1
00:00:02,120 --> 00:00:04,519
Speaker 1: W M n H ripped the novels.

2
00:00:38,119 --> 00:00:53,600
Speaker 2: No downside dob read, no leave, no line for no

3
00:00:54,600 --> 00:01:01,679
can doumbine to God, my god, no.

4
00:01:03,359 --> 00:02:07,200
Speaker 3: So you you so don't side taking, don't know.

5
00:02:09,080 --> 00:02:22,000
Speaker 1: Me know to w ggle my sies.

6
00:02:24,199 --> 00:03:49,120
Speaker 4: It's a.

7
00:03:21,840 --> 00:03:28,400
Speaker 5: No bat gain no God, don't be inside the wall.

8
00:03:28,960 --> 00:03:32,159
Speaker 4: Reach you know to me?

9
00:03:33,400 --> 00:03:41,039
Speaker 6: Reach out to sign inside go read G No.

10
00:03:44,000 --> 00:03:45,479
Speaker 4: She know to.

11
00:03:47,960 --> 00:04:37,120
Speaker 1: So you.

12
00:04:38,839 --> 00:04:45,839
Speaker 3: John John John side to k.

13
00:04:47,959 --> 00:04:49,000
Speaker 1: John No.

14
00:04:52,759 --> 00:04:56,240
Speaker 7: Me now till G.

15
00:06:13,000 --> 00:06:13,279
Speaker 8: Didn't you?

16
00:06:14,279 --> 00:06:15,879
Speaker 9: I don't even want to talk over the end of it.

17
00:06:15,920 --> 00:06:19,199
That's so cool. That is reach the band has Ever Felt.

18
00:06:19,319 --> 00:06:21,240
The show is Matt Connorton Unleashed.

19
00:06:21,240 --> 00:06:21,759
Speaker 8: We are live.

20
00:06:21,839 --> 00:06:24,639
Speaker 9: We have entered our number two new Marrow Dose on

21
00:06:24,680 --> 00:06:27,319
this Saturday morning. Jenny is here of course as well

22
00:06:27,360 --> 00:06:31,079
at the news table account for and we have joining

23
00:06:31,160 --> 00:06:34,399
us via Skype. Adam Steglitic is here from the band

24
00:06:34,439 --> 00:06:34,920
Ever Felt.

25
00:06:34,920 --> 00:06:37,759
Speaker 7: Hello Adam, Hey, how you guys doing good?

26
00:06:37,800 --> 00:06:38,079
Speaker 8: Good?

27
00:06:38,079 --> 00:06:41,240
Speaker 9: Welcome back? Last time we last time we talked to

28
00:06:41,360 --> 00:06:43,519
was a couple of years ago, I think right, two

29
00:06:43,639 --> 00:06:43,959
or three.

30
00:06:43,920 --> 00:06:47,519
Speaker 7: Years ago, twenty twenty twenty two.

31
00:06:47,600 --> 00:06:50,639
Speaker 9: Wow, yeah, So I love the new I love the

32
00:06:50,680 --> 00:06:53,639
new material from the the EP, the self titled EP,

33
00:06:54,240 --> 00:06:57,399
and Reach is the first single off of that.

34
00:06:57,519 --> 00:06:59,720
Speaker 7: Correct, yes, sir, yes, sir.

35
00:07:00,040 --> 00:07:01,319
Speaker 8: Yeah, really good, really good.

36
00:07:01,879 --> 00:07:03,600
Speaker 9: I love all of these I listened everything that you

37
00:07:03,639 --> 00:07:07,519
sent us and just uh, just great stuff. Has the

38
00:07:07,600 --> 00:07:10,360
sound changed, I feel like it might have changed a

39
00:07:10,360 --> 00:07:12,879
little bit from when we had you on before, kind

40
00:07:12,920 --> 00:07:14,120
of evolved a bit.

41
00:07:15,160 --> 00:07:17,519
Speaker 10: Yes, So we we've had a few different changes. So

42
00:07:17,560 --> 00:07:18,439
we have a new drummer.

43
00:07:19,639 --> 00:07:22,160
Speaker 7: He joined the band about nine months ago. He's on

44
00:07:22,240 --> 00:07:24,839
this EP. And we now have a new bass player too,

45
00:07:24,879 --> 00:07:26,959
but he's the bass player that we had before is

46
00:07:26,959 --> 00:07:27,480
on the EP.

47
00:07:28,240 --> 00:07:29,879
Speaker 10: But we have a new bass player now that's joined

48
00:07:29,879 --> 00:07:32,319
and they're gonna play our first show with us October

49
00:07:32,319 --> 00:07:33,560
fifth and Evansville, Indiana.

50
00:07:34,279 --> 00:07:36,040
Speaker 7: But but yes.

51
00:07:35,879 --> 00:07:39,079
Speaker 10: Yes, definitely, it evolved in you know, and and playing it,

52
00:07:39,199 --> 00:07:41,000
playing it live, and then and then working on it

53
00:07:41,040 --> 00:07:43,720
and then having Corey being able to do two different

54
00:07:43,800 --> 00:07:46,600
tracks on it. Actually we were able to go to

55
00:07:46,639 --> 00:07:48,959
Loud and Clear Studios in Kentucky and do it with

56
00:07:48,959 --> 00:07:52,040
a real producer, Shelby, and he did a great job

57
00:07:52,079 --> 00:07:53,680
and we you know, we were able to do those

58
00:07:53,680 --> 00:07:56,480
five songs in two days. So we were really happy

59
00:07:56,519 --> 00:07:59,120
with you know, him being able to you know it

60
00:07:59,199 --> 00:08:01,319
really we were ready, you know, we were really ready to.

61
00:08:01,279 --> 00:08:02,120
Speaker 7: Go and record them.

62
00:08:02,120 --> 00:08:04,560
Speaker 10: But at the same time, you know, the atmosphere was

63
00:08:04,680 --> 00:08:07,040
just so nice and comfortable for us when we it

64
00:08:07,079 --> 00:08:09,040
was like being it was like being at our practice

65
00:08:09,079 --> 00:08:10,480
studio where we went to records.

66
00:08:10,560 --> 00:08:11,399
Speaker 7: So it was nice.

67
00:08:11,519 --> 00:08:12,639
Speaker 8: Oh that's fantastic.

68
00:08:12,959 --> 00:08:15,600
Speaker 9: I'm curious to hear more about that because obviously, because

69
00:08:15,600 --> 00:08:17,000
you guys are Chicago based.

70
00:08:17,079 --> 00:08:18,040
Speaker 8: Correct.

71
00:08:18,319 --> 00:08:20,160
Speaker 7: Oh no, we're actually southern Illinois.

72
00:08:20,279 --> 00:08:21,399
Speaker 8: Oh, southern Illinois.

73
00:08:21,399 --> 00:08:24,920
Speaker 9: Oh so you're not that far from Okay, I was

74
00:08:24,959 --> 00:08:27,959
thinking more Chicago area. So so actually, so to go

75
00:08:28,000 --> 00:08:29,920
from there to Kentucky, it's not that that much of

76
00:08:29,959 --> 00:08:31,839
a haul, No, it's.

77
00:08:32,559 --> 00:08:34,559
Speaker 10: It was to where we recorded. It was only a

78
00:08:34,600 --> 00:08:35,919
little over an hour from where I live.

79
00:08:36,039 --> 00:08:39,000
Speaker 9: Oh okay, okay, Yeah, So I'm curious to know more

80
00:08:39,039 --> 00:08:41,960
about that, your experience at that studio and the producer

81
00:08:42,000 --> 00:08:46,440
that you worked with, because you've got so many options now,

82
00:08:46,480 --> 00:08:48,919
as you know, in terms of recording, there's there's a

83
00:08:48,960 --> 00:08:51,919
million recording studios, you can record at home, there's so

84
00:08:51,960 --> 00:08:53,759
many different ways you can do it. So but it

85
00:08:53,799 --> 00:08:57,840
sounds like you really enjoyed your experience recording at that particular.

86
00:08:57,639 --> 00:08:59,639
Speaker 7: Studio most definitely.

87
00:08:59,639 --> 00:09:03,559
Speaker 10: I mean, honestly, we were able to stay there also,

88
00:09:03,919 --> 00:09:06,480
and so you know, it was a two day experience

89
00:09:06,480 --> 00:09:09,039
where the whole band we stayed there, we recorded, we

90
00:09:09,039 --> 00:09:11,360
were able to do the scratch tracks all live together,

91
00:09:11,840 --> 00:09:13,399
and then we were able to go back in on

92
00:09:13,440 --> 00:09:17,080
the you know, separately and being able to get I mean, honestly,

93
00:09:17,120 --> 00:09:18,720
we were only going to do a four song EP

94
00:09:18,879 --> 00:09:21,279
to begin with, but it went so well and everything

95
00:09:21,360 --> 00:09:24,720
was like, I mean happening like magic magically. I would

96
00:09:24,879 --> 00:09:27,240
have to have to say it that way, because honestly,

97
00:09:27,240 --> 00:09:29,039
on the ball, I did two vocal tracks for each

98
00:09:29,080 --> 00:09:31,600
song and we literally I didn't have to go back

99
00:09:31,639 --> 00:09:32,360
and redo anything.

100
00:09:33,480 --> 00:09:34,320
Speaker 7: We were really ready.

101
00:09:34,360 --> 00:09:37,240
Speaker 10: You know, we practiced, we were ready for the studio times.

102
00:09:37,320 --> 00:09:39,320
So you know, when you pay for the time, you

103
00:09:39,360 --> 00:09:42,200
know you want to make sure that you capitalize on it.

104
00:09:42,240 --> 00:09:44,480
So when we got done with the first four we

105
00:09:44,519 --> 00:09:47,080
still had enough time where Shelby was like, Hey, if

106
00:09:47,120 --> 00:09:49,919
you guys want to do a fifth song, you gotta

107
00:09:50,000 --> 00:09:51,679
to let me know now we need to get it done,

108
00:09:51,679 --> 00:09:54,720
and so we did. We chose to do River, which

109
00:09:54,799 --> 00:09:56,320
was the fifth song on the album, which is that

110
00:09:56,480 --> 00:09:59,240
ended up being an eight minute, twenty three second song.

111
00:10:02,039 --> 00:10:06,159
Speaker 9: Yeah no, that's great, I want to do another song,

112
00:10:06,360 --> 00:10:07,279
So you.

113
00:10:08,200 --> 00:10:09,440
Speaker 8: Had to seize the opportunity.

114
00:10:09,600 --> 00:10:13,200
Speaker 10: Yeah, absolutely, West definitely. You know, River was the song

115
00:10:13,240 --> 00:10:14,279
that started ever Felt.

116
00:10:14,320 --> 00:10:16,200
Speaker 7: Really. You know, ever Felt began with.

117
00:10:16,639 --> 00:10:19,240
Speaker 10: My best friend Charles Lingerfeld, who passed away in twenty

118
00:10:19,320 --> 00:10:22,799
twenty one. We had a band called Angerfelt before then,

119
00:10:22,840 --> 00:10:24,559
and his last name is linger Felt. So I wanted

120
00:10:24,639 --> 00:10:27,320
him to be forever Felt in the music that we do,

121
00:10:27,399 --> 00:10:31,639
and River was his original melody, so you know, that

122
00:10:31,759 --> 00:10:34,919
song was really important to us as a band. So yeah,

123
00:10:34,960 --> 00:10:36,279
so it was really cool to put him on the

124
00:10:36,279 --> 00:10:39,320
first EP, put his song on there, So that makes sense.

