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<v Speaker 1>Oh ye is bot it's showtime.

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<v Speaker 2>People say, good money to see this movie.

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<v Speaker 3>When they go out to a theater, they want cold

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<v Speaker 3>sodas with a hot popcorn and no monsters.

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<v Speaker 1>In the protection booth, everyone pretend podcasting isn't boring.

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<v Speaker 2>Don it off.

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<v Speaker 4>We said, I can't believe Grandpa's dead.

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<v Speaker 5>That's what's hard.

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<v Speaker 4>Yeah, sometimes I think life is harder.

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<v Speaker 5>When I was a teenager, a trickster demon and terrorized

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<v Speaker 5>our entire family and tried to force me to marry him.

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<v Speaker 5>I believed he was gone.

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<v Speaker 4>Forever until you found this in the attic.

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<v Speaker 6>He's beetle Juice.

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<v Speaker 1>I don't ever say that name.

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<v Speaker 6>Beetlejuice.

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<v Speaker 7>Oh I am serious.

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<v Speaker 4>If you say the same three times, he will appear Beetlejuice.

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<v Speaker 2>The juice is loose.

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<v Speaker 7>I am going to make you so happy.

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<v Speaker 6>The living the dead can they coexist? That's what we're

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<v Speaker 6>here to find out.

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<v Speaker 5>Whereas choice, why Beto Juice.

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<v Speaker 7>Beatle check feel afraid to express yourself? Don't be afraid

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<v Speaker 7>you're a figment of my imagination? Really is this a

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<v Speaker 7>figment of your imagination?

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<v Speaker 8>Hm hmm.

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<v Speaker 5>Welcome to the Projection Booth and the culture cast and

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<v Speaker 5>midnight viewing. We're doing it all, all three of our shows.

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<v Speaker 5>I am your host, Mike White. Joining me is my

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<v Speaker 5>other host, Chris Tashue.

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<v Speaker 1>Nice fucking model.

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<v Speaker 5>Also joining us is my other host father Alone. Beetlejuice, Okay, whatever,

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<v Speaker 5>we are back thirty six years after the original. We're

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<v Speaker 5>back with Beetlejuice. Beetlejuice, and you know what, that third

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<v Speaker 5>one is going to be called, and they're probably gonna

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<v Speaker 5>make a third one because this has had a pretty

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<v Speaker 5>good box office opening. We're back with the sequel to Beetlejuice.

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<v Speaker 5>It's not Beetlejuice Goes Hawaii or some of the other

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<v Speaker 5>Beetle Juice movies that had been kicked around over the years.

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<v Speaker 5>It's not even a feature version of the cartoon. Because

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<v Speaker 5>they had a cartoon of this.

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<v Speaker 1>They did it was amazing.

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<v Speaker 5>Yeah, watch it on Saturday mornings. We are back with

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<v Speaker 5>some of the cast of the original film. We'll definitely

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<v Speaker 5>be talking about that. We have a family tragedy that

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<v Speaker 5>starts this off, and we are introduced to what's kind

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<v Speaker 5>of a combination of the Wednesday Show mixed with the

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<v Speaker 5>original Beatle Juice. We will be spoiling this movie as

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<v Speaker 5>we talk about it, though, I don't think there's a

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<v Speaker 5>whole lot you can spoil with this one unless you

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<v Speaker 5>are a huge Richard Harris fan. So we'll get there,

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<v Speaker 5>trust me. Until then, Chris, what did you think of Beetlejuice? Beetlejuice?

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<v Speaker 9>I went to Los Angeles earlier in the year and

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<v Speaker 9>I went to Universal Studios and they had as I

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<v Speaker 9>was walking out the door, they had a guy a

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<v Speaker 9>dressed up like Beetlejuice. Get your picture with Beetlejuice.

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<v Speaker 7>Look.

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<v Speaker 9>I find the original Beetle Juice probably to be my

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<v Speaker 9>favorite Tim Burton movie. I would say it's probably in

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<v Speaker 9>my top ten or fifteen movies. I think the character

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<v Speaker 9>of Beetlejuice is one that I resonate with a lot,

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<v Speaker 9>as I think a lot of people do, because he's

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<v Speaker 9>a piece of shit, but he's a lovable piece of shit,

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<v Speaker 9>which makes him at least he.

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<v Speaker 1>Wasn't the original.

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<v Speaker 9>I think we'll have plenty to talk about when it

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<v Speaker 9>comes to this movie and Beetlejuice, But the original I

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<v Speaker 9>think is a seminal film for me. A lot of

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<v Speaker 9>the bits from the first movie are things that like

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<v Speaker 9>the nice fucking model or that, hey, come here, got

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<v Speaker 9>some good for you? Come on with the fucking zagnutbar.

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<v Speaker 9>The original is a classic for a reason. Is this

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<v Speaker 9>movie going to hold up to that in the long term?

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<v Speaker 9>Thirty five years from now, will we be talking about Beetlejuice?

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<v Speaker 9>Beetlejuice which give them credit? The title is clever, I don't.

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<v Speaker 9>It is just based on the premise alone of what

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<v Speaker 9>the framing device of Beetlejuice as a character is. The

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<v Speaker 9>title of the movie's great beal Juice Goheswainan is the

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<v Speaker 9>thing we all wanted, obviously for the longest time and

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<v Speaker 9>still do. But I think if we're talking legacy sequels,

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<v Speaker 9>which this very much is, I think it's one of

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<v Speaker 9>the better ones, if not up there with a good

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<v Speaker 9>example of how you can.

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<v Speaker 1>Do this, if you want to do this. And that's

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<v Speaker 1>the thing with this movie for me. Did we need

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<v Speaker 1>this No?

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<v Speaker 9>Did we need this earlier than twenty twenty four, Yes,

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<v Speaker 9>that's the problem.

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<v Speaker 1>Did we need it now?

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<v Speaker 4>No?

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<v Speaker 1>Did we need it twenty years ago? Yeah?

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<v Speaker 9>I kind of think so if we were going to

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<v Speaker 9>be doing a Beetlejuice movie thirty five fucking years later,

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<v Speaker 9>did people just wake up that Beetlejuice.

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<v Speaker 1>Was a character that we wanted to revisit.

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<v Speaker 9>No, I just I've never understood that the issue with

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<v Speaker 9>legacy sequels that it took the industry twenty years to

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<v Speaker 9>wisen up to we have all these things people like,

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<v Speaker 9>oh my god. Like, it doesn't take people going to

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<v Speaker 9>Spirit Halloween and buying Beetlejuice shit for you to realize

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<v Speaker 9>you have one of the more iconic characters that's been created,

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<v Speaker 9>at least in terms of eighties movies, And it took

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<v Speaker 9>thirty five years to get to this point for real, Like,

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<v Speaker 9>it shocks me that we're talking about a Beetlejuice movie

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<v Speaker 9>in twenty twenty four, not because I didn't think this

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<v Speaker 9>movie would have ever come out, but because I didn't

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<v Speaker 9>think it would have taken thirty five years to make

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<v Speaker 9>a movie about Beetlejuice. Again, given that there was a cartoon,

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<v Speaker 9>given that the original was so successful, given that we

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<v Speaker 9>are watching a second one thirty five years later.

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<v Speaker 5>Beetlejuice has multiple foreign parodies. Let's just put that out there.

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<v Speaker 5>There are multiple it's been that long. Edward Penis Hands

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<v Speaker 5>came out so quickly after the original. Edward Scissorhands. Okay,

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<v Speaker 5>it makes sense to me that we're not really getting

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<v Speaker 5>a sequel for that, but maybe we will. Maybe we'll

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<v Speaker 5>get an Edward Scissorhands too, where we don't explain why

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<v Speaker 5>Johnny Depp is aged all these years or something. Yeah,

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<v Speaker 5>how about you, father Mallon, what did you think about Beetlejuice?

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<v Speaker 7>Beetlejuice. Here's a fun fact, gentlemen. When when Beetlejuice, the

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<v Speaker 7>original Beetle Juice came out, studios used to do preview nights.

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<v Speaker 7>They would do it like a week before the film

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<v Speaker 7>was scheduled to come out, usually on a Thursday, and

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<v Speaker 7>they would always partner it up with whatever was sort

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<v Speaker 7>of failing at the box office. In this case, Beetlejuice

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<v Speaker 7>was partnered up with Police Academy assignment to Miami Beach.

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<v Speaker 7>And so I attended this special screening of Beetlejuice with

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<v Speaker 7>HP fellow weirding Way Media mogul HP. That was the

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<v Speaker 7>first thing we ever went to the movies to see

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<v Speaker 7>together as freshmen in high school. And I loved the

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<v Speaker 7>fucking movie. Obviously went out about the soundtrack, was obsessed

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<v Speaker 7>with it for years and years and was especially proud

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<v Speaker 7>because Michael McDowell lived in Medford, which was the town

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<v Speaker 7>over from my hometown, and wrote Beetlejuice because he hated

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<v Speaker 7>his neighbors and wanted to imagine a way to fucking

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<v Speaker 7>kill them all, and a bio exorcist seemed like a

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<v Speaker 7>good idea. So that movie hasn't diminished in any way

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<v Speaker 7>for me over the years. Every time I watch Beetle Juice,

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<v Speaker 7>it's just as good as when I first watched it.

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<v Speaker 7>I don't have any problems with that movie like at all.

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<v Speaker 7>So I wasn't surprised that they made another one, and

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<v Speaker 7>I'm not surprised it took them as long as they did.

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<v Speaker 7>The fact is the movie was never getting made unless

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<v Speaker 7>it was Burton and Keaton right. Neither was going to

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<v Speaker 7>make the movie without the other. I am surprised it

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<v Speaker 7>took as long as it did, and I suspect it

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<v Speaker 7>went into production finally because of Jenna or Tega. I

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<v Speaker 7>think once he figured that out and had Goff and

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<v Speaker 7>Miller retool the screenplay to have this daughter character, I

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<v Speaker 7>think that's why we got a movie. Here's the thing, though,

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<v Speaker 7>I think that's unfortunate because I think that character is

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<v Speaker 7>superfluous to the movie that we got. I agree with you, Chris,

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<v Speaker 7>I think this is the best of the Legacy sequels

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<v Speaker 7>that we've seen. I think there's more to recommend this

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<v Speaker 7>movie than not. I think the fan service sucks. I'm

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<v Speaker 7>sorry it's in here, because I think the innovative stuff

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<v Speaker 7>that they do in here is really fun. I like

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<v Speaker 7>all the stuff we spent, all the time we spend

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<v Speaker 7>in the fucking paranormal world, all the ghostly stuff is

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<v Speaker 7>all great. It's so great, in fact, that I wish

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<v Speaker 7>they had just done a reverse to the first film.

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<v Speaker 7>It spent the little time that we spend in the

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<v Speaker 7>human world as opposed to it should have taken place

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<v Speaker 7>entirely in the ghost world, is my point. But having

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<v Speaker 7>said that, and I do have even greater problems with it,

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<v Speaker 7>namely justin Thuru's character. I liked it overall. It was

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<v Speaker 7>a good time. It's when I saw the early trailers

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<v Speaker 7>I was really scared because it seemed like whatever takes

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<v Speaker 7>they were using of Michael Keaton, he seemed really tired,

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<v Speaker 7>and I was worried that this was just going to

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<v Speaker 7>be sad, and it's that was not the case at all.

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<v Speaker 7>There's more of him in this movie than the first film,

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<v Speaker 7>and it's welcome. I wish there was more of it.

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<v Speaker 7>That's my take on Beetlejuice, Beetle Chips. What about you, Mike.

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<v Speaker 5>I don't think I liked it as much as you did.

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<v Speaker 5>I think I liked it, okay, but it just it

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<v Speaker 5>felt scattered. It didn't really feel like there was a

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<v Speaker 5>real clear through line to this.

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<v Speaker 7>Yeah.

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<v Speaker 5>I'm also a huge fan of the original, saw that

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<v Speaker 5>theatrically back in eighty eight, watched it a ton when

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<v Speaker 5>it was on cable and vahs and just really enjoyed it.

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<v Speaker 5>This one, it, this one almost felt more like a

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<v Speaker 5>Men in Black sequel than a Beetlejuice sequel, especially with

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<v Speaker 5>the Monica Belushi character, who just she gets like what

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<v Speaker 5>two lines maybe during this whole thing, And there were

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<v Speaker 5>times where I was looking at her going is that

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<v Speaker 5>Catherine Zeta Jones from Wednesday? Or is that did Tim

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<v Speaker 5>Burton finally make amends with Alisa Marie and get her back?

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<v Speaker 5>Because he certainly has a type and apparently he and

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<v Speaker 5>Monica Blucci are now dating, which okay, I guess that's

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<v Speaker 5>one of his rules, is that he has to date

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<v Speaker 5>some of the cast members. I was, how and why

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<v Speaker 5>Helena Bonham Carter, who is a fucking fantastic actress, gets

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<v Speaker 5>in here and I love into his world. I should

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<v Speaker 5>say I love Monica Blucci, but she has nothing to

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<v Speaker 5>do in this movie other than walk around, and it

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<v Speaker 5>just felt like there was nothing going on with her,

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<v Speaker 5>and I was like, where is she in relation to

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<v Speaker 5>the rest of these characters. I thought Catherine O'Hara Delia

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<v Speaker 5>had mellowed incredibly over the years, and maybe that's just

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<v Speaker 5>the way that life works. And of course just the

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<v Speaker 5>introduction of the Jeffrey Jones character and that how that

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<v Speaker 5>becomes a thing throughout the whole movie, this corpse walking

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<v Speaker 5>around without a head and with a person doing at

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<v Speaker 5>Jeffrey Jones in person Nation's voice coming out of it.

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<v Speaker 5>Did we even need this? I thought it was nice

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<v Speaker 5>having the sharp shaped tombstone, and I thought the production

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<v Speaker 5>design of this was very good. I don't know if

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<v Speaker 5>we needed the musical act. I guess they were like,

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<v Speaker 5>we did Dio in the first one, so we have

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<v Speaker 5>to do MacArthur Park in this one, and I love

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<v Speaker 5>MacArthur Park, and so this one was perversely enjoyable in

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<v Speaker 5>that part, especially seeing all of the people lip syncing

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<v Speaker 5>MacArthur Park. But and it's such a ridiculous song that

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<v Speaker 5>I think that it fits this perfectly. But I missed

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<v Speaker 5>more of that Danny Elfman score. To your point, this

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<v Speaker 5>is one of his best scores, and I know he

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<v Speaker 5>did music for this, but it just wasn't as present

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<v Speaker 5>as it could have been. There are characters in here

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<v Speaker 5>that just drop in and drop out, like Wollem Dafoe,

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<v Speaker 5>and I just I was like, please, guys, just give

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<v Speaker 5>this another pass or two or three at the typewriter,

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<v Speaker 5>because I think that it could have been way better.

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<v Speaker 9>But to both of your points, if you are here

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<v Speaker 9>or Beetlejuice, I think it satisfies in that regard, right, Yeah,

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<v Speaker 9>Beetlejuice is a tough character.

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<v Speaker 5>I don't know if you guys read those sequel scripts

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<v Speaker 5>to Beetlejuice, Like there were at least two out there,

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<v Speaker 5>and I know there's probably been more, but's it's a

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<v Speaker 5>tough thing because he's like the shark from Jaws, Like

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<v Speaker 5>you don't want him on screen too much, and it's

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<v Speaker 5>smart to keep him away from things here I am

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<v Speaker 5>complaining about Monica Balucci is too far away from things.

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<v Speaker 5>But I think they give us just the right amount

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<v Speaker 5>of Beetlejuice because too much would have been way even

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<v Speaker 5>more would have been way too much.

