WEBVTT

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<v Speaker 1>Hudson River Radio dot com. You notice place only cost

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<v Speaker 1>me one hundred bucks.

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<v Speaker 2>Has a better deal than that Aaron Neville megaphone I bought.

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<v Speaker 3>Okay, I want to thank you guys for making me

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<v Speaker 3>activity director for the day. Okay, first of all, can everybody.

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<v Speaker 1>There hell?

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<v Speaker 4>Hell's wrong with this thing?

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<v Speaker 1>Okay?

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<v Speaker 5>We're about to start the.

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<v Speaker 6>How does Sasa, Jonnithansberry Jukes.

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<v Speaker 1>Hey, this is Tom Chapin.

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<v Speaker 6>Hello, this is preaching in Rock and Roll History Show.

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<v Speaker 5>You're listening right now.

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<v Speaker 6>Hello, everybody, Welcome back to the Rock and Roll History

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<v Speaker 6>Show on Hudson River Radio. I'm Brian Horowitz. Tonight it's

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<v Speaker 6>part two of Celestial Bodies. In between our shows, we

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<v Speaker 6>have come to the conclusion, the unequivocal conclusion that the

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<v Speaker 6>Earth is not flat. If you believe it is good

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<v Speaker 6>luck changing our minds before we hop in, and allow

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<v Speaker 6>me to introduce all the crambell joining us here this evening.

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<v Speaker 6>First and foremost from the Richter Observatory. He accidentally glued

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<v Speaker 6>his thumb and first finger together, but it looks okay.

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<v Speaker 6>Neil Richtor is here.

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<v Speaker 7>Okay, how you doing, everybody?

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<v Speaker 6>And from paranormally yours, she figured out that even though

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<v Speaker 6>they breathe fire, a dragon will not explode, but a

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<v Speaker 6>dino mighte Gil Nuklem is here.

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<v Speaker 4>Oh boy, the deafening silence.

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<v Speaker 6>From the silver screen. She took a yogurt to a

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<v Speaker 6>fancy bar because it's cultured. Mercedes Ken be here.

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<v Speaker 1>Gotta be a little ritzy.

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<v Speaker 6>Mm hm, take it up a notch. That's right, hey,

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<v Speaker 6>everybody joining us from his home studio. He's our resident teacher.

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<v Speaker 6>One of his students ate her homework because he told

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<v Speaker 6>her it was a piece of cake. John Kelly is here.

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<v Speaker 6>Can't hear you?

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<v Speaker 3>John?

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<v Speaker 8>Hey?

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<v Speaker 6>Everybody, you know, sometimes comments like that are not too

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<v Speaker 6>far from the truth.

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<v Speaker 1>Yep.

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<v Speaker 6>That's the level of humanity for the most part. And last,

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<v Speaker 6>but not least, the host of shaving Cream. She heard

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<v Speaker 6>that cows don't laugh at jokes because they're not amused.

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<v Speaker 6>Barbara Deal is here.

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<v Speaker 3>Wow.

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<v Speaker 6>Wow, speachless, hey, everyone, and without further ado, let us

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<v Speaker 6>just hop right in. Barbara, you're gonna lead us off

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<v Speaker 6>this week.

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<v Speaker 1>Okay. Well, I was trying to find something that I'd

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<v Speaker 1>never heard before, So I'm wondering if anybody else has

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<v Speaker 1>heard this song. The title of the song that I

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<v Speaker 1>chose for our celestial bodies. Part two is called Uranus

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<v Speaker 1>and it's by a band call Nano War of Steel.

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<v Speaker 6>I would expect no less and here.

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<v Speaker 1>Okay, uh, I'm so glad I don't surprise too many

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<v Speaker 1>of my friends anymore. But hey, do you guys remember

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<v Speaker 1>that Christmas when I was gifted those plates? Every single

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<v Speaker 1>plate was a planet and the first thing I said was, Hey,

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<v Speaker 1>who gets to eat off Uranus?

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<v Speaker 5>So again insert middle school humor.

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<v Speaker 1>Here, Yes, my brain is only eight years old.

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<v Speaker 7>So as a star trek as a star trek man,

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<v Speaker 7>are they're klingon certain Uranus?

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<v Speaker 1>Very good joke, an old joke, but a good one.

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<v Speaker 6>I'm sure a classic is a classic.

