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Speaker 1: Hey, everybody, welcome back to the show You Can't Be

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Serious Podcast. Today, We've got something special for you. We

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are actually going to be watching Diehard the movie, and

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as we go through it, we're going to have our

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own little audio commentary with me tonight. I have world

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famous personalities. I've got Deaf Dave, world famous podcaster of

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the Apples and Oranges podcast. Dave. How you doing man?

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Speaker 2: Well, I'm hanging in there. I'm looking forward to celebrating

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Christmas season with the greatest Christmas movie of all time

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with all you guys.

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Speaker 1: We also have Chris Webber from down to by you. Chris,

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how are you feeling tonight?

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Speaker 3: Man, I'm actually doing quite well and I'm happy to

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join everybody here and watch this Christmas classic.

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Speaker 1: Okay. We also have Dale Sylvie from the Dallas area. Dale,

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how you doing tonight?

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Speaker 2: Doing well?

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Speaker 4: Looking forward to watching this with you guys. I think

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we got all the technical issues squared away, and I

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think we're ready.

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Speaker 1: To go awesome awesome. And then Chuck Bryan of the

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Cinematic Flashback podcast. This is kind of your baby, Chuck.

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Speaker 5: Yeah, yeah, We're I'm hoping this whole thing works out.

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If it does, it's going to be a technological Christmas

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gift to all of us.

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Speaker 6: So yes, let's let's give this a try.

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Speaker 1: I tell you one thing. I bought the Diehard DVD

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about twenty years ago, specifically because I wanted to hear

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the John McTiernan audio commentary. Oh yeah, and it sucked.

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Like I was so excited to hear what he had

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to say, and it was all technical crap. It was

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stuff like I wanted behind the scenes stories, I wanted anecdotes,

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all that stuff, and it was just technical crap that

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I could care less about.

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Speaker 5: No juicy bits. Well I think tonight we'll be giving

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all the juicy bits.

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Speaker 1: Okay, how about that? So if you want to watch

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die Hard with us and sink your DVD, Diehard is

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actually on TV right now. I don't know how you're

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going to keep up with the commercials or whatever, but

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if you will push play here in about ten seconds,

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I'll start the countdown, and when I say hit play,

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hit play, and then you can watch die Hard with

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the five of us and enjoy our commentary as you

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watch die Hard. All right, so let's do the countdown

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ten nine eight seven, six, five four three two one play.

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Speaker 4: Oh, we're recording.

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Speaker 2: Okay, So I'm going.

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Speaker 1: To record this and then we're going to create this

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as like a like an audio commentary for whoever wants

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to watch Die Hard.

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Speaker 4: You know, are you okay? You look like you're in

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bed sick?

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Speaker 2: That is exactly correct.

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Speaker 7: I have.

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Speaker 2: I have been really sick for the last two days. No,

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I was telling them earlier. If you see me randomly

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bolt out of this room at different points in the movie,

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you're better off not asking any questions.

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Speaker 1: Every time I see this logo, it makes me think

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of Star Wars and music gets me fired.

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Speaker 3: Up absolutely a long time ago.

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Speaker 4: Mm hmmm, in a decade.

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Speaker 8: Let's go far far away.

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Speaker 1: John McTiernan planes, trains, and automobiles.

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Speaker 4: I just had a plane land, is that right?

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Speaker 2: Yeah?

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Speaker 1: This with your toes.

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Speaker 2: I don't think we're gonna be okay.

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Speaker 6: Okay, we didn't get past this last time.

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Speaker 1: Yeah.

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Speaker 3: If it looks like your connection to the server isn't

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fast enough to play this, switch quality, Yes, I will

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switch quality. That's fine. Switch quality.

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Speaker 2: Loose with hair.

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Speaker 6: Whiskey.

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Speaker 4: This with your toes, We've all tried that, right, Yeah, socks.

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Speaker 6: Off on the plane and wave from.

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Speaker 2: Brown can prop them up on the seat in front

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of you.

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Speaker 6: My dogs are barking.

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Speaker 1: By the way that prop Bretta that he's carrying around. Yep,

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Dame Bretta from the Least Weapon movies.

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Speaker 2: So, Jason, there are a lot of connections between Diehard

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and lethal weapons.

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Speaker 1: Yes, there are, and there's a podcast that covers all those.

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You should totally go listen to. Three parter.

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Speaker 4: Actually, do we have a credit on the female coming up?

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Speaker 2: Do we know?

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Speaker 1: Yeah, she's a yes credit in the movie. She is

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a Playboy playmate. What we had a I can't remember

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on that podcast. It was like, name the there's like

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four Playboy playmates in the in this movie. I'm trying

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to think.

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Speaker 4: I can guess another one, probably, well.

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Speaker 1: One was on the wall like the centerfold as he

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was he's carrols. Yeah, and then I think the you

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can kind of a boom shot early. I think maybe

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she was one, and.

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Speaker 4: Then the girl that's the one I was gonna guess.

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Speaker 2: Yeah, well when they when they run into somebody in

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the office doing it.

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Speaker 1: Yeah. Has anybody ever been out to La to see

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the Fox Tower or anything? No?

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Speaker 2: No, I have not.

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Speaker 1: I follow a Facebook page where oh crap, I'm buffering.

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I follow a Facebook page where somebody went out there

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was in the parking lot. It was taking pictures and

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security came out and told him to leave and stop

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taking pictures.

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Speaker 4: Wow, I'm getting a feedback loop again.

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Speaker 2: Yeah. Mine just paused the buffer, but I didn't seem

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to lose much.

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Speaker 4: Okay, you still have me talking, I.

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Speaker 1: Mean, yeah, yeah, just cut the in the hallway.

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Speaker 2: Okay.

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Speaker 3: Yeah, I think I'm a little bit behind y'all.

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Speaker 2: Oh, I hate this dude, mister hart Backnerner.

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Speaker 1: Yes, the only thing else I've seen him in a Supergirl.

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Speaker 6: He was also in Breaking Away.

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Speaker 2: Breaking Away. Yeah, yeah, breaking Away.

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Speaker 4: He was.

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Speaker 5: The fraternity brother or the turnity guy who was kind

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of the foil to uh Dave.

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Speaker 8: I didn't know that.

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Speaker 1: That baby's.

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Speaker 2: Ah the eighties.

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Speaker 1: Nothing like a little alcohol poisoning for an infant, No problem,

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I'll smoke a cigarette, hello, Lucy McLean h.

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Speaker 4: Bronnie Badeley was a pretty good eighties babe too, right.

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Speaker 2: Yeah, I mean she was in she was in one

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of the Harrison Ford Tom Clancy movies. Right, she was. Okay,

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and Archer that's right, thinks I'm thinking of that's another

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good one.

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Speaker 1: Yeah.

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Speaker 3: So where y'all? Where y'all right now? Because I think

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I was a little bit behind you, but I may

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have been able to skip ahead.

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Speaker 1: Is answering the phone?

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Speaker 2: Yeah, the Maid and the Holly are on the phone together.

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Speaker 3: Has John arrived to the neck of Tony Plaza yet? Not?

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Speaker 9: You know?

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Speaker 3: Okay, I'm ahead somehow I got ahead of y'all.

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Speaker 6: Hey, you're you're like at nine minutes and thirty nine seconds?

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Speaker 3: Yeah? Yeah, where are y'all?

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Speaker 6: We're about five o two five minute mark?

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Speaker 4: That's interesting?

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Speaker 2: Yeah? Are you on the Are you on the original stream?

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Speaker 3: No?

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Speaker 10: No, no, no no.

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Speaker 3: I was behind y'all, and I thought I could just

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move ahead and catch up to y'all, and I went beyond.

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Speaker 6: It, all right, bath and beyond?

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Speaker 1: Are you positive for a few minutes?

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Speaker 3: I'm backing up?

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Speaker 6: Okay, Yeah, you're at six?

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Speaker 1: Yeah, there we go, There we go, we go the

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California babes.

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Speaker 11: Hm.

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Speaker 2: You know what he needs as a limo driver? Right now? Oh?

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Speaker 6: Where you're about twenty seconds behind us?

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Speaker 2: Chris?

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Speaker 3: Okay, how about now?

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Speaker 6: Nice our guy with the still about seconds? Oh oh,

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last beyond I'm beyond yeah, just positive for like a

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half second and I'll tell you when to go.

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Speaker 12: Okay, don't mess up Dave's big sicul q right, that's right,

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I'm standing by.

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Speaker 3: I'm not looking Jack.

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Speaker 2: It's something to drop the needle.

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Speaker 1: This is Christmas music.

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Speaker 6: It's a Christmas movie, David.

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Speaker 4: This is an underrated Christmas song too.

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Speaker 2: No, I know it is.

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Speaker 6: On heavy rotation for me right now?

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Speaker 2: Yeah?

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Speaker 6: Good that in back Door Santa.

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Speaker 3: Clans Clans call it.

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Speaker 4: H she beat you up.

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Speaker 2: I only realized Deborah White was in Blues Brothers like

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a year ago.

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Speaker 3: Jason, did you put post that that?

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Speaker 1: Yeah?

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Speaker 3: Yeah, that was that was pretty good. I didn't realize

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I didn't realize that was him either.

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Speaker 1: The meme of him and Blues Brothers changed from a

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life of crime to limitar driver and became a.

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Speaker 2: Hero with good musical taste.

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Speaker 1: Why bother the pack?

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Speaker 2: Very sure, Here we go, Here we go, pop it in.

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Speaker 1: Here you go, Dave, it's for you.

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Speaker 3: That this Uh, this was on that that Christmas album

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the Red One with the.

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Speaker 1: Gold had like Santa Baby by Madonna I think on.

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Speaker 3: Air was on the Merry Christmas Baby by Bruce. I

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saw saying uh, I saw saying Mommy kissing Santa Claus

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with John Cougar mellon camp. Yeah.

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Speaker 1: By the way, screenwriter John Rah Stephen Desusa has interacted

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with us on Twitter occasionally. It's pretty cool, awesome. It's

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very minor, but still a big thrill for us.

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Speaker 2: Yeah.

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Speaker 3: Absolutely is our.

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Speaker 1: Guy on the greatest what's that now?

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Speaker 5: I was just gonna say fake John Cleae liked one

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of my posts the other day. I was excited for

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two seconds until I saw the only had three hundred followers.

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Speaker 1: Our guy is the greatest limo driver of all time.

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He puts up with John's bad attitude and then hangs

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out for like hours to.

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Speaker 2: See you get me losing the giant peddy bear and

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the run to him, See what else do you need?

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Speaker 1: Boss thinks he's on his way to Vegas, so he's.

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Speaker 6: Getting paid either way.

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Speaker 4: With his girlfriend.

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Speaker 8: Right.

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Speaker 3: Yeah, Then you got me thinking, who are some other

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famous limo drivers that we've seen either in screen, movie

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or TV. Now I got to think about that.

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Speaker 2: Look at the fancy touch screen.

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Speaker 4: I'll give you. I'll give you a pretty good limo driver. Yeah,

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Lloyd Christmas.

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Speaker 2: Whenever, there you go.

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Speaker 1: It's okay, whatever, you know, this technology is dazzling, but

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this is how you order it at Army's now. I mean,

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it's just like nothing.

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Speaker 4: That screens were a big thing back in nineteen eighty eight,

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right or eighty seven.

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Speaker 8: Yeah.

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Speaker 1: I like how he had to go through this whole

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rigamarole to fight where she.

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Speaker 4: Actually I've always thought though, why the only people who

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were here.

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Speaker 1: Oh, it's it's the party on the thirty foot. They're

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the one's ability. Well, thanks a lot, buddy.

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Speaker 2: That dude already looks suspicious.

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Speaker 4: Yeah, exactly.

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Speaker 1: I've always said that this is a perfect movie. But

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that dude right there is involved in one of the small,

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very small glitches in this movie.

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Speaker 2: What's that?

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Speaker 1: Well, when he gets shot, Alexander Gudinov comes around the

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corner and he's already like in like shot pose.

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Speaker 2: Goes off.

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Speaker 1: Yeah, he's ready for.

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Speaker 4: This black ban grenade, right, and then it's.

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Speaker 1: Like yep, yeah yeah.

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Speaker 2: So he comes off the airplane, goes straight to the

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corporate office party.

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Speaker 1: Yeah, which is on Christmas Eve, which kind of is

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kind of inconsiderate, I think for a company to do.

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Speaker 5: But you know whatever, This is why it's a Christmas

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movie because John is trying to get home for Christmas.

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Speaker 6: He's trying to get to his wife.

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Speaker 1: Absolutely, and it's Christmas Eve.

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Speaker 6: All those stories when you're trying to get home, it's

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always on Christmas Eve.

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Speaker 5: Yeah, if this was like December fifteenth, I would agree

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it's not a Christmas movie.

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Speaker 4: I like how he just ditches the punch right away.

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He's like suck.

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Speaker 1: Yeah, there you go. There's the other one of the

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other babes. Mh That guy is now famous for that

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one thing right there. That dude is somewhere going. I

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was the one who kiss John McLean and Diehard. Uh, mister,

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let's doing cocaine in Holly's office. That's great, willas policeman

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husband m m hm. That backdrop has always kind of

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bothered me too.

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Speaker 2: Yeah, it's pretty obvious. Yeah, I don't know what about

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it is.

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Speaker 3: Because it looks like the sun is going down, But

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is it clearly at night at this point. I'm trying

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to you know, like it seems like it's dusk, you know,

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it seems like it should be.

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Speaker 5: There's gonna be actually later, there's gonna be a shot

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here when the trucks are arriving right yeah.

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Speaker 13: Yeah.

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Speaker 2: Yeah, And in California, witness somebody setting over the ocean

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and not behind the mountains. I don't know.

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Speaker 1: Yeah, the stars are messed up.

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Speaker 3: Yeah again, going back, they walk and the uh and

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he's doing blow on her on her desk, and the

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big boss is there and he doesn't even he doesn't,

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He doesn't say, like, what are you doing over there?

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Like her office?

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Speaker 1: All for breakfast? Man?

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Speaker 3: Maybe that's it.

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Speaker 4: Cocaine he's bringing in. Uh.

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Speaker 3: Okay, so it is. The sun is going down, so

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I could the sky is matching it.

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Speaker 2: So yeah, all right, y'all help me track this white

291
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tank top. Okay, because at some point it turns solid

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green and I never noticed the change.

293
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Speaker 1: It's when it gets out of the the the vent

294
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like that.

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Speaker 2: He goes into the vent white and he comes out there. Yep, yep,

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all right, I'll try to catch it this time and

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00:18:00,079 --> 00:18:04,880
remember it turning green. Well, basically, it was just so

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00:18:05,160 --> 00:18:07,680
dirty on sweat stain, it looks like a completely different color.

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Speaker 6: True fact, Avian spelled backwards is naive.

300
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Speaker 1: Dropping knowledge.

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Speaker 6: You only get these tasty bits here.

302
00:18:23,079 --> 00:18:24,519
Speaker 1: Why don't you come stay with me?

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Speaker 4: A little tuft of chest hair always bothered me too,

304
00:18:30,240 --> 00:18:32,200
Why not just cut that off? For trimmidt or.

305
00:18:33,799 --> 00:18:36,240
Speaker 1: It's a little mushroom cloud right there, yes.

306
00:18:36,480 --> 00:18:42,799
Speaker 2: Or add to it before this before manscaping, that's right,

307
00:18:42,920 --> 00:18:44,519
that's right, working for his chest.

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Speaker 6: Was he wearing a two pee in this or we see.

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Speaker 4: Probably had a little bit of hair left?

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Speaker 2: Yeah? Yeah, I think we still had some hair going here.

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Speaker 8: He was.

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Speaker 2: Still just entirely known for before this movie.

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Speaker 1: Yeah, okay, man, moodlighting was brilliant.

314
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Speaker 3: I just want to interrupt again here what exactly does

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00:19:08,119 --> 00:19:12,400
Holly do for this company? Like? How high up is she? Then?

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Speaker 2: I want what does the company do?

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Speaker 3: The reason why I'm saying that is we are five minutes,

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three minutes into seeing her move her office, which has

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a private bathroom, so she's got to be pretty high

320
00:19:27,559 --> 00:19:31,279
up there, and already we have seen one of her

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00:19:31,279 --> 00:19:35,480
coworkers doing blow on her desk, and then another two

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people come in ready to go have sex on her desk,

323
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Like wouldn't you think somebody like would you do either

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00:19:45,680 --> 00:19:48,039
of those two things with someone who is like a

325
00:19:48,240 --> 00:19:52,200
super high up in your company? Like, Hey, let's I'm

326
00:19:52,200 --> 00:19:53,720
going to go do blow. I'm going to go on

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Holly's office Like like, hey, you know, whatever you want

328
00:19:57,880 --> 00:20:01,079
to do, Holly's fine with it. She's from new She's

329
00:20:01,119 --> 00:20:03,759
seen it all. Just go just go in there. Just

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don't let her husband.

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Speaker 1: Cop see, she's only been there six months too, she.

332
00:20:09,200 --> 00:20:12,519
Speaker 2: Did, we'd have to rewind. But her her dump poddle

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00:20:12,599 --> 00:20:13,559
was on her off door.

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Speaker 3: But again, just.

335
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Speaker 5: According to the hard Wiki, Holly Gennaro began her career

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00:20:20,839 --> 00:20:23,839
as a real estate agent for the Nakatumi Corporation, where

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00:20:23,839 --> 00:20:26,359
she had a flourishing career rising through the ranks.

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Speaker 1: That explains it all, right there everything.

339
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Speaker 2: It's totally normal for a moving par to show up

340
00:20:40,039 --> 00:20:46,160
at my Christmas Eve. Nothing to worry about.

341
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Speaker 1: I hope he makes these guys go through the touch

342
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screen process.

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Speaker 4: He doesn't, he doesn't get a chance.

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Speaker 6: Not suspicious at all. This is the magic truck, isn't it.

345
00:21:02,640 --> 00:21:05,759
Speaker 1: Yeah, so Susan talks about this when they open and

346
00:21:05,799 --> 00:21:16,160
everybody walks out. No ambulance in there. Two points. I've

347
00:21:16,160 --> 00:21:23,200
always kind of enjoyed the Showtime Lakers reference there. Yeah, yeah,

348
00:21:23,240 --> 00:21:26,240
so this truck right here. Later we see an ambulance

349
00:21:27,200 --> 00:21:30,680
climb out the back of it, but it was too

350
00:21:30,759 --> 00:21:32,720
far down the line when they realized, oh crap, what

351
00:21:32,799 --> 00:21:35,279
are we going to do? And they just said, well,

352
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nobody will notice.

