WEBVTT

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<v Speaker 1>The Magnificent Montague, starring Marty Wally.

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<v Speaker 2>Yes, it's the Magnificent Montague.

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<v Speaker 1>The Saturday Night Transcribe feature on NBC's All Star Festival

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<v Speaker 1>of Comedy, Music, Mystery, and Drama, brought to you by

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<v Speaker 1>RCA Victor, world leader in radio, first in recorded music,

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<v Speaker 1>and first in television, and by Anason for fast relief

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<v Speaker 1>from pain of headache. You're writer, Samuel Algia and now

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<v Speaker 1>the Magnificent Montague. Twenty five years ago, when Edwin the

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<v Speaker 1>Magnificent Montague, king of the Shakespearean stage, married Lily Bowam,

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<v Speaker 1>his leading lady, the theater world shook its heave and

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<v Speaker 1>said it can't last. Today, Edwin Montague is uncle, good heart,

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<v Speaker 1>hero of an afternoon radio program. But not a cloud

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<v Speaker 1>has yet darkened this happy marriage until today. An elegant

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<v Speaker 1>woman in an elegant New York hotel enters the phone

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<v Speaker 1>booth and dials information.

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<v Speaker 3>Information.

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<v Speaker 4>Hello, Ada, I would like to telephone number of mister

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<v Speaker 4>Edwin Montague.

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<v Speaker 5>I don't know where he lives now.

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<v Speaker 4>I haven't seen him in over twenty years.

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<v Speaker 3>One moment I want to.

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<v Speaker 4>Be loved by you. Get you unover him that you

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<v Speaker 4>I want to be loved.

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<v Speaker 5>By you a.

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<v Speaker 1>Hello number circle three.

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<v Speaker 3>Thank you all calling.

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<v Speaker 4>He loved vite you get you Enova Yaya.

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<v Speaker 5>The residents of Edwin migul Lilli Bawam missus Agnson made

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<v Speaker 5>at the controls. What do he wants? I want to.

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<v Speaker 4>Talk to boo boo boo boo.

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<v Speaker 6>Are you kidding?

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<v Speaker 4>Oh? Im sory if mister Edwin want to do there?

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<v Speaker 5>No, he's done. Hey, watch for this booble.

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<v Speaker 4>Never mind, I'll call that.

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<v Speaker 5>She hung up. I don't know what somebody calling her husband?

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<v Speaker 3>Oh that was.

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<v Speaker 7>Probably the call Edwin is expecting from his radio sponsor.

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<v Speaker 3>Mister Fluegel.

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<v Speaker 5>Mister Fluegel, Yeah, he likes Edwin, he must He called

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<v Speaker 5>him boogle boo boo, honey, the call was from a Dane.

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<v Speaker 3>Oh no, edmud stuff. You know. Edwin's friends called him

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<v Speaker 3>hundreds of memes.

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<v Speaker 5>I know, but this one's clean.

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<v Speaker 7>All right, that's quite enough. That's the twenty five years

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<v Speaker 7>of ourage.

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<v Speaker 3>I have nothing to worry about.

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<v Speaker 5>After twenty five years, it's time to worry.

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<v Speaker 7>I'll get it.

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<v Speaker 3>I want to be Hello that you boo? No, Edwin

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<v Speaker 3>isn't home yet.

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<v Speaker 5>I'm try.

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<v Speaker 3>Wait, wouldn't you like to leave a message. We'd like

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<v Speaker 3>to know. I mean, he'd like to know who's going.

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<v Speaker 4>Well, I just tell him that Foo is at the

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<v Speaker 4>astro count and you don't know who it is.

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<v Speaker 7>Hoofo is that the asta?

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<v Speaker 5>All bog and Boogoo are sweetheart?

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<v Speaker 3>Quiet?

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<v Speaker 7>This isn't funny anymore. I'm sure Edmond can explain. He

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<v Speaker 7>should be back in his walk any minute now. The

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<v Speaker 7>second he comes through the door.

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<v Speaker 5>You'll tackle him high and I'll hit him long.

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<v Speaker 3>Dig there's no.

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<v Speaker 7>I'm going to calmly explain the phone calls of what

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<v Speaker 7>we heard, and then I'm going to ask Edwin for

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<v Speaker 7>an explanation.

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<v Speaker 5>Explanation, honey, you got a spring it on him, the

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<v Speaker 5>surprise element, the trap. Just hit him with bugle, he startled.

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<v Speaker 5>Then you hit him with popul he dissolves and confesses.

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<v Speaker 5>Then you hit him with.

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<v Speaker 3>A chair Agnes trapping edit.

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<v Speaker 5>It's the only way. Pretend nothing happens. Then let him

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<v Speaker 5>have it right below the beard. I said, Now, don't

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<v Speaker 5>let him suspect anything's wrong. I'll get the door. Ah,

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<v Speaker 5>mister Montague, won't you set in?

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<v Speaker 3>Fellow Edwin? We're so blad you're home. Did you have

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<v Speaker 3>a nice.

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<v Speaker 1>Walk what's going on here, Edwin? What's wrong? Wrong?

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<v Speaker 3>For something wrong?

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<v Speaker 1>Something's wrong, greets me with a big smile. No, edid

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<v Speaker 1>do monticue?

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<v Speaker 8>Won't you step in the last times she said that

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<v Speaker 8>there was an open manhole between them.

