Speaker 1: W M N.
Speaker 2: H Ripson dobles, we're back from the brand. Want to
say no, listen, she's.
Speaker 3: A scarped rat.
Speaker 2: Also they say she's an.
Speaker 4: The freezing ride to me, she's.
Speaker 5: Some one.
Speaker 1: Champlas did we really.
Speaker 2: Only good?
Speaker 6: Everybody's our words, body shops truck or different trees, and everybody's.
Speaker 7: Our worst chop troup like the change in up the.
Speaker 6: Seas, and everybody's our drives on job troup for different trees, and.
Speaker 7: Everybody's our drugs.
Speaker 6: Like the changing of the season.
Speaker 1: He's got a good job, no complaints.
Speaker 8: That's his umber lace up in the mooring rain.
Speaker 2: He has a warm room over it's bad.
Speaker 3: And at the weekend.
Speaker 6: That's ourbis had.
Speaker 7: Everybody's our drives, body shops.
Speaker 6: Rock for different trees, and everybody's our worse bottage ance
of like cold change in at the seas, and everybody's
our dives boots up for different trees, and everybody's our wives.
Speaker 3: Like to change in other season.
Speaker 7: But whoa hey, hey, hey, everybody's on dust.
Speaker 6: Everybody's on drest, everybody's on dress, everybody's on dust.
Speaker 5: She's in of that.
Speaker 1: She can't get away.
Speaker 2: She's don't want to way.
Speaker 8: What you say, she can't leave the children, but she
never wrote.
Speaker 7: She goes to the doctors to get her dress.
Speaker 1: Everybody's on durst body shot.
Speaker 6: Traps are different trees, and everybody's on dres bob shot
like a drinking of the season. Everybody's on nurse, body shot,
trot or different trees.
Speaker 1: Everybody.
Speaker 7: It's ants, like.
Speaker 2: The changing of the seasons.
Speaker 6: Everybody's on dirts short, everybody is on dirt. S. Everybody's
on dirt. Everybody's on dirt, sarty, everybody's on the everybody's
on dirt. Everybody's on dirt. Everybody's drugs. Everybody's all dry.
Is a different trees and everybody all drugs, like the
changing up the seas. Dries all different trees.
Speaker 9: Then we love son drugs.
Speaker 6: Like the changing up the seasons.
Speaker 10: I love it.
Speaker 4: I just wanted to let it fade out at the end.
There that little effect that is everybody's on drugs. The
band is the Puncturess. And we have entered our number
three Newmarrow Trace of Matt Connerton unleashed, and we are
live from the studios of w m n H ninety
five point three FM. Inglorious but very very cold Manchester,
New Hampshire. Of course, you can stream the show from anywhere.
Go to Matt connorton dot com, slash live and today
is for you live listeners. January twenty four, twenty twenty six,
and we have joining us from the Puncturists. Let me
get that volume up here. We've got Dale Farrow, who
is the the bass player in the band.
Speaker 11: Hello, Dale, Hi, Matt, can you hear me? Okay? Absolutely?
You sound great? Yeah, absolutely, welcome. I'm excited to talk
to you. By the way.
Speaker 4: You know, you are a fellow bass player, so I
was like talking to another bass player. And I love
I love the album. I'm not all right you Yeah,
really really good. I listen to the whole thing. That's
that's probably my favorite track, which is why I chose
it to open the segment. But yeah, great, great stuff.
Speaker 11: Now where are you from? Dale? Where's the band from?
Speaker 12: We're based in northern England. Pat Gale Pats the guitarist
Scales this singer live in a place called Barnsley, which
is just south of Leeds in West Yorkshire. I live
in East Yorkshire and the drummer Martin lives on the
East Coast, a place called Grimsby. We're all sort of
within an hour and a half of each other, so yeah, Nordon, England.
Speaker 11: Really so you're you're a little bit scattered, but not
not too much.
Speaker 12: Yeah, I mean, poor old Martin as a as a
longer drive to rehearsal than the rest of us. But yeah,
but yeah, yeah, we're not all in one town or
anything like that. But yeah, gotcha, gotcha. Now, the Puncturists
has been around, what does it since twenty two?
Speaker 11: Is that correct? Yeah?
Speaker 12: I think yes, it's just sort of post COVID. The
Pat was previously in a ban call system of Hate
and a couple of the members, him and the drummer
decided they were going to do something slightly different and
formed the Puncturists.
