Speaker 1: Hey, everybody, welcome back to the show You Can't Be
Serious Podcast. Today, We've got something special for you. We
are actually going to be watching Diehard the movie, and
as we go through it, we're going to have our
own little audio commentary with me tonight. I have world
famous personalities. I've got Deaf Dave, world famous podcaster of
the Apples and Oranges podcast. Dave. How you doing man?
Speaker 2: Well, I'm hanging in there. I'm looking forward to celebrating
Christmas season with the greatest Christmas movie of all time
with all you guys.
Speaker 1: We also have Chris Webber from down to by you. Chris,
how are you feeling tonight?
Speaker 3: Man, I'm actually doing quite well and I'm happy to
join everybody here and watch this Christmas classic.
Speaker 1: Okay. We also have Dale Sylvie from the Dallas area. Dale,
how you doing tonight?
Speaker 2: Doing well?
Speaker 4: Looking forward to watching this with you guys. I think
we got all the technical issues squared away, and I
think we're ready.
Speaker 1: To go awesome awesome. And then Chuck Bryan of the
Cinematic Flashback podcast. This is kind of your baby, Chuck.
Speaker 5: Yeah, yeah, We're I'm hoping this whole thing works out.
If it does, it's going to be a technological Christmas
gift to all of us.
Speaker 6: So yes, let's let's give this a try.
Speaker 1: I tell you one thing. I bought the Diehard DVD
about twenty years ago, specifically because I wanted to hear
the John McTiernan audio commentary. Oh yeah, and it sucked.
Like I was so excited to hear what he had
to say, and it was all technical crap. It was
stuff like I wanted behind the scenes stories, I wanted anecdotes,
all that stuff, and it was just technical crap that
I could care less about.
Speaker 5: No juicy bits. Well I think tonight we'll be giving
all the juicy bits.
Speaker 1: Okay, how about that? So if you want to watch
die Hard with us and sink your DVD, Diehard is
actually on TV right now. I don't know how you're
going to keep up with the commercials or whatever, but
if you will push play here in about ten seconds,
I'll start the countdown, and when I say hit play,
hit play, and then you can watch die Hard with
the five of us and enjoy our commentary as you
watch die Hard. All right, so let's do the countdown
ten nine eight seven, six, five four three two one play.
Speaker 4: Oh, we're recording.
Speaker 2: Okay, So I'm going.
Speaker 1: To record this and then we're going to create this
as like a like an audio commentary for whoever wants
to watch Die Hard.
Speaker 4: You know, are you okay? You look like you're in
bed sick?
Speaker 2: That is exactly correct.
Speaker 7: I have.
Speaker 2: I have been really sick for the last two days. No,
I was telling them earlier. If you see me randomly
bolt out of this room at different points in the movie,
you're better off not asking any questions.
Speaker 1: Every time I see this logo, it makes me think
of Star Wars and music gets me fired.
Speaker 3: Up absolutely a long time ago.
Speaker 4: Mm hmmm, in a decade.
Speaker 8: Let's go far far away.
Speaker 1: John McTiernan planes, trains, and automobiles.
Speaker 4: I just had a plane land, is that right?
Speaker 2: Yeah?
Speaker 1: This with your toes.
Speaker 2: I don't think we're gonna be okay.
Speaker 6: Okay, we didn't get past this last time.
Speaker 1: Yeah.
Speaker 3: If it looks like your connection to the server isn't
fast enough to play this, switch quality, Yes, I will
switch quality. That's fine. Switch quality.
Speaker 2: Loose with hair.
Speaker 6: Whiskey.
Speaker 4: This with your toes, We've all tried that, right, Yeah, socks.
Speaker 6: Off on the plane and wave from.
Speaker 2: Brown can prop them up on the seat in front
of you.
Speaker 6: My dogs are barking.
Speaker 1: By the way that prop Bretta that he's carrying around. Yep,
Dame Bretta from the Least Weapon movies.
Speaker 2: So, Jason, there are a lot of connections between Diehard
and lethal weapons.
Speaker 1: Yes, there are, and there's a podcast that covers all those.
You should totally go listen to. Three parter.
Speaker 4: Actually, do we have a credit on the female coming up?
Speaker 2: Do we know?
Speaker 1: Yeah, she's a yes credit in the movie. She is
a Playboy playmate. What we had a I can't remember
on that podcast. It was like, name the there's like
four Playboy playmates in the in this movie. I'm trying
to think.
Speaker 4: I can guess another one, probably, well.
Speaker 1: One was on the wall like the centerfold as he
was he's carrols. Yeah, and then I think the you
can kind of a boom shot early. I think maybe
she was one, and.
Speaker 4: Then the girl that's the one I was gonna guess.
Speaker 2: Yeah, well when they when they run into somebody in
the office doing it.
Speaker 1: Yeah. Has anybody ever been out to La to see
the Fox Tower or anything? No?
Speaker 2: No, I have not.
Speaker 1: I follow a Facebook page where oh crap, I'm buffering.
I follow a Facebook page where somebody went out there
was in the parking lot. It was taking pictures and
security came out and told him to leave and stop
taking pictures.
Speaker 4: Wow, I'm getting a feedback loop again.
Speaker 2: Yeah. Mine just paused the buffer, but I didn't seem
to lose much.
Speaker 4: Okay, you still have me talking, I.
Speaker 1: Mean, yeah, yeah, just cut the in the hallway.
Speaker 2: Okay.
Speaker 3: Yeah, I think I'm a little bit behind y'all.
Speaker 2: Oh, I hate this dude, mister hart Backnerner.
Speaker 1: Yes, the only thing else I've seen him in a Supergirl.
Speaker 6: He was also in Breaking Away.
Speaker 2: Breaking Away. Yeah, yeah, breaking Away.
Speaker 4: He was.
Speaker 5: The fraternity brother or the turnity guy who was kind
of the foil to uh Dave.
Speaker 8: I didn't know that.
Speaker 1: That baby's.
Speaker 2: Ah the eighties.
Speaker 1: Nothing like a little alcohol poisoning for an infant, No problem,
I'll smoke a cigarette, hello, Lucy McLean h.
Speaker 4: Bronnie Badeley was a pretty good eighties babe too, right.
Speaker 2: Yeah, I mean she was in she was in one
of the Harrison Ford Tom Clancy movies. Right, she was. Okay,
and Archer that's right, thinks I'm thinking of that's another
good one.
Speaker 1: Yeah.
Speaker 3: So where y'all? Where y'all right now? Because I think
I was a little bit behind you, but I may
have been able to skip ahead.
Speaker 1: Is answering the phone?
Speaker 2: Yeah, the Maid and the Holly are on the phone together.
Speaker 3: Has John arrived to the neck of Tony Plaza yet? Not?
Speaker 9: You know?
Speaker 3: Okay, I'm ahead somehow I got ahead of y'all.
Speaker 6: Hey, you're you're like at nine minutes and thirty nine seconds?
Speaker 3: Yeah? Yeah, where are y'all?
Speaker 6: We're about five o two five minute mark?
Speaker 4: That's interesting?
Speaker 2: Yeah? Are you on the Are you on the original stream?
Speaker 3: No?
Speaker 10: No, no, no no.
Speaker 3: I was behind y'all, and I thought I could just
move ahead and catch up to y'all, and I went beyond.
Speaker 6: It, all right, bath and beyond?
Speaker 1: Are you positive for a few minutes?
Speaker 3: I'm backing up?
Speaker 6: Okay, Yeah, you're at six?
Speaker 1: Yeah, there we go, There we go, we go the
California babes.
Speaker 11: Hm.
Speaker 2: You know what he needs as a limo driver? Right now? Oh?
Speaker 6: Where you're about twenty seconds behind us?
Speaker 2: Chris?
Speaker 3: Okay, how about now?
Speaker 6: Nice our guy with the still about seconds? Oh oh,
last beyond I'm beyond yeah, just positive for like a
half second and I'll tell you when to go.
Speaker 12: Okay, don't mess up Dave's big sicul q right, that's right,
I'm standing by.
Speaker 3: I'm not looking Jack.
Speaker 2: It's something to drop the needle.
Speaker 1: This is Christmas music.
Speaker 6: It's a Christmas movie, David.
Speaker 4: This is an underrated Christmas song too.
Speaker 2: No, I know it is.
Speaker 6: On heavy rotation for me right now?
Speaker 2: Yeah?
Speaker 6: Good that in back Door Santa.
Speaker 3: Clans Clans call it.
Speaker 4: H she beat you up.
Speaker 2: I only realized Deborah White was in Blues Brothers like
a year ago.
Speaker 3: Jason, did you put post that that?
Speaker 1: Yeah?
Speaker 3: Yeah, that was that was pretty good. I didn't realize
I didn't realize that was him either.
Speaker 1: The meme of him and Blues Brothers changed from a
life of crime to limitar driver and became a.
Speaker 2: Hero with good musical taste.
Speaker 1: Why bother the pack?
Speaker 2: Very sure, Here we go, Here we go, pop it in.
Speaker 1: Here you go, Dave, it's for you.
Speaker 3: That this Uh, this was on that that Christmas album
the Red One with the.
Speaker 1: Gold had like Santa Baby by Madonna I think on.
Speaker 3: Air was on the Merry Christmas Baby by Bruce. I
saw saying uh, I saw saying Mommy kissing Santa Claus
with John Cougar mellon camp. Yeah.
Speaker 1: By the way, screenwriter John Rah Stephen Desusa has interacted
with us on Twitter occasionally. It's pretty cool, awesome. It's
very minor, but still a big thrill for us.
Speaker 2: Yeah.
Speaker 3: Absolutely is our.
Speaker 1: Guy on the greatest what's that now?
