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<v Speaker 1>This is Oyson Wells speaking from London.

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<v Speaker 2>A black museum, a repository of.

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<v Speaker 1>Crime, of death by violence. Here in the bleak stone

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<v Speaker 1>structure which is Scotland.

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<v Speaker 2>Yard, there's a warehouse of souvenirs were ordinary objects. A

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<v Speaker 2>briar pipe, a dingy white glove, a lump of twisted

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<v Speaker 2>sealing wax.

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<v Speaker 3>All have a history of murder. This length of stash cords.

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<v Speaker 2>It's quite commonplace might see something like this in any

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<v Speaker 2>window frame. Harmless looking bit of rope receives so praise

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<v Speaker 2>at one end, cut all cleanly at the other, just

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<v Speaker 2>the right length to hook.

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<v Speaker 1>Around the man's neck.

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<v Speaker 2>And today that bit of sash gourd can be seen

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<v Speaker 2>in the Black Museum. Here we are in the Black Museum,

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<v Speaker 2>Scotland Yard's museum of murder, outside these walls of black

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<v Speaker 2>and breakthran slates, London, where since daybreak the river has

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<v Speaker 2>borne an endless burden of traffic.

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<v Speaker 1>On fog shrouded bridges and in narrow.

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<v Speaker 2>Streets, tens of thousands of pedestrians have jostled one another,

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<v Speaker 2>all very much alive. But here within this room the

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<v Speaker 2>connoisseurs of crime they see recorded for posterity and cabinets

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<v Speaker 2>in wooden trays and charge carefully labeled and preserved the

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<v Speaker 2>evidence of vindictive death.

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<v Speaker 1>Let's sash for a short piece of rope grimly freight

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<v Speaker 1>at one end.

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<v Speaker 2>Not remarkable in itself, yet it came from the stage

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<v Speaker 2>of a famous theater in the city of Brighton, where

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<v Speaker 2>Octavia Kenmore, actress manager, was.

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<v Speaker 1>Concluding her annual engagements. The alley at that theater was

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<v Speaker 1>like any other, a corridor of darkness between the streets

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<v Speaker 1>and the stage door.

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<v Speaker 2>One September evening, a man came running out of the

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<v Speaker 2>shadows starting the door keeper.

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<v Speaker 1>Sat dozing in a chair.

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<v Speaker 4>Mister Carter, what's the troubles if I'll find out.

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<v Speaker 5>Soon enough, Operator Sindon Carter here locally theater cind and

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<v Speaker 5>angels cutish.

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<v Speaker 6>There's been an accident one of our stage hands.

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<v Speaker 4>He's lying unconscious in the alley.

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<v Speaker 6>How it please yes, one of the cost Mister Carter,

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<v Speaker 6>who is it? Tell me that's Buckland comming around.

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<v Speaker 4>I try.

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<v Speaker 7>I know Miss Kenmore would be terribly distressed. Stage carpenter

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<v Speaker 7>would help for twenty years as as you will. Hadn't

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<v Speaker 7>we better go and gift him into repett? Say something

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<v Speaker 7>could be done.

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<v Speaker 4>You know it's better not to move into the doctor comes.

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<v Speaker 4>It made a serious and we wouldn't want to injure him.

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<v Speaker 2>You know, a man found dead to dying a phone

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<v Speaker 2>call than the waiting over the crumpled figures still old

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<v Speaker 2>Tom Snellen door keeper and Saint John Carter leading man

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<v Speaker 2>waiting waiting until an ambulance drew up at an enter

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<v Speaker 2>and came to the other side. Jeff Bucklin, which.

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<v Speaker 4>One of you callers I did, who said the man

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<v Speaker 4>was unconscious? Look to be I had no physician. This

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<v Speaker 4>man's dead, fopful the heart.

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<v Speaker 1>You'd have done much better to call the police. The

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<v Speaker 1>police arrived and the actors.

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<v Speaker 2>Coming into the evening performance were questions the stars the

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<v Speaker 2>play in the theater earls as her customers left undisturbed.

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<v Speaker 1>The constable at the door admitted a young.

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<v Speaker 7>Plain clothes man, Yes, Jordan, and then found this sir

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<v Speaker 7>getting under some rubbish in the alley thirty two calibuston

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<v Speaker 7>thank you, oh, mister Ellis.

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<v Speaker 1>Attention now focused on David Ellis, stage manager. This Ken's troupe.

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<v Speaker 4>Ever seen this pistol, mister Ellis, Why yes, it's the

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<v Speaker 4>one we're used in the play. I'll keep it in

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<v Speaker 4>my desk.

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<v Speaker 1>I use the licen point.

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<v Speaker 4>What sort of ammunition do you have?

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<v Speaker 8>What?

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<v Speaker 4>Blank?

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<v Speaker 1>Cottages?

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<v Speaker 4>Of course thirty two blanks not loaded with.

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<v Speaker 7>Blanks, now bullets, and one chamber has been fired.

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<v Speaker 4>I must wore a new Ellis. Anything you say henceforth

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<v Speaker 4>will be written down and maybe used as evidence.

