WEBVTT

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<v Speaker 1>For decades, people have disappeared in the woods without a trace.

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<v Speaker 1>Some blame wild animals, others whisper of creatures the world

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<v Speaker 1>refuses to believe in. But those who have survived they

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<v Speaker 1>know the truth. Welcome to Backwoods Bigfoot Stories, where we

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<v Speaker 1>share real encounters with the things lurking in the darkness Bigfoot,

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<v Speaker 1>dog man, UFOs, and creatures that defy explanation. Some make

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<v Speaker 1>it out, others aren't so lucky. Are you ready, because

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<v Speaker 1>once you hear these stories, you'll never walk in the

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<v Speaker 1>woods alone again. So grab your flashlight, stay close, and

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<v Speaker 1>remember some things in the woods don't want to be found.

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<v Speaker 1>Hit that follow or subscribe button, turn on auto downloads,

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<v Speaker 1>and let's head off into the woods if you dare.

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<v Speaker 1>There's something you need to understand before I take you

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<v Speaker 1>into these hills, before I walk you down into the deep,

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<v Speaker 1>cathedral quiet of these forests. You need to understand what

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<v Speaker 1>the Appalachians actually are. These are not young mountains. They're

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<v Speaker 1>not dramatic, jagged things like the Rockies, thrust up out

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<v Speaker 1>of the earth in some violent geological tantrum. The Appalachians

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<v Speaker 1>are old, ancient in a way that defies easy comprehension.

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<v Speaker 1>They were already worn and rounded and moss covered when

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<v Speaker 1>the dinosaurs were walking the earth. When the first human

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<v Speaker 1>beings set foot on this continent and looked out at

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<v Speaker 1>this long green spine of ridgeline stretching from Alabama all

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<v Speaker 1>the way up to Maine, these mountains were already old.

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<v Speaker 1>The Cherokee called them home for thousands of years, the Shawnee,

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<v Speaker 1>the Creek, the Cataba. Generation after generation of people who understood,

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<v Speaker 1>in a way, we've largely forgotten that these mountains were alive,

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<v Speaker 1>that the land itself had a memory, that the forests

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<v Speaker 1>held things, and they were right. I've spent the better

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<v Speaker 1>part of my life collecting stories, listening, driving back roads

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<v Speaker 1>and sitting on porches and leaning across diner tables in

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<v Speaker 1>small towns from Georgia to Pennsylvania, letting people tell me

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<v Speaker 1>what they've seen out there in the trees, what they've heard,

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<v Speaker 1>what followed them home. Most of those people weren't looking

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<v Speaker 1>for trouble. They weren't thrill seekers. They were loggers and

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<v Speaker 1>farmers and school teachers and veterans and grandmothers, ordinary people

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<v Speaker 1>who encountered something in the Appalachian forests that changed them

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<v Speaker 1>something that reminded them the hard way that we are

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<v Speaker 1>not the apex of anything out here. We are guests,

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<v Speaker 1>and sometimes the host reminds you of that fact. The

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<v Speaker 1>stories I'm going to share with you tonight are rooted

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<v Speaker 1>in real places, real traditions, and real accounts that have

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<v Speaker 1>been passed down through the communities of the Appalachian region

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<v Speaker 1>for generations. Some of them go back centuries, some are

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<v Speaker 1>more recent. All of them have one thing in common,

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<v Speaker 1>the forest. Because in the Appalachians, the forest is where

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<v Speaker 1>it happens. The trees are so old and so dense

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<v Speaker 1>in places that the canopy closes overhead like a cathedral ceiling,

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<v Speaker 1>and the light that filters down to the ground is

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<v Speaker 1>green and dim and ancient feeling. And you can walk

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<v Speaker 1>one hundred yards off a trail and feel like the

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<v Speaker 1>twenty first century simply doesn't exist. There's no cell service,

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<v Speaker 1>no ambient hum of traffic, just the creek sounds, the

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<v Speaker 1>bird sounds, and the wind moving through leaves that have

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<v Speaker 1>been rustling in the same holler for ten thousand years.

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<v Speaker 1>That's where these stories live out there, in what the

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<v Speaker 1>old timers called the old green dark. So get comfortable,

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<v Speaker 1>turn up the volume and try to remember as we

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<v Speaker 1>go that every person who told me one of these

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<v Speaker 1>stories swore it was true. Let's go into the mountains.

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<v Speaker 1>I want to start in Tennessee in a place that

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<v Speaker 1>most people have never heard of, and that the people

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<v Speaker 1>who live there are generally okay with keeping that way.

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<v Speaker 1>Hancock County, up in the northeastern corner of the state,

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<v Speaker 1>sits hard against the Virginia Line, tucked up into a

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<v Speaker 1>fold of the Clinch Mountain Range, where the hollers run

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<v Speaker 1>deep and the communities are tight knit in the way

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<v Speaker 1>that only comes from generations of families living in the

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<v Speaker 1>same few square miles, going back to before the Revolutionary War.

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<v Speaker 1>In nineteen twenty three, a man named Elias Combs was

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<v Speaker 1>living on a small farm at the head of one

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<v Speaker 1>of those hollers, farming tobacco and running a trap line

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<v Speaker 1>through the Laurel thickets above his property. He was sixty

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<v Speaker 1>one years old, had lived his entire life in that holler,

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<v Speaker 1>and he was not, by any account his neighbors gave

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<v Speaker 1>a man given to exaggeration or fancy. When Elias Combs

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<v Speaker 1>told you something, you believed it. What he told them.

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<v Speaker 1>In the autumn of nineteen twenty three was that he'd

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<v Speaker 1>seen the wampus cat. Now, before I go any further,

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<v Speaker 1>I need to give you some context, because the wampus

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<v Speaker 1>cat is one of those pieces of Appalachian lore that

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<v Speaker 1>gets dismissed too quickly as a regional tall tale, a

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<v Speaker 1>campfire story to scare children. But the Cherokee had a

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<v Speaker 1>name for this creature long before European settlers ever arrived

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<v Speaker 1>in these mountains. They called it Oa, and the story

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<v Speaker 1>attached to that name is one of the darkest and

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<v Speaker 1>most haunting origin stories in the Cherokee tradition. The way

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<v Speaker 1>the story goes, and there are variations, as there always

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<v Speaker 1>are with oral traditions, a young Cherokee woman followed her

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<v Speaker 1>husband into the sacred hunting grounds one night to spy

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<v Speaker 1>on a ritual that women were forbidden to witness. The

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<v Speaker 1>medicine men discovered her hiding there beneath an animal skin,

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<v Speaker 1>watching what she should never have seen. As punishment, they

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<v Speaker 1>bound her to that animal skin forever, transforming her into

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<v Speaker 1>something caught between worlds, neither fully woman nor fully beast,

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<v Speaker 1>but something worse than either, something that was both something

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<v Speaker 1>that could not rest, could not die, and could not

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<v Speaker 1>be consoled, and she's been walking these mountains ever since.

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<v Speaker 1>European settlers added their own layers to the legend over

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<v Speaker 1>the two centuries of their presence in these hills. By

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<v Speaker 1>the time the Scots Irish had been in Clinch Mountain

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<v Speaker 1>Country for a few generations, the Wampa's cat had absorbed

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<v Speaker 1>their fears and their superstitions too. The mountain people gave

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<v Speaker 1>her new details and new fears, and made her part

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<v Speaker 1>of their own tradition, the way mountain people have always done,

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<v Speaker 1>by grafting new growth onto old roots. They said she

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<v Speaker 1>smelled like death and sulfur. They set Her eyes were

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<v Speaker 1>the yellow green of a lantern seen through fog. They said.

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<v Speaker 1>She moved through the laurel hell, those dense, chest high

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<v Speaker 1>thickets of mountain laurel and rhododendron that grow in the

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<v Speaker 1>drainages of the Clinch Mountain country, and that are so

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<v Speaker 1>thick and twisted you genuinely can't see through them more

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<v Speaker 1>than a few feet in any direction, so fast and

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<v Speaker 1>so silent that you'd hear her scream from one ridge,

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<v Speaker 1>and then hear it again from a ridge half a

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<v Speaker 1>mile away. Before the echo of the first scream had

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<v Speaker 1>even died, and they said, this is the part that

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<v Speaker 1>always gets me. They said that if you locked eyes

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<v Speaker 1>with the wampus cat, you would lose your mind, not

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<v Speaker 1>your life, your mind. You'd be left wandering and muttering,

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<v Speaker 1>unable to form sentences or remember your own name, like

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<v Speaker 1>whatever was behind those yellow green eyes had reached right

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<v Speaker 1>in through your pupils and pulled something essential out of you.

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<v Speaker 1>There are accounts from the late eighteen hundreds documented by

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<v Speaker 1>folkloris working in Hancock County of men found wandering on

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<v Speaker 1>mountain trails in a state of complete dissociation, couldn't say

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<v Speaker 1>their own name, couldn't recognize their families, just walking and

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<v Speaker 1>muttering with their eyes fixed on something that wasn't there.

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<v Speaker 1>In almost every case, the family eventually put those men

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<v Speaker 1>in the category of having had the encounter of having

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<v Speaker 1>looked at the wrong thing and the wrong laurel thicket

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<v Speaker 1>at the wrong hour. Elias Combs had his encounter on

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<v Speaker 1>a Tuesday morning in late October. He'd gone up to

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<v Speaker 1>check his trap sets before dawn, the way he always did,

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<v Speaker 1>with a lantern and his old winchester. The traps were

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<v Speaker 1>set along a creek drainage about half a mile above

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<v Speaker 1>his farm, in a stretch of mixed hardwoods that his

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<v Speaker 1>family had been working for decades. He knew every rock

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<v Speaker 1>and route along that path. He could have walked it blindfolded.

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<v Speaker 1>He'd walked it in all conditions, in all seasons for

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<v Speaker 1>more than twenty years. He was about as comfortable in

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<v Speaker 1>that piece of forest as a man can be comfortable anywhere.

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<v Speaker 1>He told his neighbors, and later told his son, who

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<v Speaker 1>told his grandson, who told the man, who eventually told

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<v Speaker 1>me that the trouble started before he even got to

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<v Speaker 1>the first trap. He said, the woods went wrong. That's

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<v Speaker 1>the phrase that got used across every retelling of this

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<v Speaker 1>story I've encountered, and I've heard it told maybe a

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<v Speaker 1>dozen times over the years, the woods went wrong. What

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<v Speaker 1>he meant by that was that everything got quiet in

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<v Speaker 1>the wrong way. Not the quiet of early morning, which

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<v Speaker 1>is a living quiet, full of small sounds and subtle movements,

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<v Speaker 1>the rustle of a squirrel in the leaves, the drip

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<v Speaker 1>of dew off branches, the soft, irregular percussion of a

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<v Speaker 1>woodpecker somewhere in the middle distance. This was the quiet

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<v Speaker 1>of something large and patient, holding its breath. The creek

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<v Speaker 1>still made it sound, because water doesn't defer to anything

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<v Speaker 1>but everything else. Every bird, every rustling leaf, every distant

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<v Speaker 1>coyote went silent, all at once, like a switch had

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<v Speaker 1>been thrown. And the silence wasn't empty. That's the thing

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<v Speaker 1>he kept coming back to when he tried to describe

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<v Speaker 1>it afterward. The silence was full, occupied, the way a

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<v Speaker 1>room is full when someone is standing in it in

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<v Speaker 1>the dark, even if you can't see or hear them.

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<v Speaker 1>Elias stopped walking. He held up his lantern. The light

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<v Speaker 1>pushed back the dark maybe twenty feet in every direction,

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<v Speaker 1>and beyond that edge was solid black, the way the

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<v Speaker 1>forest gets in the mountains before any hint of dawn.

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<v Speaker 1>He stood perfectly still and listened with everything he had,

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<v Speaker 1>the way a man listens when he knows something is

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<v Speaker 1>listening back. And then he smelled it. He described it

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<v Speaker 1>as the smell of something long dead, not fresh dead,

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<v Speaker 1>but long dead, the deep organic rot of something that

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<v Speaker 1>had been lying in the wet leaves for weeks, mixed

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<v Speaker 1>with something musky and animal and alive, and underneath all

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<v Speaker 1>of that something else. He said he couldn't name something

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<v Speaker 1>wrong at a chemical level, the way the air smells

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<v Speaker 1>before a lightning strike, metallic and sharp and charged. He said.

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<v Speaker 1>The hair on his arm stood up inside his coat sleeves.

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<v Speaker 1>He said, his mouth went dry so fast it was

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<v Speaker 1>like someone had reached in and pulled every drop of

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<v Speaker 1>moisture out of it in an instant. He didn't run,

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<v Speaker 1>which I certainly give the old man credit for. He

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<v Speaker 1>stood there with his winchester in one hand and his

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<v Speaker 1>lantern in the other, and he turned in a slow

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<v Speaker 1>circle because whatever this was, it was moving around him.

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<v Speaker 1>He could feel it moving, even though he couldn't see

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<v Speaker 1>it or hear it. He could feel it the way

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<v Speaker 1>you can feel someone standing behind you in a dark room,

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<v Speaker 1>that certainty that is not based on any of the

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<v Speaker 1>usual five senses, that pre rational alarm that fires somewhere

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<v Speaker 1>deep below conscious thought. Something was circling him, slowly, methodically,

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<v Speaker 1>the way a predator circles when it's still deciding. He

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<v Speaker 1>saw the eyes first. They were up on the slope

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<v Speaker 1>above him, about thirty yards away, in the laurel thickets,

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<v Speaker 1>and they were the color of a gas light flame,

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<v Speaker 1>that particular yellow green that doesn't occur naturally in the

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<v Speaker 1>eye shine of any creature. He'd ever encountered in forty

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<v Speaker 1>plus years of hunting these mountains, not the reflective eye

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<v Speaker 1>shine of a deer or a cat, not the red

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<v Speaker 1>glow of a bear, something that generated its own light

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<v Speaker 1>rather than reflecting his. They were set wide apart, high

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<v Speaker 1>off the ground, higher than a mountain lion's eyes would

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<v Speaker 1>sit higher than a standing bears even. He said, they

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<v Speaker 1>were as big around as silver dollars, and they didn't blink,

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<v Speaker 1>just held steady and watched him burning with that cold, terrible,

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<v Speaker 1>self generated light. He raised the winchester. He was a

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<v Speaker 1>good shot, and he knew it, had been hunting these

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<v Speaker 1>mountains since he was old enough to carry a gun.

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<v Speaker 1>He said he had a clear sight picture in the

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<v Speaker 1>lantern light, that he could see the shape of the

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<v Speaker 1>thing in the laurel. Low slung and massive, bigger than

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<v Speaker 1>any mountain lion, bigger than any bear he'd ever set

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<v Speaker 1>eyes on, moving with a fluid, slow patience that he

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<v Speaker 1>said reminded him of water finding its way through stones.

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<v Speaker 1>He had the front sight on the center of mass

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<v Speaker 1>between those eyes. He pulled the trigger. The shot echoed

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<v Speaker 1>off the ridge line, rolled down the holler and faded

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<v Speaker 1>into the dark, and the eyes didn't move, didn't blink,

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<v Speaker 1>didn't drop to the ground the way a struck animal dropps,

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<v Speaker 1>didn't bolt into the brush the way a misted animal bolts.

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<v Speaker 1>They just stayed there, fixed on him, unwavering. After the

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<v Speaker 1>muzzle flash had died and the powder smoke had drifted

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<v Speaker 1>away on the still morning air, like he'd thrown a

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<v Speaker 1>pebble at a stone wall, like the bullet had passed

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<v Speaker 1>through something that wasn't concerned with bullets, he said. He

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<v Speaker 1>fired twice more, same result each time. Three shots, three

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<v Speaker 1>clear sight pictures, three muzzle blasts that lit up the

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<v Speaker 1>laurel for a fraction of a second, and the eyes

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<v Speaker 1>stayed exactly where they'd been, burning with that cold light,

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<v Speaker 1>and the thing behind them didn't move so much as

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<v Speaker 1>a hair. And then, and this is the part that

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<v Speaker 1>kept Elias Combs from sleeping soundly for the remaining fourteen

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<v Speaker 1>years of his life, the thing stood up. It rose

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<v Speaker 1>out of the laurel on its hind legs, the way

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<v Speaker 1>a bear will sometimes do, and it kept rising, taller

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<v Speaker 1>than a man by a significant margin, tall enough that

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<v Speaker 1>the top of its silhouette disappeared into the canopy above

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<v Speaker 1>the low thicket, and when it rose, Elias said, the

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00:14:03.759 --> 00:14:06.519
<v Speaker 1>smell that had already been almost more than he could stand,

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00:14:06.799 --> 00:14:10.720
<v Speaker 1>intensified into something practically physical, something that hit the back

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00:14:10.759 --> 00:14:14.039
<v Speaker 1>of the throat and the eyes simultaneously. And it made

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<v Speaker 1>a sound that, he said he had no word for.