Speaker 11: Okay, and.
Speaker 12: The drummer Karl was also the singer, but he left
and Pat persuaded Gail to come in and sing as
lead singer. And this was the first band she'd ever
played in and never sang with, so that was quite
quite something for her. And I joined where I mean now,
I joined in twenty three on the base and Martin
joined us nearly two years ago. So we in the
current format we've been going nearly two years. So yeah, okay, so.
Speaker 4: It sounds like there's been some some lineup changes over
the you know, over a relatively short period of time.
Like I said, of the bands have been around for
a few years, but it sounds like it it took
a while for this, this current lineup to sort of coalesces.
Speaker 12: That correct, That's right, Yeah, I mean it with a
lot of bands, you get that when they first start,
you sort of have to settle in and everyone sort
of gets to know what's what. But we we had issues.
We were a little bit spinal tapped with drummers.
Speaker 11: For a while.
Speaker 12: Not we didn't actually kill.
Speaker 11: Any of I was gonna say, I hope nobody blew
up or anything.
Speaker 12: But but we we went through a few until we've
we've we think we've got the right guy on the
drum stool now. So and like I say, we've been
nearly two years, we've been in this format and the
album that you've got there, I'm not all right, is
the the sort of the the outcome of our first
sort of period together as a band. So yeah, and
we're we're all very proud of it as well.
Speaker 4: In terms of finding Martin to play drums. I'm just
curious because this is a subject that comes up a
lot on the show, at least with the guests that
we have here in America. It seems like, I don't
know if it's the same there, but it seems like
here every drummer is in like ten different bands because
it's so hard to find an actual drummer.
Speaker 11: And I have theories about why that is.
Speaker 4: My theory is that you know, when you're growing up
and you decide you want to play a musical instrument,
we have to have the conversation with your parents about well,
I think I want to play drums, you know that,
and maybe the tuba or the two that they're going
to try to talk you out of because they don't
want all that noise in their house. But I mean,
is that is that a challenge there too? Is it
hard to find a drummer?
Speaker 12: It is, Yes, to find the right drummer has been
quite difficult. I mean drummers, Like you say, drummers are
a rare breed, and they're an old breed as well.
You have to have one or two screws slightly lose
to want to do it. And I think, and but yeah,
it's difficult to get the right person at the right time, because,
like you say, so many people. When we were looking
and we got Martin, we had so many people applying
and they said, well, I also play in you know,
X y Z bands, and you know, you know, I
might not necessarily be available all the time. But fortunately
for us, Martin was coming back from a break from drumming.
He played for a long time. He's very experienced drummer,
but hadn't actually played for sort of seven or eight years,
maybe a little bit longer, and had been sort of
concentrating on sort of work and real life and things
like that that do get in the way. And he
decided that he was going to give it one more go.
He'd previously been playing oddly in a in a discos
covers band, you know, like a party band, and the
clips that he sent us were stuff, you know, sort
of from that band, but actually the skills and chops
you need to play that sort of stuff, you know,
you know, are quite something, and he, you know, he
impressed us. And you know, as soon as I saw
what he'd sent us stuff on YouTube, I said to Pat,
We've got to get this guy in and have a
you know, get him in and have a proper rehearsal
with him, see how we get on. And we clicked
straight away, and he you know, he's he that wasn't
his type of music he's in. He's a lot more
sort of rock and sort of punky type background, even
though he hadn't played in a band like hours before
or not for Donkeys' years. But but you know, he
really has fitted in well. And it helps particularly. I mean,
you as a bass player will know that. You know,
we we have to keep our ears and eyes on
the drummer at all times. Were the people who hold
it all together? Yeah, not obviously not of sound like
you know that with the backbone, but we are.
Speaker 11: We are. Bass players are at the back absolutely.
Speaker 12: Taris and singers. You know we'd be lost without us.
But but yeah, it's nice to actually be on stage
without having to worry about what's going on behind me
right right, And and he enables, you know, he enables
you to sort of relax into into a gig and
and you know, feel confident that everything's going to be okay,
whereas occasionally before that wasn't the case.
Speaker 4: Right right now, I'm not alright. The album on Dead
Swan Records, which is is this a label that the
puncturists created specifically for the puncturists Dead Swine Records.
Speaker 12: It is, yes, yeah, it's it's not the first. We
got a few releases. We've got a live album and
that was a Yeah, there's a live album that came
out just about fifteen months ago which is called Fox.