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<v Speaker 1>Classic is a classic. You get to do the dad,

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<v Speaker 1>and an old joke is an old joke, as as

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<v Speaker 1>we're gonna find out with the song. So. Nano War

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<v Speaker 1>of Steel is a comedy heavy metal band from Rome, Italy,

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<v Speaker 1>formed in two thousand and three. They're famous for satirizing

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<v Speaker 1>what they refer to as true metal, and they poke

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<v Speaker 1>fun at the way power metal bands tend to take

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<v Speaker 1>themselves too seriously. I can't wait love it band members.

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<v Speaker 1>I'm going to try not to trip over these names

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<v Speaker 1>uh Our guitarist Mohammed Abdul only normal named guy here,

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<v Speaker 1>bassist s Gatto Pansery six six six, drummer Olmona Raider,

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<v Speaker 1>lead vocal vocalist Hotoo Minimac and mister Boffo on sound effects.

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<v Speaker 6>Did they were in that song from hair from last week?

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<v Speaker 1>I was just I kind of wish they were.

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<v Speaker 7>I'm just gonna say, what were their parents thinking? Who

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<v Speaker 7>names their kids?

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<v Speaker 1>They've released seven studio albums, one live album, one compilation,

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<v Speaker 1>two EPs, and twenty five singles. They're a single. Urinus

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<v Speaker 1>was featured on the twenty twenty album Stairway to Valhappa

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<v Speaker 1>on Napalm Records. So let's hear it and we'll.

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<v Speaker 8>Return but some more out there spacey thoughts.

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<v Speaker 6>I like it bag, I like it cool, I like.

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<v Speaker 2>It blue, I like it.

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<v Speaker 3>Book, I like it, Wait to do the sands of me.

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<v Speaker 6>Things I wanted, I see I wanted large.

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<v Speaker 2>Water is spicy with electric charge, fluid outside the rockets.

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<v Speaker 9>You can't go on a pleasure.

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<v Speaker 3>But things.

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<v Speaker 2>I want it can't ride to you.

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<v Speaker 10>And say a fishy and on her Ally Shop says

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<v Speaker 10>like I talk mer.

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<v Speaker 2>See point two sweet stirs came held the windown her shirts.

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<v Speaker 3>Half a lot of the.

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<v Speaker 10>Worlds you see all wise, no bad for the deal

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<v Speaker 10>thanks to the ashore Am shirts.

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<v Speaker 3>I'm finally can't join the.

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<v Speaker 9>Go read for that.

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<v Speaker 3>Are you gonna long?

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<v Speaker 6>I gotta say it long, y'r.

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<v Speaker 3>So sisters, baby all right and I'll chuck some sides

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<v Speaker 3>of song say no loud? Wow?

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<v Speaker 9>Who when.

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<v Speaker 2>Jade your Radjarade, your rade, your rade, Garada your rad

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<v Speaker 2>I want to all reader.

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<v Speaker 3>I mean.

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<v Speaker 1>A quote from the Nano War of Steel official website reads,

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<v Speaker 1>we spread the gospel of parody nationwide. We take comedy seriously,

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<v Speaker 1>and I wanted to read some comments from the Uranus

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<v Speaker 1>YouTube official video page. Quote one an old joke. Still

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<v Speaker 1>these are of the song, and I'm impressed by the

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<v Speaker 1>amount of scientific accuracy put into this old joke. Good job,

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<v Speaker 1>nan o' war book two. The song lyrics I'll send

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<v Speaker 1>my probe Voyeer two nineteen aus deep, using the Voyager

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<v Speaker 1>two as a sexpun reference while knowing that it was

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<v Speaker 1>exactly nineteen aus far from Earth. When it reachs Youurinus

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<v Speaker 1>in nineteen eighty six is not only epic, it reaches sublimity.

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<v Speaker 1>Thanks guys, and to get a little knowledge here, because

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<v Speaker 1>we are supposed to learn an au stands. Anybody know

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<v Speaker 1>this for astronomical unit? Yeah, and it's a unit of length.

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<v Speaker 1>Does anybody know what the unit of length is? One

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<v Speaker 1>hundred and forty nine billion, five hundred ninety seven million,

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<v Speaker 1>eight hundred seventy thousand, seven hundred miles.

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<v Speaker 6>That would have been my second guess. Yeah, okay, that's.

