1 00:00:17,719 --> 00:00:18,239 Speaker 1: Come in. 2 00:00:20,079 --> 00:00:26,039 Speaker 2: Welcome. I'm e G. Marshall. There are two worlds. The 3 00:00:26,079 --> 00:00:29,719 first is the one we know. It has rules, it 4 00:00:29,760 --> 00:00:34,159 has boundaries, it has structure. For lack of a better name, 5 00:00:34,240 --> 00:00:38,280 we call it the real world. The second world, the 6 00:00:38,359 --> 00:00:42,679 other world is always waiting somewhere, just beyond the edge 7 00:00:42,679 --> 00:00:47,200 of understanding. Perhaps it is perceived most clearly in dreams. 8 00:00:48,079 --> 00:00:51,679 It is a world without form or shape, without reason 9 00:00:51,799 --> 00:00:56,280 or logic. And that world still threatens to overwhelm us. 10 00:00:56,960 --> 00:01:07,000 That world, with its demons and dangers and madness. Our 11 00:01:07,079 --> 00:01:11,680 mystery drama The Killer Inside was written especially for the 12 00:01:11,680 --> 00:01:16,920 Mystery Theater by Sam Dan and stars an mirror. It 13 00:01:17,000 --> 00:01:20,719 is sponsored in part by Buick Motor Division and Uncle 14 00:01:20,760 --> 00:01:24,159 Ben's Long Grain and Wild Rice. I'll be back shortly 15 00:01:24,480 --> 00:01:32,400 with that one. Perhaps you know a girl like Gwendolen. 16 00:01:33,040 --> 00:01:37,200 Her mother generally introduces her as my unmarried daughter. What 17 00:01:37,359 --> 00:01:40,480 Mama conveniently overlooks is the fact that Gwendolen may be 18 00:01:40,560 --> 00:01:42,920 unmarried because she is a kid who stayed at home 19 00:01:42,959 --> 00:01:46,879 to look after her parents. Gwendolen believes in being sensible. 20 00:01:47,439 --> 00:01:50,640 The only non sensible thing that Gwendolen ever did was 21 00:01:50,680 --> 00:01:54,879 to buy a Raffel ticket, although it wasn't completely frivolous either, 22 00:01:55,439 --> 00:01:59,400 after all, it was for a charitable cause. However, maybe 23 00:01:59,480 --> 00:02:03,599 doing something that isn't completely sensible might be catching because 24 00:02:04,040 --> 00:02:09,439 lightning figuratively speaking, has struck and Gwendolen's was the winning 25 00:02:09,520 --> 00:02:13,039 ticket and the prize is a ten day trip to London, 26 00:02:13,400 --> 00:02:15,400 and that's what the argument is about. 27 00:02:16,800 --> 00:02:20,000 Speaker 1: But you don't have to go on the trip, Mama. 28 00:02:20,159 --> 00:02:22,159 Speaker 3: That's why I bought the raffle ticket. 29 00:02:22,199 --> 00:02:25,039 Speaker 4: Well, I understand you can cash it in, but where 30 00:02:25,080 --> 00:02:27,960 will I ever get another chance to see London? What's 31 00:02:27,960 --> 00:02:29,080 there to see in London? 32 00:02:29,520 --> 00:02:29,919 Speaker 1: Mama? 33 00:02:30,520 --> 00:02:34,879 Speaker 4: London, London fairly weeks with history, and what's history? 34 00:02:35,199 --> 00:02:37,960 Speaker 1: The past? And what is the past? It's dead. 35 00:02:38,719 --> 00:02:42,240 Speaker 4: You should be concerned with the future. You go to London, 36 00:02:42,319 --> 00:02:45,159 you spend ten days, it's very chilly, it rains all 37 00:02:45,199 --> 00:02:47,240 the time. They have a lot of fried foods. The 38 00:02:47,319 --> 00:02:49,680 ten days are over, the whole thing is finished and 39 00:02:49,719 --> 00:02:53,840 it's gone forever, mama. Whereas if you buy yourself a 40 00:02:53,840 --> 00:02:57,400 couple of outfits, Mama, I am going to London, clothes 41 00:02:57,439 --> 00:03:01,520 you can wear every day for weeks, months, two years, mama, 42 00:03:01,639 --> 00:03:04,199 I say, Or you can you can put the money 43 00:03:04,240 --> 00:03:08,400 in the bank. Mama, I'm thirty years old, only twenty six. 44 00:03:08,800 --> 00:03:11,599 You don't have to lie about my age to me. Look, 45 00:03:11,680 --> 00:03:14,919 it's a woman's right, it's her duty, her obligation to 46 00:03:15,000 --> 00:03:17,879 lie about her age. I'm thirty years old and I've 47 00:03:17,919 --> 00:03:22,520 never done anything, and I've never gone anywhere or be practical. 48 00:03:23,159 --> 00:03:27,199 Speaker 1: Consider Norman Norman? What about Norman? 49 00:03:27,479 --> 00:03:32,159 Speaker 4: Can you risk leaving Norman alone for ten whole days? Well? 50 00:03:32,400 --> 00:03:36,960 Speaker 1: Can you do you know how long I've known Norman? Exactly? 51 00:03:37,120 --> 00:03:41,840 Speaker 4: Three years, three long years, three wasted years. 52 00:03:41,879 --> 00:03:45,520 Speaker 1: Well, it's an investment. You have to protect it. What 53 00:03:45,680 --> 00:03:48,240 you're saying is I'm stuck with it. 54 00:03:48,520 --> 00:03:50,400 Speaker 4: But it's your fault if you don't go out with 55 00:03:50,479 --> 00:03:54,479 anyone else. I don't go out with anyone else because 56 00:03:54,680 --> 00:03:57,560 no one else asks me. Then it's your fault if 57 00:03:57,560 --> 00:04:00,639 you don't get around. Isn't that what I'm trying to 58 00:04:00,639 --> 00:04:02,800 do now by going to London? But who are you 59 00:04:02,840 --> 00:04:04,960 meet in London? A bunch of foreigners? 60 00:04:05,360 --> 00:04:08,560 Speaker 1: Mama? Nothing you can say will make me change my mind. 61 00:04:08,800 --> 00:04:13,759 Speaker 4: Well, suppose Norman meets somebody else in ten days, It 62 00:04:13,759 --> 00:04:17,079 could happen in ten minutes. Good, he can waste three 63 00:04:17,120 --> 00:04:20,160 years of her life. What's gotten into you? 64 00:04:20,560 --> 00:04:24,519 Speaker 1: Nothing? Usually you're so sensible. Maybe that's my problem. 65 00:04:24,879 --> 00:04:27,160 Speaker 4: Oh well, if you have a problem, you better see 66 00:04:27,160 --> 00:04:30,319 doctor Morris. Oh please forget it. If you have a problem, 67 00:04:30,439 --> 00:04:34,240 you shouldn't let it fester. Oh my, who could that be? 68 00:04:34,920 --> 00:04:38,560 Speaker 1: Mama? You know perfectly well who it is? Who else 69 00:04:38,600 --> 00:04:39,120 could it be? 70 00:04:42,079 --> 00:04:45,000 Speaker 2: How good, good evening? Gwynlan Norman? 71 00:04:45,560 --> 00:04:46,439 Speaker 4: What a surprise? 72 00:04:46,879 --> 00:04:48,680 Speaker 2: Yeah? May I come in? 73 00:04:49,519 --> 00:04:50,759 Speaker 1: What would you do if I said no? 74 00:04:52,279 --> 00:04:54,120 Speaker 2: I don't understand. Why would you say no? 75 00:04:55,160 --> 00:04:57,279 Speaker 4: Oh, don't pay any attention to a Norman. 76 00:04:57,439 --> 00:04:59,839 Speaker 2: Her head's in the cloud. 77 00:05:00,040 --> 00:05:02,040 Speaker 4: We're just about to start under. 78 00:05:01,920 --> 00:05:05,480 Speaker 2: The have some Yeah, thank you, I will. I saved 79 00:05:05,560 --> 00:05:07,920 up three hundred galleries for you with a look. 80 00:05:09,199 --> 00:05:09,519 Speaker 1: You know what. 81 00:05:10,160 --> 00:05:12,199 Speaker 4: Gwendolen is down for London Norman. 82 00:05:12,720 --> 00:05:14,399 Speaker 1: I just couldn't talk her out of it. 83 00:05:14,720 --> 00:05:18,079 Speaker 2: Oh I think she should go, you do? Oh yes, 84 00:05:18,199 --> 00:05:21,759 it'll be an enriching educational experience. 85 00:05:21,800 --> 00:05:25,199 Speaker 4: Ah, you know that's exactly what I kept telling you. 86 00:05:25,360 --> 00:05:28,639 Speaker 2: Now, Quenlan, I've a compiled a list of places you 87 00:05:28,720 --> 00:05:31,120 mustn't miss, all the important museum. 88 00:05:31,639 --> 00:05:36,240 Speaker 4: You know, I understand that London is a very romantic city. 89 00:05:36,399 --> 00:05:39,920 Speaker 2: Oh, yes, rich with the romance of history. 90 00:05:40,120 --> 00:05:43,199 Speaker 4: I also understand it. It's a wonderful place to. 91 00:05:43,199 --> 00:05:44,160 Speaker 1: Spend a honeymoon. 