1 00:00:00,120 --> 00:00:02,520 Speaker 1: In radio, they always tell us one thought per break. 2 00:00:02,560 --> 00:00:04,480 So why would I put an NFL star with a 3 00:00:04,679 --> 00:00:07,719 YA author or a movie star with a doctor who 4 00:00:07,799 --> 00:00:11,519 says I've cured cancer. Ero dot net, A R R 5 00:00:11,679 --> 00:00:15,720 O E dot net, seventeen different podcasts and subjects to 6 00:00:15,960 --> 00:00:19,039 enhance your life. Thank you so much for being a 7 00:00:19,039 --> 00:00:21,519 part of mine. Man, how are you doing? 8 00:00:23,239 --> 00:00:27,399 Speaker 2: I'm hanging in there. I'm writing songs that I'm hanging 9 00:00:27,480 --> 00:00:29,199 in there. That's all I can tell you. 10 00:00:29,199 --> 00:00:31,879 Speaker 1: See, I love that idea that you're writing music because 11 00:00:31,879 --> 00:00:33,640 so many times people go, why don't you just give 12 00:00:33,679 --> 00:00:35,679 it up? No, you can't give it up. And my 13 00:00:35,759 --> 00:00:38,159 friend Freddie Boom Boom Cannon is proving that you can't 14 00:00:38,200 --> 00:00:39,920 just let it go to sleep at night. It's gonna 15 00:00:39,920 --> 00:00:41,320 stay awake and keep you awake. 16 00:00:42,679 --> 00:00:44,479 Speaker 2: Yeah. I'm not gonna give it up. I'm gonna keep 17 00:00:44,479 --> 00:00:47,240 on doing. I just wrote two more songs. That's to 18 00:00:47,399 --> 00:00:50,719 keep writing and writing and writing. You know, I got 19 00:00:50,719 --> 00:00:55,079 my voice she passed away. She's my angel. She's giving 20 00:00:55,079 --> 00:00:58,359 me the inspiration to keep writing. And that's what I'm doing. 21 00:00:59,000 --> 00:01:01,600 Speaker 1: So I want to teach sure, that says Freddie Boom Boom. 22 00:01:01,679 --> 00:01:04,719 I can I will I did. Now let's grow some more. 23 00:01:07,239 --> 00:01:10,439 Speaker 2: Yeah, but what I you know what you talked about, 24 00:01:11,480 --> 00:01:15,840 it's about somebody writing songs and uh, people give it up. 25 00:01:16,280 --> 00:01:22,560 You know, there are people out there. What I'm thinking 26 00:01:23,400 --> 00:01:26,959 is they all want to don't know, they all want 27 00:01:26,959 --> 00:01:30,640 to do albums, you know, cut an album you know, 28 00:01:30,920 --> 00:01:37,159 and hopefully they'll get bigg or whatever you know. But 29 00:01:38,560 --> 00:01:43,319 for some reason they don't understand. You better be a 30 00:01:43,400 --> 00:01:48,040 hit in there. One song, because like yourself, you can 31 00:01:48,079 --> 00:01:51,040 only play one song at a time. You can't play 32 00:01:51,079 --> 00:01:55,400 twelve songs up an album during the day. They're gonna 33 00:01:55,400 --> 00:01:57,560 play one and that one that will be a hit. 34 00:01:58,120 --> 00:02:01,680 So that's what I write. I write big ole songs 35 00:02:01,799 --> 00:02:04,000 just enough to be a hit. That's the way I 36 00:02:04,599 --> 00:02:07,519 want to write. I'm not writing an album. I'm writing 37 00:02:07,519 --> 00:02:12,919 a song that can that will make people listen, go 38 00:02:13,000 --> 00:02:16,680 and buy it and enjoy it and have fun with it. 39 00:02:16,800 --> 00:02:19,439 Speaker 1: Well, you've done exactly that with Red Coach Santa. Because 40 00:02:19,479 --> 00:02:23,719 this song is fresh, It's perfect for every radio format. 