Speaker 5: I was just gonna say fake John Cleae liked one
of my posts the other day. I was excited for
two seconds until I saw the only had three hundred followers.
Speaker 1: Our guy is the greatest limo driver of all time.
He puts up with John's bad attitude and then hangs
out for like hours to.
Speaker 2: See you get me losing the giant peddy bear and
the run to him, See what else do you need?
Speaker 1: Boss thinks he's on his way to Vegas, so he's.
Speaker 6: Getting paid either way.
Speaker 4: With his girlfriend.
Speaker 8: Right.
Speaker 3: Yeah, Then you got me thinking, who are some other
famous limo drivers that we've seen either in screen, movie
or TV. Now I got to think about that.
Speaker 2: Look at the fancy touch screen.
Speaker 4: I'll give you. I'll give you a pretty good limo driver. Yeah,
Lloyd Christmas.
Speaker 2: Whenever, there you go.
Speaker 1: It's okay, whatever, you know, this technology is dazzling, but
this is how you order it at Army's now. I mean,
it's just like nothing.
Speaker 4: That screens were a big thing back in nineteen eighty eight,
right or eighty seven.
Speaker 8: Yeah.
Speaker 1: I like how he had to go through this whole
rigamarole to fight where she.
Speaker 4: Actually I've always thought though, why the only people who
were here.
Speaker 1: Oh, it's it's the party on the thirty foot. They're
the one's ability. Well, thanks a lot, buddy.
Speaker 2: That dude already looks suspicious.
Speaker 4: Yeah, exactly.
Speaker 1: I've always said that this is a perfect movie. But
that dude right there is involved in one of the small,
very small glitches in this movie.
Speaker 2: What's that?
Speaker 1: Well, when he gets shot, Alexander Gudinov comes around the
corner and he's already like in like shot pose.
Speaker 2: Goes off.
Speaker 1: Yeah, he's ready for.
Speaker 4: This black ban grenade, right, and then it's.
Speaker 1: Like yep, yeah yeah.
Speaker 2: So he comes off the airplane, goes straight to the
corporate office party.
Speaker 1: Yeah, which is on Christmas Eve, which kind of is
kind of inconsiderate, I think for a company to do.
Speaker 5: But you know whatever, This is why it's a Christmas
movie because John is trying to get home for Christmas.
Speaker 6: He's trying to get to his wife.
Speaker 1: Absolutely, and it's Christmas Eve.
Speaker 6: All those stories when you're trying to get home, it's
always on Christmas Eve.
Speaker 5: Yeah, if this was like December fifteenth, I would agree
it's not a Christmas movie.
Speaker 4: I like how he just ditches the punch right away.
He's like suck.
Speaker 1: Yeah, there you go. There's the other one of the
other babes. Mh That guy is now famous for that
one thing right there. That dude is somewhere going. I
was the one who kiss John McLean and Diehard. Uh, mister,
let's doing cocaine in Holly's office. That's great, willas policeman
husband m m hm. That backdrop has always kind of
bothered me too.
Speaker 2: Yeah, it's pretty obvious. Yeah, I don't know what about
it is.
Speaker 3: Because it looks like the sun is going down, But
is it clearly at night at this point. I'm trying
to you know, like it seems like it's dusk, you know,
it seems like it should be.
Speaker 5: There's gonna be actually later, there's gonna be a shot
here when the trucks are arriving right yeah.
Speaker 13: Yeah.
Speaker 2: Yeah, And in California, witness somebody setting over the ocean
and not behind the mountains. I don't know.
Speaker 1: Yeah, the stars are messed up.
Speaker 3: Yeah again, going back, they walk and the uh and
he's doing blow on her on her desk, and the
big boss is there and he doesn't even he doesn't,
He doesn't say, like, what are you doing over there?
Like her office?
Speaker 1: All for breakfast? Man?
Speaker 3: Maybe that's it.
Speaker 4: Cocaine he's bringing in. Uh.
Speaker 3: Okay, so it is. The sun is going down, so
I could the sky is matching it.
Speaker 2: So yeah, all right, y'all help me track this white
tank top. Okay, because at some point it turns solid
green and I never noticed the change.
Speaker 1: It's when it gets out of the the the vent
like that.
Speaker 2: He goes into the vent white and he comes out there. Yep, yep,
all right, I'll try to catch it this time and
remember it turning green. Well, basically, it was just so
dirty on sweat stain, it looks like a completely different color.
Speaker 6: True fact, Avian spelled backwards is naive.
Speaker 1: Dropping knowledge.
Speaker 6: You only get these tasty bits here.
Speaker 1: Why don't you come stay with me?
Speaker 4: A little tuft of chest hair always bothered me too,
Why not just cut that off? For trimmidt or.
Speaker 1: It's a little mushroom cloud right there, yes.
Speaker 2: Or add to it before this before manscaping, that's right,
that's right, working for his chest.
Speaker 6: Was he wearing a two pee in this or we see.
Speaker 4: Probably had a little bit of hair left?
Speaker 2: Yeah? Yeah, I think we still had some hair going here.
Speaker 8: He was.
Speaker 2: Still just entirely known for before this movie.
Speaker 1: Yeah, okay, man, moodlighting was brilliant.
Speaker 3: I just want to interrupt again here what exactly does
Holly do for this company? Like? How high up is she? Then?
Speaker 2: I want what does the company do?
Speaker 3: The reason why I'm saying that is we are five minutes,
three minutes into seeing her move her office, which has
a private bathroom, so she's got to be pretty high
up there, and already we have seen one of her
coworkers doing blow on her desk, and then another two
people come in ready to go have sex on her desk,
Like wouldn't you think somebody like would you do either
of those two things with someone who is like a
super high up in your company? Like, Hey, let's I'm
going to go do blow. I'm going to go on
Holly's office Like like, hey, you know, whatever you want
to do, Holly's fine with it. She's from new She's
seen it all. Just go just go in there. Just
don't let her husband.
Speaker 1: Cop see, she's only been there six months too, she.
Speaker 2: Did, we'd have to rewind. But her her dump poddle
was on her off door.
Speaker 3: But again, just.
Speaker 5: According to the hard Wiki, Holly Gennaro began her career
as a real estate agent for the Nakatumi Corporation, where
she had a flourishing career rising through the ranks.
Speaker 1: That explains it all, right there everything.
Speaker 2: It's totally normal for a moving par to show up
at my Christmas Eve. Nothing to worry about.
Speaker 1: I hope he makes these guys go through the touch
screen process.
Speaker 4: He doesn't, he doesn't get a chance.
Speaker 6: Not suspicious at all. This is the magic truck, isn't it.
Speaker 1: Yeah, so Susan talks about this when they open and
everybody walks out. No ambulance in there. Two points. I've
always kind of enjoyed the Showtime Lakers reference there. Yeah, yeah,
so this truck right here. Later we see an ambulance
climb out the back of it, but it was too
far down the line when they realized, oh crap, what
are we going to do? And they just said, well,
nobody will notice.
Speaker 2: Mm hmm.
Speaker 3: Okay, here'll never be technology in the future where you
can just pause it and look framed by Frank. That'll never.
Speaker 1: Ready, he's already in the pose.
Speaker 2: So I like heist movies got him. I like heist
movies for how the heroes can always defeat all the
security measures, and uh, in this time, we're seeing the
bad guys do the same thing. So there's a there's
a heightst movie pilled this, you know, watching the bad
guys do the thing.
Speaker 1: Definitely, Definitely so.
Speaker 5: Beethoven's Oh the Joy is featured not only in die Hard,
but also in a clockwork Orange Dead Poet Society John Wick,
and my favorite, the O to Joy Muppet music video.
Speaker 2: I love that That last one is excellent, but I
will I will take the die Hard use of it.
I think that's my first pick.
Speaker 1: Locked those escalators so nobody gets away.
Speaker 6: If only they locked the building down prior to them.
Speaker 4: Coming find a German it expert to join them in
their team. They had to grab an American guy for that, curious.
I like how German and he's the only Blackhamericas, the
black American on there.
Speaker 1: Well yeah, and plus they had no plan he's like,
he tells him, I can get through the first six
codes or whatever, but I can't do the seventh one. Like, Okay,
don't worry, we got it. Yeah, Huey Lewis.
Speaker 2: Huey Lewis at the security desk.
Speaker 1: Yep.
Speaker 3: So do you think Allan Rickman was type cast as
a Christmas movie specialist? Which is being in this movie
being a Christmas movie and why it was what loved
actually or something like that? Did they say, Hey, we
need to get a guy from a traditional Christmas movie
like that to play a part in a new Christmas movie.
I think that's another argument that you see he was
he's been type cast, is that I think it's.
Speaker 2: Just a I mean, you know, I like the.
Speaker 5: Little Winter Underland, that that that that that.
Speaker 6: Quote and that music.
Speaker 1: It's very this movie. All of this movie is smart.
Very Here's the one thing I'd never truly understood. He's
doing his thing. Carl comes right behind him, and they're brothers,
we know that, But he's chainsawing it and like, what
what would have happened if he didn't clip those wires?
Speaker 4: Yeah, good question.
Speaker 1: I've never really understood that. So they sweet your toes.
Speaker 6: They're still playing out the joy.
Speaker 1: I love that they have that picture that's on her
desk and his wallet.
Speaker 2: Yeah that's a good touch.
Speaker 1: So yeah, what's so what's he doing.
Speaker 4: Here on the phone line? A little bit of a
hottie and uh Live for or die Hard?
Speaker 1: Lucy Lucy McLean? Yeah that movie is.
Speaker 4: I like that one better, the one than the one
with his son. What's that one called? I can't remember?