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<v Speaker 9>Have you men, you're rating Dave, but you can't. You

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<v Speaker 9>never hears anyway, you young lady, Miss kenwarehpotry.

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<v Speaker 4>My wife inspector, please lose safety.

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<v Speaker 8>Steaky, you don't, un miss ken Jeff with our friend.

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<v Speaker 9>She's being like a footuposivis.

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<v Speaker 10>And why do you stand?

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<v Speaker 9>You're wasting time of getting far away?

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<v Speaker 8>I take it there's been some trouble to sir stage

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<v Speaker 8>your business men leave. I can't have my further disrupted.

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<v Speaker 11>Fifteen minutes before curtain times now, Lucy control ourselves. Will

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<v Speaker 11>someone be good enough to tell me what had happened?

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<v Speaker 4>Certain name is ken Moore.

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<v Speaker 7>I had hoped it wouldn't be necessaries were disturbing just

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<v Speaker 7>at present with one of your stage hands.

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<v Speaker 4>Mister Buckland was found at.

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<v Speaker 2>Evening out Octavia Kenmore distinguished actress manager Darling of the

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<v Speaker 2>provinces equally adept at comedy or tragedy.

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<v Speaker 11>Of course, I'm gravely shocked. Thorns the butler a good

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<v Speaker 11>and faithful servant, inspector.

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<v Speaker 8>But it is preposterous of you to the stake, mister Ellis.

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<v Speaker 8>My stage managers ever.

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<v Speaker 4>Kill people in any case.

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<v Speaker 8>I can't passion we bring up in ten minutes exactly.

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<v Speaker 4>I'm extremiss on in a Kenmore. But Ellis is a

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<v Speaker 4>material witness. He must come to the station house for

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<v Speaker 4>further questioning. It was his fas was.

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<v Speaker 8>I own all the props used in my name?

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<v Speaker 6>His name?

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<v Speaker 4>Legally he is the owner.

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<v Speaker 8>Then I demand that you.

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<v Speaker 7>Release him in my first for I'd like to do that, ma'am,

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<v Speaker 7>But unfortunately your entire company is unders Williams, and it's

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<v Speaker 7>only permitted to perform to night.

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<v Speaker 4>Ellis, what's coming with me? Verywell?

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<v Speaker 11>Go with them, David, Lucy and I will be down

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<v Speaker 11>to see you and the inspector as soon as we

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<v Speaker 11>possibly can.

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<v Speaker 2>The police that's the theater, except for certain constables and

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<v Speaker 2>duty at the door and in addressing room, Mark David

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<v Speaker 2>Kenmore made.

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<v Speaker 11>Ready, Lucy, my child, Oh me, how weak a thing

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<v Speaker 11>the heart of woman is.

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<v Speaker 10>Don't be downcast.

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<v Speaker 6>How can I help it?

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<v Speaker 9>Dress Kenmore? But David in prison nonsense, He's.

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<v Speaker 10>Only detained for questioning.

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<v Speaker 8>He isn't charged with any crime. I'm thinking of Jeffed Bulan,

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<v Speaker 8>an excellent good man on the best.

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<v Speaker 10>Stage Carpentil there was in England? Was he made the

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<v Speaker 10>family's in Manchester.

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<v Speaker 8>We'll have to telephone an immediate.

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<v Speaker 9>After the performance. You're reading me, you're going on?

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<v Speaker 10>Certainly I am, and you will do Davies job tonight.

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<v Speaker 9>N Well, miss you?

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<v Speaker 4>Why not?

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<v Speaker 10>You're kleaning David?

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<v Speaker 9>Do it often enough?

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<v Speaker 8>I'm working what you need for no time to think

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<v Speaker 8>now quickly now check the stage for the thirsteen and

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<v Speaker 8>while I repair my mate up.

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<v Speaker 2>The player went smooth and the curtain rosen fell as

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<v Speaker 2>the actually took that call. Lucie Ella's listening to the applause, realized,

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<v Speaker 2>certainly she was quite calm and still possessed, but her

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<v Speaker 2>composure was nothing to that about Savior ken Moore.

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<v Speaker 1>She descended on the police station.

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<v Speaker 3>Now many minutes later.

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<v Speaker 4>Ah, miss ken Moore and Ellis, come in, won't you?

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<v Speaker 10>I am inspectors.

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<v Speaker 8>Now I expect a full explanation of what you have accomplished.

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<v Speaker 10>By imprisoning my employee these.

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<v Speaker 4>Past two hours, so spent your time.

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<v Speaker 8>I expect to leave brighton tomorrow night, taking my stage

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<v Speaker 8>manager with busy and writing picture.

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<v Speaker 7>He's nothing change or even as under missus edis, in

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<v Speaker 7>fact is quite comfortable to them.

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<v Speaker 4>If you will both be seated, Madam center instant, thank you, Inspector, well,

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<v Speaker 4>have you nothing to tell us about this case? I'm

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<v Speaker 4>waiting at the moment for our pathologists support. Of course,

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<v Speaker 4>don't talk, yes routine. Please pro see your man's in shock.

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<v Speaker 10>That was quite obvious.

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<v Speaker 7>The bullet is important, particularly in court, to establish the

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<v Speaker 7>actual weapon seemed to be the hand.

