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<v Speaker 1>Oh trigger warn this podcast may include explicit content.

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<v Speaker 2>That will take you out of your comfort zone and

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<v Speaker 2>make you question reality. Listeners, question is advised. How do you, folks,

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<v Speaker 2>Your host double J back here, coming at you live

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<v Speaker 2>slash live in a deep rain delay from my studio

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<v Speaker 2>slash RV dining room located directly inside America. Now, folks

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<v Speaker 2>of interwebs, once again JJ Vance here, host of Operation

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<v Speaker 2>GCD right there and perhaps more notably not the Vice President.

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<v Speaker 2>So thanks for joining me here tonight, folks. I will

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<v Speaker 2>be your pilot navigator for tonight's Shenanigan infused journey into

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<v Speaker 2>the mind of this particular garbage can dude and not

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<v Speaker 2>going a lot of you, folks of interwebs, got a

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<v Speaker 2>real barn burner on deck for you all tonight in

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<v Speaker 2>a cult and a or s O Terror review of

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<v Speaker 2>the nineteen eighty one film Ghost Story. And if you

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<v Speaker 2>folks of interwebs were like me and had not heard

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<v Speaker 2>of this film, you know it is an interesting watch

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<v Speaker 2>and hopefully you'll you'll reach that conclusion yourself after we

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<v Speaker 2>discussed tonight's review. But it was the inspiration of tonight's

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<v Speaker 2>guests that spawned this review because once again, I had

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<v Speaker 2>not heard of this film, but tonight's guest John Mitchell,

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<v Speaker 2>one of Tonight's guests, John Mitchell, and his blog over

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<v Speaker 2>on Substack is highlighting a lot of these matters relative

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<v Speaker 2>to the Sun of Sam and this particular one out

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<v Speaker 2>of Peter straw books, that is the author of this

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<v Speaker 2>story that was later adapted into a film. But this

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<v Speaker 2>particular one ghost story I find interesting because it was

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<v Speaker 2>written contemporaneously to the Son of Sam events in New

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<v Speaker 2>York City back in with the arrest of Burke Whits

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<v Speaker 2>in seventy seven, and Straw writes this book in seventy

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<v Speaker 2>eight and is published in January of seventy nine, and

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<v Speaker 2>seems like seems like Peter Straw was in the know,

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<v Speaker 2>and a lot of these cult details in around that

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<v Speaker 2>whole Sun of Sam process situation. And John's a great

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<v Speaker 2>research for into these matters relative to Yonkers Coult activities

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<v Speaker 2>in around New York City, specifically Westchester County, New York,

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<v Speaker 2>the place I like to call a den of iniquity.

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<v Speaker 2>But thanks for joining us here tonight to get a

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<v Speaker 2>little GCD folks, and welcome our guest John Mitchell and

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<v Speaker 2>Julia from Cosmic Peach. How y'all doing. Welcome Operation GCD.

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<v Speaker 2>Welcome back. Not your first time, is it, Julia John

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<v Speaker 2>greeting Sarah. Always great to have you back as well.

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<v Speaker 3>Yeah, thanks for having me. It's good to be back.

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<v Speaker 4>Absolutely yeah, thanks thanks for having me. Jj. I'm excited

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<v Speaker 4>about this one for.

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<v Speaker 2>Sure, me too. I really, you know, horror films are

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<v Speaker 2>not my you know, not my favorite genre, but this one,

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<v Speaker 2>given the esoteric understandings of a lot of the things,

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<v Speaker 2>uh and uh, just a lot of the elements of

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<v Speaker 2>the story, I found very interesting. So and it wasn't

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<v Speaker 2>I had never heard of this film. So and we

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<v Speaker 2>actually had two other parties joining us tonight. We had

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<v Speaker 2>Davy Wavey and Nick has to be a cult rejects. However,

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<v Speaker 2>much like the characters in Tonight's film who just seemingly,

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<v Speaker 2>you know, fall off and die throughout the storyline of

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<v Speaker 2>Tonight's discussion in the in the film plotline, Nick and

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<v Speaker 2>Davey Wavey didn't die, but I'm saying they've fallen off

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<v Speaker 2>Tonight's panal due to other reasons, whether and other matters,

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<v Speaker 2>personal matters. Nonetheless, we uh, we continue with our with

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<v Speaker 2>our with our review, and I don't know. I don't know.

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<v Speaker 2>I have a lot of occult stuff. I mean, I

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<v Speaker 2>definitely saw a lot of esoteric stuff in the film.

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<v Speaker 2>And what were your thoughts, John Overall? I know you've

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<v Speaker 2>written a pretty an extensive block piece on Strab's work,

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<v Speaker 2>but you did a lot of you highlighted a lot

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<v Speaker 2>of very salient characteristics I think of the Son of

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<v Speaker 2>Sam cult, right, and your blog piece relative to the

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<v Speaker 2>ghost story plot line, right.

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<v Speaker 3>Yeah, Yeah, there's an awful lot of stuff, especially in

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<v Speaker 3>the in the novel, but some of it survives in

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<v Speaker 3>the movie too, really really conscious references to the Yonker's cult,

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<v Speaker 3>and it's sort of like it's a version of the

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<v Speaker 3>story that never mentioned Son of Sam directly, but it

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<v Speaker 3>references all the other players and locations except for Son

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<v Speaker 3>of Sam itself. So it's it's it's odd the way

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<v Speaker 3>he did it, but it was ingenious for the book.

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<v Speaker 3>It's it's really interesting story structure.

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<v Speaker 2>Yeah, I agree for sure. I got some ideas on

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<v Speaker 2>those similar things that I saw. Perhaps that more annoyed

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<v Speaker 2>thoughts I suppose of anything else. But before we get

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<v Speaker 2>into that to those discussions, before we discuss our blog

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<v Speaker 2>posts again, Thank y'all both for joining me here, and

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<v Speaker 2>if I can offer you both, you know, your time

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<v Speaker 2>to plug anything you're working on, or an introduction anything

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<v Speaker 2>you're working on, please John start us off there.

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<v Speaker 3>Sure, yeah, I know you got.

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<v Speaker 2>You got some new blog stuff, but as far as

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<v Speaker 2>and I'll have the links here in the show notes.

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<v Speaker 2>But if, yeah, if you want to introduce some of

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<v Speaker 2>your work, and and then Julie, of course we'll let

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<v Speaker 2>you do that next and then we'll get in our discussion. Okay,

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<v Speaker 2>Well I'm not cutting out.

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<v Speaker 3>Well, I wrote a long essay or a short booklet,

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<v Speaker 3>I guess, or pamphlet depending on how you you know

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<v Speaker 3>which classification you prefer called before Son of Sam, and

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<v Speaker 3>in the sub stac blog, I'm just elaborating on some

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<v Speaker 3>of the points that I originally made in the booklet.

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<v Speaker 3>And occasionally, you know, you run across new information that

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<v Speaker 3>relates to things that you've already discussed. So yeah, I

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<v Speaker 3>had been thinking about the death Mask murder in the

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<v Speaker 3>last few days, so I just wrote up a little

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<v Speaker 3>something on that. But yeah, it's all Son of Sam

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<v Speaker 3>adjacent stuff.

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<v Speaker 2>So yeah, that's awesome, And I'll make sure these links

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<v Speaker 2>from the show notes for folks that jack out. We'll

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<v Speaker 2>be diving into some of those blog posts here in

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<v Speaker 2>a second, because that death Mask one that's a I

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<v Speaker 2>find out a very interesting and important case for folks

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<v Speaker 2>to understand what's going on with all that. But before

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<v Speaker 2>we get into that, Julia, thanks again man for joining

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<v Speaker 2>me here tonight. What have you been working out of

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<v Speaker 2>the Cosmic Peach podcast?

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<v Speaker 4>So, I'm actually working on something that I was talking

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<v Speaker 4>to John about before we started recording or before we

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<v Speaker 4>went live, which is program serial Killers. It's one of

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<v Speaker 4>my favorite subjects to talk about. I actually have discovered

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<v Speaker 4>two new program serial Killers that were not mentioned in

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<v Speaker 4>Program to Kill, But I've put together presentations on both

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<v Speaker 4>of them and those episodes will be coming out in

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<v Speaker 4>a month or so. I'd love to talk to you

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<v Speaker 4>JJ about them because they're absolutely mind blowing the connections.

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<v Speaker 4>But yeah, Cosmic podcast, uh.

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<v Speaker 2>Huh oh sorry, go ahead.

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<v Speaker 4>Oh yeah, podcast wherever you listen to podcasts. But yeah,

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<v Speaker 4>I got a lot of cool stuff I'm working on,

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<v Speaker 4>and this episode seems to be falling right in line

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<v Speaker 4>with a bunch of stuff I'm working on too. Actually,

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<v Speaker 4>you know, program killers is the best subject in my opinion.

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<v Speaker 2>It's funny you mentioned that with this film hitting on

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<v Speaker 2>so many subjects of things we're already working on, because

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<v Speaker 2>I you know, it's not necessarily relative to the conversation.

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<v Speaker 2>So I'll bring it up here in a moment of

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<v Speaker 2>how that kind of hit. This film hit home to

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<v Speaker 2>me in some weird synchronistic fashions, right, But to this

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<v Speaker 2>program killer note, you know, I think that is interesting

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<v Speaker 2>that I do think there is an aspect I think

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<v Speaker 2>mcgallan is correct relating some of the matters to this

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<v Speaker 2>cold activity and killings the son of Sam Coult and

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<v Speaker 2>related to cold activity in around the Auncors that Johns

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<v Speaker 2>highlighted on his bag. I do find that very relative.

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<v Speaker 2>The two conversations are the same in my opinion.

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<v Speaker 4>Hmm.

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<v Speaker 2>Now, these ones you were going over, they weren't by

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<v Speaker 2>name Buffalo Jared Revisa, were they?

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<v Speaker 4>No? No, you probably won't even recognize him. If I

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<v Speaker 4>told you the name, I bet you probably haven't even

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<v Speaker 4>heard of him.

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<v Speaker 2>John, Are you familiar with my former stalker and the

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<v Speaker 2>guy who demanded to be my pr rep Buffalo Jared Reviza,

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<v Speaker 2>the parent mind controlled assassin. He went on a multi

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<v Speaker 2>state stabbing spree.

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<v Speaker 3>I think we talked about the first.

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<v Speaker 2>I talked about him.

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<v Speaker 3>A few months back. Yeah.

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<v Speaker 2>Yeah, So I did a show there night about a

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<v Speaker 2>cannibalistic homicidal kid ddling serial killer. It's like a bout

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<v Speaker 2>the serial killer named Nathaniel Barr Jonah, Right, would you

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<v Speaker 2>believe the same Bridgewater statement On hospital that let that

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<v Speaker 2>that looney tune, you know, on the loose to go

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<v Speaker 2>murder and eat more kids. In nineteen ninety one, he

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<v Speaker 2>moved to Great Falls, Montana and continued his activities despite

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<v Speaker 2>being a registered offender in the state of Massachusetts and

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<v Speaker 2>let out of the looney bin after already doing this

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<v Speaker 2>to five other kids, five other kids, not eating them.

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<v Speaker 2>He didn't do that until later, but or at least

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<v Speaker 2>on record, but he was let out the Bridgewater Statemental Hospital,

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<v Speaker 2>and that's where Buffalo Jared allegedly sits today. So I

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<v Speaker 2>have a lot of come on, I have a lot

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<v Speaker 2>of questions.

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<v Speaker 1>JJ.

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<v Speaker 4>The only thing that's even adjacent to being in a

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<v Speaker 4>military program is being in a minial hospital. Yeah, I mean,

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<v Speaker 4>they'll get you either way.

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<v Speaker 2>Well, I'm glad you said that. So to this point

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<v Speaker 2>of how these these homicidal mind controlled you know, you know,

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<v Speaker 2>hypnosis controlled or whatever you want to call it. Serial killers,

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<v Speaker 2>serial killers, right, you know, the system time and time

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<v Speaker 2>seems to just you know, inadvertently or accidentally let these

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<v Speaker 2>people out. So in the case Nathaniel bar Jonah, he

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<v Speaker 2>had not only attempted to murder five children beginning eighth

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<v Speaker 2>at the age of seven, and by the age of seventeen,

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<v Speaker 2>was in prison on a twenty year clip for doing

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<v Speaker 2>the same stuff keeping trying to kidnap and kill children

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<v Speaker 2>dressed as a police officer. Edward Wade. Edwards would do

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<v Speaker 2>the same thing, by the way, nonetheless, his focus wasn't children,

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<v Speaker 2>at least overwhelmingly he but nonetheless, Nathaniel bar Jonah he

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<v Speaker 2>tells numerous psychiatrists that he wants to kill and eat children.

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<v Speaker 2>He tells the judge that the judges as it's no

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<v Speaker 2>big deal, We're gonna let this go. He's not this

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<v Speaker 2>guy's not a danger to society. He tells another psychiatrist

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<v Speaker 2>that after the judge makes the willing to let him

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<v Speaker 2>out of the state mental hospital fourteen years after on

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<v Speaker 2>a twenty year clip in prison for the kid the

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<v Speaker 2>kid kidnapping and attempt to murder two children, right, and

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<v Speaker 2>when they let him out, he did the same thing

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<v Speaker 2>less than a month later.

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<v Speaker 4>Fucker.

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<v Speaker 2>And you know what, you know the district attorney date

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<v Speaker 2>on on that charge that he did when he kidnapped

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<v Speaker 2>kid less than month later, and he would he was

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<v Speaker 2>a three hundred pound dude, so he would disable the

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<v Speaker 2>children by sitting on them, right, This is this is

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<v Speaker 2>his m He did the same thing kidnapping the kid,

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<v Speaker 2>did the same thing, and the and the county prosecutor

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<v Speaker 2>there said, you know what, I don't this guy's not

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<v Speaker 2>a day. We're gonna give him probation. We're gonna give

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<v Speaker 2>him probation.

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<v Speaker 4>So well, that's the same with Jeffrey Dahmer and Ted Bundy.

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<v Speaker 4>They kept exactly exactly And actually one of the serial

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<v Speaker 4>killers that I'm covering in an upcoming episode kept getting

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<v Speaker 4>let back out too. It was like orders from the

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<v Speaker 4>district attorney's office letting this guy out. I mean, I

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<v Speaker 4>can't give too much away, obviously because you'll have to

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<v Speaker 4>listen to the episode, but it is crazy. And I

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<v Speaker 4>did see in the in the comment section they said,

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<v Speaker 4>is this the nineteen eighty one movie? Yes it is,

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<v Speaker 4>And I had never heard of it, and I was

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<v Speaker 4>actually get really excited because I love horror movies.

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<v Speaker 2>And uh on these kind of same notes of the

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<v Speaker 2>mind controlled serial killer, sasas and stuff when we're talking

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<v Speaker 2>all these satanic cults and matters relative to the Son

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<v Speaker 2>of same or the Process, right it is. And one

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<v Speaker 2>note before I plugged my my the Anatomy of a

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<v Speaker 2>Satanic panic series starting tomorrow and Operation GCD Patreon Nathaniel Barjona.

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<v Speaker 2>The judge that let him out was the special prosecutor

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<v Speaker 2>in the chap Aquidit case to let ted Kennedy walk,

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<v Speaker 2>make that makes sense. And the woman that died in there,

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<v Speaker 2>Mary Joe Capecney, she was the senior staff or the

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<v Speaker 2>RFK on his presidential campaign, you know, the one where

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<v Speaker 2>the Process was associated with this assassination Yem and Teddy

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<v Speaker 2>Kennedy by that point in time had already been documented

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<v Speaker 2>meeting with the Process and the Cambridge, Massachusetts mayor at

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<v Speaker 2>a the Process coffee shop in Cambridge, Massachusetts prior to

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<v Speaker 2>the state So seems seems kind of odd that this judge,

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<v Speaker 2>you know, what I like to say is process folks

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<v Speaker 2>are gonna process, right, So and this this judge seemed

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<v Speaker 2>like he was more than willing to ignore numerous statements

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<v Speaker 2>from psychiatrists, statements from the the actual homicidal psychopathic kid Dedling,

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<v Speaker 2>you know, serial killer, maniac guy, and another psychiatrist after

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<v Speaker 2>he made his decision just to say, you know what,

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<v Speaker 2>We're gonna let this guy out. He's on a dangerous society.

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<v Speaker 5>There's no coincidences, So that I'll be going over certain

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<v Speaker 5>aspects of unpacking this is the quote unquote satanic panic

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<v Speaker 5>and how ridiculous a lot of these concepts are.

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<v Speaker 2>And how they revolve around a lot of around the

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<v Speaker 2>psychological operations components, specifically in other matters around this guy.

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<v Speaker 2>Colonel Michael Aquino. Now, Julie, are you fam there. This

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<v Speaker 2>is a relative to Dave mcgow and John some of

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<v Speaker 2>his work he did besides the Program to Kill, on

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<v Speaker 2>some of these matters. Are you familiar with the the

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<v Speaker 2>infamous exchange that Aquino had with Dave McGowan Syrica two

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<v Speaker 2>thousand and one.

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<v Speaker 4>He had uh interaction with Dave Well.

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<v Speaker 2>Yeah, yeah, so another one of the books John, John,

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<v Speaker 2>you may not be familiar with this one, Julia, you

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<v Speaker 2>may be familiar with it.

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<v Speaker 5>Pedocracy, pedioocracy, Yeah, the pedaphocracy.

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<v Speaker 2>There we go pedophocracy the McGowan books. So Aquino read that,

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<v Speaker 2>saw his name and other associated friends in there, and

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<v Speaker 2>wrote him an email saying, you're a madman, You're making

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<v Speaker 2>stuff up. You're you're creating satanic panic. Was a statement

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<v Speaker 2>a Quino made the McGowan be email. Obviously McGowan wasn't

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<v Speaker 2>buying it, no, and.

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<v Speaker 4>Also he probably read it and knew his goose was

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<v Speaker 4>cooked because McGowan had all the facts there. He never

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<v Speaker 4>published anything without having all the facts for sure.

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<v Speaker 2>And it's a it's a quite hilarious exchange. And I

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<v Speaker 2>will be coming going over with some of that in

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<v Speaker 2>my you know, outline and unpacking of this quote unquote

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<v Speaker 2>satanic panic. That again, when a man like Michael Quino

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<v Speaker 2>is accusing folks who were studying facts, and again McGowan,

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<v Speaker 2>you know, provides in the fact states the facts. As

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<v Speaker 2>you were pointing out, Julia in the email exchanges, they

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<v Speaker 2>have know and it's kind of laughable. His response is

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<v Speaker 2>because mcgallan has a way of being kind of sarcastic

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<v Speaker 2>without even with being intelligent at the same time, you

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<v Speaker 2>know what I mean.

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<v Speaker 4>Mm hmm r I P Dave McGowan. I love that guy.

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<v Speaker 2>And also hello.

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<v Speaker 4>Maria, I saw her mentioning me in the comments.

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<v Speaker 2>Yes, so that'll be a good one. Say on. On

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<v Speaker 2>top of that, I have one more plug before we

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<v Speaker 2>get we get started here, folks, and I do apologize

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<v Speaker 2>for any long winded natures. I have a actually we have.

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<v Speaker 2>We have a different a cult esoteric review coming up

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<v Speaker 2>next week, don't we, Julia, Yes we do. So I

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<v Speaker 2>married an axe murderer, right, Yeah, that's not it. I

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<v Speaker 2>got it here somewhere stand by one.

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<v Speaker 4>Yeah, so I married an axe murderers. Next week, yep.

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<v Speaker 2>This time. Next Wednesday, we have a different cult esoteric

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<v Speaker 2>view with a cosmic Peach returning back along with myself,

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<v Speaker 2>Jien the Ninja, my Idaho four, I Haven't Costello Cohort

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<v Speaker 2>and of course Hety Love from Unfiltered Rise podcast. So

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<v Speaker 2>that'll be a good one. And then the following week,

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<v Speaker 2>I have an occult esoteric review on lethal weapon. Relative

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<v Speaker 2>to all these Iran Contra speaking of serial Killers, Phoenix Program,

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<v Speaker 2>Come Home ideas of David McGowan that we see kind

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<v Speaker 2>of depicted in that film, along with the drug running

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<v Speaker 2>that we know around things such as BCCI and Iran

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<v Speaker 2>Contra matters there, so that'd be a good one. And

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<v Speaker 2>then actually, I forgot one more here. I got this

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<v Speaker 2>Sunday on Operation GCD Patreon Sundays. I got the serial

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<v Speaker 2>killer You have never heard of Edward Wyn Edwards. So

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<v Speaker 2>speaking of more serial killers, that's a serial killers, that's

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<v Speaker 2>a This one's a real barn burner, because, as I

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<v Speaker 2>state in the title, most folks have never heard of

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<v Speaker 2>the man. He's one of the most, if not the

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<v Speaker 2>most diabolical serial killer in American history. So day like

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<v Speaker 2>dark shit, that's a good one.

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<v Speaker 4>That's a statement right there.

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<v Speaker 3>JJ.

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<v Speaker 2>Absolutely so on that note, let's talk more serial killers?

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<v Speaker 2>Did I cut out in my back?

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<v Speaker 4>No, you're good. You want John to go first?

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<v Speaker 2>Well, I was gonna say, let's uh, let's me bring

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<v Speaker 2>up the film first. Yeah, well we'll actually know what

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<v Speaker 2>Let's let's jump into some of John's work if you

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<v Speaker 2>don't mind on the Sun to Sam stuff. So I'm sure, Julia,

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<v Speaker 2>you'll be knowledgeable in some of these topics he's discussing

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<v Speaker 2>here in his blog posts. Yeah, so, John, what what what?

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<v Speaker 2>What's been your It seems like you on your blog

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<v Speaker 2>post from from what what I've read off your recent ones.

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<v Speaker 2>You've been highlighting the ongoing activity, right, you did some

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<v Speaker 2>of the ongoing activities here and.

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<v Speaker 3>Yeah, very recent uh story from Westchester County about uh

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<v Speaker 3>new or recent animal mutilations.

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<v Speaker 2>Interesting.

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<v Speaker 3>The one of the New York City council women even

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<v Speaker 3>acknowledges that, you know, it's it's cults that are doing this,

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<v Speaker 3>so that I don't think this kind of activity ever stopped.

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<v Speaker 3>I think, I mean, it was obviously was going on

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<v Speaker 3>well before the Son of sam Era, but it continued,

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<v Speaker 3>you know, long after Berkowitz was arrested, and you know

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<v Speaker 3>the case was allegedly over.

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<v Speaker 2>So John, color me me shock that Westchester County remains

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<v Speaker 2>adent of inequity today as god back in nineteen seventy seven.

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<v Speaker 2>But no, it says right here though, right like you

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<v Speaker 2>said that these are fringe groups mutilating and killing animals,

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<v Speaker 2>says New York City councilwoman Joe Anne. And that's a

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<v Speaker 2>real name, Ariola, Ariola.

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<v Speaker 4>So John, is it your opinion that this is accurate

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<v Speaker 4>or are they giving us more smoking mirrors? Like are

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<v Speaker 4>they trying to distract us? Like oh, it's you look

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<v Speaker 4>at this, look at this, like what do you what

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<v Speaker 4>are your thoughts on that.

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<v Speaker 3>I think this one is because when I started to

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<v Speaker 3>get into full time research, I had read another story

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<v Speaker 3>I think was actually in USA today, where similar things

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<v Speaker 3>were happening to this, like four or five years ago.

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<v Speaker 3>So it appears to be ongoing up there now, you

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<v Speaker 3>know what it's attached to. Who's in charge of the

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<v Speaker 3>activity these days? I couldn't say, but and I've spoken

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<v Speaker 3>to people from the area, and everybody seems to sort

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<v Speaker 3>of be aware on some level that this kind of

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<v Speaker 3>stuff has always happened and continues to happen. I think

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<v Speaker 3>it is legit. Of course, there could be way worse

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<v Speaker 3>things that are happening, you know, that are behind the

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<v Speaker 3>scenes that we don't see. But at the very least,

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<v Speaker 3>this continued ritual sacrifice of animals I think indicates that

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<v Speaker 3>basically the same practices are still being conducted in that area.

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<v Speaker 2>Okay, I gotcha, And it's kind of never stopped if

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<v Speaker 2>you look at I mean, just from my just from

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<v Speaker 2>my take on all these matters is looking at some

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<v Speaker 2>of the newspaper accounts, there's records of mutilated animals throughout Westchester, Puttnam,

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<v Speaker 2>even Fairfield County, Connecticut. So throughout the eighties even yeah, yeah,

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<v Speaker 2>into the nineties, so it didn't seem like it ever

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<v Speaker 2>really stopped, right, I mean, they may shift their mode

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<v Speaker 2>of operations and where their locations are doing things maybe,

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<v Speaker 2>I guess right, but right, an ongoing enterprise.

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<v Speaker 3>Yeah, different public parks and things like that. But it's

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<v Speaker 3>it's it's always in areas where they seem to leave

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<v Speaker 3>some traces of evidence deliberately so that people will see

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<v Speaker 3>it and talk about it. And I think that's an

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<v Speaker 3>ongoing preoccupation of these groups.

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<v Speaker 2>Got that so on that note, What do you think

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<v Speaker 2>they're doing that for? Is that a psychological terror campaign

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<v Speaker 2>to scare America? When they're leaving things behind, they could

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<v Speaker 2>just as easily clean it up, as you just pointed out,

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<v Speaker 2>And I do agree, right right.

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<v Speaker 3>I think it's like Peter Strub said in the novel

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<v Speaker 3>ghost Story, they like to flaunt themselves. They like to

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<v Speaker 3>leave breadcrumbs. It's it's a perverse thing that I think.

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<v Speaker 3>It's like people who are flashers or something like it.

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<v Speaker 3>People just they want people to see it, you know,

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<v Speaker 3>whatever it is they're doing, they have to have an

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<v Speaker 3>audience of some type for it.

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<v Speaker 2>So it's kind of that that same kind of ego

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<v Speaker 2>driven kind of thing, right they're trying. Of course, other

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<v Speaker 2>people look at him naked. My math teacher did that

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<v Speaker 2>in high school. He forced people to do that. It

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<v Speaker 2>was after high school, but sadly he's my favorite, one

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<v Speaker 2>of my favorite teachers in high school. But he was

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<v Speaker 2>driving around after a couple years later, just getting women

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<v Speaker 2>to pull over on the local highway or whatever and

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<v Speaker 2>then running out there with an overcoat on, saying, you know,

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<v Speaker 2>look at this, and then you know, things happen. You

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<v Speaker 2>know what causes it? Yeah, you know, check out this

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<v Speaker 2>ding dumb who doesn't causes these activities, but these things

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<v Speaker 2>do happen.

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<v Speaker 3>It is the kind of thing that it has to

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<v Speaker 3>be like a deep seated compulsion for people to do

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<v Speaker 3>it at all, because if if they sat and thought

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<v Speaker 3>about it rationally, that they wouldn't be out there doing it.

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<v Speaker 4>But yeah, speaking of this is a nineteen eighty one movie,

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<v Speaker 4>and I was actually surprised how much full frontal there's

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<v Speaker 4>a lot in this. Yeah, it's uh, it really was it.

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<v Speaker 2>Yeah, I forgot this as an adult because I remember,

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<v Speaker 2>you know a number, my son's eighteen now, but you know,

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<v Speaker 2>almost almost eighteen. But when he was about seven or so,

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<v Speaker 2>I was, you know, introducing him some films from my

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<v Speaker 2>child and I totally forgot how much full front was

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<v Speaker 2>in the film Howard the Duck, And then I realized,

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<v Speaker 2>I'm like, it's PG right, But I realized they didn't

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<v Speaker 2>invent PG thirteen for a couple more years because there's

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<v Speaker 2>a lot of full frontal on it. There's duck on

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<v Speaker 2>there's women have banging ducks in that film. There's that's

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<v Speaker 2>a really weird film, and it's of course it's a

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<v Speaker 2>marvel story.

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<v Speaker 4>Right best reality at its finest.

420
00:22:54.079 --> 00:22:55.640
<v Speaker 2>But yeah, they got a lot of They got away

421
00:22:55.680 --> 00:22:56.880
<v Speaker 2>with a lot of stuff in the early eighties. I

422
00:22:56.920 --> 00:22:58.720
<v Speaker 2>feel like in some of these films, this one had some,

423
00:22:58.920 --> 00:23:00.920
<v Speaker 2>you know, more nudity than I thought was coming in it.

424
00:23:00.960 --> 00:23:01.720
<v Speaker 2>But it is a horri.

425
00:23:01.799 --> 00:23:05.839
<v Speaker 4>Yeah, me too, right, Yeah, you always know somebody's gonna

426
00:23:05.839 --> 00:23:07.599
<v Speaker 4>die if their penis or tits are out.

427
00:23:08.240 --> 00:23:10.279
<v Speaker 2>That's what I was offended by the cock shot early

428
00:23:10.319 --> 00:23:12.079
<v Speaker 2>on in the film. I was offended by that there's

429
00:23:12.160 --> 00:23:13.920
<v Speaker 2>no need to show the man's penis falling out of

430
00:23:13.960 --> 00:23:14.359
<v Speaker 2>the building.

431
00:23:16.720 --> 00:23:19.839
<v Speaker 3>That it wasn't that it was like a green screen

432
00:23:19.920 --> 00:23:22.880
<v Speaker 3>thing and you could see the outline as he fell,

433
00:23:23.079 --> 00:23:25.839
<v Speaker 3>you know, the whole scene is just really odd looking.

434
00:23:26.359 --> 00:23:29.839
<v Speaker 4>Yeah, it's definitely kind of low budge, I would say,

435
00:23:31.160 --> 00:23:34.200
<v Speaker 4>but it's got a lot of aspects of like a

436
00:23:34.240 --> 00:23:37.240
<v Speaker 4>classic eighties horror movie.

437
00:23:38.039 --> 00:23:39.799
<v Speaker 2>And it's funny you say that it comes off with

438
00:23:39.839 --> 00:23:41.279
<v Speaker 2>a budget, doesn't it.

439
00:23:41.279 --> 00:23:43.599
<v Speaker 4>It does come off of a budge, it really does.

440
00:23:47.240 --> 00:23:50.400
<v Speaker 4>That surprises me because, like, I don't want to get

441
00:23:50.400 --> 00:23:52.680
<v Speaker 4>ahead of ourselves here, but like the scenes where it

442
00:23:52.799 --> 00:23:58.400
<v Speaker 4>shows the uh, the woman as a skeleton and you know,

443
00:23:58.480 --> 00:24:01.680
<v Speaker 4>she's all it looks like something that you could get

444
00:24:01.680 --> 00:24:02.880
<v Speaker 4>at Spirit Halloween.

445
00:24:03.160 --> 00:24:03.359
<v Speaker 1>You know.

446
00:24:03.880 --> 00:24:04.799
<v Speaker 4>It just kind of.

447
00:24:06.759 --> 00:24:09.799
<v Speaker 2>It looked worse than that that Minnesota my control assassin

448
00:24:09.920 --> 00:24:14.079
<v Speaker 2>over the weekend, right than his mass.

449
00:24:14.680 --> 00:24:18.079
<v Speaker 4>Well, yeah, but I will I don't want to get again,

450
00:24:18.160 --> 00:24:19.720
<v Speaker 4>I don't want to get too far ahead into the

451
00:24:19.720 --> 00:24:21.640
<v Speaker 4>movie or anything. But I will say I did enjoy

452
00:24:21.680 --> 00:24:25.839
<v Speaker 4>it because I feel like it's a story. I think

453
00:24:25.920 --> 00:24:28.920
<v Speaker 4>it's the predecessor actually to many horror movies that have

454
00:24:29.039 --> 00:24:31.240
<v Speaker 4>the same outline. I don't know if it will be

455
00:24:31.319 --> 00:24:35.000
<v Speaker 4>integral to anything John's gonna point out, but the idea

456
00:24:35.279 --> 00:24:40.599
<v Speaker 4>of the vengeful spirit coming back and attacking the living

457
00:24:40.720 --> 00:24:46.519
<v Speaker 4>and like taking them out one by one. It's repeated

458
00:24:46.599 --> 00:24:50.319
<v Speaker 4>throughout a lot of horror movies. This might have been

459
00:24:50.359 --> 00:24:53.640
<v Speaker 4>the first one that did that. I'm not sure. But

460
00:24:54.880 --> 00:24:57.200
<v Speaker 4>have you guys ever seen a horror movie called Shutter?

461
00:24:57.880 --> 00:25:03.839
<v Speaker 4>It was originally a Japanese horror movie that was like americanized.

462
00:25:05.759 --> 00:25:06.880
<v Speaker 3>I don't think I've ever seen it.

463
00:25:07.559 --> 00:25:10.640
<v Speaker 4>Well, it's the same concept, I would say, like movies

464
00:25:10.680 --> 00:25:16.000
<v Speaker 4>like Grudge, you know, where it's like the bad guys

465
00:25:16.200 --> 00:25:20.160
<v Speaker 4>killed somebody and their ghost comes back and kills them

466
00:25:20.200 --> 00:25:23.680
<v Speaker 4>off one by one kind of thing, which is what.

467
00:25:23.559 --> 00:25:24.599
<v Speaker 2>We have here in ghost Story.

468
00:25:24.680 --> 00:25:27.480
<v Speaker 4>Huh right, Yeah, I do feel like it's an idea

469
00:25:27.559 --> 00:25:29.920
<v Speaker 4>that's been kind of like, maybe they ripped it off

470
00:25:29.960 --> 00:25:33.039
<v Speaker 4>of this movie because it's not as well known as

471
00:25:33.039 --> 00:25:37.400
<v Speaker 4>some of the more popular ones. But sure it's older

472
00:25:37.440 --> 00:25:40.599
<v Speaker 4>than them, So I'm thinking maybe they ripped it off

473
00:25:40.640 --> 00:25:42.440
<v Speaker 4>of this movie because.

474
00:25:42.240 --> 00:25:46.400
<v Speaker 2>You bring up some good points and I don't want

475
00:25:46.400 --> 00:25:48.720
<v Speaker 2>to cut you off there. But before we go any further,

476
00:25:49.599 --> 00:25:52.400
<v Speaker 2>this is gonna be the number one Halloween costume of

477
00:25:52.440 --> 00:25:57.440
<v Speaker 2>twenty twenty five, I imagine. But this was the Vance Botler guy, right.

478
00:25:57.480 --> 00:25:59.960
<v Speaker 2>He seemed like, speaking of horror stories should just watch

479
00:26:00.119 --> 00:26:01.920
<v Speaker 2>this guy's story of the weekend. That's a horror story

480
00:26:02.000 --> 00:26:04.200
<v Speaker 2>right there, the sigh of they try to pass off

481
00:26:04.480 --> 00:26:05.319
<v Speaker 2>on folks.

482
00:26:05.559 --> 00:26:07.799
<v Speaker 4>I didn't get to dive too far into it, but

483
00:26:07.839 --> 00:26:09.799
<v Speaker 4>I'm sure you've got a lot of thoughts on.

484
00:26:09.720 --> 00:26:12.400
<v Speaker 2>It's it's ridiculous, Yeah, I do, Well, you talk about

485
00:26:12.440 --> 00:26:13.599
<v Speaker 2>some of their time. I just want to make the

486
00:26:13.680 --> 00:26:15.599
<v Speaker 2>joke there because it's fancy both. I think that name

487
00:26:15.640 --> 00:26:18.039
<v Speaker 2>is ridiculous, and I think that mask is ridiculous, just

488
00:26:18.079 --> 00:26:20.519
<v Speaker 2>as ridiculous as the horror mask you're talking about from

489
00:26:20.559 --> 00:26:24.200
<v Speaker 2>Ghost Story, you know what I mean. So, you know,

490
00:26:24.240 --> 00:26:26.119
<v Speaker 2>as far as a low budget where the money went,

491
00:26:26.160 --> 00:26:28.599
<v Speaker 2>I imagined it was all cocin hookers. But that's my opinion.

492
00:26:29.720 --> 00:26:32.680
<v Speaker 4>Well, you know, didn't Poltergeist come out in the eighties

493
00:26:33.200 --> 00:26:33.880
<v Speaker 4>or am I wrong?

494
00:26:34.079 --> 00:26:34.519
<v Speaker 2>Yeah?

495
00:26:35.240 --> 00:26:39.119
<v Speaker 4>Think think of all the freaking special effects they put

496
00:26:39.160 --> 00:26:42.920
<v Speaker 4>into Poltergeist. You know, it just didn't seem like it

497
00:26:42.960 --> 00:26:45.119
<v Speaker 4>was upper echelon type.

498
00:26:44.839 --> 00:26:49.519
<v Speaker 2>Of make up what I'm saying. You know, you got

499
00:26:49.640 --> 00:26:51.720
<v Speaker 2>to you gotta look at the Fred of Stare situation,

500
00:26:51.799 --> 00:26:54.759
<v Speaker 2>and you know he's got a large, large amount money's

501
00:26:54.759 --> 00:26:57.640
<v Speaker 2>probably dedicated to his you know, his budget line item

502
00:26:57.680 --> 00:27:03.200
<v Speaker 2>of cocin hookers just for himself and I and I'm

503
00:27:03.240 --> 00:27:05.039
<v Speaker 2>and on that note, before we go any further here

504
00:27:05.039 --> 00:27:07.720
<v Speaker 2>on John's blogs, we will go over these characters, the

505
00:27:08.119 --> 00:27:11.160
<v Speaker 2>actors in the film, because there's some interest in folks there.

506
00:27:11.200 --> 00:27:15.720
<v Speaker 2>But yeah, John, you were also recovering the mystery of

507
00:27:15.720 --> 00:27:18.000
<v Speaker 2>the mcnuts What's that's some more recent one of your

508
00:27:18.599 --> 00:27:20.720
<v Speaker 2>since we last talk. That's your more the most recent one.

509
00:27:21.200 --> 00:27:24.640
<v Speaker 3>Yeah, I was. I was really interested in that story

510
00:27:24.720 --> 00:27:27.240
<v Speaker 3>that I think we've talked a little bit about. Jesse

511
00:27:27.359 --> 00:27:31.960
<v Speaker 3>Turner and other or Mickey Rose, the name that Morey

512
00:27:32.119 --> 00:27:33.960
<v Speaker 3>used to refer to. I don't know where the name

513
00:27:33.960 --> 00:27:35.240
<v Speaker 3>came from. I don't know if that's the name that

514
00:27:35.279 --> 00:27:41.400
<v Speaker 3>Turner used for himself, but he, you know, he lived

515
00:27:41.480 --> 00:27:45.359
<v Speaker 3>with the Process in New Orleans, and he recalled an

516
00:27:45.359 --> 00:27:52.319
<v Speaker 3>incident where a fellow Process member was hung up it

517
00:27:52.400 --> 00:27:54.680
<v Speaker 3>sounds like on a wall or something, but but tied

518
00:27:54.839 --> 00:27:59.559
<v Speaker 3>up and bled to death. And the person who did

519
00:27:59.599 --> 00:28:02.519
<v Speaker 3>it was this person he refers to as Adam McNutt.

520
00:28:02.599 --> 00:28:10.400
<v Speaker 3>And Adam's wife apparently was named Karen, and uh, it's

521
00:28:10.440 --> 00:28:13.720
<v Speaker 3>it's a gruesome Morey referred to this just very very

522
00:28:13.720 --> 00:28:18.559
<v Speaker 3>briefly in the epilogue of the expanded edition of his book.

523
00:28:19.599 --> 00:28:21.519
<v Speaker 2>That yeah, I'm not hip. I'm not hip to this

524
00:28:21.559 --> 00:28:21.799
<v Speaker 2>at all.

525
00:28:21.839 --> 00:28:23.759
<v Speaker 4>But I'm not hip to this either.

526
00:28:23.960 --> 00:28:27.319
<v Speaker 2>I'm very what years we talking here, this crucifixion situation.

527
00:28:28.319 --> 00:28:31.359
<v Speaker 3>This was in the early seventies when when Turner lived

528
00:28:31.400 --> 00:28:34.160
<v Speaker 3>with the Process in the French Quarter, they had a

529
00:28:34.200 --> 00:28:40.559
<v Speaker 3>house there, and he said that he witnessed this murder

530
00:28:41.359 --> 00:28:46.160
<v Speaker 3>and then the Adam and Karen the mcnutts took the

531
00:28:46.160 --> 00:28:49.000
<v Speaker 3>body away in a car. He never saw Karen again,

532
00:28:49.039 --> 00:28:54.240
<v Speaker 3>but then he Jesse Turner evidently travels west with Adam

533
00:28:54.839 --> 00:28:57.640
<v Speaker 3>after this is all over with, and they go to

534
00:28:58.160 --> 00:29:03.960
<v Speaker 3>try to set up headquarters for the Process in other areas.

535
00:29:03.559 --> 00:29:04.839
<v Speaker 2>In the United States.

536
00:29:05.400 --> 00:29:09.680
<v Speaker 3>Yeah, yeah, so it's it's in the files that we have.

537
00:29:10.000 --> 00:29:12.559
<v Speaker 3>He doesn't really elaborate on the incident very much, but

538
00:29:12.680 --> 00:29:17.039
<v Speaker 3>it is this is publicly available information now, and it's

539
00:29:18.119 --> 00:29:21.160
<v Speaker 3>I've searched and searched in vain for any trace of

540
00:29:21.200 --> 00:29:25.119
<v Speaker 3>Adam and Karen McNutt. So I'm guessing that those probably

541
00:29:25.119 --> 00:29:29.720
<v Speaker 3>weren't their real names. But just the fact that the incident,

542
00:29:29.759 --> 00:29:33.519
<v Speaker 3>you know, the way the incident is described is it

543
00:29:33.720 --> 00:29:36.599
<v Speaker 3>seems pretty significant to me because I would guess that

544
00:29:36.680 --> 00:29:40.119
<v Speaker 3>the process didn't do this on only one occasion. I

545
00:29:40.119 --> 00:29:43.240
<v Speaker 3>think this probably happened a lot. We get some pretty

546
00:29:44.160 --> 00:29:48.319
<v Speaker 3>spooky accounts of well you like Peter Straub wrote about

547
00:29:48.519 --> 00:29:51.960
<v Speaker 3>a New Orleans incident in the novel ghost Story, which

548
00:29:52.000 --> 00:29:55.480
<v Speaker 3>didn't make it into the film unfortunately. But that's that's

549
00:29:55.559 --> 00:29:57.920
<v Speaker 3>part of what I cover in that substay.

550
00:30:00.279 --> 00:30:02.039
<v Speaker 2>You know, I'll kind of put a pin in that.

551
00:30:02.079 --> 00:30:03.960
<v Speaker 2>But I am interested in your analysis because I didn't

552
00:30:03.960 --> 00:30:05.640
<v Speaker 2>read the book, but I'm interested in your analysis and

553
00:30:05.680 --> 00:30:08.240
<v Speaker 2>what was included in what was not included there. But

554
00:30:08.319 --> 00:30:12.079
<v Speaker 2>it's interesting about the mcnuts. I often look into that myself.

555
00:30:12.359 --> 00:30:14.440
<v Speaker 2>After reading your article. It's the first I heard of it.

556
00:30:16.079 --> 00:30:18.160
<v Speaker 3>Yeah, it's really It's one of those things that when

557
00:30:18.279 --> 00:30:21.440
<v Speaker 3>when we got the files that it jumped out at me.

558
00:30:21.480 --> 00:30:24.519
<v Speaker 3>But a lot all of the Mickey Rose slash Jesse

559
00:30:24.599 --> 00:30:29.160
<v Speaker 3>Turner files are really interesting because he knew firsthand about

560
00:30:29.200 --> 00:30:31.319
<v Speaker 3>this process stuff, and then later in New York he

561
00:30:31.920 --> 00:30:36.920
<v Speaker 3>became friends with Michael Carr. But yeah, I would recommend

562
00:30:37.000 --> 00:30:40.119
<v Speaker 3>everybody go and read the files at the people versus

563
00:30:40.240 --> 00:30:44.440
<v Speaker 3>David Burklewitz dot com.

564
00:30:43.440 --> 00:30:45.480
<v Speaker 2>And I'll get a link in their description for that too.

565
00:30:45.519 --> 00:30:47.920
<v Speaker 2>So it's interesting you said that he knew about details

566
00:30:47.920 --> 00:30:49.640
<v Speaker 2>of the cult. And again, that's what's most telling to

567
00:30:49.680 --> 00:30:53.759
<v Speaker 2>me about tonight's movie review, is Peter Strob when he

568
00:30:53.799 --> 00:30:56.400
<v Speaker 2>wrote that book clearly new details of this cold activity.

569
00:30:56.400 --> 00:30:58.759
<v Speaker 2>I mean wrote that nineteen seventy eight, right, because Burke

570
00:30:58.839 --> 00:31:01.440
<v Speaker 2>which is arrested in August tenth or seventy seven, and

571
00:31:02.079 --> 00:31:05.279
<v Speaker 2>Stroub publishes this in January first of seventy nine, so

572
00:31:05.559 --> 00:31:08.359
<v Speaker 2>you know, less than eighteen months.