353
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Speaker 2: Mm hmm.

354
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Speaker 3: Okay, here'll never be technology in the future where you

355
00:21:42,200 --> 00:21:45,759
can just pause it and look framed by Frank. That'll never.

356
00:21:47,440 --> 00:21:50,079
Speaker 1: Ready, he's already in the pose.

357
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Speaker 2: So I like heist movies got him. I like heist

358
00:21:58,799 --> 00:22:00,880
movies for how the heroes can always defeat all the

359
00:22:00,920 --> 00:22:04,400
security measures, and uh, in this time, we're seeing the

360
00:22:04,440 --> 00:22:06,559
bad guys do the same thing. So there's a there's

361
00:22:06,559 --> 00:22:10,640
a heightst movie pilled this, you know, watching the bad

362
00:22:10,680 --> 00:22:11,440
guys do the thing.

363
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Speaker 1: Definitely, Definitely so.

364
00:22:14,079 --> 00:22:17,640
Speaker 5: Beethoven's Oh the Joy is featured not only in die Hard,

365
00:22:17,759 --> 00:22:21,759
but also in a clockwork Orange Dead Poet Society John Wick,

366
00:22:22,480 --> 00:22:25,559
and my favorite, the O to Joy Muppet music video.

367
00:22:26,920 --> 00:22:29,920
Speaker 2: I love that That last one is excellent, but I

368
00:22:29,960 --> 00:22:33,079
will I will take the die Hard use of it.

369
00:22:33,160 --> 00:22:34,799
I think that's my first pick.

370
00:22:42,440 --> 00:22:45,519
Speaker 1: Locked those escalators so nobody gets away.

371
00:22:45,519 --> 00:22:48,720
Speaker 6: If only they locked the building down prior to them.

372
00:22:48,559 --> 00:22:54,119
Speaker 4: Coming find a German it expert to join them in

373
00:22:54,200 --> 00:23:01,680
their team. They had to grab an American guy for that, curious.

374
00:23:03,319 --> 00:23:06,400
I like how German and he's the only Blackhamericas, the

375
00:23:06,440 --> 00:23:07,519
black American on there.

376
00:23:08,000 --> 00:23:10,200
Speaker 1: Well yeah, and plus they had no plan he's like,

377
00:23:10,920 --> 00:23:13,720
he tells him, I can get through the first six

378
00:23:14,039 --> 00:23:17,720
codes or whatever, but I can't do the seventh one. Like, Okay,

379
00:23:17,880 --> 00:23:21,640
don't worry, we got it. Yeah, Huey Lewis.

380
00:23:22,519 --> 00:23:23,839
Speaker 2: Huey Lewis at the security desk.

381
00:23:24,279 --> 00:23:24,480
Speaker 1: Yep.

382
00:23:28,799 --> 00:23:32,359
Speaker 3: So do you think Allan Rickman was type cast as

383
00:23:32,640 --> 00:23:37,079
a Christmas movie specialist? Which is being in this movie

384
00:23:37,200 --> 00:23:39,759
being a Christmas movie and why it was what loved

385
00:23:39,839 --> 00:23:42,480
actually or something like that? Did they say, Hey, we

386
00:23:42,519 --> 00:23:45,079
need to get a guy from a traditional Christmas movie

387
00:23:45,160 --> 00:23:49,160
like that to play a part in a new Christmas movie.

388
00:23:49,480 --> 00:23:52,119
I think that's another argument that you see he was

389
00:23:52,240 --> 00:23:55,480
he's been type cast, is that I think it's.

390
00:23:55,279 --> 00:23:57,519
Speaker 2: Just a I mean, you know, I like the.

391
00:23:59,279 --> 00:24:03,039
Speaker 5: Little Winter Underland, that that that that that.

392
00:24:03,240 --> 00:24:04,720
Speaker 6: Quote and that music.

393
00:24:05,839 --> 00:24:08,039
Speaker 1: It's very this movie. All of this movie is smart.

394
00:24:09,440 --> 00:24:14,880
Very Here's the one thing I'd never truly understood. He's

395
00:24:14,920 --> 00:24:17,720
doing his thing. Carl comes right behind him, and they're brothers,

396
00:24:17,759 --> 00:24:21,279
we know that, But he's chainsawing it and like, what

397
00:24:21,279 --> 00:24:23,240
what would have happened if he didn't clip those wires?

398
00:24:25,559 --> 00:24:27,359
Speaker 4: Yeah, good question.

399
00:24:27,599 --> 00:24:31,839
Speaker 1: I've never really understood that. So they sweet your toes.

400
00:24:36,720 --> 00:24:38,160
Speaker 6: They're still playing out the joy.

401
00:24:38,240 --> 00:24:40,319
Speaker 1: I love that they have that picture that's on her

402
00:24:40,359 --> 00:24:41,400
desk and his wallet.

403
00:24:41,839 --> 00:24:43,079
Speaker 2: Yeah that's a good touch.

404
00:24:49,440 --> 00:24:51,319
Speaker 1: So yeah, what's so what's he doing.

405
00:24:51,119 --> 00:25:00,039
Speaker 4: Here on the phone line? A little bit of a

406
00:25:00,079 --> 00:25:02,960
hottie and uh Live for or die Hard?

407
00:25:03,839 --> 00:25:08,119
Speaker 1: Lucy Lucy McLean? Yeah that movie is.

408
00:25:11,759 --> 00:25:13,319
Speaker 4: I like that one better, the one than the one

409
00:25:13,319 --> 00:25:15,279
with his son. What's that one called? I can't remember?

410
00:25:17,000 --> 00:25:22,599
Speaker 1: Uh, died too, died of a vengeance, going to Ukraine

411
00:25:22,799 --> 00:25:24,240
and Live for or die Hard?

412
00:25:26,559 --> 00:25:28,079
Speaker 3: The last die Hard.

413
00:25:31,039 --> 00:25:31,640
Speaker 1: Rise of di.

414
00:25:34,480 --> 00:25:36,839
Speaker 3: Return, A little.

415
00:25:36,640 --> 00:25:37,880
Speaker 8: Bit the.

416
00:25:40,319 --> 00:25:45,680
Speaker 2: W close something whatever, Yeah, something would happen here.

417
00:25:48,279 --> 00:25:49,720
Speaker 3: I don't know what it would. It may be have

418
00:25:51,920 --> 00:25:54,680
I don't know, trips, trip something to call the police

419
00:25:54,920 --> 00:25:57,000
or you know that. I don't know, but it just

420
00:25:57,480 --> 00:26:00,440
whatever he's whatever he's cut. You're right, whatever he's cutting,

421
00:26:01,480 --> 00:26:03,640
it's going to break that as well.

422
00:26:07,400 --> 00:26:09,200
Speaker 4: Maybe it would have zapped his brother really bad and

423
00:26:09,240 --> 00:26:10,000
just like shocked him.

424
00:26:12,319 --> 00:26:18,880
Speaker 3: That would have been funny.

425
00:26:19,599 --> 00:26:28,160
Speaker 1: Such a cool shot right there, and here we go, yeah, barefoot.

426
00:26:38,359 --> 00:26:40,920
I love that they start off with, you know, the intimidating,

427
00:26:41,640 --> 00:26:49,599
just start right off with bullets. You know, I'm reading

428
00:26:49,680 --> 00:26:53,039
the book right now. It's called nobody Lives Forever or

429
00:26:53,160 --> 00:26:54,759
nothing Lasts forever or something like that.

430
00:26:55,119 --> 00:26:58,200
Speaker 3: There we go, who's that Holly's office?

431
00:26:58,880 --> 00:27:03,359
Speaker 1: Well, probably that girl got that part because Joel Silver

432
00:27:03,480 --> 00:27:04,799
wanted to uh.

433
00:27:06,400 --> 00:27:07,400
Speaker 2: Wanted to audition her.

434
00:27:07,720 --> 00:27:13,839
Speaker 1: Yeah, anyway, the book, it makes a big deal. He

435
00:27:13,880 --> 00:27:15,839
grabs his gun not only because he needs it, but

436
00:27:16,240 --> 00:27:19,640
he's worried that if he he leaves it behind, they'll

437
00:27:19,680 --> 00:27:23,759
find it and then come the building for him.

438
00:27:23,839 --> 00:27:27,240
Speaker 2: Well, he left the whole from behind. I think I

439
00:27:27,279 --> 00:27:27,839
thought I saw him.

440
00:27:28,960 --> 00:27:37,039
Speaker 6: Yea, his voice is cracking.

441
00:27:42,559 --> 00:27:45,559
Speaker 2: I immediately believe Bruce Willis as an action here, you

442
00:27:45,640 --> 00:27:48,759
know what I mean? Like this, we have to keep him.

443
00:27:48,799 --> 00:27:50,640
We're used to it now, but at the time this

444
00:27:50,839 --> 00:27:55,000
was yeah, completely new for him. But like already with

445
00:27:55,119 --> 00:27:57,359
this scene, it's like I'm already bought in, I'm already

446
00:27:57,359 --> 00:27:57,920
believing it.

447
00:27:58,240 --> 00:28:03,279
Speaker 1: Yep. You can believe him in the fist fight and

448
00:28:03,319 --> 00:28:06,440
in the stuff. But he's also he's got an everyman quality.

449
00:28:07,000 --> 00:28:09,200
He's just a guy caught in a weird situation.

450
00:28:09,519 --> 00:28:12,680
Speaker 4: You know, why are we there? Could have done?

451
00:28:15,039 --> 00:28:17,000
Speaker 6: It was criminally underused.

452
00:28:23,160 --> 00:28:25,640
Speaker 1: Alan Rickman's screen debut.

453
00:28:26,119 --> 00:28:27,720
Speaker 2: Yeah, I mean where did he come from? I mean

454
00:28:27,960 --> 00:28:32,519
what a debut kidding, I mean, like a major role,

455
00:28:32,880 --> 00:28:34,640
completely owning every scene.

456
00:28:36,200 --> 00:28:38,480
Speaker 1: One of the great villains of movie history.

457
00:28:39,559 --> 00:28:41,880
Speaker 2: I'm assuming he must have been a stage veteran at

458
00:28:41,880 --> 00:28:43,920
this point. He had to have earn his top somewhere.

459
00:28:44,079 --> 00:28:46,640
Speaker 1: They saw him in a play. I think you saw

460
00:28:46,680 --> 00:28:58,920
him in Dangerous Liaisons as a stage actor, and Alexander

461
00:28:59,160 --> 00:29:02,079
Alexander Goodna was a ballet dancer, and they thought, well,

462
00:29:03,000 --> 00:29:05,640
athletic enough to look good in the fight scenes.

463
00:29:06,440 --> 00:29:07,160
Speaker 6: Just to put it in.

464
00:29:08,359 --> 00:29:10,559
Speaker 2: Some respect to Al long back there. We haven't even

465
00:29:11,119 --> 00:29:13,000
shouted out along yet.

466
00:29:15,279 --> 00:29:19,079
Speaker 6: It's coming. So Rickland was part of the Royal Shakespeare Company,

467
00:29:19,160 --> 00:29:22,000
so he was. He was a good.

468
00:29:21,799 --> 00:29:29,480
Speaker 2: Actor in like at the top level of British theater.

469
00:29:29,839 --> 00:29:31,680
Singer saying, yes.

470
00:29:45,880 --> 00:29:47,960
Speaker 1: He knows everything about him except what he looks like.

471
00:29:57,920 --> 00:30:00,480
Speaker 4: Who not looks mean too? I mean for about I answer,

472
00:30:00,559 --> 00:30:14,960
he looks like a right John Susan. I have to myself.

473
00:30:20,599 --> 00:30:23,759
Speaker 1: Christmas music get stuck in your head.

474
00:30:24,519 --> 00:30:25,079
Speaker 13: Oh good.

475
00:30:29,680 --> 00:30:29,960
Speaker 7: M h.

476
00:30:33,960 --> 00:30:39,119
Speaker 1: Arafat my sister's there, little eighties nugget there.

477
00:30:43,720 --> 00:30:45,599
Speaker 2: I think the movie's doing work here to kind of

478
00:30:46,920 --> 00:30:50,720
map the building out for us before things really take all,

479
00:30:52,039 --> 00:30:54,920
you know, we're getting. We're getting the layout here.

480
00:30:57,759 --> 00:31:00,720
Speaker 1: It's so skillful. It keeps the tension, ratchet it up

481
00:31:00,759 --> 00:31:03,000
while it's given you the exposition.

482
00:31:02,480 --> 00:31:11,920
Speaker 4: You know, benefits of a classical education.

483
00:31:16,039 --> 00:31:18,400
Speaker 1: I always wanted to know about their project in the Philippines.

484
00:31:19,880 --> 00:31:24,759
Mm hmmm. It doesn't look like much, just you know,

485
00:31:25,319 --> 00:31:26,079
highway or something.

486
00:31:26,160 --> 00:31:30,480
Speaker 4: Yeah, a little park in it in between.

487
00:31:30,480 --> 00:31:40,599
Speaker 1: It looks great. I don't know what his problem is Indonesia.

488
00:31:40,640 --> 00:32:06,039
There you go with the article of Forbes k I

489
00:32:06,119 --> 00:32:10,160
listened to an interview with the SUSA two when they

490
00:32:10,240 --> 00:32:15,440
rode in the part where John and Hans meet. They

491
00:32:15,480 --> 00:32:20,359
were worried about this scene because John had would have

492
00:32:20,400 --> 00:32:23,200
seen him, but it was on the schedule for the

493
00:32:23,240 --> 00:32:24,960
next day, and so they moved it in such a

494
00:32:25,000 --> 00:32:30,720
way where John does not see Hans's face during this

495
00:32:30,880 --> 00:32:31,559
shot right here.

496
00:32:32,240 --> 00:32:36,440
Speaker 2: Oh, I see, I see what you're saying. They had

497
00:32:36,480 --> 00:32:39,680
to reblock how they shot this scene. Well, so the

498
00:32:40,000 --> 00:32:41,079
so the other scene would work.

499
00:32:41,720 --> 00:32:43,759
Speaker 1: They were going to add that scene where they meet,

500
00:32:43,920 --> 00:32:45,839
but they were the writers were like, they can't do

501
00:32:45,880 --> 00:32:47,839
that because he's already seen his face. And they're like, well,

502
00:32:47,839 --> 00:32:49,400
look at the schedule, when do we shoot that? And

503
00:32:49,519 --> 00:32:53,319
they're like tomorrow. Oh and so they blocked. They changed

504
00:32:53,319 --> 00:32:57,480
the blocking the next day for this scene, for this scene.

505
00:32:57,559 --> 00:33:00,000
Speaker 2: Yeah, okay, that's cool.

506
00:33:10,000 --> 00:33:13,839
Speaker 1: There's a little tidbit that he says when actually when

507
00:33:13,960 --> 00:33:18,799
they're looking at John, Hans says something like it's this

508
00:33:18,920 --> 00:33:22,720
is like one week's worth of operating expenses. It Basically

509
00:33:22,759 --> 00:33:25,240
he says, it's this is nothing. Your six hundred and

510
00:33:25,279 --> 00:33:29,000
forty million dollars is not that much. Like right here,

511
00:33:29,079 --> 00:33:31,599
I think.

512
00:33:37,359 --> 00:33:39,119
Speaker 4: I like how THEO and Carl will have a little

513
00:33:39,119 --> 00:33:41,039
bet going as to whether or not he gets shot

514
00:33:41,119 --> 00:33:46,240
or not. Yeh box or something after the filter.

515
00:33:50,960 --> 00:33:52,200
Speaker 1: The code please.

516
00:33:53,839 --> 00:33:54,559
Speaker 7: The card.

517
00:33:57,640 --> 00:34:07,119
Speaker 8: Hide and there's no reason m hm.

518
00:34:08,320 --> 00:34:15,280
Speaker 2: So you can cut the tension with a knife, right.

519
00:34:17,679 --> 00:34:20,760
The fact that he's so calm makes it that much worse.

520
00:34:25,559 --> 00:34:29,519
Speaker 13: Huh not, be it a fool.

521
00:34:33,880 --> 00:34:36,199
Speaker 3: You can. I mean, it looks like the actors right

522
00:34:36,239 --> 00:34:51,840
there sweat. It's really good. H O.

523
00:34:52,239 --> 00:34:54,199
Speaker 1: Crap boom brains.

524
00:34:56,039 --> 00:35:04,599
Speaker 2: M okay, now get four from.

525
00:35:22,880 --> 00:35:23,280
Speaker 14: Mm hmm.

526
00:35:24,840 --> 00:35:28,880
Speaker 3: And again you know that that's setting these guys is

527
00:35:29,159 --> 00:35:33,199
they're not messing with anybody. You know, this whole we're

528
00:35:33,199 --> 00:35:34,880
going to play a game which is like this is

529
00:35:34,920 --> 00:35:37,559
the top guy, give me the give me the information

530
00:35:37,639 --> 00:35:40,559
I need. You're not going to give it to me. Okay,

531
00:35:40,599 --> 00:35:44,400
that would have made it easy for us. Right, you

532
00:35:44,480 --> 00:35:48,000
had your shot, You're done. So now it's like everybody

533
00:35:48,000 --> 00:35:51,880
else moving down. It's like you give me what I

534
00:35:51,960 --> 00:35:55,440
need or you suffer the same consequence, you know.

535
00:35:55,960 --> 00:36:00,880
Speaker 1: Yep, and what you know, you get some.

536
00:36:00,920 --> 00:36:11,840
Speaker 2: Humored you know, right, you gotta have our goll have

537
00:36:11,960 --> 00:36:18,159
y'all ever worked out every terrorist name? Get all?

538
00:36:19,320 --> 00:36:35,079
Speaker 1: No, No, Tony and Marco and yeah, Carl Han, Tony,

539
00:36:35,199 --> 00:36:41,320
Marcos Calm, No, there you go.

540
00:36:41,639 --> 00:36:43,760
Speaker 5: It's like the number one Asian bad guy and.

541
00:36:45,840 --> 00:36:46,960
Speaker 2: The ultimate eighties Henchman.

542
00:36:47,840 --> 00:36:51,440
Speaker 1: Oh okay, so they already killed Takagi and now they're

543
00:36:51,480 --> 00:36:53,039
working out the details of how the plan.

544
00:36:53,000 --> 00:36:53,519
Speaker 8: Is gonna work.

