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Speaker 1: W m N h riped the novels.

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Speaker 2: Like a wave crushing on the shore.

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Speaker 3: Your breaking walls down around my heart like rushing wind.

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Speaker 2: You come in in our.

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Speaker 3: Painting it with colors I've never seen before.

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Speaker 4: You love, your love is life than any sound twenty fo.

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Speaker 1: You send my art growning like.

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Speaker 2: I think I'm wild like you. I hear your voice

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whisper in my mind. You're telling me leave the sure behind,

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the greater.

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Speaker 3: Things than I can sing on a noise. If there's

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something about you that makes me want.

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Speaker 5: To go.

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Speaker 6: You w.

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Speaker 2: W your love it is aloud?

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Speaker 1: Can anyway sound any.

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Speaker 5: N't my heart?

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Speaker 2: Ronny?

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Speaker 5: I think I'm wild you Yeah, wild like show me

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probleble in pumps who want to see things?

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Speaker 1: Froby prospected.

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Speaker 4: How f s a place says beyond reality.

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Speaker 5: Que Let's go where the clouds meet the say there

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are only means My heart has been said for.

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Speaker 2: Because you're.

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Speaker 5: You're this is allowed any sound?

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Speaker 1: Whenny, you sent my heart up hamaran in like Foo.

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Speaker 5: I think I'm wild like you.

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Speaker 1: Yeah, I'm wild, Bikey.

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Speaker 2: I'm running. I'm running. I'm running. I'm running.

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Speaker 7: I'm Runny, I'm running, I'm running, hom running I'm running.

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Speaker 2: I'm running because your is wild.

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Speaker 8: That is Wild by Katie Dobbins. Katie is with us

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and we're gonna be talking with her in just a

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moment as she makes a return to the show. If

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you are just joining us, of course, on this Saturday morning,

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it is Matt Connorton Unleashed and we are live from

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the studios of w m n H ninety five point

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three FM. We have entered our number three on this

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June seventh, twenty twenty five. Jenny is here, of course

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at the news table.

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Speaker 9: Presence an account of forn. My gosh, it's her voice.

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Speaker 2: Amazing.

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Speaker 8: Yes, yes, By the way, I want to make sure

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we don't forget you had someone you wanted to shout

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out this morning, not a someone.

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Speaker 9: My goodness you No, Today is an important day and

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that the Reflex Sympathetic District the Association is having an

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it's sixth annual Virtual CRPS Awareness Walk. You can look

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it up online. It's on Facebook, It's all over the place.

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The RCSA organization is the one that I love to

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support because they raise awareness and help support efforts, define

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treatments and cures for CRPS, Complex regional pain syndrome. So

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formerly known as reflect sympathetic dystrophe. Don't you love when

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they just change the names of things.

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Speaker 8: Well, that's a someone, it's an association, but that's many someone.

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Speaker 9: Someone is a singular, yeah, not a not a plural.

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Speaker 8: No, what my goodness, Oh my goodness. I can't do it.

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So where where should people go to find out?

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Speaker 3: Uh?

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Speaker 8: So more information?

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Speaker 5: Uh?

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Speaker 8: Is that so that's happening today?

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Speaker 9: Yes, it's a virtual all across the country, actually around

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the world. H I thought you were going to bring

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this up.

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Speaker 8: At the end. Oh, we'll mention it. We'll mention it

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again at the end too, but yeah, I just didn't

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want to forget.

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Speaker 9: Yeah, well I'll give more info later.

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Speaker 8: Okay, Oh very good, very good. And uh let's see.

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So Katie is here, let me get that make up. Katie,

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welcome back to the show.

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Speaker 6: Hi, thanks thanks for having me.

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Speaker 8: Yeah, we talked. Uh so, we did talk a little bit.

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It was a couple of months. It was still during

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the winter, or it was the end of winter. It

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was like it was like when it was like we

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thought winter was over and then uh woke up one

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morning to a winter wonderland that was wild. Yeah, that

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was that was that was so traveling was a bit difficult,

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but you did call in so that was great. But

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it's great to see you in person. And the last

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time I saw you in person was of course on

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Rob as a Vito Show granted State of Mind, so

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that was a lot of fun. But welcome back. Thanks,

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And I know we talked about it on Rob show.

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But that song wild, that's you know, it's different for you,

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different than can you tell us again the story of

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how that came together in the studio for people who

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might maybe not have heard us talking about it before.

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Speaker 6: Yeah, it was really cool because I was doing a

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collection of songs at Rockinghorse Studio and I went in

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one day just to lay the piano tracks because all

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three songs that I had chosen were piano based songs

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that I had written on that instrument, And so I

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laid the three songs and then I was like, you know,

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I do have another piano song that I could throw

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in here, but it was kind of a last minute

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let's try it. Let me just record the piano and

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let you guys hear it, and if down the road

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you feel it and we want to add anything to it,

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we will. And so I kind of did it on

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a whim. Again, I had only been planning on doing

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three singles, and the guys in the studio they loved it,

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and I wasn't. I hadn't gone in with any idea

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of production or anythings. Again, wasn't planning and recording it,

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and so because of that, we had a lot of

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freedom to just try stuff, and the production ended up

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coming out really unique and different than anything I've done.

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So it was an exciting process and really fun. And

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my dad's actually on that track too. He did a

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speaking part that's kind of embedded in there, which is

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pretty neat.

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Speaker 8: Yeah, when you approached him with that, what did he like?

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How did he react at first? Was he was he

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into it? Was he skeptical? Was he like, what you

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want me to do?

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Speaker 3: What?

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Speaker 2: I think?

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Speaker 6: He was like so excited, but he was also nervous,

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so both.

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Speaker 8: Yeah, yeah, No, it came out great. Do do you

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usually write on the piano? You mentioned the three tracks

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he recorded, There were all songs he wrote on the piano.

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Speaker 6: I've been writing more on the piano, But a piano

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was actually my first instrument when I was younger, but

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I was I learned classically, so I was, you know,

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classically trained kind of, and so it took me a

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while to realize, oh, I could write on piano just

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like I write on guitar, because you know, you've heard

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guitar all you need is three chords in the truth.

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So once I learned three chords on guitar, it was like,

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oh my gosh, I was writing all these songs. I

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was in eighth grade, and I was just like, oh,

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I'm writing about my life. This is awesome.

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Speaker 8: Yeah.

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Speaker 6: But it wasn't until much later that I kind of

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challenged myself to think, Wait, I think I could create

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stuff on the piano as well. So yeah, I do.

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I do both, And sometimes I don't write on an

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instrument at all. I just I lyrics and melody comes first,

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and I do I'll write like a whole song with

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no instrument and then add things later.

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Speaker 8: Yeah. I've heard a lot of a lot of instructors

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say that it's it's a good idea to learn at least,

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no matter what instrument you're playing, to learn at least

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some basic keyboarding because it will help you with everything else,

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which sadly I never bothered to do. I had to.

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I had one of those old, cheap cassio keyboards growing up,

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but I never really learned to play it. But yeah,

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but what do you play anything else? You play guitar,

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you play a piano, do you play anything else?

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Speaker 6: Or every now and then if some one lets me,

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I'll play kahone really yeah, yeah, like on one of

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their songs or something. But just I don't. I haven't

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done anything technical with it. I have my dad has

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a bass guitar that he was learning how to play,

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and I've picked that up a couple of times and

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fiddled around with it. It's an instrument i'd like to learn.

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I just haven't dedicated enough time to it.

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Speaker 8: Yeah, you can pick it up quick. I mean, if

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you're already played guitar, you can pick up the bass

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pretty quick.

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Speaker 6: Yeah, it's it makes sense because it's sprets. And I

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tried to learn violin when I was younger, and I

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also attempted the saxophone both. I thought I was doing

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pretty good, but I think my family didn't.

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Speaker 8: Agree, right right, Saxophone's loud instrument.

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Speaker 6: Yeah, no, they're so super supportive. But I think there

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are some instruments that, like, if it's not coming quickly

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and naturally, might be more painful to listen to.

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Speaker 8: Them, right, No, that makes sense, that makes sense. Yeah, yeah,

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But I.

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Speaker 2: Love the violin.

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Speaker 6: I wish that I had fully learned it because it's

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just so beautiful.

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Speaker 8: Yeah yeah. Now do you have a busy summer? Are

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you playing a lot? I would imagine you're playing out Yeah.

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Speaker 6: Yeah, And I have some things I'm excited about. I

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I record with other instrumentalists and singers, like most of

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my music is recorded with a band and kind of

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bringing out that fuller production. But normally when I perform,

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I'm pretty much always solo. I haven't really done band

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shows since you know, my different album release shows that

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I did years ago, and a couple other kind of

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special things. But this summer I have a full band

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show coming up at Bank in New Hampshire Pavilion on

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their side stage. Oh wow, So that'll be fun to

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bring the fullness back together again and perform with other people.

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And then I don't know if you know Chris Noise.

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He's a bass player. He played on these new singles

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on Wild and.

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Speaker 8: I don't think I know Chris. Is he related to

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Ron Noise? I don't know, because Ron's a musician. I

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wonder if they're related. No, I don't think I know Chris.