41 00:02:23,759 --> 00:02:25,360 I'm telling you, I can't wait to hear it on 42 00:02:25,400 --> 00:02:27,599 classic rock stations. Who sit there and say they don't 43 00:02:27,599 --> 00:02:31,000 write Christmas music for classic rock I'm thinking Red Coach 44 00:02:31,039 --> 00:02:35,280 Santa is gonna do it, dude, Okay. 45 00:02:34,879 --> 00:02:37,800 Speaker 2: I appreciate that. That's what I'm hoping for. I think 46 00:02:38,039 --> 00:02:41,080 I think we got a hit. And at my age, 47 00:02:41,159 --> 00:02:44,120 being a little older, you know what a what a thrill, 48 00:02:44,199 --> 00:02:46,759 and what a treat this is for me. I mean, 49 00:02:47,680 --> 00:02:51,120 for people like yourself to go on this song and 50 00:02:51,240 --> 00:02:54,879 love it and love it and playing it. I thank 51 00:02:54,919 --> 00:02:56,520 you so very much, I really do. 52 00:02:56,840 --> 00:02:58,879 Speaker 1: Let's talk about that thing you just brought up, age, 53 00:02:58,919 --> 00:03:00,479 because I mean, that's the one thing I do not 54 00:03:00,520 --> 00:03:02,879 believe in when it comes to creativity, because I still 55 00:03:02,879 --> 00:03:05,479 believe I'm seventeen years old, and I don't believe that 56 00:03:05,599 --> 00:03:07,479 you are where you are. I still believe that you're 57 00:03:07,520 --> 00:03:09,439 either that or you're a little bit younger than me. 58 00:03:12,479 --> 00:03:15,800 Speaker 2: No, I'm I'm probably older than you, but no, but 59 00:03:15,919 --> 00:03:18,159 I think you've got to think young like this with 60 00:03:18,319 --> 00:03:23,120 a music, Yes, yeah, rock and roll music. We'll just 61 00:03:23,319 --> 00:03:25,919 keep you young. And as long as you like I'm 62 00:03:25,960 --> 00:03:29,199 doing writing it, and you're playing it, and you're around it, 63 00:03:30,039 --> 00:03:32,800 your feeling the same way. You've got the same feeling 64 00:03:32,879 --> 00:03:33,439 as I do. 65 00:03:34,280 --> 00:03:36,319 Speaker 1: This is the type of song and we're talking about 66 00:03:36,319 --> 00:03:39,240 Redcoat Santa that I am hoping that Vince Vaughan or 67 00:03:39,280 --> 00:03:41,759 Seth Rogan get their hands on and turn it into 68 00:03:41,840 --> 00:03:44,759 a movie or turn it into some sort of animation piece, 69 00:03:44,759 --> 00:03:47,800 because this song right here, really I've never heard a 70 00:03:47,879 --> 00:03:51,000 song about Santa suit before, and now we've got this one. 71 00:03:53,800 --> 00:03:57,919 Speaker 2: Well, yeah, but I wrote this song here exactly right. 72 00:03:58,199 --> 00:04:01,159 There was never a song written about anything he wore 73 00:04:01,919 --> 00:04:05,280 booster his hat, you know, and and now he's got 74 00:04:05,319 --> 00:04:10,840 to talk about his coat. So Redcoat Santa is it 75 00:04:11,639 --> 00:04:14,960 is very very personal to me. Uh, I know that 76 00:04:16,480 --> 00:04:19,639 everybody has talked to So let me tell you everybody 77 00:04:19,680 --> 00:04:22,399 I've ever talked to about this song that in the 78 00:04:22,480 --> 00:04:26,600 last two or three weeks I was singing it. They 79 00:04:26,839 --> 00:04:30,480 just singing it. Yeah, they're crazy about it, you know, 80 00:04:30,680 --> 00:04:33,360 just like you just said. And you know, it makes 81 00:04:33,360 --> 00:04:37,439 me feel like I did something special, I wrote something 82 00:04:37,519 --> 00:04:42,480 special and us That's all I can say. Thank God 83 00:04:43,000 --> 00:04:44,079 that he's watching me. 84 00:04:44,480 --> 00:04:49,240 Speaker 1: Believe me, you have always been so grateful your entire 85 00:04:49,360 --> 00:04:51,879 path and listeners can go check out your videos and 86 00:04:51,920 --> 00:04:54,920 interviews and things with other podcasters and radio show hosts. 