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<v Speaker 1>Thanks searching in to another episode of Gang That Drank,

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<v Speaker 1>a supernatural drinking game podcast. Want to skip those ads

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<v Speaker 1>and get early access, become a member at true story

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<v Speaker 1>dot fm, slash join and discover all the other great

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<v Speaker 1>parts that come with it. Hello and welcome to Gang Gang,

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<v Speaker 1>a supernatural drinking game podcast. It's the podcast where we

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<v Speaker 1>make up drinking game episode, make up dream make up

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<v Speaker 1>drinking game episodes, yep. For the rules of our favorite show, Supernatural.

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<v Speaker 1>We recap the episode we played for you to tell

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<v Speaker 1>you all the drinking game rules played out. Uh, we

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<v Speaker 1>give them scores at the end, and then we tell

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<v Speaker 1>you what's coming up for next week.

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<v Speaker 2>Yeah, we should start rating the game. It's like one

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<v Speaker 2>out of five or ten or something like that. Okay,

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<v Speaker 2>I don't know. I don't know. I feel bad about

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<v Speaker 2>how often I give myself a not great reviews. No,

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<v Speaker 2>it would be fine. Chrissy, who are with me?

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<v Speaker 1>Well, you're a nate recorder, a teacher and helper and

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<v Speaker 1>performer and doer of all things at the Neighborhood Comedy

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<v Speaker 1>Theater in downtown Mesa, Arizona.

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<v Speaker 2>Oh I sure am, and I believe you are. Chrissy Lenz.

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<v Speaker 2>The proprietor and doer of most things at the Neighborhood

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<v Speaker 2>Comedy Theater in downtown Mesa, Arizona.

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<v Speaker 1>Correct, correct, and together we are that drank team.

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<v Speaker 2>Good. We've identified ourselves because I've been watching some season

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<v Speaker 2>eight of X Files where you really got to make

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<v Speaker 2>sure that people aren't alien bounty hunters trying to get you.

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<v Speaker 1>And I am not an alien bounty hunter.

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<v Speaker 2>Okay, good. I'm glad that you would look like a

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<v Speaker 2>big beefy guy. Remember they all look the same anyway, uh.

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<v Speaker 1>Dollar store Schwarzenegger.

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<v Speaker 2>Yeah, yes, it's very like, Yeah, that guy looks like

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<v Speaker 2>like low deaf Arnold. Good for that guy, Yeah exactly.

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<v Speaker 2>I mean it's like Arnold if you were watching like

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<v Speaker 2>an Arnold movie, but it's like blurry and you're like,

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<v Speaker 2>is that is that? But like he doesn't talk the

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<v Speaker 2>whole time, so you really don't know. But that would

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<v Speaker 2>We'll save that for our X Files drinking game podcast.

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<v Speaker 1>This Yeraries coming soon to a podcast jam near you. Yeah,

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<v Speaker 1>this is our supernatural drinking game podcast.

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<v Speaker 2>We only do Kim Manners properties. Yes, that's all that'd

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<v Speaker 2>be funny. Night is tonight is my episode, Chrissy.

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<v Speaker 1>It's your episode. It's the penultimate, it's the conclusion of

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<v Speaker 1>the Chuck train. For a brief pause, yes it is.

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<v Speaker 2>It is the ultimate, kind of like, yeah, it's Chuck.

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<v Speaker 2>You think at this point in time, obviously in season eleven,

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<v Speaker 2>and you're like, geez, how many more seasons can this

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<v Speaker 2>show go? That perhaps it is the end of Chuck.

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<v Speaker 2>Obviously we know it will not be now in the

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<v Speaker 2>year twenty twenty five, but at this point in time,

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<v Speaker 2>you're thinking, maybe the Chuck storyline, the God storyline is

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<v Speaker 2>dead post this episode, and we'll all have free will

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<v Speaker 2>and Earth is fine, Earth will be fine, and we'll

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<v Speaker 2>get to that. But yes, it is. Season eleven, episode

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<v Speaker 2>twenty three, Alpha and Omega, aired May twenty fifth, twenty sixteen,

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<v Speaker 2>Written by Andrew Dabb and written or directed by Phil Screamsha.

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<v Speaker 2>I have, yeah, never pronounced that one, right, uh yeah.

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<v Speaker 2>And it's a fine finale.

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<v Speaker 1>It's a fine finale.

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<v Speaker 2>Yeah. It ends on a cliffhanger that leads into a

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<v Speaker 2>season that I'm not a particular fan of most of

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<v Speaker 2>the at least the story arc of We'll see. Yeah,

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<v Speaker 2>if we ever talked about as a man of letter,

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<v Speaker 2>this particular men of letters, iteration is just.

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<v Speaker 1>So, but it is.

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<v Speaker 2>I don't know if it's like I don't think, like

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<v Speaker 2>I said this the in our last episode We Yes Sophie,

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<v Speaker 2>Sophie said she thinks as well that I don't think

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<v Speaker 2>it's in the pantheon of amazing supernatural.

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<v Speaker 1>Finally, yeah, I agree.

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<v Speaker 2>I think it is merely fine. I don't think there's

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<v Speaker 2>any moment in it that you're like, oh my gosh,

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<v Speaker 2>it's like super duper heartbreaking or super duper like heartwarming

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<v Speaker 2>or super.

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<v Speaker 1>Or even really all that surprising.

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<v Speaker 2>Right, Everything kind of just goes the way you think

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<v Speaker 2>it's gonna go. And then and yeah, we'll.

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<v Speaker 1>Get kind of a it's kind of a letdown too,

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<v Speaker 1>because they spend so much time bomb.

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<v Speaker 2>That never comes off then just never. It becomes a

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<v Speaker 2>non factor immediately. It is like improv denial of a

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<v Speaker 2>of a device, of an actual literal device and figurative

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<v Speaker 2>storytelling device. Mm hmm, because like you just anyway, we'll

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<v Speaker 2>get into it. What are the rules, Chrissy, I'm the

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<v Speaker 2>one who knows the rules.

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<v Speaker 1>Are the rules?

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<v Speaker 2>All right? We are playing anytime which were just happens

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<v Speaker 2>once but a few times once it really say the lady,

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<v Speaker 2>because I think it's just funny.

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<v Speaker 1>I like it.

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<v Speaker 2>We're drinking when they drink, and I think I definitely

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<v Speaker 2>am I missed a few. I'm pretty sure.

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<v Speaker 1>Well there was we'll talk about it at the end.

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<v Speaker 1>But there was a lot of times where they had

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<v Speaker 1>drinks in their hand but they weren't drinking them.

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<v Speaker 2>Yeah, And I meant to just count all those, and

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<v Speaker 2>then I think I forgot to count them as they

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<v Speaker 2>went along, or at least several of them. Anytime Crowley

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<v Speaker 2>takes like a jab at Sam or kind of like

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<v Speaker 2>get you know, teases him, calls him a dumb name

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<v Speaker 2>or whatever, take a drink for Dean's impression of Rowena

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<v Speaker 2>love it. Take a drink. And I think, given how

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<v Speaker 2>the rest of these roles play out, you're probably could

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<v Speaker 2>just with drinks on this. Anytime they say the word souls.

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<v Speaker 1>I'm certain that I did not get it right.

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<v Speaker 2>Probably impossible to have. So we'll see.

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<v Speaker 1>And I even watched with the closed captions on.

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<v Speaker 2>Yeah, I actually didn't, and I probably should have. And

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<v Speaker 2>I still I caught a lot of them, but we'll see.

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<v Speaker 2>We'll see what the numbers are. We're taking a shot

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<v Speaker 2>for hagus or finish your drink, it's your multiplier whatever.

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<v Speaker 2>Hagus uh. And then I also at the end we'll

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<v Speaker 2>talk about there's three rules that I really should have

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<v Speaker 2>put in here, and I didn't take a drink for

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<v Speaker 2>any time we got a Ghostbuster's joke or like they yeah,

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<v Speaker 2>they kind of make the Ghostbusters jokes, and then drink

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<v Speaker 2>anytime we see the soul stone.