Speaker 1: Uh, died too, died of a vengeance, going to Ukraine
and Live for or die Hard?
Speaker 3: The last die Hard.
Speaker 1: Rise of di.
Speaker 3: Return, A little.
Speaker 8: Bit the.
Speaker 2: W close something whatever, Yeah, something would happen here.
Speaker 3: I don't know what it would. It may be have
I don't know, trips, trip something to call the police
or you know that. I don't know, but it just
whatever he's whatever he's cut. You're right, whatever he's cutting,
it's going to break that as well.
Speaker 4: Maybe it would have zapped his brother really bad and
just like shocked him.
Speaker 3: That would have been funny.
Speaker 1: Such a cool shot right there, and here we go, yeah, barefoot.
I love that they start off with, you know, the intimidating,
just start right off with bullets. You know, I'm reading
the book right now. It's called nobody Lives Forever or
nothing Lasts forever or something like that.
Speaker 3: There we go, who's that Holly's office?
Speaker 1: Well, probably that girl got that part because Joel Silver
wanted to uh.
Speaker 2: Wanted to audition her.
Speaker 1: Yeah, anyway, the book, it makes a big deal. He
grabs his gun not only because he needs it, but
he's worried that if he he leaves it behind, they'll
find it and then come the building for him.
Speaker 2: Well, he left the whole from behind. I think I
thought I saw him.
Speaker 6: Yea, his voice is cracking.
Speaker 2: I immediately believe Bruce Willis as an action here, you
know what I mean? Like this, we have to keep him.
We're used to it now, but at the time this
was yeah, completely new for him. But like already with
this scene, it's like I'm already bought in, I'm already
believing it.
Speaker 1: Yep. You can believe him in the fist fight and
in the stuff. But he's also he's got an everyman quality.
He's just a guy caught in a weird situation.
Speaker 4: You know, why are we there? Could have done?
Speaker 6: It was criminally underused.
Speaker 1: Alan Rickman's screen debut.
Speaker 2: Yeah, I mean where did he come from? I mean
what a debut kidding, I mean, like a major role,
completely owning every scene.
Speaker 1: One of the great villains of movie history.
Speaker 2: I'm assuming he must have been a stage veteran at
this point. He had to have earn his top somewhere.
Speaker 1: They saw him in a play. I think you saw
him in Dangerous Liaisons as a stage actor, and Alexander
Alexander Goodna was a ballet dancer, and they thought, well,
athletic enough to look good in the fight scenes.
Speaker 6: Just to put it in.
Speaker 2: Some respect to Al long back there. We haven't even
shouted out along yet.
Speaker 6: It's coming. So Rickland was part of the Royal Shakespeare Company,
so he was. He was a good.
Speaker 2: Actor in like at the top level of British theater.
Singer saying, yes.
Speaker 1: He knows everything about him except what he looks like.
Speaker 4: Who not looks mean too? I mean for about I answer,
he looks like a right John Susan. I have to myself.
Speaker 1: Christmas music get stuck in your head.
Speaker 13: Oh good.
Speaker 7: M h.
Speaker 1: Arafat my sister's there, little eighties nugget there.
Speaker 2: I think the movie's doing work here to kind of
map the building out for us before things really take all,
you know, we're getting. We're getting the layout here.
Speaker 1: It's so skillful. It keeps the tension, ratchet it up
while it's given you the exposition.
Speaker 4: You know, benefits of a classical education.
Speaker 1: I always wanted to know about their project in the Philippines.
Mm hmmm. It doesn't look like much, just you know,
highway or something.
Speaker 4: Yeah, a little park in it in between.
Speaker 1: It looks great. I don't know what his problem is Indonesia.
There you go with the article of Forbes k I
listened to an interview with the SUSA two when they
rode in the part where John and Hans meet. They
were worried about this scene because John had would have
seen him, but it was on the schedule for the
next day, and so they moved it in such a
way where John does not see Hans's face during this
shot right here.
Speaker 2: Oh, I see, I see what you're saying. They had
to reblock how they shot this scene. Well, so the
so the other scene would work.
Speaker 1: They were going to add that scene where they meet,
but they were the writers were like, they can't do
that because he's already seen his face. And they're like, well,
look at the schedule, when do we shoot that? And
they're like tomorrow. Oh and so they blocked. They changed
the blocking the next day for this scene, for this scene.
Speaker 2: Yeah, okay, that's cool.
Speaker 1: There's a little tidbit that he says when actually when
they're looking at John, Hans says something like it's this
is like one week's worth of operating expenses. It Basically
he says, it's this is nothing. Your six hundred and
forty million dollars is not that much. Like right here,
I think.
Speaker 4: I like how THEO and Carl will have a little
bet going as to whether or not he gets shot
or not. Yeh box or something after the filter.
Speaker 1: The code please.
Speaker 7: The card.
Speaker 8: Hide and there's no reason m hm.
Speaker 2: So you can cut the tension with a knife, right.
The fact that he's so calm makes it that much worse.
Speaker 13: Huh not, be it a fool.
Speaker 3: You can. I mean, it looks like the actors right
there sweat. It's really good. H O.
Speaker 1: Crap boom brains.
Speaker 2: M okay, now get four from.
Speaker 14: Mm hmm.
Speaker 3: And again you know that that's setting these guys is
they're not messing with anybody. You know, this whole we're
going to play a game which is like this is
the top guy, give me the give me the information
I need. You're not going to give it to me. Okay,
that would have made it easy for us. Right, you
had your shot, You're done. So now it's like everybody
else moving down. It's like you give me what I
need or you suffer the same consequence, you know.
Speaker 1: Yep, and what you know, you get some.
Speaker 2: Humored you know, right, you gotta have our goll have
y'all ever worked out every terrorist name? Get all?
Speaker 1: No, No, Tony and Marco and yeah, Carl Han, Tony,
Marcos Calm, No, there you go.
Speaker 5: It's like the number one Asian bad guy and.
Speaker 2: The ultimate eighties Henchman.
Speaker 1: Oh okay, so they already killed Takagi and now they're
working out the details of how the plan.
Speaker 8: Is gonna work.
Speaker 1: Yeah, wouldn't that be something you worked out beforehand?
Speaker 2: Yeah?
Speaker 5: You would think for such a slick operation, they let
that one detail out.
Speaker 3: Uh.
Speaker 1: I love it. It's part of the fun when they
open the vault, you know. Still, yeah, he does have
to move the story along quite a little bit by
talking to himself. I think Bruce Willis does a good
job of pulling it off. It seems legit natural.
Speaker 2: Yeah, which is important to bring uh ring Al in later.
Speaker 15: Yeah.
Speaker 1: By the way, quick trivia for you guys. If you
listen to my podcast, you know this, But you know
who the who wrote Silent Night, the song Silent Night.
The name of the guy I don't remember. Guy's name
is Franz Gruber.
Speaker 8: True story.
Speaker 4: Wow, I was going about to guess Hans ger.
Speaker 1: Close Franz, you know Hans and Franz.
Speaker 6: But day I had to pump you up.
Speaker 8: Proof.
Speaker 1: Oh this guy and then the gray sweatpants, you know, yeah.
Speaker 4: Yeah, everyone else is in suits. He's in a grace.
Speaker 1: He was on his way to the y when he
got the call.
Speaker 3: Oh that's tonight.
Speaker 4: Christmas Eve, Come on.
Speaker 8: God.
Speaker 1: Got the gray sweatpants and the Jeffrey Dahmer glasses. Really Also,
if he's got the most important backpack in the whole place,
maybe he should just leave it with Hans when you
go chase the guy around the building.
Speaker 2: Yeah, the glasses are not a great look.
Speaker 4: Yeah, very eighties.
Speaker 1: I think he was in a view to a kill.
I think he was a kind of a bond henchman.
Speaker 13: There are rules.
Speaker 4: Erase that number two in case you guys.
Speaker 1: Yeah looking man, Yeah, pretty good shot. Of the stump man. Here,
fuller head of hair.
Speaker 16: I think, yeah, you know what, I'll take it, give
me real stumps doing real things.
Speaker 2: Still got the white the still like I'm so I'm
backing that blood. But that is one of the things
I really enjoyed about the movie is like he degrades,
like you see, they all had to shoot this in
sequence because like, you know, the stuff that happens to him,
like he bears that mark for the rest of the movie,
and he just builds up.
Speaker 6: The continuity. Person learn their keep on this.
Speaker 1: One red castle. That was the magic the magic password
right there.
Speaker 2: So it's like, not only do you get kind of
this inverted ice movie, but now it's also a like
a like a gorilla warfighter, grill attactic kind of rainbow movie.
One man against an army.
Speaker 1: Yep, don't forget uh Christmas.
Speaker 10: Man.
Speaker 2: That's a Chris agreed.
Speaker 1: Where does it keep it?
Speaker 13: Walling?
Speaker 1: The gray sweat answers, h M.
Speaker 4: Funny that will come back to haunt him, not taking
issues with him.
Speaker 1: Say I ever tried this Selby? I remember at ou
when we were there that uh, some students got in
trouble for elevator surfing.
Speaker 4: Yeah, I think I do remember that kad you get
opened up?
Speaker 1: Right? H I love how he's eating the buffet while he's.
Speaker 8: Them.
Speaker 1: These shrimp cocktails are really good.
Speaker 17: Okay, h huh.
Speaker 4: Nothing the chance except for the dead guy O.
Speaker 1: People are running up.
Speaker 18: Yeah, funny can people watch this and conclude that it's
not a Christmas movie?
Speaker 1: I have a T shirt that has those exactly like
it's spelled out the same way it says, now I
have a machine gun. Ho ho ho. He's like, you
can't wear that? Ye who will think you're nuts? So
I'm like, it's funny, it's a joke.