87 00:04:55,000 --> 00:04:59,399 You have been so amazingly grateful and that has always 88 00:04:59,399 --> 00:05:02,000 inspired me, Freddy to plant it in my own life. 89 00:05:04,120 --> 00:05:07,319 Speaker 2: Well, you know what, I look at it this way, 90 00:05:08,040 --> 00:05:12,279 To be honest with you, if I didn't have people 91 00:05:12,439 --> 00:05:16,040 like yourself and other radio people that wouldn't make it. 92 00:05:16,079 --> 00:05:18,439 They didn't have to. You don't have to play me. 93 00:05:18,839 --> 00:05:21,639 They didn't have to play my song. There's other singers 94 00:05:21,639 --> 00:05:24,360 they could have been playing, but they jumped on Freddy 95 00:05:24,680 --> 00:05:28,319 Boom boom cannon and they started playing his songs. How 96 00:05:29,279 --> 00:05:31,920 how can I not thank them? They didn't have to. 97 00:05:31,959 --> 00:05:34,279 Like I said, they didn't have to play me. They 98 00:05:34,279 --> 00:05:38,920 had plenty of other choices, but they chose me. You know, 99 00:05:39,040 --> 00:05:43,279 my God, that's a wonderful thing for me to say 100 00:05:43,319 --> 00:05:46,319 thank you. And I don't think thank you is enough. 101 00:05:47,040 --> 00:05:48,959 I could I could go beyond. If I could see 102 00:05:49,000 --> 00:05:52,399 them all in one big room, which they could kill. 103 00:05:52,879 --> 00:05:54,920 I mean, I would say, oh, shake their hands. I 104 00:05:54,920 --> 00:05:59,000 would shake their hands and everything. So that's all I'm saying. 105 00:05:59,399 --> 00:06:01,639 Speaker 1: Are you finding yourself out there on the road to 106 00:06:01,639 --> 00:06:03,519 to meet and greet the fans as well? Because I 107 00:06:03,519 --> 00:06:08,600 would love to see you on a Christmas tour sometimes, sir, Well. 108 00:06:08,600 --> 00:06:13,079 Speaker 2: I haven't done anything live, any anythings in the last 109 00:06:13,240 --> 00:06:17,439 year or so I'm getting people get interested in what 110 00:06:17,519 --> 00:06:20,399 they want to book me for shows and stuff, but 111 00:06:20,480 --> 00:06:23,319 I haven't said yes or anything yet. Uh, you know, 112 00:06:23,480 --> 00:06:27,920 I don't. I don't feel like I have a c OPD. 113 00:06:28,240 --> 00:06:29,560 So it's hard for me. 114 00:06:29,560 --> 00:06:33,000 Speaker 3: To breathe sometimes, and I don't want to come and 115 00:06:33,040 --> 00:06:36,319 do a show and then tell the people short, you know, 116 00:06:37,160 --> 00:06:40,360 maybe you only do three or four songs and then 117 00:06:40,399 --> 00:06:40,879 get off this. 118 00:06:41,040 --> 00:06:43,120 Speaker 2: I don't want to do that. So I'm trying to 119 00:06:43,160 --> 00:06:46,279 figure out what's the best way to do something. And 120 00:06:46,360 --> 00:06:50,199 if I do, I hope I can come by where 121 00:06:50,240 --> 00:06:53,040 you are and do a show and maybe you can 122 00:06:53,079 --> 00:06:56,920 see me. But we'll see what happens. Right now, it's 123 00:06:57,199 --> 00:06:59,079 it's just in a talking stage. 