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Speaker 1: Hello everybody, and welcome to I ran that man over

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in self defense. This is that's not metal. And welcome

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to another edition of Hyperblast, our weekly news show where

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we let you know as quickly as we can what

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is going on in the world of rock and heavy

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music this past week, and we let any of the

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releases I'm gonna want to know about as well. Last

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week was a you know, certainly a lesson hyper Hyperblast

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in terms of the amount that we had to cover.

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I know that there was some heavier stuff going on

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there as well, but it feels like it's been quite

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a heavy week in that regard. And yeah, you know,

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a lot of I don't know, communal consideration of these

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type of things. And I hope that everybody who is

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you know, close to these things is you know, kind

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of holding up and doing okay. But in you know,

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trade off for all that, I suppose this week was

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a little bit kinder to us. It is a pretty

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small week, I would say, a pretty we can skidadle

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through this news week. My name is Parenthish with me,

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I was gonna solo it for those reasons. But appearing

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out of the out of the crypt where the Queen

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of the Dan lays it is Mark Sanderson. Hi.

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Speaker 2: Mark, Look, if he didn't want to get run over,

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he shouldn't have been on the road. That's all I'm

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going to say.

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Speaker 1: Yes, quite, how's your week been? Mark? Without I suppose

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you know, we are going to reveal in a little

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while towards the end of this episode what we are

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working on right now. But we have both been knee

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deep in prep for you know, some some T and

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M shows. But how's you weep been? Aside from that, it's.

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Speaker 2: Been basically just that I did like forty squats the

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other day in so much pain.

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Speaker 1: So that's what my week's you're considering taking that up

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full time?

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Speaker 2: I'm considering it. My legs are telling me to not

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do that, but yeah, I mean, we're going to talk

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about it, but I'm very excited about the thing we're doing.

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Speaker 1: Yes, all right, Well, we have got basically all what's

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happening news wise, as we have a good little handful here,

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I shouldn't downplay it, a good little handful of album

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announcements and some new singles to go with them as well.

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The reason I was considering soloing it is it's basically

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a bunch of stuff that I am the main person

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who is going to want to talk about these, I

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suppose and Mark a bunch of them. I think some

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of them are you know, some things that you can

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you know have yeah, have a bit of a handle off,

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but a bit of an interesting, you know variety in

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this regard. First up, we will say, you know, the

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biggest band of the bunch who do not currently have

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a piece of music that we are going to you know,

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deliberate over intensely at first, but it has been announced

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that next week, so the seventeenth of April, Nine inch

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Nails are going to be releasing a record. It is

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the nine Inch Noise Collab record. So this is nine

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Inch Nails and Boys Noise, who is the kind of

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electronic music you know, producer DJ who was supporting nine

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inch Nails all along the Peel It Back tour, and Mark,

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you were one of the people who was not at

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this particular tour, so you might not know exactly what

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was going on here. Myself and Sam we both went

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to this tour, so we know exactly what it is basically.

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So essentially he had like a DJ opening the set

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for him by him I obviously meaning Trent Resid know

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Nine Inch Nails more largely, but it segued like perfectly.

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There was no like a gap between the shows. Basically,

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you know, Boys Noise was playing doing his set, and

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it directly transitions straight into Nine Inch Nails coming out

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and starting, and then there was a section in the

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middle of the show where they went to this like

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the B stage that was in the middle, the Evil

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Cube as we were calling it, and Boys Noise came

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out and Nine Inch Nails and Boy's Noise together did

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like almost like a little industrial like fucking techno club

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type set in the middle on this stage with Boys Noise,

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they're like remixing some Nine Inch Nail songs. So they

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were doing like you know, I they didn't do this

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my show, but they had like a big crazy remix

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of Closer and these type songs. So when we are

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getting a you know, a record with the two of

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them together, that's kind of what we're thinking about here.

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I don't haven't seen it listed anywhere. I don't know

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right now if this is I suppose there are three options,

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is what it could be. One is just a live

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recording of those you know again, the Boy's Noise Nineag

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Nails remixes they did together as they played on the tour.

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One would be you know, studio recordings of said performed remix,

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and the third kind of wildcard option I suppose would be, like,

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I know, some kind of collaborative original material. Maybe they

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hit it off so much working together that something original

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comes out of it. I would anticipate it's one of

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the first two out of those. I would be pretty

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happy with either, to be honest, because just getting the

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option to listen to those versions on you know, streaming

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or whatever would be cool. It'd be nice if there was,

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you know, official studio recordings of them, because I'm telling you, like,

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you know, I know that you are sort of known

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Nails ambivalent a lot of the time. But like when

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I say that some of these were like fucking hard,

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pumping techno remix versions of classic nine.

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Speaker 3: Its Nails tunes, it was really cool, I was gonna say,

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because you know, I'm very ambivalent to nanage Nails, like

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you say, but you're seeing saying the word remix immediately

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gets me excited.

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Speaker 2: I don't know, you know, I know there's lots of

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different types of remix and it doesn't necessarily have to

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be you know, a club hill Kate club remix or

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an Asking Alexandria dubstep remix. But in general, I am

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a big pumping beats for enjoyer, so that you know

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that makes the hand that feeds or whatever into a

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big throbber. I'm going to be into that.

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Speaker 1: That is pretty much what was going on. Yeah, And

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because NaN's Nails, you know, mix their set list up

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so much like at the show that I was at,

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for example, we got like, you know, three or four

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songs or whatever in that particular portion of the set,

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but at all these other dates of the tour they

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swapped in doing other songs, giving them the same kind

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of treatments. So you know, for if you've been to

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one night of the tour for His Apple, like myself,

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then there'll be a few on here that I experienced,

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but then there'll be other songs that I didn't see

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this treatment for. So yeah, whether it turns out to

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be like a just a live recording of it or

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a studio recording of those those remixes, it was like

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it was a really memorable experience having that as part

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of the set. So I'm looking forward to seeing them

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turn up and we will be getting the official Night

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in Inch Noise collab record coming next week. Let's move

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on to the album announcements and singles that we do

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have ready in front of us waiting to go, and

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the big one of the bunch in terms of shall

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we say stature and certainly you know, long awaitance, if

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that's the correct way of putting. It doesn't sal like

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it is, but there you go. It's going to come

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from Warning and Warning, the legendary doom metal band fronted

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by Patrick Walker who since the Warning years has gone

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off and done forty What Sun and these other things.

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Really fucking wild mental announcement when they got announced for

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Damnation Festival last year when they were playing Watching from

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a Distance as they did, and we went and did

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the album club on that record and everything, but it

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was a wild announcement. They're like, oh yeah, and also,

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by the way, there's a new Warning album next year,

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and everyone's like, what what do you mean? Because there's

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only two Warning albums to begin with, the last one

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being two thousand and six is Watching from a Distance,

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which is, you know, twenty years on from its release.

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Now it's in like the elite of the elite category

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when it comes to legendary you know, still held up

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as a landmark doom metal recordings like it's earned that

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proper you know, the tier of just a handful of

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your most legendary albums like your Dope Thrones and those

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type things are kind of equally important and again still

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sober loved to this day.

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Speaker 2: And it's one of those albums that does sort of

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grow in stature as the years go on, because yeah,

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still talk about it's all misty eyed, and then that

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gets the kids listening to it. Is an album that

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continues to grow in sort of how classic and beloved.

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Speaker 1: It is completely. But it was so crazy when they

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were just like, oh yeah, and there's a new one coming,

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because I don't think anyone considered that. I think it

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was I sort of viewed Warning a little bit like

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Emperor maybe where they come out and play, but because

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Esan's doing Esan solo. I never am expecting at any

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point Emperor to get back into the studio properly and

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kind of you know, pick up where they left off

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because creatively, in the hands of the other musicians, it's

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gone all these other directions, you know, And that's where

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I fully expected Warning to be and I expected Forty

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what Son to be the active project, and I like

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the first thing that you imagine when you hear, oh,

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there's give me a new Warning album, is you go,

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what's happened to Patrick Walker?

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Speaker 3: Like? What what could?

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Speaker 2: Like?