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<v Speaker 1>The soul stone.

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<v Speaker 2>Yeah, and then finally take a drink when Chuck and

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<v Speaker 2>Amar and are finally united.

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<v Speaker 1>United and solidarity together at last.

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<v Speaker 2>Yes. So them's the rules, Chrissy, are you ready to

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<v Speaker 2>do this?

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<v Speaker 1>Ready?

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<v Speaker 2>Okay? Cold open? No? No, Then we're picking up right

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<v Speaker 2>where you left off where Amara straight up kicked their as,

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<v Speaker 2>kicked everyone's ass and dipped. Juck is dying on the floor.

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<v Speaker 2>Sam kind of comes up to him try to help

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<v Speaker 2>him out, and uh, like Dean goes to check on

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<v Speaker 2>cass who he thinks is Lucifer, but it's not Loocifer

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<v Speaker 2>because she's apped him away and look a's what it's cass.

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<v Speaker 2>Amara is so nice. She's such a benevolent, super powerful thing,

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<v Speaker 2>which I'm not even sure if she is. We'll get

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<v Speaker 2>into that. Uh uh And yeah, So where we're like, yeah, okay,

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<v Speaker 2>Cass is back. Rowena comes in and she says, so

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<v Speaker 2>that was a gun in your pocket? Hilarious. And Crowley

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<v Speaker 2>comes in and the whole gang is in there and

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<v Speaker 2>they're like, oh, shoot, it didn't work all the plans.

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<v Speaker 1>It didn't work of this season, isn't.

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<v Speaker 2>It didn't work? Were we asked? Anybody been outside taking

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<v Speaker 2>a look outside? Uh? And they go outside and the

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<v Speaker 2>sun is fading. Supernatural the sun is dying? Uh? Dean Uh,

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<v Speaker 2>Chuck like Chuck zaps them all to the bunker.

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<v Speaker 1>Uh.

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<v Speaker 2>He apparently still has a little power left in him,

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<v Speaker 2>which yeah, And then Dean needs a drink. Dean immediately

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<v Speaker 2>goes gets I think he's got a six pack in

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<v Speaker 2>the fridge, gets a drink, and he's like the sun.

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<v Speaker 1>I'll always say like, it's ridiculous for them to keep

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<v Speaker 1>six packs around the buying cases.

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<v Speaker 2>Yes, they should be buying thirty racks at the Walmart

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<v Speaker 2>or the or the hy Vey or whatever is there

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<v Speaker 2>in Lawrence at you know, get him on holiday weekends

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<v Speaker 2>at sixteen bucks for the thirty rack. Why are you

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<v Speaker 2>buying six packs? The way they go through it, that is, yes,

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<v Speaker 2>always agreed chrissy.

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<v Speaker 1>Yeah, and I'll point it out every time because it never,

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<v Speaker 1>it doesn't, it never doesn't make me go eye roll, right.

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<v Speaker 2>And you would think they could have like a big

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<v Speaker 2>old beer fridge in somewhere in the bunker. Right, it's

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<v Speaker 2>like just for beer, so you can put all the

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<v Speaker 2>beer always cold. Right. Then he's like it's just six

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<v Speaker 2>packs at a time, and he's and you know, he

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<v Speaker 2>runs out quickly. He's like, I gotta go get more.

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<v Speaker 2>Like what are we doing, guys? You have unlimited money?

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<v Speaker 1>All right?

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<v Speaker 2>Uh So he's like Dean says like I'll take on

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<v Speaker 2>vamps and monsters and all these things, but the sun,

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<v Speaker 2>like I can't do anything about the sun dying.

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<v Speaker 1>Which I thought was a great line because he's like,

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<v Speaker 1>give me something to punch, shoot or kill, and I'm

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<v Speaker 1>your man, but what can I do on the sun?

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<v Speaker 1>And it was just like Dean finally being like there's

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<v Speaker 1>something I can't punch.

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<v Speaker 2>Yeah. It really is a good moment and it's a

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<v Speaker 2>good like oh man, what are you? What are you

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<v Speaker 2>gonna do? So we cut to London, foggy London Town,

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<v Speaker 2>which isn't foggy, it's just also not very well lit.

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<v Speaker 2>Which is like, how could the people in London tell

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<v Speaker 2>the most of the time it's cloudy. Anyway, A woman

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<v Speaker 2>is like getting out of her car getting you know,

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<v Speaker 2>or like she this is where we get the miladies.

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<v Speaker 2>She comes home to her child and the nanny says, oh,

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<v Speaker 2>welcome home to lady says, don't call me that, you know,

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<v Speaker 2>you can call me by my real name, which I

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<v Speaker 2>totally even forget if she even said, I forget what

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<v Speaker 2>it is. And yeah, so we get them a lady

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<v Speaker 2>back and forth three a few times. I count three

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<v Speaker 2>spoilers for yeah boom so yeah. As she's sitting down,

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<v Speaker 2>she sits down, she has some tea our London lady,

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<v Speaker 2>and she turns on the news and the news is.

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<v Speaker 3>Like, as you know, the sun sometimes goes through periods

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<v Speaker 3>of flays and not flays, and this is simply just

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<v Speaker 3>not a time of not.

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<v Speaker 2>Yeah, and it's like she's like as if she gets

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<v Speaker 2>a call and they're like, this is like two scenes

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<v Speaker 2>kind of split between. Anyway, she gets a call and

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<v Speaker 2>she's like, really, is this the best use of our resources?

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<v Speaker 2>And they're like yes, and she's like, shoot, I have

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<v Speaker 2>to go, Like I just got home and now I

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<v Speaker 2>have to go. She's very much seems like a rambling woman,

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<v Speaker 2>but we we we see her in her work special

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<v Speaker 2>secret woman of Letters work area where she has a

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<v Speaker 2>whole like Charlie Day from from Always Sunny in Philadelphia,

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<v Speaker 2>meme of the of Sam and.

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<v Speaker 1>Dean and.

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<v Speaker 2>All the yarn and everything. So she's been hunting the boys.

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<v Speaker 2>So we're like, oh, a new character, new situation. Obviously,

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<v Speaker 2>we're beyond the seasons where we're wondering if we're going

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<v Speaker 2>to get renewed next season or not, and we're setting

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<v Speaker 2>up future seasons. Grown groans about season twelve. So yeah,

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<v Speaker 2>Rowena or back at the Bunker. Romena is like trying

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<v Speaker 2>to take care of Chuck, and Crowley is like, careful,

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<v Speaker 2>she'll turn on you. She's using you. She always just

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<v Speaker 2>uses men. And that's like the Crowley Rowena dynamic is

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<v Speaker 2>always interesting and funny to me. I guess uh, so

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<v Speaker 2>Rowena is saying, yeah, no, tea always helps. And they're

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<v Speaker 2>all sitting around. They're just trying to think how are

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<v Speaker 2>we gonna beat Amara, And as they're banting about ideas,

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<v Speaker 2>someone like someone asked Chuck like well, or basically they're like,

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<v Speaker 2>we can't trap her, so we have to kill her.

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<v Speaker 2>And Chuck's like and they're like, is there a way

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<v Speaker 2>to hurt her? Does she have a weakness? And he's like, oh,

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<v Speaker 2>I guess light And they're like, oh, you didn't. You

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<v Speaker 2>didn't think to mention this before.

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<v Speaker 1>It's get a bunch of Christmas lights.