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<v Speaker 1>The extra credit question. So that's okay, all right. Another

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<v Speaker 1>quote reads a zero percent nudity, zero percent swearing, five

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<v Speaker 1>percent hot girls, forty five percent methane, fifty percent useful

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<v Speaker 1>astronomical trivia, one hundred percent talent. And finally, this song

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<v Speaker 1>should be played while someone is having a colonoscopy. Oh

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<v Speaker 1>my god, Mike, my gastroentrologist, would love this.

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<v Speaker 6>Not the same twisted sense of humor I have. Oh

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<v Speaker 6>my gosh, I'm gonna have to send that to her seriously.

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<v Speaker 1>And I wanted to close by adding that, in order

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<v Speaker 1>to research this topic, I googled songs called uranus.

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<v Speaker 4>Of course you did.

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<v Speaker 6>Starting of course, I think you won the category. Yeah,

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<v Speaker 6>you set the bar pretty high to lead us off

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<v Speaker 6>this week. That was good. Yes, all right, Well, I

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<v Speaker 6>need a break. Anybody else? I think so, I think so. Yeah,

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<v Speaker 6>all right, we'll be back right after this, Hudson River

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<v Speaker 6>Radio dot Com. It beats listening to nothing.

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<v Speaker 11>This concludes the first part of this cassette.

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<v Speaker 6>Please turn the cassette over and begin again on side to.

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<v Speaker 4>Hudson River Radio dot Com.

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<v Speaker 6>And welcome back to the Rock and Roll History Show. Neil,

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<v Speaker 6>you get to follow Barber selection.

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<v Speaker 1>Come up behind you.

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<v Speaker 7>It is a tough act to follow, man. Oh wow, yeah,

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<v Speaker 7>all right, but anyway, my celestial out of this world

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<v Speaker 7>choice for today's topic is a song called Another Girl,

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<v Speaker 7>Another Planet by the band The Only Ones. The Only

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<v Speaker 7>Ones are an English rock band. They formed in London

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<v Speaker 7>in August of nineteen seventy six. Although they're generally labeled

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<v Speaker 7>as a punk band, they also incorporated power pop, hard

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<v Speaker 7>rock and a little bit of psychedelia into their sound

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<v Speaker 7>as well. Original members are songwriter Peter Parrott on rhythm,

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<v Speaker 7>guitar and vocals, bassist and songwriter Alan Mayer. He had

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<v Speaker 7>previously had success with a Scottish band called The Beatstalkers.

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<v Speaker 7>John Perry, originally a bass player, he switched to guitar

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<v Speaker 7>when he joined the band and drummer Mike Kelly, no

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<v Speaker 7>relation to John formerly of the band Spooky Tooth, who

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<v Speaker 7>had had success pretty much mainly in the UK in

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<v Speaker 7>the late sixties and early seventies. And I actually got

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<v Speaker 7>to see Spooky Tooth in New York somewhere in the

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<v Speaker 7>early seventies. It's all kind of lost in a haze

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<v Speaker 7>right now, but anyway. Their first self released single, called

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<v Speaker 7>Lovers of Today, came out around nineteen seventy seven, and

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<v Speaker 7>it immediately became the record of the week in several

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<v Speaker 7>major music publications. Now this led to their signing with

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<v Speaker 7>CBS Records about a year later in nineteen seventy eight,

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<v Speaker 7>and their next single, which We're about to Hear Another Girl,

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<v Speaker 7>Another Planet, became the band's best known song. The song

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<v Speaker 7>itself is widely to be believed to be a love

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<v Speaker 7>song about heroin and not really about a girl from

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<v Speaker 7>another planet, with lyrics like I always flirt with death,

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<v Speaker 7>I look ill, but I don't care about it, and

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<v Speaker 7>you get under my skin. I don't find it irritating.

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<v Speaker 7>You always play to win, but I won't need rehabilitating.

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<v Speaker 7>Coupled with space travel, is of course a metaphor for

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<v Speaker 7>getting high an all song with Peter Parrott's heavy heroin

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<v Speaker 7>addicted inflection pretty much gives it away, at least to me,

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<v Speaker 7>but in a twenty fifteen interview, Parrot claimed that the

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<v Speaker 7>song was not about drugs and actually had been inspired

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<v Speaker 7>by a girl, although he also admitted that he liked

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<v Speaker 7>writing ambiguous lyrics that could be taken in many different directions.

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<v Speaker 7>So let's leave it up to you, the listener. So

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<v Speaker 7>let's get ready for take off with another girl, another

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<v Speaker 7>planet by the only ones.