124 00:06:59,600 --> 00:07:01,680 Speaker 1: One of the things that you're proving with Red Coat 125 00:07:01,720 --> 00:07:04,879 Santa is that Christmas is not just one day, it's 126 00:07:04,959 --> 00:07:07,439 every day. And then to read that Christmas is very 127 00:07:07,439 --> 00:07:10,399 special to you. See, I celebrated every day, so therefore 128 00:07:10,439 --> 00:07:13,160 this song will become a part of my everyday process. 129 00:07:13,480 --> 00:07:16,439 How is it that that you're able to take that feeling, 130 00:07:16,519 --> 00:07:19,920 that warmth, that emotion of Christmas and put it into 131 00:07:19,959 --> 00:07:22,600 a song called Red Coat Santa and still sit there 132 00:07:22,639 --> 00:07:24,920 and go there's more in me, because you said it 133 00:07:24,959 --> 00:07:27,199 in the very beginning. You just wrote two more songs. 134 00:07:30,920 --> 00:07:33,240 Speaker 2: I just keep on going. I don't know. I don't 135 00:07:33,279 --> 00:07:35,519 know what it is that's coming out of me, but 136 00:07:36,040 --> 00:07:38,759 I'm doing it, and I just want a really another 137 00:07:39,600 --> 00:07:42,399 not a Christmas song, but a regular rock, rock and 138 00:07:42,480 --> 00:07:46,120 roll song. I think it's really gonna be good. So 139 00:07:47,399 --> 00:07:49,519 I don't know what it is. I can't tell you 140 00:07:50,040 --> 00:07:53,120 that the Yeah, I can't give you the answer that 141 00:07:53,279 --> 00:07:57,000 inspires me so much. Like I said, maybe my wife 142 00:07:57,000 --> 00:08:00,279 will pass away, maybe she's doing I don't know what's 143 00:08:00,319 --> 00:08:03,560 going on. I really don't have an answer for you. 144 00:08:04,199 --> 00:08:06,560 Speaker 1: Please do not move. There's more with Freddie Boom Boom 145 00:08:06,560 --> 00:08:10,519 Cannon coming up next the name of his new Christmas song, 146 00:08:10,720 --> 00:08:13,639 Red Coat Santa. We are back with rock and roll 147 00:08:13,720 --> 00:08:17,439 legend Freddie boom Boom Cannon. Well, Freddie, I'm a firm 148 00:08:17,439 --> 00:08:20,160 believer that you know there are transitions in life, but 149 00:08:20,240 --> 00:08:22,199 they never leave you. I always call it the Yoda 150 00:08:22,360 --> 00:08:24,759 fact because I believe that my mother, my sister, my 151 00:08:24,800 --> 00:08:28,319 father and brother are with me stronger today than what 152 00:08:28,360 --> 00:08:30,319 they were when they were here on the planet, and 153 00:08:30,439 --> 00:08:33,559 creativity levels are through the roof. I believe they're using 154 00:08:33,759 --> 00:08:37,320 us to continue being stronger on this planet. 155 00:08:39,039 --> 00:08:42,159 Speaker 2: Well, I think you put it in a line, very 156 00:08:42,279 --> 00:08:44,960 very nice words, a very good world, and I think 157 00:08:45,519 --> 00:08:48,320 that probably relates to me too. I think I feel 158 00:08:48,360 --> 00:08:52,799 the way you do. So uh, that's that's probably what 159 00:08:53,200 --> 00:08:54,639 I think you're right about that. 160 00:08:54,960 --> 00:08:57,480 Speaker 1: Well, because we need a song like Red Coat Santa 161 00:08:57,600 --> 00:08:59,759 to take us away from the realms of the real world. 