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<v Speaker 2>Yeah, let's get cart Griswold over here. Uh, and we'll

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<v Speaker 2>do it. There is this great moment where Rowena and

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<v Speaker 2>Chuck are having like a parents like while they're having

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<v Speaker 2>their tea, they're like talking like kids because she's like

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<v Speaker 2>complaining about Crowley or she's like telling a story about

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<v Speaker 2>Crowley when he was a little baby. And then yeah,

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<v Speaker 2>Chuck obviously has you know, all the god stuff, and

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<v Speaker 2>so there's and then there's a great line from Crowley

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<v Speaker 2>where he says, I'm so happy the world and he

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<v Speaker 2>takes a drink, So take a drink. Yeah, I'm so

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<v Speaker 2>happy the world is ending. Yeah, I like kids. I

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<v Speaker 2>just love that little moment. I loved it in this

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<v Speaker 2>episode of like, you know, it's like serious and stuff,

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<v Speaker 2>we still take. They still have funny little moments.

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<v Speaker 1>It's not all they do and is always just such

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<v Speaker 1>a source of joy for the king of Hell. He's

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<v Speaker 1>a beacon of joy.

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<v Speaker 2>Yes for me, for me, Yes, absolutely, I love Crowley.

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<v Speaker 2>So they are kind of yeah, Chuck is like, yeah,

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<v Speaker 2>light you need like a bunch of light. This ten

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<v Speaker 2>thousand suns, the power of ten thousand suns on going

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<v Speaker 2>through a super nova. And so they're like, well, how

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<v Speaker 2>are we gonna get on and and Dean's like, well,

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<v Speaker 2>whip him up, your God, and He's like, kind of can't.

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<v Speaker 2>I'm sick. I'm not feeling well, I'm calling out today.

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<v Speaker 2>That should have been so one of the rules I

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<v Speaker 2>think I should have made should have just been like

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<v Speaker 2>Chuck moaning and groaning. That should have just been a rule,

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<v Speaker 2>because like there's a lot of shots of him just

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<v Speaker 2>like looking sick, looking yeah.

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<v Speaker 1>Feeling puny, as my grandma used to say.

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<v Speaker 2>Yes, and that's what he is doing, or at least

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<v Speaker 2>pretending to do it be doing in my opinion. So yeah,

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<v Speaker 2>we we have also uh if we get yes. So

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<v Speaker 2>we have this great BM scene between Dean and Cass

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<v Speaker 2>when Dean goes out to get more beer, Dean and

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<v Speaker 2>Cass in the car where Deed's like, you're our brother,

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<v Speaker 2>like we love you man, like just so you know,

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<v Speaker 2>you're no longer like our pet like we used to

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<v Speaker 2>think of you. You've elevated to full human status and

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<v Speaker 2>we missed you and you're a lucifer.

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<v Speaker 1>Yeah, we missed you. I'm not mad at you anymore

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<v Speaker 1>like I was at the beginning of this season.

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<v Speaker 2>Yeah, so good little BM scene there in the Gang.

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<v Speaker 2>They came up with the plan. Finally, once we got

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<v Speaker 2>more beer in us, they come up with the plan,

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<v Speaker 2>and that is souls souls because they're like, row, is

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<v Speaker 2>there anything in the Book of the damn so and

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<v Speaker 2>this is where we just get souls a bunch of

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<v Speaker 2>times as they're being said, Cast is the one who

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<v Speaker 2>comes up with it. He goes, what about souls? They're

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<v Speaker 2>just like pure energy? How many? How many sons are

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<v Speaker 2>in a soul? And basically they are like a few

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<v Speaker 2>hundred I don't know, like Chuck did some real rough

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<v Speaker 2>god math, it was like, I don't know, a couple

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<v Speaker 2>of hundred sons per soul. Ish So they're like, okay,

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<v Speaker 2>how do we get let's let's we don't get an

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<v Speaker 2>Ocean's eleven sequence like we did in the last episode.

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<v Speaker 2>But like Crowley, you go to hell, Cast, you go

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<v Speaker 2>to Heaven get some souls and and neither and both

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<v Speaker 2>are a no go. Eventually, the angels just want to

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<v Speaker 2>close up shop, and Hell was raided already, you know,

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<v Speaker 2>lovely demons. But the boys come up with a plan

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<v Speaker 2>to get like which in comparison to Heaven and Hell

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<v Speaker 2>is got to be like a minuscule amount of souls

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<v Speaker 2>compared to what everyone else was proprietor planning to bring back.

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<v Speaker 2>They're gonna go to Waverly Hills, a sanatorium. So like

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<v Speaker 2>I it is very kind of fun in this, you know,

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<v Speaker 2>in this very myth obviously finale, wrapping up a season episode,

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<v Speaker 2>everything's about Amara and God. We do get like a

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<v Speaker 2>little bit of a Monster of the Week, like a

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<v Speaker 2>mini Monster of the Week, and like a vintage Supernatural

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<v Speaker 2>moment in this Waverly Hills, like we're just gonna go

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<v Speaker 2>piss off all these guys, bring into a room, zap

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<v Speaker 2>them into this soul stone.

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<v Speaker 4>Because we're waiting to compuild a bomb with all the

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<v Speaker 4>souls if you get me enough souls and they yeah,

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<v Speaker 4>so they're planning and putting all these souls into this little,

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<v Speaker 4>this little bomb.

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<v Speaker 2>The boys go to wave Really Hills, we get a

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<v Speaker 2>fun scene where they're swinging.

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<v Speaker 1>W We're gonna our bonus content for tonight for our

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<v Speaker 1>members is gonna be what haunted places have we been to?

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<v Speaker 1>And what haunted places are still in our bucket list?

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<v Speaker 5>Boom yeah yeah.

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<v Speaker 2>So they go and then this is where we get

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<v Speaker 2>like that, We get the Dean doing Rowena impression because

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<v Speaker 2>he says, oh, just get the blindy ghosts, like he doesn't.

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<v Speaker 2>It's very funny.

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<v Speaker 1>It is take a drink and.

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<v Speaker 2>Say the magic word. So that's the other one on

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<v Speaker 2>another one that I should have just made instead of

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<v Speaker 2>I mean, the haggest one is good, but I should

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<v Speaker 2>have made them saying magic word a rule, because it

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<v Speaker 2>happens like four times all in all. But so we

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<v Speaker 2>get the fun little ghostbusting scene which they also say,

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<v Speaker 2>all right, let's bust some ghosts. And as they're leaving

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<v Speaker 2>from their go to Sbustan, we get a shot of

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<v Speaker 2>Billy the Reaper.

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<v Speaker 1>Billy the Reaper.

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<v Speaker 2>The Reaper like I would watch that show, would you not?

328
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<v Speaker 2>I to Billy the Reaper like she's like a detective

329
00:21:21.720 --> 00:21:25.079
<v Speaker 2>or something else like on that she just does something else,

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<v Speaker 2>but she's also a reaper. I don't know, i'd watched it.

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<v Speaker 1>Do you ever see a show about grim reapers? I

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<v Speaker 1>think it was called Dead Like Me, And it was

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<v Speaker 1>like if a certain amount of people who died had

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<v Speaker 1>to become grim reapers, so you had to go like

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<v Speaker 1>they had to go touch someone before they died to

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<v Speaker 1>reap their soul. No, Oh, it was really good.

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<v Speaker 2>Oh I've never heard of this.

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<v Speaker 1>I think it was called Dead like Me.

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<v Speaker 2>Okay, dead anyway anyway, No, that's fine. Hey, I have

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<v Speaker 2>something to look up. So yeah, everyone as the boys

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<v Speaker 2>get back to the bunker and they've got their souls

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<v Speaker 2>and they're all proud of themselves, but everyone else came

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<v Speaker 2>freaking short. They all of a sudden, the bunker goes

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<v Speaker 2>red and incomes Billy, and the boys are like Billy

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<v Speaker 2>and Rawaine is like, who's Billy? And Billy's like, oh,

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<v Speaker 2>I saw you guys were busting some ghosts. Take a

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<v Speaker 2>drink at Waverly Hills. Was wondering, what's up? Seeing is that?

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<v Speaker 2>You know I'm about to be reaping God himself very soon.

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<v Speaker 1>Yeah, that's a good line.

