25,359 --> 00:29:27,160 you guys want to welcome to check it out if 419 00:29:27,160 --> 00:29:29,680 you want to follow me or book me or anything. 420 00:29:29,759 --> 00:29:30,880 Just definitely company there. 421 00:29:31,319 --> 00:29:35,839 Speaker 14: Yeah, outstanding, outstanding, all right, Well, Vero G. Congratulations on 422 00:29:35,920 --> 00:29:38,039 the new album and everything that you've got going on. 423 00:29:38,759 --> 00:29:41,200 And absolutely we're gonna thank you. We're gonna play this 424 00:29:41,279 --> 00:29:43,319 track you're the one to close out. But hey, thank 425 00:29:43,319 --> 00:29:44,640 you so much for joining us today. 426 00:29:46,079 --> 00:29:48,200 Speaker 21: Thank you guys again and the happy houta days as. 427 00:29:48,160 --> 00:29:51,000 Speaker 14: Well, Happy holidays. See you all right, Vero G. Thank you. 428 00:29:51,039 --> 00:29:54,799 We'll talk to you soon. I'm sure you took all right. 429 00:29:54,839 --> 00:29:57,240 Bye bye, all right. That was Vero G calling us 430 00:29:57,480 --> 00:29:59,920 from I believe she's in New York City. And let's 431 00:30:00,000 --> 00:30:02,440 say this track. This is another song from her brand 432 00:30:02,440 --> 00:30:04,759 new album called A Brand New Me, and this is 433 00:30:04,880 --> 00:30:05,640 you are the one. 434 00:30:15,079 --> 00:30:17,599 Speaker 6: Here for me. 435 00:30:24,880 --> 00:30:29,640 Speaker 5: When not looking, got. 436 00:30:29,480 --> 00:30:31,160 Speaker 22: Me so him in that side. 437 00:30:33,240 --> 00:30:34,880 Speaker 3: The way you touch me. 438 00:30:37,799 --> 00:30:39,480 Speaker 1: Give me foot of stuff. 439 00:30:41,920 --> 00:30:43,599 Speaker 2: You take my breath of me. 440 00:30:46,400 --> 00:30:55,359 Speaker 22: When you're close to me. Never one they go, come 441 00:30:55,599 --> 00:30:56,519 stay with me. 442 00:30:59,440 --> 00:31:00,920 Speaker 1: My lords gives me. 443 00:31:03,839 --> 00:31:05,240 Speaker 3: When your next and me. 444 00:31:08,160 --> 00:31:17,039 Speaker 23: Make you want me more into this extasime. You're the 445 00:31:17,319 --> 00:31:22,519 woe for me. You complete in me. 446 00:31:25,400 --> 00:31:31,839 Speaker 1: And what lasting love comes once in your life. 447 00:31:34,039 --> 00:31:40,319 Speaker 5: Make the stats forever with the steam My love. 448 00:31:42,640 --> 00:31:43,799 Speaker 1: From the heads of. 449 00:31:46,960 --> 00:31:49,160 Speaker 2: You're my soul made. 450 00:31:51,359 --> 00:31:57,440 Speaker 1: You're special me. You love my life. 451 00:31:59,759 --> 00:32:06,000 Speaker 23: Just give me so much joy, your wand over come. 452 00:32:08,400 --> 00:32:10,079 Speaker 1: The way you love of me. 453 00:32:12,920 --> 00:32:13,880 Speaker 5: Gives me chills. 454 00:32:13,960 --> 00:32:14,599 Speaker 1: I'm a spy. 455 00:32:16,960 --> 00:32:18,799 Speaker 5: Your kisses so soft to me. 456 00:32:21,559 --> 00:32:23,319 Speaker 22: Makes me weaken the knee. 457 00:32:25,680 --> 00:32:27,559 Speaker 5: It puts me in so high. 458 00:32:30,240 --> 00:32:32,440 Speaker 22: Flying into your hat. 459 00:32:34,640 --> 00:32:40,599 Speaker 24: Got me drunk and spell let me drink and you well, 460 00:32:43,200 --> 00:32:44,680 you're the one for me. 461 00:32:47,519 --> 00:32:48,920 Speaker 5: You're completing me. 462 00:32:49,720 --> 00:32:57,920 Speaker 7: He ever lasting love, comsponsing your love. 463 00:33:00,559 --> 00:33:02,960 Speaker 1: Make this task forever. 464 00:33:04,839 --> 00:33:15,000 Speaker 7: With the steamala from the helves of you, must soul me. 465 00:33:21,119 --> 00:33:21,359 Speaker 19: Woo. 466 00:33:38,440 --> 00:33:40,640 Speaker 15: In times of crisis, you need a law firm that 467 00:33:40,759 --> 00:33:43,799 stands by your side. 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Judy and the crew will take care of you, 487 00:34:51,440 --> 00:34:53,880 bring your appetite and treat your taste. 488 00:34:53,920 --> 00:34:54,480 Speaker 16: Buzs Right. 489 00:34:54,800 --> 00:34:58,840 Speaker 17: Business Cafe is always a winning choice. Breakfast, lunch or 490 00:34:58,960 --> 00:35:04,039 supper is Cafe at eight sixty Elm Street in downtown Manchester. 491 00:35:04,519 --> 00:35:07,400 Dine in, take out or make a reservation call six 492 00:35:07,519 --> 00:35:11,519 oh three, six oh six two five three two, eat, 493 00:35:11,960 --> 00:35:14,719 drink and be happy Dizz's Cafe. 494 00:35:15,039 --> 00:35:17,760 Speaker 13: When it comes to keeping WMNH on the air and 495 00:35:17,920 --> 00:35:21,079 your own personal or business computer needs, trust growl In 496 00:35:21,159 --> 00:35:25,679 Computers located on Elm Street in Manchester. Grolin handles computer repair, 497 00:35:25,880 --> 00:35:28,760 virus removal and custom built systems. 