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Speaker 1: Around Dodge City and in the territory on West, there

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is just one way to handle the killers and the spoilers.

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And that's where the US Marshal and the smell of

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guns smoke gons Starry William Conrad The story of the

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violence that moved west with Young America, and the story of.

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Speaker 2: A man who moved with it.

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Speaker 3: I'm that man, Matt Dillon, United States Marshall, the first

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man they look for and the last they want to meet.

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It's a chancy job, and it makes a man watchful.

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Had a little lone.

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Speaker 2: Man, Miss dunt. I ain't gonna do no complaining today.

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Even if the beers as warm as can be.

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Speaker 3: I'd want the same natural Chester.

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Speaker 2: Maybe not, but I swear to gracious. It seems like

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this wind is put all the dust in Doge right

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in my throat. It's pretty dry, all right, pretty dry white,

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Mister Donnant's a whole lot moren pretty dry. Excuse me,

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miss term be right y. Look here it's done, o

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lady's bonnet. The wind was tearing it right on down

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the street. I just did catch us very pretty. Just

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what you need, Chester, Oh, I don't want it for myself.

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I don't see nobody down the street though.

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Speaker 3: Who might have down there in the wagon in front

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of Jonas's story Say, oh yeah, well, I'll just carry

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it on over to her.

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Speaker 2: I'll catch up with him. All right, Chester, excuse me, ma'am,

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I brung this bonnet.

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Speaker 4: I thank you.

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Speaker 5: I figured it.

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Speaker 2: Must have been yours. But you sitting here without no

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hat on and all?

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Speaker 4: Yeah. Well, I loosened it for a minute to set

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it straight. I shouldn't have in this wind.

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Speaker 2: Well, it didn't make no difference, it didn't hurt it none.

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Speaker 4: I was thinking for your trouble, mister.

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Speaker 2: Proudfoot, Chester, proudfoot, I.

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Speaker 4: Was thinking for your trouble, mister proudfoot.

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Speaker 2: My land. That wasn't no trouble leaning down and snagging

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up a pretty.

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Speaker 4: Thing like glass. Well, I thank you, mister.

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Speaker 2: As a matter of fact, it gives me the chance

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to kindly pass the time of day with you, ma'am.

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I think that's real nice fella like me. Well, he

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enjoys meeting up with folks, especially a lady. Folks. Oh,

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I guess we ain't rightly met yet. I don't know

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your name.

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Speaker 6: Well, my name's m seen, mister Crowdford.

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Speaker 2: Well, now, that's nice. That's that's real nice. I ain't

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seen you around here before, seene he just comes, Oh

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staying on?

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Speaker 7: Are you?

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Speaker 8: I can't say for sure, mister Crowdford.

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Speaker 2: I'd be pleased if you'd call me chester.

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Speaker 4: Chester. I can't say for sure. We moved around a

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lot upon me.

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Speaker 2: Oh well you you staying out at the dodge house?

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Speaker 4: That sack.

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Speaker 8: No, there's a little place north of town away then,

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must have been making a spelled the way it.

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Speaker 2: Looks well now, it'd be nicey if you could stay

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home here said, maybe I call.

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Speaker 3: Where you can sell me. H, look out of the way.

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Speaker 2: I'm sorry, sit here, let me help you a little

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bit of that witness.

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Speaker 3: You need to just get out of the way.

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Speaker 8: Now.

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Speaker 2: The way you talk to.

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Speaker 6: Paul, this here is mister.

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Speaker 2: He's got no time for foolishness.

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Speaker 1: Going yea.

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Speaker 2: Good bye, Miss Amish. It was nice talking, it was nice.

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Speaker 7: Be sure it was money.

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Speaker 3: A solon Kenny. Thanks for the bears.

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Speaker 2: You're welcome, miss Miller. I'm sorry some matter of Chester.

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Speaker 3: You running away? Running away?

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Speaker 2: Who's from in the wagon back there?

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Speaker 8: Oh?

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Speaker 2: No, such a thing is done. Oh she's a real

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nice girl. I just want to see me, kitty.

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Speaker 3: That's all all right, Chester, all right, I'll pick up

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the nail and boy, I.

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Speaker 2: Clean thought about that much doing. I'm going down.

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Speaker 3: Oh no, never mind. That seems to be your day

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for talking to ladies.

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Speaker 2: Well, I wasn't named to put you out, and.

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Speaker 3: I'm gonna go down there anyway. You go on.

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Speaker 2: You see kitty, Well, I just wanted to ask her

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something and.

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Speaker 3: She'll probably have an answer. I'll see you later, all right,

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buy mis don oh Chester, whiskey there?