92 00:05:44,399 --> 00:05:49,000 Speaker 4: Mama. Look now, you're both practical, sensible people, and you're 93 00:05:49,079 --> 00:05:54,959 as good as engaged, aren't you, well, Mama Norman, Norman, dear, 94 00:05:55,360 --> 00:05:57,399 he is a once in a lifetime chance for a 95 00:05:57,439 --> 00:06:00,319 half price honeymoon because her expenses are well that he 96 00:06:00,439 --> 00:06:01,079 paid for. 97 00:06:02,680 --> 00:06:05,959 Speaker 2: Yeah, but you see it would be a false economy, 98 00:06:06,000 --> 00:06:08,920 Missus Wilkinson. We can't afford marriage until I become an 99 00:06:08,920 --> 00:06:12,720 associate professor, at which time I'll have tenure and we'll 100 00:06:12,759 --> 00:06:17,040 be able to assume the responsibilities that Norman. 101 00:06:18,240 --> 00:06:20,920 Speaker 1: Aren't you afraid to let Gwendolen go off alone? 102 00:06:21,720 --> 00:06:22,839 Speaker 2: Why should I be afraid? 103 00:06:23,199 --> 00:06:26,839 Speaker 4: Well, she could meet some titled englishman, some some. 104 00:06:27,040 --> 00:06:30,399 Speaker 2: Do or no a duke, even when Earl wasn't looking 105 00:06:30,439 --> 00:06:35,120 for playing girls. Really huh oh oh, Well, what I 106 00:06:35,279 --> 00:06:38,399 meant was playing in the generic sense of the word 107 00:06:38,680 --> 00:06:41,680 I meaning ordinary, that is off the people as opposed 108 00:06:41,720 --> 00:06:42,639 to the nobility. 109 00:06:43,079 --> 00:06:44,480 Speaker 3: It doesn't get any better. 110 00:06:45,160 --> 00:06:48,279 Speaker 4: Well, I should leave you to alone. I'm sure you 111 00:06:48,399 --> 00:06:49,920 have so much to say to each other. 112 00:06:49,959 --> 00:06:52,759 Speaker 2: Oh, I was just about to leave. I have to 113 00:06:52,800 --> 00:06:53,560 attend a meeting. 114 00:06:53,680 --> 00:06:57,040 Speaker 4: But Norman, it's my last evening before the trip. 115 00:06:58,360 --> 00:06:59,560 Speaker 2: I understand, Gwendolen. 116 00:06:59,600 --> 00:07:01,040 Speaker 1: But and there's a. 117 00:07:01,160 --> 00:07:04,279 Speaker 4: Very artistic Albanian film playing at you. 118 00:07:04,360 --> 00:07:04,879 Speaker 1: But this is. 119 00:07:04,839 --> 00:07:09,040 Speaker 2: A vitally important meeting of the language Association. I'm to 120 00:07:09,120 --> 00:07:09,800 read a paper. 121 00:07:10,439 --> 00:07:13,759 Speaker 4: Oh, I thought we would spend the evening together. 122 00:07:14,279 --> 00:07:18,720 Speaker 2: We're always together, my dear, We're always together in spirit. 123 00:07:19,639 --> 00:07:23,600 And besides, transoceanic flying is extremely fatiguing. You should get 124 00:07:23,600 --> 00:07:24,040 some left. 125 00:07:24,199 --> 00:07:27,040 Speaker 4: And Norman is right, Gwendolyn, I. 126 00:07:27,040 --> 00:07:30,399 Speaker 2: Suppose so it's the best way to avoid jet lag. 127 00:07:31,240 --> 00:07:32,240 Speaker 1: It's more pie. 128 00:07:32,519 --> 00:07:37,720 Speaker 2: No, no, you mustn't tempt me. Oh, where is the 129 00:07:37,800 --> 00:07:41,360 time gone? Suddenly it's late. Have a glorious trip, my dear. 130 00:07:41,399 --> 00:07:46,040 And oh oh, I almost forgot. Do you suppose you 131 00:07:46,120 --> 00:07:48,319 might run an erin for me while you're in London? 132 00:07:48,600 --> 00:07:50,439 Speaker 1: And er Well, I got a friend. 133 00:07:51,000 --> 00:07:55,120 Speaker 2: Well, we've never met personally, but we've been corresponding for years. 134 00:07:55,480 --> 00:07:58,720 He teaches linguistics at the university. Would you would you 135 00:07:58,759 --> 00:07:59,959 mind giving him this envelope? 136 00:08:00,279 --> 00:08:00,839 Speaker 1: What is it? 137 00:08:01,079 --> 00:08:04,240 Speaker 2: Well, I've compiled what I think is a list of 138 00:08:04,319 --> 00:08:08,399 hitherto unknown in the European language root words and I'm 139 00:08:08,480 --> 00:08:11,600 anxious for his opinion. He's his name and an addresser 140 00:08:11,639 --> 00:08:14,519 on the envelope right now, mister Toby has it at 141 00:08:14,600 --> 00:08:16,360 six goldens crescents and. 142 00:08:16,480 --> 00:08:17,680 Speaker 4: Make sure you don't lose it. 143 00:08:17,839 --> 00:08:20,279 Speaker 2: Mom, I was going to mail it, but since you'll 144 00:08:20,319 --> 00:08:22,680 be in London tomorrow it you know, it might be 145 00:08:22,720 --> 00:08:25,360 fun for you to meet him. He's the story who 146 00:08:25,480 --> 00:08:28,800 likes to sit around and discuss in the European roots 147 00:08:28,800 --> 00:08:29,360 for hours. 148 00:08:30,279 --> 00:08:31,199 Speaker 1: It should be a lock. 149 00:08:32,360 --> 00:08:38,759 Speaker 2: Well, Donnie, the swiftest partings are the sweetest, as they say, 150 00:08:39,279 --> 00:08:44,000 I see you in exactly eleven days. Goodbye Norman, and 151 00:08:44,440 --> 00:08:46,159 the goodbye min says Wilkinson. 152 00:08:46,440 --> 00:08:57,679 Speaker 4: Goodbye, yes, goodbye Norman. Well, I admit he he isn't 153 00:08:57,759 --> 00:09:01,679 very exciting, but his kind makes the best husband's sure. 154 00:09:03,399 --> 00:09:04,279 Speaker 1: Let me help you pack. 155 00:09:04,840 --> 00:09:07,960 Speaker 4: You better take a long sensible shoes. I don't think 156 00:09:07,960 --> 00:09:11,759 I have any other kind, and the heavy sweater. Mama, 157 00:09:12,000 --> 00:09:13,320 maybe I shouldn't go. 158 00:09:13,720 --> 00:09:16,200 Speaker 1: Why oh, what's the use? 159 00:09:16,320 --> 00:09:18,519 Speaker 3: But nothing's gonna happen to me over there? 160 00:09:19,120 --> 00:09:20,879 Speaker 1: Well, what do you want to happen? 161 00:09:21,039 --> 00:09:26,360 Speaker 4: I don't know, something something different, something exciting, but it 162 00:09:26,440 --> 00:09:29,480 won't I don't know anyone I won't meet anyone. 163 00:09:29,519 --> 00:09:30,480 Speaker 1: Well, that's not true. 164 00:09:30,600 --> 00:09:31,639 Speaker 4: That it is this man. 165 00:09:31,759 --> 00:09:34,759 Speaker 1: Well, oh, what's his name again, Tony Hazlitz. 166 00:09:35,919 --> 00:09:40,840 Speaker 4: He might be interesting, mama, How can he possibly be interesting? 167 00:09:41,279 --> 00:09:42,799 Speaker 1: He's Norman's friend. 168 00:09:51,840 --> 00:09:58,159 Speaker 4: Colin Street, and this corner should be Golder's crescent. 169 00:10:00,159 --> 00:10:04,399 Speaker 1: Number two four. 170 00:10:06,440 --> 00:10:12,399 Speaker 3: Ah sick, I'll just hand him the envelope and leaves. 171 00:10:12,759 --> 00:10:15,120 Speaker 4: I don't intend to get sidetracked by any of Norman's 172 00:10:15,200 --> 00:10:16,279 stuffy old. 173 00:10:18,039 --> 00:10:18,360 Speaker 2: Yes. 174 00:10:19,440 --> 00:10:25,120 Speaker 4: Oh uh, my name is Gwendolyn Wilkins's nice time to do? 175 00:10:26,960 --> 00:10:29,639 Speaker 3: Oh I have something for a mister. 176 00:10:29,480 --> 00:10:32,159 Speaker 2: Haslitt, mister Toby Haslitt. That's all I know. Man. 177 00:10:33,000 --> 00:10:35,519 Speaker 5: Oh oh, but you can't be well why did you 178 00:10:35,559 --> 00:10:41,399 say that? Because I uh oh do you know mister Haslet. No, 179 00:10:41,679 --> 00:10:45,399 you say that like not Toby Haslett. That just sparkling 180 00:10:45,440 --> 00:10:47,279 blue eyes does not give you the right to deny 181 00:10:47,360 --> 00:10:48,360 people their identity. 182 00:10:49,360 --> 00:10:51,919 Speaker 3: Well, I was sent here by mister Norman Bradcliffe. 183 00:10:52,120 --> 00:10:57,279 Speaker 4: Ah, Norman, the Indo European root words, the new one. 184 00:10:57,559 --> 00:10:59,159 Speaker 1: He can pile this list for you. 185 00:10:59,360 --> 00:11:01,120 Speaker 2: Oh yes, yes, yes, of course, of course the end 186 00:11:01,240 --> 00:11:01,960 European roots. 187 00:11:02,000 --> 00:11:07,399 Speaker 4: That one should come in. Well, I uh uh. 188 00:11:07,600 --> 00:11:08,960 Speaker 2: Chair, oh, thank you. 189 00:11:10,519 --> 00:11:13,039 Speaker 1: Well, this is the most attractive place. 190 00:11:12,799 --> 00:11:13,360 Speaker 2: You have here. 191 00:11:13,960 --> 00:11:16,000 Speaker 4: I uh, I mean I I wouldn't have thought that 192 00:11:16,080 --> 00:11:18,080 you were university professor. 193 00:11:18,440 --> 00:11:18,919 Speaker 2: And why not? 194 00:11:19,559 --> 00:11:23,320 Speaker 4: Well, most faculty people I know have rooms that are cluttered. 