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<v Speaker 3>Now, Edmonds, sit down and relax. Nothing's happened, nothing.

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<v Speaker 2>Is different, something's going on.

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<v Speaker 8>I come home and for no good reason, there is

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<v Speaker 8>something a horrible friendly atrophy around the house.

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<v Speaker 7>Oh, we're just happy.

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<v Speaker 1>But I was only gone ten minutes. What happened while

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<v Speaker 1>I was gone?

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<v Speaker 8>Did West Point calls say it was okay for Agnes

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<v Speaker 8>to come back?

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<v Speaker 3>Really?

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<v Speaker 7>Edwin, just sit back and let's have.

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<v Speaker 3>A pleasant chat.

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<v Speaker 1>Now we're going to have a chat. Bully, Now what

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<v Speaker 1>are we chat about?

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<v Speaker 5>Let him have acquired You want to chat?

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<v Speaker 1>All right, Lily say something boo boo. I beg your pardon.

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<v Speaker 3>Boo boo.

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<v Speaker 1>This always happens when you have sausages for breakfast.

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<v Speaker 3>I just get to my commidate, little mind.

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<v Speaker 1>I was just talking, Lily.

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<v Speaker 2>I had to get to my uncle.

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<v Speaker 1>Good heart waited and you have time.

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<v Speaker 3>There's so much that I have to talk to you about, all.

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<v Speaker 1>Right, the list start talking? Well, reloo, Lily, I can'tinue

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<v Speaker 1>how much I've enjoyed this little chat.

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<v Speaker 8>Now, how we must have these little talks off there.

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<v Speaker 8>It's amazing how many subjects you've covered.

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<v Speaker 1>From Boo boo to woo foo.

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<v Speaker 7>If we know the fact that I know about Boo

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<v Speaker 7>boo and Poo poo mean anything to you.

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<v Speaker 2>Yes, darling, it means a lot to me.

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<v Speaker 1>It means, sweetheart, that we must get you to a

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<v Speaker 1>sanitarium immediately. God good analysis will do wonders for you.

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<v Speaker 1>And now we must face facts. A few years on

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<v Speaker 1>the couch shop treatments, good professional care. Yeah, by and by,

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<v Speaker 1>no one will even suspected my little lily had snapped

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<v Speaker 1>her cap.

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<v Speaker 3>Even stopped. A woman called him. Want to speak to you?

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<v Speaker 1>A woman calls me to me?

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<v Speaker 5>Sounds unbelievable, doesn't he?

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<v Speaker 2>All right, anes roll over and play dead.

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<v Speaker 1>Because some strange woman.

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<v Speaker 3>It was no strange woman. This was someone you know

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<v Speaker 3>very well. Indeed, she calls.

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<v Speaker 1>You boo boo a new one?

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<v Speaker 3>Should that a message she told me to tell you?

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<v Speaker 3>Fool poo is at the hotel? Ast?

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<v Speaker 1>Yeah?

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<v Speaker 2>What happened to the asta.

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<v Speaker 3>And fashion be? And is there any way you can

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<v Speaker 3>explain it?

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<v Speaker 1>Now?

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<v Speaker 8>I get it now, Lily, do you actually suspected I'm

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<v Speaker 8>running around with a.

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<v Speaker 1>Poofoo who calls me booo?

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<v Speaker 3>Yes, Lily, you.

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<v Speaker 1>Make if you're twenty years younger. Suspecting me is some

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<v Speaker 1>hanky pancake.

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<v Speaker 8>Lit my age. What a nice thing to say, What

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<v Speaker 8>a lovely gesture.

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<v Speaker 3>Now it isn't true.

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<v Speaker 8>Oh no, Lily, if it was true, you'd be the

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<v Speaker 8>first to know.

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<v Speaker 1>I'd be so proud. I couldn't keep it to herself.

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<v Speaker 5>When I knew it. The worm wormed is worming way

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<v Speaker 5>out of it.

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<v Speaker 3>Oh, now, maybe we were hasty.

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<v Speaker 1>No, it's we.

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<v Speaker 8>So little Agnes had her dirty little paw in the park,

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<v Speaker 8>So it's we. We We.

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<v Speaker 2>Still trying to stir color around here, aren't you?

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<v Speaker 1>Agnes?

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<v Speaker 2>Maybe life is too dumble for you in this house.

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<v Speaker 8>An Maybe you missed the excitement of your old job

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<v Speaker 8>fixing basketball games.

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<v Speaker 5>And I like to dribble ahead of yours down the floor.

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<v Speaker 3>Now, when she was just trying to help me, help O,

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<v Speaker 3>what have I done?

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<v Speaker 1>This is? Other people have maids. We have a fifth

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<v Speaker 1>column in.

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<v Speaker 7>The house, all right, And so the whole thing's a

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<v Speaker 7>little mystery.

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<v Speaker 5>Yeah, let's not make a federal case out of it?

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<v Speaker 1>Howly? How could you have been so folly?

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<v Speaker 2>Are You're right?

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<v Speaker 3>Edwin? The mere thought of you and another woman. If

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<v Speaker 3>I'd have thought twice.

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<v Speaker 7>I would have realized how ridiculous it is.

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<v Speaker 1>It is.

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<v Speaker 9>Wait, you know what I mean?

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<v Speaker 1>No, what do you mean? Well?