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<v Speaker 10>Aside the weapon is a more important.

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<v Speaker 7>Consideration Eventually, Miss ken Moore, and inevitably, I trust we'd

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<v Speaker 7>like to know more about Buckland's background, his habits.

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<v Speaker 4>Did he drink?

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<v Speaker 8>For example, despite the general opinion, there are many in

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<v Speaker 8>the theatrical profession who are not addicted to alcohol. Inspector

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<v Speaker 8>lets about and was a decent.

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<v Speaker 1>Man I gave you you can watch all the truth

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<v Speaker 1>about the voted.

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<v Speaker 2>Man an non drinker, except for an occasional find a

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<v Speaker 2>bitter after the show, A devoted family man in an

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<v Speaker 2>occupation where family relationships are often difficult to maintain.

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<v Speaker 8>There was nothing to indicate a motive for In all

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<v Speaker 8>the years of me, I have never known him to

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<v Speaker 8>miss a single performance.

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<v Speaker 10>He was a craft who could rig.

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<v Speaker 8>And handle any production heavier life With him on the job,

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<v Speaker 8>my stage managers.

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<v Speaker 10>Had an easy time with it.

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<v Speaker 4>Everyone liked him.

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<v Speaker 10>His only four perhaps, was that he was too loyal

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<v Speaker 10>to me.

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<v Speaker 9>We're not being much help to you.

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<v Speaker 4>How Oh, yes, you've helped to sit in the picture.

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<v Speaker 4>I've learned a lot.

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<v Speaker 6>Well, what did you learn?

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<v Speaker 4>Two important things, Miss ken Moore? First that Button was

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<v Speaker 4>not a man who made enemies.

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<v Speaker 7>All my reports bared this out. And also that he

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<v Speaker 7>was extremely devoted to you, significant extremely. You keep a

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<v Speaker 7>close frame in your company. You should know of any

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<v Speaker 7>jealousies or quarrels that occurred. I know, I'm sure of that.

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<v Speaker 7>You are not the person to tolerate fiction or even

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<v Speaker 7>bad habits in.

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<v Speaker 4>Members of your troup. Helly, but pards you reporting picture.

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<v Speaker 4>I knew you wanted right away? Thank you? Yes, well

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<v Speaker 4>this is interesting. Why was I told of this before?

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<v Speaker 4>You know what they like in the labins, They tell

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<v Speaker 4>they wanted to be sure, absolutely sure, I see Ms Kenmore.

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<v Speaker 7>Can you think of a reason why anyone should want

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<v Speaker 7>to shoot a dead man?

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<v Speaker 8>Hardly the useless procedures.

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<v Speaker 4>It seems so, it says happened.

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<v Speaker 6>Apparently Buckland was dead of stragulation before he was shot.

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<v Speaker 2>Today the instrument of that murder, a piece of sash good,

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<v Speaker 2>can be found in the Black Museum.

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<v Speaker 1>There's a good question, Inspector.

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<v Speaker 7>Mitchell repeated it, can you think of a reason why

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<v Speaker 7>anyone should want to shoot a dead man? An interesting

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<v Speaker 7>problem is the medical report is very deafness was strangled

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<v Speaker 7>with a thin piece of rope. Because he wore a

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<v Speaker 7>scarf about his neck. The marks weren't noticed till they

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<v Speaker 7>bought him with a lab. He was dead before the

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<v Speaker 7>bullet ever was fired.

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<v Speaker 2>Inspecta Mitchell then went back to the scene of the crime,

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<v Speaker 2>in the alley beside the theater, where the body of

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<v Speaker 2>Jeffrey Butler had been found, and with him at her

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<v Speaker 2>own insistence, when Octavia Kenmore, where do you can make

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<v Speaker 2>up the thin.

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<v Speaker 8>Piece of rope?

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<v Speaker 10>Of course they'll never find it.

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<v Speaker 8>If a murderer had an answer, frames it takes.

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<v Speaker 6>It with him.

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<v Speaker 9>Pretty strange. Had so much light journ with the floor.

225
00:11:35.080 --> 00:11:39.360
<v Speaker 2>It was strange men searching every cranny their flashlights, pointing.

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<v Speaker 1>And probing, picking.

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<v Speaker 2>Out glow work, balconies, iron ladders and fire escapes thick

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<v Speaker 2>with rust, and then themselves still a wetted against the light.

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<v Speaker 7>Oh mis ten more, Yes, we found this caught up

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<v Speaker 7>in that balus trade. I think it's the weapon our

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<v Speaker 7>lab can tell us definitely.

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<v Speaker 4>Of course I see the piece of lesson that lash line.

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<v Speaker 10>Did you say, yes? It's the sort of rope we.

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<v Speaker 8>Use backstage to lash the scenery, the same as ordinary

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<v Speaker 8>clothes line slash cordon.

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<v Speaker 4>Would you be able to.

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<v Speaker 6>Identify it as belonging to your stage equipment?

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<v Speaker 10>That's hard to say.

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<v Speaker 9>Kimboard in sickly as one of the stage hans opposed

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<v Speaker 9>to be united. They had trouble with one of the sticks.

