WEBVTT

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<v Speaker 1>It's moisturize, the new all new Roley nine o three cigarette.

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<v Speaker 1>Listen that Jenny Fresh Pure Moisture stands for the new

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<v Speaker 1>different moisturize Roley nine o three.

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<v Speaker 2>You Blend you Taints you Freshness.

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<v Speaker 1>It's the new all new moisturize Royally nine o three

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<v Speaker 1>from Hollywood, The Roly Cigarette Program starring Red Skelton with

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<v Speaker 1>David Forrester and his orchestra, a singing starr, Nita Alis,

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<v Speaker 1>g G Pearson, Berna Falton, Pat McGee and wonder.

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<v Speaker 3>Ba Smith say something about Earl Wilson and.

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<v Speaker 2>Yours Chorliard O'Connor.

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<v Speaker 3>That's a pleasure to bring him up with rolling mans.

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<v Speaker 4>Bop Din committed in on a star the Rolling Cigarette Program,

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<v Speaker 4>Red Help, thank.

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<v Speaker 3>You very much, and good evening, ladies and gentlemen.

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<v Speaker 1>Nine o three ride nine o three Red and say,

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<v Speaker 1>how come we don't have any jokes on our opening tonight.

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<v Speaker 5>Well, because there's a great guy called burl Ives who's

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<v Speaker 5>going to the hospital and we hear that he's pretty sick,

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<v Speaker 5>and our mean little kid Junior happens to be one

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<v Speaker 5>of his biggest fans, so he wants to sing a

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<v Speaker 5>song for Burrow Okay.

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<v Speaker 1>Junior allows sing one of Burl Eyre's most famous numbers,

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<v Speaker 1>the Fox, and dedicated to Burl.

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<v Speaker 5>Ives Thank you, Hey, Mike and Barney Cashel. He's going

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<v Speaker 5>to pay the incument for me. Fox went out on

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<v Speaker 5>a chilling night pray for the more before to give

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<v Speaker 5>him life. Fight many a mile ago that night, before

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<v Speaker 5>he reached the town. Oh, the town or the cown.

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<v Speaker 5>No go many a mile togo that night before he

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<v Speaker 5>reached the town. No, he went til it came to

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<v Speaker 5>a great big pin. What reduction of geiche were kept going?

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<v Speaker 5>Couple you're gonna grease my chin before I leave this town?

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<v Speaker 6>Oh town, oh town?

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<v Speaker 2>No couple of you gonna grease my chin afore I

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<v Speaker 2>leave this town. No.

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<v Speaker 5>He grabbed a gray goose by the neck threw the

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<v Speaker 5>duck across the bat. He didn't mind, now, quack quack clacker,

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<v Speaker 5>you aint gee dangling down.

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<v Speaker 7>Down?

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<v Speaker 5>No, he didn't mind, now, quack quack quacker, you ain't.

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<v Speaker 3>Joe dangling down.

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<v Speaker 5>Then old mother flipper Upper jumped out of bed. How

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<v Speaker 5>did the winter?

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<v Speaker 2>She cocked her head.

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<v Speaker 5>Frank John John, the gray Goosey's gone, and the foxes

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<v Speaker 5>on the town oh town, Oh town, No friend John, John,

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<v Speaker 5>the gray goose is gone.

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<v Speaker 2>The foxes on the town. Oh then John.

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<v Speaker 5>He went to the top of the He blew his

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<v Speaker 5>horn boats louden filled. Foxy said about a free with

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<v Speaker 5>Makilla soon.

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<v Speaker 3>Be on my trailroad.

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<v Speaker 2>Traiload.

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<v Speaker 5>Hello, Foxy said about a free with makilla is soon

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<v Speaker 5>beyond my railroad. He went till he came to his cozy.

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<v Speaker 3>Then never the widow one eight nine ten.

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<v Speaker 5>And they said that you better go back again, cause

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<v Speaker 5>it must be a mighty fine town or town. And

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<v Speaker 5>he said that you better go back again, cause it

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<v Speaker 5>must be a mighty fine town. When the fox and

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<v Speaker 5>his wife went out in his stripe, had up to

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<v Speaker 5>go with a falking night.

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<v Speaker 6>Nana had set.

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<v Speaker 5>Supper in your life.

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<v Speaker 2>And the widow when stewed.

