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Speaker 1: Welcome to the Great Adventurers of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Counterspot. But

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first I do want to encourage you. If you're enjoying

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the podcast, please follow us using your favorite podcast software.

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And today's program is brought you in part by the

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financial support of our listeners. You can support the show

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on a one time basis support Dot Great Detectives dot net,

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or by becoming one of our ongoing Patreon supporters for

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as little last two dollars per month and going to

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Patreon Dot Great Detectives dot net. Well, we run into

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our first true post war episode of Counterspy, and this

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is actually the only episode from nineteen four and it's

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a rehearsal. The rehearsal date, I guess on this is

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July the twenty seventh, nineteen forty six, and the tititle

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is stolen Car Racket.

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Speaker 2: The maker's the ould Nick Old.

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Speaker 3: Nick, Oh boy, Oh Nick is a wonderful candy bar.

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Speaker 2: Instead of honey, did a honey.

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Speaker 3: It's a honey honey honey of a candy bar.

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Speaker 2: Present David harding conor spy.

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Speaker 4: Washington calling David Hiding Counterspy Washington calling David Hunting Counterspy.

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Speaker 5: Hiding Counterspy calling Washington.

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Speaker 6: Before we begin today's counters by K. Sally, Let's try

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another experiment in psychology with bit of Honey candy bars,

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but the when they were played.

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Speaker 3: In Life magazine a while back, when we did mental

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telepathy for all neck Yes, except today, just for fun,

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let's try conditioned reaction.

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Speaker 2: Jesse Crawford will help us.

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Speaker 6: And now in the bit of Honey song, these four

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notes stand for the words bit of honey. Those notes

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are a musical symbol for the words bit of honey.

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In a few seconds, our listeners will find that little

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tune brings the same sense of delicious satisfaction that is

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now produced by the words bit of honey. Okay, here

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we go, ladies and gentlemen. Is always fine, but especially

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in the summertime. You see as a distinctive mild honey

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flavor sprinkled all through our crunchy crushed almond. The separate

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rapping of the six generous pieces and a candy bar

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makes it extra easy and convenient to eat in summertime.

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What's more, the unusual zesty flavor of candy bar is

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especially appropriate this warm weather. Ye for yourself, whatever fine

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candy is, sould ask for candy bar this evening. If

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you can, you'll agree that yes, bit of honey is

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a honey, honey, honey of a candy bar and only

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five cents on Lancet Aprile eleven. Mary Linton, a dark

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complexioned woman of thirty with intense piercing eyes, stood in

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the center of the large Brooklyn garage which she owns,

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watching several men work on some late model automobiles. Cora Lynton,

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her younger sister, and a very pretty girl, watched the

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repair work for a moment and then turn.

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Speaker 7: To marry Mary. Mary, Sorry, Cory you think And yeah.

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Speaker 3: I think I'm gonna try off to the movie.

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Speaker 7: Stick Around for a Wild Coral. Oh but Mary, I

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don't do it around. I'm expecting Jack Taylor soon. Taylor.

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You know how I feel about Jack, and I know

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how Jack feels about you. Safe trail over. I hated

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me to be all right, I feel sick with me.

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He's and have a good future. I'd he's crazy about you.

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Oh Mary, that must be Jack. Now all right, open

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it up, Tony. I am right, Hello jack.

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Speaker 8: Ah, you're waiting for me, beautiful.

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Speaker 7: No, I would they had to say hello to you Jack?

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Speaker 8: Oh right, what do you think of this car?

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Speaker 4: The real?

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Speaker 7: But it ain'teen you Wick nineteen forty two?

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Speaker 9: Luck?

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Speaker 7: Uh huh, good enough car, didn't I tell you? Jack

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is a smart boy. Yeah.

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Speaker 8: You can't be a Dodo and pick up cars like

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this car. You don't marry The second didn't even leave

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his key's ignition. I had to switch wire at the

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starter and it only took me fifty seconds.

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Speaker 10: But for that fifty seconds worth, you're gonna get two

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hundred and fifty bucks.

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Speaker 8: Two hundred and fifty bucks. Hey, this car's worth eighteen

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hundred if.

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Speaker 10: You had a bill of sale for a check now,

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I gotta have the serial number change which part ship

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the car of the country.

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Speaker 7: Two fifties A good pie for a hot car.

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Speaker 8: Don't don't sound that much. Oh, I'll take it in

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one condition.

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Speaker 7: O' fact.

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Speaker 8: Cara helps me spend it.

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Speaker 7: No, I'm sure you will, Jack mine inside the office.

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Speaker 11: I'll give you the money, got your rica.

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Speaker 7: I don't want anything to do money which your soil.

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I wish you'd listen when I want to say something.

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I know what you're gonna say. You don't want the rector.

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Speaker 2: Yes, be nice to those cooks.

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Speaker 7: How can you do this to me? Mary? Look, my

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darling sister. In my own funny way, I love you.

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Speaker 3: Sure, I want you to be nice to Jack Taylor,

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because if that brings me eighteen hundred dollars cars for

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two hundred and fifty. But if Jack or anybody gets

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freshed with you, I'll put a bulletin in myself.

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Speaker 12: But it's not only Jack. I'm scared of the cops

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in the countersides. If we caught I I'll see that

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you slip out court.

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Speaker 3: Well, the recket is paying for this swell apartments, all

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our clothes, anything we want.

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Speaker 12: Toness Mary, I'd rather go to.

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Speaker 3: Work doing what you can't even type.

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Speaker 7: Forget it. Let me do the worry in me. I'll

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take that.

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Speaker 3: Yep, it's Linton, which one Mary Linton speaking?

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Speaker 13: I'm Clinton. My name is Sam French.

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Speaker 14: I'm from Chicago. Well, I'm mutual friend of ours. Tell

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me to look you're up, Alf.

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Speaker 7: But yeah, Alf, Burton's a very good friend of mine.

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Speaker 13: Held bodies can't moment to see her?

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Speaker 7: Why not we'll be home. You've got the address, I

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suppose right light by?

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Speaker 3: Who is that Mary? A man named Sam French from Chicago,

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he says, al Furton send him?

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Speaker 7: Who alf Burt in Chicago? You don't know him? Anybody

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sends over should.

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Speaker 1: Be all right?

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Speaker 7: Yes, not sure? Nothing like making sure. Cor. We're gonna

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check before we get chummy.

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Speaker 13: Does Mary Linton?

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Speaker 7: Oh no, I'm Coral lion sister?

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Speaker 1: Oh uh?

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Speaker 7: Mary's inside? Won't you come in?

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Speaker 13: Thank you have your sisters as beautiful as you.

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Speaker 7: Don't move, mister French.

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Speaker 13: I don't understand what's you're gun for.

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Speaker 3: I'll tell you in a minute. Chor see if mister

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French has a gun? All right, yes he has one bag.

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I have a no step away from mister French. Now,

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mister French, he may walk into.

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Speaker 13: The living room. I still don't understand. I'fend m Well, but.