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Speaker 6: So he played bass on some of my studio tracks

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and he's playing with me up in Portsmouth at the

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Tuesdays on the Terrace at Strawberry Bank Museum.

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Speaker 8: Oh cool.

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Speaker 6: So we've got that and a couple other kind of

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fun outdoor summer shows where I'm playing with him and

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another guy on drums. So it'll be fun to play

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with other people again and bring the songs to life

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in a different way.

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Speaker 8: Yeah, but it doesn't sound like you have any any

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interest in doing like a permanent full band.

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Speaker 6: We'll see see where things go. I'm never Before we

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went live on air, you guys were saying, like we

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go with the flow, like we're not really married to anything.

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It's it's kind of how I feel. I don't I

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have I have hopes, but I don't have like necessarily

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set in stone expectations that I want or don't want.

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So if it if it came together naturally and it

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was like really fun and everybody totally jigged, I could

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see doing.

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Speaker 8: More of it for sure. Yeah. No, that makes sense.

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And are you still are you still just putting out

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singles or do you have an EP or I don't.

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Speaker 6: I was just shy of an EP when I recorded

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my four songs. I mean, I suppose I could have

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turned it into a collection. I've thought about adding some

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songs and making it a full collection. I'm not there yet.

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I haven't. I actually have one kind of wintery song,

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not to bring snow back up.

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Speaker 8: On the side.

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Speaker 6: I have one song that I'm working on recording. It's

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kind of a mix of I recorded some of it

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at home and some of it at Mike Moran's home studio.

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He is a drummer and a bass player and a guitarist,

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and we've played together a lot in the past, and

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we have some stuff coming up this summer, so we've

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been working on product producing that song together. So and

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then I have some other ideas, but nothing no exciting

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release dates to share right now.

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Speaker 8: You've worked with a number of different producers, right, it

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seems like you've.

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Speaker 6: Yeah, every project has been totally different. My first record

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I recorded in New Hampshire with Ryan Ordway and then yeah, yeah,

240
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and that was really fun. And then my second record

241
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I recorded on the South Shore in mass with Sean McLoughlin. Okay,

242
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and then this last collection I did with Brian Coombs

243
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at Rocking Horror Studios in Pittsfield, and then I've done

244
00:14:11,799 --> 00:14:13,559
a little bit tried to do a little bit of

245
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home recording too, and kind of feeling that out. But

246
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it is a lot of work to record your own stuff.

247
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I mean, it's a lot of work to go to

248
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the studio too, but oh yeah, you have other hands

249
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and eyes and ears on it, and they know what

250
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they're doing more than like, I'm sort of learning as

251
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I go. But it's fun. I like that part of

252
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it too.

253
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Speaker 8: Oh yeah, yeah, that's the adventure of it. Yeah. Do

254
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you want to play something for us?

255
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Speaker 2: Yeah?

256
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Speaker 8: Sure, let me turn up that. Uh yeah, go and

257
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go in and strum a little. I just want to

258
00:14:41,000 --> 00:14:43,360
make sure I get there. Oh yeah, that sounds good.

259
00:14:43,440 --> 00:14:47,559
Bad phones, Yeah, excellent, All right, cool.

260
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Speaker 6: I'm going to play a brand new one for you

261
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if that's okay.

262
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Speaker 8: Absolutely.

263
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Speaker 3: So.

264
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Speaker 6: I've been trying to challenge myself. I think I mentioned

265
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this to you last time. I saw you challenge myself

266
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to make time for songwriting, which sounds like, well, duh,

267
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you're a songwriter, right, is that all you do? But

268
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sometimes the weeks just go by and I'm like, oh

269
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my gosh, like my creative need is just like being

270
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squished down, and so I've been trying to bring that

271
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more to the forefront. So and trying to write more songs,

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which if anyone's listening, I would like to follow along

273
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on my new songwriting journey. I've been sharing things, all

274
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the new stuff on Patreon, which is like a place

275
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online that you can support artists, and patreon dot com

276
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slash Katidobbins music. But this is one of the ones

277
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that I wrote for my almost song a Week project,

278
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not quite a song a week, but it's called Coffee

279
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in the Morning, and it's about how when you fall

280
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in love and suddenly you're liking things and doing things

281
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that you never really cared about before, just because of

282
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that other person.

283
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Speaker 3: You know, Yeah, is it that wrangler or your rugged

284
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hands in my Is it that open road or the

285
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smell of your cologne? Do I even like the challenge

286
00:16:17,200 --> 00:16:22,399
of a standard or just the way you laugh every

287
00:16:22,600 --> 00:16:31,399
time I stall it? I don't even know if I

288
00:16:31,879 --> 00:16:37,639
like coffee in the morning. Maybe there's just something about

289
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the way you pull inform me as the sung in

290
00:16:41,679 --> 00:16:46,080
lights up the kitchen. We're too early for my liking,

291
00:16:46,600 --> 00:16:55,559
but I like havin that quiet time with you. Is

292
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it that country song or the way you sing it

293
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for me? Is it that dance floor or the way

294
00:17:04,079 --> 00:17:10,480
you pull me clothes? Do I even like staying out

295
00:17:10,599 --> 00:17:16,400
past midnight? Just the way you hold my handwalking in

296
00:17:16,720 --> 00:17:26,240
me home. I don't even know if I should like

297
00:17:26,440 --> 00:17:32,400
that whiskey bourbon. Maybe there's just something about the taste

298
00:17:32,519 --> 00:17:36,200
of it on your lips as the moon lights up

299
00:17:36,279 --> 00:17:40,799
the kitchen ware too late for my liking, But I

300
00:17:41,279 --> 00:17:48,359
like talking into the night with you. I don't even

301
00:17:48,680 --> 00:17:55,759
know if I like bike rideser game nice USANs, fireflies

302
00:17:55,960 --> 00:17:56,680
in a jar.

303
00:18:00,000 --> 00:18:02,640
Speaker 1: I don't think I haven't it's.

304
00:18:02,279 --> 00:18:10,079
Speaker 3: A gold fishing or stay all night chasing stars.

305
00:18:10,359 --> 00:18:17,400
Speaker 2: Unless it's where you are, Unless it's.

306
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Speaker 5: Where you.

307
00:18:27,200 --> 00:18:31,599
Speaker 3: Because I don't even know if I like coffee in

308
00:18:31,839 --> 00:18:36,960
the morning. Maybe there's just something in about the way

309
00:18:37,200 --> 00:18:40,799
you poor inform me and as the soul in lights

310
00:18:40,880 --> 00:18:45,599
off the kitchen ware too early for my liking, but

311
00:18:45,839 --> 00:18:46,480
I like.

312
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Speaker 2: Heaven that quiet time with you.

313
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Speaker 3: I don't even know if I like coffee in the morning,

314
00:19:02,519 --> 00:19:04,720
but I know, really.

315
00:19:07,839 --> 00:19:10,480
Speaker 2: The way you pour it for me.

316
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Speaker 8: Oh that's beautiful. Thank you very nice, very nice. So

317
00:19:22,359 --> 00:19:25,559
that's uh, so that's new. That's that's very new then.

318
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Speaker 6: Right, Yeah, I wrote that a couple of months ago.

319
00:19:27,920 --> 00:19:30,559
Speaker 8: Now, very cool, very cool if you're just joining us.

320
00:19:30,599 --> 00:19:33,079
Katie Dobbins is here with us, alive in studio and

321
00:19:33,799 --> 00:19:38,519
sounding amazing. So so you haven't Are you playing that

322
00:19:38,559 --> 00:19:39,519
one out curly or is that?

323
00:19:39,759 --> 00:19:39,880
Speaker 10: Uh?

324
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Speaker 11: Or have you not?

325
00:19:41,279 --> 00:19:41,440
Speaker 12: Yeah?

326
00:19:41,480 --> 00:19:43,480
Speaker 6: I played it a couple of times at live shows.

327
00:19:43,640 --> 00:19:43,880
Speaker 8: Yeah.

328
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Speaker 6: I think that was the radio debut.

329
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Speaker 8: Okay, awesome, We Love That, We Love the We Love

330
00:19:49,039 --> 00:19:52,480
the World premieres here. Do you have any idea how

331
00:19:52,480 --> 00:19:54,319
many songs you've written at this point? Can you put

332
00:19:55,279 --> 00:19:57,440
like like like is it in triple digits yet?

333
00:19:57,480 --> 00:19:57,920
Speaker 2: Do you think?

334
00:19:58,039 --> 00:19:58,079
Speaker 12: Or?

335
00:19:58,920 --> 00:19:59,079
Speaker 2: Oh?

336
00:20:00,400 --> 00:20:03,720
Speaker 6: I mean it probably depends on if I want to

337
00:20:03,799 --> 00:20:07,359
count every song I've ever written, probably yes, But if

338
00:20:07,400 --> 00:20:10,920
I just count the ones that I like, yeah, I'm

339
00:20:10,960 --> 00:20:11,359
not sure.

340
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Speaker 8: Yeah. Do do you have some that you've kind of retired?

341
00:20:15,279 --> 00:20:17,079
Like are there some early ones that used to play

342
00:20:17,119 --> 00:20:18,000
that you don't play anymore?

