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Speaker 1: W M N.

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Speaker 2: H Ripson dobles, we're back from the brand. Want to

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say no, listen, she's.

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Speaker 3: A scarped rat.

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Speaker 2: Also they say she's an.

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Speaker 4: The freezing ride to me, she's.

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Speaker 5: Some one.

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Speaker 1: Champlas did we really.

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Speaker 2: Only good?

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Speaker 6: Everybody's our words, body shops truck or different trees, and everybody's.

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Speaker 7: Our worst chop troup like the change in up the.

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Speaker 6: Seas, and everybody's our drives on job troup for different trees, and.

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Speaker 7: Everybody's our drugs.

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Speaker 6: Like the changing of the season.

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Speaker 1: He's got a good job, no complaints.

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Speaker 8: That's his umber lace up in the mooring rain.

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Speaker 2: He has a warm room over it's bad.

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Speaker 3: And at the weekend.

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Speaker 6: That's ourbis had.

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Speaker 7: Everybody's our drives, body shops.

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Speaker 6: Rock for different trees, and everybody's our worse bottage ance

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of like cold change in at the seas, and everybody's

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our dives boots up for different trees, and everybody's our wives.

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Speaker 3: Like to change in other season.

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Speaker 7: But whoa hey, hey, hey, everybody's on dust.

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Speaker 6: Everybody's on drest, everybody's on dress, everybody's on dust.

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Speaker 5: She's in of that.

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Speaker 1: She can't get away.

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Speaker 2: She's don't want to way.

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Speaker 8: What you say, she can't leave the children, but she

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never wrote.

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Speaker 7: She goes to the doctors to get her dress.

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Speaker 1: Everybody's on durst body shot.

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Speaker 6: Traps are different trees, and everybody's on dres bob shot

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like a drinking of the season. Everybody's on nurse, body shot,

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trot or different trees.

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Speaker 1: Everybody.

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Speaker 7: It's ants, like.

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Speaker 2: The changing of the seasons.

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Speaker 6: Everybody's on dirts short, everybody is on dirt. S. Everybody's

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on dirt. Everybody's on dirt, sarty, everybody's on the everybody's

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on dirt. Everybody's on dirt. Everybody's drugs. Everybody's all dry.

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Is a different trees and everybody all drugs, like the

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changing up the seas. Dries all different trees.

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Speaker 9: Then we love son drugs.

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Speaker 6: Like the changing up the seasons.

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Speaker 10: I love it.

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Speaker 4: I just wanted to let it fade out at the end.

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There that little effect that is everybody's on drugs. The

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band is the Puncturess. And we have entered our number

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three Newmarrow Trace of Matt Connerton unleashed, and we are

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live from the studios of w m n H ninety

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five point three FM. Inglorious but very very cold Manchester,

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New Hampshire. Of course, you can stream the show from anywhere.

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Go to Matt connorton dot com, slash live and today

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is for you live listeners. January twenty four, twenty twenty six,

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and we have joining us from the Puncturists. Let me

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get that volume up here. We've got Dale Farrow, who

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is the the bass player in the band.

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Speaker 11: Hello, Dale, Hi, Matt, can you hear me? Okay? Absolutely?

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You sound great? Yeah, absolutely, welcome. I'm excited to talk

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to you. By the way.

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Speaker 4: You know, you are a fellow bass player, so I

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was like talking to another bass player. And I love

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I love the album. I'm not all right you Yeah,

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really really good. I listen to the whole thing. That's

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that's probably my favorite track, which is why I chose

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it to open the segment. But yeah, great, great stuff.

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Speaker 11: Now where are you from? Dale? Where's the band from?

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Speaker 12: We're based in northern England. Pat Gale Pats the guitarist

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Scales this singer live in a place called Barnsley, which

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is just south of Leeds in West Yorkshire. I live

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in East Yorkshire and the drummer Martin lives on the

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East Coast, a place called Grimsby. We're all sort of

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within an hour and a half of each other, so yeah, Nordon, England.

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Speaker 11: Really so you're you're a little bit scattered, but not

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not too much.

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Speaker 12: Yeah, I mean, poor old Martin as a as a

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longer drive to rehearsal than the rest of us. But yeah,

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but yeah, yeah, we're not all in one town or

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anything like that. But yeah, gotcha, gotcha. Now, the Puncturists

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has been around, what does it since twenty two?

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Speaker 11: Is that correct? Yeah?

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Speaker 12: I think yes, it's just sort of post COVID. The

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Pat was previously in a ban call system of Hate

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and a couple of the members, him and the drummer

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decided they were going to do something slightly different and

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formed the Puncturists.

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Speaker 11: Okay, and.

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Speaker 12: The drummer Karl was also the singer, but he left

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and Pat persuaded Gail to come in and sing as

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lead singer. And this was the first band she'd ever

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played in and never sang with, so that was quite

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quite something for her. And I joined where I mean now,

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I joined in twenty three on the base and Martin

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joined us nearly two years ago. So we in the

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current format we've been going nearly two years. So yeah, okay, so.

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Speaker 4: It sounds like there's been some some lineup changes over

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the you know, over a relatively short period of time.

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Like I said, of the bands have been around for

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a few years, but it sounds like it it took

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a while for this, this current lineup to sort of coalesces.

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Speaker 12: That correct, That's right, Yeah, I mean it with a

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lot of bands, you get that when they first start,

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you sort of have to settle in and everyone sort

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of gets to know what's what. But we we had issues.

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We were a little bit spinal tapped with drummers.

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Speaker 11: For a while.

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Speaker 12: Not we didn't actually kill.

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Speaker 11: Any of I was gonna say, I hope nobody blew

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up or anything.

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Speaker 12: But but we we went through a few until we've

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we've we think we've got the right guy on the

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drum stool now. So and like I say, we've been

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nearly two years, we've been in this format and the

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album that you've got there, I'm not all right, is

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the the sort of the the outcome of our first

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sort of period together as a band. So yeah, and

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we're we're all very proud of it as well.

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Speaker 4: In terms of finding Martin to play drums. I'm just

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curious because this is a subject that comes up a

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lot on the show, at least with the guests that

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we have here in America. It seems like, I don't

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know if it's the same there, but it seems like

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here every drummer is in like ten different bands because

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it's so hard to find an actual drummer.

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Speaker 11: And I have theories about why that is.

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Speaker 4: My theory is that you know, when you're growing up

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and you decide you want to play a musical instrument,

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we have to have the conversation with your parents about well,

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I think I want to play drums, you know that,

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and maybe the tuba or the two that they're going

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to try to talk you out of because they don't

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want all that noise in their house. But I mean,

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is that is that a challenge there too? Is it

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hard to find a drummer?

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Speaker 12: It is, Yes, to find the right drummer has been

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quite difficult. I mean drummers, Like you say, drummers are

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a rare breed, and they're an old breed as well.

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You have to have one or two screws slightly lose

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to want to do it. And I think, and but yeah,

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it's difficult to get the right person at the right time, because,

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like you say, so many people. When we were looking

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and we got Martin, we had so many people applying

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and they said, well, I also play in you know,

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X y Z bands, and you know, you know, I

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might not necessarily be available all the time. But fortunately

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for us, Martin was coming back from a break from drumming.

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He played for a long time. He's very experienced drummer,

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but hadn't actually played for sort of seven or eight years,

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maybe a little bit longer, and had been sort of

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concentrating on sort of work and real life and things

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like that that do get in the way. And he

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decided that he was going to give it one more go.

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He'd previously been playing oddly in a in a discos

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covers band, you know, like a party band, and the

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clips that he sent us were stuff, you know, sort

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of from that band, but actually the skills and chops

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you need to play that sort of stuff, you know,

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you know, are quite something, and he, you know, he

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impressed us. And you know, as soon as I saw

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what he'd sent us stuff on YouTube, I said to Pat,

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We've got to get this guy in and have a

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you know, get him in and have a proper rehearsal

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with him, see how we get on. And we clicked

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straight away, and he you know, he's he that wasn't

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his type of music he's in. He's a lot more

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sort of rock and sort of punky type background, even

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though he hadn't played in a band like hours before

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or not for Donkeys' years. But but you know, he

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really has fitted in well. And it helps particularly. I mean,

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you as a bass player will know that. You know,

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we we have to keep our ears and eyes on

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the drummer at all times. Were the people who hold

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it all together? Yeah, not obviously not of sound like

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you know that with the backbone, but we are.