Speaker 4: Is it a gray sweatshirt?
Speaker 1: It's a gray T shirt? Okay, movie's so smart too,
I mean, just all this brilliant.
Speaker 2: He doesn't know what he's gonna do with that information yet,
but he's he's tracking it. Ye all right. Sure it's
getting a little dirty.
Speaker 1: So far it's mostly just blood.
Speaker 2: Yeah, it's starting to get a little gray.
Speaker 1: Yeah.
Speaker 4: You guys know that most elevators that are three stories
or less are powered by hydraulics instead of the polleye.
Speaker 2: Okay, did not know that?
Speaker 1: Elevator expert Dale Selby.
Speaker 6: Ladies and Gentlemen.
Speaker 1: I believe that is miss December nineteen eighty seven. We
looked that up a while back.
Speaker 9: But oh, so who what's the name of the brother
who's upset?
Speaker 2: Is that clause Carl? That's Carl.
Speaker 8: Mhm's job.
Speaker 1: Jumped three thousand miles away. Correction, That playmate is November
of nineteen eighty seven.
Speaker 13: There you go.
Speaker 2: Now that looks more real to me.
Speaker 1: That looks yeah, I mean scary right.
Speaker 8: Yeah, the roof go.
Speaker 2: Mh. I'd like to order a pizza.
Speaker 1: Such a great line when I watched I watched the
trailer right before we did this, and uh, all these
great lines they had to edit down.
Speaker 10: Mhm h.
Speaker 14: M.
Speaker 6: Look that foreshadow o.
Speaker 1: H Christmas Tree. Yes, my man l al Pale.
Speaker 2: Yes, now we've we've connected him to Ghostbusters and Family
Matters yep. Like it's the same character.
Speaker 1: Yeah, I love it. I think you can make the
same case with theo U as one of the guys
who you know was in Top Gun, got mad at
Maverick put the military started life of Crime. Yeah.
Speaker 2: What was the name of Hollywood sun Rise?
Speaker 1: Uh, Sunrise Sunrise? I think it was Sunrise ableagu in thirty.
Speaker 4: Parls Rifle was seventy to help contrast the European weapons
with the L A. P. D's American fire.
Speaker 1: Yeah, there you go.
Speaker 3: I mean, how far away is he? You know, he's
close enough. I mean it's a huge building, like they're
shooting on the top of the building. Like, how far away?
At some point there's a little bit of a perimeter. Yeah,
I mean is he a mile away? I don't know.
Speaker 1: I'm not sure. By the way, Uh, his character in
Top Gun is sundown, not sunrise, my bad sun down.
Speaker 4: Okay, the gun Carl uses to shoot. The original security
guard was a Walter pp K, which is also, of course,
the James Bonds choice.
Speaker 19: The Q branch insisted, yep, Oh, they do such a
good job of just ratcheting up tension.
Speaker 1: Oh my gosh, yes, I think.
Speaker 6: This is uh, this is the leap right coming up.
Speaker 1: Yeah, this is the.
Speaker 6: Only part that I kind of.
Speaker 2: Go, yes, I'm with you. It's the one. It's the
one thing in the whole movie that I just can't
quite mind.
Speaker 1: Yeah, you know, they wrote the stunt guy actually slipped
and they wrote that into the scene.
Speaker 2: Slipped it scene.
Speaker 1: When they were filming it, the guy was reaching for
the for the you know, open window or whatever, and
he slipped and he fell all the way down to
like the air matt. But they liked the way it
looked and so they kind of expanded it a little bit.
So Okay, you got bullets and you got heights.
Speaker 2: Yeah, and just I mean just the fact that you're
barefoot out of its psychologically, you know, make it tougher
for you. You'll just feel weaker, more vulnerable.
Speaker 4: When you got to figure. His palms are sweaty too,
So he's trying to grab a hold of this tiny
little air duct as he's falling.
Speaker 1: Yeah, right by his fingertips.
Speaker 2: Right, So you're saying the first half of this when
he follows, that was a real like an unplanned slip
by the stunt man. And then they just used it
and they make up a shot of him grabbing the
legs one right, he misses the first.
Speaker 1: The stunt man, Yeah, I think was trying to grab
the first window and slipped and fell and they're like,
oh that looks cool. H Still not a great plan.
Speaker 6: M just realize that I'm Matte painting.
Speaker 1: Yeah, oh, your feet would be so sweaty and.
Speaker 6: His fingers would be denuded.
Speaker 2: I don't think see that's the part I just don't
mind because you're you would at best, you would rip
your your shoulders out of their sockets.
Speaker 8: Yeah, because.
Speaker 1: Yeah, okay, tank top was white right there, all right,
wasn't see I wasn't looking.
Speaker 2: All right.
Speaker 3: Now that line that he says, was that just him
or was that written? Do you know if that was
written into the.
Speaker 2: Yeah, it feels like it can be a Bruce willis
him problem.
Speaker 1: I do know that he and Stephen Desusan did kind
of put their minds together to come up with lines together.
I know the Roy Rogers line was a combination. Yeah,
this is such a different movie than the Rambo and
the Schwarzenegger stuff that we got in the eighties. And
he's very vulnerable, the crap beat out of him. He's scared,
he's lonely. You know, he's hurting, as I say, But.
Speaker 2: Also he's he's applying intelligence, yeah to his tactics.
Speaker 6: That call hadn't come in.
Speaker 1: Pullet zi, pullet zi. Okay, keep an eye on the
tank top, Dave, here's your here's your big green switch.
Speaker 2: Okay.
Speaker 5: Was that the first air duct in oh? Yeah, totally green?
Is this the first air duct? In movie history where
it's actually like somewhat the size of an air duct
and not this.
Speaker 1: Huge like where they can run.
Speaker 7: Yeah.
Speaker 4: Yes, I can't believe they. I have never noticed that before,
going from white to green. That's that's a pretty big continuity.
Speaker 2: It is.
Speaker 5: Yeah, I just figured it was at some point he got.
I mean, it just got dirty dirty.
Speaker 8: Yeah.
Speaker 2: I wish I wish the change had been more gradual. Yeah,
because every time I watch it, I feel like it
was gradual and I missed it.
Speaker 6: Well, I've never noticed it until now, So thanks Dave.
Speaker 20: Yeah, it's like next time I watched this with my
family and was like, watch right here, different color shirt,
every Chris.
Speaker 3: Every Christmas movie. It's a Christmas miracle.
Speaker 1: By the way, this time last year, they showed Diehard
in the theaters for its thirty fifth anniversary, and I
called some family members. I was my sister. I was
the one I was dragging her to see this, and
UH brought my nephew, and then my mom jumped in,
then my aunt and uncle jumped in, and then my
boys and their girlfriends. We had like I don't know,
fifteen or twenty people go see this in the theater,
and we just remember last.
Speaker 4: I think I remember your fast on that.
Speaker 2: Yeah, that's awesome. I think Huey Lewis is better here
than he wasn't back to the future.
Speaker 1: Okay, here you go Christmas Eve, and he's watching Notre
Dame and USC play. I don't think so.
Speaker 4: Yeah, I've always wondered about that too.
Speaker 3: Kay, we'll google it this nineteen eighty and we know
for sure they're not playing it Christmas. But yeah, who did?
Was there a college football game Christmas Eve? It has
to be a game, Yeah, a bowl, a bowl, but
I would think, well, not day usually played in the
regular during the season. They usually playing the season.
Speaker 2: And like how casual he is there. I'm not even
bothering to look at the cop. But as soon as
as soon as I walks away, he gives it a
sinister look.
Speaker 1: Don't shoot.
Speaker 3: Now, at least in that shot, like he's he's dirty
and dusty in his face, so that there could have
been that much soot.
Speaker 4: Crash, jump off the table and shoot him while he's
under the table.
Speaker 2: Why a gun?
Speaker 1: He just shut his Just shut your buddy. He's got
a gun, you know, he does no more table.
Speaker 2: That's a rough way to go.
Speaker 1: Yeah, but he.
Speaker 4: Only looks like he got him in the legs, in
the groin.
Speaker 3: He could totally survive that, just a flesh word.
Speaker 11: Come back.
Speaker 1: This scene cracks me up every time I watch it. Yeah,
he is just happy as it's Christmas Eve. He's got
his twinkies, got his twinkies. He's headed home. Wow, goose Chase,
I'm going home, slaves.
Speaker 4: Scary things that can happen to you, though for a
bike you're not. Then all of a sudden, your your
cars being shot.
Speaker 8: Uh huh.
Speaker 1: Turn my car, Mark.
Speaker 4: Body goes flying off.
Speaker 2: All back from Hard.
Speaker 5: I think if I woke up tomorrow with his headstones
with the carpet, he wouldn't be a.
Speaker 1: Oh twinkies everywhere?
Speaker 6: Oh who is this guy?
Speaker 1: That's vicklos Yeah, yeah, yeah yeah, Professor Hathaway.
Speaker 8: M h.
Speaker 1: It's hard to tell which which of these jerks do
you hate the most? You know, Ghostbusters, Real Genius or Diehard.
I've always kind of said Professor Hathaway was the least
likable of those guys.
Speaker 3: And we've got uh that's with the bully. Get the
horns right. Oh yeah, we got him in here too.
Speaker 1: Yep. Uh, what's his name Paul Gleeson.
Speaker 3: Yeah, yeah, I think so.
Speaker 1: Yeah, late, the late great Paul Leason, the.
Speaker 3: Like.
Speaker 2: How you know, the story continues to escalate now it's
now it's getting out of the containment of the building. Yeah,
it's getting a little bit more public.
Speaker 1: Yep.
