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Speaker 1: Welcome everybody. We have entered our number three numerow trace

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of this week's Matt Connorton Unleashed. It is a Saturday,

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June twenty eight, twenty twenty five. We are live from

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the studios of w m n H ninety five point

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three FM in Glorious Manchester, New Hampshire, and of course

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you can stream the show from anywhere go to Matt

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connorton dot com slash Live. Jenny is here of course

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at the news table. And the song that we just

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heard that is called to the Terrorist. That is such

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a powerful song. I love that song so much. The

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great Lou Antonucci, who's been on the show with us

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a few times. He is here with us now in studio.

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Hello Lou, Hey, Matt, how you doing good? Good Me

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and chess Mike. I want to make sure we can

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hear you. We've got you going into the board because

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you're gonna play live for us, so really looking forward

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to that. Also, want to know more about when you

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So what is it the name of the show with

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Harry Chapin, the official.

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Speaker 2: Name of it, official name You Me and Harry.

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Speaker 1: You me and Harry, And I think the first time

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I ever heard you talk about that was way back

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the first time you were on the show. I think

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you were. You were kind of in the early stages

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of developing this.

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Speaker 2: Yeah, it was. It was I think it was three

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years ago.

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Speaker 1: Wow, you know, where does the time go?

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Speaker 3: Yeah?

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Speaker 2: Yeah, yeah, so we were just again it started at

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that time. But it's been it's been going very well. Yeah,

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over the last couple of years. I don't I don't

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do a lot of shows. My other schedule of you know,

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playing restaurants and bars throughout New New Hampshire keeps me

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pretty busy. But I I typically try to do a couple,

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you know, one or two shows of you, me and

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Harry in a month.

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Speaker 1: Yeah, let's talk about that more. But I want to

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play this. So you sent us this promo that will

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kind of give people a little bit of a better

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idea of what this is about, and then we'll talk

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about it. So let's listen to this.

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Speaker 2: Friday.

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Speaker 4: And then the guy who sits from Harry, when one

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of his fans walked across the floor, had in me note.

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Speaker 2: And that note, of course, was a fans request for

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Harry's timeless classic taxi. Hello everyone, who Antonucci here? You

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know Harry Chapin was more than just a songwriter, a filmmaker,

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off Broadway playwright, and even more importantly, a philanthropist. He

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was such a masterful storyteller his music became a mirror

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to our everyday lives, full of joy, sorrow, triumphs, and

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quiet disappointments. Chapin transformed fleeting emotions into permanent memories through

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his songs, captivating audiences with melody and meaning.

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Speaker 4: You.

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Speaker 2: Me and Harry presents my interpretation of Harry's storytelling, intertwined

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with backstories and little known anecdotes. My one man stage

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performance promises to capture you the audience from the get

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go and not loosen its grasp until the final note,

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which is usually a note everyone is singing, Harry will

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do justice, Harry will make you pray. Not everybody's looking

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for you stories song, but business. One man in the

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crowd could have said, I'm sorry, I haven't played that

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wm is, but something told me to give it a

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go and overkeen my feet. All of the fan favorites

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are there, Cats in the Cradle, Taxi, mister Tanner, and

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so many more. And by the way, the song you're

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listening to a message from Harry is one of my

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original tunes, inspired by one of Harry's more passionate fans.

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It's the only song in the show not written by Harry,

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and I can't wait to play it for you in person,

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along with Harry's many story songs. So I hope to

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see you down the road someday soon when it's just you,

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me and Harry. You've been twenty on. He is science words,

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but I remember ever Wane.

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Speaker 1: Yeah, so, Lou, I think anyone who listens to that

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can tell. Obviously, this is a project that you're very

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passionate about, and I'm curious, so what does And we've

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talked about all this before, obviously, but for newer listeners

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who don't know, or maybe are not familiar with you,

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what is it about Harry Chapin that you love so much?

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And obviously he's a great inspiration to you musically, But

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what is it about him?

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Speaker 4: Well?

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Speaker 2: You know, I I guess one of the reasons that

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I'm so passionate about it because I grew up on him,

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as I grew up on Neil Young and James Taylor

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and Croachey. But the thing about Harry was he was

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such a personable entertainer, his shows were a lot less

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about singing and a lot more about connecting with the audience.

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And it's it's interesting because as I do, as I

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do these shows, i will after we get through with

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the sound check and everything, and the doors open and

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the people are coming in, I'll go around and I'll

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introduce myself to members of the audience. And the really

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interesting thing is that each member of the audience has

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a Harry story, you know, Like I went to see

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Harry in nineteen seventy nine, and you know, it was

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my anniversary, and I took my wife and and they

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go back and they remember all this and his you know,

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his his stories are so real, you know, because they're

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there are a lot of a lot of them are

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about real people and real things, things that have happened.

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And so I think that's the that's the thing that

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I'm most interested in Harry and his music. Why am

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why I'm so interested and passionate about it because and

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I've noticed that when I write, you know, I kind

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of lean that way.

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Speaker 1: Really much much more.

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Speaker 2: Intimate songs that make have some kind of connection, there's

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some kind of personal relationship going on or something like that.

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So I think that's it. That's in a nutshell, this.

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Speaker 1: Is safe to assume. I mean, you see your kind

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of your all time favorite artists in terms of influence.

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Speaker 2: And I think in terms of influence on my music. Yes,

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I think I have a lot of all time favorite artists,

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you know, the Beatles, Crosby, Steells, Nash, sure to name

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a few, but but I think as far as someone

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that has an impact on what I do musically, yeah, definitely,

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without doubt.

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Speaker 1: Yeah, we also have some audio of some audience reactions

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to the show, and we should listen to this too

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because this will kind of give it an idea too

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to people of what to expect. And and of course

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if you are just joining us, Lou Antonucci is here

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with us in studio and he's going to play for

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us later too, so that'll also give you an idea obviously.

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But and we always enjoy that when Luke Lou comes

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in and plays this this clip.

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Speaker 2: By the way, the audio we did the show in Pittsburgh,

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and the videographer that was doing video of the show

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would grab people as they were leaving the show.

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Speaker 1: Okay, okay, just say hey, what did you think? Yeah,

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so these are all very spontaneous just right after the show. Yeah, yeah,

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let's let's give this a listen here. This performance tonight

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was absolutely amazing. It was way way.

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Speaker 5: Better than what I even expected, and what I expected

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was great.

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Speaker 6: Really liked it and we're definitely coming back again.

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Speaker 1: Who is totally amazing. Had so much fun tonight.

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Speaker 4: This this is what this is as good as it gets.

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Speaker 3: Man, Lou show is just great.

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Speaker 2: What a tribute to Harry and all his great music.

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Speaker 1: And it was just a wonderful, wonderful show. Thank you, Lou, Lou,

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you were great.

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Speaker 7: It was wonderful.

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Speaker 8: We grew up listening to Harry Chapin and this was

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a great night.

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Speaker 7: Thank you Steamworks for hosting Lou.

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Speaker 3: We will be back again.

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Speaker 1: Okay, Yeah, that's cool. By the way, So where was

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that Steamworks?

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Speaker 2: It's a it's a listening room north of Pittsburgh, Pennsylvania, Okay,

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in a town called Gibsonia, PA. And the next the

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last gentleman before the two women at the end, Johnny Vento.

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He runs the place and he was kind enough to

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give his little impression of the show as well. He's

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pretty well known musician in the Pittsburgh area. Okay, and

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and runs that great listening room. And matter of fact,

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I'm going back there in August for my third straight

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You Me and Harry show. Oh no kidding at his venue.

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Speaker 1: Yeah, oh, very cool.

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Speaker 2: And you might be able to tell from a few

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of the few of the audience members. It's it's one

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of those you know, you can bring your own bottle place.

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Oh okay, yeah, yeah, yeah, but a lot of fun.

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Speaker 1: Yeah, great place. Oh that's excellent. By the way, So

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there's somebody in the chat room on YouTube who uh.

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I'm not going to say who this who it is

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yet because this person had emailed me and wanted to

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call in and surprise you, and it relates to the show.

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It relates to you, Me and Harry. So I'm not

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gonna say who it is because I don't want to

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ruin the surprise if they call in. So hopefully they're

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they're still listening, but they are in the chat room,

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so we'll see. If they don't call by the end

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of the show, I'll go ahead and say who it is,

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but I don't want to wreck the surprise because I

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know they wanted to surprise you. But it's it's someone

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you know.