573
00:31:08.079 --> 00:31:11.039
<v Speaker 3>That's right, And I think that's what's so important about

574
00:31:11.039 --> 00:31:13.519
<v Speaker 3>the novel, And welln't a lot of other Straub's work too,

575
00:31:13.559 --> 00:31:17.240
<v Speaker 3>because there are references to this stuff sprinkled throughout virtually

576
00:31:17.240 --> 00:31:19.039
<v Speaker 3>every book he ever wrote, you know, right up to

577
00:31:19.079 --> 00:31:24.440
<v Speaker 3>the end. But he what's so important about it is

578
00:31:24.720 --> 00:31:31.640
<v Speaker 3>it's an entirely separate confirmation that this cult activity actually happened.

579
00:31:32.200 --> 00:31:35.480
<v Speaker 3>It's a totally separate confirmation of the existence of the

580
00:31:35.519 --> 00:31:38.599
<v Speaker 3>Ankor's cult because as far as we know, Stroud never

581
00:31:38.640 --> 00:31:41.960
<v Speaker 3>had any contact with Maury Terry, and this novel was

582
00:31:42.200 --> 00:31:45.960
<v Speaker 3>published long long before Maury wrote The Ultimate Evil. He

583
00:31:46.039 --> 00:31:48.799
<v Speaker 3>was just putting his work together in a few newspaper

584
00:31:48.880 --> 00:31:53.000
<v Speaker 3>articles at that time. So just as Maury was really

585
00:31:53.039 --> 00:32:00.000
<v Speaker 3>getting into writing about this stuff in newspaper form, Stroud

586
00:32:00.079 --> 00:32:03.640
<v Speaker 3>had already published an entire novel that just page after

587
00:32:03.720 --> 00:32:11.240
<v Speaker 3>page references members of the cult, Westchester place names, other

588
00:32:11.359 --> 00:32:14.359
<v Speaker 3>place names that were connected to the cult and its membership.

589
00:32:14.839 --> 00:32:18.240
<v Speaker 3>It's really spooky because yes, Stroud clearly had a first

590
00:32:18.279 --> 00:32:20.839
<v Speaker 3>hand source for all this stuff. And really I think

591
00:32:20.880 --> 00:32:24.359
<v Speaker 3>the only question is who was his source. But it's

592
00:32:24.440 --> 00:32:28.079
<v Speaker 3>it's very it's very disturbing when you when you start

593
00:32:28.079 --> 00:32:31.279
<v Speaker 3>to you know, the references really pile up after a while.

594
00:32:32.160 --> 00:32:34.720
<v Speaker 4>Do you think he was involved in Nicole himself?

595
00:32:36.000 --> 00:32:39.680
<v Speaker 3>I want you know where. I think that there's at

596
00:32:39.759 --> 00:32:41.720
<v Speaker 3>least one clue to where he might have found out

597
00:32:41.759 --> 00:32:45.480
<v Speaker 3>about this. He dedicates the novel to a couple of

598
00:32:45.480 --> 00:32:53.640
<v Speaker 3>different people. What are their names here? Valley shioh s

599
00:32:53.839 --> 00:32:59.440
<v Speaker 3>h a Io and Gregori O cahoone. Those were they?

600
00:32:59.720 --> 00:33:02.000
<v Speaker 3>They weren't married at the time, but they married later.

601
00:33:02.039 --> 00:33:08.319
<v Speaker 3>They're both psychotherapists, but they're both Tavistock already laying alumni.

602
00:33:09.079 --> 00:33:12.960
<v Speaker 3>So yeah, the fact that he doesn't know, Yeah, that

603
00:33:13.279 --> 00:33:15.680
<v Speaker 3>seems to provide a clue as to where he might

604
00:33:15.720 --> 00:33:22.279
<v Speaker 3>have obtained some of this information book though He's like,

605
00:33:24.319 --> 00:33:26.559
<v Speaker 3>it feels that way. Unfortunately I can't.

606
00:33:29.359 --> 00:33:32.000
<v Speaker 2>He dedicated this book to the Tavistock to.

607
00:33:32.079 --> 00:33:36.000
<v Speaker 3>Two Tavistock alumni, Yeah, Gregorio Cahana Valley Shio. And he

608
00:33:36.119 --> 00:33:39.519
<v Speaker 3>named his daughter Emma. One of her middle names is Valley.

609
00:33:39.640 --> 00:33:42.559
<v Speaker 3>So he apparently these folks were good enough friends with

610
00:33:42.559 --> 00:33:44.720
<v Speaker 3>with him and his family that that he named his

611
00:33:44.880 --> 00:33:49.480
<v Speaker 3>daughter after Valley Shio. So it gives you something to

612
00:33:49.480 --> 00:33:49.960
<v Speaker 3>think about.

613
00:33:50.039 --> 00:33:55.559
<v Speaker 2>Yeah, you've located the epicenter of activity between Peter Strobe

614
00:33:55.559 --> 00:33:57.599
<v Speaker 2>and the processed church cold activity via.

615
00:33:57.480 --> 00:34:01.799
<v Speaker 4>The town books are fullish ship what well.

616
00:34:02.000 --> 00:34:04.480
<v Speaker 3>I hated to find it out because I love his books.

617
00:34:04.480 --> 00:34:06.799
<v Speaker 3>I mean, he there's no writer I love more than

618
00:34:07.079 --> 00:34:10.599
<v Speaker 3>I mean, he was a brilliant storyteller, just an amazing writer.

619
00:34:10.840 --> 00:34:16.239
<v Speaker 3>So I almost found it upsetting when I always knew

620
00:34:16.239 --> 00:34:18.480
<v Speaker 3>there was something about ghost story, because all these links

621
00:34:18.519 --> 00:34:21.199
<v Speaker 3>just kind of pop up at you. But but to

622
00:34:21.239 --> 00:34:24.039
<v Speaker 3>the extent that it is, especially in that book, it

623
00:34:24.559 --> 00:34:27.000
<v Speaker 3>really does. Once you sit down to think about it,

624
00:34:27.000 --> 00:34:28.400
<v Speaker 3>it really is. It's disturbing.

625
00:34:29.239 --> 00:34:31.920
<v Speaker 4>Well, there's no music I love more than the Laurel

626
00:34:32.039 --> 00:34:33.000
<v Speaker 4>Canyon scene.

627
00:34:34.239 --> 00:34:35.960
<v Speaker 3>It's the same way with that. It's just like so

628
00:34:36.039 --> 00:34:37.599
<v Speaker 3>much of what you listen to and read you look

629
00:34:37.599 --> 00:34:39.800
<v Speaker 3>at it and say, oh my god, all this stuff

630
00:34:39.880 --> 00:34:44.239
<v Speaker 3>is connected to this, these horrible programs. But but yeah,

631
00:34:44.719 --> 00:34:46.239
<v Speaker 3>the links unfortunately there.

632
00:34:47.119 --> 00:34:48.840
<v Speaker 2>Yeah, our spot on. I got a couple, I got

633
00:34:48.840 --> 00:34:49.519
<v Speaker 2>a couple of things on.

634
00:34:50.280 --> 00:34:54.119
<v Speaker 4>Gradually, I said, who doesn't love the Beatles their Tavistock.

635
00:34:54.679 --> 00:34:57.480
<v Speaker 2>Then there you go. I wasn't gonna say the Beatles

636
00:34:57.840 --> 00:34:59.559
<v Speaker 2>were closed because I was gonna say Rolling Stones. I

637
00:34:59.559 --> 00:35:02.719
<v Speaker 2>got a couple details on Deckford tonight's tale that include

638
00:35:02.760 --> 00:35:05.039
<v Speaker 2>these some of these bands like like the Stones, right,

639
00:35:05.079 --> 00:35:07.400
<v Speaker 2>the Process and Stones, or the Processing and Beatles for

640
00:35:07.400 --> 00:35:10.559
<v Speaker 2>that matter, or the British Invasion. What what really was

641
00:35:10.599 --> 00:35:13.880
<v Speaker 2>that British invasion? Right right?

642
00:35:14.039 --> 00:35:17.119
<v Speaker 3>Well? Yeah, yeah, particularly with the Beatles because that was

643
00:35:17.159 --> 00:35:23.000
<v Speaker 3>the one that that was their flagship group. Yeah.

644
00:35:23.519 --> 00:35:26.559
<v Speaker 2>So I agree because you got Jane Asher, who's Paul

645
00:35:26.639 --> 00:35:31.599
<v Speaker 2>McCartney's girlfriend and her brother is confirmed member and owner

646
00:35:31.639 --> 00:35:34.360
<v Speaker 2>of the in a good coffee shop there in the

647
00:35:34.360 --> 00:35:37.960
<v Speaker 2>Mayfair district of London where the Beatles are convening, and

648
00:35:38.760 --> 00:35:41.840
<v Speaker 2>John Mutioco. And it's funny because Peter Asher goes on

649
00:35:41.880 --> 00:35:44.639
<v Speaker 2>to be a major Hollywood music producer involved in the

650
00:35:44.639 --> 00:35:50.159
<v Speaker 2>Diddy scandal, just saying and their cousin, their first cousin

651
00:35:50.280 --> 00:35:52.199
<v Speaker 2>is I believe she's still alive there at the UH

652
00:35:53.400 --> 00:35:58.400
<v Speaker 2>the processed Mothership and canab Utah she's a foundal member.

653
00:35:59.280 --> 00:35:59.519
<v Speaker 6>Yes.

654
00:36:00.159 --> 00:36:03.840
<v Speaker 4>So do you feel like they put aspects of like

655
00:36:05.559 --> 00:36:09.119
<v Speaker 4>the important aspects from the book into the movie because

656
00:36:09.159 --> 00:36:12.599
<v Speaker 4>there I did have a few questions about one or

657
00:36:12.639 --> 00:36:14.679
<v Speaker 4>two things I picked up on from the movie. But

658
00:36:15.079 --> 00:36:16.880
<v Speaker 4>do you feel like they left some of it out?

659
00:36:18.159 --> 00:36:20.400
<v Speaker 2>I think Madge's interrojectal quick, Julie cau we put a

660
00:36:20.400 --> 00:36:21.920
<v Speaker 2>pen in that real quick. That's one we'll get. We'll

661
00:36:21.920 --> 00:36:24.159
<v Speaker 2>do the story here one second. I's want to close

662
00:36:24.159 --> 00:36:25.320
<v Speaker 2>out these one more blog.

663
00:36:25.159 --> 00:36:27.760
<v Speaker 4>Entry with John if you don't know, okay, sure, sure, So.

664
00:36:27.880 --> 00:36:29.719
<v Speaker 2>Relative to this entry, John and I think that I

665
00:36:29.719 --> 00:36:33.360
<v Speaker 2>think I found most intriguing, is my opinion. The first

666
00:36:33.360 --> 00:36:36.119
<v Speaker 2>investigator into the process was Jim Garrison, the New Orleans

667
00:36:36.159 --> 00:36:39.400
<v Speaker 2>District attorney. Based on his own you know, work and whatnot.

668
00:36:39.480 --> 00:36:42.280
<v Speaker 2>When you're saying this, that stuff with the mcnut situation

669
00:36:42.360 --> 00:36:44.559
<v Speaker 2>was popping off from the early seventies. He was running

670
00:36:44.679 --> 00:36:48.000
<v Speaker 2>office in seventy three there in New Orleans. So I

671
00:36:48.039 --> 00:36:49.440
<v Speaker 2>think that's an interesting time for him to look at

672
00:36:49.480 --> 00:36:51.800
<v Speaker 2>around those activities in that, you know, relative to your

673
00:36:52.320 --> 00:36:54.079
<v Speaker 2>McNutt mystery. You know, I think there is some other

674
00:36:54.119 --> 00:36:57.119
<v Speaker 2>activities going on in New Orleans that may in fact

675
00:36:57.119 --> 00:36:59.719
<v Speaker 2>be you know, interesting things to uncover.

676
00:37:00.239 --> 00:37:02.400
<v Speaker 3>Absolutely, there was a lot happening down there, and things

677
00:37:02.440 --> 00:37:04.719
<v Speaker 3>were happening in Yonkers at the same time, a lot

678
00:37:04.760 --> 00:37:06.119
<v Speaker 3>of children were disappearing.

679
00:37:06.239 --> 00:37:11.239
<v Speaker 2>So yeah, very interesting. So the quick quick highlight of

680
00:37:11.280 --> 00:37:13.440
<v Speaker 2>we can on these before we do the film review, John,

681
00:37:13.840 --> 00:37:16.239
<v Speaker 2>the true scope of this understand what what do you

682
00:37:16.280 --> 00:37:17.360
<v Speaker 2>mean by the true scope?

683
00:37:17.880 --> 00:37:22.280
<v Speaker 3>Yeah, well that's that's Walter Brown's mugshot or Ace Brown,

684
00:37:22.320 --> 00:37:27.039
<v Speaker 3>the notorious Yonkers and he a lot of what we

685
00:37:27.199 --> 00:37:30.440
<v Speaker 3>know about these other aspects of the case comes from Walter.

686
00:37:31.480 --> 00:37:35.599
<v Speaker 3>And he he knew all these other people. He knew

687
00:37:35.679 --> 00:37:40.599
<v Speaker 3>Sue Conway and all these important uh uh, you know,

688
00:37:40.679 --> 00:37:43.119
<v Speaker 3>major figures in the Yonkers cult.

689
00:37:43.840 --> 00:37:45.320
<v Speaker 2>And if I may, he also knew a lot of

690
00:37:45.360 --> 00:37:48.719
<v Speaker 2>other folks, like he connects to the Dean Coral situation.

691
00:37:48.800 --> 00:37:51.199
<v Speaker 2>But I'm not mistaken, right right, Julia, do you familiar

692
00:37:51.239 --> 00:37:59.840
<v Speaker 2>with that? Uh, what's Coral. Yeah, what's the guy in

693
00:37:59.880 --> 00:38:04.559
<v Speaker 2>the between those two Philip Pasky, Yeah, Norton maybe what's

694
00:38:04.559 --> 00:38:04.960
<v Speaker 2>his name?

695
00:38:05.920 --> 00:38:08.480
<v Speaker 4>Oh, you're talking about the guy with the pedo island

696
00:38:09.039 --> 00:38:10.719
<v Speaker 4>Norman Norman.

697
00:38:10.880 --> 00:38:13.559
<v Speaker 2>Well yeah, so well Norman's associates with I think Jasey

698
00:38:13.599 --> 00:38:15.280
<v Speaker 2>and Coral, if I'm.

699
00:38:15.119 --> 00:38:17.559
<v Speaker 4>Not mistaken, and also John Norman.

700
00:38:18.239 --> 00:38:20.079
<v Speaker 2>Yeah, look at in a minute, and I don't want

701
00:38:20.079 --> 00:38:22.320
<v Speaker 2>to get too diverted, but this dude is connected to

702
00:38:22.360 --> 00:38:23.719
<v Speaker 2>a lot of stuff, is he not. He was connected

703
00:38:23.760 --> 00:38:25.280
<v Speaker 2>to a different pedo network.

704
00:38:25.039 --> 00:38:28.960
<v Speaker 4>Right, Yeah, yep, it was uh a network coming out

705
00:38:29.000 --> 00:38:32.320
<v Speaker 4>of Dallas that they were all connected to.

706
00:38:32.559 --> 00:38:35.960
<v Speaker 2>That moved to Chicago, right, because Norman moved to Dallas.

707
00:38:36.000 --> 00:38:37.920
<v Speaker 2>Then goes He's like the next day he's got a

708
00:38:37.960 --> 00:38:40.800
<v Speaker 2>whole new ten thousand note cards full of customers and

709
00:38:40.800 --> 00:38:41.920
<v Speaker 2>clients in this Chicago.

710
00:38:42.119 --> 00:38:44.199
<v Speaker 4>That is correct, Yep, that is correct.

711
00:38:44.559 --> 00:38:47.119
<v Speaker 2>So I apologize there the distracted there, John, if you

712
00:38:47.199 --> 00:38:50.239
<v Speaker 2>if you may continue on about your uh your blog post.

713
00:38:50.239 --> 00:38:52.440
<v Speaker 2>You're about East Brown, because he is a very important character,

714
00:38:52.519 --> 00:38:52.840
<v Speaker 2>is he not?

715
00:38:53.800 --> 00:38:58.360
<v Speaker 3>Yeah? He was. He was when Maury typed up what

716
00:38:58.400 --> 00:39:01.159
<v Speaker 3>he called his flipper list, when Yonkers had sort of

717
00:39:01.239 --> 00:39:06.559
<v Speaker 3>uneasily reopened the case in the mid nineties. The people

718
00:39:06.559 --> 00:39:08.480
<v Speaker 3>that Mary felt they needed to flip to get the

719
00:39:08.519 --> 00:39:12.159
<v Speaker 3>case to a grand jury were well, Ace Brown was

720
00:39:12.280 --> 00:39:16.079
<v Speaker 3>number one, Sue Conway was number two. She's my sort

721
00:39:16.079 --> 00:39:19.039
<v Speaker 3>of pet suspect. I'm fascinated by her. I've done a

722
00:39:19.079 --> 00:39:21.880
<v Speaker 3>lot of research on her. And then so many other

723
00:39:22.800 --> 00:39:26.320
<v Speaker 3>people that were associated with the Yonker's Cult even before

724
00:39:26.360 --> 00:39:29.239
<v Speaker 3>the Process came into the picture, they were on that

725
00:39:29.320 --> 00:39:29.920
<v Speaker 3>list too.

726
00:39:30.599 --> 00:39:33.079
<v Speaker 2>And well, so this was you're saying, this was a

727
00:39:33.559 --> 00:39:36.360
<v Speaker 2>you know, like a pre existing operation that the Process

728
00:39:36.480 --> 00:39:38.719
<v Speaker 2>kind of co opted the right.

729
00:39:38.639 --> 00:39:41.239
<v Speaker 3>Right, Yeah, the Yonker's Cult had been there for many years,

730
00:39:41.320 --> 00:39:44.880
<v Speaker 3>and they apparently, well, the Process started to call the

731
00:39:44.880 --> 00:39:47.880
<v Speaker 3>shots in the late sixties or early seventies. And so

732
00:39:47.960 --> 00:39:50.480
<v Speaker 3>by the early seventies when all these kids are starting

733
00:39:50.519 --> 00:39:54.679
<v Speaker 3>to disappear, primarily from the Graham School and Orphanage in Hastings,

734
00:39:54.679 --> 00:39:59.400
<v Speaker 3>which is a neighboring towns, it's the Process who's controlling

735
00:39:59.760 --> 00:40:01.000
<v Speaker 3>the action by that time.

736
00:40:01.960 --> 00:40:04.440
<v Speaker 2>Yeah, so they were, if I if I'm hearing you currently,

737
00:40:04.519 --> 00:40:07.079
<v Speaker 2>they were after orphans.

738
00:40:07.440 --> 00:40:10.760
<v Speaker 3>Yeah, yeah, they've from what John Carr told Paul Raine Eery,

739
00:40:12.400 --> 00:40:15.000
<v Speaker 3>they took a lot of children from the gram School

740
00:40:15.039 --> 00:40:20.000
<v Speaker 3>because they were orphans and they John's rationale for the

741
00:40:20.039 --> 00:40:22.679
<v Speaker 3>cult doing that was that the kids wouldn't be missed.

742
00:40:22.760 --> 00:40:25.480
<v Speaker 3>Nobody really tried to keep track of them, even the

743
00:40:25.519 --> 00:40:28.559
<v Speaker 3>school didn't try to find out what had happened to

744
00:40:28.599 --> 00:40:29.079
<v Speaker 3>the kids.

745
00:40:30.039 --> 00:40:34.440
<v Speaker 4>Much like the Franklin scandal. Yeah, with the boys town.

746
00:40:34.559 --> 00:40:37.920
<v Speaker 3>It's like that. Yeah, just convenient disappearances of kids that

747
00:40:37.960 --> 00:40:39.960
<v Speaker 3>nobody really cares about. It is trying to take care

748
00:40:40.000 --> 00:40:42.280
<v Speaker 3>of it. It's it's really it's sad.

749
00:40:42.679 --> 00:40:48.880
<v Speaker 2>Save pat or behavior. Right, Yeah, what's that? What's that?

750
00:40:48.960 --> 00:40:51.360
<v Speaker 4>Julia I said they love orphanages.

751
00:40:51.760 --> 00:40:53.280
<v Speaker 3>Yeah, it's true.

752
00:40:53.280 --> 00:40:55.440
<v Speaker 2>Oh well yeah, it's lack of accountability, right, No one's

753
00:40:55.440 --> 00:40:58.239
<v Speaker 2>paying attention. So I like that you've quot you highlighted this,

754
00:40:58.280 --> 00:41:02.280
<v Speaker 2>so like this, Brown said in December of nineteen ninety six,

755
00:41:02.880 --> 00:41:05.840
<v Speaker 2>it's a direct quotation for Mauric's files. Ace Brown said,

756
00:41:05.960 --> 00:41:09.079
<v Speaker 2>I was told kids were buried there, referring to Untramer

757
00:41:09.159 --> 00:41:11.519
<v Speaker 2>Park and Yonkers. And he's not the only person to

758
00:41:11.519 --> 00:41:12.039
<v Speaker 2>say that, is he.

759
00:41:12.639 --> 00:41:17.039
<v Speaker 3>That's right. Multiple witnesses or sources told police the same thing.

760
00:41:18.079 --> 00:41:22.639
<v Speaker 3>Sue Conway said that too. She said she heard that

761
00:41:23.440 --> 00:41:26.360
<v Speaker 3>kids were buried there. I would imagine she presided over

762
00:41:26.559 --> 00:41:30.360
<v Speaker 3>at least some of those sacrifices and burials firsthand, because

763
00:41:30.360 --> 00:41:31.760
<v Speaker 3>that's the kind of person she was.

764
00:41:32.639 --> 00:41:35.280
<v Speaker 2>But yeah, Conway, yeah yeah, And.

765
00:41:35.280 --> 00:41:37.880
<v Speaker 3>Multiple sources told the police that same thing, that children

766
00:41:37.920 --> 00:41:41.159
<v Speaker 3>had been sacrificed in rituals and then buried in the park.

767
00:41:41.639 --> 00:41:42.280
<v Speaker 3>That's true.

768
00:41:42.920 --> 00:41:45.199
<v Speaker 2>Interesting, And Sue Conway met in early demise.

769
00:41:44.920 --> 00:41:47.960
<v Speaker 3>Right, well, no, she.

770
00:41:47.480 --> 00:41:49.159
<v Speaker 2>That's the one that that's when they died of cancer.

771
00:41:49.159 --> 00:41:51.639
<v Speaker 2>I always play a guessing game with you, John, Who's

772
00:41:51.679 --> 00:41:53.199
<v Speaker 2>who's a lie? She was?

773
00:41:53.360 --> 00:41:56.480
<v Speaker 3>Yeah? Yeah, she Sue. She was apparently was very ill

774
00:41:56.679 --> 00:41:59.000
<v Speaker 3>in the years leading up to her death. But she

775
00:41:59.119 --> 00:42:01.039
<v Speaker 3>had she had lived really hard. You know, a lot

776
00:42:01.039 --> 00:42:02.559
<v Speaker 3>of a lot of drugs, a lot of alcohol.

777
00:42:02.679 --> 00:42:04.119
<v Speaker 2>But she.

778
00:42:06.039 --> 00:42:08.800
<v Speaker 3>Two thousand or early two, I forget what. I think

779
00:42:08.800 --> 00:42:12.800
<v Speaker 3>it was January of two thousand and Uh. Yes, she

780
00:42:12.960 --> 00:42:16.400
<v Speaker 3>was something else. She really is. She's kind of a

781
00:42:16.440 --> 00:42:17.639
<v Speaker 3>movie under herself.

782
00:42:18.960 --> 00:42:20.440
<v Speaker 2>So let me ask you all this. This is John

783
00:42:20.480 --> 00:42:23.960
<v Speaker 2>David David Norman, the the Deadler Fellow operation from Dallas

784
00:42:24.000 --> 00:42:26.960
<v Speaker 2>to Chicago, who's a saysions with Phil Pasky, who worked

785
00:42:26.960 --> 00:42:30.199
<v Speaker 2>for John Wayne Gacy and Ace Brown apparently ties into

786
00:42:30.239 --> 00:42:32.679
<v Speaker 2>Norman from my understanding as well, and there and that

787
00:42:32.760 --> 00:42:35.760
<v Speaker 2>they have links. And isn't it interesting that John Mnieri

788
00:42:35.880 --> 00:42:41.079
<v Speaker 2>would know uh, would would be familiar with uh Jeffrey Dahmer,

789
00:42:41.119 --> 00:42:43.840
<v Speaker 2>and Dahmer and Gasey both had uh you know uh

790
00:42:44.199 --> 00:42:48.159
<v Speaker 2>uh recruited their victims from the same gay club. What

791
00:42:48.280 --> 00:42:50.519
<v Speaker 2>is this weird? You see these weird epicenters of act.

792
00:42:50.559 --> 00:42:52.079
<v Speaker 2>I mean, it's a lot of details. I understand a

793
00:42:52.079 --> 00:42:54.960
<v Speaker 2>lot of Ann's couple, what have you, But it seems

794
00:42:54.960 --> 00:42:56.559
<v Speaker 2>like all these people know each other and I know

795
00:42:56.599 --> 00:42:58.079
<v Speaker 2>what they say, we don't know each other, but it

796
00:42:58.079 --> 00:43:00.679
<v Speaker 2>seems like all these part of network.

797
00:43:00.840 --> 00:43:04.039
<v Speaker 4>I'm just telling John that before we got started today

798
00:43:04.119 --> 00:43:07.000
<v Speaker 4>that all of these assholes are part of a network,

799
00:43:07.079 --> 00:43:11.199
<v Speaker 4>and there's multiple assailants they but all the crimes get

800
00:43:11.239 --> 00:43:14.719
<v Speaker 4>blamed on one guy. He's like the scapegoat guy. But

801
00:43:14.880 --> 00:43:17.599
<v Speaker 4>there are there are so many people who are getting

802
00:43:17.599 --> 00:43:20.280
<v Speaker 4>away with it and then their crimes just get attributed

803
00:43:20.320 --> 00:43:23.639
<v Speaker 4>to Let's say one John Wayne gase you are one

804
00:43:24.119 --> 00:43:29.039
<v Speaker 4>Dean Coral, one Jeffrey Dahmer. But there are several weirdo

805
00:43:29.280 --> 00:43:35.239
<v Speaker 4>kid diddling, pedophilic, cannibalistic serial killers amongst us. And most

806
00:43:35.280 --> 00:43:37.239
<v Speaker 4>of the time we don't even know who they are.

807
00:43:37.840 --> 00:43:39.440
<v Speaker 2>You ain't kid, and Julia, you ain't kidding.

808
00:43:39.800 --> 00:43:42.039
<v Speaker 3>Yep, It's true, And there has to be a network.

809
00:43:42.079 --> 00:43:43.760
<v Speaker 3>It just doesn't make sense any other way.

810
00:43:43.880 --> 00:43:45.519
<v Speaker 4>One hundred yeah.

811
00:43:45.719 --> 00:43:45.920
<v Speaker 3>Yeah.

812
00:43:45.960 --> 00:43:48.079
<v Speaker 2>And you know I like a network that may be

813
00:43:48.400 --> 00:43:52.079
<v Speaker 2>like covered up under the auspices of national security.

814
00:43:52.679 --> 00:43:57.440
<v Speaker 3>Absolutely absolutely, because in the ben Rose case, the CIA

815
00:43:57.599 --> 00:44:00.719
<v Speaker 3>pleated national security. They say, we don't have to testify

816
00:44:00.800 --> 00:44:03.320
<v Speaker 3>before this committee. So that was the end of them,

817
00:44:03.360 --> 00:44:03.599
<v Speaker 3>you know.

818
00:44:04.800 --> 00:44:07.199
<v Speaker 2>And how is that any different than the current Epstein

819
00:44:07.280 --> 00:44:09.079
<v Speaker 2>situation with matters of national security?

820
00:44:09.199 --> 00:44:11.039
<v Speaker 3>Right right? Right?

821
00:44:12.440 --> 00:44:15.039
<v Speaker 4>Oh my gosh. I can't even tell you how much

822
00:44:15.079 --> 00:44:17.000
<v Speaker 4>I love being on a panel with people who know

823
00:44:17.079 --> 00:44:18.760
<v Speaker 4>what the fact they're talking about.

824
00:44:19.920 --> 00:44:22.679
<v Speaker 2>Well, you're you know, you're always welcome here in Operations

825
00:44:22.679 --> 00:44:24.440
<v Speaker 2>C C. D. And John is as well. So I

826
00:44:24.639 --> 00:44:27.280
<v Speaker 2>appreciate both your all time and and the folks of innerwebs.

827
00:44:27.320 --> 00:44:29.559
<v Speaker 2>And I got one more. We'll close out actually with

828
00:44:29.599 --> 00:44:32.519
<v Speaker 2>the death Mask murder if you don't mind, John will

829
00:44:32.559 --> 00:44:36.320
<v Speaker 2>just jump into the ghost story right because you did

830
00:44:36.320 --> 00:44:39.320
<v Speaker 2>this blog post, which is what motivated me to You

831
00:44:39.360 --> 00:44:41.079
<v Speaker 2>brought it, You brought these things in my attention to

832
00:44:41.119 --> 00:44:43.679
<v Speaker 2>be a conversation and this blog post, and it might

833
00:44:43.679 --> 00:44:46.079
<v Speaker 2>have even me to put this panel together tonight and

834
00:44:46.079 --> 00:44:47.679
<v Speaker 2>to watch the film. And I do appreciate you, sir,

835
00:44:47.760 --> 00:44:50.760
<v Speaker 2>because I did enjoy the film. I didn't wasn't like again,

836
00:44:50.800 --> 00:44:53.880
<v Speaker 2>it's not really my genre, so you know, I didn't

837
00:44:53.920 --> 00:44:55.280
<v Speaker 2>expect to enjoy it as much as I do.

838
00:44:56.960 --> 00:44:59.480
<v Speaker 3>It's interesting because there are some things in there that

839
00:44:59.840 --> 00:45:06.280
<v Speaker 3>are her important items from the book that did make

840
00:45:06.320 --> 00:45:07.320
<v Speaker 3>it into the movie.

841
00:45:07.679 --> 00:45:09.639
<v Speaker 2>There you go, let's start there, because I know Julia

842
00:45:09.679 --> 00:45:10.760
<v Speaker 2>had those same questions for you.

843
00:45:11.320 --> 00:45:20.880
<v Speaker 3>Yeah. Yeah, What did survive were the strangeness of the

844
00:45:21.000 --> 00:45:24.559
<v Speaker 3>villain or the villain s who is played by Alice Kreese.

845
00:45:27.960 --> 00:45:30.599
<v Speaker 3>I think she's the single best part of the movie

846
00:45:30.679 --> 00:45:33.840
<v Speaker 3>because all the strange stuff that happens in the book,

847
00:45:33.880 --> 00:45:39.599
<v Speaker 3>the really creepy stuff Alice Kreese transmits through her performance.

848
00:45:40.000 --> 00:45:41.960
<v Speaker 3>I don't know if she ever actually read the book,

849
00:45:42.039 --> 00:45:45.920
<v Speaker 3>but she's she's the thing in the in the film

850
00:45:46.000 --> 00:45:50.079
<v Speaker 3>that is most like the novel. So she's her performance

851
00:45:50.159 --> 00:45:51.079
<v Speaker 3>is really interesting.

852
00:45:53.239 --> 00:45:54.800
<v Speaker 2>So that's interesting they would leave that out of the book.

853
00:45:54.800 --> 00:45:58.239
<v Speaker 2>That's a great comment there. Appreciate that there because the

854
00:45:58.639 --> 00:46:01.920
<v Speaker 2>fuzz one was another party who witnessed these activities, and

855
00:46:02.000 --> 00:46:05.880
<v Speaker 2>that's right, another independent you know, recollection and accounts of

856
00:46:05.960 --> 00:46:11.199
<v Speaker 2>these same uh, murderous and ritualistic activities of things being things,

857
00:46:11.239 --> 00:46:14.360
<v Speaker 2>people being buried in around these parks.

858
00:46:14.079 --> 00:46:22.039
<v Speaker 3>Right right, that's right, And I the testimony is really overwhelmed.

859
00:46:22.039 --> 00:46:26.920
<v Speaker 3>I mean, something happened in under my park. People were

860
00:46:27.039 --> 00:46:30.360
<v Speaker 3>killed there, people died in that park, and the only

861
00:46:30.440 --> 00:46:35.920
<v Speaker 3>thing that that stopped the investigation was the fact that

862
00:46:36.599 --> 00:46:40.719
<v Speaker 3>the police and Yonkers evidently felt that an investigation would

863
00:46:40.840 --> 00:46:43.239
<v Speaker 3>lead right back to their doorstep, and they were worried

864
00:46:43.280 --> 00:46:47.679
<v Speaker 3>about their own skins, so they shut down the investigation.

865
00:46:47.960 --> 00:46:52.199
<v Speaker 4>So it does remind me also of the Finders, because

866
00:46:52.280 --> 00:46:57.280
<v Speaker 4>they were spotted numerous times in parks, taking kids, kids

867
00:46:57.320 --> 00:47:02.119
<v Speaker 4>in vans, kids being transported god knows where.

868
00:47:02.559 --> 00:47:06.400
<v Speaker 2>But also, well, Julia, those are matters of national security.

869
00:47:06.760 --> 00:47:09.880
<v Speaker 4>Right, yeah, the Finders, well.

870
00:47:11.280 --> 00:47:11.480
<v Speaker 3>Too.

871
00:47:11.639 --> 00:47:16.199
<v Speaker 4>John's point about Alice Kreeg is that how you say

872
00:47:16.239 --> 00:47:16.920
<v Speaker 4>her last name.

873
00:47:17.679 --> 00:47:19.800
<v Speaker 3>I've heard it pronounce creege, but then I've heard it

874
00:47:19.880 --> 00:47:23.159
<v Speaker 3>preese various ways, so I'm never sure which one is.

875
00:47:23.840 --> 00:47:26.320
<v Speaker 3>I just settled on one, but it may not be

876
00:47:26.400 --> 00:47:27.159
<v Speaker 3>the correct one.

877
00:47:27.679 --> 00:47:30.360
<v Speaker 4>She's awesome in this movie. I would agree with you.

878
00:47:30.519 --> 00:47:34.320
<v Speaker 4>She's the creepiest aspect of the entire movie. She's She's

879
00:47:34.360 --> 00:47:37.639
<v Speaker 4>actually in several horror movies. I think that's just her genre.

880
00:47:37.840 --> 00:47:41.239
<v Speaker 4>She's most recently in a couple of Star Trek movies,

881
00:47:41.280 --> 00:47:47.800
<v Speaker 4>I think. But so, she was super hot in this movie,

882
00:47:48.480 --> 00:47:53.119
<v Speaker 4>proverbial hot eighties chick in this movie. But there was

883
00:47:53.320 --> 00:47:57.559
<v Speaker 4>like this weird I don't know if it was like

884
00:47:57.599 --> 00:48:02.920
<v Speaker 4>this in the book, but she almost seemed like a

885
00:48:02.960 --> 00:48:05.719
<v Speaker 4>witch or something throughout the.

886
00:48:06.400 --> 00:48:08.920
<v Speaker 3>Yeah, And that's what's so great about her performance because

887
00:48:09.199 --> 00:48:14.519
<v Speaker 3>it you get the now in the book, the character

888
00:48:14.599 --> 00:48:18.679
<v Speaker 3>that she plays in the film, she's much more than

889
00:48:18.840 --> 00:48:22.840
<v Speaker 3>just a person who has been reincarnated or whatever. She

890
00:48:23.039 --> 00:48:25.320
<v Speaker 3>has a history, and she has it with these old

891
00:48:25.639 --> 00:48:28.880
<v Speaker 3>men in the chatter society. And they never come right

892
00:48:28.920 --> 00:48:33.199
<v Speaker 3>out and say that there's an additional history in the film,

893
00:48:33.760 --> 00:48:37.559
<v Speaker 3>but just the subtlety of her performance gives you the

894
00:48:37.599 --> 00:48:40.840
<v Speaker 3>impression that there's more history there. Like that scene where

895
00:48:40.840 --> 00:48:42.840
<v Speaker 3>she's holding her head under the water in the back,

896
00:48:42.880 --> 00:48:45.119
<v Speaker 3>it's just so we and that's so much like the

897
00:48:45.199 --> 00:48:48.559
<v Speaker 3>character in the book, you know, just inexplicably odd and

898
00:48:48.599 --> 00:48:51.920
<v Speaker 3>like to the point where the boyfriend is like, his

899
00:48:52.039 --> 00:48:54.880
<v Speaker 3>nerves are so shaky that he just he almost can't

900
00:48:54.880 --> 00:48:56.320
<v Speaker 3>be in the same room with her anymore.

901
00:48:57.239 --> 00:49:00.920
<v Speaker 4>Yeah, gives you the creeps, and he's like, you know,

902
00:49:02.199 --> 00:49:05.400
<v Speaker 4>just touch her, even her skin feels cold. You know,

903
00:49:06.079 --> 00:49:10.199
<v Speaker 4>there's just like this weird witch, witchy thing. Yes about her.

904
00:49:10.960 --> 00:49:12.639
<v Speaker 3>Absolutely, and so.

905
00:49:12.760 --> 00:49:15.079
<v Speaker 2>Was that not in the go ahead? Was that was

906
00:49:15.079 --> 00:49:17.519
<v Speaker 2>that great? Go ahead?

907
00:49:17.920 --> 00:49:21.519
<v Speaker 3>Oh? I was just gonna say that is she fortunately

908
00:49:21.559 --> 00:49:25.559
<v Speaker 3>or unfortunately that character had a real life counterpart, And

909
00:49:25.599 --> 00:49:26.119
<v Speaker 3>that was.

910
00:49:27.480 --> 00:49:28.320
<v Speaker 2>What I was going to ask you.

911
00:49:28.559 --> 00:49:32.400
<v Speaker 3>That's what's so spooky. And you find that there's a

912
00:49:32.440 --> 00:49:36.239
<v Speaker 3>photo comparison of Sue from its two photos a decade apart.

913
00:49:36.760 --> 00:49:39.280
<v Speaker 3>But you see in the latter photo of Sue with

914
00:49:39.360 --> 00:49:42.119
<v Speaker 3>the long brown hair, I think you see a lot

915
00:49:42.280 --> 00:49:47.840
<v Speaker 3>of Eva Galley Alma mobile Anna Mosstin in that photo

916
00:49:47.880 --> 00:49:50.599
<v Speaker 3>of her. And in fact, even in the book, physically

917
00:49:50.679 --> 00:49:53.880
<v Speaker 3>that character the description of her is obviously modeled on

918
00:49:53.960 --> 00:49:57.239
<v Speaker 3>Sue Conway. I think Stroud must have met her at

919
00:49:57.239 --> 00:50:01.320
<v Speaker 3>some point, but I can't confirm that, but he definitely

920
00:50:01.360 --> 00:50:04.199
<v Speaker 3>saw photos over her and she was she was the

921
00:50:04.280 --> 00:50:09.199
<v Speaker 3>model for Eva almah Anna in the book and the film.

922
00:50:10.920 --> 00:50:15.199
<v Speaker 3>Do you think the real right she Yeah, the picture

923
00:50:15.239 --> 00:50:15.840
<v Speaker 3>of her is there.

924
00:50:18.559 --> 00:50:21.039
<v Speaker 4>I was just gonna say, do you think the real

925
00:50:21.199 --> 00:50:24.119
<v Speaker 4>person to Conway? You think she's a witch? You think

926
00:50:24.199 --> 00:50:25.880
<v Speaker 4>she's sent to some dark ship?

927
00:50:26.519 --> 00:50:29.159
<v Speaker 3>She was, Yeah, she was. She was. There was a

928
00:50:29.199 --> 00:50:35.119
<v Speaker 3>source who when Maury did an Unsolved Mystery segment about

929
00:50:35.159 --> 00:50:37.960
<v Speaker 3>the Son of Sam back in the late eighties, a

930
00:50:38.039 --> 00:50:44.079
<v Speaker 3>source called the Unsolved Mysteries UH hotline thereafter and referred

931
00:50:44.079 --> 00:50:46.519
<v Speaker 3>to her as he said, I knew people who knew her.

932
00:50:46.920 --> 00:50:50.000
<v Speaker 3>She literally was the high priestess of the cult, that's

933
00:50:50.000 --> 00:50:52.440
<v Speaker 3>what they called her. So she yeah, she was. She

934
00:50:52.559 --> 00:50:54.559
<v Speaker 3>was actually into all that stuff, and she was serious

935
00:50:54.639 --> 00:50:55.400
<v Speaker 3>about I.

936
00:50:55.519 --> 00:50:59.119
<v Speaker 4>Knew it, dude, I knew it. Just the way that

937
00:50:59.280 --> 00:51:03.280
<v Speaker 4>they traded in the movie. There was like some weird

938
00:51:03.400 --> 00:51:06.079
<v Speaker 4>witchy thing about her. Yeah.

939
00:51:06.800 --> 00:51:08.960
<v Speaker 2>Because there's like a mind control aspect too, right with

940
00:51:09.039 --> 00:51:11.079
<v Speaker 2>the two right before I don't want to go too far,

941
00:51:11.119 --> 00:51:12.639
<v Speaker 2>and before we get to all the characters, there's a

942
00:51:12.679 --> 00:51:15.559
<v Speaker 2>mind she's got some sort of spell over some some

943
00:51:15.559 --> 00:51:21.639
<v Speaker 2>some hood rats, right, that's right, that's right, some hoodlums, you.

944
00:51:21.679 --> 00:51:24.239
<v Speaker 3>Will, And there she is that that second photo. I

945
00:51:24.280 --> 00:51:28.079
<v Speaker 3>believe you a lot of what's strange about that character

946
00:51:28.119 --> 00:51:30.559
<v Speaker 3>in the book. In the film, you see in Sue's

947
00:51:30.599 --> 00:51:33.960
<v Speaker 3>photo there she she she really was something else. She was.

948
00:51:35.159 --> 00:51:36.880
<v Speaker 3>She made an impression on a lot of people.

949
00:51:37.679 --> 00:51:39.920
<v Speaker 2>I agree, the resemblance is uncanny.

950
00:51:39.960 --> 00:51:46.320
<v Speaker 7>From the film, Yeah, well she I think I think

951
00:51:46.360 --> 00:51:47.880
<v Speaker 7>one of the things they did look for in the

952
00:51:47.880 --> 00:51:50.159
<v Speaker 7>film when they were auditioning people for the role of

953
00:51:50.199 --> 00:51:53.760
<v Speaker 7>Eva of Almah was somebody with that long, straight hair.

954
00:51:53.920 --> 00:51:58.079
<v Speaker 3>Somehow that is integral to the whole character. If you

955
00:51:58.159 --> 00:52:01.400
<v Speaker 3>had had somebody with short hair or something, it wouldn't

956
00:52:01.400 --> 00:52:04.760
<v Speaker 3>have worked for whatever reason. It's that kind of hair

957
00:52:05.079 --> 00:52:08.280
<v Speaker 3>just goes with all the other aspects of the character

958
00:52:08.400 --> 00:52:09.519
<v Speaker 3>for for whatever reason.

959
00:52:10.119 --> 00:52:13.840
<v Speaker 8>I also in the film, she has the eyes, like

960
00:52:13.920 --> 00:52:19.320
<v Speaker 8>look at the eyes, right, Yeah, well, I was gonna

961
00:52:19.320 --> 00:52:21.119
<v Speaker 8>say it's and it's the same color eyes.

962
00:52:21.159 --> 00:52:22.599
<v Speaker 2>I mean, they're the same kind of they have the

963
00:52:22.599 --> 00:52:24.280
<v Speaker 2>same shape if you will.

964
00:52:24.639 --> 00:52:27.559
<v Speaker 4>Yeah, right, Yeah, there's something about the eyes too. It's

965
00:52:27.599 --> 00:52:30.480
<v Speaker 4>like they picked her because she could. She can almost

966
00:52:30.480 --> 00:52:33.119
<v Speaker 4>put you in a trance just looking at her, you

967
00:52:33.159 --> 00:52:33.599
<v Speaker 4>know what I mean.

968
00:52:33.719 --> 00:52:38.320
<v Speaker 2>I think she did, man, I think she did. Yeah,

969
00:52:38.360 --> 00:52:41.199
<v Speaker 2>that's intriguing. So let's do a quick since we're going

970
00:52:41.239 --> 00:52:43.800
<v Speaker 2>over kind of the characters. Let's go back and revisit

971
00:52:44.079 --> 00:52:47.480
<v Speaker 2>the storyline we're dealing with here. Would you like to

972
00:52:47.480 --> 00:52:51.239
<v Speaker 2>to explain the synopsis? And and uh, you know, however

973
00:52:51.280 --> 00:52:52.960
<v Speaker 2>you see it, They're they're gentle. Would like me to

974
00:52:53.239 --> 00:52:55.840
<v Speaker 2>read it from the Wikipedia, the source of all information

975
00:52:55.880 --> 00:52:56.719
<v Speaker 2>on the interwebs.

976
00:52:57.119 --> 00:52:59.559
<v Speaker 3>Sure, I can. I can synopsize it just briefly.

977
00:53:01.000 --> 00:53:01.239
<v Speaker 2>Nice.

978
00:53:02.760 --> 00:53:08.360
<v Speaker 3>Sure. In the novel, it's a fictional, allegedly fictional town

979
00:53:08.400 --> 00:53:10.719
<v Speaker 3>called Milburn. It's supposed to be in upstate New York.