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Speaker 11: We are. Bass players are at the back absolutely.

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Speaker 12: Taris and singers. You know we'd be lost without us.

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But but yeah, it's nice to actually be on stage

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without having to worry about what's going on behind me

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right right, And and he enables, you know, he enables

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you to sort of relax into into a gig and

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and you know, feel confident that everything's going to be okay,

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whereas occasionally before that wasn't the case.

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Speaker 4: Right right now, I'm not alright. The album on Dead

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Swan Records, which is is this a label that the

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puncturists created specifically for the puncturists Dead Swine Records.

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Speaker 12: It is, yes, yeah, it's it's not the first. We

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got a few releases. We've got a live album and

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that was a Yeah, there's a live album that came

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out just about fifteen months ago which is called Fox.

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There's a newt which was recorded a pub in Leads

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called the Fox and Newt. And there's also an EP

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with about six or seven songs which the original lineup did.

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So that was before Gail started to sing, and I

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still want to one or two of the songs on

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that that we still do, although differently. But so yeah,

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there's there's a there's a few things on Dead Swan Records.

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If people want to look up Dead Swan Records on

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bang camp they can, but yeah, that's our that's our label.

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Speaker 4: So yeah, Now, the songs that you did before Gale

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was was the lead singer, do those songs continue, like

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does Gale sing them in the new or did you

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leave those songs behind.

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Speaker 12: Or mostly but there's there are a couple that we do,

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two or three that we've adapted for for Gael and

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and she's put her own stamp on them.

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Speaker 11: So yeah, yeah, that's really so yeah.

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Speaker 12: So you know, but.

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Speaker 13: We are.

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Speaker 12: Increasingly going forward with the songs like you've heard on

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the album, like you've just heard with Everybody's on drugs,

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and we're currently in a writing phase of for new

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songs going forward as well.

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Speaker 11: Do the songs come quickly?

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Speaker 4: I'm curious because there's there's kind of an immediacy to

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the songs, and maybe it's because it's got that sort

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of that DIY garage band vibe, but i mean, do

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the do the songs come together pretty quickly?

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Speaker 1: Do you all?

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Speaker 4: Do you all kind of write together? Do you all

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gm and stuff together and see what happens? Or what's

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the songwriting process.

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Speaker 11: Like in the band?

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Speaker 12: Mostly it's part that comes up with the original ideas.

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And he quite often well sort of he's quite prolific

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in what he brings, you know, brings to the table.

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And I'll get sometimes I'll have two or three things

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up here in my in books in a week and

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he says, oh, what do you think to this? And

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what do you think to that? And and then I'll

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have a listen and s suggest you know, different arrangements

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or maybe stick a different you know, put a middle

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eight in here, or we'll change the the intro, or

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we'll we'll you know, do something about it. I mean,

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others we just sit there and say, now they ain't

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gonna work for us. But but but because he comes, Yeah,

238
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there's so many ideas.

239
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Speaker 11: We work with that.

240
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Speaker 12: And then once the two of us have sort of

241
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come up with, you know, we've okay those sorts of things,

242
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we'll then take them, you know, to rehearsal and get

243
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them going. I've written a couple that were just me

244
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on the album, but it's mainly part.

245
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Speaker 4: Okay, okay, and then I'm curious too about you know,

246
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the songs are kind of funny, as some of them are.

247
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I mean, is that is that an important element to

248
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you to have in the band, like you know, everybody's

249
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on drugs? Or there's another song that I'm going to

250
00:15:55,799 --> 00:15:57,559
play at the end of the segment that is my

251
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personal favorite from the album because it's as a musician,

252
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it's very relatable.

253
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Speaker 11: They don't pay support bands, which I absolutely.

254
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Speaker 4: Love that song, you know, and I'm listening to I

255
00:16:09,080 --> 00:16:10,320
don't play anymore, but I used to play in a

256
00:16:10,360 --> 00:16:12,519
lot of bands and it's like, yep, I get it.

257
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Speaker 12: Yeah that that that you know that that the lyrics

258
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to that do come from you know, hard experience.

259
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Speaker 11: Yeah, yeah.

260
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Speaker 4: Is that it like an important element to you guys

261
00:16:23,240 --> 00:16:25,559
to have you know, to have some humor and there's

262
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you know, there's sort of that, right humor in a

263
00:16:26,960 --> 00:16:29,279
lot of these songs. Is that Is that something you

264
00:16:29,399 --> 00:16:31,519
do consciously in terms of how you approach it or

265
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does that just come out organically?

266
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Speaker 12: I think it comes out organically because because that's just

267
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what we are. But you know, particularly you know, they

268
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say Pat sort of writes a lot of the lyrics

269
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and the things that I think it helps to get

270
00:16:51,320 --> 00:16:57,000
your message across or even just the the meaning of

271
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the song across if you can also make people smile,

272
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because that's one of the things that makes things memorable

273
00:17:02,840 --> 00:17:06,119
apart from just a catchy chorus, is actually something that

274
00:17:06,359 --> 00:17:09,279
makes you chuckle or makes you think, oh, I wasn't

275
00:17:09,319 --> 00:17:12,920
expecting that, you know then. And I think that's one

276
00:17:12,920 --> 00:17:15,200
of the things that gives us a little bit of

277
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an edge and why people have liked a lot of

278
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the material. A lot of the songs on the album,

279
00:17:21,359 --> 00:17:25,079
like you say, have got that little bit of sort

280
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of sideways look or a little Winke to camera type thing,

281
00:17:29,240 --> 00:17:32,640
isn't it. So so yeah, we do that, but I

282
00:17:32,720 --> 00:17:36,200
mean there are others that are out and out, you know,

283
00:17:37,400 --> 00:17:40,240
not fun not laughs, but you know, we want to

284
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try and get across, but hopefully it's still enjoyable.

285
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Speaker 11: Yeah, yeah, absolutely, but it's not.

286
00:17:46,279 --> 00:17:47,960
Speaker 12: You know, we don't deliberately go out of our way

287
00:17:48,039 --> 00:17:51,359
to make things sort of comedic, but there's no harm

288
00:17:51,480 --> 00:17:53,759
in there being a little bit of humor and a

289
00:17:53,839 --> 00:17:57,279
little bit of a rhinous to it.

290
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Speaker 4: So yeah, I like to use the Sexpert as an

291
00:18:00,839 --> 00:18:03,640
example of doing that really well, you know, like you know,

292
00:18:03,799 --> 00:18:06,079
here's this band who you know, they weren't necessarily trying

293
00:18:06,119 --> 00:18:08,400
to be funny, but you know, you listen to a

294
00:18:08,480 --> 00:18:10,720
song like God Save the Queen and you can't help

295
00:18:10,759 --> 00:18:12,640
but laugh, you know what I mean?

296
00:18:13,519 --> 00:18:16,599
Speaker 12: Well, yeah, because there are there are you know, there

297
00:18:16,680 --> 00:18:20,559
are more than one meaning to elements of the lyrics

298
00:18:20,599 --> 00:18:23,960
in that so that it makes it memorable because.

299
00:18:23,680 --> 00:18:26,960
Speaker 11: At that right right exactly exactly.

300
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Speaker 12: So you're taking you're taking that well known phrase God

301
00:18:29,359 --> 00:18:32,240
Save the Queen and or giving it a twist, and

302
00:18:32,839 --> 00:18:36,400
you know that's always a good thing because somebody's already

303
00:18:36,440 --> 00:18:38,920
come up with that idea and it's already in people's heads.