125
00:10:40,559 --> 00:10:41,480
Speaker 8: I mean how prepared?

126
00:10:41,600 --> 00:10:44,480
Speaker 9: I mean, did you guys in order to be really

127
00:10:44,480 --> 00:10:49,120
prepared for this experience, because when you're going into a

128
00:10:49,120 --> 00:10:52,200
studio and it's it's, like you said, you're paying for

129
00:10:52,240 --> 00:10:54,919
the time, so you want to be efficient, but of

130
00:10:54,919 --> 00:10:57,120
course you also want to get the best possible performance

131
00:10:57,120 --> 00:11:00,200
that you can. So were you guys like rehearsing like

132
00:11:00,240 --> 00:11:02,159
five nights a week leading up to when you went

133
00:11:02,159 --> 00:11:02,720
to the studio.

134
00:11:02,759 --> 00:11:04,200
Speaker 8: I mean that must have been intense. I mean, what

135
00:11:04,360 --> 00:11:04,840
was that like?

136
00:11:05,519 --> 00:11:07,720
Speaker 7: We played. Since the last time I talked to you,

137
00:11:07,720 --> 00:11:09,000
we've played eighteen shows.

138
00:11:09,159 --> 00:11:11,279
Speaker 8: Oh wow, okay, well.

139
00:11:11,159 --> 00:11:13,720
Speaker 7: You know, also playing those you know, playing those songs.

140
00:11:13,799 --> 00:11:17,919
Speaker 10: But also we practiced, We kept our normal practices, but

141
00:11:17,960 --> 00:11:20,159
we practiced, you know, every Sunday.

142
00:11:20,399 --> 00:11:23,279
Speaker 7: We practice every Sunday, So yeah, we practice every Sunday.

143
00:11:23,320 --> 00:11:26,080
Speaker 10: Plus we had a couple of shows right before, so

144
00:11:26,399 --> 00:11:28,840
really it was more of just having two really you know,

145
00:11:29,080 --> 00:11:33,080
six hour practices, really honing in on what we wanted

146
00:11:33,120 --> 00:11:35,200
to do and being ready to go there. And when

147
00:11:35,240 --> 00:11:37,279
I do the vocals, I mean when I practice vocals,

148
00:11:37,279 --> 00:11:39,879
I practice at home too. You can't being if you

149
00:11:39,919 --> 00:11:41,240
really want to do this and be good at it,

150
00:11:41,279 --> 00:11:44,559
you can't just practice at practice, and so you also

151
00:11:44,559 --> 00:11:46,559
have to practice at home. And so I even like

152
00:11:46,679 --> 00:11:48,879
when I do the vocals, I practiced my vocals all

153
00:11:48,879 --> 00:11:50,600
compelled without even the music at home.

154
00:11:51,080 --> 00:11:53,600
Speaker 7: So you know, we really that's how well I know

155
00:11:53,639 --> 00:11:54,679
the songs, you know what I mean?

156
00:11:54,799 --> 00:11:58,440
Speaker 10: So when you really so when we had that opportunity

157
00:11:58,440 --> 00:12:01,039
and we had no idea that go there, that Shelby

158
00:12:01,120 --> 00:12:03,559
was going to be such a cool dude and and

159
00:12:04,240 --> 00:12:06,679
really made us feel very at home, like it felt

160
00:12:06,679 --> 00:12:07,720
like a home situation.

161
00:12:07,840 --> 00:12:10,159
Speaker 7: I don't know how it's to describe that, but.

162
00:12:10,159 --> 00:12:12,039
Speaker 10: It really made us feel like we could just be

163
00:12:12,200 --> 00:12:15,279
ourselves and so that allowed us to just really let

164
00:12:15,399 --> 00:12:18,080
go and just let the music do what it needed

165
00:12:18,080 --> 00:12:19,759
to do to you know, take us to that place

166
00:12:19,799 --> 00:12:21,200
to channel what you hear on the EP.

167
00:12:21,399 --> 00:12:21,600
Speaker 7: You know.

168
00:12:21,879 --> 00:12:24,159
Speaker 8: Yeah, well that makes a huge difference.

169
00:12:24,200 --> 00:12:26,320
Speaker 9: I mean, I know from my own experience with recording,

170
00:12:26,360 --> 00:12:28,840
there's nothing worse than if you go to a studio

171
00:12:29,159 --> 00:12:30,840
and you've got a limited amount of time and you're

172
00:12:30,879 --> 00:12:32,960
dealing with an engineer or a producer who's maybe a

173
00:12:32,960 --> 00:12:36,320
little grumpy or maybe they just you know, they're just

174
00:12:36,360 --> 00:12:38,600
not the friendliest because to them it's just a job.

175
00:12:38,919 --> 00:12:41,919
But it sounds like with Shelby like he really he

176
00:12:42,000 --> 00:12:44,000
really cares about what he's doing and goes out of

177
00:12:44,000 --> 00:12:45,159
his way to make it feel comfortable.

178
00:12:45,200 --> 00:12:47,799
Speaker 7: So that's great, he really did.

179
00:12:47,840 --> 00:12:49,960
Speaker 8: Man, what's the name of that studio again?

180
00:12:50,480 --> 00:12:52,960
Speaker 7: That's Loud and Clear Studios in Konduka, Kentucky.

181
00:12:53,080 --> 00:12:55,679
Speaker 9: Okay, And how did you find how did you find

182
00:12:55,679 --> 00:12:58,519
that studio? Like what went into because obviously you had

183
00:12:58,559 --> 00:13:01,519
no way of knowing for sure that it was going

184
00:13:01,559 --> 00:13:03,840
to be such a great experience. What went into choosing

185
00:13:03,879 --> 00:13:06,799
that studio, because again, you have so many different options

186
00:13:06,840 --> 00:13:07,639
these days.

187
00:13:08,120 --> 00:13:10,200
Speaker 10: Well, I actually was we were trying to find a

188
00:13:10,200 --> 00:13:14,720
studio that was you know, budget friendly, but also that

189
00:13:14,840 --> 00:13:17,120
had had a good you know, track record with our

190
00:13:17,200 --> 00:13:19,440
kind of music in a sense. Yeah, but also we

191
00:13:19,440 --> 00:13:21,399
were looking for something that was within a two hour

192
00:13:21,480 --> 00:13:24,559
drive of us without having that way, you know, we

193
00:13:24,600 --> 00:13:26,440
didn't know if we'd find a place we could stay at,

194
00:13:26,519 --> 00:13:28,320
but we did, but we didn't know that, you know,

195
00:13:28,399 --> 00:13:31,039
so in case we did have to travel back home

196
00:13:31,080 --> 00:13:32,799
for whatever reason, we didn't know how long it would take.

197
00:13:32,840 --> 00:13:35,279
Speaker 7: We didn't know a lot of those things. So yeah,

198
00:13:35,279 --> 00:13:35,600
so we.

199
00:13:35,519 --> 00:13:37,720
Speaker 10: Were definitely wanting to find something within driving distance, but

200
00:13:37,759 --> 00:13:40,080
also somebody who you know. And then when I got

201
00:13:40,080 --> 00:13:42,159
a hold of him, his rates were great and he

202
00:13:42,399 --> 00:13:44,639
was you know, just like you could just tell his

203
00:13:44,759 --> 00:13:46,679
energy was you know, he cared about what he does.

204
00:13:46,840 --> 00:13:48,000
Speaker 7: Yeah, and there is that.

205
00:13:48,000 --> 00:13:50,320
Speaker 10: It's his name involved what he cares about the music itself,

206
00:13:50,720 --> 00:13:52,240
and that matters.

207
00:13:52,240 --> 00:13:55,360
Speaker 9: Well it shows too in the final product. Did he

208
00:13:55,440 --> 00:13:57,159
do the master in as well or did you have

209
00:13:57,200 --> 00:13:58,240
to take that somewhere else?

210
00:13:58,679 --> 00:14:01,559
Speaker 10: No, we wanted him to do the mixing new mastering,

211
00:14:01,639 --> 00:14:03,600
since he recorded it, you know, he felt that be

212
00:14:03,600 --> 00:14:05,679
the best fluid way to do it.

213
00:14:05,960 --> 00:14:08,120
Speaker 8: Yeah, yeah, no, that's excellent, excellent.

214
00:14:09,519 --> 00:14:12,399
Speaker 9: Now the uh, do you have more music that you're

215
00:14:12,759 --> 00:14:14,600
that you're working on, because I assume you have additional

216
00:14:14,639 --> 00:14:16,120
songs that you play live, right.

217
00:14:16,759 --> 00:14:21,600
Speaker 7: Oh, definitely, yes, sir. So we actually have those five.

218
00:14:21,799 --> 00:14:23,399
We actually have another thirteen songs.

219
00:14:23,519 --> 00:14:23,960
Speaker 8: Oh okay.

220
00:14:24,200 --> 00:14:25,720
Speaker 7: Yeah, But what.

221
00:14:25,600 --> 00:14:27,759
Speaker 10: The plan is is, I don't know what time next

222
00:14:27,840 --> 00:14:30,240
year yet, but next year we're gonna be working with

223
00:14:30,320 --> 00:14:32,559
Shelle Began and we're gonna be doing our first album.

224
00:14:32,799 --> 00:14:34,519
And so what's gonna happen is we're gonna take the

225
00:14:34,519 --> 00:14:36,480
five songs from the EP remaster and with the new

226
00:14:36,480 --> 00:14:39,080
bass player a couple other things we want to remaster

227
00:14:39,200 --> 00:14:43,559
on them on those songs, and then an additional seven songs.

228
00:14:43,559 --> 00:14:45,919
So it's gonna be twelve song album. Oh, ever, gonna

229
00:14:45,919 --> 00:14:48,519
be released in next year. So we just wanted to

230
00:14:48,519 --> 00:14:50,120
get the EP out there with the new drummer and

231
00:14:50,159 --> 00:14:53,120
really have something that we can you know, have let

232
00:14:53,120 --> 00:14:55,519
the people here while we're working on shows behind the scenes,

233
00:14:55,559 --> 00:14:57,120
and then also you know, an album too.

234
00:14:57,200 --> 00:14:58,919
Speaker 7: So and then November tenth.

235
00:14:58,960 --> 00:15:03,120
Speaker 10: We're actually working with Rudwood Creative to create our first

236
00:15:03,120 --> 00:15:04,600
official music video for Reach.

237
00:15:04,879 --> 00:15:05,799
Speaker 8: Oh excellent.

238
00:15:06,759 --> 00:15:08,600
Speaker 7: Yeah, so we're really excited about that.

239
00:15:08,840 --> 00:15:09,720
Speaker 8: Yeah, very good.

240
00:15:10,000 --> 00:15:11,960
Speaker 9: Do you already have the concept and everything? Are you

241
00:15:11,960 --> 00:15:13,639
still in the process of figuring that out?

242
00:15:14,399 --> 00:15:15,679
Speaker 7: We have some of the concept.

243
00:15:15,759 --> 00:15:18,039
Speaker 10: You know, Reach is really about, you know, we've all

244
00:15:18,080 --> 00:15:21,320
been found broken alone in that hole, reaching out and

245
00:15:21,360 --> 00:15:25,039
in that desolate place you find that that it's in

246
00:15:25,080 --> 00:15:27,039
that place where you realize that in order to truly

247
00:15:27,120 --> 00:15:29,360
reach out, you must first reach in and then so

248
00:15:29,480 --> 00:15:33,559
it's it's philosophical, but you know, the idea is like

249
00:15:33,600 --> 00:15:37,120
almost like the concept and theme of the music video

250
00:15:37,200 --> 00:15:39,279
is almost like the light you see when you're.