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<v Speaker 2>It's a great line. And they're like, oh, here's what

351
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<v Speaker 2>we're doing. We're getting these souls and putting them into

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<v Speaker 2>a bomb to take out the darkness, and Billy's like, okay, well,

353
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<v Speaker 2>if you need souls, you should have called a reaper.

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<v Speaker 2>She's just so cool. She's one of the coolest characters

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<v Speaker 2>in this show. And I think underutilized, that's all I'm saying.

356
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<v Speaker 2>I think very underutilized, but very cool character. And then

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<v Speaker 2>when she becomes death, that's like even better. Yeah, it's

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<v Speaker 2>super cool. So Billy is like, okay, well, I'll get

359
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<v Speaker 2>you your souls. Before we get to see that scene,

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<v Speaker 2>we cut to Amara. Amara is in some park in

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<v Speaker 2>London and she's basically like feeling bad about hurting Chuck,

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<v Speaker 2>feeling remorse, and then also realizing that this place is

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<v Speaker 2>kind of beautiful and she has a conversation with flowers

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<v Speaker 2>and yeah, she's killing all the flowers and kill out

365
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<v Speaker 2>other things as this old lady is like, you were

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<v Speaker 2>so pretty little dressed up for the park, but it's

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<v Speaker 2>at least you made an effort, and she is like

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<v Speaker 2>just talking about life, and Amara thinks it's the most quaint,

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<v Speaker 2>like beautiful thing.

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<v Speaker 3>It is.

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<v Speaker 6>At that scene in Barbie, Yes, Barbie is sitting on

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<v Speaker 6>the bench with the old woman and she's like you're beautiful,

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<v Speaker 6>and the old Lady's like, I know, yeah.

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<v Speaker 2>Yes, it very much was like that. It was uh yeah,

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<v Speaker 2>it's like a I don't know, really huge starting. You're

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<v Speaker 2>starting to humanize Amara quite a bit, as like the

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<v Speaker 2>gang is prepping to take a bomb to her, so

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<v Speaker 2>they're really trying to like sew some interesting feelings here.

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<v Speaker 2>So it's yeah, we have the souls, Rowena got them

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<v Speaker 2>into Dean's chest. Deed, we we get like basically now

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<v Speaker 2>we get like a series of BM scenes Dean saying

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<v Speaker 2>goodbye to all the people they're they're Mary's grave, which

383
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<v Speaker 2>is foreshadowing for the end of the episode. They're at

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<v Speaker 2>Mary's grave and Dean is he's saying goodbye. He says

385
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<v Speaker 2>goodbye to cast, he says goodbye to Chuck, and basically,

386
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<v Speaker 2>uh hete what he says, all right, I want to

387
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<v Speaker 2>I want a huge funeral. I want Sabbath cover band.

388
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<v Speaker 2>Gary Busey does the eulogy. I forget, but there's like

389
00:25:32.279 --> 00:25:34.880
<v Speaker 2>one word thing he said, I forget. But like Gary

390
00:25:34.960 --> 00:25:38.720
<v Speaker 2>Busey does the eulogy, I'm like, what why is that

391
00:25:38.759 --> 00:25:40.759
<v Speaker 2>what you would want? What?

392
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<v Speaker 1>Yeah, where did that come from? No?

393
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<v Speaker 2>No, no, but it does okay, random tangent Christy. There

394
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<v Speaker 2>is a sandwich shop. I don't even remember the name

395
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<v Speaker 2>of it, but there's a sandwich shop somewhere in Mesa.

396
00:25:55.799 --> 00:25:59.519
<v Speaker 2>It's like a chain, but it's not a big change. Yeah,

397
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<v Speaker 2>well there's that. There is a cheap there is Cheaba Huad,

398
00:26:02.079 --> 00:26:04.200
<v Speaker 2>but there's a different sandwich shop. I know, it's hard

399
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<v Speaker 2>to believe there's a Chiba not a not Chiba hut there.

400
00:26:10.559 --> 00:26:13.839
<v Speaker 2>It's like surf City, I think is what it's called.

401
00:26:13.920 --> 00:26:16.799
<v Speaker 2>Not to give them a free plug. The other sandwich

402
00:26:16.880 --> 00:26:20.960
<v Speaker 2>was quite good, but they have a sandwich and the

403
00:26:21.000 --> 00:26:24.319
<v Speaker 2>one that I got is the Johnny Utah. Is the

404
00:26:24.400 --> 00:26:27.640
<v Speaker 2>name or one of their sandwiches is the Johnny Utah.

405
00:26:28.079 --> 00:26:30.119
<v Speaker 2>And it's like, you know, it's like a California club

406
00:26:30.200 --> 00:26:32.960
<v Speaker 2>or whatever. And I was like, okay, that's that's awesome.

407
00:26:33.039 --> 00:26:35.119
<v Speaker 2>I was like, but you guys are really messing up.

408
00:26:35.119 --> 00:26:37.240
<v Speaker 2>You have a Johnny Utah, but you really need to

409
00:26:37.279 --> 00:26:40.839
<v Speaker 2>have a meatballs a meatball sub and call it the

410
00:26:40.880 --> 00:26:51.039
<v Speaker 2>Gary Busey. Yeah okay, well yeah that would be better.

411
00:26:51.519 --> 00:26:53.160
<v Speaker 2>But I think more people would buy it if it

412
00:26:53.200 --> 00:26:55.839
<v Speaker 2>was called the Gary Bucy. But I think, well, maybe

413
00:26:55.880 --> 00:26:57.759
<v Speaker 2>you get the papas's one meatball sub but if you

414
00:26:57.759 --> 00:27:07.079
<v Speaker 2>get the Gary Busey, it's two meatballs. Do. I just

415
00:27:07.119 --> 00:27:09.079
<v Speaker 2>had to bring that up to see you since the

416
00:27:09.119 --> 00:27:13.079
<v Speaker 2>Gary Busey uh thing, it's again I don't get why

417
00:27:13.160 --> 00:27:14.200
<v Speaker 2>Dean would want that.

418
00:27:14.079 --> 00:27:18.160
<v Speaker 1>Though, No, I don't. I don't. I don't either, Okay.

419
00:27:18.240 --> 00:27:20.720
<v Speaker 2>And then also while we're on this, while we're at

420
00:27:20.720 --> 00:27:25.759
<v Speaker 2>the grave, While we're at the grave site, Mary comes

421
00:27:25.759 --> 00:27:32.319
<v Speaker 2>from a family of hunters, yeah, and then married a

422
00:27:32.359 --> 00:27:39.079
<v Speaker 2>guy who then became a hunter. Yeah, why like, is

423
00:27:39.079 --> 00:27:41.279
<v Speaker 2>it just a headstone with no do you think it's

424
00:27:41.279 --> 00:27:42.519
<v Speaker 2>a had someone no body? Like?

425
00:27:43.759 --> 00:27:46.880
<v Speaker 1>Oh yeah, they definitely salted and burned and cream.

426
00:27:47.920 --> 00:27:51.559
<v Speaker 2>That was like literally how she died. They So then

427
00:27:51.599 --> 00:27:56.640
<v Speaker 2>I'm like, but then I guess the darkness just plucked

428
00:27:56.640 --> 00:28:03.160
<v Speaker 2>her back from whatever LEVEYA Like, I don't know, Like

429
00:28:04.200 --> 00:28:06.599
<v Speaker 2>that's I guess what I'm saying there going Okay, well

430
00:28:06.680 --> 00:28:12.720
<v Speaker 2>she's gotta have there's no John headstone. They didn't like

431
00:28:12.759 --> 00:28:15.720
<v Speaker 2>put another headstone up for John because otherwise they would

432
00:28:15.759 --> 00:28:18.359
<v Speaker 2>have like shown them a show both well who.

433
00:28:18.200 --> 00:28:19.960
<v Speaker 1>Would have done that? The boys would have added to

434
00:28:20.000 --> 00:28:20.240
<v Speaker 1>you that.