545
00:36:54,400 --> 00:36:57,960
Speaker 1: Yeah, wouldn't that be something you worked out beforehand?

546
00:36:58,280 --> 00:36:58,480
Speaker 2: Yeah?

547
00:36:58,599 --> 00:37:04,639
Speaker 5: You would think for such a slick operation, they let

548
00:37:04,639 --> 00:37:05,679
that one detail out.

549
00:37:09,400 --> 00:37:09,519
Speaker 3: Uh.

550
00:37:10,239 --> 00:37:13,920
Speaker 1: I love it. It's part of the fun when they

551
00:37:13,960 --> 00:37:39,679
open the vault, you know. Still, yeah, he does have

552
00:37:39,719 --> 00:37:41,880
to move the story along quite a little bit by

553
00:37:41,880 --> 00:37:45,840
talking to himself. I think Bruce Willis does a good

554
00:37:45,880 --> 00:37:49,000
job of pulling it off. It seems legit natural.

555
00:37:49,599 --> 00:37:54,599
Speaker 2: Yeah, which is important to bring uh ring Al in later.

556
00:37:55,559 --> 00:37:59,000
Speaker 15: Yeah.

557
00:37:59,039 --> 00:38:03,000
Speaker 1: By the way, quick trivia for you guys. If you

558
00:38:03,039 --> 00:38:05,280
listen to my podcast, you know this, But you know

559
00:38:05,320 --> 00:38:09,079
who the who wrote Silent Night, the song Silent Night.

560
00:38:10,159 --> 00:38:14,320
The name of the guy I don't remember. Guy's name

561
00:38:14,360 --> 00:38:16,360
is Franz Gruber.

562
00:38:16,880 --> 00:38:17,639
Speaker 8: True story.

563
00:38:18,840 --> 00:38:21,679
Speaker 4: Wow, I was going about to guess Hans ger.

564
00:38:22,599 --> 00:38:25,079
Speaker 1: Close Franz, you know Hans and Franz.

565
00:38:25,159 --> 00:38:29,559
Speaker 6: But day I had to pump you up.

566
00:38:43,880 --> 00:38:44,199
Speaker 8: Proof.

567
00:38:45,719 --> 00:39:02,480
Speaker 1: Oh this guy and then the gray sweatpants, you know, yeah.

568
00:39:00,920 --> 00:39:03,079
Speaker 4: Yeah, everyone else is in suits. He's in a grace.

569
00:39:05,159 --> 00:39:06,559
Speaker 1: He was on his way to the y when he

570
00:39:06,599 --> 00:39:07,119
got the call.

571
00:39:10,360 --> 00:39:11,880
Speaker 3: Oh that's tonight.

572
00:39:15,840 --> 00:39:19,920
Speaker 4: Christmas Eve, Come on.

573
00:39:20,000 --> 00:39:20,480
Speaker 8: God.

574
00:39:22,119 --> 00:39:32,760
Speaker 1: Got the gray sweatpants and the Jeffrey Dahmer glasses. Really Also,

575
00:39:32,840 --> 00:39:35,119
if he's got the most important backpack in the whole place,

576
00:39:35,159 --> 00:39:37,079
maybe he should just leave it with Hans when you

577
00:39:37,159 --> 00:39:38,760
go chase the guy around the building.

578
00:39:47,639 --> 00:39:49,159
Speaker 2: Yeah, the glasses are not a great look.

579
00:39:49,800 --> 00:39:52,159
Speaker 4: Yeah, very eighties.

580
00:39:53,679 --> 00:39:55,800
Speaker 1: I think he was in a view to a kill.

581
00:39:55,840 --> 00:39:58,599
I think he was a kind of a bond henchman.

582
00:40:21,000 --> 00:40:21,719
Speaker 13: There are rules.

583
00:40:23,880 --> 00:40:25,760
Speaker 4: Erase that number two in case you guys.

584
00:40:27,360 --> 00:40:34,880
Speaker 1: Yeah looking man, Yeah, pretty good shot. Of the stump man. Here,

585
00:40:38,519 --> 00:40:39,280
fuller head of hair.

586
00:40:39,320 --> 00:40:46,039
Speaker 16: I think, yeah, you know what, I'll take it, give

587
00:40:46,079 --> 00:40:50,440
me real stumps doing real things.

588
00:40:58,920 --> 00:41:02,679
Speaker 2: Still got the white the still like I'm so I'm

589
00:41:02,679 --> 00:41:07,079
backing that blood. But that is one of the things

590
00:41:07,119 --> 00:41:10,880
I really enjoyed about the movie is like he degrades,

591
00:41:10,960 --> 00:41:14,159
like you see, they all had to shoot this in

592
00:41:14,239 --> 00:41:18,199
sequence because like, you know, the stuff that happens to him,

593
00:41:18,480 --> 00:41:20,280
like he bears that mark for the rest of the movie,

594
00:41:20,280 --> 00:41:21,239
and he just builds up.

595
00:41:23,599 --> 00:41:27,159
Speaker 6: The continuity. Person learn their keep on this.

596
00:41:27,039 --> 00:41:35,639
Speaker 1: One red castle. That was the magic the magic password

597
00:41:35,719 --> 00:41:36,159
right there.

598
00:41:42,400 --> 00:41:43,960
Speaker 2: So it's like, not only do you get kind of

599
00:41:43,960 --> 00:41:47,039
this inverted ice movie, but now it's also a like

600
00:41:47,119 --> 00:41:51,639
a like a gorilla warfighter, grill attactic kind of rainbow movie.

601
00:41:51,679 --> 00:41:52,719
One man against an army.

602
00:41:53,039 --> 00:41:57,760
Speaker 1: Yep, don't forget uh Christmas.

603
00:41:59,360 --> 00:41:59,519
Speaker 10: Man.

604
00:41:59,559 --> 00:42:00,440
Speaker 2: That's a Chris agreed.

605
00:42:04,719 --> 00:42:05,440
Speaker 1: Where does it keep it?

606
00:42:05,480 --> 00:42:05,760
Speaker 13: Walling?

607
00:42:05,840 --> 00:42:17,559
Speaker 1: The gray sweat answers, h M.

608
00:42:19,760 --> 00:42:31,679
Speaker 4: Funny that will come back to haunt him, not taking

609
00:42:31,760 --> 00:42:51,840
issues with him.

610
00:42:42,440 --> 00:42:50,280
Speaker 1: Say I ever tried this Selby? I remember at ou

611
00:42:50,360 --> 00:42:53,719
when we were there that uh, some students got in

612
00:42:53,719 --> 00:42:55,239
trouble for elevator surfing.

613
00:42:55,880 --> 00:43:03,480
Speaker 4: Yeah, I think I do remember that kad you get

614
00:43:03,480 --> 00:43:03,960
opened up?

615
00:43:04,639 --> 00:43:15,519
Speaker 1: Right? H I love how he's eating the buffet while he's.

616
00:43:16,960 --> 00:43:18,960
Speaker 8: Them.

617
00:43:19,000 --> 00:43:20,639
Speaker 1: These shrimp cocktails are really good.

618
00:43:23,400 --> 00:43:47,559
Speaker 17: Okay, h huh.

619
00:43:44,119 --> 00:43:45,920
Speaker 4: Nothing the chance except for the dead guy O.

620
00:43:52,639 --> 00:43:53,599
Speaker 1: People are running up.

621
00:43:53,760 --> 00:44:14,760
Speaker 18: Yeah, funny can people watch this and conclude that it's

622
00:44:14,760 --> 00:44:15,639
not a Christmas movie?

623
00:44:18,280 --> 00:44:21,159
Speaker 1: I have a T shirt that has those exactly like

624
00:44:21,239 --> 00:44:22,840
it's spelled out the same way it says, now I

625
00:44:22,840 --> 00:44:25,840
have a machine gun. Ho ho ho. He's like, you

626
00:44:25,880 --> 00:44:29,360
can't wear that? Ye who will think you're nuts? So

627
00:44:30,719 --> 00:44:32,039
I'm like, it's funny, it's a joke.

628
00:44:32,360 --> 00:44:33,440
Speaker 4: Is it a gray sweatshirt?

629
00:44:33,800 --> 00:44:47,599
Speaker 1: It's a gray T shirt? Okay, movie's so smart too,

630
00:44:47,719 --> 00:44:49,920
I mean, just all this brilliant.

631
00:44:54,679 --> 00:44:56,480
Speaker 2: He doesn't know what he's gonna do with that information yet,

632
00:44:56,480 --> 00:45:09,559
but he's he's tracking it. Ye all right. Sure it's

633
00:45:09,599 --> 00:45:10,400
getting a little dirty.

634
00:45:15,639 --> 00:45:18,000
Speaker 1: So far it's mostly just blood.

635
00:45:18,480 --> 00:45:20,880
Speaker 2: Yeah, it's starting to get a little gray.

636
00:45:21,400 --> 00:45:21,639
Speaker 1: Yeah.

637
00:45:22,719 --> 00:45:25,960
Speaker 4: You guys know that most elevators that are three stories

638
00:45:26,079 --> 00:45:29,239
or less are powered by hydraulics instead of the polleye.

639
00:45:30,480 --> 00:45:32,280
Speaker 2: Okay, did not know that?

640
00:45:35,920 --> 00:45:39,960
Speaker 1: Elevator expert Dale Selby.

641
00:45:40,079 --> 00:45:41,280
Speaker 6: Ladies and Gentlemen.

642
00:45:44,239 --> 00:45:47,079
Speaker 1: I believe that is miss December nineteen eighty seven. We

643
00:45:47,199 --> 00:45:48,280
looked that up a while back.

644
00:45:48,320 --> 00:46:18,719
Speaker 9: But oh, so who what's the name of the brother

645
00:46:18,719 --> 00:46:19,280
who's upset?

646
00:46:19,320 --> 00:46:22,840
Speaker 2: Is that clause Carl? That's Carl.

647
00:46:24,360 --> 00:46:30,480
Speaker 8: Mhm's job.

648
00:46:32,519 --> 00:46:42,119
Speaker 1: Jumped three thousand miles away. Correction, That playmate is November

649
00:46:42,159 --> 00:46:43,159
of nineteen eighty seven.

650
00:46:43,480 --> 00:46:43,920
Speaker 13: There you go.

651
00:46:57,519 --> 00:46:58,800
Speaker 2: Now that looks more real to me.

652
00:47:00,159 --> 00:47:03,280
Speaker 1: That looks yeah, I mean scary right.

653
00:47:04,239 --> 00:47:22,639
Speaker 8: Yeah, the roof go.

654
00:47:24,280 --> 00:47:45,119
Speaker 2: Mh. I'd like to order a pizza.

655
00:47:45,880 --> 00:47:52,639
Speaker 1: Such a great line when I watched I watched the

656
00:47:52,679 --> 00:47:55,159
trailer right before we did this, and uh, all these

657
00:47:55,199 --> 00:47:56,800
great lines they had to edit down.

658
00:48:00,039 --> 00:48:18,760
Speaker 10: Mhm h.

659
00:48:24,199 --> 00:48:24,239
Speaker 14: M.

660
00:48:25,679 --> 00:48:29,599
Speaker 6: Look that foreshadow o.

661
00:48:31,480 --> 00:48:40,519
Speaker 1: H Christmas Tree. Yes, my man l al Pale.

662
00:48:41,320 --> 00:48:46,400
Speaker 2: Yes, now we've we've connected him to Ghostbusters and Family

663
00:48:46,440 --> 00:48:49,400
Matters yep. Like it's the same character.

664
00:48:50,599 --> 00:48:54,719
Speaker 1: Yeah, I love it. I think you can make the

665
00:48:54,760 --> 00:49:00,000
same case with theo U as one of the guys

666
00:49:00,079 --> 00:49:03,599
who you know was in Top Gun, got mad at

667
00:49:03,599 --> 00:49:09,679
Maverick put the military started life of Crime. Yeah.

668
00:49:10,199 --> 00:49:12,599
Speaker 2: What was the name of Hollywood sun Rise?

669
00:49:12,719 --> 00:49:21,920
Speaker 1: Uh, Sunrise Sunrise? I think it was Sunrise ableagu in thirty.

670
00:49:31,239 --> 00:49:41,400
Speaker 4: Parls Rifle was seventy to help contrast the European weapons

671
00:49:41,440 --> 00:49:44,199
with the L A. P. D's American fire.

672
00:49:45,599 --> 00:49:46,239
Speaker 1: Yeah, there you go.

673
00:49:59,679 --> 00:50:02,920
Speaker 3: I mean, how far away is he? You know, he's

674
00:50:03,159 --> 00:50:07,599
close enough. I mean it's a huge building, like they're

675
00:50:07,679 --> 00:50:10,440
shooting on the top of the building. Like, how far away?

676
00:50:11,119 --> 00:50:17,400
At some point there's a little bit of a perimeter. Yeah,

677
00:50:17,559 --> 00:50:23,039
I mean is he a mile away? I don't know.

678
00:50:23,440 --> 00:50:29,000
Speaker 1: I'm not sure. By the way, Uh, his character in

679
00:50:29,039 --> 00:50:32,400
Top Gun is sundown, not sunrise, my bad sun down.

680
00:50:32,440 --> 00:50:38,400
Speaker 4: Okay, the gun Carl uses to shoot. The original security

681
00:50:38,400 --> 00:50:44,400
guard was a Walter pp K, which is also, of course,

682
00:50:44,880 --> 00:50:49,639
the James Bonds choice.

683
00:50:51,880 --> 00:51:02,960
Speaker 19: The Q branch insisted, yep, Oh, they do such a

684
00:51:02,960 --> 00:51:05,079
good job of just ratcheting up tension.

685
00:51:06,320 --> 00:51:10,679
Speaker 1: Oh my gosh, yes, I think.

686
00:51:10,599 --> 00:51:13,280
Speaker 6: This is uh, this is the leap right coming up.

687
00:51:13,800 --> 00:51:15,679
Speaker 1: Yeah, this is the.

688
00:51:15,480 --> 00:51:16,840
Speaker 6: Only part that I kind of.

689
00:51:16,800 --> 00:51:22,840
Speaker 2: Go, yes, I'm with you. It's the one. It's the

690
00:51:22,840 --> 00:51:25,000
one thing in the whole movie that I just can't

691
00:51:25,079 --> 00:51:25,559
quite mind.

692
00:51:25,960 --> 00:51:32,360
Speaker 1: Yeah, you know, they wrote the stunt guy actually slipped

693
00:51:32,800 --> 00:51:35,519
and they wrote that into the scene.

694
00:51:37,039 --> 00:51:39,320
Speaker 2: Slipped it scene.

695
00:51:39,440 --> 00:51:41,719
Speaker 1: When they were filming it, the guy was reaching for

696
00:51:41,800 --> 00:51:44,159
the for the you know, open window or whatever, and

697
00:51:44,159 --> 00:51:45,760
he slipped and he fell all the way down to

698
00:51:45,840 --> 00:51:48,280
like the air matt. But they liked the way it

699
00:51:48,320 --> 00:51:51,519
looked and so they kind of expanded it a little bit.

700
00:51:51,719 --> 00:52:10,400
So Okay, you got bullets and you got heights.

701
00:52:11,599 --> 00:52:17,159
Speaker 2: Yeah, and just I mean just the fact that you're

702
00:52:17,199 --> 00:52:21,159
barefoot out of its psychologically, you know, make it tougher

703
00:52:21,199 --> 00:52:25,559
for you. You'll just feel weaker, more vulnerable.

704
00:52:26,880 --> 00:52:30,000
Speaker 4: When you got to figure. His palms are sweaty too,

705
00:52:30,480 --> 00:52:33,239
So he's trying to grab a hold of this tiny

706
00:52:33,239 --> 00:52:36,239
little air duct as he's falling.

707
00:52:36,920 --> 00:52:39,159
Speaker 1: Yeah, right by his fingertips.

708
00:52:39,480 --> 00:52:42,480
Speaker 2: Right, So you're saying the first half of this when

709
00:52:42,480 --> 00:52:45,920
he follows, that was a real like an unplanned slip

710
00:52:45,960 --> 00:52:48,960
by the stunt man. And then they just used it

711
00:52:49,440 --> 00:52:51,000
and they make up a shot of him grabbing the

712
00:52:51,079 --> 00:52:55,400
legs one right, he misses the first.

713
00:52:56,920 --> 00:52:59,920
Speaker 1: The stunt man, Yeah, I think was trying to grab

714
00:52:59,920 --> 00:53:04,239
the first window and slipped and fell and they're like,

715
00:53:04,239 --> 00:53:27,679
oh that looks cool. H Still not a great plan.

716
00:53:28,840 --> 00:53:35,000
Speaker 6: M just realize that I'm Matte painting.

717
00:53:36,760 --> 00:54:03,960
Speaker 1: Yeah, oh, your feet would be so sweaty and.

718
00:54:03,000 --> 00:54:04,360
Speaker 6: His fingers would be denuded.

719
00:54:05,079 --> 00:54:07,480
Speaker 2: I don't think see that's the part I just don't

720
00:54:07,519 --> 00:54:11,280
mind because you're you would at best, you would rip

721
00:54:11,360 --> 00:54:13,320
your your shoulders out of their sockets.

722
00:54:15,119 --> 00:54:18,800
Speaker 8: Yeah, because.

723
00:54:20,519 --> 00:54:28,800
Speaker 1: Yeah, okay, tank top was white right there, all right,

724
00:54:29,119 --> 00:54:30,800
wasn't see I wasn't looking.

725
00:54:31,480 --> 00:54:31,920
Speaker 2: All right.

726
00:54:43,039 --> 00:54:46,280
Speaker 3: Now that line that he says, was that just him

727
00:54:46,840 --> 00:54:48,840
or was that written? Do you know if that was

728
00:54:48,880 --> 00:54:49,719
written into the.

729
00:54:51,760 --> 00:54:54,079
Speaker 2: Yeah, it feels like it can be a Bruce willis

730
00:54:54,159 --> 00:54:54,599
him problem.

731
00:54:55,599 --> 00:54:58,119
Speaker 1: I do know that he and Stephen Desusan did kind

732
00:54:58,119 --> 00:55:01,119
of put their minds together to come up with lines together.