343
00:20:18,279 --> 00:20:18,480
Speaker 10: Yeah?

344
00:20:18,680 --> 00:20:22,200
Speaker 6: I mean I I play the stuff from my first

345
00:20:22,279 --> 00:20:25,799
album still. I play several of those songs out, Yeah,

346
00:20:26,680 --> 00:20:29,920
not all of them. And then there are some yeah,

347
00:20:30,039 --> 00:20:33,160
the some originals that I used to play, Like when

348
00:20:33,200 --> 00:20:35,119
you first write it and you're like, I really love

349
00:20:35,200 --> 00:20:37,039
this song because you wrote you just wrote it, so

350
00:20:37,079 --> 00:20:40,559
you're feeling real like passionate and emotional about it because

351
00:20:40,799 --> 00:20:43,680
you know it just came from your Yeah, it's most

352
00:20:43,839 --> 00:20:47,319
being And yeah, so I had some like that I

353
00:20:47,400 --> 00:20:49,680
felt really excited about in the moment, and then kind

354
00:20:49,720 --> 00:20:52,359
of down the road was that sort of faded, you know,

355
00:20:52,440 --> 00:20:55,759
and they really got their full full moment in the sun.

356
00:20:55,839 --> 00:20:58,720
Speaker 8: I guess, yeah, yeah, I've probably asked you this before,

357
00:20:58,759 --> 00:21:00,400
but do you remember the first song you wrote?

358
00:21:02,799 --> 00:21:05,799
Speaker 6: The first song I wrote was a co write. Well,

359
00:21:06,559 --> 00:21:09,079
the first song I wrote was actually a cappella in

360
00:21:09,240 --> 00:21:12,519
like fifth grade, and I wrote it my best friend

361
00:21:12,559 --> 00:21:15,720
had moved to California and I was so sad, and

362
00:21:15,839 --> 00:21:17,759
so I wrote this song about you know, my I

363
00:21:17,799 --> 00:21:19,880
think it was called best Friend. The first song I

364
00:21:19,880 --> 00:21:21,920
ever wrote on guitar was a co write. My friend

365
00:21:22,759 --> 00:21:24,960
Sarah Ellen had taught me a few chords on guitar

366
00:21:25,599 --> 00:21:28,640
and she had been writing songs. So we're like, let's

367
00:21:28,640 --> 00:21:30,880
write a song together. We and we wrote a song

368
00:21:30,920 --> 00:21:33,880
about our grandfather's But if you asked me to play it.

369
00:21:34,039 --> 00:21:37,279
I truly don't remember how it goes, yeah, but I

370
00:21:37,359 --> 00:21:39,799
remember thinking it was really good. I was so you know,

371
00:21:39,880 --> 00:21:41,599
we were so excited about it, and we played it

372
00:21:42,519 --> 00:21:45,000
at some open mics and things like that, which is

373
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like really really fun.

374
00:21:46,319 --> 00:21:46,480
Speaker 8: Yeah.

375
00:21:46,519 --> 00:21:49,160
Speaker 6: You know, you're in eighth grade on stage playing a

376
00:21:49,519 --> 00:21:51,440
duet that you wrote and you just feel like a

377
00:21:51,559 --> 00:21:52,000
rock star.

378
00:21:52,279 --> 00:21:52,519
Speaker 2: Yeah.

379
00:21:53,640 --> 00:21:55,319
Speaker 8: Now, long have you been doing You've been doing this

380
00:21:55,480 --> 00:21:57,640
full time now for quite some time, right, a.

381
00:21:57,680 --> 00:21:58,400
Speaker 6: Few years now.

382
00:21:58,720 --> 00:21:59,000
Speaker 8: Yeah.

383
00:21:59,680 --> 00:22:02,160
Speaker 6: I think I made the shift to full time in

384
00:22:02,359 --> 00:22:07,160
like spring of twenty twenty one or twenty twenty two, okay, Yeah,

385
00:22:07,920 --> 00:22:09,400
and it took it took a while to find my

386
00:22:09,519 --> 00:22:13,039
stride and still kind of you know, figuring out balance.

387
00:22:13,079 --> 00:22:14,839
I feel like I talk about balance a lot, but

388
00:22:14,960 --> 00:22:17,279
it's hard, Like theres you wear so many hats when

389
00:22:17,279 --> 00:22:20,559
you're oh, music is it's not just songwriting and performing,

390
00:22:20,599 --> 00:22:22,319
but you're I think of it as like you're running

391
00:22:22,319 --> 00:22:25,359
your own business. You know, you're booking, you're promoting, you're

392
00:22:25,519 --> 00:22:27,599
trying to make money, You're doing, you know, recording all

393
00:22:27,640 --> 00:22:31,680
this stuff, and so finding balance and a good rhythm

394
00:22:31,799 --> 00:22:33,960
is something I feel like I'm always like working on

395
00:22:35,119 --> 00:22:39,440
getting a little more honed in, but it's fun. I

396
00:22:39,559 --> 00:22:41,559
love it, and since making the decision to do it

397
00:22:41,599 --> 00:22:44,960
full time, I've never regretted it at all. But I

398
00:22:45,000 --> 00:22:46,880
will say it's not for everyone because I feel like

399
00:22:47,720 --> 00:22:50,039
whenever I tell another artist, oh, yeah, I do it

400
00:22:50,119 --> 00:22:51,920
full time, because they'll ask what do you do during

401
00:22:51,960 --> 00:22:54,759
the day, And I feel like a lot of times

402
00:22:54,799 --> 00:22:56,839
people say, oh, like, I want.

403
00:22:56,680 --> 00:22:57,240
Speaker 2: To do that too.

404
00:22:57,440 --> 00:23:00,160
Speaker 6: I'm just I'm trying to get there, and almost from

405
00:23:00,160 --> 00:23:03,400
a place of like they feel like they're not doing

406
00:23:03,480 --> 00:23:05,920
it yet if they're not doing it full time or something,

407
00:23:06,039 --> 00:23:08,599
and it's like you really have to assess. I mean,

408
00:23:08,720 --> 00:23:13,319
it's it's it adds a sort of you have to

409
00:23:13,440 --> 00:23:15,559
really want to do it full time and know that

410
00:23:15,680 --> 00:23:18,079
there's going to be a period of like hardship that

411
00:23:18,200 --> 00:23:20,319
comes with that, yeah, and be okay with that. And

412
00:23:20,440 --> 00:23:23,559
also there's nothing wrong with having, you know, a job

413
00:23:23,759 --> 00:23:26,720
that you're good at or that you like that you

414
00:23:26,799 --> 00:23:30,480
know funds funds what you love too, and it gives

415
00:23:30,519 --> 00:23:34,079
you that like consistency. So I love doing it how

416
00:23:34,119 --> 00:23:36,039
I'm doing it, but I don't think it's for everybody.

417
00:23:36,160 --> 00:23:38,640
So when I say that, if you're an artist listening

418
00:23:39,119 --> 00:23:41,319
don't feel pressured to like I need to do that too,

419
00:23:41,519 --> 00:23:43,680
you don't, you know, everybody does this so differently.

420
00:23:43,799 --> 00:23:46,640
Speaker 8: So yeah, and I think too, you know, if you

421
00:23:47,839 --> 00:23:50,160
you can still call yourself a professional musician even if

422
00:23:50,200 --> 00:23:52,440
you're doing it part time. You know, the way I've

423
00:23:52,440 --> 00:23:55,559
always looked at it is, and really, with any profession,

424
00:23:55,599 --> 00:23:57,640
you can call yourself a professional if you've ever been

425
00:23:57,680 --> 00:23:59,920
paid for what you do. True, That's how I look

426
00:24:00,079 --> 00:24:01,599
at it. So even if even if you you know,

427
00:24:01,680 --> 00:24:05,279
you've just gotten you know, thirty dollars, you know, playing

428
00:24:05,519 --> 00:24:08,079
playing a set somewhere, well, you're now a professional musician.

429
00:24:08,160 --> 00:24:10,799
If somebody, if somebody gave you money, you know, for that,

430
00:24:11,000 --> 00:24:14,440
then you're now a professional. And you know, I think,

431
00:24:14,559 --> 00:24:16,880
I think sometimes yeah, I think sometimes people get self

432
00:24:16,920 --> 00:24:19,799
conscious about it, you know, if they're if they're doing

433
00:24:19,839 --> 00:24:22,480
it part time, you know, but they're still working at

434
00:24:22,519 --> 00:24:24,720
something else. But but I think too, part of the

435
00:24:24,799 --> 00:24:26,279
key is, and you kind of alluded to it, if

436
00:24:26,279 --> 00:24:29,240
you have if you have another job that you really love,

437
00:24:30,119 --> 00:24:32,319
then you know, because the important thing is to fill

438
00:24:32,359 --> 00:24:34,720
your life, I think with things that you love to do,

439
00:24:35,599 --> 00:24:38,039
you know, whether it's part time, full time, whether you're

440
00:24:38,960 --> 00:24:41,480
a full time musician or a part time musician and

441
00:24:41,559 --> 00:24:43,480
full time doing something else or whatever it is. You know,

442
00:24:44,000 --> 00:24:46,240
don't you don't want to no matter what. You don't

443
00:24:46,240 --> 00:24:48,640
want to waste your life doing things you hate, right,

444
00:24:48,759 --> 00:24:50,480
which is what a lot of people do. You know,

445
00:24:50,599 --> 00:24:53,000
They work their whole lives at a job they don't like,

446
00:24:53,079 --> 00:24:56,519
and it's like, why find something you love?