304
00:18:39,400 --> 00:18:42,839
If you're then using it yourself or you're doing like

305
00:18:42,920 --> 00:18:46,279
everybody's on drugs, you know, that's something that when you

306
00:18:46,400 --> 00:18:49,680
all automatically think about it, well, everybody's on drugs, must

307
00:18:49,799 --> 00:18:53,359
mean everyone's on illegal drugs and they're shooting up. Well

308
00:18:53,400 --> 00:18:55,799
that where it actually means is people are living a

309
00:18:55,880 --> 00:18:59,359
life where just to keep them going there that you

310
00:18:59,440 --> 00:19:01,680
know they're being supported by what they're getting from their

311
00:19:01,720 --> 00:19:04,240
doctors or what they're getting over the counter of the chemist,

312
00:19:04,480 --> 00:19:07,519
or it could be you know as well as you

313
00:19:07,599 --> 00:19:10,160
know what they're getting from their dealers on the corner.

314
00:19:10,279 --> 00:19:14,519
So there's more to the one phrase than just the

315
00:19:14,599 --> 00:19:15,640
one element.

316
00:19:15,880 --> 00:19:19,559
Speaker 4: Right right, absolutely, And then so what's the touring situation?

317
00:19:19,759 --> 00:19:22,640
Like you guys playing a lot of shows at the moment,

318
00:19:22,720 --> 00:19:25,680
we're not. We're currently on a bit of a break.

319
00:19:26,039 --> 00:19:32,319
Gale just before Christmas underwent a knee replacement operation, so

320
00:19:32,559 --> 00:19:36,400
she's currently just get sort of starting to properly get

321
00:19:36,440 --> 00:19:40,119
out on the feet again. So we took we're taking

322
00:19:40,200 --> 00:19:44,599
some time out and we don't start gigging again until April,

323
00:19:45,279 --> 00:19:47,559
but we need she needs to, you know, make sure

324
00:19:47,599 --> 00:19:49,960
that she gets sort of fitting well and is able

325
00:19:50,039 --> 00:19:54,000
to bounce around on stage again like a good'n so

326
00:19:54,359 --> 00:19:57,720
that in that time we are sort of writing some

327
00:19:57,920 --> 00:20:01,440
new songs. We will be starting to rehearse those sort

328
00:20:01,440 --> 00:20:04,319
of in the next month or so. We you know,

329
00:20:04,440 --> 00:20:07,119
depending on how she is, we may start to gig

330
00:20:07,240 --> 00:20:10,559
earlier than that. But we've got quite a good calendar

331
00:20:10,759 --> 00:20:12,440
of you know, diary for the year.

332
00:20:12,680 --> 00:20:12,920
Speaker 11: Good.

333
00:20:13,160 --> 00:20:19,400
Speaker 12: We're playing the thirtieth anniversary Rebellion Festival in Blackpool, which

334
00:20:19,480 --> 00:20:23,400
is the big punk festival in the UK. There's an

335
00:20:23,440 --> 00:20:28,200
awful there's a lot of sort of bands. They've got

336
00:20:28,240 --> 00:20:29,960
a lot of bands from the States coming over there.

337
00:20:30,079 --> 00:20:32,599
There's all sorts of people that from all over the

338
00:20:32,640 --> 00:20:35,640
world coming to that. That is a big, big festival.

339
00:20:36,599 --> 00:20:41,720
That's over three four days in August. We've got a

340
00:20:41,839 --> 00:20:48,200
festival in Scotland in May called Punk on the Peninsula,

341
00:20:48,400 --> 00:20:54,359
which is just outside Glasgow. And we've got you know,

342
00:20:54,599 --> 00:20:58,559
a nice healthy sort of diary of gigs once we

343
00:20:58,680 --> 00:21:02,279
do start going again, and we hope during all that

344
00:21:02,480 --> 00:21:07,160
we will get a good another selection of songs that

345
00:21:07,279 --> 00:21:10,000
we will have another album maybe before the end of

346
00:21:10,000 --> 00:21:12,640
the year. You never know, depends on I mean, we

347
00:21:12,759 --> 00:21:15,319
don't know. A lot of them haven't been road tested yet,

348
00:21:15,359 --> 00:21:18,000
and sure what we think might work. When you then

349
00:21:18,039 --> 00:21:20,160
play them in front of people, they sitting there scratching

350
00:21:20,160 --> 00:21:22,920
their heads and what's going on, or they go absolutely

351
00:21:23,359 --> 00:21:26,319
bonkers and love it, so right right, Yeah, you have

352
00:21:26,480 --> 00:21:29,079
to you know, you have to, you know, trust the

353
00:21:29,200 --> 00:21:33,519
audience and see what's gonna what's gonna work.

354
00:21:34,640 --> 00:21:37,839
Speaker 4: It's great too that you're doing festivals, because you know,

355
00:21:38,039 --> 00:21:40,240
this comes up a lot on the show. I really

356
00:21:40,279 --> 00:21:42,599
think that's that's the most valuable thing you can do

357
00:21:42,720 --> 00:21:45,559
in terms of playing live because you know, festivals, not

358
00:21:45,680 --> 00:21:48,519
only do you get do you get exposed to an

359
00:21:48,599 --> 00:21:52,079
audience that might not otherwise see you, but also the

360
00:21:52,400 --> 00:21:54,839
you know, backstage, just the connections that you can make

361
00:21:55,119 --> 00:21:58,160
in terms of meeting other industry people, whether it's just

362
00:21:58,279 --> 00:22:01,160
other bands or or or people who you know you really,

363
00:22:01,279 --> 00:22:04,000
I mean, the networking opportunity that comes with playing a

364
00:22:04,079 --> 00:22:07,000
festival is unparalleled, you know what I mean.

365
00:22:07,119 --> 00:22:09,000
Speaker 11: So that's great, Yeah, very much so.

366
00:22:09,160 --> 00:22:12,920
Speaker 12: Yeah, And not only do you make sort of connections

367
00:22:12,960 --> 00:22:14,319
that are good for the band, you also you know,

368
00:22:14,480 --> 00:22:17,759
you do make good friends from this because you know

369
00:22:17,880 --> 00:22:21,960
you're all in it together, and you you realize that

370
00:22:22,119 --> 00:22:24,119
you know, lots and lots of people are you know,

371
00:22:24,440 --> 00:22:26,880
they're all good people, and you've got a lot of

372
00:22:26,880 --> 00:22:30,799
shared experience, and you will automatically get on with a

373
00:22:30,839 --> 00:22:33,880
lot of people, right, which is very you know, which

374
00:22:33,920 --> 00:22:36,279
is which is a nice part of doing this sort

375
00:22:36,319 --> 00:22:39,319
of thing, whereas you know it's it's not just turn up, play,

376
00:22:39,759 --> 00:22:42,960
pack up, go. You know, you're turning up meeting people

377
00:22:43,079 --> 00:22:45,880
that you have a good time with and and they're

378
00:22:45,920 --> 00:22:49,440
but but the festival's definitely the big festivals like Rebellion

379
00:22:49,519 --> 00:22:52,480
are very good for bands like ourselves for the exposure

380
00:22:54,559 --> 00:22:56,359
you might be sort of playing the rest of the

381
00:22:56,480 --> 00:22:59,519
year to you know, much much smaller venues, much much

382
00:22:59,519 --> 00:23:02,000
sort of smaller crowds. But you're suddenly playing in front

383
00:23:02,039 --> 00:23:05,519
of ten twenty times the amount of people you normally would.

384
00:23:06,880 --> 00:23:08,839
And yet you know that can't be bad, No.

385
00:23:09,119 --> 00:23:10,039
Speaker 11: Not at all, not at all.

386
00:23:10,720 --> 00:23:13,599
Speaker 4: So I have saved the Sometimes I go for the

387
00:23:13,680 --> 00:23:15,960
most obvious question right up front, but I kind of

388
00:23:16,000 --> 00:23:19,240
saved at this time the name the puncturists. Where does

389
00:23:19,279 --> 00:23:20,880
that come from? What is the meaning of the name.