162 00:08:59,840 --> 00:09:02,120 I need a song that I can sing with. I 163 00:09:02,159 --> 00:09:04,600 need to crank it up so loud that I can't 164 00:09:04,639 --> 00:09:06,679 hear myself singing out of tune. So therefore I'm just 165 00:09:06,720 --> 00:09:08,080 as brilliant as you are. 166 00:09:09,960 --> 00:09:12,039 Speaker 2: But you know what, if you was singing it, I 167 00:09:12,080 --> 00:09:14,279 heard you singing it, you wouldn't sing it out of 168 00:09:14,360 --> 00:09:17,240 tune because it's easy for you to. It's easy to 169 00:09:17,320 --> 00:09:22,120 remember this song. The song is so so easy. So yeah, 170 00:09:22,159 --> 00:09:25,039 it's so catchy you'd save it right on right along 171 00:09:25,080 --> 00:09:28,919 with me. So I'm not worried about that. But I 172 00:09:29,000 --> 00:09:31,360 just want to say, you know, it's on YouTube, so 173 00:09:31,559 --> 00:09:34,320 because people want to want to hear it off of YouTube, 174 00:09:34,360 --> 00:09:37,120 they can, and they can get it on the streaming 175 00:09:37,200 --> 00:09:40,960 on Spotify and Apple Music. 176 00:09:41,440 --> 00:09:44,039 Speaker 1: So what is that like for you to go from well, 177 00:09:44,159 --> 00:09:48,000 the days of w LS in Chicago, w NBC and 178 00:09:48,080 --> 00:09:50,519 all the big stations across the nation to now you're 179 00:09:50,559 --> 00:09:54,399 talking about YouTube. I mean, you are the full experience 180 00:09:54,519 --> 00:09:56,039 of the rock and roll journey. 181 00:09:58,080 --> 00:10:01,399 Speaker 2: Yeah, but I don't want I wish I didn't have 182 00:10:01,519 --> 00:10:06,039 to talk about Spotify and then they're streaming and everything. 183 00:10:06,320 --> 00:10:08,480 Because the days of the record business when you had 184 00:10:08,480 --> 00:10:11,960 a forty five yeah you know, or an EP uh 185 00:10:12,440 --> 00:10:16,840 you know, or an album, those are wonderful, exciting days. 186 00:10:17,360 --> 00:10:19,679 They extend the record out. They shook the record out. 187 00:10:19,919 --> 00:10:21,440 I mean, you know one hundreds of thousands of the 188 00:10:21,480 --> 00:10:27,919 records that was That was excitement. Today is excitement, but 189 00:10:28,240 --> 00:10:31,200 it's a different kind of excitement, you know what I mean, 190 00:10:31,240 --> 00:10:34,840 it's got you can't feel it. It has to be. 191 00:10:35,559 --> 00:10:38,120 You have to go looking forar on your computer and 192 00:10:38,559 --> 00:10:39,799 see how many hits you got. 193 00:10:40,559 --> 00:10:43,200 Speaker 1: That's so true, so addictive, so addictive. I don't know 194 00:10:43,200 --> 00:10:45,480 if you know this Boom boom, but the gentleman that's 195 00:10:45,480 --> 00:10:48,320 serving as your producer with iHeart today that that man 196 00:10:48,399 --> 00:10:51,840 right there, Bill, he's got a Christmas station. Man, I'm 197 00:10:51,879 --> 00:10:55,840 telling you what that dude is extending his creativity beyond 198 00:10:56,720 --> 00:10:59,679 beyond radio and streaming and things. He's making it available 199 00:10:59,679 --> 00:11:00,559 for every everybody. 200 00:11:01,320 --> 00:11:03,720 Speaker 3: And you know what, I'm going to play boom Boom 201 00:11:03,759 --> 00:11:06,120 song on our station this year without a doubt. 202 00:11:06,600 --> 00:11:12,120 Speaker 1: See boom boom Yeah. I mean, I mean you You 203 00:11:12,200 --> 00:11:15,240 are creating music that is reaching beyond what we think 204 00:11:15,440 --> 00:11:18,320 is music sharing. And because people that are building, it's 205 00:11:18,360 --> 00:11:20,840 no long's it's not any different than a home studio. 