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<v Speaker 9>The line was too short to make it fine.

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<v Speaker 6>Would you locate that piece of scenvers?

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<v Speaker 9>I think so.

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<v Speaker 8>I told you to leave it on top of the

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<v Speaker 8>stick so.

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<v Speaker 9>That we could have spat it in the morning.

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<v Speaker 4>Let's go on stage, then, shall we? Do you know

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<v Speaker 4>it's kim more as a us I was strongly attached

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<v Speaker 4>to the theater.

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<v Speaker 10>Are you indeed, inspector little.

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<v Speaker 1>They moved through the stage door under the platform.

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<v Speaker 9>This is a flat but the one of the short

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<v Speaker 9>lash lines you see hide works Inspector.

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<v Speaker 10>The rope is slipped around.

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<v Speaker 8>The iron cleats and tied off at the bottom, so

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<v Speaker 8>the audience is only an unbroken more.

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<v Speaker 7>I understand perfectly the core of this rope matches the

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<v Speaker 7>piece found in the alley, Russ stains and all.

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<v Speaker 8>What does that suggest to you?

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<v Speaker 7>And think there's a little doubt in my mind, Miss

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<v Speaker 7>ken Moore, that the person we want is a member

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<v Speaker 7>of your own company.

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<v Speaker 9>Yes, I decided that to myself.

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<v Speaker 4>Some pome a member of your company. I think. Cut

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<v Speaker 4>off this cordage, the strangled buttling, and someone.

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<v Speaker 6>Else familiar with these premises took the pistol.

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<v Speaker 4>From Ellis's death. You don't think by helping I haven't

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<v Speaker 4>said that that I must check once more.

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<v Speaker 7>Who actually was here backstage between the hours of six

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<v Speaker 7>and seven.

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<v Speaker 8>I'll hear myself my basin and smell of the door

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<v Speaker 8>keepers on duty.

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<v Speaker 4>He shine. He took his statement of course set basis.

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<v Speaker 4>Now that I think of it, I won't shed a

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<v Speaker 4>word against him.

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<v Speaker 1>Smell is perfectly honest.

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<v Speaker 10>I take an oath.

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<v Speaker 7>Is he a remarker was sound sleeper all the time.

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<v Speaker 7>The extraordinary thing about his story he claims to have

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<v Speaker 7>been dozing in his chair. He didn't wait, even when

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<v Speaker 7>a pistol was fired not thirty feet away.

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<v Speaker 4>I think perhaps I'd better go and pissess him. No,

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00:13:57.200 --> 00:13:59.759
<v Speaker 4>Miss ken Moore, not this strip. Investigations of this kind.

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<v Speaker 4>That's sometimes dangerous.

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00:14:04.519 --> 00:14:07.240
<v Speaker 2>The old man lived close by the theater four flights

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00:14:07.279 --> 00:14:09.559
<v Speaker 2>of world. Warn steps led to an attic door.

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<v Speaker 4>What do you want? What is it? You're mister Snelling?

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<v Speaker 4>I am where the priests. My name is Mitchell. See

289
00:14:19.039 --> 00:14:21.159
<v Speaker 4>I d Should I show you my credentials?

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<v Speaker 5>No?

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00:14:21.360 --> 00:14:22.399
<v Speaker 4>Why you recognize?

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<v Speaker 6>You said?

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<v Speaker 4>Come inside?

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<v Speaker 2>John Snellen had no need to be afraid. But it

295
00:14:27.639 --> 00:14:30.399
<v Speaker 2>was the natures of your timids. Nail an old man

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00:14:30.399 --> 00:14:33.840
<v Speaker 2>who wanted to avoid trouble. Sometimes when arguments occurred, it

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00:14:33.919 --> 00:14:35.480
<v Speaker 2>was his habit to pretend to be asleep in it

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<v Speaker 2>covered hole behind the stage door.

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<v Speaker 7>You will expect me to believe that when a pistol

300
00:14:40.080 --> 00:14:43.159
<v Speaker 7>was fired close by you, you didn't even hear it.

301
00:14:43.360 --> 00:14:44.679
<v Speaker 1>I can't write to say this.

302
00:14:45.120 --> 00:14:47.279
<v Speaker 4>This heavy traffic in the street that time of night.

303
00:14:47.360 --> 00:14:49.559
<v Speaker 4>You know, if I did hear a noise. I must

304
00:14:49.639 --> 00:14:51.000
<v Speaker 4>have took it for a passing car.

305
00:14:51.279 --> 00:14:52.960
<v Speaker 3>Yes, I'll admit that the likely explanation.

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00:14:53.279 --> 00:14:55.879
<v Speaker 4>Perhaps I orto. I guess what is his? If there's

307
00:14:55.879 --> 00:14:58.120
<v Speaker 4>something you haven't told us, I advise you to come

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00:14:58.159 --> 00:14:58.559
<v Speaker 4>out with it.

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00:14:58.759 --> 00:14:59.559
<v Speaker 3>What had he seen?

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00:15:00.240 --> 00:15:04.840
<v Speaker 1>A trifle the possibly a trifle of importance, almost enough

311
00:15:04.919 --> 00:15:06.320
<v Speaker 1>to send a man to the gallows.