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<v Speaker 5>On the bones over the bones or the bones of Nana,

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<v Speaker 5>had a supper in your life. And the widow win

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<v Speaker 5>stewed on the bones, Oh, ladies and jasmin. A few

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<v Speaker 5>weeks ago, as you remember, I tried to point out

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<v Speaker 5>that listening to a few minutes of commercial was a

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<v Speaker 5>mighty small admission for some of the greatest entertainment in

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<v Speaker 5>the world, and believe me, I held my breath when

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<v Speaker 5>I said it. But tonight I wanted to express my

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<v Speaker 5>appreciation for the thousands of letters I've received and for

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<v Speaker 5>your thoughtfulness in taking what I said to heart. Thanks

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<v Speaker 5>to to such magazines as Tied, Billboard, Broadcasting, Radio Life,

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<v Speaker 5>and variety papers like The Times, Daily News, Herald, Express, Examiner,

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<v Speaker 5>Hollywood Citizen News, and hundreds of others across the country.

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<v Speaker 5>It was really gratifying to get such a tremendous response.

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<v Speaker 5>I also gave away the secret of nine O three

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<v Speaker 5>that night. I told you that nine O three stood

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<v Speaker 5>for Rolly's new great moisturized blend, and friends, thousands of

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<v Speaker 5>cigarette dealers all over the United States told me how

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<v Speaker 5>you immediately came in and bought Rolly's, how much you

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<v Speaker 5>liked them, how much you agreed that the good things

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<v Speaker 5>I said about the Noon roysterr Eyes Raley were true,

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<v Speaker 5>and that was a mighty big compliment. We are a

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<v Speaker 5>happy that you've tried them and found them to your

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<v Speaker 5>liking friends. The new Rawley is a wonderful cigarette. I

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<v Speaker 5>personally feel Rallies will soon be the leading cigarette in

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<v Speaker 5>the United States. This new moisturizing process is the greatest

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<v Speaker 5>forward step in cigarette manufacturing in the last twenty five years.

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<v Speaker 5>Thanks for listening, and now to get off my cigarette box.

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<v Speaker 5>Let Anita Ella step up and sing. I close my eyes,

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<v Speaker 5>listen every.

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<v Speaker 3>Lesson and.

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<v Speaker 8>I'll see you step lock my home.

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<v Speaker 2>To any other I love, say yes.

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<v Speaker 8>To a new lot of face.

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<v Speaker 3>I'll close.

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<v Speaker 8>To everything let's gain.

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<v Speaker 2>If you will not to share each lovely day.

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<v Speaker 8>Plan through the smallments, small, I'll close.

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<v Speaker 2>My minds and see you.

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<v Speaker 8>I'll close lose my.

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<v Speaker 2>To everything that's scary.

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<v Speaker 3>If you are not there.

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<v Speaker 2>To share each lovely day.

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<v Speaker 9>And th.

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<v Speaker 2>Smaments world? Are you clean my han scene.

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<v Speaker 4>More?

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<v Speaker 2>Thank you very much, Anita tonight.

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<v Speaker 5>The stories and poem from the Skelton scrap Book of

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<v Speaker 5>Satire are about.

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<v Speaker 1>Dancing sheepherder his daughter out west danced with a cattleman's

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<v Speaker 1>son and Jess and the big Burley fella who said

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<v Speaker 1>her partner was Yeller got extra buttonhole shot in his vest.

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<v Speaker 1>Who Chapter one is opened the West for dancing.

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<v Speaker 8>Whoo horse for.

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<v Speaker 2>Well here we are back in. Tell wonderful what you playing.

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<v Speaker 10>I'm heading home, but I showed dreaded. My wife will

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<v Speaker 10>grab me and kiss me? What wrong were they kissing

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<v Speaker 10>that woman is like having a potter on right. Smack

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<v Speaker 10>damn your fees.

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<v Speaker 6>I thought maybe she was gonna kiss you by removed control,

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<v Speaker 6>kiss a bull bat and then pass it on to you.

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<v Speaker 2>So what are you going to do tonight?

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<v Speaker 6>That I women t r O U.

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<v Speaker 2>B l E.

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<v Speaker 10>Women.

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<v Speaker 3>Anybody went over to the Red Devil saloon and watch

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<v Speaker 3>them dancing girls.

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<v Speaker 2>I sure like dance.

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<v Speaker 10>You used to say dancing must persiss.