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Speaker 2: Oh uh no, thank you, said I I was looking.

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Speaker 3: For this kitty.

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Speaker 9: She just went into the check supplies in the back room.

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Mis kitty, Chester, I want to see it.

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Speaker 8: Wow, Lord Chester, I want to quit coomy sitting down

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some worse?

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Speaker 2: Sure, Chester, we can do you.

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Speaker 4: Want to drink it?

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Speaker 2: Well mostly I did. I just want to talk private like.

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Speaker 8: All right, then come on back to the office time,

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bring in a couple of beers.

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Speaker 2: Well you Suremskitty say down Chester, thank you?

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Speaker 6: M alright, Nonchester, what's on your mind?

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Speaker 2: Well? Uh, mister kittie, I I I figure you kindly

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know about ladies.

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Speaker 8: Uh sometimes I think I know more about man Chester.

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Speaker 2: Well, I I mean, you know what's right and proper.

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Speaker 8: Well, if I didn't know, I wouldn't get much chance

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to use it around head.

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Speaker 2: Oh but maybe you might kindly be of the mind

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to give me some advice, miss kitty. But if you ain't,

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Oh sure, I am Chester?

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Speaker 8: Uh uh hey, I thanks Tom.

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Speaker 2: Well, no, what do you want to know? It's about

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a girl.

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Speaker 4: I figured that.

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Speaker 2: Who is she? Her name is missus m Feenie.

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Speaker 6: You keeping the company with a justice?

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Speaker 2: Oh no, ma'am, I ain't not yet. I ain't anyway.

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That's what I wanted to ask you about.

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Speaker 4: You don't need my permission, Chester.

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Speaker 2: I ain't asking your permission, miss kitty. I'm asking if it's.

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Speaker 4: Proper, Well, why wouldn't it be?

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Speaker 2: Well, see I I just seen her there, stepping in

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a waggon outside of mister Jones's store. You talk to it, Well, yes, ma'am,

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I I did talk to you. Oh yes, misqui she did,

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and just as nice.

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Speaker 4: But then what's your problem?

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Speaker 2: Well, I can't make up my mind if it be

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proper to call on her. She just just talking to her.

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I got that one. Didn't you tell you not to?

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Oh no, no, she didn't, But she didn't hardly have

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time to her, pall come out and me and drove

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off an awful be hurry.

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Speaker 8: Oh, I don't think i'd worry about a fan proper, Chester,

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I'd worry her. Pa.

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Speaker 2: Oh, I ain't worry nothing about him.

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Speaker 4: Well, then go see your Chester.

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Speaker 2: If I haven't sake, you think that'd work out? Alright?

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Speaker 8: And miss Kitty, I don't know how it'll work out, Chester,

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But you won't find out if I staying away.

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Speaker 2: That's a fact, ain't it, Miss Kitty? That's a fact, Chester,

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Early in Bigine. I'm gonna do it. I'm gonna do

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it as soon as I can get me a haircut.

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Speaker 8: Her name must be Delilah.

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Speaker 2: Oh was that?

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Speaker 8: Never mind?

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Speaker 3: Chester?

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Speaker 8: But if she's able to get your haircut, I'm all for.

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Maybe she'll be real good.

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Speaker 2: For you, you know, Miss Kitty, I was thinking the

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same thing.

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Speaker 10: You get things packed up now, and we wanna be

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ready as soon.

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Speaker 2: As the group comes.

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Speaker 4: I'm doing it.

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Speaker 2: Talk it's likely to come in any night now.

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Speaker 6: Yes, Uh? I wish we could stay on here for

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a spell.

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Speaker 2: Well we can't.

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Speaker 6: I know we can't.

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Speaker 4: Ain't easy to open here?

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Speaker 2: Moving on?

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Speaker 6: Who likes to stay at spell?

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Speaker 10: Get to know folks, now you get to California, we'll stay.

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Now going up, girl, get things together? Yeah, Pa, Now

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who could that be?

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Speaker 4: Is somebody coming?

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Speaker 3: Ah?

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Speaker 11: I'll go send him on his way?

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Speaker 6: What I I think that?

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Speaker 10: Well?

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Speaker 6: Yes, it is like Mr Brotherford.

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Speaker 3: You know him?

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Speaker 6: Well, you've seen him too, Paul. He's the man I

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talked to in Dutch.

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Speaker 3: What she's doing out here?

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Speaker 4: I think you? I think he's come to call Pas

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the call on you.

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Speaker 6: He's a real nice man.

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Speaker 3: Well, I don't care how nice he is.