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Speaker 2: Long as it's not Harry's lawyer calling me about performance.

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Speaker 4: Right.

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Speaker 1: Although this may or may not be a hint, but

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this individual posted in the chat room hashtag went in

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doubt do something. I don't know if that gives it

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away or not.

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Speaker 3: I think it might.

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Speaker 1: You think it might.

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Speaker 2: I think it might. But we'll see.

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Speaker 1: We'll see. Yeah, we'll see if they call. Now, how

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many of these performances have you done? How many? How

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many of this of this show? You?

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Speaker 3: Me and Harry?

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Speaker 2: How I take over the last couple of years? Just

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about eight or ten?

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Speaker 1: Ok?

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Speaker 2: I've got six more coming up? Yeah, two in August

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coming up, heading back to Pennsylvania. Yeah, I've got a

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I'm doing a week back there. I've got a concert

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at Outdoor Concert in Monroville, Pennsylvania. Okay, at the Monroval

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Community Park. But I'm doing more than just Harry at

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that show. I'm doing Harry and James Taylor and you.

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And then that week and I'm back at the Peter J.

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Daily Cultural Center in Brownsville, PA, doing you, Me and Harry.

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That's Friday night, okay, the fifteenth of August. And then

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the sixteenth of August, I'm back at steam Works for

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an eight pm show, so looking forward to that, and

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then as we get into September, got two more shows.

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I go up to up to Maine on September nineteenth

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at Cadenza and that's my third year in a row

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doing the show there. So something must must be working

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right because the venues keep asking me back and then

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heading down to a new venue, well Fleet Preservation Hall.

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It's on the Cape. It's in well Fleet, doing that

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show on the twentieth. So lots of good things happening,

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but you know, I don't again. My schedule now starting

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in June is pretty full, you know, playing places like

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Homestead Tavern and Merrimack. I'll be there tonight as a

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matter of fact, Oh six to nine thirty if you're

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out and about this evening.

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Speaker 1: Oh excellent. Yeah for for our live listeners. Yeah, where

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is that again?

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Speaker 2: Uh it's in Merrimac, in Merrimack, Homestead Tavern. Then I'll

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be actually the Homestead Tavern up in Bristol, Yeah, next Saturday.

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And then you know, you can see my schedule at

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uh lou Antonucci dot com. Yeah, of all the other

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shows I've got going through July, August and September.

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Speaker 1: Excellent. Yeah, no, you stay very busy. Oh, by the way,

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the individual I was talking about, they're asking the phone number.

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The studio line is six O three two five oh

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six oh seven. Six O three two five oh six

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oh seven. So I'll keep an eye on the phone

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line if you want to uh, if you want to

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join us. Oh, Miriam vanishes in there too, by the way,

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I think she's a fan. Excellent, excellent, great. Now the

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has the show? Has the show changed as you've gone

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about doing these performances? Does it change like do you

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change the set list or do you have something kind

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of locked in or do you kind of feel the

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crowd or.

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Speaker 2: Well, that's that's a good question. What I'll typically do

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when I'm I do have an overall set list that

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if I played that whole set list of Chapin tunes,

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it would probably take up about three hours. Yeah, but

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with all the backstories that I do, I really only

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use about an hour and a half worth of actual

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song music, Okay. And so what I'll do is before

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the show, I'll walk around, I'll talk to people in

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the audience. I'll find you know, what's your favorite Chapin tune?

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Speaker 1: Right? Yeah?

250
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Speaker 2: And if it's not in that particular set list, I'll

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replace something with that song. Oh okay, I did that

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one night. I know there's a song by song by

253
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Harry that that's called Cory's Coming, which is like a

254
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huge favorite of Chapin fans. Oh okay, and I typically

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do it in most of my shows, and I didn't

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have it in this particular set list. And as I'm

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talking to the to the folks, I talked to one

258
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gentleman and he says, are you going to do Corey's

259
00:14:00,600 --> 00:14:03,799
Coming tonight? And I said, well, I didn't have it

260
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in the set list, but if you'd like to hear it.

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And before I could finish, she said, I named my

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daughter after as I named my daughter Corey, Oh wow,

263
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after Harry's songs Corey's Coming. So I said, we know what,

264
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I've got to do it. Yeah, So I did it,

265
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and about a two thirds of the way now I

266
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hadn't played it for a few days. Two thirds of

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the way through the song, I forgot the third verse.

268
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Oh no, you know now Harry would do that sometimes.

269
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So but what's interesting is there's so many Chapin fans

270
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in the audience. After trying for twenty seconds of this

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song playing through some instrumental I finally said, folks, I

272
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forgot the verse. Does anybody know this verse? And finally

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there was someone in the audience that yelled out the

274
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first couple of lines of the verse. I had it,

275
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and then I went through it, and everybody you know,

276
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went along with it. But yeah, yeah, so I do

277
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I do mix it up. It generally, it's it's the same.

278
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There's there's some songs that are always there. Yeah, but

279
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then there are others that I'll interchange.

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Speaker 1: Okay, okay, So we have somebody on the line, Hello,

281
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welcome to the show. Hello. Oh, I guess they can't

282
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hear me. Hello, all right, I guess they hung up.

283
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I I know who it is, but they they called,

284
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and then I don't know, they didn't stay on the line.

285
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But that's interesting that so when you're going around and

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you're talking to everybody before the show, so in a sense,

287
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they're actually helping shape the show. Yeah, yeah, and they

288
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don't and they don't even know. Because it's funny because

289
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as you're going around and you're introducing yourself to people

290
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and asking them questions like what's your favorite Harry Chapin

291
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song and things like that, it probably never even occurs

292
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to them that they're influencing what the show is going

293
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to be that night to you know, to a small extent,

294
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But it does, and that's pretty cool.

295
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Speaker 2: Yeah. Well there, Like I said, there's a certain certain

296
00:16:03,840 --> 00:16:08,879
number of songs that these fans will expect. Yeah, if

297
00:16:08,919 --> 00:16:11,639
you're doing a Harry Chapin show and it's not you know,

298
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the typical songs always are Cats in the Cradle and Taxi. Yeah,

299
00:16:16,480 --> 00:16:20,399
but songs like Cory's Coming or Mister Tanner, you know,

300
00:16:20,480 --> 00:16:24,279
songs like that were kind of the general audience out

301
00:16:24,279 --> 00:16:26,679
there may not be familiar with, unless sure they would

302
00:16:26,679 --> 00:16:30,759
go to Harry Chapin concerts. Yeah, but these folks, the

303
00:16:30,759 --> 00:16:33,559
ones that come to this show, they know them.

304
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Speaker 3: Yeah.

305
00:16:34,200 --> 00:16:36,360
Speaker 2: Yeah, so that's it. It makes it, It makes it great.

306
00:16:36,399 --> 00:16:37,200
It makes a lot of fun.

307
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Speaker 1: Oh that's awesome. Oh. I was trying to answer the

308
00:16:39,960 --> 00:16:44,679
phone again, but uh, there's nobody there. God bless them

309
00:16:44,679 --> 00:16:47,399
for trying. But I don't know. It's like they get impatient,

310
00:16:47,440 --> 00:16:50,759
I guess, and hang up. Yeah. No, that's all right.

311
00:16:50,759 --> 00:16:53,879
We're gonna try this one more time because the phone's ran. Hello,

312
00:16:53,919 --> 00:16:54,519
You're on the air.

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Speaker 6: Hello, Hello, Matt.

314
00:16:59,759 --> 00:17:01,200
Speaker 1: Yeah, yes, welcome. You're on the air.

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00:17:03,039 --> 00:17:05,480
Speaker 6: Well, thank you, Hey, Lou, how you doing?

316
00:17:06,519 --> 00:17:07,079
Speaker 3: Hi? Len?

317
00:17:07,119 --> 00:17:09,559
Speaker 2: How are you?

318
00:17:09,599 --> 00:17:10,799
Speaker 6: How do you know it's me?

319
00:17:12,359 --> 00:17:15,799
Speaker 2: I know I know your voice. Plus Matt gave me

320
00:17:15,839 --> 00:17:19,400
a little hint with the hashtag when indw do something.

321
00:17:19,880 --> 00:17:22,960
Speaker 6: Ah, yes, I didn't mean to be so obvious.