251
00:15:39,200 --> 00:15:40,919
Speaker 7: Reaching through the dirt of a buried grave.

252
00:15:41,039 --> 00:15:42,720
Speaker 10: You know, the first light you see is the very

253
00:15:42,799 --> 00:15:44,639
light at the end of the music video that brings

254
00:15:44,720 --> 00:15:47,320
us all together as a band, or that kind of concept.

255
00:15:47,399 --> 00:15:49,279
So we're going with that, but it's also going to

256
00:15:49,320 --> 00:15:50,720
be like in the Woods and the dude.

257
00:15:51,279 --> 00:15:53,840
Speaker 7: The dude Trey Rudd from Rodwood Creative.

258
00:15:54,399 --> 00:15:58,919
Speaker 10: He actually is somebody that we found through Shelby and

259
00:15:59,080 --> 00:16:00,639
he is He's really good.

260
00:16:00,679 --> 00:16:02,120
Speaker 7: He's also based in Kentucky.

261
00:16:02,159 --> 00:16:03,720
Speaker 10: But we've seen some of the work and the videos

262
00:16:03,759 --> 00:16:05,679
he's done, so yeah, it's going to be like a

263
00:16:05,720 --> 00:16:07,720
six hour video shoot that we're going to do on

264
00:16:07,759 --> 00:16:08,679
November tenth.

265
00:16:08,799 --> 00:16:10,279
Speaker 8: Oh fantastic. Yeah.

266
00:16:10,279 --> 00:16:13,279
Speaker 9: I feel like it's so important too to do to

267
00:16:13,320 --> 00:16:16,559
do music videos, which to some people, to people who

268
00:16:16,639 --> 00:16:19,799
don't know, that might sound odd in the year twenty

269
00:16:19,840 --> 00:16:22,240
twenty four, because I forget who. We were talking about

270
00:16:22,279 --> 00:16:24,879
this recently on the show, but we're talking with someone

271
00:16:24,879 --> 00:16:27,559
about how some people have a misperception that there are

272
00:16:27,559 --> 00:16:30,320
no music videos anymore, because you know, MTV doesn't play

273
00:16:30,399 --> 00:16:33,480
music videos anymore, VH one or anything. But actually, because

274
00:16:33,519 --> 00:16:36,399
of YouTube, I would say music videos are more important

275
00:16:36,440 --> 00:16:38,399
than they've ever been because it's something that you can

276
00:16:38,679 --> 00:16:40,799
really use to promote your music, to share out on

277
00:16:40,840 --> 00:16:43,000
social media and all of that.

278
00:16:44,200 --> 00:16:46,440
Speaker 10: Because you know, attention span is so because of the

279
00:16:46,480 --> 00:16:50,279
advent of social media and phones, attention spans like next

280
00:16:50,279 --> 00:16:53,360
to nothing, and so because of that, you know, you

281
00:16:53,399 --> 00:16:55,879
really want to have those captivating images that get people

282
00:16:55,960 --> 00:16:59,519
to keep listening. And so that's the reason for the videos,

283
00:16:59,559 --> 00:17:03,039
you know, Yeah, you know, and and honestly I see why,

284
00:17:03,080 --> 00:17:05,359
I mean even myself, I mean I'm sure you understand too,

285
00:17:05,400 --> 00:17:07,759
you know, like it's easy to get there's so much

286
00:17:07,880 --> 00:17:09,680
music out there, you really want to try to find

287
00:17:09,680 --> 00:17:13,960
a way to create your own path. Yeah, and without

288
00:17:14,000 --> 00:17:16,160
trying to do that, you can't really try to do that,

289
00:17:16,440 --> 00:17:17,519
and you and up.

290
00:17:17,559 --> 00:17:18,720
Speaker 7: You just have to let it, you know.

291
00:17:18,759 --> 00:17:21,359
Speaker 10: Like for instance, with our music, with Corey and Jacob

292
00:17:21,400 --> 00:17:24,680
and I writing this music, I have to say, like

293
00:17:24,720 --> 00:17:26,920
it kind of in a sense happens to us because

294
00:17:26,920 --> 00:17:29,759
we allow the music to create and write the songs

295
00:17:29,799 --> 00:17:33,440
and so, you know, and then we just we allow

296
00:17:33,480 --> 00:17:35,720
whatever whatever happens to us as we're working on it

297
00:17:35,799 --> 00:17:37,680
to you know, we record that, we come back, we

298
00:17:37,720 --> 00:17:40,240
whittle that down. So it's really just something that kind

299
00:17:40,240 --> 00:17:42,240
of writes itself through us as long as we're allowing

300
00:17:42,279 --> 00:17:44,200
ourselves to be the channel for the music instead of

301
00:17:44,200 --> 00:17:45,279
trying to control it too much.

302
00:17:45,319 --> 00:17:45,519
Speaker 7: You know.

303
00:17:46,039 --> 00:17:47,519
Speaker 8: Yeah, I like that. I like that.

304
00:17:49,240 --> 00:17:49,400
Speaker 4: Yeah.

305
00:17:49,599 --> 00:17:52,039
Speaker 9: Something we talk a lot on the show about as

306
00:17:52,079 --> 00:17:55,559
well with with our guests, as the process of of

307
00:17:55,880 --> 00:17:58,160
of creating and writing. And I think the you know,

308
00:17:58,559 --> 00:18:00,599
from my own experience, I think the best is when

309
00:18:00,599 --> 00:18:03,960
you're not trying to force it to You're not saying Okay,

310
00:18:03,960 --> 00:18:05,720
we're going to try to make this sound like this,

311
00:18:05,880 --> 00:18:09,240
or we want to sound like that, but rather just

312
00:18:09,319 --> 00:18:11,640
kind of letting it be organic and letting it kind

313
00:18:11,640 --> 00:18:13,359
of as you describe it, which I think is great,

314
00:18:13,559 --> 00:18:17,839
letting it kind of come through you. Yes, exactly, Yeah, yeah,

315
00:18:17,880 --> 00:18:20,400
so that's that's great at this point, are you all?

316
00:18:20,839 --> 00:18:23,359
Speaker 8: It sounds like the whole band rights together. Is that

317
00:18:23,559 --> 00:18:24,680
is that accurate? Yeah?

318
00:18:24,960 --> 00:18:28,039
Speaker 10: Yes, yeah, we we write together a lot of times,

319
00:18:28,359 --> 00:18:31,000
like with with the five songs in the EP for instance.

320
00:18:31,440 --> 00:18:34,680
You know, the original melody of River obviously came from Charlie,

321
00:18:34,200 --> 00:18:36,960
my buddy that passed, but yeah, we turned it into

322
00:18:36,960 --> 00:18:39,599
something completely you know, its own, forever felt, you know,

323
00:18:39,680 --> 00:18:43,160
but the original melody came from him, but Jacob really

324
00:18:43,200 --> 00:18:45,880
worked on that. And Jacob brought our rhythm guitarist. He

325
00:18:45,920 --> 00:18:48,720
brought into the fire, the original Rift for into the fire.

326
00:18:48,759 --> 00:18:49,559
Speaker 7: And gave it away.

327
00:18:50,599 --> 00:18:53,240
Speaker 10: He brought those songs to the table, and then the

328
00:18:53,279 --> 00:18:55,799
other ones, Reach and Lie and and River were all

329
00:18:55,920 --> 00:18:58,440
that we kind of came up together. Corey brought Reached,

330
00:18:58,720 --> 00:19:00,880
you know, the original Reach, but a lot of the

331
00:19:00,880 --> 00:19:02,400
newer stuff that you're going to be hearing on the

332
00:19:02,440 --> 00:19:04,599
album is stuff that Corey brought to the table.

333
00:19:04,640 --> 00:19:09,119
Speaker 7: He would he has this terrible, crazy habit of hell.

334
00:19:09,240 --> 00:19:10,480
He'll write a rift that he loves.

335
00:19:10,519 --> 00:19:12,559
Speaker 10: He'll be at home and he tries to call me

336
00:19:12,599 --> 00:19:15,000
and play it for me over the phone. But yeah,

337
00:19:15,160 --> 00:19:17,920
I can't ever understand hardly any of it. But by

338
00:19:17,960 --> 00:19:19,599
the time we get to the studio, I mean, by

339
00:19:19,640 --> 00:19:21,160
the time we get to the studio to work on it,

340
00:19:22,160 --> 00:19:24,200
you know, it's just and.

341
00:19:24,119 --> 00:19:25,480
Speaker 7: It's it's really kind of crazy, dude.

342
00:19:25,480 --> 00:19:28,039
Speaker 10: Sometimes Corey will he'll write a rift for a song

343
00:19:28,079 --> 00:19:30,720
and he'll just kind of just tell me the words

344
00:19:30,720 --> 00:19:32,519
that come to him when he wrote it, like the

345
00:19:32,640 --> 00:19:36,359
concept and the theme for instance, and I'll just go

346
00:19:36,400 --> 00:19:39,799
with that, and so it just, you know, it just depends.

347
00:19:40,559 --> 00:19:43,640
But yeah, a lot of our creative process is really

348
00:19:44,079 --> 00:19:46,440
bringing whatever rift or whatever we're doing to the table

349
00:19:46,519 --> 00:19:49,559
and freestyle creating right then and there. And while we're

350
00:19:49,559 --> 00:19:52,079
freestyle and we record what we're doing, and I'll try

351
00:19:52,119 --> 00:19:55,599
all these various different vocal patterns and whatever the music

352
00:19:55,720 --> 00:19:59,039
naturally makes me talk about. Yeah, when I'm singing is

353
00:19:59,079 --> 00:20:01,400
what the song ends up being about. So I want

354
00:20:01,440 --> 00:20:04,559
to I literally literally want to allow the music whatever

355
00:20:04,599 --> 00:20:06,640
the music makes me do to allow it to take

356
00:20:06,640 --> 00:20:09,079
it to the direction of the song. So that way

357
00:20:09,119 --> 00:20:13,599
it's all fluid, you know, and right right, and.

358
00:20:12,599 --> 00:20:14,200
Speaker 7: And really it is. It is kind of a channel.

359
00:20:14,200 --> 00:20:15,920
Speaker 10: And when you really allow yourself to be captured by

360
00:20:15,920 --> 00:20:17,799
the music, can really allow it to do it through you.

361
00:20:17,839 --> 00:20:19,440
Speaker 7: What what I mean?

362
00:20:19,480 --> 00:20:22,599
Speaker 10: Sometimes when that happens, I have a hard time reproducing

363
00:20:22,640 --> 00:20:26,119
it really, Yeah, yeah, you know what I mean. Like

364
00:20:26,160 --> 00:20:28,000
you go back and you're like, man that you you

365
00:20:28,039 --> 00:20:29,759
listen to the recording, You're like, how did we do?

366
00:20:30,079 --> 00:20:32,000
Speaker 7: How did we actually do that? Like, and then you

367
00:20:32,039 --> 00:20:32,319
have to.

368
00:20:32,240 --> 00:20:35,720
Speaker 10: Try to go back and remember, you know, sometimes when

369
00:20:35,720 --> 00:20:37,079
you really get lost in it, you.

370
00:20:37,000 --> 00:20:40,599
Speaker 7: Know, right right, yeah, And that's that's the beauty of it,

371
00:20:40,680 --> 00:20:42,240
you know, that's really the beauty of music.