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<v Speaker 7>Can I disagree with that?

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<v Speaker 5>Actually?

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<v Speaker 7>Please? Because here's the thing. I honestly wish this had

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<v Speaker 7>been a movie beginning to end Beetlejuice and then he

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<v Speaker 7>has to come to our world to like fucking deal

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<v Speaker 7>with his Monica Balucci problem. Look, I did not in

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<v Speaker 7>any let me deal with Michael Keaton first, because I

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<v Speaker 7>think I was worried too, and everyone keeps saying that

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<v Speaker 7>but little of them goes a long way, which is true.

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<v Speaker 7>And he's in that first movie only like twelve minutes.

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<v Speaker 7>It's the perfect amount, right. But the thing is, the

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<v Speaker 7>human stuff going on in that movie is so fucking

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<v Speaker 7>compelling that having this chaotic character show up every once

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<v Speaker 7>in a while, it's just the right amount in this movie.

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<v Speaker 7>I don't give a fuck about Jenna Ortaegis character, or

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<v Speaker 7>her boyfriend or or anything else swirling around here. There's

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<v Speaker 7>a lot that I really like in the movie, but

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<v Speaker 7>it is, as you said, they needed another pass on

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<v Speaker 7>the screenplay. If this had been a even Okay, putting

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<v Speaker 7>aside my fucking fan fictioning that it should have been

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<v Speaker 7>from Beetlejuice's point of view, it seems to me, and

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<v Speaker 7>maybe I'm crazy, that this at one point was going

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<v Speaker 7>to be a love triangle movie between Lydia, her boyfriend,

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<v Speaker 7>and Beetlejuice. Doesn't it seem like it was constructed.

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<v Speaker 5>That way a little bit?

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<v Speaker 7>Yeah, and not the fucking stupid boob of a character

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<v Speaker 7>that fucking justin Thurrose playing, which, by the way, when

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<v Speaker 7>you do that in a movie like this, you have

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<v Speaker 7>one of our lead characters, one of our most beloved characters,

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<v Speaker 7>fall in love with this fucking moron like it cheapens her,

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<v Speaker 7>Sorry everybody, but making her in love with this boob

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<v Speaker 7>does not aid her character in any way, shape or

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<v Speaker 7>for him. It's really it's hurtful. But if Lyddia had

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<v Speaker 7>been in love with a ghost and she's and this

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<v Speaker 7>other ghost is vying for attention, that could have been

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<v Speaker 7>fucking great. It would have streamlined everything. But no, we

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<v Speaker 7>have to have jan Or take in it because she's

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<v Speaker 7>she's his real new muse in the movie.

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<v Speaker 5>Well, no offense to the actor that played the ex

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<v Speaker 5>husband with all the piranhas on him. But who is he?

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<v Speaker 5>Because I was expecting somebody big to show up. I

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<v Speaker 5>was like, Oh, this guy's got to be at least

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<v Speaker 5>like Pedro Pascal level or something, or somebody who I knew,

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<v Speaker 5>And then this guy shows up, I'm like, uh, okay.

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<v Speaker 7>Yeah, how about Ewan McGregor or somebody Tim Burton's worked with.

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<v Speaker 7>Danny DeVito was a fucking janitor for two second. Give

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<v Speaker 7>us some Johnny Depp.

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<v Speaker 9>Yes, I don't know what to say, Like it's twenty

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<v Speaker 9>twenty four, Give us some Johnny Depp for fuck's sake.

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<v Speaker 1>I don't know they work together enough.

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<v Speaker 7>They sure did.

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<v Speaker 5>And if you're worried about the optics that got rid

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<v Speaker 5>of Jeffrey Jones, I didn't know.

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<v Speaker 7>If they didn't they Here's the thing. Does a claimation

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<v Speaker 7>pedophile somehow.

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<v Speaker 1>Real pedophile?

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<v Speaker 10>Yeah?

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<v Speaker 7>It's all, But does it not? Does it take you

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<v Speaker 7>out of the movie because it took me out of

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<v Speaker 7>the movie.

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<v Speaker 5>Yeah, sure, there's a thing.

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<v Speaker 7>I loved the idea of a flashback being claimation.

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<v Speaker 1>I thought it was great.

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<v Speaker 5>Oh yeah, it really recalled Cabin Boy because it was

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<v Speaker 5>that same style of animation that was in Cabin Boy.

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<v Speaker 7>But it's just Jeffrey Jones. And I'm like, there's a

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<v Speaker 7>reason he's not in this movie. Guys, they didn't write

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<v Speaker 7>his character as dead for just dramatic purposes, because if

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<v Speaker 7>there had been no scandal, rest is sure Charles Deets

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<v Speaker 7>would be in this movie.

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<v Speaker 1>Yeah, still acting weird thirty five years later.

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<v Speaker 5>Well, and she even gives a what's the name of

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<v Speaker 5>the guy that Robert Guley played?

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<v Speaker 7>Oh shit, Maxi Priest.

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<v Speaker 2>Yeah.

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<v Speaker 5>They She even says at one point during the funeral, oh,

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<v Speaker 5>was that Matchie Priest?

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<v Speaker 7>And I was like, oh, okay, the.

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<v Speaker 2>No I know that.

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<v Speaker 9>But also, isn't the character in the universe dead? He

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<v Speaker 9>got shot through the roof of the house.

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<v Speaker 7>Oh that's true.

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<v Speaker 2>Yeah, that is.

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<v Speaker 7>We tend not to think of what happened to him,

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<v Speaker 7>but he's most likely dead. He was launched through a

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<v Speaker 7>ceiling of a century old house. By the way, one

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<v Speaker 7>of my favorite bits in the entire movie is after

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<v Speaker 7>Charles's funeral that the house itself is in mourning, that

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<v Speaker 7>they've draped the entire house in black gossamer. I thought

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<v Speaker 7>that was fucking hilarious. That actually made me laugh out loud. Also,

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<v Speaker 7>I wish the trailer had not ruined the child choir

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<v Speaker 7>singing the Banana Boat song because it being sung at

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<v Speaker 7>his funeral. That's the other that made me laugh really

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<v Speaker 7>hard as well.

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<v Speaker 5>I was glad I hadn't seen the trailer. But there

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<v Speaker 5>were several times during the movie where I was like, Oh,

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<v Speaker 5>this has got to be a trailer shot. There's one

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<v Speaker 5>where like the camera's tracking across faces. It might be

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<v Speaker 5>at that funeral, and I was like, Oh, this is

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<v Speaker 5>a trailer shot. And then there's another one where it's

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<v Speaker 5>the City Model and they're inside of the attic and

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00:18:22.839 --> 00:18:25.359
<v Speaker 5>somebody comes in and goes, oh wow or whatever. I'm like, oh, yeah,

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<v Speaker 5>this is totally from the trailer to it.

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<v Speaker 7>He has to be Yeah, you thought that he was gone.

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<v Speaker 7>All you have to do.

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<v Speaker 1>Name Beatles us Beatles. Yeah, pretty much. And we did

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<v Speaker 1>the fucking advertising for this.

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<v Speaker 7>This summer. Michael Keaton returns, Yeah, all right, we're good.

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<v Speaker 5>I'm the Blues with the most Babes, And he's the.

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<v Speaker 1>Best part of this movie other than the practical effects.

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<v Speaker 9>Oh, the practical effects are off the charts, They're great.

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<v Speaker 9>That is the best part of this movie. Ultimately, what

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<v Speaker 9>you will about Beetlejuice as a character. Say what you

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<v Speaker 9>will about your my leg will vary with Beetlejuice, And

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<v Speaker 9>I agree with you, Father Malone.

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<v Speaker 1>Look the first movie.

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<v Speaker 9>It's not that they didn't know what they had, but

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<v Speaker 9>they knew what they had enough to keep beetle Juice

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<v Speaker 9>off the screen so that.

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<v Speaker 1>He didn't get in the way.

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<v Speaker 9>Now I agree it would have benefited them if they

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<v Speaker 9>had just given us more goddamn Beetlejuice and less of

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<v Speaker 9>everything else. Because is it okay to say I don't

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<v Speaker 9>get I get it with Jenna Ortega, but it doesn't

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<v Speaker 9>do anything for me.

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<v Speaker 1>Does that make sense? Can I say that? Is that

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<v Speaker 1>a thing to say it doesn't do anything for me?

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<v Speaker 9>I would rather watch Kieran Shipka because I think Kieran

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<v Speaker 9>Shipka is what I think Jenna Ortega for a lot

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<v Speaker 9>of people is, which is a very talented young person

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<v Speaker 9>who got their start acting on a TV show that

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<v Speaker 9>was on Netflix or is ostensibly known for it. And

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<v Speaker 9>Kieran Shipka played Sabrina, which much better show than Wednesday

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<v Speaker 9>in a lot of ways. It doesn't have Louis Guzman

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<v Speaker 9>in it, I get it, but I found Sabrina to

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<v Speaker 9>be a much more interesting show that's talking about the

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<v Speaker 9>same things, if not very similar things.

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<v Speaker 7>Look, I fundamentally think that that character should not be

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<v Speaker 7>in the movies for the Goths, baby, and and the

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<v Speaker 7>thing is like, the actual prototypical goth girl is Lydia

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<v Speaker 7>dats like that's where it all begin. The modern goth

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<v Speaker 7>starts with her. There's just no question about that. You've

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<v Speaker 7>got her. We don't need another her. I would have

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<v Speaker 7>appreciated something different. I don't need a little clone of

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<v Speaker 7>Winona Ryder, the sort of brooding team.

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<v Speaker 9>No, it should have been if anything, her kids should

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<v Speaker 9>have been the complete one eighty of her.

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<v Speaker 10>Right.

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<v Speaker 5>She should have been like Wednesday's roommate.

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<v Speaker 1>Whatever, Mom, okay, Mom, I like.

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<v Speaker 9>Would that have been a little on the nose, sir,

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<v Speaker 9>But I think what they did was equally on the nose,

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<v Speaker 9>if not, just as I don't know, I don't know.

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<v Speaker 9>I did not think that her character was needed in

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<v Speaker 9>this movie any more than you did, Father Malone. And again,

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<v Speaker 9>I'm also just over the Jenna or take it of it,

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<v Speaker 9>Jenna or take of it all, because she is just

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<v Speaker 9>everywhere now and I have only really seen her.

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<v Speaker 1>Used well in a handful of things. This is not

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<v Speaker 1>one of them.

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<v Speaker 9>She was good in Scream. She's great in Scream. Both

399
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<v Speaker 9>of those screen movies, she's pretty good. Even a second

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00:21:13.839 --> 00:21:15.440
<v Speaker 9>one that's not as good as the first one, but

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00:21:15.960 --> 00:21:20.160
<v Speaker 9>she's great in it. But this is not that caliber.

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00:21:20.279 --> 00:21:21.960
<v Speaker 9>And again, to your point, it's what's the point of

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00:21:22.039 --> 00:21:26.839
<v Speaker 9>having just another version of Winona Ryder on screen that

404
00:21:26.960 --> 00:21:29.920
<v Speaker 9>now they're competing with each other. That's a good idea, Like, no,

405
00:21:30.400 --> 00:21:33.319
<v Speaker 9>like it would be like putting another Beetlejuice in the movie.

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00:21:33.400 --> 00:21:34.759
<v Speaker 1>Do we really need to do that?

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<v Speaker 9>Do people really not realize how big of a deal

408
00:21:37.920 --> 00:21:40.640
<v Speaker 9>Lydiadets is in this universe to so many people, like

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<v Speaker 9>you said, Father Malone, like, she's as big of a

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<v Speaker 9>character as Beatlejuice. She's the character that people probably resonate

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00:21:45.920 --> 00:21:48.160
<v Speaker 9>more with from these movies than Beatle Juice. Let's be

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00:21:48.279 --> 00:21:51.480
<v Speaker 9>honest here, it's the weirdos that like Beatlejuice. It's the

413
00:21:51.720 --> 00:21:54.839
<v Speaker 9>less weirdos that like Lydia Deats because she's the likable,

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<v Speaker 9>understandable quote unquote character in the first movie, and especially

415
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<v Speaker 9>for people who were y'all age seeing it at the time.

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<v Speaker 5>Winona Ryder, I don't know if she's trying to do

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<v Speaker 5>an homage to that speech that was given at what

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<v Speaker 5>was it where she had that confused look on her face,

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00:22:11.200 --> 00:22:16.240
<v Speaker 5>because that's what she's doing. Every time what's the guy's name, Rory,

420
00:22:16.440 --> 00:22:19.799
<v Speaker 5>the justin Throw character speaks, she keeps doing that. What

421
00:22:20.160 --> 00:22:21.960
<v Speaker 5>huh like totally confused.

422
00:22:22.000 --> 00:22:23.799
<v Speaker 7>I was like, is that is this?

423
00:22:24.000 --> 00:22:27.039
<v Speaker 5>Are we making a reference now to that? I guess

424
00:22:27.200 --> 00:22:30.920
<v Speaker 5>that's what's happening. And then, really to your point with

425
00:22:31.160 --> 00:22:34.519
<v Speaker 5>Jenna Ortega, so much of her story is taken up

426
00:22:34.559 --> 00:22:39.079
<v Speaker 5>by this Jeremy character, the Arthur Kanti character, who you

427
00:22:39.400 --> 00:22:43.000
<v Speaker 5>just see all of that stuff coming a mile away.

428
00:22:43.119 --> 00:22:46.079
<v Speaker 5>As soon as they showed his parents and you didn't

429
00:22:46.079 --> 00:22:49.960
<v Speaker 5>see their faces, I'm like, oh, okay, they're probably dead

430
00:22:50.240 --> 00:22:54.119
<v Speaker 5>or their demons or something. And of course Jenna Artaga

431
00:22:54.240 --> 00:22:57.000
<v Speaker 5>cancy spirits because she is the daughter of lead Lydia

432
00:22:57.079 --> 00:23:00.319
<v Speaker 5>Dead's okay, I guess this makes sense. And this is

433
00:23:00.359 --> 00:23:04.039
<v Speaker 5>all within the first few minutes of this character showing up.

434
00:23:04.119 --> 00:23:07.000
<v Speaker 5>I'm like, oh, yeah, no, I have this guy figured out,

435
00:23:07.559 --> 00:23:10.920
<v Speaker 5>and he's going to be her entree into the underworld.

436
00:23:11.119 --> 00:23:12.720
<v Speaker 5>I think it would have been better had she had

437
00:23:12.759 --> 00:23:16.119
<v Speaker 5>a different entree into the underworld. Maybe if that tied

438
00:23:16.200 --> 00:23:21.759
<v Speaker 5>into the Dolores story, the Monica Baluchi story, Baluchi story,

439
00:23:21.799 --> 00:23:25.920
<v Speaker 5>there we go something. It just it didn't like I said,

440
00:23:25.960 --> 00:23:27.640
<v Speaker 5>It just feels like a whole bunch of stuff all

441
00:23:27.720 --> 00:23:29.880
<v Speaker 5>thrown together, even when it comes to Lydia Deets in

442
00:23:29.920 --> 00:23:32.880
<v Speaker 5>her psychic program, show me more, give me a little

443
00:23:32.880 --> 00:23:36.319
<v Speaker 5>bit more of that stuff rather than I'm assuming all

444
00:23:36.480 --> 00:23:39.359
<v Speaker 5>kinds of stuff with that show. But I really would

445
00:23:39.400 --> 00:23:40.640
<v Speaker 5>have liked to have seen it, and I would have

446
00:23:40.720 --> 00:23:44.559
<v Speaker 5>liked to have seen much more of They cut us

447
00:23:44.680 --> 00:23:47.680
<v Speaker 5>off from before we find out what's going on with

448
00:23:47.960 --> 00:23:50.720
<v Speaker 5>the little dog and the family. I was like, Okay,

449
00:23:50.759 --> 00:23:53.319
<v Speaker 5>I want to see what is possessing this house, but no,

450
00:23:53.440 --> 00:23:55.599
<v Speaker 5>we'll get away from that. I'm like, this could have

451
00:23:55.640 --> 00:23:59.519
<v Speaker 5>been some high comedy in this area, but instead we

452
00:23:59.799 --> 00:24:01.279
<v Speaker 5>have to hurry up and get away from it.