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Speaker 1: Brought him back to that point where he wants to

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go back and make what is generally perceived to be

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like the saddest fucking music in heavy metal history. But

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we do have now official news of the new Warning album.

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It is called Rituals of Shame, which is making me

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sad already and it's already upsetting. It's gonna be it

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on June the nineteenth via Relapsed Records. There is a

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single out from it called Stations with Mark. When I

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was saying, you know things that you are, you know,

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maybe sort of halfway in and out on whatever Warning,

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I imagine it's a bit dreary for you maybe, right?

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Is that the case? Yeah?

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Speaker 2: When I heard the record for the first time now

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a number of years ago, it was I didn't really

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like it that much.

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Speaker 3: But I do.

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Speaker 2: I do like Patrick, I do like Forty Watson quite

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a bit.

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Speaker 1: You know.

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Speaker 2: It's one of those things that's really stealthily drown on

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me as I enter my thirties.

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Speaker 1: So I start start more and more wanting to wear

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nice jumpers, and you go, oh, that forty what Sun

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records like my appealing right now?

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Speaker 2: Oh, might get a flat cap, might start wearing tweets,

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you know, forty squat Son more like No, But maybe

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it's because I have that sort of fondness for forty

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whatsn Now that when I listened to this new Warning

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song without having to Warning in like five years, I'm like, oh,

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I love that voice. I love that sort of warm

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guitar tone. Even though it is so sorrowful and it

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is so crushing, it just sounds lovely, you know, and

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that aspect of it really does appeal to me.

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Speaker 1: Yeah, and I you know, I really love forty what

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I mean, I've you know, I've had Footy what Son

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records in my top twenty doing this show, you know,

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like I'm a big fan of you know, Patrick's working

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in general. So there was something that was really curious

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to me about like, you know, having gone on that

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journey with him, but kind of going back to the

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Warning years, being like, how is this going to have

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changed throughout of all that time? You know, and it's

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kind of weird in that mindset hearing what clearly is warning,

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like in the rift style, those rifts that almost just

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hang like in the air, with this like air of

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kind of you know, unresolvement to them. It feels so warning.

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But with like twenty years of production, you know, advancement

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in between this and watching from a distance, which does

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have a very particular kind of you know, kind of

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on the cheap two thousands dreary English day like sound

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to it, and just hearing it so seamlessly appear in

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front of me like this was like wow. And then

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as you say that vocal and the vocal lines in

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this that you know from the get go it's so

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in rapturing what Patrick does. But the way warning songs

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develop and the build the sort of bridge part here,

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the build into the but tonight there's nothing that can

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reach me. It it hurts in that good warning way,

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you know, it really hit. And there's rifts in like

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the last minute of this that are like yep, that's

240
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where Paul Bearer is coming from, you know, and it

241
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does it right again. You know, we'll have to see

242
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how much this fucking you know is able to follow

243
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on in the footsteps of a record that is so

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absolutely beloved and legendary. Is watching from a distance, but

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it does feel sonically like War have just immediately kind

246
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of you know, tapped into what it was that made

247
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them the band they were, I suppose, but twenty years later,

248
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which if you are at all interested in any kind

249
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of sorrowful, expressive heavy music, should be really enough to

250
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get you super excited in the drabbist possible way. But

251
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the new Warning record is coming in June, and then

252
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I suppose it's a big week for that kind of

253
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world of you know, sort of cleaner melodic doom, I suppose.

254
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But one of the bands who I can very much

255
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throw to on and know that you are a fan of, Kemmys,

256
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are also back. It's about five years since their last album.

257
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I was just thinking about them yesterday. This is a

258
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weirder occurrence. I was like, wonder when Kemni's gonna come back,

259
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and then here they are straight away. They have a

260
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self titled album. It's coming out on June the twelfth,

261
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so that's the week before the Warning album, and there

262
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is a single out from it called Invocation of the

263
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Dreamer and Kemys again they come from that, you know,

264
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epic doom type world. But Keemys are one who have

265
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sort of been able to It's been there from the beginning,

266
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but they've kind of evolved in a way where they've

267
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kind of drawn on quite a few areas of like

268
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the metal spectrum. I suppose, like it's got epic heavy metal,

269
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but with this like bit of almost it's kind of

270
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more modern, like this sort of melodic death metal type edge,

271
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bit of a Gnarlia edge. The production is like super

272
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you know, very like crisp and really like fat with

273
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a lot of low end as well. I was surprisedly

274
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there's eight tracks on this album, so I'm imagining which

275
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is quite a lot for chemists. So I think maybe

276
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getting some punchier songs here. And this says the single

277
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is like four and a half minutes long, you know,

278
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and the first vocal you get is like a black

279
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metal yeah, so they are they continue to go down

280
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that realm of like there is doom detectable at the

281
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heart of this, but it is kind of just like

282
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a Schmorgas board of lots of metally things I suppose

283
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like heavy metal for heavy metal people.

284
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Speaker 2: Yeah, And I think that is why so many people

285
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who wouldn't necessarily be into doing like myself, are drawn

286
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to Chemists because the first sort of clean melodic line

287
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on this song sort of shows this as well, which

288
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is it's got that great heavy metal grandeur, whether it

289
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be screaming for vengeance or the sin in the sentence,

290
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that sort of immediate power and immediate like congregation. Come on,

291
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gather around everyone, I'm about to tell an epic tale.

292
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It's got that, and I really, I mean, I just

293
00:14:30,519 --> 00:14:32,519
love this band a lot. I love their guitar tone,

294
00:14:33,120 --> 00:14:36,639
I love their solo wing style. It's fucking so rad.

295
00:14:36,960 --> 00:14:41,039
And yeah, I'm so excited for seven more songs of

296
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this because you know, there's got to be at least

297
00:14:43,159 --> 00:14:44,240
a couple epics in there.

298
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Speaker 1: I would imagine. Sorry for sure this one again. If

299
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you want proper metal riffs, that I mean, that's an

300
00:14:50,320 --> 00:14:52,679
incredible little bit of that sort of quasi crab walking

301
00:14:52,720 --> 00:14:54,639
around to it in the music video, you know, But

302
00:14:55,600 --> 00:14:57,000
the main riff of the song is not really a

303
00:14:57,080 --> 00:14:59,399
doom riff, but it's almost hard to say what subgenre

304
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of metal it does. It's just like a big burly

305
00:15:02,200 --> 00:15:05,120
hunker meat basically, with which I'm all right with.

306
00:15:06,039 --> 00:15:08,799
Speaker 2: It did remind sort of, you know, a bit of

307
00:15:08,919 --> 00:15:11,720
like Grand Magas when Grand Megas get a bit chuggier.

308
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Speaker 1: Right, yeah, But even when you mentioned Triviu, I've likened

309
00:15:15,559 --> 00:15:17,440
bits of Chemists to Trivium Naturally in the past, and

310
00:15:17,559 --> 00:15:19,080
like their last albums, I think that's a fair shout

311
00:15:19,120 --> 00:15:22,080
as well. There's a great base tone with there's almost

312
00:15:22,080 --> 00:15:23,960
like a solo bit when it comes in towards on

313
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the second verses with the riff, which is fucking great.

314
00:15:26,200 --> 00:15:27,919
I will say, like, you know, it all sounds great

315
00:15:28,679 --> 00:15:30,519
for a four and a half minute lead single. It

316
00:15:30,639 --> 00:15:33,879
is quite complicated still, and it's not necessarily got a

317
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big immediate hook in the way that I think Desolation

318
00:15:38,120 --> 00:15:40,720
for Me is this band's real stand up moment, And

319
00:15:41,559 --> 00:15:44,639
there are choruses on that record for Days that I

320
00:15:44,679 --> 00:15:47,960
don't think they've like quite necessarily like delivered a whole

321
00:15:48,039 --> 00:15:50,399
career worth of those. But it has got you know,

322
00:15:50,480 --> 00:15:52,600
a few months and some time to get his clause

323
00:15:52,639 --> 00:15:55,559
more in me and it's sounding very nice. So the

324
00:15:55,639 --> 00:15:57,720
new Chemist album is coming out June the twelfth. I

325
00:15:57,759 --> 00:16:00,440
suppose let's throw over to a very different area of

326
00:16:00,600 --> 00:16:04,080
the you know, the the just the general rock music spectrum.