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<v Speaker 5>I went straight the old gray Mary what he used

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<v Speaker 5>to be.

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<v Speaker 8>So that's what you think, Lily, I'm ready to be

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<v Speaker 8>put out the pasture.

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<v Speaker 7>Edwin's not, you know. I think you're even more glamorous

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<v Speaker 7>and irresistible than the day I first met.

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<v Speaker 1>How the day we first met? Remember that day?

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<v Speaker 5>That is, the whole country remembers the day it was,

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<v Speaker 5>the day Fort Sumter was fired upon.

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<v Speaker 1>Oh, my dear, like this.

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<v Speaker 7>Speaking of fireing Edwin, I remember that day you were young,

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<v Speaker 7>he Edwin.

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<v Speaker 3>Montague the Matado. Oh what a catch.

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<v Speaker 7>Every girl on Broadway set their cat for you, but

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<v Speaker 7>you always got away.

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<v Speaker 1>Then you, Lily, you came along.

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<v Speaker 7>Yes, Edwin, I caught you.

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<v Speaker 5>Why'd you use honey cockroach pottery?

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<v Speaker 1>That remind bill is?

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<v Speaker 8>The Air Corps asked us to send them another picture

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<v Speaker 8>of Agnes's mouse.

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<v Speaker 1>They need it as a model for the new wind tunnel.

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<v Speaker 7>Edwin stop don't blame me for being suspicious. You're quite

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<v Speaker 7>the ladies man in.

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<v Speaker 8>Your day, always only you see for twenty five years.

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<v Speaker 1>No boo boo hoo, woo's a googo.

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<v Speaker 3>Remember that song song?

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<v Speaker 1>Oh yes, how could I forget it? How did it

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<v Speaker 1>go again? Ah? Eh? I want to be loved by you.

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<v Speaker 1>Don't you tell nobody else but you?

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<v Speaker 7>When Montague you're a beast, Lily all songs.

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<v Speaker 3>That's not a song at all. It is No, that's

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<v Speaker 3>the song she was singing when she called.

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<v Speaker 1>Who called?

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<v Speaker 10>Oh no, poo poo again, Lily, believe be as sure

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<v Speaker 10>as my name is booboo, I mean, I mean head

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<v Speaker 10>with Monty you.

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<v Speaker 1>I don't know who the woman is who stoup lying?

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<v Speaker 3>It's true? As was right. You're two things.

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<v Speaker 5>Yeah, you're a regular Georgie Jessler, mister Hyde.

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<v Speaker 8>Lily, I have the vagust idea of wise sang that

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<v Speaker 8>song your guilt coming up?

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<v Speaker 3>So I've been a fool that Lily roud.

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<v Speaker 1>Bobo Lily, I'm in it.

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<v Speaker 7>Go away, go away, going to your broadcast, go to

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<v Speaker 7>the asked to go to fool fool not as.

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<v Speaker 3>When please go.

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<v Speaker 2>All right in my word doesn't mean anything in my

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<v Speaker 2>own home.

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<v Speaker 8>It's time to go good bye. Oh no, how did

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<v Speaker 8>I get into a mess like this? Who? What is

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<v Speaker 8>that song?

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<v Speaker 1>Why can't women leave me alone? We'll be back with

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<v Speaker 1>a magnificent monogue in just a moment. First, here's a

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<v Speaker 1>word from our CAA victor. There's a wealth of top

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<v Speaker 1>television enjoyment coming your way this fall. Be sure your

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<v Speaker 1>television set hold on you is in peak viewing condition.

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<v Speaker 1>Check with your local radio television serviceman. He's your neighborhood

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<v Speaker 1>community servant whose job it has been to keep his

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<v Speaker 1>knowledge and equipment up to date in order to provide

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<v Speaker 1>you with prompt, dependable service. If your own set develops trouble,

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<v Speaker 1>your radio television serviceman will recommen the right parts and

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<v Speaker 1>tubes to restore it to top performance standards. For example,

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<v Speaker 1>if you should need a new picture tube, regardless of

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<v Speaker 1>the make of your set, he'll be glad to install

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<v Speaker 1>a genuine RCA picture tube. Repairmen know that an RCA

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<v Speaker 1>picture tube will give you the clearest, sharpest picture your

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<v Speaker 1>set is capable of delivering. Yes, with an RCA picture tube,

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<v Speaker 1>you're sure of enjoying the very best that your television

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<v Speaker 1>set has to offer. And now back to the magnificent Montague,

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<v Speaker 1>with his mind baffled with the identity of Fuufu, the

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<v Speaker 1>mystery woman who is making his wife Lily jealous. Montague

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<v Speaker 1>is just finishing his Uncle good Heart Radio broadcast. Listen,

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<v Speaker 1>and now, dear listeners, remember keep your head high into

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<v Speaker 1>the sun. So ends another episode of Uncle good Heart,

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<v Speaker 1>brought to you by Flugel Soap, and until tomorrow when

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<v Speaker 1>he'll be back with his friendly advice. Here is Uncle

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<v Speaker 1>good Heart with his thought for the day.

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<v Speaker 8>When your axe accidentally hit your neighbor's foot and the

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<v Speaker 8>blood splits out by the quartz, don't just stand there

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<v Speaker 8>as he glears up at you.

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<v Speaker 2>Say to him a penny for your thought.

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<v Speaker 1>Okay, you're off the air, mister Montaguau heaven, what the program?