There's a newt which was recorded a pub in Leads
called the Fox and Newt. And there's also an EP
with about six or seven songs which the original lineup did.
So that was before Gail started to sing, and I
still want to one or two of the songs on
that that we still do, although differently. But so yeah,
there's there's a there's a few things on Dead Swan Records.
If people want to look up Dead Swan Records on
bang camp they can, but yeah, that's our that's our label.
Speaker 4: So yeah, Now, the songs that you did before Gale
was was the lead singer, do those songs continue, like
does Gale sing them in the new or did you
leave those songs behind.
Speaker 12: Or mostly but there's there are a couple that we do,
two or three that we've adapted for for Gael and
and she's put her own stamp on them.
Speaker 11: So yeah, yeah, that's really so yeah.
Speaker 12: So you know, but.
Speaker 13: We are.
Speaker 12: Increasingly going forward with the songs like you've heard on
the album, like you've just heard with Everybody's on drugs,
and we're currently in a writing phase of for new
songs going forward as well.
Speaker 11: Do the songs come quickly?
Speaker 4: I'm curious because there's there's kind of an immediacy to
the songs, and maybe it's because it's got that sort
of that DIY garage band vibe, but i mean, do
the do the songs come together pretty quickly?
Speaker 1: Do you all?
Speaker 4: Do you all kind of write together? Do you all
gm and stuff together and see what happens? Or what's
the songwriting process.
Speaker 11: Like in the band?
Speaker 12: Mostly it's part that comes up with the original ideas.
And he quite often well sort of he's quite prolific
in what he brings, you know, brings to the table.
And I'll get sometimes I'll have two or three things
up here in my in books in a week and
he says, oh, what do you think to this? And
what do you think to that? And and then I'll
have a listen and s suggest you know, different arrangements
or maybe stick a different you know, put a middle
eight in here, or we'll change the the intro, or
we'll we'll you know, do something about it. I mean,
others we just sit there and say, now they ain't
gonna work for us. But but but because he comes, Yeah,
there's so many ideas.
Speaker 11: We work with that.
Speaker 12: And then once the two of us have sort of
come up with, you know, we've okay those sorts of things,
we'll then take them, you know, to rehearsal and get
them going. I've written a couple that were just me
on the album, but it's mainly part.
Speaker 4: Okay, okay, and then I'm curious too about you know,
the songs are kind of funny, as some of them are.
I mean, is that is that an important element to
you to have in the band, like you know, everybody's
on drugs? Or there's another song that I'm going to
play at the end of the segment that is my
personal favorite from the album because it's as a musician,
it's very relatable.
Speaker 11: They don't pay support bands, which I absolutely.
Speaker 4: Love that song, you know, and I'm listening to I
don't play anymore, but I used to play in a
lot of bands and it's like, yep, I get it.
Speaker 12: Yeah that that that you know that that the lyrics
to that do come from you know, hard experience.
Speaker 11: Yeah, yeah.
Speaker 4: Is that it like an important element to you guys
to have you know, to have some humor and there's
you know, there's sort of that, right humor in a
lot of these songs. Is that Is that something you
do consciously in terms of how you approach it or
does that just come out organically?
Speaker 12: I think it comes out organically because because that's just
what we are. But you know, particularly you know, they
say Pat sort of writes a lot of the lyrics
and the things that I think it helps to get
your message across or even just the the meaning of
the song across if you can also make people smile,
because that's one of the things that makes things memorable
apart from just a catchy chorus, is actually something that
makes you chuckle or makes you think, oh, I wasn't
expecting that, you know then. And I think that's one
of the things that gives us a little bit of
an edge and why people have liked a lot of
the material. A lot of the songs on the album,
like you say, have got that little bit of sort
of sideways look or a little Winke to camera type thing,
isn't it. So so yeah, we do that, but I
mean there are others that are out and out, you know,
not fun not laughs, but you know, we want to
try and get across, but hopefully it's still enjoyable.
Speaker 11: Yeah, yeah, absolutely, but it's not.
Speaker 12: You know, we don't deliberately go out of our way
to make things sort of comedic, but there's no harm
in there being a little bit of humor and a
little bit of a rhinous to it.
Speaker 4: So yeah, I like to use the Sexpert as an
example of doing that really well, you know, like you know,
here's this band who you know, they weren't necessarily trying
to be funny, but you know, you listen to a
song like God Save the Queen and you can't help
but laugh, you know what I mean?