327
00:16:04,480 --> 00:16:06,720
This single was out by the time we were doing

328
00:16:06,879 --> 00:16:10,039
our again hyper last last week. But we had so

329
00:16:10,440 --> 00:16:12,679
much you know news hitting us last week that this one,

330
00:16:12,720 --> 00:16:13,960
you know, fell through the cracks. But I thought I

331
00:16:14,000 --> 00:16:16,320
would raise it again here because you know, it's been

332
00:16:16,600 --> 00:16:18,240
a minute since we've actually spoken about this band. I

333
00:16:18,240 --> 00:16:21,080
supp I was holding Absence again just before we went

334
00:16:21,159 --> 00:16:23,080
to you know record last week they put out a

335
00:16:23,240 --> 00:16:25,919
new single called Whisper of a Dream. It is the

336
00:16:26,399 --> 00:16:29,639
first new song from them from their twenty since Sorry,

337
00:16:29,679 --> 00:16:33,000
their twenty twenty three album The Noble Art of Self

338
00:16:33,279 --> 00:16:36,879
Destruction and Holding Absence. I can't remember how many album

339
00:16:36,879 --> 00:16:39,480
of theres we reviewed. We certainly reviewed their debut album.

340
00:16:39,519 --> 00:16:41,600
I don't remember if we did the second one, and

341
00:16:41,720 --> 00:16:45,679
I don't think we did the third one. But they

342
00:16:45,759 --> 00:16:47,720
are like you know again I noticed when they were

343
00:16:47,759 --> 00:16:49,399
dropping this song, and they've signed a Sumerian for this

344
00:16:49,559 --> 00:16:52,600
as well, is that they are like the sort of

345
00:16:53,000 --> 00:16:58,720
modern alternative radio adjacent brit rock band to be really popular,

346
00:16:59,000 --> 00:17:01,639
you know at the moment, like they're thoroughly tapped into

347
00:17:02,240 --> 00:17:04,880
you know, the bad omens type crowd and that whole

348
00:17:04,920 --> 00:17:07,240
spectrum of you know the heavy music sphere, Holding Absence

349
00:17:07,279 --> 00:17:10,960
are like, really their new music is quite you know,

350
00:17:11,119 --> 00:17:14,079
anticipated right by that kind of crowd. So when there

351
00:17:14,160 --> 00:17:16,240
was you know again New Scientist Samarian dropping a single,

352
00:17:16,240 --> 00:17:18,240
people were like, well, okay, Holding Absence is coming back.

353
00:17:18,960 --> 00:17:21,200
And I, as I guess, particularly as you're here, Mark,

354
00:17:21,480 --> 00:17:24,319
curious to have this conversation a little bit because I mean,

355
00:17:24,359 --> 00:17:26,400
not only does you know the singer of this band

356
00:17:26,480 --> 00:17:29,720
currently front your favorite band is an interesting sort of

357
00:17:29,720 --> 00:17:33,559
you know, tidbit there, but Holding Absence when they came

358
00:17:33,599 --> 00:17:35,079
through it, and like I said, we did definitely review

359
00:17:35,119 --> 00:17:37,400
their debut album, and I used to think that they

360
00:17:37,440 --> 00:17:39,680
were like pretty decent, and I suppose I still do

361
00:17:39,880 --> 00:17:42,119
to some degree or another. But when we reviewed that

362
00:17:42,160 --> 00:17:44,640
first album, it was like twenty nineteen, right, and it

363
00:17:44,759 --> 00:17:47,839
was like, I suppose we were still coming off the

364
00:17:47,880 --> 00:17:50,640
back of you know, the UNI at six era and

365
00:17:50,759 --> 00:17:53,039
all of that type stuff, and Holding Absence came through

366
00:17:53,160 --> 00:17:56,319
that first album and I you know, it's that kind

367
00:17:56,400 --> 00:17:59,599
of you know, melodic Brit rock thing that I tend

368
00:17:59,720 --> 00:18:03,359
to generally despised, to be honest, but that album came

369
00:18:03,400 --> 00:18:04,480
through it and I was like, there's a bit of

370
00:18:04,559 --> 00:18:07,319
sonic depth to this, Like production wise, they are actually

371
00:18:07,359 --> 00:18:09,839
going for something and there are some real choruses on

372
00:18:09,880 --> 00:18:11,039
that album. So I was like, for this kind of

373
00:18:11,079 --> 00:18:13,400
thing that I don't normally go for, and you know,

374
00:18:13,440 --> 00:18:15,640
I haven't you been rinting that record over the years,

375
00:18:15,640 --> 00:18:17,680
But I was like, this is a band who have

376
00:18:17,960 --> 00:18:20,400
some They've got a stamp on it, right, they are

377
00:18:20,480 --> 00:18:23,960
doing something with it. And the longer time has gone

378
00:18:24,000 --> 00:18:26,599
on and the more and more polished what they do

379
00:18:26,759 --> 00:18:30,680
has gotten. While basically writing the same thing over and over,

380
00:18:31,240 --> 00:18:33,559
even though that is how they've also continued to just

381
00:18:33,559 --> 00:18:35,200
get bigger and bigger and like I say, become this

382
00:18:35,279 --> 00:18:38,240
really really popular zeit geisty band. My appetite for it

383
00:18:38,559 --> 00:18:41,240
has long kind of ran out, and I don't think

384
00:18:41,279 --> 00:18:45,759
they put out stuff that is particularly bad, right, But

385
00:18:46,519 --> 00:18:48,559
when I hear a new song from their particularly if it's,

386
00:18:48,599 --> 00:18:50,160
as we say, the first song in a handful of

387
00:18:50,200 --> 00:18:51,880
the years, first song for a new projector something like that,

388
00:18:52,400 --> 00:18:54,240
I kind of want to hear another string to their bow.

389
00:18:54,640 --> 00:18:57,920
And then it is the holding Absence song, but this

390
00:18:58,079 --> 00:18:59,640
time it has a little bit of like kind of

391
00:19:00,000 --> 00:19:01,680
I suppose a little bit of a electro influence in

392
00:19:01,759 --> 00:19:04,119
there very very lightly, but no one is actually going

393
00:19:04,160 --> 00:19:05,759
to Holding Absence to listen to the band. They're coming

394
00:19:05,759 --> 00:19:08,880
to listen to Lucas, so it's all very very minimal. Instrumentally,

395
00:19:09,400 --> 00:19:11,519
I just thought, yeah, okay, that extratrame to the bow

396
00:19:12,160 --> 00:19:15,640
is you've added a twig to the bow perhaps, but

397
00:19:16,799 --> 00:19:20,599
not enough to really like. I don't know, Galvall, like,

398
00:19:20,720 --> 00:19:22,000
is it? Do you feel where I'm coming from with

399
00:19:22,039 --> 00:19:22,680
Holding Absence?

400
00:19:23,359 --> 00:19:27,400
Speaker 2: Absolutely, I feel my trajectory is pretty similar, but I

401
00:19:27,519 --> 00:19:31,200
come from a different place where I do enjoy Mallory

402
00:19:31,279 --> 00:19:34,319
Knocks and Young Guns and the dating Holding Absence album

403
00:19:34,920 --> 00:19:35,519
reminded me.

404
00:19:35,599 --> 00:19:37,160
Speaker 1: Of like, you know, not.

405
00:19:38,640 --> 00:19:42,599
Speaker 2: A high budget, more thought out version of that you

406
00:19:42,640 --> 00:19:46,680
know type of band. I grew up listening to the

407
00:19:46,799 --> 00:19:51,839
second record the Greatest Mistake in my life at the time,

408
00:19:52,440 --> 00:19:53,400
really really liked it.

409
00:19:53,960 --> 00:19:55,440
Speaker 1: That's the way they really started about one.