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Visit Groland dot com or call Grolling Computers 501 00:35:40,199 --> 00:35:43,800 at six zero three six four five zero one zero one. 502 00:35:43,960 --> 00:35:46,599 Your tech, Your way, Trust groll In Computers. 503 00:35:54,559 --> 00:35:58,480 Speaker 9: Seven times out of ten we listened to our music 504 00:35:58,760 --> 00:35:59,519 at Night. 505 00:36:01,320 --> 00:36:02,360 Speaker 22: Dot con. 506 00:36:03,719 --> 00:36:06,679 Speaker 18: Program Late Night to Light with DJ Mitas right here 507 00:36:06,719 --> 00:36:08,880 on w NH Manchester. 508 00:36:09,519 --> 00:36:14,280 Speaker 17: Because Saturdays and Sunday nights midnight to four am. 509 00:36:15,599 --> 00:36:21,039 Speaker 19: This hour on wm NH is sponsored by CGI Business Solutions, 510 00:36:21,400 --> 00:36:25,440 located at five Dartmouth Drive in Auburn. They serve all 511 00:36:25,519 --> 00:36:29,960 your business needs including employee benefits, planning, corporate design and 512 00:36:30,079 --> 00:36:36,079 business administration, investments and wealth management and customized business insurance solutions. 513 00:36:36,360 --> 00:36:38,920 Their phone number is eight sixty six eighty four to 514 00:36:39,039 --> 00:36:42,760 one forty six hundred, or on the web at CGI 515 00:36:43,000 --> 00:36:44,840 business Solutions dot com. 516 00:36:47,840 --> 00:36:51,360 Speaker 18: Behold the harmony of airwaves as you immerse yourself in 517 00:36:51,440 --> 00:36:55,840 the captivating frequencies of w m NHLP. Their sunic Cardets 518 00:36:55,880 --> 00:36:59,159 of Manchester is twinscending through the ether right ninety five 519 00:36:59,199 --> 00:37:02,719 point three mega. Its frequency modulation or transmissions em andate 520 00:37:02,760 --> 00:37:05,639 from the zenith of one thousand Elm Streets insure into 521 00:37:05,679 --> 00:37:08,800 the hearts of our creative realm at one nineteen Canal Street, 522 00:37:08,960 --> 00:37:12,800 where innovation and sound collage. They're the impro moder of 523 00:37:12,920 --> 00:37:16,480 Manchester Public Television Service in the venerable City of Manchester, 524 00:37:16,599 --> 00:37:20,360 New Hampshire, USA. Enrich your auditory journey with the depth 525 00:37:20,400 --> 00:37:23,840 of our license to wesn'tensspt Your missives. Did w m 526 00:37:23,920 --> 00:37:26,800 n H ninety five three at gmail dot com or 527 00:37:26,920 --> 00:37:30,280 traverse the virtual corridors of w m n Hradio dot 528 00:37:30,440 --> 00:37:33,480 or engage with our sonic vibrations by communing with us 529 00:37:33,480 --> 00:37:37,239 through the digital channels or radio beconds. Eager to enthrall 530 00:37:37,360 --> 00:37:39,880 you with its mesmerizing cadence and develop you with a 531 00:37:39,960 --> 00:37:41,880 symphony of foundless auditories. 532 00:37:41,920 --> 00:37:49,840 Speaker 2: Won dude, w m n H rip the novels you're 533 00:37:49,920 --> 00:37:51,519 listening to wm H. 534 00:37:56,400 --> 00:38:01,800 Speaker 6: Command So gimmy. 535 00:38:50,480 --> 00:38:54,599 Speaker 23: The spell of bulls, the passion had the pistoless in the. 536 00:38:54,719 --> 00:38:59,719 Speaker 1: Sadds, that soul for show when it's all rise. That's 537 00:38:59,760 --> 00:39:03,199 all why I love this time you kiss me. 538 00:39:03,239 --> 00:39:03,800 Speaker 6: You gether? 539 00:39:04,119 --> 00:39:07,199 Speaker 1: Lets me, I got a guy on cares. Time of 540 00:39:07,599 --> 00:39:10,960 hear my favorite time of the pucols, all of us 541 00:39:11,119 --> 00:39:12,760 side head together. 542 00:39:13,360 --> 00:39:17,159 Speaker 6: St south back and stuff through by the shelter stack. 543 00:39:17,320 --> 00:39:19,679 The nile high factor. 544 00:39:19,559 --> 00:39:23,760 Speaker 4: One it is that I throw me up us about 545 00:39:23,880 --> 00:39:27,239 this time of per catch me, gether, lets me. 546 00:39:27,679 --> 00:39:31,079 Speaker 12: I got a guy on cars time of Bear's. 547 00:39:30,800 --> 00:39:32,920 Speaker 14: My favorite time of the haircls. 548 00:39:33,199 --> 00:40:00,800 Speaker 1: All of us time and together. The he kiss me 549 00:40:00,920 --> 00:40:04,760 you never lets me. I'm like God, don't dress. 