390
00:23:24,039 --> 00:23:25,880
Speaker 12: I'm not sure how they came up with it, because

391
00:23:25,920 --> 00:23:28,720
they got the back the name before I actually started.

392
00:23:28,799 --> 00:23:33,000
But the Puncturists, the first EP that I mentioned earlier

393
00:23:33,440 --> 00:23:36,359
was actually called the punk Tourists. Oh so, you know,

394
00:23:36,599 --> 00:23:39,720
so the punk tourists or puncturists. You know, I'm not

395
00:23:39,839 --> 00:23:43,119
sure which came first, punk tourists or puncturists, and they

396
00:23:43,160 --> 00:23:48,839
decided to to put you know, decided to use that.

397
00:23:48,960 --> 00:23:51,519
But puncturists are also something where you're sort of going

398
00:23:51,559 --> 00:23:55,799
along and you're sort of puncturing people's you know, ideas,

399
00:23:56,039 --> 00:23:58,720
you know, coming along and sort of jabbing your needle

400
00:23:58,759 --> 00:23:59,559
into their balloon.

401
00:24:00,119 --> 00:24:00,279
Speaker 1: You know.

402
00:24:00,400 --> 00:24:02,880
Speaker 12: It's one of those names that's got got lots of

403
00:24:03,079 --> 00:24:06,240
potential meanings, have different meanings for different people. But it's

404
00:24:06,240 --> 00:24:11,240
also quite memorable, and you know, it's quite Yeah, that's

405
00:24:11,279 --> 00:24:13,559
a nice name. Yeah, yeah, No, I like one of

406
00:24:13,599 --> 00:24:16,039
the hardest I mean, you said you've been in one

407
00:24:16,079 --> 00:24:17,920
of the hardest things he'd been in a band when

408
00:24:17,920 --> 00:24:19,799
you first start, is what do you call yourself?

409
00:24:19,960 --> 00:24:20,119
Speaker 11: Oh?

410
00:24:20,200 --> 00:24:23,960
Speaker 12: Yeah, because you'll come up and there'll be some absolutely

411
00:24:24,119 --> 00:24:26,880
terrible things that people come up with, and and you

412
00:24:26,920 --> 00:24:28,759
think Oh, that's a good idea until you see it

413
00:24:28,839 --> 00:24:31,599
either written down or someone else says it, and you think, nah,

414
00:24:31,680 --> 00:24:32,400
they ain't gonna work.

415
00:24:32,960 --> 00:24:33,119
Speaker 14: Well.

416
00:24:33,279 --> 00:24:36,119
Speaker 4: Well, not only that, the other challenge is finding something

417
00:24:36,200 --> 00:24:37,880
that that somebody isn't already using.

418
00:24:38,559 --> 00:24:40,880
Speaker 11: You know, yes, and you don't. You don't want to

419
00:24:40,880 --> 00:24:42,039
find yourself in a position.

420
00:24:41,799 --> 00:24:43,799
Speaker 4: Where you know, you establish a name and you're you know,

421
00:24:43,920 --> 00:24:46,119
you're you're doing it, and you're you're getting somewhere with it,

422
00:24:46,160 --> 00:24:47,759
and then all of a sudden you find out you know,

423
00:24:47,839 --> 00:24:50,400
somebody else already has the name. I've told this story

424
00:24:50,480 --> 00:24:53,640
on the show. I have a friend, uh the friends.

425
00:24:53,720 --> 00:24:55,319
Some people will know him, but I'll leave I'll leave

426
00:24:55,359 --> 00:24:57,359
his name out of it. I don't want to embarrass him.

427
00:24:57,440 --> 00:25:02,400
But years ago, uh, this individual wasn't a band called

428
00:25:02,839 --> 00:25:04,240
I ran into him after and I've seen him for

429
00:25:04,279 --> 00:25:05,920
a while, and he told me about a new band

430
00:25:05,960 --> 00:25:08,359
that he was in called Intuition, and he said the

431
00:25:08,480 --> 00:25:11,200
name to me, and I'm thinking, oh, my god, Intuition,

432
00:25:11,720 --> 00:25:14,279
how many other bands are already using or have used

433
00:25:14,359 --> 00:25:17,119
that name? And then swear to God true story. I

434
00:25:17,200 --> 00:25:20,160
ran into him again, like a month later or two

435
00:25:20,200 --> 00:25:22,079
months later, and I asked him, you know, how's the

436
00:25:22,119 --> 00:25:23,480
band and he said, oh, good, but we had to

437
00:25:23,559 --> 00:25:26,200
change our name. We got to cea some assist letter

438
00:25:27,039 --> 00:25:29,440
from a band already using the name Intuition. And I

439
00:25:29,559 --> 00:25:31,279
was like, oh, that's too bad, and you know, but

440
00:25:31,400 --> 00:25:33,160
in my mind, you know, and I'm too polite to

441
00:25:33,240 --> 00:25:35,160
say it, but in my mind I'm thinking, well, yeah,

442
00:25:35,200 --> 00:25:38,240
of course you did, you know.

443
00:25:39,799 --> 00:25:42,359
Speaker 12: Yeah, I mean it's like the first bands I was

444
00:25:42,400 --> 00:25:44,359
in when we were at school. We were sort of

445
00:25:44,559 --> 00:25:48,000
like really enthusiastic sixteen year olds and we said, right,

446
00:25:48,039 --> 00:25:50,759
we're going to call ourselves reflex and like the one

447
00:25:50,839 --> 00:25:53,119
hundred thousand other bands called reflekes.

448
00:25:53,240 --> 00:25:53,279
Speaker 15: No.

449
00:25:55,039 --> 00:25:57,720
Speaker 12: Yeah, but you don't know that. When you yeah, the

450
00:25:57,920 --> 00:26:00,839
enthusiasm takes over and you think he's a good idea.

451
00:26:01,039 --> 00:26:03,440
Oh yeah, I don't think there's any of the puncturists.

452
00:26:04,240 --> 00:26:05,720
Speaker 11: Yeah, there you go, there you go.

453
00:26:06,119 --> 00:26:06,319
Speaker 12: Yeah.

454
00:26:06,359 --> 00:26:07,799
Speaker 4: For a second there, I I was worried you were

455
00:26:07,799 --> 00:26:09,079
gonna tell me I was saying it wrong and that

456
00:26:09,160 --> 00:26:11,119
it actually is punk tourists and I've been pronouncing it

457
00:26:11,160 --> 00:26:11,880
wrong this whole time.

458
00:26:11,920 --> 00:26:15,480
Speaker 12: I was, Oh, say it however you like. But no

459
00:26:15,680 --> 00:26:19,599
puncturists is how we how we say it.

460
00:26:19,720 --> 00:26:22,119
Speaker 4: Yeah, yeah, No, I've been learning a lot, you know,

461
00:26:22,240 --> 00:26:24,359
talking to people from from your part of the world.

462
00:26:24,920 --> 00:26:26,240
You know, we have we have a lot of guests

463
00:26:26,279 --> 00:26:28,279
from there on the show, and I love the music

464
00:26:28,359 --> 00:26:30,319
that comes out of there. But I just learned, uh,

465
00:26:30,319 --> 00:26:32,640
I just learned yesterday from a friend of mine who's British. Uh,

466
00:26:32,720 --> 00:26:35,599
you know pants that over I guess over there, Like,

467
00:26:35,680 --> 00:26:37,480
if you want to express this approval for something, but

468
00:26:37,519 --> 00:26:39,160
you don't want to swear, you say pants.

469
00:26:39,920 --> 00:26:41,519
Speaker 11: Is that correct? Or she's just messing with me?

470
00:26:41,640 --> 00:26:43,200
Speaker 12: Oh you can no, no, you can do. Oh, that's

471
00:26:43,519 --> 00:26:46,640
that's complete. Usually it's when something is complete pants, so

472
00:26:46,680 --> 00:26:49,799
that you complete rubbish or garbage or whatever. Oh, that's

473
00:26:49,920 --> 00:26:53,880
that's that's total pants, you know. Okay, yeah pants, Pants

474
00:26:53,920 --> 00:26:56,240
to us aren't trousers. Pants are the underwear.