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Speaker 7: That's what you say, Sster French. I want to hear

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it myself. I'm Alfred.

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Speaker 3: I'm fine now look readam phoning you? Do you stand

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up a friend to see me?

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Speaker 10: Sure?

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Speaker 5: Did marry smart boy named Sam French?

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Speaker 7: Well, there's a guy here now who claims he's Sam French.

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What does he look like?

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Speaker 5: A blue eyes, straight, short nose.

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Speaker 7: So far, so gun.

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Speaker 5: A nice looking boy with them bloyes and blonde hairs.

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Speaker 7: What do you say about his hair? Don't I had again?

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A little bleach?

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Speaker 3: Alf?

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Speaker 7: What did you say was the color of Sam French's hair?

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Speaker 5: Blonde coloristraw? Can't miss man?

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Speaker 7: Here is dark haired black?

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Speaker 14: Hold it no, wait a minute. That'll give me a

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chance to talk with your best. If I had died,

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I had to pull the police. I didn't want him

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to know I was going to New York.

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Speaker 13: Done in my hair.

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Speaker 7: You'll see it, though, Mary, Maybe he's telling the truth.

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He's got well, hello.

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Speaker 3: Else, I'm not sure this man anything more definite I

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can identify.

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Speaker 5: Yeah, come to think of it, there is same French

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as a little strawberry mark and his left arm. Try

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to get it off once there's a massive marker.

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Speaker 7: You roll up your left please, that's right my bootmark.

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Speaker 13: No the health.

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Speaker 5: Card.

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Speaker 7: Don't get in front of him. Just see what he's

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got on his left arm.

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Speaker 12: Oh but a small red MARKT booth mark is star

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rabbit m.

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Speaker 3: Here it could be done, thanks, Alf, drop in when

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you're in New York.

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Speaker 7: Be sure all right?

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Speaker 13: Sam, I wouldn't want to go through that again.

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Speaker 14: I had to be sure they're a smart day Mary,

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like Alf said, just the kind of dame I want.

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Speaker 13: To helk up with.

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Speaker 3: We can talk about that at dinner. I know a

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nice place where we can talk. Willow you a treat

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for that scarce.

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Speaker 7: Anything else you like them?

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Speaker 3: Called?

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Speaker 7: Nothing?

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Speaker 3: Mary?

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Speaker 8: Not a thing?

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Speaker 15: Mary?

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Speaker 13: Can I get down to business?

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Speaker 7: Sure? What's on your mind?

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Speaker 13: I'm looking for a New York contact.

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Speaker 8: Mary?

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Speaker 14: Like you, I can pick up cars in Chicago and

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points west and ship them to New York.

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Speaker 7: What makes you think I'm interested?

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Speaker 8: Well?

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Speaker 14: Button tells me you've got some swell outlets Mexico, South America.

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Speaker 7: I managed to get rid of my cars.

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Speaker 13: You can make plenty getting rid of my car.

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Speaker 7: Sure, but there's something else. What the citter Real mob.

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So he's getting a sisteral mob.

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Speaker 3: Now nobody knows whoever he is. He's a smart operator.

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The sister Real Mob is my main competition. We run

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into each other.

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Speaker 13: That's what's buying you.

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Speaker 7: They're tough. What do you think is going to happen

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to you? Sam? If you steal cars in their territory and.

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Speaker 13: Shipping the knee I'll take my chances. I got a

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few boys on my own, plenty tough. We'll handle a

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sister of mob if we have to.

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Speaker 3: All right, it'll be your funeral, and you'll take my

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shipments as many as you can deliver good.

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Speaker 13: I'll get my first ship. Then when I get back

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to Chicago. That depends on Cora.

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Speaker 7: Men.

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Speaker 14: I'd like to spend a few days in New York,

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that is, if you will show me around.

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Speaker 7: Really, Sa, Carl step out with you.

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Speaker 3: Sam.

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Speaker 7: You'll be glad to, won't you.

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Speaker 9: Cara, I didn't know you could drive this well with Cora.

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Speaker 7: Let's car, drive the stone? Where'd you get it?

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Speaker 13: Into the friendship I'd bought? I wouldn't drive a store,

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serve me.

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Speaker 7: A bit of honey of a car.

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Speaker 13: Turn into that dirt on the hand. Why that's a shortcut.

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Speaker 8: Stop?

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Speaker 14: I will not, and I will. I'll take the key, Sam,

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Please better, relax, Cora. I won't hurt you.

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Speaker 7: Sam. Please give me that key.

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Speaker 12: When I tell Mary, she's not gonna like this, Sam,

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But you're not going to tell her, Sam, She'll kill you.

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Speaker 14: I swear I can take care of myself. What more,

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I'm gonna take care of you Sam, you wouldn't not

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what you think. I'm just going to I thought of

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hold you in protective custody.

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Speaker 7: Protect what for?

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Speaker 13: I just want your sister to come to term.

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Speaker 7: I thought you hadn't this evening at Redta.

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Speaker 14: That's what I wanted Mary to think, Laura, she doesn't

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know that I'm the leader of.

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Speaker 13: The sitter rom Mom.

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Speaker 10: Why are you?

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Speaker 14: I don't want to have to hurt your Cora. That's

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00:14:57,720 --> 00:15:00,600
a private fight between Mary and me. I'm taking over

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the New.

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Speaker 7: York character and I'm going to.

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Speaker 1: Get out.

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Speaker 7: You know.

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Speaker 8: I just didn't like his face. I didn't like your

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00:15:17,799 --> 00:15:21,639
traveling around, I think, so I followed you very ready, girl,

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I marry it's very.

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Speaker 7: It didn't be nice because that it'd be nice to

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a man.

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Speaker 1: I didn't want to.

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Speaker 8: She did. Cora, here, you take my gun. Go on

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take it. Put in your pocket book. So if any

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other guy tries to.

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Speaker 13: Pull a face, thank that?

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Speaker 7: Would it take me home?

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00:15:47,480 --> 00:15:52,000
Speaker 8: Sure? So wait a minute, I got a better idea.

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Take a gun in your bag.

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Speaker 16: Go on, drop it on the floor of the car

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near this punk. Come on, we'll get out of here

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before so many theaters, and we're gonna have a talk

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with Mary.

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Speaker 7: Yeah, what happened?

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Speaker 8: How did you know if something happened?

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00:16:20,919 --> 00:16:23,000
Speaker 7: It's my radio, and keep a tune to the police.

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00:16:23,039 --> 00:16:25,320
Call Call what happened?

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00:16:26,080 --> 00:16:29,840
Speaker 3: Police announced it, said Sam Frencher, did is I shuting

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00:16:31,080 --> 00:16:31,759
start talking?

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Speaker 8: Jack? Your little playmate from Chicago was going to play

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kidnap with Cora and that you came to terms.

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Speaker 7: Turns came to an agreement earlier this sevening.