372
00:20:42,519 --> 00:20:44,240
Speaker 9: Yeah, and then the challenge of trying to find your

373
00:20:44,240 --> 00:20:45,599
way back to that magic moment.

374
00:20:46,359 --> 00:20:50,839
Speaker 8: Yeah, exactly, Yeah, I know exactly what you mean. Uh

375
00:20:51,200 --> 00:20:53,839
do is there a theme? Do these songs have.

376
00:20:54,039 --> 00:20:57,200
Speaker 9: A through line on this EP? Because listening to them,

377
00:20:57,279 --> 00:21:00,640
I kind of feel like I couldn't quite detect what

378
00:21:00,759 --> 00:21:03,920
it might be. And maybe there isn't one. Maybe I

379
00:21:04,119 --> 00:21:07,680
just perceive there possibly being a theme because these songs

380
00:21:07,960 --> 00:21:11,920
fit together so well. But I'm curious, is there an

381
00:21:12,000 --> 00:21:14,480
overlying theme to the EP?

382
00:21:15,680 --> 00:21:15,839
Speaker 7: Well?

383
00:21:15,920 --> 00:21:19,319
Speaker 10: Yeah, so every song on the EP, from Reached End

384
00:21:19,319 --> 00:21:20,960
of the Fire to River to Gave It Away, they

385
00:21:21,000 --> 00:21:23,680
all have to do with the various themes that we

386
00:21:23,720 --> 00:21:26,319
all face as a human race, like they all have

387
00:21:26,400 --> 00:21:29,160
to do with like for instance, Gave It Away is

388
00:21:29,319 --> 00:21:32,000
about you know, being willing to sacrifice even when no

389
00:21:32,000 --> 00:21:33,880
one else sees it for the thing you love, you know,

390
00:21:35,000 --> 00:21:36,920
into the fires, being willing to brave the fires of

391
00:21:36,920 --> 00:21:38,599
life to burn away the parts of you that aren't you,

392
00:21:38,880 --> 00:21:41,640
rivers about life. So for me, it's really all about

393
00:21:41,680 --> 00:21:44,000
these philosophical themes that we all think about and deal

394
00:21:44,039 --> 00:21:45,200
with on the daily basis.

395
00:21:45,279 --> 00:21:45,799
Speaker 8: Yeah.

396
00:21:46,160 --> 00:21:49,960
Speaker 10: Really, the that's really the overlying theme of everything that

397
00:21:50,000 --> 00:21:50,319
we do.

398
00:21:50,400 --> 00:21:51,799
Speaker 7: Has ever felt really Yeah.

399
00:21:52,200 --> 00:21:54,640
Speaker 10: As a writer, I published my first book in two

400
00:21:54,680 --> 00:21:57,359
thousand and four called Wins of Perception Scratching the Surface.

401
00:21:57,759 --> 00:21:59,839
And even that was a book of poetry where I

402
00:22:00,039 --> 00:22:04,160
really wanted to take my style of writing and and

403
00:22:04,279 --> 00:22:07,599
address the various themes that we face as humans and

404
00:22:07,640 --> 00:22:09,400
so in a philosophical way.

405
00:22:09,519 --> 00:22:11,960
Speaker 7: And so that's really really what it is is.

406
00:22:11,880 --> 00:22:14,319
Speaker 10: About getting in tune with oneself and becoming who you're

407
00:22:14,359 --> 00:22:15,079
really supposed to be.

408
00:22:15,160 --> 00:22:17,759
Speaker 7: That's that's really the the ideas.

409
00:22:17,359 --> 00:22:19,920
Speaker 10: You know, you know, even even when you're talking about

410
00:22:19,960 --> 00:22:21,839
and reach, when you talk about the chorus bleeding out

411
00:22:21,880 --> 00:22:24,680
to keep the mind new, what I'm talking about there

412
00:22:24,720 --> 00:22:27,319
literally is I'm saying, you know, everything is about the mind.

413
00:22:27,400 --> 00:22:29,960
You know, everything's about people get caught in their heads,

414
00:22:29,960 --> 00:22:31,319
and they get caught in the mental of it, and

415
00:22:31,319 --> 00:22:34,319
they forget the soul. And so your souls bleeding out

416
00:22:34,480 --> 00:22:36,559
just to concentrate on the mind and so and to

417
00:22:36,640 --> 00:22:38,960
concentrate on and and the things we worry about in

418
00:22:39,000 --> 00:22:40,920
life where we get caught in our head, you know, right,

419
00:22:40,920 --> 00:22:44,200
And so that's really the the overlying theme is like

420
00:22:44,559 --> 00:22:48,039
learning how to find oneself. Like the song Stranger is

421
00:22:48,039 --> 00:22:50,000
going to be on the album, it's really that that song,

422
00:22:50,279 --> 00:22:54,240
you know, also is about, you know, realizing that the

423
00:22:54,240 --> 00:22:56,079
stranger that is within you is the real you.

424
00:22:56,440 --> 00:22:57,720
Speaker 7: And so that's the.

425
00:22:57,559 --> 00:23:02,880
Speaker 10: Idea, is to shed all the chains and the preconceived

426
00:23:02,880 --> 00:23:04,799
notions that you were that were ingrained in you when

427
00:23:04,799 --> 00:23:06,599
you were younger and really become the you that you

428
00:23:06,680 --> 00:23:08,880
really are and what you're meant to be here, you know,

429
00:23:08,920 --> 00:23:11,759
And so that's the over line theme.

430
00:23:12,079 --> 00:23:12,960
Speaker 8: No, I like it.

431
00:23:13,039 --> 00:23:16,519
Speaker 9: You know what's cool about all this too, is there's

432
00:23:16,519 --> 00:23:20,519
a very positive message to it all. I mean, you

433
00:23:20,559 --> 00:23:22,119
can really get a lot out of it. But it's

434
00:23:22,119 --> 00:23:27,079
interesting because the sound of the band sort of the

435
00:23:27,440 --> 00:23:31,279
sort of psychedelic but metal. I don't know exactly how

436
00:23:31,279 --> 00:23:33,279
you would describe it. You guys are unique, I think,

437
00:23:33,640 --> 00:23:37,480
but but you almost if you didn't know, and if

438
00:23:37,480 --> 00:23:39,720
you didn't hear the lyrics, if you just heard the music,

439
00:23:39,759 --> 00:23:41,440
you almost might think it was kind of a dark,

440
00:23:41,519 --> 00:23:45,960
brooding thing. But there's some really positive messaging in the

441
00:23:46,039 --> 00:23:48,079
lyrics and what these songs are about. And I think

442
00:23:48,079 --> 00:23:49,680
that's really cool.

443
00:23:49,960 --> 00:23:52,200
Speaker 10: Yeah, because we want to you know, and thank you

444
00:23:52,279 --> 00:23:55,119
very much for saying that, we want to relate to

445
00:23:55,200 --> 00:23:57,240
the dark tunnel with our listeners that they are also

446
00:23:57,279 --> 00:23:59,680
in or they've been in before. But we also talk

447
00:23:59,720 --> 00:24:02,200
about the door we found. We also want to talk

448
00:24:02,279 --> 00:24:04,519
about the light that we found within the darkness, because

449
00:24:05,039 --> 00:24:07,119
the candle flame flicker is never so bright as in

450
00:24:07,160 --> 00:24:11,200
a dark room. So for that reason alone, that's the

451
00:24:11,240 --> 00:24:13,920
reason why we bring that dark brooding sound, because you know,

452
00:24:14,000 --> 00:24:17,039
in order to truly you know, and counter true light,

453
00:24:17,119 --> 00:24:18,720
you have to be willing to brave the darkness.

454
00:24:18,920 --> 00:24:20,480
Speaker 8: Yeah. I like it.

455
00:24:21,039 --> 00:24:25,640
Speaker 9: I'm someone I struggle with depression, and when I listen

456
00:24:25,720 --> 00:24:27,960
to that song, when I listen to Reach, you know,

457
00:24:28,039 --> 00:24:31,640
that's I kind of it clicked with me, I think

458
00:24:31,640 --> 00:24:34,400
for that reason, and so I was able to take

459
00:24:34,400 --> 00:24:37,400
something from that that that's uh, you know that I

460
00:24:37,640 --> 00:24:39,839
really like I really like that song a lot.

461
00:24:40,720 --> 00:24:42,599
Speaker 7: Thank you, man, I really appreciate that, Matt.

462
00:24:42,480 --> 00:24:45,960
Speaker 9: Yeah, yeah, absolutely absolutely. What's your stage show like? Do

463
00:24:46,000 --> 00:24:48,960
you guys have any kind of because you know, with

464
00:24:49,000 --> 00:24:51,240
your sound, it would lend itself to something kind of

465
00:24:51,279 --> 00:24:54,519
dramatic or maybe not maybe maybe just do kind of

466
00:24:54,519 --> 00:24:57,000
a you know, you just you just play. I don't know,

467
00:24:57,079 --> 00:24:58,720
I mean, do you have any kind of any kind

468
00:24:58,720 --> 00:25:00,799
of a stage show or or do you just I.

469
00:25:00,720 --> 00:25:03,400
Speaker 7: Mean, I will say this. We we definitely put on

470
00:25:03,440 --> 00:25:03,920
a show.

471
00:25:04,200 --> 00:25:05,680
Speaker 8: Yeah, yeah, we perform.

472
00:25:05,880 --> 00:25:06,960
Speaker 7: I'm all over the stage.

473
00:25:07,319 --> 00:25:11,640
Speaker 10: But uh, but we are just now working on the fog,

474
00:25:11,759 --> 00:25:14,519
the lights, the we're actually working on with my new

475
00:25:14,519 --> 00:25:17,720
bass player. We're working on an introduction and entire introduction

476
00:25:17,799 --> 00:25:20,279
to our show before we come on stage. So we're

477
00:25:20,319 --> 00:25:23,640
getting all of the extras together now for this next

478
00:25:23,640 --> 00:25:27,000
coming year. But honestly, uh, I don't know if you've

479
00:25:27,000 --> 00:25:28,119
seen any of our live videos.

480
00:25:28,119 --> 00:25:30,839
Speaker 7: I think you have. We we get down.

481
00:25:31,119 --> 00:25:33,359
Speaker 10: Yeah, I've seen seen a lot of bands stand up

482
00:25:33,400 --> 00:25:37,880
there and just play. That's not what we do right, right,

483
00:25:38,920 --> 00:25:41,119
And and I pride myself on really being able to

484
00:25:41,160 --> 00:25:43,880
allow myself to truly become the channel on stage for

485
00:25:43,920 --> 00:25:48,400
the music and honestly hit every note, but get down

486
00:25:48,519 --> 00:25:50,599
and and and and that takes practice. Like when I

487
00:25:50,680 --> 00:25:53,759
play on I practice at practice. It's like I'm performing.

488
00:25:53,799 --> 00:25:57,000
And I'll tell you what last last Sunday, because we

489
00:25:57,079 --> 00:25:59,119
just had got this new bass player, so it's been

490
00:25:59,160 --> 00:26:01,079
about a month now and he's gonna play his first

491
00:26:01,079 --> 00:26:04,119
show with us on October fifth. But last Sunday was

492
00:26:04,119 --> 00:26:06,079
our first like six hour practice where we went through

493
00:26:06,079 --> 00:26:06,720
the set twice.

494
00:26:06,759 --> 00:26:08,480
Speaker 7: And and uh, I.