322
00:17:23,720 --> 00:17:29,640
Speaker 1: So who are you Lenn? No, I was asking, who

323
00:17:29,640 --> 00:17:31,799
are you? Lenin? But turn down your radio? Please? Are

324
00:17:31,799 --> 00:17:36,119
your computer? We're getting uh, we're hearing everything twice.

325
00:17:38,200 --> 00:17:41,640
Speaker 6: Ah, I'm sorry about that. I'm upstairs at home, not

326
00:17:41,799 --> 00:17:44,079
in the studio, so I'm probably Let me let me

327
00:17:44,079 --> 00:17:46,400
see what I can do about killing some sound? Here?

328
00:17:47,279 --> 00:17:48,000
Is any better?

329
00:17:48,359 --> 00:17:51,240
Speaker 1: Yeah? Sounds fine? Sounds fine? So who are you, Lend?

330
00:17:51,599 --> 00:17:51,920
Speaker 3: How do you?

331
00:17:51,960 --> 00:17:52,720
Speaker 1: How do you know? Lou?

332
00:17:54,680 --> 00:17:58,519
Speaker 6: Well? Lou and I got acquainted because of the Harry

333
00:17:58,599 --> 00:18:04,400
Chapin based community. I was a friend of Harry's and

334
00:18:05,240 --> 00:18:10,279
I host a monthly uh podcast, I guess you could

335
00:18:10,319 --> 00:18:14,519
call it called Cake and Chat Live, which is global. Oh.

336
00:18:14,680 --> 00:18:18,359
We joined in and lets us with his talents, and

337
00:18:18,799 --> 00:18:23,039
oh we've been uh, we've become great friends over time.

338
00:18:23,160 --> 00:18:27,119
And I think what Lou is doing with you, me

339
00:18:27,240 --> 00:18:31,200
and Harry is just not only a phenomenal show and tribute,

340
00:18:31,839 --> 00:18:38,440
but it's extremely unique in what goes on with respect

341
00:18:38,519 --> 00:18:44,640
to Harry's music, memory and his humanitarian legacy.

342
00:18:46,119 --> 00:18:51,759
Speaker 1: Oh well, that's that's quite an endorsements in the mouth.

343
00:18:54,759 --> 00:18:57,440
Speaker 6: Well, no, I really don't have to. I really don't

344
00:18:57,480 --> 00:18:59,720
have to promote Lou all that much. He's a very

345
00:18:59,720 --> 00:19:01,319
good shameless self promotion.

346
00:19:03,039 --> 00:19:07,039
Speaker 1: Oh my, Well, that's that's what it takes, though, Right,

347
00:19:07,079 --> 00:19:09,319
that's important. You know, nobody's gonna do it for you. You

348
00:19:09,319 --> 00:19:11,799
got to get out there and do it. So that's

349
00:19:11,839 --> 00:19:12,319
what it takes.

350
00:19:12,359 --> 00:19:16,799
Speaker 6: Absolutely. I just I just figured i'd give Lou a

351
00:19:16,839 --> 00:19:19,119
little bit of a surprise from down here in Jue

352
00:19:19,160 --> 00:19:23,119
ofs Thattre's Argentina and Lou I am streaming this on

353
00:19:23,119 --> 00:19:26,359
on the community page, so everybody's getting it all over

354
00:19:26,400 --> 00:19:26,880
the world.

355
00:19:27,599 --> 00:19:30,519
Speaker 1: Fantastic, right, We like that. We like that.

356
00:19:31,279 --> 00:19:33,279
Speaker 6: Nothing wrong with that, huh.

357
00:19:32,920 --> 00:19:36,000
Speaker 1: Not a thing? Not a thing? Well, very good line.

358
00:19:36,079 --> 00:19:38,359
We appreciate you any any anything.

359
00:19:38,000 --> 00:19:44,079
Speaker 6: Else, nothing really, just Lou break a leg and we

360
00:19:44,160 --> 00:19:47,559
appreciate what you're doing for for Harry, for the community,

361
00:19:47,640 --> 00:19:52,920
and gosh, you know, look, I knew Harry for several

362
00:19:53,039 --> 00:19:57,200
years before his untimely death, and I was pretty close

363
00:19:57,279 --> 00:20:01,519
with him. One thing that Lou's show has that no

364
00:20:01,720 --> 00:20:06,759
other show has. Harry had this incredible ability and Lou

365
00:20:06,880 --> 00:20:10,119
kind of described it. But whether you were in an

366
00:20:10,200 --> 00:20:14,480
intimate setting with Harry or a thirty five thousand seat

367
00:20:14,559 --> 00:20:20,799
arena stadium, amphitheater, you felt like you were sitting in

368
00:20:20,880 --> 00:20:23,759
your living room with him or in his living room.

369
00:20:24,680 --> 00:20:28,599
And that's the uniqueness of Lou's show.

370
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Speaker 3: Wow.

371
00:20:29,519 --> 00:20:33,839
Speaker 6: He doesn't try to be Harry, but you feel it. Yeah,

372
00:20:34,000 --> 00:20:40,319
you're just taken back. And it's become generational because we

373
00:20:40,440 --> 00:20:48,039
now have three generations of people truly enjoying Harry's stories

374
00:20:48,079 --> 00:20:52,839
and music and LOUI, you're just doing a great thing man.

375
00:20:53,160 --> 00:20:55,720
Speaker 1: Yeah, absolutely, absolutely, very good.

376
00:20:55,839 --> 00:20:57,400
Speaker 2: Thanks Lynn, very good.

377
00:20:57,519 --> 00:20:59,480
Speaker 1: Well, Lenn, thank you, thank you so much for colling.

378
00:20:59,559 --> 00:21:02,359
She's all the away from uh all the way from Argentina.

379
00:21:02,599 --> 00:21:05,440
Is that where you said you are absolutely wow? And

380
00:21:05,880 --> 00:21:07,759
and what's the name of your podcast one more time,

381
00:21:07,839 --> 00:21:09,440
Let's let's give that a quick plug while you're on

382
00:21:09,480 --> 00:21:09,759
the line.

383
00:21:09,759 --> 00:21:14,440
Speaker 6: It's called Shaping Chat Live, Okay, and it's generally the

384
00:21:14,480 --> 00:21:21,519
second night, second Saturday night of every month, and you

385
00:21:21,599 --> 00:21:26,160
can find us in Facebook at Harry Chapin. Long live

386
00:21:26,240 --> 00:21:30,960
Harry Chapin and join the community. We welcome folks all

387
00:21:31,000 --> 00:21:36,079
the time. And Matta, you've got an open invitation to

388
00:21:36,200 --> 00:21:39,519
join us for any of the Chapen sat Live shows.

389
00:21:39,839 --> 00:21:42,680
Speaker 1: Very good, very good, All right, we will check that out,

390
00:21:42,880 --> 00:21:43,200
all right.

391
00:21:43,279 --> 00:21:43,519
Speaker 4: Land.

392
00:21:43,519 --> 00:21:45,319
Speaker 1: Well, hey, it's wonderful to meet you, and thank you

393
00:21:45,359 --> 00:21:46,240
for calling us today.

394
00:21:47,400 --> 00:21:49,799
Speaker 6: My pleasure. You guys have a good show, all right.

395
00:21:49,839 --> 00:21:54,160
Speaker 1: Thanks, Thanks Lynn, take care bye bye bye bye. Well

396
00:21:54,160 --> 00:21:56,799
that's pretty cool. Huh, it's quite an endorsement. He's very

397
00:21:56,880 --> 00:21:58,160
enthusiastic about what you're doing.

398
00:21:58,319 --> 00:22:01,400
Speaker 2: He's uh, well, he said he was a very good

399
00:22:01,400 --> 00:22:04,440
friend of Harry's and yeah, and he was a DJ

400
00:22:04,680 --> 00:22:08,480
for many years. Oh okay, and that's how he met Harry. Okay,

401
00:22:08,559 --> 00:22:10,880
when he was DJ in and Harry was doing his

402
00:22:11,359 --> 00:22:14,920
DJ stops like in the old days when we were promoting. Yeah,

403
00:22:15,279 --> 00:22:19,559
and they became friends. And he runs this this podcast

404
00:22:19,599 --> 00:22:24,240
and this group on Facebook. And he does have a

405
00:22:24,319 --> 00:22:26,920
couple thousand members all over the world.

406
00:22:26,960 --> 00:22:27,799
Speaker 1: Oh fantastic.