733
00:55:04,360 --> 00:55:21,800
I know the Roy Rogers line was a combination. Yeah,

734
00:55:21,840 --> 00:55:24,239
this is such a different movie than the Rambo and

735
00:55:24,320 --> 00:55:26,599
the Schwarzenegger stuff that we got in the eighties. And

736
00:55:26,800 --> 00:55:33,119
he's very vulnerable, the crap beat out of him. He's scared,

737
00:55:33,199 --> 00:55:36,880
he's lonely. You know, he's hurting, as I say, But.

738
00:55:36,960 --> 00:55:44,000
Speaker 2: Also he's he's applying intelligence, yeah to his tactics.

739
00:55:46,239 --> 00:55:47,239
Speaker 6: That call hadn't come in.

740
00:55:47,719 --> 00:55:53,239
Speaker 1: Pullet zi, pullet zi. Okay, keep an eye on the

741
00:55:53,280 --> 00:55:55,880
tank top, Dave, here's your here's your big green switch.

742
00:55:56,480 --> 00:55:59,519
Speaker 2: Okay.

743
00:56:08,559 --> 00:56:11,880
Speaker 5: Was that the first air duct in oh? Yeah, totally green?

744
00:56:15,199 --> 00:56:17,679
Is this the first air duct? In movie history where

745
00:56:17,679 --> 00:56:19,960
it's actually like somewhat the size of an air duct

746
00:56:20,039 --> 00:56:20,480
and not this.

747
00:56:20,800 --> 00:56:24,760
Speaker 1: Huge like where they can run.

748
00:56:25,280 --> 00:56:25,800
Speaker 7: Yeah.

749
00:56:26,000 --> 00:56:29,679
Speaker 4: Yes, I can't believe they. I have never noticed that before,

750
00:56:29,679 --> 00:56:34,639
going from white to green. That's that's a pretty big continuity.

751
00:56:34,159 --> 00:56:34,519
Speaker 2: It is.

752
00:56:34,719 --> 00:56:39,079
Speaker 5: Yeah, I just figured it was at some point he got.

753
00:56:39,320 --> 00:56:41,239
I mean, it just got dirty dirty.

754
00:56:41,360 --> 00:56:41,639
Speaker 8: Yeah.

755
00:56:42,599 --> 00:56:45,559
Speaker 2: I wish I wish the change had been more gradual. Yeah,

756
00:56:46,840 --> 00:56:48,719
because every time I watch it, I feel like it

757
00:56:48,800 --> 00:56:50,079
was gradual and I missed it.

758
00:56:50,280 --> 00:56:52,559
Speaker 6: Well, I've never noticed it until now, So thanks Dave.

759
00:56:52,800 --> 00:56:58,440
Speaker 20: Yeah, it's like next time I watched this with my

760
00:56:58,480 --> 00:57:01,679
family and was like, watch right here, different color shirt,

761
00:57:03,079 --> 00:57:03,800
every Chris.

762
00:57:03,800 --> 00:57:06,199
Speaker 3: Every Christmas movie. It's a Christmas miracle.

763
00:57:15,280 --> 00:57:18,119
Speaker 1: By the way, this time last year, they showed Diehard

764
00:57:18,159 --> 00:57:22,239
in the theaters for its thirty fifth anniversary, and I

765
00:57:22,280 --> 00:57:25,280
called some family members. I was my sister. I was

766
00:57:25,320 --> 00:57:28,440
the one I was dragging her to see this, and

767
00:57:28,719 --> 00:57:31,079
UH brought my nephew, and then my mom jumped in,

768
00:57:31,159 --> 00:57:32,880
then my aunt and uncle jumped in, and then my

769
00:57:32,960 --> 00:57:36,159
boys and their girlfriends. We had like I don't know,

770
00:57:36,199 --> 00:57:38,199
fifteen or twenty people go see this in the theater,

771
00:57:38,239 --> 00:57:39,599
and we just remember last.

772
00:57:39,559 --> 00:57:41,320
Speaker 4: I think I remember your fast on that.

773
00:57:41,840 --> 00:57:50,159
Speaker 2: Yeah, that's awesome. I think Huey Lewis is better here

774
00:57:50,199 --> 00:57:51,440
than he wasn't back to the future.

775
00:57:54,760 --> 00:57:57,360
Speaker 1: Okay, here you go Christmas Eve, and he's watching Notre

776
00:57:57,480 --> 00:57:59,280
Dame and USC play. I don't think so.

777
00:58:00,719 --> 00:58:03,440
Speaker 4: Yeah, I've always wondered about that too.

778
00:58:06,400 --> 00:58:16,480
Speaker 3: Kay, we'll google it this nineteen eighty and we know

779
00:58:16,559 --> 00:58:20,239
for sure they're not playing it Christmas. But yeah, who did?

780
00:58:20,400 --> 00:58:25,000
Was there a college football game Christmas Eve? It has

781
00:58:25,039 --> 00:58:27,840
to be a game, Yeah, a bowl, a bowl, but

782
00:58:28,000 --> 00:58:34,239
I would think, well, not day usually played in the

783
00:58:34,239 --> 00:58:36,719
regular during the season. They usually playing the season.

784
00:58:37,400 --> 00:58:41,760
Speaker 2: And like how casual he is there. I'm not even

785
00:58:41,760 --> 00:58:44,480
bothering to look at the cop. But as soon as

786
00:58:44,480 --> 00:58:46,519
as soon as I walks away, he gives it a

787
00:58:46,519 --> 00:58:47,199
sinister look.

788
00:58:52,639 --> 00:58:53,639
Speaker 1: Don't shoot.

789
00:59:00,199 --> 00:59:04,320
Speaker 3: Now, at least in that shot, like he's he's dirty

790
00:59:04,320 --> 00:59:07,159
and dusty in his face, so that there could have

791
00:59:07,199 --> 00:59:08,320
been that much soot.

792
00:59:10,280 --> 00:59:14,039
Speaker 4: Crash, jump off the table and shoot him while he's

793
00:59:14,280 --> 00:59:14,960
under the table.

794
00:59:15,000 --> 00:59:17,639
Speaker 2: Why a gun?

795
00:59:18,000 --> 00:59:20,679
Speaker 1: He just shut his Just shut your buddy. He's got

796
00:59:20,679 --> 00:59:24,679
a gun, you know, he does no more table.

797
00:59:37,440 --> 00:59:38,519
Speaker 2: That's a rough way to go.

798
00:59:40,079 --> 00:59:41,840
Speaker 1: Yeah, but he.

799
00:59:41,800 --> 00:59:43,239
Speaker 4: Only looks like he got him in the legs, in

800
00:59:43,280 --> 00:59:43,679
the groin.

801
00:59:46,519 --> 00:59:49,960
Speaker 3: He could totally survive that, just a flesh word.

802
00:59:52,840 --> 00:59:53,400
Speaker 11: Come back.

803
00:59:57,119 --> 01:00:01,320
Speaker 1: This scene cracks me up every time I watch it. Yeah,

804
01:00:04,280 --> 01:00:08,239
he is just happy as it's Christmas Eve. He's got

805
01:00:08,239 --> 01:00:13,280
his twinkies, got his twinkies. He's headed home. Wow, goose Chase,

806
01:00:13,320 --> 01:00:18,480
I'm going home, slaves.

807
01:00:19,000 --> 01:00:20,559
Speaker 4: Scary things that can happen to you, though for a

808
01:00:20,679 --> 01:00:31,719
bike you're not. Then all of a sudden, your your

809
01:00:31,760 --> 01:00:32,920
cars being shot.

810
01:00:35,679 --> 01:00:36,199
Speaker 8: Uh huh.

811
01:00:39,159 --> 01:00:42,559
Speaker 1: Turn my car, Mark.

812
01:00:45,039 --> 01:00:46,480
Speaker 4: Body goes flying off.

813
01:00:55,440 --> 01:00:58,000
Speaker 2: All back from Hard.

814
01:01:01,840 --> 01:01:04,119
Speaker 5: I think if I woke up tomorrow with his headstones

815
01:01:04,119 --> 01:01:05,440
with the carpet, he wouldn't be a.

816
01:01:13,320 --> 01:01:15,079
Speaker 1: Oh twinkies everywhere?

817
01:01:15,119 --> 01:01:16,440
Speaker 6: Oh who is this guy?

818
01:01:16,960 --> 01:01:25,360
Speaker 1: That's vicklos Yeah, yeah, yeah yeah, Professor Hathaway.

819
01:01:25,960 --> 01:01:26,199
Speaker 8: M h.

820
01:01:28,199 --> 01:01:31,639
Speaker 1: It's hard to tell which which of these jerks do

821
01:01:31,679 --> 01:01:34,920
you hate the most? You know, Ghostbusters, Real Genius or Diehard.

822
01:01:39,000 --> 01:01:41,480
I've always kind of said Professor Hathaway was the least

823
01:01:41,519 --> 01:01:43,440
likable of those guys.

824
01:01:45,960 --> 01:01:48,760
Speaker 3: And we've got uh that's with the bully. Get the

825
01:01:48,760 --> 01:01:54,159
horns right. Oh yeah, we got him in here too.

826
01:01:54,719 --> 01:01:56,719
Speaker 1: Yep. Uh, what's his name Paul Gleeson.

827
01:01:57,320 --> 01:01:58,679
Speaker 3: Yeah, yeah, I think so.

828
01:01:58,960 --> 01:02:13,239
Speaker 1: Yeah, late, the late great Paul Leason, the.

829
01:02:16,559 --> 01:02:16,639
Speaker 3: Like.

830
01:02:16,719 --> 01:02:20,000
Speaker 2: How you know, the story continues to escalate now it's

831
01:02:20,400 --> 01:02:23,800
now it's getting out of the containment of the building. Yeah,

832
01:02:23,840 --> 01:02:25,199
it's getting a little bit more public.

833
01:02:25,920 --> 01:02:26,159
Speaker 1: Yep.

834
01:02:28,280 --> 01:02:31,199
Speaker 2: And it's logical how how it got there and how

835
01:02:32,199 --> 01:02:34,039
John McClean managed to get it there.

836
01:02:37,760 --> 01:02:41,320
Speaker 1: One more small complaint. I don't think you can interrupt

837
01:02:41,320 --> 01:03:01,079
somebody using a walkie talkie and you cannot lay in

838
01:03:01,079 --> 01:03:04,800
the ointment monkey in the ridge.

839
01:03:06,960 --> 01:03:16,440
Speaker 2: Oh that was Marco. They had to see four.

840
01:03:18,719 --> 01:03:25,440
Speaker 1: Uh one of those guys is Marco, right, yeah, Now

841
01:03:25,519 --> 01:03:26,360
he got a bunch of.

842
01:03:27,800 --> 01:03:30,239
Speaker 2: Magazines, have one four yep.

843
01:03:40,000 --> 01:03:41,880
Speaker 4: I always thought it was strange that he would smoke

844
01:03:41,880 --> 01:03:47,639
a cigarette when they could possibly track him. I agree,

845
01:03:48,679 --> 01:03:50,000
Like they were on the same floor, you.

846
01:03:49,920 --> 01:04:05,840
Speaker 1: Know, smells like cigarette smoking here he's close. Okay, well

847
01:04:05,880 --> 01:04:06,719
the great lines.

848
01:04:06,519 --> 01:04:09,519
Speaker 3: Of movie history right there, and.

849
01:04:09,519 --> 01:04:11,280
Speaker 1: He drops it like a nuclear bomb.

850
01:04:11,280 --> 01:04:21,000
Speaker 4: I love it.

851
01:04:23,280 --> 01:04:25,079
Speaker 1: You know. One of the strengths of this movie, I

852
01:04:25,119 --> 01:04:27,679
think at the time, you know, Bruce Willis was I

853
01:04:27,679 --> 01:04:33,960
think filming. I can't remember exactly, but Moonlighting was involved

854
01:04:34,000 --> 01:04:36,199
a little bit. I think Sybil Shepherd had to take

855
01:04:36,239 --> 01:04:39,480
a break because she was pregnant, but they had to

856
01:04:39,519 --> 01:04:44,079
develop these other kind of secondary lines, so like the

857
01:04:44,280 --> 01:04:47,719
newscaster had to have his moment and you know, a'l

858
01:04:47,800 --> 01:04:52,840
get got a full character development instead of just concentrating

859
01:04:52,880 --> 01:04:55,960
on John, which I think strengthens the story.

860
01:04:56,079 --> 01:05:03,599
Speaker 4: So mosucker for there's also another crossover to uh leave

861
01:05:03,639 --> 01:05:04,480
the weapon.

862
01:05:05,840 --> 01:05:06,679
Speaker 1: The psychiatrist.

863
01:05:08,519 --> 01:05:08,880
Speaker 2: Mhmm.

864
01:05:12,039 --> 01:05:15,400
Speaker 1: She was married to Robert Zamecas at one point, Is

865
01:05:15,400 --> 01:05:21,000
that right? I think she's dead now too. I think ye, Yeah,

866
01:05:33,360 --> 01:05:35,440
he's got the password and yeah he's still drilling.

867
01:05:36,639 --> 01:05:37,280
Speaker 8: M mhmm.

868
01:05:43,440 --> 01:05:45,159
Speaker 4: Don't turn the drill off, just keep drilling.

869
01:06:00,199 --> 01:06:19,119
Speaker 21: H dealer, f you might find the back.

870
01:06:25,079 --> 01:06:27,400
Speaker 1: So there's you got Fritz and only.

871
01:06:31,360 --> 01:06:44,559
Speaker 7: Guys most clothing, the plan.

872
01:06:45,480 --> 01:06:47,519
Speaker 8: There's do you know that?

873
01:06:48,920 --> 01:06:51,840
Speaker 1: Any reason for the long dramatic pause right there with cigarettes?

874
01:07:00,039 --> 01:07:27,920
Speaker 22: Yeah, the safe place, the whole up on top.

875
01:07:45,079 --> 01:07:48,480
Speaker 1: Here he comes, there's Paul. Let's go.

876
01:07:54,760 --> 01:07:55,599
Speaker 7: Play rocks.

877
01:07:57,119 --> 01:07:57,320
Speaker 8: One.

878
01:07:59,360 --> 01:08:04,480
Speaker 4: You mean a terror who talk.

879
01:08:07,559 --> 01:08:07,880
Speaker 8: Give us?

880
01:08:09,280 --> 01:08:10,159
Speaker 4: But it appears to be the.

881
01:08:14,840 --> 01:08:20,960
Speaker 7: Flames. How Curt you one of the terrorists? Your cane.

882
01:08:22,439 --> 01:08:23,960
Speaker 4: There looks like Mark Furman.

883
01:08:26,399 --> 01:08:30,600
Speaker 8: Wow, uh huh.

884
01:08:31,880 --> 01:08:34,880
Speaker 2: See what I like about the scene is the reactions

885
01:08:35,119 --> 01:08:38,800
of both these guys seem totally logical and reasonable, but

886
01:08:39,000 --> 01:08:42,279
you immediately are on our side.

887
01:08:42,880 --> 01:08:49,680
Speaker 1: Absolutely, look at this. We gotta we gotta ask for miracles.

888
01:08:55,920 --> 01:08:57,560
Speaker 13: Did you guys all cuddle in your beds?

889
01:08:59,600 --> 01:09:01,520
Speaker 1: They're all comfy? I don't know what I'm doing.

890
01:09:02,720 --> 01:09:04,399
Speaker 13: I feel like we need to move the table that way.

891
01:09:21,720 --> 01:09:24,279
Speaker 4: You were down by five or twelve minutes ago, Jason.

892
01:09:25,680 --> 01:09:26,000
Speaker 1: Dang it.

893
01:09:27,119 --> 01:09:30,000
Speaker 2: Huh, Hey who's that.

894
01:09:32,680 --> 01:09:33,279
Speaker 1: Who's coughing?

895
01:09:34,880 --> 01:09:36,479
Speaker 2: No, there's somebody else sitting next to you. I just

896
01:09:36,600 --> 01:09:37,000
noticed them.

897
01:09:37,800 --> 01:09:39,800
Speaker 4: Yeah, ah, look he's here.

898
01:09:43,920 --> 01:09:46,359
Speaker 2: You missed the welcome to the party paler line.

899
01:09:46,760 --> 01:09:48,119
Speaker 1: Yeah, yeah, could make.

900
01:09:49,600 --> 01:09:54,000
Speaker 23: Yeah, we even stuck in a stupid drama class. Who

901
01:09:54,039 --> 01:10:03,960
gives a ship about class? I would rather have run barefoot,

902
01:10:05,239 --> 01:10:08,119
broken glass. I went there instead of coming.

903
01:10:10,119 --> 01:10:13,680
Speaker 1: We screwed around for there you go, Chris. She's the director,

904
01:10:16,399 --> 01:10:18,159
which means you.

905
01:10:18,159 --> 01:10:20,279
Speaker 2: Can which means you can go have sex in office

906
01:10:20,279 --> 01:10:22,840
whenever you want to, because.

907
01:10:22,600 --> 01:10:26,760
Speaker 3: Again, even the bad guys are taking her office. Is

908
01:10:26,880 --> 01:10:30,199
that like the best office? Like she's got the best

909
01:10:30,239 --> 01:10:33,960
office for blow and for sexual encounters?

910
01:10:33,960 --> 01:10:34,279
Speaker 2: Evident?

911
01:10:36,640 --> 01:10:40,439
Speaker 3: Well, that's that's what I'm saying. Like she's high enough

912
01:10:40,560 --> 01:10:42,640
that she's the representative.

913
01:10:42,720 --> 01:10:43,960
Speaker 4: But yet you know.

914
01:10:46,800 --> 01:10:48,920
Speaker 1: They're still hazing her. She's only been there a short time.

915
01:10:49,520 --> 01:10:57,159
Speaker 3: Maybe, Yeah, we do this to everybody. Well, I'm sorry.

916
01:10:57,159 --> 01:10:57,520
Speaker 2: You're right.

917
01:10:57,840 --> 01:11:00,600
Speaker 3: She is the director of corporate affairs. Where else would

918
01:11:00,640 --> 01:11:06,920
you have inner office relations but the corporate affairs, right sense?

919
01:11:07,720 --> 01:11:16,840
Speaker 24: Okay, affairs there you go, sit in the car.

920
01:11:23,920 --> 01:11:39,319
Speaker 1: Yeah, once again, Dave, you're right, that guy's making sense.

921
01:11:39,399 --> 01:11:39,520
Speaker 22: Right.

922
01:11:39,600 --> 01:11:41,680
Speaker 1: They haven't heard from the terrorists, They know nothing. What

923
01:11:41,800 --> 01:11:44,399
the heck is going on? We don't know we're going in.