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<v Speaker 1>Not a scream exactly, though there was screaming in it,

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<v Speaker 1>not a growl, though there was rumbling in it too.

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<v Speaker 1>He said, it was most like a woman crying, but

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<v Speaker 1>the way a woman might cry, if crying had been

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<v Speaker 1>invented by something that had never, in its existence possessed

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00:14:31.799 --> 00:14:35.879
<v Speaker 1>any capacity for comfort or mercy. Raw and ragged, and

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00:14:35.919 --> 00:14:38.960
<v Speaker 1>somehow knowing, like the sound was directed at him in

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00:14:39.000 --> 00:14:42.600
<v Speaker 1>a personal way, like whatever was producing it understood something

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00:14:42.600 --> 00:14:45.960
<v Speaker 1>about him specifically, and was communicating something he did not

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00:14:46.080 --> 00:14:50.279
<v Speaker 1>want to understand. He ran, He's not ashamed to admit

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00:14:50.320 --> 00:14:53.559
<v Speaker 1>it in any version of this story I've heard. He

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00:14:53.639 --> 00:14:56.159
<v Speaker 1>ran back down that trail in the dark, without the lantern,

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00:14:56.480 --> 00:14:58.840
<v Speaker 1>which he dropped somewhere in the first fifty yards, and

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00:14:58.919 --> 00:15:03.039
<v Speaker 1>never recovered a tune. For more backwoods bigfoot stories, We'll

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00:15:03.039 --> 00:15:07.840
<v Speaker 1>be back after these messages. He ran by feel and

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00:15:07.919 --> 00:15:11.399
<v Speaker 1>memory through the black forest, crashing through brush and stumbling

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<v Speaker 1>on roots, and he didn't stop running until he hit

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<v Speaker 1>his own farmyard and got the door of his house

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00:15:16.279 --> 00:15:19.639
<v Speaker 1>shut and latched behind him. He sat at his kitchen

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<v Speaker 1>table until his wife got up at sunrise and found

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00:15:22.000 --> 00:15:25.799
<v Speaker 1>him there, still in his coat, still holding the empty Winchester,

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<v Speaker 1>staring at the kitchen wall, with the expression she later

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<v Speaker 1>described to her children as the face a man makes

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00:15:31.919 --> 00:15:35.360
<v Speaker 1>when he's seen the edge of something he can't unsee.

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<v Speaker 1>He never ran that trap line again. He sold the

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00:15:38.399 --> 00:15:40.720
<v Speaker 1>traps to a neighbor within the week, and didn't set

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<v Speaker 1>foot in those woods above the farm for the remaining

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<v Speaker 1>fourteen years of his life. What I find most interesting

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<v Speaker 1>about Elias Combs, what makes this story stick with me

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<v Speaker 1>all these years after I first heard it, is what

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00:15:53.200 --> 00:15:56.279
<v Speaker 1>happened to the neighbor who bought the traps. I'm not

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<v Speaker 1>going to share his name out of respect for the family,

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<v Speaker 1>but I'll tell you that he wan up into those

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00:16:00.840 --> 00:16:05.080
<v Speaker 1>same Laurel thickets about two weeks after Elias's encounter running

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00:16:05.120 --> 00:16:08.559
<v Speaker 1>those very same trap sets. He came back down before

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00:16:08.600 --> 00:16:11.519
<v Speaker 1>noon on the first day white as Chalk, and he

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00:16:11.559 --> 00:16:14.240
<v Speaker 1>told his wife that he'd found all of Elias's traps

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00:16:14.279 --> 00:16:17.799
<v Speaker 1>sprung and turned upside down, every single one of them

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00:16:18.120 --> 00:16:21.080
<v Speaker 1>down the whole line, not tripped by an animal, and

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00:16:21.159 --> 00:16:24.240
<v Speaker 1>left where they fell, turned upside down and placed back

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00:16:24.279 --> 00:16:28.919
<v Speaker 1>on the ground, neatly, methodically, one after another, like something

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00:16:28.960 --> 00:16:31.960
<v Speaker 1>had walked the line ahead of him, examined each trap,

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00:16:32.320 --> 00:16:35.679
<v Speaker 1>understood what it was, and deliberately flipped it over and

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00:16:35.720 --> 00:16:40.159
<v Speaker 1>set it back down a message, a demonstration of comprehension.

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<v Speaker 1>Neither man ever went back, neither man ever publicly speculated

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00:16:44.840 --> 00:16:47.840
<v Speaker 1>about what had walked that trap line. But the people

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00:16:47.879 --> 00:16:51.440
<v Speaker 1>of that holler understood, and they passed the understanding down,

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00:16:51.799 --> 00:16:54.440
<v Speaker 1>and the drainage above the old Combs Farm still is

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00:16:54.440 --> 00:16:57.039
<v Speaker 1>in a place where sensible people run trap sets after

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00:16:57.159 --> 00:17:01.399
<v Speaker 1>dark some doors the old time the Clinch Mountain Country

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00:17:01.440 --> 00:17:04.960
<v Speaker 1>will tell you you don't open twice. Hold on to

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00:17:05.000 --> 00:17:06.880
<v Speaker 1>what I just told you about things that can't be

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00:17:06.960 --> 00:17:10.319
<v Speaker 1>explained with the tools we usually reach for, because we're

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00:17:10.359 --> 00:17:13.559
<v Speaker 1>going to need that mindset for this next one. We're

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00:17:13.599 --> 00:17:16.960
<v Speaker 1>moving east and a little south now, crossing over into

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00:17:17.000 --> 00:17:21.000
<v Speaker 1>the North Carolina Mountains into Burke County, where the Lynnville

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00:17:21.079 --> 00:17:23.519
<v Speaker 1>Gorge cuts its way through the earth like a wound

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00:17:23.599 --> 00:17:26.759
<v Speaker 1>that never fully healed and up on the ridge line.

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00:17:26.759 --> 00:17:30.839
<v Speaker 1>Above that gorge sits Brown Mountain, a long, low forested

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<v Speaker 1>ridge that has been making people uncomfortable for a very,

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00:17:33.759 --> 00:17:37.200
<v Speaker 1>very long time. Most people who've heard of Brown Mountain

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00:17:37.200 --> 00:17:39.799
<v Speaker 1>have heard of the lights. The Brown Mountain lights are

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00:17:39.839 --> 00:17:43.839
<v Speaker 1>one of the most thoroughly documented and persistently inexplicable phenomena

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00:17:44.160 --> 00:17:48.000
<v Speaker 1>in the entire country. They've been officially observed, studied, and

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00:17:48.119 --> 00:17:51.680
<v Speaker 1>reported since at least nineteen thirteen, when the United States

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00:17:51.720 --> 00:17:55.640
<v Speaker 1>Geological Survey sent a man named George Rogers Ashley to

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<v Speaker 1>investigate after widespread accounts of mysterious lights appearing above the

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00:17:59.599 --> 00:18:05.240
<v Speaker 1>mountain ridge line. The lights are typically described as orbs, round, glowing,

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00:18:05.559 --> 00:18:10.279
<v Speaker 1>sometimes red, sometimes white, sometimes orange or yellow, ranging in

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00:18:10.359 --> 00:18:14.400
<v Speaker 1>apparent size from that of a basketball to something considerably larger.

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<v Speaker 1>They appear above the tree line on Brown Mountain and

315
00:18:17.440 --> 00:18:22.559
<v Speaker 1>the surrounding ridges, sometimes singly, sometimes in clusters. They move

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00:18:22.599 --> 00:18:25.960
<v Speaker 1>in ways that don't correspond to aircraft or headlights. They

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00:18:26.079 --> 00:18:30.400
<v Speaker 1>change color, they appear and disappear without any identifiable source,

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<v Speaker 1>and they've been doing this for as long as anyone

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00:18:33.039 --> 00:18:37.039
<v Speaker 1>has kept records of them. What makes the lights scientifically

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<v Speaker 1>maddening is that the convenient explanations keep getting eliminated. The

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00:18:41.640 --> 00:18:46.319
<v Speaker 1>geological survey initially attributed the lights to locomotive headlights reflected

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00:18:46.359 --> 00:18:48.640
<v Speaker 1>off the mountain, and was forced to walk back that

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00:18:48.759 --> 00:18:51.519
<v Speaker 1>explanation when it was established that the lights had been

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00:18:51.559 --> 00:18:55.559
<v Speaker 1>reported long before the railroad in question was built. When

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00:18:55.599 --> 00:18:59.119
<v Speaker 1>a massive flood in nineteen sixteen knocked out electrical power

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00:18:59.160 --> 00:19:04.119
<v Speaker 1>to the entire region, the lights continue to appear. Multiple

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00:19:04.160 --> 00:19:07.839
<v Speaker 1>formal federal investigations over the following decades have failed to

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00:19:07.839 --> 00:19:13.240
<v Speaker 1>produce a satisfactory explanation. The lights predate every convenient answer,

329
00:19:13.480 --> 00:19:16.160
<v Speaker 1>and they keep showing up, and the best minds who've

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00:19:16.160 --> 00:19:19.000
<v Speaker 1>been applied to the question have ultimately come away with

331
00:19:19.079 --> 00:19:23.599
<v Speaker 1>nothing definitive. But here's what the geological surveys don't talk about.

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<v Speaker 1>Here's what the official reports leave out entirely. Here's what

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00:19:27.799 --> 00:19:30.759
<v Speaker 1>the people who live in the communities around the Lynville Gorge,

334
00:19:31.119 --> 00:19:33.480
<v Speaker 1>the families who've been in Burke County since before there

335
00:19:33.519 --> 00:19:35.799
<v Speaker 1>was a Burke County, will tell you, if you sit

336
00:19:35.839 --> 00:19:38.279
<v Speaker 1>with them long enough and earn some measure of trust,

337
00:19:39.119 --> 00:19:40.960
<v Speaker 1>they'll tell you that the lights aren't the thing to

338
00:19:41.000 --> 00:19:44.839
<v Speaker 1>be afraid of. The lights are just the sign, the marker,

339
00:19:45.519 --> 00:19:48.119
<v Speaker 1>the warning that something else is moving on that mountain,

340
00:19:48.920 --> 00:19:51.799
<v Speaker 1>something that walks below the lights in the deep old

341
00:19:51.839 --> 00:19:54.920
<v Speaker 1>timber of the gorge, on paths that don't appear on

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00:19:55.000 --> 00:19:58.359
<v Speaker 1>any map, and creak drainages that drop down into darkness

343
00:19:58.759 --> 00:20:01.799
<v Speaker 1>so complete it's it swallows a flashlight beam before it

344
00:20:01.880 --> 00:20:05.400
<v Speaker 1>travels ten feet. The Cherokee have known about the Brown

345
00:20:05.440 --> 00:20:09.160
<v Speaker 1>Mountain lights longer than anyone. Their tradition holds that the

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00:20:09.240 --> 00:20:12.680
<v Speaker 1>lights are the spirits of Cherokee women carrying torches through

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00:20:12.680 --> 00:20:15.720
<v Speaker 1>the dark, searching for their husbands and sons who died

348
00:20:15.759 --> 00:20:18.200
<v Speaker 1>in an ancient battle fought on those ridges against a

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00:20:18.240 --> 00:20:22.119
<v Speaker 1>Cataba war party. It's a story of grief so enormous

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00:20:22.119 --> 00:20:24.640
<v Speaker 1>and so enduring that it became a permanent feature of

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00:20:24.680 --> 00:20:28.119
<v Speaker 1>the landscape, a sorrow so deep it lit itself on

352
00:20:28.200 --> 00:20:31.960
<v Speaker 1>fire and refused to stop burning across the centuries. I

353
00:20:32.000 --> 00:20:35.759
<v Speaker 1>find that account extraordinarily moving, and I believe it contains

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00:20:35.759 --> 00:20:38.759
<v Speaker 1>a truth about this place, even if the specifics belong

355
00:20:38.839 --> 00:20:43.440
<v Speaker 1>to a tradition that isn't mine. There's something correct emotionally

356
00:20:43.480 --> 00:20:46.440
<v Speaker 1>and perhaps literally about the idea that this kind of

357
00:20:46.519 --> 00:20:50.240
<v Speaker 1>grief leaves a permanent mark on the land that love

358
00:20:50.279 --> 00:20:54.200
<v Speaker 1>and loss of that magnitude doesn't just evaporate, that it stays.

359
00:20:55.200 --> 00:20:58.079
<v Speaker 1>But the European settlers who moved into the Lynnville Gorge

360
00:20:58.079 --> 00:21:01.480
<v Speaker 1>country in the early eighteen hundreds brought their own encounters

361
00:21:01.519 --> 00:21:04.319
<v Speaker 1>with the mountain, and those encounters had a quality that

362
00:21:04.400 --> 00:21:08.759
<v Speaker 1>was darker and more immediately threatening than ancestral grief. What

363
00:21:08.880 --> 00:21:12.079
<v Speaker 1>they described encountering in the forest below the lights was

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00:21:12.119 --> 00:21:15.680
<v Speaker 1>something that used the lights as a distraction, something that

365
00:21:15.759 --> 00:21:19.920
<v Speaker 1>had learned or perhaps had always known that the lights

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00:21:19.920 --> 00:21:22.519
<v Speaker 1>would pull a person's eyes upward and hold them there,

367
00:21:23.039 --> 00:21:25.480
<v Speaker 1>staring at the ridge line with their attention fixed on

368
00:21:25.559 --> 00:21:29.279
<v Speaker 1>the spectacle above, while something moved in close behind them

369
00:21:29.319 --> 00:21:33.559
<v Speaker 1>in the timber below. There was a family, the Perkins family.