410
00:19:56,200 --> 00:19:59,839
Speaker 2: Yeah, and it's got Beyond Belief, which is still as

411
00:19:59,880 --> 00:20:02,279
a song like I listened to that earlier today just

412
00:20:02,359 --> 00:20:04,279
to like double check and make sure of I still

413
00:20:04,279 --> 00:20:06,519
love it. It could make me tear up. That song

414
00:20:06,640 --> 00:20:10,920
is incredible. And there's some other like Loving Drugs in Afterlife,

415
00:20:10,960 --> 00:20:14,960
there's some really really just incredible songs on it. And

416
00:20:15,119 --> 00:20:17,799
at the point where Holding Absence where I'm sort of like,

417
00:20:18,880 --> 00:20:22,039
I haven't liked a full album, but every album has

418
00:20:22,119 --> 00:20:26,640
about three or four songs on it. Well, the first

419
00:20:26,680 --> 00:20:28,319
two have at least three or four songs that I

420
00:20:28,440 --> 00:20:30,559
really like. The last one had maybe two or three.

421
00:20:31,799 --> 00:20:35,160
But every time I Hold an Absence, you know, announce

422
00:20:35,680 --> 00:20:38,279
a new album, I'm gonna be interested, because, like you said,

423
00:20:38,279 --> 00:20:41,240
they're the big zeitgeisty thing, and they have a very

424
00:20:41,559 --> 00:20:46,200
zeitgeisty singer who I see more pictures of now than

425
00:20:46,240 --> 00:20:50,160
I ever have because I followed Funeral four Friends account.

426
00:20:51,960 --> 00:20:56,200
I feel like I this song, this song is just

427
00:20:56,359 --> 00:21:00,240
drown right you're saying it's the Holding Absence song. It

428
00:21:00,400 --> 00:21:03,400
sounds like Drone by bringing the horizon like.

429
00:21:06,599 --> 00:21:09,039
Speaker 1: I could see we're cover. I think that's obviously a

430
00:21:09,359 --> 00:21:12,400
very that moment of bringing me as a pretty clear

431
00:21:12,640 --> 00:21:16,000
sort of template for generally what ballet holding absants are doing.

432
00:21:16,039 --> 00:21:17,359
And even when I say there's a bit of like

433
00:21:17,480 --> 00:21:21,400
the kind of increased electro influence on this song, you

434
00:21:21,480 --> 00:21:23,559
can trace that to, you know, something like recent bring

435
00:21:23,640 --> 00:21:26,559
Me Right, and I mean the fact that this single

436
00:21:26,599 --> 00:21:28,079
they put out with they've got a music VideA for it,

437
00:21:28,400 --> 00:21:30,160
and with the kind of you know, the way they

438
00:21:30,200 --> 00:21:32,880
were it. They'd say, the music video also introduces our

439
00:21:32,960 --> 00:21:36,240
robot mascot why for BB zero, a character you'll be

440
00:21:36,279 --> 00:21:38,279
seeing more of in the coming years. And I just

441
00:21:38,359 --> 00:21:40,400
think to when I saw Bringing the Horizon again on

442
00:21:40,480 --> 00:21:42,319
the Post Human tour, and you know, many people who've

443
00:21:42,319 --> 00:21:44,880
seen them elsewhere will concur with this. I just go,

444
00:21:45,079 --> 00:21:47,880
I don't think we need more robot mascots in rock

445
00:21:48,000 --> 00:21:50,559
music at the moment. I think Bring Me have milked

446
00:21:50,559 --> 00:21:54,000
our appetite for speaking robot mascots over the past couple

447
00:21:54,039 --> 00:21:55,640
of years, and I don't need another one.

448
00:21:56,200 --> 00:21:58,119
Speaker 2: I don't know you say that. But then Iron Maiden

449
00:21:58,160 --> 00:22:00,359
Wall knows the new Eddy is a robot again, and

450
00:22:00,440 --> 00:22:01,960
we'll be like, oh, yes, let them speak.

451
00:22:02,000 --> 00:22:05,319
Speaker 1: I want to hear it, like yeah, but not the

452
00:22:05,359 --> 00:22:09,519
same vibe, right, yeah, yeah, it's.

453
00:22:10,480 --> 00:22:12,960
Speaker 2: Yeah, we're both feeling the same even the way like

454
00:22:13,880 --> 00:22:17,279
Lucas even hits the vocal fry on the verses in

455
00:22:17,400 --> 00:22:20,240
the exact same place as the exact same way Ollie would.

456
00:22:20,920 --> 00:22:23,880
And I'm just like this feels pistichi in a way

457
00:22:23,920 --> 00:22:27,720
that holding Absence haven't before to me, but I don't.

458
00:22:27,880 --> 00:22:30,880
I don't know. The song's fine. I don't like Drowned

459
00:22:30,920 --> 00:22:33,000
that much, so, you know, there's only so much I

460
00:22:33,039 --> 00:22:38,000
can like this song. But the chorus, it's propulsive enough,

461
00:22:38,319 --> 00:22:41,039
but it's the type of chorus where, while I'm in

462
00:22:41,160 --> 00:22:43,119
the state of listening to it, I'm like, oh, yeah,

463
00:22:43,160 --> 00:22:46,839
that's that sounds sounds big. Yeah, sure, that's a chorus.

464
00:22:47,240 --> 00:22:50,240
But the second it ends and it goes into a

465
00:22:50,279 --> 00:22:53,039
different part of the song, I can't remember it. I

466
00:22:53,160 --> 00:22:55,519
listened to the song five times earlier just because I

467
00:22:55,599 --> 00:22:57,640
was like, I need it in my head. I don't

468
00:22:57,680 --> 00:23:02,960
know what it sounds like. The interval sounds like drown Yeah.

469
00:23:03,799 --> 00:23:06,880
Speaker 1: When the first Holding Absence alm came out, it kind

470
00:23:06,920 --> 00:23:09,599
of sounded like the template of you know, though the

471
00:23:09,640 --> 00:23:12,880
brick rock bands are twenty tens, but what these could

472
00:23:12,920 --> 00:23:16,680
sound like in the future, right, and now Holy Absents

473
00:23:16,720 --> 00:23:19,519
have gotten so again polish and everything that all of

474
00:23:19,559 --> 00:23:22,240
their songs just sound like what these bands sound like

475
00:23:22,759 --> 00:23:27,599
now on the radio, and it just it doesn't. I

476
00:23:27,640 --> 00:23:30,880
don't know, it doesn't incite anything in me in the

477
00:23:30,960 --> 00:23:33,559
same way. So I guess that's our check in on

478
00:23:33,839 --> 00:23:36,000
what Holding Absents are doing right now. We also have

479
00:23:36,039 --> 00:23:39,119
a new single from Health it's called Alone, and this

480
00:23:39,480 --> 00:23:41,079
is I don't know if this is attached to Oh

481
00:23:41,160 --> 00:23:43,519
I do. Actually it's attached to an EP that's called Adendum,

482
00:23:43,680 --> 00:23:45,960
which is out on April the thirtieth, that's at the

483
00:23:46,119 --> 00:23:49,200
end of the month. What struck me about this song?

484
00:23:49,839 --> 00:23:51,799
And you know, speaking of things that I am a

485
00:23:51,839 --> 00:23:53,359
big fan of, I don't know if you are in

486
00:23:53,440 --> 00:23:56,559
the same way, Mark, probably not. Is they have described

487
00:23:56,559 --> 00:23:58,519
this as the song that they wrote immediately after David

488
00:23:58,559 --> 00:24:01,079
Lynch died, And again I don't know if you will

489
00:24:01,119 --> 00:24:03,640
have at all the same reference point for this. But

490
00:24:04,400 --> 00:24:07,400
this song sounds like the Twin Peaks theme, like the

491
00:24:07,680 --> 00:24:11,759
intro of it, and that really can't kind of warm,

492
00:24:11,960 --> 00:24:16,000
evocative sort of sound. It's not like exactly reworked as

493
00:24:16,039 --> 00:24:17,960
the Twin Peaks theme, like it's not the same notes,

494
00:24:18,400 --> 00:24:22,759
but sonically it's very very evocative of it, where it's

495
00:24:22,880 --> 00:24:25,000
like it's not quite the theme, but I hear it

496
00:24:25,079 --> 00:24:27,400
and I just immediately start imagining the little bird from

497
00:24:27,400 --> 00:24:29,680
the intro and the log mills and all this kind

498
00:24:29,680 --> 00:24:31,519
of stuff. And if anyone out there is also a

499
00:24:31,559 --> 00:24:33,240
Twin Peaks fan and has watched that show, and you

500
00:24:33,319 --> 00:24:36,079
know knows that title sequence. If you listen to this song,

501
00:24:36,400 --> 00:24:38,279
you will have exactly the same reaction to it, and

502
00:24:38,319 --> 00:24:40,839
by the sound of it, it's kind of the intentional nod.