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<v Speaker 1>You sure gave your listeners something to sink their teeth

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<v Speaker 1>into today. Good as long as it isn't my throat.

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<v Speaker 2>It was a clack of jack show, mister Montague.

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<v Speaker 1>Oh, here's our director, missus Liza good Show asana I

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<v Speaker 1>it was a double.

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<v Speaker 9>Barreled ripped norton wingedare.

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<v Speaker 1>Alright, Denza?

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<v Speaker 2>It was a daisy?

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<v Speaker 1>Oh please?

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<v Speaker 8>It was fifteen minutes of the corneat drivel ever heard

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<v Speaker 8>on the air.

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<v Speaker 9>You're gonna say that again.

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<v Speaker 1>Don't say things like that. Every big stockholder in Flugo.

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<v Speaker 2>Soaf, our sponsor is in town. They're having a big meeting.

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<v Speaker 1>The stockholders. They're putting their heads together.

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<v Speaker 8>Yes, Timbo, mister Montague, it's our sponsor. Mister Frugal wants

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<v Speaker 8>me to introduce you to one of our biggest stockholders.

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<v Speaker 1>He's an oil millionaire from Texas.

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<v Speaker 3>He came all the way from Texas just to meet you.

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<v Speaker 1>All right, bring about. I have nothing else to do.

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<v Speaker 1>I can't go home. Who knows that I have a

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<v Speaker 1>full left. I'll bring him right up.

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<v Speaker 9>Let the man of mister Monig. Trouble at home?

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<v Speaker 1>Trouble, Zinza, It's complete disaster. What happened?

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<v Speaker 9>The refrigerator on the blink again?

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<v Speaker 1>Refrigerator?

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<v Speaker 9>You forgot to defrost it, Linza.

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<v Speaker 1>My job is to try and defrost my wife.

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<v Speaker 9>Oh dear, I know just how you feel. My wife

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<v Speaker 9>isn't exactly a forest fire herself.

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<v Speaker 1>Sweet, I only had a clue, if I only remember

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<v Speaker 1>who is the only.

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<v Speaker 9>Thing in French I remember? Is Nick Spreckensey Deutsch.

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<v Speaker 8>Be help oh wait, Cinsa goes this peanuts into you?

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<v Speaker 1>What listen? I want to be loved by you, just

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<v Speaker 1>you and nobody else but you. I want to be

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<v Speaker 1>loved by you all.

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<v Speaker 9>Please, mister Montague, I'm a married man.

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<v Speaker 2>Didn't stop that.

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<v Speaker 9>I gotta go and pick up your Uncle good Heart

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<v Speaker 9>sand mail.

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<v Speaker 2>See you later.

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<v Speaker 1>God, what a mess?

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<v Speaker 8>Well you are, Uncle good Heart, Eyre's man, Uncle good Heart.

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<v Speaker 1>I want you to meet one of our biggest stockholders,

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<v Speaker 1>mister Thomas Kessler. Iig Tom Kessell to you, Uncle good Heart.

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<v Speaker 1>Excuse yeah, well, how do you do big time? Well,

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00:17:26.920 --> 00:17:29.160
<v Speaker 1>that's more like it. I can see right off. We're

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<v Speaker 1>going to get along like a doggie in a long horn. Yeah. Yeah, well,

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<v Speaker 1>I'm sure we will. I understand you own oil wells. Yeah.

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<v Speaker 1>I lean my biggest well after you, Uncle good Heart, gusher,

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<v Speaker 1>and I got a ranch called El Rancho good Heart.

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<v Speaker 1>I reckon that you must have guessed it by now.

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<v Speaker 1>You're my hero, Uncle good Heart. You listen to my program.

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<v Speaker 1>I never missed the one, sir, the only thing that

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<v Speaker 1>can relax me. Land and reading my bank book. How touching. Yeah,

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<v Speaker 1>something I'd like to talk to you about, Uncle Well,

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00:18:05.599 --> 00:18:08.359
<v Speaker 1>big time. Maybe I can help you. Well, now that's

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<v Speaker 1>the only reason I come here in New York. I'll

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<v Speaker 1>meet your guide behind. What is it my wife, Uncle

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<v Speaker 1>good Heart? I'm having wife trouble. There's another man, Uncle

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00:18:19.319 --> 00:18:22.519
<v Speaker 1>good Heart, at driving me from local What can I do?

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<v Speaker 1>Give him the beating of his life, a beating that

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<v Speaker 1>he'll teach him that he can't pull under around breaking

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<v Speaker 1>up Happy America home, Go get him. That's all I

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<v Speaker 1>wanted to hear. I'm riding rein remember the al I'll

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<v Speaker 1>never forget it, humble good heart. What can I do

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<v Speaker 1>to repay you? Please? Oh, let me give you a

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<v Speaker 1>bank or something. No, thank you. I've got to get home. Well,

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<v Speaker 1>all right, I hear the keys. He's the keys to

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<v Speaker 1>my car. You drive it home. I don't drive well,

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00:18:54.680 --> 00:18:56.519
<v Speaker 1>then you get someone to drive. You know, it's park

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<v Speaker 1>in front of Radio Shity. You can't miss it. It's

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<v Speaker 1>parked from fifty first feet up at fifty third. It's

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00:19:04.039 --> 00:19:09.279
<v Speaker 1>kind of along with the tie the bath. And I'll

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<v Speaker 1>call you and I'll let you know what happened. I'm right,

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<v Speaker 1>good old, I'm good good heart.