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Speaker 8: Oh yeah, Sam was leader of the Cicero mob. What

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00:16:46,759 --> 00:16:49,080
you came here to get you out of the way.

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Speaker 7: Jack, I certainly owe you something to save me.

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Speaker 3: Forget it, cops think of Dame Grove Sam's car, cor

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I'm must let the color hairpins or something.

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Speaker 8: That's all.

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Speaker 7: Yeah, I can't worry about the car with sands very.

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00:17:11,160 --> 00:17:14,359
Speaker 8: The murder gun is in the car right alongside of

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00:17:14,440 --> 00:17:15,119
Sam French.

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Speaker 7: I don't get it.

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Speaker 8: The cops will marry Cora's fingerprints are all over that gun.

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00:17:22,240 --> 00:17:23,200
Speaker 7: Crazy shop.

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00:17:23,359 --> 00:17:26,519
Speaker 8: Sure, sure, but I wiped up my prince and handed

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00:17:26,559 --> 00:17:28,759
the gun to Cora. Her fingerprints are all over it.

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Speaker 2: Orra ran out.

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Speaker 8: The police will think only one thing. Cora killed Sam, and.

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Speaker 3: You do that to my kids, said the youth slimy

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00:17:42,119 --> 00:17:53,000
rat dirdy double wait draw, that's better, Commando of Insidam.

292
00:17:52,599 --> 00:17:59,440
Speaker 7: Marie, why'd you do it? Why'd you pinna kill on

293
00:17:59,519 --> 00:18:00,160
cor As?

294
00:18:00,240 --> 00:18:01,599
Speaker 8: You played me for a sucker?

295
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Speaker 15: Mary?

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00:18:02,039 --> 00:18:03,279
Speaker 8: That's why would Coral for me?

297
00:18:03,680 --> 00:18:04,400
Speaker 2: It got me wrong?

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00:18:04,519 --> 00:18:04,680
Speaker 15: Oh?

299
00:18:04,799 --> 00:18:07,839
Speaker 8: No, you got me wrong. He didn't figure me for

300
00:18:07,920 --> 00:18:09,119
a guy? Use his head, did you?

301
00:18:10,880 --> 00:18:11,039
Speaker 9: Well?

302
00:18:11,160 --> 00:18:13,640
Speaker 8: Maybe it's little Jack Taylor who that's all they're talking

303
00:18:13,680 --> 00:18:14,160
from now on?

304
00:18:14,359 --> 00:18:14,400
Speaker 15: In?

305
00:18:16,160 --> 00:18:19,240
Speaker 7: All right, Jack? What have you got in mine?

306
00:18:20,640 --> 00:18:20,759
Speaker 3: Here?

307
00:18:20,799 --> 00:18:23,039
Speaker 8: There's no police record. The cops will let her know

308
00:18:23,079 --> 00:18:25,279
whose finger prints are on that murder gun unless I

309
00:18:25,440 --> 00:18:31,000
tell him, and I will tell him too, unless unless

310
00:18:31,119 --> 00:18:34,519
what unless you will may become partner's baby.

311
00:18:36,599 --> 00:18:37,519
Speaker 7: Well that's the way it is.

312
00:18:37,720 --> 00:18:40,440
Speaker 8: Yeah, fifty fifty on the whole setup.

313
00:18:40,759 --> 00:18:42,039
Speaker 7: Nothing small about you?

314
00:18:42,319 --> 00:18:46,720
Speaker 8: Is that Johnathan Sam French dead will take over his ciceromb?

315
00:18:49,000 --> 00:18:49,720
Oh what'd he saying?

316
00:18:51,440 --> 00:18:51,480
Speaker 2: No?

317
00:18:51,599 --> 00:18:53,200
Speaker 7: I wouldn't turn Corral over the police.

318
00:18:53,359 --> 00:18:57,359
Speaker 8: Okay, then we'll partner this Now, how did you come

319
00:18:57,400 --> 00:18:58,559
to hook up with Sam French?

320
00:18:58,759 --> 00:18:59,400
Speaker 7: Friend of mine?

321
00:19:00,160 --> 00:19:05,119
Speaker 8: Alf Burton, Chicago, Alf Burton, Huh, okay, that's my first stop,

322
00:19:05,559 --> 00:19:07,039
Alf Furton in Chicago.

323
00:19:16,480 --> 00:19:19,599
Speaker 6: Carter's fire will continue in just a moment, but right now.

324
00:19:19,799 --> 00:19:21,880
I can see that Jimmy wants to wheedle an old

325
00:19:21,960 --> 00:19:24,920
neck candy bar or a nickel out of me today.

326
00:19:25,000 --> 00:19:25,880
Speaker 8: Jimmy, you won't do it.

327
00:19:26,039 --> 00:19:28,880
Speaker 6: I'm determined You're absolutely right, mister crump.

328
00:19:29,799 --> 00:19:30,279
Speaker 8: I want to.

329
00:19:30,319 --> 00:19:32,400
Speaker 6: Apologize for the way I've been putting you on the spot.

330
00:19:32,440 --> 00:19:34,920
I've flattered you, asked your riddles, and teased you in

331
00:19:35,079 --> 00:19:36,519
order to get old Nick candy bars.

332
00:19:36,880 --> 00:19:41,319
Speaker 8: It's not fair, is it, Oh, Jimmy, I don't really mind, No, sir,

333
00:19:41,480 --> 00:19:42,319
I haven't been fair.

334
00:19:42,400 --> 00:19:45,160
Speaker 6: For instance, you have an old Nick candy bar in

335
00:19:45,200 --> 00:19:48,039
your pocket today, haven't you. Well, certainly I always have

336
00:19:48,119 --> 00:19:49,240
an old neck candy bar.

337
00:19:49,359 --> 00:19:49,640
Speaker 3: Handy.

338
00:19:49,720 --> 00:19:53,319
Speaker 6: It's spiney candy bars, I know, with that thick milk chocolate.

339
00:19:53,119 --> 00:19:58,359
Speaker 2: Coating, creamy buttery, smooth caramel, and the fudge and the

340
00:19:58,920 --> 00:19:59,920
fresh toasted nut.

341
00:20:00,799 --> 00:20:02,160
Speaker 15: It sure is good eating.

342
00:20:02,480 --> 00:20:05,680
Speaker 8: Well today, if I point out how much money you

343
00:20:05,799 --> 00:20:08,240
make a big time radio and on Treo that is,

344
00:20:08,759 --> 00:20:11,000
and how you got plenty of old Nick candy bars,

345
00:20:11,039 --> 00:20:15,920
and how utterly delicious oldly candy bars are, and how

346
00:20:16,440 --> 00:20:20,440
I'm broke and don't have any, and I'm so hungry

347
00:20:20,559 --> 00:20:21,240
for an old.

348
00:20:21,119 --> 00:20:23,599
Speaker 7: Nick, well if I did that.

349
00:20:23,759 --> 00:20:25,680
Speaker 8: It'd make you sound like the worst kind of a

350
00:20:25,799 --> 00:20:28,799
heel if you didn't give me one, wouldn't it?