475
00:26:56,440 --> 00:26:59,359
Speaker 11: So oh okay, right right, yeah that makes sense.

476
00:27:00,279 --> 00:27:03,079
Speaker 12: Yeah, so so he's yeah, he's like, and I mean

477
00:27:03,319 --> 00:27:06,559
people also say nickers in in the in the UK,

478
00:27:06,799 --> 00:27:09,839
which again is another word for underwear that I've heard

479
00:27:10,359 --> 00:27:14,200
that I heard pants. Yeah, something's a bit pants. It's

480
00:27:14,240 --> 00:27:16,759
not a very strong it's something that's a little bit

481
00:27:17,000 --> 00:27:20,160
not very good. If it was really bad, then it

482
00:27:20,200 --> 00:27:22,799
would be worse than pants. There's just a little bit

483
00:27:22,920 --> 00:27:24,200
Rubbish's a bit pans.

484
00:27:26,000 --> 00:27:28,920
Speaker 11: I've been learning a lot. Yeah, uh now this is great.

485
00:27:29,000 --> 00:27:29,200
Speaker 2: Yeah.

486
00:27:29,839 --> 00:27:31,920
Speaker 4: In the first hour, we had a guest. Uh see,

487
00:27:31,920 --> 00:27:35,559
now I'm going to say his name wrong, car Hall fits.

488
00:27:36,599 --> 00:27:38,680
It's an Irish name, and I and I but I

489
00:27:38,759 --> 00:27:40,759
had to look up how to say it. And then

490
00:27:40,759 --> 00:27:42,480
he told me I was saying it correctly, although he

491
00:27:42,559 --> 00:27:45,079
might have just been being nice, but you know, because

492
00:27:45,279 --> 00:27:47,799
it's C A T H A L. And you know,

493
00:27:48,000 --> 00:27:49,920
and I'm of Irish descent, so I should know, but

494
00:27:50,039 --> 00:27:52,319
I didn't know. And he said I was saying it right.

495
00:27:52,400 --> 00:27:54,279
That I guess the tea is silent and it's car Hall.

496
00:27:54,759 --> 00:27:58,400
But you know, being a being a dude from America,

497
00:27:58,519 --> 00:28:02,960
you know, I'm learning a lot. Yeah, but so what

498
00:28:03,359 --> 00:28:07,559
so Gail, So Gil's obviously out of commission temporarily.

499
00:28:07,640 --> 00:28:09,279
Speaker 11: But you said April you're going to get back to playing.

500
00:28:10,119 --> 00:28:11,079
Yeah we are.

501
00:28:11,799 --> 00:28:14,519
Speaker 12: Yeah, we're first one is towards the end of April,

502
00:28:14,880 --> 00:28:17,160
and then we're sort of failing NonStop to the end

503
00:28:17,200 --> 00:28:21,119
of the year. But like I say, if if Gail

504
00:28:21,279 --> 00:28:26,079
sort of starts to feel a little bit more able

505
00:28:26,160 --> 00:28:29,759
to sort of stand for you know, while we might

506
00:28:29,839 --> 00:28:32,000
fix something else in before then, so we may be

507
00:28:33,000 --> 00:28:35,079
end of March, but you know, we've got to make

508
00:28:35,119 --> 00:28:37,480
sure that she gets properly better. I mean, it's having

509
00:28:37,480 --> 00:28:40,119
a knee replacement, isn't isn't a small operation?

510
00:28:40,400 --> 00:28:42,720
Speaker 11: So no, no, jeez, I can imagine.

511
00:28:43,279 --> 00:28:43,519
Speaker 12: Wow.

512
00:28:43,680 --> 00:28:47,119
Speaker 4: Yeah, well, Gale, So where's the best place for people

513
00:28:47,200 --> 00:28:49,359
to go to keep up with everything that the puncture is?

514
00:28:50,440 --> 00:28:52,559
Everything that you're doing and as far as getting your

515
00:28:52,599 --> 00:28:54,440
music and everything, you know, you did mention band camp

516
00:28:54,519 --> 00:28:57,480
and and by the way, I encourage I love band

517
00:28:57,559 --> 00:29:00,359
camp because that's what a lot of people don't realize

518
00:29:00,359 --> 00:29:02,240
about band camp is if you get if you get

519
00:29:02,279 --> 00:29:04,880
your music from there, you're getting a higher quality file

520
00:29:05,440 --> 00:29:07,920
then say, if you're just streaming it on YouTube or

521
00:29:08,480 --> 00:29:11,039
you know, and in some cases even Spotify, Like with

522
00:29:11,160 --> 00:29:13,799
band camp, you're getting you're really the highest quality file

523
00:29:14,319 --> 00:29:14,880
you can get.

524
00:29:14,920 --> 00:29:18,160
Speaker 12: It's the it is the best quality that you can

525
00:29:18,200 --> 00:29:22,720
get from a sort of a a streaming or download service. Yeah,

526
00:29:22,759 --> 00:29:25,759
because you sort of tend to you upload sort of

527
00:29:25,799 --> 00:29:27,880
wow files and things like that, where as you get

528
00:29:28,480 --> 00:29:31,079
a more compressed, smaller file on a lot of other

529
00:29:31,200 --> 00:29:36,279
services and that, you know, it's it just is that

530
00:29:36,359 --> 00:29:40,680
little bit better. But actually to find us sort of

531
00:29:40,839 --> 00:29:42,680
keeping up with sort of the new, I mean there

532
00:29:42,799 --> 00:29:46,400
is a we do have a website, and I shall

533
00:29:46,640 --> 00:29:49,200
have to make sure I'll tell you the right address

534
00:29:49,240 --> 00:29:53,839
for that in a minute. But but yeah, I mean

535
00:29:54,079 --> 00:29:58,440
on Facebook is where you mostly find our sort of

536
00:29:58,599 --> 00:30:00,680
up to date and where things are change and happening

537
00:30:00,759 --> 00:30:08,200
and what's going on. Yeah, the website is www. Puncturists

538
00:30:08,319 --> 00:30:12,519
dot com, not the Puncturists, so it's just puncturists dot com. Okay,

539
00:30:13,920 --> 00:30:17,880
and yeah, Facebook, if you look at look for the Puncturists,

540
00:30:18,000 --> 00:30:23,240
you'll find us band camp, we're dead Swan Records, and

541
00:30:24,599 --> 00:30:27,599
you can find us streaming. We are on Spotify and

542
00:30:27,839 --> 00:30:32,839
Apple Music and all those sorts of things, YouTube music

543
00:30:33,000 --> 00:30:36,920
and that. So it's just so you know, people can

544
00:30:37,319 --> 00:30:41,039
find us all over the place whatever they particularly use nowadays.

545
00:30:41,599 --> 00:30:45,880
And of course with on band camp you can find

546
00:30:46,000 --> 00:30:50,319
our you can order the hard copies of things, so

547
00:30:50,440 --> 00:30:55,519
we do have CDs and whenever we gig then we

548
00:30:55,599 --> 00:30:58,960
have a merch store where you can buy CDs, t shirts,

549
00:31:00,079 --> 00:31:02,440
own all sorts of little bits of paraphernalia.