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<v Speaker 8>I can settle everybody's probles alone.

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<v Speaker 1>Hey, yes, by.

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<v Speaker 9>Mister Montague of that sand mail stacked up? You want

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<v Speaker 9>to read something?

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<v Speaker 1>Nell lines? Can you drive im? Sure? Someone left me

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<v Speaker 1>with a car.

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<v Speaker 8>Would you drive me around until I worked up enough

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<v Speaker 8>news to go home?

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<v Speaker 9>Here are the keys, Hee a Cadillacs. Let's drive up

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<v Speaker 9>to the Bronx and pick up my wife. I can

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00:19:38.400 --> 00:19:41.079
<v Speaker 9>just see the expressions on the faces of her friends

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<v Speaker 9>when we drop her off at the laundermat.

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<v Speaker 2>Oh, let's go.

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<v Speaker 3>I I give up. I went through everything in his death.

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<v Speaker 3>It's not a clue as to who foo who is?

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<v Speaker 3>Did you have any luck?

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<v Speaker 5>Look like you told me, I call yes and asked

352
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<v Speaker 5>for foofol. They connected me with a Peconese.

353
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<v Speaker 3>And just I can't believe it. I can't believe that.

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<v Speaker 7>Edwin found somebody else, after all we've met to each other. Look, look,

355
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<v Speaker 7>I found this in this scrap book. What is it?

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<v Speaker 5>Is draft noticed from the Civil War?

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<v Speaker 7>Look it's the theater program of the first detail Pollage I.

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<v Speaker 5>Was in he was saving Hey, look at that Will

359
00:20:30.000 --> 00:20:32.839
<v Speaker 5>Rogers was in it, Eddie Candor. Here's the picture of

360
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<v Speaker 5>the finale.

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<v Speaker 3>Where were you? Let's see?

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<v Speaker 8>Oh?

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<v Speaker 3>Here I am between Marilon Milleran.

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<v Speaker 7>What was this girl's name again of Ginger.

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<v Speaker 3>Ginger Jenkins.

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<v Speaker 5>Ginger Jenkins.

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<v Speaker 7>That's right, Ginger Jenkins. Oh what a flapper.

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<v Speaker 1>She was.

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<v Speaker 3>One of the songs she sang in the show.

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<v Speaker 5>That when something like this, I want to be loved

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<v Speaker 5>by you, by you, Dennis, I know.

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<v Speaker 3>Oh, of course Ginger Jenkins. Edwin used to go out

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<v Speaker 3>with her before we were married. So she's the one

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<v Speaker 3>who's been calling.

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<v Speaker 5>I remember that.

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<v Speaker 1>Then.

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<v Speaker 5>What a gold digger?

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00:21:11.200 --> 00:21:13.160
<v Speaker 3>All right, she was the gold digger.

379
00:21:13.279 --> 00:21:15.160
<v Speaker 5>It wasn't her When she went out with a man.

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00:21:15.200 --> 00:21:17.480
<v Speaker 5>The fillings and his teeth weren't safe.

381
00:21:18.200 --> 00:21:20.720
<v Speaker 3>Oh that's not true. She just liked to have fun.

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00:21:21.680 --> 00:21:24.240
<v Speaker 3>You should have seen Edwin in the Roaring twenties.

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00:21:24.359 --> 00:21:27.880
<v Speaker 5>I see enough of them in the Falding fifty.

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<v Speaker 3>Here I was suspecting Edwin. He hasn't even seen Ginger

385
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<v Speaker 3>since we were married.

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<v Speaker 7>The pom I'll answer, hello, Yeah, is that you Ginger? Well, yeah, Ginger,

387
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<v Speaker 7>this is Lily Edwin's wife, Lily Blainey.

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<v Speaker 4>Holy cow, are you still alive?

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<v Speaker 7>Oh Ginger, come right over here.

390
00:21:55.640 --> 00:21:57.079
<v Speaker 3>We only need a few blocks away.

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<v Speaker 5>Honey, are you nuts? Inviting miss hot stuff over here?

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<v Speaker 1>Anes?

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<v Speaker 7>It was so long ago that she and Edwin had

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<v Speaker 7>anything to do with each other.

395
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<v Speaker 3>There is no.

396
00:22:09.359 --> 00:22:13.119
<v Speaker 5>Danger telling huh old, flames never die, they just get hotter.

397
00:22:18.359 --> 00:22:20.119
<v Speaker 3>Oh that's silly, it is.

398
00:22:20.799 --> 00:22:23.000
<v Speaker 5>Remember the clothes that day used to have on and

399
00:22:23.039 --> 00:22:25.920
<v Speaker 5>how our figure sold him. Honey, don't take any chances.

400
00:22:26.000 --> 00:22:29.359
<v Speaker 5>Get under that new backless, frontless, topless evening gown your bossy.

401
00:22:31.519 --> 00:22:33.640
<v Speaker 3>Oh no, no, I've been saving it for an a case.

402
00:22:33.680 --> 00:22:36.680
<v Speaker 5>Honey, the occasion's here. Fool pools coming loaded for bear

403
00:22:36.759 --> 00:22:39.079
<v Speaker 5>or get into that evening dress this.