Speaker 12: Well, yeah, because there are there are you know, there
are more than one meaning to elements of the lyrics
in that so that it makes it memorable because.
Speaker 11: At that right right exactly exactly.
Speaker 12: So you're taking you're taking that well known phrase God
Save the Queen and or giving it a twist, and
you know that's always a good thing because somebody's already
come up with that idea and it's already in people's heads.
If you're then using it yourself or you're doing like
everybody's on drugs, you know, that's something that when you
all automatically think about it, well, everybody's on drugs, must
mean everyone's on illegal drugs and they're shooting up. Well
that where it actually means is people are living a
life where just to keep them going there that you
know they're being supported by what they're getting from their
doctors or what they're getting over the counter of the chemist,
or it could be you know as well as you
know what they're getting from their dealers on the corner.
So there's more to the one phrase than just the
one element.
Speaker 4: Right right, absolutely, And then so what's the touring situation?
Like you guys playing a lot of shows at the moment,
we're not. We're currently on a bit of a break.
Gale just before Christmas underwent a knee replacement operation, so
she's currently just get sort of starting to properly get
out on the feet again. So we took we're taking
some time out and we don't start gigging again until April,
but we need she needs to, you know, make sure
that she gets sort of fitting well and is able
to bounce around on stage again like a good'n so
that in that time we are sort of writing some
new songs. We will be starting to rehearse those sort
of in the next month or so. We you know,
depending on how she is, we may start to gig
earlier than that. But we've got quite a good calendar
of you know, diary for the year.
Speaker 11: Good.
Speaker 12: We're playing the thirtieth anniversary Rebellion Festival in Blackpool, which
is the big punk festival in the UK. There's an
awful there's a lot of sort of bands. They've got
a lot of bands from the States coming over there.
There's all sorts of people that from all over the
world coming to that. That is a big, big festival.
That's over three four days in August. We've got a
festival in Scotland in May called Punk on the Peninsula,
which is just outside Glasgow. And we've got you know,
a nice healthy sort of diary of gigs once we
do start going again, and we hope during all that
we will get a good another selection of songs that
we will have another album maybe before the end of
the year. You never know, depends on I mean, we
don't know. A lot of them haven't been road tested yet,
and sure what we think might work. When you then
play them in front of people, they sitting there scratching
their heads and what's going on, or they go absolutely
bonkers and love it, so right right, Yeah, you have
to you know, you have to, you know, trust the
audience and see what's gonna what's gonna work.
Speaker 4: It's great too that you're doing festivals, because you know,
this comes up a lot on the show. I really
think that's that's the most valuable thing you can do
in terms of playing live because you know, festivals, not
only do you get do you get exposed to an
audience that might not otherwise see you, but also the
you know, backstage, just the connections that you can make
in terms of meeting other industry people, whether it's just
other bands or or or people who you know you really,
I mean, the networking opportunity that comes with playing a
festival is unparalleled, you know what I mean.
Speaker 11: So that's great, Yeah, very much so.
Speaker 12: Yeah, And not only do you make sort of connections
that are good for the band, you also you know,
you do make good friends from this because you know
you're all in it together, and you you realize that
you know, lots and lots of people are you know,
they're all good people, and you've got a lot of
shared experience, and you will automatically get on with a
lot of people, right, which is very you know, which
is which is a nice part of doing this sort
of thing, whereas you know it's it's not just turn up, play,
pack up, go. You know, you're turning up meeting people
that you have a good time with and and they're
but but the festival's definitely the big festivals like Rebellion
are very good for bands like ourselves for the exposure
you might be sort of playing the rest of the
year to you know, much much smaller venues, much much
sort of smaller crowds. But you're suddenly playing in front
of ten twenty times the amount of people you normally would.
And yet you know that can't be bad, No.
Speaker 11: Not at all, not at all.
Speaker 4: So I have saved the Sometimes I go for the
most obvious question right up front, but I kind of
saved at this time the name the puncturists. Where does
that come from? What is the meaning of the name.
Speaker 12: I'm not sure how they came up with it, because
they got the back the name before I actually started.
But the Puncturists, the first EP that I mentioned earlier
was actually called the punk Tourists. Oh so, you know,
so the punk tourists or puncturists. You know, I'm not
sure which came first, punk tourists or puncturists, and they
decided to to put you know, decided to use that.
But puncturists are also something where you're sort of going
along and you're sort of puncturing people's you know, ideas,
you know, coming along and sort of jabbing your needle
into their balloon.