370
00:21:34.079 --> 00:21:37.319
<v Speaker 1>This was roughly eighteen fifty and their account has been

371
00:21:37.319 --> 00:21:41.039
<v Speaker 1>preserved in Burke County oral tradition ever since, who were

372
00:21:41.079 --> 00:21:44.200
<v Speaker 1>driving a small cattle herd through the Lynnville Gorge in

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00:21:44.279 --> 00:21:48.000
<v Speaker 1>late September, moving the animals down from summer pasture before

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00:21:48.000 --> 00:21:52.680
<v Speaker 1>the first hard freeze. Thomas Perkins, his teenage son William,

375
00:21:52.839 --> 00:21:55.599
<v Speaker 1>and a hired hand whose name varies across the different

376
00:21:55.680 --> 00:21:59.319
<v Speaker 1>versions of the account, which is itself interesting that the

377
00:21:59.359 --> 00:22:02.559
<v Speaker 1>tradition ever quite settled on his name, as if some

378
00:22:02.680 --> 00:22:06.359
<v Speaker 1>part of the community telling this story over generations understood

379
00:22:06.400 --> 00:22:09.200
<v Speaker 1>that he was about to become someone who needed protecting,

380
00:22:09.279 --> 00:22:12.400
<v Speaker 1>even in memory. They were making camp on the east

381
00:22:12.440 --> 00:22:14.519
<v Speaker 1>side of the gorge when the lights appeared above the

382
00:22:14.559 --> 00:22:18.599
<v Speaker 1>far Ridge line. Thomas had seen the lights before. Most

383
00:22:18.599 --> 00:22:20.880
<v Speaker 1>people who'd lived in that country any length of time

384
00:22:20.920 --> 00:22:23.440
<v Speaker 1>had seen them, and had learned to regard them as

385
00:22:23.480 --> 00:22:27.519
<v Speaker 1>a strange but essentially harmless feature of the landscape, like

386
00:22:27.599 --> 00:22:32.559
<v Speaker 1>an unusual rock formation or a particularly loud waterfall. He

387
00:22:32.640 --> 00:22:34.960
<v Speaker 1>told William and the hired man that they were nothing

388
00:22:35.000 --> 00:22:41.279
<v Speaker 1>to worry about, electrical, maybe atmospheric. He preferred a practical explanation,

389
00:22:41.680 --> 00:22:45.720
<v Speaker 1>even when the practical explanation didn't quite hold together. What

390
00:22:45.799 --> 00:22:49.200
<v Speaker 1>he could not explain was the cattle. The animals were

391
00:22:49.240 --> 00:22:53.319
<v Speaker 1>agitated in the specific, unmistakable way that tells any experienced

392
00:22:53.359 --> 00:22:57.759
<v Speaker 1>stockman that a predator is nearby, pressing together into a tight,

393
00:22:57.920 --> 00:23:01.720
<v Speaker 1>miserable mass, rolling their eyes to show the white lowing

394
00:23:01.759 --> 00:23:04.599
<v Speaker 1>in that low and hopeless register that sounds like an

395
00:23:04.640 --> 00:23:08.480
<v Speaker 1>animal reporting to anything that might listen that it has

396
00:23:08.559 --> 00:23:12.000
<v Speaker 1>run out of options, Thomas and the hired man took

397
00:23:12.079 --> 00:23:15.279
<v Speaker 1>turns walking the perimeter of the camp with lanterns held high,

398
00:23:15.599 --> 00:23:19.759
<v Speaker 1>listening to the gorge. They heard nothing unusual. The lights

399
00:23:19.839 --> 00:23:22.960
<v Speaker 1>moved and pulsed above the far ridge. The cattle kept

400
00:23:23.000 --> 00:23:26.519
<v Speaker 1>pressing together. William sat by the fire and worked at

401
00:23:26.519 --> 00:23:30.240
<v Speaker 1>not looking as frightened as he felt. Sometime past midnight,

402
00:23:30.480 --> 00:23:32.920
<v Speaker 1>the hired man didn't come back from his perimeter walk.

403
00:23:33.599 --> 00:23:37.240
<v Speaker 1>Thomas waited twenty minutes. Then he took a lantern and

404
00:23:37.279 --> 00:23:40.039
<v Speaker 1>went looking. He found the man's hat on the trail

405
00:23:40.079 --> 00:23:43.200
<v Speaker 1>about fifty yards from camp, sitting upright in the middle

406
00:23:43.200 --> 00:23:46.640
<v Speaker 1>of the path, not knocked off and fallen, not dropped

407
00:23:46.640 --> 00:23:50.119
<v Speaker 1>in a hurry, but placed sat down in the middle

408
00:23:50.160 --> 00:23:53.440
<v Speaker 1>of the trail, crown up as if someone had deliberately

409
00:23:53.480 --> 00:23:56.440
<v Speaker 1>placed it there as a marker. He found the man's

410
00:23:56.519 --> 00:23:59.799
<v Speaker 1>lantern ten yards further on, set carefully on the uphill

411
00:23:59.839 --> 00:24:04.759
<v Speaker 1>side the trail, still burning. That detail, the lantern still burning,

412
00:24:05.119 --> 00:24:09.119
<v Speaker 1>placed neatly rather than dropped, traveled through every retelling of

413
00:24:09.160 --> 00:24:12.720
<v Speaker 1>this account without variation. The hired man had set his

414
00:24:12.799 --> 00:24:15.400
<v Speaker 1>lantern down gently on the side of the trail, and

415
00:24:15.440 --> 00:24:19.359
<v Speaker 1>then had simply ceased to be there. Thomas searched, He

416
00:24:19.440 --> 00:24:22.519
<v Speaker 1>called the man's name into the gorge for hours. He

417
00:24:22.559 --> 00:24:25.279
<v Speaker 1>moved through the laurel and the hardwood timber, and expanding

418
00:24:25.279 --> 00:24:28.599
<v Speaker 1>circles from the point of the hat, taking the gorge, drainage,

419
00:24:28.599 --> 00:24:32.319
<v Speaker 1>and the ridgeline above camp, covering every reasonable area and

420
00:24:32.359 --> 00:24:37.000
<v Speaker 1>some unreasonable ones. He found nothing. Not that night, not

421
00:24:37.119 --> 00:24:39.720
<v Speaker 1>the next day, when he and William searched from first

422
00:24:39.799 --> 00:24:44.359
<v Speaker 1>light until dark. Not ever, in any final accounting, the

423
00:24:44.359 --> 00:24:47.759
<v Speaker 1>gorge kept whatever it had taken. What William Perkins told

424
00:24:47.799 --> 00:24:50.240
<v Speaker 1>people later, and he told the story for the rest

425
00:24:50.279 --> 00:24:53.279
<v Speaker 1>of his long life, without the essential details ever changing,

426
00:24:53.920 --> 00:24:56.279
<v Speaker 1>was that while his father was out searching, he was

427
00:24:56.319 --> 00:25:00.200
<v Speaker 1>sitting by the fire alone, and he heard breathing from

428
00:25:00.200 --> 00:25:03.240
<v Speaker 1>the direction Thomas had gone, from the tree line on

429
00:25:03.279 --> 00:25:06.119
<v Speaker 1>the uphill side of camp, from the heavy timber, where

430
00:25:06.119 --> 00:25:09.200
<v Speaker 1>nobody had any reason to be and where no trail went.

431
00:25:10.079 --> 00:25:13.039
<v Speaker 1>It was louder than any human breathing he'd ever heard,

432
00:25:13.240 --> 00:25:16.839
<v Speaker 1>slow and rhythmic and deep, the breathing of something enormous,

433
00:25:17.240 --> 00:25:22.920
<v Speaker 1>patient and perfectly at ease, not labored or agitated, calm,

434
00:25:23.200 --> 00:25:25.559
<v Speaker 1>the calm of something that knew exactly where it was

435
00:25:25.640 --> 00:25:28.240
<v Speaker 1>and exactly what it was doing, and felt no need

436
00:25:28.240 --> 00:25:30.720
<v Speaker 1>to rush any of it. He said he could see

437
00:25:30.720 --> 00:25:33.000
<v Speaker 1>the firelight catching something in the tree line at the

438
00:25:33.119 --> 00:25:36.920
<v Speaker 1>edge of the darkness. Not eyes, not the eyeshine he'd

439
00:25:36.920 --> 00:25:40.920
<v Speaker 1>have expected from an animal, a surface, something smooth and

440
00:25:41.000 --> 00:25:44.559
<v Speaker 1>curved and large, just barely at the threshold of the firelight,

441
00:25:45.160 --> 00:25:47.400
<v Speaker 1>present enough to know it was there, and too far

442
00:25:47.519 --> 00:25:51.000
<v Speaker 1>into the dark to see it clearly. Something that was

443
00:25:51.039 --> 00:25:54.440
<v Speaker 1>standing in the tree line and breathing slowly and waiting

444
00:25:54.960 --> 00:25:57.960
<v Speaker 1>with all the patients of the gorge itself for something

445
00:25:57.960 --> 00:26:01.720
<v Speaker 1>he couldn't name. He didn't move, he didn't call out.

446
00:26:02.519 --> 00:26:04.559
<v Speaker 1>He sat with his knees to his chest and breathed

447
00:26:04.559 --> 00:26:07.400
<v Speaker 1>as quietly as he could, and he waited for his father.

448
00:26:08.160 --> 00:26:11.400
<v Speaker 1>And when Thomas came back, empty handed and shaken, William

449
00:26:11.440 --> 00:26:14.680
<v Speaker 1>told him what he'd heard. And Thomas Perkins did something

450
00:26:14.720 --> 00:26:17.359
<v Speaker 1>that William said he'd never seen his father do in

451
00:26:17.480 --> 00:26:20.880
<v Speaker 1>all the years of his life. He didn't question the account,

452
00:26:21.359 --> 00:26:25.359
<v Speaker 1>he didn't investigate. He smothered the fire with dirt and silence,

453
00:26:25.680 --> 00:26:28.000
<v Speaker 1>caught the cattle, and started them down the trail in

454
00:26:28.039 --> 00:26:31.319
<v Speaker 1>the dark. They walked all night by the light of

455
00:26:31.359 --> 00:26:35.400
<v Speaker 1>one lantern. Thomas never went back into the Lynnville Gorge, again,

456
00:26:36.079 --> 00:26:39.279
<v Speaker 1>not once, not for any reason, for the rest of

457
00:26:39.279 --> 00:26:42.880
<v Speaker 1>his life. I've been to the Lynnville Gorge many times.

458
00:26:43.400 --> 00:26:45.680
<v Speaker 1>I've stood on the overlooks in the dark and watched

459
00:26:45.680 --> 00:26:48.680
<v Speaker 1>for the lights, and I've seen them, or something that

460
00:26:48.720 --> 00:26:52.480
<v Speaker 1>looks very much like what every account for two centuries describes,

461
00:26:53.319 --> 00:26:56.880
<v Speaker 1>glowing orbs above the far ridge line, moving in ways

462
00:26:56.920 --> 00:27:00.599
<v Speaker 1>that don't correspond to any human light source, pulsing and

463
00:27:00.680 --> 00:27:04.559
<v Speaker 1>changing color and winking out and reappearing in different positions.

464
00:27:05.039 --> 00:27:09.480
<v Speaker 1>And standing there watching them, I've had that feeling, that specific,

465
00:27:09.680 --> 00:27:13.480
<v Speaker 1>bone deep feeling of being watched from behind of something

466
00:27:13.519 --> 00:27:15.400
<v Speaker 1>in the tree line at my back while my eyes

467
00:27:15.400 --> 00:27:18.720
<v Speaker 1>are fixed on the spectacle above. That feeling that the

468
00:27:18.799 --> 00:27:21.359
<v Speaker 1>lights are exactly what the people who know this mountain

469
00:27:21.440 --> 00:27:25.960
<v Speaker 1>best have always said. They are a distraction. Whatever those

470
00:27:26.039 --> 00:27:29.039
<v Speaker 1>lights are, Brown Mountain holds its secrets in the old

471
00:27:29.079 --> 00:27:32.160
<v Speaker 1>timber of the gorge below the ridge line, and the

472
00:27:32.200 --> 00:27:35.359
<v Speaker 1>gorge does not give up what it takes. We're going

473
00:27:35.440 --> 00:27:38.880
<v Speaker 1>deeper now, deeper in time, and deeper into the forest.

474
00:27:39.680 --> 00:27:42.480
<v Speaker 1>I want to take you into the Cherokee Homeland the

475
00:27:42.480 --> 00:27:46.279
<v Speaker 1>mountains of far western North Carolina, the Smoky Mountain Country,

476
00:27:46.920 --> 00:27:48.880
<v Speaker 1>And I want to tell you about the most feared

477
00:27:48.920 --> 00:27:52.839
<v Speaker 1>being in all of Cherokee supernatural tradition. Not the most

478
00:27:52.920 --> 00:27:57.759
<v Speaker 1>visually dramatic, not the most obviously monstrous, the most feared

479
00:27:58.559 --> 00:28:00.680
<v Speaker 1>because the thing about the raven man that makes it

480
00:28:00.799 --> 00:28:03.559
<v Speaker 1>uniquely terrifying is that it doesn't look like a monster.

481
00:28:04.119 --> 00:28:08.000
<v Speaker 1>It looks like a person, usually an old person, usually

482
00:28:08.000 --> 00:28:10.920
<v Speaker 1>someone you'd have no reason to be afraid of, and

483
00:28:11.000 --> 00:28:15.200
<v Speaker 1>it wants to eat your years. The raven Mocker in

484
00:28:15.319 --> 00:28:20.640
<v Speaker 1>Cherokee kalanu Akieliski, which translates roughly as the raven that

485
00:28:20.759 --> 00:28:24.400
<v Speaker 1>steals is a witch or something that was once a

486
00:28:24.400 --> 00:28:27.799
<v Speaker 1>person and has become something else through the accumulation of

487
00:28:27.839 --> 00:28:31.200
<v Speaker 1>stolen life over a very long time. I want to

488
00:28:31.240 --> 00:28:34.480
<v Speaker 1>be clear that this is living tradition, not museum piece.

489
00:28:35.160 --> 00:28:38.880
<v Speaker 1>The Eastern Band Cherokee Nation exists today and the raven

490
00:28:38.920 --> 00:28:42.319
<v Speaker 1>Mocker remains part of their cultural and spiritual understanding of

491
00:28:42.319 --> 00:28:45.720
<v Speaker 1>the world. I share this with the respect that deserves

492
00:28:45.759 --> 00:28:50.079
<v Speaker 1>and with full acknowledgment of the limits of my outsider's knowledge.

493
00:28:50.119 --> 00:28:53.480
<v Speaker 1>The raven Mocker travels at night, often appearing first as

494
00:28:53.480 --> 00:28:56.240
<v Speaker 1>a fiery light moving through the sky in the erratic,

495
00:28:56.559 --> 00:29:00.400
<v Speaker 1>purposeful way of no natural thing, trailing a sound like

496
00:29:00.440 --> 00:29:04.720
<v Speaker 1>the beating of enormous wings. It's drawn specifically to places

497
00:29:04.720 --> 00:29:07.759
<v Speaker 1>where people are sick and dying. Something in the raven

498
00:29:07.799 --> 00:29:10.279
<v Speaker 1>mocker can detect the approach of death the way a

499
00:29:10.319 --> 00:29:14.839
<v Speaker 1>predator can detect weakness from far away, and with great precision.

500
00:29:15.680 --> 00:29:19.000
<v Speaker 1>It enters those places, either invisibly or wearing the appearance

501
00:29:19.039 --> 00:29:22.400
<v Speaker 1>of someone known to the family, a neighbor, an elder,

502
00:29:22.680 --> 00:29:27.039
<v Speaker 1>a relative, someone whose arrival wouldn't raise alarm, And it

503
00:29:27.079 --> 00:29:30.640
<v Speaker 1>sits beside the dying person, and it reaches into their chest,

504
00:29:31.000 --> 00:29:34.759
<v Speaker 1>and it extracts their remaining time, not their life force

505
00:29:34.839 --> 00:29:38.920
<v Speaker 1>in the immediate sense of killing them, their remaining unlived days,

506
00:29:39.480 --> 00:29:43.799
<v Speaker 1>their future. It swallows those stolen years, and the person

507
00:29:43.920 --> 00:29:47.000
<v Speaker 1>dies earlier than they would have, and the raven mocker

508
00:29:47.079 --> 00:29:51.119
<v Speaker 1>grows stronger and older and harder to destroy, because stolen

509
00:29:51.200 --> 00:29:55.480
<v Speaker 1>life extends the thief's own life proportionally. A raven mocker

510
00:29:55.480 --> 00:29:58.480
<v Speaker 1>that's been at this for centuries is ancient, beyond imagining,

511
00:29:59.079 --> 00:30:01.680
<v Speaker 1>and ancient things in the these mountains are powerful things

512
00:30:01.799 --> 00:30:05.359
<v Speaker 1>stay tuned for more Backwoods Bigfoot stories. We'll be back

513
00:30:05.400 --> 00:30:11.079
<v Speaker 1>after these messages. The only protection was a medicine person

514
00:30:11.319 --> 00:30:13.720
<v Speaker 1>with the right knowledge and the courage to hold it

515
00:30:13.960 --> 00:30:16.839
<v Speaker 1>in the presence of something that would prefer you didn't

516
00:30:17.839 --> 00:30:21.880
<v Speaker 1>the confirmation of what had happened. The terrible confirmation after

517
00:30:21.920 --> 00:30:25.720
<v Speaker 1>the fact was finding when you prepared the body that

518
00:30:25.799 --> 00:30:30.359
<v Speaker 1>the heart was gone, not damaged, gone as if it

519
00:30:30.359 --> 00:30:33.200
<v Speaker 1>had never been there. I want to tell you about

520
00:30:33.240 --> 00:30:35.839
<v Speaker 1>a woman from a Cherokee settlement in the o'conna Lufty

521
00:30:35.960 --> 00:30:39.240
<v Speaker 1>River drainage in the mountains of far western North Carolina

522
00:30:39.559 --> 00:30:42.920
<v Speaker 1>in the winter of seventeen eighty. I'll call her Ayida,

523
00:30:43.200 --> 00:30:46.400
<v Speaker 1>a Cherokee woman's name, though the account I received used

524
00:30:46.400 --> 00:30:50.200
<v Speaker 1>her clan designation. She was a healer, as her grandmother

525
00:30:50.279 --> 00:30:54.039
<v Speaker 1>had been and her grandmother's grandmother before that. A lineage

526
00:30:54.079 --> 00:30:57.160
<v Speaker 1>of medicine knowledge passed through the female line, going further

527
00:30:57.240 --> 00:31:00.920
<v Speaker 1>back than any single person's memory could reach. She knew

528
00:31:00.960 --> 00:31:04.079
<v Speaker 1>the plants and the ceremonies and the words. She knew

529
00:31:04.119 --> 00:31:06.640
<v Speaker 1>what to do for fever and wound rot, and the

530
00:31:06.680 --> 00:31:11.039
<v Speaker 1>sicknesses that grief produces in a body. And in seventeen eighty,

531
00:31:11.039 --> 00:31:13.880
<v Speaker 1>in the mountains of western North Carolina, there was no

532
00:31:14.000 --> 00:31:17.119
<v Speaker 1>shortage of grief to work with. This was the year

533
00:31:17.200 --> 00:31:19.880
<v Speaker 1>of some of the most savage American militia raids against

534
00:31:20.000 --> 00:31:24.480
<v Speaker 1>Cherokee towns in the entire Revolutionary War period. Raids that

535
00:31:24.559 --> 00:31:27.839
<v Speaker 1>burned communities to the ground, that killed the very old

536
00:31:27.880 --> 00:31:31.240
<v Speaker 1>and the very young without distinction, that left the survivor

537
00:31:31.319 --> 00:31:35.359
<v Speaker 1>scattered and hungry and sick. The settlement on the O'connallufty

538
00:31:35.480 --> 00:31:37.880
<v Speaker 1>was dealing with all of this, and then the illness

539
00:31:37.960 --> 00:31:42.640
<v Speaker 1>arrived on top of it, a respiratory sickness, possibly influenza.