447
00:24:56,720 --> 00:24:58,039
Speaker 6: You know? You know definitely.

448
00:24:58,240 --> 00:25:00,240
Speaker 8: Now, do you have any advice for people who are

449
00:25:01,119 --> 00:25:02,680
you know, because a lot of musicians listen to the

450
00:25:02,720 --> 00:25:04,240
show and a lot of industry people, do you have

451
00:25:04,240 --> 00:25:08,200
any advice for someone who is really thinking about trying

452
00:25:08,240 --> 00:25:11,160
to do this full time but they're hesitant?

453
00:25:11,599 --> 00:25:13,599
Speaker 6: Yeah, I would talk to people who are doing it

454
00:25:13,680 --> 00:25:15,759
full time. Yeah, that's what I did. I talked to

455
00:25:15,880 --> 00:25:17,960
several people that were doing it full time and I

456
00:25:18,119 --> 00:25:21,079
was like, what is this really like for you? How

457
00:25:21,240 --> 00:25:24,279
is this working? And I found out that most people

458
00:25:24,319 --> 00:25:26,079
that are doing it full time that you know, they

459
00:25:26,079 --> 00:25:30,079
are getting support in some way loved ones, or they're

460
00:25:30,119 --> 00:25:35,519
sacrificing something, you know, like my Manny petticures I used

461
00:25:35,519 --> 00:25:37,920
to be able to get for myself on someone. I mean,

462
00:25:37,960 --> 00:25:40,599
that's a tiny sacrifice I'm part kidding, but you know,

463
00:25:40,720 --> 00:25:43,200
you said you might sacrifice like some kind of lifestyle

464
00:25:43,240 --> 00:25:44,920
that you're used to in order to pursue this, and

465
00:25:45,680 --> 00:25:48,160
just I would talk to somebody who's doing it, or

466
00:25:48,279 --> 00:25:50,079
multiple people that are doing it, just to get like

467
00:25:50,160 --> 00:25:53,559
a full picture of what this actually is before you,

468
00:25:54,720 --> 00:25:58,319
you know, just put the pedal to the metal and

469
00:25:58,720 --> 00:26:01,839
you know, give up everything you know and go in

470
00:26:02,039 --> 00:26:07,160
blindly so that because it always sounds like such a dream,

471
00:26:07,559 --> 00:26:09,519
you know, but you really want to make an informed

472
00:26:09,559 --> 00:26:12,880
decision about and ask yourself, is this really what I

473
00:26:12,960 --> 00:26:13,279
want to do?

474
00:26:13,640 --> 00:26:13,759
Speaker 11: Right?

475
00:26:14,000 --> 00:26:17,240
Speaker 8: And nothing's as glamorous as it looks from the outside either,

476
00:26:18,440 --> 00:26:20,079
you know, And as you also mentioned, there's a lot

477
00:26:20,160 --> 00:26:22,839
of work. You know, it's not just creating music. It's

478
00:26:22,880 --> 00:26:25,119
all the business stuff you got to do, right and

479
00:26:25,680 --> 00:26:28,119
keeping up with social media too, which some people enjoy

480
00:26:28,200 --> 00:26:30,160
and embrace and some people are just like I wish

481
00:26:30,160 --> 00:26:31,519
I didn't have to do that part, But you do

482
00:26:31,640 --> 00:26:32,160
have to do that.

483
00:26:32,240 --> 00:26:35,079
Speaker 6: Part, yep. And I feel like it ebbs and flows too,

484
00:26:35,240 --> 00:26:38,799
like I have. And I used to get harder on

485
00:26:38,920 --> 00:26:41,440
myself and I'm accepting this more and more, Like there

486
00:26:41,480 --> 00:26:44,599
are seasons where I'm doing a lot more stuff online

487
00:26:44,799 --> 00:26:47,359
social media, you know, posting videos, things like that, And

488
00:26:47,400 --> 00:26:49,039
then there are seasons where I'm playing out a lot

489
00:26:49,079 --> 00:26:50,480
more so I don't have as much time to be

490
00:26:50,559 --> 00:26:53,640
present online. Then there are seasons where, oh it's a

491
00:26:53,720 --> 00:26:56,839
slower show season, so I'm songwriting or I'm in the studio.

492
00:26:56,960 --> 00:26:59,160
And I think at first I felt like I have

493
00:26:59,279 --> 00:27:02,039
to do all these things all the time. Yeah, you know,

494
00:27:02,279 --> 00:27:04,799
like and I still feel that a little bit, but

495
00:27:05,039 --> 00:27:07,359
it's like being okay with the ebb and flow of

496
00:27:07,960 --> 00:27:12,319
of what it means to be an art maker and performer,

497
00:27:12,960 --> 00:27:17,160
like distributor of that art. There's just you can't always

498
00:27:17,240 --> 00:27:18,440
do it all all the time or.

499
00:27:18,440 --> 00:27:22,759
Speaker 8: You totally burn out, right right, Yeah, no doubt. Oh

500
00:27:22,839 --> 00:27:24,039
do you want to play another one for us?

501
00:27:24,160 --> 00:27:28,759
Speaker 6: Yeah, I'll play Giants since you told me you like

502
00:27:28,880 --> 00:27:29,799
this one, do Yeah.

503
00:27:29,920 --> 00:27:32,759
Speaker 8: So the first time I heard that was on Rob Show.

504
00:27:33,880 --> 00:27:35,559
That was the first time I'd heard that song. And yeah,

505
00:27:35,559 --> 00:27:38,920
I love this song. Yeah cool, absolutely, Haadie Dobbins live

506
00:27:38,960 --> 00:27:39,440
in studio.

507
00:27:40,720 --> 00:27:42,279
Speaker 6: I feel like this is a good song to play

508
00:27:42,359 --> 00:27:47,400
right now too, because it's about doing things that feel

509
00:27:47,519 --> 00:27:50,440
hard and facing the things that feel impossible in your

510
00:27:50,480 --> 00:27:54,279
life and remembering that you are actually more powerful than

511
00:27:54,359 --> 00:27:59,079
you may realize. And the giants in your life they're

512
00:27:59,240 --> 00:28:02,839
just make believe, like those giants in your closet when

513
00:28:02,839 --> 00:28:03,480
you're a little kid.

514
00:28:17,960 --> 00:28:25,079
Speaker 3: Your sweatshirt falling off my shoulder. It's too big, But

515
00:28:25,640 --> 00:28:31,680
then again it only was. When did I become so small?

516
00:28:32,200 --> 00:28:37,200
Living in your shadow? I don't fill the space. Saddle

517
00:28:37,960 --> 00:28:48,240
feels like I've been swallowed. Don't take too much space,

518
00:28:48,680 --> 00:28:56,279
my mind said, shrink so I don't risk scin thing

519
00:28:57,400 --> 00:29:05,319
bad or too be safe. Then to be sorry, Well,

520
00:29:05,400 --> 00:29:12,359
I'm sorry. I don't feel safe. Fu frount shy. Maybe

521
00:29:12,680 --> 00:29:19,640
it's time I come Outahi day haptain sult just makes

522
00:29:19,720 --> 00:29:20,240
me good.

523
00:29:20,400 --> 00:29:22,119
Speaker 1: I lie.

524
00:29:23,799 --> 00:29:32,359
Speaker 3: Just so you could think that you're the child, your

525
00:29:32,640 --> 00:29:40,200
colone rushing off my shoulder. It's over powering, but then

526
00:29:40,319 --> 00:29:45,960
again it always was. Now that I am coming clean,

527
00:29:46,839 --> 00:29:52,839
shutting everything but me, redoing all my skin, tell me.

528
00:29:53,599 --> 00:30:03,880
Speaker 2: Are you panicking? Baby? Do you feelcy far round chyce?

529
00:30:04,759 --> 00:30:09,319
Speaker 3: Because I think it's time back come out of harding.

530
00:30:11,079 --> 00:30:15,519
Speaker 1: Acting small just makes me god. I lie in.

531
00:30:17,079 --> 00:30:20,960
Speaker 2: Just so you could think that you're the char.

532
00:30:24,880 --> 00:30:36,079
Speaker 10: But you're no char. Don't take too much space.

533
00:30:36,480 --> 00:30:45,880
Speaker 3: My mind said shrink, So I don't race anything trying.

534
00:30:46,319 --> 00:30:48,400
Speaker 2: To putat me.

535
00:30:49,400 --> 00:30:57,400
Speaker 10: But I know now the giant sort make believe.

536
00:31:01,440 --> 00:31:08,240
Speaker 5: Their make believe, So.

537
00:31:08,599 --> 00:31:15,039
Speaker 11: I don't feel the fame around no chie, I know

538
00:31:15,400 --> 00:31:19,640
it's Tima come out handing.

539
00:31:20,640 --> 00:31:23,160
Speaker 2: Hapting small just makes me good.