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<v Speaker 6>That was before my bubblegum lost its snap. I came

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<v Speaker 6>from a dancing family. You know my father loved dancing.

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<v Speaker 2>Did he used to do the square dancer? Oh he

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<v Speaker 2>was too crooked for that one. He couldn't do.

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<v Speaker 6>Anything on that square. He died dancing though. I'll never

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<v Speaker 6>forget his last words.

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<v Speaker 2>Son. He said, I'm gonna the end of my rope.

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<v Speaker 2>He says, the jig is up. And I took my

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<v Speaker 2>knife and come down.

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<v Speaker 10>And I see by that band over there that the

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<v Speaker 10>Better Business League is given a dance to night. Oh,

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<v Speaker 10>they've got instructors over They had to teacher the new walls.

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<v Speaker 6>Well, I think I'll go in and see what they

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<v Speaker 6>can warn me. See you lear, okay, hoary man.

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<v Speaker 2>What is this trick or treat. I just dropped in

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<v Speaker 2>to pick up the newest jig.

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<v Speaker 5>You know anything at all about dancing?

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<v Speaker 2>It's done with girls.

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<v Speaker 5>That's the latest fast.

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<v Speaker 9>Yeah.

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<v Speaker 6>I usually have a girl with one of them bullet

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<v Speaker 6>a ballet. She could really bounce her on that stage.

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<v Speaker 5>A light on her feet, Oh, she always lit on

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<v Speaker 5>her head.

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<v Speaker 2>I love that girl. Why didn't you marry her? She

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<v Speaker 2>was kind of stupid.

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<v Speaker 3>She wore one of them ballet dresses with four inches

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<v Speaker 3>above her knees.

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<v Speaker 11>Oh, ballet dancers wear dresses four inches above their knees.

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<v Speaker 2>Yeah, but her knees was only three inches above her ankle.

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<v Speaker 3>If you're going to.

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<v Speaker 5>Dance, first thing you'd have to do is a load

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<v Speaker 5>that artillery.

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<v Speaker 2>Okay, man, how about the one under my arm?

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<v Speaker 6>Now, ma'am, what dance do you think would be most

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<v Speaker 6>advisable to.

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<v Speaker 2>Learn for enough?

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<v Speaker 11>Well, tonight the walls will be featured.

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<v Speaker 3>I'll teach you the.

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<v Speaker 11>Basic fundamentals now in the walls, as in all dancing,

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<v Speaker 11>the gentleman leaves.

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<v Speaker 6>I leave it.

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<v Speaker 2>Okay, what's wild?

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<v Speaker 3>Part away?

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<v Speaker 11>Now, you place your right arm gently around the lady's waist,

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<v Speaker 11>and you hold.

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<v Speaker 8>Her right hand gently in your left hand.

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<v Speaker 3>Now do you know what you do next?

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<v Speaker 6>Yeah?

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<v Speaker 2>Feel to see if my wallet's still there.

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<v Speaker 11>Now I have stopped the victroller Okay, are you ready?

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<v Speaker 3>You just climbed?

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<v Speaker 10>Why won't do?

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<v Speaker 2>How am I doing?

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<v Speaker 6>Man?

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<v Speaker 8>You do a lot of roller skating, don't you?

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<v Speaker 2>I could do better? But this four is a little lumping.

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<v Speaker 3>Those lumps on the floor are my feet?

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<v Speaker 2>Oh I'm sorry, ma'am, am I stepping on your feet.

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<v Speaker 6>If you aren't, I should stop trying to put your

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<v Speaker 6>feet in my shoes.

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<v Speaker 2>I think I got it now one? You before one?

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<v Speaker 2>Due before one?

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<v Speaker 3>Have you had lessons?

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<v Speaker 2>Or does the turkey trop just come to you?

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<v Speaker 6>Not for Oh?

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<v Speaker 2>I think my red planels are sneaking up one.

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<v Speaker 3>All the record broke good For a minute, I thought

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<v Speaker 3>my ear had a crack in it.

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<v Speaker 6>Never mind putting on another record, ma'am. I think I'll

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<v Speaker 6>be dancing tonight over at the Red Devil's Loop.

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<v Speaker 11>Oh, but we need men like you at the dance

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<v Speaker 11>as a shining example that those who didn't believe and

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<v Speaker 11>refined social evenings. And we're trying to raise enough money

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<v Speaker 11>for a dance pavilion.