351
00:20:31,039 --> 00:20:35,240
Speaker 6: Okay, Jimmy, here you are, now tell him what you

352
00:20:35,319 --> 00:20:37,960
think of old Nick, your rascal Old Nick.

353
00:20:38,519 --> 00:20:42,720
Speaker 3: Oh boy, Oh, Nick is a wonderful candy bar.

354
00:20:43,720 --> 00:20:47,319
Speaker 2: Get some soon, folks. Whatever fine candy is old, you'll

355
00:20:47,599 --> 00:20:52,480
like Old Nick. How back to our cotar spy cakes.

356
00:21:05,359 --> 00:21:07,480
Speaker 4: I'll take the support into mister Harting myself.

357
00:21:11,359 --> 00:21:11,960
Speaker 13: Busy chief.

358
00:21:12,240 --> 00:21:15,559
Speaker 8: Oh hello, Peters, just studying this mapley out of stolen

359
00:21:15,640 --> 00:21:16,640
cars in the United States.

360
00:21:16,720 --> 00:21:19,519
Speaker 4: Maybe this teletype of portal fit in Chief. Sam French,

361
00:21:19,559 --> 00:21:21,640
a hot car autist from Chicago, was just killed in

362
00:21:21,680 --> 00:21:22,079
New York.

363
00:21:23,119 --> 00:21:27,599
Speaker 8: Oh, this may be the beginning of what this report

364
00:21:27,640 --> 00:21:30,440
of stolen cars shows up the heaviest concentrations around New

365
00:21:30,519 --> 00:21:33,960
York and Chicago. Sam French and Chicago mobster being killed

366
00:21:33,960 --> 00:21:35,920
in New York means only one thing.

367
00:21:36,240 --> 00:21:38,279
Speaker 4: The New York and Chicago gangs are beginning to cross

368
00:21:38,319 --> 00:21:40,799
each other exactly, Peters.

369
00:21:40,599 --> 00:21:42,960
Speaker 8: Is enough intentive in stolen cars for gangsters to start

370
00:21:42,960 --> 00:21:45,319
a bloody massacre that may rival prohibition days.

371
00:21:45,480 --> 00:21:47,640
Speaker 4: We've got to stop at Peter's before it gets started.

372
00:22:02,799 --> 00:22:03,599
Speaker 5: Follow me out.

373
00:22:04,000 --> 00:22:06,240
Speaker 8: Friend of Mary Linton is a friend of mine. Jack

374
00:22:06,960 --> 00:22:10,920
glad to hear Sad there's a piece of quick change

375
00:22:10,960 --> 00:22:11,680
for help Mary?

376
00:22:13,119 --> 00:22:13,880
Speaker 5: In what way?

377
00:22:14,519 --> 00:22:15,039
Speaker 8: Information?

378
00:22:16,319 --> 00:22:17,039
Speaker 9: What do you want to know?

379
00:22:17,920 --> 00:22:22,720
Speaker 8: Sam French died? Okay? Who's running the Sister A Mob?

380
00:22:22,880 --> 00:22:23,000
Speaker 15: Now?

381
00:22:24,160 --> 00:22:29,680
Speaker 13: It ain't settled yet. Several of the boys have ideas.

382
00:22:29,920 --> 00:22:33,079
Speaker 8: I better forget those ideas. The Sister Row mob is

383
00:22:33,119 --> 00:22:34,400
going to be run from New York.

384
00:22:35,359 --> 00:22:39,599
Speaker 5: These boys are tough and hungry. They ain't given up nothing.

385
00:22:40,759 --> 00:22:41,799
Speaker 8: I want to listen to reasons.

386
00:22:41,920 --> 00:22:44,680
Speaker 13: Un it's one of them boys.

387
00:22:44,799 --> 00:22:46,240
Speaker 9: Figures hedn't be the big boys.

388
00:22:46,359 --> 00:22:47,799
Speaker 8: I can't waste any time.

389
00:22:49,119 --> 00:22:52,880
Speaker 13: Don't see how you can rush matters. Like I said,

390
00:22:53,680 --> 00:22:55,079
they have their own ideas.

391
00:22:56,240 --> 00:22:57,440
Speaker 8: They have their own ideas.

392
00:22:57,519 --> 00:22:57,680
Speaker 15: Huh.

393
00:23:02,160 --> 00:23:04,480
Speaker 8: What are the names of the boys with the ideas?

394
00:23:13,559 --> 00:23:16,279
Speaker 4: Gang warriors flaring up in Chicago? Mister hunting, what's the report?

395
00:23:16,359 --> 00:23:18,400
Two more gangs just killed in Chicago. Both men were

396
00:23:18,400 --> 00:23:19,960
connected with Sam French at one time.

397
00:23:20,759 --> 00:23:24,519
Speaker 8: Sam French again, Peters, have they turned up on anything

398
00:23:24,559 --> 00:23:26,240
on the same French killing a new.

399
00:23:26,160 --> 00:23:28,759
Speaker 4: Chief the clear set of fingerprints on the gun, but

400
00:23:28,799 --> 00:23:30,960
the local police haven't yet identified the prince.

401
00:23:31,559 --> 00:23:34,559
Speaker 8: Peter's why are our New York field office and have

402
00:23:34,680 --> 00:23:37,519
them step into the same French case. Requisition the murder weapon,

403
00:23:37,640 --> 00:23:40,079
have it sent to Washington. Also have our New York office,

404
00:23:40,119 --> 00:23:40,920
but the murdered car.

405
00:23:40,880 --> 00:23:41,640
Speaker 5: Through the laboratory.

406
00:23:41,759 --> 00:23:52,680
Speaker 8: Well do chief, Well, I guess I kind of got

407
00:23:52,759 --> 00:23:54,000
this little glow art coming to.

408
00:23:54,039 --> 00:23:56,759
Speaker 7: Me a working fast, Jack.

409
00:23:57,079 --> 00:24:01,759
Speaker 8: These men were killed in Chicago of the baby, I'll

410
00:24:01,799 --> 00:24:05,480
be plenty more killed before I'm finished. Card, I'm organizing

411
00:24:05,599 --> 00:24:07,559
Chicago if I have to knock off I mean the

412
00:24:07,680 --> 00:24:08,359
last months.

413
00:24:08,440 --> 00:24:10,920
Speaker 3: In that time, Jack, I've been in the racket longer

414
00:24:10,960 --> 00:24:13,359
than you, so I never had to do any killing.

415
00:24:14,880 --> 00:24:16,799
Speaker 7: Murder is a sure way to get the cops down.

416
00:24:17,359 --> 00:24:19,559
Speaker 8: You're all right for that local stuff now, but this

417
00:24:19,720 --> 00:24:22,839
is big time. I'm going to combine all the hot

418
00:24:22,920 --> 00:24:25,880
car set ups in the entire country, and I'm going

419
00:24:25,960 --> 00:24:28,599
to do it fast and sure by killing, by knocking

420
00:24:28,680 --> 00:24:30,680
off the opposition before it gets started.