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<v Speaker 4>I always flat with deck. I look killed, but I

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<v Speaker 4>don't care about it. I can't face your threats and

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<v Speaker 4>stand up straightened.

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<v Speaker 11>Toll and shout about it. I think, come on another

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<v Speaker 11>world with you, with you. I'm on another planet with you.

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<v Speaker 11>With you, you get under my skin. I don't find it.

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<v Speaker 4>Ritat and y'all always played within.

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<v Speaker 1>But I won't need me no bell.

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<v Speaker 10>Take no no.

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<v Speaker 3>I think, come on another world with you with you.

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<v Speaker 3>I'm on another client with you, with you.

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<v Speaker 11>Another girl, another planet, another girl, another packet, space.

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<v Speaker 4>Travels in my blood. That ain't nothing I could.

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<v Speaker 11>Do about it.

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<v Speaker 4>Long Johnny swearing me out, but I don't know.

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<v Speaker 3>I can't live with that, said I know, I think

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<v Speaker 3>I'm on another world with you, with you?

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<v Speaker 7>So what is it? A drug?

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<v Speaker 8>A girl?

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<v Speaker 7>Both?

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<v Speaker 1>Yeah, A drugged girl could never know.

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<v Speaker 6>I don't get what it is.

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<v Speaker 1>It's cute, which is really good.

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<v Speaker 7>That guitar solo in the middle, I think is just brilliant.

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<v Speaker 7>It just it just kicks that song right in yourinus,

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<v Speaker 7>so you know it's yeah. People say, oh, punk music

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<v Speaker 7>is very old. It's as simple as it. No, you

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<v Speaker 7>listen to that? That that was? That was brilliant, brilliant

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<v Speaker 7>stuff in my not so humble opinion. Now, The song

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<v Speaker 7>was included on their self titled debut album, which the

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<v Speaker 7>band forced along with some help from Robert Ash and

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<v Speaker 7>some engineering by Steve Lillywhite, who was just starting out

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<v Speaker 7>his career, and lily White, of course, would go on

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<v Speaker 7>to become a Grammy Award winning record producer, so that

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<v Speaker 7>may have had something to do with it. The record

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<v Speaker 7>was well received by critics and fans, and reached number

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<v Speaker 7>fifty six on the UK Album's Chart. Now The Only

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<v Speaker 7>Ones released two more albums before disbanding in nineteen eighty two.

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<v Speaker 7>Another Girl, Another Planet is often featured on box set

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<v Speaker 7>compilations that feature punk rock and new wave music, and

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<v Speaker 7>after being included on one such compilation in nineteen ninety one,

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<v Speaker 7>Another Girl, Another Planet was re released as a single

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<v Speaker 7>and reached number fifty seven on the UK Singles Chart. Now,

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<v Speaker 7>after this resurgence of public interest, The Only Ones reformed

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<v Speaker 7>in two thousand and seven and continued performing live through

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<v Speaker 7>two thousand and nine. All three of their studio albums

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<v Speaker 7>were re released with bonus tracks also in two thousand

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<v Speaker 7>and nine, and new material was recorded, although unfortunately it's

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<v Speaker 7>never been released because the band ceased activity after their drummer,

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<v Speaker 7>Mike Kelly passed away in twenty seventeen, but the surviving

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<v Speaker 7>members have reunited periodically to play live shows. Yeah, The

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<v Speaker 7>Only Ones have been cited as an influence on many

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<v Speaker 7>indie and alternative rock bands, and several bands have even

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<v Speaker 7>covered Another Girl, Another Planet, such as The Replacements and

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<v Speaker 7>Blink one two. So there you have it, folks. A

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<v Speaker 7>little space travel from The Only.

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<v Speaker 6>Ones excellent, I recommend. When it got to the course,

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<v Speaker 6>I recognized it. Yeah, I've heard that one. That's good.

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<v Speaker 7>Love that yeah, Yeah, that's you know, it's like a

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<v Speaker 7>forgotten gem you know in my book. You know, it's

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<v Speaker 7>like yeah, like I said, you knew it, you heard it,

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<v Speaker 7>but yeah, wow, I haven't heard them all more time.

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<v Speaker 6>Part of the reason I love doing this is because,

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<v Speaker 6>you know, you rediscover things you haven't heard in so long.

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<v Speaker 6>Exactly awesome. Thank you, Neil. All right, one more to go, Crambones.