550 00:40:04,480 --> 00:40:08,159 Speaker 12: Time of Here's the favorite time out hair coas, all 551 00:40:08,280 --> 00:40:10,360 of my sal together us. 552 00:40:16,559 --> 00:40:17,559 Speaker 9: T is true. 553 00:40:17,800 --> 00:40:18,719 Speaker 21: What can you do? 554 00:40:19,159 --> 00:40:21,440 Speaker 6: Just simply spending it with you? 555 00:40:21,920 --> 00:40:24,599 Speaker 2: A kiss me A little looking forward. 556 00:40:24,159 --> 00:40:30,679 Speaker 1: Too, looking for work two this time O hear kiss me, 557 00:40:30,920 --> 00:40:32,000 I never left me? 558 00:40:32,440 --> 00:40:33,840 Speaker 3: I like God, all who. 559 00:40:33,840 --> 00:40:37,719 Speaker 1: Caress time off. Here's a favorite time of the hair coast. 560 00:40:37,960 --> 00:40:38,760 All of us. 561 00:40:38,800 --> 00:40:44,119 Speaker 12: Say together and kiss me never lets me. I'm like God, 562 00:40:44,199 --> 00:40:47,840 O cares the time of Here's favorite time of the 563 00:40:47,920 --> 00:40:50,079 geir coast, all of us all. 564 00:40:50,119 --> 00:40:51,440 Speaker 19: Here together. 565 00:40:58,280 --> 00:40:58,840 Speaker 18: Christmas. 566 00:41:02,039 --> 00:41:04,800 Speaker 14: I love it this time of year. That is Dave 567 00:41:04,960 --> 00:41:07,840 Strong featuring Soda. By the way, if you happen to 568 00:41:07,880 --> 00:41:10,960 be watching online, I'm wearing my soda shirt so ot ah. 569 00:41:11,400 --> 00:41:14,039 If you're not sure how to spell it, and I believe, 570 00:41:15,480 --> 00:41:18,079 I believe we have is this Dave Strong on the 571 00:41:18,159 --> 00:41:22,760 line Strong, Hey Dave, welcome back to the show, my friend. 572 00:41:23,000 --> 00:41:27,119 I love that this time of year. Dave Strong featuring Soda. 573 00:41:27,320 --> 00:41:28,920 Well done, my friend, well done. 574 00:41:30,239 --> 00:41:34,320 Speaker 10: Thank you so much. Yeah, it's awesome, you know It's 575 00:41:34,360 --> 00:41:35,960 been a long time coming. I wanted to do a 576 00:41:36,039 --> 00:41:38,119 Christmas song for a really long time, and as far 577 00:41:38,199 --> 00:41:40,559 as I can remember, this Mighty Money Bostones one is 578 00:41:40,639 --> 00:41:43,199 like my favorite. So yeah, all getting together very well. 579 00:41:43,679 --> 00:41:46,000 Speaker 14: Yeah, absolutely, And by the way too, I love the 580 00:41:46,079 --> 00:41:49,559 video and I notice at the end that's actually directed 581 00:41:49,639 --> 00:41:52,960 by Casey Darren of Soda and he's in the video 582 00:41:53,039 --> 00:41:55,880 with you and really cool. Was that just shot around 583 00:41:55,960 --> 00:41:58,639 various locations around Boston or where did you film that? 584 00:42:00,519 --> 00:42:04,440 Speaker 10: We've actually filled it in Portsmouth, New Hampshire. Oh, just downtown. 585 00:42:04,719 --> 00:42:07,159 Speaker 14: Oh, I'll be damned. I didn't realize. Oh, right in Portsmouth. 586 00:42:07,239 --> 00:42:07,920 All fantastic. 587 00:42:08,000 --> 00:42:08,320 Speaker 6: I don't know. 588 00:42:08,440 --> 00:42:10,199 Speaker 14: I guess in the back of my mind I figured 589 00:42:10,199 --> 00:42:13,719 Boston because of the Bostones, But uh no, that's really 590 00:42:13,920 --> 00:42:16,639 although in some ways Portsmouth does look like Boston released 591 00:42:16,639 --> 00:42:19,000 parts of it too, But uh no, that's very cool, 592 00:42:19,159 --> 00:42:21,079 very cool. How long did it take? Was that one 593 00:42:21,159 --> 00:42:24,119 day just filming in different places or what went into that. 594 00:42:25,679 --> 00:42:25,719 Speaker 13: It? 595 00:42:26,679 --> 00:42:30,079 Speaker 10: Yeah, Well, we originally were gonna do it for at 596 00:42:30,159 --> 00:42:33,039 like like eleven or one or something like that, but 597 00:42:33,440 --> 00:42:36,840 it ended up raining that day, so we cut it 598 00:42:36,920 --> 00:42:37,800 back a little earlier. 