Speaker 1: You know.
Speaker 12: It's one of those names that's got got lots of
potential meanings, have different meanings for different people. But it's
also quite memorable, and you know, it's quite Yeah, that's
a nice name. Yeah, yeah, No, I like one of
the hardest I mean, you said you've been in one
of the hardest things he'd been in a band when
you first start, is what do you call yourself?
Speaker 11: Oh?
Speaker 12: Yeah, because you'll come up and there'll be some absolutely
terrible things that people come up with, and and you
think Oh, that's a good idea until you see it
either written down or someone else says it, and you think, nah,
they ain't gonna work.
Speaker 14: Well.
Speaker 4: Well, not only that, the other challenge is finding something
that that somebody isn't already using.
Speaker 11: You know, yes, and you don't. You don't want to
find yourself in a position.
Speaker 4: Where you know, you establish a name and you're you know,
you're you're doing it, and you're you're getting somewhere with it,
and then all of a sudden you find out you know,
somebody else already has the name. I've told this story
on the show. I have a friend, uh the friends.
Some people will know him, but I'll leave I'll leave
his name out of it. I don't want to embarrass him.
But years ago, uh, this individual wasn't a band called
I ran into him after and I've seen him for
a while, and he told me about a new band
that he was in called Intuition, and he said the
name to me, and I'm thinking, oh, my god, Intuition,
how many other bands are already using or have used
that name? And then swear to God true story. I
ran into him again, like a month later or two
months later, and I asked him, you know, how's the
band and he said, oh, good, but we had to
change our name. We got to cea some assist letter
from a band already using the name Intuition. And I
was like, oh, that's too bad, and you know, but
in my mind, you know, and I'm too polite to
say it, but in my mind I'm thinking, well, yeah,
of course you did, you know.
Speaker 12: Yeah, I mean it's like the first bands I was
in when we were at school. We were sort of
like really enthusiastic sixteen year olds and we said, right,
we're going to call ourselves reflex and like the one
hundred thousand other bands called reflekes.
Speaker 15: No.
Speaker 12: Yeah, but you don't know that. When you yeah, the
enthusiasm takes over and you think he's a good idea.
Oh yeah, I don't think there's any of the puncturists.
Speaker 11: Yeah, there you go, there you go.
Speaker 12: Yeah.
Speaker 4: For a second there, I I was worried you were
gonna tell me I was saying it wrong and that
it actually is punk tourists and I've been pronouncing it
wrong this whole time.
Speaker 12: I was, Oh, say it however you like. But no
puncturists is how we how we say it.
Speaker 4: Yeah, yeah, No, I've been learning a lot, you know,
talking to people from from your part of the world.
You know, we have we have a lot of guests
from there on the show, and I love the music
that comes out of there. But I just learned, uh,
I just learned yesterday from a friend of mine who's British. Uh,
you know pants that over I guess over there, Like,
if you want to express this approval for something, but
you don't want to swear, you say pants.
Speaker 11: Is that correct? Or she's just messing with me?
Speaker 12: Oh you can no, no, you can do. Oh, that's
that's complete. Usually it's when something is complete pants, so
that you complete rubbish or garbage or whatever. Oh, that's
that's that's total pants, you know. Okay, yeah pants, Pants
to us aren't trousers. Pants are the underwear.
Speaker 11: So oh okay, right right, yeah that makes sense.
Speaker 12: Yeah, so so he's yeah, he's like, and I mean
people also say nickers in in the in the UK,
which again is another word for underwear that I've heard
that I heard pants. Yeah, something's a bit pants. It's
not a very strong it's something that's a little bit
not very good. If it was really bad, then it
would be worse than pants. There's just a little bit
Rubbish's a bit pans.
Speaker 11: I've been learning a lot. Yeah, uh now this is great.
Speaker 2: Yeah.
Speaker 4: In the first hour, we had a guest. Uh see,
now I'm going to say his name wrong, car Hall fits.
It's an Irish name, and I and I but I
had to look up how to say it. And then
he told me I was saying it correctly, although he
might have just been being nice, but you know, because
it's C A T H A L. And you know,
and I'm of Irish descent, so I should know, but
I didn't know. And he said I was saying it right.
That I guess the tea is silent and it's car Hall.
But you know, being a being a dude from America,
you know, I'm learning a lot. Yeah, but so what
so Gail, So Gil's obviously out of commission temporarily.