924
01:11:44,560 --> 01:11:47,640
Speaker 2: Yeah, he's still a jerk, like for whatever reason, you

925
01:11:47,680 --> 01:11:51,560
still don't like him. But he's not wrong, right, I mean,

926
01:11:51,600 --> 01:11:53,720
we know he's wrong, but with what they have to

927
01:11:53,760 --> 01:11:55,960
work with, you know, he's not being unreasonable.

928
01:12:02,960 --> 01:12:05,319
Speaker 1: You got him say.

929
01:12:11,159 --> 01:12:11,640
Speaker 25: M hm.

930
01:12:24,199 --> 01:12:24,880
Speaker 1: When to pray?

931
01:12:26,399 --> 01:12:29,279
Speaker 2: To be interesting to see how much they have to

932
01:12:29,359 --> 01:12:34,159
rely on John talking to himself now that he has now, yep,

933
01:12:34,560 --> 01:12:37,199
that's kind that's kind of why sidekicks were invented anyway,

934
01:12:37,279 --> 01:12:39,560
But so the hero didn't have to talk to himself

935
01:12:39,600 --> 01:12:40,039
all the time.

936
01:12:40,960 --> 01:12:47,880
Speaker 13: YEP, is highlight.

937
01:12:51,680 --> 01:13:02,399
Speaker 1: At least have themselves an r v K reconnoiter.

938
01:13:03,079 --> 01:13:05,399
Speaker 8: Oh goo goo goo.

939
01:13:05,399 --> 01:13:07,520
Speaker 22: Pup I know.

940
01:13:07,560 --> 01:13:09,840
Speaker 2: It makes me think of like John Landa's slot teams.

941
01:13:14,520 --> 01:13:22,800
Speaker 4: Standard two by two formations. Our goal.

942
01:13:25,359 --> 01:13:38,600
Speaker 1: Still doesn't want to damage the limo, right, he's still

943
01:13:38,680 --> 01:13:39,600
making looking apps.

944
01:13:40,119 --> 01:13:45,039
Speaker 4: Yeah, yeah, that was really funny. But you get shot

945
01:13:45,039 --> 01:13:46,479
in about two seconds.

946
01:13:46,439 --> 01:13:46,640
Speaker 3: You know.

947
01:13:48,439 --> 01:13:50,359
Speaker 2: How long we'll guess something.

948
01:13:50,359 --> 01:13:50,800
Speaker 1: He's gone.

949
01:13:50,920 --> 01:13:51,880
Speaker 2: It's some candy.

950
01:13:54,960 --> 01:13:55,520
Speaker 13: Who lois?

951
01:13:57,439 --> 01:13:58,439
Speaker 2: H h?

952
01:14:07,640 --> 01:14:09,039
Speaker 4: Where do you go with the Mars bar?

953
01:14:09,239 --> 01:14:09,399
Speaker 3: Though?

954
01:14:09,600 --> 01:14:10,279
Speaker 4: Isn't that when he goes?

955
01:14:11,800 --> 01:14:14,600
Speaker 2: Is all Leon still with us?

956
01:14:15,720 --> 01:14:17,920
Speaker 1: He's still alive. I don't think he's in very good shape.

957
01:14:20,079 --> 01:14:23,119
I think Jeff Johnson met him or talk to him something.

958
01:14:26,159 --> 01:14:28,399
Speaker 13: He's nuts. Theo's not still.

959
01:14:30,199 --> 01:14:38,680
Speaker 1: Theo's gone, Hans is gone. Alexander Goodenoff is gone. Honestly,

960
01:14:38,760 --> 01:14:40,079
Bruce Willis is not doing great.

961
01:14:41,960 --> 01:14:46,000
Speaker 2: Bruce is basically gone terrible. Very said.

962
01:14:55,560 --> 01:14:57,279
Speaker 13: That that was a little drama right there.

963
01:15:02,079 --> 01:15:04,279
Speaker 1: It looked like standard two by two formation right there,

964
01:15:05,039 --> 01:15:12,079
four guys running. That's a good that's a good take.

965
01:15:13,520 --> 01:15:16,840
Speaker 2: Did they they Nest pay for that product placement?

966
01:15:16,880 --> 01:15:17,439
Speaker 13: I'm sure.

967
01:15:19,439 --> 01:15:22,399
Speaker 4: OK Coke gets a good one here in a minute too.

968
01:15:24,199 --> 01:15:33,720
Speaker 1: Yeah, yes, yes it does. He wanted some coke. That's right.

969
01:15:37,159 --> 01:15:40,560
Speaker 4: Now he's got the Mars Yeah, I knew that. I

970
01:15:40,640 --> 01:15:41,279
knew it was in there.

971
01:15:43,800 --> 01:15:56,920
Speaker 24: Yahm oh man, like Frank these cans.

972
01:16:00,079 --> 01:16:07,399
Speaker 1: Yeah, okay, imagine this same movie with Frank Sinatras John McLean.

973
01:16:07,479 --> 01:16:09,560
Speaker 2: You know, that's crazy.

974
01:16:09,960 --> 01:16:13,199
Speaker 1: They had to offer him the role contractually.

975
01:16:14,239 --> 01:16:17,399
Speaker 2: That's crazy. I'm sure if he had accepted, they would

976
01:16:17,399 --> 01:16:20,640
have decided not to make the movie. But my goodness, but.

977
01:16:20,760 --> 01:16:22,640
Speaker 4: He like seventy at this time or something like that.

978
01:16:22,960 --> 01:16:23,279
Speaker 8: He was.

979
01:16:25,199 --> 01:16:28,680
Speaker 2: What's his character? What's his character named? John McLean?

980
01:16:28,760 --> 01:16:32,359
Speaker 1: In the in Uhland? Was the name of his character?

981
01:16:38,199 --> 01:16:38,359
Speaker 22: Wait?

982
01:16:38,520 --> 01:16:58,079
Speaker 1: Man, wait a minute, Yeah, sitting in the car, m h.

983
01:17:02,399 --> 01:17:02,439
Speaker 3: M.

984
01:17:05,239 --> 01:17:06,640
Speaker 1: I kind of wish I knew what they were saying

985
01:17:06,680 --> 01:17:20,159
right there. I don't speak German at all, so get back.

986
01:17:23,680 --> 01:17:24,880
Speaker 13: He didn't sound very foreign.

987
01:17:25,920 --> 01:17:30,399
Speaker 2: Yeah, yeah, he's only kind of like working Italian or something.

988
01:17:32,199 --> 01:17:34,239
Speaker 4: Leave it, he goes.

989
01:17:37,600 --> 01:17:47,520
Speaker 1: I know what that word means, Vigo from Ghostbusters too.

990
01:17:47,920 --> 01:17:48,279
Speaker 4: Right there.

991
01:17:53,520 --> 01:17:55,800
Speaker 13: I don't know what that gun was that automatically bolt

992
01:17:55,880 --> 01:17:57,119
something on the floor, but I.

993
01:17:57,159 --> 01:18:06,359
Speaker 1: Won't Yeah, yeah, yeah, I see him. He's taking forever.

994
01:18:06,760 --> 01:18:08,960
Speaker 13: He's out there in the middle of the room.

995
01:18:11,840 --> 01:18:13,920
Speaker 1: And he's stuck right here. But he's stuck.

996
01:18:14,239 --> 01:18:14,600
Speaker 2: I don't know.

997
01:18:15,079 --> 01:18:29,279
Speaker 1: Okay, light him up. Let's go to Yeah, hit it again?

998
01:18:36,439 --> 01:18:44,279
M hm, take this under a basement.

999
01:18:45,880 --> 01:18:46,800
Speaker 4: Only wanted to try this?

1000
01:18:50,720 --> 01:19:04,800
Speaker 1: H Did he need to ask the door to open him?

1001
01:19:07,319 --> 01:19:19,000
Speaker 2: Yeah, there's Marco four.

1002
01:19:22,920 --> 01:19:32,720
Speaker 1: Yeah, h look at the other missile.

1003
01:19:36,199 --> 01:19:39,800
Speaker 13: If there's any prime reason to what's going on right now.

1004
01:19:39,760 --> 01:19:43,960
Speaker 1: I don't know if if that impact would make the

1005
01:19:44,000 --> 01:19:46,079
C four go off, then he should have put the

1006
01:19:46,119 --> 01:19:47,359
computer on there a little lighter.

1007
01:19:47,920 --> 01:19:51,039
Speaker 10: M hmm, well.

1008
01:19:55,640 --> 01:19:56,840
Speaker 4: Using artillery on us.

1009
01:19:59,520 --> 01:20:01,000
Speaker 2: But I'm start running, dude.

1010
01:20:03,000 --> 01:20:15,119
Speaker 1: That's a cool shot. That explosion you really feel in

1011
01:20:15,199 --> 01:20:16,600
the movie theater too? I love that.

1012
01:20:17,159 --> 01:20:17,399
Speaker 4: Yeah.

1013
01:20:19,560 --> 01:20:21,760
Speaker 2: I don't think I ever saw someone there?

1014
01:20:22,199 --> 01:20:23,000
Speaker 8: Are you serious?

1015
01:20:23,199 --> 01:20:23,439
Speaker 1: Man?

1016
01:20:23,840 --> 01:20:24,039
Speaker 8: Yeah?

1017
01:20:24,279 --> 01:20:24,760
Speaker 6: I missed it.

1018
01:20:25,119 --> 01:20:25,840
Speaker 4: I don't think I did.

1019
01:20:26,680 --> 01:20:30,119
Speaker 2: July at eighty eight, I'm afraid I saw License to

1020
01:20:30,279 --> 01:20:34,600
Drive and not die Hard, and I do not take

1021
01:20:34,680 --> 01:20:35,640
responsibility for that.

1022
01:20:36,840 --> 01:20:39,039
Speaker 1: You saw night right l Street four instead of this

1023
01:20:39,319 --> 01:20:39,680
or something.

1024
01:20:43,119 --> 01:20:45,439
Speaker 4: Definitely saw Diehard too in the theater, but not this one.

1025
01:20:46,039 --> 01:20:46,960
Speaker 2: Yes, same.

1026
01:20:48,720 --> 01:20:49,359
Speaker 13: Chuck Norris.

1027
01:20:58,239 --> 01:21:08,600
Speaker 1: Remember who wrote Silent Night, the song silent Yeah, Bronze screwmery.

1028
01:21:08,760 --> 01:21:09,640
Oh's right.

1029
01:21:11,840 --> 01:21:12,000
Speaker 13: There?

1030
01:21:12,039 --> 01:21:15,760
Speaker 22: You go to building on fire, don't but it's a

1031
01:21:15,800 --> 01:21:19,520
paintop and a ship. I'm gonna say they got to

1032
01:21:19,720 --> 01:21:19,920
with that.

1033
01:21:20,079 --> 01:21:20,680
Speaker 8: Best that.

1034
01:21:25,279 --> 01:21:25,479
Speaker 3: Mister.

1035
01:21:25,520 --> 01:21:27,039
Speaker 17: I don't know who the hell do you think you are,

1036
01:21:27,159 --> 01:21:29,159
what you're doing, but you just destroyed.

1037
01:21:31,159 --> 01:21:32,159
Speaker 1: I want your health.

1038
01:21:33,319 --> 01:21:35,840
Speaker 10: You don't want your health. I've got a hundred people

1039
01:21:35,880 --> 01:21:37,359
down there and they're covered with glass.

1040
01:21:38,279 --> 01:21:40,560
Speaker 22: Christ you show.

1041
01:21:44,399 --> 01:21:46,600
Speaker 3: That, Wayne T. Robinson.

1042
01:21:46,640 --> 01:21:49,600
Speaker 21: And I'm even charge in this situation when you are

1043
01:21:49,680 --> 01:21:53,119
in charge, but as something playing.

1044
01:21:55,000 --> 01:21:55,239
Speaker 22: Ship.

1045
01:21:56,239 --> 01:21:58,560
Speaker 3: Listen to me you last h.

1046
01:22:14,279 --> 01:22:35,000
Speaker 1: Yeah, m h m hm. I love you. There we go.

1047
01:22:36,479 --> 01:22:36,840
Speaker 8: Mm hmm.

1048
01:22:37,199 --> 01:22:37,920
Speaker 13: A little courage.

1049
01:22:40,119 --> 01:22:41,279
Speaker 2: I live the way to go pretty.

1050
01:22:41,119 --> 01:22:46,960
Speaker 4: Catti check yeah, rack and see talk.

1051
01:22:50,000 --> 01:22:50,439
Speaker 2: Hands.

1052
01:22:51,760 --> 01:22:54,560
Speaker 1: I think I can handle this zero trash m.

1053
01:22:54,680 --> 01:22:56,159
Speaker 7: Hm mm hmm.

1054
01:22:57,560 --> 01:23:01,279
Speaker 2: H Here comes the White Knight.

1055
01:23:02,119 --> 01:23:10,720
Speaker 4: M on, Booby, you want me?

1056
01:23:10,920 --> 01:23:11,560
Speaker 1: You want me shooting?

1057
01:23:12,039 --> 01:23:12,239
Speaker 22: Yeah?

1058
01:23:14,359 --> 01:23:14,880
Speaker 10: This guy.

1059
01:23:16,560 --> 01:23:16,960
Speaker 4: Anywhere?

1060
01:23:17,039 --> 01:23:20,319
Speaker 2: But just you know, yea, is it still office?

1061
01:23:21,359 --> 01:23:24,760
Speaker 6: Yes, there's the sannah.

1062
01:23:27,359 --> 01:23:33,720
Speaker 1: Okay, I e they want something, yeh.

1063
01:23:38,840 --> 01:23:46,239
Speaker 8: Yeh m hm hm hmm.

1064
01:23:53,439 --> 01:24:06,000
Speaker 1: What's the difference, right, We'll be I'm your White Night.

1065
01:24:09,520 --> 01:24:11,199
Speaker 8: H mm hmm.

1066
01:24:17,159 --> 01:24:17,520
Speaker 3: Mhm.

1067
01:24:18,760 --> 01:24:24,079
Speaker 1: He so wants to kill him, m h well.

1068
01:24:24,079 --> 01:24:26,039
Speaker 2: The slime ball, Yeah, I want to punch him in

1069
01:24:26,079 --> 01:24:26,399
the face.

1070
01:24:36,640 --> 01:24:37,039
Speaker 8: Mm hmm.

1071
01:24:46,800 --> 01:24:48,079
Speaker 1: I eat a lot of crap, but I don't know

1072
01:24:48,159 --> 01:24:57,279
the ingredients now touching cowboy?

1073
01:25:00,199 --> 01:25:05,800
Speaker 8: H what.

1074
01:25:36,079 --> 01:25:38,119
Speaker 1: Okay? Recognize her?

1075
01:25:38,680 --> 01:25:39,520
Speaker 13: Whose daughter is that?

1076
01:25:42,680 --> 01:25:42,720
Speaker 8: No?

1077
01:25:42,800 --> 01:25:43,760
Speaker 2: I didn't recognize who is it?

1078
01:25:44,119 --> 01:25:45,840
Speaker 1: If you if you listen to the shurly you can't

1079
01:25:45,880 --> 01:25:49,600
be serious podcasts. You should know this. That is the

1080
01:25:49,800 --> 01:25:55,680
daughter of Laverne from Laverne and Shirley Penny Marshall, Petty

1081
01:25:55,720 --> 01:25:57,520
Marshall's daughter. That's right.

1082
01:25:57,600 --> 01:25:58,760
Speaker 13: Yeah, I think adopted her.

1083
01:25:58,840 --> 01:26:03,359
Speaker 1: But yeah, kah the girl who says no, I never

1084
01:26:03,439 --> 01:26:14,800
knew that right here in l A. Yeah, can I

1085
01:26:14,880 --> 01:26:18,000
have some coke? Please? You guys have any coke around here?

1086
01:26:18,960 --> 01:26:23,880
Speaker 3: M Can I just jump on the other side of

1087
01:26:23,920 --> 01:26:28,399
the desk for a moment if if anything is still.

1088
01:26:28,760 --> 01:26:35,159
Speaker 1: Still, I'm just gonna smell the desk really quick. H

1089
01:26:43,279 --> 01:26:44,079
there you go, coke.

1090
01:26:44,960 --> 01:26:54,920
Speaker 2: That's not a coke you wanted. I'm quite sure, y.

1091
01:27:00,079 --> 01:27:43,920
Speaker 1: M Hans Remember those little miniature TVs? I had one

1092
01:27:43,960 --> 01:28:04,560
in my kitchen. Gon k kah, oops, sorry.

1093
01:28:07,479 --> 01:28:08,079
Speaker 8: What I have?

1094
01:28:08,439 --> 01:28:09,880
Speaker 2: I have no sympathy for that dude.

1095
01:28:11,840 --> 01:28:13,560
Speaker 1: He inserted himself in there, didn't He.

1096
01:28:15,159 --> 01:28:19,720
Speaker 2: Sent the flying ball he got, he got what was

1097
01:28:19,760 --> 01:28:20,319
coming to him.

1098
01:28:22,760 --> 01:28:46,039
Speaker 1: Yeah, just letting him die, man, I can hear Who's

1099
01:28:47,039 --> 01:28:49,039
I can hear somebody bleeding through a little bit.

1100
01:28:58,680 --> 01:29:23,000
Speaker 14: Yeah, mhm hyah, you couldn't drag me.

1101
01:29:30,359 --> 01:29:31,039
Speaker 1: I loove al.

1102
01:29:41,800 --> 01:29:44,720
Speaker 7: Kah huh.

1103
01:29:49,479 --> 01:29:49,600
Speaker 3: Uh.

1104
01:29:54,720 --> 01:29:57,960
Speaker 1: You know we talked about the the rifle like kind

1105
01:29:58,000 --> 01:30:00,359
of the machine gun that Alexander Goodnow's character you has

1106
01:30:00,399 --> 01:30:06,079
in this was created due to the nineteen seventy two

1107
01:30:06,520 --> 01:30:14,520
Munich Olympics, right. I believe that's true. The the Israeli

1108
01:30:14,680 --> 01:30:18,600
anti or the anti terrorist group did not have a

1109
01:30:18,680 --> 01:30:22,119
good enough weapon to combat terrorists, and so that weapon

1110
01:30:22,239 --> 01:30:24,000
was created because of that incident.

1111
01:30:25,680 --> 01:30:27,720
Speaker 13: There you go. I didn't remember that.

1112
01:30:28,039 --> 01:30:28,239
Speaker 1: Yep.