404
00:22:39.240 --> 00:22:41.640
<v Speaker 7>You're right, I haven't realized what a stick in the

405
00:22:41.720 --> 00:22:42.319
<v Speaker 7>mud I've been.

406
00:22:42.799 --> 00:22:45.400
<v Speaker 5>Lilli Boam rides again. Hop into that gown.

407
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<v Speaker 3>It'll only take a minute.

408
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<v Speaker 5>Do you need any help pleasing into it? Honey, just yell?

409
00:22:50.640 --> 00:22:56.200
<v Speaker 5>Coming ah? Here he is bo bruml never.

410
00:22:56.079 --> 00:22:58.039
<v Speaker 1>Minds she's inner room.

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00:22:58.079 --> 00:23:01.039
<v Speaker 5>Don't go in there must where she comes at, you'll

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<v Speaker 5>see plenty of her.

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00:23:03.279 --> 00:23:04.279
<v Speaker 1>Don't want to tell you.

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<v Speaker 5>Right here she comes, Ladies and gentlemen, Miss Lily Blay,

415
00:23:09.880 --> 00:23:15.839
<v Speaker 5>Hello Edwin, I lil.

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<v Speaker 1>You forgot to get dressed.

417
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<v Speaker 2>Hangness, for heaven's sake, pulled down the shade.

418
00:23:22.440 --> 00:23:27.200
<v Speaker 10>Now, Lily, this is a respectable neighborhood.

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00:23:27.440 --> 00:23:30.480
<v Speaker 3>It's a new style. It's off the shoulder, it's off

420
00:23:30.519 --> 00:23:31.039
<v Speaker 3>the body.

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00:23:31.240 --> 00:23:31.720
<v Speaker 1>Cover up.

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00:23:35.599 --> 00:23:39.960
<v Speaker 8>Please, I refuse that my wife francing around dressed like

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00:23:39.960 --> 00:23:41.599
<v Speaker 8>a zieg Felt pollie girl.

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00:23:41.880 --> 00:23:43.920
<v Speaker 7>She's seem the like zig felt pollyge girl.

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00:23:44.400 --> 00:23:45.359
<v Speaker 1>What are you talking about?

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<v Speaker 7>I know, Edwin, we found out you did.

427
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<v Speaker 1>Holy who is she? Ginger Jenkins, Ginger Jink?

428
00:23:54.799 --> 00:23:58.480
<v Speaker 8>Oh no, it's not that scatter brain little flood.

429
00:24:00.079 --> 00:24:01.440
<v Speaker 1>Yeah, she's still alive.

430
00:24:01.680 --> 00:24:04.839
<v Speaker 3>Not only that I've invited her up yet.

431
00:24:04.960 --> 00:24:06.640
<v Speaker 1>That's why you're in that dress.

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<v Speaker 3>Edwin, forgive me.

433
00:24:07.640 --> 00:24:09.880
<v Speaker 7>It's just that I know she's going to show up

434
00:24:09.960 --> 00:24:11.839
<v Speaker 7>breast to the chief, and I didn't want to look

435
00:24:11.880 --> 00:24:12.160
<v Speaker 7>like a.

436
00:24:12.160 --> 00:24:16.240
<v Speaker 1>Dread No lily, Lily, lily, how could you look drebbed

437
00:24:16.240 --> 00:24:16.440
<v Speaker 1>for me?

438
00:24:16.640 --> 00:24:18.799
<v Speaker 2>Now, get out of that g string and put on something.

439
00:24:23.079 --> 00:24:23.920
<v Speaker 3>What should I wear?

440
00:24:24.400 --> 00:24:24.640
<v Speaker 1>There?

441
00:24:24.720 --> 00:24:25.119
<v Speaker 3>She is?

442
00:24:25.720 --> 00:24:29.640
<v Speaker 1>All right, let's get it over with that are in okay?

443
00:24:30.720 --> 00:24:30.960
<v Speaker 5>Yeah?

444
00:24:31.640 --> 00:24:32.799
<v Speaker 3>Miss home?

445
00:24:33.079 --> 00:24:34.160
<v Speaker 5>Yeah that's him.

446
00:24:34.640 --> 00:24:40.000
<v Speaker 2>Ooooooo, I got g You haven't changed a bit.

447
00:24:41.400 --> 00:24:44.480
<v Speaker 5>Oh, I'm just like you, Edwin.

448
00:24:44.960 --> 00:24:48.480
<v Speaker 4>You're still as cute as a button. Oh please, and

449
00:24:48.559 --> 00:24:54.920
<v Speaker 4>you still have that kickli beard tickley tickli beardy.

450
00:24:57.119 --> 00:24:57.599
<v Speaker 1>Let's go.

451
00:24:58.960 --> 00:25:02.039
<v Speaker 5>I'm opening the window. It's getting sticky in here you are?

452
00:25:02.839 --> 00:25:04.680
<v Speaker 1>Look Ginger got here?

453
00:25:04.799 --> 00:25:09.920
<v Speaker 3>So I see, Hello, Ginger, really God, I.

454
00:25:10.000 --> 00:25:10.640
<v Speaker 1>Got an idea.

455
00:25:11.279 --> 00:25:13.400
<v Speaker 2>Ginger all dressed and let's go to the nightclub.

456
00:25:15.599 --> 00:25:16.119
<v Speaker 7>Nightclub.