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Speaker 10: Ain't nobody give be nosing around here when Rupe comes in?

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Speaker 3: You know that?

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Speaker 6: Sure, Paw, I know, but I've sent him home before nightfall.

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It can't hurt none, Please, Paul, I don't hardly get

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cold on hardly at all.

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Speaker 10: Well, alright am, but you get him out of here

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for a dusk.

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Speaker 4: Man, Chip, Paul, Sure I will be alright. Why I know,

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mister proud Fort.

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Speaker 2: How do miss him I come to call? If that's

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all right with you?

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Speaker 4: Which fine? Chester? Which is fine? Would you like to

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step into the house?

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Speaker 2: I like you said, that'd be nice, Missa. Henry's real nice.

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Speaker 6: Perhaps I could offer you a cup of coffee?

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Speaker 2: Yes, man, you sure could.

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Speaker 5: He be mighty nice, Matt, I.

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Speaker 9: Thought, Chust, he never wanted to miss one of your

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weekly gun inspections.

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Speaker 3: Well he, uh, he usually doesn't.

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Speaker 2: Doctor, You know which man, he's sick or something.

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Speaker 3: No, No, he's gonna call it, call it testing. That's right.

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He's up north someplace, call on the lady.

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Speaker 9: He must have been really smitten to missus Chow with

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a gun.

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Speaker 3: You know what, doctor, He even went to Kitty for advice. Yeah,

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I'll say this one man.

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Speaker 2: He went to the right person.

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Speaker 9: Ah, doesn't I think you may tell him that you

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were able to do without him.

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Speaker 7: He hurt his feelings.

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Speaker 3: His feelings aren't the only thing is likely to get

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hurt if he keeps kiting her on all over the countryside.

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Speaker 2: Well there, doctor, mister Dylon, you shut up Chester, I

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tell you now, it is a pretty day. There ain't

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many pretty days and Kansas as a rule, but this

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is sure one of them. That's what it always seems

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with a man who is Carton, sister. I wouldn't exactly

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say Carton, Oh well, keeping company.

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Speaker 3: He's only known her for three days, doctor.

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Speaker 9: Well, it does no matter how long a man knows

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a girl long. No, it's how well how well do

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you know this with Chester?

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Speaker 2: Well enough to know that she's a real nice lady.

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Oh what does she think of you? She thinks not

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for me, so she claims she'll always have a pot

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of coffee on the stove for me.

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Speaker 3: Uh tell me something, Chester, you figure that you're gonna

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be calling many more times in the daytime.

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Speaker 2: Well, she was doing it. It's just that her pod

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don't like her keeping company in the nighttime.

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Speaker 3: Oh, sir, her pauses Smike man.

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Speaker 2: But if there's anything special you wanted me to do,

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I could surely do it after somedown. Oh no, no, no,

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I wouldn't mind a bid. Indeed, I would.

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Speaker 3: Thank you very much. Chester. That's very kind of.

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Speaker 2: Did these wanted circulars come in today, miss Doing?

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Speaker 8: Yeah?

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Speaker 3: I went down and picked up.

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Speaker 2: Well, I thought you always took care of the mail. Chester.

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Well I wasn't here when it come in.

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Speaker 3: You see what I mean?

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Speaker 2: Doc, Yeah, I see, Well they don't you like? None

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of these felling around the circlers is any too important?

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Would Oh?

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Speaker 3: Oh what's the matter?

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Speaker 2: Oh my goodness, well, what's the matter of Chester? Well?

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I I I.

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Speaker 9: What stop standing there like a stricken calf and tell

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us what to use you. I, well, I it's this

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army post.

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Speaker 2: You may let.

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Speaker 3: The army deserter. Yes, true, Rupe Feene, Oh, well do

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you know him?

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Speaker 2: Knows much? General? I don't know him. Well, then what's

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eating you? I think I know his cause? And his sister?

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Speaker 3: Uh this new girl heres her name Poene?

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Speaker 2: Yes, sure it is?

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Speaker 9: Well, no man, he said, no wonder he's upset. It

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isn't easy to find out your girl's family has a

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a wanted man.

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Speaker 3: And the uh here's a Chester, that's Rupe Feenne. He

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isn't out there knowledge he Chester.

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Speaker 2: Know, sure he ain't out there. Well, don't you worry, No, sir,

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you were a Chester.

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Speaker 3: Matt isn't gonna make your arrest your girl.

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Speaker 2: I'll knock it ain't that.

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Speaker 3: But well, come Onnchester. Well what's the matter.

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Speaker 2: Well, the matter is much Younge. I don't rightly know

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what to what do you mean? What there's this nice

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fine lady, miss Dina, and her brother An and he's

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her little brother too. He's went and got hisself in

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trouble like that.