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<v Speaker 2>We have a gate out and to make it a success.

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<v Speaker 5>We'll need two men for every girl.

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<v Speaker 2>Well, that must be awful clumsy dance in that way,

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<v Speaker 2>you do.

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<v Speaker 11>Decide to come back to our dance, I'll save my

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<v Speaker 11>first one for you.

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<v Speaker 2>Thank you, man.

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<v Speaker 5>Why do you stand there looking.

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<v Speaker 4>At me like that?

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<v Speaker 6>I find it difficult to tear myself away? Really, Yeah,

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<v Speaker 6>my spurs caught in the hem or your dread? Well

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<v Speaker 6>say there are not many people here at the Red

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<v Speaker 6>Devil tonight on there after all over that that big dance?

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<v Speaker 6>Yeaes sir's kind of dating here for Saturday night.

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<v Speaker 1>Yeah, mighty dad, I see the boss's partners playing a

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<v Speaker 1>game of Solitaire.

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<v Speaker 6>I knew one of these days he'd catch himself cheating.

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<v Speaker 6>Hight he dedn't here tonight?

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<v Speaker 2>It's getting better.

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<v Speaker 6>Well, look who's coming across the street? My old bull

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<v Speaker 6>lea dal claimant tine. She ain't the bull legged noldn

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<v Speaker 6>How comes you can walk on both sides of the

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<v Speaker 6>street at once?

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<v Speaker 2>Do you mind ifi a horn in Jedi?

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<v Speaker 5>Why don't you take me to the dance.

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<v Speaker 2>It's an exclusive affair. They only allow our human beings

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<v Speaker 2>there tonight. Oh, come on, let's go to the dance,

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<v Speaker 2>don't you like the terps of corry. Is it in't you? Well,

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<v Speaker 2>I guess the word's okay. The sensors lift it in.

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<v Speaker 8>I really think you ought to go to the dance,

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<v Speaker 8>did I see? Two gun is mad because the dance

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<v Speaker 8>hurt the Saturday night business. So it's henchmen are going

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<v Speaker 8>to break it up.

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<v Speaker 3>Well he is, Eh, Well, I'll tell you what I'm

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<v Speaker 3>gonna do as soon as I find it.

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<v Speaker 2>Oh you, he can't do that, the citizen.

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<v Speaker 6>The citizens aimed a bring refined dance into the West,

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<v Speaker 6>and I am aiming to help, even if I have

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<v Speaker 6>to aim.

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<v Speaker 2>There's a brilliant teaching.

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<v Speaker 6>All right, boys, you got your orders?

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<v Speaker 2>Ah you that two guns? You're just not trouble.

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<v Speaker 6>Yeah, you're on my signd No, but I'll be on

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<v Speaker 6>your neck the first wrong move you made?

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<v Speaker 5>And did I did you came?

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<v Speaker 11>I say the first dance like I said, I'll take it.

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<v Speaker 6>Miss.

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<v Speaker 2>Put that knife away, two Gun. There's no cutting in

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<v Speaker 2>at this dance. I didn't want to have any trouble

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<v Speaker 2>with you, did I The wise guy?

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<v Speaker 3>The last guy I hit was arrested for flying without

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<v Speaker 3>a license.

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<v Speaker 1>I said, I take the first dance, miss. Besides a

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<v Speaker 1>little prairie chicken like you don't want to dance with

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<v Speaker 1>no criminals?

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<v Speaker 2>Know why you big crooked, You're wanted in more towns

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<v Speaker 2>than sugar. I'll get yourself out of here.

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<v Speaker 6>I'm taking this dance before you take your hand off

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<v Speaker 6>of my shoulder. As a friendly little tip, you better

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<v Speaker 6>feel that muscle in my own uh uh huh?

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<v Speaker 2>Did you feel my muscle?

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<v Speaker 6>Yeah?

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<v Speaker 2>Could you tell me how you did it? I never

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<v Speaker 2>could find it. Show me dance again. You take one

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<v Speaker 2>step to on that floor. Take your hand over that gun.

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<v Speaker 2>There's ladies presents. Maybe the ladies would like to leave.

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<v Speaker 2>They left before I asked him. I'd like a couple

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<v Speaker 2>of words with you too, guys.

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<v Speaker 6>I hope I made myself clear. Ladies, the dancing will

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<v Speaker 6>now continue. Thank you, dead Eyes, Thank you, ma'am.