Speaker 11: But you said April you're going to get back to playing.
Yeah we are.
Speaker 12: Yeah, we're first one is towards the end of April,
and then we're sort of failing NonStop to the end
of the year. But like I say, if if Gail
sort of starts to feel a little bit more able
to sort of stand for you know, while we might
fix something else in before then, so we may be
end of March, but you know, we've got to make
sure that she gets properly better. I mean, it's having
a knee replacement, isn't isn't a small operation?
Speaker 11: So no, no, jeez, I can imagine.
Speaker 12: Wow.
Speaker 4: Yeah, well, Gale, So where's the best place for people
to go to keep up with everything that the puncture is?
Everything that you're doing and as far as getting your
music and everything, you know, you did mention band camp
and and by the way, I encourage I love band
camp because that's what a lot of people don't realize
about band camp is if you get if you get
your music from there, you're getting a higher quality file
then say, if you're just streaming it on YouTube or
you know, and in some cases even Spotify, Like with
band camp, you're getting you're really the highest quality file
you can get.
Speaker 12: It's the it is the best quality that you can
get from a sort of a a streaming or download service. Yeah,
because you sort of tend to you upload sort of
wow files and things like that, where as you get
a more compressed, smaller file on a lot of other
services and that, you know, it's it just is that
little bit better. But actually to find us sort of
keeping up with sort of the new, I mean there
is a we do have a website, and I shall
have to make sure I'll tell you the right address
for that in a minute. But but yeah, I mean
on Facebook is where you mostly find our sort of
up to date and where things are change and happening
and what's going on. Yeah, the website is www. Puncturists
dot com, not the Puncturists, so it's just puncturists dot com. Okay,
and yeah, Facebook, if you look at look for the Puncturists,
you'll find us band camp, we're dead Swan Records, and
you can find us streaming. We are on Spotify and
Apple Music and all those sorts of things, YouTube music
and that. So it's just so you know, people can
find us all over the place whatever they particularly use nowadays.
And of course with on band camp you can find
our you can order the hard copies of things, so
we do have CDs and whenever we gig then we
have a merch store where you can buy CDs, t shirts,
own all sorts of little bits of paraphernalia.
Speaker 4: So yeah, yeah, absolutely, And the website's good too. I'm
a website nerd and I do like the website puncturists
dot com. I see I see a lot of bad websites,
but this is a good, good site. It's well organized,
the layout's nice. Yeah, that's it's It's so important. I
don't think people, not everyone realize how important it is
to have a really you know, easy to navigate, you know,
visually attractive but not overwhelming website. You know, there's a
lot of nuance to it. But no, this is a
this is a good site. So puncturists dot com. Yep, Dale,
this has been wonderful. I really appreciate you joining us,
and you know, we'll certainly have you back on as
you release new music. It sounds like you've got some
new stuff coming in a moment. We're gonna end the
conversation with this track. This is my one of my
favorites from the album They Don't Pay Support Bands.
Speaker 11: I love this song.
Speaker 4: Anything we should know about it before we play it,
I mean we kind of touched on it already, but
maybe it's self explanatory, I don't know, But anything we
should know about this song. I don't know if maybe
it's maybe it relates to us specific experience that you
had as a band.
Speaker 12: Or it's well it's not one specific experience, but all
of the different elements that you can hear that where
have all happened in one place or another that we
know where it talks about. You know, the support band
has to sort of turn up at you know, hours
before the event, provide the back line, and you know,
the main band are sort of sort of stroll into town.
They're getting paid, you know, silly amount of money, and
the drummer says, and I haven't got me kick, Can
I use yours? And yeah, all that sort of thing,
you know. And then you know others where you've got
promoters who will sort of put you on that right
You've got to be here and you've got to be
off in two seconds, you know, otherwise the you know
you won't you know, never see you ever again. I'll
make sure you never work in this town sort of thing.
Speaker 15: You know.
Speaker 11: You know, it's just.
Speaker 12: You know, we're fortunate now that a lot of the
places we play, the promoters are actually sort of considerate
and they know that the effort that people go to
and they do look after you. I mean, we don't
you know, massive amounts of money from it or anything
like that.
Speaker 1: You don't.
Speaker 12: Yeah, we don't expect to if you are the support band. However,
support bands who get looked after are more likely to
say that was a good experience. You know, if you
get the chance to play for this particular promoter or
that particular venue, then do it. Likewise, if you have
a really bad experience, that gets around very quickly to bands,
and you'll have places wondering why they can't attract bands, right, well,
we know why they can't. Then here's a song all
about it sort of.