1113
01:30:32,520 --> 01:30:36,159
Speaker 3: Do you not listen to serious podcast?

1114
01:30:37,840 --> 01:30:45,479
Speaker 13: Do learn something? Every time I listen to it? Half

1115
01:30:45,560 --> 01:30:46,439
the time I say it.

1116
01:30:46,920 --> 01:30:58,399
Speaker 1: That's right. That makes some calls.

1117
01:30:59,479 --> 01:31:00,279
Speaker 8: Okay, h.

1118
01:31:04,479 --> 01:31:07,920
Speaker 4: I'm pretty assault rifle shoots a five five six natos outa.

1119
01:31:13,479 --> 01:31:17,319
Speaker 8: Mm hmmmm mm hm oh me.

1120
01:31:22,479 --> 01:31:37,880
Speaker 1: H Ritz is checking explosives, all right, yeah, h h h.

1121
01:31:41,000 --> 01:31:44,680
Speaker 10: H m hmm.

1122
01:31:45,680 --> 01:31:48,359
Speaker 13: I cannot believe that this was Alan Rickman's first man.

1123
01:31:48,520 --> 01:31:52,560
Speaker 1: As we talked about that too, pretty incredible hit a

1124
01:31:52,600 --> 01:32:03,880
grand slam right out of the gate. M uhh on

1125
01:32:04,079 --> 01:32:04,760
his way home.

1126
01:32:11,039 --> 01:32:13,520
Speaker 2: See that eighties hard hairstyle. Doesn't even face me. Like,

1127
01:32:14,039 --> 01:32:15,640
it doesn't look out of date to me at all.

1128
01:32:15,720 --> 01:32:16,279
It's just normal.

1129
01:32:16,520 --> 01:32:17,000
Speaker 1: Looks great.

1130
01:32:23,640 --> 01:32:34,800
Speaker 2: Yeah, I love I love TV newsroom, movies, broadcast news.

1131
01:32:35,199 --> 01:32:38,920
Uh shaped my professional choice.

1132
01:32:39,319 --> 01:32:43,479
Speaker 1: Really. Yeah, that's the one with uh Burt Reynolds.

1133
01:32:44,079 --> 01:32:45,399
Speaker 2: Another one with Albert Brooks.

1134
01:32:46,520 --> 01:32:57,840
Speaker 1: Okay, the FBI is here, let's go specially agent Johnson.

1135
01:33:00,479 --> 01:33:00,680
Speaker 8: Yeah.

1136
01:33:00,720 --> 01:33:03,800
Speaker 2: We need no, no, we don't need especially as Johnson.

1137
01:33:03,840 --> 01:33:06,479
We need the other especially.

1138
01:33:11,039 --> 01:33:11,600
Speaker 6: Never relation.

1139
01:33:12,880 --> 01:33:13,199
Speaker 8: Mhm.

1140
01:33:14,800 --> 01:33:16,239
Speaker 2: How cool does Dobby look right there?

1141
01:33:20,960 --> 01:33:27,840
Speaker 1: Not anymore Grandell Bush another lethal weapon connection right there?

1142
01:33:28,079 --> 01:33:31,079
Speaker 2: Yeah, and we immediately like these guys, like what's the difference? Right,

1143
01:33:31,159 --> 01:33:33,800
It's just another authority figure coming in. But I'm already

1144
01:33:33,880 --> 01:33:34,880
like thinking they're cool.

1145
01:33:35,199 --> 01:33:44,119
Speaker 1: Yep, more confident, seemingly like said somebody who spray painted

1146
01:33:44,159 --> 01:33:44,840
Merry Christmas?

1147
01:33:44,960 --> 01:33:45,279
Speaker 4: Right there?

1148
01:33:48,119 --> 01:33:53,760
Speaker 2: It does. It's just likely stopped in the middle of it, right, I.

1149
01:33:53,800 --> 01:34:04,560
Speaker 1: Know it would be great graffiti Merry Christmas. Yeah, something

1150
01:34:04,600 --> 01:34:07,760
you don't get with digital anymore. Those lens flares, I love.

1151
01:34:07,720 --> 01:34:13,479
Speaker 2: Them unless you're watching the J. J Abrams movie.

1152
01:34:13,560 --> 01:34:13,640
Speaker 3: Now.

1153
01:34:13,760 --> 01:34:15,880
Speaker 6: Yeah, I was gonna say, j Abrams will tell you

1154
01:34:15,960 --> 01:34:16,680
to hold his beer.

1155
01:34:21,640 --> 01:34:22,640
Speaker 1: It's a little less green.

1156
01:34:23,079 --> 01:34:25,800
Speaker 3: I was about to say it it looks I guess

1157
01:34:26,159 --> 01:34:29,439
in the light, it looks like it's a white shirt,

1158
01:34:29,520 --> 01:34:35,640
a white shirt that got dirty with like bike tracks

1159
01:34:35,680 --> 01:34:39,600
over it. Okay, on his.

1160
01:34:46,359 --> 01:34:48,399
Speaker 2: Did they know he could do an American accent?

1161
01:34:49,760 --> 01:34:51,960
Speaker 23: Yeah, they asked him if he could do an American

1162
01:34:52,039 --> 01:34:55,159
accent and he said, no, I cannot do an American accent,

1163
01:34:56,239 --> 01:34:58,359
but I can do a California accent.

1164
01:35:02,520 --> 01:35:02,760
Speaker 19: You know.

1165
01:35:03,720 --> 01:35:12,239
Speaker 1: Yeah. Some of the decisions that they made in this

1166
01:35:12,399 --> 01:35:15,279
movie were all I mean, they were so good, and

1167
01:35:15,439 --> 01:35:17,119
yet they were thrown into the last minute and they

1168
01:35:17,159 --> 01:35:19,000
were kind of reworking the script the whole time.

1169
01:35:19,960 --> 01:35:20,720
Speaker 2: That was an addition.

1170
01:35:22,199 --> 01:35:24,399
Speaker 1: That scene where they met was an addition.

1171
01:35:26,279 --> 01:35:28,399
Speaker 2: They realized they did. They didn't have a face to

1172
01:35:28,439 --> 01:35:29,199
face sing anywhere.

1173
01:35:29,359 --> 01:35:36,199
Speaker 1: Yep, sounds like an A seven scenario.

1174
01:35:48,279 --> 01:35:50,520
Speaker 2: Bleeth is like totally frightened. Reben in this movie.

1175
01:35:55,319 --> 01:35:56,399
Speaker 1: Could be a cop. Not sure.

1176
01:36:00,920 --> 01:36:03,760
Speaker 3: You know, it's just gonna point an excessive amount of

1177
01:36:03,880 --> 01:36:08,119
smoking in this movie, and you forget because you don't

1178
01:36:08,159 --> 01:36:10,800
see it as much, like because he started with a

1179
01:36:10,880 --> 01:36:11,600
full pack.

1180
01:36:13,199 --> 01:36:16,880
Speaker 1: Right well, and he didn't he take it out, guys, sweatpants.

1181
01:36:16,359 --> 01:36:20,079
Speaker 3: That's what That's what I'm saying. I think it was

1182
01:36:20,119 --> 01:36:21,159
a full pack and.

1183
01:36:21,239 --> 01:36:25,239
Speaker 2: Now right here, Yeah, y'all see what he's picking up here?

1184
01:36:26,159 --> 01:36:26,199
Speaker 3: What?

1185
01:36:27,279 --> 01:36:27,479
Speaker 13: Yeah?

1186
01:36:27,560 --> 01:36:29,800
Speaker 2: Uh, the claims picking up on how Hans is holding

1187
01:36:29,840 --> 01:36:32,600
the Cigarettess don't hold a cigarette.

1188
01:36:32,119 --> 01:36:32,279
Speaker 21: Like that.

1189
01:36:34,279 --> 01:36:36,680
Speaker 2: He holds. Yeah, Hans is holding a European.

1190
01:36:36,359 --> 01:36:38,920
Speaker 3: Style mm hmm.

1191
01:36:40,800 --> 01:36:46,920
Speaker 1: Holding cigarettes European style. Interesting m hm.

1192
01:36:50,600 --> 01:37:01,840
Speaker 10: Mhmm, Bill Clay, I'm John.

1193
01:37:04,159 --> 01:37:04,720
Speaker 2: You're right.

1194
01:37:07,159 --> 01:37:07,279
Speaker 25: Right.

1195
01:37:11,119 --> 01:37:14,119
Speaker 1: His eyes kind of got wide there, like I wasn't

1196
01:37:14,159 --> 01:37:15,760
sure it was John McClean, but now I know.

1197
01:37:23,880 --> 01:37:33,119
Speaker 6: I make sure there's not one in the chamber.

1198
01:37:40,239 --> 01:37:42,319
Speaker 1: I remember when I first saw this in the movie theater,

1199
01:37:42,399 --> 01:37:45,800
I was dying right here. I was really like, how

1200
01:37:46,279 --> 01:37:47,880
in the world is he going.

1201
01:37:47,680 --> 01:37:54,720
Speaker 13: To really smoked up?

1202
01:37:57,479 --> 01:38:06,199
Speaker 1: He needs his detonative? Mhm I he hell looked like

1203
01:38:06,239 --> 01:38:07,079
a European right there.

1204
01:38:08,039 --> 01:38:13,359
Speaker 8: Yeah, there's no fungus in this truck.

1205
01:38:16,560 --> 01:38:18,359
Speaker 1: Mhm hants.

1206
01:38:22,119 --> 01:38:22,600
Speaker 3: M hm.

1207
01:38:41,119 --> 01:38:41,239
Speaker 16: Hm.

1208
01:38:48,399 --> 01:38:49,640
Speaker 14: You might not be a four.

1209
01:38:52,840 --> 01:39:00,119
Speaker 13: Yes, right, ro just say.

1210
01:39:02,239 --> 01:39:03,600
Speaker 1: I was getting ready to shot man.

1211
01:39:04,840 --> 01:39:05,800
Speaker 2: Ye got another one.

1212
01:39:09,319 --> 01:39:12,640
Speaker 3: But that's a callback to what I was saying earlier.

1213
01:39:13,960 --> 01:39:19,359
You know, if if you didn't see Hans shoot him

1214
01:39:20,199 --> 01:39:23,479
face to face dead point, actually's gotten. He's shot and

1215
01:39:23,560 --> 01:39:26,600
two he shot two guys. Now the fact that he's

1216
01:39:26,640 --> 01:39:28,359
standing there with the gun in front of him is

1217
01:39:28,399 --> 01:39:30,079
could be like, oh, he's not going to pull the

1218
01:39:30,159 --> 01:39:32,000
gun right that. You know, he's not going to pull

1219
01:39:32,079 --> 01:39:37,479
the trigger. He's already shot two people point blank for

1220
01:39:37,640 --> 01:39:39,680
not for not giving him what he wanted.

1221
01:39:39,960 --> 01:39:51,199
Speaker 1: They got killer, by the way, uh as I understand it.

1222
01:39:51,239 --> 01:39:54,000
I don't speak German, but I did hear a translator

1223
01:39:54,079 --> 01:40:00,239
say that. What he says right here essentially shoot the windows, kah,

1224
01:40:02,560 --> 01:40:04,079
which I guess is the same as glass.

1225
01:40:04,119 --> 01:40:18,720
Speaker 14: But yeah, kah.

1226
01:40:23,239 --> 01:40:27,199
Speaker 1: Man, this movie just keeps leveling up, you know, just

1227
01:40:27,520 --> 01:40:32,279
just cranks yep on beating up.

1228
01:40:32,960 --> 01:40:35,359
Speaker 2: And now the public like like he has no place

1229
01:40:35,399 --> 01:40:35,960
to run.

1230
01:40:36,239 --> 01:40:40,920
Speaker 1: Ye, gotta leave the detonators to to keep him from

1231
01:40:41,239 --> 01:40:41,920
pursuing him.

1232
01:40:47,920 --> 01:40:52,079
Speaker 6: Ow yikes, Oh flashpang.

1233
01:41:00,000 --> 01:41:01,840
Speaker 4: I think the flash bang actually gave him cover to

1234
01:41:01,880 --> 01:41:02,560
get out of her.

1235
01:41:05,560 --> 01:41:08,880
Speaker 1: But I'm not thinking it would be too hard to

1236
01:41:08,960 --> 01:41:12,359
pursue him. You could just follow the blood trail, right.

1237
01:41:15,399 --> 01:41:29,159
Speaker 2: But back in business, that's pretty Marsha's daughter, Yes, that's correct.

1238
01:41:30,640 --> 01:41:31,880
She looks a lot better than mama.

1239
01:41:33,319 --> 01:41:35,800
Speaker 6: She does, but she adopted.

1240
01:41:38,399 --> 01:41:43,800
Speaker 1: No, Yeah, she wasn't adopted though, That's why.

1241
01:41:43,680 --> 01:41:44,159
Speaker 2: I was no.

1242
01:41:45,960 --> 01:41:49,479
Speaker 13: Adopted, bout Him's real daughter adopted.

1243
01:41:50,159 --> 01:41:58,800
Speaker 1: Yes he dead, Rob Yes, Printcess Bride, stand by.

1244
01:41:58,800 --> 01:42:03,159
Speaker 3: Me, final tap and the news Final he was. They

1245
01:42:03,199 --> 01:42:06,359
were filmed down in New Orleans, Is that right?

1246
01:42:06,520 --> 01:42:06,760
Speaker 2: Cool?

1247
01:42:06,920 --> 01:42:07,079
Speaker 4: Yeah?

1248
01:42:07,159 --> 01:42:12,680
Speaker 3: The sequel, oh yeah, that come out, not yet, but

1249
01:42:13,119 --> 01:42:14,920
because Harry Sheer lives in New Orleans.

1250
01:42:18,239 --> 01:42:21,159
Speaker 2: Back to Green Green tank Top, Mike to Fall of

1251
01:42:21,239 --> 01:42:24,800
Green Yeah, mm hmm boy.

1252
01:42:25,439 --> 01:42:27,079
Speaker 20: Uh the.

1253
01:42:31,279 --> 01:42:57,520
Speaker 2: So good? Yeah, yeah, I don't know, I've been to Philadelphia.

1254
01:42:59,159 --> 01:43:01,479
Speaker 1: You know where that line comes from. I learned this

1255
01:43:02,520 --> 01:43:04,520
he does because he listens surely.

1256
01:43:05,840 --> 01:43:07,439
Speaker 2: Like to be fair, This was like three or four

1257
01:43:07,520 --> 01:43:07,880
years ago.

1258
01:43:09,520 --> 01:43:12,560
Speaker 1: I believe W. C. Field's made it famous. And then

1259
01:43:12,800 --> 01:43:17,960
when Ronald Reagan got shot. Line his last line. And

1260
01:43:18,039 --> 01:43:20,880
then when Ronald Reagan got shot, they asked him how

1261
01:43:20,920 --> 01:43:22,520
he was feeling in the hospital and he said, all

1262
01:43:22,600 --> 01:43:25,119
things being equal, I'd rather be in Philadelphia.

1263
01:43:28,159 --> 01:43:29,520
Speaker 3: I'm gonna step away from just a moment.

1264
01:43:29,640 --> 01:43:35,039
Speaker 8: Guys, Okay, I got a.

1265
01:43:46,199 --> 01:43:46,439
Speaker 22: Shot.

1266
01:43:49,920 --> 01:43:52,840
Speaker 1: Once again, they never take the tension off. He's pulling

1267
01:43:52,920 --> 01:43:56,199
glass out of his feet while we have a kind

1268
01:43:56,239 --> 01:43:57,119
of this touching moment.

1269
01:44:09,760 --> 01:44:13,880
Speaker 2: I've always believed this was this that uh Phil Johnson

1270
01:44:13,920 --> 01:44:15,920
here is playing the same character from the Family Matters

1271
01:44:15,920 --> 01:44:22,039
because he was a Coconut show too, and Ghostbusters and

1272
01:44:22,199 --> 01:44:30,239
Ghostbusters right and Trady Pleaser, I don't know remember that?

1273
01:44:34,439 --> 01:44:34,840
Speaker 22: And then.

1274
01:44:38,960 --> 01:44:46,520
Speaker 2: Yeah, yeah, let me terrorists. We got left now at

1275
01:44:46,560 --> 01:44:47,159
this point.

1276
01:44:49,000 --> 01:44:53,039
Speaker 1: Uh four, I believe right. You got Hugh Lewis, you

1277
01:44:53,119 --> 01:44:56,560
got Hans, you got Carl, you got Ali.

1278
01:44:56,479 --> 01:44:59,720
Speaker 13: On Theo's helper over there with them, you got THEO

1279
01:44:59,840 --> 01:45:00,600
n her helpers.

1280
01:45:02,239 --> 01:45:04,800
Speaker 2: Yeah, so I guess six.

1281
01:45:05,760 --> 01:45:08,760
Speaker 1: He lives, still love he lives, is still alive.

1282
01:45:09,479 --> 01:45:11,399
Speaker 13: He didn't die until right before armstongs.

1283
01:45:12,399 --> 01:45:15,880
Speaker 1: Yeah, actually THEO lives. I think, oh yeah, he just

1284
01:45:15,960 --> 01:45:27,119
punched out, knocked out right, Yeah, that's I. I gotta

1285
01:45:27,159 --> 01:45:27,600
switch here.

1286
01:45:30,600 --> 01:45:36,439
Speaker 4: That's Rick Dukeman there in the orange helmet. Very then,

1287
01:45:36,600 --> 01:45:39,119
he's played a big player in a bunch of eighties movies.

1288
01:45:46,479 --> 01:45:54,960
Speaker 1: Christmas Eve, what are you doing? Yeah?

1289
01:45:56,880 --> 01:46:01,119
Speaker 21: H h.

1290
01:46:04,039 --> 01:46:23,199
Speaker 1: Yeah, I love World Down And I can tell me

1291
01:46:30,439 --> 01:46:32,319
they got enough emergency lighting. I don't know if it's

1292
01:46:32,359 --> 01:46:34,079
that big of a deal really to kill the power.

1293
01:46:36,720 --> 01:46:41,600
Speaker 13: Good emergency lighting, but not an emergency magnetic lock right right,

1294
01:46:42,079 --> 01:46:43,159
billions of dollars.

1295
01:46:47,479 --> 01:46:51,800
Speaker 1: And the joy I love this. The musical cue is awesome.

1296
01:46:54,520 --> 01:46:57,359
There's I get a lot of joy just seeing the

1297
01:46:57,439 --> 01:47:07,199
vault opened. You know, a robot, Yeah, I mean Samurai.