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<v Speaker 6>Can you tell me how to get how to get

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<v Speaker 6>to Sesame Street?

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<v Speaker 7>I say street? Thank you?

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<v Speaker 8>Okay?

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<v Speaker 6>From Uranus to Sesame Street. Oh my gosh, this episode

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<v Speaker 6>I do.

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<v Speaker 8>It's what we do.

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<v Speaker 7>What I cut my micro off?

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<v Speaker 8>I I.

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<v Speaker 7>I can't say what I'm thinking. No, I can't.

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<v Speaker 6>Maybe that's for the best, all right. The children's educational

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<v Speaker 6>show was first conceived in nineteen sixty six with the

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<v Speaker 6>unique approach of creating a truly educational show for young children.

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<v Speaker 6>The name came from the phrase open sesame, as in

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<v Speaker 6>opening the doors into something exciting. The show was produced

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<v Speaker 6>by the newly formed Children's Television Workshop, which was funded

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<v Speaker 6>by grants from the Carnegie Foundation, the Ford Foundation as

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<v Speaker 6>in the Cars, and Corporation for Public Broadcasting money kicked

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<v Speaker 6>in from the federal government. It launched in nineteen sixty

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<v Speaker 6>nine and spent its first year on the National Education

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<v Speaker 6>Television Network, which was owned by the Ford Foundation. Then

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<v Speaker 6>it became co owned by the Corporation for Public Broadcasting

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<v Speaker 6>and that all got folded into PBS, probably the Public

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<v Speaker 6>Broadcasting service that we are all familiar with now PBS.

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<v Speaker 6>They put a lot of effort into the quality of

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<v Speaker 6>the material. They used child psychologists, they used teachers, they

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<v Speaker 6>used TV experts to make sure that they kept the

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<v Speaker 6>quality high and that they could get their message across.

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<v Speaker 6>The show is set in an urban setting, a city,

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<v Speaker 6>and they made a point to include a diverse cast,

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<v Speaker 6>which was something that was not being done at the time.

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<v Speaker 6>They tested segments with kids and made adjustments to make

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<v Speaker 6>sure that what they were producing was effective and again

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<v Speaker 6>could get their message across to younger kids. The most

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<v Speaker 6>memorable episode was in nineteen eighty three when the local

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<v Speaker 6>shop owner mister Hooper died. If you guys may remember

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<v Speaker 6>that the actor who played him, Will Lee, actually died

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<v Speaker 6>in nineteen eighty two, and most shows would just either

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<v Speaker 6>recast or write off their cast member or change the story.

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<v Speaker 6>But instead of doing that, instead of saying he retired

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<v Speaker 6>and moved, they actually made an episode about death that

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<v Speaker 6>was appropriate for the young age group that they were

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<v Speaker 6>that they were reaching for They spent a full year

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<v Speaker 6>putting that episode together and then it aired in nineteen

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<v Speaker 6>eighty three. Another well known episode is one that actually

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<v Speaker 6>didn't air. Do you remember the character snuffle up Agus.

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<v Speaker 6>It was the Willie Mammoth looking thing. Originally Big Bird

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<v Speaker 6>was the only one that could see him. Eventually they

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<v Speaker 6>did away with that because they felt that, you know,

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<v Speaker 6>if kids had something to tell their parents, they wouldn't

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<v Speaker 6>believe them, you know, because big Bird kept telling everybody

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<v Speaker 6>that since a Philopagus was here, and the adults didn't

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00:23:56.119 --> 00:23:58.680
<v Speaker 6>believe him even though he really was there. So they

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00:23:58.759 --> 00:24:01.359
<v Speaker 6>got rid of that. Kids could actually feel like they

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<v Speaker 6>could come forward and tell grown up stuff and actually

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<v Speaker 6>be believed. But Snephalopicus's parents were going to get a divorce,

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<v Speaker 6>so they put together an episode to address divorce, and

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00:24:12.200 --> 00:24:15.039
<v Speaker 6>they tested it showing that younger kids just couldn't wrap

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<v Speaker 6>their heads around the concept, and instead of trying to

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00:24:18.200 --> 00:24:20.680
<v Speaker 6>make it work, they actually just dropped the episode altogether,

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<v Speaker 6>which I give them credit for it. They put a

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<v Speaker 6>lot of work into it and said this isn't working,

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<v Speaker 6>so they actually just dropped it. In two thousand, the

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<v Speaker 6>Children's Television Workshop was renamed Sesame Workshop. Funding was always

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<v Speaker 6>an issue, especially for not for profits, so they started

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<v Speaker 6>licensing merchandise and allowing short advertisements before and after the episodes.