195 00:11:22,919 --> 00:11:26,919 Speaker 2: With book us. And now is Norman of the Old's 196 00:11:26,960 --> 00:11:28,039 candle up to these days? 197 00:11:28,480 --> 00:11:31,759 Speaker 5: Well, mister haslay, No, you must call me Toby, and 198 00:11:31,799 --> 00:11:32,679 I should call you Gwen. 199 00:11:33,440 --> 00:11:35,639 Speaker 1: Uh no one ever called me Gwen. 200 00:11:36,159 --> 00:11:37,240 Speaker 2: Well, I refuse to call you. 201 00:11:37,559 --> 00:11:37,639 Speaker 1: Ms. 202 00:11:37,799 --> 00:11:40,440 Speaker 2: Wilkinson two made school teacher issuer. 203 00:11:41,600 --> 00:11:45,039 Speaker 4: Well, the fact is I am an old maid school teacher. 204 00:11:45,200 --> 00:11:46,799 Speaker 2: Oh I can't believe it. 205 00:11:47,159 --> 00:11:48,039 Speaker 1: Well why can't you? 206 00:11:48,120 --> 00:11:49,960 Speaker 3: I mean, I look at don't I? 207 00:11:50,159 --> 00:11:53,200 Speaker 1: Well, I'm rather playing. Oh no, no, no, no, I 208 00:11:53,360 --> 00:11:54,360 have no illusions. 209 00:11:54,679 --> 00:11:57,360 Speaker 2: Well, every woman should have illusions. All she needs is 210 00:11:58,080 --> 00:11:59,639 is a man who can support them. 211 00:12:01,879 --> 00:12:04,399 Speaker 4: Well, Norman and I, uh, we're both on the faculty 212 00:12:04,440 --> 00:12:05,720 at Metropolitan University. 213 00:12:05,879 --> 00:12:06,000 Speaker 1: Uh. 214 00:12:06,240 --> 00:12:06,840 Speaker 2: What'd you teach? 215 00:12:07,039 --> 00:12:10,399 Speaker 3: Higher mathematics seminars? Mostly in the theory of numbers? 216 00:12:10,440 --> 00:12:13,039 Speaker 4: And uh it really has no practical application? 217 00:12:13,240 --> 00:12:15,679 Speaker 2: Oh well is that why everything else about you are practical? 218 00:12:17,519 --> 00:12:19,759 Speaker 4: You know, you're not at all the way I imagined you, 219 00:12:19,879 --> 00:12:24,759 mister Hazlitt. Toby Toby Toby, I, y, I thought you'd 220 00:12:24,799 --> 00:12:27,480 be a stuffy conservative old gentleman. 221 00:12:27,679 --> 00:12:30,480 Speaker 3: Why because you're a friend of Norman. 222 00:12:31,000 --> 00:12:35,279 Speaker 2: Who happens to be or of a stuffy conservative young gentleman. 223 00:12:37,399 --> 00:12:42,039 Speaker 3: I uh, I really should be going. Why well, because 224 00:12:42,080 --> 00:12:43,279 I'd have so many things to do? 225 00:12:44,559 --> 00:12:44,720 Speaker 1: Well? 226 00:12:44,919 --> 00:12:45,159 Speaker 4: Uh? 227 00:12:45,279 --> 00:12:49,000 Speaker 5: Can you have them all attended too, by say seven thirty? 228 00:12:49,440 --> 00:12:52,039 Why because that's what I intend to pick you up 229 00:12:52,039 --> 00:12:52,440 for dinner? 230 00:12:53,519 --> 00:12:55,919 Speaker 1: Oh uh oh uh? 231 00:12:55,919 --> 00:12:58,159 Speaker 3: We Well, I I couldn't go out to dinner with you? 232 00:12:58,240 --> 00:12:58,879 Speaker 1: Why well? 233 00:12:58,879 --> 00:12:59,200 Speaker 2: Why not? 234 00:13:00,039 --> 00:13:00,399 Speaker 1: Why not? 235 00:13:00,799 --> 00:13:01,200 Speaker 2: Hm? 236 00:13:01,279 --> 00:13:02,240 Speaker 3: Uh huh why not? 237 00:13:02,480 --> 00:13:02,919 Speaker 1: Uh? 238 00:13:02,919 --> 00:13:04,279 Speaker 4: I don't really know? Why not? 239 00:13:13,120 --> 00:13:13,879 Speaker 1: Dear Mama. 240 00:13:15,080 --> 00:13:17,399 Speaker 4: Here it is my first. 241 00:13:17,200 --> 00:13:19,960 Speaker 3: Night in London, and I have a dinner day. 242 00:13:21,440 --> 00:13:29,960 Speaker 4: Mister Toby Haslett is dirtyish, handsome and if Norman doesn't 243 00:13:30,159 --> 00:13:34,720 like it, well he had no business arranging for us 244 00:13:34,759 --> 00:13:41,759 to need uh uh uh just a minute, he's here now, 245 00:13:42,399 --> 00:13:44,759 I'll finish the ladder later, I'm tell me. 246 00:13:48,519 --> 00:13:53,639 Speaker 2: Oh uh, Miss Gwendolyn Wilkinson. Yes, my name is Inspector 247 00:13:53,639 --> 00:13:55,639 Stooks of my Prudentials. 248 00:13:56,519 --> 00:13:59,320 Speaker 1: Oh well, uh what can I do for you? 249 00:13:59,440 --> 00:14:02,080 Speaker 2: Uh? Mister h I am afraid that you'll have to 250 00:14:02,120 --> 00:14:05,960 come to headquarters now. Yes, miss Wilkinson. 251 00:14:06,159 --> 00:14:08,799 Speaker 1: Now, but why what's wrong? 252 00:14:09,759 --> 00:14:11,159 Speaker 2: You're wanted for questioning? 253 00:14:12,279 --> 00:14:15,639 Speaker 1: Well, are you sure you're looking for me? Gwendolyn Wilkins. 254 00:14:15,679 --> 00:14:17,039 Speaker 2: Oh, yes, miss, there's ner mistake. 255 00:14:18,000 --> 00:14:20,120 Speaker 3: I don't understand I what is wrong? 256 00:14:20,679 --> 00:14:22,840 Speaker 2: There has been a murder? 257 00:14:23,840 --> 00:14:25,399 Speaker 1: Uh ah, what murderer? 258 00:14:26,120 --> 00:14:29,559 Speaker 2: Oh a mister Haslett, mister Turvey Hasard. 259 00:14:30,440 --> 00:14:33,679 Speaker 1: Oh but but but that's impossible. 260 00:14:33,720 --> 00:14:33,960 Speaker 2: Brow. 261 00:14:34,159 --> 00:14:37,840 Speaker 1: I I just su who would want to kill mister Halislet. 262 00:14:38,360 --> 00:14:41,240 Speaker 2: That's what we'd like to find out from you, miss Wilkinson. 263 00:14:41,639 --> 00:14:46,279 Speaker 4: Oh. 264 00:14:46,360 --> 00:14:50,039 Speaker 2: Wendolyn Wilkinson is a girl of many attainments, but one 265 00:14:50,120 --> 00:14:53,879 quality she doesn't have is the ability to predict the future. 266 00:14:54,679 --> 00:14:57,240 Isn't she the young lady who only twenty four hours 267 00:14:57,240 --> 00:15:00,519 ago sadly announced to her mother that nothing what happened 268 00:15:00,559 --> 00:15:05,240 to her in London? Nothing exciting, nothing different. Well, it 269 00:15:05,360 --> 00:15:08,679 isn't every day that a quiet, shy, retiring girl is 270 00:15:08,720 --> 00:15:12,559 accused of murder. We'll all be present at police headquarters 271 00:15:12,559 --> 00:15:22,200 when I return with Act two in just a few moments. 272 00:15:22,960 --> 00:15:25,799 For most people, the world is a well ordered place. 273 00:15:26,559 --> 00:15:29,519 What happens when one is no longer a working part 274 00:15:29,799 --> 00:15:33,440 of the social engine, and indeed, discovers that the machine 275 00:15:33,480 --> 00:15:37,480 of society is no longer something that offers protection, but 276 00:15:37,679 --> 00:15:42,279 seems instead bent on one's destruction. It's bad enough to 277 00:15:42,320 --> 00:15:45,240 be accused of a murder that one didn't commit. It's 278 00:15:45,399 --> 00:15:49,000 infinitely worse to have to meet that accusation when one 279 00:15:49,039 --> 00:15:57,159 is a stranger and alone in a foreign country spector 280 00:16:00,039 --> 00:16:03,799 hasn't confessed. Oh, I'm quite sure you'll see reasons of 281 00:16:03,919 --> 00:16:06,919 hydric Is that's true. We have time, We have all 282 00:16:06,919 --> 00:16:11,840 the time in the world. I was a well, as 283 00:16:11,879 --> 00:16:14,399 you might have assumed, Miss Wilkinson, that core concerned you. 284 00:16:15,639 --> 00:16:17,080 Are you ready now to make a statement. 285 00:16:17,679 --> 00:16:19,759 Speaker 3: I don't know what you're talking about. 286 00:16:19,639 --> 00:16:22,399 Speaker 2: Miss Wilkinson. We're only asking you to make it easier 287 00:16:22,440 --> 00:16:24,200 for all concern you mean, make it. 288 00:16:24,159 --> 00:16:25,000 Speaker 1: Easier for you. 289 00:16:25,559 --> 00:16:27,720 Speaker 4: I told you I know nothing about that murder, or 290 00:16:27,759 --> 00:16:28,440 any murder. 291 00:16:29,000 --> 00:16:30,559 Speaker 1: I don't murder people myself. 292 00:16:30,639 --> 00:16:33,360 Speaker 4: I don't associate with people who commit murdered that this 293 00:16:33,440 --> 00:16:35,080 whole thing is alien to me, My. 294 00:16:35,080 --> 00:16:36,080 Speaker 2: Dear Miss Wilkinson. 295 00:16:36,200 --> 00:16:38,519 Speaker 1: I'm trying to explain, and you must listen. 