421
00:24:30,920 --> 00:24:32,759
Speaker 7: Now, I can't stand it. You don't make it easy,

422
00:24:32,839 --> 00:24:36,480
called it's killing sealing cause enough murder and more.

423
00:24:36,400 --> 00:24:37,880
Speaker 8: Murder, getting any ideas.

424
00:24:38,519 --> 00:24:42,039
Speaker 7: Yes, I'm getting out to go to work some Oh no,

425
00:24:42,200 --> 00:24:43,480
you won't. You can't stop me.

426
00:24:43,599 --> 00:24:45,799
Speaker 8: All the way Corra the cops. I gotta set a

427
00:24:45,839 --> 00:24:50,240
fingerprints on a murder gun. Remember, I just suppose they

428
00:24:50,359 --> 00:24:51,759
find out whose prince they.

429
00:24:51,720 --> 00:24:54,039
Speaker 7: Are top it both of you. Cora isn't going anywhere.

430
00:24:55,400 --> 00:24:57,400
Speaker 8: Corra, better not get any ideas.

431
00:24:57,759 --> 00:24:59,519
Speaker 7: Crying card, go Pobby your notes.

432
00:25:00,039 --> 00:25:07,200
Speaker 8: All right, Marry, I don't like the way Cora acts.

433
00:25:07,319 --> 00:25:09,519
Speaker 7: It's all let's talk about killing. She'll get over.

434
00:25:10,440 --> 00:25:16,680
Speaker 8: Cora may be your sister, but what do you mean, sister, No, sister,

435
00:25:16,839 --> 00:25:17,880
she's getting dangerous.

436
00:25:19,079 --> 00:25:20,680
Speaker 7: I don't like what you're driving.

437
00:25:20,759 --> 00:25:24,240
Speaker 8: You better marry. There might be a time when it'll

438
00:25:24,319 --> 00:25:26,759
be either Cora or you.

439
00:25:27,160 --> 00:25:27,599
Speaker 15: Shut up.

440
00:25:28,759 --> 00:25:30,480
Speaker 7: Cora's no danger. I'll control her.

441
00:25:31,680 --> 00:25:32,440
Speaker 8: You better.

442
00:25:46,799 --> 00:25:48,160
Speaker 5: I thought i'd find you in the laboratory.

443
00:25:48,240 --> 00:25:48,519
Speaker 13: Peters.

444
00:25:48,640 --> 00:25:50,880
Speaker 4: We've just completed an analysis of the gun he used

445
00:25:50,880 --> 00:25:53,960
in the same French Murdy Chief. We've confirmed at least

446
00:25:54,039 --> 00:25:57,079
one police deduction. A woman handled the gun after the

447
00:25:57,119 --> 00:25:59,960
fatal bullet was fired. We found some particles to face

448
00:26:00,119 --> 00:26:02,599
powder in the battle of a gun. The girl, apparently

449
00:26:02,640 --> 00:26:04,039
it put the gun in her bag, then took the

450
00:26:04,079 --> 00:26:05,200
gun out and dropped.

451
00:26:04,920 --> 00:26:05,839
Speaker 8: It near French's body.

452
00:26:06,200 --> 00:26:08,599
Speaker 4: Was a type of powder, high grade but sold commonly

453
00:26:08,680 --> 00:26:11,319
in department stores are the better kind, a deep shade.

454
00:26:11,519 --> 00:26:14,359
The girl evidently is the dark brunette. This is confirmed

455
00:26:14,400 --> 00:26:17,000
by a smear of lipstick on the gun. The lipstick

456
00:26:17,079 --> 00:26:20,319
is dark, almost purple kind used by girls with black hair.

457
00:26:20,599 --> 00:26:21,759
Speaker 13: Well, that's the big help, Peters.

458
00:26:22,200 --> 00:26:24,119
Speaker 8: We've got to find that girl. She's the key to

459
00:26:24,200 --> 00:26:26,519
this particular car stealing record. Chief.

460
00:26:26,559 --> 00:26:28,559
Speaker 4: There are only one hundred and forty million persons in

461
00:26:28,640 --> 00:26:29,440
the United States.

462
00:26:30,160 --> 00:26:31,359
Speaker 5: Half are men remembered.

463
00:26:31,599 --> 00:26:34,599
Speaker 8: That still leaves seventy million hardly. The murder took place

464
00:26:34,640 --> 00:26:36,799
in New York, we can reasonably infer the girl of

465
00:26:36,799 --> 00:26:39,240
the New York resident New York City most probably.

466
00:26:39,799 --> 00:26:41,319
Speaker 4: I'll go along with you on that, Chief, But it

467
00:26:41,400 --> 00:26:43,960
still leaves about seven million persons three and a half

468
00:26:44,039 --> 00:26:44,599
million women.

469
00:26:45,079 --> 00:26:47,319
Speaker 8: Not if you stop to think a minute, Peters, most

470
00:26:47,440 --> 00:26:51,000
women have hair of varying shades of brown. Blondes and

471
00:26:51,079 --> 00:26:53,920
extreme brunettes are in the minority. That's right.

472
00:26:54,480 --> 00:26:57,920
Speaker 4: And here's something else. This girl was driving Sam Francis car.

473
00:26:58,599 --> 00:27:00,799
It's reasonable to assume that she had driver's license.

474
00:27:00,839 --> 00:27:02,880
Speaker 13: Here is exactly be that.

475
00:27:03,000 --> 00:27:05,920
Speaker 8: Narrows it to a girl with black hair. I it's

476
00:27:05,960 --> 00:27:08,920
probably deep brown or black. Who has a driver's license

477
00:27:08,960 --> 00:27:10,799
and is on file with a motor vehicle girl in

478
00:27:10,880 --> 00:27:11,240
New York.

479
00:27:11,720 --> 00:27:13,920
Speaker 4: Best, Chief, there'll still be several hundred girls in New

480
00:27:13,960 --> 00:27:15,200
York answering to that prescription.

481
00:27:15,480 --> 00:27:19,279
Speaker 8: And that's true enough. Now, if we received an analysis

482
00:27:19,319 --> 00:27:19,960
of the murder.

483
00:27:19,839 --> 00:27:22,359
Speaker 4: Car, not yet, but to make them through it anytime, a.

484
00:27:22,440 --> 00:27:24,400
Speaker 8: Chemical analysis of the dust on the floor of the car.

485
00:27:24,519 --> 00:27:27,240
That's when the shoes of the driver will isolate still

486
00:27:27,319 --> 00:27:28,720
further the neighborhood.

487
00:27:28,200 --> 00:27:29,119
Speaker 7: Where this girl lives.

488
00:27:29,319 --> 00:27:32,880
Speaker 8: It's logical. Peter's order a plane for New York. I've

489
00:27:32,920 --> 00:27:34,839
got an idea we may be able to locate the

490
00:27:34,920 --> 00:27:48,160
girl who was with Sam French with this tail wind,

491
00:27:48,160 --> 00:27:49,319
will be in New York about an hour.