1298
01:47:07,439 --> 01:47:09,239
Speaker 2: Get for the bad guys here like they have a

1299
01:47:09,319 --> 01:47:11,359
moment of victory. It's pretty cool.

1300
01:47:11,720 --> 01:47:15,239
Speaker 1: Smart Chuck, did you leave?

1301
01:47:16,279 --> 01:47:17,159
Speaker 6: Well, I'm still here?

1302
01:47:17,640 --> 01:47:20,960
Speaker 2: Okay, Yeah, that I got a notable TV screens said

1303
01:47:20,960 --> 01:47:21,399
you would left.

1304
01:47:21,960 --> 01:47:23,119
Speaker 6: Uh, I think I'm still here.

1305
01:47:23,600 --> 01:47:32,720
Speaker 1: Okay, Wait, each one of these little things are one

1306
01:47:32,800 --> 01:47:42,800
hundred grand whatever. I just opened the ball, Chris.

1307
01:47:44,760 --> 01:47:45,039
Speaker 4: What's that?

1308
01:47:49,479 --> 01:47:49,800
Speaker 3: Okay?

1309
01:47:51,520 --> 01:47:58,680
Speaker 4: Helicopters right up? Yeah, yeah I did think, Oh you did.

1310
01:47:59,199 --> 01:48:01,960
Speaker 6: Yeah, I'm trying. I'm going to try to get back in.

1311
01:48:04,159 --> 01:48:07,039
Speaker 2: So Dobby and Bush were both in licensed to kill?

1312
01:48:07,119 --> 01:48:10,960
Speaker 1: Right, Uh, Dobby was in license to kill. I don't

1313
01:48:11,000 --> 01:48:16,359
remember if Bush was. Was he which one licensed to kill?

1314
01:48:17,000 --> 01:48:17,720
Damnthy Dalton?

1315
01:48:18,640 --> 01:48:19,720
Speaker 4: Yeah, Dobby and who else?

1316
01:48:20,279 --> 01:48:20,560
Speaker 2: Bush?

1317
01:48:22,720 --> 01:48:22,960
Speaker 8: Yeah?

1318
01:48:23,920 --> 01:48:27,039
Speaker 4: The other one is in the I think he was

1319
01:48:27,199 --> 01:48:28,399
actually now you mentioned it.

1320
01:48:29,199 --> 01:48:30,960
Speaker 2: Yeah, I think he was a CI agent or something.

1321
01:48:31,239 --> 01:48:32,760
Speaker 4: Yeah, I think you're right.

1322
01:48:35,119 --> 01:48:37,039
Speaker 1: Only we had a pocket computer that would tell us

1323
01:48:37,039 --> 01:48:46,319
all these things. I was skilled, right, he was in

1324
01:48:46,439 --> 01:48:48,600
licensed to kill. He was in lethal weapon.

1325
01:48:51,319 --> 01:48:53,399
Speaker 4: You know he looks younger with the beard or now

1326
01:48:53,439 --> 01:48:54,279
that was the other guy.

1327
01:48:56,840 --> 01:49:01,079
Speaker 1: He was he was one of MARTA's Philip cops. He

1328
01:49:01,199 --> 01:49:03,239
was a black panther in Forrest Gump.

1329
01:49:03,399 --> 01:49:03,840
Speaker 8: How about that?

1330
01:49:15,920 --> 01:49:16,319
Speaker 21: All right?

1331
01:49:19,800 --> 01:49:21,600
Speaker 6: Yeah, I'm not gonna hop back in because I'm afraid

1332
01:49:21,600 --> 01:49:22,560
i'm gonna mess it up.

1333
01:49:24,039 --> 01:49:25,720
Speaker 2: Can you see it on your own there or you're

1334
01:49:25,720 --> 01:49:26,319
seeing the movie.

1335
01:49:26,600 --> 01:49:28,800
Speaker 6: Well, what i'm gonna do is I'm listening to whoever

1336
01:49:28,880 --> 01:49:29,600
had the bleed over?

1337
01:49:30,159 --> 01:49:34,840
Speaker 1: Okay, well we've still got your recording, so we're good.

1338
01:49:35,000 --> 01:49:35,800
Speaker 6: Yeah, No, that's cool.

1339
01:49:36,760 --> 01:49:36,960
Speaker 8: Yeah.

1340
01:49:37,039 --> 01:49:40,479
Speaker 5: I was just looking to uh, there was a thing

1341
01:49:40,560 --> 01:49:43,640
about Ode. The joy that came across my mind was

1342
01:49:43,880 --> 01:49:46,640
that when Beethoven had written this, he was already deaf.

1343
01:49:48,119 --> 01:49:50,640
Speaker 13: He was completely deaf at that point.

1344
01:49:50,960 --> 01:50:01,159
Speaker 1: Incredible, incredible. The sweat this kind of packed down his

1345
01:50:01,399 --> 01:50:03,199
uh tuft of hair that was bothering.

1346
01:50:04,319 --> 01:50:06,840
Speaker 2: I'm gonna say, Bruce is showing up at just hair

1347
01:50:06,920 --> 01:50:11,920
just for Dale after patch death.

1348
01:50:12,960 --> 01:50:15,079
Speaker 3: I see one hand, I don't see the second one.

1349
01:50:19,680 --> 01:50:20,720
Speaker 6: Wakey, wakey.

1350
01:50:26,439 --> 01:50:39,119
Speaker 11: John, Sorry, gentlemen, that's fletch, mhm, sweet.

1351
01:50:41,319 --> 01:50:41,560
Speaker 1: Letch.

1352
01:50:42,359 --> 01:50:50,520
Speaker 3: Fletch. Yeah, come on up.

1353
01:50:50,760 --> 01:50:51,960
Speaker 1: What was he doing upstairs?

1354
01:51:00,039 --> 01:51:00,319
Speaker 12: Mhm?

1355
01:51:10,600 --> 01:51:10,640
Speaker 3: No?

1356
01:51:10,880 --> 01:51:30,079
Speaker 1: And Laicassa shut the door, putting Jared yep. Kind of

1357
01:51:30,119 --> 01:51:32,560
a minor story that gets resolved at the end, but

1358
01:51:33,760 --> 01:51:34,720
in a super cool way.

1359
01:51:36,560 --> 01:51:39,840
Speaker 8: M h, good time, m h.

1360
01:51:42,199 --> 01:51:43,199
Speaker 1: Talking to himself again.

1361
01:51:49,920 --> 01:51:51,279
Speaker 13: That could be really hard with the hurt.

1362
01:51:52,239 --> 01:51:57,640
Speaker 1: Yes, you pull up right there, let's go.

1363
01:52:00,039 --> 01:52:07,399
Speaker 4: Mhm, holy cramp. That's a lot of C four four.

1364
01:52:25,800 --> 01:52:27,359
But I yes, I had to take a piss break.

1365
01:52:27,960 --> 01:52:28,560
Speaker 1: Here there is.

1366
01:52:32,279 --> 01:52:35,439
Speaker 2: He uh McLean found all the C four and now

1367
01:52:35,479 --> 01:52:37,640
he's gotten caught my Carl.

1368
01:52:40,880 --> 01:52:45,840
Speaker 13: Okay, uh.

1369
01:52:50,399 --> 01:52:52,640
Speaker 1: Notice that Bruce Willis is left handed. Lots of left

1370
01:52:52,680 --> 01:52:53,520
handed puncies here.

1371
01:52:59,800 --> 01:53:00,279
Speaker 3: H h.

1372
01:53:20,039 --> 01:53:22,760
Speaker 1: So we've still got well, we've got Carl, We've got Hans,

1373
01:53:23,079 --> 01:53:29,800
We've got THEO. We've got Huey Lewis. I think he's

1374
01:53:29,920 --> 01:53:42,279
is his name Allie in this I can't remember. Ah.

1375
01:53:43,960 --> 01:53:45,960
Speaker 2: I'm gonna ratchet up even more.

1376
01:53:45,960 --> 01:54:13,720
Speaker 1: Brilliant right, adding more pressure yep, m h man. You

1377
01:54:13,760 --> 01:54:15,039
guys have been kicked in the face.

1378
01:54:16,960 --> 01:54:19,640
Speaker 4: It hurts, not four times in a row.

1379
01:54:22,680 --> 01:54:23,640
Speaker 13: How about having your hat.

1380
01:54:23,600 --> 01:54:26,039
Speaker 1: Smashed against that hurts too?

1381
01:54:26,159 --> 01:54:45,880
Speaker 15: Yeah, yeah, I can live with that, junior high.

1382
01:54:54,079 --> 01:54:58,960
Speaker 1: Oh man, more pressure, No, we have we still have

1383
01:54:59,039 --> 01:55:03,239
al leongs. So okay for long.

1384
01:55:05,479 --> 01:55:08,960
Speaker 4: I gotta give you a quick update. Jason uh Sooners

1385
01:55:09,039 --> 01:55:10,960
just hit a three to tie it, and they were

1386
01:55:11,039 --> 01:55:14,399
foul with eleven seconds to go. Yes, they have a

1387
01:55:14,479 --> 01:55:18,079
free throw to take the lead. Jeremiah Fears is on fire.

1388
01:55:18,119 --> 01:55:19,479
He's got like thirty points.

1389
01:55:26,079 --> 01:55:26,439
Speaker 1: Clean.

1390
01:55:29,479 --> 01:55:32,159
Speaker 2: Oh man, oh.

1391
01:55:33,960 --> 01:55:35,039
Speaker 13: Never shot on the shoulder.

1392
01:55:37,239 --> 01:55:43,720
Speaker 1: Jones did, and then I know it hurts you ever

1393
01:55:43,840 --> 01:55:46,319
kicked somebody with your bare feet with the toe right

1394
01:55:46,600 --> 01:55:47,319
right in the toe.

1395
01:55:48,720 --> 01:55:50,039
Speaker 13: Have you ever seen a grown man make it?

1396
01:55:51,640 --> 01:55:51,960
Speaker 14: Thank you?

1397
01:55:54,119 --> 01:55:57,560
Speaker 3: That's exactly where I was going prison.

1398
01:56:00,119 --> 01:56:06,479
Speaker 4: Yeah, he looks really good right here. She's her uh

1399
01:56:06,840 --> 01:56:07,359
blouse is a.

1400
01:56:07,319 --> 01:56:08,279
Speaker 10: Little no normal it is.

1401
01:56:08,439 --> 01:56:15,520
Speaker 1: She's got that one extra button undone. Yep, I got

1402
01:56:15,560 --> 01:56:17,520
a seventy six dale final.

1403
01:56:18,000 --> 01:56:20,600
Speaker 4: Yep. Oh the final. Okay, I must be a few

1404
01:56:20,600 --> 01:56:23,520
seconds behind. Yep. They missed the three pointer at the end.

1405
01:56:24,079 --> 01:56:27,800
Oh baby, oh that's also by Jeremiah Fears to win

1406
01:56:27,880 --> 01:56:37,000
the game. Let's go unbelievable. Man.

1407
01:56:37,479 --> 01:56:40,840
Speaker 2: You know this is personal for Carl because of his brother. Yeap,

1408
01:56:40,920 --> 01:56:44,079
So it's like it's just some brutal fight. That was

1409
01:56:44,119 --> 01:56:45,520
a good shot of the stuntman's face there.

1410
01:56:46,960 --> 01:56:51,520
Speaker 1: Okay, here's my one complaint about this movie. I mean,

1411
01:56:51,520 --> 01:56:53,039
I've had a few minor complaints, but.

1412
01:56:54,640 --> 01:56:55,520
Speaker 13: Still got his hand there.

1413
01:56:56,560 --> 01:56:59,640
Speaker 1: They could have done something to been a little you know, like,

1414
01:57:00,399 --> 01:57:04,000
did he die? Did he not die? When everybody comes

1415
01:57:04,079 --> 01:57:06,159
back five minutes from now and he's still hanging by

1416
01:57:06,199 --> 01:57:06,680
his neck.

1417
01:57:07,840 --> 01:57:11,359
Speaker 4: Yeah, wouldn't he? Yeah, you think he'd asphyxiate, right if they.

1418
01:57:11,359 --> 01:57:15,680
Speaker 1: Showed maybe he could show I don't know, empty chains

1419
01:57:15,800 --> 01:57:24,279
or something. I don't know. Yeah, that's the only real

1420
01:57:24,640 --> 01:57:26,279
leap that gives me trouble.

1421
01:57:28,119 --> 01:57:29,960
Speaker 4: Well, how does he make it down to the bottom

1422
01:57:30,000 --> 01:57:31,439
at the very end of he is he in police

1423
01:57:31,479 --> 01:57:32,640
custody at that point.

1424
01:57:32,680 --> 01:57:49,199
Speaker 26: I thought it was in a body bag? Wow, because

1425
01:57:49,239 --> 01:57:51,760
he still has his uh what that og? He still

1426
01:57:51,800 --> 01:57:55,399
has that when he comes out at the end. Yeah,

1427
01:57:55,880 --> 01:57:59,479
the name and that's what they switched to the alien

1428
01:57:59,600 --> 01:58:00,239
soundtrack back.

1429
01:58:01,880 --> 01:58:02,880
Speaker 1: Oh yeah, that's right.

1430
01:58:03,880 --> 01:58:06,640
Speaker 4: I'll just leave the his weapon and his body bag.

1431
01:58:06,720 --> 01:58:09,560
You won't. He won't come to try to use it

1432
01:58:09,640 --> 01:58:10,239
or anything.

1433
01:58:10,079 --> 01:58:11,760
Speaker 6: Standard place procedures.

1434
01:58:20,359 --> 01:58:22,520
Speaker 1: There's a great look of how far apart there actually

1435
01:58:22,560 --> 01:58:23,199
are there, Chris.

1436
01:58:27,119 --> 01:58:27,319
Speaker 8: Yeah.

1437
01:58:28,079 --> 01:58:30,000
Speaker 1: You take a look at his feet when he's laying

1438
01:58:30,039 --> 01:58:32,439
down right here, you can actually see his feet covered

1439
01:58:32,520 --> 01:58:37,000
boots right there. He's wearing like plastic boots that look

1440
01:58:37,079 --> 01:58:37,439
like feet.

1441
01:58:38,560 --> 01:58:39,159
Speaker 4: That's interesting.

1442
01:58:39,199 --> 01:58:39,760
Speaker 2: I did see that.

1443
01:58:43,399 --> 01:58:45,760
Speaker 1: He jumps when he lands right there and says, I'm

1444
01:58:45,800 --> 01:58:46,520
on your side.

1445
01:58:52,600 --> 01:58:52,840
Speaker 10: Ah.

1446
01:58:53,000 --> 01:58:57,000
Speaker 1: This this is one of the best scenes right here.

1447
01:58:57,039 --> 01:59:04,520
I just this part right here. Up people are running downstairs,

1448
01:59:05,720 --> 01:59:09,000
helicopters after him. The roof's wired to blow, and he's

1449
01:59:09,039 --> 01:59:10,319
hanging by a fire hose.

1450
01:59:12,119 --> 01:59:13,319
Speaker 2: And that's a pretty good day.

1451
01:59:19,840 --> 01:59:21,319
Speaker 13: It sounds like Tommy Lee Jones too.

1452
01:59:21,840 --> 01:59:36,560
Speaker 1: Yeah, that's cause up there, hontually Carl's lucky. He survived

1453
01:59:36,560 --> 01:59:37,640
the explosion as well.

1454
01:59:38,479 --> 01:59:39,000
Speaker 2: That's true.

1455
01:59:41,279 --> 01:59:54,720
Speaker 10: H mm hmm.

1456
02:00:00,000 --> 02:00:06,640
Speaker 1: Oh the bloody feet.

1457
02:00:15,640 --> 02:00:17,640
Speaker 2: That's not enough. Now he's about to get pulled down.

1458
02:00:17,880 --> 02:00:23,079
I know, a tension, tension, he's going from one peril

1459
02:00:23,119 --> 02:00:23,520
to the next.

1460
02:00:28,960 --> 02:00:29,199
Speaker 4: Oy.

1461
02:00:33,199 --> 02:00:46,239
Speaker 2: Yeah, that would be the ending pragmatic scene for almost

1462
02:00:46,279 --> 02:00:46,880
any other action.

1463
02:00:47,159 --> 02:00:54,239
Speaker 4: That's the elevator opens up in a huge explosion.

1464
02:00:55,680 --> 02:00:57,800
Speaker 1: I mean, the helicopter almost kills him right here.

1465
02:00:57,880 --> 02:01:02,880
Speaker 25: You know that's a great set piece to them. Yeah, Model,

1466
02:01:09,399 --> 02:01:10,239
you don't think the blow up.

1467
02:01:14,039 --> 02:01:16,279
Speaker 2: So we're agents Johnson and Johnson in that helicopter.

1468
02:01:16,600 --> 02:01:19,119
Speaker 13: Yeah, it's play. Says they're going to need some new

1469
02:01:19,279 --> 02:01:19,880
FBI guys.

1470
02:01:19,920 --> 02:01:20,520
Speaker 2: I guess.

1471
02:01:25,720 --> 02:01:26,000
Speaker 10: Boom.

1472
02:01:37,399 --> 02:01:39,880
Speaker 4: I'm surehere that secondary explosion came from but it adds.

1473
02:01:39,920 --> 02:01:41,680
Then the tension still last.

1474
02:01:42,840 --> 02:01:44,199
Speaker 2: And our goal is not hearing anything.

1475
02:01:46,760 --> 02:01:51,600
Speaker 4: And there's the magic, the magic ambulance.

1476
02:01:53,319 --> 02:01:54,760
Speaker 1: There. It is magic.

1477
02:01:57,199 --> 02:01:59,159
Speaker 4: Unless there was a second truck we didn't see. I

1478
02:01:59,239 --> 02:01:59,520
don't know.

1479
02:02:17,680 --> 02:02:27,720
Speaker 1: Yeah, Ali, that's that's that guy's name, man money.

1480
02:02:29,680 --> 02:02:31,159
Speaker 13: This is some genius writing right now.

1481
02:02:31,239 --> 02:02:32,399
Speaker 1: Oh my gosh, so good.

1482
02:02:36,119 --> 02:02:43,039
Speaker 13: Two bullets around the corner, and you.

1483
02:02:43,079 --> 02:02:47,319
Speaker 1: Know, kind of an underappreciated moment is that there's three

1484
02:02:47,399 --> 02:02:51,600
bad guys and two bullets. He's got to take out

1485
02:02:51,680 --> 02:02:53,479
that first guy with the butt of his gun.