435
00:28:22.160 --> 00:28:25.440
<v Speaker 2>True. So yeah, and by that time they wouldn't. Okay,

436
00:28:25.440 --> 00:28:27.680
<v Speaker 2>all right, all right, all right, all right, all right,

437
00:28:28.400 --> 00:28:33.839
<v Speaker 2>I'm on board. Uh so, yeah, Dean says, all is

438
00:28:33.880 --> 00:28:39.519
<v Speaker 2>goodbyes the one, the one. This is actually and this

439
00:28:39.640 --> 00:28:42.440
<v Speaker 2>is good. I think I think they really thought this

440
00:28:42.599 --> 00:28:45.559
<v Speaker 2>was gonna hit a lot more than it does. And

441
00:28:45.599 --> 00:28:47.680
<v Speaker 2>I think because they just so much they jam into

442
00:28:47.680 --> 00:28:50.640
<v Speaker 2>this episode. But when Dean hands over the keys to

443
00:28:50.759 --> 00:28:57.880
<v Speaker 2>the baby tod Ipala and and Jared does such a

444
00:28:57.880 --> 00:29:01.759
<v Speaker 2>great job of you know, it's it's a real emotional

445
00:29:01.960 --> 00:29:07.039
<v Speaker 2>thing and like it's like literally the song Vincent Like

446
00:29:07.160 --> 00:29:12.119
<v Speaker 2>Lightning nineteen fifty two where he hands over the keys, says,

447
00:29:12.160 --> 00:29:17.240
<v Speaker 2>I have no further use for these, and yeah, it's

448
00:29:17.279 --> 00:29:20.480
<v Speaker 2>it's a good moment. But I think I think that

449
00:29:20.599 --> 00:29:23.400
<v Speaker 2>when writing it, I think it plays a lot better

450
00:29:23.559 --> 00:29:25.640
<v Speaker 2>on paper than it ends up playing out.

451
00:29:26.440 --> 00:29:29.480
<v Speaker 1>I like the part where he says no chick flick moments,

452
00:29:29.519 --> 00:29:32.039
<v Speaker 1>and then yes, it goes you love chick Flix, and

453
00:29:32.039 --> 00:29:33.480
<v Speaker 1>he goes, you're right, and then they hug.

454
00:29:33.960 --> 00:29:36.160
<v Speaker 2>Yeah, that is a great moment. Yes, the no chick flix,

455
00:29:36.200 --> 00:29:40.160
<v Speaker 2>but of course as a repeated line, and then you

456
00:29:40.240 --> 00:29:43.599
<v Speaker 2>love chick Flix, which is true he does, and he

457
00:29:43.640 --> 00:29:46.400
<v Speaker 2>loves all the bad TV and everything like that too.

458
00:29:46.759 --> 00:29:50.920
<v Speaker 2>So yeah, I mean again, it's good, except that, you know,

459
00:29:52.119 --> 00:29:53.880
<v Speaker 2>like I don't feel like there, it still doesn't feel

460
00:29:53.880 --> 00:29:56.640
<v Speaker 2>like there's a ton of steaks in comparison to some

461
00:29:56.839 --> 00:30:03.440
<v Speaker 2>finales of previous seasons, Like, you know, he's gonna be fine,

462
00:30:04.839 --> 00:30:08.480
<v Speaker 2>So this whole bomb in the chest thing just she's like, okay, yeah,

463
00:30:08.559 --> 00:30:10.599
<v Speaker 2>we also know we can't hurt her, which they've said

464
00:30:10.599 --> 00:30:13.200
<v Speaker 2>over and over again that he's unable to hurt her,

465
00:30:13.680 --> 00:30:19.920
<v Speaker 2>and yeah, so whatever. Chuck zaps him to Amara and

466
00:30:20.720 --> 00:30:25.839
<v Speaker 2>he's in the little park where Amara was and she's

467
00:30:25.960 --> 00:30:30.200
<v Speaker 2>like what do you basically like how'd you get get here?

468
00:30:30.240 --> 00:30:31.559
<v Speaker 2>What are you doing here? And he's like, well, I

469
00:30:31.599 --> 00:30:34.240
<v Speaker 2>decided that if you're going to take out everything I

470
00:30:34.279 --> 00:30:37.240
<v Speaker 2>love and all the people I love, and then as well,

471
00:30:37.319 --> 00:30:40.400
<v Speaker 2>just become a part of you or whatever it is

472
00:30:40.640 --> 00:30:41.519
<v Speaker 2>you want me to do.

473
00:30:42.960 --> 00:30:43.799
<v Speaker 1>It's so creepy.

474
00:30:44.319 --> 00:30:47.519
<v Speaker 2>Yeah, And she's like, oh, yeah, you and that bomb

475
00:30:47.599 --> 00:30:49.720
<v Speaker 2>in your chest and he like stops. I'm like you

476
00:30:49.759 --> 00:30:52.160
<v Speaker 2>gotta play it off, Dean, you gotta play it. I'm like, no,

477
00:30:52.240 --> 00:30:54.759
<v Speaker 2>he's no bombing. I just She's like I can taste it.

478
00:30:55.480 --> 00:31:01.240
<v Speaker 2>I can taste the power coming off you. And he's like, okay, well,

479
00:31:02.359 --> 00:31:06.720
<v Speaker 2>uh bomb bomb plan failed. That was plam B plan C.

480
00:31:07.200 --> 00:31:12.559
<v Speaker 1>Bargaining, Yeah, plancy therapy talk, which the boys have gotten so.

481
00:31:12.519 --> 00:31:15.160
<v Speaker 2>Good at, oh, really good at, really good at. And

482
00:31:15.200 --> 00:31:17.599
<v Speaker 2>they basically it's basically like, look, Chuck doesn't want to

483
00:31:17.640 --> 00:31:20.559
<v Speaker 2>hurt you. He loves you. He sat me here, but

484
00:31:20.720 --> 00:31:23.319
<v Speaker 2>like he didn't want to. He doesn't want to kill you.

485
00:31:24.079 --> 00:31:28.240
<v Speaker 2>He's your your family, like he wants to be these

486
00:31:28.400 --> 00:31:30.920
<v Speaker 2>like you guys got to figure this out. Meanwhile, the

487
00:31:31.000 --> 00:31:33.039
<v Speaker 2>gang is waiting for the end of the world or

488
00:31:33.079 --> 00:31:37.279
<v Speaker 2>for Dean to succeed, at a pub called the Lazy Shag.

489
00:31:38.160 --> 00:31:42.119
<v Speaker 1>The Lazy Shag I loved it so much, and they pass.

490
00:31:41.960 --> 00:31:43.799
<v Speaker 2>A guy who as a sign that says the end

491
00:31:43.839 --> 00:31:48.039
<v Speaker 2>of the world is here, and Crowley's like, he's not wrong,

492
00:31:50.920 --> 00:31:55.240
<v Speaker 2>and he also says the one little Apocalypse and they

493
00:31:55.279 --> 00:32:01.359
<v Speaker 2>close up shop, quits flings open the doors. He says,

494
00:32:01.720 --> 00:32:04.119
<v Speaker 2>this on you, MOUs take a drink. Also, we had

495
00:32:04.119 --> 00:32:06.480
<v Speaker 2>a drink way earlier in the episode when he calls

496
00:32:06.640 --> 00:32:18.000
<v Speaker 2>Sam Samantha, that was a dig. So yeah, we're in

497
00:32:18.039 --> 00:32:21.000
<v Speaker 2>the Lazy Shag waiting. This is where we get like

498
00:32:21.519 --> 00:32:28.799
<v Speaker 2>a couple. We get like Dean and Chuck talking. Yeah,

499
00:32:28.920 --> 00:32:31.039
<v Speaker 2>there's like to keep cutting back and forth Peena, Maara

500
00:32:31.079 --> 00:32:34.960
<v Speaker 2>and Dean having their little talk about about Chuck and

501
00:32:35.920 --> 00:32:38.839
<v Speaker 2>you know, how to move on because she's like, you know,

502
00:32:38.880 --> 00:32:40.920
<v Speaker 2>he's like the sun is dying. She's like, no, that's