540
00:31:23,519 --> 00:31:37,039
Speaker 5: And but you are no Chaiet. There are no chi

541
00:31:41,920 --> 00:31:52,000
giant smy believe the rack Blie.

542
00:31:57,359 --> 00:32:01,559
Speaker 6: Acting small just makes me good lyon.

543
00:32:03,359 --> 00:32:06,759
Speaker 12: You are only giants in my mind.

544
00:32:09,480 --> 00:32:14,079
Speaker 6: Acting small just makes me good lying.

545
00:32:15,759 --> 00:32:25,920
Speaker 2: You are only giant in my mind. In Giant Sidchist.

546
00:32:26,000 --> 00:32:30,200
Speaker 10: Make Bull.

547
00:32:37,599 --> 00:32:40,799
Speaker 8: I love it, Katie Dobbins live in studio. Yeah, that

548
00:32:40,960 --> 00:32:42,039
is a great, great song.

549
00:32:42,680 --> 00:32:43,279
Speaker 2: Oh I love it.

550
00:32:43,920 --> 00:32:46,000
Speaker 8: Great song, great song. That one's been out for a

551
00:32:46,039 --> 00:32:48,200
little while, right, But that is that is that kind

552
00:32:48,240 --> 00:32:48,759
of newer.

553
00:32:49,279 --> 00:32:53,039
Speaker 6: Yeah, that's like in my newer collection of singles recorded

554
00:32:53,079 --> 00:32:55,960
at Rocking Horse, Okay, okay, and that one I actually

555
00:32:55,960 --> 00:32:57,839
started writing on the electric guitar.

556
00:32:58,200 --> 00:32:59,240
Speaker 8: Okay, Yeah, I have.

557
00:32:59,240 --> 00:33:02,200
Speaker 6: An electric guitar. Are I just I don't play it out?

558
00:33:02,279 --> 00:33:04,400
I would like to learn how to do cool stuff

559
00:33:04,440 --> 00:33:09,480
on it? Yeah yeah, yeah, but yeah I kind of

560
00:33:09,519 --> 00:33:11,559
had like a little riff going and then I moved

561
00:33:11,640 --> 00:33:14,759
to acoustic guitar, and then I was like, no, this

562
00:33:14,880 --> 00:33:15,720
is a piano song.

563
00:33:15,880 --> 00:33:19,319
Speaker 8: So oh okay. Have you have you played electric guitar

564
00:33:19,400 --> 00:33:22,039
on any of your studio recordings so far?

565
00:33:22,640 --> 00:33:24,799
Speaker 6: No other people have played my guitar.

566
00:33:25,119 --> 00:33:29,079
Speaker 8: Yeah, it's in there. Yeah yeah, actually.

567
00:33:28,880 --> 00:33:31,799
Speaker 6: That's not true. I recorded I have a single called

568
00:33:31,839 --> 00:33:36,119
star Lights that I recorded during the pandemic in my

569
00:33:36,200 --> 00:33:39,920
home studio. Oh okay, that I actually did do my

570
00:33:40,079 --> 00:33:42,839
own little electric guitar riff on.

571
00:33:43,119 --> 00:33:44,759
Speaker 8: Oh really, yeah, you want to check out.

572
00:33:44,720 --> 00:33:49,480
Speaker 6: My electric guitar playing. You can check out star Lights.

573
00:33:49,599 --> 00:33:54,599
Speaker 8: Oh okay, okay, very cool, very cool. When you when

574
00:33:54,640 --> 00:33:56,680
you play out, I mean you must do some covers too, right,

575
00:33:56,680 --> 00:33:58,519
I assume you make some covers in yeah.

576
00:33:58,799 --> 00:34:00,680
Speaker 6: Yeah, And it depends on the Oh yeah, if I'm

577
00:34:00,720 --> 00:34:02,200
doing like a three hour gig, for sure.

578
00:34:02,519 --> 00:34:02,720
Speaker 8: Yeah.

579
00:34:03,319 --> 00:34:05,200
Speaker 6: And then I have I have a bunch of shows

580
00:34:05,240 --> 00:34:07,359
coming up this summer that are like focused on original

581
00:34:07,440 --> 00:34:08,800
music that I'm really excited about.

582
00:34:09,039 --> 00:34:09,239
Speaker 10: Yeah.

583
00:34:09,719 --> 00:34:11,920
Speaker 6: But even when I do that, I'll throw in, you know,

584
00:34:12,039 --> 00:34:15,280
one or two just people kind of like something familiar.

585
00:34:15,400 --> 00:34:17,639
Oh yeah, you know, and it's fun. It's fun to

586
00:34:18,360 --> 00:34:20,559
I always think like how cool it must be to

587
00:34:20,679 --> 00:34:23,320
be Taylor Swift or something and you look out and

588
00:34:23,400 --> 00:34:25,400
everyone's singing every lyric to your song.

589
00:34:25,599 --> 00:34:25,719
Speaker 10: Right.

590
00:34:25,920 --> 00:34:28,480
Speaker 6: The fact that's fun about covers is, you know, sometimes

591
00:34:28,519 --> 00:34:30,760
I'll transition into a cover song from an original. It's

592
00:34:30,800 --> 00:34:33,840
just fun to look out and see people bopping around

593
00:34:33,880 --> 00:34:37,000
and singing along with you, and yeah, fun moment.

594
00:34:37,119 --> 00:34:37,400
Speaker 11: Do you have?

595
00:34:37,920 --> 00:34:40,679
Speaker 8: Do you do any covers that you found particularly challenging

596
00:34:40,800 --> 00:34:43,599
to learn? Sometimes I get some surprising answers when I

597
00:34:43,639 --> 00:34:46,280
ask people this, So I'm I'm just curious, like, is

598
00:34:46,320 --> 00:34:47,760
there anything you said I'm gonna learn that one? And

599
00:34:47,760 --> 00:34:49,119
then it turned out to be kind of challenging.

600
00:34:49,960 --> 00:34:54,119
Speaker 6: I don't think so, But I don't learn traditionally, Like

601
00:34:54,239 --> 00:34:56,719
if I'm learning a new cover, I sort of just

602
00:34:57,679 --> 00:34:59,880
will look up the chords and then play it how

603
00:35:00,079 --> 00:35:03,079
ever feels good to me. Whereas some people are which

604
00:35:03,800 --> 00:35:05,679
would be good for me to do. Some people are

605
00:35:05,760 --> 00:35:08,079
going on you know, YouTube and like watching a bunch

606
00:35:08,079 --> 00:35:11,280
of videos and learning how the actual original artist plays it. Sure,

607
00:35:12,480 --> 00:35:15,119
I sometimes when I learn to cover, I don't even

608
00:35:15,239 --> 00:35:17,599
know the song that well, Like I'll kind of know it,

609
00:35:18,559 --> 00:35:20,000
and then I feel like it makes it easier to

610
00:35:20,039 --> 00:35:23,480
put my own twists on it because like kind of

611
00:35:24,079 --> 00:35:27,960
I'm learning it, but also like making it feel good

612
00:35:28,039 --> 00:35:29,920
to me because I only kind of know the song

613
00:35:30,199 --> 00:35:34,519
No I'm your own, Yeah yeah, but I I did

614
00:35:34,679 --> 00:35:37,840
learn Forever Young is a song I love playing by

615
00:35:39,000 --> 00:35:42,599
Bob Dylan, and Joni Mitchell has a version of that song.

616
00:35:42,800 --> 00:35:44,840
I'm sorry. Joan Bias has a version of that song

617
00:35:44,920 --> 00:35:49,880
that's really beautiful. So I did learn her guitar version

618
00:35:49,960 --> 00:35:55,119
to it, and it was a really pretty like I

619
00:35:55,199 --> 00:35:57,400
felt really fancy when I learned to this, you know, yeah,

620
00:35:59,480 --> 00:36:02,039
and it's really pretty. Yeah, So that one I did

621
00:36:02,159 --> 00:36:04,320
learn traditionally because I was like, that's just so beautiful.

622
00:36:04,360 --> 00:36:05,239
I got to learn that part.

623
00:36:06,559 --> 00:36:10,039
Speaker 8: That makes sense. That makes sense. You want to play

624
00:36:10,039 --> 00:36:12,719
another live one? I yeah, we got we got time?

625
00:36:13,639 --> 00:36:13,840
Speaker 9: Yeah.

626
00:36:14,840 --> 00:36:16,880
Speaker 8: Selfishly, I want to hear more. You just sound so great.

627
00:36:17,320 --> 00:36:19,599
Speaker 6: That's so nice. I want to hear another new newer one.

628
00:36:19,880 --> 00:36:21,760
Speaker 8: Yeah, that would be cool, that would be great.

629
00:36:21,800 --> 00:36:24,239
Speaker 6: I have a I have a single out. My newest

630
00:36:24,239 --> 00:36:31,760
single is called Grateful and it's about gratitude. Yeah shocker uh.

631
00:36:32,039 --> 00:36:33,599
And so I'm not going to play that, but I

632
00:36:33,679 --> 00:36:37,440
will play another song that's sort of on the same theme.

633
00:36:37,800 --> 00:36:42,199
I feel like it's called miss these days because you

634
00:36:42,280 --> 00:36:45,119
know today, someday we're gonna be like that was the

635
00:36:45,119 --> 00:36:46,679
good old days, So you got to soak it in.