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<v Speaker 2>I'll have the dance that you promised me. Music, sage brush.

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<v Speaker 4>More, won't you campra Dead Eye?

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<v Speaker 11>Don't you think we should remove the bodies off the

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<v Speaker 11>dance floor?

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<v Speaker 6>Yeah, until the West gets accustomed to party dancing, we'd

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00:17:25.359 --> 00:17:28.680
<v Speaker 6>better build that provision with slanting dance floors so that

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<v Speaker 6>the bodies can just roll the one side.

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<v Speaker 2>And now, ladies and gentlemen.

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<v Speaker 5>Our second commercial will word from our sponsors thanks for

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00:17:44.000 --> 00:17:46.119
<v Speaker 5>buying Raleigh's nine oh three cigarettes.

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<v Speaker 2>That's all, And now David Foster and.

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<v Speaker 5>His Raleigh Cigarette artist will play one of Jerome Kern's favorites,

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<v Speaker 5>Smoke Gets in Your.

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<v Speaker 9>Eyes School.

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<v Speaker 7>Mus one, Chapter two, Diamond Dance. Willie lamp Plomp of

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00:21:05.880 --> 00:21:08.359
<v Speaker 7>the Diamond Dance tried a new step and very tight

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<v Speaker 7>pants on a slick floory trip.

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<v Speaker 2>There was a very long rip.

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<v Speaker 1>He left the floor in a very stiff stands.

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<v Speaker 2>Going on in alcohol.

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<v Speaker 6>Boys, pretty girls, beautiful dancing partners, New York Finals.

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<v Speaker 2>Can't sit today. Hey, I want a taste for a

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<v Speaker 2>girl like it looks like.

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00:21:35.359 --> 00:21:38.559
<v Speaker 3>Hey the borre oh Wilson's Tom Why Reggie go?

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00:21:38.720 --> 00:21:42.200
<v Speaker 2>Girls look like he girls look like hell you Moore?

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00:21:42.640 --> 00:21:45.559
<v Speaker 6>Well look we had them that looked like Leanna Turner,

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00:21:45.599 --> 00:21:46.880
<v Speaker 6>Betty Grateful and Jane.

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<v Speaker 5>Russell your heady the wish. Well, there must be another

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00:21:51.400 --> 00:21:52.559
<v Speaker 5>dance hall around here.

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<v Speaker 3>You know you will end, but to look at me.

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<v Speaker 2>I want a dancing cup.

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<v Speaker 6>For a loving wife, say friend, you mean a loving

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00:22:08.519 --> 00:22:12.200
<v Speaker 6>cup for dancing is when the Bunny hugg was bought

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<v Speaker 6>an I don't.

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<v Speaker 3>Like Please if you don't mind, move on, Move on.

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00:22:16.359 --> 00:22:18.039
<v Speaker 2>It's a peaceful life. Let's keep it that way. Why

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00:22:18.119 --> 00:22:21.960
<v Speaker 2>a peaceful night though? Look at them stars in the sky.

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00:22:22.839 --> 00:22:26.759
<v Speaker 2>Look there's a falling comment that's an airplane, right, it's

318
00:22:26.880 --> 00:22:28.200
<v Speaker 2>a falling comber.

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00:22:33.680 --> 00:22:36.720
<v Speaker 3>Fair coll the airport and tell him a comet's gonna land.

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00:22:36.839 --> 00:22:41.920
<v Speaker 2>Now, okay, why let you go home? If I could

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00:22:41.960 --> 00:22:46.319
<v Speaker 2>find away home, I wouldn't be here right, go home?

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<v Speaker 6>But do you know this very moment, Sam Broklyn might

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00:22:49.279 --> 00:22:51.799
<v Speaker 6>be breaking into your home and your wife is all alone.

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00:22:52.680 --> 00:22:55.960
<v Speaker 2>Doesn't that worry? It's too late to warn them. Now,

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00:22:59.359 --> 00:23:02.200
<v Speaker 2>I got a few bucks, I'm gonna dance. I'm gonna

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00:23:02.279 --> 00:23:05.240
<v Speaker 2>I don't think they'll let you in. Oh yes you will.

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<v Speaker 2>I got the birds tire.

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<v Speaker 3>The other night I followed the girl home and I

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00:23:12.200 --> 00:23:14.359
<v Speaker 3>said to her, and I quote.