206 00:11:21,039 --> 00:11:23,759 We've got these these studios when it comes to extending 207 00:11:23,840 --> 00:11:26,440 radio and you're part of that journey as well. 208 00:11:28,320 --> 00:11:31,360 Speaker 2: Well, thank you and it makes me feel good. And 209 00:11:31,440 --> 00:11:34,440 I bet when you play a red Coat Stan on 210 00:11:34,559 --> 00:11:38,320 Josh speakers in the studio, I bet this sounds great 211 00:11:38,360 --> 00:11:39,240 on those speakers. 212 00:11:39,320 --> 00:11:39,919 Speaker 3: I bet right. 213 00:11:40,360 --> 00:11:41,080 Speaker 2: Yeah yeah. 214 00:11:41,240 --> 00:11:43,360 Speaker 1: Have you ever been in a radio station studio to 215 00:11:43,399 --> 00:11:46,080 hear our speakers and things? Because we love it loud 216 00:11:46,080 --> 00:11:49,080 and we love that boom boom Yeah. 217 00:11:49,120 --> 00:11:50,799 Speaker 2: I would love to be there to hear and would 218 00:11:50,799 --> 00:11:54,600 you play it? It's because you can hear everything you 219 00:11:54,639 --> 00:11:59,039 know on every instrument and coming through on those speakers. 220 00:11:59,080 --> 00:12:02,320 I'm sure that the way that band in the studio 221 00:12:02,399 --> 00:12:06,360 place made the song, you know. For me, I would 222 00:12:06,399 --> 00:12:09,799 love to hear it that way. But unfortunately I don't 223 00:12:09,840 --> 00:12:13,639 have speakers like that. Yeah, we do. 224 00:12:13,759 --> 00:12:16,759 Speaker 1: It's inside our imaginations. There's no set of speakers better 225 00:12:16,799 --> 00:12:22,840 than that one that's inside our head. All right, So 226 00:12:22,960 --> 00:12:24,840 let's talk about the production of the song. When you 227 00:12:24,919 --> 00:12:28,000 talk about where you can hear all of the instrumentations 228 00:12:28,000 --> 00:12:30,000 that are taking place, I want to know about that 229 00:12:30,080 --> 00:12:33,360 because we live in this compressed era where everything is 230 00:12:33,440 --> 00:12:36,159 so slammed together that we're not hearing the high ends 231 00:12:36,240 --> 00:12:38,480 or we're not hearing those bass notes. How are you 232 00:12:38,600 --> 00:12:40,960 able to sit with your engineers and get them to 233 00:12:41,000 --> 00:12:43,519 divide up that sound to where we get a total experience. 234 00:12:45,159 --> 00:12:47,799 Speaker 2: Well, when you have a good engineer like this guy, 235 00:12:48,440 --> 00:12:51,879 Jef pete Is, that's this studio in Pasadena. Well, you 236 00:12:51,879 --> 00:12:55,080 have a man like that, he knows just what to get. 237 00:12:55,360 --> 00:13:00,279 I mean, he's recorded everybody that he recorded the beach poison. Hey, 238 00:13:00,320 --> 00:13:02,320 I can go on and on with a bunch of people, 239 00:13:02,600 --> 00:13:05,519 but he knows when he saw, and he he when 240 00:13:05,559 --> 00:13:08,720 he heard this song being played back and they were 241 00:13:08,799 --> 00:13:12,559 rehearsing it with me in the studio. For some reason, 242 00:13:12,600 --> 00:13:15,759 he mustn't in his mind, he must have knew, Hey, 243 00:13:15,759 --> 00:13:18,600 I'm gonna make this thing rock. He said, I'm gonna 244 00:13:18,600 --> 00:13:23,000 make this thing and this is what I'm thinking. He's thinking, Hey, 245 00:13:23,039 --> 00:13:25,799 I'm gonna make this thing rock. I'm gonna give it, 246 00:13:26,200 --> 00:13:29,600 give it all I can and uh. And when he 247 00:13:29,720 --> 00:13:34,159 did it, he made he made the band down so great. 