312
00:15:06.799 --> 00:15:08.879
<v Speaker 4>I know I should have spoke of it before, said that.

313
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<v Speaker 7>Well, it was a little before seven o'clock, and mister

314
00:15:12.559 --> 00:15:16.120
<v Speaker 7>Butchlan was inside near this toolbox talking to this fashy

315
00:15:16.200 --> 00:15:19.759
<v Speaker 7>fresh sun fellow, and mister Sinjohn Carter he was there too.

316
00:15:20.080 --> 00:15:21.840
<v Speaker 7>You're just standing by, so to speak.

317
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<v Speaker 4>Could you hear what they were saying? No book making

318
00:15:24.480 --> 00:15:27.840
<v Speaker 4>in this house? That was what patron said. Miss Kimmore

319
00:15:27.879 --> 00:15:30.120
<v Speaker 4>won't stand for it. It's stripped about such.

320
00:15:30.000 --> 00:15:34.120
<v Speaker 7>Things, yes, said, everyone knows that miss Kenmore won't have gambling.

321
00:15:33.720 --> 00:15:36.000
<v Speaker 4>In her company and actually get himself.

322
00:15:35.799 --> 00:15:38.200
<v Speaker 7>Discharged if she called him betting the horses or some

323
00:15:38.360 --> 00:15:38.799
<v Speaker 7>such thing.

324
00:15:38.960 --> 00:15:42.159
<v Speaker 4>What else said Bucklan, saying, well you warned that he

325
00:15:42.279 --> 00:15:43.720
<v Speaker 4>goes straight to miss Kinmore.

326
00:15:44.120 --> 00:15:46.320
<v Speaker 7>He said, how this man had been following the company

327
00:15:46.360 --> 00:15:48.720
<v Speaker 7>all along the tour, and Carter and some of the

328
00:15:48.799 --> 00:15:50.039
<v Speaker 7>others had been betting with him.

329
00:15:50.679 --> 00:15:53.080
<v Speaker 4>The debt was. All three of them went out together,

330
00:15:53.399 --> 00:15:57.320
<v Speaker 4>still talking, and that was the last you saw of

331
00:15:57.440 --> 00:16:00.639
<v Speaker 4>him alive, Yes, said it was, and mister Art, it

332
00:16:00.840 --> 00:16:02.840
<v Speaker 4>struck me at the time. He paying back a little.

333
00:16:02.679 --> 00:16:05.679
<v Speaker 7>Later went out to which dessonal. My guess they went

334
00:16:05.759 --> 00:16:09.080
<v Speaker 7>right out again. But he seem so cheerful and nice spirted.

335
00:16:09.480 --> 00:16:12.080
<v Speaker 7>I thought that deveryone must have settled their differences all right.

336
00:16:12.159 --> 00:16:15.919
<v Speaker 7>Hart didn't come back again till he found Butler's body

337
00:16:16.039 --> 00:16:17.200
<v Speaker 7>and called the ambulance.

338
00:16:17.279 --> 00:16:18.080
<v Speaker 4>That's right, so he.

339
00:16:18.159 --> 00:16:21.080
<v Speaker 7>Begins to make sense ins fects again. Still, yes, but

340
00:16:21.240 --> 00:16:24.720
<v Speaker 7>why the stage manager's gun? And why shoot a dead man?

341
00:16:25.039 --> 00:16:25.240
<v Speaker 4>Why?

342
00:16:30.320 --> 00:16:33.799
<v Speaker 1>Why, indeed, why steal a gun to shoot a dead man.

343
00:16:35.200 --> 00:16:38.080
<v Speaker 2>Hoping to find the answer to this question, the inspector

344
00:16:38.159 --> 00:16:40.919
<v Speaker 2>went to Brighton Jail to call on Dada Dallas.

345
00:16:41.200 --> 00:16:43.519
<v Speaker 4>Look here, inspector, why are you holding me without afraid

346
00:16:43.559 --> 00:16:45.720
<v Speaker 4>of evidence? I'll have the admitted to travel with the

347
00:16:45.759 --> 00:16:48.399
<v Speaker 4>company and the lead tonight. It all depends or what

348
00:16:48.960 --> 00:16:52.039
<v Speaker 4>your applies to a few questions, ask them. By all

349
00:16:52.159 --> 00:16:56.279
<v Speaker 4>means how much gambling goes out in the company.

350
00:16:57.600 --> 00:17:00.399
<v Speaker 7>Not a great deal, How the actor was bitter usually

351
00:17:00.519 --> 00:17:03.320
<v Speaker 7>down then, Actually, the salaries are so small they can't.

352
00:17:03.120 --> 00:17:06.039
<v Speaker 4>Afford to be Rickles. Does miss Kenmore know about it?

353
00:17:06.400 --> 00:17:09.599
<v Speaker 4>It's not a chance. If she did, we'd have replacements

354
00:17:09.599 --> 00:17:10.440
<v Speaker 4>in a matter of minutes.