Speaker 2: And it's logical how how it got there and how
John McClean managed to get it there.
Speaker 1: One more small complaint. I don't think you can interrupt
somebody using a walkie talkie and you cannot lay in
the ointment monkey in the ridge.
Speaker 2: Oh that was Marco. They had to see four.
Speaker 1: Uh one of those guys is Marco, right, yeah, Now
he got a bunch of.
Speaker 2: Magazines, have one four yep.
Speaker 4: I always thought it was strange that he would smoke
a cigarette when they could possibly track him. I agree,
Like they were on the same floor, you.
Speaker 1: Know, smells like cigarette smoking here he's close. Okay, well
the great lines.
Speaker 3: Of movie history right there, and.
Speaker 1: He drops it like a nuclear bomb.
Speaker 4: I love it.
Speaker 1: You know. One of the strengths of this movie, I
think at the time, you know, Bruce Willis was I
think filming. I can't remember exactly, but Moonlighting was involved
a little bit. I think Sybil Shepherd had to take
a break because she was pregnant, but they had to
develop these other kind of secondary lines, so like the
newscaster had to have his moment and you know, a'l
get got a full character development instead of just concentrating
on John, which I think strengthens the story.
Speaker 4: So mosucker for there's also another crossover to uh leave
the weapon.
Speaker 1: The psychiatrist.
Speaker 2: Mhmm.
Speaker 1: She was married to Robert Zamecas at one point, Is
that right? I think she's dead now too. I think ye, Yeah,
he's got the password and yeah he's still drilling.
Speaker 8: M mhmm.
Speaker 4: Don't turn the drill off, just keep drilling.
Speaker 21: H dealer, f you might find the back.
Speaker 1: So there's you got Fritz and only.
Speaker 7: Guys most clothing, the plan.
Speaker 8: There's do you know that?
Speaker 1: Any reason for the long dramatic pause right there with cigarettes?
Speaker 22: Yeah, the safe place, the whole up on top.
Speaker 1: Here he comes, there's Paul. Let's go.
Speaker 7: Play rocks.
Speaker 8: One.
Speaker 4: You mean a terror who talk.
Speaker 8: Give us?
Speaker 4: But it appears to be the.
Speaker 7: Flames. How Curt you one of the terrorists? Your cane.
Speaker 4: There looks like Mark Furman.
Speaker 8: Wow, uh huh.
Speaker 2: See what I like about the scene is the reactions
of both these guys seem totally logical and reasonable, but
you immediately are on our side.
Speaker 1: Absolutely, look at this. We gotta we gotta ask for miracles.
Speaker 13: Did you guys all cuddle in your beds?
Speaker 1: They're all comfy? I don't know what I'm doing.
Speaker 13: I feel like we need to move the table that way.
Speaker 4: You were down by five or twelve minutes ago, Jason.
Speaker 1: Dang it.
Speaker 2: Huh, Hey who's that.
Speaker 1: Who's coughing?
Speaker 2: No, there's somebody else sitting next to you. I just
noticed them.
Speaker 4: Yeah, ah, look he's here.
Speaker 2: You missed the welcome to the party paler line.
Speaker 1: Yeah, yeah, could make.
Speaker 23: Yeah, we even stuck in a stupid drama class. Who
gives a ship about class? I would rather have run barefoot,
broken glass. I went there instead of coming.
Speaker 1: We screwed around for there you go, Chris. She's the director,
which means you.
Speaker 2: Can which means you can go have sex in office
whenever you want to, because.
Speaker 3: Again, even the bad guys are taking her office. Is
that like the best office? Like she's got the best
office for blow and for sexual encounters?
Speaker 2: Evident?
Speaker 3: Well, that's that's what I'm saying. Like she's high enough
that she's the representative.
Speaker 4: But yet you know.
Speaker 1: They're still hazing her. She's only been there a short time.
Speaker 3: Maybe, Yeah, we do this to everybody. Well, I'm sorry.
Speaker 2: You're right.
Speaker 3: She is the director of corporate affairs. Where else would
you have inner office relations but the corporate affairs, right sense?
Speaker 24: Okay, affairs there you go, sit in the car.
Speaker 1: Yeah, once again, Dave, you're right, that guy's making sense.
Speaker 22: Right.
Speaker 1: They haven't heard from the terrorists, They know nothing. What
the heck is going on? We don't know we're going in.
Speaker 2: Yeah, he's still a jerk, like for whatever reason, you
still don't like him. But he's not wrong, right, I mean,
we know he's wrong, but with what they have to
work with, you know, he's not being unreasonable.
Speaker 1: You got him say.
Speaker 25: M hm.
Speaker 1: When to pray?
Speaker 2: To be interesting to see how much they have to
rely on John talking to himself now that he has now, yep,
that's kind that's kind of why sidekicks were invented anyway,
But so the hero didn't have to talk to himself
all the time.
Speaker 13: YEP, is highlight.
Speaker 1: At least have themselves an r v K reconnoiter.
Speaker 8: Oh goo goo goo.
Speaker 22: Pup I know.
Speaker 2: It makes me think of like John Landa's slot teams.
Speaker 4: Standard two by two formations. Our goal.
Speaker 1: Still doesn't want to damage the limo, right, he's still
making looking apps.
Speaker 4: Yeah, yeah, that was really funny. But you get shot
in about two seconds.
Speaker 3: You know.
Speaker 2: How long we'll guess something.
Speaker 1: He's gone.
Speaker 2: It's some candy.
Speaker 13: Who lois?
Speaker 2: H h?
Speaker 4: Where do you go with the Mars bar?
Speaker 3: Though?
Speaker 4: Isn't that when he goes?
Speaker 2: Is all Leon still with us?
Speaker 1: He's still alive. I don't think he's in very good shape.
I think Jeff Johnson met him or talk to him something.
Speaker 13: He's nuts. Theo's not still.
Speaker 1: Theo's gone, Hans is gone. Alexander Goodenoff is gone. Honestly,
Bruce Willis is not doing great.
Speaker 2: Bruce is basically gone terrible. Very said.
Speaker 13: That that was a little drama right there.
Speaker 1: It looked like standard two by two formation right there,
four guys running. That's a good that's a good take.
Speaker 2: Did they they Nest pay for that product placement?
Speaker 13: I'm sure.
Speaker 4: OK Coke gets a good one here in a minute too.
Speaker 1: Yeah, yes, yes it does. He wanted some coke. That's right.
Speaker 4: Now he's got the Mars Yeah, I knew that. I
knew it was in there.
Speaker 24: Yahm oh man, like Frank these cans.
Speaker 1: Yeah, okay, imagine this same movie with Frank Sinatras John McLean.
Speaker 2: You know, that's crazy.
Speaker 1: They had to offer him the role contractually.
Speaker 2: That's crazy. I'm sure if he had accepted, they would
have decided not to make the movie. But my goodness, but.
Speaker 4: He like seventy at this time or something like that.
Speaker 8: He was.
Speaker 2: What's his character? What's his character named? John McLean?
Speaker 1: In the in Uhland? Was the name of his character?
Speaker 22: Wait?
Speaker 1: Man, wait a minute, Yeah, sitting in the car, m h.
Speaker 3: M.
Speaker 1: I kind of wish I knew what they were saying
right there. I don't speak German at all, so get back.
Speaker 13: He didn't sound very foreign.
Speaker 2: Yeah, yeah, he's only kind of like working Italian or something.
Speaker 4: Leave it, he goes.
Speaker 1: I know what that word means, Vigo from Ghostbusters too.
Speaker 4: Right there.
Speaker 13: I don't know what that gun was that automatically bolt
something on the floor, but I.
Speaker 1: Won't Yeah, yeah, yeah, I see him. He's taking forever.
Speaker 13: He's out there in the middle of the room.
Speaker 1: And he's stuck right here. But he's stuck.
Speaker 2: I don't know.
Speaker 1: Okay, light him up. Let's go to Yeah, hit it again?
M hm, take this under a basement.
Speaker 4: Only wanted to try this?
Speaker 1: H Did he need to ask the door to open him?
Speaker 2: Yeah, there's Marco four.
Speaker 1: Yeah, h look at the other missile.
Speaker 13: If there's any prime reason to what's going on right now.
Speaker 1: I don't know if if that impact would make the
C four go off, then he should have put the
computer on there a little lighter.
Speaker 10: M hmm, well.
Speaker 4: Using artillery on us.
Speaker 2: But I'm start running, dude.
Speaker 1: That's a cool shot. That explosion you really feel in
the movie theater too? I love that.
Speaker 4: Yeah.
Speaker 2: I don't think I ever saw someone there?
Speaker 8: Are you serious?
Speaker 1: Man?
Speaker 8: Yeah?
Speaker 6: I missed it.
Speaker 4: I don't think I did.
Speaker 2: July at eighty eight, I'm afraid I saw License to
Drive and not die Hard, and I do not take
responsibility for that.
Speaker 1: You saw night right l Street four instead of this
or something.
Speaker 4: Definitely saw Diehard too in the theater, but not this one.
Speaker 2: Yes, same.
Speaker 13: Chuck Norris.
Speaker 1: Remember who wrote Silent Night, the song silent Yeah, Bronze screwmery.
Oh's right.
Speaker 13: There?
Speaker 22: You go to building on fire, don't but it's a
paintop and a ship. I'm gonna say they got to
with that.
Speaker 8: Best that.
Speaker 3: Mister.
Speaker 17: I don't know who the hell do you think you are,
what you're doing, but you just destroyed.
Speaker 1: I want your health.
Speaker 10: You don't want your health. I've got a hundred people
down there and they're covered with glass.
Speaker 22: Christ you show.
Speaker 3: That, Wayne T. Robinson.