503
00:24:42,079 --> 00:24:44,000
And then they turn that into a big thumpin four

504
00:24:44,039 --> 00:24:45,759
on the floor dance feet, which is imagine where you

505
00:24:46,039 --> 00:24:48,039
mark then might start to tapping into it. But that

506
00:24:48,200 --> 00:24:51,559
combination of things is it's very cozy for me right,

507
00:24:51,640 --> 00:24:53,440
Like I'm not necessarily blown away by ever reason when

508
00:24:53,440 --> 00:24:55,400
you Health single that comes out, but this one taps

509
00:24:55,480 --> 00:24:58,839
into a again a particular spot for me, and I go, yes,

510
00:24:58,839 --> 00:24:59,480
this is a nice one.

511
00:24:59,759 --> 00:25:04,279
Speaker 2: Yeah, that's ah, very funny you mentioned that because the

512
00:25:04,400 --> 00:25:07,480
intro is where I'm like, I'm waiting for this to

513
00:25:07,519 --> 00:25:07,880
get over.

514
00:25:08,000 --> 00:25:08,240
Speaker 1: So I.

515
00:25:11,759 --> 00:25:17,720
Speaker 2: But Health is the Health are Hm? Have I heard Health?

516
00:25:17,920 --> 00:25:20,480
Probably They're They're one of the most popular bands that

517
00:25:20,559 --> 00:25:22,599
I'm not sure I could tell you I've heard that

518
00:25:22,759 --> 00:25:23,000
much of.

519
00:25:23,480 --> 00:25:25,640
Speaker 1: But it's a lot of industrial and doom for you

520
00:25:25,720 --> 00:25:26,359
this week, isn't it.

521
00:25:27,119 --> 00:25:30,440
Speaker 2: Yeah. I was listening to the song and it's got

522
00:25:30,519 --> 00:25:35,000
that sort of like you know, copenter brute, but less

523
00:25:35,119 --> 00:25:37,920
you know, chaotic, that sort of synth wave thing. I

524
00:25:38,079 --> 00:25:40,240
really liked this song. It was really great. It really

525
00:25:40,640 --> 00:25:45,240
It's got great sort of walking pace to the beat.

526
00:25:45,640 --> 00:25:49,119
I really enjoyed listening to it. But I gather this

527
00:25:49,240 --> 00:25:51,440
isn't what a lot of health sounds like, by the

528
00:25:51,440 --> 00:25:52,079
way you're talking.

529
00:25:52,480 --> 00:25:54,480
Speaker 1: No, a lot of it does. Actually. The again, the

530
00:25:54,559 --> 00:25:58,519
intro is very twin peaksy, but once the beat drops,

531
00:25:58,559 --> 00:26:01,640
it sounds like health. So if you are someone who

532
00:26:01,640 --> 00:26:03,839
accentually doesn't know much health and that's the bit that

533
00:26:03,880 --> 00:26:05,440
you liked, then yeah, I kind of listen to their

534
00:26:05,480 --> 00:26:08,920
records because that's kind of the vibe. Really. Yeah, it's

535
00:26:08,960 --> 00:26:10,519
a very nice time. And again if you are a

536
00:26:10,759 --> 00:26:12,240
David Lynch fan, and I think it will hit a

537
00:26:12,400 --> 00:26:16,240
very particular again, we've got a memory bank moment for you,

538
00:26:16,880 --> 00:26:20,400
and ending our gauntlet of new songs here, not really

539
00:26:20,440 --> 00:26:23,359
a new song, a new recording of a song. Behemoth,

540
00:26:23,480 --> 00:26:27,079
of course, the you know black and death metal, absolute

541
00:26:27,400 --> 00:26:30,039
juggernaut band of the last however many years of course

542
00:26:30,119 --> 00:26:33,359
you all know Behemoth. They have released a cover of

543
00:26:33,720 --> 00:26:39,799
Bathary's iconic black metal song The Return of Darkness and Evil,

544
00:26:40,160 --> 00:26:44,480
and this is marketed as the official anthem for Mystic

545
00:26:44,559 --> 00:26:47,519
Festival twenty twenty six, which that's the festival in Poland

546
00:26:47,799 --> 00:26:50,119
that I went to last year. It's the only festival

547
00:26:50,160 --> 00:26:52,000
I know that does this. I'm sure there might be

548
00:26:52,079 --> 00:26:54,279
some others out there, but for some reason every year

549
00:26:54,319 --> 00:26:57,240
they release and they had it on like like vinyl

550
00:26:57,480 --> 00:26:59,839
singles at the merch stands where you buy the festival shirts.

551
00:26:59,839 --> 00:27:01,400
And when I was there last year, last year was

552
00:27:01,480 --> 00:27:03,279
Vader who did it? Who are playing? So I don't

553
00:27:03,279 --> 00:27:05,319
know if it's always a Polish band, but it's the

554
00:27:05,400 --> 00:27:08,960
official anthem of Mystic Festival twenty twenty six. But you

555
00:27:09,079 --> 00:27:10,680
can enjoy or listen to it at home. Beham of

556
00:27:10,720 --> 00:27:13,200
the headlining it this year. But they've I said, cover

557
00:27:13,480 --> 00:27:15,759
of the Return of Darkness and Evil by Bathory from

558
00:27:15,960 --> 00:27:19,480
the seminal black metal album The Return. It's the second

559
00:27:19,519 --> 00:27:22,079
Bathory album and arguably therefore the first or second black

560
00:27:22,119 --> 00:27:24,960
metal album ever made. This song I obviously have a

561
00:27:25,039 --> 00:27:28,200
long history with. It's one of my favorite Bathory songs.

562
00:27:28,240 --> 00:27:30,720
I have long said, actually that every black metal band

563
00:27:30,759 --> 00:27:33,880
should cover specifically the Return of Darkness and Evil, because

564
00:27:34,000 --> 00:27:36,039
like WAT say, they've got a cover of it as well.

565
00:27:36,400 --> 00:27:38,039
It's one of those songs, you know, where there are

566
00:27:38,079 --> 00:27:40,519
songs that feel like they're kind of anthems for their genres,

567
00:27:40,720 --> 00:27:42,680
you know, and like everyone wants to play it, like

568
00:27:43,359 --> 00:27:46,000
you know, endless hardcore songs that people want to just

569
00:27:46,079 --> 00:27:50,039
like you be happy watching any hardcore band cover that

570
00:27:50,279 --> 00:27:52,240
sets selection of the big hard for ransoms, like you know,

571
00:27:52,279 --> 00:27:54,680
the Mad bull Ones or whatever, because it just feels

572
00:27:54,720 --> 00:27:57,319
like you're all celebrating being in on the same thing,

573
00:27:57,640 --> 00:28:00,680
you know. And the Return of Darkness and Evil, specifically

574
00:28:00,720 --> 00:28:03,880
when covered by other bands, really feels like that to me,

575
00:28:04,079 --> 00:28:07,200
Like it's the return of darkness and Evil right Like,

576
00:28:07,319 --> 00:28:10,759
it feels like it's just a song about celebrating how

577
00:28:10,880 --> 00:28:13,799
sick and cool black metal is. And I think the

578
00:28:13,839 --> 00:28:16,519
fact that both Watan and now Behemoth have covered it

579
00:28:17,119 --> 00:28:19,119
speaks to that. Uh, it's a you know, it's a

580
00:28:19,279 --> 00:28:22,920
raw eighties black metal song that, when played by Behemoth

581
00:28:23,200 --> 00:28:27,559
sounds fucking hulking and massive and like a tank bludgeoning you,

582
00:28:27,880 --> 00:28:29,759
which is awesome to hear. I'm sure some black metal

583
00:28:29,799 --> 00:28:31,319
peers out there won't like to hear it that way,

584
00:28:31,359 --> 00:28:34,640
but it's a nice new take. Mark as someone who

585
00:28:35,400 --> 00:28:37,160
you might have heard that Bathoryism at some point. But

586
00:28:37,640 --> 00:28:41,279
hearing it with this bludgeoning Behemoth production job onto it sounding,

587
00:28:41,319 --> 00:28:43,319
you know, mighty as Behemoth always do. You got to

588
00:28:43,359 --> 00:28:45,400
admit it's a fucking banger, isn't it. When he's doing

589
00:28:45,440 --> 00:28:46,400
that chorus and that riff.