407
00:22:27,799 --> 00:22:29,039
Speaker 2: So it's it's a lot of fun.

408
00:22:29,160 --> 00:22:31,440
Speaker 1: Yeah, that's excellent. That's excellent. Well, do you want to

409
00:22:31,440 --> 00:22:32,359
play something for us?

410
00:22:32,799 --> 00:22:36,519
Speaker 2: Sure? Sure, one of the songs I wanted to do

411
00:22:36,599 --> 00:22:39,720
from the show for you. As a matter of fact,

412
00:22:39,920 --> 00:22:42,240
I think we have a little clip on this one too.

413
00:22:43,039 --> 00:22:48,960
Let's see here Martin Tuberty. Oh yeah, yeah, I'll set

414
00:22:49,000 --> 00:22:50,640
it up a little bit, and then that little clip

415
00:22:50,680 --> 00:22:55,880
can set it up even further. Yeah. You know, like

416
00:22:55,920 --> 00:22:58,559
we've talked about, there's a lot of interaction during the show.

417
00:22:59,319 --> 00:23:02,599
And when I go to introduce Harry's song Mister Tanner,

418
00:23:03,400 --> 00:23:08,400
which is a song about a dry cleaner who also

419
00:23:08,440 --> 00:23:13,519
sings opera on the side. His name is Martin Tuberty

420
00:23:13,759 --> 00:23:19,440
and it's a Harry Chapin fan favorite. If you've been

421
00:23:19,480 --> 00:23:24,000
to Harry Chapin concerts, you know this song. And I

422
00:23:24,039 --> 00:23:27,480
was doing a show in Vermont and I typically will

423
00:23:27,519 --> 00:23:31,079
be to start this song. I'll say, anybody in the

424
00:23:31,119 --> 00:23:35,599
audience know who Martin Tuberty is, and someone will raised

425
00:23:35,640 --> 00:23:39,240
their hand or maybe not, maybe nobody does. And this

426
00:23:39,319 --> 00:23:41,519
gentleman in the middle of the audience raises his hand.

427
00:23:41,599 --> 00:23:45,759
He's like, oh, excited, and I figure he's going to say, yeah,

428
00:23:46,200 --> 00:23:50,480
Martin Tuberty is really mister Tanner. So I call on

429
00:23:50,599 --> 00:23:56,039
him and it turns out, well, let's play the clip

430
00:23:56,039 --> 00:23:58,000
and you will see what happens, right, cool, let's play

431
00:23:58,039 --> 00:24:01,839
the clip by the name of Martin. Does that ring

432
00:24:01,880 --> 00:24:05,039
a bell for anybody out? Okay, he's our next door neighbor.

433
00:24:07,039 --> 00:24:09,160
Speaker 9: Really, it lives across the street from us, the real,

434
00:24:09,519 --> 00:24:10,799
the real Martin Skruberty.

435
00:24:10,880 --> 00:24:12,039
Speaker 1: I'll tell you about it at the break.

436
00:24:12,039 --> 00:24:14,519
Speaker 2: But I wish I knew I would have him come

437
00:24:14,599 --> 00:24:20,079
do his part, So we're gonna do it without Martin. Ah,

438
00:24:20,119 --> 00:24:23,039
but I can't believe that you're serious.

439
00:24:24,119 --> 00:24:26,160
Speaker 9: There's a whole story behind it. But yeah, I figured

440
00:24:26,160 --> 00:24:28,920
it out. I asked him, he confirmed it. He did

441
00:24:28,960 --> 00:24:32,599
not know that it was him until I told him

442
00:24:32,599 --> 00:24:35,119
about it, and then ultimately he got in touch with

443
00:24:35,160 --> 00:24:36,680
Tom and they've actually.

444
00:24:36,480 --> 00:24:38,279
Speaker 2: They've used him in a couple of shows, used him

445
00:24:38,279 --> 00:24:41,160
in some shows. Can you call him? You think he

446
00:24:41,160 --> 00:24:42,519
could come over and do it with us?

447
00:24:42,799 --> 00:24:44,200
Speaker 9: Be a three and a half hour drive for him?

448
00:24:44,240 --> 00:24:47,200
Speaker 2: Oh okay, all right, you didn't drive three and a

449
00:24:47,200 --> 00:24:52,640
half hours too. We did. But the other day, Oh okay,

450
00:24:52,880 --> 00:24:56,319
thank you for being here so much. Okay, anyway, sorry,

451
00:24:56,359 --> 00:25:00,200
folks to a little side conversation. So you you do

452
00:25:00,319 --> 00:25:04,240
know Martinbery, Martin Martin Herberty. At the time, the way

453
00:25:04,240 --> 00:25:09,359
I understand it. Lived in western Connecticut, and he had

454
00:25:09,400 --> 00:25:12,119
gone twice to New York City once in nineteen seventy

455
00:25:12,119 --> 00:25:16,000
one nineteen seventy two. He was a dry cleaner who

456
00:25:17,400 --> 00:25:21,839
on the side sang opera, loved opera, and so he

457
00:25:21,920 --> 00:25:25,599
went in for his big time shot in New York

458
00:25:26,400 --> 00:25:32,119
and both times he got panned rather unceremoniously by the critics.

459
00:25:33,079 --> 00:25:37,160
And so Harry actually read the story and he saw

460
00:25:37,200 --> 00:25:42,440
it twice in the New York Times. And Harry, you

461
00:25:42,640 --> 00:25:47,759
changed the name from mister Turberty to mister Tanner. It

462
00:25:47,920 --> 00:25:52,319
changed the city from western Connecticut to Dayton, Ohio, and

463
00:25:52,400 --> 00:25:58,680
you get probably one of his fans all time favorites,

464
00:26:00,200 --> 00:26:01,480
thing called mister Tanner.

465
00:26:02,000 --> 00:26:02,720
Speaker 1: That's crazy.

466
00:26:02,759 --> 00:26:02,920
Speaker 5: Though.

467
00:26:02,920 --> 00:26:05,640
Speaker 1: There was somebody there wow who just wow.

468
00:26:05,599 --> 00:26:08,359
Speaker 2: Yeah, And it was It was interesting because Martin lives

469
00:26:08,359 --> 00:26:12,000
in in Connecticut still does. His show was up in Vermont,

470
00:26:12,039 --> 00:26:16,640
and here this gentleman was on vacation with his wife

471
00:26:16,759 --> 00:26:19,920
up in Vermont because he lives down in Connecticut and

472
00:26:20,359 --> 00:26:23,440
saw the promotion for the show and chap and fans,

473
00:26:23,480 --> 00:26:24,759
so he had to come to the show.

474
00:26:25,480 --> 00:26:25,759
Speaker 6: Wow.

475
00:26:25,799 --> 00:26:29,799
Speaker 2: So it was really pretty interesting. That's cool anyway, So

476
00:26:30,440 --> 00:26:32,920
let me do a little bit, mister Tanner. So when Harry,

477
00:26:32,960 --> 00:26:37,319
when Harry does mister Tanner, his bass player, Big John Wallace,

478
00:26:37,759 --> 00:26:40,799
would sing this operatic part in the background.

479
00:26:40,839 --> 00:26:42,079
Speaker 1: Oh really yeah, oh wow.

480
00:26:42,119 --> 00:26:45,359
Speaker 2: And so when I do it, obviously there's no opera

481
00:26:45,400 --> 00:26:48,480
singer to sing along with me. But so that part's

482
00:26:48,519 --> 00:26:50,960
not in here, but the rest of the song is there. Okay,

483
00:26:51,079 --> 00:26:52,519
So mister Tanner all right.

484
00:27:02,000 --> 00:27:03,839
Speaker 3: Channel was cleaner.

485
00:27:04,039 --> 00:27:07,160
Speaker 2: From the town in the Midwest, and of all the

486
00:27:07,240 --> 00:27:09,319
clean and shots around, it.

487
00:27:09,400 --> 00:27:10,519
Speaker 3: Made his the best.

488
00:27:11,200 --> 00:27:15,799
Speaker 2: But he also was a baritone. Side while hanging clothes,

489
00:27:16,240 --> 00:27:21,000
he practiced scales, while pressing tales, sang at local shows.