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Speaker 3: Well, Chester, you don't have to tell her about it, no, sir, Well,

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what's the matter of that?

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Speaker 2: Well? I just don't want her to have no bad feelings,

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that's all. Well, you can't help it. If her brother

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just heard it, they will be awful if she has

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bad fear, Yes, Doc, it will. They just need no

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way for me to help it, because I I I

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I gotta touch him.

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Speaker 3: Miss Dulnane, What you gotta tell me? What Chester? Come on?

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Speak up?

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Speaker 2: What well that they're waiting for Rupe? You need to

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come meet him there?

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Speaker 3: Oh was that supposed to be?

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Speaker 2: I don't know just when Miss Done and that miss him? Yeah,

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I know, I know she just said they was waiting

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for a brother anytime now. I don't think she knows

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nothing's wrong though.

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Speaker 3: All right, I guess we do. But I get out

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there now.

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Speaker 2: You don't have to callm Chester. Thank you, Miss Young,

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But I reckon a man has to meet up with

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the way things are. I'll get the horses. He must

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have came just Afterry left.

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Speaker 3: Miss Dylan, and they must have packed up in a hurry.

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That house was sure cleaned out.

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Speaker 2: Oh, I guess I wasn't thinking too good when I

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was there drinking coffee and all.

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Speaker 3: Yeah.

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Speaker 2: See what I mean is they was packed to leave

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all the time. Things and barrels and cases instead of

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scattered around the room.

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Speaker 3: I think couldn't have got too far at Chester. Don't

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worry about it, Jolt.

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Speaker 2: I ain't worried about not catching him. I'm worried about

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when we do. Mis John Yonder's wagon.

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Speaker 1: Hey, I see it.

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Speaker 8: All right?

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Speaker 3: Come on, hey, hold up here? Who are you?

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Speaker 8: You are?

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Speaker 3: Marcial? Stop the wagon?

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Speaker 2: Why just roll me?

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Speaker 3: Sam? Your name Phoenne it is I'm looking for your son, Rupe.

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Speaker 2: He's in the army.

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Speaker 3: Oh yes, is that his horse tied to the wagon.

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You don't see him, do you?

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Speaker 8: No?

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Speaker 3: I don't see him, but I think I wouldn't see

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him if I pull that canvas off the wagon. Fan,

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you stay away from my I wouldn't want any trouble,

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mister Foenney, but I can cause trouble up I have to,

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and I'll tell your son to come out now you

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were there's no use for any killing. But if I

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have to shoot, I will now tell him to come out.

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Speaker 11: No, now, I gonna want no killing. Come on, Rupe,

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get up, Get up, Rupe.

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Speaker 3: We ain't gonna make it.

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Speaker 2: I guess I should have knowed who never would.

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Speaker 3: We have made it?

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Speaker 2: If we'd let me keep my gun, Pa, keep.

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Speaker 3: Pause a wise man. Maybe they want shoot him? All right,

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come on, get on, let me see him.

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Speaker 6: I don't think you have anything to say to me,

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mister Pros.

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Speaker 2: Yes, ma'am, I do.

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Speaker 6: I thought you was coming to see me, just like

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any man, come and call him.

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Speaker 4: I didn't think he was just spying on my brother.

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Speaker 2: I swear to goodness.

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Speaker 4: I know I'm a pretty woman or a.

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Speaker 6: Proud woman, but I thought this one time, just this

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one time, can we go, know, Paul, Yes, we might

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as well go on and go now, Pa, go now?

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Speaker 2: Oh alright, then, Rupe, I should have had the gunpow. No, No,

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this is the right way.

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Speaker 8: Now.

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Speaker 3: You still alive?

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Speaker 2: Boy?

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Speaker 3: You right?

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Speaker 2: She wouldn't even see mere proper goodbye. I was sorry, Chester, Well,

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I reckon. She couldn't help him. Bad feelings, mis donan, Yeah, Chester, and.

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Speaker 3: He'd always he to be alarm man, not not always.

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I come on, let's get the prisoner back.

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Speaker 2: To thatch.

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Speaker 7: Uh, James.

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Speaker 1: Gunn Smoke produced and directed in Hollywood by Norman McDonald's

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stars William Conrad as Matt Dylan Us Marshall. The story

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was especially written for gun Smoke by Marion Clark, with

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editorial supervision by John Mesteron. Featured in the cast were

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Gene Bates, John Dayner and James Musser. Harley There is Chester,

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Howard mcneer is doc. And Georgia Allis is Kidding