540
00:31:43.079 --> 00:31:45.640
<v Speaker 1>Working through a community that was already weakened and had

541
00:31:45.680 --> 00:31:48.960
<v Speaker 1>nowhere to go, Ayida moved from house to house and

542
00:31:49.000 --> 00:31:52.279
<v Speaker 1>did everything she knew, and the dying were happening faster

543
00:31:52.400 --> 00:31:54.920
<v Speaker 1>than they should have been. People who should have had

544
00:31:55.000 --> 00:31:58.680
<v Speaker 1>days were going in hours. People who had stabilized would

545
00:31:58.720 --> 00:32:01.000
<v Speaker 1>collapse again in the deep of the night and be

546
00:32:01.039 --> 00:32:04.000
<v Speaker 1>gone before she could reach them. And then she found

547
00:32:04.039 --> 00:32:07.599
<v Speaker 1>the first missing heart, and then the second, and she

548
00:32:07.680 --> 00:32:10.000
<v Speaker 1>knew what was moving through her community on top of

549
00:32:10.079 --> 00:32:14.160
<v Speaker 1>everything else that was already carrying. She began sitting vigil

550
00:32:14.200 --> 00:32:17.559
<v Speaker 1>at night. She burned tobacco and cedar, and sang the

551
00:32:17.559 --> 00:32:20.920
<v Speaker 1>detection and protection medicines her grandmother had taught her, and

552
00:32:21.000 --> 00:32:24.880
<v Speaker 1>she watched. She did this for four nights without seeing anything.

553
00:32:25.799 --> 00:32:28.519
<v Speaker 1>On the fifth night, deep in the cold hours after midnight,

554
00:32:28.599 --> 00:32:33.240
<v Speaker 1>she heard the wings, not from outside, from inside, from

555
00:32:33.240 --> 00:32:36.279
<v Speaker 1>within the walls of the structure, as if something enormous

556
00:32:36.319 --> 00:32:39.640
<v Speaker 1>was beating enormous wings in a space that couldn't possibly

557
00:32:39.680 --> 00:32:42.880
<v Speaker 1>contain them, the sound filling the interior the way sound

558
00:32:42.960 --> 00:32:47.400
<v Speaker 1>fills the inside of a drum bone, deep, rhythmic, and

559
00:32:47.519 --> 00:32:52.839
<v Speaker 1>underneath it barely audible, breathing, old and slow and deeply.

560
00:32:53.240 --> 00:32:58.240
<v Speaker 1>Terribly satisfied, she began the detection song, the medicine she'd

561
00:32:58.279 --> 00:33:01.680
<v Speaker 1>been taught precisely for this moment, for making visible what

562
00:33:01.839 --> 00:33:05.519
<v Speaker 1>uses invisibility as a weapon. And what she saw she

563
00:33:05.640 --> 00:33:09.000
<v Speaker 1>declined to describe in detail. For the rest of her life.

564
00:33:09.039 --> 00:33:11.119
<v Speaker 1>She would say only that it was wearing the form

565
00:33:11.160 --> 00:33:13.680
<v Speaker 1>of an old man from the settlement who died the

566
00:33:13.680 --> 00:33:17.400
<v Speaker 1>previous winter, a man she'd known, a man she'd sat

567
00:33:17.440 --> 00:33:20.640
<v Speaker 1>with in his passing. That the wrongness of the wearing

568
00:33:20.759 --> 00:33:23.920
<v Speaker 1>was visible once the detection song was working, the way

569
00:33:23.920 --> 00:33:26.559
<v Speaker 1>a coat worn by someone it wasn't made for pulls

570
00:33:26.599 --> 00:33:30.000
<v Speaker 1>and gaps in all the wrong places, That the proportions

571
00:33:30.039 --> 00:33:33.079
<v Speaker 1>weren't right, That the way the firelight moved across the

572
00:33:33.119 --> 00:33:36.279
<v Speaker 1>surface of it wasn't right. That whatever was inside the

573
00:33:36.319 --> 00:33:40.279
<v Speaker 1>shape she recognized was not the person she'd known. She

574
00:33:40.319 --> 00:33:42.880
<v Speaker 1>would say that when it became aware of her seeing it,

575
00:33:43.200 --> 00:33:45.599
<v Speaker 1>the face of the dead man pulled into an expression

576
00:33:45.640 --> 00:33:48.880
<v Speaker 1>she could not find language for, and spent years afterward

577
00:33:48.960 --> 00:33:52.279
<v Speaker 1>trying to forget. She said it was not anger, though

578
00:33:52.319 --> 00:33:55.000
<v Speaker 1>anger was in it. She said it was something older

579
00:33:55.039 --> 00:33:57.480
<v Speaker 1>than anger, the way a mountain is older than the

580
00:33:57.480 --> 00:34:00.519
<v Speaker 1>weather that moves across it, the way something that has

581
00:34:00.559 --> 00:34:03.759
<v Speaker 1>been doing the same terrible thing for centuries regards a

582
00:34:03.799 --> 00:34:07.400
<v Speaker 1>single person who's standing in its way. She held the song.

583
00:34:08.159 --> 00:34:10.159
<v Speaker 1>She stood in that room with the sick person in

584
00:34:10.199 --> 00:34:13.000
<v Speaker 1>the corner, and the fire burning low, and this ancient

585
00:34:13.039 --> 00:34:15.920
<v Speaker 1>thing wearing a dead man's face staring at her with

586
00:34:16.039 --> 00:34:20.119
<v Speaker 1>eyes that processed light wrong, and she held every word

587
00:34:20.159 --> 00:34:23.639
<v Speaker 1>of the medicine. She didn't flinch. She didn't break the

588
00:34:23.639 --> 00:34:27.559
<v Speaker 1>song to scream or run. She held it, word by word,

589
00:34:27.920 --> 00:34:31.360
<v Speaker 1>note by note, for however long it took, and the

590
00:34:31.400 --> 00:34:35.679
<v Speaker 1>thing left it unraveled the way fog unravels when the

591
00:34:35.719 --> 00:34:39.119
<v Speaker 1>wind finds it, and the sound of wings subsided gradually,

592
00:34:39.599 --> 00:34:43.000
<v Speaker 1>and the cold she hadn't consciously noticed building in the room,

593
00:34:43.199 --> 00:34:46.320
<v Speaker 1>the specific dense cold the raven Mocker brings with it,

594
00:34:46.920 --> 00:34:50.119
<v Speaker 1>colder than the air has any right to be receded.

595
00:34:50.199 --> 00:34:54.599
<v Speaker 1>Slowly the fire found its strength again. The sick person

596
00:34:54.599 --> 00:34:57.559
<v Speaker 1>in the corner was still breathing. When she was sure

597
00:34:57.559 --> 00:35:00.280
<v Speaker 1>it was gone, Ayda sat alone in that room for

598
00:35:00.320 --> 00:35:04.000
<v Speaker 1>a long time, and then she noticed her hair, the

599
00:35:04.039 --> 00:35:08.719
<v Speaker 1>white streaks, wide, brilliant, unmistakable, running back from her temples

600
00:35:08.760 --> 00:35:11.920
<v Speaker 1>through the black. She was thirty two years old. She

601
00:35:12.000 --> 00:35:15.320
<v Speaker 1>carried those streaks to her grave. She told her apprentices

602
00:35:15.440 --> 00:35:18.480
<v Speaker 1>years later about the hardest part of that night, and

603
00:35:18.519 --> 00:35:21.320
<v Speaker 1>it wasn't the fear, though the fear had been real

604
00:35:21.440 --> 00:35:24.559
<v Speaker 1>and physical in a way she hadn't anticipated, even with

605
00:35:24.639 --> 00:35:28.280
<v Speaker 1>a lifetime of preparation. The hardest part was being able

606
00:35:28.320 --> 00:35:31.039
<v Speaker 1>to see through the detection medicine what the thing was

607
00:35:31.079 --> 00:35:33.599
<v Speaker 1>doing to the sick person in the corner. While it worked,

608
00:35:34.360 --> 00:35:37.280
<v Speaker 1>she could see the years leaving. She described it as

609
00:35:37.320 --> 00:35:40.599
<v Speaker 1>a visible demi, the particular light that a living person

610
00:35:40.679 --> 00:35:43.920
<v Speaker 1>carries that makes a living body different from a dead one,

611
00:35:43.960 --> 00:35:48.000
<v Speaker 1>even before the final breath, That light pulling away in threads,

612
00:35:48.519 --> 00:35:51.360
<v Speaker 1>drawn toward the thing in the corner, and the thing

613
00:35:51.400 --> 00:35:54.760
<v Speaker 1>growing brighter as the person grew dim and the person

614
00:35:54.800 --> 00:36:00.760
<v Speaker 1>showing no sign of distress, just quietly, slowly, gently running out.

615
00:36:01.519 --> 00:36:04.079
<v Speaker 1>She said it looked peaceful. She said that was the

616
00:36:04.119 --> 00:36:07.840
<v Speaker 1>worst part. That the raven Mocker had learned over centuries

617
00:36:07.840 --> 00:36:10.400
<v Speaker 1>of practice, how to be gentle when it served it,

618
00:36:11.079 --> 00:36:13.320
<v Speaker 1>how to take what it wanted from a dying person

619
00:36:13.559 --> 00:36:17.280
<v Speaker 1>without causing them any additional suffering in the taking. That

620
00:36:17.360 --> 00:36:21.679
<v Speaker 1>the gentleness wasn't mercy, It was refinement, the refinement of

621
00:36:21.719 --> 00:36:24.480
<v Speaker 1>something ancient that has had a very long time to

622
00:36:24.559 --> 00:36:27.880
<v Speaker 1>perfect its work. The Raven Macker is not a story

623
00:36:27.920 --> 00:36:31.599
<v Speaker 1>the Eastern Band Cherokee tell to frightened tourists. It's part

624
00:36:31.679 --> 00:36:35.239
<v Speaker 1>of living, spiritual and cultural practice in the community. The

625
00:36:35.280 --> 00:36:39.760
<v Speaker 1>protections exist because the thing they protect against exists. I've

626
00:36:39.760 --> 00:36:42.119
<v Speaker 1>been in the Smoky Mountain country at night in the

627
00:36:42.159 --> 00:36:45.559
<v Speaker 1>old hemlock stands above the O'Connell left, and I've heard

628
00:36:45.599 --> 00:36:47.880
<v Speaker 1>sounds there that I keep stored in the category of

629
00:36:47.920 --> 00:36:51.480
<v Speaker 1>things I can't account for. A sound like wings. That's

630
00:36:51.519 --> 00:36:53.920
<v Speaker 1>too loud and too purposeful for any bird. I know

631
00:36:54.039 --> 00:36:57.519
<v Speaker 1>of a cold that arrives without any change in the wind.

632
00:36:58.440 --> 00:37:01.559
<v Speaker 1>I believe the woman with the white streaked haear. I

633
00:37:01.599 --> 00:37:03.719
<v Speaker 1>believe she held the song when most of us would

634
00:37:03.719 --> 00:37:07.079
<v Speaker 1>not have. And I believe whatever she held it against

635
00:37:07.400 --> 00:37:10.719
<v Speaker 1>is still out there in the old hemlock hollows, still

636
00:37:10.760 --> 00:37:14.679
<v Speaker 1>doing its ancient, patient, gentle work. We're moving north and

637
00:37:14.760 --> 00:37:18.199
<v Speaker 1>east now, up through the mountains into West Virginia to

638
00:37:18.280 --> 00:37:21.800
<v Speaker 1>one of the most historically layered and genuinely haunted places

639
00:37:21.800 --> 00:37:25.800
<v Speaker 1>in the entire Appalachian chain. Harper's Ferry sits at the

640
00:37:25.840 --> 00:37:29.599
<v Speaker 1>confluence of the Shenandoah and Potomac Rivers, at the eastern

641
00:37:29.639 --> 00:37:32.000
<v Speaker 1>tip of the state, where the Blue Ridge Mountains crowd

642
00:37:32.360 --> 00:37:35.000
<v Speaker 1>and close to the river gaps, and the water runs

643
00:37:35.039 --> 00:37:39.360
<v Speaker 1>cold and fast between walls of sheer Rock. Most people

644
00:37:39.440 --> 00:37:42.800
<v Speaker 1>know Harper's Ferry from the history books John Brown's raid

645
00:37:42.880 --> 00:37:45.960
<v Speaker 1>in eighteen fifty nine, the attempt to ignite a slave

646
00:37:46.039 --> 00:37:49.239
<v Speaker 1>rebellion that ended with Brown hanged and the country measurably

647
00:37:49.280 --> 00:37:53.280
<v Speaker 1>closer to tearing itself apart in the Civil War. The

648
00:37:53.320 --> 00:37:56.880
<v Speaker 1>town carries history the way the rivers carry silt visibly

649
00:37:57.039 --> 00:38:00.840
<v Speaker 1>in layers, always in motion. The ghost I want to

650
00:38:00.880 --> 00:38:03.880
<v Speaker 1>tell you about pre dates John Brown by a full generation.

651
00:38:04.719 --> 00:38:07.840
<v Speaker 1>She doesn't have an official name, a grave marker, or

652
00:38:07.880 --> 00:38:11.760
<v Speaker 1>a documented history. The railroaders gave her a name eventually,

653
00:38:12.320 --> 00:38:15.159
<v Speaker 1>the way working people name things that exist beyond their

654
00:38:15.199 --> 00:38:20.119
<v Speaker 1>power to explain, and they called her Screaming Jenny. Whatever

655
00:38:20.159 --> 00:38:23.599
<v Speaker 1>her real name was, nobody wrote it down. She was

656
00:38:23.679 --> 00:38:27.519
<v Speaker 1>nobody in the brutal accounting of nineteenth century America, and

657
00:38:27.599 --> 00:38:30.480
<v Speaker 1>the cruelty of that fact only deepens what she became.