296 00:16:38,639 --> 00:16:40,559 Speaker 2: Even if you agree to cooperate. 297 00:16:40,679 --> 00:16:42,799 Speaker 4: Let me remind you that I happen to be an 298 00:16:42,799 --> 00:16:43,759 American citizen. 299 00:16:43,799 --> 00:16:44,960 Speaker 2: Oh yes, I've got aware. 300 00:16:45,279 --> 00:16:47,039 Speaker 1: I demand to see the American Concert. 301 00:16:47,039 --> 00:16:48,600 Speaker 2: I can assure you, Miss Wilkinson. 302 00:16:48,960 --> 00:16:51,000 Speaker 4: I can accept no assurances from you. 303 00:16:51,200 --> 00:16:53,279 Speaker 1: I know my rights. I demanded very. 304 00:16:53,159 --> 00:17:04,000 Speaker 2: Well, Miss Wilkinson. If you insist, I don't. 305 00:17:03,759 --> 00:17:09,200 Speaker 1: Think you understand. Missus Uh Clover, Uh, missus Clover. Eh. 306 00:17:09,359 --> 00:17:12,240 Speaker 4: Is it possible you haven't heard a single word I've said. 307 00:17:12,440 --> 00:17:15,240 I heard every word you said, Miss Wilkinson, you heard 308 00:17:15,319 --> 00:17:18,759 every word I said, and you can sit there and 309 00:17:18,839 --> 00:17:21,200 tell me there's nothing you can do for me. I 310 00:17:21,359 --> 00:17:26,680 thought I had explained, but I don't understand. I have 311 00:17:26,920 --> 00:17:29,880 always been a law abiding citizen of the United States. 312 00:17:30,119 --> 00:17:32,799 I've never asked for anything. And are you telling me 313 00:17:33,079 --> 00:17:36,720 that when I am being railroaded for murder, my country, 314 00:17:36,759 --> 00:17:39,079 the strongest country in the world, is just gonna stand 315 00:17:39,119 --> 00:17:44,000 by a quietly. Miss Wilkinson, your American citizenship, there's not 316 00:17:44,039 --> 00:17:46,720 a suit of armor that protects you from the laws 317 00:17:46,720 --> 00:17:47,440 of the country you. 318 00:17:47,359 --> 00:17:48,240 Speaker 1: Happen to be visiting. 319 00:17:48,960 --> 00:17:55,000 Speaker 6: Missus Clover, please listen. I I am being framed. Framed. 320 00:17:55,480 --> 00:17:58,319 That word hope, framed. I hear it in gangster movies. 321 00:17:58,400 --> 00:17:59,240 Speaker 1: Strange word. 322 00:17:59,599 --> 00:18:02,000 Speaker 4: But now, I mean, right now, this is happening to me, 323 00:18:02,920 --> 00:18:05,839 I ain't been framed, and everyone. 324 00:18:05,599 --> 00:18:06,599 Speaker 1: Simply stands by. 325 00:18:07,599 --> 00:18:12,279 Speaker 4: Miss Wilkinson, You, ma'am, are standing by. You are subject 326 00:18:12,319 --> 00:18:14,559 to the laws of this land, I admitted, and that's 327 00:18:14,599 --> 00:18:16,680 the way it should be. But I didn't break any 328 00:18:16,720 --> 00:18:18,000 of the laws of this country. 329 00:18:18,519 --> 00:18:21,519 Speaker 1: That would be a matter for the jury to decide. Jury. 330 00:18:22,160 --> 00:18:25,359 Speaker 4: Our office has discussed the case with the police, and 331 00:18:25,480 --> 00:18:28,599 they have a case. They have what they have enough 332 00:18:28,640 --> 00:18:32,640 evidence to go to trial? What evidence? You are entitled 333 00:18:32,640 --> 00:18:35,480 to a fair trial and to comfort in counsel, and 334 00:18:35,559 --> 00:18:36,160 you'll get it. 335 00:18:36,920 --> 00:18:38,000 Speaker 1: There has been a mistake. 336 00:18:38,839 --> 00:18:43,839 Speaker 4: It's a dreadful mistake. I never met mister Toby Haslet before. 337 00:18:44,119 --> 00:18:46,480 If I murdered him, what was my motive? 338 00:18:46,799 --> 00:18:48,039 Speaker 1: I mean, why would I kill him? 339 00:18:48,079 --> 00:18:48,400 Speaker 2: Why? 340 00:18:48,640 --> 00:18:53,119 Speaker 4: Miss Wilkinson. We are fully aware of the other thing, 341 00:18:53,400 --> 00:18:53,799 I mean. 342 00:18:53,680 --> 00:18:57,359 Speaker 1: Why would I want to kill to Why? What other things? 343 00:18:57,400 --> 00:19:00,039 Speaker 4: Who do you know, Miss Wilkinson, what other thing? We 344 00:19:01,240 --> 00:19:04,039 are aware of the activities you've been engaged in for 345 00:19:04,119 --> 00:19:08,440 the past three years at least activities, and we are 346 00:19:08,480 --> 00:19:14,640 aware of mister Norman Radcliffe's activities also, Norman. Oh no, 347 00:19:14,640 --> 00:19:18,400 Norman has absolutely no activities at all. Now, if you 348 00:19:18,559 --> 00:19:21,880 cooperate with the police. It's possible you could get off 349 00:19:21,920 --> 00:19:23,920 with a relatively short sentence. 350 00:19:24,680 --> 00:19:25,039 Speaker 1: It's the. 351 00:19:26,960 --> 00:19:29,599 Speaker 3: This other thing you're talking about. I mean, what is it? 352 00:19:30,480 --> 00:19:34,000 Speaker 4: I'm sorry, Miss Wilkinson, there's nothing we can do for you. 353 00:19:39,079 --> 00:19:41,799 Speaker 2: Well, then, Miss Wilkinson, are we ready finally to face 354 00:19:41,880 --> 00:19:44,920 the facts you killed Toby Hasidants. 355 00:19:45,519 --> 00:19:50,400 Speaker 4: I met Toby Hazlet for the first time yesterday afternoon. 356 00:19:51,039 --> 00:19:53,200 Speaker 1: I wasn't with him for more than ten minutes. 357 00:19:54,000 --> 00:19:57,240 Speaker 4: I even liked him. I agreed to have dinner with him. 358 00:19:57,279 --> 00:19:58,559 Those are the only facts. 359 00:19:58,680 --> 00:20:01,319 Speaker 2: Oh no, the two facts you're in this folder? Shall 360 00:20:01,359 --> 00:20:02,480 we go through them? 361 00:20:02,480 --> 00:20:06,519 Speaker 4: Inspector Stokes. My name is Gwendolen Wilkinson. 362 00:20:07,359 --> 00:20:12,160 Speaker 1: I teach mathematics. I've never done anything wrong. Why would 363 00:20:12,200 --> 00:20:13,440 I want to kill Toby. 364 00:20:13,160 --> 00:20:17,440 Speaker 2: Haswid because he'd decided to defect to our side? 365 00:20:18,920 --> 00:20:21,400 Speaker 1: The saintest idea? What you're talking about? 366 00:20:21,559 --> 00:20:25,400 Speaker 2: Toby Hazard ran the central message point for an espionage network. 367 00:20:25,799 --> 00:20:27,000 Speaker 1: What would that mean to me? 368 00:20:27,240 --> 00:20:27,559 Speaker 4: Please? 369 00:20:27,640 --> 00:20:32,279 Speaker 2: Miss Wilkinson, we are not idiots. You delivered a message 370 00:20:32,279 --> 00:20:34,200 to Toby Hazard yesterday? Will you deny it? 371 00:20:34,480 --> 00:20:35,160 Speaker 1: Oh? 372 00:20:35,720 --> 00:20:40,759 Speaker 4: Yes, that it wasn't a message? Oh of course not. Well, 373 00:20:40,839 --> 00:20:43,799 I mean not in the espionage sense it with merely 374 00:20:43,839 --> 00:20:47,599 a discussion of early Indo European language routs. 375 00:20:47,799 --> 00:20:50,519 Speaker 2: Yes, that's been an excellent cover these past three years. 376 00:20:50,640 --> 00:20:53,440 That's how Norman Radcliffe has been sending his coded messages 377 00:20:53,480 --> 00:20:54,240 to Toby Hasard. 378 00:20:54,640 --> 00:20:58,279 Speaker 4: Norman, Oh, oh no, And why do you say no? 379 00:20:58,880 --> 00:21:02,359 Speaker 1: Because because you don't know Norman. 380 00:21:02,640 --> 00:21:05,440 Speaker 2: Oh, the secret services of both our countries are very 381 00:21:05,519 --> 00:21:06,559 much aware of your Norman. 382 00:21:07,200 --> 00:21:10,480 Speaker 1: Do you do you mean that Norman is a spy? 383 00:21:10,720 --> 00:21:13,839 Speaker 2: Please, Miss Wilkinson. Such a display of outraged innocence is 384 00:21:14,240 --> 00:21:17,079 just too much. You're all in it, the three of you, 385 00:21:17,920 --> 00:21:21,960 the three of us. Norman gets the information, you as 386 00:21:21,960 --> 00:21:27,319 the mathematician devised the codes, and your mother my mother. Yes, 387 00:21:27,480 --> 00:21:30,640 your mother provides a place for the activity, her apartment, 388 00:21:31,119 --> 00:21:34,559 and also lends it a certain air of respectability. 389 00:21:34,720 --> 00:21:40,000 Speaker 4: You, sir, you may be a police inspector, but you. 390 00:21:39,559 --> 00:21:43,240 Speaker 2: You are mad, Miss Wilkinson. Why do you fight reality? 