Speaker 21: And I'm even charge in this situation when you are
in charge, but as something playing.
Speaker 22: Ship.
Speaker 3: Listen to me you last h.
Speaker 1: Yeah, m h m hm. I love you. There we go.
Speaker 8: Mm hmm.
Speaker 13: A little courage.
Speaker 2: I live the way to go pretty.
Speaker 4: Catti check yeah, rack and see talk.
Speaker 2: Hands.
Speaker 1: I think I can handle this zero trash m.
Speaker 7: Hm mm hmm.
Speaker 2: H Here comes the White Knight.
Speaker 4: M on, Booby, you want me?
Speaker 1: You want me shooting?
Speaker 22: Yeah?
Speaker 10: This guy.
Speaker 4: Anywhere?
Speaker 2: But just you know, yea, is it still office?
Speaker 6: Yes, there's the sannah.
Speaker 1: Okay, I e they want something, yeh.
Speaker 8: Yeh m hm hm hmm.
Speaker 1: What's the difference, right, We'll be I'm your White Night.
Speaker 8: H mm hmm.
Speaker 3: Mhm.
Speaker 1: He so wants to kill him, m h well.
Speaker 2: The slime ball, Yeah, I want to punch him in
the face.
Speaker 8: Mm hmm.
Speaker 1: I eat a lot of crap, but I don't know
the ingredients now touching cowboy?
Speaker 8: H what.
Speaker 1: Okay? Recognize her?
Speaker 13: Whose daughter is that?
Speaker 8: No?
Speaker 2: I didn't recognize who is it?
Speaker 1: If you if you listen to the shurly you can't
be serious podcasts. You should know this. That is the
daughter of Laverne from Laverne and Shirley Penny Marshall, Petty
Marshall's daughter. That's right.
Speaker 13: Yeah, I think adopted her.
Speaker 1: But yeah, kah the girl who says no, I never
knew that right here in l A. Yeah, can I
have some coke? Please? You guys have any coke around here?
Speaker 3: M Can I just jump on the other side of
the desk for a moment if if anything is still.
Speaker 1: Still, I'm just gonna smell the desk really quick. H
there you go, coke.
Speaker 2: That's not a coke you wanted. I'm quite sure, y.
Speaker 1: M Hans Remember those little miniature TVs? I had one
in my kitchen. Gon k kah, oops, sorry.
Speaker 8: What I have?
Speaker 2: I have no sympathy for that dude.
Speaker 1: He inserted himself in there, didn't He.
Speaker 2: Sent the flying ball he got, he got what was
coming to him.
Speaker 1: Yeah, just letting him die, man, I can hear Who's
I can hear somebody bleeding through a little bit.
Speaker 14: Yeah, mhm hyah, you couldn't drag me.
Speaker 1: I loove al.
Speaker 7: Kah huh.
Speaker 3: Uh.
Speaker 1: You know we talked about the the rifle like kind
of the machine gun that Alexander Goodnow's character you has
in this was created due to the nineteen seventy two
Munich Olympics, right. I believe that's true. The the Israeli
anti or the anti terrorist group did not have a
good enough weapon to combat terrorists, and so that weapon
was created because of that incident.
Speaker 13: There you go. I didn't remember that.
Speaker 1: Yep.
Speaker 3: Do you not listen to serious podcast?
Speaker 13: Do learn something? Every time I listen to it? Half
the time I say it.
Speaker 1: That's right. That makes some calls.
Speaker 8: Okay, h.
Speaker 4: I'm pretty assault rifle shoots a five five six natos outa.
Speaker 8: Mm hmmmm mm hm oh me.
Speaker 1: H Ritz is checking explosives, all right, yeah, h h h.
Speaker 10: H m hmm.
Speaker 13: I cannot believe that this was Alan Rickman's first man.
Speaker 1: As we talked about that too, pretty incredible hit a
grand slam right out of the gate. M uhh on
his way home.
Speaker 2: See that eighties hard hairstyle. Doesn't even face me. Like,
it doesn't look out of date to me at all.
It's just normal.
Speaker 1: Looks great.
Speaker 2: Yeah, I love I love TV newsroom, movies, broadcast news.
Uh shaped my professional choice.
Speaker 1: Really. Yeah, that's the one with uh Burt Reynolds.
Speaker 2: Another one with Albert Brooks.
Speaker 1: Okay, the FBI is here, let's go specially agent Johnson.
Speaker 8: Yeah.
Speaker 2: We need no, no, we don't need especially as Johnson.
We need the other especially.
Speaker 6: Never relation.
Speaker 8: Mhm.
Speaker 2: How cool does Dobby look right there?
Speaker 1: Not anymore Grandell Bush another lethal weapon connection right there?
Speaker 2: Yeah, and we immediately like these guys, like what's the difference? Right,
It's just another authority figure coming in. But I'm already
like thinking they're cool.
Speaker 1: Yep, more confident, seemingly like said somebody who spray painted
Merry Christmas?
Speaker 4: Right there?
Speaker 2: It does. It's just likely stopped in the middle of it, right, I.
Speaker 1: Know it would be great graffiti Merry Christmas. Yeah, something
you don't get with digital anymore. Those lens flares, I love.
Speaker 2: Them unless you're watching the J. J Abrams movie.
Speaker 3: Now.
Speaker 6: Yeah, I was gonna say, j Abrams will tell you
to hold his beer.
Speaker 1: It's a little less green.
Speaker 3: I was about to say it it looks I guess
in the light, it looks like it's a white shirt,
a white shirt that got dirty with like bike tracks
over it. Okay, on his.
Speaker 2: Did they know he could do an American accent?
Speaker 23: Yeah, they asked him if he could do an American
accent and he said, no, I cannot do an American accent,
but I can do a California accent.
Speaker 19: You know.
Speaker 1: Yeah. Some of the decisions that they made in this
movie were all I mean, they were so good, and
yet they were thrown into the last minute and they
were kind of reworking the script the whole time.
Speaker 2: That was an addition.
Speaker 1: That scene where they met was an addition.
Speaker 2: They realized they did. They didn't have a face to
face sing anywhere.
Speaker 1: Yep, sounds like an A seven scenario.
Speaker 2: Bleeth is like totally frightened. Reben in this movie.
Speaker 1: Could be a cop. Not sure.
Speaker 3: You know, it's just gonna point an excessive amount of
smoking in this movie, and you forget because you don't
see it as much, like because he started with a
full pack.
Speaker 1: Right well, and he didn't he take it out, guys, sweatpants.
Speaker 3: That's what That's what I'm saying. I think it was
a full pack and.
Speaker 2: Now right here, Yeah, y'all see what he's picking up here?
Speaker 3: What?
Speaker 13: Yeah?
Speaker 2: Uh, the claims picking up on how Hans is holding
the Cigarettess don't hold a cigarette.
Speaker 21: Like that.
Speaker 2: He holds. Yeah, Hans is holding a European.
Speaker 3: Style mm hmm.
Speaker 1: Holding cigarettes European style. Interesting m hm.
Speaker 10: Mhmm, Bill Clay, I'm John.
Speaker 2: You're right.
Speaker 25: Right.
Speaker 1: His eyes kind of got wide there, like I wasn't
sure it was John McClean, but now I know.
Speaker 6: I make sure there's not one in the chamber.
Speaker 1: I remember when I first saw this in the movie theater,
I was dying right here. I was really like, how
in the world is he going.
Speaker 13: To really smoked up?
Speaker 1: He needs his detonative? Mhm I he hell looked like
a European right there.
Speaker 8: Yeah, there's no fungus in this truck.
Speaker 1: Mhm hants.
Speaker 3: M hm.
Speaker 16: Hm.
Speaker 14: You might not be a four.
Speaker 13: Yes, right, ro just say.
Speaker 1: I was getting ready to shot man.
Speaker 2: Ye got another one.
Speaker 3: But that's a callback to what I was saying earlier.
You know, if if you didn't see Hans shoot him
face to face dead point, actually's gotten. He's shot and
two he shot two guys. Now the fact that he's
standing there with the gun in front of him is
could be like, oh, he's not going to pull the
gun right that. You know, he's not going to pull
the trigger. He's already shot two people point blank for
not for not giving him what he wanted.
Speaker 1: They got killer, by the way, uh as I understand it.
I don't speak German, but I did hear a translator
say that. What he says right here essentially shoot the windows, kah,
which I guess is the same as glass.
Speaker 14: But yeah, kah.
Speaker 1: Man, this movie just keeps leveling up, you know, just
just cranks yep on beating up.
Speaker 2: And now the public like like he has no place
to run.
Speaker 1: Ye, gotta leave the detonators to to keep him from
pursuing him.
Speaker 6: Ow yikes, Oh flashpang.
Speaker 4: I think the flash bang actually gave him cover to
get out of her.
Speaker 1: But I'm not thinking it would be too hard to
pursue him. You could just follow the blood trail, right.
Speaker 2: But back in business, that's pretty Marsha's daughter, Yes, that's correct.
She looks a lot better than mama.
Speaker 6: She does, but she adopted.
Speaker 1: No, Yeah, she wasn't adopted though, That's why.
Speaker 2: I was no.
Speaker 13: Adopted, bout Him's real daughter adopted.
Speaker 1: Yes he dead, Rob Yes, Printcess Bride, stand by.
Speaker 3: Me, final tap and the news Final he was. They
were filmed down in New Orleans, Is that right?
Speaker 2: Cool?
Speaker 4: Yeah?
Speaker 3: The sequel, oh yeah, that come out, not yet, but
because Harry Sheer lives in New Orleans.
Speaker 2: Back to Green Green tank Top, Mike to Fall of
Green Yeah, mm hmm boy.