658
00:38:31.480 --> 00:38:34.719
<v Speaker 1>In the early eighteen thirties, the Baltimore and Ohio Railroad

659
00:38:34.760 --> 00:38:37.440
<v Speaker 1>was pushing its main line through the Harper's Ferry area,

660
00:38:38.039 --> 00:38:41.320
<v Speaker 1>bringing with it all the chaos that major construction drags

661
00:38:41.360 --> 00:38:46.599
<v Speaker 1>into a landscape, work camps, transient laborers, tool yards, men

662
00:38:46.639 --> 00:38:50.400
<v Speaker 1>and machinery cutting into hillsides and laying stone. And with

663
00:38:50.480 --> 00:38:53.360
<v Speaker 1>that population of workers came the people who inhabit the

664
00:38:53.400 --> 00:38:57.360
<v Speaker 1>margins of such things everywhere and in every era. Among

665
00:38:57.400 --> 00:39:01.119
<v Speaker 1>them was a woman middle aged by the counts, though

666
00:39:01.119 --> 00:39:03.519
<v Speaker 1>how much of the age on her was years and

667
00:39:03.599 --> 00:39:06.079
<v Speaker 1>how much was the life she'd been living as impossible

668
00:39:06.079 --> 00:39:10.519
<v Speaker 1>to know now she had no visible family, no apparent community.

669
00:39:11.199 --> 00:39:13.519
<v Speaker 1>She sheltered in one of the stone archways along the

670
00:39:13.599 --> 00:39:16.400
<v Speaker 1>rail right of way, and she kept herself warm the

671
00:39:16.440 --> 00:39:19.559
<v Speaker 1>way people with nothing kept themselves warm in that century,

672
00:39:20.119 --> 00:39:24.559
<v Speaker 1>with small fires, rags burning in a tin basin, scraps

673
00:39:24.559 --> 00:39:27.400
<v Speaker 1>of wood in a ring of stones, whatever the world

674
00:39:27.480 --> 00:39:29.679
<v Speaker 1>left at the margin for someone like her to use.

675
00:39:30.800 --> 00:39:33.760
<v Speaker 1>On a night in October of eighteen thirty three, her

676
00:39:33.760 --> 00:39:36.840
<v Speaker 1>fire got away from her, whether she'd fallen asleep too

677
00:39:36.840 --> 00:39:39.920
<v Speaker 1>close to it, or whether the constant funneling wind that

678
00:39:39.960 --> 00:39:42.800
<v Speaker 1>comes through the gap at Harper's Ferry caught a burning

679
00:39:42.840 --> 00:39:46.000
<v Speaker 1>piece of cloth and carried it into her bedding. Nobody

680
00:39:46.039 --> 00:39:49.519
<v Speaker 1>ever established the specifics, and nobody in any position of

681
00:39:49.559 --> 00:39:53.639
<v Speaker 1>authority cared enough to investigate. What the railroad workers on

682
00:39:53.679 --> 00:39:55.719
<v Speaker 1>the night shift knew was that they heard a sound

683
00:39:55.760 --> 00:39:59.719
<v Speaker 1>they could never afterwards fully forget or describe. A woman's

684
00:39:59.800 --> 00:40:05.480
<v Speaker 1>voice screaming, one continuous scream, unwavering in pitch and intensity,

685
00:40:05.880 --> 00:40:09.119
<v Speaker 1>and moving, not staying in one place the way a

686
00:40:09.159 --> 00:40:12.400
<v Speaker 1>sound from a fixed source stays, but moving toward them

687
00:40:12.400 --> 00:40:14.639
<v Speaker 1>along the track at a speed that wasn't possible for

688
00:40:14.679 --> 00:40:17.880
<v Speaker 1>a person on foot When they lifted their lanterns and

689
00:40:17.920 --> 00:40:22.159
<v Speaker 1>looked down the rail line, they saw her, running, every

690
00:40:22.199 --> 00:40:25.559
<v Speaker 1>stitch of clothing from her waist upward, on fire, her

691
00:40:25.679 --> 00:40:29.199
<v Speaker 1>arms extended, her hair burning, running in a straight line

692
00:40:29.239 --> 00:40:31.599
<v Speaker 1>down the center of the track toward them, and the

693
00:40:31.639 --> 00:40:35.320
<v Speaker 1>scream coming from her, without any pause for breath, without

694
00:40:35.360 --> 00:40:39.880
<v Speaker 1>any change in pitch, one continuous, raw sound. She was

695
00:40:39.880 --> 00:40:42.320
<v Speaker 1>in the river before anyone could reach her, and the

696
00:40:42.400 --> 00:40:45.519
<v Speaker 1>river kept her, and when morning came there was nothing

697
00:40:45.519 --> 00:40:50.079
<v Speaker 1>to find. One week later, the screaming started again. The

698
00:40:50.119 --> 00:40:53.559
<v Speaker 1>first engineer to encounter it was a man named Caleb Walsh,

699
00:40:53.880 --> 00:40:56.639
<v Speaker 1>running a freight consists through the Harper's Ferry yard on

700
00:40:56.679 --> 00:41:00.280
<v Speaker 1>a moonless October night, seven days after the woman died.

701
00:41:01.039 --> 00:41:03.320
<v Speaker 1>He heard the scream above the noise of his engine,

702
00:41:03.559 --> 00:41:06.000
<v Speaker 1>above the steam and the steel grinding and the general

703
00:41:06.039 --> 00:41:09.920
<v Speaker 1>mechanical violence of a working locomotive. Heard it clearly enough

704
00:41:09.960 --> 00:41:12.079
<v Speaker 1>above all of that to make him look ahead down

705
00:41:12.079 --> 00:41:15.679
<v Speaker 1>the track, and something was coming. Not a woman on

706
00:41:15.760 --> 00:41:19.800
<v Speaker 1>fire in the literal sense, not a burning body, something

707
00:41:19.840 --> 00:41:23.719
<v Speaker 1>composed of light, orange red light in the specific color

708
00:41:23.760 --> 00:41:27.719
<v Speaker 1>of burning, human in its rough geometry, moving toward him

709
00:41:27.760 --> 00:41:30.280
<v Speaker 1>on the track at a sprint, and the scream was

710
00:41:30.320 --> 00:41:34.719
<v Speaker 1>coming from it, that same sustained, breathless, human female sound.

711
00:41:35.519 --> 00:41:37.920
<v Speaker 1>He kept going because a man at the throttle of

712
00:41:37.960 --> 00:41:41.280
<v Speaker 1>a freight train cannot simply stop. And the engine passed

713
00:41:41.280 --> 00:41:44.360
<v Speaker 1>through the shape, and the cab went cold, in an instant,

714
00:41:44.880 --> 00:41:48.559
<v Speaker 1>specific intense cold, as if the cab had been plunged

715
00:41:48.639 --> 00:41:52.440
<v Speaker 1>into ice water, lasting about three seconds, and then gone.

716
00:41:53.320 --> 00:41:55.800
<v Speaker 1>And the scream was behind him and fading, And when

717
00:41:55.800 --> 00:41:59.519
<v Speaker 1>he looked back, the track was empty. He reported the encounter.

718
00:42:00.039 --> 00:42:04.000
<v Speaker 1>He wasn't disciplined, which suggests he wasn't the first. He wasn't.

719
00:42:04.880 --> 00:42:09.159
<v Speaker 1>The accounts came in steadily over the decades following railroad workers,

720
00:42:09.360 --> 00:42:13.400
<v Speaker 1>bridge tenders, night watchmen, and the rail yard a female

721
00:42:13.440 --> 00:42:16.519
<v Speaker 1>shape made of fire colored light moving along the rail

722
00:42:16.639 --> 00:42:19.960
<v Speaker 1>right of way near the river, accompanied by that scream,

723
00:42:20.199 --> 00:42:24.360
<v Speaker 1>sometimes appearing to pursue vehicles, sometimes simply crossing the track

724
00:42:24.400 --> 00:42:29.840
<v Speaker 1>and dissolving into the hillside. Always that color, always that sound,

725
00:42:30.079 --> 00:42:32.679
<v Speaker 1>always the cold when you pass through or near it.

726
00:42:33.679 --> 00:42:37.079
<v Speaker 1>By the eighteen seventies, screaming Jenny was an established part

727
00:42:37.119 --> 00:42:40.320
<v Speaker 1>of the oral tradition of Harper's Ferry. By the turn

728
00:42:40.400 --> 00:42:44.480
<v Speaker 1>of the century, newspaper accounts had documented the sightings in

729
00:42:44.519 --> 00:42:47.320
<v Speaker 1>the twentieth century. When the National Park Service took over

730
00:42:47.360 --> 00:42:51.840
<v Speaker 1>the Harper's Ferry site, the reports didn't stop. They changed character,

731
00:42:52.239 --> 00:42:55.400
<v Speaker 1>shifting from railroad workers to hikers and park staff and

732
00:42:55.440 --> 00:42:58.079
<v Speaker 1>tourists who pressed their faces to the glass of the

733
00:42:58.079 --> 00:43:01.920
<v Speaker 1>tour bus windows and then couldn't see. A park ranger

734
00:43:01.920 --> 00:43:04.800
<v Speaker 1>who spent more than a decade at the Harper's Ferry site,

735
00:43:05.079 --> 00:43:07.719
<v Speaker 1>I'll call her Margaret, shared her own account with me

736
00:43:07.800 --> 00:43:10.719
<v Speaker 1>several years ago. She'd been working at the site for

737
00:43:10.760 --> 00:43:14.199
<v Speaker 1>nearly a year when she had her encounter. It was November,

738
00:43:14.519 --> 00:43:17.760
<v Speaker 1>late in the afternoon shift, near closing time, and she

739
00:43:17.880 --> 00:43:20.239
<v Speaker 1>was alone, doing a final walk through of the lower

740
00:43:20.280 --> 00:43:25.239
<v Speaker 1>Town area near the old railroad infrastructure. Standard routine. She'd

741
00:43:25.280 --> 00:43:28.599
<v Speaker 1>done it dozens of times. The sound started before she

742
00:43:28.639 --> 00:43:32.679
<v Speaker 1>saw anything. She described it carefully, choosing her words with

743
00:43:32.719 --> 00:43:35.280
<v Speaker 1>the precision of someone who'd spent years trying to find

744
00:43:35.360 --> 00:43:40.199
<v Speaker 1>accurate language for an imprecise experience. It started as something

745
00:43:40.280 --> 00:43:44.800
<v Speaker 1>she almost could have attributed to wind, almost but not quite,

746
00:43:45.159 --> 00:43:47.480
<v Speaker 1>in the same way that you can almost convince yourself

747
00:43:47.480 --> 00:43:50.480
<v Speaker 1>a footstep in an empty house was the house settling,

748
00:43:51.079 --> 00:43:54.079
<v Speaker 1>except that you know it wasn't. And then it focused,

749
00:43:54.599 --> 00:43:58.000
<v Speaker 1>sharpened into clarity, the way a radio signal locks in

750
00:43:58.039 --> 00:44:01.039
<v Speaker 1>when you hit the right frequency. And it was a scream,

751
00:44:01.760 --> 00:44:06.079
<v Speaker 1>a woman's scream, sustained beyond what any human respiratory system

752
00:44:06.079 --> 00:44:09.599
<v Speaker 1>should be able to sustain, without any variation that would

753
00:44:09.639 --> 00:44:12.960
<v Speaker 1>indicate the need for air, as if the thing producing

754
00:44:12.960 --> 00:44:16.000
<v Speaker 1>it had no use for breath, as if the sound

755
00:44:16.119 --> 00:44:18.719
<v Speaker 1>was what it was made of. And it was moving,

756
00:44:19.440 --> 00:44:22.239
<v Speaker 1>coming from the direction of the river along what used

757
00:44:22.239 --> 00:44:24.760
<v Speaker 1>to be the rail corridor, moving toward her at a

758
00:44:24.760 --> 00:44:27.880
<v Speaker 1>pace that was wrong for a person on foot. She

759
00:44:27.920 --> 00:44:31.840
<v Speaker 1>stood still for several seconds, long enough for rational explanations

760
00:44:31.920 --> 00:44:36.679
<v Speaker 1>to generate and fail. Then she left. She walked, then

761
00:44:36.760 --> 00:44:39.960
<v Speaker 1>jogged back the way she'd come until she could see

762
00:44:40.000 --> 00:44:43.360
<v Speaker 1>the visitor center lights ahead. She didn't look back until

763
00:44:43.400 --> 00:44:45.800
<v Speaker 1>she was in the light. She told me that the

764
00:44:45.800 --> 00:44:48.760
<v Speaker 1>fear of the moment had been real and immediate, but

765
00:44:48.840 --> 00:44:51.559
<v Speaker 1>what she returned to in the years afterward wasn't the fear.

766
00:44:52.159 --> 00:44:55.000
<v Speaker 1>It was the quality of the sound, the grief in it.

767
00:44:55.880 --> 00:45:00.440
<v Speaker 1>She said, it communicated something beyond simple terror, something more calm, complex,

768
00:45:00.480 --> 00:45:03.760
<v Speaker 1>and more sustained, something that felt less like a scream

769
00:45:03.800 --> 00:45:06.760
<v Speaker 1>of pain and more like a scream of permanent loss.

770
00:45:06.960 --> 00:45:10.519
<v Speaker 1>Stay tuned for more Backwoods Bigfoot stories. We'll be back

771
00:45:10.559 --> 00:45:15.360
<v Speaker 1>after these messages, like something that had been screaming for

772
00:45:15.360 --> 00:45:18.079
<v Speaker 1>one hundred and seventy years and understood it would be

773
00:45:18.079 --> 00:45:21.360
<v Speaker 1>screaming for another one hundred and seventy after that, and

774
00:45:21.519 --> 00:45:24.559
<v Speaker 1>wasn't going to stop, because stopping would mean accepting what

775
00:45:24.679 --> 00:45:28.400
<v Speaker 1>couldn't be accepted. That woman in the Stone Archway never

776
00:45:28.440 --> 00:45:32.440
<v Speaker 1>had a name that anyone recorded. She was nobody. But

777
00:45:32.480 --> 00:45:35.320
<v Speaker 1>the mountains remember her, and the gap between the rivers

778
00:45:35.360 --> 00:45:38.239
<v Speaker 1>carries her voice and the cold that passes through you

779
00:45:38.320 --> 00:45:41.000
<v Speaker 1>when her light goes by. That's as close as she

780
00:45:41.079 --> 00:45:44.559
<v Speaker 1>can come now to being held by anyone from one

781
00:45:44.599 --> 00:45:48.480
<v Speaker 1>mountain to another. But we're jumping forward now, forward across

782
00:45:48.480 --> 00:45:51.360
<v Speaker 1>one hundred and forty years from the Civil War era

783
00:45:51.480 --> 00:45:54.440
<v Speaker 1>into the age of the muscle car and the college campus.

784
00:45:54.880 --> 00:45:57.679
<v Speaker 1>We're staying in North Carolina, moving west to the high

785
00:45:57.719 --> 00:46:01.440
<v Speaker 1>country of Avery County, to the mountain the Cherokee called Tanahwa,

786
00:46:02.039 --> 00:46:05.239
<v Speaker 1>which means something close to great hawk or fabulous eagle,

787
00:46:05.800 --> 00:46:09.639
<v Speaker 1>and that later settlers renamed Grandfather Mountain because the ridgeline

788
00:46:09.679 --> 00:46:12.519
<v Speaker 1>profile seen from certain angles along what is now the

789
00:46:12.519 --> 00:46:16.440
<v Speaker 1>Blue Ridge Parkway suggests the weathered face of an old

790
00:46:16.519 --> 00:46:19.840
<v Speaker 1>man looking up at the sky. Grandfather Mountain is the

791
00:46:19.920 --> 00:46:22.719
<v Speaker 1>highest peak in the Blue Ridge section of the Appalachians,

792
00:46:23.000 --> 00:46:25.400
<v Speaker 1>and even in full daylight, it has a quality I

793
00:46:25.440 --> 00:46:30.159
<v Speaker 1>can only describe as deliberately occupied. The summit is exposed

794
00:46:30.199 --> 00:46:33.079
<v Speaker 1>and wind scraped and ancient, and the forest near the

795
00:46:33.079 --> 00:46:37.079
<v Speaker 1>top is subalpine, more like the boreal forests of northern

796
00:46:37.079 --> 00:46:41.280
<v Speaker 1>Canada than anything you'd expect in the American South. In autumn,

797
00:46:41.320 --> 00:46:44.119
<v Speaker 1>it has a spare, severe beauty that hits you hard

798
00:46:44.960 --> 00:46:48.400
<v Speaker 1>at night. In any season, the upper forest of Grandfather

799
00:46:48.480 --> 00:46:52.880
<v Speaker 1>Mountain feels watched, feels attended, like something up there in

800
00:46:52.920 --> 00:46:55.719
<v Speaker 1>the dark is paying careful attention to what comes and goes.