599 00:42:39,159 --> 00:42:39,639 Speaker 6: But we went. 600 00:42:39,920 --> 00:42:42,360 Speaker 10: So we showed up in Portsmouth. We started at the 601 00:42:43,199 --> 00:42:46,039 parking Garage on the top floor. That's how we got 602 00:42:46,119 --> 00:42:49,119 like a nice shot of like the whole downtown in 603 00:42:49,199 --> 00:42:51,800 the top of the North Church and everything. And then 604 00:42:52,440 --> 00:42:56,199 we went to the streets, you know, like Congress Street 605 00:42:57,480 --> 00:43:01,039 and I think I Thinkaniel Street. Maybe we went to 606 00:43:01,159 --> 00:43:04,559 Daniel Street. But we went to this cool little toy 607 00:43:04,679 --> 00:43:07,920 store called g Willickers. Shout out to G Willickers Booking 608 00:43:08,000 --> 00:43:11,119 Toy in Portsmouth. Yeah, we played with some trains in 609 00:43:11,199 --> 00:43:14,199 there and stuff. They were really nice. It's actually where 610 00:43:14,239 --> 00:43:18,000 the original Slackers was, like in the day, that old 611 00:43:18,440 --> 00:43:22,880 that old skateboard shop. Okay, okay, by the same person, 612 00:43:22,920 --> 00:43:24,559 I guess. I mean, we found out a lot of 613 00:43:24,599 --> 00:43:26,639 cool stuff. They they came out and danced and they 614 00:43:26,679 --> 00:43:29,159 said we could use their shop. And we ended up 615 00:43:29,239 --> 00:43:30,280 in Prescott Park. 616 00:43:30,880 --> 00:43:31,039 Speaker 13: You know. 617 00:43:31,239 --> 00:43:34,960 Speaker 10: We tried to get all the all the fox you know, yeah, 618 00:43:35,280 --> 00:43:37,480 up in Portsmouth. I love Portsmouth. I didn't even know 619 00:43:37,519 --> 00:43:41,360 we were doing it in Portsmouth, but like everything about 620 00:43:41,519 --> 00:43:45,480 this whole song in video is like a holiday miracle 621 00:43:45,559 --> 00:43:46,079 come true. 622 00:43:46,360 --> 00:43:46,519 Speaker 23: You know. 623 00:43:47,360 --> 00:43:49,119 Speaker 14: Well that's what I'm curious about too, to ask you 624 00:43:49,239 --> 00:43:52,400 so How did this come about? You and Casey Darren 625 00:43:53,039 --> 00:43:55,960 of Soda collaborating on this and doing the Bostones cover? 626 00:43:56,079 --> 00:43:56,519 Speaker 13: What? Like? 627 00:43:56,599 --> 00:43:58,199 Speaker 14: What what went into that? How did this happen? 628 00:44:00,159 --> 00:44:03,360 Speaker 10: So he's on tour with The Defiant right now. He 629 00:44:03,480 --> 00:44:06,880 works with them. That's Dicky from the Mighty Bosstones other 630 00:44:06,960 --> 00:44:12,760 band now And I I just when when I want 631 00:44:12,840 --> 00:44:14,679 to say, like, cause we were talking about this the 632 00:44:14,760 --> 00:44:16,119 other day, I was like, how the hell did we 633 00:44:16,239 --> 00:44:18,519 kind of get together? How did we end up talking? 634 00:44:18,920 --> 00:44:24,000 It was definitely through Instagram and I was checking out 635 00:44:24,280 --> 00:44:30,960 The Defiant and I think I think maybe I reached 636 00:44:31,000 --> 00:44:33,440 out through there or like we had maybe gone through 637 00:44:33,559 --> 00:44:37,000 like a post or we had both been from New Hampshire, 638 00:44:37,960 --> 00:44:42,599 both hardworking musicians from the area, both kind of like 639 00:44:42,760 --> 00:44:45,960 trying to work our way up, and we just we 640 00:44:46,119 --> 00:44:48,920 just started talking through dms. You know, That's how it happened. 641 00:44:48,960 --> 00:44:53,960 And you know, I actually the Defiant played with They 642 00:44:54,039 --> 00:44:56,280 played with me first in the Gimme Gimmes in Portland 643 00:44:56,519 --> 00:45:00,079 and Casey was the tour manager for that and he 644 00:45:00,119 --> 00:45:03,079 did the merch He does everything for them, I believe. 645 00:45:03,599 --> 00:45:07,760 And I got to meet him and you know, I 646 00:45:07,840 --> 00:45:11,599 handed on one of my records, and you know, we've 647 00:45:11,679 --> 00:45:14,000 just been talking. It's been almost a year we've been talking, 648 00:45:14,480 --> 00:45:16,440 but after I met him, we've been talking more. And 649 00:45:17,159 --> 00:45:18,480 I was just like, you know what, I want to 650 00:45:18,519 --> 00:45:22,119 do a Christmas song. I didn't have like solid plans 651 00:45:22,159 --> 00:45:24,159 to do this song. I just I was going up 652 00:45:24,199 --> 00:45:27,840 to North Conway where I am now. Actually I was 653 00:45:27,920 --> 00:45:29,920 coming up to North Conway to my friend Sean and 654 00:45:30,039 --> 00:45:34,559 Ryan studio by to push records and we and I 655 00:45:34,719 --> 00:45:36,519 just was like, you know what, I was going to 656 00:45:36,559 --> 00:45:38,840 do two songs. I was like, I'm going to do 657 00:45:38,840 --> 00:45:42,119 a Christmas song too, and the Mighty Bosstones one is 658 00:45:42,159 --> 00:45:44,480 my favorite Christmas song. It always is the first on 659 00:45:44,639 --> 00:45:48,360 my Christmas playlist ever since it came out. It's just 660 00:45:48,519 --> 00:45:53,360 like my kids love it. I tried. I just tried 661 00:45:53,400 --> 00:45:55,159 it in the studio. I did a scratch track of it, 662 00:45:55,800 --> 00:46:00,199 and I was like, hey, Casey, you know it. Do 663 00:46:00,280 --> 00:46:02,440 you want to play the horn gun? He said absolutely, 664 00:46:03,639 --> 00:46:07,440 so I pretty much just did the guitar, drums. I 665 00:46:07,559 --> 00:46:10,360 left all the background vocals empty. I left the horns 666 00:46:10,400 --> 00:46:13,480 all empty, and Casey did that cool solo in it too, 667 00:46:13,559 --> 00:46:16,159 So it was really a collaborative thing. You know, I 668 00:46:16,480 --> 00:46:21,039 recorded my part. I sent it to him, like I'd say, 669 00:46:21,119 --> 00:46:23,960 like three weekends ago. I recorded my part, sent it 670 00:46:24,039 --> 00:46:27,559 to him on the Monday. He had it done by Wednesday, 671 00:46:28,320 --> 00:46:30,880 sent it to my buddy Josh to mix it and 672 00:46:31,039 --> 00:46:34,679 master it, and it was done by the following Friday. 673 00:46:34,719 --> 00:46:37,519 So it really just fell together, piece by piece by 674 00:46:37,599 --> 00:46:38,599 piece perfectly. 675 00:46:38,840 --> 00:46:39,039 Speaker 8: Yeah. 676 00:46:39,159 --> 00:46:41,920 Speaker 14: No, that's fantastic and especially too, whereas you know, you 677 00:46:42,119 --> 00:46:45,960 kind of, you know, getting it out pretty close to 678 00:46:46,039 --> 00:46:49,599 the holiday, so you know, obviously the clock was ticking 679 00:46:49,679 --> 00:46:51,199 on that. So good for you for being able to 680 00:46:51,239 --> 00:46:53,239 get it done and get it out. And it sounds great, 681 00:46:53,239 --> 00:46:55,400 and like I said, I love the video too. Do 682 00:46:55,559 --> 00:46:57,840 you know if Dicky Barrett has heard it? 683 00:46:59,800 --> 00:47:06,159 Speaker 10: I personally, having talked to Dicky in my brain, like 684 00:47:06,280 --> 00:47:09,280 in my mind like my dream world, he has heard 685 00:47:09,320 --> 00:47:11,320 it and he loved it. But I I don't know. 686 00:47:11,519 --> 00:47:14,199 The Mighty boss Stones have reposted it a couple of times. 687 00:47:14,320 --> 00:47:16,920 Speaker 14: Oh okay, that's good. Then they then they they must 688 00:47:17,039 --> 00:47:17,960 like it, then that's good. 689 00:47:19,639 --> 00:47:22,280 Speaker 10: I'm guessing he heard it. I'm hoping that he likes it. 690 00:47:22,400 --> 00:47:26,320 I'm hoping that it's all it's all good and they 691 00:47:26,639 --> 00:47:29,360 they love it, you know, Yeah, it's it really was 692 00:47:30,079 --> 00:47:32,920 an honor to do the song, and I just I 693 00:47:33,000 --> 00:47:37,039 hope I did it justice and you know, yeah, that's 694 00:47:37,079 --> 00:47:40,280 what it is. I'm It's all fairly like holiday chair, 695 00:47:40,400 --> 00:47:42,320 you know. I'm just really stoked that I got to 696 00:47:42,360 --> 00:47:43,760 do it. But I think he did. I think he 697 00:47:43,880 --> 00:47:46,039 has heard it. Yeah, yeah, and in my dream world 698 00:47:46,119 --> 00:47:46,480 he loved it. 699 00:47:47,719 --> 00:47:49,639 Speaker 14: No, I'm sure he does. I'm sure he does. Uh 700 00:47:49,800 --> 00:47:51,599 have you been able to have you had a chance 701 00:47:51,679 --> 00:47:53,880 to play this live or or I don't know if 702 00:47:54,039 --> 00:47:55,360 I don't know if you intend to or. 703 00:47:57,480 --> 00:47:59,719 Speaker 10: I have not got to play it live yet. But 704 00:48:00,519 --> 00:48:05,000 I am playing on the twentieth and Lowell at Codo 705 00:48:05,320 --> 00:48:09,000 and I'm playing the twenty second at O'Brien's in Austin, 706 00:48:09,159 --> 00:48:11,719 mass And those are my last two shows of twenty 707 00:48:11,800 --> 00:48:15,360 twenty four before I go to Germany in twenty twenty five, 708 00:48:15,679 --> 00:48:18,320 and we're gonna we're gonna put it in the set. 709 00:48:18,400 --> 00:48:20,280 I'm gonna add it into the set. I don't think 710 00:48:20,599 --> 00:48:23,079 Case is gonna come out and play the horn. Yeah maybe, 711 00:48:23,840 --> 00:48:24,199 I don't know. 712 00:48:24,440 --> 00:48:28,360 Speaker 14: That'd be fantastic. Yeah. Uh, you mentioned Germany, So are 713 00:48:28,360 --> 00:48:30,280 you are you going to Abby touring over there. 