355
00:17:10.640 --> 00:17:13.319
<v Speaker 7>It would follow them that an actor who wanted to

356
00:17:13.400 --> 00:17:17.200
<v Speaker 7>keeper's job will be careful that such information never reached

357
00:17:17.279 --> 00:17:18.039
<v Speaker 7>Miss Kenmore.

358
00:17:18.480 --> 00:17:21.960
<v Speaker 4>I certainly say, sir, is there anyone in the company

359
00:17:22.480 --> 00:17:26.440
<v Speaker 4>who needed that job badly? But you mean badly enough

360
00:17:26.480 --> 00:17:27.119
<v Speaker 4>to commit murder?

361
00:17:27.279 --> 00:17:27.400
<v Speaker 6>Yes?

362
00:17:28.359 --> 00:17:30.680
<v Speaker 4>I doubt it. Of course, you never know.

363
00:17:31.480 --> 00:17:33.839
<v Speaker 7>In truth like this one, most of the supporting cast,

364
00:17:34.200 --> 00:17:37.319
<v Speaker 7>either on the way up or down a dismissal, might

365
00:17:37.400 --> 00:17:38.279
<v Speaker 7>lean the end of a career.

366
00:17:38.640 --> 00:17:42.799
<v Speaker 4>Ellis, has anyone a reason for wanting you out of

367
00:17:42.880 --> 00:17:43.160
<v Speaker 4>the way?

368
00:17:45.119 --> 00:17:45.160
<v Speaker 9>No?

369
00:17:46.519 --> 00:17:47.440
<v Speaker 4>Well, why whatever?

370
00:17:47.559 --> 00:17:50.640
<v Speaker 7>Sat gun was solen from your desk, loaded with live

371
00:17:50.680 --> 00:17:53.680
<v Speaker 7>and emission, and after the murderer it was left where

372
00:17:53.720 --> 00:17:56.720
<v Speaker 7>we'd be sure to find this and hold you responsible.

373
00:17:57.160 --> 00:17:59.000
<v Speaker 7>I can't believe that anyone do a thing like that,

374
00:18:00.079 --> 00:18:06.119
<v Speaker 7>unless unless no inspector there really isn't any well, indeed,

375
00:18:06.759 --> 00:18:09.480
<v Speaker 7>well there is, though, no matter how clumsily he may

376
00:18:09.519 --> 00:18:11.680
<v Speaker 7>have gone about it. I can't help feeling that our

377
00:18:11.799 --> 00:18:13.880
<v Speaker 7>murderer has tried to pin his crime on you.

378
00:18:14.880 --> 00:18:17.000
<v Speaker 4>For the moment, I am going to let him think

379
00:18:17.440 --> 00:18:20.440
<v Speaker 4>he's succeeded. How do you do that? By keeping you?

380
00:18:20.599 --> 00:18:21.920
<v Speaker 4>Got safely up here in jail.

381
00:18:22.279 --> 00:18:25.440
<v Speaker 2>A short time later, Inspector Mitchell's admitted to Miss Kenmore

382
00:18:25.480 --> 00:18:27.240
<v Speaker 2>as sweet sir for sure front hotel.

383
00:18:27.519 --> 00:18:29.640
<v Speaker 10>Any progress to report, Inspector not much.

384
00:18:29.680 --> 00:18:32.599
<v Speaker 4>I'm afraid do you meand I have? I left him

385
00:18:32.599 --> 00:18:35.519
<v Speaker 4>in the best of hilth Why are you holding him? Dada?

386
00:18:35.559 --> 00:18:36.319
<v Speaker 4>Didn't she anyone?

387
00:18:36.599 --> 00:18:37.440
<v Speaker 9>You know that as well as I.

388
00:18:37.559 --> 00:18:39.079
<v Speaker 4>I'm afraid I don't know it.

389
00:18:39.599 --> 00:18:42.440
<v Speaker 7>I admit many murderers in my time, missus Ellis, most

390
00:18:42.480 --> 00:18:45.359
<v Speaker 7>of them look quite as innocent as your husband. Besides,

391
00:18:45.880 --> 00:18:48.880
<v Speaker 7>I have a hunch he could be somewhat more cooperative

392
00:18:49.680 --> 00:18:52.799
<v Speaker 7>in free tell him. Is there anything you know that

393
00:18:52.880 --> 00:18:56.519
<v Speaker 7>your husband might be concealing, or some well mistaken idea of.

394
00:18:56.559 --> 00:18:59.400
<v Speaker 6>Gallantry, something perhaps concerning you?

395
00:19:01.000 --> 00:19:04.799
<v Speaker 8>I no, I hardly think so. I seem to remember

396
00:19:04.799 --> 00:19:08.319
<v Speaker 8>a melodramatic little scene I accidentally walked in on. Hoped

397
00:19:08.359 --> 00:19:12.000
<v Speaker 8>that was nothing, just because Simson Kurt made some advances

398
00:19:12.079 --> 00:19:13.720
<v Speaker 8>to me and David resented it.

399
00:19:14.000 --> 00:19:18.400
<v Speaker 4>Oh, that may be more important than you think, missus innis.

400
00:19:19.279 --> 00:19:21.279
<v Speaker 4>In fact, it may be a piece of information.