Speaker 20: Uh the.
Speaker 2: So good? Yeah, yeah, I don't know, I've been to Philadelphia.
Speaker 1: You know where that line comes from. I learned this
he does because he listens surely.
Speaker 2: Like to be fair, This was like three or four
years ago.
Speaker 1: I believe W. C. Field's made it famous. And then
when Ronald Reagan got shot. Line his last line. And
then when Ronald Reagan got shot, they asked him how
he was feeling in the hospital and he said, all
things being equal, I'd rather be in Philadelphia.
Speaker 3: I'm gonna step away from just a moment.
Speaker 8: Guys, Okay, I got a.
Speaker 22: Shot.
Speaker 1: Once again, they never take the tension off. He's pulling
glass out of his feet while we have a kind
of this touching moment.
Speaker 2: I've always believed this was this that uh Phil Johnson
here is playing the same character from the Family Matters
because he was a Coconut show too, and Ghostbusters and
Ghostbusters right and Trady Pleaser, I don't know remember that?
Speaker 22: And then.
Speaker 2: Yeah, yeah, let me terrorists. We got left now at
this point.
Speaker 1: Uh four, I believe right. You got Hugh Lewis, you
got Hans, you got Carl, you got Ali.
Speaker 13: On Theo's helper over there with them, you got THEO
n her helpers.
Speaker 2: Yeah, so I guess six.
Speaker 1: He lives, still love he lives, is still alive.
Speaker 13: He didn't die until right before armstongs.
Speaker 1: Yeah, actually THEO lives. I think, oh yeah, he just
punched out, knocked out right, Yeah, that's I. I gotta
switch here.
Speaker 4: That's Rick Dukeman there in the orange helmet. Very then,
he's played a big player in a bunch of eighties movies.
Speaker 1: Christmas Eve, what are you doing? Yeah?
Speaker 21: H h.
Speaker 1: Yeah, I love World Down And I can tell me
they got enough emergency lighting. I don't know if it's
that big of a deal really to kill the power.
Speaker 13: Good emergency lighting, but not an emergency magnetic lock right right,
billions of dollars.
Speaker 1: And the joy I love this. The musical cue is awesome.
There's I get a lot of joy just seeing the
vault opened. You know, a robot, Yeah, I mean Samurai.
Speaker 2: Get for the bad guys here like they have a
moment of victory. It's pretty cool.
Speaker 1: Smart Chuck, did you leave?
Speaker 6: Well, I'm still here?
Speaker 2: Okay, Yeah, that I got a notable TV screens said
you would left.
Speaker 6: Uh, I think I'm still here.
Speaker 1: Okay, Wait, each one of these little things are one
hundred grand whatever. I just opened the ball, Chris.
Speaker 4: What's that?
Speaker 3: Okay?
Speaker 4: Helicopters right up? Yeah, yeah I did think, Oh you did.
Speaker 6: Yeah, I'm trying. I'm going to try to get back in.
Speaker 2: So Dobby and Bush were both in licensed to kill?
Speaker 1: Right, Uh, Dobby was in license to kill. I don't
remember if Bush was. Was he which one licensed to kill?
Damnthy Dalton?
Speaker 4: Yeah, Dobby and who else?
Speaker 2: Bush?
Speaker 8: Yeah?
Speaker 4: The other one is in the I think he was
actually now you mentioned it.
Speaker 2: Yeah, I think he was a CI agent or something.
Speaker 4: Yeah, I think you're right.
Speaker 1: Only we had a pocket computer that would tell us
all these things. I was skilled, right, he was in
licensed to kill. He was in lethal weapon.
Speaker 4: You know he looks younger with the beard or now
that was the other guy.
Speaker 1: He was he was one of MARTA's Philip cops. He
was a black panther in Forrest Gump.
Speaker 8: How about that?
Speaker 21: All right?
Speaker 6: Yeah, I'm not gonna hop back in because I'm afraid
i'm gonna mess it up.
Speaker 2: Can you see it on your own there or you're
seeing the movie.
Speaker 6: Well, what i'm gonna do is I'm listening to whoever
had the bleed over?
Speaker 1: Okay, well we've still got your recording, so we're good.
Speaker 6: Yeah, No, that's cool.
Speaker 8: Yeah.
Speaker 5: I was just looking to uh, there was a thing
about Ode. The joy that came across my mind was
that when Beethoven had written this, he was already deaf.
Speaker 13: He was completely deaf at that point.
Speaker 1: Incredible, incredible. The sweat this kind of packed down his
uh tuft of hair that was bothering.
Speaker 2: I'm gonna say, Bruce is showing up at just hair
just for Dale after patch death.
Speaker 3: I see one hand, I don't see the second one.
Speaker 6: Wakey, wakey.
Speaker 11: John, Sorry, gentlemen, that's fletch, mhm, sweet.
Speaker 1: Letch.
Speaker 3: Fletch. Yeah, come on up.
Speaker 1: What was he doing upstairs?
Speaker 12: Mhm?
Speaker 3: No?
Speaker 1: And Laicassa shut the door, putting Jared yep. Kind of
a minor story that gets resolved at the end, but
in a super cool way.
Speaker 8: M h, good time, m h.
Speaker 1: Talking to himself again.
Speaker 13: That could be really hard with the hurt.
Speaker 1: Yes, you pull up right there, let's go.
Speaker 4: Mhm, holy cramp. That's a lot of C four four.
But I yes, I had to take a piss break.
Speaker 1: Here there is.
Speaker 2: He uh McLean found all the C four and now
he's gotten caught my Carl.
Speaker 13: Okay, uh.
Speaker 1: Notice that Bruce Willis is left handed. Lots of left
handed puncies here.
Speaker 3: H h.
Speaker 1: So we've still got well, we've got Carl, We've got Hans,
We've got THEO. We've got Huey Lewis. I think he's
is his name Allie in this I can't remember. Ah.
Speaker 2: I'm gonna ratchet up even more.
Speaker 1: Brilliant right, adding more pressure yep, m h man. You
guys have been kicked in the face.
Speaker 4: It hurts, not four times in a row.
Speaker 13: How about having your hat.
Speaker 1: Smashed against that hurts too?
Speaker 15: Yeah, yeah, I can live with that, junior high.
Speaker 1: Oh man, more pressure, No, we have we still have
al leongs. So okay for long.
Speaker 4: I gotta give you a quick update. Jason uh Sooners
just hit a three to tie it, and they were
foul with eleven seconds to go. Yes, they have a
free throw to take the lead. Jeremiah Fears is on fire.
He's got like thirty points.
Speaker 1: Clean.
Speaker 2: Oh man, oh.
Speaker 13: Never shot on the shoulder.
Speaker 1: Jones did, and then I know it hurts you ever
kicked somebody with your bare feet with the toe right
right in the toe.
Speaker 13: Have you ever seen a grown man make it?
Speaker 14: Thank you?
Speaker 3: That's exactly where I was going prison.
Speaker 4: Yeah, he looks really good right here. She's her uh
blouse is a.
Speaker 10: Little no normal it is.
Speaker 1: She's got that one extra button undone. Yep, I got
a seventy six dale final.
Speaker 4: Yep. Oh the final. Okay, I must be a few
seconds behind. Yep. They missed the three pointer at the end.
Oh baby, oh that's also by Jeremiah Fears to win
the game. Let's go unbelievable. Man.
Speaker 2: You know this is personal for Carl because of his brother. Yeap,
So it's like it's just some brutal fight. That was
a good shot of the stuntman's face there.
Speaker 1: Okay, here's my one complaint about this movie. I mean,
I've had a few minor complaints, but.
Speaker 13: Still got his hand there.
Speaker 1: They could have done something to been a little you know, like,
did he die? Did he not die? When everybody comes
back five minutes from now and he's still hanging by
his neck.
Speaker 4: Yeah, wouldn't he? Yeah, you think he'd asphyxiate, right if they.
Speaker 1: Showed maybe he could show I don't know, empty chains
or something. I don't know. Yeah, that's the only real
leap that gives me trouble.
Speaker 4: Well, how does he make it down to the bottom
at the very end of he is he in police
custody at that point.
Speaker 26: I thought it was in a body bag? Wow, because
he still has his uh what that og? He still
has that when he comes out at the end. Yeah,
the name and that's what they switched to the alien
soundtrack back.
Speaker 1: Oh yeah, that's right.
Speaker 4: I'll just leave the his weapon and his body bag.
You won't. He won't come to try to use it
or anything.
Speaker 6: Standard place procedures.
Speaker 1: There's a great look of how far apart there actually
are there, Chris.
Speaker 8: Yeah.
Speaker 1: You take a look at his feet when he's laying
down right here, you can actually see his feet covered
boots right there. He's wearing like plastic boots that look
like feet.
Speaker 4: That's interesting.
Speaker 2: I did see that.
Speaker 1: He jumps when he lands right there and says, I'm
on your side.
Speaker 10: Ah.
Speaker 1: This this is one of the best scenes right here.
I just this part right here. Up people are running downstairs,
helicopters after him. The roof's wired to blow, and he's
hanging by a fire hose.
Speaker 2: And that's a pretty good day.
Speaker 13: It sounds like Tommy Lee Jones too.
Speaker 1: Yeah, that's cause up there, hontually Carl's lucky. He survived
the explosion as well.
Speaker 2: That's true.
Speaker 10: H mm hmm.
Speaker 1: Oh the bloody feet.
Speaker 2: That's not enough. Now he's about to get pulled down.
I know, a tension, tension, he's going from one peril
to the next.
Speaker 4: Oy.
Speaker 2: Yeah, that would be the ending pragmatic scene for almost
any other action.
Speaker 4: That's the elevator opens up in a huge explosion.