503
00:32:40.960 --> 00:32:44.519
<v Speaker 2>not me. God is the one die. Like he's the

504
00:32:44.559 --> 00:32:46.759
<v Speaker 2>one dying. So the sun's going away and with me,

505
00:32:47.599 --> 00:32:49.759
<v Speaker 2>like with him goes me. So if he dies, I

506
00:32:49.880 --> 00:32:54.680
<v Speaker 2>die too. And then this is where Chrissy. I think

507
00:32:54.680 --> 00:33:00.599
<v Speaker 2>this is Chuck fuckery. I think Amara is and I

508
00:33:00.640 --> 00:33:02.640
<v Speaker 2>know later on she comes back, but I think she's

509
00:33:02.640 --> 00:33:05.480
<v Speaker 2>straight up Chuck fuckery. I think this whole thing has

510
00:33:05.480 --> 00:33:08.559
<v Speaker 2>been Chuck fuckery. I think he's playing it up. I

511
00:33:08.599 --> 00:33:11.440
<v Speaker 2>think he planned on all of this to happen. I

512
00:33:11.519 --> 00:33:15.559
<v Speaker 2>think I like he he like and he like no

513
00:33:15.799 --> 00:33:18.599
<v Speaker 2>sells it like and I think he by he, I

514
00:33:18.599 --> 00:33:20.720
<v Speaker 2>mean Rob Benedict does a good job of kind of

515
00:33:20.759 --> 00:33:26.079
<v Speaker 2>no selling it of like like I don't know, like

516
00:33:26.519 --> 00:33:32.480
<v Speaker 2>he's the one who yeah, like basically created her too. Yeah,

517
00:33:32.960 --> 00:33:35.519
<v Speaker 2>And so when she's like, yeah, if I die, if

518
00:33:35.559 --> 00:33:39.000
<v Speaker 2>he dies, I also die, Like there's nothingness, it's not darkness,

519
00:33:39.000 --> 00:33:43.400
<v Speaker 2>it's nothing because without the light or you know, they

520
00:33:43.480 --> 00:33:45.440
<v Speaker 2>keep saying that, you know, the light with the dark,

521
00:33:45.599 --> 00:33:47.799
<v Speaker 2>and so then that's why their plan is then to

522
00:33:47.839 --> 00:33:52.599
<v Speaker 2>take out the darkness if Chuck dies. But then if

523
00:33:52.599 --> 00:33:56.119
<v Speaker 2>there's no God, there's no universe, everything ceases to exist,

524
00:33:56.279 --> 00:34:00.920
<v Speaker 2>according to Amara, right, and so that's again where I'm

525
00:34:00.960 --> 00:34:05.640
<v Speaker 2>just like, is this then this whole thing Chuck just

526
00:34:05.920 --> 00:34:07.039
<v Speaker 2>messing with the boys?

527
00:34:08.119 --> 00:34:10.599
<v Speaker 1>I think so, I think he's just messing with them boys.

528
00:34:12.480 --> 00:34:18.000
<v Speaker 2>Ooh, it really just gets to me because I think

529
00:34:18.039 --> 00:34:23.360
<v Speaker 2>that this is like everything, There's no moment in the

530
00:34:23.480 --> 00:34:26.559
<v Speaker 2>arc of Chuck that you can ever take as being sincere.

531
00:34:27.559 --> 00:34:34.199
<v Speaker 2>It's like always manipulative God stuff all the time. Who

532
00:34:34.320 --> 00:34:39.119
<v Speaker 2>or that's just me projecting my own feelings about stuff

533
00:34:39.239 --> 00:34:46.960
<v Speaker 2>unto Chuck. Either way. So yeah, there's like, yeah, the

534
00:34:47.039 --> 00:34:54.280
<v Speaker 2>talk between Sam and Chuck is kind of, you know,

535
00:34:54.440 --> 00:34:56.719
<v Speaker 2>just like an interesting I don't even they talked about.

536
00:34:56.719 --> 00:34:58.719
<v Speaker 2>I don't remember what they talk about, and I don't

537
00:34:58.760 --> 00:35:01.920
<v Speaker 2>have it in my notes. But Sam turns around and

538
00:35:01.960 --> 00:35:05.079
<v Speaker 2>Chuck is gone, and Amara has zapp Chuck to where

539
00:35:05.119 --> 00:35:07.559
<v Speaker 2>they are because she basically is like, I'm dead talking

540
00:35:07.559 --> 00:35:09.719
<v Speaker 2>to Dean if this is true. I'm going to hear

541
00:35:09.760 --> 00:35:13.679
<v Speaker 2>it from the man himself. And Chuck is like, of course,

542
00:35:13.760 --> 00:35:17.119
<v Speaker 2>like I love you, I loved you, I love you

543
00:35:17.159 --> 00:35:19.880
<v Speaker 2>now like and she's like you locked me away and

544
00:35:19.920 --> 00:35:23.920
<v Speaker 2>he's like, well you were kept destroying things, but whatever,

545
00:35:24.079 --> 00:35:25.880
<v Speaker 2>Like I don't care. I just want to be a family.

546
00:35:25.880 --> 00:35:28.039
<v Speaker 2>I want to be together. And they hold hands in

547
00:35:28.039 --> 00:35:30.920
<v Speaker 2>the unite and the sun comes back and everyone's like, yay,

548
00:35:31.199 --> 00:35:37.639
<v Speaker 2>the world didn't like Dean did it. And of course

549
00:35:37.679 --> 00:35:39.960
<v Speaker 2>that means that Sam is said because they don't know

550
00:35:40.000 --> 00:35:43.519
<v Speaker 2>that Dean didn't the bomb didn't go off. Also, Chuck

551
00:35:43.559 --> 00:35:48.119
<v Speaker 2>takes the bomb out of Dean's chest, and then that's

552
00:35:48.119 --> 00:35:49.119
<v Speaker 2>when Amara.

553
00:35:48.840 --> 00:35:55.159
<v Speaker 1>Says anticlimactic thing. Ever, this whole series of Chuck stuff

554
00:35:55.159 --> 00:35:56.639
<v Speaker 1>has just been like we have a plan. It's not

555
00:35:56.639 --> 00:35:58.079
<v Speaker 1>going to work. We have a plan, it's not going

556
00:35:58.159 --> 00:35:59.840
<v Speaker 1>to work. We have a plan, it's not going to work.

557
00:36:01.599 --> 00:36:05.519
<v Speaker 2>Everything's like sad trombones. But that's kind of what you

558
00:36:05.599 --> 00:36:09.679
<v Speaker 2>do when you introduce God as your villain but not

559
00:36:09.840 --> 00:36:12.400
<v Speaker 2>villain yet. He's not the villain yet. I guess like

560
00:36:12.559 --> 00:36:17.559
<v Speaker 2>God's sister and like, ah, it is interesting. It is

561
00:36:18.840 --> 00:36:23.480
<v Speaker 2>I don't know about interesting, just the choices that get made.