453
00:24:01.880 --> 00:24:04.359
<v Speaker 9>Who would have thunk that this movie would steal from

454
00:24:05.119 --> 00:24:08.920
<v Speaker 9>the best Ghostbusters sequel ever, Ghostbusters Too. It literally opens

455
00:24:08.960 --> 00:24:10.160
<v Speaker 9>with hairless cats.

456
00:24:10.480 --> 00:24:10.799
<v Speaker 6>Weird.

457
00:24:11.240 --> 00:24:14.839
<v Speaker 9>It's literally that, which to me is this movie dates itself.

458
00:24:14.920 --> 00:24:18.160
<v Speaker 9>These that's not a thing. This is not a thing anymore.

459
00:24:18.319 --> 00:24:20.920
<v Speaker 9>Oh they're driving an electric vehicle. Okay, so it's twenty

460
00:24:21.000 --> 00:24:25.200
<v Speaker 9>twenty four, but a lot of the sentimentality and sensibilities

461
00:24:25.200 --> 00:24:29.039
<v Speaker 9>of this movie are trapped in nineteen eighty five, still

462
00:24:29.200 --> 00:24:31.519
<v Speaker 9>in nineteen eighty seven, nineteen eighty nine, Like it feels

463
00:24:31.559 --> 00:24:33.960
<v Speaker 9>like an eighties movie more so than a lot of

464
00:24:34.079 --> 00:24:36.960
<v Speaker 9>legacy sequels do, which is fine. I'm not complaining about it,

465
00:24:37.160 --> 00:24:39.480
<v Speaker 9>but if it's going to be made in twenty twenty four,

466
00:24:39.680 --> 00:24:41.599
<v Speaker 9>there needs to be a pass for the twenty twenty

467
00:24:41.640 --> 00:24:43.680
<v Speaker 9>four of it all or the modernity of it all,

468
00:24:44.160 --> 00:24:46.440
<v Speaker 9>and it doesn't seem to be interested in doing that

469
00:24:46.480 --> 00:24:48.920
<v Speaker 9>at all, which is fine, I get it. But this

470
00:24:49.119 --> 00:24:51.799
<v Speaker 9>movie is set in the future, and they're juxtaposing it

471
00:24:51.880 --> 00:24:54.759
<v Speaker 9>against a time and a place that time doesn't seem

472
00:24:54.799 --> 00:24:59.279
<v Speaker 9>to exist in, and it just it's so strange to

473
00:24:59.400 --> 00:25:02.200
<v Speaker 9>me that some of the choices that are made in

474
00:25:02.240 --> 00:25:05.119
<v Speaker 9>this movie feel like straight out of other eighties movies

475
00:25:05.200 --> 00:25:08.839
<v Speaker 9>and other eighties sequels that this movie, again is, in

476
00:25:08.920 --> 00:25:11.039
<v Speaker 9>a lot of ways a comparative to This movie is

477
00:25:11.079 --> 00:25:13.359
<v Speaker 9>a comparative to Ghostbusters too. Did it take a much

478
00:25:13.440 --> 00:25:15.240
<v Speaker 9>longer time to come out, Yes, but it is technically

479
00:25:15.279 --> 00:25:18.240
<v Speaker 9>a sequel to a very successful eighties movie, and it

480
00:25:18.359 --> 00:25:21.279
<v Speaker 9>literally has a plotline from one of those movies, dragged

481
00:25:21.279 --> 00:25:24.759
<v Speaker 9>out and thrown right on screen, almost identical to the

482
00:25:24.799 --> 00:25:27.119
<v Speaker 9>way that that movie opens with one of its main characters.

483
00:25:27.640 --> 00:25:30.319
<v Speaker 7>I think this is a better movie than Ghostbusters too.

484
00:25:30.720 --> 00:25:34.319
<v Speaker 7>And as for Martin, but the sort of modern aspect

485
00:25:34.400 --> 00:25:37.039
<v Speaker 7>of this movie, what are you talking about? The entire

486
00:25:37.440 --> 00:25:39.839
<v Speaker 7>last third of the movie takes place as a giant

487
00:25:39.920 --> 00:25:41.039
<v Speaker 7>joke for Soul Training.

488
00:25:41.720 --> 00:25:46.400
<v Speaker 9>Oh god, yeah, man, I'm a hep cat and I

489
00:25:46.480 --> 00:25:47.440
<v Speaker 9>can dig it, can't you?

490
00:25:47.759 --> 00:25:47.799
<v Speaker 7>Like?

491
00:25:48.119 --> 00:25:50.160
<v Speaker 5>You know, it's wild? I was just like, how many

492
00:25:50.200 --> 00:25:52.720
<v Speaker 5>of the kids watching this are getting this at all?

493
00:25:52.799 --> 00:25:55.920
<v Speaker 5>How many as in this theater even know who Don

494
00:25:56.039 --> 00:25:57.039
<v Speaker 5>Cornelius is.

495
00:25:58.079 --> 00:26:01.240
<v Speaker 7>Burton obviously has a seventies fat like The Dark Shadows

496
00:26:01.359 --> 00:26:03.680
<v Speaker 7>was also set in this oh yeah name sort of

497
00:26:03.720 --> 00:26:07.559
<v Speaker 7>seventies universe. And here's the thing. Had this movie come

498
00:26:07.640 --> 00:26:12.880
<v Speaker 7>out fucking twenty years ago or in nineteen ninety eight

499
00:26:13.240 --> 00:26:16.200
<v Speaker 7>or something, then this would all be fantastic, Like it

500
00:26:16.240 --> 00:26:19.119
<v Speaker 7>would be like groundbreaking in a way.

501
00:26:19.240 --> 00:26:19.359
<v Speaker 2>Here.

502
00:26:19.440 --> 00:26:22.000
<v Speaker 7>It's just I loved it. I look, I love a

503
00:26:22.079 --> 00:26:24.200
<v Speaker 7>soul Train joke. I love that there was a ghostly

504
00:26:24.279 --> 00:26:26.880
<v Speaker 7>Don Cornelius there. That was all great as far as

505
00:26:26.960 --> 00:26:29.599
<v Speaker 7>I can tell, but everything seems just a little too

506
00:26:29.799 --> 00:26:33.160
<v Speaker 7>late to the game. Mike, you mentioned Monica Belu, She

507
00:26:33.359 --> 00:26:35.759
<v Speaker 7>like she doesn't really get much to do here. I

508
00:26:35.839 --> 00:26:39.400
<v Speaker 7>would say further, like this character Dolores, who is the

509
00:26:39.599 --> 00:26:42.759
<v Speaker 7>antagonist of the piece, what we end up with is

510
00:26:43.200 --> 00:26:47.079
<v Speaker 7>once again a fucking jilted girlfriend or wife, the sort

511
00:26:47.079 --> 00:26:50.480
<v Speaker 7>of crazy ex girlfriend character, Like she's coming to fucking

512
00:26:50.519 --> 00:26:53.200
<v Speaker 7>kill because she's a nutcase. But then we get a

513
00:26:53.279 --> 00:26:56.319
<v Speaker 7>flashback here, so we get to see Beetlejuice before he died.

514
00:26:56.359 --> 00:26:59.880
<v Speaker 7>We get to see how Beetlejuice died, and she's a murderer.

515
00:27:00.359 --> 00:27:03.160
<v Speaker 7>She poisons him and kills him, and in turn, before

516
00:27:03.200 --> 00:27:06.200
<v Speaker 7>he dies, he kills her. And now this movie she's

517
00:27:06.279 --> 00:27:12.240
<v Speaker 7>out for revenge against him, but she killed him. Yeah, correct,

518
00:27:13.119 --> 00:27:16.279
<v Speaker 7>So that's her only motivation. And you know, Mike you

519
00:27:16.359 --> 00:27:19.279
<v Speaker 7>said about Tim Burton like constantly having a type and

520
00:27:19.400 --> 00:27:23.119
<v Speaker 7>constant this is like this is more Titia mixed with Yeah,

521
00:27:23.319 --> 00:27:26.559
<v Speaker 7>it's it's the patchwork Girl, but like a more goth version.

522
00:27:26.920 --> 00:27:30.440
<v Speaker 7>Like when she went into a dry cleaners and started

523
00:27:30.519 --> 00:27:33.680
<v Speaker 7>like picking off clothes and like turning them black by

524
00:27:33.759 --> 00:27:35.839
<v Speaker 7>touching them. All I could think about is the sales

525
00:27:35.880 --> 00:27:38.519
<v Speaker 7>and hot topic. Oh and speaking of that, I am

526
00:27:38.720 --> 00:27:40.920
<v Speaker 7>very excited to get a lot of undead hot dog

527
00:27:41.000 --> 00:27:43.839
<v Speaker 7>on a stick girls this Halloween. Very much looking forward

528
00:27:43.880 --> 00:27:44.640
<v Speaker 7>to it. Thank you, Tim.

529
00:27:46.599 --> 00:27:50.160
<v Speaker 5>Yeah, I also like you. I find the Afterlife to

530
00:27:50.240 --> 00:27:53.559
<v Speaker 5>be the most interesting part and really would have liked

531
00:27:53.599 --> 00:27:56.200
<v Speaker 5>to have had more there. I would have liked to

532
00:27:56.279 --> 00:27:59.480
<v Speaker 5>have seen more of what Danny DeVito's up to as

533
00:27:59.559 --> 00:28:04.200
<v Speaker 5>this Jaz character. But they also missed this whole idea,

534
00:28:04.559 --> 00:28:07.599
<v Speaker 5>and this might have just moved the original movie along,

535
00:28:07.839 --> 00:28:10.599
<v Speaker 5>the whole idea of when you're in the afterlife, time

536
00:28:10.720 --> 00:28:13.599
<v Speaker 5>moves differently. There there's the whole thing of oh, you've

537
00:28:13.640 --> 00:28:16.119
<v Speaker 5>been gone for three months. It's three months. I was

538
00:28:16.240 --> 00:28:19.240
<v Speaker 5>just there for half an hour, And of course that

539
00:28:19.400 --> 00:28:21.599
<v Speaker 5>makes it so that, oh, what have the beats is

540
00:28:21.640 --> 00:28:24.640
<v Speaker 5>done to the house. But at the same time, it's

541
00:28:24.680 --> 00:28:28.359
<v Speaker 5>come on, guys, and I don't know the the Maitlands

542
00:28:28.400 --> 00:28:29.920
<v Speaker 5>were supposed to be there for one hundred and twenty

543
00:28:30.000 --> 00:28:34.079
<v Speaker 5>five years, but we're not seeing them anymore. I guess

544
00:28:34.160 --> 00:28:38.880
<v Speaker 5>they'll last. So that was odd too. If you stay

545
00:28:38.880 --> 00:28:40.599
<v Speaker 5>away from the house, you don't have to worry about

546
00:28:40.599 --> 00:28:41.559
<v Speaker 5>the Maitland part of it.

547
00:28:41.759 --> 00:28:43.799
<v Speaker 7>But we got to go back to the house. We

548
00:28:43.839 --> 00:28:45.759
<v Speaker 7>got to do this again. We gotta do that again.

549
00:28:45.839 --> 00:28:48.640
<v Speaker 5>I'm surprised that they didn't get I know, we've moved

550
00:28:48.680 --> 00:28:51.359
<v Speaker 5>down from Tony Cox as being the little person of

551
00:28:51.519 --> 00:28:54.400
<v Speaker 5>choice for Tim Burton, but I'm surprised we didn't get

552
00:28:54.440 --> 00:28:57.960
<v Speaker 5>deep Roy coming back as like that same little priest

553
00:28:58.079 --> 00:29:01.079
<v Speaker 5>character from the first movie too, because again we end

554
00:29:01.160 --> 00:29:03.640
<v Speaker 5>with the marriage. It's again, we're doing this. We're doing

555
00:29:03.720 --> 00:29:04.440
<v Speaker 5>the marriage again.

556
00:29:04.880 --> 00:29:06.559
<v Speaker 9>It's a legacy sequel, baby, and we got to do

557
00:29:06.640 --> 00:29:09.160
<v Speaker 9>the things again. But yeah, where's Alec Baldwin and Geena

558
00:29:09.240 --> 00:29:10.960
<v Speaker 9>Davis and all this. That's the real one of the

559
00:29:11.039 --> 00:29:13.960
<v Speaker 9>real big questions I had here, because, like you mentioned,

560
00:29:14.000 --> 00:29:17.799
<v Speaker 9>Father Malone. The first movie is ostensibly named Beetlejuice, but

561
00:29:17.880 --> 00:29:20.799
<v Speaker 9>it has him in it as much as Jaws is

562
00:29:20.839 --> 00:29:24.720
<v Speaker 9>in Jaws. His purpose is needed but not overdone. In

563
00:29:24.880 --> 00:29:27.759
<v Speaker 9>this movie, they don't even are they even mentioned.

564
00:29:28.279 --> 00:29:31.759
<v Speaker 5>They are mentioned at one point, okay, so it's just

565
00:29:31.839 --> 00:29:35.799
<v Speaker 5>says they moved on. I'm like, oh, okay, So.

566
00:29:35.920 --> 00:29:38.680
<v Speaker 9>In a world where the undead are the most important

567
00:29:38.720 --> 00:29:40.559
<v Speaker 9>thing that we're talking about in the afterlife is this

568
00:29:40.680 --> 00:29:41.079
<v Speaker 9>whole thing.

569
00:29:41.480 --> 00:29:42.359
<v Speaker 1>But they just moved on.

570
00:29:42.880 --> 00:29:46.119
<v Speaker 9>Okay, it's like they got mudded, like from Indiana Jones

571
00:29:46.119 --> 00:29:49.400
<v Speaker 9>and Dial Destiny. They pucci themselves. They didn't make it

572
00:29:49.440 --> 00:29:50.920
<v Speaker 9>back to their home plan and they died on the

573
00:29:50.960 --> 00:29:53.759
<v Speaker 9>way home, like all right, whatever, fine Will Smith and

574
00:29:53.839 --> 00:29:56.839
<v Speaker 9>Independence Day Resurgence. He just died off screen. This is

575
00:29:56.920 --> 00:30:00.400
<v Speaker 9>his son Man legacy sequels. I don't think we should

576
00:30:00.400 --> 00:30:02.960
<v Speaker 9>be making them if we can't get all the people involved.

577
00:30:03.240 --> 00:30:03.680
<v Speaker 1>I don't know.

578
00:30:04.000 --> 00:30:07.160
<v Speaker 9>Seems like a thing that we should be taking under advisement.

579
00:30:07.200 --> 00:30:09.680
<v Speaker 9>If we continue to make these, which at this point,

580
00:30:09.759 --> 00:30:11.119
<v Speaker 9>are there any left to make?

581
00:30:11.880 --> 00:30:12.640
<v Speaker 7>I guess there are.

582
00:30:13.079 --> 00:30:13.720
<v Speaker 1>I guess there are.