401
00:19:21.440 --> 00:19:24.400
<v Speaker 2>I Inspector Mitchell thought that he knew the killer at last,

402
00:19:25.240 --> 00:19:26.920
<v Speaker 2>But it takes evidence to bring.

403
00:19:26.799 --> 00:19:30.359
<v Speaker 1>A man the court. Then Miss Kenmore made a helpful suggestion.

404
00:19:31.200 --> 00:19:33.880
<v Speaker 4>You said you were a deputy of a theater, Inspector Mitchell,

405
00:19:34.000 --> 00:19:35.000
<v Speaker 4>I am, indeed, ma'am.

406
00:19:35.640 --> 00:19:38.440
<v Speaker 8>Did you buy any chance to see me? As lady teesall?

407
00:19:38.599 --> 00:19:40.759
<v Speaker 4>I did a most marvelous performance?

408
00:19:41.359 --> 00:19:43.119
<v Speaker 10>Then you recall, of course the third act.

409
00:19:44.119 --> 00:19:46.480
<v Speaker 1>I have something of a crucial moment.

410
00:19:46.319 --> 00:19:49.000
<v Speaker 2>And a famous play. When I'm standing behind the screen,

411
00:19:49.039 --> 00:19:52.519
<v Speaker 2>the lady overheard a villain's treachery exposed. Such a dramatic

412
00:19:52.559 --> 00:19:55.160
<v Speaker 2>devices might be used effectively off stage as well as on.

413
00:19:56.680 --> 00:19:59.160
<v Speaker 1>The theater. Before the matinee the acting out began.

414
00:20:02.839 --> 00:20:07.480
<v Speaker 4>Oh, I see, of course, Lucy, my dear, have given

415
00:20:07.599 --> 00:20:10.440
<v Speaker 4>up hope for day by chast not at your.

416
00:20:12.000 --> 00:20:12.240
<v Speaker 6>Still.

417
00:20:12.279 --> 00:20:13.480
<v Speaker 4>I understand we're leaving Brighton.

418
00:20:14.000 --> 00:20:15.839
<v Speaker 8>Please, I got enough discussing.

419
00:20:16.079 --> 00:20:18.480
<v Speaker 7>Perhaps in his absence you won't mind so much by

420
00:20:18.559 --> 00:20:21.720
<v Speaker 7>paying you little attention like the old days.

421
00:20:22.000 --> 00:20:23.000
<v Speaker 8>Miss Kenmore was waiting.

422
00:20:23.480 --> 00:20:24.119
<v Speaker 4>She wants to see you.

423
00:20:24.160 --> 00:20:24.880
<v Speaker 10>What wants really?

424
00:20:25.160 --> 00:20:27.559
<v Speaker 4>The great Miss Kimble that sounds on.

425
00:20:27.640 --> 00:20:30.559
<v Speaker 8>Many It is she's breathing fire in Princeton?

426
00:20:30.720 --> 00:20:30.920
<v Speaker 6>Is she?

427
00:20:31.480 --> 00:20:33.400
<v Speaker 4>And it so happens. I came from a long line

428
00:20:33.400 --> 00:20:34.240
<v Speaker 4>of fire eaters.

429
00:20:34.519 --> 00:20:39.119
<v Speaker 2>Lead the way, My girl, Octavia Kenmore was seated at

430
00:20:39.160 --> 00:20:42.319
<v Speaker 2>her makeup table. Behind her, the tiny dressing room was

431
00:20:42.359 --> 00:20:45.839
<v Speaker 2>crowded with trunks and props and costumes in an alcohol

432
00:20:46.000 --> 00:20:46.799
<v Speaker 2>hardly noticed.

433
00:20:47.240 --> 00:20:50.240
<v Speaker 9>I stood a screen here he is, miss Keinmore.

434
00:20:50.640 --> 00:20:53.640
<v Speaker 4>So I do see hello? What's the long face about?

435
00:20:53.880 --> 00:20:54.640
<v Speaker 4>Nothing to do with me?

436
00:20:54.880 --> 00:20:58.519
<v Speaker 8>I'm sure you've been placing bets on the races, mister Copper.

437
00:20:58.680 --> 00:21:02.240
<v Speaker 8>Oh that's why I compel to dispense with your services.

438
00:21:02.839 --> 00:21:06.359
<v Speaker 8>Here's your check, who return fair to London? Your understudy

439
00:21:06.400 --> 00:21:09.440
<v Speaker 8>will replace you with the methanee. See here, you can't

440
00:21:09.480 --> 00:21:12.400
<v Speaker 8>do this and a contract just check covers the terms

441
00:21:12.400 --> 00:21:13.079
<v Speaker 8>of your contract.

442
00:21:13.160 --> 00:21:14.880
<v Speaker 4>Miss kim Marre, whoever told you this was life?

443
00:21:14.960 --> 00:21:18.039
<v Speaker 10>A man in danger of his life? Salem lies if.

444
00:21:18.000 --> 00:21:22.640
<v Speaker 8>Ellis made the statutation, no David, your friend, your flashily

445
00:21:22.759 --> 00:21:26.440
<v Speaker 8>dressed friends, who admits the book making and they shortly

446
00:21:26.559 --> 00:21:28.119
<v Speaker 8>admit some murder?