550
00:31:02,519 --> 00:31:06,240
Speaker 4: So yeah, yeah, absolutely, And the website's good too. I'm

551
00:31:06,279 --> 00:31:09,079
a website nerd and I do like the website puncturists

552
00:31:09,119 --> 00:31:11,440
dot com. I see I see a lot of bad websites,

553
00:31:11,440 --> 00:31:13,839
but this is a good, good site. It's well organized,

554
00:31:14,039 --> 00:31:17,599
the layout's nice. Yeah, that's it's It's so important. I

555
00:31:17,640 --> 00:31:20,039
don't think people, not everyone realize how important it is

556
00:31:20,079 --> 00:31:23,480
to have a really you know, easy to navigate, you know,

557
00:31:23,920 --> 00:31:28,279
visually attractive but not overwhelming website. You know, there's a

558
00:31:28,319 --> 00:31:29,960
lot of nuance to it. But no, this is a

559
00:31:30,200 --> 00:31:34,680
this is a good site. So puncturists dot com. Yep, Dale,

560
00:31:34,759 --> 00:31:36,880
this has been wonderful. I really appreciate you joining us,

561
00:31:36,920 --> 00:31:38,519
and you know, we'll certainly have you back on as

562
00:31:38,559 --> 00:31:40,200
you release new music. It sounds like you've got some

563
00:31:40,279 --> 00:31:44,200
new stuff coming in a moment. We're gonna end the

564
00:31:44,680 --> 00:31:47,000
conversation with this track. This is my one of my

565
00:31:47,079 --> 00:31:49,279
favorites from the album They Don't Pay Support Bands.

566
00:31:49,319 --> 00:31:49,880
Speaker 11: I love this song.

567
00:31:50,039 --> 00:31:51,880
Speaker 4: Anything we should know about it before we play it,

568
00:31:51,920 --> 00:31:53,640
I mean we kind of touched on it already, but

569
00:31:53,799 --> 00:31:56,240
maybe it's self explanatory, I don't know, But anything we

570
00:31:56,279 --> 00:31:58,279
should know about this song. I don't know if maybe

571
00:31:58,319 --> 00:32:01,519
it's maybe it relates to us specific experience that you

572
00:32:01,599 --> 00:32:02,519
had as a band.

573
00:32:02,400 --> 00:32:07,319
Speaker 12: Or it's well it's not one specific experience, but all

574
00:32:07,400 --> 00:32:10,240
of the different elements that you can hear that where

575
00:32:11,880 --> 00:32:15,480
have all happened in one place or another that we

576
00:32:15,599 --> 00:32:18,799
know where it talks about. You know, the support band

577
00:32:18,880 --> 00:32:21,759
has to sort of turn up at you know, hours

578
00:32:21,839 --> 00:32:25,279
before the event, provide the back line, and you know,

579
00:32:25,920 --> 00:32:29,160
the main band are sort of sort of stroll into town.

580
00:32:29,240 --> 00:32:32,240
They're getting paid, you know, silly amount of money, and

581
00:32:32,279 --> 00:32:34,119
the drummer says, and I haven't got me kick, Can

582
00:32:34,200 --> 00:32:36,240
I use yours? And yeah, all that sort of thing,

583
00:32:36,839 --> 00:32:39,720
you know. And then you know others where you've got

584
00:32:39,880 --> 00:32:42,440
promoters who will sort of put you on that right

585
00:32:42,519 --> 00:32:43,920
You've got to be here and you've got to be

586
00:32:44,000 --> 00:32:48,440
off in two seconds, you know, otherwise the you know

587
00:32:49,160 --> 00:32:52,400
you won't you know, never see you ever again. I'll

588
00:32:52,440 --> 00:32:54,440
make sure you never work in this town sort of thing.

589
00:32:54,519 --> 00:32:54,640
Speaker 15: You know.

590
00:32:55,200 --> 00:32:56,519
Speaker 11: You know, it's just.

591
00:32:58,039 --> 00:33:01,839
Speaker 12: You know, we're fortunate now that a lot of the

592
00:33:01,920 --> 00:33:05,359
places we play, the promoters are actually sort of considerate

593
00:33:05,519 --> 00:33:08,240
and they know that the effort that people go to

594
00:33:09,359 --> 00:33:11,680
and they do look after you. I mean, we don't

595
00:33:12,839 --> 00:33:15,359
you know, massive amounts of money from it or anything

596
00:33:15,440 --> 00:33:15,559
like that.

597
00:33:15,680 --> 00:33:15,960
Speaker 1: You don't.

598
00:33:16,000 --> 00:33:19,000
Speaker 12: Yeah, we don't expect to if you are the support band. However,

599
00:33:20,119 --> 00:33:23,319
support bands who get looked after are more likely to

600
00:33:23,400 --> 00:33:25,559
say that was a good experience. You know, if you

601
00:33:25,640 --> 00:33:28,920
get the chance to play for this particular promoter or

602
00:33:29,119 --> 00:33:33,759
that particular venue, then do it. Likewise, if you have

603
00:33:33,839 --> 00:33:37,240
a really bad experience, that gets around very quickly to bands,

604
00:33:37,279 --> 00:33:41,720
and you'll have places wondering why they can't attract bands, right, well,

605
00:33:41,759 --> 00:33:43,599
we know why they can't. Then here's a song all

606
00:33:43,640 --> 00:33:44,400
about it sort of.

607
00:33:44,960 --> 00:33:50,039
Speaker 4: Yeah, exactly exactly, so we'll hit that track in a moment,

608
00:33:50,160 --> 00:33:53,000
so we'll let you go. Deale Pharaoh from the Puncturist,

609
00:33:53,039 --> 00:33:54,839
thank you so much for joining us today and I

610
00:33:54,960 --> 00:33:57,640
look forward to hearing new music from you, and we'll

611
00:33:57,680 --> 00:33:59,599
talk again in the future for sure, So thank you

612
00:33:59,680 --> 00:34:00,160
so much much.

613
00:34:01,000 --> 00:34:03,279
Speaker 12: Thank you, Matt. It's lovely to chat speak to you again.

614
00:34:03,359 --> 00:34:06,799
Seeing all right, ye bye sounds good bye bye. All right.

615
00:34:06,839 --> 00:34:10,280
Speaker 4: That is Dale Farrow, bass player from the band The Puncturists,

616
00:34:10,400 --> 00:34:12,400
And yeah, this is a great track and you know

617
00:34:12,760 --> 00:34:14,360
a lot of a lot of people in the music

618
00:34:14,360 --> 00:34:16,199
industry and a lot of bands, a lot of and

619
00:34:16,320 --> 00:34:19,920
soul artists too, listen to the show. I'm well aware

620
00:34:19,920 --> 00:34:22,559
of what our sort of core audience is with this program,

621
00:34:22,760 --> 00:34:26,039
so this will be highly relatable for many of you.

622
00:34:26,440 --> 00:34:28,679
But this is such a great song. This is called

623
00:34:28,679 --> 00:34:32,000
they don't pay support bands, and the band is the Puncturists.

624
00:35:07,920 --> 00:35:11,480
Speaker 3: They don't pay some wok fans. It's a privilege to

625
00:35:11,679 --> 00:35:15,840
play here. Can you leave work early.

626
00:35:17,280 --> 00:35:21,320
Speaker 8: To load and you give me acause they don't pay

627
00:35:21,440 --> 00:35:22,400
support fans.

628
00:35:23,039 --> 00:35:25,280
Speaker 3: It's a pleasure to play here.

629
00:35:27,400 --> 00:35:31,480
Speaker 1: Oh you're all driving, well, we could pay you in there.

630
00:35:32,480 --> 00:35:46,599
Speaker 5: Oh wow, they.

631
00:35:46,480 --> 00:35:50,800
Speaker 3: Don't pay support fans. I know it's a little crowl

632
00:35:52,880 --> 00:35:57,119
to work in six months with sex bills excess.

633
00:35:56,679 --> 00:35:57,519
Speaker 1: You could.

634
00:35:59,079 --> 00:36:02,599
Speaker 8: They don't pay some both fans, the fell let you

635
00:36:02,679 --> 00:36:05,639
play for free and you know the trumper from the

636
00:36:05,760 --> 00:36:10,159
main bad on a thousand pounds canny boya symbols please

637
00:36:10,320 --> 00:36:15,760
because they don't pay support fans of thel let's tell

638
00:36:15,840 --> 00:36:20,679
your merch but they want twenty percent.

639
00:36:20,519 --> 00:36:22,800
Speaker 2: Of your CDs and your shirt.

640
00:36:23,119 --> 00:36:40,559
Speaker 3: Oh wow, they don't pay support fans. And I hope

641
00:36:40,920 --> 00:36:46,400
it doesn't snow butt you're cute out on the street or.