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00:23:18.400 --> 00:23:19.359
<v Speaker 2>She wouldn't let me in.

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<v Speaker 6>I says, you open up that door.

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00:23:21.799 --> 00:23:27.160
<v Speaker 2>I'll kick it in. What happens, what happens?

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00:23:27.480 --> 00:23:36.440
<v Speaker 12>Hace comes up Thursday. I think I'm going to dance

334
00:23:36.480 --> 00:23:37.559
<v Speaker 12>a few hot dancers.

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00:23:38.000 --> 00:23:42.319
<v Speaker 2>Were you contract? I gotta come with me.

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00:23:42.400 --> 00:23:43.640
<v Speaker 1>I'll treat her dance.

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00:23:43.839 --> 00:23:45.160
<v Speaker 2>No, no, no thanks?

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00:23:45.240 --> 00:23:48.559
<v Speaker 1>Now you see my wife don't like me dancing withother men?

339
00:23:55.640 --> 00:24:01.880
<v Speaker 2>What do you say? Hey, where are you going? Take

340
00:24:02.000 --> 00:24:05.640
<v Speaker 2>your hands off of me? We better stole and all

341
00:24:05.720 --> 00:24:07.119
<v Speaker 2>the music's not gonna come in?

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00:24:07.279 --> 00:24:08.039
<v Speaker 3>Why you're come.

343
00:24:18.119 --> 00:24:24.200
<v Speaker 2>If the leader is wrong? Look, but I don't like

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00:24:24.319 --> 00:24:29.359
<v Speaker 2>your face. Well then we got something in common. I

345
00:24:29.519 --> 00:24:34.240
<v Speaker 2>really get lost in that wood some day. I just

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00:24:34.400 --> 00:24:36.000
<v Speaker 2>came in to dances. Gone.

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00:24:36.480 --> 00:24:37.160
<v Speaker 1>You got a dime?

348
00:24:37.359 --> 00:24:39.039
<v Speaker 3>Yeah, I got thirty dollars by.

349
00:24:38.880 --> 00:24:42.240
<v Speaker 2>Time, I guess hit a chopping machine. Well you were lucky.

350
00:24:43.279 --> 00:24:44.920
<v Speaker 3>I sure what good thing that acts?

351
00:24:45.079 --> 00:24:51.000
<v Speaker 2>Was there? You mean you're cheated? I put a nickel inside.

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00:24:52.519 --> 00:24:54.240
<v Speaker 2>You can come back some other time and dance. No,

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00:24:54.359 --> 00:24:57.480
<v Speaker 2>I can't even my wife. He lets me out on Wednesday.

354
00:24:59.119 --> 00:24:59.920
<v Speaker 2>This is Tuesday.

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00:25:00.359 --> 00:25:06.559
<v Speaker 6>I made w l next morning she forgot to put

356
00:25:06.599 --> 00:25:09.759
<v Speaker 6>the man whole cover on tight and we're in the

357
00:25:09.839 --> 00:25:12.519
<v Speaker 6>beautiful girls standing inside there.

358
00:25:13.160 --> 00:25:15.799
<v Speaker 2>Let go in take a cander. I am okay, but

359
00:25:15.880 --> 00:25:19.839
<v Speaker 2>I'm warning you the first wrong move out you go. Look,

360
00:25:20.039 --> 00:25:24.279
<v Speaker 2>I'm a dent to my eye. You got nice looking women.

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00:25:24.480 --> 00:25:27.200
<v Speaker 2>Oh your nice class of people. Look there, Philippindick.

362
00:25:27.319 --> 00:25:28.599
<v Speaker 3>They paed me, misdick.

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00:25:28.680 --> 00:25:31.559
<v Speaker 2>Could I have your autographic? I'll give you a poison

364
00:25:31.839 --> 00:25:36.519
<v Speaker 2>lies guy. I'm sorry. I was like you, Phildick.

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00:25:39.240 --> 00:25:42.000
<v Speaker 1>You know it was his father. I warn you, Bob,

366
00:25:43.319 --> 00:25:45.559
<v Speaker 1>I'm going selling our hostess, and she happens to be

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<v Speaker 1>a debutante.

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00:25:46.599 --> 00:25:49.599
<v Speaker 2>She just came out last year. Look from a gopher hole.