447
00:21:28.359 --> 00:21:31.720
<v Speaker 4>Oh so Morgans quel gassy if that's the word.

448
00:21:31.599 --> 00:21:34.319
<v Speaker 8>Yes, I gather as ready to implicate you.

449
00:21:34.559 --> 00:21:36.079
<v Speaker 6>You'll try that kind always does.

450
00:21:36.400 --> 00:21:38.079
<v Speaker 7>He gets the killing your contract me and I was

451
00:21:38.160 --> 00:21:41.359
<v Speaker 7>prayful already implicated quite serious in mister Kata and by

452
00:21:41.440 --> 00:21:43.279
<v Speaker 7>your own word an action, oh.

453
00:21:43.400 --> 00:21:45.279
<v Speaker 4>Wealth Inspector Mitchell, isn't it?

454
00:21:45.759 --> 00:21:46.720
<v Speaker 10>What sort of game is this?

455
00:21:46.960 --> 00:21:48.680
<v Speaker 8>A glorious game of play acting?

456
00:21:49.640 --> 00:21:52.000
<v Speaker 6>Congratulations, miss Kim Moore, a very.

457
00:21:52.039 --> 00:21:54.680
<v Speaker 4>Successful little playlist. You haven't got anything you can prove,

458
00:21:55.319 --> 00:21:58.279
<v Speaker 4>no use bluffing. You took the pistol, didn't Joe from

459
00:21:58.319 --> 00:21:59.920
<v Speaker 4>Ellis's desk and shot Buttling with this.

460
00:22:00.119 --> 00:22:03.000
<v Speaker 6>I didn't kill him, you'd dead before. Who are under

461
00:22:03.119 --> 00:22:03.920
<v Speaker 6>arrest mister.

462
00:22:03.799 --> 00:22:07.640
<v Speaker 4>Carta and charge with wilful murder? It wasn't me, I

463
00:22:07.759 --> 00:22:09.839
<v Speaker 4>tell you, Morgan choked him at Iu.

464
00:22:09.759 --> 00:22:11.880
<v Speaker 6>Have roprin I'm much on certain him with the police

465
00:22:12.200 --> 00:22:13.200
<v Speaker 6>organ had no license for.

466
00:22:13.240 --> 00:22:14.200
<v Speaker 4>The previous record too.

467
00:22:14.599 --> 00:22:18.160
<v Speaker 7>It would have been jail, but that you thought quickly,

468
00:22:18.359 --> 00:22:20.480
<v Speaker 7>you'll try to take advantage of the situation. The prayme

469
00:22:20.480 --> 00:22:22.599
<v Speaker 7>Mellis so the few will be clear with his wife.

470
00:22:22.680 --> 00:22:23.640
<v Speaker 6>No, no, Carter.

471
00:22:23.839 --> 00:22:25.920
<v Speaker 7>You may not have killed anyone, but you are an

472
00:22:25.920 --> 00:22:27.000
<v Speaker 7>accessory out of the fact.

473
00:22:27.240 --> 00:22:29.119
<v Speaker 4>And you did put a bullet to a man's heart.

474
00:22:29.519 --> 00:22:32.119
<v Speaker 7>A delicate question for the jury to decide, but I

475
00:22:32.359 --> 00:22:34.519
<v Speaker 7>predict you'll pay the penalty.

476
00:22:35.079 --> 00:22:38.000
<v Speaker 4>Come along now and come quietly.

477
00:22:40.119 --> 00:22:40.480
<v Speaker 1>Today.

478
00:22:40.960 --> 00:22:45.599
<v Speaker 2>A piece of slash court, properly marked and ticketed, lies

479
00:22:45.640 --> 00:22:51.039
<v Speaker 2>in a glass case in the Black Museum. People of

480
00:22:51.119 --> 00:22:54.799
<v Speaker 2>the theater candy, and most often are fiercely loyal to

481
00:22:54.920 --> 00:22:55.359
<v Speaker 2>one another.

482
00:22:55.720 --> 00:22:58.880
<v Speaker 1>Octavia Kenmore was such a person. An actress manager.

483
00:22:58.640 --> 00:23:02.559
<v Speaker 2>Accepted responsibility not only for her company's professional welfare, but

484
00:23:02.720 --> 00:23:06.920
<v Speaker 2>so their personal happiness as well. Saint John Carter was

485
00:23:06.920 --> 00:23:10.400
<v Speaker 2>an exception to the rule, but then his career had

486
00:23:10.440 --> 00:23:14.200
<v Speaker 2>an exceptional ending, taking his final bow as he did

487
00:23:14.279 --> 00:23:18.279
<v Speaker 2>on the platform thirteen steps high at eight o'clock.

488
00:23:18.000 --> 00:23:18.839
<v Speaker 1>One winter evening.

489
00:23:19.960 --> 00:23:23.240
<v Speaker 2>And now until we meet here again, another story from

490
00:23:23.240 --> 00:23:27.880
<v Speaker 2>the Black As in her remainers always obediently yours

491
00:23:34.079 --> 00:23:34.119
<v Speaker 7>H