590
00:28:47,240 --> 00:28:51,119
Speaker 2: No, Yeah, I I had never heard this Bathory song before,

591
00:28:52,440 --> 00:28:55,400
but I put it on before the Behemoth version just

592
00:28:55,440 --> 00:28:56,839
so I can do But I was going to listen

593
00:28:56,880 --> 00:29:00,559
to But I do you know, I love Black Fire Death.

594
00:29:00,559 --> 00:29:02,519
I bought Blood Fire Death on cassette.

595
00:29:02,119 --> 00:29:03,559
Speaker 3: The other day that.

596
00:29:05,240 --> 00:29:06,799
Speaker 1: Yeah, this is earlier about that.

597
00:29:07,400 --> 00:29:10,880
Speaker 2: Yeah, this is not a fine day to die. It's just,

598
00:29:11,400 --> 00:29:13,599
you know, I hate to say it. It just reminds

599
00:29:13,599 --> 00:29:18,559
you why Behemoth or the Daddies. It sounds so imperial

600
00:29:18,680 --> 00:29:23,920
and so powerful. It is man that like Norgle, sounds

601
00:29:23,960 --> 00:29:28,160
fucking so great on it sort of slowing down the

602
00:29:28,240 --> 00:29:31,799
pace that little bit, not even the pace, just like

603
00:29:32,359 --> 00:29:35,880
the rhythm of it get a bit more marching. Yeah,

604
00:29:36,960 --> 00:29:41,279
it sounds amazing, like Unfortunately I do prefer the Behemoth

605
00:29:41,400 --> 00:29:46,759
version to the version before. Yeah, I just you know,

606
00:29:46,839 --> 00:29:51,599
I'm just such a big fan of Nurgle's tweets. But

607
00:29:51,759 --> 00:29:55,519
no great song either version great, but the Behemoth version really,

608
00:29:56,960 --> 00:30:00,519
like you say, it reinstates sort of theat and of

609
00:30:00,680 --> 00:30:04,799
metal and how great extreme metal. Like it feels like

610
00:30:04,880 --> 00:30:07,559
a cult in a good way, in the like you're

611
00:30:07,680 --> 00:30:10,759
my brother, were a Brotherho do you know? I don't know.

612
00:30:11,039 --> 00:30:13,640
I really enjoyed listening to this, and I will if

613
00:30:13,640 --> 00:30:16,000
I'm going to listen to this song, it might be

614
00:30:16,079 --> 00:30:18,799
the Beemouth version or the Latin version. I want to

615
00:30:18,799 --> 00:30:19,440
hear that one man.

616
00:30:20,279 --> 00:30:22,599
Speaker 1: Yeah, well that was part of the there's a live

617
00:30:22,720 --> 00:30:25,079
record where they just did an entire Bathory tribute set

618
00:30:25,319 --> 00:30:27,559
basically is what that is. That was before like the

619
00:30:27,640 --> 00:30:31,000
official blood Fire Death Bathory Tribute band started going out,

620
00:30:31,039 --> 00:30:33,519
which Nurgles appeared with. I saw Nurgle appear with that

621
00:30:33,640 --> 00:30:35,640
band at Mystic Festival last year, so it's all, you know,

622
00:30:36,039 --> 00:30:39,079
everyone just loves covering Battery basically, It's what I'm saying.

623
00:30:39,160 --> 00:30:41,359
But if you like Behemoth, check this out because it

624
00:30:41,359 --> 00:30:43,319
absolutely rocks, and then go back and hear the Bathory

625
00:30:43,440 --> 00:30:46,240
version because the production on this is obviously way bigger.

626
00:30:46,519 --> 00:30:48,480
It might help you if you're not so af fae

627
00:30:48,599 --> 00:30:51,000
with again the kind of raw eighties black metal type sound,

628
00:30:51,160 --> 00:30:52,960
but then when you go and hear the original, the

629
00:30:53,200 --> 00:30:55,279
raw energy of the song and the rift that's really

630
00:30:55,319 --> 00:30:58,720
present in there, and that gad screeching chorus should be

631
00:30:58,880 --> 00:31:01,319
you know, legible and recognized to you. It's a great time.

632
00:31:01,400 --> 00:31:03,680
It's a great track of course, you know, forty plus

633
00:31:03,799 --> 00:31:06,160
years of being an absolute classic. And speaking of big

634
00:31:06,200 --> 00:31:10,240
black metal events, dmu Borgear, Satirra Coon and Enslaved have

635
00:31:10,319 --> 00:31:13,200
announced what is being billed as the largest black metal

636
00:31:13,279 --> 00:31:16,319
show yet on Norwegian soil at a venue called the

637
00:31:16,359 --> 00:31:20,599
Oslo Spectrum on Halloween. So if anyone out there fancies

638
00:31:21,000 --> 00:31:23,559
flying out to Norway for a night of imperial black

639
00:31:23,599 --> 00:31:25,880
metal majesty with those three bands in a what is

640
00:31:25,960 --> 00:31:29,559
essentially an arena show in you know, their home capital city,

641
00:31:29,799 --> 00:31:32,920
then that's pretty fucking cool, isn't it. And final news

642
00:31:32,960 --> 00:31:34,880
story of the bunch is there's a whole bunch of

643
00:31:34,960 --> 00:31:36,680
background to this that I wasn't going to comment on

644
00:31:36,799 --> 00:31:40,039
because it's not very interesting to be honest. Essentially. Kiko Larrero,

645
00:31:40,279 --> 00:31:44,759
the former Megadeth guitarist, he posted an accusation at the

646
00:31:44,839 --> 00:31:47,359
new Arch Enemy single that came out recently, the one

647
00:31:47,400 --> 00:31:49,920
with the debut and their new singer accusing it of

648
00:31:50,039 --> 00:31:52,680
copyright claim of like, you know, pinching some ideas from

649
00:31:52,720 --> 00:31:56,240
one of his songs. Michael Ammett from Arch Enemy has

650
00:31:56,319 --> 00:31:59,039
come back essentially with the receipts, with a video of

651
00:31:59,279 --> 00:32:02,599
him demoing the song you know, several years ago before

652
00:32:02,640 --> 00:32:04,359
that song was released. But the only reason I put

653
00:32:04,400 --> 00:32:06,240
this in here is coming back with that video and

654
00:32:06,279 --> 00:32:08,119
then firing back with good luck with your music. I

655
00:32:08,119 --> 00:32:11,400
will continue to not listen to It is my favorite

656
00:32:11,440 --> 00:32:13,720
burn in the metal world of the last few weeks.

657
00:32:13,960 --> 00:32:16,119
And you know, it's like we were saying with Trivium

658
00:32:16,119 --> 00:32:19,359
and Bullet last year, get the clause out when everyone's

659
00:32:19,400 --> 00:32:21,920
so media train. Now, it's always nice when someone as

660
00:32:22,400 --> 00:32:26,400
you know, professional as my clamate starts getting the clause out.

661
00:32:26,480 --> 00:32:30,799
Great right, Patreon dot com slash that's not metal where

662
00:32:30,839 --> 00:32:33,960
we do our big stuff, our in depth stuff. Most

663
00:32:34,079 --> 00:32:37,599
recently we did our album club Pack. We led the

664
00:32:37,680 --> 00:32:41,920
way with finally doing the the Dismemberment. I suppose we

665
00:32:41,960 --> 00:32:44,880
could in a way the post mortem of Bullets my

666
00:32:44,960 --> 00:32:47,640
Valanti's tenper Temper album, but we also followed that up

667
00:32:47,799 --> 00:32:52,720
with Blue Oyster Cult and Gorilla Biscuits and Skinless Mark

668
00:32:52,799 --> 00:32:55,000
you're not on those album club packs, but you don't

669
00:32:55,039 --> 00:32:56,680
need an excuse to listen to Temper Temper at the

670
00:32:56,680 --> 00:32:59,359
best of times. So I'm sure that that took you

671
00:32:59,480 --> 00:33:02,079
down your memory lane of like, I don't know, last

672
00:33:02,160 --> 00:33:03,599
week or whenever the last time you would have listened

673
00:33:03,599 --> 00:33:05,200
to that normally, how.