369
00:25:53.200 --> 00:25:55.400
<v Speaker 6>If you have a license you carry that fake you

370
00:25:55.480 --> 00:25:57.799
<v Speaker 6>know it's a concealed whiff and the barber's doll.

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00:25:58.960 --> 00:26:01.640
<v Speaker 1>Here comes a nice girl, one of my most popular hostesses.

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00:26:01.759 --> 00:26:04.640
<v Speaker 3>Say she is different and I like to wear her

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<v Speaker 3>arms TechEd the floor when she walks.

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<v Speaker 8>He here's the guy with a rocket head. My name's

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00:26:12.359 --> 00:26:19.160
<v Speaker 8>William lumplum ny and tried penicillin. Alright, do you want

376
00:26:19.200 --> 00:26:19.640
<v Speaker 8>to dance?

377
00:26:19.920 --> 00:26:21.519
<v Speaker 2>Do you think it would be an even mec What

378
00:26:21.599 --> 00:26:23.160
<v Speaker 2>are you waving? Weighing in at huh?

379
00:26:24.599 --> 00:26:26.599
<v Speaker 8>A wise guy? Well, what's wrong with me?

380
00:26:28.279 --> 00:26:30.599
<v Speaker 3>You're like Hendie Lamar bank Grave, A lot of tighter

381
00:26:30.960 --> 00:26:33.000
<v Speaker 3>menial I all rolled into one.

382
00:26:33.319 --> 00:26:38.720
<v Speaker 8>Oh I'm like that beautiful, that big Well, why your

383
00:26:38.839 --> 00:26:41.519
<v Speaker 8>dance ticket? Confused before I get a little ben zane and.

384
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<v Speaker 3>Remove you, Okay, here's my time.

385
00:26:44.759 --> 00:26:45.599
<v Speaker 8>Well, here's your ticket.

386
00:26:45.720 --> 00:26:46.720
<v Speaker 2>Okay, let's dance.

387
00:26:50.720 --> 00:26:51.119
<v Speaker 4>That's all.

388
00:26:55.160 --> 00:26:57.000
<v Speaker 2>What was the ticket for Sweden?

389
00:27:03.799 --> 00:27:04.559
<v Speaker 8>Another time?

390
00:27:04.920 --> 00:27:07.839
<v Speaker 6>I think I can't even get a chance to breeze.

391
00:27:09.440 --> 00:27:13.240
<v Speaker 6>I blinked and I missed the whole fair. I want

392
00:27:13.279 --> 00:27:13.839
<v Speaker 6>to dance.

393
00:27:14.640 --> 00:27:16.480
<v Speaker 8>Look, if you want the next dance, it will cost

394
00:27:16.519 --> 00:27:17.559
<v Speaker 8>you another tendance.

395
00:27:17.759 --> 00:27:20.240
<v Speaker 2>Look, here's a dollar. Let's move her feet this time.

396
00:27:20.359 --> 00:27:28.839
<v Speaker 8>You want to pray me, not for the next dance.

397
00:27:31.039 --> 00:27:36.240
<v Speaker 2>You mean it? All songs don't stay popular home.

398
00:27:38.200 --> 00:27:40.440
<v Speaker 8>What do you expect for a time a symphony?

399
00:27:40.839 --> 00:27:42.400
<v Speaker 2>I don't want no sympathy.

400
00:27:42.599 --> 00:27:47.119
<v Speaker 6>No, I came in here to dance a regular dance.

401
00:27:47.480 --> 00:27:52.400
<v Speaker 6>If you don't know I like a dance, who makes

402
00:27:52.440 --> 00:27:53.400
<v Speaker 6>the arrangements?

403
00:27:53.519 --> 00:27:59.480
<v Speaker 2>Readers die? I didn't even get a chance to flex mal.

404
00:28:01.599 --> 00:28:03.240
<v Speaker 8>Are you looking for trouble?

405
00:28:03.480 --> 00:28:05.759
<v Speaker 2>No? But if I know him, the dances were next doort.

406
00:28:05.799 --> 00:28:07.920
<v Speaker 2>I wouldn't have taken off my gul like dude.

407
00:28:09.400 --> 00:28:12.039
<v Speaker 8>They look sincetic. Brain, you got your money worth.

408
00:28:12.160 --> 00:28:12.640
<v Speaker 6>Let's sit on.

409
00:28:12.839 --> 00:28:14.200
<v Speaker 8>I'm tired, and I'm tired.