714 00:48:31,960 --> 00:48:37,159 Speaker 10: I am. I think like January fourteenth, we're gonna fly 715 00:48:37,320 --> 00:48:41,519 out and we're gonna play four shows that lead out 716 00:48:41,559 --> 00:48:44,639 to the school festival called puke Fest. We're gonna start 717 00:48:44,639 --> 00:48:47,800 out in Hamburg, We're gonna end up in Munster. I'm 718 00:48:47,800 --> 00:48:51,559 gonna play every day to it, and then Pukefest is 719 00:48:51,599 --> 00:48:54,800 actually sold out already two hundred tickets. It's pretty crazy. 720 00:48:55,119 --> 00:48:59,400 So it's small tour. It's like a week yeah, and 721 00:48:59,639 --> 00:49:03,400 it's me Lee and Jared were coming as a three piece. 722 00:49:04,199 --> 00:49:09,360 But it's my first time solo overseas, and I'm very 723 00:49:09,440 --> 00:49:11,360 excited about it. It's going to be a real fun time. 724 00:49:11,599 --> 00:49:14,440 Speaker 14: Yeah, no doubt that festival is it's called puke Fest. 725 00:49:15,639 --> 00:49:22,599 Speaker 10: Yeah, puke Fest, Okay, a lot of pop punk bands. Yeah. 726 00:49:22,639 --> 00:49:26,480 My buddy, my buddy actually from Wisconsin, is in a 727 00:49:26,559 --> 00:49:29,639 band called Jagger Hawley. He lives in Australia half the time. 728 00:49:29,920 --> 00:49:33,960 But so I don't know if they're considered the American band. 729 00:49:34,000 --> 00:49:36,440 I think I'm the only American band full fledged on 730 00:49:36,639 --> 00:49:40,480 this tour. But but yeah, we have a nice place 731 00:49:40,519 --> 00:49:44,639 to stay every night, you know, food every night. Yeah, 732 00:49:44,639 --> 00:49:46,320 it's gonna be a really cool time. You know, I'm 733 00:49:46,320 --> 00:49:47,800 really excited you've have. 734 00:49:47,840 --> 00:49:50,480 Speaker 14: You been there before? You have toured in Europe before? 735 00:49:50,639 --> 00:49:53,159 Speaker 6: Right? I have been to. 736 00:49:53,239 --> 00:49:57,199 Speaker 10: Spain and I have been to I have been to 737 00:49:57,280 --> 00:50:00,880 the Netherlands before. I played Rotterdam in Amsterdam and Leon 738 00:50:01,280 --> 00:50:04,960 and Madrid. But I played with my friend Jeff Palmer's band. 739 00:50:05,400 --> 00:50:08,000 Uh so I've never done the Day of Strong band 740 00:50:08,400 --> 00:50:10,039 oh by myself yet. 741 00:50:10,239 --> 00:50:13,599 Speaker 14: Oh okay, okay, very good, very good. Well that's awesome. 742 00:50:13,800 --> 00:50:15,360 Speaker 10: This is very special to me because I get to 743 00:50:15,360 --> 00:50:16,800 play my songs over there. 744 00:50:17,119 --> 00:50:17,360 Speaker 8: Yeah. 745 00:50:18,360 --> 00:50:23,039 Speaker 14: Yeah, no, that's that's fantastic. Congratulations on that. Have you 746 00:50:23,119 --> 00:50:24,760 been Have you been playing a lot of shows here? 747 00:50:24,840 --> 00:50:27,119 Have you been not? Have you been busy since uh 748 00:50:27,239 --> 00:50:30,119 since we had you on last Yeah. 749 00:50:30,559 --> 00:50:32,039 Speaker 10: Yeah, I've been doing a lot. I've been doing a 750 00:50:32,119 --> 00:50:34,679 lot of recording and I'm working on getting my second 751 00:50:34,760 --> 00:50:37,599 record out. I have been playing some shows here and there. 752 00:50:37,639 --> 00:50:40,920 I also play with my friend Brad's band, and we're 753 00:50:40,960 --> 00:50:44,000 playing with Marky Romone next weekend in Woodstock, New York. 754 00:50:44,760 --> 00:50:49,679 So yeah, I mean, I'm I'm I'm also playing with 755 00:50:49,719 --> 00:50:53,280 the River City Rebels. You know, a show just sold 756 00:50:53,320 --> 00:50:55,519 out at O'Brien's with Big d and the Kids table 757 00:50:55,559 --> 00:50:59,639 in April. So I'm keeping my my punk rock schedule 758 00:51:00,119 --> 00:51:00,639 pretty full. 759 00:51:01,880 --> 00:51:04,000 Speaker 14: You are, Yeah, you got a lot going on. Oh 760 00:51:04,079 --> 00:51:08,960 that's uh, that's excellent. That's excellent. Um So, now, so 761 00:51:09,199 --> 00:51:11,880 after Germany, are you are you coming? Because you said 762 00:51:11,880 --> 00:51:13,599 you're working on your second record, right, so are you 763 00:51:13,639 --> 00:51:17,960 going to finish that or your second record as Dave Strongband? 764 00:51:18,039 --> 00:51:18,159 Speaker 24: Is that? 765 00:51:18,440 --> 00:51:19,000 Speaker 8: Is that what it is? 766 00:51:20,400 --> 00:51:21,559 Speaker 10: Yep, it's all recorded. 767 00:51:21,960 --> 00:51:22,800 Speaker 14: Oh, it's recorded. 768 00:51:22,800 --> 00:51:24,559 Speaker 10: Okay, got to button it up, you know, do some 769 00:51:25,159 --> 00:51:28,639 do some cover art, and it'll be out on Fameless Records, 770 00:51:28,760 --> 00:51:31,440 the same label that put out my first full length. 