980
00:53:11.960 --> 00:53:14.239
<v Speaker 3>In the film, if if I remember correctly, they don't

981
00:53:14.280 --> 00:53:18.559
<v Speaker 3>actually name the city, but it was filmed in Vermont somewhere.

982
00:53:18.960 --> 00:53:21.639
<v Speaker 2>What I believe is from from my understanding, what's like

983
00:53:21.960 --> 00:53:24.400
<v Speaker 2>one of the locations one of them.

984
00:53:23.840 --> 00:53:26.679
<v Speaker 3>And there was a real town square that they used.

985
00:53:26.679 --> 00:53:28.400
<v Speaker 3>But a lot of the backgrounds you see are just

986
00:53:28.440 --> 00:53:31.119
<v Speaker 3>like really elaborate matte paintings, which is another thing that

987
00:53:31.159 --> 00:53:34.719
<v Speaker 3>I really like about the movie, really really beautiful backgrounds.

988
00:53:35.280 --> 00:53:37.679
<v Speaker 3>I forget who the painter was, and I'm sorry about

989
00:53:37.679 --> 00:53:40.360
<v Speaker 3>that because he deserves a lot of credit. But uh,

990
00:53:41.559 --> 00:53:45.400
<v Speaker 3>the the town is it's supposed to be like a

991
00:53:45.440 --> 00:53:48.719
<v Speaker 3>little sleepy small town, you know, and there there's a

992
00:53:48.719 --> 00:53:54.360
<v Speaker 3>group of older men, affluent men. A couple of attorneys.

993
00:53:54.840 --> 00:53:59.639
<v Speaker 3>That's Sears James and Ricky Hawthorne. There's a doctor, or

994
00:54:01.239 --> 00:54:03.639
<v Speaker 3>is he I think he's he's thinking about retirement, but

995
00:54:03.679 --> 00:54:06.440
<v Speaker 3>he's he's technically still in business. That's doctor John Jeffrey.

996
00:54:07.199 --> 00:54:09.760
<v Speaker 3>And there's the mayor of the town. And this is

997
00:54:09.760 --> 00:54:12.280
<v Speaker 3>slightly different because in the book there were five characters

998
00:54:12.800 --> 00:54:15.239
<v Speaker 3>and in the film there are four characters. So they

999
00:54:15.360 --> 00:54:18.559
<v Speaker 3>rolled two of the characters into one another. And the

1000
00:54:18.599 --> 00:54:24.599
<v Speaker 3>mayor is that's Douglas Fairbanks character. He's he's ned right,

1001
00:54:24.719 --> 00:54:28.599
<v Speaker 3>that's uh and and I believe he's he's the first

1002
00:54:28.599 --> 00:54:31.239
<v Speaker 3>one to go in the film. But these men all

1003
00:54:31.280 --> 00:54:36.480
<v Speaker 3>share ghost stories with each other. They get together in

1004
00:54:36.920 --> 00:54:41.360
<v Speaker 3>formal evening where one Friday night out of every month,

1005
00:54:41.360 --> 00:54:44.239
<v Speaker 3>and they tell each other ghost stories. But they're doing

1006
00:54:44.280 --> 00:54:49.000
<v Speaker 3>this to cover the real story that they're actually afraid

1007
00:54:49.000 --> 00:54:51.079
<v Speaker 3>of and that they're afraid to talk about with each other.

1008
00:54:51.639 --> 00:54:55.079
<v Speaker 3>And that story unfolds gradually, you know, throughout the course

1009
00:54:55.119 --> 00:54:59.440
<v Speaker 3>of the film. But they they all share a terrible secret.

1010
00:54:59.599 --> 00:55:02.119
<v Speaker 3>Something happened to them all one evening when they were

1011
00:55:02.239 --> 00:55:04.760
<v Speaker 3>very young in the late nineteen twenties, and that's uh,

1012
00:55:05.400 --> 00:55:08.480
<v Speaker 3>that event comes back to haunt them, and that's that's

1013
00:55:08.559 --> 00:55:10.119
<v Speaker 3>what the book and the film are about.

1014
00:55:11.599 --> 00:55:14.639
<v Speaker 2>Yeah, and it's like it's got an interesting dynamico. That's

1015
00:55:14.639 --> 00:55:16.960
<v Speaker 2>a good explanation, I sir, I appreciate it. That's sure.

1016
00:55:17.000 --> 00:55:19.000
<v Speaker 2>That One of the things I found interesting was this

1017
00:55:19.199 --> 00:55:22.480
<v Speaker 2>this towing between reality. What is reality and what is

1018
00:55:23.000 --> 00:55:26.320
<v Speaker 2>not reality? Like what's hallucination? Right, and what's causing these

1019
00:55:26.400 --> 00:55:28.360
<v Speaker 2>dusts and what's not called like is it an external

1020
00:55:28.400 --> 00:55:30.440
<v Speaker 2>force or is an internal force in their nightmares of

1021
00:55:30.480 --> 00:55:31.519
<v Speaker 2>their heart attacks? Right?

1022
00:55:32.079 --> 00:55:33.280
<v Speaker 3>Right? Right?

1023
00:55:34.039 --> 00:55:36.519
<v Speaker 2>Tows that line pretty well, it does, it.

1024
00:55:36.440 --> 00:55:40.960
<v Speaker 3>Does because that that's uh, I believe in. In the

1025
00:55:41.559 --> 00:55:46.400
<v Speaker 3>book and the film, somebody sees the first casualty jumping

1026
00:55:46.480 --> 00:55:49.360
<v Speaker 3>off the bridge, so uh, and then another one later

1027
00:55:49.400 --> 00:55:51.320
<v Speaker 3>dies of a heart attack. So there are things that

1028
00:55:51.360 --> 00:55:55.159
<v Speaker 3>could be chalked up to just mental distress or physical illness,

1029
00:55:55.280 --> 00:55:58.880
<v Speaker 3>and nobody really suspects what's actually happening.

1030
00:55:59.000 --> 00:56:02.760
<v Speaker 2>Yeah, So the film starts off that's a good good

1031
00:56:02.760 --> 00:56:04.679
<v Speaker 2>point there, And the film starts off with the first

1032
00:56:04.679 --> 00:56:06.360
<v Speaker 2>death we get there is the son of one of

1033
00:56:06.400 --> 00:56:10.599
<v Speaker 2>these characters, right, that's right, that's right, And we're forced

1034
00:56:10.639 --> 00:56:12.559
<v Speaker 2>to see his dick because he's falling out a building.

1035
00:56:12.960 --> 00:56:17.840
<v Speaker 3>Some terrible Yeah. Yeah, and that's an odd.

1036
00:56:16.960 --> 00:56:19.480
<v Speaker 2>I wasn't expecting the full dick shot. I was kind

1037
00:56:19.480 --> 00:56:21.880
<v Speaker 2>of again angry that I was subjected to this, especially

1038
00:56:21.920 --> 00:56:23.960
<v Speaker 2>with that woman.

1039
00:56:23.519 --> 00:56:27.079
<v Speaker 3>You know, yeah, that that is probably the weirdest shot

1040
00:56:27.079 --> 00:56:29.039
<v Speaker 3>in the whole movie, just because you're not expecting it.

1041
00:56:29.079 --> 00:56:32.239
<v Speaker 2>There's no reason, there's no point in it right in there,

1042
00:56:32.239 --> 00:56:35.079
<v Speaker 2>but yeah, yeah, it's pointless. And then they show the

1043
00:56:35.119 --> 00:56:36.880
<v Speaker 2>body flop. I'm like, well, did we have to do

1044
00:56:36.880 --> 00:56:38.280
<v Speaker 2>the flop too? Like the bounce?

1045
00:56:38.880 --> 00:56:39.119
<v Speaker 3>Right?

1046
00:56:39.960 --> 00:56:40.400
<v Speaker 2>Yeah?

1047
00:56:41.320 --> 00:56:44.119
<v Speaker 3>Yeah, I guess it was one of those moments that

1048
00:56:44.159 --> 00:56:45.679
<v Speaker 3>they just wanted it to be a you know, a

1049
00:56:45.719 --> 00:56:47.440
<v Speaker 3>deliberate shock to the audience.

1050
00:56:47.519 --> 00:56:49.320
<v Speaker 2>You know, well that there you go and say, and

1051
00:56:49.400 --> 00:56:52.119
<v Speaker 2>it does too. It grasped your attention because of that

1052
00:56:52.119 --> 00:56:54.320
<v Speaker 2>that shock factor. For sure. It got me good. And

1053
00:56:54.440 --> 00:56:56.599
<v Speaker 2>I'm like, who, motherfuckers, did you guys just show me

1054
00:56:56.639 --> 00:56:58.679
<v Speaker 2>a dick and a dude bouncing off the pavement? What's

1055
00:56:58.719 --> 00:57:03.880
<v Speaker 2>wrong with you? That was my immediate reaction. I was like,

1056
00:57:03.880 --> 00:57:06.119
<v Speaker 2>how processing of you folks to do that? Right?

1057
00:57:06.400 --> 00:57:09.400
<v Speaker 3>Yeah? Well that that definitely is the point in the

1058
00:57:09.400 --> 00:57:11.960
<v Speaker 3>movie where you know that really terrible things are going

1059
00:57:12.039 --> 00:57:16.599
<v Speaker 3>to happen throughout the rest of it. So, yeah, it

1060
00:57:16.639 --> 00:57:17.039
<v Speaker 3>does have that.

1061
00:57:17.199 --> 00:57:20.679
<v Speaker 2>It does set the stage properly correct. Yeah, yeah, so

1062
00:57:21.039 --> 00:57:23.280
<v Speaker 2>I'm now that'll be related the groundwork there on the

1063
00:57:23.480 --> 00:57:25.199
<v Speaker 2>plot line. I just want to I just want to

1064
00:57:25.320 --> 00:57:27.119
<v Speaker 2>ask you this one question before we go any further

1065
00:57:27.119 --> 00:57:29.719
<v Speaker 2>in the characters and whatnot and how this thing's unfold.

1066
00:57:30.039 --> 00:57:34.800
<v Speaker 2>There was a nineteen seventy four film also name Ghost Story.

1067
00:57:35.360 --> 00:57:38.039
<v Speaker 2>Mm hmm, Storry mary Anne Faithful.

1068
00:57:39.679 --> 00:57:40.280
<v Speaker 3>That's interesting.

1069
00:57:40.440 --> 00:57:43.840
<v Speaker 4>I'm not familiar with it, but is it the same story.

1070
00:57:44.800 --> 00:57:47.400
<v Speaker 2>No, it's not the same story, but it's interesting. There's

1071
00:57:47.400 --> 00:57:50.360
<v Speaker 2>some interesting aspects to it, at the least of which Marianne.

1072
00:57:49.880 --> 00:57:52.679
<v Speaker 4>Faithful she's process.

1073
00:57:53.760 --> 00:57:56.599
<v Speaker 2>Yeah, she and Mick Jagger both and all the browing stones.

1074
00:57:57.119 --> 00:58:00.360
<v Speaker 2>In fact, John and I discussed an interesting murder rounding

1075
00:58:00.400 --> 00:58:02.880
<v Speaker 2>these these folks in Westchester County, you know that Dean

1076
00:58:02.960 --> 00:58:06.800
<v Speaker 2>of Inequity north of New York City. Last time we

1077
00:58:06.840 --> 00:58:09.480
<v Speaker 2>discussed this because we discussed the the and John, I'll

1078
00:58:09.519 --> 00:58:11.480
<v Speaker 2>have more details for a Julia is that But it's

1079
00:58:11.519 --> 00:58:15.880
<v Speaker 2>the Keith Richard's domestic wife or girlfriend related murder, right, John.

1080
00:58:16.519 --> 00:58:20.400
<v Speaker 3>That's right, Yeah, Anita Pallenberg. Yeah, but all those folks

1081
00:58:20.519 --> 00:58:23.039
<v Speaker 3>they did the process that they were just like the

1082
00:58:23.400 --> 00:58:29.199
<v Speaker 3>father Church Scientology. They courted celebrities and you know the process.

1083
00:58:29.280 --> 00:58:33.320
<v Speaker 3>They went after the younger, hipper versions of celebrities that

1084
00:58:33.559 --> 00:58:37.119
<v Speaker 3>you know, just just like the Scientology did, you know,

1085
00:58:37.159 --> 00:58:40.880
<v Speaker 3>more established you know, like yeah, room stars and stuff.

1086
00:58:40.880 --> 00:58:44.599
<v Speaker 3>But yeah, and Marianne Faithful in particular, I believe she

1087
00:58:44.599 --> 00:58:47.920
<v Speaker 3>she got pretty cozy with with the Processed Church, I believe,

1088
00:58:48.679 --> 00:58:51.280
<v Speaker 3>mmmmm yeah.

1089
00:58:51.559 --> 00:58:55.719
<v Speaker 2>And then Keith Richards's wife, they're murdered a fifteen year old.

1090
00:58:55.800 --> 00:58:57.920
<v Speaker 2>I'm sorry, a gun went off when she was in

1091
00:58:57.960 --> 00:58:59.719
<v Speaker 2>bed naked with a fifteen year old, is that right?

1092
00:59:00.079 --> 00:59:02.079
<v Speaker 3>That is correct? Yeah, he was in her bed and

1093
00:59:02.400 --> 00:59:07.280
<v Speaker 3>his name was Scott Cantrell and he she she got

1094
00:59:07.320 --> 00:59:11.519
<v Speaker 3>off for that whole thing very very easily, and I

1095
00:59:11.599 --> 00:59:15.920
<v Speaker 3>know that the boys family were very upset about that.

1096
00:59:17.320 --> 00:59:20.840
<v Speaker 3>But it was a very strange incident for.

1097
00:59:20.800 --> 00:59:24.559
<v Speaker 4>Sure, due a gun went off accidentally. Is that the story?

1098
00:59:24.760 --> 00:59:26.679
<v Speaker 3>Yeah, Well, she claims that he was he was playing

1099
00:59:26.760 --> 00:59:29.519
<v Speaker 3>Russian Roulette, that he was upset and suicidal and that

1100
00:59:29.599 --> 00:59:31.400
<v Speaker 3>he you know, he's just the gun went off and

1101
00:59:31.400 --> 00:59:36.400
<v Speaker 3>he shot himself, but it doesn't appear that the circumstances

1102
00:59:36.440 --> 00:59:39.480
<v Speaker 3>were ever examined too closely in court to me anyway.

1103
00:59:39.599 --> 00:59:43.880
<v Speaker 2>Sure, wow, and this was nineteen eighty, seventy nine or

1104
00:59:43.920 --> 00:59:44.760
<v Speaker 2>eighty or something like that.

1105
00:59:45.280 --> 00:59:46.239
<v Speaker 3>Yeah, that's right.

1106
00:59:46.440 --> 00:59:50.800
<v Speaker 2>Yep. So after after Burka, which this is again this

1107
00:59:51.159 --> 00:59:54.280
<v Speaker 2>falls into the post son of Sam called activity in

1108
00:59:54.360 --> 00:59:56.760
<v Speaker 2>around that didn't of an equity Westchester County.

1109
00:59:57.159 --> 00:59:59.440
<v Speaker 3>That's right, Yeah, Sue.

1110
00:59:59.519 --> 01:00:02.519
<v Speaker 4>Do you think I think this secret society as they

1111
01:00:02.559 --> 01:00:07.519
<v Speaker 4>call it, quote unquote in the book Slash movie is

1112
01:00:07.639 --> 01:00:11.880
<v Speaker 4>based on anything real because they call themselves the Chowder

1113
01:00:12.679 --> 01:00:13.880
<v Speaker 4>Society like.

1114
01:00:14.480 --> 01:00:17.559
<v Speaker 3>They just about that because there were there was a

1115
01:00:17.599 --> 01:00:22.599
<v Speaker 3>group of allegedly in the cult during the fifties and sixties.

1116
01:00:23.159 --> 01:00:26.119
<v Speaker 3>There were a lot of figures of that type involved

1117
01:00:26.159 --> 01:00:28.880
<v Speaker 3>in the cult. There were doctors and attorneys and judges,

1118
01:00:28.960 --> 01:00:33.320
<v Speaker 3>and so it could refer loosely to some of those individuals.

1119
01:00:34.280 --> 01:00:37.639
<v Speaker 3>We know the names of some of them, and when

1120
01:00:37.679 --> 01:00:40.000
<v Speaker 3>he was writing the Chowter Society, yet it could have

1121
01:00:40.079 --> 01:00:43.679
<v Speaker 3>referred to some of those established community members. I think

1122
01:00:43.719 --> 01:00:44.559
<v Speaker 3>that's very likely.

1123
01:00:44.639 --> 01:00:50.079
<v Speaker 2>Yeah, you'll recognize one of those names, Julia Carlton Gadgetsek.

1124
01:00:50.400 --> 01:00:51.719
<v Speaker 2>You know that one.

1125
01:00:52.199 --> 01:00:53.880
<v Speaker 4>Now, who's this asshole?

1126
01:00:54.039 --> 01:00:57.360
<v Speaker 2>Oh John, please please let her know who Anthony Fauci's ssidekick,

1127
01:00:57.480 --> 01:00:59.880
<v Speaker 2>Carlton Gadgertak was relative to the Ankers cult.

1128
01:01:00.199 --> 01:01:04.239
<v Speaker 3>Yeah, he well, he won a Nobel Prize for medicine

1129
01:01:05.239 --> 01:01:09.360
<v Speaker 3>in nineteen seventy six something like that. And he was

1130
01:01:09.400 --> 01:01:12.360
<v Speaker 3>born in Yonkers, but spent a lot of time outside

1131
01:01:12.400 --> 01:01:17.840
<v Speaker 3>there researching strange diseases in or was he on some

1132
01:01:17.880 --> 01:01:19.760
<v Speaker 3>of the Micronesian islands or someplace?

1133
01:01:19.920 --> 01:01:22.840
<v Speaker 2>Yeah, he brought yeah, Micronesia. He brought about fifty young

1134
01:01:22.880 --> 01:01:23.559
<v Speaker 2>boys back with him.

1135
01:01:23.960 --> 01:01:27.639
<v Speaker 3>Yeah, he was very interested in boys. And when when

1136
01:01:27.639 --> 01:01:30.960
<v Speaker 3>the Son of Sam case was reopened by Yonkers police department,

1137
01:01:32.360 --> 01:01:37.119
<v Speaker 3>gadget sick became he was a person of interest and

1138
01:01:37.159 --> 01:01:44.440
<v Speaker 3>then some and he eventually was convicted of child molestations,

1139
01:01:44.440 --> 01:01:47.000
<v Speaker 3>served a boy a year in prison, then got out,

1140
01:01:47.639 --> 01:01:53.599
<v Speaker 3>retreated to Europe and died over there. He he was

1141
01:01:53.639 --> 01:01:57.519
<v Speaker 3>a strange character, and according to multiple sources, he was

1142
01:01:57.639 --> 01:02:06.719
<v Speaker 3>present for very specific cultic activities, including allegedly the the

1143
01:02:06.840 --> 01:02:08.320
<v Speaker 3>sacrifice of a child.

1144
01:02:08.880 --> 01:02:15.559
<v Speaker 4>So yeah, god, yeah, why does he look like the

1145
01:02:15.679 --> 01:02:18.199
<v Speaker 4>composite sketch of the Zodiac killer.

1146
01:02:19.239 --> 01:02:21.599
<v Speaker 3>He was a creepy guy. And there's there's a film

1147
01:02:21.639 --> 01:02:25.119
<v Speaker 3>where they an interview film where they talked to him,

1148
01:02:25.159 --> 01:02:31.000
<v Speaker 3>and he's he's very He just totally denied reality it,

1149
01:02:31.079 --> 01:02:33.079
<v Speaker 3>could not admit that he had done anything wrong. But

1150
01:02:33.159 --> 01:02:39.280
<v Speaker 3>he Wow. David Berkowitz was aware of doctor Gadgetsik because

1151
01:02:39.320 --> 01:02:42.760
<v Speaker 3>he was a He was a major figure in youngers there.

1152
01:02:42.679 --> 01:02:46.800
<v Speaker 4>And he Yeah.

1153
01:02:47.599 --> 01:02:50.960
<v Speaker 2>From nineteen seventy to nineteen ninety six, Carlton Gadgasik was

1154
01:02:51.000 --> 01:02:54.119
<v Speaker 2>the chief of the Laboratory of Central Nervous System Studies

1155
01:02:54.119 --> 01:02:57.280
<v Speaker 2>that ni in DS at the National Institutes of Health,

1156
01:02:57.599 --> 01:02:59.960
<v Speaker 2>working directly for none other than Tony Felt.

1157
01:03:01.159 --> 01:03:05.719
<v Speaker 4>Oh my god. And they were probably boyfriends him and

1158
01:03:05.840 --> 01:03:10.440
<v Speaker 4>you can do it, that little fairy fuck I hate fauci,

1159
01:03:10.559 --> 01:03:11.400
<v Speaker 4>I swear.

1160
01:03:11.920 --> 01:03:14.000
<v Speaker 2>So you may know. Carlton gad your sex nephew. He

1161
01:03:14.039 --> 01:03:16.480
<v Speaker 2>brought us the first season of Stranger Things.

1162
01:03:17.079 --> 01:03:23.679
<v Speaker 4>Ah, stop it make up? Oh, come on, you guys.

1163
01:03:24.079 --> 01:03:26.679
<v Speaker 4>This guy's neph what'd you say is nephew?

1164
01:03:27.559 --> 01:03:30.079
<v Speaker 2>I believe if I'm not mistaken, this is his brother's son.

1165
01:03:30.159 --> 01:03:33.599
<v Speaker 4>Yes, Oh my god, come on.

1166
01:03:34.679 --> 01:03:37.360
<v Speaker 2>He was the chief chief writer and showrunner for season

1167
01:03:37.400 --> 01:03:38.920
<v Speaker 2>one of Stranger Things.

1168
01:03:39.559 --> 01:03:44.679
<v Speaker 4>Just saying, oh my God, probably just.

1169
01:03:44.639 --> 01:03:48.760
<v Speaker 2>A crazier thing. Yeah, totally a coincidence. Stranger things. Indeed,

1170
01:03:50.400 --> 01:03:51.639
<v Speaker 2>I'm sure's behind all of that.

1171
01:03:53.159 --> 01:04:00.280
<v Speaker 4>Oh so fucking god, do.

1172
01:04:00.280 --> 01:04:01.800
<v Speaker 2>That just blow up your brain hole there, Julia.

1173
01:04:02.679 --> 01:04:05.000
<v Speaker 4>Both of you guys are blowing up my brain hole

1174
01:04:05.039 --> 01:04:06.760
<v Speaker 4>in here. I thought I knew something.

1175
01:04:07.480 --> 01:04:09.000
<v Speaker 2>That's well, you do know stuff. That's what I like

1176
01:04:09.039 --> 01:04:10.960
<v Speaker 2>to do here. We like to exchange ideas. You know, well,

1177
01:04:11.039 --> 01:04:12.559
<v Speaker 2>we all have a different piece of the puzzle. I

1178
01:04:12.559 --> 01:04:15.360
<v Speaker 2>feel like, not to make it sound creepy or nothing,

1179
01:04:15.400 --> 01:04:17.199
<v Speaker 2>but it is a It is a puzzle of sorts, right,

1180
01:04:18.000 --> 01:04:22.239
<v Speaker 2>it is. I heard it in a song one time.

1181
01:04:22.280 --> 01:04:23.920
<v Speaker 2>I think it was the beginning of the show The

1182
01:04:23.960 --> 01:04:27.119
<v Speaker 2>World's a Puzzle. So I don't know why they called

1183
01:04:27.119 --> 01:04:31.239
<v Speaker 2>this ghost story, but they yeah. I mean, it doesn't

1184
01:04:31.320 --> 01:04:34.320
<v Speaker 2>have the same you know, plotlines or nothing, but it

1185
01:04:34.360 --> 01:04:37.239
<v Speaker 2>is an interesting story. And again it's just weird to me.

1186
01:04:37.280 --> 01:04:41.079
<v Speaker 2>It seems very processing when you got Homegirl in there, Mary,

1187
01:04:41.119 --> 01:04:45.599
<v Speaker 2>unfaithful and whatnot. But onto the actual ghost story, and

1188
01:04:45.639 --> 01:04:49.480
<v Speaker 2>that is the Peter Strub version. So besides Peter, let's

1189
01:04:49.519 --> 01:04:51.480
<v Speaker 2>start off with Peter Strub. So this dude writes this

1190
01:04:51.519 --> 01:04:54.960
<v Speaker 2>book again, Burke of which is arrested in August tenth

1191
01:04:55.000 --> 01:04:58.719
<v Speaker 2>of nineteen seventy seven. He publishes the book on January

1192
01:04:58.719 --> 01:05:01.079
<v Speaker 2>firth first of seventy nine, so let's call it he

1193
01:05:01.480 --> 01:05:04.320
<v Speaker 2>did this obviously within that seventeen month span. But I mean,

1194
01:05:04.880 --> 01:05:07.039
<v Speaker 2>you know, you pointed out how he's got he dedicated

1195
01:05:07.079 --> 01:05:10.719
<v Speaker 2>to Tavistock folks. That's a good indication of how he

1196
01:05:10.760 --> 01:05:12.960
<v Speaker 2>may know these tales. But what else is interesting about

1197
01:05:12.960 --> 01:05:15.239
<v Speaker 2>Peter Stroke Well.

1198
01:05:15.079 --> 01:05:20.320
<v Speaker 3>He ghost story in every book thereafter pretty much contains

1199
01:05:20.480 --> 01:05:27.559
<v Speaker 3>some reference to the Yonker's cult and its membership, all

1200
01:05:27.679 --> 01:05:30.719
<v Speaker 3>the way down to well, they have Mystery listed there

1201
01:05:31.199 --> 01:05:34.280
<v Speaker 3>in nineteen ninety. By that time he was writing sort

1202
01:05:34.320 --> 01:05:37.519
<v Speaker 3>of like he had He wasn't writing harder novels any longer,

1203
01:05:37.519 --> 01:05:40.840
<v Speaker 3>but he was writing really really dark murder mysteries. And

1204
01:05:40.880 --> 01:05:44.920
<v Speaker 3>there's a minor character in mystery, a police officer, and

1205
01:05:44.960 --> 01:05:50.280
<v Speaker 3>his name is Officer Spahoa. It's phonetically that's yeah s

1206
01:05:50.400 --> 01:05:53.639
<v Speaker 3>P y c h A L l A. Now that's

1207
01:05:53.679 --> 01:05:57.119
<v Speaker 3>a very specific name because it's the name of a

1208
01:05:57.159 --> 01:06:00.639
<v Speaker 3>person who allegedly was at the planning meeting for Son

1209
01:06:00.639 --> 01:06:02.880
<v Speaker 3>of Sam in the spring of nineteen seventy six. His

1210
01:06:03.000 --> 01:06:06.599
<v Speaker 3>name was Ho. It's a it's a Polish name, so

1211
01:06:06.639 --> 01:06:11.679
<v Speaker 3>it's hard to pronounce correctly. But this Peter Strub used

1212
01:06:11.679 --> 01:06:15.880
<v Speaker 3>it as a character name many years before Ron Spachala

1213
01:06:16.079 --> 01:06:19.079
<v Speaker 3>was ever mentioned in the press in any public mention

1214
01:06:19.119 --> 01:06:22.280
<v Speaker 3>of Ron'spachala that I can find, but Strub used the

1215
01:06:22.400 --> 01:06:26.400
<v Speaker 3>name as a deliberate clue, just to let his readers

1216
01:06:26.440 --> 01:06:28.480
<v Speaker 3>know that he had not forgotten about all this strange

1217
01:06:28.519 --> 01:06:30.920
<v Speaker 3>stuff and that maybe one day somebody would figure out

1218
01:06:30.960 --> 01:06:34.719
<v Speaker 3>this this puzzle. So yeah, that's.

1219
01:06:36.280 --> 01:06:38.639
<v Speaker 4>Yeah, Well he's so Tavis.

1220
01:06:39.519 --> 01:06:43.000
<v Speaker 3>It does that way. It's a hard conclusion to escape,

1221
01:06:43.000 --> 01:06:46.480
<v Speaker 3>but it Yeah.

1222
01:06:45.159 --> 01:06:48.840
<v Speaker 4>Oh my god, that's too specific. I'm sorry, is its

1223
01:06:48.880 --> 01:06:50.679
<v Speaker 4>way too? It's too specific?

1224
01:06:51.199 --> 01:06:53.280
<v Speaker 3>Well, like I said, it's almost like finding a fingerprint.

1225
01:06:53.559 --> 01:06:57.039
<v Speaker 3>It's that definite, you know, it's hard to discount that.

1226
01:06:57.599 --> 01:07:01.199
<v Speaker 4>But yeah, John, what you need to start a podcast?

1227
01:07:04.079 --> 01:07:07.719
<v Speaker 2>Well, John, John's a wealth of information, isn't he, Julia, Yes.

1228
01:07:07.800 --> 01:07:08.719
<v Speaker 4>Oh my god.

1229
01:07:09.400 --> 01:07:12.920
<v Speaker 3>Well, strangely enough, and I'm glad we all find this

1230
01:07:13.000 --> 01:07:16.199
<v Speaker 3>so interesting, But I don't find a lot of interest

1231
01:07:16.239 --> 01:07:18.719
<v Speaker 3>in it within the community. It's just not one of

1232
01:07:18.719 --> 01:07:22.239
<v Speaker 3>those things that people seem to have caught onto really.

1233
01:07:22.320 --> 01:07:26.000
<v Speaker 4>I feel like this is one of the more interesting things.

1234
01:07:26.599 --> 01:07:28.480
<v Speaker 2>Well, if I made that, if I met you, guys

1235
01:07:28.519 --> 01:07:30.880
<v Speaker 2>are hitting on exactly why I'm doing these as occult

1236
01:07:31.079 --> 01:07:32.960
<v Speaker 2>esotic film reviews, because I think the one thing that

1237
01:07:32.960 --> 01:07:34.760
<v Speaker 2>the folks didn't understand is when they see a picture

1238
01:07:34.800 --> 01:07:37.159
<v Speaker 2>of these ideas and they can relate to a picture

1239
01:07:37.199 --> 01:07:38.679
<v Speaker 2>like it makes a lot more It makes a lot

1240
01:07:38.760 --> 01:07:40.320
<v Speaker 2>more sense to me when I see shit in a picture.

1241
01:07:40.440 --> 01:07:42.639
<v Speaker 3>Yeah, yes, absolutely, that's just me.

1242
01:07:43.360 --> 01:07:46.119
<v Speaker 2>Yeah, that's not what I'm saying.

1243
01:07:45.960 --> 01:07:49.039
<v Speaker 4>Julia, Are you special?

1244
01:07:49.079 --> 01:07:51.000
<v Speaker 2>As the pop ups? And I color them myself.

1245
01:07:51.000 --> 01:07:56.760
<v Speaker 4>Okay, I saw something on the Wikipedia page for the author,

1246
01:07:56.800 --> 01:07:58.559
<v Speaker 4>though I was going to ask John if he thought

1247
01:07:58.559 --> 01:07:59.599
<v Speaker 4>it was significant.

1248
01:07:59.679 --> 01:08:02.800
<v Speaker 2>Hang on, please pull it back up, please do stand

1249
01:08:02.840 --> 01:08:05.679
<v Speaker 2>by police. I don't even know what I was doing there.

1250
01:08:05.679 --> 01:08:07.239
<v Speaker 2>I was just cruising around my tabs, to be quite

1251
01:08:07.280 --> 01:08:07.719
<v Speaker 2>honest with you.

1252
01:08:08.400 --> 01:08:10.760
<v Speaker 4>Well, it looks like the first book. This isn't what

1253
01:08:10.840 --> 01:08:17.800
<v Speaker 4>I was going to ask. But first, right is my

1254
01:08:18.039 --> 01:08:22.680
<v Speaker 4>namesake Julia nineteen seventy five. But that's besides the point.

1255
01:08:23.159 --> 01:08:26.800
<v Speaker 4>It looks like he did some work for or with

1256
01:08:27.399 --> 01:08:30.399
<v Speaker 4>HP Lovecraft.

1257
01:08:29.439 --> 01:08:31.479
<v Speaker 2>And Stephen King.

1258
01:08:31.520 --> 01:08:32.279
<v Speaker 4>Stephen King.

1259
01:08:32.640 --> 01:08:35.880
<v Speaker 3>Yeah, he and Stephen King wrote two novels together, The

1260
01:08:35.960 --> 01:08:40.279
<v Speaker 3>Talisman and Black House. Black House. That's one of the

1261
01:08:40.359 --> 01:08:43.199
<v Speaker 3>rare moments in Straub's career that I just didn't It

1262
01:08:43.239 --> 01:08:45.840
<v Speaker 3>wasn't very good. But the Talisman is really good, the

1263
01:08:45.880 --> 01:08:49.399
<v Speaker 3>first book. I really enjoyed that one. I think he

1264
01:08:49.560 --> 01:08:55.079
<v Speaker 3>edited maybe a volume of HP Lovecraft stories for the

1265
01:08:55.119 --> 01:08:58.039
<v Speaker 3>Library of America, and unfortunately a lot of that stuff

1266
01:08:58.039 --> 01:08:59.359
<v Speaker 3>has gone out of print. But that was a really

1267
01:08:59.439 --> 01:09:00.520
<v Speaker 3>good series books.

1268
01:09:00.720 --> 01:09:05.840
<v Speaker 4>Yeah, I wonder what's in the Talisman.

1269
01:09:07.560 --> 01:09:11.520
<v Speaker 3>Well, there's a character. In fact, the main villain in

1270
01:09:11.560 --> 01:09:15.680
<v Speaker 3>that book is named Morgan Slote, and the surname Slope

1271
01:09:15.760 --> 01:09:18.079
<v Speaker 3>comes from a roommate of John Carrs when he was

1272
01:09:18.119 --> 01:09:23.439
<v Speaker 3>in the Air Force. Uh So, there's just one clue

1273
01:09:23.479 --> 01:09:28.520
<v Speaker 3>after another in his books, and it's well, isn't.

1274
01:09:28.279 --> 01:09:33.199
<v Speaker 4>There a Laurel Kenyon asshole? Last name Slopeman changed it

1275
01:09:33.399 --> 01:09:36.119
<v Speaker 4>to do you know how I'm talking about j J.

1276
01:09:36.279 --> 01:09:41.960
<v Speaker 2>Are you referring to Jim Morrison's kindergarten classmate, Gail Slopeman,

1277
01:09:42.000 --> 01:09:43.640
<v Speaker 2>who would later marry Frank Zappa.

1278
01:09:44.399 --> 01:09:48.399
<v Speaker 4>Yes, yes, and changed her last name. That's right, that's right,

1279
01:09:49.520 --> 01:09:54.319
<v Speaker 4>Gail Zappa formerly known Slopeman.

1280
01:09:55.159 --> 01:09:55.680
<v Speaker 2>Yes, ma'am.

1281
01:09:56.560 --> 01:10:00.720
<v Speaker 4>She was. She was military, right, her family for sure,

1282
01:10:01.039 --> 01:10:05.279
<v Speaker 4>for sure, that's why she was in kindergarten with Morrison. Yeah. No,

1283
01:10:05.439 --> 01:10:10.920
<v Speaker 4>that that obviously two connections in my mind, because I

1284
01:10:10.960 --> 01:10:16.000
<v Speaker 4>think that they sneak little stuff like that. And Gail

1285
01:10:16.079 --> 01:10:18.439
<v Speaker 4>Slopeman somebody wrote it in the comments.

1286
01:10:18.760 --> 01:10:20.960
<v Speaker 2>Yep, there you go, Thank you folks with the interwebs.

1287
01:10:21.000 --> 01:10:26.720
<v Speaker 2>So these are interesting aspects. So with regards to spy Challa, like,

1288
01:10:26.800 --> 01:10:28.079
<v Speaker 2>I mean, you got to be in the know on

1289
01:10:28.159 --> 01:10:34.680
<v Speaker 2>that one, right, yeah, because that my understanding is like

1290
01:10:34.680 --> 01:10:36.760
<v Speaker 2>like you were pointing out, is like that dude was

1291
01:10:36.840 --> 01:10:39.800
<v Speaker 2>like you know, you know, no one really knew that name,

1292
01:10:39.840 --> 01:10:41.600
<v Speaker 2>Like that was one of the ones that minunderstanding. Mary

1293
01:10:41.720 --> 01:10:44.479
<v Speaker 2>kept close to the best even right he did.

1294
01:10:44.560 --> 01:10:47.359
<v Speaker 3>Yeah, I think Maury was right up to the end,

1295
01:10:47.399 --> 01:10:50.439
<v Speaker 3>he was trying to learn more about all these individuals

1296
01:10:50.439 --> 01:10:53.239
<v Speaker 3>because he knew they all fit into the larger picture.

1297
01:10:54.039 --> 01:10:58.840
<v Speaker 3>But Yalla was he's really you read about his history

1298
01:10:58.880 --> 01:11:02.319
<v Speaker 3>and some of this stuff is is just almost unimaginably awful.

1299
01:11:02.920 --> 01:11:04.880
<v Speaker 3>He's another one of these people. The reason all these

1300
01:11:04.920 --> 01:11:07.319
<v Speaker 3>people were there is that they hurt children. That that

1301
01:11:07.600 --> 01:11:12.119
<v Speaker 3>was the common thread, you know, because that that's ultimately

1302
01:11:12.159 --> 01:11:15.479
<v Speaker 3>what this cult was about. The son of Sam attacks themselves.

1303
01:11:15.520 --> 01:11:19.199
<v Speaker 3>I feel we're just the visible tip of a very

1304
01:11:19.319 --> 01:11:22.479
<v Speaker 3>large iceberg. In the case, was was way more complex

1305
01:11:22.640 --> 01:11:26.079
<v Speaker 3>than just the handful of of shooting attacks that people

1306
01:11:26.119 --> 01:11:26.600
<v Speaker 3>know about.

1307
01:11:26.920 --> 01:11:31.680
<v Speaker 4>Wait till you read Program to Kill. You're gonna you're

1308
01:11:31.840 --> 01:11:34.800
<v Speaker 4>gonna go so far down the rabbit hole. You're gonna

1309
01:11:34.840 --> 01:11:36.960
<v Speaker 4>be begging me and JJ to pull you back out.

1310
01:11:37.319 --> 01:11:43.359
<v Speaker 4>I mean, it's it's it's absolutely mind boggling. But I

1311
01:11:43.399 --> 01:11:46.039
<v Speaker 4>agree with you. I think children are a currency in

1312
01:11:46.079 --> 01:11:52.640
<v Speaker 4>these cults. They're traded, and they are used for blackmail,

1313
01:11:52.960 --> 01:11:55.079
<v Speaker 4>among other things, sacrificial.

1314
01:11:55.359 --> 01:11:58.119
<v Speaker 2>Well, there you go, right the way I look at it,

1315
01:11:58.479 --> 01:12:00.520
<v Speaker 2>the way I look it's the episode ride. I apologize

1316
01:12:00.560 --> 01:12:00.920
<v Speaker 2>and mean to.

1317
01:12:00.840 --> 01:12:02.760
<v Speaker 4>Cut you off, Julia, No, yeah, go ahead, go ahead.

1318
01:12:03.239 --> 01:12:06.399
<v Speaker 2>I look at the epicenter of the activity of these

1319
01:12:06.439 --> 01:12:10.560
<v Speaker 2>spooky blackmail operations, and you know, I've read enough cruelly

1320
01:12:10.640 --> 01:12:13.560
<v Speaker 2>and I'll be going that on unpacking my satanic panic series.

1321
01:12:14.079 --> 01:12:16.960
<v Speaker 2>Literally again, I'm not trying to inform my own opinions, thoughts,

1322
01:12:17.000 --> 01:12:19.279
<v Speaker 2>or ideas against their judgmental on all these people. I'm

1323
01:12:19.359 --> 01:12:22.319
<v Speaker 2>using their words to describe these things. And there's a

1324
01:12:22.359 --> 01:12:24.319
<v Speaker 2>lot of kid diddling stuff that comes out of what

1325
01:12:24.359 --> 01:12:26.920
<v Speaker 2>people would call a religion. If they're Theelamites that I

1326
01:12:26.920 --> 01:12:30.039
<v Speaker 2>think intersects with all this thing that they're calling blackmail operations.

1327
01:12:30.720 --> 01:12:33.720
<v Speaker 4>Well you should talk to William Ramsey about the West

1328
01:12:33.760 --> 01:12:36.359
<v Speaker 4>Memphis three too, because that came out of the Satanic

1329
01:12:36.399 --> 01:12:41.439
<v Speaker 4>Panic and that was all weird Crowley worshiping short stuff.

1330
01:12:41.560 --> 01:12:43.319
<v Speaker 2>So, I mean, and I'll be using that as an

1331
01:12:43.359 --> 01:12:45.039
<v Speaker 2>example of my series, but I'm actually gonna be going

1332
01:12:45.079 --> 01:12:48.520
<v Speaker 2>over the cases and comparing the Satanic Panic around these

1333
01:12:48.600 --> 01:12:51.720
<v Speaker 2>major events, but using cases emphasized. This is a greater

1334
01:12:51.760 --> 01:12:53.439
<v Speaker 2>deal just like John's doing here in the Sun A

1335
01:12:53.439 --> 01:12:56.039
<v Speaker 2>Sam series. There's a greater number of cases that are

1336
01:12:56.039 --> 01:12:58.279
<v Speaker 2>not being depicted in the conversation because this is a

1337
01:12:58.359 --> 01:12:59.960
<v Speaker 2>larger pattern of behavior in the codect.

1338
01:13:01.000 --> 01:13:03.760
<v Speaker 4>Mm hmm, well, I mean even in this movie. I

1339
01:13:03.760 --> 01:13:09.079
<v Speaker 4>think they reference in the movie uh something about occultism

1340
01:13:09.359 --> 01:13:14.600
<v Speaker 4>several times or like cult activity several times they do.

1341
01:13:14.640 --> 01:13:16.600
<v Speaker 2>And on that note is is this is this an

1342
01:13:16.600 --> 01:13:18.520
<v Speaker 2>accurate statement that we hear from the chat? I appreciate

1343
01:13:18.560 --> 01:13:21.000
<v Speaker 2>this statement there Wallhead Rex, so car was O t

1344
01:13:21.079 --> 01:13:23.199
<v Speaker 2>O O t O Roade Strub's attorney and Strub edited

1345
01:13:23.199 --> 01:13:24.279
<v Speaker 2>out the OTO reference.

1346
01:13:24.439 --> 01:13:26.399
<v Speaker 3>Strup did, in fact edit out a reference to the

1347
01:13:26.399 --> 01:13:28.760
<v Speaker 3>OTO in the original hardcover version. That's right.

1348
01:13:31.520 --> 01:13:33.840
<v Speaker 2>That's a fucking barn burner right there, folks.

1349
01:13:34.039 --> 01:13:37.600
<v Speaker 3>Yeah, he changes the name of the group to the XXX,

1350
01:13:37.600 --> 01:13:42.319
<v Speaker 3>which has a convoluted Latin it means something in Latin.

1351
01:13:42.359 --> 01:13:45.159
<v Speaker 3>But he changed the name in the paperback to the XXX.

1352
01:13:45.600 --> 01:13:49.079
<v Speaker 3>But he also rolls into that multiple references to the

1353
01:13:49.119 --> 01:13:53.159
<v Speaker 3>Processed Church. In fact, the villainous who is she keeps

1354
01:13:53.159 --> 01:13:56.119
<v Speaker 3>coming back with the initials a M. Those are just

1355
01:13:56.159 --> 01:13:59.760
<v Speaker 3>the initials of Marianna Grimston reversed. So there's a lot

1356
01:13:59.800 --> 01:14:03.600
<v Speaker 3>of cult references and their conscious references. But yes, that's true.

1357
01:14:03.600 --> 01:14:05.600
<v Speaker 2>Blown up a brain hole, John, you're blowing up a brain.

1358
01:14:05.479 --> 01:14:11.920
<v Speaker 3>Hole reference in in the in the original edition of

1359
01:14:11.920 --> 01:14:12.199
<v Speaker 3>the book.

1360
01:14:12.279 --> 01:14:19.479
<v Speaker 4>Yeah, And to the person who left that comment, uh way, Headrex?

1361
01:14:19.720 --> 01:14:20.039
<v Speaker 3>Is that? How?

1362
01:14:21.479 --> 01:14:25.560
<v Speaker 4>Whyhead Rex? Who the fuck are you? Why do you

1363
01:14:25.680 --> 01:14:29.119
<v Speaker 4>know so much? That was awesome? I mean, John obviously

1364
01:14:29.239 --> 01:14:31.319
<v Speaker 4>was gonna say, but still, that was awesome.

1365
01:14:32.359 --> 01:14:34.199
<v Speaker 2>I didn't Yeah, that's great stuff. I didn't know that

1366
01:14:34.239 --> 01:14:36.359
<v Speaker 2>at all. That's that's as I mean, it's an interesting

1367
01:14:36.399 --> 01:14:38.720
<v Speaker 2>aspect to understand when you you see the folks that

1368
01:14:38.760 --> 01:14:40.760
<v Speaker 2>get but hurt about their names appearing stuff. I had

1369
01:14:40.760 --> 01:14:44.119
<v Speaker 2>referenced earlier that creepy fellow Micha Lookino email and Dave

1370
01:14:44.159 --> 01:14:47.039
<v Speaker 2>McGowan saying how dare you and McGowan basically just laughing

1371
01:14:47.079 --> 01:14:47.600
<v Speaker 2>them off with.