801
00:46:56.880 --> 00:46:59.679
<v Speaker 1>In October of nineteen seventy one, four young men from

802
00:46:59.679 --> 00:47:02.320
<v Speaker 1>booth un drove up to the Grandfather Mountain area for

803
00:47:02.400 --> 00:47:08.400
<v Speaker 1>a weekend camping trip. They were students at Appalachian State University, David, Michael, Paul,

804
00:47:08.480 --> 00:47:12.679
<v Speaker 1>and Robert. To use names that approximate theirs without identifying them.

805
00:47:13.199 --> 00:47:15.760
<v Speaker 1>Robert is the one who eventually shared the account years

806
00:47:15.800 --> 00:47:19.360
<v Speaker 1>after the fact with a researcher collecting first hand experiences

807
00:47:19.360 --> 00:47:23.280
<v Speaker 1>of unusual events in the Southern Appalachians. By the time

808
00:47:23.320 --> 00:47:26.000
<v Speaker 1>the account reached me through that chain, Robert was in

809
00:47:26.039 --> 00:47:28.719
<v Speaker 1>his mid fifties, working as an engineer in a mid

810
00:47:28.760 --> 00:47:33.039
<v Speaker 1>sized city well outside the mountains. He was measured, careful

811
00:47:33.079 --> 00:47:36.280
<v Speaker 1>with his language, and notably uneager to tell the story

812
00:47:36.320 --> 00:47:39.559
<v Speaker 1>for dramatic effect. He told it because he believed it

813
00:47:39.639 --> 00:47:42.280
<v Speaker 1>was true, and because he thought the truth of it mattered.

814
00:47:43.239 --> 00:47:45.760
<v Speaker 1>They set up camp on Friday afternoon below the main

815
00:47:45.840 --> 00:47:49.599
<v Speaker 1>Ridge line, off a trail that sees moderate traffic even today,

816
00:47:50.079 --> 00:47:52.440
<v Speaker 1>and that in the fall of nineteen seventy one, was

817
00:47:52.480 --> 00:47:55.559
<v Speaker 1>remote enough that they spent the entire first day without

818
00:47:55.679 --> 00:47:59.760
<v Speaker 1>encountering another person. The weather was the perfection that October

819
00:47:59.760 --> 00:48:04.519
<v Speaker 1>per deuces in the Southern Appalachians, sharp, clear blue sky, cold,

820
00:48:05.039 --> 00:48:07.920
<v Speaker 1>the hardwood slopes lit up in orange and red and yellow.

821
00:48:08.800 --> 00:48:11.239
<v Speaker 1>They had a fire going by mid afternoon, and everything

822
00:48:11.280 --> 00:48:13.639
<v Speaker 1>was as comfortable and ordinary as a camping trip is

823
00:48:13.679 --> 00:48:16.760
<v Speaker 1>supposed to be, right up until the moment it wasn't.

824
00:48:17.559 --> 00:48:21.599
<v Speaker 1>What Robert said first changed was the light, not dramatically,

825
00:48:22.199 --> 00:48:24.719
<v Speaker 1>not a sudden dimming or a cloud crossing the sun,

826
00:48:25.559 --> 00:48:28.280
<v Speaker 1>a subtle shift in the quality of the afternoon light,

827
00:48:28.920 --> 00:48:32.079
<v Speaker 1>the kind of change you register before you consciously understand

828
00:48:32.119 --> 00:48:36.079
<v Speaker 1>you've registered it, a slight flattening, a slight loss of

829
00:48:36.119 --> 00:48:38.400
<v Speaker 1>warmth in the color of the light through the canopy.

830
00:48:39.079 --> 00:48:41.679
<v Speaker 1>And at the same moment, all four of them stopped

831
00:48:41.679 --> 00:48:45.840
<v Speaker 1>what they were doing, without any communication, without any signal,

832
00:48:46.239 --> 00:48:49.840
<v Speaker 1>they went still simultaneously, as if something had reached into

833
00:48:49.880 --> 00:48:52.559
<v Speaker 1>each of them, and pressed pause at the same instant,

834
00:48:53.159 --> 00:48:55.800
<v Speaker 1>and looked up the slope. There was a figure on

835
00:48:55.840 --> 00:48:59.800
<v Speaker 1>the trail above their camp, standing completely still, sixty yards

836
00:48:59.840 --> 00:49:02.559
<v Speaker 1>up slope, in the section of trail that ran along

837
00:49:02.599 --> 00:49:05.559
<v Speaker 1>the edge of a rocky outcrop before disappearing over the

838
00:49:05.599 --> 00:49:11.199
<v Speaker 1>ridge line. It was upright bipedal, roughly bilateral human in

839
00:49:11.239 --> 00:49:15.480
<v Speaker 1>its basic geometry, but the scale was wrong. All four

840
00:49:15.480 --> 00:49:17.960
<v Speaker 1>of them agreed on this immediately, and without any of

841
00:49:17.960 --> 00:49:21.880
<v Speaker 1>them needing to say so. It was too large. Robert's

842
00:49:21.960 --> 00:49:24.800
<v Speaker 1>estimate was seven and a half to eight feet. The

843
00:49:24.840 --> 00:49:29.159
<v Speaker 1>others in later fragmentary accounts gave similar numbers, and it

844
00:49:29.239 --> 00:49:32.320
<v Speaker 1>was still in the total absolute way that very large

845
00:49:32.320 --> 00:49:35.800
<v Speaker 1>wild animals can be still, the stillness of something that

846
00:49:35.840 --> 00:49:39.239
<v Speaker 1>doesn't feel threatened by being seen, and doesn't feel any

847
00:49:39.280 --> 00:49:43.559
<v Speaker 1>need to move. Not one of the four spoke. Robert

848
00:49:43.599 --> 00:49:46.039
<v Speaker 1>returned to this detail every time he told the story,

849
00:49:46.360 --> 00:49:48.480
<v Speaker 1>and I think it's the most important detail in the

850
00:49:48.519 --> 00:49:52.199
<v Speaker 1>whole account. Four young men in their late teens and

851
00:49:52.239 --> 00:49:56.239
<v Speaker 1>early twenties, the age at which performing fearlessness is essentially

852
00:49:56.239 --> 00:49:59.360
<v Speaker 1>a full time job, the age at whitch seeing something

853
00:49:59.400 --> 00:50:04.079
<v Speaker 1>startling on almost always produces an immediate verbal reaction. Looked

854
00:50:04.159 --> 00:50:06.480
<v Speaker 1>up at something they couldn't account for on the trail

855
00:50:06.519 --> 00:50:08.480
<v Speaker 1>above their camp, and not one of them said a

856
00:50:08.519 --> 00:50:11.880
<v Speaker 1>single word, not what is that? Or do you see that?

857
00:50:12.360 --> 00:50:16.440
<v Speaker 1>Or hey? Nothing. The figure seemed to produce silence, the

858
00:50:16.480 --> 00:50:19.760
<v Speaker 1>way certain sounds seemed to do, by filling the space

859
00:50:19.800 --> 00:50:24.400
<v Speaker 1>so completely that ordinary human reflexes simply didn't fire. The

860
00:50:24.440 --> 00:50:27.559
<v Speaker 1>figure stood for what Robert estimates as two to three minutes,

861
00:50:28.119 --> 00:50:31.920
<v Speaker 1>knowing that time perception in that state isn't reliable. Then

862
00:50:32.000 --> 00:50:35.719
<v Speaker 1>it moved toward them down the slope along the trail

863
00:50:36.000 --> 00:50:40.199
<v Speaker 1>at a steady and unhurried walking pace, and completely without sound.

864
00:50:41.000 --> 00:50:43.840
<v Speaker 1>On a trail of gravel and exposed rock. Moving at

865
00:50:43.880 --> 00:50:46.880
<v Speaker 1>a normal walking pace, it produced no sound at all.

866
00:50:47.559 --> 00:50:52.800
<v Speaker 1>No footfall, no displacement of loose stone, nothing, just a large,

867
00:50:52.840 --> 00:50:55.519
<v Speaker 1>silent shape descending the trail toward their camp in the

868
00:50:55.599 --> 00:50:58.960
<v Speaker 1>late afternoon light. It stopped at the edge of camp,

869
00:50:59.480 --> 00:51:02.800
<v Speaker 1>ten feet from where they were sitting, and close enough

870
00:51:02.800 --> 00:51:05.840
<v Speaker 1>now for Robert to see the face, or what occupied

871
00:51:05.840 --> 00:51:08.760
<v Speaker 1>the space where a face should be. He was always

872
00:51:08.880 --> 00:51:11.480
<v Speaker 1>very careful with this part of the account. He didn't

873
00:51:11.519 --> 00:51:14.400
<v Speaker 1>want to overclaim. He said there were features in the

874
00:51:14.440 --> 00:51:17.639
<v Speaker 1>facial region, but that they didn't correspond to human facial

875
00:51:17.679 --> 00:51:22.039
<v Speaker 1>anatomy in any mapping he could make. The proportions were wrong,

876
00:51:22.719 --> 00:51:25.480
<v Speaker 1>the relationships between the elements were off in ways he

877
00:51:25.519 --> 00:51:29.559
<v Speaker 1>could detect but not specifically name, and the light moved

878
00:51:29.599 --> 00:51:32.000
<v Speaker 1>across the surface of the face differently than it moves

879
00:51:32.039 --> 00:51:35.719
<v Speaker 1>across human skin, as if the surface was processing the

880
00:51:35.800 --> 00:51:39.440
<v Speaker 1>light rather than simply reflecting it. Then something happened that

881
00:51:39.519 --> 00:51:43.159
<v Speaker 1>Robert spent years trying to find language for the best

882
00:51:43.199 --> 00:51:46.840
<v Speaker 1>he ever managed was this language was placed in him,

883
00:51:47.159 --> 00:51:50.840
<v Speaker 1>not spoken aloud, not conveyed through any mechanism he could

884
00:51:50.840 --> 00:51:57.719
<v Speaker 1>identify as auditory or visual. Ideas, sequential, specific, meaningful ideas,

885
00:51:58.199 --> 00:52:01.400
<v Speaker 1>what he could only call communication, were simply present in

886
00:52:01.440 --> 00:52:04.320
<v Speaker 1>his understanding in a way they hadn't been a moment before,

887
00:52:05.199 --> 00:52:07.239
<v Speaker 1>Like a door in his mind had been opened from

888
00:52:07.280 --> 00:52:11.239
<v Speaker 1>the outside, something set through it, and the door closed again.

889
00:52:12.079 --> 00:52:15.599
<v Speaker 1>He declined, across every retelling of this account over many years,

890
00:52:16.000 --> 00:52:19.480
<v Speaker 1>to share the content of what was communicated. He said

891
00:52:19.519 --> 00:52:22.719
<v Speaker 1>only that it was a warning, that it concerned decisions

892
00:52:22.760 --> 00:52:26.000
<v Speaker 1>he and the others had not yet made, that some

893
00:52:26.039 --> 00:52:28.239
<v Speaker 1>of what it warned against came to pass in the

894
00:52:28.320 --> 00:52:32.079
<v Speaker 1>years that followed, and that one of the four not Robert,

895
00:52:32.440 --> 00:52:35.760
<v Speaker 1>returned from that camping trip, and within two weeks underwent

896
00:52:35.840 --> 00:52:38.679
<v Speaker 1>what could only be described as a complete fracturing of

897
00:52:38.719 --> 00:52:42.519
<v Speaker 1>his ability to maintain the basic structure of his daily reality,

898
00:52:43.280 --> 00:52:47.360
<v Speaker 1>a clinical level dissolution. He recovered over the better part

899
00:52:47.360 --> 00:52:50.880
<v Speaker 1>of a year. He never discussed that weekend, not once

900
00:52:51.320 --> 00:52:54.159
<v Speaker 1>for the rest of his life. The figure turned and

901
00:52:54.199 --> 00:52:57.480
<v Speaker 1>walked back up the trail, without hurry, without sound, and

902
00:52:57.559 --> 00:53:01.280
<v Speaker 1>over the ridgeline. As it disappeared, the light quality came

903
00:53:01.320 --> 00:53:05.400
<v Speaker 1>back to normal, the birds started again, the fire crackled.

904
00:53:05.880 --> 00:53:08.320
<v Speaker 1>The four of them sat without speaking for a long time.

905
00:53:09.079 --> 00:53:11.760
<v Speaker 1>I've asked everyone I know with deep knowledge of Cherokee

906
00:53:11.840 --> 00:53:15.719
<v Speaker 1>tradition and Appalachian supernatural history. What this might have been

907
00:53:16.639 --> 00:53:20.119
<v Speaker 1>the most consistent answer I get points toward a category

908
00:53:20.159 --> 00:53:23.719
<v Speaker 1>of being in Cherokee cosmology that doesn't translate cleanly into

909
00:53:23.840 --> 00:53:27.559
<v Speaker 1>any single English word, something that exists in the space

910
00:53:27.599 --> 00:53:32.039
<v Speaker 1>between human and spirit without being reducible to either. Something

911
00:53:32.079 --> 00:53:36.360
<v Speaker 1>that appears at specific moments in specific places for specific purposes,

912
00:53:36.760 --> 00:53:39.480
<v Speaker 1>that the people who encounter it aren't necessarily meant to

913
00:53:39.559 --> 00:53:43.320
<v Speaker 1>understand fully. Messenger is the English word that comes up

914
00:53:43.360 --> 00:53:46.880
<v Speaker 1>most often, and it's probably the least wrong word available,

915
00:53:47.199 --> 00:53:51.599
<v Speaker 1>even though it misses dimensions of the Cherokee conceptualization. I

916
00:53:51.639 --> 00:53:54.159
<v Speaker 1>want to add one more piece of this account because

917
00:53:54.239 --> 00:53:56.320
<v Speaker 1>Robert shared it with the researcher as a kind of

918
00:53:56.400 --> 00:53:59.239
<v Speaker 1>coda to the main story, and I think it deserves

919
00:53:59.320 --> 00:54:03.039
<v Speaker 1>to be included. About three weeks after the camping trip,

920
00:54:03.159 --> 00:54:06.639
<v Speaker 1>Robert went back to Grandfather Mountain alone. He didn't tell

921
00:54:06.679 --> 00:54:09.280
<v Speaker 1>any of the others he was going. He drove up

922
00:54:09.320 --> 00:54:12.000
<v Speaker 1>to the trailhead on a weekday morning in November, when

923
00:54:12.039 --> 00:54:14.960
<v Speaker 1>the crowds were thin and the air had turned sharply cold,

924
00:54:15.480 --> 00:54:17.440
<v Speaker 1>and he hiked up to the section of trail where

925
00:54:17.440 --> 00:54:20.639
<v Speaker 1>the figure had stood. He wanted to see it in daylight.

926
00:54:21.239 --> 00:54:23.360
<v Speaker 1>He wanted to do what people often want to do

927
00:54:23.480 --> 00:54:26.800
<v Speaker 1>after an experience like that, to return to the physical

928
00:54:26.840 --> 00:54:30.360
<v Speaker 1>location and find something ordinary in it, to let the

929
00:54:30.440 --> 00:54:33.400
<v Speaker 1>daylight and the familiar mechanics of hiking reduce the thing

930
00:54:33.480 --> 00:54:37.800
<v Speaker 1>to something manageable. He found the rocky outcrop. He found

931
00:54:37.840 --> 00:54:40.960
<v Speaker 1>the section of trail that ran along its edge. He

932
00:54:41.000 --> 00:54:43.239
<v Speaker 1>stood there and looked back down the slope toward where

933
00:54:43.280 --> 00:54:46.679
<v Speaker 1>their camp had been, and he understood in full daylight

934
00:54:47.039 --> 00:54:49.760
<v Speaker 1>that whoever or whatever had been standing on that trail

935
00:54:49.800 --> 00:54:53.679
<v Speaker 1>above them had a complete, unobstructed view of their entire camp.