636
00:36:46,960 --> 00:37:02,760
Speaker 3: Yep, Mama's calling on the kitchen on the other side

637
00:37:02,840 --> 00:37:03,599
of the house.

638
00:37:04,440 --> 00:37:08,920
Speaker 2: Can't hear what she's saying. I just chuckle to myself.

639
00:37:09,880 --> 00:37:11,440
And the dog is going.

640
00:37:11,360 --> 00:37:16,960
Speaker 3: Crazy about a squirrel outside the window, and Daddy's watching.

641
00:37:16,800 --> 00:37:20,039
Speaker 10: News about what God only knows.

642
00:37:20,800 --> 00:37:25,519
Speaker 3: It's a little bit of chaos on a quiet country road,

643
00:37:26,519 --> 00:37:30,800
in a humble, old brick house where we made ourselves

644
00:37:30,880 --> 00:37:31,320
at home.

645
00:37:32,280 --> 00:37:34,880
Speaker 2: I don't know what tomorrow brings.

646
00:37:35,519 --> 00:37:39,519
Speaker 3: I'm not sure of much, but I'm sure someday I'm

647
00:37:39,599 --> 00:37:46,199
gonna miss these days. I'm sure someday I'm gonna miss

648
00:37:46,480 --> 00:37:54,840
these days. So I'm living on hope and excite me

649
00:37:55,119 --> 00:37:59,400
for each day as it comes, keep showing up for

650
00:37:59,559 --> 00:38:06,840
the ernie where the ridden may lead. Life's father uncertainty.

651
00:38:09,440 --> 00:38:14,920
But all I wanna do is so it in, cause

652
00:38:15,000 --> 00:38:20,880
I'm sure some day I'm gonna miss these days. I'm

653
00:38:20,960 --> 00:38:30,159
sure some day I'm gonna miss things. Day's I'm heading

654
00:38:30,480 --> 00:38:33,960
down the long road on the way to another show,

655
00:38:34,679 --> 00:38:38,880
running on prayers and catheine, hoping my songs will touch

656
00:38:39,000 --> 00:38:43,079
your souls. And the car is packed so high I

657
00:38:43,280 --> 00:38:48,079
can't see out my back window. I'm following my dreams

658
00:38:48,480 --> 00:38:54,880
and now some guy who's going so slow. I got

659
00:38:55,079 --> 00:38:59,280
a little bit of road rage on a quiet country

660
00:38:59,480 --> 00:39:04,199
road in a humble old folks wagon where I made

661
00:39:04,400 --> 00:39:10,000
myself a home. I don't know what tomorrow brings. I'm

662
00:39:10,119 --> 00:39:14,079
not sure of much, but I'm sure someday I'm gonna

663
00:39:14,239 --> 00:39:18,719
miss these days. I'm sure some.

664
00:39:19,039 --> 00:39:22,159
Speaker 10: Day I'm gonna miss these day.

665
00:39:25,719 --> 00:39:29,679
Speaker 3: So I'm living on hope and excite me for each

666
00:39:29,880 --> 00:39:34,719
day as it comes, keep showing up for the journey

667
00:39:35,199 --> 00:39:42,000
where for ridden maybe life is not hope, uncertainty.

668
00:39:43,760 --> 00:39:47,440
Speaker 2: The head all one Heda is so gidding.

669
00:39:49,159 --> 00:39:55,480
Speaker 3: Because I'm sure someday I'm gonna miss these days. I'm

670
00:39:55,599 --> 00:39:59,519
sure some day I'm gonna miss these day.

671
00:40:04,239 --> 00:40:14,239
Speaker 5: So take this day that it be what true leaving

672
00:40:15,639 --> 00:40:27,840
I keep me for on this amis man, I go

673
00:40:28,159 --> 00:40:30,760
sometime I'm gonna miss this day.

674
00:40:33,400 --> 00:40:36,239
Speaker 2: I know some day I'm gonna miss it.

675
00:40:41,400 --> 00:40:45,119
Speaker 6: So I'm living on hope, and excite.

676
00:40:44,639 --> 00:40:48,599
Speaker 2: Me for each day as it comes. Keep showing up.

677
00:40:49,239 --> 00:40:51,400
For the journey where.

678
00:40:52,760 --> 00:41:03,320
Speaker 3: Mai Hyphus full of uncertainty wanna do so, Katie.

679
00:41:04,880 --> 00:41:05,199
Speaker 2: Cans.

680
00:41:05,239 --> 00:41:11,559
Speaker 3: I'm sure someday I'm gonna miss these days. I know,

681
00:41:12,079 --> 00:41:21,400
someday I'm gonna miss days day. Yeah, you know, someday

682
00:41:21,559 --> 00:41:24,519
we're gonna miss this day.

683
00:41:33,639 --> 00:41:37,119
Speaker 8: I love it. Thank you, Katie Dobbins live in studio

684
00:41:37,239 --> 00:41:40,199
with us, and that was great. So that's another new one.

685
00:41:40,280 --> 00:41:44,400
Huh yeah, very cool, very cool. By the way, So

686
00:41:44,480 --> 00:41:47,159
you're getting some love here in the chat room. Eric

687
00:41:47,239 --> 00:41:50,320
and Pallamini, also known as Temple Mountain. He's been on

688
00:41:50,360 --> 00:41:53,159
the show a few times now. He says Katie is

689
00:41:53,280 --> 00:41:58,400
the best. So glad her name spells Katie with a

690
00:41:58,519 --> 00:42:00,760
K and not with a G. I don't know if

691
00:42:00,800 --> 00:42:03,480
there's an inside joke there. I don't. I don't get

692
00:42:03,480 --> 00:42:05,800
to ask him. Yeah, I don't. I don't quite get it.

693
00:42:06,239 --> 00:42:10,119
But uh yes, I'm also glad you spell Katie with

694
00:42:10,199 --> 00:42:11,239
a K and not a G.

695
00:42:11,599 --> 00:42:14,760
Speaker 6: Me too, Hey, Eric, thanks for tuning in.

696
00:42:15,159 --> 00:42:15,719
Speaker 8: He's amazing.

697
00:42:15,760 --> 00:42:19,320
Speaker 6: He's amazing, awesome, super supportive too, like super supportive of

698
00:42:20,119 --> 00:42:23,239
you know, other musicians, ands and radio and he's just

699
00:42:23,400 --> 00:42:26,039
like always good positive energy.

700
00:42:26,280 --> 00:42:27,079
Speaker 8: Yeah, she's great.

701
00:42:27,239 --> 00:42:30,119
Speaker 9: Yeah, he sends people to us, Oh yeah, oh yeah, yeah.

702
00:42:30,159 --> 00:42:32,320
Speaker 8: He's referred a bunch of really good, really good musicians

703
00:42:32,719 --> 00:42:35,559
to us. Also, good morning to Miriam who's in the

704
00:42:35,599 --> 00:42:39,639
chat room. Good morning, and Rob Dion who els to

705
00:42:39,719 --> 00:42:41,440
show here through the stage door. He's part of the

706
00:42:41,599 --> 00:42:43,840
W M and H family. He said, I'm heading to

707
00:42:43,880 --> 00:42:45,440
a gig right now, but I just wanted to say

708
00:42:45,480 --> 00:42:47,719
Matt that the musicians you have on this morning really

709
00:42:47,760 --> 00:42:50,920
are amazing, very good, very good.

710
00:42:51,039 --> 00:42:52,440
Speaker 6: Yes, nice, thanks.

711
00:42:52,480 --> 00:42:54,840
Speaker 8: Absolutely, So, Katie, what do you have this weekend? Do

712
00:42:54,880 --> 00:42:55,800
you have shows this weekend?

713
00:42:57,000 --> 00:42:59,320
Speaker 6: Actually, don't. I have a kind of a quiet weekend,

714
00:42:59,360 --> 00:43:02,519
which I'm very excited about. After I leave here today,

715
00:43:02,519 --> 00:43:05,360
I'm gonna head over to hang out with Chris Noise

716
00:43:05,400 --> 00:43:08,239
the Bassis. We're gonna do some practice in for our

717
00:43:08,320 --> 00:43:12,320
gig at Strawberry Bank later this month, and then I

718
00:43:12,480 --> 00:43:14,760
do I'm part of I sing at my church, which

719
00:43:14,800 --> 00:43:16,719
meets on top of a mountain on Sunday morning, So

720
00:43:16,840 --> 00:43:19,079
tomorrow I'll be hike into that and doing that whole

721
00:43:19,159 --> 00:43:22,119
thing up at Gunstock Mountain. But other than that, my

722
00:43:22,159 --> 00:43:25,679
weekend's pretty quiet, and I've been very much on the

723
00:43:25,760 --> 00:43:28,440
go lately. I just got back two weeks ago from

724
00:43:29,159 --> 00:43:33,079
my first solo road trip tour down to Nashville, Tennessee.