457
00:25:17.200 --> 00:25:19.279
<v Speaker 2>It is calm foo fool.

458
00:25:24.400 --> 00:25:27.559
<v Speaker 1>I want to be loved by you. That I want

459
00:25:27.599 --> 00:25:31.359
<v Speaker 1>to be loved by you. I guess the telephone. I'll

460
00:25:31.400 --> 00:25:32.400
<v Speaker 1>get it, miss chair.

461
00:25:33.240 --> 00:25:35.960
<v Speaker 3>Hello uncle, good heart?

462
00:25:36.599 --> 00:25:37.680
<v Speaker 7>Hold it uncle?

463
00:25:38.400 --> 00:25:42.079
<v Speaker 8>Oh no, how did anyone find out?

464
00:25:43.640 --> 00:25:44.680
<v Speaker 1>Oh? Big Tom?

465
00:25:45.640 --> 00:25:48.480
<v Speaker 8>I see they gave your uncle a good heartphone number

466
00:25:48.480 --> 00:25:49.160
<v Speaker 8>of the radio station.

467
00:25:51.440 --> 00:25:54.160
<v Speaker 2>The dectives follows your wife and they're together right now.

468
00:25:55.119 --> 00:25:57.759
<v Speaker 1>Good do you do? Hey? Break in? Beat you up?

469
00:25:58.039 --> 00:26:00.000
<v Speaker 1>Hitting one for me is skunk little?

470
00:26:01.359 --> 00:26:01.960
<v Speaker 3>Who is there?

471
00:26:02.200 --> 00:26:05.920
<v Speaker 1>Some born? I'm Messsation Big Tom Kestler from Texas.

472
00:26:05.799 --> 00:26:07.039
<v Speaker 4>Big Tom Kestler.

473
00:26:08.119 --> 00:26:09.880
<v Speaker 7>But I know you knew my headphone.

474
00:26:10.119 --> 00:26:14.039
<v Speaker 1>Yes, I been with you. Your husband.

475
00:26:19.119 --> 00:26:22.000
<v Speaker 2>Get out of here, Haly, he's got to kill me.

476
00:26:22.359 --> 00:26:23.440
<v Speaker 2>Ginger out of the back door.

477
00:26:24.240 --> 00:26:32.359
<v Speaker 3>Just threw the back you get around, open up the door.

478
00:26:32.799 --> 00:26:36.079
<v Speaker 3>I found out who you are, Edwin Montague over.

479
00:26:38.000 --> 00:26:40.079
<v Speaker 1>Mind. I know all you have to remember is that

480
00:26:40.160 --> 00:26:45.440
<v Speaker 1>I'm not Edwin Montague over. Therefore, I break the door down,

481
00:26:45.599 --> 00:26:47.880
<v Speaker 1>my lord, please, I'll open the door. Why are you

482
00:26:48.160 --> 00:26:51.759
<v Speaker 1>faving Rada, uncle gord hag Whatever you're doing in the

483
00:26:51.839 --> 00:26:55.559
<v Speaker 1>apartment of that rata. Edwin Montague, Big Times Detective told

484
00:26:55.559 --> 00:26:56.279
<v Speaker 1>me that followed her.

485
00:26:56.359 --> 00:26:59.599
<v Speaker 8>Here she's gone, Big Tom, I had a good talk

486
00:26:59.680 --> 00:27:02.079
<v Speaker 8>with now you took her back to the hotel room.

487
00:27:02.160 --> 00:27:06.079
<v Speaker 1>I'll kill him. That's him, that's Edwin Montague. Tand back

488
00:27:06.160 --> 00:27:07.720
<v Speaker 1>biggon the door.

489
00:27:09.119 --> 00:27:13.240
<v Speaker 2>Oh it's you, uncle, good heart. Well I parked her.

490
00:27:13.440 --> 00:27:14.200
<v Speaker 9>I could kill me.

491
00:27:14.680 --> 00:27:16.720
<v Speaker 1>Here the key, I'll kill him. I'll kill him.

492
00:27:16.759 --> 00:27:20.000
<v Speaker 2>Sand back, Big Tom, call me, let me at him, uncle.

493
00:27:20.240 --> 00:27:21.359
<v Speaker 9>Boy? Is he a beauty?

494
00:27:21.440 --> 00:27:22.359
<v Speaker 2>What a chassis?

495
00:27:22.519 --> 00:27:22.880
<v Speaker 3>Chashy?

496
00:27:22.960 --> 00:27:23.519
<v Speaker 1>Listen to him?

497
00:27:23.559 --> 00:27:24.400
<v Speaker 3>He belongs to me.

498
00:27:24.559 --> 00:27:25.240
<v Speaker 1>I'll kill him.

499
00:27:25.319 --> 00:27:27.480
<v Speaker 3>Boy, does she look snappy with her top down?

500
00:27:27.759 --> 00:27:33.599
<v Speaker 1>To put that gun downs and to get out, I'll

501
00:27:33.680 --> 00:27:34.319
<v Speaker 1>strangle him.

502
00:27:34.319 --> 00:27:34.440
<v Speaker 8>Now.

503
00:27:35.000 --> 00:27:36.640
<v Speaker 1>I use my fare hands.

504
00:27:36.400 --> 00:27:39.440
<v Speaker 3>For letting me you there, goodbye, Let me go, Let

505
00:27:39.519 --> 00:27:39.759
<v Speaker 3>me go.