936
00:54:54.519 --> 00:54:57.280
<v Speaker 1>Could have watched them for a long time before they noticed. It,

937
00:54:57.920 --> 00:54:59.800
<v Speaker 1>could have been standing there on any number of a

938
00:54:59.880 --> 00:55:03.760
<v Speaker 1>ca before the afternoon they finally looked up. He stood

939
00:55:03.760 --> 00:55:06.159
<v Speaker 1>there for a long time, looking down at the campsite,

940
00:55:06.519 --> 00:55:09.400
<v Speaker 1>and he thought about that, about how long it might

941
00:55:09.440 --> 00:55:12.840
<v Speaker 1>have been watching before it decided to approach. He hiked

942
00:55:12.880 --> 00:55:15.239
<v Speaker 1>back down and drove home and told nobody about the

943
00:55:15.280 --> 00:55:19.920
<v Speaker 1>return visit for fifteen years. Grandfather Mountain still restricts overnight

944
00:55:19.960 --> 00:55:23.360
<v Speaker 1>camping in certain zones near the upper Ridge line. The

945
00:55:23.400 --> 00:55:27.719
<v Speaker 1>official rationale is ecological preservation and the ecology of that

946
00:55:27.760 --> 00:55:31.800
<v Speaker 1>mountain genuinely is fragile and deserving of protection. But I've

947
00:55:31.840 --> 00:55:35.119
<v Speaker 1>spent enough time in that subalpine forest and had enough

948
00:55:35.159 --> 00:55:38.199
<v Speaker 1>conversations with people who know the mountain well to know

949
00:55:38.280 --> 00:55:43.079
<v Speaker 1>that the ecological explanation is the comfortable one. Grandfather Mountain

950
00:55:43.079 --> 00:55:46.079
<v Speaker 1>has always known. The difference between being watched at and

951
00:55:46.119 --> 00:55:49.760
<v Speaker 1>being watched from, and the watching up there above the

952
00:55:49.800 --> 00:55:54.159
<v Speaker 1>clouds on that ancient wind scraped ridge runs in both directions.

953
00:55:55.039 --> 00:55:57.480
<v Speaker 1>Our last story takes us to the very top of

954
00:55:57.519 --> 00:56:00.079
<v Speaker 1>the chain. I know what some of you are thinking

955
00:56:00.119 --> 00:56:02.280
<v Speaker 1>when I say New Jersey, and I need you to

956
00:56:02.320 --> 00:56:06.239
<v Speaker 1>set that image aside entirely. The New Jersey I'm talking

957
00:56:06.280 --> 00:56:08.360
<v Speaker 1>about has nothing to do with the shore, or the

958
00:56:08.400 --> 00:56:13.559
<v Speaker 1>Turnpike corridor or the skyline of the northeastern megalopolis. Northwestern

959
00:56:13.599 --> 00:56:16.960
<v Speaker 1>New Jersey Warren in Sussex Counties, pressed up against the

960
00:56:17.000 --> 00:56:21.840
<v Speaker 1>Delaware Water Gap on the Pennsylvania border, is mountain country, rural,

961
00:56:22.119 --> 00:56:26.559
<v Speaker 1>densely forested, and old in the specifically Appalachian way, where

962
00:56:26.599 --> 00:56:28.840
<v Speaker 1>the age of the land is something you feel in

963
00:56:28.880 --> 00:56:32.159
<v Speaker 1>your body before you understand it in your mind. The

964
00:56:32.239 --> 00:56:35.639
<v Speaker 1>Kittatinny Ridge runs through there, part of the same continuous

965
00:56:35.719 --> 00:56:38.360
<v Speaker 1>ridge system that connects back through Pennsylvania to the Blue

966
00:56:38.440 --> 00:56:43.360
<v Speaker 1>Ridge in Virginia. The same geological bones, the same deep forest,

967
00:56:43.960 --> 00:56:46.400
<v Speaker 1>the same quality of stillness in the hollows that you'll

968
00:56:46.440 --> 00:56:50.079
<v Speaker 1>find five hundred miles further south, and in Warren County,

969
00:56:50.119 --> 00:56:52.400
<v Speaker 1>New Jersey, there is a road with the name I

970
00:56:52.480 --> 00:56:55.679
<v Speaker 1>need you to hear with fresh ears. Its legal name

971
00:56:55.760 --> 00:56:58.440
<v Speaker 1>on every county map and every road sign and every

972
00:56:58.480 --> 00:57:03.239
<v Speaker 1>GPS system and exists is Shades of Death. Road that

973
00:57:03.360 --> 00:57:07.880
<v Speaker 1>is not me embellishing for effect. Seven miles long, winding

974
00:57:07.880 --> 00:57:10.639
<v Speaker 1>through the Kittatinny Ridge Country, passed a body of water

975
00:57:10.760 --> 00:57:14.639
<v Speaker 1>called Ghost Lake, also its real name, and along the

976
00:57:14.679 --> 00:57:18.239
<v Speaker 1>forested edge of Jenny Jump State Forest, which is itself

977
00:57:18.320 --> 00:57:21.079
<v Speaker 1>named for a colonial era story about a girl named

978
00:57:21.159 --> 00:57:24.679
<v Speaker 1>Jenny who allegedly jumped from a cliff to escape and attack.

979
00:57:25.639 --> 00:57:28.519
<v Speaker 1>The naming conventions in this particular corner of New Jersey

980
00:57:28.559 --> 00:57:31.639
<v Speaker 1>suggest a landscape that has been honest about its nature

981
00:57:31.679 --> 00:57:35.840
<v Speaker 1>for a very long time. The road carries genuinely grim

982
00:57:35.960 --> 00:57:40.679
<v Speaker 1>documented history. The name itself likely accumulated from several sources.

983
00:57:41.320 --> 00:57:44.920
<v Speaker 1>Malaria epidemics in the early nineteenth century, fed by the

984
00:57:44.920 --> 00:57:47.960
<v Speaker 1>wetlands adjacent to the road that killed people in the

985
00:57:47.960 --> 00:57:52.360
<v Speaker 1>surrounding communities before anyone understood what malaria was or where

986
00:57:52.360 --> 00:57:56.039
<v Speaker 1>it came from. A series of documented murders along the

987
00:57:56.119 --> 00:57:59.320
<v Speaker 1>road in the nineteenth century, the specifics of which are

988
00:57:59.360 --> 00:58:04.519
<v Speaker 1>well establish county historical records, multiple unexplained deaths over the

989
00:58:04.599 --> 00:58:09.079
<v Speaker 1>years since, and persistent accounts of supernatural activity going back

990
00:58:09.119 --> 00:58:13.320
<v Speaker 1>into the early eighteen hundreds. Strange lights in the wetland areas,

991
00:58:13.840 --> 00:58:17.840
<v Speaker 1>sounds without identifiable sources, encounters on the road itself at

992
00:58:17.920 --> 00:58:23.039
<v Speaker 1>night that don't resolve into any satisfactory conventional explanation. The

993
00:58:23.079 --> 00:58:25.679
<v Speaker 1>specific phenomenon I want to tell you about has come

994
00:58:25.719 --> 00:58:28.920
<v Speaker 1>to be called the walking Man, And unlike the Cherokee

995
00:58:28.920 --> 00:58:33.480
<v Speaker 1>traditions I've shared tonight, traditions with deep roots, long histories,

996
00:58:33.679 --> 00:58:37.079
<v Speaker 1>and living communities who maintain them, the Walking Man is

997
00:58:37.159 --> 00:58:41.519
<v Speaker 1>more recent and harder to categorize. He's an accumulation, a

998
00:58:41.599 --> 00:58:45.800
<v Speaker 1>pattern that emerges from separate accounts gathered across roughly seven decades,

999
00:58:46.360 --> 00:58:48.920
<v Speaker 1>submitted by people who had no knowledge of each other

1000
00:58:49.000 --> 00:58:52.719
<v Speaker 1>and no shared context beyond one specific stretch of road

1001
00:58:53.320 --> 00:58:56.800
<v Speaker 1>that described the same encounter in enough consistent detail to

1002
00:58:56.920 --> 00:59:01.760
<v Speaker 1>constitute something that deserves attention. The accounts start appearing reliably

1003
00:59:01.800 --> 00:59:05.400
<v Speaker 1>in the nineteen fifties, with possible earlier references in county

1004
00:59:05.400 --> 00:59:08.599
<v Speaker 1>newspapers that may or may not be describing the same thing.

1005
00:59:09.519 --> 00:59:13.679
<v Speaker 1>They continue through the nineteen sixties, the nineteen seventies and beyond.

1006
00:59:14.559 --> 00:59:17.719
<v Speaker 1>People driving Shades of Death Road at night, particularly in

1007
00:59:17.760 --> 00:59:20.199
<v Speaker 1>the section nearest to Ghost Lake, a mile and a

1008
00:59:20.239 --> 00:59:23.239
<v Speaker 1>half of dense forest with no ambient light and no

1009
00:59:23.400 --> 00:59:27.360
<v Speaker 1>visible habitation, report seeing a man walking along the road.

1010
00:59:28.159 --> 00:59:33.320
<v Speaker 1>Just a man walking, not inherently remarkable, but the details

1011
00:59:33.320 --> 00:59:36.880
<v Speaker 1>that make it remarkable are These held consistent across dozens

1012
00:59:36.920 --> 00:59:39.519
<v Speaker 1>of accounts from people who didn't know each other. He

1013
00:59:39.639 --> 00:59:44.079
<v Speaker 1>is always alone, always moving in the same direction, always

1014
00:59:44.119 --> 00:59:48.079
<v Speaker 1>wearing what witnesses describe as dark or old fashioned clothing.

1015
00:59:48.880 --> 00:59:53.000
<v Speaker 1>And he is visible only in the vehicle's mirrors, rear view, mirror,

1016
00:59:53.519 --> 00:59:56.599
<v Speaker 1>side mirror. Never when you turn your head and look

1017
00:59:56.679 --> 01:00:00.239
<v Speaker 1>directly at where he should be, only in the reflected you,

1018
01:00:00.960 --> 01:00:04.639
<v Speaker 1>only in the mirror. Stay tuned for more Backwoods bigfoot stories.

1019
01:00:04.960 --> 01:00:10.599
<v Speaker 1>We'll be back after these messages. Always and exclusively there

1020
01:00:11.119 --> 01:00:13.679
<v Speaker 1>and gone the moment direct sight is brought to bear

1021
01:00:13.760 --> 01:00:17.920
<v Speaker 1>on him, in nineteen eighty seven, Carol Hutchinson was driving

1022
01:00:17.960 --> 01:00:20.840
<v Speaker 1>home from a late hospital shift through Warren County at

1023
01:00:20.880 --> 01:00:24.239
<v Speaker 1>approximately two thirty in the morning, taking Shades of Death

1024
01:00:24.360 --> 01:00:27.639
<v Speaker 1>Road because it was genuinely faster than the highway alternatives

1025
01:00:27.639 --> 01:00:30.320
<v Speaker 1>at that hour. She knew the road well and had

1026
01:00:30.360 --> 01:00:33.880
<v Speaker 1>no particular anxiety about it. She was tired and thinking

1027
01:00:33.920 --> 01:00:36.880
<v Speaker 1>about getting home. She was roughly in the middle of

1028
01:00:36.920 --> 01:00:40.440
<v Speaker 1>the Ghost Lake Stretch, the densest and darkest section of

1029
01:00:40.440 --> 01:00:43.239
<v Speaker 1>the road, hemmed in by forest on both sides, with

1030
01:00:43.280 --> 01:00:45.800
<v Speaker 1>no break in the tree line. When she saw him

1031
01:00:45.800 --> 01:00:48.880
<v Speaker 1>in her rearview mirror, she registered him the way you

1032
01:00:48.920 --> 01:00:54.039
<v Speaker 1>register anything in a rearview mirror at two in the morning, peripherally, automatically,

1033
01:00:54.360 --> 01:00:57.760
<v Speaker 1>the brain logging information before the conscious mind catches up.

1034
01:00:58.519 --> 01:01:02.079
<v Speaker 1>A man on the road behind her walking, She thought

1035
01:01:02.800 --> 01:01:06.840
<v Speaker 1>odd at this hour, but people walked strange hours. She

1036
01:01:06.960 --> 01:01:09.840
<v Speaker 1>watched the mirror. He was keeping pace with the car.

1037
01:01:10.480 --> 01:01:12.920
<v Speaker 1>She was going fifteen miles an hour on that stretch.

1038
01:01:13.639 --> 01:01:16.719
<v Speaker 1>It's narrow and winding, and fifteen is genuinely a comfortable

1039
01:01:16.760 --> 01:01:19.719
<v Speaker 1>speed through there in the dark. She watched the mirror,

1040
01:01:19.719 --> 01:01:23.280
<v Speaker 1>and the man behind her was keeping pace, not falling behind.

1041
01:01:24.119 --> 01:01:27.400
<v Speaker 1>The distance between them was holding constant. He was walking

1042
01:01:27.960 --> 01:01:32.039
<v Speaker 1>ordinary walking stride, no obvious exertion, and he was keeping

1043
01:01:32.039 --> 01:01:35.199
<v Speaker 1>pace with a car going fifteen miles an hour. She

1044
01:01:35.320 --> 01:01:40.039
<v Speaker 1>sped up twenty twenty five, faster than she was comfortable

1045
01:01:40.079 --> 01:01:43.159
<v Speaker 1>going on that road in the dark. She watched the mirror,

1046
01:01:43.599 --> 01:01:47.119
<v Speaker 1>He kept pace, The gap held. She went to thirty.

1047
01:01:47.719 --> 01:01:51.639
<v Speaker 1>Same result. Whatever physics was in operation on that road

1048
01:01:51.639 --> 01:01:54.199
<v Speaker 1>on that night, it was not the physics that applies

1049
01:01:54.239 --> 01:01:56.280
<v Speaker 1>to a man on foot and a car on a

1050
01:01:56.320 --> 01:02:01.599
<v Speaker 1>paved road. She looked directly behind her neck, turned her head,

1051
01:02:02.079 --> 01:02:04.559
<v Speaker 1>looked through the rear windshield at the lit road surface

1052
01:02:04.639 --> 01:02:09.039
<v Speaker 1>behind her, empty tail lights, illuminating nothing but road and

1053
01:02:09.079 --> 01:02:12.599
<v Speaker 1>the dark tree line beyond. She faced forward and checked

1054
01:02:12.599 --> 01:02:16.880
<v Speaker 1>the rear view mirror. He was there, same distance, same

1055
01:02:16.920 --> 01:02:21.360
<v Speaker 1>walking pace, looking ahead, not at the mirror, not at

1056
01:02:21.400 --> 01:02:26.239
<v Speaker 1>her walking. She made a sound. She described it afterward

1057
01:02:26.280 --> 01:02:29.079
<v Speaker 1>as not quite a word and not quite a scream,

1058
01:02:29.360 --> 01:02:31.760
<v Speaker 1>the sound a person makes when the conscious mind has

1059
01:02:31.800 --> 01:02:35.840
<v Speaker 1>been entirely overridden by something below it. She floored the

1060
01:02:35.880 --> 01:02:38.239
<v Speaker 1>accelerator and held it for the remaining mile and a

1061
01:02:38.280 --> 01:02:41.559
<v Speaker 1>half of the Ghost Lake stretch until the forest opened,

1062
01:02:41.559 --> 01:02:43.760
<v Speaker 1>and the glow of the junction with the County Road

1063
01:02:43.920 --> 01:02:46.880
<v Speaker 1>was visible ahead. She checked the rear view. At that

1064
01:02:46.960 --> 01:02:50.679
<v Speaker 1>point the road behind her was empty, just dark pavement

1065
01:02:50.960 --> 01:02:53.719
<v Speaker 1>and the tail end of the tree line. Whatever had

1066
01:02:53.760 --> 01:02:56.920
<v Speaker 1>been there was gone, not left behind by the increase

1067
01:02:56.960 --> 01:03:01.159
<v Speaker 1>in speed, just gone absent, as if it had never

1068
01:03:01.199 --> 01:03:04.320
<v Speaker 1>been there except in the silver of the mirror. Carol

1069
01:03:04.360 --> 01:03:07.360
<v Speaker 1>Hutchinson put her name to this account publicly, and I've

1070
01:03:07.360 --> 01:03:10.199
<v Speaker 1>been grateful for that because her willingness to do so

1071
01:03:10.280 --> 01:03:13.960
<v Speaker 1>gave other people the permission to share similar experiences without

1072
01:03:13.960 --> 01:03:17.000
<v Speaker 1>the fear of being dismissed as unstable or attention seeking.