391 00:21:43,880 --> 00:21:46,160 Speaker 1: Maybe maybe I'm the one who's mad? 392 00:21:46,640 --> 00:21:48,839 Speaker 2: Shall we continue hither? 393 00:21:48,960 --> 00:21:52,039 Speaker 4: I'm I'm mad? Or it's a nightmare. I'll just have 394 00:21:52,160 --> 00:21:53,200 to wake up Somehow. 395 00:21:54,039 --> 00:21:58,519 Speaker 2: Toby Hazard had become frightened. He decided to defect. He 396 00:21:58,559 --> 00:22:01,640 had begun negotiations with us. But there must have been 397 00:22:01,680 --> 00:22:04,240 a leak in our security him. Your people got wind 398 00:22:04,240 --> 00:22:05,200 of it somehow. 399 00:22:05,039 --> 00:22:07,720 Speaker 1: My people I don't have any people. 400 00:22:07,839 --> 00:22:10,559 Speaker 2: And you were sent here to kill him. 401 00:22:11,000 --> 00:22:13,440 Speaker 1: I I was sent here to kill. 402 00:22:13,279 --> 00:22:17,240 Speaker 4: Him, exactly him, and that's the reason I came here 403 00:22:17,559 --> 00:22:21,640 to kill him precisely. No, no, no, Willkinson. 404 00:22:21,759 --> 00:22:23,519 Speaker 2: Sooner or later you'll have to. 405 00:22:23,599 --> 00:22:27,519 Speaker 4: Foh yes, oh look you really you have spun a 406 00:22:27,559 --> 00:22:31,640 neat little web, Inspector. But here's how it all falls apart, 407 00:22:32,039 --> 00:22:36,640 becomes unstuck. Th here was how do you know why 408 00:22:36,680 --> 00:22:39,240 and how I was able to come to London? I 409 00:22:39,279 --> 00:22:42,319 won a prize and a raffle that accounts for my 410 00:22:42,400 --> 00:22:43,079 presence here. 411 00:22:43,319 --> 00:22:47,279 Speaker 2: Oh yes, your organization is extremely creative. Credit where credit 412 00:22:47,400 --> 00:22:49,319 is due. That raffle was an excellent cover. 413 00:22:49,720 --> 00:22:51,279 Speaker 1: How could a raffle be a cover? 414 00:22:51,599 --> 00:22:54,680 Speaker 2: What a clever way to make your tip seem so 415 00:22:54,680 --> 00:22:57,400 so random, so accidental, Inspector. 416 00:22:58,279 --> 00:23:01,119 Speaker 4: Let's assume, for the sake of argument, that I'm a 417 00:23:01,119 --> 00:23:05,319 member of some espionage group. Do you mean that this 418 00:23:05,559 --> 00:23:08,519 clever organization would depend on buying a raffle ticket to 419 00:23:08,519 --> 00:23:09,279 get me to London? 420 00:23:10,279 --> 00:23:13,000 Speaker 1: It's like buying a sweet steaks ticket so you could. 421 00:23:12,799 --> 00:23:16,720 Speaker 2: Be sure of paying the rent, Miss Williginson, Which organization 422 00:23:16,880 --> 00:23:18,000 sponsored that raffle? 423 00:23:18,799 --> 00:23:19,880 Speaker 1: Uh? Uh? 424 00:23:20,079 --> 00:23:23,279 Speaker 4: The uh Metro University Faculty and Student Association. 425 00:23:23,480 --> 00:23:26,160 Speaker 2: That's correct. Now tell me who was chairman of the 426 00:23:26,200 --> 00:23:30,680 raffle committee. I don't you mustn't say you don't know. 427 00:23:31,480 --> 00:23:32,160 It was Norman. 428 00:23:33,119 --> 00:23:39,720 Speaker 1: But Norman would he he couldn't. He's extremely ethical. 429 00:23:40,039 --> 00:23:43,000 Speaker 2: Now now we have such an innocent looking way to 430 00:23:43,039 --> 00:23:45,839 get you to London, and such an excellent cover a 431 00:23:45,960 --> 00:23:47,039 naive tourist. 432 00:23:47,200 --> 00:23:52,000 Speaker 4: But I am naive and I am a tourist and 433 00:23:52,119 --> 00:23:57,440 you killed Toby Haslet oh please please with whatever I say, 434 00:23:57,519 --> 00:23:58,799 you can turn it and twist me. 435 00:23:58,880 --> 00:24:00,480 Speaker 2: Miss Wilkinson, let me. 436 00:24:00,440 --> 00:24:03,920 Speaker 6: Alone, please, I'm I'm just so tired. 437 00:24:04,880 --> 00:24:07,559 Speaker 1: I can't the things trait. Just let me. 438 00:24:07,559 --> 00:24:11,359 Speaker 2: Alone, I've been saying, not along. We have time, we 439 00:24:11,519 --> 00:24:12,839 have plenty of time. 440 00:24:17,319 --> 00:24:25,559 Speaker 1: My name's Gwendoline Wilkinson. I didn't do anything, never done 441 00:24:25,640 --> 00:24:29,119 anything innocent. 442 00:24:30,880 --> 00:24:31,799 Speaker 2: I'm not a spy. 443 00:24:33,759 --> 00:24:39,680 Speaker 1: I'm out of here. Norman devised call me. 444 00:24:41,440 --> 00:24:45,960 Speaker 4: Norman delivered the message to call me houseless. 445 00:24:46,559 --> 00:24:53,119 Speaker 1: Mama is dead. Tell them, ain't we. 446 00:24:53,839 --> 00:24:54,799 Speaker 4: Tell the all? 447 00:24:55,000 --> 00:24:59,160 Speaker 2: My dear, don't talk remember. 448 00:24:58,920 --> 00:25:00,920 Speaker 4: You must sa tall. 449 00:25:02,000 --> 00:25:04,799 Speaker 1: You have a doctor. 450 00:25:04,920 --> 00:25:08,960 Speaker 4: Bo Oh, Mama, don't excess. 451 00:25:09,720 --> 00:25:12,839 Speaker 1: Oh, I'm not a spy at mother. 452 00:25:12,960 --> 00:25:20,559 Speaker 2: I have places, no more, no suspect of place. 453 00:25:21,000 --> 00:25:25,720 Speaker 1: Girl, Well we're not We're not spies. Do not una 454 00:25:26,799 --> 00:25:34,640 I Who who's dad? Oh? Oh, it's you? 455 00:25:35,680 --> 00:25:36,400 Speaker 2: May I come in? 456 00:25:37,480 --> 00:25:41,960 Speaker 1: What would you do if I said? No? H oh, 457 00:25:42,000 --> 00:25:42,599 that's funny? 458 00:25:42,680 --> 00:25:44,200 Speaker 2: What's funny? No? 459 00:25:44,359 --> 00:25:46,599 Speaker 1: I I said that to someone once. 460 00:25:46,359 --> 00:25:48,599 Speaker 2: Before, missus Williamson, what are we. 461 00:25:48,559 --> 00:25:51,359 Speaker 4: Gonna do, inspector you'll accused, I'll deny. 462 00:25:51,519 --> 00:25:52,599 Speaker 1: We'll go round and round. 463 00:25:52,880 --> 00:25:54,680 Speaker 2: Will If that's the way you want it. 464 00:25:55,240 --> 00:25:57,160 Speaker 4: You'll keep it up long enough, and little by little 465 00:25:57,200 --> 00:25:59,440 off start losing my mind, and after a while I 466 00:25:59,519 --> 00:26:02,480 might even come to believe what you're saying. I didn't 467 00:26:02,480 --> 00:26:04,559 think they did that to people in a free country. 468 00:26:04,640 --> 00:26:07,319 Speaker 2: I've come here this morning to suggest a way out 469 00:26:07,359 --> 00:26:11,119 of the impasse. That make a deal. You have access 470 00:26:11,160 --> 00:26:14,200 to certain information that's vital to us. But I'm trying 471 00:26:14,240 --> 00:26:18,359 to tell you one hand washes the other. The only 472 00:26:18,400 --> 00:26:20,240 way out of the difficulty is for you to become 473 00:26:21,359 --> 00:26:22,240 a double agent. 474 00:26:23,359 --> 00:26:25,440 Speaker 1: But I'm not even a single agent. 475 00:26:25,559 --> 00:26:28,079 Speaker 2: Govec to your people, tell them we couldn't break your 476 00:26:28,119 --> 00:26:32,119 story and then report to us on a regular basis. 477 00:26:32,640 --> 00:26:35,160 Go back to who the other agents in your group? 478 00:26:35,480 --> 00:26:39,920 But I don't great assets. Your tower of strength is 479 00:26:39,960 --> 00:26:43,319 your air of innocence. You know, as one professional to another, 480 00:26:43,319 --> 00:26:46,400 I pay you the highest compliment, and there's one professional 481 00:26:46,400 --> 00:26:48,960 to another you owe me the courtesy of admitting. It's 482 00:26:49,240 --> 00:26:52,720 just front. But I won't be released in one hour. 483 00:26:53,559 --> 00:26:56,240 I remember we have your passport, and in any event, 484 00:26:56,480 --> 00:26:58,960 you would be no better off at home. You will 485 00:26:58,960 --> 00:27:02,039 be watched. Make contact with the other agents. Let us 486 00:27:02,039 --> 00:27:06,599 know who they are and keep us informed of their plans. 487 00:27:07,240 --> 00:27:11,720 Well have we made a bargain? I, Miss Wilkinson, please 488 00:27:11,880 --> 00:27:19,319 accept reality? Reality, the real world? You live in. 489 00:27:17,799 --> 00:27:21,319 Speaker 1: These bars, the self? These are real? 490 00:27:22,960 --> 00:27:27,240 Speaker 4: And who am I? How can I keep fighting what's real? 491 00:27:27,319 --> 00:27:28,160 To everyone else? 492 00:27:28,400 --> 00:27:31,440 Speaker 2: Miss Wilkinson? Do you accept? 