490
00:27:22,519 --> 00:27:26,039
His friends and neighbors praised the voice going out from

491
00:27:26,079 --> 00:27:29,920
his throat, said that he should he use his gift

492
00:27:30,200 --> 00:27:40,799
instead of cleaning coats. The music was his life, It

493
00:27:40,880 --> 00:27:45,599
was not his livelihood. It had made him feel so happy,

494
00:27:46,720 --> 00:27:51,480
made him feel so good, and he sang from his heart,

495
00:27:51,960 --> 00:27:56,240
and he sang from his soul. He did not know

496
00:27:56,599 --> 00:28:09,680
how well he sang. It just made him who. His

497
00:28:09,720 --> 00:28:13,839
friends kept working on him to try music out full time,

498
00:28:14,640 --> 00:28:18,799
a big debut and raid reviews, great career to climb.

499
00:28:19,720 --> 00:28:23,839
Finally they got to him he would take the flame.

500
00:28:24,839 --> 00:28:29,359
A concert agent in New York agreed to have him sing,

501
00:28:30,640 --> 00:28:34,480
and they are up plane, ticket's phone calls. Money is

502
00:28:34,599 --> 00:28:38,880
spent to rent the hall. It took most of his savings,

503
00:28:39,119 --> 00:28:49,400
but he gladly used them. All with music was his life.

504
00:28:50,079 --> 00:28:54,319
It was not desively head and it made him feel

505
00:28:54,480 --> 00:28:58,680
so happy and made him feel the sucker. And he

506
00:28:58,880 --> 00:29:04,160
sang from his heart, and he sang from his sword.

507
00:29:04,440 --> 00:29:08,240
He did not know how well he said. It just

508
00:29:08,400 --> 00:29:21,880
made him whole. The evening came. He took the stage

509
00:29:22,160 --> 00:29:26,240
space set in a smile, and the Halffield haul. The

510
00:29:26,279 --> 00:29:31,400
critics side watching on the aisle, But the concert was

511
00:29:31,519 --> 00:29:34,759
a bird of him in spite of resolve the flause.

512
00:29:35,400 --> 00:29:39,319
He did not know how well he sang, only heard

513
00:29:39,359 --> 00:29:44,079
the flaws. But the critics were concise.

514
00:29:45,160 --> 00:29:47,279
Speaker 3: All it took four lions.

515
00:29:47,960 --> 00:29:59,799
Speaker 2: No one could accuse them of being over kind. Mister Martin,

516
00:30:01,039 --> 00:30:05,720
baritone of Dayton, Ohio, made his town hall debut last night.

517
00:30:06,720 --> 00:30:11,680
He became well prepared, but unfortunately his presentation was not

518
00:30:11,880 --> 00:30:16,720
up to contemporary professional standards. His voice lacked the range

519
00:30:16,720 --> 00:30:24,920
of tonal color necessary to make it consistently interesting. Full

520
00:30:25,000 --> 00:30:41,640
time consideration of another endeavor might be in order. He

521
00:30:41,759 --> 00:30:45,920
came home to Dayton and was questioned by his friends,

522
00:30:46,559 --> 00:30:51,720
smiled and just said nothing, never signicated.

523
00:30:53,759 --> 00:30:54,359
Speaker 3: Accept it.

524
00:30:55,240 --> 00:30:59,960
Speaker 2: Very late at night, when the shop was dark and clothed,

525
00:31:05,200 --> 00:31:11,920
he sang softly to himself as he sorted through the

526
00:31:12,039 --> 00:31:25,920
clos to music was his life, it was not his livelihood,

527
00:31:26,920 --> 00:31:31,680
and it made him feel so happy, made him feel

528
00:31:32,519 --> 00:31:39,359
so good. And he signed from his heart, sang from

529
00:31:39,480 --> 00:31:44,240
his soul. He did not know how well he sang.

530
00:31:45,319 --> 00:31:48,599
It just made him whole.

531
00:32:04,799 --> 00:32:06,839
Speaker 3: Oh I love that. That is so good. That was

532
00:32:06,880 --> 00:32:07,440
awesome that.

533
00:32:07,519 --> 00:32:10,240
Speaker 1: It's so good. If you're just joining us. Lou Antonucci

534
00:32:10,359 --> 00:32:12,319
is here with us alive in studio and we've been

535
00:32:12,319 --> 00:32:16,559
talking about his show You Me and Harry, and uhh

536
00:32:16,640 --> 00:32:19,640
that's you know, it's funny to that song. It's like, uh,

537
00:32:20,200 --> 00:32:22,279
it's funny but sad at the same time, you know,

538
00:32:22,440 --> 00:32:25,359
And is that is that? Obviously that's something that Harry

539
00:32:25,440 --> 00:32:28,880
Chapin was really pretty good at. Yeah, you know, pulling

540
00:32:28,920 --> 00:32:29,200
that off.

541
00:32:29,279 --> 00:32:31,400
Speaker 2: Yeah, you know, because most of Harry's songs, they deal

542
00:32:31,519 --> 00:32:35,880
with emotion, they deal with people, uh in these situations,

543
00:32:35,960 --> 00:32:39,279
and which is which is why my wife will never

544
00:32:39,359 --> 00:32:41,240
go to the show because she says all she does

545
00:32:42,319 --> 00:32:45,559
really she does his cry at Harry Chain song.

546
00:32:46,400 --> 00:32:46,599
Speaker 4: Wow.

547
00:32:46,839 --> 00:32:49,079
Speaker 1: Yeah, but that that was Harry.

548
00:32:49,319 --> 00:32:51,880
Speaker 2: Although he's got his uh you know, he's got his

549
00:32:52,000 --> 00:32:55,640
songs like thirty thousand pounds of bananas, uh and six

550
00:32:55,680 --> 00:32:58,400
string orchestra and so you know during the show there

551
00:32:58,759 --> 00:33:01,680
there's the mix. Yeah, you know where we do the

552
00:33:01,799 --> 00:33:04,319
upbeat and some funny songs as well.

553
00:33:04,599 --> 00:33:08,920
Speaker 1: Yeah, well what what It probably depends on the audience, right,

554
00:33:09,079 --> 00:33:11,400
I would imagine this various from show to show, but

555
00:33:11,480 --> 00:33:13,759
maybe not is is there is there any particular song

556
00:33:13,839 --> 00:33:17,759
that really kind of it gets gets a particularly you know,

557
00:33:17,920 --> 00:33:20,319
strong reaction from the crowd or where.

558
00:33:20,599 --> 00:33:25,720
Speaker 2: Well, there's there's a couple certainly Taxi does. Yeah, you

559
00:33:25,799 --> 00:33:30,960
know that's uh, everybody just I mean Taxi typically. I

560
00:33:31,039 --> 00:33:34,319
know that last show I did in Pittsburgh, everybody was

561
00:33:34,880 --> 00:33:38,240
they were singing every word, yeah, you know, of every

562
00:33:38,359 --> 00:33:39,680
verse with me for the whole song.

563
00:33:40,359 --> 00:33:41,279
Speaker 3: Uh and uh.

564
00:33:41,880 --> 00:33:43,720
Speaker 2: And I'll do that one in a little bit. One

565
00:33:43,759 --> 00:33:47,720
of the one of the songs that I think everybody

566
00:33:47,839 --> 00:33:50,640
really gets into because Harry used to always close his

567
00:33:50,799 --> 00:33:55,319
show with it, is a song called Circle Okay, uh

568
00:33:55,559 --> 00:33:59,599
and you know, I never thought about how pervasive this

569
00:33:59,720 --> 00:34:03,039
song is until he's doing a show up in Laconia.

570
00:34:03,240 --> 00:34:05,839
I just my regular planet at Fortello was up in

571
00:34:05,960 --> 00:34:08,480
Laconia one night and there was a grandmother there with

572
00:34:08,599 --> 00:34:12,639
her young granddaughter who is probably about six, and they

573
00:34:12,679 --> 00:34:16,559
came up to me during a break and the grandmother said,

574
00:34:16,599 --> 00:34:20,079
we just love your music. And I looked at the

575
00:34:20,199 --> 00:34:23,239
little girl, the little girl, and I said, you know,

576
00:34:23,360 --> 00:34:25,679
you probably don't know a lot of these songs, right,

577
00:34:25,800 --> 00:34:28,400
because the songs I do are from the seventies and

578
00:34:28,480 --> 00:34:33,039
eighties and certainly Harry Chapin stuff. And the little girl says, oh, no, no,

579
00:34:33,519 --> 00:34:36,679
I know Circle. I love I love Circle. And I

580
00:34:36,719 --> 00:34:39,360
said really, and she goes, yeah, we sing it every

581
00:34:39,480 --> 00:34:41,199
Sunday at Sunday School.