642
00:36:46,480 --> 00:36:48,119
Speaker 5: You're goun no place to go.

643
00:36:50,280 --> 00:36:52,079
Speaker 3: They don't pay support fans.

644
00:36:52,440 --> 00:36:55,079
Speaker 1: How can you bring twenty of your friends?

645
00:36:56,679 --> 00:36:59,960
Speaker 3: If you bring the most fans to get higher up

646
00:37:00,119 --> 00:37:03,480
the bill and it all depends to cars. They don't

647
00:37:03,559 --> 00:37:04,840
pay support fans.

648
00:37:05,440 --> 00:37:08,239
Speaker 2: Can you bring the full back line.

649
00:37:09,840 --> 00:37:11,679
Speaker 3: General your stuff on the stage?

650
00:37:12,880 --> 00:37:14,199
Speaker 1: My half fast night.

651
00:37:28,679 --> 00:37:30,480
Speaker 3: They don't pay support fans.

652
00:37:31,039 --> 00:37:33,280
Speaker 2: There's no where to park your car.

653
00:37:35,079 --> 00:37:38,920
Speaker 3: Don't stay Kenny cats in. You pay for rice at

654
00:37:39,119 --> 00:37:39,519
the bar.

655
00:37:41,480 --> 00:37:44,880
Speaker 8: They don't pay support fans. I don't forget to use

656
00:37:44,960 --> 00:37:49,400
your social links. They might let you join their Battle

657
00:37:49,440 --> 00:37:50,079
of the Bans.

658
00:37:50,159 --> 00:37:53,199
Speaker 1: It just depends how much your family ships.

659
00:37:53,320 --> 00:37:57,679
Speaker 3: Because they don may support fans. You over sell many

660
00:37:57,880 --> 00:38:02,480
gets it rents. I maybe don't wait anybody.

661
00:38:02,719 --> 00:38:20,519
Speaker 1: Somebody so charity events, they don't.

662
00:38:20,360 --> 00:38:24,280
Speaker 3: Pay some some offs. It's a privilege.

663
00:38:26,519 --> 00:38:30,880
Speaker 16: Keep out of that Dressian movement and don't touch dotre.

664
00:38:48,760 --> 00:38:53,199
Speaker 17: You are listening to Matt Connorton Unleashed on WM and

665
00:38:53,360 --> 00:38:54,320
H ninety five.

666
00:38:54,239 --> 00:38:56,119
Speaker 14: Point three right now.

667
00:38:56,199 --> 00:38:58,639
Speaker 4: It's the world radio premiere of the new single from

668
00:38:58,719 --> 00:39:03,039
B R s R. I Mean Out January thirtieth, portals.

669
00:39:35,840 --> 00:39:41,000
Speaker 3: No like craves in through the broken.

670
00:39:40,920 --> 00:39:44,239
Speaker 1: Glass around you.

671
00:39:44,519 --> 00:39:45,880
Speaker 2: It bels.

672
00:39:51,280 --> 00:39:57,719
Speaker 3: The food hides behind the black eyes and house shove lives.

673
00:39:59,119 --> 00:39:59,760
Speaker 2: And homes.

674
00:39:59,800 --> 00:40:07,280
Speaker 18: W the top is nice, it's gone byes shift.

675
00:40:07,480 --> 00:40:22,840
Speaker 13: But if black sets aways the sast shot, I actually

676
00:40:23,000 --> 00:40:23,559
telling the.

677
00:40:31,119 --> 00:40:42,000
Speaker 5: Say I want your from back.

678
00:40:41,920 --> 00:41:10,239
Speaker 19: Car homes first of bl cows, steal doors, fall out.

679
00:41:11,920 --> 00:41:20,360
Speaker 20: I saw the saber the light son, so we a

680
00:41:20,559 --> 00:41:25,519
side by side, it says it all eyes.

681
00:41:25,880 --> 00:41:34,639
Speaker 18: So the way come to your falling skies fill found

682
00:41:34,800 --> 00:41:44,000
by a jils dust. I'll just steal in to Russ

683
00:41:50,800 --> 00:41:52,000
pray tell.

684
00:41:56,679 --> 00:42:24,960
Speaker 13: Way lesson, I can buy.

685
00:42:52,320 --> 00:42:54,840
Speaker 3: The mercy virtual.

686
00:43:00,119 --> 00:43:00,920
Speaker 2: Sis time.

687
00:43:06,880 --> 00:43:18,039
Speaker 5: Say my God.

688
00:44:12,320 --> 00:44:14,239
Speaker 4: And now at W M n H ninety five point

689
00:44:14,280 --> 00:44:17,679
three f M and Matt Connorton Unleashed Exclusive. You can't

690
00:44:17,719 --> 00:44:20,320
hear this anywhere else, not yet. The new single from

691
00:44:20,400 --> 00:44:22,960
Sepsis This is called No kings.

692
00:44:49,360 --> 00:44:51,840
Speaker 2: Ins and the home way He's in.

693
00:44:55,159 --> 00:44:57,320
Speaker 7: St ks reminds us.

694
00:45:00,039 --> 00:45:05,280
Speaker 21: And the one ever the shrine of dirty on the

695
00:45:05,360 --> 00:45:08,280
way didn't do in the ways.

696
00:45:12,119 --> 00:45:14,760
Speaker 9: That place and not hip.

697
00:45:17,559 --> 00:45:19,159
Speaker 5: Never be.

698
00:45:22,199 --> 00:45:26,679
Speaker 22: Not chazzan boy sadly make it after.

699
00:45:27,599 --> 00:45:45,639
Speaker 21: Chest kings can so coms no cocksh was my gods.

700
00:45:48,440 --> 00:46:20,199
Speaker 23: Blackcast talking to the shle bine a theirs mine to badtle.

701
00:46:20,119 --> 00:46:20,840
Speaker 3: Nature of.

702
00:46:22,880 --> 00:46:24,599
Speaker 1: This is food chain.

703
00:46:24,920 --> 00:46:30,960
Speaker 21: The boys colliber we have the anger face said.

704
00:46:30,960 --> 00:46:31,599
Speaker 2: Wish.

705
00:46:35,480 --> 00:46:38,360
Speaker 7: Lop places would depend on shap.

706
00:46:42,480 --> 00:46:46,280
Speaker 5: Fechance.

707
00:46:46,639 --> 00:46:51,559
Speaker 2: Your voice said, make it out of jack.

708
00:46:53,760 --> 00:47:00,559
Speaker 21: Boocase can hide. I do not have some coppers No good.

709
00:47:04,280 --> 00:47:22,199
Speaker 17: Last you are listening to macconnorton unleash on wm n

710
00:47:22,360 --> 00:47:23,880
H ninety five point three.

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00:47:24,840 --> 00:47:28,679
Speaker 4: Here's another exclusive coming out January thirtieth, the new single

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from Hallie Nang.

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00:47:30,039 --> 00:47:31,840
Speaker 11: This is called nine Miles High.

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00:47:44,800 --> 00:47:46,360
Speaker 3: This poison in the.

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00:47:49,000 --> 00:47:50,760
Speaker 2: Letting load.

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00:47:52,280 --> 00:47:52,760
Speaker 5: Lead in.

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00:47:54,519 --> 00:47:56,320
Speaker 2: If we believe.

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00:47:58,719 --> 00:48:05,000
Speaker 1: Nine miles there an I am the sky. They see

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00:48:05,079 --> 00:48:07,800
your side laid on the black.

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00:48:13,000 --> 00:48:16,920
Speaker 5: Trip. It's not so easy.

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00:48:18,000 --> 00:48:29,960
Speaker 16: Side shine seems so fun. Say you say with me,

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00:48:31,239 --> 00:48:36,480
Just say you'd me by my side.

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00:49:00,920 --> 00:49:04,000
Speaker 3: When the morning and they see you.

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00:49:04,360 --> 00:49:09,679
Speaker 1: In the dark and y'all way there if.