562
00:36:24.079 --> 00:36:25.960
<v Speaker 2>But I don't know what else you do, Like, I

563
00:36:25.960 --> 00:36:28.440
<v Speaker 2>think you wrote yourself into this. You got to write

564
00:36:28.480 --> 00:36:34.559
<v Speaker 2>yourself out. And yeah, they they get them to go

565
00:36:34.639 --> 00:36:37.639
<v Speaker 2>away and leave leave the boys alone for a couple

566
00:36:37.599 --> 00:36:43.760
<v Speaker 2>of seasons at least, so yeah they. Oh yeah, Amara

567
00:36:43.840 --> 00:36:46.239
<v Speaker 2>says Dean, I love you. Know you gave me something,

568
00:36:46.280 --> 00:36:49.519
<v Speaker 2>so I'm going to give you something. And then I

569
00:36:49.519 --> 00:36:51.800
<v Speaker 2>don't know how Dan, I guess they zap him back

570
00:36:51.960 --> 00:36:58.599
<v Speaker 2>to the to the forest just outside grave. Yeah, zap

571
00:36:58.679 --> 00:37:01.159
<v Speaker 2>him back. Before he zapped back though, we cut to

572
00:37:02.000 --> 00:37:06.760
<v Speaker 2>Sam and Cass coming into the bunker. We see oh yeah,

573
00:37:06.760 --> 00:37:09.079
<v Speaker 2>because there was like one brief scene earlier where the

574
00:37:09.119 --> 00:37:11.920
<v Speaker 2>London lady lands in Kansas and she tells her driver

575
00:37:12.000 --> 00:37:15.159
<v Speaker 2>we're going to Lemanon, Kansas, and then we see drippy

576
00:37:15.199 --> 00:37:20.599
<v Speaker 2>blood and she zaps Cass away because she's a woman

577
00:37:20.639 --> 00:37:25.079
<v Speaker 2>of letters, and she's pointing a little pistol at Sam,

578
00:37:25.159 --> 00:37:27.480
<v Speaker 2>who can't get to his gun quick enough and says,

579
00:37:27.559 --> 00:37:31.280
<v Speaker 2>I'm Toddy Todd. I forget I literally can't even remember

580
00:37:31.360 --> 00:37:35.920
<v Speaker 2>her name. Characters, Hold on, it's gonna come to me,

581
00:37:36.400 --> 00:37:38.440
<v Speaker 2>not coming come to me, I mean, I'm gonna scroll

582
00:37:38.480 --> 00:37:42.239
<v Speaker 2>down the wikie Lady Tony Bevill. Thank you, Lady Tony

583
00:37:42.239 --> 00:37:47.039
<v Speaker 2>Bevill of the Men of Letters London chapter. And we've

584
00:37:47.039 --> 00:37:51.800
<v Speaker 2>been watching you sometimes, Levaya thin apocalypses. You boys, we

585
00:37:52.000 --> 00:37:54.079
<v Speaker 2>like to keep our heads down and don't do anything.

586
00:37:54.119 --> 00:37:58.039
<v Speaker 2>You boys are out here. You're a hopped up hunter.

587
00:37:58.199 --> 00:38:01.440
<v Speaker 2>You're a jacked up hunter, play with things. He doesn't understand,

588
00:38:02.960 --> 00:38:05.239
<v Speaker 2>and he's like we and Dean or Sam keeps getting

589
00:38:05.280 --> 00:38:07.320
<v Speaker 2>closer going we both know you're not going to shoot

590
00:38:07.320 --> 00:38:09.400
<v Speaker 2>me because I'm tall and handsome and you're not going

591
00:38:09.480 --> 00:38:14.079
<v Speaker 2>to do that. And then we get and then cut away.

592
00:38:14.239 --> 00:38:16.119
<v Speaker 2>We don't see anything else. And that's when we get

593
00:38:16.159 --> 00:38:19.440
<v Speaker 2>to Dean in the forest where am I has no idea,

594
00:38:19.440 --> 00:38:22.000
<v Speaker 2>where he has no service, he hears help, help, and

595
00:38:22.000 --> 00:38:27.880
<v Speaker 2>he runs up and there is Mary Winchester, looking exactly

596
00:38:27.960 --> 00:38:33.880
<v Speaker 2>like she did the day she died, the night she died.

597
00:38:34.039 --> 00:38:43.559
<v Speaker 5>So yeah, alpha baby, that is alpha and Omega Chrissy.

598
00:38:44.480 --> 00:38:51.800
<v Speaker 5>It is full of stuff that is both good and mediocre, and.

599
00:38:51.440 --> 00:38:54.880
<v Speaker 2>And just it's the chuck of it all, I guess

600
00:38:55.159 --> 00:38:58.519
<v Speaker 2>is for me, like because he's sitting there like I'm

601
00:38:58.559 --> 00:39:00.719
<v Speaker 2>so sick and I can't help, but that comes up

602
00:39:00.760 --> 00:39:06.760
<v Speaker 2>anyone around at any given time, and uh like, I

603
00:39:06.920 --> 00:39:10.239
<v Speaker 2>just like he knew again. I think it's all a ploy.

604
00:39:10.360 --> 00:39:14.840
<v Speaker 2>I think it's all Chuck just messing with these little people,

605
00:39:15.280 --> 00:39:16.760
<v Speaker 2>his little things.

606
00:39:17.280 --> 00:39:18.000
<v Speaker 1>He got bored.

607
00:39:19.159 --> 00:39:20.960
<v Speaker 2>Yeah, basically I think so.

608
00:39:22.199 --> 00:39:22.719
<v Speaker 1>M hmmm.

609
00:39:24.639 --> 00:39:27.599
<v Speaker 2>So how did the rules play out? Chrissy? Four years?

610
00:39:27.599 --> 00:39:29.920
<v Speaker 1>Okay, all right, milady?

611
00:39:31.199 --> 00:39:32.440
<v Speaker 2>Three times as we.

612
00:39:32.440 --> 00:39:36.760
<v Speaker 1>Said, okay, drink when they drink. I was being strict

613
00:39:36.760 --> 00:39:41.320
<v Speaker 1>and only counting when they drank. I got five.

614
00:39:42.159 --> 00:39:45.480
<v Speaker 2>Wow. Okay, see I told you I missed. I like

615
00:39:45.679 --> 00:39:47.719
<v Speaker 2>just stopped paying attention. And I'm the one who made

616
00:39:47.719 --> 00:39:50.800
<v Speaker 2>the rule. I only got two, but I stopped paying attention.

617
00:39:52.239 --> 00:39:54.679
<v Speaker 2>So I am sure that you are correct in that

618
00:39:54.800 --> 00:39:57.760
<v Speaker 2>five because I like also was like, damn, I really

619
00:39:57.760 --> 00:40:01.519
<v Speaker 2>stopped counting drinks because I was taking compet's notes.

620
00:40:02.239 --> 00:40:03.199
<v Speaker 1>Yes, you.

621
00:40:05.559 --> 00:40:09.239
<v Speaker 2>I got probably taken a job at sam twice twice,

622
00:40:10.800 --> 00:40:15.159
<v Speaker 2>Deans we weenn impression happens once. Yep, all right. How

623
00:40:15.199 --> 00:40:19.920
<v Speaker 2>many times did they say souls eleven? I got twelve?

624
00:40:20.719 --> 00:40:23.400
<v Speaker 1>Okay, so we're really close, really right on there.

625
00:40:23.480 --> 00:40:29.239
<v Speaker 2>Yeah, taking one drink, shot, finish your drink whatever for

626
00:40:29.400 --> 00:40:39.920
<v Speaker 2>hagisis gus. I got two Ghostbusters busting joke ghosts jokes.

627
00:40:40.159 --> 00:40:43.239
<v Speaker 2>And then I got four sightings of the soul Stone.

628
00:40:43.719 --> 00:40:44.679
<v Speaker 1>Oh I got five.

629
00:40:45.559 --> 00:40:50.239
<v Speaker 2>Oh, I think I definitely missed one. And then of

630
00:40:50.280 --> 00:40:52.880
<v Speaker 2>course they are united at the end. That is one time.

631
00:40:53.360 --> 00:40:57.480
<v Speaker 2>And then again I think we should have played and

632
00:40:57.480 --> 00:40:59.239
<v Speaker 2>if I have really done a better job at designing

633
00:40:59.239 --> 00:41:04.760
<v Speaker 2>the game, anytime Chuck is like looking down down trodden,

634
00:41:05.199 --> 00:41:09.880
<v Speaker 2>trodden or sick whatever when they say the words magic word,

635
00:41:10.280 --> 00:41:12.239
<v Speaker 2>and then anytime it's just like a shot of the

636
00:41:12.280 --> 00:41:14.880
<v Speaker 2>sun or someone looking up at the sun. I should

637
00:41:14.920 --> 00:41:15.239
<v Speaker 2>have done that.