495
00:26:08,440 --> 00:26:10,960
Speaker 10: Gotta tell you, I was hurting the next day, man,

496
00:26:11,160 --> 00:26:13,319
because we hadn't had like a you know, we had

497
00:26:13,400 --> 00:26:14,960
like a kind of a break there for like three

498
00:26:15,000 --> 00:26:16,759
weeks where we didn't have a show or anything, and

499
00:26:16,759 --> 00:26:19,160
we didn't practice because of other family stuff and all that.

500
00:26:19,200 --> 00:26:19,400
Speaker 7: You know.

501
00:26:19,640 --> 00:26:24,440
Speaker 10: Yeah, But but yeah, yeah, so, uh, really excited to

502
00:26:24,480 --> 00:26:26,519
get the new bass player because not only is he

503
00:26:26,599 --> 00:26:29,200
bringing some awesome thump into the bass on some of

504
00:26:29,240 --> 00:26:32,440
our songs that we didn't have before, but also he's

505
00:26:32,519 --> 00:26:33,839
like a whiz.

506
00:26:33,559 --> 00:26:35,440
Speaker 7: When it comes to like light and fog and all

507
00:26:35,440 --> 00:26:36,119
this other stuff.

508
00:26:36,200 --> 00:26:36,720
Speaker 8: So good.

509
00:26:36,839 --> 00:26:39,400
Speaker 7: So yeah, so I'm super excited about that.

510
00:26:39,400 --> 00:26:41,680
Speaker 10: He's gonna we're working on a projector screen behind us

511
00:26:41,759 --> 00:26:43,680
instead of a banner I'm trying to get.

512
00:26:43,880 --> 00:26:46,799
Speaker 9: Yeah, I can imagine that with your music. I can

513
00:26:46,839 --> 00:26:48,039
imagine a projector's screen.

514
00:26:48,559 --> 00:26:50,559
Speaker 10: Yeah, we want to we want to project some images

515
00:26:50,599 --> 00:26:53,160
and yeah, and uh and really take people on that

516
00:26:53,359 --> 00:26:54,480
give him an experience, you know.

517
00:26:54,559 --> 00:26:55,359
Speaker 11: Mm hmmm hmm.

518
00:26:55,880 --> 00:26:58,759
Speaker 9: Do you have to uh, do you do anything to

519
00:26:58,759 --> 00:27:02,440
take care of your voice, like lemon or anything, because

520
00:27:02,440 --> 00:27:05,319
you you obviously with what you're doing, you know, it's

521
00:27:05,319 --> 00:27:05,920
pretty intense.

522
00:27:05,920 --> 00:27:07,759
Speaker 8: Your vocals are pretty intense.

523
00:27:08,079 --> 00:27:08,680
Speaker 7: Thanks man.

524
00:27:08,839 --> 00:27:09,039
Speaker 8: Yeah.

525
00:27:09,079 --> 00:27:14,640
Speaker 10: Yeah, so honestly, I don't smoke. Another one, Number two

526
00:27:14,799 --> 00:27:17,440
is I do breath work and chakra work every day.

527
00:27:17,640 --> 00:27:20,480
Speaker 8: Oh interesting, okay, yes.

528
00:27:20,079 --> 00:27:22,720
Speaker 10: And so that's been something I found that's totally changed

529
00:27:22,759 --> 00:27:24,480
the whole game for me when it comes to being

530
00:27:24,680 --> 00:27:26,440
ready for the stage and being able to.

531
00:27:26,799 --> 00:27:28,200
Speaker 7: Hit everything and do what I do.

532
00:27:29,160 --> 00:27:32,039
Speaker 10: And also a workout regiment is important twice a week.

533
00:27:32,680 --> 00:27:35,480
But on stage, I drink let me tell you what

534
00:27:35,559 --> 00:27:41,200
it is on stage. I don't drink alcohol. I do

535
00:27:41,240 --> 00:27:42,480
particulars in marijuana.

536
00:27:42,960 --> 00:27:46,559
Speaker 7: But do you drink alcohol? Really? So I don't have

537
00:27:46,720 --> 00:27:49,640
alcohol on stage, So I drink what does she do

538
00:27:49,720 --> 00:27:52,480
with my heart chakra tea?

539
00:27:53,160 --> 00:27:54,559
Speaker 8: But yeah, I've heard of that.

540
00:27:54,720 --> 00:27:57,240
Speaker 7: Yeah, yeah, I drink that on stage.

541
00:27:57,920 --> 00:28:00,039
Speaker 10: And then I also always have a blue gator I

542
00:28:00,039 --> 00:28:02,759
don't know what it is about the blue the blue Gatorade,

543
00:28:02,799 --> 00:28:05,000
but it's really soothing if you need something to drink

544
00:28:05,039 --> 00:28:06,079
on stage other than water.

545
00:28:06,240 --> 00:28:10,720
Speaker 7: Yeah, anyone's listening to this. That's a singer. Oh, here

546
00:28:10,759 --> 00:28:12,200
it is. I don't know why you put in here.

547
00:28:12,200 --> 00:28:12,880
I want to here.

548
00:28:13,200 --> 00:28:13,480
Speaker 6: This is.

549
00:28:13,640 --> 00:28:15,759
Speaker 10: It's the organic throat code is what it's called. It

550
00:28:16,000 --> 00:28:21,119
is made of slippery elm. Yeah, okay, slippery elm tee.

551
00:28:21,160 --> 00:28:23,680
So if if you do vocals where you go back

552
00:28:23,720 --> 00:28:26,160
and forth between the heavies and the lights, this is

553
00:28:26,160 --> 00:28:27,440
really nice to have on stage.

554
00:28:27,559 --> 00:28:28,799
Speaker 8: Oh, very cool, very cool.

555
00:28:28,880 --> 00:28:30,359
Speaker 9: Yeah, I mean we have a lot of musicians who

556
00:28:30,359 --> 00:28:32,519
listen to the show, so that might be very helpful

557
00:28:32,559 --> 00:28:35,880
to someone. Yeah, that really caught my attention to what

558
00:28:35,920 --> 00:28:37,920
you were saying about the breath work, because so I

559
00:28:37,960 --> 00:28:39,599
don't know if you know anything about my background, but

560
00:28:39,640 --> 00:28:42,160
I'm also a hypnotherapist and I use a lot of

561
00:28:42,759 --> 00:28:45,319
breath work in my sessions with my clients, so I

562
00:28:45,640 --> 00:28:48,000
know the value of that and and all kinds of

563
00:28:48,079 --> 00:28:49,400
applications for it.

564
00:28:49,400 --> 00:28:50,599
Speaker 7: It's mind blowing.

565
00:28:50,799 --> 00:28:51,519
Speaker 8: Yep, yep.

566
00:28:51,759 --> 00:28:53,839
Speaker 10: People that are if you're if you're an artist in

567
00:28:54,200 --> 00:28:56,319
anybody anyway, it don't matter what walk of life you're in,

568
00:28:56,799 --> 00:29:00,599
definitely look into the chakra and breath work is very important,

569
00:29:00,920 --> 00:29:03,039
the chanting, all of that I do.

570
00:29:03,240 --> 00:29:04,000
Speaker 7: I do it every day.

571
00:29:04,039 --> 00:29:05,720
Speaker 10: I have a forty minute drive to work in the morning,

572
00:29:06,200 --> 00:29:08,599
so I do it every day on my way to work.

573
00:29:08,839 --> 00:29:11,880
Speaker 7: The breath work. They don't do much meditation then, but

574
00:29:14,440 --> 00:29:16,839
be a little dangerous, right. But I also there's also

575
00:29:17,039 --> 00:29:19,519
like this what's it called.

576
00:29:21,519 --> 00:29:25,119
Speaker 10: Ancient Meditations on Facebook where they have like this the

577
00:29:25,160 --> 00:29:27,640
sounds the different frequencies that you can use to listen

578
00:29:27,640 --> 00:29:30,880
to while you're doing it. Oh yeah, so that's also

579
00:29:30,920 --> 00:29:33,720
a cool thing to utilize if anybody's also listening.

580
00:29:33,720 --> 00:29:35,599
Speaker 7: But yeah, being a hypno therapist.

581
00:29:35,559 --> 00:29:38,720
Speaker 10: You said you're a certified hypno therapist, right, Yes, that's

582
00:29:38,759 --> 00:29:39,559
phenomenal man.

583
00:29:39,720 --> 00:29:39,920
Speaker 7: Yeah.

584
00:29:40,000 --> 00:29:41,960
Speaker 9: Yeah, I've been doing it about twenty years now, and

585
00:29:42,599 --> 00:29:45,240
you know, I help people to quit smoking. That's like

586
00:29:45,279 --> 00:29:47,039
the number one thing. But you know it's got a

587
00:29:47,039 --> 00:29:50,160
lot of a lot of different applications. But yeah, and

588
00:29:50,440 --> 00:29:51,880
you know, we do a lot of breath work, and

589
00:29:51,920 --> 00:29:54,640
when I'm taking the client into a state of hypnosis,

590
00:29:54,640 --> 00:29:57,200
we do a lot of a lot of breathing. And

591
00:29:57,519 --> 00:29:59,400
sometimes people kind of chuckle when I say now I

592
00:29:59,440 --> 00:30:01,480
want you to breath and they're like, well, I already am,

593
00:30:01,559 --> 00:30:03,200
or i'd be dead. And it's like no, no, no,

594
00:30:03,359 --> 00:30:04,000
I want.

595
00:30:03,799 --> 00:30:06,680
Speaker 8: You to really breathe. Yeah, and then we get in

596
00:30:06,759 --> 00:30:07,359
all of that and.

597
00:30:09,240 --> 00:30:14,799
Speaker 10: The four seven eight breathing technique, you know, the nose,

598
00:30:14,920 --> 00:30:18,000
the in the mouth of all of that. When they

599
00:30:18,039 --> 00:30:20,880
really do it that you just I've done it with

600
00:30:20,920 --> 00:30:23,200
my wife and a few other friends and they're like wow.

601
00:30:23,240 --> 00:30:25,440
They you could just see the look of surprise in

602
00:30:25,480 --> 00:30:27,480
their face when you can just tell when you really

603
00:30:27,519 --> 00:30:30,000
control your breathing, it takes you to another place.

604
00:30:30,119 --> 00:30:30,319
Speaker 8: Yep.

605
00:30:30,599 --> 00:30:35,119
Speaker 10: Yeah, it honestly helps you get to center and so yeah,

606
00:30:35,200 --> 00:30:36,400
I tell everyone.

607
00:30:36,160 --> 00:30:37,920
Speaker 8: It's kind of like hitting the reset button.

608
00:30:38,039 --> 00:30:40,880
Speaker 9: You know, if you're having a difficult day, a challenging day,

609
00:30:41,160 --> 00:30:42,799
you need to de stress for a minute and you

610
00:30:42,839 --> 00:30:45,319
need to just kind of reset everything, you know, just

611
00:30:45,319 --> 00:30:48,279
just stop and do the breathing and it and it

612
00:30:48,960 --> 00:30:50,319
just kind of, like I said, it just kind of

613
00:30:50,319 --> 00:30:51,240
helps you reset.

614
00:30:51,319 --> 00:30:51,519
Speaker 12: You know.

615
00:30:51,599 --> 00:30:53,960
Speaker 9: It's like like pushing the button on the video game

616
00:30:53,960 --> 00:30:54,920
when you want to start over.

617
00:30:55,039 --> 00:30:58,720
Speaker 8: You know, That's how I think of it.

618
00:30:58,720 --> 00:30:59,480
Speaker 7: It truly does.

619
00:31:00,799 --> 00:31:02,960
Speaker 9: Oh, by the way, too, something else you mentioned that

620
00:31:02,960 --> 00:31:05,000
that also really caught my attention. So you're you're a

621
00:31:05,000 --> 00:31:06,119
published author.