248 00:13:35,200 --> 00:13:38,919 You know, you know, the track is always it's just 249 00:13:39,000 --> 00:13:42,559 as much important as the songs. The track is as 250 00:13:42,639 --> 00:13:46,240 hot and really doing well, you're gonna have a good 251 00:13:46,360 --> 00:13:49,080 chance of having a hit if if the if the 252 00:13:49,399 --> 00:13:52,559 song is good and the melody is good, then you 253 00:13:52,559 --> 00:13:55,759 you gotta you're gonna have a hit. And that's exactly 254 00:13:55,799 --> 00:13:58,799 what he did. He get that track really you know, rocket, 255 00:13:58,840 --> 00:13:59,480 which is good. 256 00:14:00,080 --> 00:14:02,080 Speaker 1: But you know the official rules boom boom. When it 257 00:14:02,120 --> 00:14:03,960 comes to music, you've got to you've got to put 258 00:14:03,960 --> 00:14:05,320 it on a CD and go listen to it in 259 00:14:05,360 --> 00:14:07,120 the car, or you've got to take a walk and 260 00:14:07,200 --> 00:14:09,399 listen to it that way as well, because you're putting 261 00:14:09,399 --> 00:14:11,559 yourself in the position of where your listeners are going 262 00:14:11,600 --> 00:14:11,879 to be. 263 00:14:13,960 --> 00:14:19,279 Speaker 2: That's right, you know all that, that's true. Everything you're 264 00:14:19,320 --> 00:14:22,720 saying is very true. There's no question about it. You 265 00:14:22,840 --> 00:14:25,080 gotta you walk away, go in your car with us 266 00:14:25,120 --> 00:14:28,840 with a CD, uh, you know, and and listen to it. 267 00:14:29,039 --> 00:14:32,519 And sometimes you got to listen to it soft so 268 00:14:32,600 --> 00:14:35,279 you can hear how would be on a radio if 269 00:14:35,279 --> 00:14:37,919 you weren't turning it up. So if it all comes 270 00:14:37,960 --> 00:14:41,559 through a little little softer. But I don't like it 271 00:14:41,600 --> 00:14:44,120 that way. I have to. I have to crank it 272 00:14:44,159 --> 00:14:46,919 when I when I, when I say that's song, I 273 00:14:46,960 --> 00:14:48,440 got to crank it up, just like you. 274 00:14:48,840 --> 00:14:50,399 Speaker 1: Oh my god, that's so funny. You just brought up 275 00:14:50,440 --> 00:14:52,720 a program director memory for me in the way that 276 00:14:52,759 --> 00:14:54,759 program directors used to tell me, turn it down, turn 277 00:14:54,799 --> 00:14:56,759 it down, turn it down to almost a whisper, because 278 00:14:56,759 --> 00:14:59,440 that's how listeners are listening. I don't want to believe that. 279 00:14:59,559 --> 00:15:02,240 I want to believe that when when your song Redcoat 280 00:15:02,279 --> 00:15:05,559 Santa is on, it is blaring and somebody's about ready 281 00:15:05,600 --> 00:15:07,679 to call the cops because you're breaking the noise. 282 00:15:07,480 --> 00:15:11,879 Speaker 2: Rules, that's right, and they're dancing to it, you know, 283 00:15:11,960 --> 00:15:15,879 they they hear that song, it's not dancing. That's the 284 00:15:15,879 --> 00:15:18,159 way that you're right, that's the way it should be played, 285 00:15:18,559 --> 00:15:21,360 to not be played softly. You know, it's not a 286 00:15:21,399 --> 00:15:24,840 soft song. It's a rock. It's a rock and roller. 