Speaker 1: I mean, the helicopter almost kills him right here.
Speaker 25: You know that's a great set piece to them. Yeah, Model,
you don't think the blow up.
Speaker 2: So we're agents Johnson and Johnson in that helicopter.
Speaker 13: Yeah, it's play. Says they're going to need some new
FBI guys.
Speaker 2: I guess.
Speaker 10: Boom.
Speaker 4: I'm surehere that secondary explosion came from but it adds.
Then the tension still last.
Speaker 2: And our goal is not hearing anything.
Speaker 4: And there's the magic, the magic ambulance.
Speaker 1: There. It is magic.
Speaker 4: Unless there was a second truck we didn't see. I
don't know.
Speaker 1: Yeah, Ali, that's that's that guy's name, man money.
Speaker 13: This is some genius writing right now.
Speaker 1: Oh my gosh, so good.
Speaker 13: Two bullets around the corner, and you.
Speaker 1: Know, kind of an underappreciated moment is that there's three
bad guys and two bullets. He's got to take out
that first guy with the butt of his gun.
Speaker 2: Yeah, what she does, Look at our goal.
Speaker 1: Let's go knock him out. Yah, that's too terrible, right,
They got right here, watch.
Speaker 4: It, you're here w am.
Speaker 8: And then uh yeah, h m hmm.
Speaker 1: A little release of pressure there. Don't you shoot him? Huie,
I've got this.
Speaker 3: Mm hmm.
Speaker 22: Okay m m m.
Speaker 7: Yeah, yes kay m hm m hm.
Speaker 1: Bonnie Badelia mcaulay Culkin's aunt mm hmmm hu uh yep.
Speaker 4: Nine means no in German.
Speaker 1: Jason, thank you, thank you, such a cool showdown right here.
Speaker 4: You pay a modified.
Speaker 13: Jason's greetings.
Speaker 1: Bitches, betrayals, betrayals, Hans.
Speaker 13: And this there's an allegory about how women should not
be involved in corporate.
Speaker 16: Right.
Speaker 1: The message of the.
Speaker 13: Movie Rolex was literally about to kill her.
Speaker 1: Stay home with your husband and your family.
Speaker 11: Yea.
Speaker 4: I love that they didn't the coolest death scene in
any movie drop Yeah.
Speaker 2: Uh, you didn't know he was gonna be dropped like that.
Speaker 1: Notice the Barrabonds right there falling with him. M more Barrabonds.
Speaker 3: That's one of the terrests.
Speaker 1: There are bloody kisses.
Speaker 13: Like snow.
Speaker 1: Yep, it is, I mean snow. It's on Christmas her names.
One small complaint that I've got is that when he's
walking out, the Barrabonds are clearly just green construction paper.
Oh yeah, yeah, there you go green. Yeah yeah, thanks, thanks, Sorry,
it's a.
Speaker 3: It's a green T shirt, green construction that's right.
Speaker 1: Truly one of the great moments in this movie right here. Yeah,
I know, yeah, I like this.
Speaker 2: Amanda brothers bond and they've never even met before.
Speaker 1: Yep. I think the kids are going to play on
the playground with al Junior.
Speaker 13: H is Holly any more of the movies.
Speaker 2: She's in two, Yeah, she's in part two.
Speaker 1: She's on the airplane. She's one on one of the
airplanes that they're trying to land.
Speaker 13: I think I saw two in the theater and that
was it, and that was nasal I ever saw.
Speaker 1: Really, you haven't seen three.
Speaker 3: Four now.
Speaker 6: It could have stopped at one and it would have
been okay.
Speaker 2: Yeah, yeah, but I love too.
Speaker 13: I love also because he's still a real human being.
He's not the superhero yet.
Speaker 3: In one of the future ones, is it revealed that
they are no longer together?
Speaker 22: Yeah?
Speaker 1: Three?
Speaker 3: Three?
Speaker 4: Is that what it is? Okay?
Speaker 1: So he's like an alcoholic and a bum.
Speaker 3: So in the grand scheme, so is that is three
considered canon or not? You know?
Speaker 2: Okay?
Speaker 3: So in the grand scheme of is this a Christmas
movie or not a Christmas movie? The one thing that
I would knock against it is the whole happy ending
of the realization that he needs like as much as
d you were joking about, you know, the allegory with
the professional woman, the idea that he realized that he
was wrong, and the happy ending is that he belongs
with her and they belong together and yet ultimately they don't.
So that to me kind of ruins this as the
Christmas movie. But again, that's that's that's the last Jedi
will say that they divorced them, Like, come on, you
can't do that.
Speaker 23: That's awesome, okay, So or somebody since a sound clip
that's referenced the that scene that we just saw, uh
and an alien sound cue?
Speaker 13: Yeah, was it the woman screaming? Was that the scream?
Speaker 5: No, it was the music when he comes out that
that was taken from aliens. That's James Horner, not Mike Cayman.
Speaker 6: Mark came in home, twentieth Century Fox. They had the music.
I just they owned it.
Speaker 3: So.
Speaker 1: By the way, in the movie Theater in nineteen eighty
eight when Al Powell, when it's revealed that Al Powell
shoots Carl, Yeah, the crowd stood.
Speaker 2: And cheered and cheered. That's awesome.
Speaker 1: The only time I've ever been to a movie where
people stood and cheered.
Speaker 4: Wow.
Speaker 2: It's a great ending for him too, you know with
his story of.
Speaker 1: Al gets his moment, Paulli gets her moment, our Goll
gets his moment. Just brilliant writing.
Speaker 2: Yeah, yeah, everything's real tidy.
Speaker 4: At the end, the credits call credit the two FBI
agents says Big Johnson and Little.
Speaker 2: Johnson to be credited as Little Johnson is that a.
Speaker 3: Smoky in the Smoky and the bandit type.
Speaker 6: A little big, big big Johnson Big Johnson T shirts.
Speaker 1: Were all either kissing man p Randall Bowers Yea, all right,
kissed in the.
Speaker 6: Mom You got to see this role I'm in. I
actually kiss Bruce Willis.
Speaker 1: That was my whole role. That's the whole thing. I did.
Speaker 4: Credit for it.
Speaker 1: Yeah, man, what a great movie.
Speaker 8: Guys.
Speaker 1: How many is everybody here on board with the Christmas
movie thing?
Speaker 6: Oh? Yes, except maybe Chris No, no.
Speaker 3: No, no, no, I am I'm saying that three. You
know last when I when I saw that, I was like, no.
Speaker 8: You can't do that.
Speaker 4: Yeah, they kind of, yeah, you're gonna have to take
it as its own thing. Yeah.
Speaker 1: I've seen Diehard one like a hundred times. I've seen
Diehard two. Mate, just a handful and they diminish from there.
Speaker 4: Pretty good.
Speaker 1: Three is okay.
Speaker 3: Die Hard is in fact one of the movies that
my wife says it all the time anytime it's on,
Like she'll walk in the room and I and I
have it on, like I'll pick it up at any point.
She's like that with the Godfather, Like Godfather and Goodfellas
she's next to me. I'm just saying that. You always say,
die Hard is one of the movies that I constantly watch, Like,
anytime it's on, I'll watch. And I said, you do
the same with Goodfellas and and Godfather. You know, it's
just I don't I don't get I don't get tired.
I really don't get tired of watching. It's just, you know,
it's just you know, it's so well you're like, oh yeah, yeah,
this part, it's this part, it's and it is because
it just pulls you in.
Speaker 2: We found ways to nitpick this because we're so familiar
with it. But when it comes to like story structure
and just building the tension, it doesn't get better than this.
Speaker 1: A masterclass perfect.
Speaker 23: By the way, three perfect movies in the eighties, Lost Star,
Back to the Future, and.
Speaker 2: Did Yeah, I want to argue with that.
Speaker 1: Yep, it is.
Speaker 2: Chuck, it is Michael Caman.
Speaker 6: It's all like Caman, I said, Mark.
Speaker 2: He said, Michael, Mark, you weren't sure.
Speaker 6: Yeah, yeah, yeah, he's he died too soon.
Speaker 2: Yeah, one of the major.
Speaker 1: Mike Caman did the the Orchestra with Aerosmith that one
time when they.
Speaker 13: Did the Dream on one he also did the.
Speaker 1: S Symphony and Metallica.
Speaker 23: Ye, speaking of which I wonder who is like this
being the full choir version of the Ninth Symphony, Oh
de joy, I wonder who they got like I did
they recorded especially for this or did they use some
sort of prior recording.
Speaker 2: I don't know. They may have just told us in
the credits and we've been looking for it.
Speaker 23: By the way, if you, uh, if you like Beethoven
and you haven't seen Immortal Beloved, you need.
Speaker 13: To m fantastic movie. I've never seen it, Gary Oldman, so.
Speaker 1: I need to some more your favorite actor. Yeah, guys,
that was fun.
Speaker 13: It was awesome.
Speaker 6: Yeah, I'm glad that uh it event fully worked worked
itself out.
Speaker 1: I know, thank you thanks for setting on this up,
Chuck and yeah.
Speaker 5: Yeah, and the I mean, if we ever wanted to
do another movie or anything like that, if something comes up,
just just let me know.
Speaker 8: Okay.
Speaker 1: Well, everybody who took the time to listen and enjoy
this movie with us, hopefully you enjoy special podcast. I know, right,
I mean if I was I wouldn't even have to
watch the movie. I would know what's happening. But hopefully
you enjoyed this and and we wish you all are
very merry Christmas.
Speaker 13: Why are you still here?
Speaker 2: It's over, the movie is over all right, Merry Christmas, guys.
Enjoy and celebrate Christmas, guys,