1372
01:14:47.680 --> 01:14:52.680
<v Speaker 4>Facts, Yeah, with facts, literal facts like hello.

1373
01:14:52.920 --> 01:14:55.239
<v Speaker 3>Yeah, I'm really glad that people are coming about these

1374
01:14:55.239 --> 01:14:58.439
<v Speaker 3>things because this is a discussion that that people have

1375
01:14:58.680 --> 01:15:01.479
<v Speaker 3>so seldom. I mean it, it's this stuff is almost

1376
01:15:01.560 --> 01:15:06.520
<v Speaker 3>never talked about, especially in relation to the fictional references

1377
01:15:06.560 --> 01:15:09.359
<v Speaker 3>to real life people and events. I just well, like

1378
01:15:09.359 --> 01:15:15.680
<v Speaker 3>I said earlier, it's so obviously a separate confirmation that

1379
01:15:16.439 --> 01:15:21.640
<v Speaker 3>the Yonkers case actually did happen, that this cult existed,

1380
01:15:22.239 --> 01:15:27.560
<v Speaker 3>But people within the community just aren't. They're not interested

1381
01:15:27.560 --> 01:15:31.760
<v Speaker 3>in it, really, at least not in my experience, because

1382
01:15:31.920 --> 01:15:35.640
<v Speaker 3>I try to generate this conversation over and over again,

1383
01:15:35.680 --> 01:15:38.520
<v Speaker 3>and it's just not really something that people appear to

1384
01:15:38.560 --> 01:15:41.000
<v Speaker 3>be interested in. It's it's just not on their radar

1385
01:15:41.119 --> 01:15:42.199
<v Speaker 3>for whatever reason.

1386
01:15:42.840 --> 01:15:45.920
<v Speaker 4>Well, I've found John, I'll give you my and I

1387
01:15:45.920 --> 01:15:48.680
<v Speaker 4>don't want a tangent or anything, but I just talked

1388
01:15:48.680 --> 01:15:52.359
<v Speaker 4>about this on a podcast recently, and you might agree

1389
01:15:52.439 --> 01:15:56.880
<v Speaker 4>or disagree, but I find it interesting that the willingness

1390
01:15:56.920 --> 01:16:01.000
<v Speaker 4>of people to listen to podcasts but not to read anything.

1391
01:16:01.039 --> 01:16:03.399
<v Speaker 4>They don't want to read a book. They don't want

1392
01:16:03.960 --> 01:16:06.560
<v Speaker 4>they don't want to look up information, they don't They

1393
01:16:06.600 --> 01:16:09.520
<v Speaker 4>want it to either be a Google away or in

1394
01:16:09.640 --> 01:16:12.920
<v Speaker 4>like some kind of a TikTok video or a podcast

1395
01:16:13.199 --> 01:16:16.000
<v Speaker 4>that they don't really have to like divulge too much

1396
01:16:16.000 --> 01:16:16.680
<v Speaker 4>of their attention.

1397
01:16:16.920 --> 01:16:20.800
<v Speaker 2>Yeah, right right. It's sad.

1398
01:16:21.560 --> 01:16:24.319
<v Speaker 4>It is sad, But I think that's why it's so cool,

1399
01:16:24.680 --> 01:16:27.880
<v Speaker 4>like when we can talk about it in podcast form.

1400
01:16:27.960 --> 01:16:31.159
<v Speaker 4>Because obviously I love to read. I don't have any

1401
01:16:31.239 --> 01:16:35.319
<v Speaker 4>problems sitting down and reading The Ultimate Evil or Program

1402
01:16:35.359 --> 01:16:38.199
<v Speaker 4>to Kill Strange Things from the Canyon. I have no

1403
01:16:38.319 --> 01:16:41.880
<v Speaker 4>problem doing that. The thing for me is I didn't

1404
01:16:41.880 --> 01:16:44.239
<v Speaker 4>want to make it digestible so I can take it

1405
01:16:44.279 --> 01:16:47.720
<v Speaker 4>onto a podcast platform and talk to people about it

1406
01:16:47.760 --> 01:16:51.439
<v Speaker 4>and get them interested in it who would have otherwise

1407
01:16:51.520 --> 01:16:54.279
<v Speaker 4>never read the book or taken the time to read

1408
01:16:54.319 --> 01:16:57.600
<v Speaker 4>the book. So I think, you know, book reading in

1409
01:16:57.640 --> 01:17:01.079
<v Speaker 4>itself is kind of like this dying art form is like, oh,

1410
01:17:01.119 --> 01:17:04.239
<v Speaker 4>what you read, you don't just listen to Joe Rogan

1411
01:17:04.399 --> 01:17:07.479
<v Speaker 4>and like download useless information, you know what I mean?

1412
01:17:07.640 --> 01:17:08.119
<v Speaker 4>So slight.

1413
01:17:08.399 --> 01:17:10.520
<v Speaker 2>I like your approach though, that's a pretty solid approaching

1414
01:17:10.560 --> 01:17:14.760
<v Speaker 2>out there. What you're saying, you're reading books and then

1415
01:17:14.760 --> 01:17:17.560
<v Speaker 2>trying to you know, instead of realizing folks don't read books,

1416
01:17:17.600 --> 01:17:20.720
<v Speaker 2>and then you try to digest that into a format.

1417
01:17:20.760 --> 01:17:23.119
<v Speaker 2>Then I did digestible podcast podcast.

1418
01:17:23.159 --> 01:17:26.079
<v Speaker 4>Yes, yeah, that's I mean, that's what I like to

1419
01:17:26.079 --> 01:17:28.319
<v Speaker 4>do on my show. That's why I think John would

1420
01:17:28.359 --> 01:17:32.760
<v Speaker 4>be successful at it, because it's obviously something that's very interesting,

1421
01:17:33.760 --> 01:17:36.439
<v Speaker 4>but people just don't want to read. Isn't that sad?

1422
01:17:36.960 --> 01:17:40.000
<v Speaker 4>People don't No one want to take the time.

1423
01:17:40.760 --> 01:17:43.239
<v Speaker 3>Well, on my substect, that's what I try to give

1424
01:17:43.239 --> 01:17:45.880
<v Speaker 3>it to people, like like you're talking about indigestible form,

1425
01:17:45.920 --> 01:17:47.720
<v Speaker 3>you know, you give them just a few paragraphs and

1426
01:17:47.760 --> 01:17:51.079
<v Speaker 3>hopefully it's not so complicated that it overwhelms them, but

1427
01:17:51.159 --> 01:17:53.960
<v Speaker 3>it gives them enough to think about and maybe that'll

1428
01:17:54.079 --> 01:17:56.039
<v Speaker 3>part their interest and then they'll go read a couple

1429
01:17:56.039 --> 01:17:58.640
<v Speaker 3>of books about it. But yeah, I felt like that

1430
01:17:58.720 --> 01:18:01.880
<v Speaker 3>was particularly important with stre because I kept asking people

1431
01:18:01.880 --> 01:18:03.760
<v Speaker 3>that they read the book and everybody said no, And

1432
01:18:03.760 --> 01:18:06.439
<v Speaker 3>I said, well, there's all this really bizarre stuff in

1433
01:18:06.439 --> 01:18:09.600
<v Speaker 3>it that relates directly to the case, and I just

1434
01:18:10.760 --> 01:18:14.800
<v Speaker 3>it was interesting to me anyways, so I started to

1435
01:18:14.800 --> 01:18:21.000
<v Speaker 3>dig deeper into it, and then it also correlated with it.

1436
01:18:21.119 --> 01:18:24.600
<v Speaker 3>I was really when I started doing research, I hated

1437
01:18:24.640 --> 01:18:27.119
<v Speaker 3>making phone calls to people. I just hated it because

1438
01:18:27.119 --> 01:18:30.039
<v Speaker 3>it made them feel weird and it made me feel weird.

1439
01:18:30.880 --> 01:18:33.239
<v Speaker 3>But I found that the more I did it, the

1440
01:18:33.279 --> 01:18:39.479
<v Speaker 3>more I found information from actual firsthand sources who corroborated

1441
01:18:39.600 --> 01:18:42.880
<v Speaker 3>the references to the cult that I found in Straub's work,

1442
01:18:44.279 --> 01:18:48.560
<v Speaker 3>to the point where this is one of the things

1443
01:18:48.600 --> 01:18:51.960
<v Speaker 3>that didn't make it into the film unfortunately. But in

1444
01:18:52.000 --> 01:18:57.279
<v Speaker 3>the novel, the Alice Kreese character, this Eva Gali Alma

1445
01:18:57.319 --> 01:19:01.760
<v Speaker 3>MOBILEI character. In one of her incarnation, she appears in

1446
01:19:01.880 --> 01:19:05.359
<v Speaker 3>a stage play and she's a big success, and everybody's

1447
01:19:05.359 --> 01:19:08.239
<v Speaker 3>fascinated with her, and they think, oh, wow, she's destined

1448
01:19:08.279 --> 01:19:09.760
<v Speaker 3>to go on to be a star of the stage

1449
01:19:09.800 --> 01:19:11.039
<v Speaker 3>and she's going to do a lot of great things

1450
01:19:11.079 --> 01:19:16.239
<v Speaker 3>when her but she abruptly disappears. Well, for the longest time,

1451
01:19:16.279 --> 01:19:19.239
<v Speaker 3>I've been reading this book for thirty five thirty six years.

1452
01:19:19.319 --> 01:19:23.680
<v Speaker 3>I read it every Halloween. I had no idea that

1453
01:19:23.680 --> 01:19:26.720
<v Speaker 3>that referred to a real life event. Well, I started

1454
01:19:26.720 --> 01:19:31.680
<v Speaker 3>doing newspaper research on Susanne Conway. She appeared in nineteen

1455
01:19:31.840 --> 01:19:36.800
<v Speaker 3>seventy five in a stage play, then left town very suddenly.

1456
01:19:36.840 --> 01:19:39.720
<v Speaker 3>At first I only knew about the play. Then I

1457
01:19:39.960 --> 01:19:43.279
<v Speaker 3>spoke to one of her fellow cast members in upstate

1458
01:19:43.359 --> 01:19:45.960
<v Speaker 3>New York and he tells me, well, you know, and

1459
01:19:46.000 --> 01:19:48.199
<v Speaker 3>I didn't tell him any of this stuff about ghost story,

1460
01:19:48.239 --> 01:19:49.560
<v Speaker 3>any of the rest of it, But he said, you know,

1461
01:19:49.960 --> 01:19:52.000
<v Speaker 3>I don't know what happened to Sue, because not long

1462
01:19:52.039 --> 01:19:53.600
<v Speaker 3>after she was in the place, she just up and

1463
01:19:53.680 --> 01:19:56.359
<v Speaker 3>left town, and everybody wondered about her. Nobody knew what

1464
01:19:56.439 --> 01:19:58.840
<v Speaker 3>happened to her. So it's a reference to the n

1465
01:19:59.039 --> 01:20:05.319
<v Speaker 3>Veronica More story in the novel, a direct reference. Uh So,

1466
01:20:05.359 --> 01:20:07.760
<v Speaker 3>the more research you do, the more you find out

1467
01:20:07.760 --> 01:20:10.279
<v Speaker 3>that all this stuff actually happened, and that so many

1468
01:20:10.319 --> 01:20:13.640
<v Speaker 3>of the events in the book make reference to real

1469
01:20:13.720 --> 01:20:14.399
<v Speaker 3>life events.

1470
01:20:14.600 --> 01:20:15.560
<v Speaker 4>Real life shit.

1471
01:20:16.079 --> 01:20:20.399
<v Speaker 2>Yeah, Yeah, that's a great blog piece. Specs. You definitely

1472
01:20:20.439 --> 01:20:22.239
<v Speaker 2>check this out. Isn't be in the show notes for

1473
01:20:22.279 --> 01:20:23.000
<v Speaker 2>folks to check out.

1474
01:20:23.840 --> 01:20:29.079
<v Speaker 4>Joe, doesn't Susan Conway remind you of Tuesday Weld a

1475
01:20:29.079 --> 01:20:29.520
<v Speaker 4>little bit.

1476
01:20:31.079 --> 01:20:33.279
<v Speaker 2>She plays a very similar role in the in this

1477
01:20:33.319 --> 01:20:35.439
<v Speaker 2>scene that I think is Tuesday well plays overall and

1478
01:20:35.520 --> 01:20:36.880
<v Speaker 2>especially in the Hollywood scene.

1479
01:20:37.439 --> 01:20:41.760
<v Speaker 4>Yeah, and they're both like priestess level. Yeah, you know

1480
01:20:41.800 --> 01:20:45.279
<v Speaker 4>what I'm saying. You gotta look into Tuesday well if

1481
01:20:45.319 --> 01:20:50.479
<v Speaker 4>you haven't, John, because she's another rabbit hole that just

1482
01:20:50.520 --> 01:20:54.199
<v Speaker 4>never ends. But it's like the ones, the ones in

1483
01:20:54.239 --> 01:20:59.239
<v Speaker 4>these these cults who are actually the upper echelon, They

1484
01:20:59.279 --> 01:21:04.880
<v Speaker 4>actually get in a shielded or hidden or occulted from

1485
01:21:05.680 --> 01:21:11.680
<v Speaker 4>mainstream view, which I come on, are you said very interesting?

1486
01:21:12.359 --> 01:21:13.239
<v Speaker 4>What are you talking about?

1487
01:21:15.359 --> 01:21:17.079
<v Speaker 2>You mean to tell me people aren't how accountable for

1488
01:21:17.079 --> 01:21:20.560
<v Speaker 2>their activities? Is that around the right?

1489
01:21:20.880 --> 01:21:21.159
<v Speaker 8>Yeah?

1490
01:21:21.760 --> 01:21:22.159
<v Speaker 3>What you mean?

1491
01:21:22.279 --> 01:21:24.640
<v Speaker 2>Is that what you want me to believe? I do

1492
01:21:24.800 --> 01:21:28.600
<v Speaker 2>want you now? That is the pattern time and time again. Right.

1493
01:21:29.359 --> 01:21:34.359
<v Speaker 4>Mm so this this uh in the in the movie

1494
01:21:34.600 --> 01:21:37.159
<v Speaker 4>actually too. I wanted to get your thoughts on this.

1495
01:21:38.000 --> 01:21:39.880
<v Speaker 2>May I just make a point on your book booking

1496
01:21:39.920 --> 01:21:43.079
<v Speaker 2>on your statement there, Juliet, relative to national security on

1497
01:21:43.119 --> 01:21:45.920
<v Speaker 2>our left and relative to process church folks who walk

1498
01:21:45.960 --> 01:21:49.479
<v Speaker 2>on our right. Cocaine Bob here walked on trafficking charges

1499
01:21:49.479 --> 01:21:52.560
<v Speaker 2>in cocaine in nineteen eighty no time, and he walked

1500
01:21:52.560 --> 01:21:54.720
<v Speaker 2>on murder charges in nineteen eighty eight of the Roy

1501
01:21:54.840 --> 01:21:58.439
<v Speaker 2>Raiden murder courtesy of Charles Manson's friend Ira Render, then

1502
01:21:58.640 --> 01:22:02.359
<v Speaker 2>LA District attorney and his co conspirator. There Old Cocaine

1503
01:22:02.399 --> 01:22:05.520
<v Speaker 2>Bob was the medi Ian cartels number one dude in

1504
01:22:05.560 --> 01:22:09.279
<v Speaker 2>America's wife. She just popped her husband six months prior

1505
01:22:09.279 --> 01:22:12.640
<v Speaker 2>to arrest with with with which Cocaine Bob was picked

1506
01:22:12.720 --> 01:22:14.840
<v Speaker 2>up for and was an unindicted co conspirator.

1507
01:22:15.960 --> 01:22:21.399
<v Speaker 4>But you know how many people know that you that's true?

1508
01:22:22.359 --> 01:22:25.560
<v Speaker 4>Like and like whoever is listening to this podcast right now,

1509
01:22:25.640 --> 01:22:25.960
<v Speaker 4>Well we.

1510
01:22:25.920 --> 01:22:27.720
<v Speaker 2>Gotta yeah say we got we got one hundred and

1511
01:22:27.760 --> 01:22:29.880
<v Speaker 2>seventy plus folks that are learning these things right now.

1512
01:22:29.880 --> 01:22:37.199
<v Speaker 2>So that's again, this is all right, definitely a barn burner.

1513
01:22:37.319 --> 01:22:39.960
<v Speaker 2>I appreciate. I just I got to bring in the

1514
01:22:39.960 --> 01:22:41.760
<v Speaker 2>Cocaine Bob factor in my back.

1515
01:22:41.960 --> 01:22:43.319
<v Speaker 4>Yeah yeah, I mean that.

1516
01:22:43.199 --> 01:22:45.960
<v Speaker 2>He's an I never leave.

1517
01:22:47.279 --> 01:22:48.840
<v Speaker 4>You cut out for like a second.

1518
01:22:51.199 --> 01:22:54.760
<v Speaker 2>The uh so, Yeah, I mean I just think you know, again,

1519
01:22:54.840 --> 01:22:57.800
<v Speaker 2>we're we're kind of drawing patterns of these activities and people,

1520
01:22:57.800 --> 01:22:59.920
<v Speaker 2>but you know, these people don't get hell accountable, do they.

1521
01:23:01.319 --> 01:23:04.279
<v Speaker 3>No, No, they really don't. There was a handful of

1522
01:23:04.279 --> 01:23:07.960
<v Speaker 3>people in the case of Son of Sam who were

1523
01:23:08.520 --> 01:23:12.279
<v Speaker 3>members or affiliates of the cult who died in odd ways,

1524
01:23:12.359 --> 01:23:15.640
<v Speaker 3>you know, in the few years after Burkewitz's arrest. But

1525
01:23:16.039 --> 01:23:18.880
<v Speaker 3>the people hire up the ladder. Yeah, there very rarely

1526
01:23:19.319 --> 01:23:22.760
<v Speaker 3>are any consequences for them, unfortunately.

1527
01:23:22.159 --> 01:23:24.039
<v Speaker 2>For sure. And I just want to highlight this before

1528
01:23:24.039 --> 01:23:26.920
<v Speaker 2>we move on Peter Strobe, unless y'all have anything else

1529
01:23:26.960 --> 01:23:30.199
<v Speaker 2>on Strobe. But he says he wrote ghost story. The

1530
01:23:30.279 --> 01:23:32.720
<v Speaker 2>reason I chose to write scary books was because at

1531
01:23:32.720 --> 01:23:35.800
<v Speaker 2>the time there were only three horror novels, and they'd

1532
01:23:35.840 --> 01:23:40.319
<v Speaker 2>been enormously successful with The Exorcist, Rosemary's Baby and the other.

1533
01:23:40.359 --> 01:23:43.159
<v Speaker 2>And I just like to remind everyone Rosemary's Baby was

1534
01:23:43.199 --> 01:23:47.680
<v Speaker 2>a process outfit with Roman Planski Cocaine Bob. He was

1535
01:23:47.720 --> 01:23:50.079
<v Speaker 2>on set every day despite being the head of Paramount

1536
01:23:50.079 --> 01:23:52.239
<v Speaker 2>and hiring Polansky to do that. And I like to

1537
01:23:52.239 --> 01:23:54.399
<v Speaker 2>put a note in there, penning Polansky there for a second,

1538
01:23:54.439 --> 01:23:56.640
<v Speaker 2>because he comes up later here in Tonight's tale. But

1539
01:23:57.319 --> 01:23:59.439
<v Speaker 2>is if you aren't having anything else on Peter Strub,

1540
01:23:59.640 --> 01:24:02.119
<v Speaker 2>we can continue. But by all means, this guy's an

1541
01:24:02.119 --> 01:24:02.840
<v Speaker 2>interesting character.

1542
01:24:05.640 --> 01:24:08.560
<v Speaker 3>Yeah, I would. I wish I knew more about him personally,

1543
01:24:08.640 --> 01:24:12.680
<v Speaker 3>because it's it's just so obvious that he had a

1544
01:24:12.720 --> 01:24:16.079
<v Speaker 3>first hand source, you know. Yeah, but it's the kind

1545
01:24:16.119 --> 01:24:18.399
<v Speaker 3>of thing that he was never going to talk about openly.

1546
01:24:18.399 --> 01:24:22.319
<v Speaker 3>I mean, he he talks about certain influence, you know,

1547
01:24:22.359 --> 01:24:25.479
<v Speaker 3>literary influence and stuff on Ghost Story. He talks about

1548
01:24:25.920 --> 01:24:30.359
<v Speaker 3>you know, uh, Nathaniel Hawthorne and Henry James and all that.

1549
01:24:30.439 --> 01:24:34.960
<v Speaker 3>But but those are the obvious things. What's not so obvious? Hey?

1550
01:24:34.840 --> 01:24:36.439
<v Speaker 2>There you go. What do we don't know that we

1551
01:24:36.479 --> 01:24:38.560
<v Speaker 2>don't know that we do? They know that we don't know.

1552
01:24:38.920 --> 01:24:42.439
<v Speaker 3>Yeah, And I just I wish, I wish it was

1553
01:24:42.840 --> 01:24:45.359
<v Speaker 3>a wider discussion. I'd like to bring more people into it,

1554
01:24:45.399 --> 01:24:48.319
<v Speaker 3>you know, because somebody's going to know something about this somewhere.

1555
01:24:48.640 --> 01:24:50.520
<v Speaker 3>We just have to bring him into the circle and

1556
01:24:50.840 --> 01:24:52.680
<v Speaker 3>and get everybody to talk about it.

1557
01:24:53.560 --> 01:24:53.840
<v Speaker 2>Well.

1558
01:24:53.880 --> 01:24:57.560
<v Speaker 4>To add on to your point really quick about this

1559
01:24:57.720 --> 01:25:01.840
<v Speaker 4>author and why I feel like it's significant is because

1560
01:25:02.159 --> 01:25:07.119
<v Speaker 4>someone that I comment on constantly that I actually have

1561
01:25:07.159 --> 01:25:13.399
<v Speaker 4>a poster right here, Stanley Kubrick. He put into his

1562
01:25:13.560 --> 01:25:17.800
<v Speaker 4>movies things that were not in the novels, right like

1563
01:25:17.880 --> 01:25:25.279
<v Speaker 4>the Shining clockwork Orange, Lolita, you know. And the guy

1564
01:25:25.319 --> 01:25:29.520
<v Speaker 4>who wrote a Clockwork Orange actually ripped off the idea

1565
01:25:29.560 --> 01:25:33.000
<v Speaker 4>from a conversation that Stanley Kubrick was having with someone

1566
01:25:33.479 --> 01:25:38.640
<v Speaker 4>and then he ended yes, yes. So Stanley Kubrick was

1567
01:25:38.640 --> 01:25:40.600
<v Speaker 4>at a party one night with a bunch of like

1568
01:25:40.640 --> 01:25:43.600
<v Speaker 4>weird German people like Warner von Braun and ship like that,

1569
01:25:43.760 --> 01:25:48.039
<v Speaker 4>and he was talking about the idea of a clockwork orange.

1570
01:25:48.439 --> 01:25:51.079
<v Speaker 4>The guy who wrote the book was there, wrote the

1571
01:25:51.119 --> 01:25:53.760
<v Speaker 4>book and then had Stanley direct the film. But the

1572
01:25:53.840 --> 01:25:54.840
<v Speaker 4>reason I bring all.

1573
01:25:54.720 --> 01:26:02.000
<v Speaker 2>This up, it's Anthony Burgess. Like you, He's also got

1574
01:26:02.000 --> 01:26:02.479
<v Speaker 2>a weird.

1575
01:26:03.399 --> 01:26:07.920
<v Speaker 4>Stories, right, Anthony Burgess. So why I bring that up

1576
01:26:08.000 --> 01:26:12.760
<v Speaker 4>is because Stanley Kubrick was supposed to direct The Exorcist,

1577
01:26:13.159 --> 01:26:15.399
<v Speaker 4>but he passed it up. He said he didn't want

1578
01:26:15.399 --> 01:26:19.840
<v Speaker 4>to do it, and so they got William Friedkin to

1579
01:26:19.920 --> 01:26:23.560
<v Speaker 4>do the Exorcist. But then because he passed up on

1580
01:26:23.600 --> 01:26:27.760
<v Speaker 4>the Exorcist, they asked him to do The Shining and

1581
01:26:27.800 --> 01:26:30.279
<v Speaker 4>he took it and flipped it and made it a

1582
01:26:30.319 --> 01:26:33.520
<v Speaker 4>cult and esoteric and it it is what we have today.

1583
01:26:33.520 --> 01:26:36.920
<v Speaker 4>But then look at the other book slash movie that's

1584
01:26:36.920 --> 01:26:42.199
<v Speaker 4>listed Rosemary's Baby, right, Polanski. So this guy is talking

1585
01:26:42.239 --> 01:26:47.399
<v Speaker 4>about I wanted to write horror because I know how

1586
01:26:47.600 --> 01:26:50.840
<v Speaker 4>esoteric it is. Basically, right, we got like The Exorcist,

1587
01:26:51.119 --> 01:26:54.279
<v Speaker 4>Rosemary's Baby, I mean, Stanley Kubrick was doing all this

1588
01:26:54.359 --> 01:26:59.359
<v Speaker 4>shit too, right books and making them you know what

1589
01:26:59.359 --> 01:27:01.760
<v Speaker 4>I mean. It's like they're all kind of connected. They

1590
01:27:01.800 --> 01:27:04.199
<v Speaker 4>all know that they can slip stuff in there.

1591
01:27:04.920 --> 01:27:07.000
<v Speaker 2>Yeah, for sure, I would argue it's them trying to

1592
01:27:07.760 --> 01:27:10.720
<v Speaker 2>basically a public initiation of some of the cold ideas. Because

1593
01:27:10.920 --> 01:27:13.760
<v Speaker 2>you mentioned freaking he ties into the gay club s

1594
01:27:13.800 --> 01:27:15.880
<v Speaker 2>and m scene with this tale relative to the Son

1595
01:27:15.920 --> 01:27:17.720
<v Speaker 2>of Sam story of the early eighties in New York City,

1596
01:27:19.079 --> 01:27:21.319
<v Speaker 2>that death mass story, the death mass story that John

1597
01:27:21.319 --> 01:27:24.399
<v Speaker 2>wrote about would be this environment here and cruising. In fact,

1598
01:27:24.920 --> 01:27:27.199
<v Speaker 2>freakin knew the guy that was doing these murders.

1599
01:27:28.760 --> 01:27:30.560
<v Speaker 4>But see how they slipped that shit in.

1600
01:27:31.960 --> 01:27:34.000
<v Speaker 2>Yeah, and Freaking's it's I'm just friends with this guy

1601
01:27:34.039 --> 01:27:36.479
<v Speaker 2>who's a gay, gay s and m club serial killer.

1602
01:27:36.560 --> 01:27:38.800
<v Speaker 2>Don't worry about it, folks, don't worry about it, and

1603
01:27:38.840 --> 01:27:42.199
<v Speaker 2>go the Cocaine Bible star his buddy Alvil stars the

1604
01:27:42.359 --> 01:27:44.239
<v Speaker 2>you know in the film about it, right, Because these

1605
01:27:44.319 --> 01:27:46.600
<v Speaker 2>idiots are just telling that they're bragging about their Speaking

1606
01:27:46.640 --> 01:27:48.800
<v Speaker 2>of the Braggs we talked about earlier, John, they're just

1607
01:27:48.800 --> 01:27:51.640
<v Speaker 2>bragging about their shit in my opinion. But yeah, well

1608
01:27:51.680 --> 01:27:53.640
<v Speaker 2>I'm just the garbage candidates. Who am I to say?

1609
01:27:53.920 --> 01:27:55.920
<v Speaker 3>Well, I tell you, and I hope this is not

1610
01:27:55.960 --> 01:27:58.439
<v Speaker 3>going to sound like bragging, because it really isn't. But

1611
01:27:58.479 --> 01:28:01.159
<v Speaker 3>it's just such an innoc capable connection I have to

1612
01:28:01.199 --> 01:28:06.600
<v Speaker 3>mention it. In reference to Cruising, the Los Angeles punk

1613
01:28:06.680 --> 01:28:08.920
<v Speaker 3>rock band The Germs. They did a couple of songs

1614
01:28:08.920 --> 01:28:10.880
<v Speaker 3>for the sound Actually they did about half an album's

1615
01:28:10.880 --> 01:28:13.000
<v Speaker 3>worth of stuff for the soundtrack of that film, but

1616
01:28:13.079 --> 01:28:17.039
<v Speaker 3>only one of the songs wound up being used. Uh,

1617
01:28:17.560 --> 01:28:23.319
<v Speaker 3>there is cult history there, Yeah, in in In Darby

1618
01:28:23.359 --> 01:28:24.800
<v Speaker 3>Crash's background.

1619
01:28:24.399 --> 01:28:30.720
<v Speaker 2>Though, came from that band. Yeah, no ship, Yeah.

1620
01:28:30.800 --> 01:28:35.000
<v Speaker 3>George Ruthenberg, Yeah, I don't. A good friend of mine

1621
01:28:35.039 --> 01:28:40.720
<v Speaker 3>knew Darby fairlywell. She was involved in that scene and

1622
01:28:40.760 --> 01:28:46.920
<v Speaker 3>in fact she was Nicholas Shrek's first wife.

1623
01:28:48.560 --> 01:28:50.319
<v Speaker 2>That's right, you told me about that.

1624
01:28:52.199 --> 01:28:56.600
<v Speaker 3>But we were good, good friends. And Uh, I learned

1625
01:28:56.640 --> 01:29:01.680
<v Speaker 3>a lot reading about Darby because he I believe he

1626
01:29:01.800 --> 01:29:06.680
<v Speaker 3>was almost certainly programmed. Uh, and that's probably a story

1627
01:29:06.720 --> 01:29:08.159
<v Speaker 3>for another time, but but.

1628
01:29:08.279 --> 01:29:11.359
<v Speaker 2>He was a story from our time because I just

1629
01:29:11.359 --> 01:29:12.880
<v Speaker 2>put a pen in that there that' stuff. This is

1630
01:29:12.920 --> 01:29:14.239
<v Speaker 2>all very interesting, Please continue.

1631
01:29:14.279 --> 01:29:17.479
<v Speaker 3>Yeah, Actually, there's a lot of strange history there. He

1632
01:29:17.680 --> 01:29:19.680
<v Speaker 3>very early on, when he was still in high school.

1633
01:29:20.079 --> 01:29:22.920
<v Speaker 3>He had people from scientology and est and all these

1634
01:29:23.039 --> 01:29:27.880
<v Speaker 3>organizations actively messing with the heads of the kids that

1635
01:29:27.920 --> 01:29:30.960
<v Speaker 3>attended that school. So yeah, that that's something we could

1636
01:29:30.960 --> 01:29:33.159
<v Speaker 3>talk about another for sure.

1637
01:29:33.279 --> 01:29:39.159
<v Speaker 2>Dude. That exercise into my speaking of weird McGowan's weird

1638
01:29:39.159 --> 01:29:42.239
<v Speaker 2>scenes inside the Canyon. I took the framework of his story,

1639
01:29:42.319 --> 01:29:46.760
<v Speaker 2>the salient characteristics and points that he identified theirs. That

1640
01:29:46.920 --> 01:29:49.720
<v Speaker 2>was the framework of that operation in Laurel Canyon. I

1641
01:29:49.760 --> 01:29:53.119
<v Speaker 2>applied that same framework to Seattle rungs counterculture and it's

1642
01:29:53.159 --> 01:29:55.760
<v Speaker 2>the exact same fucking thing. And Pat Smer is part

1643
01:29:55.800 --> 01:29:57.239
<v Speaker 2>of that counterculture. That's interesting.

1644
01:29:57.920 --> 01:30:01.479
<v Speaker 4>Yeah, the Nirvana you know, weird.

1645
01:30:01.600 --> 01:30:07.119
<v Speaker 2>Yeah, he came in there in love. Yeah, well yeah, yeah,

1646
01:30:07.159 --> 01:30:08.640
<v Speaker 2>that's yeah, there's a lot of a lot of a

1647
01:30:08.640 --> 01:30:10.960
<v Speaker 2>lot of weird tana have been getting on with those topics.

1648
01:30:10.960 --> 01:30:13.720
<v Speaker 2>But back to the ghost story here. The tonight's topic

1649
01:30:13.760 --> 01:30:15.760
<v Speaker 2>you can hand which I do appreciate your folks time

1650
01:30:15.800 --> 01:30:17.800
<v Speaker 2>at the interwebs in of course John and Julia and

1651
01:30:17.840 --> 01:30:20.520
<v Speaker 2>your conversation. I'm learning a lot here, as I always

1652
01:30:20.520 --> 01:30:22.920
<v Speaker 2>do with both of you all in conversations and podcasts.

1653
01:30:22.960 --> 01:30:26.199
<v Speaker 2>So I do appreciate that. And I will only show

1654
01:30:26.199 --> 01:30:29.119
<v Speaker 2>this picture of Cocaine Bob six or seven more times,

1655
01:30:29.119 --> 01:30:32.520
<v Speaker 2>so I do want to get that out there. So

1656
01:30:33.239 --> 01:30:35.479
<v Speaker 2>ghost story, and I just want to add this, and

1657
01:30:35.560 --> 01:30:37.600
<v Speaker 2>I asked you all this question here too as well.

1658
01:30:38.000 --> 01:30:40.000
<v Speaker 2>If you were to pick a character from the film

1659
01:30:40.000 --> 01:30:42.319
<v Speaker 2>and sign them to one of these Muppet muppets, who

1660
01:30:42.399 --> 01:30:46.720
<v Speaker 2>which character would it be? In which muppet? Obviously we

1661
01:30:46.800 --> 01:30:48.840
<v Speaker 2>know that the female ones, that's the only one. I'm

1662
01:30:48.840 --> 01:30:52.000
<v Speaker 2>talking about, the the the creepy fellas.

1663
01:30:51.800 --> 01:30:58.479
<v Speaker 3>Right, I'll I'll do. I'll say that doctor Jeffrey is

1664
01:30:59.119 --> 01:31:03.960
<v Speaker 3>the disheveled, the guy in the chef's head Douglas character.

1665
01:31:04.840 --> 01:31:08.439
<v Speaker 2>Yeah, yeah, he's my favorite one out of the bunch.

1666
01:31:08.600 --> 01:31:09.920
<v Speaker 2>He's my favorite one out of the bunch.

1667
01:31:10.600 --> 01:31:16.000
<v Speaker 4>Ricky is the teddy bear faced one. I think right now,

1668
01:31:17.039 --> 01:31:19.319
<v Speaker 4>maybe Ricky is the chef's hat guy.

1669
01:31:21.760 --> 01:31:24.079
<v Speaker 2>I think Freda Staire's Kerman. I could see him, you know,

1670
01:31:24.119 --> 01:31:24.800
<v Speaker 2>cutting a rug.

1671
01:31:32.319 --> 01:31:33.920
<v Speaker 4>What's the last one's name.

1672
01:31:34.960 --> 01:31:37.199
<v Speaker 2>Well, it started out as Gonzo. He went through a

1673
01:31:37.239 --> 01:31:38.760
<v Speaker 2>couple of morphs, you know what I mean, in the

1674
01:31:38.800 --> 01:31:41.520
<v Speaker 2>GCD Muppet Factory, so it didn't come out as Gonzo,

1675
01:31:41.640 --> 01:31:42.800
<v Speaker 2>but he started as Gonzo.

1676
01:31:43.800 --> 01:31:46.319
<v Speaker 4>No, but the guy, the last guy in the movie,

1677
01:31:46.399 --> 01:31:49.199
<v Speaker 4>the fat guy always sits in the chair.

1678
01:31:50.119 --> 01:31:52.800
<v Speaker 2>Yeah, that's a good question. So we got Fred Astaire, right,

1679
01:31:52.840 --> 01:31:55.239
<v Speaker 2>and start these four old muppets that you'll see there

1680
01:31:55.399 --> 01:31:59.520
<v Speaker 2>and depicted in the My My Muppets Take Take the

1681
01:31:59.520 --> 01:32:03.479
<v Speaker 2>Ghost Story Invasion. There we got the cast of Fred Astaire,

1682
01:32:03.560 --> 01:32:06.840
<v Speaker 2>Ricky Hawthorne, right, we got Melvin Douglass. Y'all just mentioned

1683
01:32:06.840 --> 01:32:10.079
<v Speaker 2>doctor John Jeffery. He's trying to out out JJ mee,

1684
01:32:10.079 --> 01:32:14.920
<v Speaker 2>that son of a bitch, Douglas Fairbanks Junior, Edward Charles Wanderley,

1685
01:32:14.960 --> 01:32:18.039
<v Speaker 2>and John Houseman Sears James Okay.

1686
01:32:17.880 --> 01:32:20.680
<v Speaker 4>John Houseman is the Teddy bear faced one?

1687
01:32:21.399 --> 01:32:22.319
<v Speaker 2>All right, fair enough?

1688
01:32:22.680 --> 01:32:25.520
<v Speaker 3>I think that's yeah.

1689
01:32:25.560 --> 01:32:33.520
<v Speaker 4>And then obviously Alice Kreig is Miss Piggy for sure.

1690
01:32:34.800 --> 01:32:37.880
<v Speaker 2>So when, uh, was there anything about the director or

1691
01:32:38.079 --> 01:32:40.359
<v Speaker 2>executive producer? I mean, it's all a little it about

1692
01:32:40.359 --> 01:32:43.359
<v Speaker 2>the executive producer, but the director, he didn't really do

1693
01:32:43.479 --> 01:32:46.600
<v Speaker 2>much of note or of colts or anything that's seemingly

1694
01:32:46.600 --> 01:32:48.199
<v Speaker 2>of significance, to be quite honest with you.

1695
01:32:48.239 --> 01:32:51.439
<v Speaker 3>Besides, yeah, I forget how he was assigned to this project.

1696
01:32:51.439 --> 01:32:56.439
<v Speaker 3>I though the screenwriter h Lawrence Cohen. He had done

1697
01:32:56.520 --> 01:33:00.840
<v Speaker 3>the screenplay for Carrie, the film version of Carrie. Yeah,

1698
01:33:01.079 --> 01:33:03.920
<v Speaker 3>really really great job with that. Yeah, And you can

1699
01:33:03.920 --> 01:33:07.560
<v Speaker 3>tell that he read Ghost Story because quotes from the

1700
01:33:07.600 --> 01:33:10.239
<v Speaker 3>book pop up here and there, you know, throughout the film.

1701
01:33:12.399 --> 01:33:17.520
<v Speaker 3>So it's the book is so long and involved and

1702
01:33:17.560 --> 01:33:20.359
<v Speaker 3>has so many different characters and situations that you can

1703
01:33:20.399 --> 01:33:22.159
<v Speaker 3>see why they had to kind of fold some of

1704
01:33:22.239 --> 01:33:26.199
<v Speaker 3>them into each other and abbreviate some things, sure for

1705
01:33:26.319 --> 01:33:26.720
<v Speaker 3>the movie.

1706
01:33:26.800 --> 01:33:28.720
<v Speaker 2>My only question with this guy, and you all may

1707
01:33:28.760 --> 01:33:31.000
<v Speaker 2>have the same kind of Julia maybe thinking the same

1708
01:33:31.039 --> 01:33:34.439
<v Speaker 2>thing as well there with your processed church understandings, what

1709
01:33:34.520 --> 01:33:36.760
<v Speaker 2>was this dude doing in London in nineteen sixty four,

1710
01:33:36.800 --> 01:33:38.319
<v Speaker 2>Because I'd be curious to them be saying out in

1711
01:33:38.319 --> 01:33:43.199
<v Speaker 2>the Mayfair district that would that the plot was thick

1712
01:33:43.239 --> 01:33:44.920
<v Speaker 2>And if he's if he's linked with the process in

1713
01:33:44.960 --> 01:33:47.279
<v Speaker 2>the Mayfair district in sixty four, that's all I'm saying,

1714
01:33:47.399 --> 01:33:49.800
<v Speaker 2>you know what I mean? Yeah, back of that India

1715
01:33:49.880 --> 01:33:51.760
<v Speaker 2>Indica Cafe along with the Beatles.

1716
01:33:51.840 --> 01:33:55.880
<v Speaker 3>Right, yeah, well he's the right age range, so it could.

1717
01:33:56.680 --> 01:33:58.800
<v Speaker 2>Yeah. Right, he'd been twenty four years old the time

1718
01:33:58.840 --> 01:34:01.680
<v Speaker 2>he'd been writing their Wheelhouse of Croup. I would imagine

1719
01:34:01.960 --> 01:34:05.760
<v Speaker 2>yeah now, and I just say that because like he's

1720
01:34:05.800 --> 01:34:08.960
<v Speaker 2>doing stuff for and and broadcasting film Ember in BBC.

1721
01:34:09.079 --> 01:34:12.079
<v Speaker 2>Looks like in that timeframe, right, see made for TV

1722
01:34:12.159 --> 01:34:13.199
<v Speaker 2>films over there and whatnot.

1723
01:34:13.880 --> 01:34:22.560
<v Speaker 4>Yeah, it says something about Christopher Walking in the eighties he.

1724
01:34:22.520 --> 01:34:25.640
<v Speaker 2>Made Yeah, so this was his first movie. Yeah, this

1725
01:34:25.760 --> 01:34:27.720
<v Speaker 2>was his first movie in America, and then Ghost Story

1726
01:34:27.800 --> 01:34:29.079
<v Speaker 2>was number two. But yeah, dogs of.

1727
01:34:33.159 --> 01:34:43.319
<v Speaker 4>JJ you cut out jj uh Oh he's froze. Are

1728
01:34:43.359 --> 01:34:45.560
<v Speaker 4>you there? Yeah, you're back, you back?

1729
01:34:46.239 --> 01:34:48.520
<v Speaker 2>Yeah. He also would do raw deal with that shitty

1730
01:34:48.600 --> 01:34:50.720
<v Speaker 2>the shitty Belushi in Schwarzenegger.

1731
01:34:52.520 --> 01:34:53.520
<v Speaker 3>I remember that one.

1732
01:34:56.279 --> 01:35:00.880
<v Speaker 4>Well, you know, Christopher Walking is a whole nother podcast topic,

1733
01:35:01.119 --> 01:35:06.319
<v Speaker 4>especially his weirdness with what's your Name? Natalie?

1734
01:35:06.600 --> 01:35:08.439
<v Speaker 3>Natalie would yeah, Natalie.

1735
01:35:08.159 --> 01:35:11.199
<v Speaker 2>Oh, yeah, for sure. This is this is a this

1736
01:35:11.239 --> 01:35:13.439
<v Speaker 2>is a weird movie. This is weird. I'm reading the synopsis.

1737
01:35:13.560 --> 01:35:15.920
<v Speaker 2>This is a fucking weird movie, dude.

1738
01:35:17.279 --> 01:35:19.199
<v Speaker 4>It looks like he has black Face on.

1739
01:35:20.119 --> 01:35:23.960
<v Speaker 3>Based on the Angola mercenary situation.

1740
01:35:23.960 --> 01:35:25.800
<v Speaker 2>Like, why are they making this movie in the first place,

1741
01:35:25.920 --> 01:35:27.640
<v Speaker 2>what's the And then they say that they based it

1742
01:35:27.680 --> 01:35:30.600
<v Speaker 2>off of a phrase from William Shakespeare. I just feel

1743
01:35:30.600 --> 01:35:32.279
<v Speaker 2>like there's a lot more to this film too, right.

1744
01:35:33.399 --> 01:35:37.840
<v Speaker 6>William Shakespeare looks like an interesting one, and I would

1745
01:35:37.880 --> 01:35:40.960
<v Speaker 6>wonder if it had anything to do with the fact that,

1746
01:35:41.000 --> 01:35:43.119
<v Speaker 6>you know, a lot of those mercenaries that wound up

1747
01:35:43.119 --> 01:35:49.399
<v Speaker 6>in Angola, they were trained at Jonestown, the same grounds there, right.

1748
01:35:49.520 --> 01:35:51.319
<v Speaker 2>You know exactly what I'm talking about, sir. This is

1749
01:35:51.359 --> 01:35:53.720
<v Speaker 2>the interesting details you're picking You're picking up what I'm

1750
01:35:53.720 --> 01:35:56.039
<v Speaker 2>what I'm talking about there, Johnny, You're a very smart man.

1751
01:35:56.079 --> 01:35:57.279
<v Speaker 2>You know exactly what I'm talking about.

1752
01:35:57.960 --> 01:36:00.199
<v Speaker 3>I've just been that same note.

1753
01:36:00.800 --> 01:36:04.239
<v Speaker 2>On that same note that that creepy sigh op situation

1754
01:36:04.359 --> 01:36:05.960
<v Speaker 2>or whatever the hell it popped off in Minnesota over

1755
01:36:05.960 --> 01:36:08.000
<v Speaker 2>the weekend with those lawmakers up there getting marked in

1756
01:36:08.000 --> 01:36:11.079
<v Speaker 2>the middle of the night. That dude operates a security

1757
01:36:11.119 --> 01:36:12.960
<v Speaker 2>company out of the Congo. And that's the first thing

1758
01:36:13.000 --> 01:36:14.399
<v Speaker 2>I thought of when I read that detail, is what

1759
01:36:14.439 --> 01:36:15.520
<v Speaker 2>you just said there, john.