1486
02:02:54,319 --> 02:02:57,800
Speaker 2: Yeah, what she does, Look at our goal.

1487
02:02:58,359 --> 02:03:02,560
Speaker 1: Let's go knock him out. Yah, that's too terrible, right,

1488
02:03:03,960 --> 02:03:05,000
They got right here, watch.

1489
02:03:04,880 --> 02:03:06,840
Speaker 4: It, you're here w am.

1490
02:03:11,159 --> 02:03:31,199
Speaker 8: And then uh yeah, h m hmm.

1491
02:03:32,880 --> 02:03:50,279
Speaker 1: A little release of pressure there. Don't you shoot him? Huie,

1492
02:03:50,359 --> 02:03:50,920
I've got this.

1493
02:03:52,279 --> 02:03:52,880
Speaker 3: Mm hmm.

1494
02:03:56,600 --> 02:04:01,279
Speaker 22: Okay m m m.

1495
02:04:04,399 --> 02:04:12,279
Speaker 7: Yeah, yes kay m hm m hm.

1496
02:04:17,159 --> 02:04:24,079
Speaker 1: Bonnie Badelia mcaulay Culkin's aunt mm hmmm hu uh yep.

1497
02:04:28,880 --> 02:04:30,159
Speaker 4: Nine means no in German.

1498
02:04:30,279 --> 02:04:39,479
Speaker 1: Jason, thank you, thank you, such a cool showdown right here.

1499
02:04:46,880 --> 02:04:49,359
Speaker 4: You pay a modified.

1500
02:05:06,319 --> 02:05:07,279
Speaker 13: Jason's greetings.

1501
02:05:07,319 --> 02:05:26,960
Speaker 1: Bitches, betrayals, betrayals, Hans.

1502
02:05:28,199 --> 02:05:32,600
Speaker 13: And this there's an allegory about how women should not

1503
02:05:32,720 --> 02:05:34,399
be involved in corporate.

1504
02:05:38,079 --> 02:05:38,239
Speaker 16: Right.

1505
02:05:38,840 --> 02:05:39,560
Speaker 1: The message of the.

1506
02:05:39,600 --> 02:05:42,000
Speaker 13: Movie Rolex was literally about to kill her.

1507
02:05:42,359 --> 02:05:44,720
Speaker 1: Stay home with your husband and your family.

1508
02:05:49,439 --> 02:05:49,600
Speaker 11: Yea.

1509
02:05:51,319 --> 02:05:54,800
Speaker 4: I love that they didn't the coolest death scene in

1510
02:05:54,840 --> 02:05:56,319
any movie drop Yeah.

1511
02:05:59,159 --> 02:06:01,399
Speaker 2: Uh, you didn't know he was gonna be dropped like that.

1512
02:06:06,039 --> 02:06:11,399
Speaker 1: Notice the Barrabonds right there falling with him. M more Barrabonds.

1513
02:06:14,399 --> 02:06:15,439
Speaker 3: That's one of the terrests.

1514
02:06:18,840 --> 02:06:20,319
Speaker 1: There are bloody kisses.

1515
02:06:32,640 --> 02:06:33,159
Speaker 13: Like snow.

1516
02:06:33,520 --> 02:06:39,279
Speaker 1: Yep, it is, I mean snow. It's on Christmas her names.

1517
02:06:44,039 --> 02:06:47,560
One small complaint that I've got is that when he's

1518
02:06:47,640 --> 02:06:51,640
walking out, the Barrabonds are clearly just green construction paper.

1519
02:06:52,680 --> 02:07:13,239
Oh yeah, yeah, there you go green. Yeah yeah, thanks, thanks, Sorry,

1520
02:07:15,000 --> 02:07:15,279
it's a.

1521
02:07:15,840 --> 02:07:18,720
Speaker 3: It's a green T shirt, green construction that's right.

1522
02:07:29,119 --> 02:07:32,079
Speaker 1: Truly one of the great moments in this movie right here. Yeah,

1523
02:07:32,079 --> 02:07:34,520
I know, yeah, I like this.

1524
02:07:35,199 --> 02:07:38,119
Speaker 2: Amanda brothers bond and they've never even met before.

1525
02:07:38,880 --> 02:07:48,960
Speaker 1: Yep. I think the kids are going to play on

1526
02:07:49,000 --> 02:07:50,159
the playground with al Junior.

1527
02:07:52,279 --> 02:07:59,239
Speaker 13: H is Holly any more of the movies.

1528
02:08:00,279 --> 02:08:02,479
Speaker 2: She's in two, Yeah, she's in part two.

1529
02:08:07,079 --> 02:08:08,520
Speaker 1: She's on the airplane. She's one on one of the

1530
02:08:08,560 --> 02:08:09,880
airplanes that they're trying to land.

1531
02:08:13,640 --> 02:08:15,159
Speaker 13: I think I saw two in the theater and that

1532
02:08:15,279 --> 02:08:16,720
was it, and that was nasal I ever saw.

1533
02:08:16,960 --> 02:08:19,359
Speaker 1: Really, you haven't seen three.

1534
02:08:21,840 --> 02:08:24,359
Speaker 3: Four now.

1535
02:08:27,399 --> 02:08:28,960
Speaker 6: It could have stopped at one and it would have

1536
02:08:28,960 --> 02:08:29,439
been okay.

1537
02:08:30,079 --> 02:08:32,119
Speaker 2: Yeah, yeah, but I love too.

1538
02:08:32,840 --> 02:08:36,840
Speaker 13: I love also because he's still a real human being.

1539
02:08:36,960 --> 02:08:38,479
He's not the superhero yet.

1540
02:08:44,199 --> 02:08:47,399
Speaker 3: In one of the future ones, is it revealed that

1541
02:08:47,760 --> 02:08:49,680
they are no longer together?

1542
02:08:50,560 --> 02:08:50,760
Speaker 22: Yeah?

1543
02:08:50,920 --> 02:08:51,119
Speaker 1: Three?

1544
02:08:52,199 --> 02:08:52,439
Speaker 3: Three?

1545
02:08:52,640 --> 02:08:53,920
Speaker 4: Is that what it is? Okay?

1546
02:08:54,199 --> 02:08:58,319
Speaker 1: So he's like an alcoholic and a bum.

1547
02:09:00,079 --> 02:09:05,199
Speaker 3: So in the grand scheme, so is that is three

1548
02:09:05,399 --> 02:09:07,920
considered canon or not? You know?

1549
02:09:08,840 --> 02:09:09,119
Speaker 2: Okay?

1550
02:09:09,720 --> 02:09:13,600
Speaker 3: So in the grand scheme of is this a Christmas

1551
02:09:13,720 --> 02:09:16,319
movie or not a Christmas movie? The one thing that

1552
02:09:16,399 --> 02:09:19,560
I would knock against it is the whole happy ending

1553
02:09:19,880 --> 02:09:23,319
of the realization that he needs like as much as

1554
02:09:23,439 --> 02:09:25,960
d you were joking about, you know, the allegory with

1555
02:09:26,119 --> 02:09:29,800
the professional woman, the idea that he realized that he

1556
02:09:30,039 --> 02:09:32,800
was wrong, and the happy ending is that he belongs

1557
02:09:32,880 --> 02:09:36,079
with her and they belong together and yet ultimately they don't.

1558
02:09:36,479 --> 02:09:39,000
So that to me kind of ruins this as the

1559
02:09:39,119 --> 02:09:44,119
Christmas movie. But again, that's that's that's the last Jedi

1560
02:09:44,359 --> 02:09:49,359
will say that they divorced them, Like, come on, you

1561
02:09:49,520 --> 02:09:50,159
can't do that.

1562
02:09:55,520 --> 02:10:02,439
Speaker 23: That's awesome, okay, So or somebody since a sound clip

1563
02:10:02,560 --> 02:10:07,439
that's referenced the that scene that we just saw, uh

1564
02:10:07,760 --> 02:10:09,399
and an alien sound cue?

1565
02:10:10,399 --> 02:10:13,079
Speaker 13: Yeah, was it the woman screaming? Was that the scream?

1566
02:10:13,239 --> 02:10:15,520
Speaker 5: No, it was the music when he comes out that

1567
02:10:15,920 --> 02:10:20,680
that was taken from aliens. That's James Horner, not Mike Cayman.

1568
02:10:22,039 --> 02:10:26,399
Speaker 6: Mark came in home, twentieth Century Fox. They had the music.

1569
02:10:27,279 --> 02:10:28,079
I just they owned it.

1570
02:10:28,239 --> 02:10:28,279
Speaker 3: So.

1571
02:10:29,199 --> 02:10:31,279
Speaker 1: By the way, in the movie Theater in nineteen eighty

1572
02:10:31,319 --> 02:10:34,359
eight when Al Powell, when it's revealed that Al Powell

1573
02:10:34,439 --> 02:10:38,720
shoots Carl, Yeah, the crowd stood.

1574
02:10:39,439 --> 02:10:41,560
Speaker 2: And cheered and cheered. That's awesome.

1575
02:10:42,399 --> 02:10:44,279
Speaker 1: The only time I've ever been to a movie where

1576
02:10:44,319 --> 02:10:45,600
people stood and cheered.

1577
02:10:46,000 --> 02:10:46,279
Speaker 4: Wow.

1578
02:10:48,159 --> 02:10:50,159
Speaker 2: It's a great ending for him too, you know with

1579
02:10:50,239 --> 02:10:50,960
his story of.

1580
02:10:52,000 --> 02:10:55,880
Speaker 1: Al gets his moment, Paulli gets her moment, our Goll

1581
02:10:55,960 --> 02:10:59,399
gets his moment. Just brilliant writing.

1582
02:10:59,800 --> 02:11:02,039
Speaker 2: Yeah, yeah, everything's real tidy.

1583
02:11:02,079 --> 02:11:05,439
Speaker 4: At the end, the credits call credit the two FBI

1584
02:11:05,479 --> 02:11:07,399
agents says Big Johnson and Little.

1585
02:11:07,239 --> 02:11:12,680
Speaker 2: Johnson to be credited as Little Johnson is that a.

1586
02:11:12,720 --> 02:11:15,479
Speaker 3: Smoky in the Smoky and the bandit type.

1587
02:11:18,079 --> 02:11:22,399
Speaker 6: A little big, big big Johnson Big Johnson T shirts.

1588
02:11:22,079 --> 02:11:28,159
Speaker 1: Were all either kissing man p Randall Bowers Yea, all right,

1589
02:11:28,880 --> 02:11:29,359
kissed in the.

1590
02:11:31,039 --> 02:11:33,359
Speaker 6: Mom You got to see this role I'm in. I

1591
02:11:33,520 --> 02:11:35,000
actually kiss Bruce Willis.

1592
02:11:37,560 --> 02:11:39,600
Speaker 1: That was my whole role. That's the whole thing. I did.

1593
02:11:44,600 --> 02:11:45,119
Speaker 4: Credit for it.

1594
02:11:46,039 --> 02:11:50,000
Speaker 1: Yeah, man, what a great movie.

1595
02:11:50,079 --> 02:11:50,319
Speaker 8: Guys.

1596
02:11:51,319 --> 02:11:53,560
Speaker 1: How many is everybody here on board with the Christmas

1597
02:11:53,600 --> 02:11:54,000
movie thing?

1598
02:11:54,680 --> 02:11:59,680
Speaker 6: Oh? Yes, except maybe Chris No, no.

1599
02:11:59,720 --> 02:12:05,079
Speaker 3: No, no, no, I am I'm saying that three. You

1600
02:12:05,199 --> 02:12:08,119
know last when I when I saw that, I was like, no.

1601
02:12:08,239 --> 02:12:09,039
Speaker 8: You can't do that.

1602
02:12:10,479 --> 02:12:12,720
Speaker 4: Yeah, they kind of, yeah, you're gonna have to take

1603
02:12:12,720 --> 02:12:15,640
it as its own thing. Yeah.

1604
02:12:16,479 --> 02:12:19,720
Speaker 1: I've seen Diehard one like a hundred times. I've seen

1605
02:12:19,760 --> 02:12:24,000
Diehard two. Mate, just a handful and they diminish from there.

1606
02:12:26,640 --> 02:12:27,159
Speaker 4: Pretty good.

1607
02:12:27,520 --> 02:12:28,199
Speaker 1: Three is okay.

1608
02:12:29,840 --> 02:12:32,199
Speaker 3: Die Hard is in fact one of the movies that

1609
02:12:32,520 --> 02:12:34,760
my wife says it all the time anytime it's on,

1610
02:12:35,079 --> 02:12:36,880
Like she'll walk in the room and I and I

1611
02:12:37,000 --> 02:12:39,039
have it on, like I'll pick it up at any point.

1612
02:12:39,479 --> 02:12:45,560
She's like that with the Godfather, Like Godfather and Goodfellas

1613
02:12:46,960 --> 02:12:50,039
she's next to me. I'm just saying that. You always say,

1614
02:12:50,119 --> 02:12:53,439
die Hard is one of the movies that I constantly watch, Like,

1615
02:12:53,520 --> 02:12:55,720
anytime it's on, I'll watch. And I said, you do

1616
02:12:55,840 --> 02:13:00,479
the same with Goodfellas and and Godfather. You know, it's

1617
02:13:00,640 --> 02:13:05,119
just I don't I don't get I don't get tired.

1618
02:13:06,079 --> 02:13:08,479
I really don't get tired of watching. It's just, you know,

1619
02:13:08,640 --> 02:13:11,960
it's just you know, it's so well you're like, oh yeah, yeah,

1620
02:13:12,159 --> 02:13:15,600
this part, it's this part, it's and it is because

1621
02:13:15,600 --> 02:13:16,800
it just pulls you in.

1622
02:13:18,199 --> 02:13:21,000
Speaker 2: We found ways to nitpick this because we're so familiar

1623
02:13:21,079 --> 02:13:23,960
with it. But when it comes to like story structure

1624
02:13:24,159 --> 02:13:28,279
and just building the tension, it doesn't get better than this.

1625
02:13:28,520 --> 02:13:30,239
Speaker 1: A masterclass perfect.

1626
02:13:31,640 --> 02:13:34,800
Speaker 23: By the way, three perfect movies in the eighties, Lost Star,

1627
02:13:35,000 --> 02:13:36,000
Back to the Future, and.

1628
02:13:36,640 --> 02:13:39,239
Speaker 2: Did Yeah, I want to argue with that.

1629
02:13:40,319 --> 02:13:41,399
Speaker 1: Yep, it is.

1630
02:13:43,479 --> 02:13:44,760
Speaker 2: Chuck, it is Michael Caman.

1631
02:13:45,439 --> 02:13:49,479
Speaker 6: It's all like Caman, I said, Mark.

1632
02:13:50,039 --> 02:13:51,479
Speaker 2: He said, Michael, Mark, you weren't sure.

1633
02:13:51,800 --> 02:13:57,039
Speaker 6: Yeah, yeah, yeah, he's he died too soon.

1634
02:13:58,720 --> 02:14:00,159
Speaker 2: Yeah, one of the major.

1635
02:14:00,760 --> 02:14:04,920
Speaker 1: Mike Caman did the the Orchestra with Aerosmith that one

1636
02:14:04,960 --> 02:14:05,439
time when they.

1637
02:14:05,399 --> 02:14:08,239
Speaker 13: Did the Dream on one he also did the.

1638
02:14:10,439 --> 02:14:13,359
Speaker 1: S Symphony and Metallica.

1639
02:14:13,880 --> 02:14:17,920
Speaker 23: Ye, speaking of which I wonder who is like this

1640
02:14:18,119 --> 02:14:22,399
being the full choir version of the Ninth Symphony, Oh

1641
02:14:22,439 --> 02:14:25,359
de joy, I wonder who they got like I did

1642
02:14:25,399 --> 02:14:28,079
they recorded especially for this or did they use some

1643
02:14:28,279 --> 02:14:29,359
sort of prior recording.

1644
02:14:31,399 --> 02:14:33,760
Speaker 2: I don't know. They may have just told us in

1645
02:14:33,800 --> 02:14:35,039
the credits and we've been looking for it.

1646
02:14:36,600 --> 02:14:39,760
Speaker 23: By the way, if you, uh, if you like Beethoven

1647
02:14:40,079 --> 02:14:42,760
and you haven't seen Immortal Beloved, you need.

1648
02:14:42,760 --> 02:14:49,000
Speaker 13: To m fantastic movie. I've never seen it, Gary Oldman, so.

1649
02:14:49,760 --> 02:14:54,640
Speaker 1: I need to some more your favorite actor. Yeah, guys,

1650
02:14:54,680 --> 02:14:55,199
that was fun.

1651
02:14:55,479 --> 02:14:56,039
Speaker 13: It was awesome.

1652
02:14:56,600 --> 02:15:01,319
Speaker 6: Yeah, I'm glad that uh it event fully worked worked

1653
02:15:01,359 --> 02:15:02,039
itself out.

1654
02:15:03,039 --> 02:15:06,439
Speaker 1: I know, thank you thanks for setting on this up,

1655
02:15:06,560 --> 02:15:07,760
Chuck and yeah.

1656
02:15:08,359 --> 02:15:11,840
Speaker 5: Yeah, and the I mean, if we ever wanted to

1657
02:15:11,920 --> 02:15:14,800
do another movie or anything like that, if something comes up,

1658
02:15:14,960 --> 02:15:15,800
just just let me know.

1659
02:15:16,399 --> 02:15:16,680
Speaker 8: Okay.

1660
02:15:17,880 --> 02:15:20,960
Speaker 1: Well, everybody who took the time to listen and enjoy

1661
02:15:21,039 --> 02:15:25,800
this movie with us, hopefully you enjoy special podcast. I know, right,

1662
02:15:27,159 --> 02:15:28,760
I mean if I was I wouldn't even have to

1663
02:15:28,800 --> 02:15:32,039
watch the movie. I would know what's happening. But hopefully

1664
02:15:32,039 --> 02:15:34,640
you enjoyed this and and we wish you all are

1665
02:15:34,800 --> 02:15:35,640
very merry Christmas.

1666
02:15:35,680 --> 02:15:36,560
Speaker 13: Why are you still here?

1667
02:15:38,840 --> 02:15:45,640
Speaker 2: It's over, the movie is over all right, Merry Christmas, guys.

1668
02:15:45,800 --> 02:15:48,439
Enjoy and celebrate Christmas, guys,