674
00:33:05,160 --> 00:33:05,519
Speaker 3: Dare are you?

675
00:33:06,680 --> 00:33:08,160
Speaker 2: It's usually just Leach.

676
00:33:10,720 --> 00:33:11,200
Speaker 1: That's the thing.

677
00:33:12,359 --> 00:33:16,519
Speaker 2: The amount of times specifically with Sam that we've discussed Leach,

678
00:33:16,920 --> 00:33:19,880
like that's Salmoni's like wedding song if we were ever

679
00:33:19,920 --> 00:33:30,039
getting married. I I'd find Temper Temper so fascinating. And

680
00:33:30,160 --> 00:33:33,559
for that reason, I really loved your album Club. It

681
00:33:33,799 --> 00:33:38,839
was so like obviously all four I love him, hearing

682
00:33:38,920 --> 00:33:41,880
Sam talk about brutal death metal with Skinless and you know,

683
00:33:42,759 --> 00:33:46,079
and getting Salmon into Bloyers to Cull and just talking

684
00:33:46,079 --> 00:33:49,200
about the pure grill vibes of that. But obviously the

685
00:33:49,559 --> 00:33:53,000
headline for me is this Temper Temper album Club is

686
00:33:53,039 --> 00:33:55,240
one of my favorite ones you've done, because you really,

687
00:33:55,519 --> 00:33:58,519
it's over an hour long. You dedicates so much time

688
00:33:58,559 --> 00:34:01,799
to it, but it is so it's not just a takedown,

689
00:34:02,000 --> 00:34:05,200
you know, it's not just having a laugh. Although there

690
00:34:05,279 --> 00:34:08,320
is a lot of that, it's more thoughtful and there's

691
00:34:08,360 --> 00:34:13,280
so much more sort of cultural impact in cultural sort

692
00:34:13,280 --> 00:34:16,679
of context that we can only really see decade on

693
00:34:17,400 --> 00:34:19,760
that you pointed out and we're discussing. I find it

694
00:34:19,960 --> 00:34:23,519
genuinely such a rividing chat and I really loved listening

695
00:34:23,599 --> 00:34:23,760
to it.

696
00:34:24,280 --> 00:34:25,760
Speaker 1: Well, thank you. I haven't just brought you on to

697
00:34:25,800 --> 00:34:27,480
say nice things about that thing we did without you.

698
00:34:28,159 --> 00:34:31,079
We are, as we have kind of alluding to, we

699
00:34:31,239 --> 00:34:34,599
are deep in the works right now for our next

700
00:34:34,840 --> 00:34:37,519
that's not metal band special. It's actually been quite a

701
00:34:37,559 --> 00:34:39,440
long time since we've done a band special. Kind of

702
00:34:39,480 --> 00:34:41,679
comparatively speaking. This is because we did things like the

703
00:34:41,800 --> 00:34:43,719
ninety seven Special. At the end of last year, we

704
00:34:43,800 --> 00:34:46,599
did the Nola Sludge Special, which was basically like you know,

705
00:34:46,679 --> 00:34:48,679
four or five band specials on those bands kind of

706
00:34:48,719 --> 00:34:51,840
crammed into one. But officially the last like dedicated one

707
00:34:51,920 --> 00:34:54,360
band special we did was Poison the Well back in

708
00:34:54,480 --> 00:34:57,679
like the first half of twenty twenty five. But we

709
00:34:57,800 --> 00:34:59,760
are bringing it back, of course. It wouldn't go too

710
00:34:59,760 --> 00:35:02,800
long without them. And the one we are diving into

711
00:35:03,000 --> 00:35:07,679
this time is I think probably the most requested band

712
00:35:07,719 --> 00:35:11,880
that we haven't yet done. It has been requested by

713
00:35:12,039 --> 00:35:15,000
many listeners for many years at this point, and I'm

714
00:35:15,079 --> 00:35:16,719
not ashamed to say that I have put it off

715
00:35:17,000 --> 00:35:20,280
for a while in terms of both the length that

716
00:35:20,360 --> 00:35:22,559
it will require. This is the most amount of parts

717
00:35:22,599 --> 00:35:24,840
we've done for a band special in a good handful

718
00:35:24,920 --> 00:35:27,199
of years since I think the halcyon days of Weezer

719
00:35:27,440 --> 00:35:30,559
was when we went this long on one. But also

720
00:35:31,079 --> 00:35:36,960
the specter of the band in question looms so almost

721
00:35:37,039 --> 00:35:41,840
like ungraspably large over the entire metal and heavy landscape

722
00:35:41,880 --> 00:35:45,480
that we have you know, currently been living in. But

723
00:35:46,079 --> 00:35:48,400
because of course I said, it's been so requested, it's

724
00:35:48,440 --> 00:35:51,199
one of our last proper mega bands that we have

725
00:35:51,400 --> 00:35:54,880
yet to do. We couldn't go not doing it forever,

726
00:35:55,320 --> 00:36:00,039
and so coming in the next week, pretty soon, we

727
00:36:00,119 --> 00:36:03,960
are going to be starting our band Special on Corn.

728
00:36:04,719 --> 00:36:06,679
As said, I know lots of you right now will

729
00:36:06,719 --> 00:36:08,320
be going, oh my god, I've been asking for that

730
00:36:08,400 --> 00:36:11,079
for fucking ever. Yeah, yeah, I know. Corn Band Special

731
00:36:11,440 --> 00:36:15,760
is coming in the immediate future. Right up. The first

732
00:36:15,800 --> 00:36:17,599
part that we're going to be doing this week, obviously,

733
00:36:17,880 --> 00:36:20,440
we're jumping in in the in the shallow end by

734
00:36:20,480 --> 00:36:23,440
talking about the invention of new metal and the Daytube

735
00:36:23,519 --> 00:36:28,559
Corn album and the absolute game changing impact of that mark.

736
00:36:28,880 --> 00:36:31,280
Earlier today, you've watched Queen of the Damned for the

737
00:36:31,320 --> 00:36:31,840
first time.

738
00:36:32,639 --> 00:36:37,440
Speaker 2: Hell yeah, I heard Dad sell by Papuro charlier and

739
00:36:37,519 --> 00:36:38,320
I'm pumped up.

740
00:36:39,599 --> 00:36:43,960
Speaker 1: Yep. But over the next however long it takes us

741
00:36:44,000 --> 00:36:45,599
the next to you, a handful of weeks, a couple

742
00:36:45,599 --> 00:36:47,440
of months, whatever it might be. As said, we have

743
00:36:47,559 --> 00:36:51,000
a few parts laid out to be talking about everything

744
00:36:51,400 --> 00:36:54,760
Corn from their first demo and their first album, the

745
00:36:54,840 --> 00:36:57,079
funk metal band prior. That's what or where we've been

746
00:36:57,159 --> 00:37:00,960
this week, but from the first core material to the

747
00:37:01,039 --> 00:37:04,360
most recent core material and where they are in today

748
00:37:04,360 --> 00:37:06,360
as well, which is an interesting place I think compared

749
00:37:06,400 --> 00:37:08,639
to if we had them this special like two or

750
00:37:08,719 --> 00:37:09,519
three years before.

751
00:37:09,840 --> 00:37:10,000
Speaker 3: You know.