622
00:31:06,720 --> 00:31:10,400
Speaker 10: Yes, sir, Yeah, I published my first book, well my

623
00:31:10,440 --> 00:31:13,279
only book in two thousand and four, is called Wins

624
00:31:13,279 --> 00:31:16,400
of Perception, Scratching the Surface. You can get it at

625
00:31:16,440 --> 00:31:19,359
Amazon dot com. But I also have a Facebook page

626
00:31:19,400 --> 00:31:22,799
called Stirring to Wake. I'm always working with the Everfelt page,

627
00:31:22,799 --> 00:31:24,440
so I don't really post a lot of the writings,

628
00:31:24,440 --> 00:31:26,880
but yeah, yeah, a lot of the writing is on there.

629
00:31:27,000 --> 00:31:29,880
Speaker 7: But yeah, I've been writing ever since I can remember.

630
00:31:30,200 --> 00:31:30,480
Speaker 8: Yeah.

631
00:31:30,559 --> 00:31:33,640
Speaker 9: Yeah, oh interesting, okay, very cool. Do you have any

632
00:31:33,680 --> 00:31:34,920
plans to do another book?

633
00:31:35,759 --> 00:31:39,039
Speaker 10: I do if I am not playing stadiums or arenas

634
00:31:39,039 --> 00:31:41,599
by the time I'm thirty five, I'm just gonna write

635
00:31:41,640 --> 00:31:42,519
the novel I've been thinking.

636
00:31:42,519 --> 00:31:45,599
Speaker 7: I've been where I started a novel too, But it's like.

637
00:31:45,599 --> 00:31:52,680
Speaker 10: This whole you know, it's this experimental fantasy obviously, but

638
00:31:52,680 --> 00:31:55,880
but you know, yeah, I've told you know, my named Corey,

639
00:31:56,400 --> 00:31:58,880
my my league guitars Corey Robinson. You hear how amazing

640
00:31:58,920 --> 00:32:01,960
he is, Yeah, in person to the most humble badass.

641
00:32:02,240 --> 00:32:02,559
Speaker 4: I know.

642
00:32:03,079 --> 00:32:05,400
Speaker 10: I also have this awesome Japanese piece. He just did

643
00:32:05,440 --> 00:32:07,160
this tattoo work he just did on my arm. That's

644
00:32:07,200 --> 00:32:07,839
so sick man.

645
00:32:07,960 --> 00:32:08,359
Speaker 8: Oh wow.

646
00:32:08,400 --> 00:32:11,880
Speaker 10: But yeah, he's super talented and it's super cool dude.

647
00:32:11,880 --> 00:32:14,920
But oh, I was minding his goal. You know, he's

648
00:32:15,160 --> 00:32:17,960
he just turned forty four. I'm forty two in October.

649
00:32:18,039 --> 00:32:21,119
Second here in a couple of days, we're hoping to

650
00:32:21,119 --> 00:32:23,039
be playing arenas and stadiums by the time.

651
00:32:22,839 --> 00:32:24,000
Speaker 7: We're fifty with this music.

652
00:32:24,160 --> 00:32:29,039
Speaker 10: Yeah, yeah, not we might just you know, well look

653
00:32:29,079 --> 00:32:31,920
at others, but we'll see.

654
00:32:32,039 --> 00:32:34,759
Speaker 8: The universe will give you that schedule.

655
00:32:34,839 --> 00:32:38,519
Speaker 7: You know. I love that you spoke that into existence.

656
00:32:38,640 --> 00:32:41,599
Speaker 9: Just now, my friends, there you go, there you go, Well, Adam,

657
00:32:41,799 --> 00:32:45,000
I really appreciate talking with you this morning. I was

658
00:32:45,000 --> 00:32:48,079
thinking we might end the segment with The Lie, which

659
00:32:48,119 --> 00:32:51,039
is another great another great track, great track from the

660
00:32:51,039 --> 00:32:53,960
EP man. Anything we should know about this before we

661
00:32:53,960 --> 00:32:54,319
play it.

662
00:32:55,759 --> 00:32:59,640
Speaker 10: The Lie is, you know, a song that is all

663
00:32:59,680 --> 00:33:02,880
about out everything we're hearing about coming through our screens,

664
00:33:02,960 --> 00:33:05,680
our TVs, our phones, even the lies that we tell ourselves.

665
00:33:06,480 --> 00:33:08,920
But mostly it's about the Global League keeping the foot

666
00:33:08,920 --> 00:33:12,400
on the man, you know, hiding under the lies they

667
00:33:12,720 --> 00:33:16,160
you know, they tell. The truth begins to fade and

668
00:33:16,160 --> 00:33:18,079
and I think we can all relate to that, and

669
00:33:18,759 --> 00:33:20,240
I'm sure we're all tired of the lies.

670
00:33:20,319 --> 00:33:23,319
Speaker 8: So all right, so we're gonna end with that track.

671
00:33:23,440 --> 00:33:26,640
Speaker 9: But before we go, Adam, please let everyone know where's

672
00:33:26,680 --> 00:33:28,240
the best place to go online to keep up with

673
00:33:28,279 --> 00:33:30,960
everything that you're doing, everything that ever Felt is doing,

674
00:33:31,400 --> 00:33:33,279
any anything you want our listeners to know about.

675
00:33:34,039 --> 00:33:35,759
Speaker 7: Yes, ever Felt dot net.

676
00:33:36,160 --> 00:33:38,680
Speaker 10: That's our website where you can access all of You

677
00:33:38,720 --> 00:33:40,920
can listen to our ep on our on our streaming

678
00:33:41,000 --> 00:33:42,480
music player at the bottom of the site.

679
00:33:42,759 --> 00:33:43,480
Speaker 7: You can all you.

680
00:33:43,400 --> 00:33:45,839
Speaker 10: Can listen to it while you're scrolling through the pages,

681
00:33:45,920 --> 00:33:47,920
so you can contact us. There you can go to

682
00:33:47,960 --> 00:33:50,960
our social media platforms from that ever Felt dot net

683
00:33:51,079 --> 00:33:51,839
come check us out.

684
00:33:52,160 --> 00:33:54,319
Speaker 9: All right, very good, So we're gonna hit this track,

685
00:33:54,359 --> 00:33:56,319
so we'll let you go. But Adam again, thank you

686
00:33:56,400 --> 00:33:59,839
so much. I really enjoyed our conversation and we'll definitely

687
00:33:59,880 --> 00:34:01,079
do this again in the future.

688
00:34:01,880 --> 00:34:04,039
Speaker 7: Yes, sir man, it's always a pleasure of talking to you. Man.

689
00:34:04,119 --> 00:34:07,200
Speaker 8: All right, Adam, take care, thank you, Bye bye bye bye.

690
00:34:07,839 --> 00:34:11,079
All right. That was Adam Seglitic from the band ever Felt.

691
00:34:11,079 --> 00:34:13,840
Speaker 9: We're gonna play this track, The Lie, and then when

692
00:34:13,840 --> 00:34:15,679
we come back, Jenny and I will talk a little

693
00:34:15,679 --> 00:34:17,679
bit about well, she's got a big trip she's going

694
00:34:17,719 --> 00:34:21,320
on very shortly, and we'll also talk a little bit

695
00:34:21,320 --> 00:34:24,840
about paper Jam magazine doing some more stuff with them.

696
00:34:24,840 --> 00:34:26,920
Speaker 8: But check this out. This is called The Lie and

697
00:34:26,960 --> 00:34:28,199
the band is ever Felt.

698
00:34:52,440 --> 00:34:53,280
Speaker 1: Maybe heard of this.

699
00:35:02,800 --> 00:35:05,480
Speaker 5: He was, Look, he's all.

700
00:35:51,800 --> 00:35:54,599
Speaker 1: I didn't love go lost.

701
00:35:54,360 --> 00:35:56,559
Speaker 3: Themselves to these things?

702
00:35:56,719 --> 00:35:57,320
Speaker 1: To that.

703
00:35:59,320 --> 00:36:03,440
Speaker 13: Dost talk to the buck can for you to to

704
00:36:03,840 --> 00:36:18,679
mana do by didn't go against ten ten people begin

705
00:36:18,960 --> 00:36:19,760
to first?

706
00:36:21,519 --> 00:36:23,480
Speaker 1: What time down that about?

707
00:36:23,679 --> 00:36:24,400
Speaker 5: Donne?

708
00:36:24,599 --> 00:36:27,639
Speaker 1: Does the touch you want to in you?

709
00:37:27,920 --> 00:37:34,000
Speaker 5: I didn't say dup Timmerbee shades tek in through those days.

710
00:37:35,320 --> 00:37:39,599
Speaker 13: You don't know res reading boys, those we just do

711
00:37:39,960 --> 00:37:41,079
dot don't read.

712
00:37:41,639 --> 00:38:46,039
Speaker 5: No, No, I didn't know God done guys themselves to

713
00:38:46,280 --> 00:38:51,239
be used to the first you got son to the

714
00:38:51,440 --> 00:38:53,920
post in the Fort who trick You?

715
00:38:54,280 --> 00:38:56,159
Speaker 4: And so he's done.

716
00:39:30,440 --> 00:39:32,960
Speaker 8: All those songs, they've got these big epic endings. I

717
00:39:33,079 --> 00:39:35,280
love it. That is called The Lie and the band

718
00:39:35,440 --> 00:39:36,199
is ever Felt.

719
00:39:36,360 --> 00:39:39,360
Speaker 9: That is from their self titled EP that just came

720
00:39:39,400 --> 00:39:41,639
out recently, I think last month actually, And thank you

721
00:39:41,679 --> 00:39:44,880
again to Adam Steglitz from from the band ever Felt

722
00:39:44,920 --> 00:39:46,760
for skyping in with us. They are in so I

723
00:39:46,840 --> 00:39:49,400
was I misspoke earlier. They're not from Chicago. They're actually

724
00:39:49,480 --> 00:39:52,880
in southern Illinois. I guess anybody from Illinois, I just

725
00:39:52,920 --> 00:39:55,159
assume they're from Chicago. I don't know why I should

726
00:39:55,199 --> 00:39:57,039
know better. I spent a lot of summers growing up

727
00:39:57,079 --> 00:39:59,880
in Chico, in uh, well, in Illinois, in the Chicago,

728
00:40:00,719 --> 00:40:03,079
but we were actually in a suburb called Schiller Park

729
00:40:03,480 --> 00:40:06,559
where my mom lived, so we weren't technically in Chicago,

730
00:40:06,639 --> 00:40:09,400
but we called the Chicago. But southern Illinois. I guess

731
00:40:09,440 --> 00:40:12,760
it is a little different anyway. But yeah, great great stuff.

732
00:40:12,760 --> 00:40:14,719
And of course in the first hour we had jam

733
00:40:14,800 --> 00:40:17,639
tomorrow with us coming up in the third hour, Doctor

734
00:40:17,760 --> 00:40:22,840
Bethany Billideau returns award winning Doctor by Is and we

735
00:40:22,880 --> 00:40:24,440
should so a couple things I want to make sure

736
00:40:24,480 --> 00:40:26,800
we mentioned this morning while we have time. You've got

737
00:40:26,840 --> 00:40:27,800
a big trip coming up.

738
00:40:28,159 --> 00:40:29,840
Speaker 11: I do, But can I do my shout out first?

739
00:40:30,000 --> 00:40:30,119
Speaker 7: Oh?