638
00:41:15.360 --> 00:41:16.559
<v Speaker 1>Oh, that would have been a good one.

639
00:41:16.639 --> 00:41:18.400
<v Speaker 2>That would have been a good one. Yeah, and I

640
00:41:18.559 --> 00:41:20.079
<v Speaker 2>just didn't. I don't know why I didn't do that.

641
00:41:21.239 --> 00:41:24.000
<v Speaker 2>So yeah, that is the end of season eleven.

642
00:41:24.119 --> 00:41:29.719
<v Speaker 1>Chrissy, I love it. Good job. Okay, what's next? Up

643
00:41:29.800 --> 00:41:34.519
<v Speaker 1>next for me? We're gonna stay in season seven. Okay,

644
00:41:35.280 --> 00:41:38.679
<v Speaker 1>we're gonna scoot our boot two episodes after the last

645
00:41:38.719 --> 00:41:42.880
<v Speaker 1>one I did to season seven episode five, Shut up,

646
00:41:42.920 --> 00:41:51.639
<v Speaker 1>doctor Phil nice. Okay, here are the rules. Anytime someone dies,

647
00:41:51.719 --> 00:41:56.559
<v Speaker 1>take a drink play in a classic. If Dean has

648
00:41:56.719 --> 00:42:02.800
<v Speaker 1>bad dreams, take a drink for his bad dream. If

649
00:42:02.840 --> 00:42:08.880
<v Speaker 1>someone says yeah, okay, take a drink. Take a drink

650
00:42:08.960 --> 00:42:17.199
<v Speaker 1>for coins, take a drink. If Dean or Sammy snoop around,

651
00:42:18.719 --> 00:42:21.880
<v Speaker 1>take a shot or finish your drink or double drink

652
00:42:22.079 --> 00:42:26.880
<v Speaker 1>or whatever your multiplier is. When there is a trump

653
00:42:27.079 --> 00:42:39.920
<v Speaker 1>reference uh, take a drink for dead plants, take a drink.

654
00:42:39.960 --> 00:42:45.880
<v Speaker 1>When Dean gets a pie, take a drink. If the

655
00:42:45.920 --> 00:42:53.320
<v Speaker 1>boys get force pushed, and take a drink. When Don

656
00:42:53.960 --> 00:42:58.000
<v Speaker 1>kills a Leviathan or another shot, another shot, finish your

657
00:42:58.079 --> 00:43:03.679
<v Speaker 1>drink multiply however you want. When Don kills a Leviathan

658
00:43:03.880 --> 00:43:06.920
<v Speaker 1>or stuns rather, I should say Stun's a Leviathan.

659
00:43:14.599 --> 00:43:18.239
<v Speaker 2>Okay, okay, so uh.

660
00:43:18.360 --> 00:43:20.840
<v Speaker 1>That is our episode for tonight. Thank you for being

661
00:43:20.960 --> 00:43:23.159
<v Speaker 1>with us. We appreciate you staying all the way to

662
00:43:23.199 --> 00:43:25.119
<v Speaker 1>the end and listening to the rules for next week.

663
00:43:25.119 --> 00:43:28.239
<v Speaker 1>We hope you enjoy playing along with them as you

664
00:43:28.280 --> 00:43:32.360
<v Speaker 1>watched the episode. Season seven, episode five, Shut up, Doctor

665
00:43:32.440 --> 00:43:36.440
<v Speaker 1>Phil uh Nate. Tell the people where they can find

666
00:43:36.519 --> 00:43:37.400
<v Speaker 1>us in the real world.

667
00:43:38.360 --> 00:43:40.320
<v Speaker 2>You can find us in the real world at the

668
00:43:40.360 --> 00:43:45.840
<v Speaker 2>Neighborhood Comedy Theater downtown Mesa, Arizona. We do improvised comedy

669
00:43:46.119 --> 00:43:49.400
<v Speaker 2>on Friday and Saturday nights.

670
00:43:50.039 --> 00:43:51.199
<v Speaker 1>Heck, yes you soon.

671
00:43:51.480 --> 00:43:57.079
<v Speaker 2>Yeah, go to oh go ahead, no keeping. Go to

672
00:43:57.239 --> 00:44:01.679
<v Speaker 2>NCT Phoenix dot com free details about where and when

673
00:44:01.920 --> 00:44:03.239
<v Speaker 2>those shows are.

674
00:44:04.719 --> 00:44:07.280
<v Speaker 1>Do it. Come see us. We would love to see you.

675
00:44:07.320 --> 00:44:09.280
<v Speaker 1>Tell us you're a Gang that Drink listener, and we'll

676
00:44:09.320 --> 00:44:10.519
<v Speaker 1>give you some free popcorn.

677
00:44:10.639 --> 00:44:13.599
<v Speaker 2>Oh please, yeah, I'll I'll give you the rest of

678
00:44:13.639 --> 00:44:15.559
<v Speaker 2>the popcorn at the end of the night for free.

679
00:44:15.639 --> 00:44:20.480
<v Speaker 2>If you tell us that you listen to Gang. That'd

680
00:44:20.480 --> 00:44:25.400
<v Speaker 2>be I'd faint, I'd faint this. Someone came up and

681
00:44:25.440 --> 00:44:29.880
<v Speaker 2>told us that they listened to Gang. Yeah. Really, yeah,

682
00:44:29.920 --> 00:44:32.440
<v Speaker 2>I'll buy him candy. I'll buy your beer or if

683
00:44:32.480 --> 00:44:36.280
<v Speaker 2>whatever whatever I got you.

684
00:44:36.280 --> 00:44:38.079
<v Speaker 1>You'll beat Nates a VIP for the nights.

685
00:44:38.239 --> 00:44:38.840
<v Speaker 2>That's right.

686
00:44:40.000 --> 00:44:42.360
<v Speaker 1>You can listen to me on my other podcast, the

687
00:44:42.360 --> 00:44:45.880
<v Speaker 1>Most Excellent Eighties Movies Podcast. We've been having a real

688
00:44:46.079 --> 00:44:49.320
<v Speaker 1>run of it this season. We've done Empire Strikes Back

689
00:44:49.360 --> 00:44:53.719
<v Speaker 1>and Return of the Jedi. We've done Tron, Little Mermaid,

690
00:44:53.880 --> 00:44:59.239
<v Speaker 1>Blue Velvet like we are for some reason, just pull

691
00:44:59.239 --> 00:45:01.480
<v Speaker 1>it out, all this stuff and doing all the movies

692
00:45:01.559 --> 00:45:06.039
<v Speaker 1>we've been saving. So give a listen over at True

693
00:45:06.079 --> 00:45:09.719
<v Speaker 1>Story FM, where you can also become a member if

694
00:45:09.760 --> 00:45:14.239
<v Speaker 1>you're a member, you get add free episodes a week

695
00:45:14.400 --> 00:45:21.239
<v Speaker 1>early and with bonus content, and you just support the podcast.

696
00:45:21.280 --> 00:45:23.480
<v Speaker 1>So tonight we're gonna be talking about our favorite haunted

697
00:45:23.519 --> 00:45:26.079
<v Speaker 1>places that we've been to and haunted places that are

698
00:45:26.119 --> 00:45:32.599
<v Speaker 1>still on our bucket list. And thank you so much.

699
00:45:32.639 --> 00:45:35.280
<v Speaker 1>Please take a moment to like, rate, review, subscribe, Tell

700
00:45:35.320 --> 00:45:40.199
<v Speaker 1>a friend, tell a neighbor, Tell God if it happens

701
00:45:40.199 --> 00:45:44.320
<v Speaker 1>to be hanging out in your bunker. And when you're

702
00:45:44.360 --> 00:45:46.920
<v Speaker 1>out there in the world saving people and hunting things,

703
00:45:47.400 --> 00:45:51.159
<v Speaker 1>you know the family business. Keep the gank that drank

704
00:45:51.199 --> 00:45:58.239
<v Speaker 1>model in mind. Be excellent to each other, and party