1760
01:36:15.760 --> 01:36:21.199
<v Speaker 3>Yeah, Yeah, things are still happening. We I think we

1761
01:36:21.239 --> 01:36:24.560
<v Speaker 3>live in much more interesting times than people might generally think.

1762
01:36:24.800 --> 01:36:26.960
<v Speaker 3>You know, all the crazy stuff that happened in the

1763
01:36:27.000 --> 01:36:29.920
<v Speaker 3>sixties and seventies, we still we get our own versions

1764
01:36:29.960 --> 01:36:30.960
<v Speaker 3>of that even today.

1765
01:36:31.840 --> 01:36:34.720
<v Speaker 2>Oh, I tell you, I don't think that. I didn't

1766
01:36:34.720 --> 01:36:36.800
<v Speaker 2>realize John Irvan did this film. I love this film.

1767
01:36:37.680 --> 01:36:38.960
<v Speaker 3>I don't know if I've seen this one.

1768
01:36:39.279 --> 01:36:40.920
<v Speaker 4>I have not seen this one.

1769
01:36:42.479 --> 01:36:45.760
<v Speaker 2>To give you an abridged version, US Army Airborne Ranger

1770
01:36:46.279 --> 01:36:49.640
<v Speaker 2>raised an apple aachi at Truman Gates migrates Chicago to

1771
01:36:49.680 --> 01:36:53.800
<v Speaker 2>become a police officer. That's Patrick Swayze. Oh, hal breaks

1772
01:36:53.840 --> 01:36:56.159
<v Speaker 2>Lucy starts battling with the mob, which is Ben Stiller

1773
01:36:56.319 --> 01:36:58.680
<v Speaker 2>was like the son of the mob, and in the

1774
01:36:58.680 --> 01:37:01.640
<v Speaker 2>the uh, I don't know whatever mob was in Chicago

1775
01:37:01.680 --> 01:37:04.680
<v Speaker 2>at the time. I think they were re taling about. Remember,

1776
01:37:05.720 --> 01:37:08.760
<v Speaker 2>but Liam Neeson comes in there and he gets murked

1777
01:37:08.840 --> 01:37:11.000
<v Speaker 2>spill alert, and that's his brother and then the whole

1778
01:37:11.359 --> 01:37:14.359
<v Speaker 2>Then everyone comes from Appalachia there in Kentucky to come

1779
01:37:14.439 --> 01:37:17.319
<v Speaker 2>Avenger's brother's murdered Chicago. They start murking folks in Chicago

1780
01:37:17.359 --> 01:37:19.840
<v Speaker 2>Appleacha style. I like that. I like that.

1781
01:37:20.840 --> 01:37:24.039
<v Speaker 4>Well, you know, I love Bill Paxton, but I will

1782
01:37:24.079 --> 01:37:24.479
<v Speaker 4>just say a.

1783
01:37:24.479 --> 01:37:29.199
<v Speaker 2>Lot of ex a lot of excitement. Yeah, Bill Paxton,

1784
01:37:29.279 --> 01:37:31.159
<v Speaker 2>you got Baldwin.

1785
01:37:32.079 --> 01:37:33.600
<v Speaker 4>Which bald is that?

1786
01:37:33.600 --> 01:37:36.680
<v Speaker 2>That's not no, it's the non Baldwin Baldwin. He'll recognize

1787
01:37:36.680 --> 01:37:43.920
<v Speaker 2>his face as I go ahead.

1788
01:37:44.720 --> 01:37:46.720
<v Speaker 4>I was just gonna say if he was part of

1789
01:37:46.720 --> 01:37:49.880
<v Speaker 4>the Baldwins. I just learned something very interesting about them

1790
01:37:49.880 --> 01:37:57.079
<v Speaker 4>today that their bloodline includes all kinds of weird upper echelon,

1791
01:37:57.279 --> 01:38:05.960
<v Speaker 4>including like several presidents he'll Clinton and like some weird inbred.

1792
01:38:05.640 --> 01:38:08.319
<v Speaker 2>Like wait, wait, who was this? Who were we talking about.

1793
01:38:08.159 --> 01:38:09.439
<v Speaker 4>The Baldwin family.

1794
01:38:10.279 --> 01:38:12.199
<v Speaker 2>Oh, I'm not surprised by any of this. This makes

1795
01:38:12.239 --> 01:38:12.560
<v Speaker 2>sense to me.

1796
01:38:12.720 --> 01:38:15.680
<v Speaker 4>Right, But I mean they were talking about it openly

1797
01:38:15.720 --> 01:38:19.439
<v Speaker 4>on this podcast thing and oh shit, like bragging about it, like,

1798
01:38:19.479 --> 01:38:24.720
<v Speaker 4>oh yeah, we're related to you know, upper echelon and

1799
01:38:24.800 --> 01:38:27.079
<v Speaker 4>like these old in bread fox that used to have

1800
01:38:27.239 --> 01:38:31.600
<v Speaker 4>klutter palettes and stuff like that. And somebody wrote in

1801
01:38:31.680 --> 01:38:35.239
<v Speaker 4>the comment section Bill Paxton is dead. I know, And

1802
01:38:35.359 --> 01:38:39.319
<v Speaker 4>I'm really sad about that because I really loved Tim Well.

1803
01:38:39.600 --> 01:38:41.880
<v Speaker 2>Now that I'm now that we're considering John Urbans works

1804
01:38:41.880 --> 01:38:44.479
<v Speaker 2>and he's more of an esoteric understanding here, I also

1805
01:38:44.560 --> 01:38:46.439
<v Speaker 2>love Bill Paxton. By the way, he's a great actor.

1806
01:38:47.560 --> 01:38:50.680
<v Speaker 2>I see Joey Rosalini here is the name listed as

1807
01:38:50.760 --> 01:38:53.199
<v Speaker 2>this character that kills Liam Neest in that story. And

1808
01:38:53.279 --> 01:38:56.520
<v Speaker 2>that's interesting because you know, Johnny Roselli was the famous

1809
01:38:56.720 --> 01:38:59.800
<v Speaker 2>mobster out of Chicago associated with the JFK Biz and

1810
01:39:00.000 --> 01:39:01.880
<v Speaker 2>a lot of the other characters were discussing here within

1811
01:39:01.920 --> 01:39:04.520
<v Speaker 2>these this processing kind of element, right.

1812
01:39:05.439 --> 01:39:10.279
<v Speaker 4>Johnny Roselli was also tied up with Marilyn Monroe.

1813
01:39:11.119 --> 01:39:13.720
<v Speaker 2>Well, that's what I'm saying. His sidekick was Frank Sinatra,

1814
01:39:13.760 --> 01:39:16.119
<v Speaker 2>and Frank Sinatra and the entire rat pack. In my opinion,

1815
01:39:16.479 --> 01:39:19.560
<v Speaker 2>we're involved with the process, not just Mia Farrow's wife,

1816
01:39:19.600 --> 01:39:22.680
<v Speaker 2>not just Sammy Davis Junior, right, the stars of who

1817
01:39:22.760 --> 01:39:26.079
<v Speaker 2>starred in Bob Cocaine, Evans and Roman Planski's cinematic shit

1818
01:39:26.079 --> 01:39:30.000
<v Speaker 2>show to Satanism Rosemary's Baby. But there's more connections, and

1819
01:39:30.079 --> 01:39:32.359
<v Speaker 2>I actually have those connections on deck here. But before

1820
01:39:32.359 --> 01:39:33.960
<v Speaker 2>we go any further from John Irvin, do you all

1821
01:39:33.960 --> 01:39:35.079
<v Speaker 2>have any more comments on him?

1822
01:39:37.439 --> 01:39:39.960
<v Speaker 4>No, I don't have anything to add.

1823
01:39:40.680 --> 01:39:44.279
<v Speaker 2>How about the executive producer, Bert Weissberd.

1824
01:39:45.800 --> 01:39:49.039
<v Speaker 4>Is he an asshole or not? Yeah?

1825
01:39:49.239 --> 01:39:51.680
<v Speaker 2>Again, he didn't really like these guys didn't really seem

1826
01:39:51.720 --> 01:39:56.720
<v Speaker 2>to do a lot of significant stuff after this film.

1827
01:39:56.840 --> 01:39:59.760
<v Speaker 3>Yeah, I just remember seeing his name in the credits

1828
01:39:59.760 --> 01:40:03.399
<v Speaker 3>of the movie, but I don't know anything about him.

1829
01:40:02.960 --> 01:40:05.560
<v Speaker 2>Uh, there's not much. Yeah, I couldn't find much about

1830
01:40:05.600 --> 01:40:06.920
<v Speaker 2>him either, to be quite honest with you.

1831
01:40:07.239 --> 01:40:10.159
<v Speaker 3>Looks like the film. There was Sam Sheppard, which is

1832
01:40:10.199 --> 01:40:12.159
<v Speaker 3>interesting because he was he had a thing with Patty

1833
01:40:12.239 --> 01:40:13.199
<v Speaker 3>Smith for a little while.

1834
01:40:13.319 --> 01:40:15.920
<v Speaker 2>So well as you say that he started and that's

1835
01:40:15.960 --> 01:40:18.760
<v Speaker 2>Sam Shepherd and he starts with with Sissy SpaceX. So

1836
01:40:18.760 --> 01:40:19.920
<v Speaker 2>what do you got on Sam Shepherd?

1837
01:40:20.880 --> 01:40:23.840
<v Speaker 3>Yeah, he was just he he had a brief affair

1838
01:40:23.960 --> 01:40:27.399
<v Speaker 3>with with Patty Smith and they they wrote a play

1839
01:40:27.399 --> 01:40:31.000
<v Speaker 3>about it, Cowboy Mouth. But they're both actually performed in

1840
01:40:31.079 --> 01:40:37.159
<v Speaker 3>course that's named after Bob Dylan lyric. But yeah, mainly

1841
01:40:37.199 --> 01:40:39.199
<v Speaker 3>just his his association with Patti Smith.

1842
01:40:39.199 --> 01:40:41.439
<v Speaker 2>There, hear me if I'm wrong, One of these cult

1843
01:40:41.560 --> 01:40:44.439
<v Speaker 2>nicknames for Ronald Sisman was Sissy SpaceX.

1844
01:40:44.039 --> 01:40:46.560
<v Speaker 3>Right, that's right, Yeah, that's right.

1845
01:40:47.119 --> 01:40:49.239
<v Speaker 2>And Sissy Spacek was a Ford model, was she not?

1846
01:40:52.159 --> 01:40:55.239
<v Speaker 2>I believe she was. My guess, my my other quote,

1847
01:40:55.279 --> 01:40:57.560
<v Speaker 2>my let me let me rephrase that this would not

1848
01:40:57.640 --> 01:40:59.720
<v Speaker 2>be the only Ford model connected to the son of

1849
01:40:59.720 --> 01:41:00.720
<v Speaker 2>Sam's situation, right.

1850
01:41:00.920 --> 01:41:01.640
<v Speaker 3>Right right that?

1851
01:41:02.039 --> 01:41:06.880
<v Speaker 2>Yeah, yeah, I believe that's where she starts off. Though

1852
01:41:06.880 --> 01:41:08.800
<v Speaker 2>I was working for the Ford Modeling Agency, and if

1853
01:41:08.840 --> 01:41:11.640
<v Speaker 2>I can unfuck my ability to click links here and

1854
01:41:11.880 --> 01:41:13.960
<v Speaker 2>move my dubie out of the way, I'll let us

1855
01:41:14.000 --> 01:41:16.479
<v Speaker 2>know that for certain. But I'm pretty there were some

1856
01:41:17.000 --> 01:41:22.560
<v Speaker 2>there were some wasn't Wasn't there a Ford Modeling Agency connection?

1857
01:41:22.640 --> 01:41:24.800
<v Speaker 2>What am I thinking of besides possibly her? What was

1858
01:41:24.840 --> 01:41:25.680
<v Speaker 2>going on there with that?

1859
01:41:26.000 --> 01:41:26.199
<v Speaker 1>There?

1860
01:41:26.399 --> 01:41:29.680
<v Speaker 3>I've heard something about that, but I'm I'm reaching back

1861
01:41:29.880 --> 01:41:32.600
<v Speaker 3>years to figure out what I heard about it, and

1862
01:41:32.640 --> 01:41:35.359
<v Speaker 3>I can't remember exactly what it was, but there was, there.

1863
01:41:35.199 --> 01:41:37.399
<v Speaker 2>Was Let's let's put a penn put it for a

1864
01:41:37.439 --> 01:41:40.239
<v Speaker 2>future one because well, future one is in two seconds

1865
01:41:40.279 --> 01:41:43.359
<v Speaker 2>from now after I read this. Because in nineteen sixty

1866
01:41:43.520 --> 01:41:46.479
<v Speaker 2>under the stage name Rainbow, she recorded a single John

1867
01:41:46.520 --> 01:41:49.119
<v Speaker 2>You Went Too Far This Time, the lyrics of which

1868
01:41:49.199 --> 01:41:51.399
<v Speaker 2>chida John Lennon and for his Yoko Owner his new

1869
01:41:51.439 --> 01:41:56.039
<v Speaker 2>album for two versions. So that's interesting. Basic worked as

1870
01:41:56.039 --> 01:41:58.520
<v Speaker 2>a photographic model represented by Ford Models.

1871
01:41:58.560 --> 01:42:01.800
<v Speaker 4>There you go, oh, there it is and is an.

1872
01:42:01.640 --> 01:42:04.960
<v Speaker 2>Extra Andy Warhol's right, So you have more connections with

1873
01:42:05.000 --> 01:42:08.439
<v Speaker 2>the Velvet Underground. Uh, allegedly linked to this through folks

1874
01:42:08.479 --> 01:42:13.439
<v Speaker 2>like Lou Reid. Right, Lou was Mabel Thorpe Smith, kind

1875
01:42:13.439 --> 01:42:14.880
<v Speaker 2>of that Velvet Underground Andy Warhol.

1876
01:42:14.960 --> 01:42:17.520
<v Speaker 3>Next, he knew Petty and he played with her on

1877
01:42:17.600 --> 01:42:23.079
<v Speaker 3>stage a couple of times. Uh. I'm not sure exactly

1878
01:42:23.079 --> 01:42:26.239
<v Speaker 3>how extensive Lou's involvement in this stuff was, but he

1879
01:42:26.319 --> 01:42:28.199
<v Speaker 3>must have known about it because all these people were

1880
01:42:28.199 --> 01:42:30.000
<v Speaker 3>doing this stuff at that point, you know.

1881
01:42:30.199 --> 01:42:32.960
<v Speaker 2>Yeah, they're they're, they're they practiced at the Andy Warhol

1882
01:42:33.000 --> 01:42:35.840
<v Speaker 2>studio that was there, much like the Birds did Polkas

1883
01:42:35.880 --> 01:42:39.279
<v Speaker 2>the studio, right, Julia the the the Velvet Underground did

1884
01:42:39.279 --> 01:42:42.279
<v Speaker 2>Andy Warhol studio. So we see the more comparisons.

1885
01:42:42.600 --> 01:42:43.000
<v Speaker 1>Did you.

1886
01:42:44.520 --> 01:42:49.239
<v Speaker 4>Watch Men in Black? The third Men in Black movie.

1887
01:42:49.720 --> 01:42:52.239
<v Speaker 2>With with Josh Brolin?

1888
01:42:52.880 --> 01:42:55.800
<v Speaker 4>With Josh Brolin, Yeah, do you remember how they said

1889
01:42:55.840 --> 01:43:01.840
<v Speaker 4>Andy Warhol was a CIA agent and all the models were, Yeah,

1890
01:43:01.880 --> 01:43:06.399
<v Speaker 4>they were extraterrestrials, which I know, but I do think

1891
01:43:06.439 --> 01:43:09.079
<v Speaker 4>they were making a reference to Andy Warholl being c

1892
01:43:09.239 --> 01:43:10.199
<v Speaker 4>I A for sure.

1893
01:43:10.199 --> 01:43:11.960
<v Speaker 2>I don't want to Yeah, I don't want to derail

1894
01:43:11.960 --> 01:43:13.600
<v Speaker 2>this too much because you just brought in a connection

1895
01:43:13.640 --> 01:43:15.600
<v Speaker 2>with his stepmother, back to all these these characters that

1896
01:43:15.640 --> 01:43:18.439
<v Speaker 2>brought Barbara streisand however, and that was with her with

1897
01:43:18.520 --> 01:43:20.600
<v Speaker 2>Warren Batty, the Young Turk. So there's a lot of

1898
01:43:20.600 --> 01:43:24.640
<v Speaker 2>these connections with these with these people. Right. So, well,

1899
01:43:24.960 --> 01:43:26.399
<v Speaker 2>we've I think we just put a pen at least

1900
01:43:26.399 --> 01:43:28.920
<v Speaker 2>in my brain hole for a future couple of conversations here.

1901
01:43:28.920 --> 01:43:31.439
<v Speaker 2>But if we go back to John Irvin and we

1902
01:43:31.479 --> 01:43:34.960
<v Speaker 2>were doing the the next tup, I guess we're we're

1903
01:43:35.000 --> 01:43:38.319
<v Speaker 2>not talking about the the cast. Yeah, let's go to

1904
01:43:38.359 --> 01:43:40.680
<v Speaker 2>the cast. We got obviously the most notable cast member,

1905
01:43:40.720 --> 01:43:42.960
<v Speaker 2>Fred Astare. But you know, I don't know, I'd like

1906
01:43:43.039 --> 01:43:44.760
<v Speaker 2>to hear what your old's thoughts are. I don't know

1907
01:43:44.840 --> 01:43:46.960
<v Speaker 2>that I've really I could never really, I've never heard

1908
01:43:46.960 --> 01:43:48.319
<v Speaker 2>a lot of creepy stories about us.

1909
01:43:48.359 --> 01:43:48.680
<v Speaker 3>There.

1910
01:43:48.960 --> 01:43:51.199
<v Speaker 2>I'm open to it. I couldn't really find anything too

1911
01:43:51.239 --> 01:43:53.520
<v Speaker 2>creepy about the guy, So I'm again, I'm open to it.

1912
01:43:53.600 --> 01:43:58.800
<v Speaker 3>But yeah, I've never heard of he's he's never heard

1913
01:43:58.840 --> 01:44:02.000
<v Speaker 3>any particularly bad stories about it. The interesting thing about

1914
01:44:02.039 --> 01:44:07.079
<v Speaker 3>him for the role is that in the novel, Peter

1915
01:44:07.159 --> 01:44:10.720
<v Speaker 3>Straub says he describes Ricky Hawthorne as looking like Freda Staire,

1916
01:44:10.880 --> 01:44:14.359
<v Speaker 3>so presumably that's that's why he and Peter Straub himself

1917
01:44:14.399 --> 01:44:16.279
<v Speaker 3>said that that was one of his favorite things about

1918
01:44:16.319 --> 01:44:18.279
<v Speaker 3>the movie was that Freda Staire played the role.

1919
01:44:19.640 --> 01:44:24.079
<v Speaker 4>Wow, Okay, you know the main star is of this

1920
01:44:24.159 --> 01:44:28.119
<v Speaker 4>whole story is actually really just the author, Like he

1921
01:44:28.239 --> 01:44:30.279
<v Speaker 4>made this what it is.

1922
01:44:30.880 --> 01:44:35.319
<v Speaker 3>You know, Yeah, I think it's the story could have

1923
01:44:35.359 --> 01:44:38.159
<v Speaker 3>been told by somebody else, but but being told by

1924
01:44:38.199 --> 01:44:40.640
<v Speaker 3>him made it special. I think it did. Yeah, because

1925
01:44:40.640 --> 01:44:46.159
<v Speaker 3>it's it's a really really great book and it's uh,

1926
01:44:46.760 --> 01:44:50.520
<v Speaker 3>I can't think of a single more brilliant author of

1927
01:44:51.439 --> 01:44:56.159
<v Speaker 3>popular fiction than Peter Stroud. But it just man to

1928
01:44:56.239 --> 01:44:59.520
<v Speaker 3>know that he was aware of a lot of this stuff.

1929
01:44:59.319 --> 01:45:03.239
<v Speaker 4>Is just uh well, yeah, came out for.

1930
01:45:03.560 --> 01:45:06.319
<v Speaker 3>A couple of years. Yeah, it was hard to to

1931
01:45:06.800 --> 01:45:09.319
<v Speaker 3>see it in a different life that way, but yeah, sure.

1932
01:45:10.319 --> 01:45:12.239
<v Speaker 2>Well I think one thing I thought was interesting with Hysteric,

1933
01:45:12.359 --> 01:45:14.479
<v Speaker 2>especially because I think it's good for all four of

1934
01:45:14.520 --> 01:45:17.119
<v Speaker 2>the main cast members. This is their last film, right.

1935
01:45:17.840 --> 01:45:19.520
<v Speaker 3>That's true. Well except for John Houseman.

1936
01:45:19.640 --> 01:45:21.720
<v Speaker 2>Yeah, he did a couple more.

1937
01:45:21.800 --> 01:45:30.159
<v Speaker 3>Okay, he was the growth angry guy.

1938
01:45:31.000 --> 01:45:33.560
<v Speaker 2>Oh okay, and bring that up for you. I don't

1939
01:45:33.560 --> 01:45:35.520
<v Speaker 2>know why I don't what happened to him? Here hold

1940
01:45:35.560 --> 01:45:38.760
<v Speaker 2>on stand By Police. Yeah, he's he's a pretty notable

1941
01:45:39.000 --> 01:45:41.479
<v Speaker 2>voice and face right in Hollywood and Housman over the

1942
01:45:41.560 --> 01:45:42.239
<v Speaker 2>years he was.

1943
01:45:42.319 --> 01:45:44.439
<v Speaker 3>Yeah, he did a lot of commercials and he didn't

1944
01:45:44.439 --> 01:45:46.439
<v Speaker 3>act until later in life. He was an acting coach

1945
01:45:46.479 --> 01:45:48.840
<v Speaker 3>for a long time. He worked at UH I think

1946
01:45:48.840 --> 01:45:51.880
<v Speaker 3>at Paramount. He was a good friend of Raven Chandler.

1947
01:45:52.479 --> 01:45:55.640
<v Speaker 3>But he didn't act until fairly late in life.

1948
01:45:56.199 --> 01:45:59.159
<v Speaker 2>Well, that's interesting, Paramount. You say.

1949
01:46:00.159 --> 01:46:01.479
<v Speaker 4>He died on Halloween.

1950
01:46:03.279 --> 01:46:07.159
<v Speaker 3>That's yeah, Yeah.

1951
01:46:06.119 --> 01:46:06.840
<v Speaker 4>That's weird.

1952
01:46:07.359 --> 01:46:10.880
<v Speaker 2>Let's see how I don't know enough about him to

1953
01:46:10.920 --> 01:46:13.960
<v Speaker 2>tell you how that went down, so essentially, well, I mean, sorry,

1954
01:46:13.960 --> 01:46:15.159
<v Speaker 2>eventually we'll get down there.

1955
01:46:15.479 --> 01:46:18.880
<v Speaker 3>I think he looked pretty bad the last time I

1956
01:46:18.880 --> 01:46:20.039
<v Speaker 3>saw him. I can remember him.

1957
01:46:20.079 --> 01:46:23.239
<v Speaker 4>But yeah, oh yep, spinal cancer.

1958
01:46:24.239 --> 01:46:24.439
<v Speaker 2>See.

1959
01:46:24.479 --> 01:46:26.439
<v Speaker 3>I didn't know he was married to Zita Johan, but

1960
01:46:26.560 --> 01:46:31.079
<v Speaker 3>she was. She had a really odd mystical quality about her.

1961
01:46:31.159 --> 01:46:33.640
<v Speaker 3>She was in the Mummy with Boris Karloff. I had

1962
01:46:33.680 --> 01:46:35.039
<v Speaker 3>no idea that John Housman.

1963
01:46:34.840 --> 01:46:36.600
<v Speaker 2>Was married her, but she was interesting.

1964
01:46:36.880 --> 01:46:37.239
<v Speaker 3>Interesting.

1965
01:46:38.000 --> 01:46:41.279
<v Speaker 2>Yeah, he appears with some scientologists as his last film

1966
01:46:41.279 --> 01:46:48.880
<v Speaker 2>looks like yeah, yeah, Priscilla Presley and Orenthal, James Simpson scientologists.

1967
01:46:51.159 --> 01:46:54.319
<v Speaker 3>God, he was the driver's ed instructor in that. Yeah.

1968
01:46:55.319 --> 01:46:59.359
<v Speaker 4>Yeah, well me and JJ just did an episode.

1969
01:46:58.840 --> 01:47:02.079
<v Speaker 2>On O j Oh. Folks were loving that. Julia Again,

1970
01:47:02.119 --> 01:47:03.760
<v Speaker 2>I have to thank you again for even suggesting that,

1971
01:47:03.760 --> 01:47:06.560
<v Speaker 2>because the folks have been enjoying that one. For sure.

1972
01:47:06.600 --> 01:47:09.680
<v Speaker 4>That was a real born I enjoyed myself. Actually, that

1973
01:47:09.840 --> 01:47:13.840
<v Speaker 4>was a really fun episode. I was gonna say, you know,

1974
01:47:14.159 --> 01:47:16.560
<v Speaker 4>just I don't know if it's the right time to

1975
01:47:16.560 --> 01:47:18.800
<v Speaker 4>bring it up or not, but you know what I thought,

1976
01:47:22.199 --> 01:47:25.920
<v Speaker 4>So maybe you guys. Obviously John's gonna disagree because he

1977
01:47:26.000 --> 01:47:28.159
<v Speaker 4>read the book and he already knew what was going

1978
01:47:28.239 --> 01:47:31.000
<v Speaker 4>to happen. But JJ, didn't you think that they were

1979
01:47:31.039 --> 01:47:33.840
<v Speaker 4>all going to take turns rape in her and then

1980
01:47:34.000 --> 01:47:37.159
<v Speaker 4>like accidentally kill her or like knock her out and

1981
01:47:37.239 --> 01:47:39.600
<v Speaker 4>then or like hold a pillow over her face or

1982
01:47:39.600 --> 01:47:40.199
<v Speaker 4>something like.

1983
01:47:40.399 --> 01:47:42.119
<v Speaker 2>Yeah, I mean it is the eighties. It seemed like

1984
01:47:42.159 --> 01:47:45.439
<v Speaker 2>the rapier era of films. So I agree with you, But.

1985
01:47:45.520 --> 01:47:48.239
<v Speaker 4>Like you know what I'm saying, there's another I mean,

1986
01:47:48.359 --> 01:47:48.840
<v Speaker 4>like you could.

1987
01:47:48.840 --> 01:47:50.399
<v Speaker 2>Make Porky's in this day and age, right, you know

1988
01:47:50.439 --> 01:47:53.000
<v Speaker 2>what I mean? It was very rapey right, right.

1989
01:47:53.319 --> 01:47:55.880
<v Speaker 4>Well, it just it looked like all of them had

1990
01:47:55.880 --> 01:48:00.439
<v Speaker 4>a crush on the main character, right, and they all

1991
01:48:00.479 --> 01:48:04.840
<v Speaker 4>wanted her, but she was only interested in one of them.

1992
01:48:04.920 --> 01:48:07.119
<v Speaker 4>So that scene at the end where they're all trying

1993
01:48:07.159 --> 01:48:09.359
<v Speaker 4>to take turns dancing with her, I was like, Oh,

1994
01:48:09.399 --> 01:48:11.920
<v Speaker 4>I know what's gonna happen. They're gonna take turns rape

1995
01:48:11.960 --> 01:48:14.840
<v Speaker 4>in her. They're going to accidentally kill her, and that's

1996
01:48:14.920 --> 01:48:17.399
<v Speaker 4>gonna be why she her ghost is coming back to

1997
01:48:17.399 --> 01:48:20.079
<v Speaker 4>get revenges because they raped her and killed her. Sure

1998
01:48:20.079 --> 01:48:23.720
<v Speaker 4>she didn't go as sinister as what I thought it would.

1999
01:48:24.000 --> 01:48:26.800
<v Speaker 2>Well, I don't know though, if I made just interject

2000
01:48:26.840 --> 01:48:28.479
<v Speaker 2>when they were dancing with her, I took that as

2001
01:48:28.560 --> 01:48:30.399
<v Speaker 2>them having sex with her. So you saw three of

2002
01:48:30.439 --> 01:48:32.079
<v Speaker 2>the four have sex with her, in my opinion, because

2003
01:48:32.119 --> 01:48:34.960
<v Speaker 2>three of the four danced with her, right, But.

2004
01:48:34.920 --> 01:48:37.640
<v Speaker 4>It didn't show them having sex with her, right.

2005
01:48:37.640 --> 01:48:39.279
<v Speaker 2>But I'm saying it was a metaphorical I think that

2006
01:48:39.439 --> 01:48:40.960
<v Speaker 2>to me, that was the metaphor that they were all

2007
01:48:41.039 --> 01:48:43.880
<v Speaker 2>hooking up with homegirl and they're passing around because they

2008
01:48:43.880 --> 01:48:45.760
<v Speaker 2>were all you know, it's like the song from the

2009
01:48:45.760 --> 01:48:48.800
<v Speaker 2>eighties with the Billy idol dancing with myself. It's about masturbation,

2010
01:48:48.920 --> 01:48:49.359
<v Speaker 2>you know what I mean.

2011
01:48:49.880 --> 01:48:53.199
<v Speaker 4>Well, yeah, but there is another horror movie. That's why

2012
01:48:53.239 --> 01:48:55.720
<v Speaker 4>I say, I feel like this book that got turned

2013
01:48:55.760 --> 01:48:59.119
<v Speaker 4>into a movie obviously was the predecessor for the idea

2014
01:48:59.159 --> 01:49:03.159
<v Speaker 4>of several several several future horror films. One of them

2015
01:49:03.439 --> 01:49:06.920
<v Speaker 4>is called Stir of Echoes. It actually has Kevin Bacon.

2016
01:49:06.960 --> 01:49:08.640
<v Speaker 4>It's one of my favorite horror movies.

2017
01:49:09.920 --> 01:49:12.119
<v Speaker 2>Kevin Bacon, ma'am the Kevin Yeah.

2018
01:49:11.960 --> 01:49:16.680
<v Speaker 4>The Kevin Bacon. And it's basically, this girl gets raped

2019
01:49:16.720 --> 01:49:19.119
<v Speaker 4>by a bunch of dudes and they accidentally kill her,

2020
01:49:19.159 --> 01:49:21.399
<v Speaker 4>and they hide her body somewhere and she comes back

2021
01:49:21.439 --> 01:49:23.880
<v Speaker 4>as a ghost and haunts them all and is trying

2022
01:49:23.880 --> 01:49:24.319
<v Speaker 4>to kill her.

2023
01:49:24.920 --> 01:49:28.760
<v Speaker 3>That sounds very very ghost story. In a novel, she's

2024
01:49:29.399 --> 01:49:32.600
<v Speaker 3>she's much more predatory. She gets drunk and she insists

2025
01:49:32.600 --> 01:49:34.399
<v Speaker 3>that they all drink and dance with and they're like

2026
01:49:34.520 --> 01:49:38.079
<v Speaker 3>starting to recoil from her, but she's being really vicious

2027
01:49:38.119 --> 01:49:41.279
<v Speaker 3>and awful, and she grabs jaffery and says, kiss me

2028
01:49:41.319 --> 01:49:43.079
<v Speaker 3>a little toad and all that stuff that she says

2029
01:49:43.079 --> 01:49:45.159
<v Speaker 3>in the movie, and then one of them pushes her away,

2030
01:49:45.319 --> 01:49:48.079
<v Speaker 3>just like you know, because they're all awkward and young,

2031
01:49:48.119 --> 01:49:50.960
<v Speaker 3>you know. And yeah, they start to be repulsed by her,

2032
01:49:51.000 --> 01:49:53.680
<v Speaker 3>and one of them pushes her away, not meaning to her,

2033
01:49:53.720 --> 01:49:55.000
<v Speaker 3>but that's when she hits her head.

2034
01:49:55.079 --> 01:49:59.520
<v Speaker 2>And yeah, yeah, there in lies there curse of this lady,

2035
01:49:59.520 --> 01:50:02.319
<v Speaker 2>not the curse of of Robert the dollmind you, which

2036
01:50:02.359 --> 01:50:07.199
<v Speaker 2>I you know, like a curse. Nonetheless, And and before

2037
01:50:07.279 --> 01:50:09.439
<v Speaker 2>if I may have, before we go deep dive into

2038
01:50:09.479 --> 01:50:12.159
<v Speaker 2>the full storyline there and how these things unfold, if

2039
01:50:12.159 --> 01:50:14.560
<v Speaker 2>we could just finish off going over these four actors

2040
01:50:14.560 --> 01:50:19.279
<v Speaker 2>that comprise these roles here, if we mentioned Melvin Douglas,

2041
01:50:19.640 --> 01:50:21.560
<v Speaker 2>he's one of the he's the next guy. He's the doctor, right,

2042
01:50:21.560 --> 01:50:25.960
<v Speaker 2>he's the jaffery guy. Yeah, what are your thoughts on

2043
01:50:26.000 --> 01:50:28.560
<v Speaker 2>why this guy was cast? Was there any specific reasons

2044
01:50:28.640 --> 01:50:30.600
<v Speaker 2>or anything else? He did that the Caltural's eyes.

2045
01:50:32.840 --> 01:50:36.039
<v Speaker 3>Uh, I'm guessing he was. He had been in The Changeling,

2046
01:50:36.239 --> 01:50:39.600
<v Speaker 3>another horror film, Yeah, a year earlier, and that's they

2047
01:50:39.640 --> 01:50:42.479
<v Speaker 3>were probably thinking about the casting for that film. That's

2048
01:50:42.520 --> 01:50:43.319
<v Speaker 3>a really good one.

2049
01:50:43.880 --> 01:50:47.239
<v Speaker 4>Is the Is that the same Changeling that would that

2050
01:50:47.399 --> 01:50:52.000
<v Speaker 4>would later get remade with uh Angelina Jolie.

2051
01:50:53.239 --> 01:50:53.920
<v Speaker 3>I'm not sure.

2052
01:50:54.319 --> 01:50:56.159
<v Speaker 2>Oh that I don't know same name.

2053
01:50:56.079 --> 01:50:59.359
<v Speaker 4>Though, right, yeah, it's the same name. I'm just curious

2054
01:50:59.439 --> 01:51:02.439
<v Speaker 4>as to if it this was the original and the

2055
01:51:02.439 --> 01:51:05.880
<v Speaker 4>one that Angeline and Joelie did was a remake because

2056
01:51:05.920 --> 01:51:09.199
<v Speaker 4>the one that she's in was about child trafficking and

2057
01:51:09.399 --> 01:51:10.840
<v Speaker 4>program serial killers.

2058
01:51:12.439 --> 01:51:14.479
<v Speaker 2>That's this one, right, Yeah, it's a different spot line.

2059
01:51:14.960 --> 01:51:20.920
<v Speaker 3>Yeah, like a straight haunted house movie. But it was

2060
01:51:21.319 --> 01:51:22.279
<v Speaker 3>written well.

2061
01:51:22.920 --> 01:51:25.000
<v Speaker 2>So Melvioln dovelason that that'll be an interesting one to

2062
01:51:25.079 --> 01:51:28.800
<v Speaker 2>check out. And then was was there anything else that

2063
01:51:28.880 --> 01:51:31.199
<v Speaker 2>jump at you? With the with old mill here?

2064
01:51:32.039 --> 01:51:36.600
<v Speaker 4>He's like a classically handsome guy for the era.

2065
01:51:36.880 --> 01:51:38.680
<v Speaker 2>Do you mean handsome.

2066
01:51:42.960 --> 01:51:43.439
<v Speaker 4>Handsome?

2067
01:51:44.439 --> 01:51:46.039
<v Speaker 2>No, you know what I mean, like Rock Hudson, you

2068
01:51:46.119 --> 01:51:48.319
<v Speaker 2>know what I mean. He famously joined Scientology of the

2069
01:51:48.359 --> 01:51:50.520
<v Speaker 2>same kind of era of acting, and you know, hide

2070
01:51:50.520 --> 01:51:52.399
<v Speaker 2>his homosexual activities, right, you know.

2071
01:51:52.520 --> 01:51:56.279
<v Speaker 4>That there's definitely some There's always going to be some

2072
01:51:56.359 --> 01:51:56.720
<v Speaker 4>of that.

2073
01:51:58.039 --> 01:52:01.439
<v Speaker 2>Right right. He just kind of he struck me as

2074
01:52:01.439 --> 01:52:03.359
<v Speaker 2>a very rock huts and type of character, is what

2075
01:52:03.399 --> 01:52:03.840
<v Speaker 2>I'm saying.

2076
01:52:04.319 --> 01:52:04.720
<v Speaker 4>Mm hmm.

2077
01:52:06.199 --> 01:52:08.119
<v Speaker 2>So the one thing I found most interesting about this

2078
01:52:08.159 --> 01:52:12.680
<v Speaker 2>guy is he did a film called Be There, Be

2079
01:52:12.800 --> 01:52:16.520
<v Speaker 2>There with Peter Sellers, famously of the Ciela Drive. Manson

2080
01:52:17.079 --> 01:52:20.920
<v Speaker 2>Tate Plansky processed church situation out there in Siella Drive

2081
01:52:20.960 --> 01:52:23.840
<v Speaker 2>that culminated in the Manson Family murders. Peter Sellers was

2082
01:52:23.840 --> 01:52:26.920
<v Speaker 2>the regular and so was the director of this film.

2083
01:52:27.279 --> 01:52:30.640
<v Speaker 2>That was Ruman Plansky's best friend Jerry cool Zenski.

2084
01:52:32.920 --> 01:52:35.760
<v Speaker 4>So he's besties with all those fucks.

2085
01:52:35.840 --> 01:52:39.119
<v Speaker 2>Huh, Jerry Kazinsky right here, you know this was this

2086
01:52:39.319 --> 01:52:42.239
<v Speaker 2>was the best friend born and Paul and this is

2087
01:52:42.319 --> 01:52:46.199
<v Speaker 2>best friends of old Rum and Polanski. You know, Rouman

2088
01:52:46.239 --> 01:52:49.000
<v Speaker 2>Plansky friends with old Cocaine Bob Roman Plansk.

2089
01:52:49.159 --> 01:52:50.760
<v Speaker 4>Oh, here we go.

2090
01:52:52.960 --> 01:52:56.199
<v Speaker 3>I saw being there, but it was years and I

2091
01:52:56.199 --> 01:52:57.640
<v Speaker 3>would have been a little kid when I saw it,

2092
01:52:57.640 --> 01:52:59.239
<v Speaker 3>So I don't remember much about it, but I do.

2093
01:52:59.439 --> 01:53:01.119
<v Speaker 2>Yeah, I don't know much about either. I mean, it

2094
01:53:01.119 --> 01:53:04.039
<v Speaker 2>says it's a satirical comedy drama, which is an odd

2095
01:53:04.079 --> 01:53:09.720
<v Speaker 2>phrasing of a genre of words in my opinion. So

2096
01:53:09.800 --> 01:53:12.720
<v Speaker 2>Peter Sellers, y'all know about him relative to the Manson

2097
01:53:12.920 --> 01:53:16.079
<v Speaker 2>situation and the process seeing out there and La in

2098
01:53:16.119 --> 01:53:17.239
<v Speaker 2>sixty nine sixties.

2099
01:53:18.039 --> 01:53:22.439
<v Speaker 4>Yeah, I've read about it in Dave Mcowan's work.

2100
01:53:22.880 --> 01:53:24.279
<v Speaker 2>Well, there you go. What do you recall from that?

2101
01:53:24.279 --> 01:53:26.760
<v Speaker 2>Because he was very tight right with this is? This

2102
01:53:26.800 --> 01:53:29.720
<v Speaker 2>is Peter Sellers with Sharon Tate and Christmas is sixty eight.

2103
01:53:30.640 --> 01:53:34.680
<v Speaker 4>I somehow, maybe I'm fucking this up, But wasn't he

2104
01:53:34.800 --> 01:53:39.159
<v Speaker 4>also somehow friends with the Wonderland Avenue people too?

2105
01:53:39.880 --> 01:53:41.760
<v Speaker 2>Oh? That that would be interesting. I'm not sure that

2106
01:53:41.800 --> 01:53:42.640
<v Speaker 2>would be interesting though.

2107
01:53:42.960 --> 01:53:45.840
<v Speaker 4>Maybe I'm remembering wrong. Maybe I'm remembering the whole scene.

2108
01:53:46.359 --> 01:53:48.000
<v Speaker 2>That's the whole scene now, I mean, that's those people

2109
01:53:48.039 --> 01:53:50.359
<v Speaker 2>were integrating the whole scene come the seventies, right.

2110
01:53:50.840 --> 01:53:53.079
<v Speaker 4>Yeah, like he bought drugs from them or something.

2111
01:53:53.159 --> 01:53:57.000
<v Speaker 2>I don't know that wouldn't I wouldn't be surprised, would Yeah,

2112
01:53:57.159 --> 01:54:04.560
<v Speaker 2>I would say most people, now go ahead.

2113
01:54:05.039 --> 01:54:07.680
<v Speaker 4>I was just gonna say. Somebody put in the comments. Yeah,

2114
01:54:07.800 --> 01:54:11.560
<v Speaker 4>Peter Sellers was a cruel psychopath behind closed doors, much

2115
01:54:11.720 --> 01:54:15.760
<v Speaker 4>like how they describe Frank Zappa among.

2116
01:54:16.359 --> 01:54:21.439
<v Speaker 2>Other same scene though, right these guys, right, I mean sailors,

2117
01:54:21.600 --> 01:54:25.359
<v Speaker 2>I mean Sellers. So amongst these, uh, the various videos

2118
01:54:25.359 --> 01:54:27.960
<v Speaker 2>and pornographies, et cetera that we're allegedly filmed at Cielo Drive,

2119
01:54:28.039 --> 01:54:30.560
<v Speaker 2>Sellers was deep in that mix, apparently, along with folks

2120
01:54:30.600 --> 01:54:34.760
<v Speaker 2>like I mentioned before, Josh Brown, stepmother's old boyfriend, Warren Batty.

2121
01:54:35.880 --> 01:54:41.119
<v Speaker 4>Oh, Warren Baty, don't get me started on him.

2122
01:54:41.399 --> 01:54:45.000
<v Speaker 2>Best Buds Kissinger and Cocaine Bob National Security never looks

2123
01:54:45.000 --> 01:54:46.960
<v Speaker 2>so sleazy. I like that. I like that phrasing. Todd

2124
01:54:47.000 --> 01:54:49.600
<v Speaker 2>Miller appreciate that. So, yeah, I think it's odd. You

2125
01:54:49.640 --> 01:54:52.079
<v Speaker 2>see this deep connection with all these kind of even

2126
01:54:52.079 --> 01:54:54.119
<v Speaker 2>within this film, right, you got these people that you know,

2127
01:54:54.279 --> 01:54:56.319
<v Speaker 2>you got Jerry Kazinski in the orbit, you got Peter

2128
01:54:56.399 --> 01:55:00.000
<v Speaker 2>Sellers in the orbit of of uh what's his name? Uh,

2129
01:55:00.720 --> 01:55:01.760
<v Speaker 2>Melvin Douglas.

2130
01:55:02.920 --> 01:55:06.640
<v Speaker 4>Well, it's kind of like guilt by association, right, your

2131
01:55:06.760 --> 01:55:10.600
<v Speaker 4>friends circle is got it's.

2132
01:55:10.560 --> 01:55:14.439
<v Speaker 3>Weird, you know, the Beatles and Stones and Keith Richards

2133
01:55:14.439 --> 01:55:19.039
<v Speaker 3>living next to h John Phillips and yeah yeah, m

2134
01:55:19.680 --> 01:55:20.119
<v Speaker 3>m hmm.

2135
01:55:20.960 --> 01:55:23.039
<v Speaker 2>So the next the last guy we got here is

2136
01:55:23.079 --> 01:55:26.159
<v Speaker 2>the main the main four old dudes is Douglas Fairbanks Junior.

2137
01:55:27.079 --> 01:55:28.760
<v Speaker 3>Yeah, ned the mayor.

2138
01:55:29.279 --> 01:55:34.600
<v Speaker 4>Yeah, I got something interesting please. It says his first

2139
01:55:35.079 --> 01:55:38.319
<v Speaker 4>marriage was to actress Joan Crawford. Isn't she the one

2140
01:55:38.359 --> 01:55:41.119
<v Speaker 4>that beat her kids up and locked him in rooms

2141
01:55:41.119 --> 01:55:46.279
<v Speaker 4>and beat them with hangers and ship ship? Okay, yeah, yeah,

2142
01:55:46.600 --> 01:55:52.479
<v Speaker 4>you've never seen mommy dearest JJ. Well you're fucking up,

2143
01:55:52.520 --> 01:55:56.439
<v Speaker 4>because that is an amazing movie and there's a lot

2144
01:55:56.520 --> 01:55:59.359
<v Speaker 4>of quotable lines from that movie. But yeah, she adopted

2145
01:55:59.399 --> 01:56:02.119
<v Speaker 4>two kids in and then just beat the shit out

2146
01:56:02.159 --> 01:56:05.880
<v Speaker 4>of them their entire life, just beat the shit and

2147
01:56:06.000 --> 01:56:09.079
<v Speaker 4>she would handcuff them to the bed at night, all

2148
01:56:09.199 --> 01:56:12.119
<v Speaker 4>kinds of stuff, psycho.