492
00:27:49,440 --> 00:27:49,640
Speaker 1: Chief.

493
00:27:49,920 --> 00:27:51,839
Speaker 8: That's fine, we're reasoning correctly.

494
00:27:52,000 --> 00:27:53,359
Speaker 15: This case ought to break tomorrow.

495
00:27:56,480 --> 00:27:59,599
Speaker 8: That's New York calling Chief, tiding to New York.

496
00:28:00,079 --> 00:28:04,319
Speaker 4: Go ahead in New York the hiding plan fourteen putting

497
00:28:04,359 --> 00:28:07,920
now operation with all preliminaris covering a waiting reaction of

498
00:28:08,079 --> 00:28:08,960
subject involved.

499
00:28:09,559 --> 00:28:11,799
Speaker 8: Very good jays Eggs did arrive in New York within

500
00:28:11,880 --> 00:28:12,119
the hour.

501
00:28:12,160 --> 00:28:25,400
Speaker 15: I'll make you a feel that quarterly.

502
00:28:25,640 --> 00:28:29,119
Speaker 7: Come I move up place, lady. I got my license

503
00:28:29,200 --> 00:28:30,359
to the Motor vehicle Bureau.

504
00:28:30,759 --> 00:28:31,880
Speaker 2: You're in the right place, lady.

505
00:28:31,880 --> 00:28:32,880
Speaker 8: You got your right license.

506
00:28:33,160 --> 00:28:34,759
Speaker 2: Yes, I don't understand why.

507
00:28:35,000 --> 00:28:37,559
Speaker 8: You and all the rest the people online. All we

508
00:28:37,640 --> 00:28:38,559
want is your license.

509
00:28:38,599 --> 00:28:39,599
Speaker 2: You'll be given new ones.

510
00:28:40,359 --> 00:28:43,119
Speaker 7: Oh hidden anything wrong with it?

511
00:28:43,480 --> 00:28:43,880
Speaker 8: God a thing.

512
00:28:43,960 --> 00:28:45,279
Speaker 13: We're starting to issue a new form.

513
00:28:45,359 --> 00:28:45,720
Speaker 5: That's all.

514
00:28:46,799 --> 00:28:49,839
Speaker 8: See Karl Lenton Andrews.

515
00:28:50,599 --> 00:28:52,799
Speaker 6: Good enough, sit down, You're able to be called in

516
00:28:52,880 --> 00:28:54,640
the new blanks filled out, no additional theme.

517
00:29:04,119 --> 00:29:06,640
Speaker 7: Oh there you are a car jack was asking about you.

518
00:29:06,759 --> 00:29:08,599
Speaker 8: Yeah, and it ain't love baby. I'd just like to

519
00:29:08,640 --> 00:29:09,680
see you close to home.

520
00:29:09,839 --> 00:29:11,680
Speaker 7: Oh, can I leave the house for five minutes?

521
00:29:11,680 --> 00:29:13,000
Speaker 8: It's been gone all afternoon.

522
00:29:13,200 --> 00:29:15,359
Speaker 12: I had to go down to the Motor vehicle bureau.

523
00:29:15,519 --> 00:29:15,960
Speaker 7: That's all.

524
00:29:16,799 --> 00:29:19,960
Speaker 8: Maybe a drink when he said, sure, motor vehicle deer,

525
00:29:21,119 --> 00:29:22,519
so matter your license expise.

526
00:29:22,680 --> 00:29:24,720
Speaker 7: No, they wanted me to come there. And that's that.

527
00:29:26,200 --> 00:29:27,079
There's a drink car.

528
00:29:27,200 --> 00:29:29,640
Speaker 8: That motor vehicle story smells sufficient.

529
00:29:30,079 --> 00:29:34,359
Speaker 7: I got to notice. I can prove it here. Take

530
00:29:34,400 --> 00:29:36,359
a look at this. It's just smart money.

531
00:29:37,839 --> 00:29:41,519
Speaker 8: Yeah, so you had to bring your license to the

532
00:29:41,599 --> 00:29:42,359
motor vehicle bureau.

533
00:29:42,720 --> 00:29:45,359
Speaker 12: They just took my license and gave me a new one.

534
00:29:45,799 --> 00:29:51,279
Me and thousands of other girls. Yeah, no men, I

535
00:29:51,359 --> 00:29:54,920
didn't notice. Come to think of it, No, only girls.

536
00:29:55,039 --> 00:29:58,880
Speaker 7: Oh, forget about it. Women say it's the Motor Vehicle Bureau.

537
00:29:58,960 --> 00:29:59,720
Have a drink yet?

538
00:30:00,079 --> 00:30:08,319
Speaker 8: Uh, let's talk about it to more kra What kind

539
00:30:08,359 --> 00:30:09,119
of women were there?

540
00:30:09,680 --> 00:30:11,920
Speaker 7: I don't know. Girls, young women.

541
00:30:11,839 --> 00:30:15,839
Speaker 8: Only young women, lots of brunettes.

542
00:30:18,000 --> 00:30:18,559
Speaker 2: What do you mean?

543
00:30:18,640 --> 00:30:19,319
Speaker 7: What's fighting you?

544
00:30:19,519 --> 00:30:19,720
Speaker 3: Jack?

545
00:30:20,079 --> 00:30:22,279
Speaker 8: Look? Suppose the cops figured out it was a black

546
00:30:22,319 --> 00:30:25,119
haired young game who drove Sam francis car. Somebody might

547
00:30:25,200 --> 00:30:26,039
have seen her and Sam.

548
00:30:26,279 --> 00:30:26,880
Speaker 7: They couldn't have.

549
00:30:26,960 --> 00:30:27,839
Speaker 2: We didn't stop anyone.

550
00:30:27,880 --> 00:30:30,240
Speaker 8: You must have stopped for a red light. Somebody saw you.

551
00:30:31,359 --> 00:30:33,079
So the cops play it smart. They look up all

552
00:30:33,119 --> 00:30:35,119
the driver's license, They call in all the black head

553
00:30:35,200 --> 00:30:36,799
dames on some phony excuse.

554
00:30:36,799 --> 00:30:38,599
Speaker 7: You're crazy. There was a room full of peiti.

555
00:30:38,680 --> 00:30:40,839
Speaker 8: You hand in your old license. It's got your fingerprints

556
00:30:40,839 --> 00:30:41,119
all over.

557
00:30:41,279 --> 00:30:43,599
Speaker 7: Don't go getting any ideas I had one all along.

558
00:30:45,119 --> 00:30:46,440
Don't show it to my arms.

559
00:30:47,160 --> 00:30:52,079
Speaker 1: You drop it.

560
00:30:56,000 --> 00:30:56,200
Speaker 4: High.

561
00:30:56,920 --> 00:30:59,839
Speaker 2: So glad you even if you are the police United States?