582
00:34:41,400 --> 00:34:41,840
Speaker 1: Oh wow.

583
00:34:42,079 --> 00:34:44,519
Speaker 2: So it's just so, you know, that's the thing about

584
00:34:44,920 --> 00:34:49,559
Harry and his music. It's still you know, multiple generations,

585
00:34:49,639 --> 00:34:52,519
it's still you know, very prevalent today. But when we

586
00:34:52,639 --> 00:34:54,960
do this song, I think I've got a clip if

587
00:34:54,960 --> 00:34:57,079
you want to play, I can play this clip. I

588
00:34:57,119 --> 00:34:59,559
have a circle where what I do is I this

589
00:34:59,679 --> 00:35:04,119
is where I get the audience engaged with singing along,

590
00:35:04,199 --> 00:35:07,639
and I'll bring up individual members and then hopefully go

591
00:35:07,800 --> 00:35:09,000
out with everybody singing.

592
00:35:09,320 --> 00:35:11,679
Speaker 1: Yeah, let's take a listen, let's check this out.

593
00:35:13,639 --> 00:35:14,000
Speaker 3: All right?

594
00:35:14,679 --> 00:35:17,760
Speaker 2: Okay, now, Johnny, I want you to show him how

595
00:35:17,800 --> 00:35:18,199
it's done.

596
00:35:18,239 --> 00:35:19,840
Speaker 1: I've never done this song in my life.

597
00:35:20,239 --> 00:35:21,239
Speaker 3: You're gonna do it now.

598
00:35:22,280 --> 00:35:26,559
Speaker 2: Here we go one two, one two three, Go ahead.

599
00:35:26,719 --> 00:35:35,199
Speaker 10: All my lives a circle, sunrise and sundown, roll through

600
00:35:35,480 --> 00:35:41,800
the night time to the day. Break comes around. All

601
00:35:42,000 --> 00:35:46,400
my lives a circle, but I has hell.

602
00:35:46,599 --> 00:35:47,440
Speaker 3: You are.

603
00:35:48,920 --> 00:35:51,480
Speaker 2: Season spinning round again?

604
00:35:52,480 --> 00:35:54,679
Speaker 1: These in need ruling by.

605
00:35:56,599 --> 00:35:57,400
Speaker 6: Go don.

606
00:36:01,119 --> 00:36:03,480
Speaker 2: Okay, one more time, folks. I want you to build

607
00:36:03,519 --> 00:36:05,880
it out now and then we'll have a big finish.

608
00:36:05,920 --> 00:36:08,360
Speaker 3: Here we go, chee.

609
00:36:08,719 --> 00:36:10,159
Speaker 2: Oh wait, she want to sing it?

610
00:36:10,880 --> 00:36:14,920
Speaker 3: Oh wait, she's gonna sing it right in the mic.

611
00:36:14,960 --> 00:36:17,679
Speaker 2: Down there you go, ready ready?

612
00:36:18,119 --> 00:36:25,000
Speaker 5: Oh oh my lives circle, suns, sundown, don't fall asleep,

613
00:36:25,960 --> 00:36:31,239
rose through the nighttime, Jess, the all great comes a riding.

614
00:36:32,920 --> 00:36:36,960
Speaker 1: Oh my lives a circle, But I can't let.

615
00:36:36,960 --> 00:36:38,000
Speaker 3: Me tell you what.

616
00:36:39,800 --> 00:36:47,599
Speaker 1: Jesus speeding around again? Yeas keep rolling? Hey you.

617
00:36:52,000 --> 00:36:52,320
Speaker 4: All right?

618
00:36:52,440 --> 00:36:54,119
Speaker 2: Does anybody else want to come up?

619
00:36:54,159 --> 00:36:54,840
Speaker 3: And you all right?

620
00:36:54,960 --> 00:37:02,320
Speaker 8: Joe gets your BT up here, Joe, Joe happens to

621
00:37:02,400 --> 00:37:07,400
be a personal acquaintance of Harriet den.

622
00:37:06,079 --> 00:37:09,800
Speaker 2: Go one soon, one two three farm.

623
00:37:10,119 --> 00:37:15,960
Speaker 1: All my lines a circle, sunrise, it's a down.

624
00:37:17,199 --> 00:37:23,000
Speaker 11: The moon rose smooth a nighttime till the daybreak comes around.

625
00:37:24,880 --> 00:37:26,320
Speaker 2: All my lines a.

626
00:37:26,480 --> 00:37:34,719
Speaker 11: Circle, and I can't tell you why season dream run again.

627
00:37:35,760 --> 00:37:37,800
The year's ruling.

628
00:37:37,760 --> 00:37:39,559
Speaker 3: By the jod.

629
00:37:43,719 --> 00:37:46,480
Speaker 2: Okay, folks, this is it, everybody now, I want to

630
00:37:46,519 --> 00:37:48,519
hear you as loud as you can do you we

631
00:37:48,639 --> 00:37:51,719
want Harry to hear you upstairs. Here we go one

632
00:37:52,400 --> 00:38:00,119
two one joke. All my lives a circle sunrise and

633
00:38:00,480 --> 00:38:01,119
some dawn.

634
00:38:02,559 --> 00:38:04,039
Speaker 3: The moon rolls.

635
00:38:03,800 --> 00:38:10,519
Speaker 2: Through the night time till the day comes around. All

636
00:38:10,840 --> 00:38:19,199
my life, sistercle I can't tell you are season spinning

637
00:38:19,519 --> 00:38:23,440
round again? And the year's keeping by.

638
00:38:23,639 --> 00:38:25,199
Speaker 1: Here we go, big finish and the.

639
00:38:26,760 --> 00:38:26,960
Speaker 8: Key.

640
00:38:38,880 --> 00:38:41,760
Speaker 2: Thank you so much, good body, it's been so much fun.

641
00:38:42,360 --> 00:38:42,679
Speaker 3: Thank you.

642
00:38:49,039 --> 00:38:51,199
Speaker 1: You know what? Uh, that's cool. You know what strikes

643
00:38:51,239 --> 00:38:52,760
me about that too as we're listening to that is,

644
00:38:52,800 --> 00:38:55,199
even if you're not a Harry Chapin fan, even if

645
00:38:55,239 --> 00:38:57,840
you just happen to buy a ticket to the show

646
00:38:57,880 --> 00:38:59,920
because you're looking for something to do that night, You're like,

647
00:39:00,159 --> 00:39:02,079
I'll check this out. See what it is. That sounds fun,

648
00:39:02,199 --> 00:39:02,760
you know what I mean?

649
00:39:03,360 --> 00:39:06,239
Speaker 2: You know, and that uh, and that's how we finished

650
00:39:06,280 --> 00:39:06,599
the show.

651
00:39:06,800 --> 00:39:09,039
Speaker 1: Yeah, yeah, that's a that's a great Yeah, that's a

652
00:39:09,079 --> 00:39:09,719
great way to do it.

653
00:39:09,840 --> 00:39:11,440
Speaker 2: I've had people come up to me, I know, the

654
00:39:11,960 --> 00:39:17,679
the when I play in in Brownsville, PA at the

655
00:39:18,880 --> 00:39:23,960
Cultural Center there. The CEO of the Mont Valley Academy

656
00:39:24,000 --> 00:39:28,480
for the Arts, which runs that event, came up to me,

657
00:39:29,119 --> 00:39:31,079
and he's a musician. He and I know each other

658
00:39:31,159 --> 00:39:33,719
from years ago because I lived in that area. He

659
00:39:33,840 --> 00:39:36,079
came up to me after when I'd done the show

660
00:39:36,119 --> 00:39:39,480
there and he said, I was never really a Harry

661
00:39:39,559 --> 00:39:40,599
Chapin fan.

662
00:39:40,480 --> 00:39:42,400
Speaker 3: But I am now, No kidding.

663
00:39:42,599 --> 00:39:44,519
Speaker 2: That's cool, so that makes it all worthwhile.

664
00:39:44,719 --> 00:39:47,599
Speaker 1: Absolutely, absolutely, you want to do uh, you want to

665
00:39:47,679 --> 00:39:48,599
do taxi? Yeah?

666
00:39:48,719 --> 00:39:49,599
Speaker 2: Sure, I want to.