771 00:51:31,800 --> 00:51:32,239 Speaker 14: Oh cool. 772 00:51:33,559 --> 00:51:37,440 Speaker 10: Yeah, I'm really excited about it. He's I think, I mean, 773 00:51:37,480 --> 00:51:40,039 I don't know exactly the details. It's definitely gonna happen. 774 00:51:40,039 --> 00:51:41,519 It is probably gonna be like one of the first 775 00:51:41,599 --> 00:51:46,480 releases of twenty twenty five. So okay, yeah, that's you know, 776 00:51:46,639 --> 00:51:50,320 Germany in twenty twenty five, my full length, second release 777 00:51:50,400 --> 00:51:54,519 in twenty twenty five, and you know, the future is 778 00:51:56,159 --> 00:51:57,599 possibilities are endless. 779 00:51:57,639 --> 00:52:00,840 Speaker 14: I suppose yes, yes, absolutely no. It sounds like it's 780 00:52:00,880 --> 00:52:04,400 going to be a big year off to a great start, outstanding, outstanding. 781 00:52:05,079 --> 00:52:05,679 Speaker 10: I'm excited. 782 00:52:06,320 --> 00:52:09,760 Speaker 14: Well, Dave, I appreciate your calling in today, and like 783 00:52:09,840 --> 00:52:11,840 I said, it's it's wonderful to be able to play 784 00:52:12,119 --> 00:52:16,880 play that track this time of year. And then where 785 00:52:16,920 --> 00:52:18,840 should people go online to keep up with everything that 786 00:52:18,880 --> 00:52:19,280 you're doing? 787 00:52:21,119 --> 00:52:24,719 Speaker 10: Yeah, I mean my Instagram is put your Man Dave 788 00:52:24,840 --> 00:52:28,280 twenty twenty. Most of it is music. 789 00:52:28,400 --> 00:52:28,519 Speaker 8: Now. 790 00:52:28,599 --> 00:52:30,519 Speaker 10: I do post some family stuff. I don't have like 791 00:52:30,599 --> 00:52:33,880 a band page. I do have a Facebook. It's like 792 00:52:34,039 --> 00:52:38,440 Dave Strong Music. Sometimes there's another Dave Strong that I 793 00:52:38,519 --> 00:52:41,039 actually have become friends with. Oh really, that lives in 794 00:52:41,079 --> 00:52:44,960 North Carolina. Sometimes when you tag Dave Strong, it goes 795 00:52:45,000 --> 00:52:47,400 to his Sometimes when I tag it, it goes to 796 00:52:47,480 --> 00:52:49,679 his too. But he's bought my records and stuff too. 797 00:52:49,719 --> 00:52:51,280 That's a whole nother story. It's really cool. 798 00:52:51,360 --> 00:52:51,960 Speaker 14: Oh that's cool. 799 00:52:52,440 --> 00:52:57,760 Speaker 10: Dave Strong on Facebook, you know Spotify, I'm on Apple Music, 800 00:52:57,840 --> 00:53:02,280 I'm on Amazon to all that good stuff. 801 00:53:02,000 --> 00:53:02,159 Speaker 24: You know. 802 00:53:02,400 --> 00:53:06,960 Speaker 10: So yeah, pretty easy to find. Just Dave Strong. I'm 803 00:53:07,000 --> 00:53:07,400 out there. 804 00:53:07,719 --> 00:53:11,119 Speaker 14: Yeah, yeah, absolutely absolutely, Dave. I was thinking about ending 805 00:53:11,199 --> 00:53:14,679 the conversation with Nights in Jail. I really, I really 806 00:53:14,760 --> 00:53:16,079 love this song. What do you think is that a 807 00:53:16,119 --> 00:53:17,239 good one to wrap up with? 808 00:53:18,599 --> 00:53:20,440 Speaker 10: Oh yeah, I love that song. That's one of my 809 00:53:20,480 --> 00:53:21,519 favorite ones I've ever written. 810 00:53:22,639 --> 00:53:24,280 Speaker 14: No, I like that one a lot. I like all 811 00:53:24,320 --> 00:53:26,639 of them, but I really like that one a lot. Dave, 812 00:53:27,119 --> 00:53:31,760 congratulations again on the collaboration with Soda, the Great Casey 813 00:53:31,840 --> 00:53:34,199 Darren on that track This time of Year, the Boss 814 00:53:34,199 --> 00:53:39,039 Stones cover, absolutely fantastic. And and congratulations on everything that 815 00:53:39,119 --> 00:53:41,159 you're doing. Of course, the new record that's going to 816 00:53:41,199 --> 00:53:43,920 be coming out, and of course the tour in Germany 817 00:53:44,000 --> 00:53:46,079 and puke Fest and all of it. You got a 818 00:53:46,119 --> 00:53:48,760 lot going on, my friend. It's great to see. Really 819 00:53:48,840 --> 00:53:51,079 love your music. And uh, and we'll let you go. 820 00:53:51,280 --> 00:53:53,719 But if if we don't talk before, have a great 821 00:53:54,360 --> 00:53:56,599 have a great rest of the holidays, and a great Christmas. 822 00:53:58,519 --> 00:54:00,960 Speaker 10: Yeah, Merry Christmas, Happy Holiday. I'll talk to you soon, 823 00:54:01,119 --> 00:54:02,480 all right, Dave, thank you for the call. 824 00:54:02,599 --> 00:54:06,960 Speaker 14: Take care, bye bye bye, all right, the Great Dave Strong. 