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<v Speaker 6>In twenty fifteen, they made an agreement with HBO where

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<v Speaker 6>HBO could run each episode. First they pick up the

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<v Speaker 6>majority of the bill, and then it would go over

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<v Speaker 6>to PBS. A lot of people got upset because the

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<v Speaker 6>idea of Sesame Street was that it was geared towards

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<v Speaker 6>lower income urban kids, and now it was going to

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<v Speaker 6>be shown on an expensive pay channel first, and then

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<v Speaker 6>in twenty twenty it went to their streaming service, Max,

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<v Speaker 6>HBO's streaming platform. I will say that for the most part,

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<v Speaker 6>people who got upset that it went over to HBO

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00:25:14.440 --> 00:25:17.319
<v Speaker 6>were not being seen walking around with their PBS tote bags,

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<v Speaker 6>so I'm guessing they didn't open up their wallets. They

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00:25:20.039 --> 00:25:24.000
<v Speaker 6>just complained about it afterwards. Jim Henson's muppets, of course,

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<v Speaker 6>played a huge role still do on Sesame Street. They

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<v Speaker 6>interact with the cast as regular people. Jim Henson died

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<v Speaker 6>in nineteen ninety at age fifty three from toxic shock

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<v Speaker 6>syndrome from a staff infection that he got. His best

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<v Speaker 6>known character was, of course, Kermit the Frog, and Kermit

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<v Speaker 6>was the only Muppet that crossed over between The Muppet

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<v Speaker 6>Show and Sesame Street on a regular basis. The other

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<v Speaker 6>Muppets would make you know cameo appearances, but Kermit was

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<v Speaker 6>the only regular on both. Henson did a number of

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<v Speaker 6>characters on Sesame Street, including Kermit. He did Guy Smiley,

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<v Speaker 6>the game show host if you may remember that, and

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<v Speaker 6>he did Ernie as in Burt and Ernie. Burt and

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<v Speaker 6>Ernie are roommates. They have opposite personalities, kind of like

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<v Speaker 6>the odd couple. You know, Burt's the straight lace guy

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00:26:11.000 --> 00:26:14.400
<v Speaker 6>and Ernie's kind of the dopey one. Ernie had a

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<v Speaker 6>very popular song that's still popular, Rubber Ducky. That's probably

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<v Speaker 6>the best known one. We all know it, even though

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00:26:20.640 --> 00:26:22.759
<v Speaker 6>you don't want to admit it. You know all the lyrics.

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<v Speaker 6>Even Neil knows all the lyrics. Another song that had

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<v Speaker 6>staying power and is still around it still pops up

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<v Speaker 6>is I Don't Want to Live on the Moon, which

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<v Speaker 6>was written by Jeff Moss in nineteen seventy eight. Moss

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<v Speaker 6>also wrote rubber Ducky. He wrote I Love Trash, and

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<v Speaker 6>he wrote the people in Your neighborhood, all songs that

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<v Speaker 6>we know, whether we want to admit it or not.

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<v Speaker 6>It was first recorded for the nineteen eighty Sesame Street

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<v Speaker 6>album The People in Your Neighborhood. Then it was included

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<v Speaker 6>in Season fifteen and nineteen eighty three. They did a

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<v Speaker 6>new version in nineteen ninety three with guest star Aaron Neville,

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<v Speaker 6>used Jim Henson's original vocals from nineteen eighty three and

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<v Speaker 6>then edited in Aaron Neville to make it look like

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<v Speaker 6>he was sitting there singing a duet with Ernie. What

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<v Speaker 6>got me is that this is the opposite of a

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<v Speaker 6>lot of kids songs. You know, kids songs talk about

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<v Speaker 6>you can do anything you want, keep working at it,

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<v Speaker 6>keep plugging away, all that kind of stuff, encouraging kids

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<v Speaker 6>to do stuff. This one is a little more pensive.

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<v Speaker 6>It's a little slower, a little deeper. Ernie sings that

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<v Speaker 6>he would like to visit the moon, but he wouldn't

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<v Speaker 6>want to live there. He could visit the depths of

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<v Speaker 6>the ocean, but he would want to come back to

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<v Speaker 6>his family and friends. It's a song that it's okay

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<v Speaker 6>to not want to do stuff, not want to do everything.