583
00:30:13.880 --> 00:30:16.680
<v Speaker 9>But in terms of eighties movies, I think they've run out.

584
00:30:17.079 --> 00:30:19.279
<v Speaker 9>I think now it's going to be nineties in two thousand.

585
00:30:19.359 --> 00:30:20.599
<v Speaker 9>But it's got to be because it's got.

586
00:30:20.599 --> 00:30:21.039
<v Speaker 7>To start.

587
00:30:22.440 --> 00:30:25.799
<v Speaker 5>Projects fair Speeders, Other Day Off.

588
00:30:26.240 --> 00:30:29.880
<v Speaker 1>Oh yeah, Edward Scissor Hands and spoon Feet.

589
00:30:29.920 --> 00:30:33.279
<v Speaker 5>Forty seven candles, what's the one they are already in?

590
00:30:33.480 --> 00:30:36.400
<v Speaker 5>Pink Er, the next to last star Fighter. They are

591
00:30:36.480 --> 00:30:38.759
<v Speaker 5>working at a last star Fighter as far as I know.

592
00:30:39.160 --> 00:30:39.799
<v Speaker 1>Two pretty too.

593
00:30:39.880 --> 00:30:45.359
<v Speaker 7>Pink Screeze every last drop of blood from every property

594
00:30:45.440 --> 00:30:49.480
<v Speaker 7>that's already come before fucking kill them, destroy all the culture.

595
00:30:49.599 --> 00:30:52.039
<v Speaker 9>So we have to start new, or we could just

596
00:30:52.119 --> 00:30:54.839
<v Speaker 9>have it at world's end, just an emp grenade set

597
00:30:54.920 --> 00:30:56.799
<v Speaker 9>off and just destroy all of this. So we have

598
00:30:57.000 --> 00:30:59.640
<v Speaker 9>to start over and new, because yeah, we've we've really

599
00:30:59.680 --> 00:31:03.000
<v Speaker 9>worked ourselves into a shoot here in the entertainment industry.

600
00:31:03.079 --> 00:31:05.519
<v Speaker 9>Because again I mentioned the idea that it took them

601
00:31:05.559 --> 00:31:08.720
<v Speaker 9>thirty years to realize they could do legacy sequels. We

602
00:31:08.799 --> 00:31:10.920
<v Speaker 9>didn't need to wait this long for this, And you said,

603
00:31:10.960 --> 00:31:13.480
<v Speaker 9>Father Billam like, I get where you were getting at.

604
00:31:13.559 --> 00:31:15.119
<v Speaker 9>I know that they weren't waiting or whatever, and I

605
00:31:15.200 --> 00:31:16.559
<v Speaker 9>know that Tim Burton and the Michael Keaton of it

606
00:31:16.599 --> 00:31:18.599
<v Speaker 9>all make this a little bit different than everything else.

607
00:31:18.680 --> 00:31:20.799
<v Speaker 9>But there was going to be a time where they

608
00:31:20.839 --> 00:31:22.759
<v Speaker 9>were going to make this without Michael Keaton and Tim Burton.

609
00:31:23.440 --> 00:31:24.920
<v Speaker 7>Well, that would have been a terrible idea.

610
00:31:25.319 --> 00:31:26.960
<v Speaker 9>But look at how many sequels got made in the

611
00:31:27.039 --> 00:31:29.880
<v Speaker 9>eighties and nineties without those primary people to begin with. Yeah,

612
00:31:30.200 --> 00:31:32.640
<v Speaker 9>I think maybe this movie did benefit from waiting this

613
00:31:32.799 --> 00:31:35.400
<v Speaker 9>long because now it's put on a pedestal. The spirit

614
00:31:35.519 --> 00:31:37.920
<v Speaker 9>Halloween of it all does that, the universal studios of

615
00:31:37.960 --> 00:31:41.519
<v Speaker 9>it all does that, The Beetlejuice is Halloween Review did

616
00:31:41.599 --> 00:31:44.359
<v Speaker 9>that at Universal Studios. There was plenty of beetlejuice to

617
00:31:44.519 --> 00:31:47.319
<v Speaker 9>be had in the last thirty five years. It's just

618
00:31:47.440 --> 00:31:50.279
<v Speaker 9>there was no more beetlejuice to be had in the

619
00:31:50.359 --> 00:31:52.759
<v Speaker 9>last thirty five years, and so we just drove around

620
00:31:52.799 --> 00:31:54.880
<v Speaker 9>the same racetrack looking at the same things. Oh, Big

621
00:31:54.960 --> 00:31:57.599
<v Speaker 9>Ben Parliament, we've seen it a million times. So now

622
00:31:57.640 --> 00:32:00.440
<v Speaker 9>they're giving us more. I'm surprised that it is taking

623
00:32:00.480 --> 00:32:03.160
<v Speaker 9>an industry who loves to give more this long to

624
00:32:03.200 --> 00:32:05.640
<v Speaker 9>give us more of something that they clearly understood, for

625
00:32:05.799 --> 00:32:08.759
<v Speaker 9>at least the last ten to fifteen years, was a

626
00:32:08.839 --> 00:32:11.599
<v Speaker 9>thing that people really clearly wanted and were willing to

627
00:32:11.640 --> 00:32:14.079
<v Speaker 9>spend money on. Because I don't know where you guys

628
00:32:14.079 --> 00:32:17.160
<v Speaker 9>see the movies, but they had beetlejuice, fucking merch and

629
00:32:17.200 --> 00:32:18.799
<v Speaker 9>all sorts of shit at the movie theater. I went

630
00:32:18.880 --> 00:32:22.200
<v Speaker 9>to popcorn buckets and everything else, and by said, when

631
00:32:22.240 --> 00:32:24.119
<v Speaker 9>I say they had nobody were sold out. They didn't

632
00:32:24.119 --> 00:32:27.400
<v Speaker 9>have any because everybody bought them. So I don't think

633
00:32:27.400 --> 00:32:27.599
<v Speaker 9>that this.

634
00:32:27.680 --> 00:32:32.279
<v Speaker 7>Movie's hurting I nineteen eighty eight until now, the studio

635
00:32:32.359 --> 00:32:35.640
<v Speaker 7>would have made this movie any year I believe that

636
00:32:36.000 --> 00:32:38.279
<v Speaker 7>the actual holdouts here are Burton in which is a

637
00:32:38.400 --> 00:32:42.519
<v Speaker 7>unique situation comparatively to a lot of them. It's your point, yeah,

638
00:32:42.720 --> 00:32:45.160
<v Speaker 7>But mixed into that is the fact that because of

639
00:32:45.200 --> 00:32:49.839
<v Speaker 7>this ip fucking madness, they've boxed everyone into fucking corners here.

640
00:32:50.079 --> 00:32:52.240
<v Speaker 7>It's make this or don't make anything at all. So

641
00:32:52.519 --> 00:32:55.440
<v Speaker 7>it makes making a Beetlejuice sequel a little more tantalizing.

642
00:32:55.759 --> 00:32:58.039
<v Speaker 7>Maybe Tim Burton gets to make some other fucking cuckoo

643
00:32:58.119 --> 00:33:00.680
<v Speaker 7>movie after this. Oh I don't think for me one

644
00:33:00.720 --> 00:33:01.559
<v Speaker 7>for you type thing.

645
00:33:01.960 --> 00:33:03.799
<v Speaker 5>I think what he's going to be doing is looking

646
00:33:03.880 --> 00:33:07.640
<v Speaker 5>for his next maybe TV property to do, or other

647
00:33:07.799 --> 00:33:10.920
<v Speaker 5>beloved film like Charlie and the Chocolate Factory or Planet

648
00:33:10.960 --> 00:33:13.400
<v Speaker 5>of the Apes. What else can I ruin for people?

649
00:33:14.079 --> 00:33:15.799
<v Speaker 1>Did he ruin Planet of the Apes? Or did Planet

650
00:33:15.799 --> 00:33:16.759
<v Speaker 1>of the Apes ruin itself?

651
00:33:17.559 --> 00:33:19.279
<v Speaker 5>He ruined Planet of the Apes? That movie is a

652
00:33:19.319 --> 00:33:22.599
<v Speaker 5>piece of shit. I mean especially compare, yeah, compared to

653
00:33:22.680 --> 00:33:24.400
<v Speaker 5>the Matt Reeves films, and you're.

654
00:33:24.319 --> 00:33:27.079
<v Speaker 9>Like, wow, compared, But again that's compared to the Matt

655
00:33:27.119 --> 00:33:29.319
<v Speaker 9>Reeves films I'm talking about. When it originally came out,

656
00:33:29.400 --> 00:33:32.119
<v Speaker 9>it was disappointing, yes, but some of those later Planet

657
00:33:32.160 --> 00:33:35.279
<v Speaker 9>of the Apes movies weren't great anyways, is also my point.

658
00:33:35.440 --> 00:33:37.640
<v Speaker 5>It was only the fifth one for me was bad

659
00:33:37.880 --> 00:33:40.200
<v Speaker 5>other than that fourth one, maybe second one, but I

660
00:33:40.319 --> 00:33:42.839
<v Speaker 5>know some people love the second one. But the fourth

661
00:33:43.000 --> 00:33:45.279
<v Speaker 5>Planet of the Apes movie is just as strong, if

662
00:33:45.319 --> 00:33:47.839
<v Speaker 5>not stronger than the third, than the second, and maybe

663
00:33:47.880 --> 00:33:48.519
<v Speaker 5>even the first.

664
00:33:49.279 --> 00:33:51.839
<v Speaker 7>Maybe I should rewatch them then I don't remember enjoying

665
00:33:51.880 --> 00:33:54.559
<v Speaker 7>them all. The Conquest to the Planet of the Apes

666
00:33:54.640 --> 00:33:56.480
<v Speaker 7>is my favorite. It's like the fifth one in the series,

667
00:33:56.559 --> 00:33:57.119
<v Speaker 7>or fourth one.

668
00:33:57.319 --> 00:34:00.119
<v Speaker 5>No, Yeah, conquest is for battle for the Plan of

669
00:34:00.160 --> 00:34:02.640
<v Speaker 5>the Apes is five. That's where the fifth face off

670
00:34:02.680 --> 00:34:05.920
<v Speaker 5>against the mole Men. And that's got John Houston as

671
00:34:06.000 --> 00:34:09.400
<v Speaker 5>the Longgiver and Paul Williams as Virgil. I think his

672
00:34:09.599 --> 00:34:11.360
<v Speaker 5>name is wasted character.

673
00:34:12.119 --> 00:34:14.199
<v Speaker 9>But hey, we got some good talk show, late night

674
00:34:14.280 --> 00:34:17.000
<v Speaker 9>talk show with Paul Williams and Ape an ape outfit

675
00:34:18.239 --> 00:34:19.000
<v Speaker 9>that showed.

676
00:34:19.840 --> 00:34:21.000
<v Speaker 5>Show was great.

677
00:34:21.679 --> 00:34:24.119
<v Speaker 9>Yeah, and hey we got a lot of Beetlejuice doing

678
00:34:24.199 --> 00:34:26.320
<v Speaker 9>Michael Keaton doing the exact same thing here out of

679
00:34:26.480 --> 00:34:29.559
<v Speaker 9>playing Beetlejuice and advertising and all sorts of stuff. It's

680
00:34:29.760 --> 00:34:31.440
<v Speaker 9>for as much as dead Pool and Wolverine was the

681
00:34:31.519 --> 00:34:34.599
<v Speaker 9>beginning of the summer. This is like the waning days

682
00:34:34.639 --> 00:34:37.280
<v Speaker 9>of the summer in terms of the big ip. Right,

683
00:34:37.440 --> 00:34:39.760
<v Speaker 9>Like you asked me what my experience was like in

684
00:34:39.840 --> 00:34:42.920
<v Speaker 9>the theaters. I went this afternoon and it was fucking full.

685
00:34:43.360 --> 00:34:46.039
<v Speaker 9>Fuck it, it was full the way Alien Romulus was full.

686
00:34:46.719 --> 00:34:49.280
<v Speaker 9>And it was not surprised. But when I looked at

687
00:34:49.320 --> 00:34:51.800
<v Speaker 9>the the ages of the people in there, there were

688
00:34:51.920 --> 00:34:55.119
<v Speaker 9>children in the theater for this movie, and I was like, yeah,

689
00:34:55.199 --> 00:34:57.719
<v Speaker 9>I was like, wait in a second, here, Beatle Okay,

690
00:34:57.760 --> 00:34:58.800
<v Speaker 9>it's the Halloween of it all.

691
00:34:58.920 --> 00:35:03.960
<v Speaker 1>But not not a kids movie either, not really.

692
00:35:04.079 --> 00:35:05.880
<v Speaker 9>I feel like a kid would watch this movie and

693
00:35:05.960 --> 00:35:08.800
<v Speaker 9>be bored, because again, there's a lot going on, but

694
00:35:09.400 --> 00:35:11.559
<v Speaker 9>I don't think it's necessarily a lot going on for

695
00:35:11.800 --> 00:35:14.519
<v Speaker 9>someone who's seven or eight right now in twenty twenty four,

696
00:35:15.320 --> 00:35:17.159
<v Speaker 9>and there were those age kids in the movie theater.

697
00:35:17.280 --> 00:35:19.039
<v Speaker 9>It was where the parents were there. I get it,

698
00:35:19.199 --> 00:35:22.239
<v Speaker 9>But I don't know. Beetlejuice has been such as been

699
00:35:22.559 --> 00:35:25.239
<v Speaker 9>kitty kitty ified down to like it's a kiddy thing now.

700
00:35:25.880 --> 00:35:28.239
<v Speaker 9>The original Beetlejuice never struck me as a kids thing.

701
00:35:28.400 --> 00:35:29.880
<v Speaker 9>I guess I get where it is now.

702
00:35:31.079 --> 00:35:34.119
<v Speaker 7>Chris there was cartoon, remember right.

703
00:35:34.239 --> 00:35:36.360
<v Speaker 9>I don't know how many of the people that I

704
00:35:36.559 --> 00:35:39.480
<v Speaker 9>know now are watching that cartoon with their kids.

705
00:35:39.280 --> 00:35:41.159
<v Speaker 7>Though, is my point? All of them, what are you

706
00:35:41.199 --> 00:35:41.840
<v Speaker 7>talking about?

707
00:35:42.320 --> 00:35:44.320
<v Speaker 1>I don't know that for a fact, is my point.

708
00:35:44.360 --> 00:35:46.079
<v Speaker 1>If you know that, it's perfectly fine.

709
00:35:46.119 --> 00:35:48.039
<v Speaker 9>But when I talk to my friends about Beatle Juice,

710
00:35:48.039 --> 00:35:50.039
<v Speaker 9>I've never heard them mention the cartoon. They just mentioned

711
00:35:50.280 --> 00:35:53.079
<v Speaker 9>watching the original movie with their kids. And the original

712
00:35:53.119 --> 00:35:55.440
<v Speaker 9>movie is again for me, didn't strike me as a

713
00:35:55.519 --> 00:35:58.559
<v Speaker 9>kids movie. But maybe it is, and I just don't realize.

714
00:35:58.159 --> 00:36:02.599
<v Speaker 7>It, just knowing the level of fear of Beatle Juice fans,

715
00:36:03.559 --> 00:36:06.519
<v Speaker 7>just looking at their output on social media, They're watching

716
00:36:06.639 --> 00:36:09.920
<v Speaker 7>that cartoon with their kids. They're consuming as much Beatle

717
00:36:10.039 --> 00:36:12.639
<v Speaker 7>Juice as they can with their children. Should we call it?

718
00:36:12.639 --> 00:36:12.760
<v Speaker 1>Do you?