667
00:39:49,639 --> 00:39:50,920
Speaker 1: I want to make sure we don't run out of

668
00:39:51,000 --> 00:39:52,880
time because this is because you've played this far as

669
00:39:52,960 --> 00:39:54,599
before and it's really good.

670
00:39:56,039 --> 00:39:57,880
Speaker 2: Just a little note on this one. A lot of

671
00:39:57,920 --> 00:40:00,199
people we tell the story in the show, a lot

672
00:40:00,239 --> 00:40:03,920
of people wonder is that a true story? And at

673
00:40:03,960 --> 00:40:05,599
the end of the day, it's really not. Harry never

674
00:40:05,719 --> 00:40:11,280
drove a taxi. I never picked up a fair name sue. Okay. However,

675
00:40:11,719 --> 00:40:16,199
he did have a college girlfriend named Kate McIntyre or

676
00:40:16,280 --> 00:40:20,360
Claire McIntyre, excuse me. And she left New York and

677
00:40:21,079 --> 00:40:24,559
moved to San Francisco to study, and they kind of

678
00:40:24,599 --> 00:40:27,760
fell apart. They were dating, you know, quite quite a bit.

679
00:40:28,480 --> 00:40:31,840
And really this was his song about what would happen

680
00:40:31,880 --> 00:40:34,159
if the two of them would meet up. So that's

681
00:40:34,199 --> 00:40:35,440
really the evolution.

682
00:40:35,159 --> 00:40:35,599
Speaker 3: Of this song.

683
00:40:42,000 --> 00:40:46,639
Speaker 2: It was raining hard in for school. Needed one more

684
00:40:46,800 --> 00:40:51,480
fair to make my name. Lady up ahead, will wave

685
00:40:51,599 --> 00:40:52,840
to flag me down?

686
00:40:53,760 --> 00:40:54,679
Speaker 3: She got him.

687
00:40:59,119 --> 00:41:03,039
Speaker 2: Now where you go in to my lady Blue? It's

688
00:41:03,280 --> 00:41:09,599
shame you ruin your gown in the rain. She just

689
00:41:10,039 --> 00:41:24,840
looked out the window, said sixteen park side n something

690
00:41:25,000 --> 00:41:29,360
about who was familiar. I could swear I'd seen her

691
00:41:29,440 --> 00:41:35,559
face before. But she said, I'm sure you're mistaken, And

692
00:41:35,719 --> 00:41:42,440
she didn't say anything more. Took a while, but she

693
00:41:42,599 --> 00:41:47,119
looked in the mirror. Then she glanced at the license

694
00:41:47,559 --> 00:41:52,280
for my name. Smile seemed to come to her slowly.

695
00:41:52,679 --> 00:41:59,880
It was a sad smile, just the same, and she said,

696
00:42:00,280 --> 00:42:05,119
how are you, Harry? I said, how are you? Soon?

697
00:42:06,559 --> 00:42:10,400
Through the too many miles two little smiles.

698
00:42:10,920 --> 00:42:14,800
Speaker 3: I still remember you.

699
00:42:29,960 --> 00:42:34,920
Speaker 2: Yes, it was somewhere in a faery tale. I used

700
00:42:34,920 --> 00:42:38,960
to take her home in my car. We learned a

701
00:42:39,119 --> 00:42:42,760
bottle all in the back of the dodge. The lesson

702
00:42:43,159 --> 00:42:50,480
hadn't gone too far. She was going to be an actress.

703
00:42:52,199 --> 00:42:54,199
Speaker 3: I was going to learn to fly.

704
00:42:56,639 --> 00:42:58,960
Speaker 2: She took off to find the footlights.

705
00:43:00,159 --> 00:43:02,760
Speaker 3: I took golf to find this guy.

706
00:43:10,039 --> 00:43:16,400
Speaker 2: I got something insided me to drive a princess bling.

707
00:43:17,440 --> 00:43:25,360
There's a wild man whoizard hiding in me, illuminating my mind.

708
00:43:28,880 --> 00:43:34,480
I have got something inside me. Now what my life's about?

709
00:43:35,960 --> 00:43:46,679
Deciding lim my outside tied me over till my time wrong.

710
00:44:00,119 --> 00:44:00,519
Speaker 6: This a.

711
00:44:02,280 --> 00:44:15,840
Speaker 2: That she's skying, Yes, she's flying free to fall. I'll

712
00:44:16,039 --> 00:44:28,199
tell you why. Babies crying because she's died hard. We all,

713
00:44:41,000 --> 00:44:44,119
but there was not much more for us to talk about.

714
00:44:45,239 --> 00:44:50,159
Whatever we had once is gone. So it turned my

715
00:44:50,400 --> 00:44:55,039
cab into the driveway past the gate and the fine

716
00:44:55,280 --> 00:45:03,480
trim lives. And she's said we must get together, but

717
00:45:03,599 --> 00:45:08,159
I knew we'd never be raged. And she'd hand me

718
00:45:08,280 --> 00:45:13,599
twenty dollars for two fifty fair. She said, Harry, keep

719
00:45:13,679 --> 00:45:22,159
the change. Well, another man might have been angry another

720
00:45:22,400 --> 00:45:24,079
man might have been heard.

721
00:45:25,599 --> 00:45:27,800
Speaker 3: Another man never would.

722
00:45:27,559 --> 00:45:32,400
Speaker 2: Have let her go. I stashed the bill in my shirt,

723
00:45:35,559 --> 00:45:42,719
and she walked toway silence. It's strange how you never know.

724
00:45:44,440 --> 00:45:49,480
We both gotten what we'd asked for such a long,

725
00:45:51,559 --> 00:45:59,119
long time ago. She was going to be an actress.

726
00:46:00,800 --> 00:46:06,199
I was going to learn to fly. She took off

727
00:46:06,320 --> 00:46:11,519
to find the footlights. I took off to find the sky.

728
00:46:16,280 --> 00:46:24,239
And here she's acting happy inside her handsome home. Me

729
00:46:25,519 --> 00:46:31,639
I'm flying in a taxi, taking tips and getting stilled.

730
00:46:35,320 --> 00:46:59,039
Speaker 3: I'll go fly. So when i'm stone, Oh.

731
00:46:58,960 --> 00:47:01,199
Speaker 1: My god, that is beautiful. Just go adow. Thank you,

732
00:47:01,320 --> 00:47:04,639
well done, thanks, well done. Absolutely, if you are just

733
00:47:04,719 --> 00:47:07,880
joining us. Lou Antonucci is here with us live in studio,

734
00:47:08,440 --> 00:47:11,480
and we've been talking about you, me and Harry. What's

735
00:47:11,559 --> 00:47:13,000
the full it's you, me and Harry.

736
00:47:13,440 --> 00:47:16,639
Speaker 2: Oh, you me and har Harry. Jeez, you Me and

737
00:47:16,760 --> 00:47:20,559
Harry celebrating the music of Harry Chapin, celebrating the music

738
00:47:20,599 --> 00:47:22,000
of Harry Chapin. Okay, I want to make sure we

739
00:47:22,079 --> 00:47:24,760
got the full title in there. And now when is

740
00:47:24,800 --> 00:47:27,519
the next one again that you're doing? The next one

741
00:47:28,000 --> 00:47:32,639
is outside of Pittsburgh, August the fifteenth, okay, oh yeah,

742
00:47:32,920 --> 00:47:37,360
in Brownsville, PA. Yeah, and then August sixteenth in Gibsonia, PA.

743
00:47:37,519 --> 00:47:43,199
And then September is Maine. Okay, up in Freeport Cadenza

744
00:47:44,000 --> 00:47:47,440
and that's the nineteenth and then the twentieth of September

745
00:47:47,679 --> 00:47:51,239
is well Fleet Preservation Hall on the Cape.

746
00:47:51,480 --> 00:47:55,719
Speaker 1: Okay, okay, very good, very good. Now where should people

747
00:47:55,800 --> 00:47:58,880
go online to learn more about the show? If they

748
00:47:58,960 --> 00:48:00,199
want to or if they just want to make sure

749
00:48:00,199 --> 00:48:02,039
they get to one put it on their calendar? Like,

750
00:48:02,039 --> 00:48:03,079
where's the best place to go?

751
00:48:03,320 --> 00:48:04,119
Speaker 2: Best place to go.

752
00:48:04,440 --> 00:48:06,400
Speaker 3: Is you me and Harry.