2149
01:56:12.159 --> 01:56:14.359
<v Speaker 3>And I always thought she was one of the people

2150
01:56:14.439 --> 01:56:17.199
<v Speaker 3>that you could tell just looking at her that something

2151
01:56:17.279 --> 01:56:19.520
<v Speaker 3>was a little off, you know.

2152
01:56:19.680 --> 01:56:24.800
<v Speaker 4>Yeah, yeah, yeah, JJ, you need to watch that because

2153
01:56:25.239 --> 01:56:27.960
<v Speaker 4>I even put I even took something from this movie

2154
01:56:28.039 --> 01:56:32.039
<v Speaker 4>and I put it into my intro for my podcast

2155
01:56:32.199 --> 01:56:34.439
<v Speaker 4>because it's just so iconic. But anyways, yeah, she was

2156
01:56:34.520 --> 01:56:39.479
<v Speaker 4>horrible to her children who she adopted, and she was

2157
01:56:39.520 --> 01:56:42.359
<v Speaker 4>in the Have you ever seen a weird horror movie

2158
01:56:42.439 --> 01:56:45.359
<v Speaker 4>from back then called Baby Jane?

2159
01:56:45.680 --> 01:56:47.960
<v Speaker 2>I've actually heard of that. Yeah, yeah, whatever.

2160
01:56:47.720 --> 01:56:48.680
<v Speaker 3>Happened to Baby Jane?

2161
01:56:48.840 --> 01:56:50.159
<v Speaker 4>Whatever happened to Baby Jane?

2162
01:56:50.159 --> 01:56:52.199
<v Speaker 2>One of my fav you're talking about.

2163
01:56:52.920 --> 01:56:56.560
<v Speaker 4>She's in it. And the first time I watched it,

2164
01:56:56.600 --> 01:56:58.359
<v Speaker 4>my mom was like, oh, do you know the true

2165
01:56:58.399 --> 01:57:00.399
<v Speaker 4>story about what she did to her care kids? And

2166
01:57:00.439 --> 01:57:04.800
<v Speaker 4>then we hadmidarist after that. But yeah, Jill Crawford real

2167
01:57:04.880 --> 01:57:05.399
<v Speaker 4>fucked up.

2168
01:57:07.600 --> 01:57:09.680
<v Speaker 2>I'm definitely gonna be watching that. I appreciate that, thank you.

2169
01:57:10.239 --> 01:57:10.760
<v Speaker 4>Mm hmmm.

2170
01:57:11.560 --> 01:57:14.000
<v Speaker 2>So what else did her? So what these weren't that

2171
01:57:14.159 --> 01:57:16.279
<v Speaker 2>This wasn't the dad of that, right? Yeah?

2172
01:57:18.439 --> 01:57:22.000
<v Speaker 4>Uh no, No, you talked about her kids?

2173
01:57:22.680 --> 01:57:26.760
<v Speaker 2>Yeah, her kids? Yeah, okay, oh that's right, you just

2174
01:57:26.800 --> 01:57:28.119
<v Speaker 2>said that. You just said that.

2175
01:57:28.600 --> 01:57:31.079
<v Speaker 4>Well, that's what makes it worse is because like she

2176
01:57:31.279 --> 01:57:34.680
<v Speaker 4>hated kids, So why the fuck would you go and

2177
01:57:34.720 --> 01:57:36.279
<v Speaker 4>adopt two kids?

2178
01:57:36.439 --> 01:57:39.439
<v Speaker 3>I think public image because she was seen as kind

2179
01:57:39.439 --> 01:57:42.800
<v Speaker 3>of a brittle, unpleasant sort of person, and they told her,

2180
01:57:43.119 --> 01:57:45.840
<v Speaker 3>you know, if you had some kids, it would improve

2181
01:57:45.880 --> 01:57:46.640
<v Speaker 3>your public.

2182
01:57:46.359 --> 01:57:50.680
<v Speaker 4>Image, right, And so she basically JJ she would like

2183
01:57:51.079 --> 01:57:54.560
<v Speaker 4>John Banam and like dress them up in Christmas outfits

2184
01:57:54.600 --> 01:57:57.000
<v Speaker 4>and stuff and like parade them around like they were

2185
01:57:57.079 --> 01:58:00.439
<v Speaker 4>so happy, and you know, and the kids were just

2186
01:58:00.479 --> 01:58:03.199
<v Speaker 4>getting tied up at night and beat with hangars and

2187
01:58:03.279 --> 01:58:05.920
<v Speaker 4>all kinds of stuff. It's it's crazy. It's crazy.

2188
01:58:05.960 --> 01:58:09.279
<v Speaker 2>Word out huh yeah, mmm, worn outer kids. So this

2189
01:58:09.319 --> 01:58:12.159
<v Speaker 2>is what I found interesting about Fairbanks. During World War Two,

2190
01:58:12.439 --> 01:58:15.000
<v Speaker 2>he served as a commissioned officer in the US Navy

2191
01:58:15.359 --> 01:58:18.000
<v Speaker 2>and enter World War Two and assigned a Lord Mountbatten's

2192
01:58:18.079 --> 01:58:24.439
<v Speaker 2>commando staff in the United Kingdom.

2193
01:58:22.039 --> 01:58:25.119
<v Speaker 4>And he married a psychopath that beats her kids.

2194
01:58:25.199 --> 01:58:28.119
<v Speaker 2>Right, Oh, you'll like this one. Also, he was he

2195
01:58:28.159 --> 01:58:30.640
<v Speaker 2>was later implicated in the Profumo scandal.

2196
01:58:31.520 --> 01:58:36.319
<v Speaker 3>That's yeah, yeah, that's pretty much a direct connection to

2197
01:58:36.359 --> 01:58:37.239
<v Speaker 3>the process. Yeah.

2198
01:58:37.680 --> 01:58:40.199
<v Speaker 2>Yeah, I mean it's long been suspected that Marianda Grimston

2199
01:58:40.239 --> 01:58:41.960
<v Speaker 2>was one of the prostitutes in that scandal, but it's

2200
01:58:42.000 --> 01:58:44.560
<v Speaker 2>not been confirmed, but there is to heavy suspicions of such.

2201
01:58:44.720 --> 01:58:44.920
<v Speaker 3>Yep.

2202
01:58:45.680 --> 01:58:49.159
<v Speaker 4>So he's the most interesting actor thus.

2203
01:58:49.000 --> 01:58:53.039
<v Speaker 2>Far, between him and Douglas my opinion, you know those two.

2204
01:58:53.239 --> 01:58:55.640
<v Speaker 4>Yeah, yeah, for sure.

2205
01:58:56.039 --> 01:58:58.119
<v Speaker 2>So we get back into the plotline of the film.

2206
01:58:58.119 --> 01:59:01.520
<v Speaker 2>As we've said, these four old men, sensibly at least

2207
01:59:01.600 --> 01:59:03.560
<v Speaker 2>metaphorically speaking of the film, seemed to have raped this

2208
01:59:03.640 --> 01:59:05.960
<v Speaker 2>young woman and she John, as you mentioned, she falls

2209
01:59:06.000 --> 01:59:08.119
<v Speaker 2>down and and they think she's dead because she gets

2210
01:59:08.119 --> 01:59:09.840
<v Speaker 2>her head right, that's right.

2211
01:59:09.960 --> 01:59:12.359
<v Speaker 3>Yeah, this is.

2212
01:59:12.279 --> 01:59:15.600
<v Speaker 2>The witchy woman that looks like Suzanne Conway right, Alma.

2213
01:59:15.399 --> 01:59:19.279
<v Speaker 3>Right, right, or or Eva her name is at that time, right,

2214
01:59:19.760 --> 01:59:23.279
<v Speaker 3>And it's I hate to keep bringing this up, but

2215
01:59:23.319 --> 01:59:27.840
<v Speaker 3>it's just so there are so many points that there

2216
01:59:27.960 --> 01:59:31.720
<v Speaker 3>was a real Eva and the character who appears later

2217
01:59:31.800 --> 01:59:36.119
<v Speaker 3>in the Who the chatter society consults to see if

2218
01:59:36.119 --> 01:59:39.039
<v Speaker 3>he can solve their problems. Is done well. There were

2219
01:59:39.079 --> 01:59:41.920
<v Speaker 3>a real Don and Eva in the book. They're called

2220
01:59:42.000 --> 01:59:48.159
<v Speaker 3>Don Wanderley and Eva Galley. Yeah. The real Don was

2221
01:59:48.239 --> 01:59:51.079
<v Speaker 3>Don Warner, the guy who directed the play that Suzanne

2222
01:59:51.079 --> 01:59:53.479
<v Speaker 3>Conway was in, and he had a wife named Eva.

2223
01:59:54.960 --> 01:59:59.039
<v Speaker 3>That's how specific Straub's references were.

2224
01:59:59.600 --> 02:00:01.960
<v Speaker 2>You ain't you can, dude. That's that's like on the money,

2225
02:00:01.960 --> 02:00:03.520
<v Speaker 2>on the money, it really is.

2226
02:00:03.640 --> 02:00:13.119
<v Speaker 3>Yeah, yeah, and that's right, Marie. It was yeah, yeah, yeah, dude.

2227
02:00:13.159 --> 02:00:14.680
<v Speaker 2>I mean at some point, like what, at what point

2228
02:00:14.680 --> 02:00:17.119
<v Speaker 2>in time did you consider like that Strawba obviously knew

2229
02:00:17.119 --> 02:00:20.000
<v Speaker 2>a lot about this, like how many details of these

2230
02:00:20.079 --> 02:00:23.039
<v Speaker 2>before you're like, wait a second, this is something's going

2231
02:00:23.039 --> 02:00:23.680
<v Speaker 2>on here.

2232
02:00:25.279 --> 02:00:30.399
<v Speaker 3>You know. It was maybe late twenty twenty. I was

2233
02:00:30.439 --> 02:00:33.760
<v Speaker 3>rereading it for Halloween, like I do every year most years,

2234
02:00:34.039 --> 02:00:39.680
<v Speaker 3>and it was I was sitting in my chair one

2235
02:00:39.800 --> 02:00:44.119
<v Speaker 3>night and he was talking about neighborhoods in different places

2236
02:00:44.159 --> 02:00:47.560
<v Speaker 3>in this fictional city of Melbourne, and because I had

2237
02:00:47.600 --> 02:00:49.920
<v Speaker 3>been doing research, I just realized that every place he's

2238
02:00:49.920 --> 02:00:52.279
<v Speaker 3>talking about is just a Yonker's reference, Like all the

2239
02:00:52.319 --> 02:00:56.359
<v Speaker 3>street names. There's a minor character in the book named Venudi.

2240
02:00:56.479 --> 02:01:00.239
<v Speaker 3>He's the pharmacist. It's a reference to Jove Nudi, who

2241
02:01:00.279 --> 02:01:03.279
<v Speaker 3>is a political figure in Westchester in the forties and fifties.

2242
02:01:03.439 --> 02:01:06.359
<v Speaker 3>It's just just one reference after another. But it's the

2243
02:01:06.439 --> 02:01:08.479
<v Speaker 3>kind of thing that people aren't going to realize until

2244
02:01:08.520 --> 02:01:13.279
<v Speaker 3>they're doing, you know, extensive newspaper research like often tedious,

2245
02:01:13.560 --> 02:01:16.039
<v Speaker 3>but that's how I go across all those names.

2246
02:01:16.560 --> 02:01:19.119
<v Speaker 2>Well, relative to that Wanderley guy you were just talking

2247
02:01:19.119 --> 02:01:21.720
<v Speaker 2>about there, it says you're in your blog post. In

2248
02:01:21.760 --> 02:01:25.159
<v Speaker 2>the book's prologue, a man named Don Wanderley has kidnapped

2249
02:01:25.159 --> 02:01:27.760
<v Speaker 2>a young orphan girl from a park in Melbourne. It's

2250
02:01:27.760 --> 02:01:30.279
<v Speaker 2>down in New York State. He drives her to Panama City,

2251
02:01:30.640 --> 02:01:32.760
<v Speaker 2>which is the location of where John car was station.

2252
02:01:32.840 --> 02:01:36.000
<v Speaker 3>It says, that's right, that's right. Yeah.

2253
02:01:36.359 --> 02:01:39.039
<v Speaker 4>I just wanted to say this comment you got posted,

2254
02:01:39.479 --> 02:01:42.720
<v Speaker 4>Todd said, I learned everything about the Dutro scandal from

2255
02:01:42.800 --> 02:01:46.279
<v Speaker 4>Julia's show. Great work, Julia. Just want to say that

2256
02:01:46.399 --> 02:01:50.119
<v Speaker 4>comment means the world to me because I worked tirelessly

2257
02:01:50.279 --> 02:01:54.199
<v Speaker 4>on that presentation for Program to Kill. I spent months

2258
02:01:54.760 --> 02:01:59.119
<v Speaker 4>putting that presentation together. So thank you Todd and this

2259
02:01:59.159 --> 02:02:02.079
<v Speaker 4>stuff we're talking about today is no different. I mean,

2260
02:02:02.560 --> 02:02:07.079
<v Speaker 4>all of this this stuff, this the references he's making

2261
02:02:07.119 --> 02:02:11.079
<v Speaker 4>in this book, referencing real life stuff. They loved. It's

2262
02:02:11.199 --> 02:02:12.920
<v Speaker 4>like a sick joke to these people.

2263
02:02:13.039 --> 02:02:18.119
<v Speaker 3>They think that it really is. Yeah, they think it's funny.

2264
02:02:18.119 --> 02:02:20.960
<v Speaker 2>You'll laugh about it, right, Yeah, they think covered I

2265
02:02:21.000 --> 02:02:23.520
<v Speaker 2>covered all this in Dragnet. I didn't know. I'm sorry,

2266
02:02:23.560 --> 02:02:24.520
<v Speaker 2>go ahead, Julia.

2267
02:02:24.760 --> 02:02:27.039
<v Speaker 4>No, I was just gonna say. They think it's absolutely

2268
02:02:27.079 --> 02:02:30.920
<v Speaker 4>hysterical that we just watch movies and read books and

2269
02:02:31.680 --> 02:02:34.159
<v Speaker 4>you know, it's right in front of our face and

2270
02:02:34.199 --> 02:02:37.159
<v Speaker 4>we'll just never know, especially what John was talking about

2271
02:02:37.199 --> 02:02:40.159
<v Speaker 4>earlier with that guy's last name, Like, who else is

2272
02:02:40.239 --> 02:02:41.279
<v Speaker 4>going to put that together?

2273
02:02:42.119 --> 02:02:45.279
<v Speaker 2>Yes, Pacaula. Yeah, so I totally agree with you. I

2274
02:02:45.319 --> 02:02:48.479
<v Speaker 2>totally agree with you. So the I did a Nicolet

2275
02:02:48.680 --> 02:02:50.920
<v Speaker 2>esoteric review a number of weeks back on Dragnet. So

2276
02:02:50.960 --> 02:02:53.600
<v Speaker 2>folks to the interwebs or John or jolly of you

2277
02:02:53.640 --> 02:02:57.000
<v Speaker 2>folks want to check it out.

2278
02:02:58.760 --> 02:03:07.880
<v Speaker 4>Uh oh, j Keith Frousin, Yeah, he'll probably be back

2279
02:03:07.880 --> 02:03:08.439
<v Speaker 4>in a second.

2280
02:03:08.640 --> 02:03:08.960
<v Speaker 3>Yep.

2281
02:03:10.640 --> 02:03:13.640
<v Speaker 2>In my back, my back, my back, Yeah, you're back.

2282
02:03:14.199 --> 02:03:17.119
<v Speaker 2>It's a nineteen eighty seven cinematic masterpiece Dragnet a cult

2283
02:03:17.159 --> 02:03:19.800
<v Speaker 2>and esoteric review where we go over the elements of

2284
02:03:19.840 --> 02:03:22.800
<v Speaker 2>the process being told there, and I'll just use to

2285
02:03:23.359 --> 02:03:25.760
<v Speaker 2>emphasize my point, I'll bring up one one character from

2286
02:03:25.800 --> 02:03:28.800
<v Speaker 2>the film and show you the murder of Roy Raidin. Right,

2287
02:03:28.880 --> 02:03:31.800
<v Speaker 2>So back to back to my favorite character here at

2288
02:03:31.840 --> 02:03:37.239
<v Speaker 2>Operation GCD Cocaine, Bob Boy. He was the unindicted co

2289
02:03:37.319 --> 02:03:40.600
<v Speaker 2>conspirator in the murder of Roy Raiden, so the one

2290
02:03:40.640 --> 02:03:43.800
<v Speaker 2>of the coat the convicted murders. And that the hitman

2291
02:03:43.880 --> 02:03:47.640
<v Speaker 2>that that he allegedly hired was a fellow by named

2292
02:03:47.640 --> 02:03:50.039
<v Speaker 2>William Menzer, the guy that as John will tell you what,

2293
02:03:50.119 --> 02:03:52.359
<v Speaker 2>Who's William Menser? John? He got me out with that.

2294
02:03:53.439 --> 02:03:55.840
<v Speaker 3>He had a long he had on a cult background.

2295
02:03:55.840 --> 02:03:58.800
<v Speaker 3>He apparently was pretty serious about his occultism.

2296
02:03:58.920 --> 02:03:59.319
<v Speaker 6>He was.

2297
02:04:01.359 --> 02:04:04.439
<v Speaker 3>He's been alleged to have been involved with Son of Sam,

2298
02:04:04.479 --> 02:04:06.920
<v Speaker 3>particularly the Christine Freud murder. He was supposed to have

2299
02:04:06.920 --> 02:04:08.880
<v Speaker 3>been on the scene there, if not the actual shooter.

2300
02:04:10.920 --> 02:04:13.119
<v Speaker 3>And he's well, he has a he's another one of

2301
02:04:13.119 --> 02:04:15.279
<v Speaker 3>these people. He's a movie into himself.

2302
02:04:16.359 --> 02:04:17.359
<v Speaker 2>That you ain't kidding.

2303
02:04:17.680 --> 02:04:20.960
<v Speaker 4>Yeah, I'm pretty sure he was mentioned in Program to

2304
02:04:21.039 --> 02:04:27.439
<v Speaker 4>Kill as being like they linked him somehow to being

2305
02:04:27.479 --> 02:04:32.000
<v Speaker 4>an offshoot of like after the Manson family murders went down,

2306
02:04:32.520 --> 02:04:37.800
<v Speaker 4>there was the Common Club, Yeah, and then this guy yeah,

2307
02:04:37.920 --> 02:04:41.560
<v Speaker 4>uh huh, all process offshoot kind of weirdos.

2308
02:04:41.720 --> 02:04:43.960
<v Speaker 2>So one of the other things he was notorious for

2309
02:04:44.159 --> 02:04:46.840
<v Speaker 2>was being the security guard and chauffeur of Larry Flant.

2310
02:04:47.840 --> 02:04:50.880
<v Speaker 2>And in the nineteen eighty seven cinematic Masterpiece were introduced

2311
02:04:50.880 --> 02:04:55.000
<v Speaker 2>to Jacko Hallahan's character Ian ol muzz He is the

2312
02:04:55.079 --> 02:04:58.760
<v Speaker 2>security guard and driver of the pornographer in the film,

2313
02:04:58.760 --> 02:05:01.399
<v Speaker 2>which is in part a machination of what I would

2314
02:05:01.479 --> 02:05:04.960
<v Speaker 2>argue is Larry Flint and and uh Hugh Hefner. But

2315
02:05:05.560 --> 02:05:09.159
<v Speaker 2>he he's also a major figure in the cult that

2316
02:05:09.239 --> 02:05:12.239
<v Speaker 2>is siege that has taken a siege of Los Angeles

2317
02:05:12.560 --> 02:05:17.520
<v Speaker 2>and co opted politicians, attorneys, police, police folks, including the commissioner, right,

2318
02:05:17.640 --> 02:05:20.039
<v Speaker 2>and it's all run by a guy who's doing this.

2319
02:05:20.720 --> 02:05:23.439
<v Speaker 2>He's the head of the Christian organization in town fighting

2320
02:05:23.439 --> 02:05:25.920
<v Speaker 2>all this. He's the head of the Satanist organization, the

2321
02:05:25.960 --> 02:05:28.159
<v Speaker 2>pagan cult that has sieged it. And he's part of

2322
02:05:28.159 --> 02:05:31.279
<v Speaker 2>that cult. And Bill Mentzer just happened to be the

2323
02:05:31.359 --> 02:05:36.600
<v Speaker 2>driver and chauffeur of Larry Flint and Bill Metzer just

2324
02:05:36.680 --> 02:05:41.000
<v Speaker 2>happens to look identical to Emmaus. So you you tell

2325
02:05:41.039 --> 02:05:42.800
<v Speaker 2>me if they're if they're telling us a tale that one,

2326
02:05:42.880 --> 02:05:43.479
<v Speaker 2>you know what I mean.

2327
02:05:45.479 --> 02:05:48.680
<v Speaker 3>Like somebody who wrote the stuff knew exactly what was happening,

2328
02:05:48.680 --> 02:05:50.119
<v Speaker 3>and they knew who the players were.

2329
02:05:51.840 --> 02:05:54.880
<v Speaker 2>Defin to speak. You see what I'm saying, how much

2330
02:05:55.039 --> 02:05:56.560
<v Speaker 2>you no, I agree to but you see how much

2331
02:05:56.560 --> 02:05:59.640
<v Speaker 2>these dudes look. I mean, they played the same role, right.

2332
02:06:00.039 --> 02:06:03.439
<v Speaker 4>I'm on, and they're playing like the same he's playing

2333
02:06:03.520 --> 02:06:05.399
<v Speaker 4>the real guy, you know what I mean?

2334
02:06:05.960 --> 02:06:08.279
<v Speaker 2>And oh, haller hand don't look anything like like they had.

2335
02:06:08.439 --> 02:06:10.000
<v Speaker 2>This is all made up with the hair and the

2336
02:06:10.119 --> 02:06:13.520
<v Speaker 2>mustache they gave to him there. So and it's interesting

2337
02:06:13.600 --> 02:06:15.039
<v Speaker 2>because this is what I like the joke when you

2338
02:06:15.199 --> 02:06:16.880
<v Speaker 2>this is what reminded me of this. You all were

2339
02:06:16.880 --> 02:06:19.920
<v Speaker 2>talking about the bragging. So Bob Cocaine Evans went and

2340
02:06:19.920 --> 02:06:22.880
<v Speaker 2>saw the film Wag the Dog right with Dustin Hoffman.

2341
02:06:23.560 --> 02:06:25.760
<v Speaker 2>And when he this is nineteen ninety seven, he walks

2342
02:06:25.760 --> 02:06:28.319
<v Speaker 2>out of the film and the uh, he's asked by

2343
02:06:28.359 --> 02:06:31.119
<v Speaker 2>you know, the premiere He's asked by the paparazzi, you know,

2344
02:06:31.399 --> 02:06:34.119
<v Speaker 2>what do you think of the film, and in Old Cocaine,

2345
02:06:34.159 --> 02:06:37.039
<v Speaker 2>Bob Fantoausy replies, I thought I looked great on the

2346
02:06:37.039 --> 02:06:40.399
<v Speaker 2>big screen because Dustin Hoffman is playing a Hollywood producer

2347
02:06:40.479 --> 02:06:44.960
<v Speaker 2>who's doing a Bob Cocaine Evans character, right, yeah, and

2348
02:06:45.279 --> 02:06:47.479
<v Speaker 2>they're all every yeah, everything, And I would I would

2349
02:06:47.560 --> 02:06:50.000
<v Speaker 2>argue that they're that whole film is a satirical take

2350
02:06:50.399 --> 02:06:54.199
<v Speaker 2>of them bragging and laughing on these fella's relationship because

2351
02:06:54.359 --> 02:06:57.039
<v Speaker 2>d Niro. D Niro was a man who Evans made

2352
02:06:57.079 --> 02:07:00.960
<v Speaker 2>his career, he made Hoffman's career, and and Danira plays

2353
02:07:00.960 --> 02:07:03.319
<v Speaker 2>a you know, not necessarily a national security council.

2354
02:07:10.319 --> 02:07:15.119
<v Speaker 4>In my froze my back, my back, So I didn't

2355
02:07:15.159 --> 02:07:17.439
<v Speaker 4>know if it was me or you. Yeah, you're you're back.

2356
02:07:18.000 --> 02:07:21.600
<v Speaker 2>Yeah. So Evans makes both de Niro in Hoffman's careers.

2357
02:07:22.079 --> 02:07:24.159
<v Speaker 2>Hoffmann's playing a saturial take on I just think that

2358
02:07:24.239 --> 02:07:25.960
<v Speaker 2>de Niro is doing the kind of a cterial take

2359
02:07:26.000 --> 02:07:29.119
<v Speaker 2>on Henry Kissinger there. But nonetheless he walks out of

2360
02:07:29.159 --> 02:07:31.000
<v Speaker 2>the theater and says, I thought it looked great. So

2361
02:07:31.560 --> 02:07:33.800
<v Speaker 2>when this film came out in nineteen eighty seven, I

2362
02:07:33.840 --> 02:07:36.680
<v Speaker 2>often wonder if this fellow, who was not arrested until

2363
02:07:36.720 --> 02:07:39.119
<v Speaker 2>August of eighty eight, walked out of that same film

2364
02:07:39.119 --> 02:07:40.800
<v Speaker 2>and said, I thought I looked great on the big screen.

2365
02:07:41.680 --> 02:07:43.760
<v Speaker 3>I bet he did, you know, because they said too

2366
02:07:43.800 --> 02:07:46.119
<v Speaker 3>when he was when he was arrested, they found a

2367
02:07:46.159 --> 02:07:50.199
<v Speaker 3>copy of Maury's book and it had his parts underlining

2368
02:07:50.239 --> 02:07:53.119
<v Speaker 3>the book. And he told somebody that they in this

2369
02:07:53.159 --> 02:07:55.479
<v Speaker 3>book they described what I did as a perfect crime,

2370
02:07:55.520 --> 02:07:59.520
<v Speaker 3>which wasn't actually true. But he he had that conscious

2371
02:07:59.600 --> 02:08:01.880
<v Speaker 3>vanity about himself that when he knew he was being

2372
02:08:02.439 --> 02:08:05.119
<v Speaker 3>written about or depicted in the movie, he was. He

2373
02:08:05.199 --> 02:08:07.399
<v Speaker 3>knew about it, you know, he was. He was happy

2374
02:08:07.439 --> 02:08:07.840
<v Speaker 3>about it.

2375
02:08:10.239 --> 02:08:16.119
<v Speaker 4>Somebody had seen something in the commons here, Hang on, is.

2376
02:08:16.119 --> 02:08:18.000
<v Speaker 2>It Kane b He was friends with the box.

2377
02:08:18.119 --> 02:08:21.880
<v Speaker 4>Fast Eddy the one before that. He's somebody's talking about

2378
02:08:21.920 --> 02:08:25.039
<v Speaker 4>a movie that rolls of Dan Aykroyd.

2379
02:08:25.840 --> 02:08:28.000
<v Speaker 2>But fast Eddie was the mina somma bitch I've ever

2380
02:08:28.039 --> 02:08:29.680
<v Speaker 2>met in my life. I think Kane's actually telling you

2381
02:08:29.680 --> 02:08:31.640
<v Speaker 2>now an actual story here. He used to work for

2382
02:08:31.720 --> 02:08:34.239
<v Speaker 2>a tourist trap restaurant in the eighties. Oh so, because

2383
02:08:34.319 --> 02:08:35.880
<v Speaker 2>Kane used to live in San Diego in the eighties.

2384
02:08:35.920 --> 02:08:38.960
<v Speaker 2>That's interesting, Kane. So he was friends with Bill, your

2385
02:08:39.079 --> 02:08:41.880
<v Speaker 2>old boss was friends with Bill Metzer. Huh, that's we

2386
02:08:41.960 --> 02:08:43.840
<v Speaker 2>got to talk about that for a fellow like I

2387
02:08:43.880 --> 02:08:45.640
<v Speaker 2>would like to hear some more of those tales that's

2388
02:08:45.640 --> 02:08:47.680
<v Speaker 2>gonna be, you know, I'd like just you know that

2389
02:08:47.720 --> 02:08:50.359
<v Speaker 2>whole era. I feel like San Diego is whatever, Los Angeles,

2390
02:08:50.479 --> 02:08:53.279
<v Speaker 2>whatever Cole takesot he was popping off in Los Angeles.

2391
02:08:53.439 --> 02:08:55.279
<v Speaker 2>It sounds like Kane had been seeing some of that

2392
02:08:55.279 --> 02:09:00.880
<v Speaker 2>ship in San Diego at the same time. Am I

2393
02:09:01.279 --> 02:09:02.199
<v Speaker 2>back my back?

2394
02:09:02.800 --> 02:09:04.960
<v Speaker 4>Yeah, you're good, You're good. I was just reading the

2395
02:09:04.960 --> 02:09:05.800
<v Speaker 4>comments over here.

2396
02:09:05.880 --> 02:09:09.039
<v Speaker 2>It looks like I don't know. Oh, go ahead.

2397
02:09:09.520 --> 02:09:12.000
<v Speaker 4>I was just gonna say, look like headless is in

2398
02:09:12.119 --> 02:09:15.319
<v Speaker 4>the comments. People are on fire tonight. We got all

2399
02:09:15.439 --> 02:09:17.479
<v Speaker 4>kinds of stuff coming through. This is awesome.

2400
02:09:18.119 --> 02:09:20.079
<v Speaker 2>It's good stuff. I appreciate the folks with your webs

2401
02:09:20.119 --> 02:09:23.000
<v Speaker 2>and joined the show and commenting here on the on

2402
02:09:23.079 --> 02:09:26.039
<v Speaker 2>the chat, so where did we leave off before I

2403
02:09:26.039 --> 02:09:28.720
<v Speaker 2>went on a cocaine bob excursion.

2404
02:09:29.479 --> 02:09:37.600
<v Speaker 4>We were talking about how she basically they kill her. No,

2405
02:09:39.039 --> 02:09:40.319
<v Speaker 4>was that what we were talking about.

2406
02:09:40.840 --> 02:09:43.199
<v Speaker 2>Yeah, we were saying how it was similar. They were

2407
02:09:43.199 --> 02:09:45.479
<v Speaker 2>bragging about these stories, right, But no, they killed the

2408
02:09:45.520 --> 02:09:48.319
<v Speaker 2>woman on accident. And then the next thing we see, right,

2409
02:09:48.479 --> 02:09:52.319
<v Speaker 2>is one of the character's sons falling out of a building,

2410
02:09:52.600 --> 02:09:55.520
<v Speaker 2>showing us as dick.

2411
02:09:55.600 --> 02:09:58.359
<v Speaker 3>And you don't realize at first that she's get you.

2412
02:09:58.720 --> 02:10:01.600
<v Speaker 3>The woman he's with is is the one that the

2413
02:10:01.680 --> 02:10:03.159
<v Speaker 3>central figure.

2414
02:10:03.319 --> 02:10:04.520
<v Speaker 4>Right.

2415
02:10:05.199 --> 02:10:06.960
<v Speaker 2>That's a good point too. I thought you meant you

2416
02:10:06.960 --> 02:10:08.439
<v Speaker 2>don't realize at first they're going to show you his

2417
02:10:08.439 --> 02:10:09.760
<v Speaker 2>dick because I didn't realize that.

2418
02:10:12.159 --> 02:10:15.560
<v Speaker 4>They show you plenty of of tit action too. And

2419
02:10:15.720 --> 02:10:18.439
<v Speaker 4>but from this ship, I had.

2420
02:10:18.319 --> 02:10:20.960
<v Speaker 2>No idea Dan Ackroyd bought Mama Cass's house, Get the

2421
02:10:20.960 --> 02:10:24.880
<v Speaker 2>fuck out of here. That's awesome stuff. Come on, because

2422
02:10:24.920 --> 02:10:27.720
<v Speaker 2>he already he's already he's already questionable enough starring opposite

2423
02:10:27.760 --> 02:10:31.520
<v Speaker 2>Tuesday Well, the nineteen ninety five film starring Keanu Reeves

2424
02:10:31.560 --> 02:10:34.000
<v Speaker 2>and Courtney Love Feeling Minnesota.

2425
02:10:35.119 --> 02:10:37.880
<v Speaker 3>Yeah, and that Dan he has a serious interest, like

2426
02:10:37.960 --> 02:10:40.960
<v Speaker 3>in ghosts and UFOs and just the paranormal.

2427
02:10:42.439 --> 02:10:45.479
<v Speaker 2>Well, absolutely, John, and I cover that. You'll you'll enjoy

2428
02:10:45.520 --> 02:10:48.600
<v Speaker 2>this comparison. I cover that in that Dragonet film that

2429
02:10:48.720 --> 02:10:51.439
<v Speaker 2>he you know, went into some of the Ghostbusters activities.

2430
02:10:51.439 --> 02:10:54.760
<v Speaker 2>I think he has raised a cult bookstore was based

2431
02:10:54.840 --> 02:10:55.880
<v Speaker 2>upon the Magical Child.

2432
02:10:56.840 --> 02:10:58.880
<v Speaker 3>I wouldn't doubt it. I wouldn't doubt it.

2433
02:10:59.600 --> 02:11:04.079
<v Speaker 4>And Mama Cass's house makes sense to me.

2434
02:11:04.800 --> 02:11:07.119
<v Speaker 2>Hey, look, if you start opposite, they will makes sense

2435
02:11:07.159 --> 02:11:07.359
<v Speaker 2>to me.

2436
02:11:08.159 --> 02:11:13.600
<v Speaker 4>That's like Jared leto buy and lookout Mountain Laboratory. Yeah,

2437
02:11:13.640 --> 02:11:16.279
<v Speaker 4>and he's doing some kind of cult activity.

2438
02:11:15.960 --> 02:11:19.279
<v Speaker 2>That was originally Natalie Woods house. Holy Masicious, that's some

2439
02:11:19.319 --> 02:11:21.119
<v Speaker 2>great stuff you got that. I didn't know that either,

2440
02:11:22.079 --> 02:11:26.640
<v Speaker 2>Holy Ship. Who is this? It's Masicious. That's not Ship,

2441
02:11:26.640 --> 02:11:27.840
<v Speaker 2>it's only Masicious.

2442
02:11:29.399 --> 02:11:33.920
<v Speaker 3>She has a lot of good information. I know her.

2443
02:11:32.239 --> 02:11:34.560
<v Speaker 3>She's research.

2444
02:11:35.279 --> 02:11:37.840
<v Speaker 2>Yeah, thank you man. That's a that's some awesome stuff.

2445
02:11:38.680 --> 02:11:41.159
<v Speaker 4>Yeah, some awesome stuff.

2446
02:11:42.920 --> 02:11:44.600
<v Speaker 2>I don't know. Nicholas Roorck, who's that?

2447
02:11:46.199 --> 02:11:46.359
<v Speaker 4>Oh?

2448
02:11:46.439 --> 02:11:50.199
<v Speaker 3>The Russian painter? Who's that sort of mystical?

2449
02:11:51.800 --> 02:12:00.399
<v Speaker 4>Is it a weirdo child diddler cannibals.

2450
02:11:57.319 --> 02:12:00.600
<v Speaker 3>Just sort of known as a painter of like mystical

2451
02:12:00.720 --> 02:12:04.600
<v Speaker 3>and occult subjects. Thank you made glad you're listening tonight.

2452
02:12:05.560 --> 02:12:08.159
<v Speaker 4>May I need to get you on my show? What

2453
02:12:08.199 --> 02:12:14.119
<v Speaker 4>the fuck? Geez? People in the comments are going John,

2454
02:12:14.199 --> 02:12:17.600
<v Speaker 4>you brought the best audience tonight. Holy crap.

2455
02:12:18.279 --> 02:12:20.840
<v Speaker 2>That's not that is that is that May? May May

2456
02:12:20.920 --> 02:12:22.760
<v Speaker 2>Zech Do I know this Maze? Is this one of

2457
02:12:22.840 --> 02:12:24.399
<v Speaker 2>your followers?

2458
02:12:24.399 --> 02:12:27.439
<v Speaker 3>Well, we're just fellow researchers.

2459
02:12:26.720 --> 02:12:29.479
<v Speaker 2>And nice because it sounds like I need to I

2460
02:12:29.520 --> 02:12:30.279
<v Speaker 2>need to know this person.

2461
02:12:30.760 --> 02:12:32.880
<v Speaker 3>Yeah, it's both interested in the same kinds of things.

2462
02:12:32.920 --> 02:12:34.479
<v Speaker 3>And I'm so glad.

2463
02:12:34.359 --> 02:12:36.399
<v Speaker 2>I didn't know dan Aykroyd bout that fucking house. That's

2464
02:12:36.520 --> 02:12:38.640
<v Speaker 2>I mean, I look a lot of these details.

2465
02:12:38.840 --> 02:12:41.239
<v Speaker 3>I didn't either. But it's so great that people are

2466
02:12:41.239 --> 02:12:44.239
<v Speaker 3>talking about this stuff because it really is. It's not.

2467
02:12:44.960 --> 02:12:47.159
<v Speaker 3>This aspect of it has not discussed a whole lot,

2468
02:12:47.199 --> 02:12:49.520
<v Speaker 3>I don't think, or maybe it is privately, but I've

2469
02:12:49.560 --> 02:12:51.600
<v Speaker 3>just never been able to engage a whole lot of

2470
02:12:51.640 --> 02:12:55.520
<v Speaker 3>people in the Son of Sam community in this hype.

2471
02:12:55.560 --> 02:12:57.800
<v Speaker 2>To see the interest John, I'll hope to see the interests.

2472
02:12:58.279 --> 02:13:01.399
<v Speaker 4>I'm gonna have to put my email and if you could,

2473
02:13:01.119 --> 02:13:04.119
<v Speaker 4>I email JJ at the end of the show so

2474
02:13:04.439 --> 02:13:06.760
<v Speaker 4>people can reach send me an email, reach out and

2475
02:13:07.079 --> 02:13:10.720
<v Speaker 4>I want to get May on my show only trade

2476
02:13:10.800 --> 02:13:14.479
<v Speaker 4>throwing out some crazy info like that. I need to

2477
02:13:14.560 --> 02:13:15.039
<v Speaker 4>know more.

2478
02:13:15.159 --> 02:13:17.279
<v Speaker 2>It's a real barn burner here, Julie. It's a real barn.

2479
02:13:17.159 --> 02:13:21.199
<v Speaker 4>Burner burning down the barn. Holy shit.

2480
02:13:22.199 --> 02:13:25.479
<v Speaker 2>So after we see the unsolicited dick pic of one

2481
02:13:25.479 --> 02:13:28.000
<v Speaker 2>of the main characters sons that jumps out of the

2482
02:13:28.039 --> 02:13:30.279
<v Speaker 2>building because he sees the ghost, right, the ghost comes

2483
02:13:30.319 --> 02:13:32.359
<v Speaker 2>on him. What's that about? Why is the ghost hunting

2484
02:13:32.399 --> 02:13:32.960
<v Speaker 2>the man's son.

2485
02:13:34.439 --> 02:13:37.039
<v Speaker 3>Well, he's one of the two sons of Ned, the

2486
02:13:37.399 --> 02:13:41.399
<v Speaker 3>mayor and the the guy that Eve I actually liked

2487
02:13:41.439 --> 02:13:44.520
<v Speaker 3>in nineteen twenty nine or whatever it was. He's one

2488
02:13:44.560 --> 02:13:45.399
<v Speaker 3>of the two sons.

2489
02:13:45.600 --> 02:13:53.159
<v Speaker 4>He's Do you take it as being liked and Ricky?

2490
02:13:53.239 --> 02:13:55.319
<v Speaker 2>Right? Ned and Ricky right? Because the next thing we

2491
02:13:55.359 --> 02:13:58.119
<v Speaker 2>see is the father chasing after Ricky. He goes to

2492
02:13:58.119 --> 02:14:00.560
<v Speaker 2>see his dad for the funeral of his brother and

2493
02:14:00.640 --> 02:14:03.840
<v Speaker 2>tells his dad, Hey, I was sleeping with that lady too, right, Yeah,

2494
02:14:03.960 --> 02:14:04.560
<v Speaker 2>he tells his dad.

2495
02:14:05.159 --> 02:14:09.600
<v Speaker 4>Yeah, but do you take that out right lamb kind

2496
02:14:09.640 --> 02:14:12.720
<v Speaker 4>of thing? Like the firstborn son, like, I'll get you

2497
02:14:12.800 --> 02:14:14.680
<v Speaker 4>and your firstborn son kind of thing.

2498
02:14:14.880 --> 02:14:17.199
<v Speaker 2>That's what I was thinking, kind of right, a little curse. Yeah,

2499
02:14:17.399 --> 02:14:18.880
<v Speaker 2>well curse.

2500
02:14:19.560 --> 02:14:22.279
<v Speaker 3>I'm not sure how they actually were thinking about it

2501
02:14:22.359 --> 02:14:26.960
<v Speaker 3>in in the film and in the book, Alma Till's

2502
02:14:27.960 --> 02:14:31.239
<v Speaker 3>done really specifically that you know, when we get married.

2503
02:14:31.279 --> 02:14:32.960
<v Speaker 3>I want to go back and get married in the

2504
02:14:33.039 --> 02:14:35.720
<v Speaker 3>town where you grew up. And I want all your

2505
02:14:36.439 --> 02:14:38.760
<v Speaker 3>father and all of his friends and everybody in the

2506
02:14:38.760 --> 02:14:40.600
<v Speaker 3>town to be there, and I want them to see me.

2507
02:14:42.960 --> 02:14:45.039
<v Speaker 2>And then the next phrase she says is the phrase

2508
02:14:45.079 --> 02:14:46.840
<v Speaker 2>she repeats at the end, right, that she's gonna make

2509
02:14:46.880 --> 02:14:49.039
<v Speaker 2>them all kind of like she's gonna make them all pay,

2510
02:14:49.119 --> 02:14:51.039
<v Speaker 2>They're all gonna feel or something like that.

2511
02:14:51.039 --> 02:14:54.920
<v Speaker 3>That's exactly it. Yeah, it's revenge for what they did

2512
02:14:54.920 --> 02:14:59.239
<v Speaker 3>to her, albeit accidentally. Now it's funny because in the

2513
02:14:59.279 --> 02:15:03.079
<v Speaker 3>movie they it sort of inadvertently, I think turns the

2514
02:15:03.960 --> 02:15:07.000
<v Speaker 3>men and the chatter society into the villains because they

2515
02:15:07.039 --> 02:15:10.279
<v Speaker 3>just kill this woman who has no she's just a

2516
02:15:10.319 --> 02:15:15.640
<v Speaker 3>normal human being. You know. In the book, there's already

2517
02:15:15.720 --> 02:15:18.399
<v Speaker 3>something wrong with Eva, and she already is this sort

2518
02:15:18.399 --> 02:15:23.439
<v Speaker 3>of inhuman other worldly figures, so that they they think

2519
02:15:23.479 --> 02:15:27.760
<v Speaker 3>that they have killed a human woman, but what they

2520
02:15:27.760 --> 02:15:32.600
<v Speaker 3>have actually done is just anger, a an other worldly

2521
02:15:32.680 --> 02:15:36.039
<v Speaker 3>sort of spirit being that that just keeps coming back

2522
02:15:36.079 --> 02:15:38.880
<v Speaker 3>at them over and over at various points throughout their history.

2523
02:15:39.439 --> 02:15:41.640
<v Speaker 3>But she's even at the point where they kill her.

2524
02:15:41.640 --> 02:15:45.079
<v Speaker 3>In the novel, the first time as Eva, she already

2525
02:15:45.159 --> 02:15:48.640
<v Speaker 3>is not a human. She's something else just occupying a

2526
02:15:48.720 --> 02:15:55.479
<v Speaker 3>human body, possessed. She's a manitude. She's an Indian spirit,

2527
02:15:55.600 --> 02:16:01.359
<v Speaker 3>one of these shape shifting changeling things. Yeah, becomes people

2528
02:16:01.479 --> 02:16:04.600
<v Speaker 3>or animals or whatever, but it's always in the disguise

2529
02:16:04.680 --> 02:16:07.479
<v Speaker 3>of a physical creature. But it's not. It's not actually

2530
02:16:07.880 --> 02:16:10.079
<v Speaker 3>a physical person or an animal at all.

2531
02:16:10.159 --> 02:16:12.159
<v Speaker 4>Right, She's like a siren.

2532
02:16:12.399 --> 02:16:16.720
<v Speaker 2>She's like a yeah, a figure, yeah.