719
00:36:12.840 --> 00:36:13.119
<v Speaker 7>How many?

720
00:36:13.199 --> 00:36:14.719
<v Speaker 9>How many of the kids watching this movie in the

721
00:36:14.760 --> 00:36:16.119
<v Speaker 9>past weekend were named Lydia?

722
00:36:16.199 --> 00:36:19.599
<v Speaker 7>You think a good A good lot of them? None

723
00:36:19.679 --> 00:36:22.079
<v Speaker 7>named Beetlejuice, though I bet hopefully not.

724
00:36:23.000 --> 00:36:23.199
<v Speaker 1>Yeah.

725
00:36:24.000 --> 00:36:26.679
<v Speaker 9>I will be curious if this movie genuinely stands that

726
00:36:26.840 --> 00:36:28.960
<v Speaker 9>test of time the way the original has. And I

727
00:36:29.000 --> 00:36:30.840
<v Speaker 9>don't want to say it won't because that's to throw

728
00:36:30.920 --> 00:36:34.280
<v Speaker 9>it out immediately, But does this have the staying power

729
00:36:34.320 --> 00:36:35.559
<v Speaker 9>of the original Beatle Juice.

730
00:36:36.320 --> 00:36:39.000
<v Speaker 7>I'm interested to watch it again. Honestly, I liked it

731
00:36:39.119 --> 00:36:41.599
<v Speaker 7>that much. I had it sounds like I'm really down

732
00:36:41.639 --> 00:36:43.719
<v Speaker 7>in this movie. I'm not. I had a really good

733
00:36:43.760 --> 00:36:47.280
<v Speaker 7>time watching it. It's just that you're stacking it against

734
00:36:47.480 --> 00:36:50.800
<v Speaker 7>one of the perfect films of the nineteen eighties, right,

735
00:36:50.920 --> 00:36:53.679
<v Speaker 7>we have to that's the fuck. It's the way it is, Like,

736
00:36:53.840 --> 00:36:56.000
<v Speaker 7>I really liked that prequel to the Thing, but it's

737
00:36:56.119 --> 00:36:59.400
<v Speaker 7>nowhere near the league of the original film. Like, yeah,

738
00:36:59.559 --> 00:37:01.800
<v Speaker 7>it's actually I was thinking about that yesterday. I was

739
00:37:01.840 --> 00:37:03.519
<v Speaker 7>watching some YouTube videos about it. Was like, you should

740
00:37:03.519 --> 00:37:04.119
<v Speaker 7>re watch that movie.

741
00:37:04.159 --> 00:37:05.079
<v Speaker 1>It's not half bad.

742
00:37:05.599 --> 00:37:07.320
<v Speaker 7>Oh, I like that movie a lot, But is it

743
00:37:07.440 --> 00:37:08.360
<v Speaker 7>in the same caliber?

744
00:37:08.559 --> 00:37:11.599
<v Speaker 9>No, we're dear Well, that becomes the question, right, like,

745
00:37:11.800 --> 00:37:13.719
<v Speaker 9>is our expectation that it should be in the same

746
00:37:13.800 --> 00:37:15.920
<v Speaker 9>caliber or should do something different?

747
00:37:16.440 --> 00:37:18.000
<v Speaker 1>Or what's the expectation.

748
00:37:18.400 --> 00:37:21.000
<v Speaker 7>Maybe five years later? I want it to be perfect.

749
00:37:21.320 --> 00:37:23.800
<v Speaker 7>That's the thing. If this were ten years later, all

750
00:37:23.800 --> 00:37:25.119
<v Speaker 7>the faults with that, I'd be like, God, they did

751
00:37:25.119 --> 00:37:27.119
<v Speaker 7>a really fucking good job considering.

752
00:37:27.360 --> 00:37:29.239
<v Speaker 9>Well, it's the alien three of it, all, right, Like

753
00:37:29.320 --> 00:37:31.960
<v Speaker 9>we have fifteen months to make this movie. Why are

754
00:37:32.039 --> 00:37:32.599
<v Speaker 9>you rushing?

755
00:37:33.239 --> 00:37:34.159
<v Speaker 1>Why not wait?

756
00:37:34.719 --> 00:37:37.719
<v Speaker 9>Let David Fincher make the movie, like make a movie here, like,

757
00:37:37.800 --> 00:37:41.119
<v Speaker 9>don't rush? And yet here we are thirty five years

758
00:37:41.199 --> 00:37:43.480
<v Speaker 9>later and we're now getting There have been how many

759
00:37:43.519 --> 00:37:46.639
<v Speaker 9>sequels to Alien since? There have been one sequel to Beatlejuice?

760
00:37:46.719 --> 00:37:50.119
<v Speaker 9>All of them, literally all of them. Think about that

761
00:37:50.360 --> 00:37:52.239
<v Speaker 9>for just two fucking seconds. It took this long to

762
00:37:52.239 --> 00:37:54.679
<v Speaker 9>get a second beal Juice movie. And we've had all

763
00:37:54.760 --> 00:37:58.320
<v Speaker 9>of the Alien movies since essentially well other than Alien two.

764
00:37:58.519 --> 00:38:02.039
<v Speaker 9>Other than Alien two. Literally that's it, everybody would agree,

765
00:38:02.119 --> 00:38:05.519
<v Speaker 9>or the first two best ones that barely get ragged on.

766
00:38:05.639 --> 00:38:07.679
<v Speaker 9>Everything else beyond that is where your mileage is going

767
00:38:07.719 --> 00:38:10.000
<v Speaker 9>to vary. But yeah, it took that long to get

768
00:38:10.079 --> 00:38:12.320
<v Speaker 9>anything else for this, and it's wow. I would put

769
00:38:12.360 --> 00:38:14.480
<v Speaker 9>this up against all of those as better sequels.

770
00:38:14.519 --> 00:38:15.159
<v Speaker 7>For the most part.

771
00:38:15.840 --> 00:38:18.000
<v Speaker 5>I can't believe you guys have talked this long without

772
00:38:18.159 --> 00:38:22.800
<v Speaker 5>discussing Bob and Question and James or whoever. These other

773
00:38:22.880 --> 00:38:27.320
<v Speaker 5>guys are rich characters, so good. I guess that Headshrinker

774
00:38:27.639 --> 00:38:33.199
<v Speaker 5>was very angry at Century twenty one representatives and shrank

775
00:38:33.280 --> 00:38:35.880
<v Speaker 5>all these guys' heads that I'll have the same yellow jackets.

776
00:38:36.320 --> 00:38:40.679
<v Speaker 5>What so, Beetlejuice is working in hell now and he

777
00:38:40.760 --> 00:38:43.920
<v Speaker 5>has office workers. I thought that was an interesting twist.

778
00:38:44.320 --> 00:38:47.360
<v Speaker 5>I don't know how successful it was. I guess Monica

779
00:38:47.440 --> 00:38:51.119
<v Speaker 5>Blue she's pretty stupid since she thinks that Bob in

780
00:38:51.280 --> 00:38:55.320
<v Speaker 5>the Beetlejuice costume is Beetlejuice. But yeah, that was a

781
00:38:55.679 --> 00:38:57.400
<v Speaker 5>that was a choice too. That's one of those where

782
00:38:57.519 --> 00:39:00.320
<v Speaker 5>I'm just like, Okay, we could have done something more

783
00:39:00.480 --> 00:39:02.920
<v Speaker 5>with this, and we even end the film with all

784
00:39:03.000 --> 00:39:06.159
<v Speaker 5>of the guys except for Bob out in the real world.

785
00:39:06.599 --> 00:39:09.960
<v Speaker 5>I was really expecting a mid credit teaser or some

786
00:39:10.159 --> 00:39:13.159
<v Speaker 5>sort of joke sequence with what these guys are up to.

787
00:39:13.320 --> 00:39:15.400
<v Speaker 5>I thought that would have actually worked out.

788
00:39:15.559 --> 00:39:21.239
<v Speaker 7>Well yeah, oh okay, well yeah, if that had happened

789
00:39:21.280 --> 00:39:23.679
<v Speaker 7>like half way through the movie where they just started

790
00:39:23.760 --> 00:39:25.280
<v Speaker 7>running amuck in the real world, like that could have

791
00:39:25.320 --> 00:39:27.840
<v Speaker 7>been really really good. As it is now, it just

792
00:39:27.920 --> 00:39:30.960
<v Speaker 7>feels like fan service, Like you like that fucking headshrinking

793
00:39:31.079 --> 00:39:34.639
<v Speaker 7>guy right, like, well, here's a lot of them, Like

794
00:39:34.840 --> 00:39:36.559
<v Speaker 7>what don't I don't need a lot of them.

795
00:39:37.000 --> 00:39:40.440
<v Speaker 5>Well, apparently Beetlejuice got his head unshrunk, because that's how

796
00:39:40.480 --> 00:39:42.039
<v Speaker 5>we last see him in the movie.

797
00:39:42.679 --> 00:39:45.960
<v Speaker 7>I guess that's how you're promoted it in that particular department,

798
00:39:46.000 --> 00:39:47.719
<v Speaker 7>I liked that. I liked that it was like a

799
00:39:47.800 --> 00:39:51.239
<v Speaker 7>complaint department where everyone who was answering the phones had

800
00:39:51.239 --> 00:39:52.599
<v Speaker 7>their mouths so and shut. I thought that was a

801
00:39:52.679 --> 00:39:55.440
<v Speaker 7>nice metaphor in there. And again everything in the in

802
00:39:55.599 --> 00:39:58.480
<v Speaker 7>the Afterlife, Like we haven't even mentioned that Willem Dafoe

803
00:39:58.639 --> 00:40:00.840
<v Speaker 7>is a character in this movie. Is this like eighties

804
00:40:00.920 --> 00:40:05.000
<v Speaker 7>action star who is often that he's investigating the Monica

805
00:40:05.039 --> 00:40:08.639
<v Speaker 7>Ballucci character, like he's really going for it. Willem Dafoe

806
00:40:08.800 --> 00:40:10.719
<v Speaker 7>has never been more excited to be in a movie

807
00:40:11.000 --> 00:40:14.599
<v Speaker 7>than than this, Like you just I really liked his

808
00:40:14.760 --> 00:40:15.320
<v Speaker 7>character here.

809
00:40:15.800 --> 00:40:18.599
<v Speaker 5>The thing I liked the most about his character was

810
00:40:18.719 --> 00:40:21.000
<v Speaker 5>his assistant who would show up and hand him the

811
00:40:21.039 --> 00:40:23.480
<v Speaker 5>cup of coffee, and I noticed he crushed it at

812
00:40:23.519 --> 00:40:25.880
<v Speaker 5>one point, threw it against the wall. And there's this

813
00:40:26.039 --> 00:40:29.000
<v Speaker 5>whole basket of empty coffee cups that have been crushed,

814
00:40:29.280 --> 00:40:31.360
<v Speaker 5>and I was hoping that would be a thing that

815
00:40:31.519 --> 00:40:34.199
<v Speaker 5>he has to crush the cup. But at least she's there,

816
00:40:34.239 --> 00:40:36.239
<v Speaker 5>and at least there are times where she just shows

817
00:40:36.320 --> 00:40:38.719
<v Speaker 5>up out of nowhere and hands them a cup of coffee,

818
00:40:38.800 --> 00:40:42.760
<v Speaker 5>and I really like that. I also really liked the

819
00:40:42.920 --> 00:40:46.360
<v Speaker 5>use of the Pino Dinagio score at the end when

820
00:40:46.840 --> 00:40:50.880
<v Speaker 5>it's almost like Wednesday, when it's asterid stream sequence, and

821
00:40:50.960 --> 00:40:53.679
<v Speaker 5>as soon as that music starts up, I'm just like, Okay,

822
00:40:53.760 --> 00:40:57.199
<v Speaker 5>so we're doing a carry homage. We're gonna have something

823
00:40:57.320 --> 00:41:00.920
<v Speaker 5>horrible happen. But then it ends up being the end

824
00:41:01.000 --> 00:41:03.119
<v Speaker 5>of the fly and I'm just like, oh, this is

825
00:41:03.440 --> 00:41:07.639
<v Speaker 5>another Geena Davis performance. I'd much rather see than having

826
00:41:07.760 --> 00:41:12.440
<v Speaker 5>the the baby from Trainspotting show up and crawl across

827
00:41:12.519 --> 00:41:12.920
<v Speaker 5>the ceiling.

828
00:41:12.960 --> 00:41:14.679
<v Speaker 7>I'm like, oh, okay, great.

829
00:41:14.599 --> 00:41:18.280
<v Speaker 1>Little juice Baby. How we five minutes without talking about

830
00:41:18.320 --> 00:41:19.159
<v Speaker 1>Beetlejuice Baby.

831
00:41:19.199 --> 00:41:21.519
<v Speaker 5>I know we're gonna get beetlejuice Baby all over hot

832
00:41:21.599 --> 00:41:23.760
<v Speaker 5>topic this year, and that's gonna be the new thing.

833
00:41:23.840 --> 00:41:26.199
<v Speaker 5>It's going to crawl and its head will spin around

834
00:41:26.280 --> 00:41:29.440
<v Speaker 5>and it'll make little noises. Maybe if you pull the string,

835
00:41:29.599 --> 00:41:31.840
<v Speaker 5>it'll be like I'm the most with the most, babe,

836
00:41:31.960 --> 00:41:33.400
<v Speaker 5>or something like that will come out of it.

837
00:41:33.800 --> 00:41:34.159
<v Speaker 1>Do you know what?

838
00:41:34.239 --> 00:41:36.320
<v Speaker 9>I realized The thing we haven't mentioned that is probably

839
00:41:36.400 --> 00:41:38.840
<v Speaker 9>the bigger inroad to Beetlejuice Father Malone than even the

840
00:41:39.000 --> 00:41:42.159
<v Speaker 9>animated cartoon has been for people. At this point, there

841
00:41:42.320 --> 00:41:45.400
<v Speaker 9>was a musical, Oh my God, I forgot any award

842
00:41:45.519 --> 00:41:48.039
<v Speaker 9>winning musical that the three of us all forgot about,

843
00:41:48.119 --> 00:41:51.280
<v Speaker 9>And now we collectively have egg on our faces. Because

844
00:41:51.320 --> 00:41:54.880
<v Speaker 9>that is why Beetlejuice is so popular now is because

845
00:41:54.920 --> 00:41:55.360
<v Speaker 9>of it.

846
00:41:55.719 --> 00:41:59.440
<v Speaker 7>It has toe. I disagree fundamentally it.

847
00:41:59.599 --> 00:42:02.639
<v Speaker 9>It is a It is a well regarded musical just

848
00:42:02.679 --> 00:42:05.840
<v Speaker 9>because we don't like it does it But the popularity

849
00:42:05.920 --> 00:42:08.480
<v Speaker 9>of it makes it easier to stomach something like this.

850
00:42:08.960 --> 00:42:10.480
<v Speaker 1>I don't ay. I'm not agreeing with it.