740
00:40:30,199 --> 00:40:30,400
Speaker 8: Sure?

741
00:40:30,800 --> 00:40:32,760
Speaker 11: I want to say a shout out to Jesse Coffee.

742
00:40:32,800 --> 00:40:35,480
If you see him this weekend. His birthday is tomorrow.

743
00:40:36,039 --> 00:40:38,679
You can catch him at the Great North Aleworks right

744
00:40:38,760 --> 00:40:42,159
here in Manchester on Holt Avenue. They've got a couple

745
00:40:42,199 --> 00:40:46,400
of new beers launched. It's raining Raspberry sour Ale is

746
00:40:46,480 --> 00:40:50,239
one of them, and pizza Party Italian Pilzar. You can

747
00:40:50,280 --> 00:40:53,360
also find that one there that was launched at Grante

748
00:40:53,400 --> 00:40:57,039
Con this year. So check out the Great North Airworks

749
00:40:57,119 --> 00:41:01,000
and give Jesse Coffee a big happy birthday. Yes, yay,

750
00:41:01,719 --> 00:41:04,480
so yes, I am heading back to Washington, d C.

751
00:41:04,639 --> 00:41:05,079
Next week.

752
00:41:06,599 --> 00:41:09,039
Speaker 9: But this strip is a little different this Yeah, what

753
00:41:09,119 --> 00:41:11,559
do you mean, Well, it just seems like this one's

754
00:41:11,559 --> 00:41:13,840
a little different than your previous trips to Washington, d C.

755
00:41:14,000 --> 00:41:15,360
Speaker 8: In terms of where you're going.

756
00:41:15,679 --> 00:41:18,079
Speaker 11: Well, yeah, that's because I'm going to a big White House,

757
00:41:19,360 --> 00:41:21,719
A big White House, A big white house. Yes. Actually,

758
00:41:21,760 --> 00:41:23,320
I'm going to go to the White House and oh,

759
00:41:24,039 --> 00:41:27,320
sit on a panel and talk about healthcare and bring

760
00:41:27,440 --> 00:41:29,840
real stories to the table about what people in our

761
00:41:29,920 --> 00:41:31,079
everyday lives are facing.

762
00:41:31,360 --> 00:41:32,440
Speaker 8: Yes, and hope to.

763
00:41:32,559 --> 00:41:35,320
Speaker 11: Keep fighting for more change, for people to have more healthcare,

764
00:41:35,320 --> 00:41:37,920
because healthcare is not a partisan issue.

765
00:41:38,480 --> 00:41:40,679
Speaker 8: So you'll be it, but he deserves it. You'll actually

766
00:41:40,760 --> 00:41:41,679
be at the White House.

767
00:41:41,760 --> 00:41:44,840
Speaker 11: We'll actually be at the White House very close to

768
00:41:44,920 --> 00:41:48,800
the actually right near the West Ring, West Wing. I

769
00:41:48,960 --> 00:41:50,840
really have to stop doing that. I'm going to do

770
00:41:50,960 --> 00:41:52,519
that and be so embarrassed at myself.

771
00:41:52,559 --> 00:41:52,719
Speaker 10: Oh.

772
00:41:53,239 --> 00:41:56,000
Speaker 11: Yes, So I am going and I'm looking forward to

773
00:41:56,119 --> 00:41:57,440
it and looking forward to the people that are going

774
00:41:57,480 --> 00:41:59,679
to be on the panel with me. And I'm excited

775
00:41:59,760 --> 00:42:02,360
to invited speaker to the White House.

776
00:42:02,199 --> 00:42:02,440
Speaker 7: To my.

777
00:42:04,239 --> 00:42:04,440
Speaker 11: Yes.

778
00:42:04,679 --> 00:42:06,239
Speaker 8: Yes, very cool, very cool.

779
00:42:06,320 --> 00:42:07,480
Speaker 11: Yeah, so that's pretty fun.

780
00:42:07,599 --> 00:42:09,239
Speaker 8: That'll be happening on Tuesday. Do you know if it

781
00:42:09,360 --> 00:42:10,920
will it? Will the event be streaming?

782
00:42:11,320 --> 00:42:12,480
Speaker 9: I do not know.

783
00:42:12,719 --> 00:42:14,679
Speaker 11: Actually I'll have to ask my handler.

784
00:42:14,800 --> 00:42:16,840
Speaker 8: I'm sure there'll be video of it, but yeah, it'd be.

785
00:42:16,840 --> 00:42:19,599
Speaker 9: Interesting, I would assume, so, yes, streaming live, that would

786
00:42:19,599 --> 00:42:20,960
be even very Yeah.

787
00:42:20,800 --> 00:42:22,519
Speaker 11: That would actually be really cool. I'm gonna fly out

788
00:42:22,559 --> 00:42:25,960
Monday night, so I'll get the info when I arrive Tuesday.

789
00:42:26,159 --> 00:42:28,840
Speaker 8: Outstanding. Well, congratulations on that, thank you.

790
00:42:29,639 --> 00:42:32,880
Speaker 11: And also at the Mosaic Art Collective here in the

791
00:42:32,960 --> 00:42:35,039
Queen City, I am proud to say one of my

792
00:42:35,119 --> 00:42:39,360
paintings is probably hanging on their walls and celebration of

793
00:42:39,559 --> 00:42:43,639
their second year anniversary. And right now, if you gotta

794
00:42:44,000 --> 00:42:45,679
you want to get an entry in, you still got

795
00:42:45,760 --> 00:42:47,840
a moment, you know, get that last minute entry in.

796
00:42:47,960 --> 00:42:51,679
I think today is the deadline October or October Spellbound

797
00:42:52,159 --> 00:42:55,000
and this is going to be like a mythical, could

798
00:42:55,079 --> 00:42:58,400
be dark, could be multiple ways. Show that I'm really

799
00:42:58,440 --> 00:43:01,280
looking forward to at the Mosaic ar Colle definitely check

800
00:43:01,320 --> 00:43:03,679
them out here in the Queen City. Yes, but we've

801
00:43:03,719 --> 00:43:05,239
got a great thing, don't we.

802
00:43:05,840 --> 00:43:07,360
Speaker 9: Yeah, well, do you want to talk a little bit

803
00:43:07,360 --> 00:43:10,280
about that? And then I'll read the details you because

804
00:43:10,320 --> 00:43:11,920
you were the point person on this too.

805
00:43:12,320 --> 00:43:12,559
Speaker 7: Well.

806
00:43:12,840 --> 00:43:15,400
Speaker 11: As you know, I fell in love with Paper Jam

807
00:43:15,519 --> 00:43:17,639
magazine as soon as I found them, Yes, and I

808
00:43:17,719 --> 00:43:19,840
love the people that put it together and all of

809
00:43:19,960 --> 00:43:23,320
the spotlights they bring to our great independent artists. I mean,

810
00:43:23,639 --> 00:43:26,679
it's they really have got something very special there. If

811
00:43:26,719 --> 00:43:30,000
you haven't checked out Paper Jam magazine, you really should.

812
00:43:30,280 --> 00:43:32,880
So I'm excited to say that Matt Content Unleashed is

813
00:43:33,000 --> 00:43:36,519
now partnering with paper Jam and we will be proud

814
00:43:36,559 --> 00:43:39,920
to feature their artists that they are highlighting in their magazine.

815
00:43:40,320 --> 00:43:43,480
And that's going to start next month. I believe it

816
00:43:43,599 --> 00:43:47,159
is sort the I believe so, Pil and I will

817
00:43:47,239 --> 00:43:49,920
forgive me for being bad on my my brain, my

818
00:43:50,039 --> 00:43:53,000
brain fog is kicking in here. Oh on having the

819
00:43:53,119 --> 00:43:56,960
correct date on it. But look forward to working with them.

820
00:43:57,000 --> 00:43:59,760
And actually you've got some information from paper Jam to

821
00:44:00,320 --> 00:44:04,760
is they're announced today that they're expanding a bit.

822
00:44:05,159 --> 00:44:08,039
Speaker 9: They are, yes, So let's see they have a couple

823
00:44:08,079 --> 00:44:13,519
of new contributing writers. Let's see, they've got Catherine Miles

824
00:44:14,199 --> 00:44:19,639
who is from Fairfield County, Connecticut. She did a recent

825
00:44:19,760 --> 00:44:23,559
interview for a Paper Jam with the band Adrenalized, the

826
00:44:23,679 --> 00:44:27,840
Ultimate Deaf Leopard Tribute, so she's.

827
00:44:27,719 --> 00:44:28,440
Speaker 8: Getting on board.

828
00:44:28,480 --> 00:44:31,519
Speaker 9: And also John Bishop who is in New Hampshire right

829
00:44:31,559 --> 00:44:34,719
here in New Hampshire and did the interview with bf Raid.

830
00:44:35,280 --> 00:44:36,559
They're going to be on the show soon.

831
00:44:36,440 --> 00:44:38,360
Speaker 11: And that's going to be the first run right there

832
00:44:38,599 --> 00:44:42,000
on November ninth. Yes, they're going to be here in

833
00:44:42,119 --> 00:44:44,880
studio interviewed with us. And they're also one of the

834
00:44:44,960 --> 00:44:47,599
featured artists in paper Jam Magazine that I'll be coming

835
00:44:47,599 --> 00:44:50,280
out right about that zact same time for the November

836
00:44:50,320 --> 00:44:53,119
December issue and from there on forward, we're looking forward

837
00:44:53,159 --> 00:44:55,440
to having more and more of their artists come in

838
00:44:55,599 --> 00:44:57,840
and be highlighted on the Matt Conaton on Leash show.

839
00:44:58,039 --> 00:44:58,239
Speaker 8: Yeah.

840
00:44:58,360 --> 00:45:00,679
Speaker 9: Absolutely, And if you're not familiar with pay Jam, check

841
00:45:00,719 --> 00:45:03,000
them out. You know, there is a physical you can

842
00:45:03,239 --> 00:45:06,000
they actually make physical copies, but you can find them

843
00:45:06,039 --> 00:45:06,800
online as well.

844
00:45:07,199 --> 00:45:11,159
Speaker 11: And yeah, we had Sheila and at paper Jam magazine

845
00:45:11,239 --> 00:45:11,840
dot com.

846
00:45:12,280 --> 00:45:15,760
Speaker 9: Yes, we had Shila Russo and yeah her husband is

847
00:45:15,800 --> 00:45:17,920
it Tom? Forgive me if I if I've got his

848
00:45:18,039 --> 00:45:18,400
name wrong.

849
00:45:19,119 --> 00:45:23,400
Speaker 11: I see well on the spot all the time.

850
00:45:24,679 --> 00:45:27,519
Speaker 8: Yeah yeah, but yeah, they were great and love what

851
00:45:27,599 --> 00:45:29,400
they're doing and it's great for the scene, you.

852
00:45:29,400 --> 00:45:32,480
Speaker 11: Know, one hundred percent. We really do have a vibrant

853
00:45:32,480 --> 00:45:35,960
community in our state and actually in our region in

854
00:45:36,039 --> 00:45:39,000
New England in general. But it seems to me like

855
00:45:39,119 --> 00:45:43,079
it's there's more growth, there's more ways for people to

856
00:45:43,159 --> 00:45:45,599
get out there and be heard and be seen, and

857
00:45:45,800 --> 00:45:50,239
paper Jam is definitely a huge welcome to that process,

858
00:45:51,159 --> 00:45:55,920
along with the National and Midnight Creative Collective. Yes, and

859
00:45:56,079 --> 00:45:59,159
they've got an important event coming up Spelfy.