1073
01:03:17.800 --> 01:03:20.400
<v Speaker 1>In the years since, I've collected a substantial number of

1074
01:03:20.440 --> 01:03:24.159
<v Speaker 1>corroborating accounts from that specific section of road, with that

1075
01:03:24.280 --> 01:03:29.199
<v Speaker 1>specific characteristic visible in the mirror, gone on direct inspection.

1076
01:03:29.960 --> 01:03:32.880
<v Speaker 1>I've spent a great deal of time thinking about that characteristic,

1077
01:03:33.360 --> 01:03:35.639
<v Speaker 1>because I think it's the key to understanding what this

1078
01:03:35.800 --> 01:03:38.519
<v Speaker 1>thing is and why it's frightening in a way that

1079
01:03:38.599 --> 01:03:41.960
<v Speaker 1>goes well beyond the ordinary fright of a strange figure

1080
01:03:42.000 --> 01:03:45.960
<v Speaker 1>on a dark road. In the folk traditions of many cultures,

1081
01:03:46.440 --> 01:03:51.039
<v Speaker 1>not just Appalachian tradition, but European folk tradition, African tradition,

1082
01:03:51.440 --> 01:03:55.559
<v Speaker 1>East Asian tradition, mirrors have always occupied a special and

1083
01:03:55.679 --> 01:04:00.599
<v Speaker 1>somewhat suspect category. The old understanding of reflective surfaces was

1084
01:04:00.599 --> 01:04:03.840
<v Speaker 1>that they showed you a different angle on reality, not

1085
01:04:03.920 --> 01:04:06.239
<v Speaker 1>simply a reversed image of what was in front of you,

1086
01:04:06.639 --> 01:04:10.000
<v Speaker 1>but a view from a slightly different register, a perspective

1087
01:04:10.039 --> 01:04:13.480
<v Speaker 1>that sees things the direct look cannot see, that catches

1088
01:04:13.519 --> 01:04:15.840
<v Speaker 1>things that look away when you look at them directly.

1089
01:04:16.800 --> 01:04:20.559
<v Speaker 1>In certain European folk traditions, mirrors are covered when someone

1090
01:04:20.639 --> 01:04:23.440
<v Speaker 1>dies in a house because the mirror might show you

1091
01:04:23.519 --> 01:04:27.880
<v Speaker 1>the departing soul. In Haitian voodoo tradition, certain spirits are

1092
01:04:27.960 --> 01:04:32.960
<v Speaker 1>visible only in reflective surfaces. In Old Appalachian folk practice,

1093
01:04:33.039 --> 01:04:36.159
<v Speaker 1>there are specific instructions about how mirrors should be positioned

1094
01:04:36.159 --> 01:04:39.400
<v Speaker 1>and covered in certain circumstances that suggest a belief in

1095
01:04:39.440 --> 01:04:43.559
<v Speaker 1>the mirror as a threshold rather than just glass. The

1096
01:04:43.639 --> 01:04:46.599
<v Speaker 1>walking man of Shades of Death Road chooses the mirror.

1097
01:04:47.159 --> 01:04:50.559
<v Speaker 1>He's visible there and not directly, something that can keep

1098
01:04:50.599 --> 01:04:52.719
<v Speaker 1>pace with a car at thirty miles an hour, is

1099
01:04:52.760 --> 01:04:55.960
<v Speaker 1>not limited by much. He chooses to be seen in

1100
01:04:56.000 --> 01:04:59.239
<v Speaker 1>the reflected view. He knows the difference between the mirror

1101
01:04:59.320 --> 01:05:02.039
<v Speaker 1>and the direct life look. He knows that the mirror

1102
01:05:02.079 --> 01:05:05.079
<v Speaker 1>sees differently. He permits you to catch him in that

1103
01:05:05.119 --> 01:05:08.400
<v Speaker 1>peripheral silver glimpse, and he's gone the moment you try

1104
01:05:08.440 --> 01:05:11.840
<v Speaker 1>to look straight at him. And what that suggests, if

1105
01:05:11.840 --> 01:05:15.599
<v Speaker 1>you take the old understanding seriously, is that he understands

1106
01:05:15.679 --> 01:05:18.719
<v Speaker 1>the nature of the mirror. That he's making a choice

1107
01:05:18.719 --> 01:05:21.639
<v Speaker 1>about how much of himself to reveal and to whom,

1108
01:05:22.159 --> 01:05:26.320
<v Speaker 1>and how that he's not simply being seen. He's allowing

1109
01:05:26.400 --> 01:05:30.519
<v Speaker 1>himself to be seen from a specific angle for reasons

1110
01:05:30.519 --> 01:05:35.239
<v Speaker 1>that haven't been established yet. I've driven that road several times.

1111
01:05:35.639 --> 01:05:38.679
<v Speaker 1>I always slow through the Ghost Lake stretch. I always

1112
01:05:38.679 --> 01:05:41.159
<v Speaker 1>watch the mirrors. I want to tell you about one

1113
01:05:41.199 --> 01:05:43.639
<v Speaker 1>of those drives, because I've been honest with you all

1114
01:05:43.760 --> 01:05:46.440
<v Speaker 1>night about other people's encounters, and I think it's only

1115
01:05:46.480 --> 01:05:49.239
<v Speaker 1>fair to be honest about my own. It was a

1116
01:05:49.280 --> 01:05:52.639
<v Speaker 1>November night, no moon. I was alone in the car,

1117
01:05:53.039 --> 01:05:55.199
<v Speaker 1>and I took the road slowly through the dense section

1118
01:05:55.360 --> 01:05:58.559
<v Speaker 1>near the lake the way I always do. I watch

1119
01:05:58.639 --> 01:06:02.039
<v Speaker 1>the rear view mirror. I watched the side mirrors the

1120
01:06:02.159 --> 01:06:04.440
<v Speaker 1>road behind me, was empty for most of that stretch,

1121
01:06:05.000 --> 01:06:07.840
<v Speaker 1>just dark pavement and the illuminated edge of the tree

1122
01:06:07.880 --> 01:06:11.320
<v Speaker 1>line in my tail lights. About halfway through the stretch,

1123
01:06:11.639 --> 01:06:14.679
<v Speaker 1>I saw something. I want to be precise about this.

1124
01:06:15.360 --> 01:06:17.599
<v Speaker 1>I'm not going to overclaim and I'm not going to

1125
01:06:17.599 --> 01:06:20.440
<v Speaker 1>dismiss it either, because I've heard too many accounts to

1126
01:06:20.519 --> 01:06:24.159
<v Speaker 1>dismiss it, and I value honesty too much to overclaim.

1127
01:06:24.519 --> 01:06:26.519
<v Speaker 1>I saw something in the rearview mirror that was not

1128
01:06:26.599 --> 01:06:29.880
<v Speaker 1>a reflective post or a road sign or the outline

1129
01:06:29.920 --> 01:06:33.159
<v Speaker 1>of a tree branch. Something with a vertical dimension that

1130
01:06:33.239 --> 01:06:36.679
<v Speaker 1>was wrong for the natural elements of that road. Something

1131
01:06:36.719 --> 01:06:39.239
<v Speaker 1>that was there for one clear moment in the mirror

1132
01:06:39.719 --> 01:06:42.239
<v Speaker 1>and not there when I checked again two seconds later.

1133
01:06:42.920 --> 01:06:46.000
<v Speaker 1>I didn't stop the car, I didn't go back. I

1134
01:06:46.039 --> 01:06:48.320
<v Speaker 1>don't know what I saw. I know what the people

1135
01:06:48.360 --> 01:06:50.360
<v Speaker 1>who've driven that road for the better part of a

1136
01:06:50.400 --> 01:06:53.760
<v Speaker 1>century describe seeing, and I know my experience in the

1137
01:06:53.760 --> 01:06:56.960
<v Speaker 1>mirror that November night was consistent with what they describe.

1138
01:06:57.559 --> 01:07:00.840
<v Speaker 1>Whether that means anything, I'll leave to you. But I

1139
01:07:00.880 --> 01:07:04.239
<v Speaker 1>always check if there's a thread running through all six

1140
01:07:04.280 --> 01:07:07.559
<v Speaker 1>of these stories. The wampus cat in her Laurel Thickets,

1141
01:07:08.079 --> 01:07:11.000
<v Speaker 1>the lights above Brown Mountain and what walks below them.

1142
01:07:11.239 --> 01:07:14.480
<v Speaker 1>The raven mocker and her terrible gentle work, the burning

1143
01:07:14.519 --> 01:07:17.920
<v Speaker 1>woman on the Harper's Ferry rail line, the silent messenger

1144
01:07:17.960 --> 01:07:21.639
<v Speaker 1>on Grandfather's high trail, the walking man who exists only

1145
01:07:21.679 --> 01:07:24.880
<v Speaker 1>in the mirror on that long, dark Jersey road. I

1146
01:07:24.920 --> 01:07:29.079
<v Speaker 1>think the thread is this the Appalachian Mountains. Remember, They've

1147
01:07:29.079 --> 01:07:32.800
<v Speaker 1>been here longer than human memory, longer than human language,

1148
01:07:33.400 --> 01:07:36.079
<v Speaker 1>longer than the first human ancestor who ever stood at

1149
01:07:36.119 --> 01:07:38.639
<v Speaker 1>a tree line and wondered what was watching from the

1150
01:07:38.639 --> 01:07:42.360
<v Speaker 1>other side. They've absorbed every joy and grief and act

1151
01:07:42.440 --> 01:07:45.639
<v Speaker 1>of violence and moment of transcendence that has ever played

1152
01:07:45.639 --> 01:07:48.119
<v Speaker 1>out in their hollers and on their ridge lines and

1153
01:07:48.159 --> 01:07:51.840
<v Speaker 1>in their old cathedral timber. The land keeps memory and

1154
01:07:51.880 --> 01:07:56.079
<v Speaker 1>away we barely understand, and mostly don't try to, because

1155
01:07:56.119 --> 01:07:58.760
<v Speaker 1>taking it seriously would require us to accept that we

1156
01:07:58.880 --> 01:08:01.719
<v Speaker 1>are not the primary authors of our own experience in

1157
01:08:01.760 --> 01:08:05.239
<v Speaker 1>places like these, that we are visitors in a space

1158
01:08:05.280 --> 01:08:09.400
<v Speaker 1>with its own consciousness and its own concerns. That the forest,

1159
01:08:09.800 --> 01:08:13.199
<v Speaker 1>when it's deep enough and old enough, has opinions about us.

1160
01:08:14.000 --> 01:08:16.840
<v Speaker 1>And here's what I've come to believe after decades of

1161
01:08:16.920 --> 01:08:19.880
<v Speaker 1>listening to these accounts, and walking in these places, and

1162
01:08:19.920 --> 01:08:22.439
<v Speaker 1>sitting in the dark of these hollers, and listening to

1163
01:08:22.479 --> 01:08:25.720
<v Speaker 1>what the dark says back. The mountains don't mean us

1164
01:08:25.720 --> 01:08:29.800
<v Speaker 1>harm exactly. They're not malevolent. They're indifferent in the way

1165
01:08:29.840 --> 01:08:33.439
<v Speaker 1>that anything truly ancient is indifferent, the way a river

1166
01:08:33.560 --> 01:08:36.000
<v Speaker 1>is indifferent to whether you swim in it or drown

1167
01:08:36.039 --> 01:08:39.520
<v Speaker 1>in it. What they are is honest. They show you

1168
01:08:39.560 --> 01:08:42.319
<v Speaker 1>what's there. They don't dress it up or soften it

1169
01:08:42.399 --> 01:08:44.720
<v Speaker 1>or present it in a form designed to be comfortable

1170
01:08:44.760 --> 01:08:47.640
<v Speaker 1>for you. They show you the wampus cat and the

1171
01:08:47.720 --> 01:08:50.479
<v Speaker 1>raven mocker, and the burning woman and the walking figure

1172
01:08:50.520 --> 01:08:52.520
<v Speaker 1>in the mirror, and they let you make of it

1173
01:08:52.600 --> 01:08:56.039
<v Speaker 1>what you will. They've been doing that for ten thousand years,

1174
01:08:56.319 --> 01:08:58.800
<v Speaker 1>and they'll keep doing it long after every road we've

1175
01:08:58.800 --> 01:09:01.279
<v Speaker 1>built through them has been followed back by the trees.

1176
01:09:02.159 --> 01:09:04.640
<v Speaker 1>I'm not asking you to believe in any specific thing.

1177
01:09:05.199 --> 01:09:08.159
<v Speaker 1>I'm asking you to consider the possibility that these mountains

1178
01:09:08.159 --> 01:09:11.039
<v Speaker 1>are not empty, That the people who lived here for

1179
01:09:11.119 --> 01:09:14.359
<v Speaker 1>thousands of years before any European set foot on this

1180
01:09:14.479 --> 01:09:17.000
<v Speaker 1>continent were telling the truth when they said the land

1181
01:09:17.119 --> 01:09:21.039
<v Speaker 1>was alive and paying attention, that the generations of loggers

1182
01:09:21.039 --> 01:09:24.239
<v Speaker 1>and farmers and railroad men and homesteaders who built their

1183
01:09:24.279 --> 01:09:27.159
<v Speaker 1>lives in these hills were telling the truth when they said,

1184
01:09:27.479 --> 01:09:31.119
<v Speaker 1>holler by holler and generation by generation, that the forest

1185
01:09:31.239 --> 01:09:35.000
<v Speaker 1>held things that the nurse driving home from a late shift,

1186
01:09:35.359 --> 01:09:38.439
<v Speaker 1>and the park ranger doing her final walkthrough, and the

1187
01:09:38.479 --> 01:09:41.000
<v Speaker 1>sixty one year old farmer who ran his trap line

1188
01:09:41.039 --> 01:09:43.960
<v Speaker 1>in the dark for twenty years without incident until the

1189
01:09:44.000 --> 01:09:48.439
<v Speaker 1>morning everything changed. That all of those ordinary people encountering

1190
01:09:48.520 --> 01:09:51.560
<v Speaker 1>something they couldn't account for in places they thought they knew,

1191
01:09:51.960 --> 01:09:56.159
<v Speaker 1>were telling the truth because they weren't crazy, they weren't liars.

1192
01:09:56.760 --> 01:10:00.520
<v Speaker 1>They were people doing ordinary things in extraordinary places, and

1193
01:10:00.560 --> 01:10:04.600
<v Speaker 1>the mountains showed them something real, something that reminded them

1194
01:10:04.640 --> 01:10:07.600
<v Speaker 1>in the specific and personal way the Appellachians have been

1195
01:10:07.640 --> 01:10:11.359
<v Speaker 1>reminding people since people first arrived here that the forest

1196
01:10:11.399 --> 01:10:13.960
<v Speaker 1>is older than we are, and that it has its

1197
01:10:13.960 --> 01:10:16.880
<v Speaker 1>own residence, and that the courtesy it shows us in

1198
01:10:17.000 --> 01:10:19.079
<v Speaker 1>letting us pass through it is not the same thing

1199
01:10:19.079 --> 01:10:22.680
<v Speaker 1>as indifference to our passing the old green dark is

1200
01:10:22.680 --> 01:10:26.560
<v Speaker 1>paying attention. It always has been, thank you for coming

1201
01:10:26.640 --> 01:10:29.920
<v Speaker 1>into these woods with me. Tonight, drive safe, getting home

1202
01:10:30.279 --> 01:11:29.239
<v Speaker 1>and check your mirrors. Di