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00:49:09,639 --> 00:49:17,599
Speaker 22: You take it all time, Nine miles high, Electric kiss

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00:49:17,920 --> 00:49:20,000
the night, live.

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00:49:20,000 --> 00:49:23,199
Speaker 2: Anywhere and everywhere your.

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00:49:27,320 --> 00:49:29,559
Speaker 24: I try, but it's.

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00:49:29,760 --> 00:49:35,039
Speaker 21: Nice, so easy, the sun shine see.

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00:49:35,199 --> 00:49:38,480
Speaker 1: So fine, bed.

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Speaker 5: I stay you say with.

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Speaker 16: Me, just say you'll speak by my side. I tried,

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00:50:47,039 --> 00:50:53,719
but it's not so easy. Sun Shine seems.

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00:50:53,559 --> 00:50:55,920
Speaker 1: So so me.

735
00:50:56,079 --> 00:51:01,760
Speaker 2: I say your say.

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Speaker 25: Nana's kitchen and Pizzaia.

737
00:51:31,360 --> 00:51:34,559
Speaker 7: From Nana's hands to your plate.

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00:51:35,199 --> 00:51:35,639
Speaker 1: Tradition.

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00:51:36,119 --> 00:51:41,440
Speaker 7: Love and taste. That's great, so fermented dough, flavor, so

740
00:51:42,000 --> 00:51:49,280
true each bite the story made just for you.

741
00:51:50,360 --> 00:51:54,079
Speaker 25: Six O three two three two nine three six six

742
00:51:54,920 --> 00:51:59,760
Nana's Kitchen and Pizza reve fifteen Dartleth Dry Auburn, New Hampshire,

743
00:52:01,440 --> 00:52:03,239
Ki Piz.

744
00:52:07,840 --> 00:52:09,360
Speaker 12: Luigi's Pizza Bar.

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00:52:09,360 --> 00:52:14,440
Speaker 21: And grilled onund Let's raise a slyes on hide with

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top and tall the ground.

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Speaker 2: It's a pizza BARO.

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00:52:18,559 --> 00:52:23,800
Speaker 9: Mine Luigi's Pizza Bar and Grill. Seven to twelve Valley Street, Manchester.

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00:52:24,079 --> 00:52:26,920
Come on in or call six two two one zero

750
00:52:27,199 --> 00:52:32,239
two one Luigi keeping the tradition alive since nineteen seventy five.

751
00:52:34,079 --> 00:52:38,480
Speaker 12: Pizza for every one, Come join a beast to night.

752
00:52:39,440 --> 00:52:43,400
Speaker 1: With each slice, sense of it, everything feels so right.

753
00:52:46,559 --> 00:52:48,760
Speaker 24: In times of crisis, you need a law firm that

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stands by your side. With over forty years of experience,

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Craig and Getzulis is dedicated to fighting for your rights.

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As former state prosecutors, our attorneys have the knowledge and

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trial experience to provide at an aggressive defense against any charge,

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from duys to homicides. If you've been injured. Our compassionate

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team will assess your case and fight for the compensation

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you deserve. Serving all of New Hampshire. Craigan Getzulis is

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here when you need us most. Visit craigatzulis dot com

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for a free consultation. Craigan getsulus, your advocates, your allies.

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Speaker 10: Bring your kitchen to life with Queen Citycabinetry, located at

764
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eighty seven Elm Street in the historic Sunbeam Wall in Manchester,

765
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open Monday through Friday nine am to five thirty pm,

766
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in Saturdays ten am to two pm. They can be

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reached at six h three two two two to zero

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zero seven or on the web at Queen citycabinatree nh

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00:53:46,840 --> 00:53:51,760
dot com. Come see the possibilities Queen Citycabinetry, another crowd

770
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sponsor of WMNH.

771
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Speaker 26: Hey everyone, there's Rob Azevido, host of Granite State of Mind,

772
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and I want to tell you about Pembroke City Limits

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and the Historic Suncook PCL is an award winning bar,

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restaurant and music venue where there's live music five days

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a week and twice on Saturdays. Everything from blues, country, folk, funk,

776
00:54:09,159 --> 00:54:11,400
and a whole lot of jazz. We have twelve craft

777
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beers on tap dedicated to the local brewers in the

778
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area and some of the friendliest bartenders around. Please come

779
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visit Pembrook City Limits at one thirty four Main Street,

780
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the historic sunk Cook Village, only six miles outside of Manchester.

781
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Open Tuesdays to Wednesdays four to ten Thursday's a Sunday

782
00:54:27,679 --> 00:54:30,760
eleven to ten Pembrook City Limits where it's all about

783
00:54:30,800 --> 00:54:31,199
the music.

784
00:54:31,440 --> 00:54:34,079
Speaker 9: Disneys Cafe is the place to put a smile on

785
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your face. Judy and the crew will take care of you,

786
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bring your appetite and treat your taste buds right. Disney's

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Cafe is always a winning choice. Breakfast, lunch or supper.

788
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Dizzney's Cafe at eight sixty Elm Street in downtown Manchester.

789
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Dine in, take out or make a reservation call six

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oh three, six oh six two five three two, Eat

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and drink and be happy Dizzne's Cafe.

792
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Speaker 15: When it comes to keeping WMNH on the air and

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your own personal or business computer needs, trust growl In Computers,

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located on Elm Street in Manchester, Groland handles computer repair,

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virus removal and custom built systems. Are you looking for

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budget friendly options, check out our selection of fully inspected

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used computers. We offer tailored on site solutions no unnecessary

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expenses here. Visit Growland dot com or call Grolling Computers

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at six zero three six four five zero.

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Speaker 14: One zero one.

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Speaker 15: Your Tech, your Way Trust grol In Computers.

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Speaker 4: Seven times out of ten.

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Speaker 6: We listened to our music at.

804
00:55:44,559 --> 00:55:49,880
Speaker 7: Night dot com titled books program.

805
00:55:49,760 --> 00:55:53,840
Speaker 9: Late Night to Light with DJ Midas right here on WMNH, Manchester.

806
00:55:54,039 --> 00:55:55,599
Speaker 1: You want to know why because.

807
00:55:57,280 --> 00:55:59,639
Speaker 17: Saturdays and Sunday nights midnight to four am.

808
00:56:01,000 --> 00:56:06,440
Speaker 14: This hour on WMNH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

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your business needs including employee benefits, planning, corporate design and

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business administration, investments and wealth management and customized business insurance solutions.

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Their phone number is eight sixty six eight four to

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one forty six hundred, or on the web at CGI

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Business Solutions dot com.

815
00:56:33,239 --> 00:56:36,760
Speaker 27: Behold the harmony of airwaves as you immerse yourself in

816
00:56:36,840 --> 00:56:41,239
the captivating frequencies of w m NHLP the sonic cards

817
00:56:41,280 --> 00:56:45,000
of Manchester transcending through the ether ninety five point three

818
00:56:45,079 --> 00:56:48,800
megahertz frequency modulation or transmissions m andate from the ZF

819
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of one thousand Elm Streets insur into the hearts of

820
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our creative realm at one nineteen Canal Street. We're Innovation

821
00:56:55,360 --> 00:56:59,719
and Sound Cologne. They're the impromoter of Manchester Public Television

822
00:57:00,239 --> 00:57:03,800
in the venerable city of Manchester, New Hampshire, USA. Enrich

823
00:57:03,880 --> 00:57:06,599
your auditory journey with the depth of our license to

824
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wesn't wesspt your missives did w M n H ninety

825
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five three at gmail dot com, or to reverse the

826
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virtual corridors of w m n hradio dot or engage

827
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with our sonic vibrations by communing with us through the

828
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digital channels or radio beconds. Eager to enthrall you with

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its mesmerizing cadence and envilap you with symphony of foundless

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auditories wonder.

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00:57:32,000 --> 00:57:39,159
Speaker 2: W m n H rip the novels you're listening to.

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Speaker 17: Mattconnorton Unleashed on w M and H snwenty five point

833
00:57:44,159 --> 00:57:44,360
three

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Speaker 23: O