860
00:45:59,480 --> 00:46:02,199
Speaker 8: Fast Healthy Fests, which we will be a part of, Yes.

861
00:46:02,119 --> 00:46:03,880
Speaker 11: Which we were very proud to be a part of.

862
00:46:03,960 --> 00:46:05,960
And that's gonna be happening in November twenty fourth. We'll

863
00:46:05,960 --> 00:46:08,360
be talking about that more as it approaches. Yes, just

864
00:46:08,440 --> 00:46:11,480
a me music arts. Lots of great things going on.

865
00:46:11,679 --> 00:46:15,239
And they're also doing a fundraiser for RSDSA, which is

866
00:46:15,280 --> 00:46:18,920
an organization that advocates for people with Complex Regional pain

867
00:46:19,039 --> 00:46:20,199
syndrome CRPS.

868
00:46:20,559 --> 00:46:22,480
Speaker 8: Yes, Yeah, lots of good stuff.

869
00:46:22,719 --> 00:46:27,039
Speaker 11: Oh and and let's not forget. Let's not forget we

870
00:46:27,239 --> 00:46:31,480
have Swarmy Fasts coming up November two. I am so

871
00:46:31,639 --> 00:46:35,239
excited about this. We're gonna have, of course, swarm the steps.

872
00:46:35,280 --> 00:46:37,639
This is going to be coming in. We'll be seeing

873
00:46:37,719 --> 00:46:41,760
them gladly on the on the excuse me on the second.

874
00:46:42,320 --> 00:46:44,679
I have so many dates in my mind. Legion the

875
00:46:44,800 --> 00:46:48,000
Solace is gonna come in studio. Speed Demon Promotions is

876
00:46:48,039 --> 00:46:50,960
gonna come in studio. VIPs are gonna come in studio,

877
00:46:51,000 --> 00:46:55,519
I believe, and we will be live at the event broadcasting.

878
00:46:55,480 --> 00:46:59,199
Speaker 8: On not on this one, not on WMN.

879
00:46:59,360 --> 00:47:03,000
Speaker 11: It's yeah, we're gonna we're gonna do it from yeah,

880
00:47:03,039 --> 00:47:04,719
from a separate thing. But you guys will be able

881
00:47:04,760 --> 00:47:07,760
to go through Matt Carrington unleash to find that. Yeah,

882
00:47:08,039 --> 00:47:11,079
and what else is going on? Oh my gosh, and

883
00:47:11,159 --> 00:47:12,880
it was also the location is now.

884
00:47:13,360 --> 00:47:14,880
Speaker 8: It's now at Taffaa and Lowell.

885
00:47:15,119 --> 00:47:17,920
Speaker 11: There we go, which is a beautiful venue. Wow, I'm

886
00:47:17,920 --> 00:47:19,159
watching some video from there.

887
00:47:19,320 --> 00:47:22,320
Speaker 9: Yeah I've never been there, but yeah, what looking at

888
00:47:22,440 --> 00:47:24,480
I saw a video as well, and yeah, it looks

889
00:47:24,480 --> 00:47:24,639
like a.

890
00:47:24,679 --> 00:47:25,400
Speaker 8: Really nice place.

891
00:47:25,440 --> 00:47:26,119
Speaker 11: I'm looking forward.

892
00:47:26,119 --> 00:47:28,079
Speaker 9: It looks like it's actually bigger too than Jule. I

893
00:47:28,400 --> 00:47:30,679
can't be sure but from the video, but it looks.

894
00:47:30,559 --> 00:47:31,000
Speaker 8: Like it might be.

895
00:47:31,480 --> 00:47:34,079
Speaker 11: But a huge lineup of bands that aren't going to

896
00:47:34,119 --> 00:47:37,039
be there and all kinds of fun, definitely going to

897
00:47:37,039 --> 00:47:37,559
be worth doing.

898
00:47:37,840 --> 00:47:38,000
Speaker 7: Well.

899
00:47:38,119 --> 00:47:39,719
Speaker 9: Is a cool place too, because there's a there's a

900
00:47:39,760 --> 00:47:42,880
great college station there w U m l oh, Yeah,

901
00:47:42,960 --> 00:47:43,800
really really good college.

902
00:47:43,800 --> 00:47:45,800
Speaker 11: You know a lot about the college station? I do,

903
00:47:46,480 --> 00:47:50,119
I do, Yeah, I get them all confused because they

904
00:47:50,159 --> 00:47:51,280
all have four letters and.

905
00:47:51,559 --> 00:47:53,760
Speaker 8: Yeah, well, that's that's true of any radio station.

906
00:47:54,119 --> 00:47:55,559
Speaker 11: Well, I know, but I don't know how you keep

907
00:47:55,599 --> 00:47:56,199
them all straight.

908
00:47:56,719 --> 00:47:58,639
Speaker 8: Well, I have lists and databases and.

909
00:48:01,039 --> 00:48:02,679
Speaker 11: Yeah, but you seem to rattle them off the top

910
00:48:02,679 --> 00:48:04,599
of your head. Oh that's a place where such a

911
00:48:04,719 --> 00:48:06,079
Slutch radio station as far.

912
00:48:06,280 --> 00:48:09,639
Speaker 8: Yeah, well I've been doing it a while.

913
00:48:11,159 --> 00:48:13,440
Speaker 11: I just love how much we have going on, Yes,

914
00:48:14,039 --> 00:48:16,679
just in our immediate area, and such amazing talent.

915
00:48:17,159 --> 00:48:19,519
Speaker 8: We're really lucky, absolutely absolutely.

916
00:48:19,760 --> 00:48:22,159
Speaker 11: We never run out of content. That's right, We never will.

917
00:48:22,400 --> 00:48:22,800
Speaker 8: That's right.

918
00:48:23,639 --> 00:48:26,199
Speaker 9: Well, let's do this, so as we approach the top

919
00:48:26,280 --> 00:48:28,559
of the hour, we do have doctor Bethany billideo from

920
00:48:28,599 --> 00:48:31,000
the Behavior boot Camp. We'll be joining us in the

921
00:48:31,039 --> 00:48:33,800
third hour. It will be her second appearance on the show.

922
00:48:33,880 --> 00:48:36,800
I also was on interviewed on her podcast and we

923
00:48:36,880 --> 00:48:39,480
had a great discussion. So we love doctor b and

924
00:48:39,559 --> 00:48:42,760
she just won yet another award, so we'll talk about that.

925
00:48:43,280 --> 00:48:45,840
But I think as we approach the top of the hour,

926
00:48:45,920 --> 00:48:48,920
we're gonna play one more track from ever Felt, because

927
00:48:48,920 --> 00:48:52,199
we talked about this song river and this is really

928
00:48:52,280 --> 00:48:54,679
really good. So let's give this a spin and then

929
00:48:54,960 --> 00:48:57,320
we'll see you in the third hour. But here it is,

930
00:48:57,400 --> 00:48:59,760
this is river and the band is ever felt.

931
00:49:38,920 --> 00:50:02,599
Speaker 3: Sne the beaver sk with.

932
00:50:29,360 --> 00:50:39,800
Speaker 4: No h.

933
00:52:05,480 --> 00:52:06,719
Speaker 1: Real me.

934
00:52:08,679 --> 00:52:14,480
Speaker 7: Real So my.

935
00:52:18,400 --> 00:53:19,000
Speaker 6: Real job joined to read shone the joys.

936
00:54:13,719 --> 00:54:17,559
Speaker 4: We know know knows we.

937
00:54:20,400 --> 00:54:31,079
Speaker 1: Cause she knows the watch. We are a sound to stream.

938
00:54:33,639 --> 00:54:35,400
Speaker 5: Be com.

939
00:55:08,559 --> 00:56:49,599
Speaker 7: A no no.

940
00:56:51,599 --> 00:56:59,079
Speaker 1: Thats re cuh no start time.

941
00:57:22,840 --> 00:57:25,039
Speaker 14: In times of crisis, you need a law firm that

942
00:57:25,159 --> 00:57:28,199
stands by your side. With over forty years of experience,

943
00:57:28,320 --> 00:57:32,000
Craigan Getsulus is dedicated to fighting for your rights. As

944
00:57:32,079 --> 00:57:35,199
former state prosecutors, our attorneys have the knowledge and trial

945
00:57:35,320 --> 00:57:39,199
experience to provide an aggressive defense against any charge, from

946
00:57:39,280 --> 00:57:43,559
DUIs to homicides. If you've been injured, our compassionate team

947
00:57:43,599 --> 00:57:46,519
will assess your case and fight for the compensation you deserve.

948
00:57:47,000 --> 00:57:49,880
Serving all of New Hampshire, Craigan Getzulis is here when

949
00:57:49,920 --> 00:57:52,840
you need us most. Visit craig Atzulis dot com or

950
00:57:52,920 --> 00:57:55,599
call six oh three five five five one two three

951
00:57:55,719 --> 00:57:59,920
four for a free consultation. Craigan Getsulus, your advocates, your.

952
00:58:00,039 --> 00:58:04,199
Speaker 12: Allies bring your kitchen to life with Queen City Cabinetry,

953
00:58:04,599 --> 00:58:08,360
located at eighty seven Elm Street in the historic Sunbeam

954
00:58:08,440 --> 00:58:12,280
Mall in Manchester. Open Monday through Friday nine am to

955
00:58:12,400 --> 00:58:16,280
five thirty pm, in Saturdays ten am to two pm.

956
00:58:16,760 --> 00:58:19,840
They can be reached at six oh three two two

957
00:58:20,000 --> 00:58:23,400
two to zero zero seven or on the web at

958
00:58:23,480 --> 00:58:29,159
Queen Citycabinatree NH dot com. Come see the possibilities Queen

959
00:58:29,280 --> 00:58:34,079
City Cabinet Tree. Another crowd sponsor of w MNH. Disney's

960
00:58:34,119 --> 00:58:36,880
Cafe is the place to put a smile on your face.

961
00:58:37,000 --> 00:58:39,280
Judy and the crew will take care of you, bring

962
00:58:39,360 --> 00:58:43,239
your appetite and treat your taste. Buzzs Ruy disneys Cafe

963
00:58:43,440 --> 00:58:47,840
is always a winning choice breakfast, lunch or supper. Disney's

964
00:58:47,920 --> 00:58:52,559
Cafe at eight sixty Elm Street in downtown Manchester. Dine in,

965
00:58:52,800 --> 00:58:56,199
takeout or make a reservation call six oh three, six

966
00:58:56,320 --> 00:59:01,039
oh six two five three two each, drink and be happy.

967
00:59:01,519 --> 00:59:02,360
Business Cafe.

968
00:59:02,719 --> 00:59:05,440
Speaker 15: When it comes to keeping WMNH on the air and

969
00:59:05,559 --> 00:59:09,320
your own personal or business computer needs, trust growl Ind Computers,

970
00:59:09,559 --> 00:59:13,320
located on Elm Street in Manchester. Grolin handles computer repair,

971
00:59:13,559 --> 00:59:16,400
virus removal and custom built systems. Are you looking for

972
00:59:16,519 --> 00:59:19,840
budget friendly options, check out our selection of fully inspected

973
00:59:19,960 --> 00:59:24,039
used computers. We offer tailored on site solutions. No unnecessary

974
00:59:24,119 --> 00:59:27,719
expenses here. Visit growlin dot com or call Grollin Computers

975
00:59:27,840 --> 00:59:31,440
at six zero three six four five zero one zero one.

976
00:59:31,639 --> 00:59:34,239
Your tech, your way, Trust growl In Computers