Speaker 4: Yeah, exactly exactly, so we'll hit that track in a moment,
so we'll let you go. Deale Pharaoh from the Puncturist,
thank you so much for joining us today and I
look forward to hearing new music from you, and we'll
talk again in the future for sure, So thank you
so much much.
Speaker 12: Thank you, Matt. It's lovely to chat speak to you again.
Seeing all right, ye bye sounds good bye bye. All right.
Speaker 4: That is Dale Farrow, bass player from the band The Puncturists,
And yeah, this is a great track and you know
a lot of a lot of people in the music
industry and a lot of bands, a lot of and
soul artists too, listen to the show. I'm well aware
of what our sort of core audience is with this program,
so this will be highly relatable for many of you.
But this is such a great song. This is called
they don't pay support bands, and the band is the Puncturists.
Speaker 3: They don't pay some wok fans. It's a privilege to
play here. Can you leave work early.
Speaker 8: To load and you give me acause they don't pay
support fans.
Speaker 3: It's a pleasure to play here.
Speaker 1: Oh you're all driving, well, we could pay you in there.
Speaker 5: Oh wow, they.
Speaker 3: Don't pay support fans. I know it's a little crowl
to work in six months with sex bills excess.
Speaker 1: You could.
Speaker 8: They don't pay some both fans, the fell let you
play for free and you know the trumper from the
main bad on a thousand pounds canny boya symbols please
because they don't pay support fans of thel let's tell
your merch but they want twenty percent.
Speaker 2: Of your CDs and your shirt.
Speaker 3: Oh wow, they don't pay support fans. And I hope
it doesn't snow butt you're cute out on the street or.
Speaker 5: You're goun no place to go.
Speaker 3: They don't pay support fans.
Speaker 1: How can you bring twenty of your friends?
Speaker 3: If you bring the most fans to get higher up
the bill and it all depends to cars. They don't
pay support fans.
Speaker 2: Can you bring the full back line.
Speaker 3: General your stuff on the stage?
Speaker 1: My half fast night.
Speaker 3: They don't pay support fans.
Speaker 2: There's no where to park your car.
Speaker 3: Don't stay Kenny cats in. You pay for rice at
the bar.
Speaker 8: They don't pay support fans. I don't forget to use
your social links. They might let you join their Battle
of the Bans.
Speaker 1: It just depends how much your family ships.
Speaker 3: Because they don may support fans. You over sell many
gets it rents. I maybe don't wait anybody.
Speaker 1: Somebody so charity events, they don't.
Speaker 3: Pay some some offs. It's a privilege.
Speaker 16: Keep out of that Dressian movement and don't touch dotre.
Speaker 17: You are listening to Matt Connorton Unleashed on WM and
H ninety five.
Speaker 14: Point three right now.
Speaker 4: It's the world radio premiere of the new single from
B R s R. I Mean Out January thirtieth, portals.
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Speaker 4: And now at W M n H ninety five point
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Speaker 17: Last you are listening to macconnorton unleash on wm n
H ninety five point three.
Speaker 4: Here's another exclusive coming out January thirtieth, the new single
from Hallie Nang.
Speaker 11: This is called nine Miles High.
Speaker 3: This poison in the.
Speaker 2: Letting load.
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Speaker 2: If we believe.
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Just say you'd me by my side.
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the night, live.
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but it's not so easy. Sun Shine seems.
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Speaker 27: Behold the harmony of airwaves as you immerse yourself in
the captivating frequencies of w m NHLP the sonic cards
of Manchester transcending through the ether ninety five point three
megahertz frequency modulation or transmissions m andate from the ZF
of one thousand Elm Streets insur into the hearts of
our creative realm at one nineteen Canal Street. We're Innovation
and Sound Cologne. They're the impromoter of Manchester Public Television
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your auditory journey with the depth of our license to
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five three at gmail dot com, or to reverse the
virtual corridors of w m n hradio dot or engage
with our sonic vibrations by communing with us through the
digital channels or radio beconds. Eager to enthrall you with
its mesmerizing cadence and envilap you with symphony of foundless
auditories wonder.
Speaker 2: W m n H rip the novels you're listening to.
Speaker 17: Mattconnorton Unleashed on w M and H snwenty five point
three
Speaker 23: O