725
00:43:34,039 --> 00:43:35,639
I was gone for a week and a half, and

726
00:43:36,199 --> 00:43:39,159
I didn't really plan any transition time before or after

727
00:43:39,280 --> 00:43:41,519
the trip. I just I was like, yeah, I'll just

728
00:43:41,679 --> 00:43:45,159
like keep going one hundred miles an hour right up

729
00:43:45,199 --> 00:43:46,639
to it, and then I'll just come back and get

730
00:43:46,719 --> 00:43:48,760
right in the swing of things. So I'm definitely feeling

731
00:43:48,840 --> 00:43:50,280
the effects of that a little bit.

732
00:43:50,480 --> 00:43:51,159
Speaker 10: Yeah, no doubt.

733
00:43:51,360 --> 00:43:53,159
Speaker 6: I'm kind of happy to have a quiet weekend and

734
00:43:53,199 --> 00:43:56,400
then things will pick up. I have shows next week.

735
00:43:56,480 --> 00:43:59,480
On Wednesday, I'm in Portsmouth, and then Thursday I have

736
00:43:59,599 --> 00:44:02,360
a cool I'm hosting a touring artist at hermit Wood's

737
00:44:02,400 --> 00:44:05,800
Winery in Meredith, New Hampshire. It's a listening room up there,

738
00:44:06,000 --> 00:44:07,760
so if you're up in the Lakes region or heading

739
00:44:07,840 --> 00:44:10,559
up that way, come hang out Thursday night. And then

740
00:44:10,639 --> 00:44:13,320
I got shows like all weekend, so it'll be a

741
00:44:13,400 --> 00:44:15,400
nice little break leading into that.

742
00:44:16,199 --> 00:44:18,519
Speaker 8: Excellent, excellent. How was your trip to Nashville?

743
00:44:18,840 --> 00:44:23,679
Speaker 6: It was awesome. Yeah, it was there. You know, I

744
00:44:24,920 --> 00:44:29,079
felt like I was just really craving a different perspective

745
00:44:29,199 --> 00:44:33,480
and just being completely immersed in original music and just

746
00:44:33,559 --> 00:44:36,920
like seeing new people. And I've also been wanting to

747
00:44:37,039 --> 00:44:39,280
plan a little road trip tour to Nashville for a

748
00:44:39,360 --> 00:44:42,960
few years now, but I kept kind of coming up

749
00:44:43,000 --> 00:44:45,679
against some roadblocks and it just didn't felt. I never

750
00:44:45,840 --> 00:44:47,519
like it when it feels like I'm forcing something and

751
00:44:47,639 --> 00:44:50,119
it feels like, Okay, maybe this is not the right timing.

752
00:44:50,239 --> 00:44:53,639
So this finally came together in a really great way

753
00:44:53,920 --> 00:44:56,639
and I was able to do it, and I was

754
00:44:56,679 --> 00:44:58,719
down there for I was in I played a show

755
00:44:58,719 --> 00:45:00,800
in West Virginia on my way down and stayed with

756
00:45:00,880 --> 00:45:03,599
some friends, which was awesome, and then I was in

757
00:45:03,760 --> 00:45:07,440
Nashville for seven full days and I played almost every

758
00:45:07,559 --> 00:45:09,440
night that I was there. I had one or two

759
00:45:09,519 --> 00:45:12,719
writers round, so it was like I just met so

760
00:45:12,840 --> 00:45:14,920
many songwriters and I got to you get to hear them,

761
00:45:14,920 --> 00:45:16,639
because when you're playing a writer's round, you know, you

762
00:45:16,719 --> 00:45:18,199
play a little bit, and then you also get to

763
00:45:18,239 --> 00:45:21,280
hear like three other people playing in the round, and

764
00:45:21,440 --> 00:45:24,880
so it was very inspiring. And it's just so it

765
00:45:25,320 --> 00:45:28,840
fills your cup and inspires you to like be reminded, oh, yeah,

766
00:45:28,840 --> 00:45:32,320
there's so many people doing this and doing it, you know, successfully,

767
00:45:32,400 --> 00:45:36,440
and I just I and I also it's humbling. I

768
00:45:36,559 --> 00:45:39,519
left feeling like, yeah, I got to get better, keep writing,

769
00:45:39,719 --> 00:45:41,440
you know, which is what kind of the kick in

770
00:45:41,519 --> 00:45:42,480
the butt that I wanted.

771
00:45:42,599 --> 00:45:47,159
Speaker 8: So yeah, it was great. Yeah that's pressure. Yeah in Nashville. Yeah, absolutely, no,

772
00:45:47,519 --> 00:45:49,400
it went well, that's very cool. Yeah, that's very cool.

773
00:45:49,559 --> 00:45:52,920
Speaker 6: Yeah, it scratched the itch for touring too. I'm like, yeah,

774
00:45:53,239 --> 00:45:55,480
let's get on the rod, let's go. I mean, I

775
00:45:55,519 --> 00:45:56,519
mean being a musician.

776
00:45:56,599 --> 00:45:56,760
Speaker 7: I know.

777
00:45:56,840 --> 00:45:58,840
Speaker 6: I talked about the hardships of doing it full time

778
00:45:58,880 --> 00:46:00,800
and stuff, but part of the reason I I initially

779
00:46:00,880 --> 00:46:03,440
wanted to do it full time was well, I was

780
00:46:03,519 --> 00:46:05,079
just so hungry to do it, and I was like,

781
00:46:05,119 --> 00:46:08,000
if I don't try this, I'll never know if I

782
00:46:08,159 --> 00:46:10,239
could have made it happen, you know. So I just

783
00:46:10,320 --> 00:46:12,440
had to do it. And part of it was I

784
00:46:12,599 --> 00:46:15,400
wanted to do touring, which I really am just kind

785
00:46:15,440 --> 00:46:17,800
of dipping my toe into, at least beyond New England.

786
00:46:17,840 --> 00:46:20,880
I play all over New England, but I wanted to

787
00:46:20,920 --> 00:46:22,760
do more touring, and that's hard to do when you

788
00:46:22,880 --> 00:46:25,840
have a set work schedule. I was teaching, so oh yeah,

789
00:46:26,199 --> 00:46:28,639
you know, it's kind of hard to tour when you

790
00:46:29,039 --> 00:46:32,199
need to be in the classroom, so that was part

791
00:46:32,239 --> 00:46:33,639
of what I wanted to do. So I'm kind of

792
00:46:34,039 --> 00:46:36,239
now just starting to be like, Okay, what how can

793
00:46:36,320 --> 00:46:39,320
this look? And how exciting to think of, Wow, I

794
00:46:39,360 --> 00:46:41,840
could actually go travel to places and see different places

795
00:46:41,880 --> 00:46:44,320
around the country and play music doing it, you know.

796
00:46:44,519 --> 00:46:46,480
I mean, that's pretty that's pretty sick.

797
00:46:46,760 --> 00:46:46,960
Speaker 10: Yeah.

798
00:46:47,119 --> 00:46:51,119
Speaker 8: Yeah, absolutely. Do you ever missed teaching or mean, I mean,

799
00:46:51,119 --> 00:46:51,920
I'm sure, I'm sure.

800
00:46:51,760 --> 00:46:53,880
Speaker 6: You miss it if any of my old students are

801
00:46:53,960 --> 00:46:58,239
listening so much. I did love teaching, I really did.

802
00:46:58,320 --> 00:47:00,880
I really did. But I have to say it was

803
00:47:00,920 --> 00:47:05,119
the right decision. Yeah, yeah, I have never I've never

804
00:47:05,280 --> 00:47:09,000
felt like the desire to go back to teaching.

805
00:47:09,440 --> 00:47:09,599
Speaker 10: Yeah.

806
00:47:09,719 --> 00:47:11,960
Speaker 6: I think that it was really really good for the time.

807
00:47:12,840 --> 00:47:15,440
You know, it was a good a good season. I

808
00:47:15,599 --> 00:47:17,639
learned a lot. And there's actually weirdly a lot of

809
00:47:17,760 --> 00:47:21,000
overlap between managing a classroom and managing your business and

810
00:47:21,079 --> 00:47:24,800
also like teaching, standing in front of a class, teaching

811
00:47:24,880 --> 00:47:28,599
and engaging students, and also performing on stage and engaging

812
00:47:28,679 --> 00:47:32,360
an audience. It's weirdly similar. So like, I'm very very

813
00:47:32,400 --> 00:47:33,360
grateful for my teaching.

814
00:47:33,519 --> 00:47:36,920
Speaker 8: Oh yeah, no, that makes sense. Yeah, that totally makes sense.

815
00:47:37,119 --> 00:47:38,679
You ever hear from any of your students who have

816
00:47:38,719 --> 00:47:40,159
followed your your music career.

817
00:47:41,599 --> 00:47:44,480
Speaker 6: Some of them do follow me in you know, social media,

818
00:47:44,559 --> 00:47:46,719
and they'll like like a post. And I have a

819
00:47:46,800 --> 00:47:49,840
student who will sometimes come when I play in Massachusetts.

820
00:47:49,880 --> 00:47:52,039
He'll sometimes come to my shows, which is always really fun.

821
00:47:52,119 --> 00:47:56,280
Speaker 8: Oh that's cool, that's very cool. Yeah, yeah, that's excellent. Well,

822
00:47:56,440 --> 00:47:59,079
so we will begin to wrap up in a moment,

823
00:47:59,199 --> 00:48:02,599
but we'll probably play studio track.