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<v Speaker 7>You know.

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<v Speaker 6>It's kind of the opposite message, and I think it's

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<v Speaker 6>a great example of how good the material is on

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<v Speaker 6>Sesame Street because kids get the straight shot message. You know,

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<v Speaker 6>I don't want to live on the Moon. I want

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<v Speaker 6>to live here with my family, And then adults kind

387
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<v Speaker 6>of think about it a little bit deeper, So you

388
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<v Speaker 6>got two different levels going on at the same time.

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<v Speaker 6>I thought we would check out Ernie's version with Aaron Neville,

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<v Speaker 6>which I think I think is excellent, except it leads

391
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<v Speaker 6>off with Aaron Neville's trademark Whiny Little Eye, which just

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00:28:07.519 --> 00:28:09.279
<v Speaker 6>right off the bat kind of takes you out of it,

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<v Speaker 6>but then it comes back around. So tell me what

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<v Speaker 6>you think. Let's check out I Don't want to Live

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<v Speaker 6>on the Moon by Ernie and Aaron Neville.

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<v Speaker 12>Well, i'd like to visit Theule on a rocket ship

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<v Speaker 12>high in the air.

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<v Speaker 3>Yes, I'd like to visit the move, but I don't

399
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<v Speaker 3>think i'd like to live there.

400
00:28:39.079 --> 00:28:41.160
<v Speaker 4>Though I'd like to look down at.

401
00:28:41.079 --> 00:28:45.079
<v Speaker 10>The Earth from above, I wouldn't miss all the places

402
00:28:45.200 --> 00:28:46.720
<v Speaker 10>and people I love.

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<v Speaker 12>So, although I might like it for one afternoon, I

404
00:28:51.759 --> 00:28:54.000
<v Speaker 12>don't want to live on the Moon.

405
00:28:55.039 --> 00:28:57.839
<v Speaker 9>I'd like to travel under the sea.

406
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<v Speaker 6>I could allow fish everywhere.

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<v Speaker 12>Yes, I travel under the sea, but I don't think

408
00:29:08.759 --> 00:29:10.519
<v Speaker 12>i'd like to live there.

409
00:29:11.839 --> 00:29:14.880
<v Speaker 6>I much day for a day there if I had

410
00:29:14.960 --> 00:29:18.359
<v Speaker 6>my wish, But there's not much to do, and your

411
00:29:18.480 --> 00:29:22.519
<v Speaker 6>friends are all fish and an oyster and clam aren't

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00:29:22.640 --> 00:29:23.519
<v Speaker 6>real family.

413
00:29:24.200 --> 00:29:26.960
<v Speaker 12>So I don't want to live in the sea.

414
00:29:28.039 --> 00:29:31.720
<v Speaker 5>I'd like to visit the jungle, hear the lion, ro

415
00:29:32.920 --> 00:29:35.279
<v Speaker 5>go back in time and need a diy.

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<v Speaker 12>It's so many strange places I'd like to piggy, but

417
00:29:41.200 --> 00:29:46.640
<v Speaker 12>not I've them pur uneerly. So if I should visit

418
00:29:46.880 --> 00:29:51.559
<v Speaker 12>the moon, well, I'll dance on a moonbeam, and then

419
00:29:53.000 --> 00:29:57.640
<v Speaker 12>I will make a wish on a star, and I'll

420
00:29:57.720 --> 00:29:59.839
<v Speaker 12>wish I was hold once again.

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<v Speaker 3>Oh, I'd like to look down at the throw my bove.

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<v Speaker 4>I wouldn't miss all the places and people I love.

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<v Speaker 12>So although I may go, I'll be coming home soon

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00:30:15.400 --> 00:30:18.680
<v Speaker 12>because I long to live long loop.

425
00:30:20.039 --> 00:30:22.480
<v Speaker 6>No, I don't long to.

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00:30:22.720 --> 00:30:24.960
<v Speaker 4>Live on the loom.

427
00:30:33.519 --> 00:30:36.000
<v Speaker 6>So what do you think I like it. It's kind

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00:30:36.000 --> 00:30:38.640
<v Speaker 6>of sweet. It kind of brings you back to your childhood. Yep.