825 00:54:07,280 --> 00:54:09,280 Let's we'll close out with this. I think we played 826 00:54:09,280 --> 00:54:11,559 this the last time Dave was on with us in studio. 827 00:54:12,079 --> 00:54:13,639 Check that out, by the way, it's in the archive 828 00:54:13,679 --> 00:54:15,360 if you missed it. It was Grady came in and 829 00:54:15,400 --> 00:54:18,679 played live. It was just fantastic. But I really love 830 00:54:18,800 --> 00:54:20,960 this song. This is called Nights in Jail and this 831 00:54:21,159 --> 00:54:24,920 is Dave Strong. Give this a listen, plenty more to come. 832 00:54:25,000 --> 00:54:41,960 Don't go anywhere I do crazy crazy, and I'm going 833 00:54:42,000 --> 00:54:42,119 to do. 834 00:54:42,199 --> 00:54:44,880 Speaker 10: This to all we do. 835 00:54:45,519 --> 00:54:51,840 Speaker 11: Frefolns of jail, just thinking of you, fanfoln to jail. 836 00:54:51,960 --> 00:54:54,079 Speaker 1: Tell me what should I do? Hello? 837 00:54:55,360 --> 00:54:57,440 Speaker 6: Tell me Brady if I even tell me if. 838 00:54:57,360 --> 00:54:58,199 Speaker 8: It is show. 839 00:55:00,079 --> 00:55:01,599 Speaker 6: A fansom night to jail. 840 00:55:01,760 --> 00:55:02,880 Speaker 14: Writing this song for you. 841 00:55:13,719 --> 00:55:15,800 Speaker 10: Maybe I said I'm on the rules. 842 00:55:16,320 --> 00:55:19,679 Speaker 6: Did dirt out of control? Tell me, Freddy Baby, tell 843 00:55:19,719 --> 00:55:20,119 me if this. 844 00:55:20,159 --> 00:55:21,800 Speaker 1: Is jew I'm being a wall now. 845 00:55:21,800 --> 00:55:25,239 Speaker 11: I'm writing this on for you, transom nights jail, just 846 00:55:25,360 --> 00:55:29,760 thinking of you, Fransom that a chail. 847 00:55:29,920 --> 00:55:30,800 Speaker 2: Tell me what shall I do? 848 00:55:33,320 --> 00:55:35,920 Speaker 11: Tell me ifriendybody even tell me if this is true? 849 00:55:37,719 --> 00:55:40,880 Speaker 6: Good time fans not to jail, riding this off for you, 850 00:56:20,960 --> 00:56:22,760 Spencil not to jail. 851 00:56:22,760 --> 00:56:23,480 Speaker 3: Just thinking of you. 852 00:56:25,679 --> 00:56:27,360 Speaker 6: I'm fans I'm not to jail. 853 00:56:27,480 --> 00:56:32,079 Speaker 1: Tell me what should I do? Tell me every anybody 854 00:56:32,119 --> 00:56:33,480 even tell me if it's true? 855 00:56:35,280 --> 00:56:37,159 Speaker 6: Good that fans I'm not to jail. 856 00:56:37,280 --> 00:56:37,920 Speaker 1: Reading is of. 857 00:56:40,599 --> 00:56:44,559 Speaker 11: S fanco not to jail, Good that fansom not to jail, 858 00:56:45,480 --> 00:56:50,840 Spansome not to jail reading is a for you, Spanci, 859 00:56:51,119 --> 00:56:55,719 not to jail, Spancome, not to jail Spencer. 860 00:56:55,800 --> 00:56:58,039 Speaker 6: I'm not to jail running this off with you. 861 00:57:18,000 --> 00:57:20,239 Speaker 14: You're hanging around. 862 00:57:22,639 --> 00:57:28,639 Speaker 1: Just like that in this little town and everybody knows. 863 00:57:30,880 --> 00:57:33,280 Speaker 20: What's going now now. 864 00:57:33,280 --> 00:57:34,440 Speaker 1: What's going on? Go? 865 00:57:34,960 --> 00:57:42,400 Speaker 17: And I'm feeling strange, stranger, Glen, I ever. 866 00:57:42,119 --> 00:57:45,199 Speaker 1: Thought I was not much longer than I. 867 00:57:47,760 --> 00:57:52,159 Speaker 7: I'm getting started down low in this little time. 868 00:57:55,840 --> 00:58:00,960 Speaker 5: The yeah, yeah, yeah, I mean it down. 869 00:58:02,239 --> 00:58:09,239 Speaker 1: So down bea all I'm and down. 870 00:58:18,000 --> 00:58:25,360 Speaker 25: You're hunging around, guess it happen, saying night shut and 871 00:58:25,599 --> 00:58:26,400 freak out. 872 00:58:26,719 --> 00:58:28,079 Speaker 1: Everybody's know. 873 00:58:30,880 --> 00:58:31,920 Speaker 5: What's happen. 874 00:58:32,320 --> 00:58:36,480 Speaker 1: Man, time it's gone out go and you're calling. 875 00:58:36,360 --> 00:58:37,159 Speaker 9: It long. 876 00:58:39,199 --> 00:58:43,599 Speaker 1: Well love down't fall out of trees hanging above and 877 00:58:43,880 --> 00:58:45,440 I'm mowing me out. 878 00:58:47,800 --> 00:58:59,760 Speaker 25: You make decisions like a fresh water drive beau man 879 00:59:00,119 --> 00:59:00,920 in down. 880 00:59:02,239 --> 00:59:09,280 Speaker 1: South, down and down. 881 00:59:43,719 --> 00:59:50,000 Speaker 25: Then this little town, why no, there's not enough long 882 00:59:50,239 --> 00:59:51,880 to go around. 883 00:59:52,360 --> 00:59:54,119 Speaker 15: So it dreary days 884 00:59:56,360 --> 00:59:57,960 Speaker 1: Layer on Bruging line