562
00:31:00,200 --> 00:31:00,519
Speaker 5: All right?

563
00:31:01,279 --> 00:31:03,920
Speaker 8: I know card pictures for change and the wire that

564
00:31:04,000 --> 00:31:06,200
that's a girl to kill Sam Prince. Her fingerprints are.

565
00:31:06,160 --> 00:31:08,240
Speaker 2: On a murder, Cardine, please.

566
00:31:09,880 --> 00:31:12,279
Speaker 7: Innocent? She was with Sam Prince, but Jack killing.

567
00:31:12,240 --> 00:31:12,759
Speaker 1: After for you?

568
00:31:12,880 --> 00:31:14,720
Speaker 2: Good in your old naked yet lit the lady.

569
00:31:15,000 --> 00:31:16,799
Speaker 7: I'll talk, I'll talk pretty.

570
00:31:16,680 --> 00:31:18,480
Speaker 8: I imagine you will, Miss Lynton. But at best it

571
00:31:18,519 --> 00:31:21,000
will just confirm the evidence we have concerning your car

572
00:31:21,079 --> 00:31:21,799
stealing set up.

573
00:31:22,319 --> 00:31:23,799
Speaker 5: All right, Peter, take them the headquarters.

574
00:31:35,599 --> 00:31:37,480
Speaker 6: David Harding will be back in just a moment to

575
00:31:37,559 --> 00:31:39,559
tell you about next week's exciting case.

576
00:31:39,920 --> 00:31:41,400
Speaker 2: Hey, I sure want to hear about that.

577
00:31:41,519 --> 00:31:44,680
Speaker 6: I heard it was sensational. But uh, don't you want

578
00:31:44,680 --> 00:31:46,240
to hear about Old Nick candy bars?

579
00:31:46,279 --> 00:31:47,839
Speaker 2: First, Jimmy, not.

580
00:31:48,160 --> 00:31:52,440
Speaker 6: Mister crap Roger. What can you tell me about Old

581
00:31:52,519 --> 00:31:55,240
Nick candy bars? I enjoy one every day, That's all

582
00:31:55,359 --> 00:31:58,279
I need to know. But what about those folks who

583
00:31:58,359 --> 00:31:59,920
never had the pleasure of tasting old.

584
00:31:59,839 --> 00:32:02,839
Speaker 7: Neck Clevi tastes an Old Nick candy bar? Is it possible?

585
00:32:03,160 --> 00:32:03,640
Speaker 2: That's right?

586
00:32:03,720 --> 00:32:05,640
Speaker 6: Even though Old Nick has been a favorite of minions

587
00:32:05,680 --> 00:32:08,799
for over a quarter century, there are still some folks

588
00:32:08,839 --> 00:32:12,480
who've never enjoyed that smooth, thick chocolate coating.

589
00:32:12,319 --> 00:32:14,680
Speaker 7: The crunchy peanuts and buttery.

590
00:32:14,400 --> 00:32:16,799
Speaker 2: Rich caramel, and the creamy fudge.

591
00:32:16,839 --> 00:32:19,640
Speaker 6: Four famous candies blended into one delicious bar.

592
00:32:19,960 --> 00:32:20,519
Speaker 1: What do you know?

593
00:32:21,799 --> 00:32:23,119
Speaker 15: Well, what will we do?

594
00:32:23,440 --> 00:32:23,880
Speaker 7: Tell him?

595
00:32:24,440 --> 00:32:26,000
Speaker 2: Tell him Old Nick?

596
00:32:26,680 --> 00:32:30,440
Speaker 3: Oh by Oh Nick is a wonderful candy bar.

597
00:32:31,079 --> 00:32:34,119
Speaker 6: As Jimmy points out, you've missed a rare treat. If

598
00:32:34,160 --> 00:32:37,400
you've missed Old Nick, get some Old Nick candy bar soon.

599
00:32:38,319 --> 00:32:39,200
Speaker 8: Why not this evening?

600
00:32:39,480 --> 00:32:40,720
Speaker 7: You'll like Old Nick.

601
00:32:47,079 --> 00:32:49,440
Speaker 8: It's a David Harding speaking for a month's private first

602
00:32:49,480 --> 00:32:52,400
class bred Parker stationed with the American Occupation troops in Europe,

603
00:32:52,440 --> 00:32:54,519
had looked forward to his wife and family joining him.

604
00:32:55,279 --> 00:32:57,359
But a certain man in this country had other ideas,

605
00:32:57,559 --> 00:33:01,920
ideas which included gambling, murder, and double cross. How these

606
00:33:01,920 --> 00:33:04,720
different elements, thousands of miles apart, suddenly came into focus

607
00:33:04,880 --> 00:33:11,200
makes next week's Counterspy broadcast an exciting timely EXPOSA. Invite

608
00:33:11,200 --> 00:33:15,559
you to listen to Sunday, August fourth, same time station,

609
00:33:30,759 --> 00:33:33,559
David Hardy Counterspy The Phillip Stage LAYD.

610
00:33:33,359 --> 00:33:42,799
Speaker 6: Production thirty three forty five thirty three forty five Welcome back.

611
00:33:42,920 --> 00:33:46,000
Speaker 1: Well, that announcer had a case of the giggles. I

612
00:33:46,119 --> 00:33:49,240
don't think there was anything particularly funny, at least that

613
00:33:49,400 --> 00:33:52,279
I could hear. Maybe something in the studio was going

614
00:33:52,359 --> 00:33:56,400
on that we're not privy to. It's a rehearsal. You're

615
00:33:56,519 --> 00:34:00,119
not going to let that slow you down. Now you

616
00:34:00,200 --> 00:34:04,079
may be asking yourself, what is a counter SBO knowledge

617
00:34:04,279 --> 00:34:09,559
organization doing investigating a car tfforring. That's a great question.

618
00:34:10,480 --> 00:34:14,679
I wish I had a great in universe answer it.

619
00:34:15,159 --> 00:34:19,000
And one thing I came across Counterspy and I was

620
00:34:19,199 --> 00:34:23,960
listening to episodes that were all post war the first

621
00:34:24,000 --> 00:34:26,840
few I found, and I was like, what does this

622
00:34:27,119 --> 00:34:30,559
have to do with counter intelligence? Like on every single

623
00:34:30,679 --> 00:34:34,039
episode and there's not a great answer, or if they

624
00:34:34,159 --> 00:34:37,440
gave an answer, it's in an episode that is lost,

625
00:34:37,639 --> 00:34:41,000
and whether it was good or bad, we don't know.