287 00:15:25,360 --> 00:15:28,679 You know, and I'm very proud of it. I'm proud 288 00:15:28,720 --> 00:15:31,159 to say it that way because that's what it is 289 00:15:31,159 --> 00:15:33,240 that I know. You know, that's what it is that 290 00:15:33,440 --> 00:15:36,720 you that's you're into that kind of stuff. You're into 291 00:15:36,759 --> 00:15:41,720 that music like I am, and you're on radio and 292 00:15:41,759 --> 00:15:44,519 i'm and I'm a writer and a singer and a writer. 293 00:15:45,159 --> 00:15:48,960 So and we think the same way. You know. That's it. Wow. 294 00:15:49,279 --> 00:15:51,240 Speaker 1: So can you talk about those other two songs that 295 00:15:51,240 --> 00:15:52,919 you've panned out or are we gonna have to reschedule 296 00:15:52,919 --> 00:15:56,759 a conversation because I never want to stop promoting you, sir, We're. 297 00:15:56,600 --> 00:16:00,600 Speaker 2: Gonna have to reschedule. I gotta go to the studio. 298 00:16:01,240 --> 00:16:04,679 I won't cut this this stuff and do anything until 299 00:16:04,720 --> 00:16:08,519 probably April of next year. Wow, I'll wait a little while. 300 00:16:08,519 --> 00:16:11,960 I don't want to, you know, jump into a studio 301 00:16:12,639 --> 00:16:15,120 in the meantime, I'm still writing other stuff. But I'd 302 00:16:15,200 --> 00:16:18,440 rather just wait until. Yep, you know, I can. I 303 00:16:18,480 --> 00:16:20,879 can give you one title of one of the songs 304 00:16:20,919 --> 00:16:23,080 that I and I'll give you the title. Is that 305 00:16:23,120 --> 00:16:23,440 all right? 306 00:16:23,759 --> 00:16:25,240 Speaker 1: That's cool. I'd love to hear it, man. 307 00:16:26,559 --> 00:16:28,639 Speaker 2: That's the title is called one of the titles of 308 00:16:28,799 --> 00:16:31,919 song I just wrote his call. All she wants to 309 00:16:32,000 --> 00:16:32,879 do is dance. 310 00:16:33,639 --> 00:16:36,639 Speaker 1: Nice because she does. I'm a DJ man. I understand 311 00:16:36,639 --> 00:16:38,360 that all she wants to do is dance. She wants 312 00:16:38,399 --> 00:16:41,000 to be on that floor. Every bride, every mother in law, 313 00:16:41,120 --> 00:16:42,559 every mother, they all want to be out there on 314 00:16:42,600 --> 00:16:44,399 that floor dance. And she does want to dance. 315 00:16:46,600 --> 00:16:49,080 Speaker 2: Yeah, that's it, And I think that's going to be 316 00:16:49,120 --> 00:16:51,600 a good one. But anyway, then I gets some other ones. 317 00:16:51,639 --> 00:16:54,600 But I don't want to do anything till later, like 318 00:16:54,639 --> 00:16:57,519 I said, But I hope we talk again and we 319 00:16:57,559 --> 00:17:01,000 can you know, and then be be playing a new 320 00:17:01,080 --> 00:17:05,400 song again. Hopefully that'll work, you know, we'll see. Wow. 321 00:17:05,440 --> 00:17:07,119 Speaker 1: Well, you've got to come back to this show anytime 322 00:17:07,160 --> 00:17:08,880 in the future. The door is always going to be open, 323 00:17:08,960 --> 00:17:10,880 mister Freddie Boom boom Cannon. 324 00:17:12,480 --> 00:17:15,799 Speaker 2: Thank you, my friend. Happy Thanksgiving and a merry Christmas 325 00:17:15,799 --> 00:17:17,880 to you and all of the people at all of 326 00:17:17,880 --> 00:17:18,720 you are listeners. 327 00:17:18,759 --> 00:17:20,599 Speaker 1: Thank you so much, sir. Be brilliant today.