851
00:42:10.639 --> 00:42:13.840
<v Speaker 9>I'm not giving it a pass, but I think it's

852
00:42:13.880 --> 00:42:16.159
<v Speaker 9>weird how it reverse eats its own tail. It's we're

853
00:42:16.159 --> 00:42:18.079
<v Speaker 9>going to make a movie that gets made into a

854
00:42:18.239 --> 00:42:20.840
<v Speaker 9>TV show, that gets made into a musical, and now

855
00:42:20.920 --> 00:42:23.360
<v Speaker 9>all those things are popular enough to go, Hey, let's

856
00:42:23.400 --> 00:42:25.719
<v Speaker 9>start eating in reverse and get back to another movie,

857
00:42:25.920 --> 00:42:27.599
<v Speaker 9>because that's where we are. I wouldn't be surprised if

858
00:42:27.599 --> 00:42:31.039
<v Speaker 9>there's another Beetlejuice animated thing that comes out after this

859
00:42:31.199 --> 00:42:33.480
<v Speaker 9>on Netflix or something, would you guys? At this point,

860
00:42:33.639 --> 00:42:35.559
<v Speaker 9>we don't know how much money this movie is going

861
00:42:35.599 --> 00:42:38.360
<v Speaker 9>to ultimately end up making and how successful it's going

862
00:42:38.400 --> 00:42:39.920
<v Speaker 9>to be. On the other side of this, I know

863
00:42:40.000 --> 00:42:42.119
<v Speaker 9>Tim Burton has joked that it took thirty five years

864
00:42:42.159 --> 00:42:44.119
<v Speaker 9>to make Beetlejuice too, and it's going to take another

865
00:42:44.239 --> 00:42:45.119
<v Speaker 9>hundred to make the next one.

866
00:42:45.440 --> 00:42:49.320
<v Speaker 1>Lies, fucking lies. Don't lie to us. Don't lie.

867
00:42:49.760 --> 00:42:51.360
<v Speaker 9>If this movie makes a ton of money, you're going

868
00:42:51.400 --> 00:42:53.400
<v Speaker 9>to do the next one immediately, because why wouldn't you.

869
00:42:53.679 --> 00:42:56.000
<v Speaker 9>At this point, I'm not saying this movie is set

870
00:42:56.079 --> 00:42:59.920
<v Speaker 9>up a sequel, but it didn't leave it completely close

871
00:43:00.119 --> 00:43:01.840
<v Speaker 9>off at the end. If anything, the ending of the

872
00:43:01.920 --> 00:43:04.800
<v Speaker 9>movie is a little strange. It ends on a weird

873
00:43:04.880 --> 00:43:07.599
<v Speaker 9>note with Beetlejuice and Lydia, which could be explored further

874
00:43:07.719 --> 00:43:08.239
<v Speaker 9>down the road.

875
00:43:08.360 --> 00:43:11.440
<v Speaker 7>Frankly, a couple of things. I saw an interview with

876
00:43:11.480 --> 00:43:14.000
<v Speaker 7>win Oda Ryder who said, for all the years it

877
00:43:14.119 --> 00:43:17.599
<v Speaker 7>took that she had been talking with Burton, whatever they

878
00:43:17.599 --> 00:43:20.960
<v Speaker 7>would mention that this possibility of a sequel, she would

879
00:43:21.000 --> 00:43:24.599
<v Speaker 7>always say that in her mind, Lydia should end up

880
00:43:24.639 --> 00:43:29.000
<v Speaker 7>with Beetle Juice, right, And I completely agree with her.

881
00:43:29.159 --> 00:43:31.840
<v Speaker 7>And when he woke up next to her in that dream,

882
00:43:31.880 --> 00:43:33.400
<v Speaker 7>I went Oh my god, are they doing it? But

883
00:43:33.480 --> 00:43:35.800
<v Speaker 7>they actually, that's great, And then she wakes up again.

884
00:43:35.920 --> 00:43:37.960
<v Speaker 7>Oh no, it's another horrible dream, and I'm like, oh,

885
00:43:38.039 --> 00:43:41.280
<v Speaker 7>but that could have been interesting. That's something okay. And

886
00:43:41.360 --> 00:43:44.920
<v Speaker 7>now I would also like to do fundamentally disagree with you, sir.

887
00:43:45.360 --> 00:43:47.400
<v Speaker 7>A couple of years ago, my wife and I turned

888
00:43:47.440 --> 00:43:49.639
<v Speaker 7>the front of our place into the Dante's inferner Room

889
00:43:49.679 --> 00:43:51.599
<v Speaker 7>from the original Beetle Juice. Had nothing to do with

890
00:43:51.679 --> 00:43:53.880
<v Speaker 7>that fucking musical. Ten years ago I worked at a

891
00:43:53.960 --> 00:43:56.760
<v Speaker 7>haunted house, a year round haunted house. We did weddings there.

892
00:43:57.119 --> 00:44:00.280
<v Speaker 7>You have no fucking idea how many Beetlejuice weddings I

893
00:44:00.440 --> 00:44:03.639
<v Speaker 7>was witnessed to there. That was in twenty twelve. That

894
00:44:03.840 --> 00:44:06.000
<v Speaker 7>musical is a flash in the pan. Bullshit. It is

895
00:44:06.079 --> 00:44:09.119
<v Speaker 7>an addendum to be able. It is a product of

896
00:44:09.199 --> 00:44:13.320
<v Speaker 7>its continued popularity amongst the people it is. It is

897
00:44:13.400 --> 00:44:14.639
<v Speaker 7>influencing zero.

898
00:44:15.559 --> 00:44:17.360
<v Speaker 9>I get where you're coming from, and we are at

899
00:44:17.400 --> 00:44:18.960
<v Speaker 9>log your heads on this, but I think at the

900
00:44:19.039 --> 00:44:21.679
<v Speaker 9>end of the day, to both of our points, Beetlejuice

901
00:44:21.760 --> 00:44:24.039
<v Speaker 9>is still in the public conscience one way or another,

902
00:44:24.800 --> 00:44:28.000
<v Speaker 9>regardless of what it is from. Because people having Beetlejuice

903
00:44:28.039 --> 00:44:31.480
<v Speaker 9>weddings or again, the amount of stuff at Spirit that

904
00:44:31.599 --> 00:44:34.840
<v Speaker 9>is Beatlejuice is more than I think anything else at

905
00:44:34.920 --> 00:44:38.039
<v Speaker 9>Spirit in terms of branded merchandising for a singular movie.

906
00:44:38.559 --> 00:44:41.679
<v Speaker 9>There are other horror things, but they're not getting as

907
00:44:41.840 --> 00:44:44.119
<v Speaker 9>much stuff as Beetlejuice does. And I think it's I

908
00:44:44.159 --> 00:44:47.159
<v Speaker 9>think it's like almost the de facto Halloween movie too

909
00:44:47.280 --> 00:44:48.559
<v Speaker 9>in a lot of ways, Like it's part of that

910
00:44:48.679 --> 00:44:51.840
<v Speaker 9>conversation in the what is the you know, we're going

911
00:44:51.920 --> 00:44:53.880
<v Speaker 9>to talk about all kinds of those movies this year

912
00:44:54.039 --> 00:44:56.760
<v Speaker 9>in October, But I think this is one of the ones,

913
00:44:56.840 --> 00:44:59.599
<v Speaker 9>if not like the one clearly they're not. I guess

914
00:44:59.639 --> 00:45:02.559
<v Speaker 9>the other is hocus Pocus. Really, that's the other thing

915
00:45:02.639 --> 00:45:05.199
<v Speaker 9>that they have a lot of merchandise for. But that's

916
00:45:05.239 --> 00:45:07.000
<v Speaker 9>one A and one B of the same coin in

917
00:45:07.079 --> 00:45:07.760
<v Speaker 9>a lot of ways.

918
00:45:08.280 --> 00:45:11.440
<v Speaker 5>I imagine if I ran over to hot topic right now,

919
00:45:11.679 --> 00:45:13.599
<v Speaker 5>if I can find one that, I would find more

920
00:45:13.679 --> 00:45:17.079
<v Speaker 5>Nightmare before Christmas stuff than I would Beetlejuice stuff.

921
00:45:17.239 --> 00:45:19.760
<v Speaker 9>No, you would find more Beetle Juice than Night Member

922
00:45:19.760 --> 00:45:22.320
<v Speaker 9>before Christmas. Night Before Christmas is past a now for

923
00:45:22.519 --> 00:45:25.639
<v Speaker 9>people my age, it was nightmer Before Christmas. But now

924
00:45:25.679 --> 00:45:29.320
<v Speaker 9>for younger people, I think Jenna Ortega is that inroad

925
00:45:29.360 --> 00:45:32.480
<v Speaker 9>to Beetlejuice for them that Liken and ELM's Nightmer Before

926
00:45:32.519 --> 00:45:36.199
<v Speaker 9>Christmas does not have because it's a it's characters being

927
00:45:36.320 --> 00:45:39.159
<v Speaker 9>voiced by people, as opposed to oh look it's Wednesday

928
00:45:39.199 --> 00:45:40.679
<v Speaker 9>Adams again doing that thing.

929
00:45:41.440 --> 00:45:44.800
<v Speaker 7>There were actually children who grew up on Night Christmas.

930
00:45:45.199 --> 00:45:48.480
<v Speaker 7>Now it's beneath them. We're looking for the next as

931
00:45:48.559 --> 00:45:50.079
<v Speaker 7>the slaver, and this is it.

932
00:45:50.960 --> 00:45:53.519
<v Speaker 9>I'm not sitting here talking about the quality of Beetlejuice

933
00:45:53.559 --> 00:45:56.840
<v Speaker 9>the musical. I've listened to it. It's fine, it doesn't

934
00:45:56.920 --> 00:45:59.079
<v Speaker 9>need any of our help. But I think the different

935
00:45:59.079 --> 00:46:01.280
<v Speaker 9>thing is just like it opened up an avenue for

936
00:46:01.360 --> 00:46:03.599
<v Speaker 9>Beetlejuice to be popular with a whole group of people.

937
00:46:03.639 --> 00:46:06.519
<v Speaker 9>I'm not sure they even gave a shit about Beetlejuice. Frankly,

938
00:46:07.039 --> 00:46:09.039
<v Speaker 9>the statement that it's influential at all is false.

939
00:46:09.559 --> 00:46:12.960
<v Speaker 7>That's all. That's It's like your opinion, man.

940
00:46:13.559 --> 00:46:19.119
<v Speaker 5>According to Beetlejuice Broadway dot Com, it's a screamingly funny musical.

941
00:46:19.320 --> 00:46:21.920
<v Speaker 5>It is a dropping funhouse.

942
00:46:22.719 --> 00:46:24.599
<v Speaker 1>I heard that it's the best thing you could get

943
00:46:24.679 --> 00:46:26.920
<v Speaker 1>jerked off to in Denver in twenty twenty three.

944
00:46:27.039 --> 00:46:30.239
<v Speaker 5>Holy shit, that's oh I missed connection.

945
00:46:30.440 --> 00:46:30.920
<v Speaker 6>That's right.

946
00:46:31.559 --> 00:46:34.639
<v Speaker 5>That's the only time I had ever heard of Beetlejuice

947
00:46:34.679 --> 00:46:36.599
<v Speaker 5>the music right from that news story.

948
00:46:36.800 --> 00:46:39.360
<v Speaker 1>Holy shit, it sure was for a lot of people.

949
00:46:39.400 --> 00:46:42.960
<v Speaker 9>It also was Wow, there's a Beetlejuice musical and it's

950
00:46:42.960 --> 00:46:44.719
<v Speaker 9>good enough for someone to get stroked to.

951
00:46:45.079 --> 00:46:50.079
<v Speaker 5>So you're saying that we have this legacy sequel. We

952
00:46:50.280 --> 00:46:52.960
<v Speaker 5>need to thank Lauren Bobert for.

953
00:46:53.039 --> 00:46:54.039
<v Speaker 7>This, I hope.

954
00:46:54.079 --> 00:46:56.679
<v Speaker 1>So Wow, there's a lot of black and white all

955
00:46:56.719 --> 00:46:59.880
<v Speaker 1>over it. I'll accept that that I could get by

956
00:47:00.400 --> 00:47:02.559
<v Speaker 1>all right, or in front of, or however.

957
00:47:02.320 --> 00:47:03.159
<v Speaker 7>You want to interpret it.

958
00:47:03.320 --> 00:47:07.639
<v Speaker 5>It looks like Beetlejuice the Musical is on tour. Unfortunately,

959
00:47:07.639 --> 00:47:10.840
<v Speaker 5>they're going nowhere near Michigan, but they are going to

960
00:47:10.960 --> 00:47:14.159
<v Speaker 5>be in El Paso in November December. Chris, if you

961
00:47:14.239 --> 00:47:16.679
<v Speaker 5>want to head down to that in Texas, because I'm

962
00:47:16.760 --> 00:47:20.000
<v Speaker 5>sure Texas is very close wherever you're at. Actually, they're

963
00:47:20.039 --> 00:47:23.719
<v Speaker 5>going to be in Toledo in February, so I might

964
00:47:24.400 --> 00:47:24.760
<v Speaker 5>you know, I.

965
00:47:24.760 --> 00:47:27.519
<v Speaker 9>Already have my tickets to the other movie based musical

966
00:47:27.599 --> 00:47:30.599
<v Speaker 9>that's coming through Lincoln this year. Back to the Future

967
00:47:30.719 --> 00:47:34.360
<v Speaker 9>the Musical the other thing that literally I'm going to

968
00:47:34.400 --> 00:47:36.559
<v Speaker 9>see it. Of course, not what in God's name is

969
00:47:36.639 --> 00:47:38.639
<v Speaker 9>wrong with you, but the fact that I had to

970
00:47:39.039 --> 00:47:40.960
<v Speaker 9>the fact that every time I drive home from Omaha,

971
00:47:41.039 --> 00:47:43.360
<v Speaker 9>I see a billboard saying check out Back to the

972
00:47:43.400 --> 00:47:44.760
<v Speaker 9>Future the Musical this summer.

973
00:47:44.760 --> 00:47:47.880
<v Speaker 1>It's Oh, I'm good, I'm real good.

974
00:47:48.559 --> 00:47:50.239
<v Speaker 9>And I felt the same way about Beatle Juice. Like

975
00:47:50.280 --> 00:47:52.880
<v Speaker 9>the opening song for Beetlejuice the Musical is pretty catchy,

976
00:47:52.960 --> 00:47:56.559
<v Speaker 9>but beyond that, these movie musical things are a dime

977
00:47:56.639 --> 00:47:57.079
<v Speaker 9>a dozen.

978
00:47:57.199 --> 00:47:58.159
<v Speaker 1>They really There's.

979
00:47:57.960 --> 00:48:01.239
<v Speaker 9>American Psycho the Musical, and it wasn't an opera, it

980
00:48:01.360 --> 00:48:02.679
<v Speaker 9>was a musical musical.

981
00:48:02.800 --> 00:48:06.519
<v Speaker 1>Wait stop, please get help. Like Michael Jordan.

982
00:48:06.360 --> 00:48:11.880
<v Speaker 9>Said, I see chimps and that's the best one.

983
00:48:12.400 --> 00:48:14.840
<v Speaker 1>I love you Doctor Zaias. That's the best one.

984
00:48:15.480 --> 00:48:18.960
<v Speaker 5>Yeah, we have the whole arc. He hates all the chimpanzees,

985
00:48:19.039 --> 00:48:21.039
<v Speaker 5>but then by the end he loves doctor Sayas.

986
00:48:21.239 --> 00:48:21.679
<v Speaker 7>That's true.

987
00:48:21.760 --> 00:48:25.199
<v Speaker 9>I love yous. Been on Yeah, Selm of the Fish,

988
00:48:25.320 --> 00:48:28.719
<v Speaker 9>great episode of that show. A fish named Selma as

989
00:48:28.760 --> 00:48:31.639
<v Speaker 9>a fish nat that's right, ye, holy shit.

990
00:48:32.599 --> 00:48:38.039
<v Speaker 5>Tickets for this musical in Toledo two hundred and ninety

991
00:48:38.400 --> 00:48:43.920
<v Speaker 5>five dollars a person. I wasn't kidding, Go fuck yourself.