506
00:27:41.400 --> 00:27:43.559
<v Speaker 1>Oh uncle, why didn't you let me get him? I

507
00:27:43.640 --> 00:27:45.759
<v Speaker 1>had him with the good Why did you stop me?

508
00:27:45.920 --> 00:27:47.000
<v Speaker 1>Because Big Tom?

509
00:27:47.160 --> 00:27:49.480
<v Speaker 8>I didn't want you to soil your hands on that

510
00:27:49.680 --> 00:27:54.720
<v Speaker 8>load snake, Edwin musk you. I want you to take

511
00:27:54.799 --> 00:27:57.640
<v Speaker 8>a little wife back to Texas with teena.

512
00:27:57.319 --> 00:28:01.240
<v Speaker 1>Hat, all right, uncle, god. Oh, I know, all right, Oh,

513
00:28:01.559 --> 00:28:05.240
<v Speaker 1>I know, I'm right. Well, are you're saving me for Miselle?

514
00:28:05.720 --> 00:28:08.839
<v Speaker 1>Tell me uncle good unt. What are your real name?

515
00:28:10.039 --> 00:28:15.079
<v Speaker 1>Just a good good huh? Just uncle good heart, just

516
00:28:15.680 --> 00:28:37.559
<v Speaker 1>good good heart. And now here is Jack Webb, star

517
00:28:37.839 --> 00:28:38.599
<v Speaker 1>of Dragnet.

518
00:28:39.000 --> 00:28:42.279
<v Speaker 6>If you smoke king size cigarettes, listen to Fatima's amazing

519
00:28:42.400 --> 00:28:46.759
<v Speaker 6>new offer. Buy a pack of Fatimas, enjoy their extra mildness,

520
00:28:46.920 --> 00:28:49.119
<v Speaker 6>and see if you don't like Fatimas better than the

521
00:28:49.200 --> 00:28:53.160
<v Speaker 6>king size cigarette you're now smoking. If you don't, return

522
00:28:53.279 --> 00:28:55.960
<v Speaker 6>the pack with the unused Fatimas and we'll give you

523
00:28:56.079 --> 00:28:59.480
<v Speaker 6>your money back plus postage. Now, we make this offer

524
00:28:59.519 --> 00:29:02.000
<v Speaker 6>because we believe Fatima is the best of all King

525
00:29:02.160 --> 00:29:05.519
<v Speaker 6>Si cigarettes. Smokers all over the country are confirming this

526
00:29:05.680 --> 00:29:08.680
<v Speaker 6>every day. Listen to this state by state report. State

527
00:29:08.799 --> 00:29:13.160
<v Speaker 6>one Fatima sales up ninety two percent. Two sales up

528
00:29:13.240 --> 00:29:17.960
<v Speaker 6>fifty six percent, Three sales up seventy four percent. Four

529
00:29:18.400 --> 00:29:22.079
<v Speaker 6>Fatima sales up one hundred and seven percent. Remember, if

530
00:29:22.119 --> 00:29:25.359
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531
00:29:25.640 --> 00:29:29.039
<v Speaker 6>return the pack and the unsmoked Fatimas before December first

532
00:29:29.400 --> 00:29:33.160
<v Speaker 6>and get your money back plus postage. That's Fatima Box

533
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<v Speaker 6>thirty seven, New York One by Fatima Today.

534
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<v Speaker 1>Listen again next week, Friends to the Magnificent Bodyu starring

535
00:29:47.839 --> 00:29:52.319
<v Speaker 1>Body Wally. The Saturday Night Transcribe feature on NBC's All

536
00:29:52.440 --> 00:29:56.440
<v Speaker 1>Star Festival of Comedy, Music, Mystery, and Drama, brought to

537
00:29:56.519 --> 00:30:00.599
<v Speaker 1>you by Anison Fall Fast Reellye from Pay of Headache.

538
00:30:00.680 --> 00:30:05.119
<v Speaker 1>Your ribis Son You're Autia by RCA Victor world leader

539
00:30:05.200 --> 00:30:08.680
<v Speaker 1>in radio, first in recorded music, and first in television,

540
00:30:09.400 --> 00:30:14.720
<v Speaker 1>and by Extra Mile Fatima best of all King Size

541
00:30:14.799 --> 00:30:22.200
<v Speaker 1>cigarettes in Fatima, the difference is quality. The Magnificent Montague

542
00:30:22.319 --> 00:30:25.200
<v Speaker 1>was created and directed by Matt Hiking and written by

543
00:30:25.359 --> 00:30:29.759
<v Speaker 1>Net Hiking and Billy Friedberg, and Seymour was Lily Pert

544
00:30:29.839 --> 00:30:34.240
<v Speaker 1>Calton was Agnes. Also heard on tonight's broadcast were Art Carney,

545
00:30:34.519 --> 00:30:38.680
<v Speaker 1>Johnny Gibson, John Griggs, and Barbara Weeks. Jack Ward was

546
00:30:38.720 --> 00:30:46.759
<v Speaker 1>at the organ. This is Don Pardo speaking. Stay tuned

547
00:30:46.799 --> 00:30:49.319
<v Speaker 1>for the best in popular music. It's the musical Merry

548
00:30:49.319 --> 00:31:00.359
<v Speaker 1>Go Round on nbc k FI Losanne Your Life