2533
02:16:16.479 --> 02:16:18.880
<v Speaker 4>Yeah, and can lure you in with like her good

2534
02:16:18.920 --> 02:16:23.079
<v Speaker 4>looks and stuff. But then she turns running right, Yeah,

2535
02:16:23.199 --> 02:16:26.279
<v Speaker 4>but think of it like JJ like in The Shining,

2536
02:16:26.640 --> 02:16:28.640
<v Speaker 4>you know, when it's like a beautiful woman in the

2537
02:16:28.680 --> 02:16:30.920
<v Speaker 4>bathtub and then he goes to kiss her and she

2538
02:16:31.000 --> 02:16:34.479
<v Speaker 4>turns into like some weird hag which thing that's like

2539
02:16:35.040 --> 02:16:38.079
<v Speaker 4>laughing and cackling, Like that's Eva, Like she's like some

2540
02:16:38.159 --> 02:16:39.239
<v Speaker 4>kind of weird siren.

2541
02:16:40.040 --> 02:16:42.399
<v Speaker 2>Which we see that a lot. Though that same sequence

2542
02:16:42.399 --> 02:16:44.120
<v Speaker 2>you just describe from The Shining, we see that same

2543
02:16:44.159 --> 02:16:46.120
<v Speaker 2>sequence play over here in this film as well, with

2544
02:16:46.200 --> 02:16:49.319
<v Speaker 2>this this witchy character, right, this this Eva Alma character.

2545
02:16:49.440 --> 02:16:52.000
<v Speaker 2>But it is it's that's the call of the siren,

2546
02:16:52.159 --> 02:16:54.040
<v Speaker 2>is what she's doing when I think when she says,

2547
02:16:54.360 --> 02:16:56.319
<v Speaker 2>I will take you places you've never been, I will

2548
02:16:56.319 --> 02:16:58.559
<v Speaker 2>show you things that you've never seen, and I will

2549
02:16:58.559 --> 02:17:00.559
<v Speaker 2>see the life run out of you. He repeats that

2550
02:17:00.639 --> 02:17:02.680
<v Speaker 2>numerous times in the film.

2551
02:17:02.920 --> 02:17:06.399
<v Speaker 4>It's like a chance. It's like the priestess thing, you know,

2552
02:17:06.479 --> 02:17:07.360
<v Speaker 4>it's like a spell.

2553
02:17:07.879 --> 02:17:08.079
<v Speaker 3>Yeah.

2554
02:17:08.319 --> 02:17:10.840
<v Speaker 2>Yeah, but she's learning these men in with, especially Ricky.

2555
02:17:10.840 --> 02:17:13.120
<v Speaker 2>She lowers Ricky in with that statement, right, m.

2556
02:17:14.520 --> 02:17:22.520
<v Speaker 3>Yeah, that's right. And the our real life priestess, that

2557
02:17:22.680 --> 02:17:26.680
<v Speaker 3>is the the image she consciously affected. She she was

2558
02:17:26.799 --> 02:17:31.360
<v Speaker 3>like that so Conway, right, Yeah, that was very much

2559
02:17:31.440 --> 02:17:32.840
<v Speaker 3>her her persona.

2560
02:17:33.520 --> 02:17:35.959
<v Speaker 2>You know, yeah, that's I mean, you bring up some

2561
02:17:36.000 --> 02:17:39.040
<v Speaker 2>good points there. So then we see we see Ricky

2562
02:17:39.719 --> 02:17:42.760
<v Speaker 2>and is it Ricky Senior? Right, he falls off the bridge.

2563
02:17:42.760 --> 02:17:43.920
<v Speaker 2>They're chasing Ricky Jr.

2564
02:17:44.000 --> 02:17:47.360
<v Speaker 3>Right, Well yeah, but but yeah, yeah, I'm sorry, off

2565
02:17:47.399 --> 02:17:51.399
<v Speaker 3>the bridge and he sees uh Almah's or Eva's figure.

2566
02:17:51.440 --> 02:17:53.959
<v Speaker 3>They're approaching him just as he's about to jump off. Yeah.

2567
02:17:54.319 --> 02:17:57.440
<v Speaker 2>Yeah. And then and then and after that is when

2568
02:17:57.440 --> 02:18:00.000
<v Speaker 2>we start getting into the bending of reality, right, because

2569
02:18:00.120 --> 02:18:04.319
<v Speaker 2>when they go when fred Astaire goes to the house, right, well,

2570
02:18:04.600 --> 02:18:06.000
<v Speaker 2>that's is that the next scene, right, is that the

2571
02:18:06.000 --> 02:18:06.399
<v Speaker 2>next part.

2572
02:18:07.840 --> 02:18:10.920
<v Speaker 3>It's it's somewhere early in there. I forget exactly when

2573
02:18:10.959 --> 02:18:14.239
<v Speaker 3>he goes to it. Uh. Now incredibly too that that

2574
02:18:14.319 --> 02:18:16.959
<v Speaker 3>whole house is a matte painting. It's not even a

2575
02:18:16.959 --> 02:18:21.799
<v Speaker 3>real hat. That's it's an amazing painting there. But that's Uh.

2576
02:18:21.879 --> 02:18:23.319
<v Speaker 3>I wish I could remember the name of the guy

2577
02:18:23.360 --> 02:18:25.239
<v Speaker 3>that did those paintings for the for the fun.

2578
02:18:26.319 --> 02:18:28.360
<v Speaker 2>Yeah, I'll look that up here in a second. So

2579
02:18:28.920 --> 02:18:31.840
<v Speaker 2>we are just looking at the Oh, that's right, so

2580
02:18:32.440 --> 02:18:36.479
<v Speaker 2>downing his father committed suicide. Don then the remaining three

2581
02:18:36.520 --> 02:18:38.760
<v Speaker 2>friends and tells them a ghost story, right, approaches the

2582
02:18:38.840 --> 02:18:41.159
<v Speaker 2>remaining three friends. So then that's when the son is

2583
02:18:41.200 --> 02:18:42.479
<v Speaker 2>trying to get into the club, right.

2584
02:18:42.959 --> 02:18:45.639
<v Speaker 3>Right right, and he uh. They talk to each other

2585
02:18:45.639 --> 02:18:48.959
<v Speaker 3>because he's a horror author, and I think Riky or

2586
02:18:48.959 --> 02:18:52.120
<v Speaker 3>somebody suggests or not it's not Ricky, Maybe it's Sears

2587
02:18:52.360 --> 02:18:57.159
<v Speaker 3>who suggests. Well, Edward's son knows about all this weird stuff,

2588
02:18:57.239 --> 02:18:59.639
<v Speaker 3>so maybe he could tell us something to sort of

2589
02:18:59.680 --> 02:19:02.639
<v Speaker 3>calm down a little bit and and keep our imaginations

2590
02:19:02.639 --> 02:19:05.040
<v Speaker 3>from running away with us. So they asked him to

2591
02:19:05.079 --> 02:19:07.680
<v Speaker 3>come to town, and he uh, he attends one of

2592
02:19:07.719 --> 02:19:10.879
<v Speaker 3>their meetings and Uh. Yes, Sears is really grouchy and

2593
02:19:10.920 --> 02:19:14.559
<v Speaker 3>offers him a Cuban cigar. But then Don says something like, well,

2594
02:19:14.639 --> 02:19:17.280
<v Speaker 3>let me tell you a story and maybe that'll be

2595
02:19:17.319 --> 02:19:20.760
<v Speaker 3>the price of my admission into the chatter society, which

2596
02:19:20.799 --> 02:19:23.479
<v Speaker 3>Sears really doesn't like for some reason. And he he

2597
02:19:23.559 --> 02:19:26.639
<v Speaker 3>blows up at him over that comment. But Sears is

2598
02:19:26.680 --> 02:19:29.000
<v Speaker 3>just kind of a cantanker's character like that in the

2599
02:19:29.000 --> 02:19:30.079
<v Speaker 3>book and in film too.

2600
02:19:31.239 --> 02:19:34.319
<v Speaker 2>Now you're that's spot on, that's what. And the next

2601
02:19:34.319 --> 02:19:37.079
<v Speaker 2>thing we see is them and he's recounting this story, right,

2602
02:19:37.079 --> 02:19:38.959
<v Speaker 2>But that's when we meet Alma, right, So that's when

2603
02:19:39.040 --> 02:19:42.000
<v Speaker 2>it started blurring the boring the reality situation.

2604
02:19:42.120 --> 02:19:47.120
<v Speaker 3>Right right before Alma knew his brother who dies at

2605
02:19:47.120 --> 02:19:52.239
<v Speaker 3>the beginning of the movie, she knew Don, and uh,

2606
02:19:52.360 --> 02:19:56.239
<v Speaker 3>she approaches him when he's teaching at some university in

2607
02:19:56.280 --> 02:20:00.440
<v Speaker 3>Florida somewhere, and.

2608
02:19:59.479 --> 02:20:01.239
<v Speaker 2>Let me put a in that statement because I got

2609
02:20:01.280 --> 02:20:03.159
<v Speaker 2>an interesting, little weird thing that I saw on that

2610
02:20:03.200 --> 02:20:04.719
<v Speaker 2>whole Florida thing. I'll bring us at the end, but

2611
02:20:04.760 --> 02:20:05.639
<v Speaker 2>please continue.

2612
02:20:06.159 --> 02:20:10.600
<v Speaker 3>Yeah. Well, he he falls for her, and initially they're

2613
02:20:10.600 --> 02:20:13.680
<v Speaker 3>planning to get married, but she just gets weirder and weirder,

2614
02:20:13.680 --> 02:20:16.079
<v Speaker 3>and he has more of these strange experiences where her

2615
02:20:16.239 --> 02:20:19.879
<v Speaker 3>he he's it becomes impossible for him to ignore that

2616
02:20:20.000 --> 02:20:25.159
<v Speaker 3>something's wrong with her, and eventually one day he tells

2617
02:20:25.159 --> 02:20:28.040
<v Speaker 3>her that he's breaking it off, you know, and so.

2618
02:20:27.920 --> 02:20:30.879
<v Speaker 2>She and this is all going on in the past.

2619
02:20:30.959 --> 02:20:33.479
<v Speaker 2>He's now retelling in the present based upon his brother

2620
02:20:33.520 --> 02:20:36.479
<v Speaker 2>already hooking up with this girl. Right, So it kind

2621
02:20:36.479 --> 02:20:38.520
<v Speaker 2>of it's suddenly the whole. When I was watching, I

2622
02:20:38.520 --> 02:20:40.399
<v Speaker 2>was like, holy shit, did this stuff this all collapsed

2623
02:20:40.399 --> 02:20:42.000
<v Speaker 2>on me at once? Dude, I didn't see it coming.

2624
02:20:42.280 --> 02:20:44.920
<v Speaker 3>Yeah, And that's one of those things that's very much

2625
02:20:45.040 --> 02:20:48.600
<v Speaker 3>like the book is it's different narratives woven into each other,

2626
02:20:48.719 --> 02:20:52.159
<v Speaker 3>different time periods, and yeah, it starts to get pretty

2627
02:20:52.159 --> 02:20:53.079
<v Speaker 3>complex at that point.

2628
02:20:53.239 --> 02:20:54.920
<v Speaker 2>Come it comes at you real fast, because then he

2629
02:20:54.959 --> 02:20:57.000
<v Speaker 2>realized the opening sequence when he saw his brother falling

2630
02:20:57.040 --> 02:20:59.760
<v Speaker 2>out the building and the dick pic the lady that

2631
02:20:59.760 --> 02:21:04.399
<v Speaker 2>he's he saw was this Alma ghost. Yeah, I'm sorry's

2632
02:21:04.399 --> 02:21:07.159
<v Speaker 2>sleeping with Alma, but he sees the ghost of Eva

2633
02:21:07.239 --> 02:21:09.399
<v Speaker 2>in her and then falls out the window. And then

2634
02:21:09.479 --> 02:21:11.280
<v Speaker 2>you find out his father is doing the same. And

2635
02:21:11.280 --> 02:21:13.399
<v Speaker 2>then his brother's like, wait a second, I've been banging

2636
02:21:13.399 --> 02:21:14.520
<v Speaker 2>this broad for a while. Guys.

2637
02:21:14.559 --> 02:21:17.559
<v Speaker 3>So he talks to his brother, he's in a bar

2638
02:21:17.680 --> 02:21:21.760
<v Speaker 3>and he says, David, don't don't marry her, something's wrong

2639
02:21:21.799 --> 02:21:28.479
<v Speaker 3>with her, and yeah yeah thereafter yeah.

2640
02:21:27.280 --> 02:21:30.680
<v Speaker 2>Wild ship man, wild Ship. Yeah, what was your taking

2641
02:21:30.680 --> 02:21:31.319
<v Speaker 2>all that, Julia?

2642
02:21:32.239 --> 02:21:36.239
<v Speaker 4>Well, I just wanted to note two things I thought

2643
02:21:36.280 --> 02:21:40.159
<v Speaker 4>were cool from this part of the movie. The fact

2644
02:21:40.159 --> 02:21:45.399
<v Speaker 4>that he knows Don knows that he has to quote

2645
02:21:45.479 --> 02:21:49.920
<v Speaker 4>unquote like blood his way into the cult. Right, He's

2646
02:21:49.920 --> 02:21:54.319
<v Speaker 4>gotta pay his dues, He's gotta tell this story to

2647
02:21:54.360 --> 02:21:56.239
<v Speaker 4>get into the secret society.

2648
02:21:56.319 --> 02:21:59.920
<v Speaker 2>Right when he says the series, he's like John how

2649
02:22:00.159 --> 02:22:01.479
<v Speaker 2>He's like, hey, I want to get in, and there's

2650
02:22:01.760 --> 02:22:03.799
<v Speaker 2>John States kind offended, and then he offers up his

2651
02:22:03.879 --> 02:22:05.760
<v Speaker 2>blood sacrifice, right.

2652
02:22:05.719 --> 02:22:08.799
<v Speaker 4>Right, Yeah, So I felt like that was symbolic. And

2653
02:22:08.840 --> 02:22:13.360
<v Speaker 4>then when it shows him at the university talking to

2654
02:22:13.559 --> 02:22:17.799
<v Speaker 4>his class full of students, the only thing he's really

2655
02:22:17.840 --> 02:22:23.760
<v Speaker 4>talking about is being seduced and someone seducing or him

2656
02:22:23.840 --> 02:22:27.079
<v Speaker 4>seducing someone else, or he's talking about like a short story,

2657
02:22:27.120 --> 02:22:30.760
<v Speaker 4>but it's all about seduction, and like the weird siren thing,

2658
02:22:31.159 --> 02:22:31.399
<v Speaker 4>you know.

2659
02:22:32.159 --> 02:22:32.959
<v Speaker 3>Yeah, so.

2660
02:22:34.520 --> 02:22:37.399
<v Speaker 2>It's it's weird, weird tiren things are I'm spinning because

2661
02:22:37.399 --> 02:22:39.200
<v Speaker 2>I was You're making a great point, I want to comment,

2662
02:22:39.239 --> 02:22:41.200
<v Speaker 2>and I was also trying to actually it thumbs up

2663
02:22:41.239 --> 02:22:43.399
<v Speaker 2>and talk at the same time. Apparently I can't do

2664
02:22:43.479 --> 02:22:45.799
<v Speaker 2>all at once without spinning on myself. So that's a

2665
02:22:45.799 --> 02:22:46.319
<v Speaker 2>great point you.

2666
02:22:47.840 --> 02:22:50.079
<v Speaker 4>But yeah, no, those were two things that I took

2667
02:22:50.120 --> 02:22:52.520
<v Speaker 4>out of it. Also just a funny part from the

2668
02:22:52.559 --> 02:22:55.959
<v Speaker 4>beginning of the movie when the dad goes to pick

2669
02:22:56.040 --> 02:22:59.559
<v Speaker 4>up the sun from the train station. He's like, look

2670
02:22:59.559 --> 02:23:03.280
<v Speaker 4>at you. You looked horrible. And he's wearing like a

2671
02:23:03.360 --> 02:23:07.280
<v Speaker 4>sweater vest in like a button Like if you saw

2672
02:23:07.360 --> 02:23:10.159
<v Speaker 4>somebody wearing that outfit, you'd be like, oh, he looks nice.

2673
02:23:10.200 --> 02:23:13.040
<v Speaker 4>Where's he going? And the Dad's like, you look like shit.

2674
02:23:13.520 --> 02:23:17.200
<v Speaker 2>He wasn't dressed right. He was dressing you know, really,

2675
02:23:17.559 --> 02:23:19.879
<v Speaker 2>you know, put together as far as style and whatnot goes.

2676
02:23:19.920 --> 02:23:22.440
<v Speaker 2>You wasn't doing flannel and headbands what I'm saying, you know.

2677
02:23:22.559 --> 02:23:25.760
<v Speaker 2>And again it kind of that was an interesting scene

2678
02:23:25.799 --> 02:23:28.079
<v Speaker 2>to me because it's like he didn't want to the

2679
02:23:28.079 --> 02:23:30.000
<v Speaker 2>son didn't want to go back there. He already knew that,

2680
02:23:30.239 --> 02:23:32.000
<v Speaker 2>he already knew the dynamic that they didn't know that

2681
02:23:32.040 --> 02:23:33.719
<v Speaker 2>he was banging his lady already. He didn't want to

2682
02:23:33.879 --> 02:23:36.520
<v Speaker 2>do that. His brother dies, there was a lot going

2683
02:23:36.520 --> 02:23:38.520
<v Speaker 2>on there, and then he gets there, his father's giving

2684
02:23:38.600 --> 02:23:39.520
<v Speaker 2>him heat, you know what I mean?

2685
02:23:39.680 --> 02:23:43.959
<v Speaker 4>So well I did that. It was another testament as

2686
02:23:44.000 --> 02:23:47.200
<v Speaker 4>to the elitism of the family, because.

2687
02:23:47.000 --> 02:23:48.760
<v Speaker 2>That's what I'm saying, Like he's getting heat from his

2688
02:23:48.840 --> 02:23:49.799
<v Speaker 2>dad no matter what he does.

2689
02:23:50.840 --> 02:23:55.000
<v Speaker 4>Sweater vest looks like ship to the dad, Like what's

2690
02:23:55.079 --> 02:23:59.040
<v Speaker 4>the dad on? You know? So it's like another testament

2691
02:23:59.159 --> 02:24:05.680
<v Speaker 4>as to these high elite Secret Society members and their kids, right,

2692
02:24:05.920 --> 02:24:11.159
<v Speaker 4>dying mysteriously accidentally killing people in their past and covering

2693
02:24:11.200 --> 02:24:11.719
<v Speaker 4>it up.

2694
02:24:11.680 --> 02:24:17.159
<v Speaker 2>Like total accident. Yeah, while we're on the topic, and

2695
02:24:17.200 --> 02:24:18.719
<v Speaker 2>you bring us some great points. While we're on the topic,

2696
02:24:18.760 --> 02:24:20.760
<v Speaker 2>was there anything important about the scenes that we see

2697
02:24:20.760 --> 02:24:21.799
<v Speaker 2>that are the actual scenes?

2698
02:24:21.920 --> 02:24:22.079
<v Speaker 4>Right?

2699
02:24:22.120 --> 02:24:24.799
<v Speaker 2>And like not the obviously you've made all those correlations

2700
02:24:24.840 --> 02:24:27.079
<v Speaker 2>between Yonkers and the fictional town of Melbourne with the

2701
02:24:27.159 --> 02:24:30.360
<v Speaker 2>namesakes of roads and whatnot and people's But we see

2702
02:24:30.440 --> 02:24:33.239
<v Speaker 2>a couple interesting places like Saratoga Springs is one of

2703
02:24:33.280 --> 02:24:37.280
<v Speaker 2>the filming locations, right, What's doctor Mont's another one. I

2704
02:24:37.319 --> 02:24:39.159
<v Speaker 2>believe this was the down I believe this is the

2705
02:24:39.239 --> 02:24:40.200
<v Speaker 2>downtown setting.

2706
02:24:41.280 --> 02:24:45.280
<v Speaker 3>Yeah, I believe that's right. Yeah, I'm not sure if

2707
02:24:45.280 --> 02:24:48.280
<v Speaker 3>there was any particular reason that they chose those locations.

2708
02:24:48.360 --> 02:24:52.840
<v Speaker 3>But for the town square, it it looks and sounds

2709
02:24:52.879 --> 02:24:54.799
<v Speaker 3>a lot like the wheat Row of the book, the

2710
02:24:55.079 --> 02:24:58.399
<v Speaker 3>town Square of Melbourne in the novel. So that's uh,

2711
02:24:58.520 --> 02:25:02.680
<v Speaker 3>that's it's very close and tone what what Straw described

2712
02:25:02.680 --> 02:25:03.239
<v Speaker 3>in the novel.

2713
02:25:03.879 --> 02:25:05.639
<v Speaker 2>How about during the Son of sam Era, was there

2714
02:25:05.639 --> 02:25:10.520
<v Speaker 2>any connections to the Kipps Bay area of Manhattan, Not to.

2715
02:25:10.440 --> 02:25:15.040
<v Speaker 3>My knowledge, although a lot of those members did sometimes

2716
02:25:15.079 --> 02:25:18.559
<v Speaker 3>go to hang out in the city, so it's possible

2717
02:25:18.639 --> 02:25:21.879
<v Speaker 3>that that there's some that one of them had a

2718
02:25:21.879 --> 02:25:24.319
<v Speaker 3>connection to to Kipps Bay.

2719
02:25:25.840 --> 02:25:28.799
<v Speaker 2>Yeah, I don't as much I know about New York

2720
02:25:28.840 --> 02:25:30.559
<v Speaker 2>City when I used to hang out there all the time,

2721
02:25:30.600 --> 02:25:33.000
<v Speaker 2>I never I don't know anything about that region of Manhattan.

2722
02:25:33.040 --> 02:25:35.799
<v Speaker 2>I was, you know, I was normally found in mcsorley's,

2723
02:25:35.799 --> 02:25:39.319
<v Speaker 2>the oldest bar in Manhattan. Mcsorley's Old Ale House, a

2724
02:25:39.319 --> 02:25:41.559
<v Speaker 2>bunch of old, surly Irish dudes. I highly recommend the place,

2725
02:25:42.639 --> 02:25:45.399
<v Speaker 2>great spot, but I don't know much about that region. However,

2726
02:25:46.159 --> 02:25:48.000
<v Speaker 2>mcsorley's is down there in that kind of Sun of

2727
02:25:48.000 --> 02:25:49.920
<v Speaker 2>Sam East Village, not far from some of that East

2728
02:25:50.000 --> 02:25:51.239
<v Speaker 2>Village stuff, you know what I mean, And that was

2729
02:25:51.239 --> 02:25:52.040
<v Speaker 2>on the Sun of Sam.

2730
02:25:52.159 --> 02:25:57.600
<v Speaker 3>That definitely was was an area that I think everybody

2731
02:25:57.840 --> 02:25:59.680
<v Speaker 3>when you go there, you have at least one sort

2732
02:25:59.680 --> 02:26:02.959
<v Speaker 3>of Stree experience. You walk past some place and you

2733
02:26:03.079 --> 02:26:05.600
<v Speaker 3>realize that it's a place that you've read about. You

2734
02:26:05.639 --> 02:26:08.920
<v Speaker 3>weren't consciously seeking it out, but there it is, and

2735
02:26:08.959 --> 02:26:11.280
<v Speaker 3>you realize you're standing next to it, and it just

2736
02:26:11.600 --> 02:26:13.959
<v Speaker 3>you know, because there's so many places like that in

2737
02:26:14.000 --> 02:26:17.600
<v Speaker 3>New York, but mine was the place where William Burrows

2738
02:26:17.760 --> 02:26:20.639
<v Speaker 3>used to live. I knew it was down there. That

2739
02:26:20.639 --> 02:26:23.280
<v Speaker 3>wasn't really what I was going to see, but all

2740
02:26:23.319 --> 02:26:25.360
<v Speaker 3>of a sudden, it's just right there, and you recognize

2741
02:26:25.399 --> 02:26:28.239
<v Speaker 3>the gate and the number over the door and everything,

2742
02:26:28.280 --> 02:26:32.440
<v Speaker 3>and of course Burrows, that's that's a whole other connection

2743
02:26:32.520 --> 02:26:36.000
<v Speaker 3>to this stuff, you know, into the Magical Child and

2744
02:26:36.000 --> 02:26:37.000
<v Speaker 3>and all of that scene.

2745
02:26:37.079 --> 02:26:39.000
<v Speaker 2>Well, well, John Sara, you just signed yourself up for

2746
02:26:39.040 --> 02:26:41.440
<v Speaker 2>another show here in Operation GCD. Because it is William

2747
02:26:41.479 --> 02:26:44.040
<v Speaker 2>Burrows who institutes the smiley face as a chaos symbol

2748
02:26:44.040 --> 02:26:45.440
<v Speaker 2>into the neo process. Movement.

2749
02:26:45.600 --> 02:26:50.159
<v Speaker 3>Yeah, yeah, Burrows was, he was, he was something else.

2750
02:26:50.600 --> 02:26:52.760
<v Speaker 2>I as always absolute your efforts and all these things,

2751
02:26:52.799 --> 02:26:55.799
<v Speaker 2>I learned something new. I did not know these these

2752
02:26:55.840 --> 02:26:58.280
<v Speaker 2>these Boroughs connections. I do need to learn more Burroughs stuff.

2753
02:26:58.319 --> 02:27:02.319
<v Speaker 3>Clearly, it's spooky. He was involved in and he admitted,

2754
02:27:02.360 --> 02:27:07.040
<v Speaker 3>you know, he said I had CIA acquaintances, which I

2755
02:27:07.040 --> 02:27:09.360
<v Speaker 3>think you underplaying it a little bit. But at the

2756
02:27:09.399 --> 02:27:09.879
<v Speaker 3>very least.

2757
02:27:10.000 --> 02:27:13.799
<v Speaker 2>Yeah, he he a scientologist, John and a scientologists that's right.

2758
02:27:13.920 --> 02:27:17.600
<v Speaker 3>That's right, very dedicated scientologist. And one we sure, and

2759
02:27:17.639 --> 02:27:20.120
<v Speaker 3>that's right DeLand, Florida. And you know, may another thing

2760
02:27:20.159 --> 02:27:24.479
<v Speaker 3>about DeLand is I believe that's where Burrow's son of

2761
02:27:24.680 --> 02:27:29.239
<v Speaker 3>Billy Jr. He died in DeLand or somewhere just outside

2762
02:27:29.280 --> 02:27:38.120
<v Speaker 3>of DeLand, strangely enough, just as we're we're talking about Burrows. Yeah, yeah,

2763
02:27:38.159 --> 02:27:40.360
<v Speaker 3>but Billy or Willie Junior.

2764
02:27:40.200 --> 02:27:43.120
<v Speaker 2>Yeah, guy die his number three, William number three dies

2765
02:27:43.280 --> 02:27:48.520
<v Speaker 2>March third, nineteen eighty one. Survey says DeLand, Florida.

2766
02:27:50.319 --> 02:27:52.719
<v Speaker 3>Yeah. He was a very good writer in his own right,

2767
02:27:52.799 --> 02:27:56.719
<v Speaker 3>and I to his credit, ultimately, I believe although it

2768
02:27:56.760 --> 02:27:58.760
<v Speaker 3>caused him a lot of pain in his life, he

2769
02:27:59.000 --> 02:28:01.719
<v Speaker 3>was not a part of his father's circle. He was

2770
02:28:01.879 --> 02:28:05.040
<v Speaker 3>very much outside that and was was frustrated and didn't

2771
02:28:05.159 --> 02:28:09.079
<v Speaker 3>understand all the the weird you know that that weird

2772
02:28:10.959 --> 02:28:14.319
<v Speaker 3>group of friends, and you know that his father had

2773
02:28:14.360 --> 02:28:17.000
<v Speaker 3>all the strange stuff that he was involved with. He

2774
02:28:17.559 --> 02:28:19.639
<v Speaker 3>I think a lot of that was was a mystery

2775
02:28:19.719 --> 02:28:22.920
<v Speaker 3>to Billy. He's one of the fuorite riders. I have

2776
02:28:22.959 --> 02:28:24.920
<v Speaker 3>a real soft spot for Billy because he had a

2777
02:28:25.000 --> 02:28:25.520
<v Speaker 3>rough life.

2778
02:28:26.040 --> 02:28:27.760
<v Speaker 4>He did diet thirty three.

2779
02:28:27.879 --> 02:28:32.120
<v Speaker 2>Though, I'm not gonna y'all rather blow my brain all here,

2780
02:28:32.239 --> 02:28:34.159
<v Speaker 2>and I don't want to. I don't want to. You're,

2781
02:28:34.200 --> 02:28:35.840
<v Speaker 2>you know, make some great points and I don't want

2782
02:28:35.840 --> 02:28:38.840
<v Speaker 2>to direct you from them. But yeah, I do have

2783
02:28:38.879 --> 02:28:40.959
<v Speaker 2>to get us back on track here with the chapter Society.

2784
02:28:41.000 --> 02:28:43.639
<v Speaker 3>Yeah well we'll yeah, well, we'll go ahead and ups

2785
02:28:43.680 --> 02:28:45.000
<v Speaker 3>as the rest of the oh.

2786
02:28:45.000 --> 02:28:47.079
<v Speaker 2>I assure you have both of you receiving emails from

2787
02:28:47.079 --> 02:28:49.120
<v Speaker 2>me tonight with these various notes of things that come

2788
02:28:49.159 --> 02:28:50.520
<v Speaker 2>back in the future of an invite. So I do

2789
02:28:50.600 --> 02:28:53.239
<v Speaker 2>appreciate your time and for blowing my brain. Though, I

2790
02:28:53.399 --> 02:28:55.879
<v Speaker 2>just like to try to keep this narrative going because

2791
02:28:55.920 --> 02:28:58.079
<v Speaker 2>I you all just made so many comments that I

2792
02:28:58.159 --> 02:29:00.520
<v Speaker 2>bit my tongue on. We'll just well, we'll stay we'll

2793
02:29:00.520 --> 02:29:02.440
<v Speaker 2>stay the path here. We'll definitely be doing these in

2794
02:29:02.479 --> 02:29:03.799
<v Speaker 2>the future though, these other things.

2795
02:29:04.159 --> 02:29:05.440
<v Speaker 3>Yeah, absolutely.

2796
02:29:07.479 --> 02:29:09.840
<v Speaker 2>So the next thing we see is Don there getting

2797
02:29:10.120 --> 02:29:11.000
<v Speaker 2>engaged at Alma.

2798
02:29:11.079 --> 02:29:18.200
<v Speaker 3>Huh, that's right. Yeah, yeah, That's probably my favorite part

2799
02:29:18.239 --> 02:29:20.200
<v Speaker 3>of the movie is when he starts to realize that

2800
02:29:20.319 --> 02:29:23.399
<v Speaker 3>something's wrong with her. It's it's really creepy. You know,

2801
02:29:23.639 --> 02:29:26.879
<v Speaker 3>there's very little dialogue, but she's acting so weird, and

2802
02:29:26.920 --> 02:29:29.120
<v Speaker 3>they keep flashing back to the looks on his face

2803
02:29:29.159 --> 02:29:31.840
<v Speaker 3>and he's just it's that. I really like that part.

2804
02:29:33.159 --> 02:29:37.159
<v Speaker 2>I meant David so Don to learn that he was

2805
02:29:37.239 --> 02:29:39.600
<v Speaker 2>horrid to become engaged at Alma. So Don then shows

2806
02:29:39.639 --> 02:29:40.799
<v Speaker 2>the three elders.

2807
02:29:40.479 --> 02:29:47.719
<v Speaker 3>Right, yeah, he he shows them a photo and they say,

2808
02:29:47.760 --> 02:29:51.079
<v Speaker 3>oh my god, that's that's Eva. We remember Eva.

2809
02:29:51.200 --> 02:29:54.040
<v Speaker 2>So yeah, so we have three we have three old

2810
02:29:54.120 --> 02:29:56.959
<v Speaker 2>muppets at this point, right, because Don's dad's dead.

2811
02:29:57.040 --> 02:29:59.040
<v Speaker 3>That's right, that's right, he's the one that jumped off

2812
02:29:59.040 --> 02:29:59.600
<v Speaker 3>the bridge.

2813
02:30:00.639 --> 02:30:03.920
<v Speaker 2>Don's brother's dead because he was banging Alma. Right, we

2814
02:30:04.000 --> 02:30:07.159
<v Speaker 2>saw his dick at the beginning of the film. Unfortunately,

2815
02:30:08.120 --> 02:30:10.280
<v Speaker 2>good point. I'm just reiterating that's the folks. You go

2816
02:30:10.280 --> 02:30:13.840
<v Speaker 2>watch this film, can expect the they want to watch it,

2817
02:30:13.840 --> 02:30:14.440
<v Speaker 2>that's up to them.

2818
02:30:14.440 --> 02:30:18.760
<v Speaker 4>At least scariest part of the.

2819
02:30:18.799 --> 02:30:21.239
<v Speaker 2>Movie, Dude, I only jumped at one part, and there

2820
02:30:21.360 --> 02:30:22.959
<v Speaker 2>was that part like there was another jump. Scary.

2821
02:30:26.680 --> 02:30:28.879
<v Speaker 3>It's an unflattering shot for any actor.

2822
02:30:28.959 --> 02:30:35.280
<v Speaker 2>I think inappropriate.

2823
02:30:36.000 --> 02:30:38.479
<v Speaker 4>They didn't even like slap it around and get it

2824
02:30:38.600 --> 02:30:41.879
<v Speaker 4>kind of half chubb or something like. No, it was

2825
02:30:42.120 --> 02:30:43.479
<v Speaker 4>full on, baby dick.

2826
02:30:43.879 --> 02:30:46.799
<v Speaker 3>It looks very awkward. Yeah, it must have been an

2827
02:30:46.799 --> 02:30:49.280
<v Speaker 3>awkward day on set.

2828
02:30:49.799 --> 02:30:52.440
<v Speaker 2>Well, I mean, you know, when there's a lot of

2829
02:30:52.479 --> 02:30:54.000
<v Speaker 2>awkward days and a lot of sets, you know what

2830
02:30:54.000 --> 02:30:54.239
<v Speaker 2>I mean.

2831
02:30:54.840 --> 02:30:57.760
<v Speaker 4>His burden is bush on the first.

2832
02:31:00.680 --> 02:31:00.959
<v Speaker 3>The U.

2833
02:31:01.440 --> 02:31:03.319
<v Speaker 2>So the next day we lose the second, and we

2834
02:31:03.360 --> 02:31:05.239
<v Speaker 2>lose our next muppet.

2835
02:31:05.600 --> 02:31:07.319
<v Speaker 3>Yes, yes, that's doctor Jeffery.

2836
02:31:07.399 --> 02:31:12.520
<v Speaker 2>Yeah yeah, Art Attack huh yeah.

2837
02:31:12.600 --> 02:31:14.280
<v Speaker 4>Yeah.

2838
02:31:14.479 --> 02:31:16.479
<v Speaker 2>So then and then after that, then the other the

2839
02:31:16.600 --> 02:31:19.639
<v Speaker 2>two remaining muppets, fred Astaire and the other guy that

2840
02:31:20.360 --> 02:31:24.840
<v Speaker 2>Ricky and sears right houseman and Freda's Staire right yeah. Yeah.

2841
02:31:24.879 --> 02:31:27.360
<v Speaker 2>They tell they kind of bring Ricky in on the

2842
02:31:27.360 --> 02:31:28.840
<v Speaker 2>scene or I'm sorry, don in on the scene at

2843
02:31:28.840 --> 02:31:30.159
<v Speaker 2>that point, right. Yeah.

2844
02:31:30.200 --> 02:31:32.040
<v Speaker 3>They explained to him, just just like in the book,

2845
02:31:32.079 --> 02:31:35.040
<v Speaker 3>to everything that happened. They in the book, when it's

2846
02:31:35.079 --> 02:31:39.559
<v Speaker 3>just the two of them left, they're sitting in Edward's house, uh,

2847
02:31:40.360 --> 02:31:44.280
<v Speaker 3>and they're they're saying, you know, we're we're gonna explain

2848
02:31:44.319 --> 02:31:46.719
<v Speaker 3>to you what happened and what the history of this is,

2849
02:31:46.760 --> 02:31:49.680
<v Speaker 3>and we're not proud of it, but we killed this

2850
02:31:49.719 --> 02:31:50.760
<v Speaker 3>woman and we didn't mean to.

2851
02:31:51.399 --> 02:31:51.680
<v Speaker 2>Yep.

2852
02:31:52.239 --> 02:31:55.120
<v Speaker 3>Uh So, yeah.

2853
02:31:55.159 --> 02:31:56.879
<v Speaker 2>And that's when we see the scene then that they

2854
02:31:56.879 --> 02:32:00.360
<v Speaker 2>flashes back to when they were dancing. Right, that's right,

2855
02:32:00.639 --> 02:32:03.879
<v Speaker 2>that's right. It says after the four were uhh, that's

2856
02:32:03.920 --> 02:32:06.840
<v Speaker 2>not it. After the four win Hammond became drunk. They

2857
02:32:06.920 --> 02:32:10.200
<v Speaker 2>returned to the houses, the dilapidated house that we see

2858
02:32:10.239 --> 02:32:12.319
<v Speaker 2>in the future. Actually we skipped over that part and

2859
02:32:12.360 --> 02:32:17.639
<v Speaker 2>I apologize. So, yeah, it's town fred Istaire, mister Ricky there, right,

2860
02:32:17.680 --> 02:32:19.479
<v Speaker 2>he goes over to that old mercy and right, what

2861
02:32:19.520 --> 02:32:21.639
<v Speaker 2>happens there in the old scene. So I think that's

2862
02:32:21.639 --> 02:32:24.600
<v Speaker 2>a very interesting dynamic that obviously plays a very important

2863
02:32:24.680 --> 02:32:26.479
<v Speaker 2>role later in the film, but is interesting in this

2864
02:32:26.559 --> 02:32:28.159
<v Speaker 2>kind of esoteric understanding as well.

2865
02:32:28.479 --> 02:32:34.440
<v Speaker 3>Yeah, well, he sees Gregory and Finny their roles in

2866
02:32:34.479 --> 02:32:37.639
<v Speaker 3>the film were a little murky. There's not any real

2867
02:32:37.719 --> 02:32:39.600
<v Speaker 3>reason for them to be in the film other than

2868
02:32:39.600 --> 02:32:44.120
<v Speaker 3>to just add another horrific layer to the story. But

2869
02:32:44.159 --> 02:32:49.840
<v Speaker 3>they're major characters via flashback in the novel. But yeah,

2870
02:32:49.879 --> 02:32:53.559
<v Speaker 3>Gregory Bait whose character name is is from Gregory Bates

2871
02:32:53.600 --> 02:32:59.920
<v Speaker 3>and the influenced Aready laying Yeah, and Finny is his

2872
02:33:00.120 --> 02:33:07.000
<v Speaker 3>is uh, developmentally disabled brother of the little boy. And

2873
02:33:07.479 --> 02:33:10.280
<v Speaker 3>you see them here and there throughout the film whenever

2874
02:33:10.319 --> 02:33:14.639
<v Speaker 3>something had happens. But their roles in the film are

2875
02:33:14.760 --> 02:33:17.680
<v Speaker 3>are much diminished compared to what they do in the book.

2876
02:33:17.799 --> 02:33:20.559
<v Speaker 2>But oh yeah, yeah, Well, the one thing I did

2877
02:33:20.639 --> 02:33:22.920
<v Speaker 2>pick up on there was, especially after Fredis Stare gets

2878
02:33:23.000 --> 02:33:26.200
<v Speaker 2>chased out of there by them, you hear Alma's voice

2879
02:33:26.200 --> 02:33:27.840
<v Speaker 2>and them going to room, like she's got some sort

2880
02:33:27.879 --> 02:33:29.120
<v Speaker 2>of mind control spell on them.

2881
02:33:29.159 --> 02:33:31.159
<v Speaker 3>That's right, She lasts, and she says, I've got something

2882
02:33:31.200 --> 02:33:33.920
<v Speaker 3>for you to do, or something to that effect. Yeah,

2883
02:33:34.040 --> 02:33:37.559
<v Speaker 3>And the the police dispatch the guy on the dispatch

2884
02:33:37.600 --> 02:33:41.200
<v Speaker 3>phone says tells the sheriff, well, we've got this weird

2885
02:33:41.200 --> 02:33:43.799
<v Speaker 3>guy in town, Gregory Bate. He was involved in some

2886
02:33:43.920 --> 02:33:47.120
<v Speaker 3>cult or something back on the West coast, and he's

2887
02:33:47.360 --> 02:33:50.319
<v Speaker 3>he left, he got out of an asylum or something,

2888
02:33:50.360 --> 02:33:53.799
<v Speaker 3>and he's, uh, he's here in Milbourn now, and uh,

2889
02:33:55.079 --> 02:33:58.520
<v Speaker 3>there is that verbal tie to all the cult stuff

2890
02:33:58.520 --> 02:33:59.479
<v Speaker 3>in the movie.

2891
02:34:00.159 --> 02:34:02.559
<v Speaker 2>So two questions. One I just forgot while I was

2892
02:34:02.600 --> 02:34:05.920
<v Speaker 2>asking you that, and uh, secondly I forgot the second one.

2893
02:34:06.000 --> 02:34:08.680
<v Speaker 2>So I will get back to you points about bateson

2894
02:34:09.079 --> 02:34:11.000
<v Speaker 2>and they were both relative debates and whatever it was.

2895
02:34:11.040 --> 02:34:12.399
<v Speaker 2>It'll circle back here in a second.

2896
02:34:12.559 --> 02:34:12.799
<v Speaker 3>Sure.

2897
02:34:13.079 --> 02:34:15.920
<v Speaker 2>Yeah, Now, because Bates is an interesting character right within

2898
02:34:16.120 --> 02:34:19.159
<v Speaker 2>within this kind of he didn't mean he's not he

2899
02:34:19.159 --> 02:34:21.000
<v Speaker 2>didn't work for the Tabstad, but within this kind of

2900
02:34:21.040 --> 02:34:25.479
<v Speaker 2>mind controlled Tavistock, and you know, he was very going

2901
02:34:25.520 --> 02:34:27.639
<v Speaker 2>to do this to society, right like he's entered on

2902
02:34:27.680 --> 02:34:28.319
<v Speaker 2>that process.

2903
02:34:28.520 --> 02:34:31.760
<v Speaker 3>He had some odd concepts and he was a huge

2904
02:34:31.760 --> 02:34:33.040
<v Speaker 3>influence on already Lane.

2905
02:34:33.200 --> 02:34:43.879
<v Speaker 2>Yeah. Yeah, not the comedian, No, the oh so did

2906
02:34:43.920 --> 02:34:48.920
<v Speaker 2>the millroom mill Burne? Was that any not to mil Grum?

2907
02:34:49.280 --> 02:34:50.879
<v Speaker 3>You know, I'm not sure that's a good question.

2908
02:34:50.959 --> 02:34:54.319
<v Speaker 2>It may have been, you know, the milgrim experiment.

2909
02:34:54.959 --> 02:34:57.360
<v Speaker 3>Yeah, yeah, and that that's that's a good point. It

2910
02:34:57.639 --> 02:35:00.840
<v Speaker 3>may have been that, uh, Julius that I would have

2911
02:35:00.879 --> 02:35:03.000
<v Speaker 3>asked Peter Strout if I could have asked him, you know,

2912
02:35:03.079 --> 02:35:05.520
<v Speaker 3>and sat down with him and said like, sure, wow, man,

2913
02:35:05.639 --> 02:35:08.959
<v Speaker 3>you really packed the references into this one book.

2914
02:35:09.000 --> 02:35:11.040
<v Speaker 2>It's just it's incredible hardcore.

2915
02:35:11.559 --> 02:35:15.639
<v Speaker 4>Yeah, this may have been his opus. I don't know

2916
02:35:15.920 --> 02:35:18.239
<v Speaker 4>about I'm not a hundred on that JJ.

2917
02:35:18.799 --> 02:35:21.239
<v Speaker 2>When they were convincing folks to shock, they thought they

2918
02:35:21.239 --> 02:35:24.600
<v Speaker 2>were getting you know, deadly levels of shock therapy, but

2919
02:35:24.639 --> 02:35:26.600
<v Speaker 2>really they were just an actor holding the things like

2920
02:35:26.639 --> 02:35:29.079
<v Speaker 2>they were getting shocked and the person didn't know. The

2921
02:35:29.120 --> 02:35:31.600
<v Speaker 2>whole thing was an experiment. But they realized that they

2922
02:35:31.600 --> 02:35:34.079
<v Speaker 2>could get other people to kill people because they were

2923
02:35:34.120 --> 02:35:35.000
<v Speaker 2>being told to do so.

2924
02:35:35.760 --> 02:35:37.200
<v Speaker 4>Oh shit.

2925
02:35:39.479 --> 02:35:42.280
<v Speaker 2>Granted on paper, at least allegedly, they weren't really killing folks.

2926
02:35:42.520 --> 02:35:45.520
<v Speaker 2>There was no actual electric shock being applied. The person

2927
02:35:45.799 --> 02:35:48.319
<v Speaker 2>who was applying electric shock was the subject of the

2928
02:35:48.360 --> 02:35:49.719
<v Speaker 2>test to see how much they could get them to

2929
02:35:49.760 --> 02:35:52.520
<v Speaker 2>do by just telling them to do more, you know everything,

2930
02:35:52.719 --> 02:35:54.959
<v Speaker 2>even though everything said that person was going to die,

2931
02:35:55.200 --> 02:35:56.959
<v Speaker 2>and they would remind the person's gonna die, you know,

2932
02:35:56.959 --> 02:35:58.639
<v Speaker 2>I'm just gonna do it anyway, because there was a

2933
02:35:58.639 --> 02:36:01.280
<v Speaker 2>bifurcation of liability, et cetera, et cetera. But yeah, it's

2934
02:36:01.280 --> 02:36:02.799
<v Speaker 2>really easy to get people to tell people to die

2935
02:36:02.879 --> 02:36:04.000
<v Speaker 2>and kill people apparently.