992
00:48:44.320 --> 00:48:46.800
<v Speaker 7>That's instane DNA.

993
00:48:47.679 --> 00:48:48.679
<v Speaker 6>That's the cheapest.

994
00:48:50.960 --> 00:48:53.119
<v Speaker 1>Now you can go all the way after five hundred

995
00:48:53.119 --> 00:48:54.039
<v Speaker 1>and eighty five.

996
00:48:54.199 --> 00:48:55.679
<v Speaker 5>This is fucking crazy.

997
00:48:55.920 --> 00:48:58.079
<v Speaker 1>Beatlejuice in the musical for six hundred dollars.

998
00:48:58.239 --> 00:49:01.239
<v Speaker 5>Who would want to spend one thousand for two people

999
00:49:01.320 --> 00:49:02.920
<v Speaker 5>that go see a musical.

1000
00:49:03.320 --> 00:49:05.519
<v Speaker 9>About a movie that you can watch undoubtedly on a

1001
00:49:05.559 --> 00:49:06.559
<v Speaker 9>streaming platform.

1002
00:49:07.079 --> 00:49:10.440
<v Speaker 5>God, this is crazy. Who are these people that buy

1003
00:49:10.559 --> 00:49:11.159
<v Speaker 5>these seats?

1004
00:49:11.639 --> 00:49:15.480
<v Speaker 9>But those are Hamilton prices for Beetlejuice musical quality?

1005
00:49:16.119 --> 00:49:20.320
<v Speaker 5>This is yeah, this is Toledo, man, this is fucking tele.

1006
00:49:20.400 --> 00:49:24.320
<v Speaker 1>It hit us with one might come on? What holy Toledo?

1007
00:49:24.519 --> 00:49:27.119
<v Speaker 7>Oh sorry God.

1008
00:49:27.440 --> 00:49:29.480
<v Speaker 9>I guess that is the ultimate question though with something

1009
00:49:29.599 --> 00:49:31.760
<v Speaker 9>like this, because we have seen legacy sequels take a

1010
00:49:31.760 --> 00:49:33.920
<v Speaker 9>while to come out, and then another movie has come

1011
00:49:33.960 --> 00:49:38.079
<v Speaker 9>out pretty quickly afterwards. We talked about a Ghostbusters sequel

1012
00:49:38.599 --> 00:49:40.440
<v Speaker 9>not being a thing for a long time, and now

1013
00:49:40.480 --> 00:49:43.360
<v Speaker 9>there have been two in the last decade.

1014
00:49:43.800 --> 00:49:46.840
<v Speaker 1>Do y'all think that there will be a third Beetlejuice movie?

1015
00:49:47.320 --> 00:49:47.559
<v Speaker 7>Two?

1016
00:49:47.679 --> 00:49:50.960
<v Speaker 5>I thought, Oh agree? Are you forgetting the all female.

1017
00:49:50.880 --> 00:49:56.039
<v Speaker 9>One talking about canonical one. We're talking about the ones

1018
00:49:56.079 --> 00:49:58.119
<v Speaker 9>that people want to acknowledge. Look, I know that there

1019
00:49:58.119 --> 00:50:00.440
<v Speaker 9>are some people that like that twenty sixteen Ghostbuster movie.

1020
00:50:00.719 --> 00:50:01.159
<v Speaker 9>Have at it.

1021
00:50:01.320 --> 00:50:03.360
<v Speaker 1>I was not talking about that movie, correct.

1022
00:50:04.400 --> 00:50:07.000
<v Speaker 7>I think that it's there's one hundred percent guarantee you

1023
00:50:07.000 --> 00:50:09.719
<v Speaker 7>we're gonna get a Beatle Juice, Beetle Juice, Beetlejuice. And

1024
00:50:10.239 --> 00:50:13.119
<v Speaker 7>if instead Tim Burton wants to give us a television

1025
00:50:13.159 --> 00:50:16.400
<v Speaker 7>series set in the paranormal world, I'm comfortable with that.

1026
00:50:17.400 --> 00:50:21.079
<v Speaker 5>I know that Sylvia Sydney has been gone for a

1027
00:50:21.199 --> 00:50:24.199
<v Speaker 5>long time, but I really would have liked to homage

1028
00:50:24.280 --> 00:50:27.400
<v Speaker 5>to you know, your caseworker. Yeah, it was sad for

1029
00:50:27.480 --> 00:50:29.760
<v Speaker 5>me to not get hurt. Yeah, I just have. I'm

1030
00:50:30.039 --> 00:50:33.519
<v Speaker 5>damning this movie with faint praise, and I do mean damning. Yeah.

1031
00:50:33.519 --> 00:50:36.000
<v Speaker 5>It was all right, but it just I'm not gonna

1032
00:50:36.000 --> 00:50:37.760
<v Speaker 5>be watching this like I watched the first one. I

1033
00:50:37.840 --> 00:50:40.519
<v Speaker 5>went back and rewatched the first one just earlier this week,

1034
00:50:41.199 --> 00:50:44.440
<v Speaker 5>and I still love it, absolutely love it. That joy

1035
00:50:44.719 --> 00:50:48.559
<v Speaker 5>at the end with the other Harry Balafonte song is

1036
00:50:48.800 --> 00:50:52.119
<v Speaker 5>so fun and with Lyddy up there floating in the

1037
00:50:52.199 --> 00:50:54.639
<v Speaker 5>air and all the football players showing up on the steps.

1038
00:50:54.719 --> 00:50:57.000
<v Speaker 5>Everything is so joyous in that movie, and I just

1039
00:50:57.119 --> 00:51:01.039
<v Speaker 5>didn't get the joy in this one, or even the frights.

1040
00:51:01.159 --> 00:51:03.679
<v Speaker 5>Even when Beatle just shows up as that giant snake

1041
00:51:03.760 --> 00:51:05.760
<v Speaker 5>and tries to scare everybody away, I thought that was

1042
00:51:05.800 --> 00:51:08.480
<v Speaker 5>really effective, and I didn't get any of that with

1043
00:51:08.599 --> 00:51:11.400
<v Speaker 5>this Is It because I'm so many years older. Maybe,

1044
00:51:11.719 --> 00:51:14.159
<v Speaker 5>but I just again I felt like it was just

1045
00:51:14.320 --> 00:51:14.960
<v Speaker 5>thrown together.

1046
00:51:15.519 --> 00:51:18.039
<v Speaker 9>Does this movie even attempt to do what that first

1047
00:51:18.079 --> 00:51:20.159
<v Speaker 9>movie does in terms of any horror beats?

1048
00:51:20.320 --> 00:51:20.760
<v Speaker 2>Not really.

1049
00:51:21.000 --> 00:51:23.840
<v Speaker 9>That is a pretty pretty successful horror beat in that

1050
00:51:24.000 --> 00:51:28.199
<v Speaker 9>first movie, The thing with Beetlejuice becoming the handrail on

1051
00:51:28.280 --> 00:51:31.280
<v Speaker 9>the stairwell and then the snake, that scene is pretty

1052
00:51:31.800 --> 00:51:33.960
<v Speaker 9>I remember that scene scaring me as a kid, like

1053
00:51:34.000 --> 00:51:36.519
<v Speaker 9>straight up, because I saw Beetle Juice the first one

1054
00:51:36.559 --> 00:51:38.960
<v Speaker 9>as a kid, and I remember that scene scaring me

1055
00:51:39.079 --> 00:51:41.239
<v Speaker 9>as a kid. I don't think there's anything in this

1056
00:51:41.400 --> 00:51:44.360
<v Speaker 9>that comes close, because again, I think to your point, Mike,

1057
00:51:45.159 --> 00:51:47.440
<v Speaker 9>you put it very aptly. And I think the more

1058
00:51:47.519 --> 00:51:49.039
<v Speaker 9>I've sat here and I've had it on in the

1059
00:51:49.079 --> 00:51:51.199
<v Speaker 9>background and I've just been thinking about it, like the

1060
00:51:51.360 --> 00:51:54.119
<v Speaker 9>Men in Black of it all is really shocking. And

1061
00:51:54.239 --> 00:51:57.800
<v Speaker 9>again I guess it's the whole bureauification of the undead

1062
00:51:58.320 --> 00:52:02.039
<v Speaker 9>experience that translates the one to one to the bureauification

1063
00:52:02.159 --> 00:52:04.639
<v Speaker 9>of the alien experience right with Men in Black. But

1064
00:52:05.239 --> 00:52:07.719
<v Speaker 9>I would spend more time in this world without Beetlejuice.

1065
00:52:08.000 --> 00:52:09.719
<v Speaker 9>It's like I would spend more time in the world

1066
00:52:09.760 --> 00:52:13.599
<v Speaker 9>of Men in Black without Will Smith and Tommy Lee Jones.

1067
00:52:14.360 --> 00:52:16.679
<v Speaker 9>The world that they've created is almost more interesting than

1068
00:52:16.719 --> 00:52:19.159
<v Speaker 9>the character. I get that the Beetlejuice character is the

1069
00:52:19.360 --> 00:52:22.000
<v Speaker 9>center of all of this, but he doesn't have to

1070
00:52:22.119 --> 00:52:24.880
<v Speaker 9>be the next thing that they do. They could do

1071
00:52:25.000 --> 00:52:27.320
<v Speaker 9>something else in this world if Tim Burton wanted someone

1072
00:52:27.360 --> 00:52:30.119
<v Speaker 9>else to, because, like you said, botim alone. Tim Burton

1073
00:52:30.360 --> 00:52:32.119
<v Speaker 9>kind of controls the keys to the kingdom on this

1074
00:52:32.400 --> 00:52:35.320
<v Speaker 9>because this is this is like so many things for him,

1075
00:52:35.360 --> 00:52:37.480
<v Speaker 9>his baby clearly, So there you go.

1076
00:52:38.360 --> 00:52:43.920
<v Speaker 5>Please don't sticking to the other side of it, because

1077
00:52:44.400 --> 00:52:46.719
<v Speaker 5>it just so reminds me of I don't know, RIPD

1078
00:52:47.039 --> 00:52:48.639
<v Speaker 5>or some of the other ones where it's just like ah,

1079
00:52:48.880 --> 00:52:51.280
<v Speaker 5>and maybe that's where the Wulm Defoe character was rubbing

1080
00:52:51.320 --> 00:52:54.159
<v Speaker 5>me the wrong way, just that he was Wolf Jackson

1081
00:52:54.280 --> 00:52:57.559
<v Speaker 5>and you barely see the poster behind him. I'm just like,

1082
00:52:58.079 --> 00:52:59.840
<v Speaker 5>I really would have liked to have known more of

1083
00:53:00.000 --> 00:53:02.679
<v Speaker 5>Wolf Jackson and his movies and all these things, and

1084
00:53:02.800 --> 00:53:06.920
<v Speaker 5>just that he's a pompous asshole. Maybe cast somebody younger

1085
00:53:07.039 --> 00:53:09.559
<v Speaker 5>in that role, because I think that would have been

1086
00:53:09.679 --> 00:53:11.960
<v Speaker 5>cool to be like, oh, he's the hip young detective

1087
00:53:12.079 --> 00:53:14.199
<v Speaker 5>type of thing. But seemwol and Dafoe's I was great,

1088
00:53:14.239 --> 00:53:17.320
<v Speaker 5>and seeing has Green exposed was pretty darn cool as well.

1089
00:53:17.480 --> 00:53:21.599
<v Speaker 5>But yeah, it just there are so many bad ways

1090
00:53:21.679 --> 00:53:23.280
<v Speaker 5>that could have gone with this, and I'm glad they

1091
00:53:23.320 --> 00:53:25.559
<v Speaker 5>didn't go as fully bad, even though they had to

1092
00:53:25.639 --> 00:53:30.159
<v Speaker 5>cop out and use the sandworm to destroy the bad

1093
00:53:30.239 --> 00:53:32.320
<v Speaker 5>guy at the end of this, which I'm just like, Okay,

1094
00:53:32.400 --> 00:53:34.639
<v Speaker 5>we just saw that. We just saw that in the

1095
00:53:34.719 --> 00:53:36.800
<v Speaker 5>first movie back in nineteen eighty eight.

1096
00:53:36.960 --> 00:53:39.840
<v Speaker 1>Come on, we need a bit of fans service.

1097
00:53:40.119 --> 00:53:42.880
<v Speaker 9>It's just a lot of fans. We didn't really talk

1098
00:53:42.920 --> 00:53:45.159
<v Speaker 9>about the fan service a whole lot, Father Malone. You

1099
00:53:45.199 --> 00:53:48.360
<v Speaker 9>alluded to it being not great, Like the fan service

1100
00:53:48.400 --> 00:53:53.280
<v Speaker 9>in this movie is fucking bad, like Poller Well, and

1101
00:53:53.440 --> 00:53:55.960
<v Speaker 9>what the question becomes when is fan service not? For

1102
00:53:56.079 --> 00:53:58.000
<v Speaker 9>the most part, I think the times it's not. Are

1103
00:53:58.039 --> 00:54:00.519
<v Speaker 9>the ones we're impressed by more than when they are?

1104
00:54:00.599 --> 00:54:04.119
<v Speaker 9>Because is this more or less intolerable than Ghostbusters Afterlife,

1105
00:54:04.119 --> 00:54:06.800
<v Speaker 9>which I found to be just as intolerable in terms

1106
00:54:06.840 --> 00:54:09.239
<v Speaker 9>of its fan service? Is this for y'all as intolerable

1107
00:54:09.239 --> 00:54:10.519
<v Speaker 9>because I found it to be.

1108
00:54:11.320 --> 00:54:14.079
<v Speaker 7>It's more intolerable in this movie for me because I

1109
00:54:14.199 --> 00:54:16.920
<v Speaker 7>was really enjoying every other as not every other aspect,

1110
00:54:17.000 --> 00:54:18.760
<v Speaker 7>but a lot of this movie. I enjoy ghost of

1111
00:54:18.800 --> 00:54:21.920
<v Speaker 7>it or more than the Ghostbusters movie. I like this movie.

1112
00:54:21.960 --> 00:54:23.400
<v Speaker 7>I'm going to watch this movie again.

1113
00:54:24.119 --> 00:54:26.320
<v Speaker 9>At least the fan service didn't factor into the overall

1114
00:54:26.360 --> 00:54:30.559
<v Speaker 9>conclusion of the movie entirely because having that Harold Ramus

1115
00:54:30.719 --> 00:54:32.639
<v Speaker 9>ghost thing show up at the end of that movie

1116
00:54:32.719 --> 00:54:34.920
<v Speaker 9>will never be a will never be a choice that

1117
00:54:35.000 --> 00:54:37.719
<v Speaker 9>I understand why they made, other than to just fan

1118
00:54:37.880 --> 00:54:41.960
<v Speaker 9>service your movie. Daveus X raymis style. Okay, thank god

1119
00:54:42.039 --> 00:54:44.480
<v Speaker 9>this movie didn't do that and have Jeffrey Jones show

1120
00:54:44.559 --> 00:54:47.480
<v Speaker 9>up as the headless corpse to do something. But the

1121
00:54:47.559 --> 00:54:49.079
<v Speaker 9>Sandworm is a close second.

1122
00:54:49.199 --> 00:54:49.760
<v Speaker 7>It really is.