824
00:48:03,559 --> 00:48:08,440
Speaker 6: Whoops, I knew that was coming. It's usually me so

825
00:48:08,639 --> 00:48:08,920
thank you.

826
00:48:10,079 --> 00:48:12,400
Speaker 8: Jenny and I are both clutches, so where the last

827
00:48:12,440 --> 00:48:15,280
people will ever judge you for dropping.

828
00:48:15,039 --> 00:48:18,039
Speaker 9: Something to hold onto anything for two days.

829
00:48:18,519 --> 00:48:21,199
Speaker 6: Lately, I feel like my clumsiness is getting worse and

830
00:48:21,320 --> 00:48:23,760
it might just be the like I said, the aftermaths

831
00:48:23,760 --> 00:48:26,559
of the trip and not planning enough time to transition.

832
00:48:26,400 --> 00:48:27,719
Speaker 9: To blame it on the humidity week.

833
00:48:28,000 --> 00:48:31,119
Speaker 2: Maybe it's just you know, yeah, it got to us problem.

834
00:48:31,239 --> 00:48:34,159
Speaker 6: I am actually writing a song. It's like, well, I

835
00:48:34,360 --> 00:48:35,440
only have this so far.

836
00:48:36,400 --> 00:48:39,519
Speaker 3: It's like I can be a little clumsy, chripping over

837
00:48:39,639 --> 00:48:40,519
my own two feet.

838
00:48:41,239 --> 00:48:46,280
Speaker 6: People think I'm funny, but I'm just trying to get by. Yeah,

839
00:48:46,440 --> 00:48:49,199
I'm a little clumsy something something.

840
00:48:49,239 --> 00:48:52,400
Speaker 10: But the clumsiest thing that I ever did.

841
00:48:53,079 --> 00:48:54,039
Speaker 6: Was falling for you.

842
00:48:58,679 --> 00:48:59,599
Speaker 2: I can't wait to hear it.

843
00:49:00,159 --> 00:49:01,320
Speaker 6: Maybe you can help me write the rest.

844
00:49:03,559 --> 00:49:03,920
Speaker 8: There you go.

845
00:49:04,760 --> 00:49:05,280
Speaker 2: That's cool.

846
00:49:05,760 --> 00:49:08,480
Speaker 8: What what what should we play to close the show?

847
00:49:08,559 --> 00:49:10,199
What's a studio track we should play?

848
00:49:10,519 --> 00:49:13,079
Speaker 6: Either just because I can or Grateful? Depends if you

849
00:49:13,159 --> 00:49:15,480
want to play like a rocker track or a dreamy

850
00:49:15,679 --> 00:49:16,719
grateful track.

851
00:49:16,960 --> 00:49:18,679
Speaker 8: Was Grateful the one that you said had some of

852
00:49:18,760 --> 00:49:20,119
your electric guitar playing in it?

853
00:49:20,280 --> 00:49:22,960
Speaker 6: No, I don't think you have that song. I don't

854
00:49:23,000 --> 00:49:25,360
know if I ever sent that. Well, it's called Starlights.

855
00:49:27,079 --> 00:49:29,800
That was the one I recorded entirely in my home studio.

856
00:49:29,800 --> 00:49:31,880
Speaker 8: I don't know if you have that one one it

857
00:49:32,079 --> 00:49:34,559
is because if it's online, I can find it.

858
00:49:35,079 --> 00:49:37,159
Speaker 6: I found it, Okay, And now people in the comments

859
00:49:37,199 --> 00:49:39,079
can tell me what they think of this was. This

860
00:49:39,280 --> 00:49:41,599
was before I even had logic pro. I produced this

861
00:49:41,880 --> 00:49:49,559
on Oh was it garage band attempt?

862
00:49:53,599 --> 00:49:57,039
Speaker 8: This will be very interesting, Okay? Cool? Cool? And uh

863
00:49:57,239 --> 00:49:59,320
And before we wrap up to Jenny, you want to

864
00:49:59,559 --> 00:50:01,960
mention the what's happening today? The virtual event.

865
00:50:02,320 --> 00:50:07,000
Speaker 9: Yes, today is the sixth annual Virtual walk to support

866
00:50:07,400 --> 00:50:11,400
and raise awareness for CRPS, complex regional pain syndrome. You

867
00:50:11,440 --> 00:50:14,039
can find out more information at r s d S

868
00:50:14,519 --> 00:50:17,159
dot org. R s d S dot org is the

869
00:50:17,320 --> 00:50:22,360
Reflex Sympathetic Dystrophe Association, which is what the disease.

870
00:50:22,119 --> 00:50:22,760
Speaker 2: Used to be called.

871
00:50:23,039 --> 00:50:25,119
Speaker 9: So if you want to find out more about complex

872
00:50:25,199 --> 00:50:27,239
vieth your pain syndrome, if you want to help us

873
00:50:27,559 --> 00:50:30,079
and donate to the walk, all the money and proceeds

874
00:50:30,199 --> 00:50:33,079
goes to help with awareness and helping folks out there

875
00:50:33,119 --> 00:50:35,239
that have it, both young and oult. So check out

876
00:50:35,400 --> 00:50:39,239
rsd S dot org and for more information on me,

877
00:50:39,400 --> 00:50:41,719
go to Gencoffee dot com. J E N N c

878
00:50:41,880 --> 00:50:43,480
O f f UI dot com.

879
00:50:44,119 --> 00:50:46,000
Speaker 8: Very good, very good, And of course if you missed

880
00:50:46,000 --> 00:50:47,599
any part of today's show, it'll be up in just

881
00:50:47,639 --> 00:50:50,440
a little bit at wmnhradio dot org and on my website.

882
00:50:50,519 --> 00:50:53,280
Matt Connorton dot com and Katie Doobbins, thank you again

883
00:50:53,320 --> 00:50:54,360
so much, always nice to see you.

884
00:50:54,519 --> 00:50:57,039
Speaker 6: Thank you so much for doing this and supporting so

885
00:50:57,199 --> 00:50:59,480
many local artists, not just me. Oh you've supported me

886
00:50:59,559 --> 00:51:01,960
from like early days and I appreciate you so much.

887
00:51:01,920 --> 00:51:05,960
Speaker 8: Oh absolutely, well, well, well we appreciate you. Oh did

888
00:51:06,039 --> 00:51:06,960
we mention your website?

889
00:51:07,039 --> 00:51:07,159
Speaker 7: Is it?

890
00:51:07,280 --> 00:51:08,800
Speaker 8: It's Katie Doobbins Music dot com.

891
00:51:08,920 --> 00:51:09,440
Speaker 6: Is that's right?

892
00:51:09,639 --> 00:51:13,159
Speaker 8: Everything is there absolutely and uh here's a so. This

893
00:51:13,280 --> 00:51:16,480
track features Katie on the electric guitar. Check this out.

894
00:51:16,559 --> 00:51:19,159
This is called Starlights two.

895
00:51:21,559 --> 00:51:34,840
Speaker 12: When star and quiet by, look as you smiling your.

896
00:51:35,519 --> 00:51:40,519
Speaker 2: As remind me we're still shining.

897
00:51:41,280 --> 00:51:45,280
Speaker 10: No matter where life takes us will be fine.

898
00:51:47,039 --> 00:52:03,159
Speaker 1: Because we are shine.

899
00:51:58,119 --> 00:52:02,920
Speaker 5: From me, b.

900
00:52:04,519 --> 00:52:11,360
Speaker 2: A lot, my starlights.

901
00:52:24,960 --> 00:52:33,480
Speaker 3: When my lie is dimmed and fading, you speak to

902
00:52:34,360 --> 00:52:39,920
my heart, reminding me made even.

903
00:52:39,760 --> 00:52:41,079
Speaker 8: A little.

904
00:52:42,280 --> 00:52:47,920
Speaker 10: Bit of CLD can be enough to light up the host.

905
00:52:50,800 --> 00:53:07,960
Speaker 5: We are shut all from the side, bas a.

906
00:53:08,119 --> 00:53:21,320
Speaker 10: Lot starlights, starlights.

907
00:53:28,280 --> 00:53:33,239
Speaker 3: Come all your hungry hearts less, come alive tonight.

908
00:53:34,920 --> 00:53:36,960
Speaker 2: Oh we need a lot.

909
00:53:36,880 --> 00:53:39,960
Speaker 5: Alone and little bit alive.

910
00:53:40,119 --> 00:53:40,159
Speaker 6: It.

911
00:53:41,400 --> 00:53:45,039
Speaker 10: I get a whole of right away, and I feel

912
00:53:45,119 --> 00:53:46,079
your hand.

913
00:53:46,039 --> 00:53:51,840
Speaker 11: In mind, join us in me hope, me snarling, all

914
00:53:51,960 --> 00:53:53,280
of us can shine.

915
00:53:55,719 --> 00:53:58,360
Speaker 6: We are start.

916
00:54:04,159 --> 00:54:26,039
Speaker 5: Shot from the side. We fight, We starlight, we starlight.

917
00:54:31,800 --> 00:54:46,159
Speaker 10: We have starlight starlights, we've starlight