493 00:27:32,400 --> 00:27:37,880 Speaker 1: But I don't know anybody? I Oh, what's the use? 494 00:27:38,440 --> 00:27:42,519 I accept? I accept? 495 00:27:50,720 --> 00:27:54,720 Speaker 2: Always everywhere we keep running into the age old question 496 00:27:55,599 --> 00:28:00,559 what is reality? Reality is what the majority he says 497 00:28:00,559 --> 00:28:04,240 it is. And if everybody says Gwendolen Wilkinson is a 498 00:28:04,279 --> 00:28:08,119 foreign agent, then who is Gwendolen Wilkinson to deny it? 499 00:28:08,880 --> 00:28:11,160 We'll have to sort it all out when I return 500 00:28:11,279 --> 00:28:12,119 in a few moments. 501 00:28:12,359 --> 00:28:15,279 Speaker 1: With that tree. 502 00:28:16,440 --> 00:28:18,279 Speaker 2: Inside Jofrey. 503 00:28:19,359 --> 00:28:20,839 Speaker 1: Inside Jo Free. 504 00:28:20,720 --> 00:28:26,920 Speaker 2: After all, and you hear Prenomi the wab. 505 00:28:28,839 --> 00:28:33,079 Speaker 4: Inside Jo Free inside Joffrey after all. 506 00:28:34,079 --> 00:28:39,160 Speaker 2: Three m three You're driving a car. You knew you 507 00:28:39,160 --> 00:28:43,400 were going to buy the minuture Saw Skyhawk Bwick Skyhawk. 508 00:28:43,960 --> 00:28:46,359 You just knew a car this streamline would be easy 509 00:28:46,400 --> 00:28:47,279 on gas, and. 510 00:28:47,279 --> 00:28:47,720 Speaker 1: You were right. 511 00:28:48,200 --> 00:28:51,920 Speaker 2: In published DPA mileage test results, Skyhawk got twenty five 512 00:28:52,000 --> 00:28:54,400 miles per gallon on the open road and sixteen in 513 00:28:54,440 --> 00:28:57,480 the city. Buick Skyhawk, sky. 514 00:28:58,720 --> 00:29:03,880 Speaker 1: Inside, your Green Da your Creator, all. 515 00:29:06,279 --> 00:29:14,680 Speaker 2: Live in great evenings. Start at Lais Shaw, New York's 516 00:29:14,720 --> 00:29:18,519 most exciting swingle spot, Layshan twenty five East fortieth Street 517 00:29:18,559 --> 00:29:20,200 between Park and Madison Avenues. 518 00:29:20,599 --> 00:29:22,200 Speaker 1: Swing to live music. 519 00:29:22,000 --> 00:29:24,559 Speaker 2: Free hot oor derv to tempt your palette and of 520 00:29:24,559 --> 00:29:28,440 course free valid parking. Discover Lai Champ. Your first visit 521 00:29:28,480 --> 00:29:30,599 will make you a regular. And by the way, you 522 00:29:30,680 --> 00:29:34,319 must try our legendary Layshawn Luncheon. Excellent food and drink 523 00:29:34,359 --> 00:29:37,640 and gracious surroundings ensure a successful business lunch or just 524 00:29:37,720 --> 00:29:41,200 plain good eating for meetings and parties. It's lay schamp 525 00:29:41,559 --> 00:29:44,279 Our beautiful main dining room is available for evenings and 526 00:29:44,359 --> 00:29:48,519 weekend functions, accommodations up to two hundred people. Private dining 527 00:29:48,559 --> 00:29:52,000 rooms also available accommodating fifteen to two hundred and fifty people. 528 00:29:52,400 --> 00:29:55,359 Lay Shan twenty five East fortieth Street between Park and 529 00:29:55,400 --> 00:29:58,839 Madison Avenues. For reservations, call five three to two sixty 530 00:29:58,920 --> 00:30:02,039 five sixty six. That's five three two six ' five 531 00:30:02,400 --> 00:30:17,079 six six. The roses on a bush. They are part 532 00:30:17,160 --> 00:30:24,039 of a living, breathing, functioning organism. Rose, branch, stem, leaf, root, 533 00:30:24,279 --> 00:30:28,160 all have a dynamic relationship. Each part is interconnected, each 534 00:30:28,240 --> 00:30:31,839 is dependent on every other. When a rose is severed 535 00:30:31,839 --> 00:30:36,319 from the bush, the color, the freshness, the beauty stays, 536 00:30:36,400 --> 00:30:39,839 but briefly, for the rose is no longer a part 537 00:30:39,920 --> 00:30:42,799 of a living world. It is no longer a member 538 00:30:43,160 --> 00:30:48,680 of its own society, and the separated rose begins to die. 539 00:30:48,839 --> 00:30:52,759 Gwendolene Wilkinson has also been abruptly plucked from the shelter 540 00:30:52,839 --> 00:30:57,440 of her society, and now she struggles against an alien atmosphere. 541 00:30:57,920 --> 00:31:00,720 Very well, miss Wilkinson, we'll arrange so you're release. 542 00:31:01,200 --> 00:31:03,559 Speaker 1: But what am I supposed to do? 543 00:31:04,599 --> 00:31:10,680 Speaker 2: Oh? I see it isn't a pose a pose? 544 00:31:11,759 --> 00:31:12,640 Speaker 1: What are you talking about? 545 00:31:12,680 --> 00:31:16,119 Speaker 2: And it's excellent. You create your individual character and you 546 00:31:16,200 --> 00:31:19,640 will not vary from it one single eyota. That's a 547 00:31:19,680 --> 00:31:20,839 tremendous technique. 548 00:31:21,200 --> 00:31:23,000 Speaker 1: Is there any way that I can content? 549 00:31:23,119 --> 00:31:26,920 Speaker 2: You will never relax anywhere, anytime, with anyone, and so 550 00:31:27,039 --> 00:31:29,440 your pose becomes an integral part of you. It's not 551 00:31:29,519 --> 00:31:32,839 just a cover. It's more than skin deep. You've actually 552 00:31:33,359 --> 00:31:34,799 made yourself believe it. 553 00:31:35,240 --> 00:31:37,680 Speaker 1: Please inspect. There must be And. 554 00:31:37,880 --> 00:31:40,640 Speaker 2: I thought i'd seen everything in this business, thought I 555 00:31:40,720 --> 00:31:44,160 knew it all. But here actually is an agent who does 556 00:31:44,200 --> 00:31:48,559 her job on wear it. It must be a subconscious level. 557 00:31:49,079 --> 00:31:50,720 Speaker 1: What are you saying? 558 00:31:50,960 --> 00:31:54,759 Speaker 2: It's actually possible. You really don't know that you're an agent. 559 00:31:55,440 --> 00:31:58,559 Your conscious mind will not accept your undercover actions. You 560 00:31:58,759 --> 00:32:05,160 function on two levels. I do how else to explain it? 561 00:32:05,799 --> 00:32:08,920 But I at home, half of you is the mother's 562 00:32:08,960 --> 00:32:12,319 teacher of mathematics, and you don't know. You really don't 563 00:32:12,400 --> 00:32:15,400 know what the other half is doing. You don't want 564 00:32:15,440 --> 00:32:19,400 to know where. It certainly is good to have you 565 00:32:19,480 --> 00:32:21,640 working on our side, but. 566 00:32:22,039 --> 00:32:26,799 Speaker 1: I don't know I'm an agent. Oh, listen to me. 567 00:32:27,000 --> 00:32:30,640 Speaker 2: I almost believe you is there another explanation? 568 00:32:31,400 --> 00:32:34,200 Speaker 4: But if I don't know who the other agents are, 569 00:32:34,759 --> 00:32:36,200 how do you expect me to find them? 570 00:32:36,200 --> 00:32:39,839 Speaker 2: You know who they are in your subconscious mind. You'll 571 00:32:39,880 --> 00:32:43,359 find them. Oh, you'll know where to go. Trust your 572 00:32:43,400 --> 00:32:55,720 subconscious it's been working for you all these years. 573 00:32:56,440 --> 00:33:00,559 Speaker 4: Hello, yes you talk? 574 00:33:01,200 --> 00:33:04,359 Speaker 2: Yes, but who meet me downstairs at the coffee shop? 575 00:33:04,920 --> 00:33:05,759 Speaker 1: Oh? But who are you? 576 00:33:06,480 --> 00:33:06,960 Speaker 2: Spallow? 577 00:33:07,759 --> 00:33:09,000 Speaker 1: But I don't know you? 578 00:33:09,119 --> 00:33:12,279 Speaker 2: It's all right, I know you the coffee shop in 579 00:33:12,400 --> 00:33:13,039 five minutes. 580 00:33:14,240 --> 00:33:17,440 Speaker 1: Hello, Hello, Hello? 581 00:33:24,559 --> 00:33:28,799 Speaker 2: Anyone's sitting near miss White? No, it's a kind of crowded. 582 00:33:28,839 --> 00:33:31,119 What there are no empty table? 583 00:33:31,279 --> 00:33:32,519 Speaker 1: So are you? It's all right? 584 00:33:33,440 --> 00:33:36,519 Speaker 2: Keep your voice low, gwinny, smile a lot, that's fine. 585 00:33:37,559 --> 00:33:38,119 Speaker 1: Who are you? 586 00:33:38,599 --> 00:33:40,079 Speaker 2: I told her? Spell? 587 00:33:41,519 --> 00:33:42,599 Speaker 1: Well what do you want? 588 00:33:43,079 --> 00:33:45,119 Speaker 2: Well? How was it in the cooler? 