1123
00:54:50.719 --> 00:54:53.840
<v Speaker 5>When you watch this again, please tell me if anything

1124
00:54:53.960 --> 00:54:57.559
<v Speaker 5>ever becomes of that. I guess he's Portuguese. The Tigre

1125
00:54:57.760 --> 00:55:00.480
<v Speaker 5>I believe it's the character name. He gets hit in

1126
00:55:00.559 --> 00:55:02.719
<v Speaker 5>the head, he dies, he's got the big nod on

1127
00:55:02.800 --> 00:55:04.400
<v Speaker 5>his head. We see him a few times in the

1128
00:55:04.519 --> 00:55:06.719
<v Speaker 5>End of the World, and then he just disappears, and

1129
00:55:06.800 --> 00:55:11.159
<v Speaker 5>I'm like, again, like the headshrink, guys, I'm like, where

1130
00:55:11.159 --> 00:55:13.119
<v Speaker 5>are these guys? I was hoping for more of him.

1131
00:55:13.159 --> 00:55:14.880
<v Speaker 5>I thought he might actually play a part in this,

1132
00:55:15.119 --> 00:55:18.119
<v Speaker 5>but instead, by having him in here several times, it

1133
00:55:18.239 --> 00:55:20.599
<v Speaker 5>draws attention to him, and I don't think we're supposed

1134
00:55:20.599 --> 00:55:21.920
<v Speaker 5>to be paying that much attention.

1135
00:55:21.679 --> 00:55:24.199
<v Speaker 7>To him now. I was going to ask you guys

1136
00:55:24.239 --> 00:55:25.880
<v Speaker 7>as well, if you saw him show up again, like

1137
00:55:26.000 --> 00:55:27.840
<v Speaker 7>maybe he was on the soul train at the very end,

1138
00:55:27.920 --> 00:55:29.880
<v Speaker 7>because it did seem like they were sitting him up

1139
00:55:29.960 --> 00:55:33.239
<v Speaker 7>for a more important character than he was, because he's

1140
00:55:33.320 --> 00:55:36.360
<v Speaker 7>featured a few times, Like I thought he was going

1141
00:55:36.400 --> 00:55:38.800
<v Speaker 7>to be some sort of bumbling character throughout he keeps

1142
00:55:38.880 --> 00:55:42.199
<v Speaker 7>coming up against the bureaucracy of the afterlife. But nope,

1143
00:55:42.639 --> 00:55:44.760
<v Speaker 7>if he's just going to be the way we get

1144
00:55:44.800 --> 00:55:46.599
<v Speaker 7>to the after life, which I thought was clever because

1145
00:55:46.639 --> 00:55:48.599
<v Speaker 7>he falls into an open manhole clever and dies and

1146
00:55:48.639 --> 00:55:51.719
<v Speaker 7>then suddenly we're in the fucking cuckoo all the angles

1147
00:55:51.800 --> 00:55:55.519
<v Speaker 7>and checkerboards world. But then like, well, why go back

1148
00:55:55.719 --> 00:55:58.239
<v Speaker 7>to him at all? If he figures into it, not

1149
00:55:58.320 --> 00:56:01.119
<v Speaker 7>a I wonder if he's if stuff cut out for time.

1150
00:56:01.480 --> 00:56:03.599
<v Speaker 9>I've got to assume that that's what it is, because

1151
00:56:04.239 --> 00:56:05.800
<v Speaker 9>I and again I think it's either cut out for

1152
00:56:05.880 --> 00:56:08.719
<v Speaker 9>time or again a ever changing script that has spent

1153
00:56:08.840 --> 00:56:11.519
<v Speaker 9>thirty five years being written, and who knows how much

1154
00:56:11.559 --> 00:56:12.880
<v Speaker 9>of it. They were like, we'll just leave that in.

1155
00:56:13.039 --> 00:56:15.280
<v Speaker 9>You can be wandering around in the background versus ken.

1156
00:56:15.360 --> 00:56:17.679
<v Speaker 9>We've got a whole sandworm segment where they're on the

1157
00:56:17.840 --> 00:56:20.199
<v Speaker 9>where they're on Jupiter, and here are the sandworms that

1158
00:56:20.400 --> 00:56:24.360
<v Speaker 9>we've seen this before? Is this doing cgi sandworms doesn't

1159
00:56:24.440 --> 00:56:25.519
<v Speaker 9>doesn't help anything here?

1160
00:56:25.599 --> 00:56:26.079
<v Speaker 1>I'm sorry.

1161
00:56:26.400 --> 00:56:26.599
<v Speaker 7>Yeah.

1162
00:56:26.960 --> 00:56:29.199
<v Speaker 5>When she gets there and she says, I must conquer

1163
00:56:29.280 --> 00:56:31.599
<v Speaker 5>the worm, I must conquer shi Halued, I was like,

1164
00:56:31.679 --> 00:56:34.000
<v Speaker 5>that's a little on the nose. Doesn't that talk about.

1165
00:56:33.800 --> 00:56:35.960
<v Speaker 1>Fans without rhythm walk without rhythm?

1166
00:56:37.199 --> 00:56:41.360
<v Speaker 7>Both Lydia and Astrid end up on Mars at a

1167
00:56:41.559 --> 00:56:43.599
<v Speaker 7>certain point with the sandworm, and then they come back

1168
00:56:43.639 --> 00:56:46.840
<v Speaker 7>and no time has changed at all, And even a

1169
00:56:47.000 --> 00:56:50.400
<v Speaker 7>moment in that world gave you a few hours of difference.

1170
00:56:50.679 --> 00:56:53.039
<v Speaker 7>Where was that all about? And what I was saying was,

1171
00:56:53.400 --> 00:56:57.239
<v Speaker 7>I'm very, very curious to read the Seth Graham Smith

1172
00:56:58.039 --> 00:57:00.880
<v Speaker 7>version of this script, like the script that they almost made,

1173
00:57:00.920 --> 00:57:04.440
<v Speaker 7>that they kept almost making and then Goff and Miller

1174
00:57:04.599 --> 00:57:06.159
<v Speaker 7>came in and rewrote.

1175
00:57:05.760 --> 00:57:08.280
<v Speaker 5>It for this final was that Beetlejuice in Love?

1176
00:57:09.159 --> 00:57:11.400
<v Speaker 7>Well, look, Seth Maraham Smith is still a creditive writer

1177
00:57:11.559 --> 00:57:14.519
<v Speaker 7>on this movie. So, like I said, I'm curious where

1178
00:57:15.119 --> 00:57:18.039
<v Speaker 7>what his draft was like before they rewrote it, because

1179
00:57:18.079 --> 00:57:20.599
<v Speaker 7>obviously there's enough of his left in it that they

1180
00:57:20.599 --> 00:57:21.320
<v Speaker 7>give him a credit.

1181
00:57:22.000 --> 00:57:24.039
<v Speaker 5>And here I was thinking when I saw Goff's name

1182
00:57:24.119 --> 00:57:25.920
<v Speaker 5>show up, I was just like, oh, he must be

1183
00:57:26.199 --> 00:57:28.800
<v Speaker 5>related to Michael Goff who was Alfred in those two

1184
00:57:28.880 --> 00:57:29.760
<v Speaker 5>Betman films.

1185
00:57:29.800 --> 00:57:33.920
<v Speaker 7>But no, he's not. He This guy was born in Baltimore. Yeah,

1186
00:57:33.920 --> 00:57:36.039
<v Speaker 7>I know. These are the guys who did Wednesday and

1187
00:57:36.280 --> 00:57:40.960
<v Speaker 7>Smallville and the fucking one of those those Jankie Chan

1188
00:57:41.519 --> 00:57:44.440
<v Speaker 7>movies with the Rush Hour Old West No, no, no,

1189
00:57:44.599 --> 00:57:47.719
<v Speaker 7>the Old West Ones, Shanghai Noon and Shanghai Knight. Yeah,

1190
00:57:47.760 --> 00:57:53.559
<v Speaker 7>they wrote those great films, a cinema classics, and then Beatlejuice.

1191
00:57:54.199 --> 00:57:58.239
<v Speaker 9>Yes, gim beetlejuice to these people, please, Yeah, they could

1192
00:57:58.239 --> 00:58:01.239
<v Speaker 9>have given it to Freeberg and Seltzer and did Yeah.

1193
00:58:01.320 --> 00:58:01.920
<v Speaker 7>Thank that for that.

1194
00:58:02.679 --> 00:58:04.719
<v Speaker 5>I want to thank my co host Chris and Father

1195
00:58:04.800 --> 00:58:06.840
<v Speaker 5>Malone for joining me on this episode as we talk

1196
00:58:06.840 --> 00:58:10.920
<v Speaker 5>about beetlejuice. Beetlejuice. But before we head out, Chris, what

1197
00:58:11.119 --> 00:58:12.199
<v Speaker 5>are you working on these days?

1198
00:58:12.239 --> 00:58:12.400
<v Speaker 7>Sir?

1199
00:58:12.960 --> 00:58:14.440
<v Speaker 9>All the things that I work on can be found

1200
00:58:14.440 --> 00:58:16.679
<v Speaker 9>over at culturecast dot com, where this month we're talking

1201
00:58:16.760 --> 00:58:20.760
<v Speaker 9>all about films that Father Malone picked for a little

1202
00:58:20.920 --> 00:58:23.599
<v Speaker 9>foray into things that I had not gotten a chance

1203
00:58:23.679 --> 00:58:25.800
<v Speaker 9>to watch up until this point in my life, which

1204
00:58:25.920 --> 00:58:28.280
<v Speaker 9>is a list of things that if you join us

1205
00:58:28.360 --> 00:58:30.159
<v Speaker 9>in September you'll get to hear all about. It's some

1206
00:58:30.360 --> 00:58:34.679
<v Speaker 9>Batman Returns, Little Untouchables, a whole lot more coming your

1207
00:58:34.719 --> 00:58:37.079
<v Speaker 9>way over Weirdingwaymedia dot com.

1208
00:58:37.199 --> 00:58:41.800
<v Speaker 7>What about you bottom alone, I'm over at Weirdingwaymedia dot

1209
00:58:41.840 --> 00:58:44.760
<v Speaker 7>com too. You can hear my show Midnight Viewing. It's

1210
00:58:44.840 --> 00:58:49.159
<v Speaker 7>on twice a week Mondays. It is a weekly round

1211
00:58:49.280 --> 00:58:51.960
<v Speaker 7>up show of streaming and current things, and on Friday

1212
00:58:52.000 --> 00:58:55.679
<v Speaker 7>the show alternates between the Horror Anthology podcast, where we're

1213
00:58:55.679 --> 00:58:57.960
<v Speaker 7>taking a look at Talents from the Dark Side. That's

1214
00:58:58.000 --> 00:59:00.559
<v Speaker 7>the show I do with these two gentlemen. And the

1215
00:59:00.719 --> 00:59:04.280
<v Speaker 7>alternate show is Anthology's Attack, which is a show we

1216
00:59:04.360 --> 00:59:07.519
<v Speaker 7>do about anthologies of every kind of genre. I do

1217
00:59:07.599 --> 00:59:09.639
<v Speaker 7>that with Antonio Laport. You can check us out over there,

1218
00:59:09.920 --> 00:59:11.960
<v Speaker 7>and if you want to support us, go to patreon

1219
00:59:12.000 --> 00:59:13.719
<v Speaker 7>dot com slash Father Alone.

1220
00:59:14.559 --> 00:59:16.760
<v Speaker 5>As for me, everything that I do is also over

1221
00:59:16.800 --> 00:59:20.239
<v Speaker 5>at Readingwaymedia dot com except for a little thing that

1222
00:59:20.559 --> 00:59:23.400
<v Speaker 5>Chris and I and Richard Adam do, and we will

1223
00:59:23.440 --> 00:59:27.000
<v Speaker 5>be joined by our good friend Father Malone as well.

1224
00:59:27.199 --> 00:59:29.960
<v Speaker 5>As we talk about the movie. I think that's is

1225
00:59:30.000 --> 00:59:32.000
<v Speaker 5>that two from now or is that the next one?

1226
00:59:32.039 --> 00:59:35.239
<v Speaker 5>Because we just did Diamonds Are Forever, We're about to

1227
00:59:35.320 --> 00:59:37.800
<v Speaker 5>do our first Roger Moore, is that.

1228
00:59:40.159 --> 00:59:40.400
<v Speaker 7>Okay?

1229
00:59:40.519 --> 00:59:42.519
<v Speaker 5>Wow, all right, I'm excited for you in your heart?

1230
00:59:42.599 --> 00:59:45.440
<v Speaker 5>Well yeah, come on over there to patreon dot com

1231
00:59:45.559 --> 00:59:49.079
<v Speaker 5>slash Projection Booth and patreon dot com slash Culturecast, where

1232
00:59:49.119 --> 00:59:51.880
<v Speaker 5>you can hear us talk all about Rankin on Bond.

1233
00:59:52.480 --> 00:59:55.360
<v Speaker 5>You can also join our community over there at our

1234
00:59:55.480 --> 00:59:58.360
<v Speaker 5>patreons get all the good stuff. You can also join

1235
00:59:58.400 --> 01:00:03.199
<v Speaker 5>Father Malone's Patreon. He also drops episodes early and probably

1236
01:00:03.280 --> 01:00:06.480
<v Speaker 5>commercial free, a lot freer than what Spreaker is doing

1237
01:00:06.559 --> 01:00:09.280
<v Speaker 5>to us right now. So yeah, come on over there

1238
01:00:09.440 --> 01:00:12.639
<v Speaker 5>and check us out. Please rate and review the shows.

1239
01:00:12.880 --> 01:00:15.239
<v Speaker 5>All of these shows, where we get them, we would

1240
01:00:15.280 --> 01:00:16.199
<v Speaker 5>greatly appreciate it.

1241
01:00:32.800 --> 01:00:37.519
<v Speaker 8>Spring was never waiting for this girl. It ran one

1242
01:00:37.679 --> 01:00:52.079
<v Speaker 8>step ahead as we followed the between the part pages.

1243
01:00:51.559 --> 01:00:56.000
<v Speaker 2>And request he loves hot favorite. I am like a

1244
01:00:56.079 --> 01:01:08.199
<v Speaker 2>stripe in part hands jobs, pots, melt can in the

1245
01:01:08.360 --> 01:01:14.880
<v Speaker 2>dog or the sweet green ice blowing dog. Someone gould

1246
01:01:14.920 --> 01:01:15.519
<v Speaker 2>take out.

1247
01:01:17.679 --> 01:01:21.519
<v Speaker 10>I don't think I can take it because it's not

1248
01:01:21.800 --> 01:01:23.079
<v Speaker 10>so loud to bacon.

1249
01:01:23.480 --> 01:01:26.679
<v Speaker 1>But I'll never have that re look.

1250
01:01:26.519 --> 01:01:29.239
<v Speaker 3>At oh do.

1251
01:01:34.679 --> 01:01:40.239
<v Speaker 10>I recall the yells cat dress foaming like a wave

1252
01:01:41.159 --> 01:01:42.920
<v Speaker 10>on the growing around your.

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01:01:42.960 --> 01:01:52.039
<v Speaker 3>Knee, uncle uncle, the birds.

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01:01:51.880 --> 01:01:55.840
<v Speaker 10>Like tender babies in your hands, and the old man

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01:01:56.039 --> 01:02:00.280
<v Speaker 10>playing checkers side the m.

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<v Speaker 2>My goss carts out, dogs blowing.

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<v Speaker 3>Down someone like a guy.

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01:02:19.480 --> 01:02:23.719
<v Speaker 2>I don't know what I think that's so.

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<v Speaker 6>There will be in another supe for I won't say

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01:02:58.039 --> 01:02:59.079
<v Speaker 6>someone will.

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<v Speaker 3>All the hing.

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<v Speaker 2>The MacArthur's Park is melting in the dark. All the

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<v Speaker 2>sweet green ice is flowing.

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<v Speaker 3>Somewhere. The cats on

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01:05:00.079 --> 01:05:00.119
<v Speaker 2>M