410
00:28:14.279 --> 00:28:15.119
<v Speaker 2>I don't want to say that.

411
00:28:15.119 --> 00:28:18.079
<v Speaker 3>I don't want to dance the joints of chips.

412
00:28:18.319 --> 00:28:20.480
<v Speaker 8>So long the manager here?

413
00:28:20.640 --> 00:28:22.400
<v Speaker 2>Yeah, who's the managers?

414
00:28:22.440 --> 00:28:24.640
<v Speaker 8>Get six foot two guy over there with the muffling.

415
00:28:24.759 --> 00:28:28.599
<v Speaker 3>I don't care if they put fifteen inchest go I

416
00:28:28.799 --> 00:28:30.759
<v Speaker 3>repeat it is a chip.

417
00:28:30.920 --> 00:28:33.480
<v Speaker 2>Joy, I want out your going.

418
00:28:33.559 --> 00:28:36.440
<v Speaker 4>I got my collar in and somebody over that dog.

419
00:28:36.640 --> 00:28:38.720
<v Speaker 2>Over the the time.

420
00:28:41.759 --> 00:28:44.200
<v Speaker 3>Where you're falling, the way I come out, I didn't

421
00:28:44.240 --> 00:28:46.880
<v Speaker 3>have much joy, I see it.

422
00:28:47.000 --> 00:28:47.799
<v Speaker 2>Just stay out of here.

423
00:28:47.880 --> 00:28:50.400
<v Speaker 3>But I'm let's be fair about that. We'll flip a

424
00:28:50.480 --> 00:28:53.200
<v Speaker 3>coin headsdyke, damn tails. I get the money back.

425
00:28:53.559 --> 00:28:56.599
<v Speaker 2>Okay, they got a coin's good, but then I'll flip

426
00:28:56.680 --> 00:29:04.480
<v Speaker 2>it my least. Wait, I got out in my pocket.

427
00:29:11.920 --> 00:29:15.160
<v Speaker 1>Then more of Fanue act at the same time, Red Scalty,

428
00:29:15.279 --> 00:29:18.599
<v Speaker 1>David Forst Friend's Orchestreny, the Aras trend of thalcle Gig Parsons,

429
00:29:18.599 --> 00:29:21.240
<v Speaker 1>Pat McGee, Wonderful smeth and yours Julie Rod O'Connor the

430
00:29:21.359 --> 00:29:21.960
<v Speaker 1>next Yuesday.

431
00:29:22.000 --> 00:29:24.279
<v Speaker 2>Then this is ready with Red Scout. Thank goodbye, now,

432
00:29:24.680 --> 00:29:28.079
<v Speaker 2>thanks for listening, Thanks for buying. Raleigh nine oh three.

433
00:29:28.480 --> 00:29:34.680
<v Speaker 1>Night, Sir Walter, Raleigh pipe tobacco that greats superior on

434
00:29:34.839 --> 00:29:38.240
<v Speaker 1>all five counts. Check them a rich, right, full bodied

435
00:29:38.279 --> 00:29:41.480
<v Speaker 1>Burlie blade. Sir Walter, Raleigh pipe tobacco mellowed with rum

436
00:29:41.559 --> 00:29:45.319
<v Speaker 1>for extras, smoothness, deep down satisfying goodness. That's Sir Walter,

437
00:29:45.480 --> 00:29:48.319
<v Speaker 1>Raleigh pipe tobacco, clean smoking all the way down, No

438
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<v Speaker 1>soggy heel leaves, only a clean.

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<v Speaker 2>Dry earth.

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<v Speaker 1>And that's Sir Walter Raleigh Pipe tobacco primp cut for

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<v Speaker 1>slow even cool burning. Sir Walter Raleigh Pipe tobacco, A

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<v Speaker 1>brand of Grand Arra, keeps home, sweeth Home. It's Sir

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<v Speaker 1>Walter Raleigh. Sooner or later your favorite tobacco smoke. Sir

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<v Speaker 1>Walter Raleigh, the quality pipe tobacco of America.

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<v Speaker 4>Why would invite Robert Good listening during the week?

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<v Speaker 1>Listen to people to finally without Lake better next Friday night,

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<v Speaker 1>and join us again with the Red Skeleton next Tuesday.

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<v Speaker 1>Red Scovelin is harding this program through the courtesy metro

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<v Speaker 1>Goordon