626
00:34:41,440 --> 00:34:44,480
I think what happened though with Counterspy in terms of

627
00:34:44,559 --> 00:34:49,280
the program is that it and Don McLoughlin are an

628
00:34:49,400 --> 00:34:52,840
established brand with good ratings, and they'd lock to continue

629
00:34:52,880 --> 00:34:56,039
to run the program. And there was a little bit

630
00:34:56,119 --> 00:35:00,239
of lag in between the end of World War Two

631
00:35:00,679 --> 00:35:04,440
and the Cold War really heating up where you could

632
00:35:04,559 --> 00:35:09,440
make a series based on taking on communist agents solely,

633
00:35:09,760 --> 00:35:13,760
and there were actually a few episodes of The Man

634
00:35:13,920 --> 00:35:19,360
Called X in nineteen forty seven and forty eight, where

635
00:35:19,679 --> 00:35:23,880
he got into some investigations that were a bit of

636
00:35:23,920 --> 00:35:28,719
a stretch, like he was involved in cons of servicemen,

637
00:35:28,920 --> 00:35:34,440
which sounds like Counterspy would be taking on that next week.

638
00:35:34,679 --> 00:35:38,840
The best in universe explanation you could offer for something

639
00:35:39,119 --> 00:35:44,599
like this is that when Counterspy was created that David

640
00:35:44,719 --> 00:35:50,519
Harding was given pretty broad jurisdiction and ability to intervene

641
00:35:50,599 --> 00:35:55,239
in cases, and nobody ever thought to revise the powers

642
00:35:55,280 --> 00:35:57,880
of the agency. For real life, this would probably be

643
00:35:58,000 --> 00:36:01,440
more of a case for the FBI. I actually enjoyed

644
00:36:01,480 --> 00:36:05,079
the episode overall. Usually I'm not a fan of those

645
00:36:05,320 --> 00:36:10,599
cases that focus on the criminals. This was a bit

646
00:36:10,679 --> 00:36:13,639
more enjoyable for a couple of reasons. First, I thought

647
00:36:13,800 --> 00:36:18,960
that there was some real intelligence behind most of the

648
00:36:19,039 --> 00:36:23,880
criminals' actions. This isn't a Boston Blackie situation where you're

649
00:36:23,880 --> 00:36:28,800
sitting around with people with verbal techs. There's something on

650
00:36:28,960 --> 00:36:33,719
the ball behind this operation, which makes it interesting. Although

651
00:36:33,840 --> 00:36:38,079
that whole idea that he was going to rule all

652
00:36:38,280 --> 00:36:42,119
car theft operations in the country, that's kind of Saturday

653
00:36:42,159 --> 00:36:45,480
Morning supervillain. But the rest of it I think was

654
00:36:45,679 --> 00:36:50,199
pretty solidly reasoned. I also liked the relationship between the

655
00:36:50,559 --> 00:36:54,880
two sisters. Often it's just nasty all around in the

656
00:36:54,920 --> 00:36:57,159
way the criminals relate to each other, but I think

657
00:36:57,239 --> 00:37:02,880
there was a bit of humanity. Yes, Mary was using Cora,

658
00:37:03,480 --> 00:37:07,960
and Cora didn't appreciate it and really would not have

659
00:37:08,639 --> 00:37:12,519
liked to have been involved. But there was a limit

660
00:37:12,639 --> 00:37:15,639
for Mary, and she made clear she was willing to

661
00:37:17,079 --> 00:37:21,000
kill for her sister, and that ultimately does end up

662
00:37:21,159 --> 00:37:26,280
playing out in the episode when she pretty much is

663
00:37:26,480 --> 00:37:30,239
ready to tell all to Counterspot, even though according to

664
00:37:30,360 --> 00:37:34,440
David Harding, they know it already. Some sound deductions by

665
00:37:34,559 --> 00:37:39,239
David Harding, but the method of capturing the criminals, that

666
00:37:39,559 --> 00:37:42,400
one is again, you know, it's kind of one of

667
00:37:42,480 --> 00:37:46,440
those solutions of scale that the more you think about it,

668
00:37:46,559 --> 00:37:51,239
the more you realize it's problematic. It's New York City.

669
00:37:51,559 --> 00:37:55,519
Not everyone's drives or has a car. As a general rule,

670
00:37:55,679 --> 00:37:59,920
women a smaller percentage of women had licenses back then.

671
00:38:00,400 --> 00:38:04,000
But still it's New York City, and there were far

672
00:38:04,559 --> 00:38:10,760
too many black haired female drivers to make this practical.

673
00:38:10,840 --> 00:38:14,360
I mean, think about just the pure bureaucracy of this

674
00:38:14,599 --> 00:38:18,519
sort of thing. How many driver's licenses you'd have to reissue.

675
00:38:18,920 --> 00:38:22,159
But other than that, I thought overall a good episode.

676
00:38:22,239 --> 00:38:27,400
Few implausible items, but I think really entertaining. All right,

677
00:38:27,519 --> 00:38:31,159
listener comments and feedback now, and we have a comment

678
00:38:31,239 --> 00:38:35,679
from Dorothy regarding Counterspy over on YouTube. She writes, first

679
00:38:35,719 --> 00:38:38,360
time hearing the series, it's very good. Would like to

680
00:38:38,480 --> 00:38:42,119
hear more. Well, Thanks so much, Dorothy, and we have

681
00:38:42,360 --> 00:38:45,119
quite a bit more Counterspy to play over the next

682
00:38:45,280 --> 00:38:48,320
year or so, and I hope you and everyone else

683
00:38:48,360 --> 00:38:49,199
will keep listening.

684
00:38:49,480 --> 00:38:49,920
Speaker 13: All right.

685
00:38:50,000 --> 00:38:53,679
Speaker 1: Well, now it's time to thank our Patreon supporter of

686
00:38:53,840 --> 00:38:58,599
the day. Thank you to Susie, Patreon supporter since September

687
00:38:58,760 --> 00:39:03,280
twenty twenty five, currently supporting the podcasts at the secret

688
00:39:03,360 --> 00:39:06,119
Agent level of four dollars or more per month. Thanks

689
00:39:06,159 --> 00:39:08,679
so much for your support, Susie, And that will do

690
00:39:08,760 --> 00:39:12,320
it for today. If you're enjoying the podcast, please follow

691
00:39:12,440 --> 00:39:16,519
us using your favorite podcast software and be sure to

692
00:39:16,639 --> 00:39:19,400
rate and review the podcast wherever you download it from.

693
00:39:20,239 --> 00:39:25,159
We will be back next Saturday with another episode of Counterspot.

694
00:39:25,719 --> 00:39:28,400
Join us back here on the Great Detectives of Old

695
00:39:28,480 --> 00:39:32,119
Time Radio on Monday for the Saint and then we

696
00:39:32,360 --> 00:39:35,760
will be back on the Great Adventurers of Old Time

697
00:39:35,880 --> 00:39:39,679
Radio on Tuesday with the conclusion of Tarzan and the

698
00:39:39,800 --> 00:39:42,679
Diamonds of a Sure In the meantime, do send your

699
00:39:42,760 --> 00:39:48,960
comments to Box thirteen at Great Detectives dot net. From Boise, Idaho,

700
00:39:49,280 --> 00:39:51,679
this is your host, Adam Grant on and off

701
00:40:00,280 --> 00:40:00,320
Speaker 15: M