429
00:30:39.000 --> 00:30:40.839
<v Speaker 6>I thought it was really well done except for the

430
00:30:41.599 --> 00:30:43.319
<v Speaker 6>Except for the whining at the top, I could have

431
00:30:43.359 --> 00:30:48.839
<v Speaker 6>done yeah, I agree. It was kind of sweet, you know. Yeah,

432
00:30:48.960 --> 00:30:51.720
<v Speaker 6>I thought I thought it was very well done, especially

433
00:30:51.839 --> 00:30:55.799
<v Speaker 6>you know, you're taking recordings ten years apart combining it seamlessly,

434
00:30:56.519 --> 00:30:59.680
<v Speaker 6>so it shows the kind of quality that they did.

435
00:31:00.319 --> 00:31:04.400
<v Speaker 6>So Sesame Street currently has about one hundred and sixty

436
00:31:04.559 --> 00:31:08.880
<v Speaker 6>versions around the world in seventy different languages, and they

437
00:31:08.960 --> 00:31:12.960
<v Speaker 6>tailor each one to make it culturally appropriate, which I

438
00:31:13.000 --> 00:31:18.839
<v Speaker 6>think is fantastic. Yeah, so all right, that is my selection.

439
00:31:20.160 --> 00:31:24.079
<v Speaker 6>Cool complete opposite of Barber's. At the other end of

440
00:31:24.160 --> 00:31:28.640
<v Speaker 6>the spectrum, weleete opposite of what you usually picture. I

441
00:31:28.799 --> 00:31:29.519
<v Speaker 6>was thinking.

442
00:31:31.480 --> 00:31:33.799
<v Speaker 5>This episode it was kind of the reverse Barbara. You

443
00:31:33.920 --> 00:31:36.799
<v Speaker 5>kind of brought us way way, way, way, way, way

444
00:31:36.880 --> 00:31:40.519
<v Speaker 5>way down into the gutter, and Brian did the opposite.

445
00:31:40.599 --> 00:31:43.039
<v Speaker 5>He just kind of like just slammed it in reverse.

446
00:31:44.440 --> 00:31:45.680
<v Speaker 6>This brought us back out of it.

447
00:31:46.079 --> 00:31:47.920
<v Speaker 1>Yeah, we don't quite know what to do now.

448
00:31:49.519 --> 00:31:52.759
<v Speaker 6>Then I have done my job to handle this.

449
00:31:53.839 --> 00:31:56.160
<v Speaker 7>Formed the cockles of my cold dead heart, I have

450
00:31:56.279 --> 00:32:04.240
<v Speaker 7>to say, getting all like I was digging it excellent.

451
00:32:04.720 --> 00:32:06.759
<v Speaker 6>All right, I'm gonna pat myself on the back then

452
00:32:06.839 --> 00:32:10.039
<v Speaker 6>for that one. Good. All right, then that means it's

453
00:32:10.079 --> 00:32:11.960
<v Speaker 6>time to pull the plug before I put my foot

454
00:32:11.960 --> 00:32:16.440
<v Speaker 6>in my mouth and ruin the whole again. As always,

455
00:32:16.440 --> 00:32:18.920
<v Speaker 6>awesome selections across the board. I think this was a

456
00:32:19.039 --> 00:32:22.079
<v Speaker 6>really good couple of shows. I liked them, and thank

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00:32:22.119 --> 00:32:24.279
<v Speaker 6>you Crambones, and thank you all for joining us here

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00:32:24.319 --> 00:32:26.000
<v Speaker 6>on the Rock and Roll History Show. Don't forget to

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00:32:26.000 --> 00:32:28.480
<v Speaker 6>subscribe in your favorite podcast app, and be sure to

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00:32:28.559 --> 00:32:29.839
<v Speaker 6>check out all the other shows we do here a

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00:32:29.920 --> 00:32:33.519
<v Speaker 6>Hudson River Radio. There is something for everybody. We'll see

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00:32:33.519 --> 00:32:35.720
<v Speaker 6>you next week with another brand new episode. Until then,

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00:32:35.920 --> 00:32:38.160
<v Speaker 6>have a great weekend everybody, and peace out.

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00:32:41.319 --> 00:32:46.759
<v Speaker 3>A rock cop bottomed cram Okay, bye bye.

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<v Speaker 6>Udsonriverradio dot com a subsidiaria of Glacier Entertainment LLC. Potentially successful.

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<v Speaker 6>It's a multi hundred dollar corporation.