753
00:48:06,639 --> 00:48:09,719
Speaker 2: It's all just written out the way it sounds. No spaces, Okay,

754
00:48:09,840 --> 00:48:11,039
you mean Harry dot com?

755
00:48:11,320 --> 00:48:12,360
Speaker 1: Okay, okay.

756
00:48:12,519 --> 00:48:15,480
Speaker 2: They could also go to Leu Antonucci dot com. Yeah,

757
00:48:15,559 --> 00:48:19,400
but that's more about me than than the show. Sure, sure,

758
00:48:19,480 --> 00:48:21,760
but you mean Harry dot com. They can they can

759
00:48:21,840 --> 00:48:24,880
see the schedule. If you go to lou Antonucci dot com,

760
00:48:25,039 --> 00:48:28,239
they can see my full schedule, which includes those shows

761
00:48:28,280 --> 00:48:30,920
as well as the local things around here.

762
00:48:31,159 --> 00:48:34,400
Speaker 1: Yeah, excellent, when's your next show? That's uh, that's not

763
00:48:34,719 --> 00:48:37,719
for you me and Harry, but we're just doing some

764
00:48:37,800 --> 00:48:38,880
of your original material.

765
00:48:41,239 --> 00:48:43,599
Speaker 2: Well, I always do a little bit of my original

766
00:48:43,679 --> 00:48:45,440
material when I play out like at the Oh sure,

767
00:48:45,519 --> 00:48:46,159
at the restaurant.

768
00:48:46,199 --> 00:48:48,400
Speaker 1: So my next show is tonight, Oh you're planning? Oh

769
00:48:48,440 --> 00:48:50,880
yeah for our live listeners. Where are you gonna be tonight.

770
00:48:51,239 --> 00:48:54,320
Speaker 2: At uh in Merrimack at Homestead Tavern?

771
00:48:54,519 --> 00:48:54,920
Speaker 1: Excellent?

772
00:48:55,079 --> 00:48:57,360
Speaker 2: Excellent, very good, six to nine thirty.

773
00:48:57,440 --> 00:48:59,559
Speaker 1: Oh I hurt. You do the full I mean obviously

774
00:48:59,599 --> 00:49:00,960
you take, but you do the full three and a

775
00:49:00,960 --> 00:49:01,400
half hours.

776
00:49:01,840 --> 00:49:02,000
Speaker 4: Yeah.

777
00:49:02,079 --> 00:49:05,000
Speaker 2: I usually I usually go about an hour and twenty minutes,

778
00:49:05,039 --> 00:49:07,000
take a ten minute break, and then do another hour

779
00:49:07,079 --> 00:49:07,719
and twenty minutes.

780
00:49:07,880 --> 00:49:10,760
Speaker 1: Nice. Yeah, yeah, excellent, excellent.

781
00:49:10,840 --> 00:49:13,679
Speaker 2: But those are by I call those shows my background

782
00:49:13,800 --> 00:49:14,360
music show.

783
00:49:14,559 --> 00:49:15,960
Speaker 3: Yeah, right right.

784
00:49:16,320 --> 00:49:19,840
Speaker 2: People don't always always pay attention, you know, but that's fine.

785
00:49:19,880 --> 00:49:23,039
That's that's what it is. I will tell you this. Typically,

786
00:49:23,159 --> 00:49:27,920
if usually I'll do taxi about halfway through my first set. Yeah,

787
00:49:28,679 --> 00:49:31,960
and if people haven't been listening, they're listening and applauding

788
00:49:32,000 --> 00:49:32,360
after that.

789
00:49:32,639 --> 00:49:34,880
Speaker 1: Oh that's really cool. Yeah, that's awesome.

790
00:49:35,039 --> 00:49:35,920
Speaker 2: It gets their attention.

791
00:49:36,119 --> 00:49:39,239
Speaker 1: So that's awesome. Well, very very good, Lou, Thank you

792
00:49:39,360 --> 00:49:41,199
so much. This is always wonderful to have you here.

793
00:49:41,719 --> 00:49:41,880
Speaker 3: Oh.

794
00:49:42,440 --> 00:49:44,000
Speaker 2: I love doing It's a lot of fun. Oh, you

795
00:49:44,079 --> 00:49:44,679
guys are great.

796
00:49:44,840 --> 00:49:47,760
Speaker 1: Oh, thank you, thank you. We try. We're gonna I'm

797
00:49:47,800 --> 00:49:50,000
thinking in a moment, we've got to start to wrap up.

798
00:49:50,000 --> 00:49:52,800
I was singeing on my play one of your studio tracks.

799
00:49:53,119 --> 00:49:55,119
I saw their g oh yeah, I saw their guns

800
00:49:55,159 --> 00:49:57,400
have the right title. Yeah, that's a we played that

801
00:49:57,480 --> 00:49:58,800
on the show before. I remember, I really liked that

802
00:49:58,880 --> 00:50:00,280
song a lot. Yeah.

803
00:50:00,320 --> 00:50:03,840
Speaker 2: Yeah, great sacks by Richard Gardzena on that. Oh okay,

804
00:50:04,280 --> 00:50:06,760
he used to play with He lives in New Hampshire,

805
00:50:06,760 --> 00:50:08,760
but used to play with Tower of Power, oh and

806
00:50:08,880 --> 00:50:11,679
some other big bands. Oh excellent, plays all kind of horns,

807
00:50:11,719 --> 00:50:13,199
but does some great socks on here.

808
00:50:13,360 --> 00:50:16,360
Speaker 1: Yeah, yeah, great, great track. And uh, I want to

809
00:50:16,360 --> 00:50:17,960
thank everybody who was on the show today. Of course,

810
00:50:18,039 --> 00:50:22,199
Jersey Calling was amazing, and uh, parietal, I almost for

811
00:50:22,280 --> 00:50:24,239
out how to say parietal, parietal eye. They were a

812
00:50:24,280 --> 00:50:25,920
lot of fun in the first hour. And Jenny, of

813
00:50:25,960 --> 00:50:27,119
course you got a lot going on. You want to

814
00:50:27,119 --> 00:50:27,840
plug your website.

815
00:50:28,079 --> 00:50:28,719
Speaker 7: I got a lot of.

816
00:50:28,719 --> 00:50:30,639
Speaker 1: Catching up to do on the website. But there's quite

817
00:50:30,639 --> 00:50:33,400
a bit on there all right. Check out Chincoffee dot com,

818
00:50:33,559 --> 00:50:35,679
j E N N C O F f U I

819
00:50:35,920 --> 00:50:37,679
dot com. And if you want to know more about

820
00:50:37,719 --> 00:50:39,960
me and everything that I've got going on, Matt connorton

821
00:50:40,039 --> 00:50:43,679
dot com. And uh, we will close out today's show

822
00:50:43,760 --> 00:50:46,400
with this. Uh, this is I saw their guns. This

823
00:50:46,559 --> 00:50:49,360
is the great Lou Antonucci and Lou once again, thank

824
00:50:49,400 --> 00:50:49,840
you so much.

825
00:51:24,280 --> 00:51:33,320
Speaker 7: Colden, rainy night, the street reflects the way, feel a

826
00:51:33,480 --> 00:51:49,320
tearpness in my unaware of how his life is but

827
00:51:49,480 --> 00:51:56,639
a question. Now I see him standing in the cour.

828
00:52:04,880 --> 00:52:13,800
Speaker 12: In lights fierce the night. Beyond the light, I see

829
00:52:13,920 --> 00:52:16,679
the sail in his eye.

830
00:52:21,159 --> 00:52:23,039
Speaker 2: I saw their guards.

831
00:52:25,440 --> 00:52:38,840
Speaker 3: I saw them, Gunny. I saw them run. I saw

832
00:52:39,119 --> 00:52:52,519
the running from said in the siren's right.

833
00:52:55,719 --> 00:53:04,360
Speaker 2: I watched them, Cary Hey, the.

834
00:53:04,440 --> 00:53:14,199
Speaker 7: Smell of sulfur, hung up midnight, the full of blood

835
00:53:14,360 --> 00:53:25,599
inneat laughing. There's nowhere to run, nowhere to.

836
00:53:25,760 --> 00:53:32,599
Speaker 2: Hide, no place to go tonight, no stories to sell.

837
00:53:33,360 --> 00:53:37,280
I'm living the hell a bulling ride.

838
00:53:41,639 --> 00:53:42,960
Speaker 3: Oh right,