2936
02:36:04.360 --> 02:36:07.399
<v Speaker 4>Well, I mean, this is a psychological operation.

2937
02:36:07.159 --> 02:36:08.959
<v Speaker 2>That's what I mean. So this guy, That's what I'm saying.

2938
02:36:09.000 --> 02:36:11.440
<v Speaker 2>So if we're doing baits and stuff, right, why would

2939
02:36:11.559 --> 02:36:13.719
<v Speaker 2>Milburn not be a nod to mil Groom? Right?

2940
02:36:14.200 --> 02:36:15.559
<v Speaker 4>Ah, for sure?

2941
02:36:16.639 --> 02:36:21.479
<v Speaker 2>Yeah, yeah, those were the thoughts of the circle back

2942
02:36:21.479 --> 02:36:23.399
<v Speaker 2>in my brain hole there. That was. I appreciate y'all

2943
02:36:23.479 --> 02:36:27.360
<v Speaker 2>stand by for that one. But yeah, So the next

2944
02:36:27.360 --> 02:36:30.079
<v Speaker 2>thing we see after we see the four, the three

2945
02:36:30.120 --> 02:36:33.120
<v Speaker 2>out of the four dance with the Eva. She hits

2946
02:36:33.120 --> 02:36:34.680
<v Speaker 2>her head. They put her in the car, they sent

2947
02:36:34.760 --> 02:36:36.360
<v Speaker 2>her in the pond, but she's alive when she goes

2948
02:36:36.360 --> 02:36:38.120
<v Speaker 2>in that pond. So that's a very to me, that's

2949
02:36:38.200 --> 02:36:40.399
<v Speaker 2>very indigicative, a ritual human sacrificing water.

2950
02:36:41.120 --> 02:36:44.399
<v Speaker 4>Same and the fact that she's a siren.

2951
02:36:45.680 --> 02:36:48.920
<v Speaker 2>There you go again with the sirens. I wasn't even

2952
02:36:48.920 --> 02:36:50.440
<v Speaker 2>considering that the first time I saw it. With the

2953
02:36:50.440 --> 02:36:53.360
<v Speaker 2>siren stuff, that's even Yeah, brings it all right into

2954
02:36:53.639 --> 02:36:55.280
<v Speaker 2>the same same conversation.

2955
02:36:55.719 --> 02:36:58.280
<v Speaker 4>And it's like she draws her power from the water

2956
02:36:58.440 --> 02:37:03.000
<v Speaker 4>because water is a condo for Yeah.

2957
02:37:03.000 --> 02:37:05.920
<v Speaker 2>Yeah, that's right. So they call him Gregory bait, which yeah,

2958
02:37:05.959 --> 02:37:07.360
<v Speaker 2>I was like, wait a second, that's a little too

2959
02:37:07.360 --> 02:37:11.520
<v Speaker 2>on the nose, Gregory Bates and yeah, yeah, so then

2960
02:37:11.559 --> 02:37:13.840
<v Speaker 2>we go back to present day, right, and then that's

2961
02:37:13.879 --> 02:37:17.040
<v Speaker 2>when these fellows start, you know, after they flashed back

2962
02:37:17.040 --> 02:37:19.680
<v Speaker 2>to yesterdayear remember the time they killed that lady and

2963
02:37:19.760 --> 02:37:21.360
<v Speaker 2>they're like, wait a second, and that lady is the

2964
02:37:21.360 --> 02:37:22.760
<v Speaker 2>new lady? What's going on here?

2965
02:37:23.159 --> 02:37:27.920
<v Speaker 3>Right? Right? And then you have a long flashback scene

2966
02:37:28.000 --> 02:37:31.000
<v Speaker 3>with the with the young versions of all the members

2967
02:37:31.040 --> 02:37:33.559
<v Speaker 3>of the Chatter Society, and we see how they meet

2968
02:37:34.120 --> 02:37:38.399
<v Speaker 3>Eva like a summertime, some sort of social gathering, and

2969
02:37:38.559 --> 02:37:41.479
<v Speaker 3>then they she's had a tea or a dance or something,

2970
02:37:42.360 --> 02:37:46.040
<v Speaker 3>and they all become fascinated with her. But it's it's Ned,

2971
02:37:46.159 --> 02:37:48.799
<v Speaker 3>who's the best looking of the bunch, and it's Ned

2972
02:37:48.879 --> 02:37:55.440
<v Speaker 3>that he and Eva are attracted each other. And so

2973
02:37:55.479 --> 02:37:58.799
<v Speaker 3>they're all out doing this almost kind of like surreal,

2974
02:37:58.920 --> 02:38:00.760
<v Speaker 3>like they're running through in order trued. And then they're

2975
02:38:00.760 --> 02:38:01.920
<v Speaker 3>on a canoe.

2976
02:38:01.639 --> 02:38:06.680
<v Speaker 2>And yeah, you know, nineteen twenties escape, like right.

2977
02:38:06.719 --> 02:38:10.920
<v Speaker 3>Everybody's wearing those boater hats and but yeah, that's an

2978
02:38:10.920 --> 02:38:14.760
<v Speaker 3>interesting series of scenes too. But yeah, they they wind

2979
02:38:14.840 --> 02:38:18.680
<v Speaker 3>up killing Eva accidentally or they think they've killed her

2980
02:38:18.680 --> 02:38:23.200
<v Speaker 3>as we described, but then they see as they're pushing

2981
02:38:23.239 --> 02:38:27.000
<v Speaker 3>the car into the pond that that she's still a

2982
02:38:27.639 --> 02:38:31.840
<v Speaker 3>lot of the back window and is banging on the

2983
02:38:31.840 --> 02:38:33.120
<v Speaker 3>window and screen.

2984
02:38:33.200 --> 02:38:37.239
<v Speaker 4>They put in zero efforts and watching.

2985
02:38:38.600 --> 02:38:44.760
<v Speaker 9>Like, oh wait, she's alive, you know, ling and looked

2986
02:38:44.760 --> 02:38:48.200
<v Speaker 9>at each other and they were like, wow, fuck, I

2987
02:38:48.239 --> 02:38:49.920
<v Speaker 9>guess she's dead, right.

2988
02:38:49.760 --> 02:38:52.760
<v Speaker 3>And that's that's that's supposed to be, Like, look at

2989
02:38:52.799 --> 02:38:55.319
<v Speaker 3>these horrible, spoiled rich kids. Look at what they did.

2990
02:38:55.600 --> 02:38:58.399
<v Speaker 3>They had a chance to save somebody's life, and they,

2991
02:39:00.799 --> 02:39:02.799
<v Speaker 3>which is in the book is is the way they

2992
02:39:02.799 --> 02:39:05.159
<v Speaker 3>think of themselves all throughout their lives. They think, God,

2993
02:39:05.239 --> 02:39:08.239
<v Speaker 3>we just killed somebody. We murdered a woman. And then

2994
02:39:08.360 --> 02:39:12.040
<v Speaker 3>Don tells Sears and Ricky in the book, you know

2995
02:39:12.120 --> 02:39:14.600
<v Speaker 3>she never was a woman. There was always something wrong

2996
02:39:14.680 --> 02:39:18.000
<v Speaker 3>with her. What you did was you just inadvertently caught

2997
02:39:18.040 --> 02:39:21.760
<v Speaker 3>her off guard. She was already going to kill you,

2998
02:39:21.840 --> 02:39:24.360
<v Speaker 3>but you just made her angrier than ever. And that's

2999
02:39:24.360 --> 02:39:27.360
<v Speaker 3>why she's been coming back over and over throughout your

3000
02:39:27.360 --> 02:39:31.840
<v Speaker 3>lives and families.

3001
02:39:31.360 --> 02:39:33.319
<v Speaker 4>And killing their sons and.

3002
02:39:34.680 --> 02:39:36.559
<v Speaker 2>The audience to see their sons dick because they're falling

3003
02:39:36.559 --> 02:39:43.079
<v Speaker 2>out of building. Yeah, so that I'm obviously upset about

3004
02:39:43.079 --> 02:39:43.559
<v Speaker 2>that or anything.

3005
02:39:44.360 --> 02:39:51.520
<v Speaker 4>We flashed back to present time. He flapped he what

3006
02:39:52.440 --> 02:39:52.760
<v Speaker 4>I said?

3007
02:39:52.799 --> 02:39:54.479
<v Speaker 2>That guy flashed something all right in that in that

3008
02:39:54.559 --> 02:39:55.680
<v Speaker 2>scene falling out of the building.

3009
02:39:56.559 --> 02:39:59.200
<v Speaker 4>Yeah, his baby asparagus?

3010
02:40:00.000 --> 02:40:01.840
<v Speaker 2>What were you saying? The flashback to the present when

3011
02:40:01.840 --> 02:40:04.360
<v Speaker 2>we see them concluding that Eva and Alma are the

3012
02:40:04.399 --> 02:40:06.639
<v Speaker 2>same person, right, Yeah.

3013
02:40:06.319 --> 02:40:08.399
<v Speaker 4>And then they're like, all right, what are we gonna do?

3014
02:40:09.719 --> 02:40:12.879
<v Speaker 4>And they decide to drive back to Eva's old boarded up,

3015
02:40:12.920 --> 02:40:14.319
<v Speaker 4>old scary house.

3016
02:40:14.760 --> 02:40:17.319
<v Speaker 2>Yeah, where fred Istaire got Ricky got chased out by

3017
02:40:17.360 --> 02:40:19.840
<v Speaker 2>the goons, the goons squad, yep.

3018
02:40:19.959 --> 02:40:25.040
<v Speaker 3>Yeah. And in the meantime, here Sears. He has left

3019
02:40:25.479 --> 02:40:28.920
<v Speaker 3>Ricky's house alone to sort of divert attention because he

3020
02:40:28.920 --> 02:40:31.520
<v Speaker 3>thinks if he can draw the bad guys away from

3021
02:40:32.120 --> 02:40:35.680
<v Speaker 3>Ricky and Don that he'll sacrifice himself to do this.

3022
02:40:35.719 --> 02:40:39.680
<v Speaker 3>So he does. Sears dies when Gregory and Finny magically

3023
02:40:39.680 --> 02:40:42.639
<v Speaker 3>appear in his car. So they kill Sears in his

3024
02:40:42.680 --> 02:40:45.760
<v Speaker 3>car out in the snow, and then there's just Ricky

3025
02:40:45.799 --> 02:40:49.280
<v Speaker 3>and Don left and they go to Eva's house and yeah,

3026
02:40:49.319 --> 02:40:51.760
<v Speaker 3>Don hurts his leg and uh.

3027
02:40:52.040 --> 02:40:55.159
<v Speaker 2>Stairs in the old lap and instructure. Huh right, right,

3028
02:40:57.719 --> 02:41:00.719
<v Speaker 2>and then we see them going, uh, he suddenly has

3029
02:41:00.760 --> 02:41:02.719
<v Speaker 2>a go ahead, go ahead, Oh yeah, I.

3030
02:41:02.719 --> 02:41:04.920
<v Speaker 3>Was just yeah the interior. That is really nice that

3031
02:41:05.040 --> 02:41:09.120
<v Speaker 3>they convincingly recreate a broken down house from that period.

3032
02:41:09.479 --> 02:41:11.799
<v Speaker 3>It's that's really nice, and.

3033
02:41:11.520 --> 02:41:19.479
<v Speaker 2>Maybe that's where the main thing. Yeah, yeah, we see

3034
02:41:19.520 --> 02:41:21.799
<v Speaker 2>we suddenly see, after watching all his friends die, that

3035
02:41:21.840 --> 02:41:24.479
<v Speaker 2>he's something that old Ricky here suddenly gets a conscience

3036
02:41:24.479 --> 02:41:25.040
<v Speaker 2>about himself.

3037
02:41:25.120 --> 02:41:28.000
<v Speaker 3>Huh he does. Yeah, And while he's going to get

3038
02:41:28.000 --> 02:41:30.559
<v Speaker 3>help for Don, who can't move because of his injured leg,

3039
02:41:31.239 --> 02:41:34.399
<v Speaker 3>he gets the idea that, well, maybe if we pull

3040
02:41:34.479 --> 02:41:38.040
<v Speaker 3>the old car up from the pond. And it's not

3041
02:41:38.159 --> 02:41:40.719
<v Speaker 3>real clear how he thinks this is going to solve everything,

3042
02:41:40.760 --> 02:41:44.840
<v Speaker 3>but he wants to make it the nineteen twenty nine incident, right,

3043
02:41:44.920 --> 02:41:47.440
<v Speaker 3>So he tells the sheriff what he and his friends

3044
02:41:47.479 --> 02:41:49.559
<v Speaker 3>did to the woman back then and that they pushed

3045
02:41:49.600 --> 02:41:52.239
<v Speaker 3>the car into the pond. So they go and they

3046
02:41:52.239 --> 02:41:52.559
<v Speaker 3>get the.

3047
02:41:52.799 --> 02:41:54.559
<v Speaker 2>Car on the pond routine, and he thinks that the

3048
02:41:54.600 --> 02:41:57.360
<v Speaker 2>woman is that he thinks the woman is is in

3049
02:41:57.440 --> 02:41:58.479
<v Speaker 2>the car or not in the car.

3050
02:41:58.879 --> 02:42:02.120
<v Speaker 3>He thinks somehow if he can dredge up the body

3051
02:42:02.159 --> 02:42:05.760
<v Speaker 3>and expose the body that the ghost will leave Don alone.

3052
02:42:05.959 --> 02:42:08.440
<v Speaker 3>And it's never really clear how that works, but he

3053
02:42:08.520 --> 02:42:11.040
<v Speaker 3>gets a tow truck and a crane and a wench

3054
02:42:11.079 --> 02:42:14.520
<v Speaker 3>and everything, and they they dredge the pond and then.

3055
02:42:16.200 --> 02:42:18.520
<v Speaker 2>The old pond, the car of the pond magic trick with.

3056
02:42:18.520 --> 02:42:21.559
<v Speaker 3>The right Yeah, yeah, it's it is kind of an

3057
02:42:21.600 --> 02:42:23.840
<v Speaker 3>unexpected that, like, that's not where you expect the plot

3058
02:42:23.879 --> 02:42:27.239
<v Speaker 3>to go, you know. But Done is waiting in the

3059
02:42:27.280 --> 02:42:29.920
<v Speaker 3>house and Eva's ghost is right there and she's reaching

3060
02:42:29.959 --> 02:42:32.639
<v Speaker 3>out for him, and she's like a skeleton hand touching

3061
02:42:32.680 --> 02:42:35.840
<v Speaker 3>his throat and he's screaming and and so. But just

3062
02:42:35.920 --> 02:42:38.479
<v Speaker 3>at that moment they dredge the car up from the pond,

3063
02:42:39.479 --> 02:42:43.079
<v Speaker 3>Ricky or somebody opens the door and then out comes

3064
02:42:43.120 --> 02:42:45.600
<v Speaker 3>Eva's corpse straight at him, and Ricky is going like,

3065
02:42:46.319 --> 02:42:48.280
<v Speaker 3>you know, like you're afraid that's going to kill him

3066
02:42:48.319 --> 02:42:50.799
<v Speaker 3>since all his other friends are already dead. But the

3067
02:42:51.879 --> 02:42:55.120
<v Speaker 3>body of Eva collapses right there on the ground. And

3068
02:42:55.159 --> 02:43:00.520
<v Speaker 3>then suddenly, back at Eva's house, her ghost or the

3069
02:43:00.520 --> 02:43:03.399
<v Speaker 3>ghost of all whatever she is, is gone, and Done

3070
02:43:03.479 --> 02:43:04.159
<v Speaker 3>is safe too.

3071
02:43:05.079 --> 02:43:05.280
<v Speaker 2>Yeah.

3072
02:43:05.719 --> 02:43:06.559
<v Speaker 3>Well, yeah, it.

3073
02:43:06.600 --> 02:43:10.280
<v Speaker 4>Was like every she needed everybody to know what happened

3074
02:43:10.479 --> 02:43:10.639
<v Speaker 4>to you.

3075
02:43:11.559 --> 02:43:14.239
<v Speaker 3>Yeah, and and just by their dredging up the car

3076
02:43:14.360 --> 02:43:21.200
<v Speaker 3>and exposing the body somehow or other her her visits, right, yeah, yeah,

3077
02:43:21.399 --> 02:43:21.959
<v Speaker 3>that put you.

3078
02:43:24.360 --> 02:43:26.680
<v Speaker 2>Which you know, to a certain extent, I feel like

3079
02:43:27.239 --> 02:43:29.559
<v Speaker 2>that's kind of these tropes and that that that you know,

3080
02:43:29.719 --> 02:43:32.840
<v Speaker 2>there's some sort of you know, something attracting keeping these

3081
02:43:32.959 --> 02:43:34.600
<v Speaker 2>uh these you know, this isn't the first time we've

3082
02:43:34.600 --> 02:43:37.200
<v Speaker 2>seen some sort of a priestess of a witchcraft type

3083
02:43:37.239 --> 02:43:41.280
<v Speaker 2>of deal sorcery kind of being that's haunting folks until

3084
02:43:41.280 --> 02:43:43.920
<v Speaker 2>they can get something back from the person, a heart

3085
02:43:44.079 --> 02:43:46.760
<v Speaker 2>or a long maybe I'm maybe kidney. I'm not sure

3086
02:43:46.799 --> 02:43:49.319
<v Speaker 2>they're on an organ donor list in the spirit world

3087
02:43:49.399 --> 02:43:51.760
<v Speaker 2>or what. But they're always after something, right.

3088
02:43:52.319 --> 02:43:54.120
<v Speaker 3>Right, like a pound of flesh.

3089
02:43:54.200 --> 02:43:55.520
<v Speaker 2>Yeah, yeah, there you go.

3090
02:43:55.920 --> 02:43:56.920
<v Speaker 3>Yeah.

3091
02:43:56.959 --> 02:44:00.600
<v Speaker 2>So I'm trying to remember why I saved this from

3092
02:44:00.639 --> 02:44:04.239
<v Speaker 2>the film, and I just got distracted because, uh was

3093
02:44:04.239 --> 02:44:06.799
<v Speaker 2>that it We're I'll give you all some closing statements,

3094
02:44:06.799 --> 02:44:08.479
<v Speaker 2>but that was I thought that was a great recap

3095
02:44:08.520 --> 02:44:11.200
<v Speaker 2>of events. But I had saved two notes from earlier

3096
02:44:11.319 --> 02:44:14.040
<v Speaker 2>I said that were really weird and creepy synchronistic events

3097
02:44:14.079 --> 02:44:15.680
<v Speaker 2>for me. When I was watching this film and reading

3098
02:44:15.680 --> 02:44:17.920
<v Speaker 2>about stuff. Yeah, and I don't remember why I saved

3099
02:44:17.920 --> 02:44:19.399
<v Speaker 2>this lady to it to give me a second, but

3100
02:44:19.479 --> 02:44:21.559
<v Speaker 2>she I just got distracted because she was married to

3101
02:44:21.680 --> 02:44:23.879
<v Speaker 2>Roll Doll speaking of Deadler.

3102
02:44:23.719 --> 02:44:27.079
<v Speaker 3>Oh Patrician Neil. Yeah, I almost forget. Yeah, she was

3103
02:44:27.879 --> 02:44:28.559
<v Speaker 3>Ricky's wife.

3104
02:44:28.639 --> 02:44:31.280
<v Speaker 2>Yeah, that's right, she was Ricky's wife, Thank you, sir.

3105
02:44:31.319 --> 02:44:32.799
<v Speaker 2>I knew there was some reason why I saved this.

3106
02:44:32.959 --> 02:44:36.040
<v Speaker 3>Yeah. And why can't I think of her name Stella? Yeah?

3107
02:44:36.120 --> 02:44:38.079
<v Speaker 2>Yeah, so she was married to the old diddler Roll

3108
02:44:38.159 --> 02:44:40.719
<v Speaker 2>Doll because them Snosberry's from Willi Wanka turned out to

3109
02:44:40.719 --> 02:44:41.959
<v Speaker 2>be dicks and not candy.

3110
02:44:42.440 --> 02:44:46.600
<v Speaker 3>Yeah, she was. At one point she was Dashal Hammett's

3111
02:44:46.600 --> 02:44:47.399
<v Speaker 3>girlfriend too.

3112
02:44:47.959 --> 02:44:51.479
<v Speaker 2>Oh interesting, Yeah, when Roll Doll was telling folks that

3113
02:44:51.559 --> 02:44:54.159
<v Speaker 2>the Snosberry's tastes like Snosberry's according to them kids. He

3114
02:44:54.159 --> 02:44:57.559
<v Speaker 2>would later describe the Snosberry's the later book as dix

3115
02:44:58.600 --> 02:45:01.000
<v Speaker 2>a over here.

3116
02:45:01.600 --> 02:45:05.280
<v Speaker 3>In fact, according to one of Nashal Hammett's daughters, Hammett

3117
02:45:05.319 --> 02:45:08.719
<v Speaker 3>warned her, uh, don't get married to him. He's not

3118
02:45:08.760 --> 02:45:11.000
<v Speaker 3>a good person, or something to that effect. So that

3119
02:45:11.120 --> 02:45:11.840
<v Speaker 3>that's interesting.

3120
02:45:12.000 --> 02:45:14.760
<v Speaker 2>Yeah, that is interesting. Well, can't be the purge there.

3121
02:45:14.760 --> 02:45:18.319
<v Speaker 2>It's my Abin Costello Cohort and I have four conversations

3122
02:45:18.319 --> 02:45:20.239
<v Speaker 2>we do over there on his show, and he's gonna

3123
02:45:20.239 --> 02:45:23.040
<v Speaker 2>love this one. So as you can see her. Patricia

3124
02:45:23.040 --> 02:45:26.040
<v Speaker 2>O'Neil was a member of Phi Beta Pi, the sorority

3125
02:45:26.040 --> 02:45:28.600
<v Speaker 2>girls up and around that Idaho for murder. We're all

3126
02:45:28.680 --> 02:45:33.520
<v Speaker 2>Phi Beta Pie. Interesting. Interesting, and the man, the male,

3127
02:45:33.840 --> 02:45:37.040
<v Speaker 2>the male victim was Sigma Chai. And in the film

3128
02:45:37.440 --> 02:45:40.280
<v Speaker 2>we hear them singing this song, Sweetheart of Sigma Chai.

3129
02:45:41.079 --> 02:45:45.399
<v Speaker 3>Excellent. Yes, that's what we're singing it down down below

3130
02:45:45.440 --> 02:45:46.600
<v Speaker 3>eas window. Yeah.

3131
02:45:46.680 --> 02:45:50.600
<v Speaker 2>Yeah. The Snisberry like Snilesberry's.

3132
02:45:50.840 --> 02:45:52.200
<v Speaker 3>Yeah.

3133
02:45:52.280 --> 02:45:54.479
<v Speaker 2>According to these guys and even bunch of Dix, if

3134
02:45:54.479 --> 02:45:58.120
<v Speaker 2>you asked me to believe this is somehow just weird circumstances.

3135
02:45:57.760 --> 02:45:59.840
<v Speaker 3>I would not put that pass for roll Doll at all.

3136
02:45:59.879 --> 02:46:02.360
<v Speaker 3>He was a very peculiar person.

3137
02:46:03.319 --> 02:46:05.479
<v Speaker 2>I'm just saying, like, it's just weird. It just weird

3138
02:46:05.520 --> 02:46:07.680
<v Speaker 2>to me that in the future past all of these things. Again,

3139
02:46:07.719 --> 02:46:10.040
<v Speaker 2>I don't want to get into comments of questions of

3140
02:46:10.079 --> 02:46:11.920
<v Speaker 2>time and concept of time, but it is weird to

3141
02:46:11.959 --> 02:46:13.879
<v Speaker 2>me how some of these things work, that like you

3142
02:46:13.920 --> 02:46:16.040
<v Speaker 2>can have such you know, elements where an actress as

3143
02:46:16.040 --> 02:46:17.760
<v Speaker 2>a member of the same sorority as these victims, and

3144
02:46:17.760 --> 02:46:19.879
<v Speaker 2>they're singing a song about the other victim and the

3145
02:46:20.040 --> 02:46:22.079
<v Speaker 2>fraternity he's from. It's just a weird concept of the

3146
02:46:22.120 --> 02:46:23.360
<v Speaker 2>movie for me to watch, and I was like, what

3147
02:46:23.399 --> 02:46:24.440
<v Speaker 2>the fuck's going on right now?

3148
02:46:24.440 --> 02:46:24.600
<v Speaker 3>Man?

3149
02:46:25.159 --> 02:46:26.760
<v Speaker 2>Gil Bill Sarns went off in my brain hole, is

3150
02:46:26.760 --> 02:46:27.280
<v Speaker 2>what I'm saying.

3151
02:46:27.479 --> 02:46:29.920
<v Speaker 3>I think all of this stuff is absolutely conscious. I

3152
02:46:29.920 --> 02:46:32.399
<v Speaker 3>mean it just doesn't you know.

3153
02:46:32.520 --> 02:46:37.600
<v Speaker 2>Yeah, Well, I'm what I'm saying about time and magic.

3154
02:46:37.680 --> 02:46:39.360
<v Speaker 2>It's like and again, I want to this is a

3155
02:46:39.360 --> 02:46:41.680
<v Speaker 2>conversation for a different day. But I think part of

3156
02:46:41.719 --> 02:46:45.040
<v Speaker 2>this and Peter Lavenda, the OTO member, brings us up

3157
02:46:45.040 --> 02:46:46.760
<v Speaker 2>in his book relative to some of the son the

3158
02:46:46.760 --> 02:46:49.639
<v Speaker 2>same matters, right, talking about time and centers for forces

3159
02:46:49.639 --> 02:46:52.360
<v Speaker 2>and whatnot, and how you can how these magicians impact

3160
02:46:52.440 --> 02:46:54.879
<v Speaker 2>time and a non linear fashion. And again it's a

3161
02:46:55.120 --> 02:46:56.719
<v Speaker 2>it's a lot of stuff to get into right now,

3162
02:46:56.719 --> 02:46:59.840
<v Speaker 2>but these are concepts similar to a relative to the subject.

3163
02:47:00.200 --> 02:47:03.879
<v Speaker 2>Folks like the OTO member, Peter Lavenda, right.

3164
02:47:04.159 --> 02:47:09.040
<v Speaker 3>Yeah, yeah, And these people they do, they're very serious

3165
02:47:09.079 --> 02:47:11.680
<v Speaker 3>about what they do. A lot of them, well, this

3166
02:47:11.680 --> 02:47:13.799
<v Speaker 3>this stuff is silly that they're into, but it's but

3167
02:47:13.879 --> 02:47:16.120
<v Speaker 3>they take it very very seriously.

3168
02:47:16.360 --> 02:47:20.399
<v Speaker 4>Right, I say that all the time. Yeah, I agree.

3169
02:47:21.040 --> 02:47:23.959
<v Speaker 2>Yeah, when when, for examplehen people try to try suggest

3170
02:47:23.959 --> 02:47:26.879
<v Speaker 2>to me that the Church of Satan and Antonavay was

3171
02:47:26.879 --> 02:47:28.440
<v Speaker 2>just a carnival barker and it was all a bit.

3172
02:47:28.520 --> 02:47:30.159
<v Speaker 2>It is all a gambit, and I'm like, all right, dude,

3173
02:47:30.159 --> 02:47:31.719
<v Speaker 2>well that's hilarious, but I don't buy it.

3174
02:47:32.000 --> 02:47:34.040
<v Speaker 3>Yeah, and that's exactly what they want people to think.

3175
02:47:34.079 --> 02:47:34.959
<v Speaker 3>It's all just a joke.

3176
02:47:35.639 --> 02:47:40.239
<v Speaker 2>Yeah, you know, yeah, yeah, we're we're just we're just dignostic.

3177
02:47:40.399 --> 02:47:43.360
<v Speaker 2>We just like the Lares Devils and weird Ship.

3178
02:47:44.959 --> 02:47:50.040
<v Speaker 4>The Larvest Devils. You know what it is to This

3179
02:47:50.079 --> 02:47:52.159
<v Speaker 4>is something that I always bring up when I cover

3180
02:47:52.239 --> 02:47:56.200
<v Speaker 4>these type of topics, is if they weren't seeing results,

3181
02:47:56.840 --> 02:47:59.760
<v Speaker 4>why would they keep doing it. They've been doing it

3182
02:48:00.600 --> 02:48:03.799
<v Speaker 4>and obviously they're getting some kind of results, so you

3183
02:48:03.879 --> 02:48:06.520
<v Speaker 4>don't have to believe in it, but they do. And

3184
02:48:06.760 --> 02:48:09.799
<v Speaker 4>obviously it's working for them, or they wouldn't do the

3185
02:48:09.879 --> 02:48:10.760
<v Speaker 4>shit that they're doing.

3186
02:48:10.840 --> 02:48:13.600
<v Speaker 2>Oh yeah. And when I say this nonlinear aspect of

3187
02:48:13.600 --> 02:48:16.520
<v Speaker 2>time where ideas come from, especially for writers, and again

3188
02:48:16.600 --> 02:48:18.680
<v Speaker 2>suggested by Peter Leavenda, where I even came up but

3189
02:48:18.719 --> 02:48:21.280
<v Speaker 2>started going on this path. Not just his ideas, but

3190
02:48:21.319 --> 02:48:22.959
<v Speaker 2>he's the one who sent me on this path. I

3191
02:48:22.959 --> 02:48:26.040
<v Speaker 2>believe he mentions it in Sinister Forces. There was a

3192
02:48:26.040 --> 02:48:28.440
<v Speaker 2>book written, I believe in eighteen eighty seven called The

3193
02:48:28.479 --> 02:48:31.799
<v Speaker 2>titan which was about an indestructible cruise linership that went

3194
02:48:31.799 --> 02:48:35.559
<v Speaker 2>between Europe and America and suddenly hit an iceberg and sank.

3195
02:48:35.600 --> 02:48:37.719
<v Speaker 2>Well that just so happened to occur again later in

3196
02:48:37.719 --> 02:48:40.399
<v Speaker 2>the future. Real world time is the Titanic. So that's

3197
02:48:40.440 --> 02:48:42.239
<v Speaker 2>all I'm saying here with these circumstances.

3198
02:48:42.479 --> 02:48:45.479
<v Speaker 3>Yeah, no, absolutely, oh yeah, you.

3199
02:48:45.440 --> 02:48:47.280
<v Speaker 2>Get in, Julie, get something I was just for, at

3200
02:48:47.360 --> 02:48:49.399
<v Speaker 2>least for the advocation of the folks of the interwebs

3201
02:48:49.479 --> 02:48:52.680
<v Speaker 2>who have missed my you know, routine and you know,

3202
02:48:53.040 --> 02:48:56.760
<v Speaker 2>unsolicited tirades on time. Then you know there's part of

3203
02:48:56.760 --> 02:49:00.200
<v Speaker 2>it right there. I appreciate both your else on the

3204
02:49:00.280 --> 02:49:02.520
<v Speaker 2>night speaking of time, Julia and John both, and for

3205
02:49:02.639 --> 02:49:04.440
<v Speaker 2>blowing up my brain whole a number of times, which

3206
02:49:04.639 --> 02:49:06.440
<v Speaker 2>thanks I just got. I just started getting in that

3207
02:49:06.440 --> 02:49:08.879
<v Speaker 2>cycle for a moment. There are things you suggested to me.

3208
02:49:08.920 --> 02:49:10.520
<v Speaker 2>No I didn't know. I'm like, wait a second, I

3209
02:49:10.559 --> 02:49:12.159
<v Speaker 2>got to close the show out first before I start

3210
02:49:12.200 --> 02:49:15.399
<v Speaker 2>doing that, so I appreciate both of your all time.

3211
02:49:15.879 --> 02:49:23.399
<v Speaker 4>Yeah, yes, yes, great to meet you, John, I always love.

3212
02:49:27.040 --> 02:49:28.000
<v Speaker 2>Go ahead, thank you.

3213
02:49:29.319 --> 02:49:30.440
<v Speaker 4>No, that's all I had JJ.

3214
02:49:30.479 --> 02:49:33.120
<v Speaker 2>Go ahead. I'll make sure I connect y'all with the emails,

3215
02:49:33.120 --> 02:49:35.680
<v Speaker 2>and I'll put your email Julia in the show notes

3216
02:49:35.920 --> 02:49:38.760
<v Speaker 2>for folks to reach out to you, especially maze Iss,

3217
02:49:38.799 --> 02:49:41.280
<v Speaker 2>who I again love to hear more thoughts there, ma'am.

3218
02:49:41.319 --> 02:49:45.079
<v Speaker 2>That's great stuff. I appreciate the input and chat for

3219
02:49:45.120 --> 02:49:46.879
<v Speaker 2>all the folks in the web as well, for sure.

3220
02:49:47.159 --> 02:49:49.440
<v Speaker 2>And if I can offer y'all, I appre appreciate y'all's

3221
02:49:49.479 --> 02:49:51.600
<v Speaker 2>review and again all the ideas we've shared your night's

3222
02:49:51.600 --> 02:49:55.639
<v Speaker 2>great stuff. I like to offer y'all both a closing statement, ma'am,

3223
02:49:55.680 --> 02:49:57.360
<v Speaker 2>would you like to go first? And anything you'd like

3224
02:49:57.399 --> 02:49:58.840
<v Speaker 2>to recap or anything you like to plug.

3225
02:50:00.440 --> 02:50:04.559
<v Speaker 4>I thought this movie was really awesome. John obviously reads

3226
02:50:04.639 --> 02:50:07.159
<v Speaker 4>the book every October. It sounds like it's just a

3227
02:50:07.200 --> 02:50:10.479
<v Speaker 4>part of his Halloween ritual thing that he does. I

3228
02:50:10.559 --> 02:50:13.799
<v Speaker 4>have a similar one. I watch American Horror Story season

3229
02:50:13.840 --> 02:50:18.079
<v Speaker 4>one in three every October, just something I like to do.

3230
02:50:18.200 --> 02:50:21.719
<v Speaker 4>I think there's a lot of conspiracy stuff within American

3231
02:50:21.760 --> 02:50:25.719
<v Speaker 4>horror story and so yeah, it's just nice meeting people

3232
02:50:25.799 --> 02:50:29.680
<v Speaker 4>who know what's up and having a good conversation. JJ,

3233
02:50:29.840 --> 02:50:32.479
<v Speaker 4>thanks for the invite, John, great to meet you. Yes,

3234
02:50:32.760 --> 02:50:36.440
<v Speaker 4>the chat was on fire tonight, So thanks to everybody

3235
02:50:36.479 --> 02:50:38.959
<v Speaker 4>in the chat. And yeah, that's it for me.

3236
02:50:40.280 --> 02:50:43.639
<v Speaker 2>That's awesome. No, thank you, ma'amon. I definitely one thing

3237
02:50:43.639 --> 02:50:45.680
<v Speaker 2>I was thinking, and we'll turn over to John for

3238
02:50:45.680 --> 02:50:47.360
<v Speaker 2>an answer, but i'd like to get both y'all back

3239
02:50:47.399 --> 02:50:49.799
<v Speaker 2>on to discuss Program to Kill after John gets a

3240
02:50:49.840 --> 02:50:50.479
<v Speaker 2>chance to read it.

3241
02:50:51.319 --> 02:50:53.360
<v Speaker 4>Absolutely, I'm down for that anytime.

3242
02:50:53.959 --> 02:50:56.159
<v Speaker 2>What do you say, Johnny Gunny closing statements, We welcome

3243
02:50:56.239 --> 02:50:58.719
<v Speaker 2>and I'm sure you're welcome back anytime to talking to

3244
02:50:58.760 --> 02:51:01.040
<v Speaker 2>these things. But you know, I would love to get

3245
02:51:01.040 --> 02:51:03.479
<v Speaker 2>your input on the Program to Kill once you get

3246
02:51:03.479 --> 02:51:04.879
<v Speaker 2>a chance to read that. And I don't knock over

3247
02:51:04.920 --> 02:51:06.760
<v Speaker 2>my micro front with the karate chop.

3248
02:51:07.239 --> 02:51:09.600
<v Speaker 3>Yeah, I look forward to that. Yeah, I'm gonna start

3249
02:51:09.639 --> 02:51:12.520
<v Speaker 3>reading it tomorrow. So yeah, and and thank you guys.

3250
02:51:12.559 --> 02:51:15.840
<v Speaker 3>And uh, I'm just uh, I'm still working on the book.

3251
02:51:15.840 --> 02:51:17.479
<v Speaker 3>I don't know when that's gonna come out, but it's

3252
02:51:17.559 --> 02:51:19.760
<v Speaker 3>it's gonna be a big one and it's uh, it's

3253
02:51:19.760 --> 02:51:22.280
<v Speaker 3>taken me a long time because I'm doing all the

3254
02:51:22.440 --> 02:51:25.399
<v Speaker 3>editing and all the drafts myself. So I'm just working

3255
02:51:25.399 --> 02:51:27.719
<v Speaker 3>on it bit by bit, but it'll it'll be out eventually.

3256
02:51:28.120 --> 02:51:30.600
<v Speaker 2>It's good to have a better uh probably you you know,

3257
02:51:30.639 --> 02:51:32.600
<v Speaker 2>you can stand behind rather than one that's timely, you know.

3258
02:51:32.600 --> 02:51:34.799
<v Speaker 3>What I mean, right, I want to I want to

3259
02:51:34.840 --> 02:51:36.520
<v Speaker 3>take some care of it. So so.

3260
02:51:39.040 --> 02:51:40.079
<v Speaker 4>Passion Project.

3261
02:51:40.520 --> 02:51:43.799
<v Speaker 2>Yeah, that's great stuff. And I'll, like I said, I'll

3262
02:51:43.879 --> 02:51:45.920
<v Speaker 2>have all your all folks in the interwebs can find

3263
02:51:46.000 --> 02:51:48.680
<v Speaker 2>Julia's stuff, John stuff and the links and their show

3264
02:51:48.719 --> 02:51:52.360
<v Speaker 2>in the show notes. And uh, I don't have any

3265
02:51:52.360 --> 02:51:54.920
<v Speaker 2>closing statements myself other than I greatly appreciate your all

3266
02:51:55.040 --> 02:51:57.319
<v Speaker 2>time and conversation well at the time of the and

3267
02:51:57.559 --> 02:52:00.280
<v Speaker 2>shadow of the folks of the interwebs. And uh in

3268
02:52:00.360 --> 02:52:04.520
<v Speaker 2>for Operation GCD Thursdays, I'm a Patreon. I'll do a

3269
02:52:04.520 --> 02:52:06.879
<v Speaker 2>about a thirty minute preview here on the on the

3270
02:52:06.920 --> 02:52:09.280
<v Speaker 2>youtubes and the other stuff, and then I go over

3271
02:52:09.319 --> 02:52:12.079
<v Speaker 2>to the Patreon Thursdays and Sundays. But tomorrow is my

3272
02:52:12.159 --> 02:52:17.200
<v Speaker 2>first the Anatomy of a Satanic Panic, which again largely

3273
02:52:17.600 --> 02:52:20.520
<v Speaker 2>is gonna involve not this guy, not the muppet version

3274
02:52:20.559 --> 02:52:22.559
<v Speaker 2>of this guy, but the original version of this guy,

3275
02:52:23.120 --> 02:52:25.920
<v Speaker 2>Michael Lokino. You know, like I said, Psyops, I'm not

3276
02:52:25.920 --> 02:52:28.600
<v Speaker 2>gonna be like, well, I'm happy to discuss elements of

3277
02:52:29.000 --> 02:52:31.280
<v Speaker 2>satanic murders that have existed in around the sun of

3278
02:52:31.319 --> 02:52:35.000
<v Speaker 2>same situation or the process or anto these other similar murders.

3279
02:52:35.000 --> 02:52:37.680
<v Speaker 2>We've discussed this evening. But I'm really looking at focusing

3280
02:52:37.680 --> 02:52:42.920
<v Speaker 2>on unpacking the propaganda, the psychological operations, and then comparing

3281
02:52:43.000 --> 02:52:44.920
<v Speaker 2>these these major events that we know of the Son

3282
02:52:44.959 --> 02:52:47.399
<v Speaker 2>of Sam and stuff, and again showing that these aren't

3283
02:52:47.399 --> 02:52:49.799
<v Speaker 2>the only you know, these aren't these This is not

3284
02:52:49.840 --> 02:52:51.760
<v Speaker 2>the only example. It's not an outlier, right, There's a

3285
02:52:51.760 --> 02:52:53.639
<v Speaker 2>lot more of the shit that doesn't even get talked about.

3286
02:52:53.879 --> 02:52:57.319
<v Speaker 2>For example, you'll see the presidio board in the background here,

3287
02:52:57.319 --> 02:52:59.399
<v Speaker 2>because you know he was stationed to the presidio associated with

3288
02:52:59.440 --> 02:53:04.280
<v Speaker 2>the daycare situation. Is Julia's now You're head any agreements.

3289
02:53:04.319 --> 02:53:06.520
<v Speaker 2>She's well aware of what I'm talking about there, Julia,

3290
02:53:06.520 --> 02:53:08.440
<v Speaker 2>would you believe that's not the only daycar that popped

3291
02:53:08.440 --> 02:53:10.319
<v Speaker 2>off with that same epidemic and the same problem.

3292
02:53:11.440 --> 02:53:16.360
<v Speaker 4>I would believe that one hundred. I think McMartin Presidio.

3293
02:53:17.040 --> 02:53:22.159
<v Speaker 4>I mean they're just uh, you know, drops in the bucket. Yeah,

3294
02:53:22.239 --> 02:53:25.559
<v Speaker 4>if you if you can imagine. And just as a

3295
02:53:25.559 --> 02:53:29.760
<v Speaker 4>closing thought, this is a closing thought anyone who has

3296
02:53:29.840 --> 02:53:32.639
<v Speaker 4>read Program to Kill Her or they're familiar with McMartin

3297
02:53:32.680 --> 02:53:38.680
<v Speaker 4>preschool scandal or the Presidio daycare scandal. I just recently

3298
02:53:38.719 --> 02:53:43.159
<v Speaker 4>saw something saying that the movie with Robin Williams Missus Doubtfire,

3299
02:53:43.760 --> 02:53:48.520
<v Speaker 4>that character, Missus Doubtfire is based on the preschool teacher

3300
02:53:48.680 --> 02:53:53.799
<v Speaker 4>at McMartin, down to the exact look, wardrobe, everything. If

3301
02:53:53.840 --> 02:53:56.479
<v Speaker 4>you look at the McMartin preschool teacher next to Robin

3302
02:53:56.520 --> 02:54:00.520
<v Speaker 4>Williams as Missus Doubtfire, they're spitting images of each other there.

3303
02:54:01.280 --> 02:54:04.680
<v Speaker 4>So that's a rabbit hole for the listeners to go and.

3304
02:54:04.639 --> 02:54:07.000
<v Speaker 2>Look it down. I'm gonna look at as we get.

3305
02:54:06.840 --> 02:54:10.799
<v Speaker 4>Off of here, in fact, but yeah, that's just for.

3306
02:54:11.840 --> 02:54:14.959
<v Speaker 2>Sure, no, thank you. And from Presidio to West Point

3307
02:54:15.040 --> 02:54:17.479
<v Speaker 2>at that same time in the eighties there was more

3308
02:54:17.559 --> 02:54:20.479
<v Speaker 2>than one nddling scandal. So that's from coast to coast.

3309
02:54:20.799 --> 02:54:23.479
<v Speaker 2>Just that's my point. We were so as part of

3310
02:54:23.520 --> 02:54:26.600
<v Speaker 2>the propaganda and magic show. We're sold these one off

3311
02:54:26.680 --> 02:54:29.079
<v Speaker 2>incidents and say everyone, look at this incident. This incident

3312
02:54:29.079 --> 02:54:31.159
<v Speaker 2>didn't occur anywhere else. It only happened here at the presidio,

3313
02:54:31.200 --> 02:54:33.559
<v Speaker 2>within the confines of the Persida and only involved Michael Keino.

3314
02:54:33.600 --> 02:54:35.319
<v Speaker 2>And I assure you that ain't the full tail.

3315
02:54:35.719 --> 02:54:36.600
<v Speaker 4>Yeah nope.

3316
02:54:37.200 --> 02:54:41.520
<v Speaker 2>So folks want to check out more of that uh business,

3317
02:54:41.559 --> 02:54:46.200
<v Speaker 2>please check out Operation GC thursdays and uh. On that note,

3318
02:54:46.319 --> 02:54:48.360
<v Speaker 2>and if he yelled on anything else, I thank you

3319
02:54:48.440 --> 02:54:50.959
<v Speaker 2>all both for your time and folks of the interwebs.

3320
02:54:51.959 --> 02:54:53.200
<v Speaker 3>Thanks a lot, enjoyed it.

3321
02:54:53.639 --> 02:54:54.079
<v Speaker 4>Thank you

3322
02:55:03.280 --> 02:55:03.319
<v Speaker 1>O.