752
00:37:10,840 --> 00:37:13,719
Speaker 1: But if you want to join us on what is

753
00:37:13,800 --> 00:37:16,199
sure to be, like I said, one of our most

754
00:37:16,800 --> 00:37:20,760
brain melting in its stature band specials we have done

755
00:37:21,280 --> 00:37:23,880
thus far, it is going to be coming to you

756
00:37:24,039 --> 00:37:27,840
starting this week over at patreon dot com slash that's

757
00:37:27,920 --> 00:37:31,039
not metal. I could do the obvious pun here, but

758
00:37:31,760 --> 00:37:33,880
I'll save it for the show itself, I think. But yeah,

759
00:37:34,039 --> 00:37:39,000
Corn Special come in right now let us end today

760
00:37:39,119 --> 00:37:41,639
with that news, just doing the release round up for

761
00:37:41,719 --> 00:37:45,280
this week, the tenth of April. I suppose in the

762
00:37:45,360 --> 00:37:47,199
you know, the big popular metalsphere, the big one might

763
00:37:47,280 --> 00:37:50,039
be Bill Murray has a new album called kind Of

764
00:37:50,159 --> 00:37:52,920
Hard for everyone who just can't stop cranking their hogs

765
00:37:53,239 --> 00:37:55,320
or whatever it is that he says, Lord of the

766
00:37:55,400 --> 00:38:00,599
Lost are back again with Opus Noir Volume three. Every

767
00:38:00,679 --> 00:38:03,599
time I open up a release thing and I say

768
00:38:03,639 --> 00:38:06,000
that Lord the Lost are there again, I can't believe

769
00:38:06,000 --> 00:38:08,320
they're back here. So frequently they're just always there, but

770
00:38:08,599 --> 00:38:13,480
Lord the Lost continuing with this Opus Noir thing regularly back.

771
00:38:13,599 --> 00:38:17,400
Like I said, truck Fighters, the stoner rock band, who

772
00:38:17,440 --> 00:38:19,039
are one of those bands who I always see their

773
00:38:19,119 --> 00:38:21,880
name on like you know, your desert fest style posters,

774
00:38:22,079 --> 00:38:24,719
that type thing. But I did not realize that they

775
00:38:24,760 --> 00:38:27,119
haven't actually released an album in ten years, because they

776
00:38:27,159 --> 00:38:28,719
just seem like one of those real like part of

777
00:38:28,760 --> 00:38:30,920
the furniture bands. But if you are a big Truck

778
00:38:30,960 --> 00:38:33,679
Fighters fan, then is their first record in ten years? Masterflow?

779
00:38:33,719 --> 00:38:35,880
As I say, stoner rock band. Then as we move

780
00:38:35,920 --> 00:38:38,840
into kind of I suppose the modern alternative pop rock

781
00:38:38,880 --> 00:38:42,639
sor sphere as everything unfolds have got did you ask

782
00:38:42,800 --> 00:38:45,239
to be set Free? All in all caps like that.

783
00:38:46,000 --> 00:38:48,639
The brit rock band kind of contemporary brit rock, Tiger

784
00:38:48,719 --> 00:38:52,239
Cub have Got Nets to catch the wave. Then there's

785
00:38:52,280 --> 00:38:55,039
some kind of you know, noodly mathy rock from Love

786
00:38:55,280 --> 00:38:59,280
Rarely with Pain Travels. Moving into the really heavy sphere,

787
00:38:59,320 --> 00:39:01,559
into the death cor weld. There's Body Snatcher, which is

788
00:39:01,639 --> 00:39:03,960
one of the bands who Sam went to see with

789
00:39:04,039 --> 00:39:06,000
that Death Care live report we did a couple of

790
00:39:06,039 --> 00:39:09,239
weeks ago. Body Snatcher's album is called Hell Is Here,

791
00:39:09,320 --> 00:39:11,880
Hell Is Home. That's out. If that's way too new

792
00:39:11,960 --> 00:39:13,559
fangled for you, then you might be interested in the

793
00:39:13,599 --> 00:39:17,559
new album from Metal Church called Dead to Rights. I

794
00:39:17,719 --> 00:39:21,679
have been told that Spirit a Drift are surprise releasing

795
00:39:21,800 --> 00:39:25,840
what is billed as their final album called Infinite Illumination today,

796
00:39:26,000 --> 00:39:28,199
So you should it should be available to you right

797
00:39:28,199 --> 00:39:30,079
now on your streaming services and everything. If it's not,

798
00:39:30,199 --> 00:39:31,960
then you know something's gonna ry. But I have been

799
00:39:31,960 --> 00:39:35,599
told that that's the case. Spirit Drifts album is out again.

800
00:39:35,639 --> 00:39:38,880
Another of the great modern kind of contemporary heavy doom

801
00:39:38,960 --> 00:39:42,800
metal type bands, the collab album of the Melvins with

802
00:39:43,119 --> 00:39:46,199
Napalm Death, two of the noisiest bands of all time.

803
00:39:46,440 --> 00:39:49,760
What will they cook up together? Savage Imperial Death March

804
00:39:50,039 --> 00:39:53,000
is out. If you are looking for more tried and

805
00:39:53,159 --> 00:39:56,480
tested legendary death metal fair, then the great band Immolation

806
00:39:57,079 --> 00:40:00,119
have got their new album called Descent out in to

807
00:40:00,239 --> 00:40:03,639
the really fast like the ultra fast tech death Sphere.

808
00:40:04,000 --> 00:40:06,800
Archspire have got too fast to Die, that's how fast

809
00:40:06,840 --> 00:40:09,920
they are. Vomitory another old school death metal band. This

810
00:40:10,000 --> 00:40:12,360
band of playing Incineration Festival in a few weeks. Death

811
00:40:12,480 --> 00:40:17,519
Throws uarda the American black metal band who I've brought

812
00:40:17,519 --> 00:40:19,880
forward the show on several occasions. They have got a

813
00:40:20,039 --> 00:40:23,679
acoustic release featuring a couple of covers like they've covered

814
00:40:23,719 --> 00:40:26,679
Something in the Way by Nirvana, but also like acoustic

815
00:40:26,840 --> 00:40:29,440
reinterpretations of a couple of their like you know, existing

816
00:40:29,480 --> 00:40:31,159
black metal songs. So I'm curious to see how that

817
00:40:31,360 --> 00:40:34,239
turns out. That's the Interwoven release. And then we move

818
00:40:34,280 --> 00:40:37,119
into some EPs, a again kind of up and coming

819
00:40:37,239 --> 00:40:40,719
band in the again kind of modern shoe Gays, the

820
00:40:40,719 --> 00:40:44,039
alternative type World Blush Puppy have an EP called Here

821
00:40:44,119 --> 00:40:48,119
You Dream The Return of Mela Kesh The first material

822
00:40:48,239 --> 00:40:52,199
from the Sumerian black metal gods in like fucking eleven

823
00:40:52,280 --> 00:40:55,320
years or something like that. That EP is out called

824
00:40:55,360 --> 00:40:58,400
Sentinels of Shamash. If you are interested in kind of

825
00:40:58,760 --> 00:41:02,000
Japanese black gume post hardcore type world, there's a man

826
00:41:02,039 --> 00:41:05,440
called Sisine with an EP called Awake Children under the Moon.

827
00:41:05,760 --> 00:41:09,440
And then there is a split release from JK Flesh,

828
00:41:09,599 --> 00:41:12,440
that being justin broaderick of Godflesh. Goldflesh, of course, have

829
00:41:12,519 --> 00:41:14,639
you know, recently announced their retirement, but I'm sure that

830
00:41:14,719 --> 00:41:17,400
he will continue to do this his like hard industrial

831
00:41:17,440 --> 00:41:20,519
electronic project JK Flesh for a long time. I imagine

832
00:41:20,679 --> 00:41:23,239
JK Flesh doing a split with an artist called Monarella

833
00:41:24,000 --> 00:41:26,960
called Shouting the Odds. There you go. Those are releases

834
00:41:27,000 --> 00:41:29,360
for this time. Thank you very much for being with us.

835
00:41:29,599 --> 00:41:31,920
We'll be back here with another hyperblast next week. But

836
00:41:32,000 --> 00:41:34,039
also in between now and then, if you are over

837
00:41:34,119 --> 00:41:36,840
on our Patreon, you will receive the first part of

838
00:41:36,880 --> 00:41:40,679
our band special or motherfucking Corn, So get involved, be ready.

839
00:41:40,800 --> 00:41:41,440
Cheers everyone,