589 00:33:45,839 --> 00:33:46,839 Speaker 1: And how do you know me? 590 00:33:47,359 --> 00:33:48,799 Speaker 2: We've been watching the house? 591 00:33:49,880 --> 00:33:52,880 Speaker 1: So oh sent nobody sent me? 592 00:33:53,400 --> 00:33:56,359 Speaker 2: Come on, love, I myself spotted you a hold in 593 00:33:56,359 --> 00:33:57,880 that big white envelope. 594 00:33:58,039 --> 00:34:00,000 Speaker 1: Now I was only holding ash. 595 00:34:00,079 --> 00:34:02,559 Speaker 2: You were in secret service. You had to be one 596 00:34:02,599 --> 00:34:02,839 of us. 597 00:34:02,960 --> 00:34:06,559 Speaker 1: Now which branch branch groups? Lend me? 598 00:34:06,640 --> 00:34:11,639 Speaker 2: Way you want to call it? Who's your leader? 599 00:34:11,199 --> 00:34:15,920 Speaker 4: I'm going to show yourself your voice low, never know 600 00:34:15,960 --> 00:34:20,960 who's around. Look, I'm not who you think I am. 601 00:34:21,000 --> 00:34:24,239 Speaker 1: You're not I you think I'm a spy. 602 00:34:25,440 --> 00:34:29,480 Speaker 5: That's an harsh word. B for use agent operative is 603 00:34:29,559 --> 00:34:30,480 up there to ring to it. 604 00:34:31,480 --> 00:34:35,239 Speaker 4: See, I have a friend back in the United States, Well, 605 00:34:35,320 --> 00:34:36,000 haven't we all? 606 00:34:36,480 --> 00:34:40,400 Speaker 1: He's my fiancee. He teaches linguistics at the university, and 607 00:34:40,440 --> 00:34:41,039 so do I. 608 00:34:41,119 --> 00:34:45,039 Speaker 4: He gave me a list of words Indo European root words. 609 00:34:45,239 --> 00:34:48,920 What well, it's a primitive language from which most of 610 00:34:48,920 --> 00:34:49,840 ours is descended. 611 00:34:50,239 --> 00:34:53,039 Speaker 2: Hey, you know that's fascinating. 612 00:34:53,239 --> 00:34:55,719 Speaker 4: Well, he wanted me to deliver them to mister Haslitt, 613 00:34:55,840 --> 00:34:58,400 who is a celebrator, was a celebrated. 614 00:34:57,920 --> 00:35:01,599 Speaker 5: Linguist and a the old boy Shore. 615 00:35:01,480 --> 00:35:02,880 Speaker 2: Had a lot going for them. 616 00:35:03,599 --> 00:35:06,239 Speaker 4: Now, missus Sparrow, Now I'd be perfectly frank. Can there's 617 00:35:06,239 --> 00:35:08,519 no other way I have to get out of this 618 00:35:08,719 --> 00:35:09,960 intolerable situation. 619 00:35:10,400 --> 00:35:12,159 Speaker 3: The police believe I'm one of you. 620 00:35:12,159 --> 00:35:14,639 Speaker 1: You mean you weren't able to please let me finish. 621 00:35:14,840 --> 00:35:18,960 Speaker 4: They offered me my freedom provided Oh it's a catchy No, 622 00:35:19,119 --> 00:35:21,440 provided I become a double agent. 623 00:35:21,800 --> 00:35:23,320 Speaker 2: Oh well, I had to agree. 624 00:35:23,320 --> 00:35:24,920 Speaker 1: I mean to get outs there, but I have no 625 00:35:24,960 --> 00:35:25,880 intention of doing it. 626 00:35:25,960 --> 00:35:26,320 Speaker 2: Oh why not? 627 00:35:26,960 --> 00:35:28,719 Speaker 4: But because I mean, because. 628 00:35:28,480 --> 00:35:31,039 Speaker 1: I'm not I'm not an agent. I can't do it 629 00:35:31,079 --> 00:35:33,559 if it's not my uh my thing? 630 00:35:33,719 --> 00:35:35,000 Speaker 2: Oh were you kiddy? Day? 631 00:35:35,360 --> 00:35:39,280 Speaker 1: You have to believe me, I uh somehow seem to. 632 00:35:39,199 --> 00:35:41,920 Speaker 4: Have entered some mysterious private world. 633 00:35:41,960 --> 00:35:43,159 Speaker 1: I don't belong here. 634 00:35:43,760 --> 00:35:46,159 Speaker 3: Please you people can clear me? 635 00:35:46,360 --> 00:35:49,639 Speaker 4: What clear me? I mean, get words of the police. 636 00:35:49,679 --> 00:35:51,079 Tell them I'm not one of you. 637 00:35:51,239 --> 00:35:54,920 Speaker 2: But loved, you are. Know what were you doing delivering 638 00:35:54,960 --> 00:35:56,679 the envelope to Toby Hasley Day? 639 00:35:56,800 --> 00:35:58,719 Speaker 3: But I explained that, Oh. 640 00:35:58,679 --> 00:36:01,920 Speaker 2: Love, you went there. You were following orders and you'll 641 00:36:01,960 --> 00:36:02,360 kill him. 642 00:36:02,400 --> 00:36:05,119 Speaker 1: But I didn't kill him. I know, I know. 643 00:36:05,159 --> 00:36:05,920 Speaker 2: I understand. 644 00:36:05,920 --> 00:36:10,360 Speaker 5: Now memorize my number, just fold eleven eight nine three. 645 00:36:10,440 --> 00:36:13,480 Speaker 2: That'll right. Just remember we'll be in touch. You have 646 00:36:13,559 --> 00:36:14,519 to feed your information. 647 00:36:15,440 --> 00:36:21,360 Speaker 1: Good luck, Love, Oh oh lord lord, these people they're right. 648 00:36:21,840 --> 00:36:23,199 I'm the one who's mad. 649 00:36:23,400 --> 00:36:26,639 Speaker 5: Well, if it's any consolation, how much longer did Toby have? 650 00:36:26,719 --> 00:36:27,079 Speaker 1: Anyhow? 651 00:36:27,360 --> 00:36:28,960 Speaker 2: He was sick, he was old, he. 652 00:36:29,039 --> 00:36:31,960 Speaker 1: Was who who is old and sick? 653 00:36:32,159 --> 00:36:34,360 Speaker 2: Toby? So that's why you've got nothing to talk to 654 00:36:34,440 --> 00:36:35,079 yourself about it. 655 00:36:35,920 --> 00:36:39,639 Speaker 1: Yes, yes, maybe you're right. 656 00:36:39,760 --> 00:36:42,039 Speaker 2: Aye, you see you're looking better already. 657 00:36:42,679 --> 00:36:45,360 Speaker 5: Don't forget the number eleven eight nine three. 658 00:36:45,719 --> 00:36:46,360 Speaker 1: Double agent. 659 00:36:47,039 --> 00:37:01,639 Speaker 2: You'll be a double agent for us. Inspect us talk here? Who? 660 00:37:01,519 --> 00:37:03,039 Speaker 1: Well you meet? You? 661 00:37:03,199 --> 00:37:04,800 Speaker 2: Just moss fuck in broad daylight? 662 00:37:05,320 --> 00:37:05,840 Speaker 1: It full of you? 663 00:37:06,000 --> 00:37:09,119 Speaker 2: The whole world? Is that girl crazy? 664 00:37:09,400 --> 00:37:11,760 Speaker 4: No, Sir, I was crazy because I let all of 665 00:37:11,760 --> 00:37:12,639 you drive me crazy. 666 00:37:12,679 --> 00:37:14,320 Speaker 1: But I am completely sane. Now. 667 00:37:14,559 --> 00:37:15,840 Speaker 2: Now look here, Miss Wilkinson. 668 00:37:15,960 --> 00:37:18,719 Speaker 4: Don't you dare Miss Wilkinson me. 669 00:37:19,000 --> 00:37:23,239 Speaker 2: You can't openly come to headquarters. You'll probably be me followed. 670 00:37:23,840 --> 00:37:26,239 All communication between us must be by Tediville. 671 00:37:26,280 --> 00:37:29,800 Speaker 4: There is not going to be any more communication between us. 672 00:37:30,000 --> 00:37:32,599 Speaker 2: You were given your options. Stand trial for the murder 673 00:37:32,599 --> 00:37:35,039 of Toby Hasart or cooperates. 674 00:37:34,400 --> 00:37:37,440 Speaker 1: With so ho, So I murdered Toby Haslet. 675 00:37:37,559 --> 00:37:38,880 Speaker 2: We have enough evidence. 676 00:37:39,519 --> 00:37:44,119 Speaker 4: I saw Toby Haslett, I spoke to Toby Haslett, and 677 00:37:44,239 --> 00:37:48,159 when I left that house, Toby Haslett was alive and well, 678 00:37:48,880 --> 00:37:54,480 young Toby Hazlitt was alive and well, now what did 679 00:37:54,519 --> 00:37:56,199 the police force have to say about that? 680 00:37:56,519 --> 00:37:59,679 Speaker 2: Well, I suppose we are you an explanation? 681 00:38:00,519 --> 00:38:05,119 Speaker 1: You you're you're Toby Haslet and you're here. 682 00:38:05,519 --> 00:38:09,239 Speaker 2: Well, I'm here, but I'm not Toby Haslet. I'm fred Spelman. 683 00:38:09,599 --> 00:38:13,280 Matter of fact, he's Colonel Sir Frederick Spelman of the Counterintelligence. 684 00:38:14,159 --> 00:38:17,360 Sir Frederick guess well, I happen to be the Earl 685 00:38:17,400 --> 00:38:19,480 of Kenlcher, but you mustn't hold that against me. 686 00:38:19,840 --> 00:38:21,960 Speaker 1: You you're an earl. 687 00:38:22,559 --> 00:38:26,159 Speaker 5: But you mustn't call me earl, for I'll call. 688 00:38:26,079 --> 00:38:27,159 Speaker 1: You something worse than that. 689 00:38:27,239 --> 00:38:31,239 Speaker 2: I will call you, and incompetence, you'll permit me to explain. 690 00:38:31,599 --> 00:38:33,960 Speaker 1: Oh, you had me believing I was a spy. 691 00:38:34,199 --> 00:38:36,159 Speaker 2: No. No, the man known as Toby Haslett was a 692 00:38:36,199 --> 00:38:40,079 foign agent. He was getting old, tired, scared, so he 693 00:38:40,199 --> 00:38:41,119 got in touch with us. 694 00:38:41,280 --> 00:38:43,960 Speaker 1: And you had me believing my own mother was a spy. 695 00:38:44,199 --> 00:38:47,480 Speaker 2: I arranged a meeting at his house, but he probably 696 00:38:47,519 --> 00:38:50,239 couldn't go through with it. Maybe the thought of betraying 697 00:38:50,239 --> 00:38:53,760 old Fredens was too much, and so well he had 698 00:38:53,760 --> 00:38:54,719 committed suicide. 699 00:38:55,440 --> 00:38:58,039 Speaker 1: He had me believing my own fiancee was a spy. 700 00:38:58,440 --> 00:39:02,119 Speaker 2: Norman, well, yes, he is a spy. We've been watching 701 00:39:02,119 --> 00:39:03,440 that correspondence for years. 702 00:39:03,760 --> 00:39:06,199 Speaker 1: No, you can't be serious. 703 00:39:06,599 --> 00:39:10,920 Speaker 5: We figured you, and also all the circumstantial evidence was there. 704 00:39:11,719 --> 00:39:14,119 Speaker 1: But you know I didn't kill Toby, of. 705 00:39:14,199 --> 00:39:17,079 Speaker 2: Course, But since we were convinced that you are an agent. 706 00:39:18,119 --> 00:39:19,199 You were fair game. 707 00:39:20,679 --> 00:39:22,320 Speaker 1: And you almost had me believing it. 708 00:39:22,360 --> 00:39:24,760 Speaker 3: I mean, the subconscious mumbo jumbo or. 709 00:39:24,719 --> 00:39:27,679 Speaker 2: The stakes were very high. They still are. We know 710 00:39:27,840 --> 00:39:30,760 nobody else, none of has lits as says it's were 711 00:39:30,760 --> 00:39:31,639 you contacted? Yet? 712 00:39:32,599 --> 00:39:36,000 Speaker 1: Well? I, well, why should I tell you? Were you? 713 00:39:36,960 --> 00:39:38,760 But all I want to do is go home? 714 00:39:39,119 --> 00:39:40,679 Speaker 2: We could use your help. 715 00:39:41,360 --> 00:39:44,199 Speaker 4: Oh no, I'm not an agent. I don't want to 716 00:39:44,199 --> 00:39:46,840 be an agent. I have no intention of becoming an aide. 717 00:39:46,920 --> 00:39:47,559 Speaker 2: Contacted you. 718 00:39:49,639 --> 00:39:50,760 Speaker 1: A man named Sparrow. 719 00:39:51,440 --> 00:39:53,119 Speaker 5: Sparrow who know I'm Stokes. 720 00:39:53,159 --> 00:39:56,760 Speaker 2: Well, I know that Frederick miss Wilkinson. Perhaps you would 721 00:39:56,760 --> 00:39:58,639 be good enough to assist us? 722 00:39:59,280 --> 00:40:02,480 Speaker 4: Oh oh now, oh this is something. 723 00:40:02,639 --> 00:40:03,239 Speaker 1: Listen to that. 724 00:40:03,440 --> 00:40:07,880 Speaker 4: Listen to old Takamada here, listen to that week polite. 725 00:40:07,519 --> 00:40:10,920 Speaker 2: Tone was early doing his job? Will you help us? 726 00:40:10,960 --> 00:40:15,119 Speaker 1: Quinn? Well? Why, I mean, why should I? What? Wait? 727 00:40:16,039 --> 00:40:16,880 Speaker 3: Why shouldn't I? 728 00:40:17,119 --> 00:40:20,559 Speaker 2: It is your patriotic duty. The gang is also an 729 00:40:20,639 --> 00:40:23,119 enemy of your own country, Norman. 730 00:40:24,519 --> 00:40:29,079 Speaker 3: That's why I'm gonna help you. Because of Norman. He 731 00:40:29,400 --> 00:40:30,360 used me and. 732 00:40:30,360 --> 00:40:33,119 Speaker 1: I don't even care about that so much. But all 733 00:40:33,239 --> 00:40:36,559 the time, I mean the whole time, He was a man. 734 00:40:36,400 --> 00:40:41,440 Speaker 4: Of mystery, an adventure and intrigue except when he was 735 00:40:41,480 --> 00:40:44,880 with me. With me, he was always mister milk toast, 736 00:40:45,679 --> 00:40:47,519 and I can never forgive him for that. 737 00:40:48,800 --> 00:40:49,599 Speaker 1: What do you want me to do? 738 00:40:49,800 --> 00:40:51,320 Speaker 2: Oh, you'll be in no danger? What's am I? 739 00:40:51,880 --> 00:40:52,880 Speaker 1: And what's the good of it? 740 00:40:53,119 --> 00:40:56,440 Speaker 2: Well, you'll may call Sparrow on the phone, give him 741 00:40:56,440 --> 00:40:58,440 such an information that we would like him to have. 742 00:40:59,119 --> 00:41:00,239 Speaker 1: Is that all I'm gonna do? 743 00:41:01,039 --> 00:41:06,039 Speaker 2: Yes, that's all, except when you're having dinner with me. 744 00:41:11,239 --> 00:41:16,119 Speaker 4: Dear Mama. I know I'm staying longer than planned, but 745 00:41:16,159 --> 00:41:19,559 they have a job for me here teaching in London. 746 00:41:21,079 --> 00:41:26,880 I can't imagine why Norman should have disappeared so suddenly. Well, 747 00:41:27,280 --> 00:41:33,199 he was long about so many things. In instance, he said. 748 00:41:33,760 --> 00:41:41,079 Speaker 3: I would never need an earl. 749 00:41:41,480 --> 00:41:46,199 Speaker 2: You never know, obviously, Gwendolene Wilkinson has become an agent? 750 00:41:47,480 --> 00:41:50,440 Is it for the first time? As you been an 751 00:41:50,480 --> 00:41:54,440 agent before without knowing it? Do all of us have 752 00:41:54,519 --> 00:41:58,880 another life that we're unaware of? I don't know about you, 753 00:41:59,400 --> 00:42:02,320 but I have enough to do in this one, and 754 00:42:02,519 --> 00:42:06,320 I shall explain when I returned shortly. Well, food fans 755 00:42:06,400 --> 00:42:09,639 New York Magazine's famous eater, Mimi Sheradon has done it again. 756 00:42:09,840 --> 00:42:13,119 The lady who once ate every item in Bloomingdale's Gurmet 757 00:42:13,159 --> 00:42:16,679 shop has just emerged after submerging herself in our city's 758 00:42:16,679 --> 00:42:20,000 seafood restaurants. Now listen to No Fifth story. Miss sheridan 759 00:42:20,119 --> 00:42:23,239 ate two hundred seafood meals and seventy two restaurants in 760 00:42:23,280 --> 00:42:26,360 the five boroughs, and this week in New York Magazine 761 00:42:26,400 --> 00:42:29,039 she rates the best of them for you. You also 762 00:42:29,079 --> 00:42:31,360 get a great pull out guide to the city seafood. 763 00:42:31,800 --> 00:42:34,320 So get this week's New York Magazine and if you 764 00:42:34,400 --> 00:42:38,360 run into Mimi, sheardon buy her land shop. It's a 765 00:42:38,480 --> 00:42:41,400 Cadame Award time again. Time to pick your winners. On 766 00:42:41,480 --> 00:42:45,880 channel lines Gayla Hollywood Spectacular your choice for the Oscars, Sunday, 767 00:42:45,920 --> 00:42:48,519 April sixth, at eight pm. See excerpts from the year's 768 00:42:48,559 --> 00:42:51,519 top films, plus the results of your vote. To make 769 00:42:51,559 --> 00:42:54,159 your vote count, call right now in New York City 770 00:42:54,239 --> 00:42:57,119 nine eighty five nine nine four oh. That's nine eight 771 00:42:57,199 --> 00:43:00,320 five nine nine four oh out of town dial carrier 772 00:43:00,360 --> 00:43:18,679 code two one two. There is someone inside each of us. 773 00:43:19,599 --> 00:43:23,800 Fortunate is the person who knows his inner someone and 774 00:43:23,960 --> 00:43:29,519 sometimes even more fortunate is the person who doesn't. Our 775 00:43:29,599 --> 00:43:33,760 cast included Anne Mirra Bryner, Rayburn, Ian Martin, and Earl Hammond. 776 00:43:34,199 --> 00:43:38,159 The entire production was under the direction of Hyman Brown Radio. 777 00:43:38,239 --> 00:43:41,559 Mystery Theater was sponsored in part by Anheuser Busch Incorporated 778 00:43:41,960 --> 00:43:45,480 Brewers of Budweiser. This is E. G. Marshall inviting you 779 00:43:45,559 --> 00:43:49,280 to return to our Mystery Theater for another adventure in 780 00:43:49,320 --> 00:44:25,760 the macabre. Until next time, pleasant Dreams. The w R 781 00:44:25,840 --> 00:44:28,679 Mystery Theater has been brought to you by Shopright Supermarkets, 782 00:44:28,679 --> 00:44:30,519 where you get a lot more for a little less. 783 00:44:30,920 --> 00:44:34,199 The preceding program is furnished by the Columbia Broadcasting System.